WMM Playlist from June 25, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 25, 2025

WMM presents Suzannah Johannes + Marmoppes + Keelon Vann

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. David Byrne & Ghost Train Orchestra – “Everybody Laughs”
    from: Who Is The Sky? / Matador Records / September 25, 2025
    [In 2023, as his triumphant American Utopia era came to a close, David Byrne began jotting down the occasional groove, chord or melody and assembling them into demos he recorded with just an acoustic guitar atop a programmed beat or loop. The prior three years had given him, and much of humanity, the opportunity to ask, “Do I like what I’m doing? Why am I writing songs, or working this job, or whatever? Does any of it matter?” Byrne’s attempts to answer those weighty questions can be found on Who Is The Sky?, a first-time collaboration between himself, Grammy-winning producer Kid Harpoon aka Tom Hull (Harry Styles, Miley Cyrus) and New York-based chamber ensemble Ghost Train Orchestra, and featuring guest appearances by Paramore’s Hayley Williams, longtime collaborator St. Vincent and The Smile drummer Tom Skinner. The album builds upon the optimistic themes laid out by American Utopia and its supporting tour, but more specifically spelled out by the Grammy-winning Broadway show and subsequent movie. With this offering, Byrne continues his lifelong exploration of human connection and the potential for societal unity against the chaotic backdrop of the world. Who Is the Sky? is particularly personal, cinematic, humorous and joyful, but often with a lesson baked in – that love is unexplainable, that enlightenment means very different things to different people and that it’s always a good idea to moisturize, whether you wake up the next morning with skin like a baby or not. Most importantly, the songs evince Byrne’s gift for riding the razor’s edge of avant-garde and accessible pop. // Since co-founding Talking Heads, David Byrne has been involved with photography, drawing, installations, performance, design, as well as a solo music career. Recent works include American Utopia on Broadway (and the Spike Lee directed film), SOCIAL! Social; Distance Dance Club, Theater of the Mind, and his non profit Arbutus and its primary project, Reasons to be Cheerful, an online news magazine. http://www.davidbyrne.bandcamp.com]
  1. Religion of Heartbreak – “Forget About You”
    from: Dream Reflection – EP / Religion of Heartbreak / February 3, 2025
    [ROH is the band formerly known as Monta At oddsIt was recently announced that Krysztof Nemeth was stepping away for Religion of Heatbreak to focus on his band ReViser also with Dedric Moore and with Breaka Dawn. Dedric Moore on vocals, guitar, synths, programming; Mikal Shapiro on vocals, Krysztof Nemeth: baritone guitar, electronic percussion; Alexander Thomas on electronic percussion on MGGG, Dream Reflection, Skeptic; Regan Moore on electronic percussion on Dark Hour of Meditation // Dream Reflection EP carries forward the motorized heartbeat of classic darkwave while forging its own metallic path. Drawing from EBM and Synth Pop traditions, this five-track release sees the Monta At Odds offshoot strip away unnecessary embellishments, leaving only the essential elements and textural remnants that speak to our collective digital malaise. // The EP’s centerpiece and title track emerges like a ghost in the machine, with Mikal Shapiro’s coolly delivered vocals floating above Dedric Moore’s gritty synth programming and precision-guided guitar along with Krysztof Nemeth’s synth pad percussion. Each track builds upon this foundation, from the robot-dance urgency of “Forget About You” to the beautiful desolation of “Skeptic,” creating a cohesive statement about modern isolation and the personas we construct. The result feels familiar and alien—like catching your reflection in a black mirror and seeing someone else staring back. // Religion of Heartbreak, an offshoot of Monta At Odds, dives deep into darkwave and EBM territories, crafting a sound that’s nostalgic and cutting-edge with Dedric Moore on vocals, guitar, synths, programming; Mikal Shapiro on vocals; and Krysztof Nemeth on baritone guitar and electronic percussion.]

[Religion of Heartbreak play miniBar, 3810 Broadway, KCMO, on Thursday, June 26 at 7:00pm with Hex Cassette, and Yama Uba.]

The Royal Chief
  1. The Royal Chief – “Hi-Def (Radio Mix)”
    from: Fire – EP / Sovereign Sound / July 10, 2025
    [New 5-track EP from The Royal Chief / Born in Kansas City, Missouri as Jamel Thompson to a single mother, The Chief is the youngest of six – two brother’s on his mother’s side and another brother and twin sisters from his father. Growing up, his mother fostered his mind; she encouraged The Royal Chief to read relentlessly and to experiment with his talents. This promoted a period where The Royal Chief began expressing himself by writing stories. Chief spent most of his early life in the urban areas of Kansas City. He and his mother moved to Dallas, Texas briefly before returning to Kansas City – to the suburbs – which provided an interesting contrast to his life before. // At the age of 13, after attending a concert in which Kanye West performed, Chief knew his path was in music and began rapping. Courtesy of his mother, he drew inspiration from R&B and Soul while getting his introduction to Hip Hop from his father and brothers. Hip Hop became a love and an outlet for him – a way to vent and document how he perceived the world. It was also an instrument for The Royal Chief to cope with the pain of losing his older brother and godmother who had a hand in raising him. // The Royal Chief moved to Atlanta, Georgia in 2012. He spent his first year there living out of his Honda Civic and obtained membership to a local gym to have access in order to take showers. He established a relationship with the manager at Tree Sound Studios through a mutual friend and was soon allowed to live in the studio’s building. He made the most of this opportunity by observing and learning many of the aspects of the music industry, audio/video recording, marketing, and most importantly building relationships and networking. Soon, he began to nurture a relationship with “Cyhi The Prynce” who took him under his wing allowing Chief to create and write for other G.O.O.D. Music artist. During this time, Chief was able to go on tour and learn just to write raps and incorporate rhythm and flow into his pieces to make them sound appealing. // In 2015, under his original moniker “J-Dub,” The Royal Chief began to meticulously focus on his own projects and released his first mixtape entitled Trial and Error. Later that same year, after a trip back to his hometown of KC, he made a conscious decision to change his stage name to something that reflected his passion for his two favorite home-town sports teams and one that represented his city. And in combining the names of those teams, he thus became “The Royal Chief”. Feeling the need to release some music to commemorate the name change, in September of 2016 he released his second project, an EP entitled Dawn – representing the beginning or “dawn of” something new. // In 2017, after seeing a Kareem “Biggs” Burke’s interview in which he said “if you don’t have your city you don’t have anybody,” Chief decided it was time for him to return home and build his name and his following up in his own city. That same year, after a house fire in which he lost everything but his life, he released his third project – an EP titled Homecoming. While building traction in the city, Chief worked diligently to network and perform live all around the Kansas City Metroplex and surrounding areas. In 2018, he released a three-track EP titled 3 Pack. Chief spent the next year working towards expanding existing relationships and building new ones. Chief’s objective was to spend time building a backing band for his live performances as well as collaborate with local artists and producers. And with this feat accomplished, in 2020, Chief released his fourth project titled Groundwork. Groundwork represents “laying the foundation” – it’s the cumulative efforts of networking, touring, and building a following. More info at: http://www.theroyalchief.com]

The Royal Chief will play the 21st Annual Crossroads Music Fest, Saturday, September 6, 3:00pm to Midnight, in West Bottoms at Lemonade Park, Stockyards Brewing, Livestock Exchange Lot, The Campground, Voltaire, The Ox Cafe & Bakery(VIP Venue) with KRYSTLE WARREN / LAURA NOBLE & FRIENDS / THE MGDS • RUDY LOVE AND THE ENCORE / SEYKO • STRANDED IN THE CITY / FRIENDLY THIEVES • LITTLE MISS DYNAMITE / FLAT SUSAN • ROYAL CHIEF • SASS-A-BRAS / THE WHIPS • JESUS CHRIST TAXI DRIVER / SARA SWENSON • TALIA KEYS • JELLY ROSE / MARIACHI ESTRELLA & GRUPO FOLKLÓRICO ALMA TAPATÍA / TERI QUINN & THE COYOTES • 3 TRAILS WEST / DJ THUNDERCUTZ • NATURE BOYS • TIMBERS / SKY SMEED • JULIE BENNETT HUME & ERNEST JAMES / DJ NANA G • LINEA FRONTERA • DYM N D / RURAL GRIT ALL STARS • THE APOLOGIES / JOHN KECK • OSEZUA • BOBBY SCHARPING / ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY More info at: http://www.cmfkc.com

  1. Mavis Staples – “Godspeed”
    from: “Godspeed” – Single / Anti / June 10, 2025
    [Written by Frank Ocean. A legendary performer who will turn 86 next month on July 10, Mavis Staples continues to be a tour-de-force in music and a voice for the voiceless in today’s divided society. Well known for her work in the gospel and Americana space, Staples is also an R&B icon who famously worked with the one and only Prince in his 80’s heyday. // Hailed by NPR as “one of America’s defining voices of freedom and peace,” Staples is the kind of once-in-a-generation artist whose impact on music and culture would be difficult to overstate. She’s both a Blues and a Rock and Roll Hall of Famer; a civil rights icon; a GRAMMY Award-winner; a chart-topping soul/gospel/R&B pioneer; a National Arts Awards Lifetime Achievement recipient; and a Kennedy Center honoree. She marched with Dr. Martin Luther King, Jr., performed at John F. Kennedy’s inauguration, and sang in Barack Obama’s White House. // At a time when most artists begin to wind down, Staples ramped things up, releasing a trio of critically acclaimed albums in her 70’s with Wilco’s Jeff Tweedy that prompted Pitchfork to rave that “her voice has only gained texture and power over the years” and People to proclaim that she “provides the comfort of a higher power.” “I sing because I want to leave people feeling better than I found them,” Staples says. “I want them to walk away with a positive message in their hearts, feeling stronger than they felt before. I’m singing to myself for those same reasons, too.” // On July 9, Staples and award-winning children’s poet Carol Boston Weatherford will release the new children’s book ‘Bridges Instead of Walls: The Story of Mavis Staples’, a vibrant and poetic new picture book that introduces young readers to Staples’ life story, who began singing at age 8 and ever since has used her voice as a rallying cry to the country at numerous civil rights protests and continues to sing and share her message of love, faith and justice in front of large audiences today. // Staples recently celebrated her upcoming birthday early in stellar fashion at Los Angeles’s YouTube Theater this past April, gracing the stage alongside a star-studded lineup including Hozier, Chris Stapleton, Bonnie Raitt, Jackson Browne, Black Pumas, and more. Currently on tour in Europe, Staples will return to the US and perform at Willie Nelson’s 4th of July picnic on the nation’s birthday. The next day she begins a run of dates with Norah Jones, who she affectionally calls “my baby sister.” All upcoming dates are listed below. // Mavis Staples (born July 10, 1939) is an American rhythm and blues and gospel singer and civil rights activist. She rose to fame as a member of her family’s band The Staple Singers, of which she is the last surviving member. During her time in the group, she recorded the hit singles “I’ll Take You There” and “Let’s Do It Again”. In 1969, Staples released her self-titled debut solo album. // Staples continued to release solo albums throughout the following decades and collaborated with artists such as Aretha Franklin, Prince, Arcade Fire, Nona Hendryx, Ry Cooder, and David Byrne. Her eighth studio album You Are Not Alone (2010), earned critical acclaim, and became her first album as a soloist to reach number one on a Billboard chart, peaking atop the Top Gospel Albums chart. It also earned Staples her first Grammy Award win. Following this, she released the albums One True Vine (2013), Livin’ on a High Note (2016), If All I Was Was Black (2017), and We Get By (2019); she is also featured on the single “Nina Cried Power” by Hozier. // Staples is the recipient of the Grammy Lifetime Achievement Award, and has won three Grammy Awards, including one for Album of the Year as a featured artist on We Are by Jon Batiste.[6] Named one of the ‘100 Greatest Singers of all Time’ by Rolling Stone in 2008; Staples was inducted into the Rock and Roll Hall of Fame in 1999, and in the Gospel Music Hall of Fame in 2018, as a member of The Staple Singers. Additionally, she was made a Kennedy Center Honoree in 2016. The following year, she was inducted into the Blues Hall of Fame as a soloist. In 2019, she received the inaugural Rock Hall Honors Award from the Rock and Roll Hall of Fame, as a soloist. // Staples was born in Chicago, Illinois, on July 10, 1939. She began her career with her family group in 1950. Initially singing locally at churches and appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Pervis, the Staples were called “God’s Greatest Hitmakers”. // With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. // During a December 20, 2008, appearance on National Public Radio’s news show Wait Wait… Don’t Tell Me!, when Staples was asked about her past personal relationship with Dylan, she admitted that they “were good friends, yes indeed” and that he had asked her father for her hand in marriage. // The Staples sang “message” songs like “Long Walk to D.C.” and “When Will We Be Paid?,” bringing their moving and articulate music to a huge number of young people. The group signed to Stax Records in 1968, joining their gospel harmonies and deep faith with musical accompaniment from members of Booker T. and the MGs. The Staple Singers hit the Top 40 eight times between 1971 and 1975, including two No. 1 singles, “I’ll Take You There”, produced by Al Bell and recorded and mixed by Terry Manning, “Let’s Do It Again,” and a No. 2 single “Who Took the Merry Out of Christmas?” // Mavis made her first solo foray while at Epic Records with The Staple Singers, releasing a lone single “Crying in the Chapel” to little fanfare in the late 1960s. The single was finally re-released on the 1994 Sony Music collection Lost Soul. Her first solo album would not come until a 1969 self-titled release for the Stax label. After another Stax release, Only for the Lonely, in 1970, she released a soundtrack album, A Piece of the Action, on Curtis Mayfield’s Curtom label. A 1984 album (also self-titled) preceded two albums under the direction of rock star Prince; 1989’s Time Waits for No One, followed by 1993’s The Voice, which People magazine named one of the Top Ten Albums of 1993. Her 1996 release, Spirituals & Gospels: A Tribute to Mahalia Jackson, was recorded with keyboardist Lucky Peterson. The recording honors Mahalia Jackson, a close family friend and a significant influence on Mavis Staples’s life. // Staples singing during the 2006 NEA National Heritage Fellows concert. // Staples made a major national return with the release of the album Have a Little Faith on Chicago’s Alligator Records, produced by Jim Tullio, in 2004. The album featured spiritual music, some of it semi-acoustic. // In 2004, Staples contributed to a Verve release by legendary jazz-rock guitarist, John Scofield. The album, entitled That’s What I Say, was a tribute to the great Ray Charles and led to a live tour featuring Staples, John Scofield, pianist Gary Versace, drummer Steve Hass, and bassist Rueben Rodriguez. A new album for Anti- Records entitled We’ll Never Turn Back was released on April 24, 2007. The Ry Cooder – produced concept album focuses on gospel songs of the civil rights movement and also included two new original songs by Cooder. // Her voice has been sampled by some of the biggest selling artists, including Salt ‘N’ Pepa, Ice Cube, Ludacris, and Hozier. Staples has recorded with a wide variety of musicians, from her friend, Bob Dylan (with whom she was nominated for a 2004 Grammy Award in the “Best Pop Collaboration With Vocals” category for their duet on “Gonna Change My Way of Thinking”, from the album Gotta Serve Somebody: The Gospel Songs of Bob Dylan) to The Band, Ray Charles, Prince, Nona Hendryx, George Jones, Natalie Merchant, Ann Peebles, and Delbert McClinton. She has provided vocals on current albums by Los Lobos and Dr. John, and she appears on tribute albums to such artists as Johnny Paycheck, Stephen Foster and Bob Dylan. // In 2003, Staples performed in Memphis at the Orpheum Theater alongside a cadre of her fellow former Stax Records stars during “Soul Comes Home,” a concert held in conjunction with the grand opening of the Stax Museum of American Soul Music at the original site of Stax Records, and appears on the CD & DVD that were recorded and filmed during the event. In 2004, she returned as guest artist for the Stax Music Academy’s SNAP! Summer Music Camp and performed again at the Orpheum with 225 of the academy’s students. In June 2007, she again returned to the venue to perform at the Stax 50th Anniversary Concert to Benefit the Stax Museum of American Soul Music, produced by Concord Records, who now owns and has revived the Stax Records label. // In 2009, Staples, along with Patty Griffin and The Tri-City Singers, released a version of the song “Waiting For My Child To Come Home” on the compilation album Oh Happy Day: An All-Star Music Celebration. // On October 30, 2010, Staples performed at the Rally to Restore Sanity and/or Fear alongside singer Jeff Tweedy. In 2011 she was joined on-stage at the Outside Lands Music And Arts Festival by Arcade Fire singer Win Butler. The two performed a version of “The Weight” by The Band. // Staples also performed at the 33rd Kennedy Center Honors, singing in a tribute to honoree Paul McCartney. // Staples headlined on June 10, 2012, at Chicago’s Annual Blues Festival in Grant Park. // On June 27, 2015, Staples performed on the Park Stage of Glastonbury Somerset UK. On October 31, 2015, Staples performed with Joan Osborne in Washington, D.C. at The George Washington // University’s Lisner Auditorium as part of their Solid Soul Tour. // In February 2016, Staples’s album Livin’ on a High Note was released. Produced by M. Ward, the album features songs written specifically for Staples by Nick Cave, Justin Vernon, tUnE-yArds, Neko Case, Aloe Blacc, and others. Discussing the album Staples said: “I’ve been singing my freedom songs and I wanted to stretch out and sing some songs that were new. I told the writers I was looking for some joyful songs. I want to leave something to lift people up; I’m so busy making people cry, not from sadness, but I’m always telling a part of history that brought us down and I’m trying to bring us back up. These songwriters gave me a challenge. They gave me that feeling of, ‘Hey, I can hang! I can still do this!’ There’s a variety, and it makes me feel refreshed and brand new. Just like Benjamin Booker wrote on the opening track, ‘I got friends and I got love around me, I got people, the people who love me.’ I’m living on a high note, I’m above the clouds. I’m just so grateful. I must be the happiest old girl in the world. Yes, indeed.” // In January 2017, Staples was featured as a guest vocalist on “I Give You Power”, a single from Arcade Fire benefiting the American Civil Liberties Union. In February 2017, Staples appeared on NPR’s Wait, Wait … Don’t Tell Me! in the “Not My Job” segment, answering questions about the rock band The Shaggs. In April 2017, “Let Me Out”, a single from the fifth studio album by Gorillaz, Humanz, was released, featuring Staples and rapper Pusha T. // Staples’s sixteenth album If All I Was Was Black was released on November 17, 2017. The record was again produced by Jeff Tweedy and contains all original songs cowritten by Mavis and Tweedy. Following the release, Staples toured with Bob Dylan. She also appeared on the 2017/18 Hootenanny. In 2018, she sang on Hozier’s single “Nina Cried Power”. // In May 2019, Staples celebrated her 80th birthday with a concert at the Apollo Theater, 63 years after first appearing at the theater as a teenager with her family band, the Staple Singers, in 1956. The show, which featured special guest artists, including David Byrne & Norah Jones, is one of a series of collaborative concerts she staged in May to commemorate her 80th birthday. She performed at the 2019 Glastonbury Festival. // In 2022, Staples released Carry Me Home, a collaboration with Levon Helm, recorded at Helm’s Midnight Ramble in 2011. // She released the single “Worthy” on June 18, 2024.]
  1. Tre’ Mutava – “Walls Talk”
    from: “Walls Talk” b/w “Where Have You Been All My Life?” – Single / Currently Crafting / May 30, 2025
    [Born in 2001 in Marietta, GA — Tre’ grew up with a love of gospel music, inspiring him to write his own. His first performance of an original song was for his elementary school while knowing only two chords on his guitar, but he knew that this is what he loved. Upon entering high school, he became interested in producing after hearing the musicality of artists’ works like 21 Pilots, Jon Bellion, and AJR. He was recognized initially by fans on the 4th single of his debut album, “GO! (feat. PEABOD),” in 2021. “The Movies” proved a cinematic experience for listeners through Tre’s unique vocals and inclusion of choir, horns, and strings. In addition to his personal works, Tre’ has been recognized for his production and co-writing work on songs like “Sunset” and “Take Me Back” by Noah Anthony, “Find You” by Jaishon Jenkins, and “Imagination” by Bobby Labrecque. Most recently, he was featured on The Whips’ album, How To Hold A Grudge, on their track “Please Help Me.” More info at: http://www.tremutava.com]
  1. Wednesday – “Elderberry Wine”
    from: “Elderberry Wine” – Single / Dead Oceans / June 9, 2025
    [Wednesday, the North Carolina rock band led by generational songwriter Karly Hartzman, share a twangy and timeless new single titled “Elderberry Wine,” alongside a video directed by Spencer Kelly.\ // “‘Elderberry Wine’ is about the potential for sweet things in life (love, family, success) to become poison if not prepared for and attended to correctly,” Hartzman explains. “Elderberry is known as a healing fruit, and is an ingredient in many tonics and syrups to aid the immune system. One time however, my sister consumed them raw and it immediately induced vomiting. So ‘Elderberry Wine’ is ultimately a love song about creating just the right environment for fulfillment. There’s a delicate balance that needs to be created, especially in love, for two lives to intersect without poisoning each other.” // “Elderberry Wine” is the first taste of new music from Wednesday since the release of their breakthrough album Rat Saw God. The album was one of 2023’s most critically acclaimed releases, landing on year end lists at the New York Times, NPR, Pitchfork, Rolling Stone, Associated Press, Wall Street Journal, LA Times, The Altantic, The Ringer, The FADER, Paste, Consequence, Stereogum and more. // Wednesday is Karly Hartzman, MJ Lenderman, Xandy Chelmis, Alan Miller, and Ethan Baechtold. // “What makes Wednesday one of the best bands in the world is Hartzman’s songwriting. It’s paradisiacal in a scuzzy way, adaptable to any underbelly in North America and wickedly unafraid of being too truthful or unabashed.” -Paste // “Karly Hartzman’s storytelling remains a beautifully magpie-like collection of little details drawn from memory and observation, woven together into a transcendent indie rock tapestry.” -The AV Club // Rat Saw God released September 8, 2022. It was ij the top 30 of WMM’s 120 Best Recordings of 2024. // // Hartzman was inspired to start playing guitar after watching Mitski’s NPR Tiny Desk concert. Hartzman attended college in Asheville, where she met Daniel Gorham. The two recorded an album together under the moniker Wednesday titled yep definitely. The band’s name was inspired by the British band The Sundays. // After releasing this record, Hartzman formed another band called Diva Sweetly, alongside members of the band Pictures of Vernon. Hartzman was interested in making shoegaze music, which was not the music Diva Sweetly was making. Thus, Hartzman gathered new members to join the Wednesday band and released the second album with the group, titled I Was Trying to Describe You to Someone in 2020. The group released their third record, Twin Plagues, on August 13, 2021.// On March 11, 2022, the band released a covers album titled Mowing the Leaves Instead of Piling ’em Up, featuring covers versions of songs by Gary Stewart, Chris Bell, Roger Miller, Drive-By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine and The Smashing Pumpkins. On September 8, 2022, the band left Orindal Records and signed to Dead Oceans, releasing the single “Bull Believer”. On January 18, 2023, the band released the single “Chosen to Deserve” and announced a fifth album, Rat Saw God, which was released on April 7, 2023.] [Wednesday played the recordBar, 1520 Grand Blvd, KCMO, on Wednesday, May 17 at 7:00 PM ]
  1. Chad Brothers – “Family Tree”
    from: “Family Tree” – Single / Chad Brothers / January 23, 2024
    [Chad Brothers is a Kansas City-based singer-songwriter, multi-instrumentalist and bandmate to many. An accomplished guitarist and vocalist of 35+ years, Chad has strong sense of melodic and harmonic patterns, with a uniquely soulful perspective from which he writes original folk, bluegrass, rock and psychedelic music rooted in acoustic and electric guitar. // Born and raised on a family farm outside of Winfield, KS, Chad was deeply influenced from a young age by the acoustic mecca of the Walnut Valley Festival, absorbing and evolving musically under the rich history and uniquely-inviting campground jamming culture of the annual event. // These days, you can find Chad performing around Kansas City and surrounding areas in his impressive array of musical projects, including with Old Sound, Supermassive Black Holes, Shapiro Brothers, Mikal Shapiro & The Musical, Howard Iceberg & The Titanics and several others. Chad has also served as Chief Operator at KKFI 90.1 FM Kansas City Community Radio since August 2019. // You can Watch + listen to “Family Tree” at: https://www.youtube.com/watch?v=g_TIRVvgO70 one of Chad’s most recently-written original songs.}

[Chad Brothers plays Mike Kelly’s Westsider, 1515 Westport Road, KCMO on Thursday, June 26 ay 6:30pm opening for Big Love Carwash.]

10:29– Underwriting

  1. Suzannah Johannes – “Bordeaux Girl”
    from: Kansas City: Hanz Bronze Boulevard / Suzannah Johannes / August 29, 2025
    [Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera. More info at: http://www.suzannahjohannes.com. ]

[Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas.]

10:34 – Interview with Suzannah Johannes

Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators.

Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas. More info at: http://www.suzannahjohannes.com.

Suzannah Johannes Thank you for being with us on WMM.

In 2008, Suzannah Johannes was an up-and-coming singer-songwriter with a debut EP—S/T—from Range Life Records. Then life happened: she got married, became a mother, dedicated her time to responsibilities outside of music. A few times a year, Johannes would play out in local clubs, but in ways too many women will recognize, her music career felt stuck on pause.

Seventeen years later, it’s time to press play—Suzannah Johannes returns with two brilliant full albums: Kansas City: Hanz Bronze Boulevard and Los Angeles: The Missing Album.

Suzannah Johannes is a singer-songwriter based out of Lawrence, Kansas. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze, and plenty of YouTube tutorials.

In 2006 or 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio with Josh Adams and David Wetzel. Four tracks from those sessions became his debut EP, released by Range Life Records in 2008.

Over the past 19 years, she has performed solo and with a rotating group of collaborators, including David Wetzel, Nate Holt, Sean McCue, Jeff Jackson, Dustin Kinsey, and Gus Seyffert.

Her most recent album, Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera.

After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City.

Suzannah is playing a matinee show from 6 to 9:30 p.m. on Saturday, July 19 at Hillsiders in Kansas City, Kansas.

After the Kansas City album is released on Friday, August 29, she will have a release show on Thursday, Sept. 11 at The Ship, and another show in Lawrence on Saturday, Sept. 13.

More information about her upcoming albums and shows can be found on her website, http://www.suzannahjohannes.com.

Suzannah is releasing (Kansas City: Hanz Bronze Boulevard on Aug. 29, and Los Angeles: The Missing Album on Jan. 2, 2026):

10:44

  1. Suzannah Johannes – “St Megan”
    from: Kansas City: Hanz Bronze Boulevard / Suzannah Johannes / August 29, 2025
    [Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera. More info at: http://www.suzannahjohannes.com. ]

[Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas.]

10:48 – More Interview with Suzannah Johannes

Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators.

Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas. More info at: http://www.suzannahjohannes.com.

Suzannah Johannes Thank you for being with us on WMM.

Her most recent album, Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera.

After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City.

Suzannah is playing a matinee show from 6 to 9:30 p.m. on Saturday, July 19 at Hillsiders in Kansas City, Kansas.

After the Kansas City album is released on Friday, August 29, she will have a release show on Thursday, Sept. 11 at The Ship, and another show in Lawrence on Saturday, Sept. 13.

Suzannah is releasing (Kansas City: Hanz Bronze Boulevard on Aug. 29, and Los Angeles: The Missing Album on Jan. 2, 2026):

Suzannah Johannes Thank you for being with us on WMM.

Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas. More info at: http://www.suzannahjohannes.com.

10:57

  1. Suzannah Johannes – “Rebecca”
    from: Kansas City: Hanz Bronze Boulevard / Suzannah Johannes / August 29, 2025
    [Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera. More info at: http://www.suzannahjohannes.com. ]

[Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas.]

10:00 – Station ID

  1. Marmoppes – “Gyatt Time”
    from: “Butterfly” – single / Big Nip Records / March 17, 2024
    [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]

11:02 – Interview with Marmoppes

We are happy to welcome back members of the Kansas City suoer group, Marmoppes who return to Wednesday MidDay Medley to share new music and perform LIVE in our 90.1 FM Studios. Marmoppes include: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. Originally formed on Groundhog Day, since the fall of 2023 Marmoppes have released five singles: “Cerulean Blue Truffle Pig” (Sept. 5, 2023), “Butterfly” (March 17, 2024), “Yr Chemical” (April 28, 2024), “Gyatt Time” (Sept. 20, 2024), “Nos” (March 23, 2025) Marmoppes will premier their brand new single on WMM. More info at: https://linktr.ee/marmoppes

Simon Huntley, J. Ashley Miller, Alyssa Murray and Ernest Melton Thank you for being with us on WMM.

Simon Huntley is a British-American musician, percussionist, producer, composer and visual artist combining classical sentiments with new world rebellion. Growing up in France then relocating in 2011, Simon now divides his time between the United States and France, investigating and collaborating with the world’s best talent including: QUIXOTIC, A$AP Rocky, Mireya Ramos, Tech9, Making Movies, Calvin Arsenia, Mike Dillon + Nikki Glaspie, Chipotle, Hilton Hotels, Qatar Airways, and many more. Preformed in venues such as: Red Rocks Amphitheater—Colorado / The MGM Grand—Las Vegas / Faena Hotel—Miami / T-Mobile Arena. // And events such as: Invision Festival—Costa Rica / Alaska World Arts Festival—Alaska / Fringe Festival—Edinburgh / Live At Heart—Sweden / Wanderlust—Canada + California // As well as festivals, PACs, Live TV and Radio.

J Ashley Miller is a recipient of the 2016 Charlotte Street Foundation Generative Performing Artist Award. He’s a self-taught musician & composer. For nearly 20 years he has worked as Composer / Producer/ Recording Engineer / Founder of The Infoaming Vertex in Kansas City, Missouri, a recording studio which he built in 2006. For the last 12 years he has produced, engineered and mixed nearly 100 full length albums and countless smaller projects for both local and international artists including Calvin Arsenia and SSION // With SSION he co-wrote and produced 2 full length albums. The videos were always a central focus for the project, and he fine tuned his ability to work with a director and bring about a coherent final product. // He founded the musical entities Metatone and Jametatone with multiple released from 2013 through 2022. // He once told an art writer that his training was “tens of thousands of hours on computers and playing in bands”, as well as a conductor, music director, producer, performance artist, filmmaker, and recording engineer (among other interests). “I got into all of this by shooting live music films and really tailoring compositions to our filming locations,” Miller said, citing site-specific performances at La Esquina, Oppenstein Park, and Turkey Creek. Filmed and recorded onsite, in one take (multi-camera, multi-track), the final product of these shows was the resulting film or album. // Miller founded the performance group Quadrigarum for site-specific projects and to showcase the chariot instruments he designed, using wheel-mounted guitar picks and an amplified single-stringed guitar on a wooden frame. Chariots are a core element of the Atemporchestra, an ensemble of eclectic instrumentation (including pan flutes, vibraphone, drums, horns, computers, and keyboards, for starters) that he originally put together from the TEDxKC show.

Alyssa Murray recently released her album ‘SCROLLIN’ in 2023. that called “a sonic kaleidoscope of synth-tastic beats and experimental delight. Written, performed, and produced by Alyssa Murray and mixed and mastered by Duane Trower at Weights and Measures Soundlab in Kansas City, MO. // Always feeling a strong pull towards songwriting, Alyssa studied piano, voice, and guitar in her teens deep diving into such influences as Fiona Apple and Stevie Wonder. Further pursuing her passion for jazz and improvisation, Alyssa moved to Kansas City to study jazz-piano at the UMKC Conservatory while immersing herself in the local music scene. Alyssa has a Bachelor of Music in Jazz Studies from the University of Missouri-Kansas City and has studied under the direction of Bobby Watson and Dan Thomas; as well as classical repertoire with Karen Kushner and Diane Petrella. // In addition to her solo performances, Alyssa Murray plays with Marmoppes. Alyssa Murray also plays in the trio, Easy Match with Claire Adams and Steve Gardels.

Ernest Melton is a saxophonist, composer, and band leader currently residing in Kansas City, Missouri by way of Goldsboro, North Carolina. He relocated to his mother’s hometown of Kansas City, Missouri at the age of ten where he picked up his first saxophone at Longfellow Academy of the Arts. Bored with the classical curriculum of the music department, Ernest studied more contemporary genres of music and the guitar until the age of fourteen when he joined his first jazz program through the American Jazz Museum of Kansas City. Playing mostly tenor sax by the age of fourteen, Ernest joined Lincoln High School jazz band and many other musical programs around the Greater Kansas City area. Naturally excelling, Melton left school at the age of sixteen to study music on his own. With kind neighbors and a supportive mother, Ernest was free to practice the saxophone, study albums, and write compositions at any hour of the day. It was during this time he found his first major influences in jazz like Dexter Gordon, John Coltrane, Kenny Garrett, and Pharoah Sanders. Pharoah’s polyphony were like echoes of Melton’s father, a Primitive Baptist preacher, and became a large influence of his playing. An avid composer as well, Ernest studied with tutors in classical orchestration, big band arranging, and Afro-Cuban drumming. He cites Charles Mingus, Igor Stravinsky, and Wayne Shorter as his favorite all around composers and still tries to implement their techniques in his music today. After being accepted into Berklee College of Music he decided not to attend and began his career playing music in bands of every genre around the Greater Kansas City area. In 2018 Ernest released his first full length album entitled, “The Time Of The Slave Is Over”, which received raved reviews at home and abroad by media such as Plastic Sax, Quest TV, and JAZIZZ to name a few. Ernest Melton has played all over the country and plans to continue to travel abroad. // Ernest Melton released the single “Waves” on April 21, 2025. He released the single, “Sonnet for Sanity”on December 18, 2020 and the single, “Chronicles of Conception” on April 21, 2020, and “Narrative for Natives” on March 9, 2020. Ernest Melton released the album “The Standard Imperfections” on September 1, 2019. Ernest Melton is also featured on the BodaciousThang singles, “Drank!” on August 7, 2019 and “Say Hi” released Sept. 2, 2020 on Juicy Burrito Records. ]

11:09 – Marmoppes LIVE

  1. Marmoppes – “Butterfly” (LIVE)
    “Butterfly” was released as a single on Big Nip Records on March 17, 2024
    [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]

11:12 – More Interview with Marmoppes

We are happy to welcome back members of the Kansas City suoer group, Marmoppes who return to Wednesday MidDay Medley to share new music and perform LIVE in our 90.1 FM Studios. Marmoppes include: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. Originally formed on Groundhog Day, since the fall of 2023 Marmoppes have released five singles: “Cerulean Blue Truffle Pig” (Sept. 5, 2023), “Butterfly” (March 17, 2024), “Yr Chemical” (April 28, 2024), “Gyatt Time” (Sept. 20, 2024), “Nos” (March 23, 2025) Marmoppes will premier their brand new single on WMM. More info at: https://linktr.ee/marmoppes

Simon Huntley, J. Ashley Miller, Alyssa Murray and Ernest Melton Thank you for being with us on WMM.

Last time Marmoppes were on WMM was Wednesday, April 16, prior to their live performance on April 18 for The Love Note at The Strand Theatre.

Earlier Marmoppes played The Ship performing live to the film Nosferatu.

The mix of film and music has been a constant for Marmoppes

11:17 – Marmoppes LIVE

  1. Marmoppes – “Cerulean Blue Truffle Pig (LIVE)
    “Cerulean Blue Truffle Pig” was released as a Single on Big Nip Records on September 5, 2023
    [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]

11:20 – More Interview with Marmoppes

We are happy to welcome back members of the Kansas City suoer group, Marmoppes who return to Wednesday MidDay Medley to share new music and perform LIVE in our 90.1 FM Studios. Marmoppes include: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. Originally formed on Groundhog Day, since the fall of 2023 Marmoppes have released five singles: “Cerulean Blue Truffle Pig” (Sept. 5, 2023), “Butterfly” (March 17, 2024), “Yr Chemical” (April 28, 2024), “Gyatt Time” (Sept. 20, 2024), “Nos” (March 23, 2025) Marmoppes will premier their brand new single on WMM. More info at: https://linktr.ee/marmoppes

New Music from Marmoppes: 4×10 = 75

Marmoppes discography:
4 x 10 = 75 – June 25
“Nos” – March 23, 2025 (Big Nip Records)
“Gyatt Time” – Sept. 20, 2024
“Yr Chemical” – April 28, 2024
“Butterfly” – March 17, 2024
“Cerulean Blue Truffle Pig” – September 5, 2023

Simon Huntley, J. Ashley Miller, Alyssa Murray and Ernest Melton Thank you for being with us on WMM.

More info at: https://linktr.ee/marmoppes

11:24

  1. Marmoppes – “4 x 10 = 75″ (CD #15) (3:39)
    from: “4 x 10 = 75” – single / Big Nip Records / June 25, 2025
    [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]

11:28 – Underwriting

  1. Keelon Vann – “Poison”
    from: T H I R D (•) / Keelon Vann / May 23, 2025
    [Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Vann taught himself to play guitar, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A former NCAA Division II College Footbal Athlete at William Jewell College, where Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum balancing athletics, academics, and music. Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.”]

11:31 – Interview with Keelon Vann

Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Vann taught himself to play guitar, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A former NCAA Division II College Footbal Athlete at William Jewell College, where Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum balancing athletics, academics, and music. Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.” to foster interesting music, and not worry about the little things.’ Let’s see if we might be able to figure out something that might make the music bigger. That’s the goal.”

Keelon Vann thanks for being with us on Wednesday MidDay Medley

Keelon Vann, a 26-year-old American singer-songwriter and guitarist, seeks to break barriers by honoring the classics while drawing inspiration from modern productions. The Kansas-born artist doesn’t believe in genre. “It’s pretty hard to put you in a box,” said Steve Kraske of KCUR 89.3 Radio. It is, however, to Vann’s dismay that such fusion of sounds may lead to quite an unorthodox niche—but according to Vann, art transcends genre and exists to inspire and to heal. This is Keelon Vann.

Born on August 28, 1998, to Juanita Moten and the late Kwasi Vann, Keelon Vann is a Kansas City native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Musiq Soulchild, Luther Vandross, Robin Thicke, Boyz II Men, Eric Benét, Maxwell, Usher, Justin Timberlake and more. He also draws from timeless legends including Jackie Wilson, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, Michael Jackson, and Prince, among many others. These artists were foundational in shaping Vann’s vocal talent.

Upon picking up the guitar, Vann expanded his musical world. Teaching himself to play, he discovered Blues and Rock N’ Roll, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, B.B. King, Stevie Ray Vaughan, Albert King, Albert Collins, Freddie King, Gary Clark Jr., John Mayer, and a furthermore extensive list.

A graduate of Piper High School and former NCAA Division II College Football Athlete at William Jewell College, Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum. Balancing athletics, academics, and music has never been easy, but through it all, Vann has remained steadfast in his artistic path.

Now with three independently released albums:
ŠUÑFŁØWĘR PÂRĀDØX
Tales of the Gypsy,
T H I R D (•)

11:54

  1. Keelon Vann – “Heaven Help Us”
    from: T H I R D (•) / Keelon Vann / May 23, 2025
    [Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Vann taught himself to play guitar, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A former NCAA Division II College Footbal Athlete at William Jewell College, where Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum balancing athletics, academics, and music. Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.”]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, July 2, we’ll talk with Mara Williams Assistant Managing Editor for Race and Equity Issues at The Kansas City Star and J.M. Banks Kansas City Star Culture and Identity Reporter who will discuss Season Three of The KC Star’s new 5 – week series, VOICES OF KANSAS CITY starting July 9, airing Wednesdays at 7:00pm to 8:00pm featuring the stories of eight young black educators in Kansas City. More info at http://www.KansasCity.com. Also next week, Spencer Thompson about the return of Kansas City’s popular comedic horror show, The Spooky **** Show, created by local Kansas Citian, Derek Trautwein returning to Kansas City Fringe Festival (July 17-27), More info http://www.kcfringe.org // And Beth Watts Nelson joins us to share her latest release.

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachel Christia, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1101

WMM presents Suzannah Johannes + Marmoppes + Keelon Vann

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 25, 2025

WMM presents Suzannah Johannes + Marmoppes + Keelon Vann

Mark spins more New & MidCoastal Releases from: The Royal Chief, Suzannah Johannes, Marmoppes, Keelon Vann, Tre’ Mutava, Religion of Heartbreak, Chad Brothers, David Byrne & Ghost Train Orchestra, Mavis Staples, and Wednesday.

At 10:30 we’ll talk with Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio with Josh Adams and David Wetzel. Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas. More info at: http://www.suzannahjohannes.com.

At 11:00am members of the Kansas City band Marmoppes return to Wednesday MidDay Medley to share new music and perform LIVE in our 90.1 FM Studios. Marmoppes include: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. Originally formed on Groundhog Day, since the fall of 2023 Marmoppes have released five singles: “Cerulean Blue Truffle Pig” (Sept. 5, 2023), “Butterfly” (March 17, 2024), “Yr Chemical” (April 28, 2024), “Gyatt Time” (Sept. 20, 2024), “Nos” (March 23, 2025) Marmoppes will premier their brand new single on Wednesday MidDay Medley. More info at: https://linktr.ee/marmoppes

At 11:30 Mark talks with Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Born on August 28, 1998, to Juanita Moten and the late Kwasi Vann, Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Musiq Soulchild, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Upon picking up the guitar, Vann expanded his musical world. Teaching himself to play, he discovered Blues and Rock N’ Roll, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A graduate of Piper High School and former NCAA Division II College Footbal Athlete at William Jewell College, Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum. Balancing athletics, academics, and music has never been easy, but through it all, Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.”

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1101

WMM Playlist from June 18, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 18, 2025

WMM presents Chris Garibaldi & Mark Henning on James Grauerholz – Life’s Too Good To Keep + Lonnie Fisher + Sisterbot & Hadiza. – Solstice at Sunset

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Hadiza. – “Reactions!”
    from: SHADOW WEIGHT / Hadiza. / November 22, 2019
    [Hadiza also plays in the band Collidescope and Arquesta Del SoulSol // “Hadiza released her acclaimed album SHADOW WEIGHT on November 22, 2019. It was part of WMM’s 119 Best Recordings of 2019. Hadiza released her EP GONE on December 29, 2018 with Madi Monroe on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a sKansas City based singer-songwriter. Previously based in her hometown of Iowa City, she has spent the 2018 slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform. Collidescope released their new 7-track album, DEEP TAPE, on December 31, 2020. Collidescope is essentially a duo that includes: Hadiza. on vocals, beats, & synthesizers; and Madison Monroe on guitar, bass, beats, synthesizers, mixing and vocals. DEEP TAPE includes Victoria Falls Stillwater on addition sound production and vocals, and was mixed and mastered by J.Ashley Miller aka Jametatone. DEEP TAPE is a follow up the the band’s debut EP Systemic released December 16, 2017. Hadiza also is part of the band Arquesta Del SolSoul. More info at: http://www.hadizaisnothere.bandcamp.com or http://www.acollidescope.bandcamp.com]

[Hadiza plays Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest, KCMO, Sat. June 21.]

  1. Sisterbot – “Approval (feat. Just Angel)”
    from: Truth House / Sisterbot / July 10, 2021
    [Sisterbot is a performing artist dedicated to breaking genre boundaries, creating cosmic musical and theatrical experiences. The 9-piece Sisterbot Band is a “punk pop chamber orchestra” complete with electric guitar, drums, piano, strings and horn. “Truth House (2021) is a concept album written over the span of three years, encapsulating a chapter of my life that I spent in a house alone, dealing with the aftermath of trauma and rebirth.”- Sisterbot (Adee Dancy). Written by Sisterbot. Produced by Jametatone and Sisterbot. Engineered, Mixed, Mastered by Jametatone, except “Approval” which was Produced, Engineered, & Mixed by Andrew Bonci Jr. at Magnolia Tree Studios, with AJ Bonci on guitar, Just Angel and Sisterbot on vocals. Cover Art by Mazzy Mann. Adee Rocket Dancy released the single “Hello Moon (feat. The Swallowtails)” on April 26, 2021. (This song is also on the Sisterbot album.) Produced by Jametatone & Adee Rocket Dancy. Adee Rocket Dancy on piano & vocals & cello; Rachel Lovelace on bassoon; Mikala Petillo on guitar & background vocals, Mixing and Mastering by Jametatone, (J. Ashley Miller). Adee Rocket Dancy writes, “This is a song about my life-long love for the moon, featuring The Swallowtails (Rachel Lovelace & Miki P). Adee chose the date April 26, 2021, as their release date, to honor the full moon called “The Pink Moon.” More info at: Sisterbot.bandcamp.com]

[Sisterbot plays Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest Avenue, KCMO, Saturday, June 21.]

10:11 – Interview with Adee Dancy, and Hadiza.

Adee Dancy (Sisterbot), is a performing artist born and raised in the KC area. Adee is a student of many teachers and disciplines, attempting to amalgamate all they have learned and loved, into their artistic life. Adorning many different hats, Adee has stepped into a multitude of roles in their career such as professional cellist, music director, vocalist, composer, actor, and more. With dynamic string writing and theatrical rock at the helm of their work, Adee captains a project and alter-ego called Sisterbot, that fuses their multiple disciplines. Adee feels extremely lucky to have music, art, & theater as means of expression and livelihood! Adee has collaborated with many groups including Owen Cox Dance Group, No Divide KC, and The Swallowtails. More info at http://sisterbotmusic.com

Adee Dancy (Sisterbot), (They/Them) thanks for being with us on WMM.

Hadiza. shuffles between multiple hats in their work. They are most known as 1/2 of experimental queer duo Collidescope, w/ best friend & roommate Madison Mclaughlin. The two (with the help of some awesome friends) are getting ready to release their final recording project DEEP TAPE 2 before a hiatus. Hadiza is also working on their second solo album supported by Arts KC, titled Diaspora Gothic, to be released in the fall of 2025. This year, Arts KC also supported Hadiza’s pursuits to build artistic connections in their home country, Ghana. Hadiza spent January connecting and collaborating in practice and performance as a resident at Crazinist Artist Studio for the Perfocraze International Artist Residency in Kumasi, Ghana. pIAR was founded and is led by Va-Bene Elikem Fiatsi a Ghanaian woman activist and performance artist of trans experience.

Hadiza (They/Them), thanks for being with us on WMM.


Adee, Hadiza. are here to share details about Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest, KCMO, Sat, June 21, 2:00pm to midnight. This all-ages garden festival returns with immersive garden activities, wellness offerings, and a lineup featuring 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, and Coloratura, with performances running from 3 to 11:00 pm. Guests can enjoy 10-minute yoga flows with Charenee from New Moon Wellness, explore the grounds with a garden passport scavenger hunt, bundle fresh herbs, collect a DIY snack directly from the garden, look to the sky with telescope time and stargazing.

The community-powered celebration, now Mini-Festival, Solstice at Sunset is back at Manheim Gardens on Sat, June 21, 2025, 2pm to midnight, and it’s free to attend.
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After an inspiring inaugural run last summer hosted by the KC Queertet, Sisterbot, Hadiza., and Christina Silvius, this all-ages garden festival returns with a full lineup of live music, immersive garden activities, and wellness offerings, all set in one of Kansas City’s most vibrant green spaces: Manheim Gardens, located at 4229 Forest Ave, KCMO.
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This year’s lineup features 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, and Coloratura, with performances running from 3-11pm. Guests can enjoy 10-minute yoga flows with Charenee from New Moon Wellness, explore the grounds with a garden passport scavenger hunt, bundle fresh herbs, collect a DIY snack directly from the garden, look to the sky with telescope time and stargazing once the sun sets, and more.
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Festival highlights include:
*Live music from local artists
*Garden-to-table activities like snack foraging and herb workshops
*Yoga, health station, and chill zones for relaxation and restoration
*Zine library, donation and merch stations, and more
*Telescope stargazing after dark

Special thanks to Zan Bondi and all of the Manheim Garden volunteers for their time, efforts, and collaboration.

One of the man organizers of this event is Zan Bondi is a food pantry farmer, artist and mystic. Zan is the programming director and founder of Wednesday Potlucks for World Peace at Manheim Gardens – which happens every Wednesday from 6:30-830pm, May-October, where folks harvest greens for the community + local food pantry and share dinner. They’ve spent over a decade dedicated to food sovereignty and helping folk deindustrialize their homes, hearts and minds. Come to the garden and let’s grow together!

Audience need only to bring curiosity, a water bottle, and something to sit on. .

Beautiful show poster made by the amazing Claire Monroe at Oddities Prints.

Adee Rocket Dancy writes, “Three years ago, I wrote a song called “You Won’t Play Me.” I had been cleaning my apartment when I found an old pile of letters that brought back difficult memories… they were from someone who had spun many webs of lies and manipulations to gain my attention and affection. I hadn’t realized the extent of this mind-molding until my mid-20’s, after nearly a decade of experiences with this person. Holding the letters in my hand, I felt anger, embarrassment, protective of my younger self, but also, freedom. The knowledge that this person had no hold over me today, or ever again, gave me a sense of triumph. In a rush of catharsis, I ripped up all of the letters, tossing them into the air with relief. Immediately, this song came to me. I sat down at the keyboard, and out it poured. // More info at: sisterbotmusic.com // Sisterbot.bandcamp.com

Sisterbot is a performing artist and composer dedicated to breaking genre and disciplinary boundaries in order to create musical and theatrical experiences. Each piece is episodic, cathartic, and gives an internal look into the beauty and the bizarre of the human experience through epic theatrical and musical storytelling. The 7-to-14-piece Sisterbot Ensemble is described as a “punk pop chamber orchestra,” with a full rock rhythm section and the addition of strings and background vocals. Sisterbot connects and communicates about love, community, gratitude, queerness, the preciousness of life, the preservation of our planet, and our place in this vast universe.

Adee Dancy / Sisterbot told Voyage magazine: As a kid, I was mesmerized by outer space. I was sure that I was going to be an astronaut, so much so that I begged my mom to let me go to Space Camp 6 times (the one from all the commercials in Huntsville, Alabama). At the same time that my space obsession began, I also started playing the cello, which I frequently refer to as my first love (besides my amazing parents and sisters!). My love for music was very deeply rooted, with a very musical mom who always played piano, and guitar, and sang harmonies with me, a dad with an ear for hit melodies and great albums, and a stepdad with mega rock guitar skills. And of course, I had some of the greatest and most supportive music educators I could ask for.

Fast-forward to high school- I was still on the path of becoming something within the field of astronomy, engineering, robotics, or science in general. But then, my world turned upside down when I got the chance to see the world-renowned cellist, Yo-Yo Ma, in concert with the Kansas City Symphony at the brand new, state-of-the-art Kauffman Center for the Performing Arts. It was an experience that I truly will never forget. I remember being so completely engaged and involved in the performance, watching Yo-Yo Ma play the Dvorâk Cello Concerto. I had a truly out-of-body experience for the first and only time in my life, and I awakened in the middle of the piece with tears streaming down my face and the resounding, undeniable calling in my mind and heart: I have to pursue music!

From that moment forward, I changed my entire career path, switched all of my engineering classes to music classes, and went on to pursue music in college. I have a background in both classical cello and classical voice, with a degree in cello and an enthusiasm/private study of the other. I realized towards the end of my Bachelor’s degree that classical music was a love of mine, but not an avenue I wanted to truly pursue. My first few years of college were extremely difficult, with an unforgiving private teacher, being in the closet, experiencing the death of a person I loved, and a general feeling of inadequacy as a classical cellist. I realized through music directing my first musical that I had a passion for theater and popular music, and it brought me to write my own music!

Adee officially began their own musical project, which was originally called “Adee Rocket Dancy.” Adee picked the name in tribute to childhood dreams of astronomy and rocket science that have always been fascinating and mesmerizing to them. Adee knew that they wanted to incorporate those themes into their musical journey. Adee released 3 singles under that name until realizing at a coffee shop with bandmates that “Sisterbot” had a great ring to it. It was originally a joke that we laughed really hard about, but then it stuck! Two weeks before, “Truth House” came out, Adee, their mom, and stepdad, were finalizing album artwork, and decided at that moment to make the change.

Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest, KCMO, Sat, June 21, 2:00pm to midnight. This all-ages garden festival has immersive garden activities, wellness offerings, and a lineup fof 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, & Coloratura, with performances running from 3 to 11:00 pm.

10:28

  1. Collidescope – “Dodo Bird”
    from: FunHouse / Collidescope / October 13, 2022
    [Collidescope includes: Hadiza. on vocals, beats, & synthesizers; and Madison Monroe on guitar, bass, beats, synthesizers, mixing & vocals. On December 31, 2020 Collidescope released their 7-track album DEEP TAPE. DEEP TAPE includes Victoria Falls Stillwater on addition sound production and vocals, and was mixed and mastered by J.Ashley Miller. DEEP TAPE is a follow up the band’s debut EP SYSTEMIC released December 16, 2017. Hadiza also released her solo album SHADOW WEIGHT on Nov. 22, 2019. Collidescope are getting ready to release their final recording project DEEP TAPE 2 before a hiatus. Hadiza is also working on their second solo album supported by Arts KC, titled Diaspora Gothic, to be released in the fall of 2025. More info at: http://www.hadizaisnothere.bandcamp.com or http://www.acollidescope.bandcamp.com ]

10:33 – Underwriting

  1. Lonnie Fisher – “Hear My Voice”
    from: “Hear My Voice” – Single / Lonnie Fisher / April 18, 2025
    [Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]

10:39 – Interview with Lonnie Fisher

“Hear My Voice” is one of several new singles from the prolific Kansas City musical riock and roller – Lonnie Fisher who studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher & The Funeral released the album, HAUNTED on October 22, 2021. He released his solo album FAMOUS GIRL on January 19, 2022; BEAUTIFUL STAR on February 9, 2023; the EP, SEEDS on July 28, 2023, and the album FLOATING PALACE, on August 9, 2024. Info at: http://www.lonniefisher.bandcamp.com.

Lonnie Fisher Thank you for being with us on WMM.

6/5: Lansing Correctional Facility experience in a room without phones. It was glorious!

Lonnie: On the night of June 5, my band and I experienced a unique enthusiasm and appreciation from the residents of Lansing Correctional Facility that went far beyond a traditional gig, in an extremely unorthodox setting. We had a soulful connection with this amazing community and experienced the creation of music together, the way humans are supposed to. It was another reminder of shows of yore when cell phones weren’t so distracting and the audience was just as much a part of the show as the musicians. We will be forever grateful for the experience and can’t wait to do it again!

6/21: Upcoming art and music show, featuring artist Mark Freeman at Discourse Brewery OPKS (4-8pm parking lot tent show, food truck, free, family-friendly)

2 new tunes will be released July 10 (Lonnie’s Birthday)

Zero One Zero (it is not officially released on any platform though). Recorded and played last year with Ed Rose, of the famed Black Lodge Studios, at the cool recording studio in Lawrence Public Library. The other song is called Get Away, recorded at Weights and Measures, with guest vocals from Steve Tulipana (Season to Risk).

Lonnie Fisher plays Replay Lounge in Lawrence on July 5.
Lonnie Fisher plays Hillsiders in KCK on July 23.
Lonnie Fisher plays The Bottleneck in Lawrence on August 1.

Lonnie Fisher continued to go to his new local recording home at Weights and Measures Soundlab, where he has been remastering old and creating new songs with Duane Trower like a madman since before the pandemic. Lonnie released some newly recorded and remastered solo tracks in 2022’s Famous Girl, 2023’s Seeds EP and the album John Brown Karmageddon. His most recent songs written in the last 5 years can be found on 2023’s Beautiful Star, 2024’s Floating Palace, and his upcoming album The Onion’s Tale this fall. He’s already in the studio, working on 2026’s album.

We’d really like for people to be on our old fashioned email newsletter to learn more about who we’re playing with and lots more details. We are very skittish about social media nowadays. thelonniefisher.com

We’re introducing The Fisher Flea to shows.We decided to expand our merch table to homemade goods, cool quirky items, books, as well as the standard merch. The sourdough bread, cinnamon rolls, and jarred sauces are a hit!

10:46

  1. Lonnie Fisher – ” Zero One Zero with Tara Fisher” (LIVE)
    from: “Zero One Zero” – Single / Lonnie Fisher / July 10, 2025
    [Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]

10:50 – More Interview with Lonnie Fisher

Lonnie Fisher is a native Kansan, playing a unique 5-string guitar with no G string and a voice that some call reminiscent of David Bowie or Roy Orbison. Lonnie moved to Lawrence, Kansas from the western part of the state in the 1990’s, as the college town found its place on the national music scene. The project he started there, Sturgeon Mill, played live venues all around the West and Midwest, with the song “Kill Yourself or I Will” charting in European countries. After Sturgeon Mill broke up in the 2000’s, he began experimenting with solo work at Black Lodge Studios in Eudora, Kansas with Ed Rose. A few projects came and went, but nothing really stuck until his band, Lonnie Fisher & the Funeral. He also found his love of cooking during this time and worked his way up to dinner chef at Wheatfield’s in Lawrence.

Tragedy struck in about 2010 when Lonnie lost his father and the love of his life over a very short period of time. He grieved, got lost in alcohol addiction, and then had a stroke. In 2015, he moved to the Kansas City area. With that move, he evolved Lonnie Fisher & The Funeral with some new local members. Tragedy struck again in 2017 when he had a second stroke. This set him back more than the first as he had to quit his kitchen job because the stroke affected his memory and how he processes information. He eventually learned to live life without alcohol and relearned how to play and sing. With some other health issues on the horizon, he decided that he would focus more on recording and disbanded Lonnie Fisher & The Funeral.

He continued to go to his new local recording home at Weights and Measures Soundlab, where he has been remastering old and creating new songs with Duane Trower like a madman since before the pandemic. Lonnie released some newly recorded and remastered solo tracks in 2022’s Famous Girl, 2023’s Seeds EP and the album John Brown Karmageddon. His most recent songs written in the last 5 years can be found on 2023’s Beautiful Star, 2024’s Floating Palace, and his upcoming album The Onion’s Tale this fall. He’s already in the studio, working on 2026’s album.

Lonnie: “I’m so grateful to be back, and I have so many people to thank for their kindness and support. Most importantly, my wife Tara, who was with me through all the dark moments, deserves real credit for my being alive.”

Sheri at The Brick in KCMO, Steve Tulipana at Record Bar KCMO, Duane Trower Weights and Measures Soundlab KCMO, Lawrence venues The Replay Lounge, Bottleneck, Gaslight Gardens, Northside Social, all of these people and places gave me a second chance to resurrect my career. I love them very much.

Life is truly a gift. Work hard. Play harder. Take care of your body and mental health. When everything is working together in harmony, there’s nothing you can’t do.

Website: https://lonniefisher.bandcamp.com/album/seeds
Instagram: Lonnie Fisher official
Facebook: Lonnie Fisher singer/songwriter
Youtube: Lonnie Fisher

Lonnie Fisher Thank you for being with us on WMM.

10:57

  1. Lonnie Fisher – “Mediocre White Man (feat. Tara Fisher)”
    from: “Mediocre White Man (feat. Tara Fisher)” – Single / Lonnie Fisher / April 18, 2025
    [Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]

11:00 – Station ID – Life’s Too Good To Keep – Side A – Act One

  1. James Grauerholz – “Be That Way”
    from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024
    [Written in 1993. Recorded by Brad Koehler, at Hairball IV Studio, Lawrence, Kansas. / James Grauerholz writes: “I wrote this for Matt Schepis, who was my boyfriend in 1993. He is now almost fifty and we’re good friends. Other players: Mark Henning of Zoom, guitar fills and vocal; Scott Lovern of the Lonesome Wranglers on keyboards; Bill Belzer of Mongol Beach Party on drums; Darren Welch of Dracomagnet on bass guitar. For this one session we were Draco Zoom Mongol Ramblers. The song was first released on Tim/Ker records out of Portland, Oregon on the “Cough It Up: The Hairball Story” compilation.” // Mark Henning writes in the album’s liner notes: To anyone in the Art, Literary & Music world, James has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James has handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. // James set out to be a singer-songwriter before fate led to his calling with William S. Burroughs and despite the demands of his literary responsibilities, he continued to write music as a creative outlet. Over the years James witnessed and has been an important figure in many extraordinary musical eras. He was referred to as the ‘Zelig of Punk Rock’, having been part of a small coterie who helped kick-start the CBGBs scene in NYC from 1974 through the end of the decade. If you haven’t read the book ‘Please Kill Me’ by Legs McNeil and Gillian McCain, do yourself a favor and pick it up. James’ stories are among the best in it. His ‘mates’ during that time were the likes of Lester Bangs, Howard Brookner, Robert Palmer and Robert Quine -to name only a few. // The Zelig comparison is dead accurate, but it goes far beyond Punk Rock. James was there for the Midwestern Country-Rock explosion of the early 1970s. The legendary oral history ‘Cows Are Freaky When They Look At You’ paints a hilariously warped picture of the people in James orbit during those K.C./Lawrence years prior to him moving to NYC. He was there for the AOR singer-songwriter movement of the late 1970s, mixing his songs with Boz Skaggs in San Francisco. He was at the Hacienda in Manchester when Factory Records ruled the scene and where New Order, The Smiths and The Fall took the world by storm. He was around when New Wave and Hardcore emerged AND he was a steadfast contributor to the evolution of underground music of the early 1990s. In Lawrence, KS where James has lived since the early 1980s, and where Zoom and Lotuspool Records evolved, James lent his opinions, his studio, his gear, his chops and his time, unselfishly on innumerable occasions to help fledgling bands get a leg up. // Through all of these eras, James’ voice as a songwriter has held its own piece of real estate. Each of the twenty-two tracks represented on this double album bear a style that is distinctly his own, both lyrically and compositionally. It is worth adding that James is one hell of an accomplished guitar player too. Assembling this collection was no easy task, despite James’ impeccable documentation of his own catalog. Tapes were baked, no stone was left unturned and several ‘new’ discoveries were made that hadn’t made their way into the master list. // What you have here is a collection of songs that span thirty years, or as James so aptly puts it ‘My Life In Four Acts’ -with each side of the two LPs representing an Act. Though much of the material could easily be considered Great American Songbook in style (hooks everywhere, turns of phrase that remain stuck in your head, broad themes of love, loss & loneliness…), there is also a deeply personal and distinctly Queer element to the songs. One must not forget that back in the 1970s hardly anyone was doing this. In fact, James may have created his very own lane. There were Queer outsider artists like Tom Wilson doing more ‘camp’ numbers, but NO ONE was doing pop-type radio songs represented here. Some of the songs could even qualify as a new genre: Gay Yacht Rock. One must also wonder whether, despite the appeal factor, maybe James just wanted to keep the songs for himself as a log of his own personal journey? // You, the listener can decide for yourself. We hope you enjoy these four acts as much as we did while assembling them. For me they just keep getting better the more I listen.” – Mark Henning (Zoom, National Trust, Voice of Action)]

11:03 – Interview with Chris Garibaldi & Mark Henning

Mark Henning was born on South Side of Chicago in 1970 into a musical family. His Grandfather was a Music Educator and Big Band Leader of the Leo Henning Orchestra. Mark was initiated into his music and started playing guitar at the age of 8 and then saxophone and electric guitar and started his first band The Locals. Mark met Chris Garibaldi when he moved to his neighborhood. In high school Mark discovered the underground music in Chicago, and played basement Hardcore shows. Mark went to University Of Kansas in 1988 where he majored in Advertising and got my undergrad B.S.J. from the William Allen White School Of Journalism. With Chris Cosgrove and Steve Tubbart Jeremy Sidener the band Zoom was created. Mark met James Grauerholz and William Burroughs in 1992. They were label-mates on T/K Records out of Portland but all lived in Lawrence. Mark played and recorded with James. Mark moved back to Chicago in 1995, ad started playing in The National Trust, recording two albums on Thrill Jockey. Mark worked at Reckless Records in Chicago from 1996-2000k and also Dusty Groove Records. Mark started a successful D.J. night at Danny’s in Chicago that continued for 20 years until 2017. Mark moved to Brooklyn in 2000 Managed Dubway recording Studios in Manhattan, worked and lived in New Orleans and eventually moved back to Chicago in 2006 to focus on music with the National Trust. Mark toured Europe, bought a bungalow on the West Side, worked for a Commercial Photography House, had a son name Leo in 2008. Mark continues to write. He put out a 45” with Fred Schneider and Elvira on Jack White’s Third Man label in 2013-14. Started a three piece called VoA and released an album on Lotuspool in 2018. On 2019 he started work on the James Grauerholz Album until it was released in November of 2024.

Mark Henning thanks for being with us on Wednesday MidDay Medley

Chris Garibaldi is the co-founder of Lotuspool Records. He also is lead singer, guitarist and occasional trombonist for the band Suneaters who released their 7th album, the 13 track album, Suneaters IV: Absinthe Makes The Heart Grow Fingers, on September 23, 2022. Lotuspool Records, was born in 1992. Chris writes “We started the label when we were very young, and the bands that were on it were very young, too,” he tells me. “Back then, you could put out an indie record and get a lot of attention and press. At that time, there was a lot of support for indie music. Around 2000, Lotuspool went on an unofficial hiatus. The label was never inactive, but Garibaldi spent most of 2000s living in Los Angeles. In 2011, a Garibaldi relocated to Parkville, he and Scott Hartley — bassist in the Suneaters — brought a new vision for Lotuspool Records. He label has been the moe for releases for Heidi Lynne Gluck, The Bump Band, Bully Pulpit, The Whips, Poster Children, Zoom, Voice of Action, June Henry, Hollow Body, Chris Cardwel, and many others This year the label is celebrating 33 years!

Chris Garibaldi, thanks for being with us on Wednesday MidDay Medley

Chris Garibaldi and Mark Henning join us to share details about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Grauerholz has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. More info at: http://www.lotuspool.com

Lotus Pool Records presents…James Grauerholz Life’s Too Good To Keep

“Be That Way”– Written in 1993. Recorded by Brad Koehler, at Hairball IV Studio, Lawrence, Kansas. / James Grauerholz writes: “I wrote this for Matt Schepis, who was my boyfriend in 1993. He is now almost fifty and we’re good friends. Other players: Mark Henning of Zoom, guitar fills and vocal; Scott Lovern of the Lonesome Wranglers on keyboards; Bill Belzer of Mongol Beach Party on drums; Darren Welch of Dracomagnet on bass guitar. For this one session we were Draco Zoom Mongol Ramblers. The song was first released on Tim/Ker records out of Portland, Oregon on the “Cough It Up: The Hairball Story” compilation.”

James Grauerholz was born December 14, 1953, in Coffeyville, Kansas, and attended the University of Kansas for a year before dropping out and traveling to New York City. By his own admission, he was fascinated with Beat Generation literature and authors.

Grauerholz became acquainted with Burroughs in the 1970s while befriending Allen Ginsberg in New York City. Ginsberg recommended Grauerholz to Burroughs as a possible assistant and their working relationship began in this simple manner, yet grew to be a major factor in the popularization of Burroughs and his works. Grauerholz became Burroughs’s friend and business manager until the author’s death in 1997.

Grauerholz helped edit a trilogy of novels: Cities of the Red Night (1981), The Place of Dead Roads (1985) and The Western Lands (1987). He acted as Burroughs’s business manager, spearheading reading tours in the 1980s and 1990s, and wrote editorial copy for Interzone, a compilation of stories. He quit working for Burroughs and returned to Kansas in the early 1980s, and this quickly led Burroughs to relocate to the Midwestern university town of Lawrence, Kansas, to work more closely with Grauerholz again. Up until Burroughs’s death in 1997, Grauerholz supported him, getting him reading engagements, commercial advertisements (Nike shoes), and parts in films (Drugstore Cowboy), as well as recording Burroughs’s readings. He looked after Burroughs’s physical needs as well, taking him to a methadone clinic in Kansas City weekly, as well as providing him with companionship and acting as a kind of social secretary to the many people that came to Kansas to meet Burroughs.

Grauerholz wrote biographical sketches for a Burroughs reader, Word Virus, and edited a posthumous release of Burroughs’ diaries, Last Words: The Final Journals of William S. Burroughs. Grauerholz worked on a full-length biography on Burroughs, but reportedly handed his writings and other material in the project to Barry Miles in March 2010.[1] The book, Call Me Burroughs: A Life, was published in 2014, with Miles as the sole credited author.

Works as editor or co-editor of William Burroughs
• Cities of the Red Night, 1981
• The Place of Dead Roads, 1985
• The Western Lands, 1987
• My Education: A Book of Dreams, 1995
• Interzone, 1985
• Last Words: The Final Journals of William S. Burroughs, 2000

Audio productions: Naked Lunch (Warner, 1995), and Let Me Hang You (Khannibalism, 2016)
both recordings produced by Grauerholz and Hal Wilner with music by Wayne Horvitz, Bill Frisell and Eyvind Kang

Works as author Include: Grauerholz, James and Ira Silverberg. (2000) Word Virus: The William S. Burroughs Reader. Grove Press. (Editor and author of biographical sketches preceding each chapter). AND Grauerholz, James. The Death of Joan Vollmer Burroughs: What Really Happened?. American Studies Department, University of Kansas. Online.

Mark Henning first met James in 1992 when his band Zoom was being courted by Tim Kerr Records of Portland, Oregon. Zoom had been introduced to the label through Greg Sage of Wipers fame, who was Producing what would be our final record, Helium Octipede.

Coincidentally James and William Burroughs were both signed to Tim Kerr Records and we all happened to live in Lawrence, KS. James and I met up at a Mexican restaurant near 19th & Mass St. and discussed the music biz over enchiladas. James was incredibly supportive of our move to join the label, gave me a boatload of wise advice and a long friendship ensued.

To anyone in the Art, Literary & Music world, James has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James has handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion.

James Grauerholz was referred to as the ‘Zelig of Punk Rock’

James set out to be a singer-songwriter before fate led to his calling with William S. Burroughs and despite the demands of his literary responsibilities, he continued to write music as a creative outlet. Over the years James witnessed and has been an important figure in many extraordinary musical eras. He was referred to as the ‘Zelig of Punk Rock’, having been part of a small coterie who helped kick-start the CBGBs scene in NYC from 1974 through the end of the decade. If you haven’t read the book ‘Please Kill Me’ by Legs McNeil and Gillian McCain, do yourself a favor and pick it up. James’ stories are among the best in it. His ‘mates’ during that time were the likes of Lester Bangs, Howard Brookner, Robert Palmer and Robert Quine -to name only a few.

11:15 – Life’s Too Good To Keep – Side A – Act One

  1. James Grauerholz – “Rainy Kansas City”
    from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024
    [Written in 1973. Recorded by James Grauerholz, by myself in my bachelor apartment in Kansas City , Missouri, next door to the Associated photography Building where I worked then at 3716 Main Street, Kansas City.]

11:18 – More Interview with Chris Garibaldi & Mark Henning

We are talking with Chris Garibaldi and Mark Henning about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Released November 1, 2024. More info at: http://www.lotuspool.com

“Rainy Kansas City” – Written in 1973. Recorded by James Grauerholz, by myself in my bachelor apartment in Kansas City , Missouri, next door to the Associated photography Building where I worked then at 3716 Main Street, Kansas City. James writes: “I was thinking of my many fears about moving to New York City – which I nevertheless did soon afterward.]

The Zelig comparison is dead accurate, but it goes far beyond Punk Rock. James was there for the Midwestern Country-Rock explosion of the early 1970s. The legendary oral history ‘Cows Are Freaky When They Look At You’ paints a hilariously warped picture of the people in James orbit during those K.C./Lawrence years prior to him moving to NYC. He was there for the AOR singer-songwriter movement of the late 1970s, mixing his songs with Boz Skaggs in San Francisco. He was at the Hacienda in Manchester when Factory Records ruled the scene and where New Order, The Smiths and The Fall took the world by storm. He was around when New Wave and Hardcore emerged AND he was a steadfast contributor to the evolution of underground music of the early 1990s.

In Lawrence, KS where James has lived since the early 1980s, and where Zoom and Lotuspool Records evolved, James lent his opinions, his studio, his gear, his chops and his time, unselfishly on innumerable occasions to help fledgling bands get a leg up.

11:28 – Underwriting

11:30 – Life’s Too Good To Keep – Side B – Act 2

  1. James Grauerholz – “New York City Lullabye”
    from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024
    [Written in 1974. Recorded by James Grauerholz on stereo cassette tape in April 1974 while William slept – late one night at 452 Broadway, New York City.. / James Grauerholz writes: “William S. Burroughs, my father and lover for 23 years until his death on August 2, 1997. He had been my favorite writer since 1966, and when I finally met William, I immediately decided ‘Life’s to good to keep.’”]

11:33 – More Interview with Chris Garibaldi & Mark Henning

11:33 – More Interview with Chris Garibaldi & Mark Henning

We are talking with Chris Garibaldi and Mark Henning about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Released Noveber 1, 2024. More info at: http://www.lotuspool.com

“New York City Lullabye “ – Written in 1974. Recorded by James Grauerholz on stereo cassette tape in April 1974 while William slept – late one night at 452 Broadway, New York City. / James Grauerholz writes: “William S. Burroughs, my father and lover for 23 years until his death on August 2, 1997. He had been my favorite writer since 1966, and when I finally met William, I immediately decided ‘Life’s to good to keep.’”

Single Release Dates:
10/4/24: Be That Way
10/11/24: New York City Lullabye
10/18/24: Heaven’s Radio
10/25/24: The Intersection Of You And Me

Grauerholz has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs.

What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. More info at: http://www.lotuspool.com

Through all of these eras, James’ voice as a songwriter has held its own piece of real estate. Each of the twenty-two tracks represented on this double album bear a style that is distinctly his own, both lyrically and compositionally. It is worth adding that James is one hell of an accomplished guitar player too. Assembling this collection was no easy task, despite James’ impeccable documentation of his own catalog. Tapes were baked, no stone was left unturned and several ‘new’ discoveries were made that hadn’t made their way into the master list.

11:40 – Life’s Too Good To Keep – Side C – Act 3

  1. James Grauerholz – “Heaven’s Radio”
    from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024
    [Written in 1985. Recorded by James Grauerholz live to four-track cassette at 215 Illinois Street In Lawrence Kansas that summer. Written for Neil Cadger whom I met in 1978 in San Francisco and visited in Canada (Calgary, Ottawa, Toronto and in Paris in 1981. We are still good friends.”]

11:45 – More Interview with Chris Garibaldi & Mark Henning

We are talking with Chris Garibaldi and Mark Henning about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Released Noveber 1, 2024. More info at: http://www.lotuspool.com

“Heaven’s Radio” – Written in 1985. Recorded by James Grauerholz live to four-track cassette at 215 Illinois Street In Lawrence Kansas that summer. Written for Neil Cadger whom I met in 1978 in San Francisco and visited in Canada (Calgary, Ottawa, Toronto and in Paris in 1981. We are still good friends.”]

What you have here is a collection of songs that span thirty years, or as James so aptly puts it ‘My Life In Four Acts’ -with each side of the two LPs representing an Act. Though much of the material could easily be considered Great American Songbook in style (hooks everywhere, turns of phrase that remain stuck in your head, broad themes of love, loss & loneliness…), there is also a deeply personal and distinctly Queer element to the songs. One must not forget that back in the 1970s hardly anyone was doing this. In fact, James may have created his very own lane. There were Queer outsider artists like Tom Wilson doing more ‘camp’ numbers, but NO ONE was doing pop-type radio songs represented here. Some of the songs could even qualify as a new genre: Gay Yacht Rock. One must also wonder whether, despite the appeal factor, maybe James just wanted to keep the songs for himself as a log of his own personal journey?

You, the listener can decide for yourself. We hope you enjoy these four acts as much as we did while assembling them. For me they just keep getting better the more I listen.

Mark Henning (Zoom, National Trust, Voice of Action)

Chris: “One of the mistakes we made as kids running the label was that we made a lot of short-term decisions,” Garibaldi says. “We didn’t have foresight. We were too concerned about paychecks and debt. And now it’s like, ‘Let’s take the thing that we do well, which is to foster interesting music, and not worry about the little things.’ Let’s see if we might be able to figure out something that might make the music bigger. That’s the goal.”

“The Intersection Of You And Me” – Recorded by Ed Rose at Hairball IV Studios. Tom Johnson and Chuck Mahoney remixed in 2004. For “Psrk” a Colorado boy with whomI’m really glad to have been friends. Also for Mikal Elder, an Air Force Academy student whom I met in Pueblo, Mexico, in 2000 at an American Studies scholarly conference at the Universidad do las Americas/Puébla, where he presented a paper on Ernest Hemingway and William S Burroughs. My friend Mikal is a professional cargo pilot today.

Chris Garibaldi and Mark Henning, thanks for being with us on WMM

The new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz was released November 1, 2024 More info at: http://www.lotuspool.com

For WMM, I’m Mark Manning. Thanks for listening.

11:54 – Life’s Too Good To Keep – Side D – Act 4

  1. James Grauerholz – “The Intersection Of You And Me”
    from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024
    [Recorded by Ed Rose at Hairball IV Studios. Tom Johnson and Chuck Mahoney remixed in 2004. For “Psrk” a Colorado boy with whom I’m really glad to have been friends. Also for Mikal Elder, an Air Force Academy student whom I met in Pueblo, Mexico, in 2000 at an American Studies scholarly conference at the Universidad do las Americas/Puébla, where he presented a paper on Ernest Hemingway and William S Burroughs. My friend Mikal is a professional cargo pilot today.]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, June 25 We talk with Lawrence Kansas based singer songwriter Suzanne Johannes about her new album Hanz Bronze Boulevard to be released on August 29, 2025. // at 11:00 member of the band Marmoppes return to Wednesday MidDay Medley ot share music and news. // And at 11:30 We talk with musician and guitarist Keelon Vann about his new album THIRD EYE.

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1100

WMM presents Chris Garibaldi & Mark Henning on James Grauerholz – Life’s Too Good To Keep + Lonnie Fisher + Sisterbot, Zan Bondi & Hadiza. – Solstice at Sunset

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 18, 2025

WMM presents Chris Garibaldi & Mark Henning on James Grauerholz – Life’s Too Good To Keep + Lonnie Fisher + Sisterbot, Zan Bondi & Hadiza. – Solstice at Sunset

Mark spins more New & MidCoastal Releases from: James Grauerholz, Lonnie Fisher, Sisterbot, Hadiza., and Collidescope.

At 10:10 Adee Dancy (Sisterbot), Hadiza., and Zan Bondi share details about Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest Ave, KCMO, on Saturday, June 21, 2025, from 2:00pm to midnight. This all-ages garden festival returns with immersive garden activities, wellness offerings, and a full lineup featuring 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, and Coloratura, with performances running from 3:00 to 11:00 pm. Guests can enjoy 10-minute yoga flows with Charenee from New Moon Wellness, explore the grounds with a garden passport scavenger hunt, bundle fresh herbs, collect a DIY snack directly from the garden, look to the sky with telescope time and stargazing once the sun sets, and more.

At 10:35 Lonnie Fisher shares new singles: “Hear My Voice” and “Mediocre White Man.” Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher & The Funeral released the album, HAUNTED on October 22, 2021. He released his solo album FAMOUS GIRL on January 19, 2022; BEAUTIFUL STAR on February 9, 2023; the EP, SEEDS on July 28, 2023, and the album FLOATING PALACE, on August 9, 2024. Info at: http://www.lonniefisher.bandcamp.com.

At 11:00am Chris Garibaldi co-founder of Lotuspool Records and Mark Henning of the bands Zoom, National Trust, Voice of Action, share details about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Grauerholz has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. This new collection of songs span thirty years, or as James so aptly puts it ‘My Life In Four Acts’ – with each side of the two lps representing an Act. Though much of the material could easily be considered Great American Songbook, there is also a deeply personal and distinctly Queer element to the songs. One must not forget that back in the 1970s hardly anyone was doing this. In fact, James may have created his very own lane. More info at: http://www.lotuspool.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1100

WMM Playlist from June 11, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 11, 2025

WMM presents Michael McQuary + Joey Arias and a special show about Queer Performance in NYC in the ’80s, ’90s, & beyond.

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. William Stromberg & Moscow Symphony Orch. – “Universal Signature”
    from: Salter – Skinner: Monster Music / Marco-Polo / 1995
    [Frank Skinner was a composer & arranger born in Meredosia, Illinois on Dec. 31, 1897. He died in Beverly Hills, California, Oct. 9, 1968. A graduate of the Chicago Musical College (now the Chicago Conservatory of Music), 16-year-old Frank found employment in vaudeville and began playing in local areas with his brother Carl on drums billed as the Skinner Brothers dance band. He began writing and arranging music for dance bands in New York, from 1925 to 1935, arranging 2000 popular songs for Robbins Publishing. After a short period at MGM, working on musical settings for The Great Ziegfeld (1936), Skinner was hired by Universal Studios. Over the course of his 30 years there, he composed music for more than 200 films earning five Academy Award nominations (1938–43). His distinctive approach to scoring horror films, such as Son of Frankenstein (1939) and The Wolf Man (1941), has been characterized as a ‘passion for chromatic lines … mirrored contours … [and] restrained, yet ominously mythical orchestrations’ (Marcello). He gained new recognition in the 1950s for his lush romantic scores, including those for such Douglas Sirk films as Magnificent Obsession (1954) and Written on the Wind (1956). Despite many changes in the film industry, his book Underscore (1950) has survived as an excellent introduction to film music composition. The Wolf Man is a 1941 American drama horror film written by Curt Siodmak and produced and directed by George Waggner. The film stars Lon Chaney, Jr. as a werewolf named “The Wolf Man” and features Claude Rains, Evelyn Ankers, Ralph Bellamy, Patric Knowles, Béla Lugosi, and Maria Ouspenskaya in supporting roles. The title character has had a great deal of influence on Hollywood’s depictions of the legend of the werewolf. The film is the second Universal Pictures werewolf film, preceded six years earlier by the less commercially successful Werewolf of London (1935). Lon Chaney, Jr. would reprise his classic role as “The Wolf Man” in four sequels, beginning with Frankenstein Meets the Wolf Man in 1943.]
  1. Yma Sumac – “Malambo No. 1”
    from: Mambo! / Capital Records / January 1, 1954
    [Mambo! is the fifth studio album by Peruvian soprano Yma Sumac. It was released in 1954 by Capitol Records. Most of the tracks were composed by her husband Moisés Vivanco. //
    Zoila Augusta Emperatriz Chávarri del Castillo (born Zoila Emperatriz Chávarri Castillo; September 13, 1922 – November 1, 2008), known as Yma Sumac (or Imma Sumack), was a Peruvian-born American-naturalised vocalist, composer, producer, actress and model. She won a Guinness World Record for the Greatest Range of Musical Value in 1956. “Ima sumaq” means “how beautiful” in Quechua. She has also been called Queen of Exotica[6] and is considered a pioneer of world music. Her debut album, Voice of the Xtabay (1950), peaked at number one in the Billboard 200, selling a million copies in the United States, and its single, “Virgin of the Sun God (Taita Inty)”, reached number one on the UK Singles Chart, becoming an international success in the 1950s. Albums like Legend of the Sun Virgin (1952), Fuego del Ande (1959) and Mambo! (1955), were other successes. // In 1951, Sumac became the first Latin American female singer to debut on Broadway. In “Chuncho (The Forest Creatures)” (1953), she developed her own technical singing, named “double voice” or “triple coloratura”. During the same period, she performed in Carnegie Hall and Lewisohn Stadium. In 1960 she became the first Latin American woman to get a phonograph record star on the Hollywood Walk of Fame. Afterwards she toured the Soviet Union, selling more than 20 million tickets. According to Variety in 1974, Sumac had more than 3,000 concerts “covering the entire globe”, breaking any previous records by a performer. Fashion magazine V listed her as one of the 9 international fashion icons of all time in 2010. She has sold over 40 million records, which makes her the best-selling Peruvian singer in history. // Sumac was born Zoila Emperatriz Chávarri Castillo on September 13, 1922 in Callao. Then the family (a middle class one) moved to Cajamarca, where she spent her childhood. Her parents were the civic leader Sixto Chávarri (Cajamarca) and the schoolteacher Emilia Castillo (Ancash). Sumac was the youngest of six children. Growing up with the air of the Andean mountains, imitating the birds and other animals, she was “unintentionally making” her huge vocal range. In 1934, she traveled to live in Lima with her relatives. After being privately tutored from the age of 5, she entered a Catholic school in 1935. // Probably Sumac’s first public appearance was on August 16, 1938, with Moises Vivanco in a religious festival at Callao. She graduated high school in 1940. She recorded at least 18 tracks of Peruvian folk songs in Buenos Aires, Argentina in 1943. These early recordings for the Odeon label featured composer Moisés Vivanco’s troupe Compañía Peruana de Arte, of 16 Peruvian dancers, singers, and musicians. // She was discovered by Les Baxter and signed by Capitol Records in 1950, at which time her stage name became Yma Sumac. Her first album, Voice of the Xtabay, launched a period of fame that included performances at the Hollywood Bowl and Carnegie Hall. // In 1950, she made her first tour to Europe and Africa, and debuted at the Royal Albert Hall in London and the Royal Festival Hall before the future Queen of England. She presented more than 80 concerts in London and 16 concerts in Paris. A second tour took her to the Far East: Persia, Afghanistan, Pakistan, Burma, Thailand, Sumatra, the Philippines, and Australia. Her fame in countries like Greece, Israel and Russia made her change her two-week stay to six months. During the 1950s, she produced a series of best-selling recordings of lounge music featuring Hollywood-style arrangements of Incan and South American folk songs, working with Les Baxter and Billy May. The combination of her extraordinary voice, exotic looks, and stage personality made her a hit with American audiences. Sumac appeared in a Broadway musical, Flahooley, in 1951, as a foreign princess who brings Aladdin’s lamp to an American toy factory to have it repaired. The show’s score was by Sammy Fain and Yip Harburg, but her three numbers were the work of Vivanco, with one co-written by Vivanco and Fain. Flahooley closed quickly, but the Capitol recording of the show continues to sell well as a cult classic, in part because it also marked the Broadway debut of Barbara Cook. // The 1950s were the years of Sumac’s greatest popularity; She played Carnegie Hall, the Roxy Theatre with Danny Kaye, Las Vegas nightclubs and concert tours of South America and Europe. She put out a number of hit albums for Capitol Records, such as Mambo! (1954) and Fuego del Ande (1959). During the height of Sumac’s popularity, she appeared in the films Secret of the Incas (1954) with Charlton Heston and Robert Young, and Omar Khayyam (1957). // She became a U.S. citizen on July 22, 1955. In 1959, she performed Jorge Bravo de Rueda’s classic song “Vírgenes del Sol” on her album Fuego del Ande. In 1957 Sumac and Vivanco divorced, after Vivanco sired twins with another woman. They remarried that same year, but a second divorce followed in 1965. Apparently due to financial difficulties, Sumac and the original Inka Taky Trio went on a world tour in 1960, which lasted for five years. They performed in 40 cities in the Soviet Union for over six months, and a film was shot recording some moments of the tour, and afterward throughout Europe, Asia and Latin America. Their performance in Bucharest, Romania, was recorded as the album Recital, her only live in concert record. Sumac spent the rest of the 1960s performing sporadically. // She married Moisés Vivanco on June 6, 1942. After this date, Moisés and Yma toured South America and Mexico as a group of fourteen musicians called Imma Sumack and the Conjunto Folklorico Peruano. Some people in Peru did not appreciate her style of singing, most notably the writer José María Arguedas (La Prensa, 1944). In 1946, Sumac and Vivanco moved to New York City, where they performed as the Inka Taqui Trio, Sumac singing soprano, Vivanco on guitar, and her cousin, Cholita Rivero, singing contralto and dancing. The group was unable to attain any success; however, their participation in the South American Music Festival in Carnegie Hall was reviewed positively. In 1949, Yma gave birth to their only child, Carlos. // She had five octaves according to some reports, but other reports (and recordings) document four-and-a-half at the peak of her singing career. Shortly after her death, the BBC noted that a typical trained singer has a range of about three octaves. // In 1954, composer and music critic Virgil Thomson described Sumac’s voice as “very low and warm, very high and birdlike,” noting that her range “is very close to five octaves, but is in no way inhuman or outlandish in sound.” // In 1971, Sumac released a rock album, Miracles. She performed in concert from time to time during the 1970s in Peru and later in New York at the Chateau Madrid and Town Hall. In the 1980s, she resumed her career under the management of Alan Eichler, and had a number of concerts both in the United States and abroad, including the Hollywood Roosevelt Cinegrill, New York’s Ballroom in 1987[40] (where she was held over for seven weeks to SRO crowds) and several San Francisco shows at the Theatre on the Square among others. In 1987, she recorded “I Wonder” from the Disney film Sleeping Beauty for Stay Awake, an album of songs from Disney movies, produced by Hal Willner. She sang “Ataypura” during a March 19, 1987, appearance on Late Night with David Letterman. She recorded a new German “techno” dance record, “Mambo ConFusion”. // In 1989, she sang again at the Ballroom in New York and returned to Europe for the first time in 30 years to headline the BRT’s “Gala van de Gouden Bertjes” New Year’s Eve TV special in Brussels as well as the “Etoile Palace” program in Paris hosted by Frederic Mitterrand. In March 1990, she played the role of Heidi in Stephen Sondheim’s Follies, in Long Beach, California, her first attempt at serious theater since Flahooley in 1951. // She also gave several concerts in the summer of 1996 in San Francisco and Hollywood as well as two more in Montreal, Canada, in July 1997 as part of the Montreal International Jazz Festival. In 1992, she declined to appear in a documentary for German television entitled Yma Sumac – Hollywoods Inkaprinzessin (Yma Sumac – Hollywood’s Inca Princess). With the resurgence of lounge music in the late 1990s, Sumac’s profile rose again when the song “Ataypura” was featured in the Coen Brothers film The Big Lebowski. // Her song “Bo Mambo” appeared in a commercial for Kahlúa liquor and was sampled for the song “Hands Up” by The Black Eyed Peas. The song “Gopher Mambo” was used in the films Ordinary Decent Criminal, Happy Texas, Spy Games, and Confessions of a Dangerous Mind, among others. “Gopher Mambo” was used in an act of the Cirque Du Soleil show Quidam, as a musical motif in the Russian show Kukhnya (along with “Bo Mambo” and “Taki Rari”), and in an iPhone commercial in 2020. The songs “Goomba Boomba” and “Malambo No. 1” appeared in Death to Smoochy. A sample from “Malambo No.1” was used in Robin Thicke’s “Everything I Can’t Have”. Sumac is also mentioned in the lyrics of the 1980s song “Joe le taxi” by Vanessa Paradis, and her album Mambo! is the record that Belinda Carlisle pulls out of its jacket in the video for “Mad About You”. “Gopher Mambo” is used as the opening song in the British version of the television series Ten Percent. // On May 6, 2006, Sumac flew to Lima, where she was presented the Orden del Sol award by Peruvian President Alejandro Toledo and the Jorge Basadre medal by the Universidad Nacional Mayor de San Marcos. // Sumac died on November 1, 2008, aged 86, at an assisted living home in Los Angeles, California, nine months after being diagnosed with colon cancer. She was interred at the Hollywood Forever Cemetery in the “Sanctuary of Memories” section. // On September 20, 2022, a new memorial bust statue was unveiled at her final resting place, at the Hollywood Forever Cemetery, in honor of what would have been her 100th birthday. // Stories published in the 1950s claimed that she was an Incan princess, directly descended from Atahualpa. The government of Peru in 1946 formally supported her claim to be descended from Atahualpa, the last Incan emperor. However, her biographer, Nicholas E. Limansky, claimed that her Incan royal origin was not true. “Hollywood took this nice girl who wanted to be a folk singer, dressed her up and said she was a princess. And she acted like it,” according to Limansky. // For years, rumors circulated that Sumac was a housewife from Brooklyn whose real name was “Amy Camus”, which she reversed to become Yma Sumac. The origin of the rumor may plausibly be traced to a cleverly formulated review by influential jazz critic Leonard Feather, who used literary device, in a December 1950 column, to suggest that Sumac’s voice was in fact a theremin, that Xtabay—or Axterbay—was Pig Latin for Baxter, and that the name of the singer was Amy Camus, who took Serutan (a contemporary laxative: “natures” spelled backwards).]

10:03 – Intro / Interview with Michael McQuary

Thanks for tuning into WMM, on 90.1 FM KKFI. I’m Mark Manning. Today we bring you a very special PRIDE show about Queer Performance in NYC in the ’80s, ’90s, & beyond with special guests Michael McQuary and Joey Arias, avant-garde artist based in New York City, best known for work as a performance artist, actor, and cabaret singer, but also as a published author, comedian, stage persona and film actor.

Joey Arias will share stories about his best friend Klaus Nomi, and his work with David Bowie, Saturday Night Live, Andy Warhol, Pee Herman aka Paul Reubens, Lady Bunny, Cirque du Soleil and More! We’ll spin musical tracks from: Klaus Nomi, David Bowie, Joey Arias, Dana Gillespie, Yma Sumac, Kiss of The Spiderwoman, William Stromberg & Moscow Symphony Orchestra, and More!

Michael McQuary is known as The Man of a 1001 Faces. Michael started as a child actor at The Portland Civic Theatre. At 18 he left for New York City as a scholarship recipient at the New York Academy of Dramatic Arts. In NYC, Michael worked at River West Theatre, Divine Theater and Cooper Square Theatre. Michael’s solo shows played in the West Village at: Eighty-eights, Duplex, Trocadero, and the Cooper Square Theatre with his show, Astonishing. He premiered his show, The Secret Power of Fu Manchu at Cooper Square where he alternated the late-night spot with RuPaul and Mona Foote. Michael played downtown NYC clubs: the SoHo Grand, with Joey Arias & Susanne Bartsch, the Pyramid, Boy Bar, and Starlight Bar & Lounge. Uptown, Michael performed at Danny’s Grand Sea Palace, Don’t Tell Mama, The Bon Soir and Rick Talbots Ladies. Michael premiered his one-man production, Crystal Allen Strikes Back, by Jon Michael Johnson at Danny’s Grand Sea Palace. After 33 years in New York, Michael relocated to Kansas City, where he premiered his one-man show, I’m Hollywood, at KC Fringe Fest. Michael also works in film, starring in CORVALO for Mile Deep Films, Keeper and Love Shadow, for Bill’s Eye Cinema, MADEYE, Connections for Cooper Square Productions and two documentary films about his work: Portrait of an Artist for Cooper Square Productions and Man of 1001 Faces, for Taishi Studios. Michael McQuary also played seven characters in 2022’s television situation comedy, Daddy’s Divas on Amazon TV. He will soon be seen in the upcoming feature film by Patrick Rea, “Super Happy Fun Clown.”

Michael McQuary will perform his one-man show, Sunday, June 15, at 2:00pm at Englewood Arts Center, 10901 East Winner Road, Independence, Missouri. More info at: http://www.englewoodarts.art

Michael McQuary thanks for being with us on Wednesday MidDay Medley

Béla Lugosi – For Michael McQuary is all started with Béla Lugosi …and his cape.

Hollywood Monsters. Michael calls himself an X-File.

Michael McQuary was a child actor at The Portland Civic Theatre and Doris Smith scholarship recipient. Was on plaque bearing his name for 1977.

Portland, Oregon to New York City – At age 18 in 1980 Michael McQuary was a scholarship recipient at the New York Academy of Dramatic Arts. Michael found himself drawn to the burgeoning downtown and nightclub scene, performing at the legendary Boy Bar, Bon Soir and Trocadero.

Working as an actor in New York City – While in New York, numerous stage appearance included productions at the River West Theatre, the Divine Theater and the Cooper Square Theatre. Plays include Arlecchino’s Unlucky Heart, Royal Hunt of the Sun, Aristophanes’ Peace as well as the world premieres of Spreadin’ It, The Secret Power of Fu Manchu, and En Attendant Oiseau.

Michael has actively concentrated on solo work and has performed in numerous Manhattan clubs and cabarets. His various one-man shows have played the famous West Village cabarets, Eighty-eights, the Duplex, the Trocadero, as well as in the cabaret space in the Cooper Square Theatre with his show, Astonishing.

It was there that he conceived and developed Matinee Idol, a one-man cinematic collage of classic films ranging from Sunset Boulevard to Clash of the Titans.

He premiered his show, The Secret Power of Fu Manchu at Cooper Square Theatre where he alternated the late-night spot with drag stars, Ru Paul and Mona Foote.

New York in the 1980s, 1990s, Michael worked at Unique Boutique where he met many famous celebrities where he met Fred Schneider of the B-52s. And was Catherine Deneuve’s personal shopper. Sonny Bono.

Veteran New York cabaret impresario Erv Raible invited McQuary to bring his show to Eighty-Eights, where Michael worked his magic for five years, Playing into dozens of characters and earning two 1988 Back Stage Bistro Awards for Outstanding Cabaret Debut and Best Characterization Show. This was followed by four consecutive MAC nominations.

Access cable icon Miss Sybil Bruncheon (a/k/a John Burke) invited McQuary to perform in his stage show Café Berlin, where Michael’s roles ranged from Marlene Dietrich to Cab Calloway and Bela Lugosi.

Michael’s cabaret shows also played, Joe’s Pub at the Public Theatre, the Duplex, and Judy’s Chelsea

Michael was an acting student at the famous HB Studio in NYC, founded by Herbert Berghof in 1945 by Herbert Berghof and located in Greenwich Village, New York City. In 1948, Uta Hagen joined the Studio as Berghof’s artistic partner, and the two wed ten years later. Her master classes led to the writing of her books Respect for Acting and A Challenge for the Actor. It was at the HB Studio where Michael was discovered.

Michael played downtown NYC clubs: SoHo Grand, with Joey Arias & Susanne Bartsch.
Abbott and Costello Meet Frankenstein

10:15 – Underscore for Michael’s Story

  1. William Stromberg conducts Frank Skinner’s Abbott and Costello Meet Frankenstein live in concert with the Golden State Pops Orchestra
    from: Live / Halloween 2008
    [Frank Skinner was a composer & arranger born in Meredosia, Illinois on Dec. 31, 1897. He died in , California, Oct. 9, 1968] [Recently on March 18, 2025, Intrada Records released Abbott and Costello Meet Frankenstein/Abbott and Costello Meet the Keystone Kops featuring the Royal Scottish National Orchestra! // Intrada presents its 12th album recording project—Abbott and Costello Meet Frankenstein/Abbott and Costello Meet the Keystone Kops. The project was generously funded through a Kickstarter campaign, and again proudly features the Royal Scottish National Orchestra under the baton of William T. Stromberg. It was an oft-requested title ever since Stromberg conducted scores to earlier titles in the horror series, including House of Frankenstein, Ghost of Frankenstein, Son of Frankenstein, The Wolf Man and many more. The recording occurred in early September 2024, with a delighted orchestra commenting on how refreshing and fun it was to perform the music. The score was reconstructed by the late and sorely missed John Morgan, Bill Stromberg and Anna Stromberg. The album was mixed and edited by Leigh Phillips and mastered by Ray Faiola and Chris Malone, featuring liner notes by Faiola as well. It’s the long-awaited release of some truly effervescent film music. // For scoring duties on Frankenstein, composer Frank Skinner, who had worked on earlier pictures in the series, largely kept it serious. His sophisticated score is the straight man to the antics on screen, giving the film a rich dimension by following in the footsteps of Franz Waxman, while at the same time making everything even funnier. As a bonus, Intrada is pleased to include the hyped-up antics of Abbott and Costello Meet the Keystone Kops, featuring theme and score by William Lava with additional scoring by Henry Mancini and Herman Stein. It’s a packed album full of vigorous and inspired performances by the RSNO and a proud addition to Intrada’s Excalibur Collection.]

10:18 – More Interview with Michael McQuary

Michael McQuary is the creator of the award winning one-man shows in NYC – Matinee Idol, Man of 1001 Faces, and My Own Space, and “I’m Hollywood.” for KC Fringe.

Being an actor, sustaining a career, do you find faith in the journey of those actors who you cherish and keep alive -Béla Lugosi. Michael is Steven Spielberg’s favorite “Bela Lugosi”.

“Michael McQuary is more than a pretty face, and he’s got a thousand, anyway. His is a talent today’s entertainment world needs more of. From Fu Manchu to Phantoms to Dietrich, Michael carries them all off to perfection, and I knew the originals. This talented entertainer perfects his transformations while allowing the audience a glimpse of the artist beneath the mask.” – Rex Reed

10:22 – Emergency Alert System Test

10:23

  1. Joey Arias – “No One Knows”
    from: PAST PRESENT FUTURE / Beige Recording NYC / November 19, 2023
    [New 14-song studio album . Much of the album was recorded right here in Minnesota. “It was a dream come true. It was the ultimate focus.” The studio time was extremely fruitful. “We were supposed to do 15 songs, but we ended up doing 30 songs,” Arias says, “Because everyone was so on top of it, and asking what do we do now, what do we do next.”Arias collaborated with an impressive group of musicians, which included many talented Minnesotans alongside a few of his usual collaborators. “I was so blessed to work with a core group of Minnesota-based musicians, with Jason McGlone as our lead engineer. JT Bates played drums. Jeff Bailey played bass. David Feily played guitar. My long-time pianist, Eliot Douglass, flew in from Vegas to do all the sessions,” says Arias, “And all of us, we all literally lived at Pachyderm Studios in Cannon Falls, Minnesota, for weeks. Music all day and night. We didn’t leave the property…There were no outside influences. Just what came out of all of us.” // This album is really a summation of Arias’ career to date. “When we first started this project I was asked ‘What do I want out of this project?’ I said, ‘Well this is going to be the past, the present, and the future.’” In seeking to fulfill that goal, Arias has built a track list that dives deep into the many artistic lives he has led. // “The past refers to songs and material I did, basically as a teenager, when I was signed to Capital Records. The present is all the material that we wrote in Minnesota, in the studio. The future is…. It’s a combination of everything. Pop. Modern. Avant-garde. The sexy. The sensual. It has hard hits. And it has soft hits.” // Being that this is a Joey Arias project, it will be as uniquely ineffable as Arias himself, but it can broadly be categorized as a pop album. “We are going straight ahead with surreal pop music…it’s the Joey style of pop. Not candy pop. Lyrics about love, but also about what is going on in the world today. And how might we better shape the future.“ // Arias gets inspiration from many places, many genres. “The music just gets me. The music has a vibration,” says Arias, “I love seeing new bands. Hearing new music. Everything. Everything from country to hip hop to rap to jazz, heavy metal, rock n roll, disco. There is a vibration to it all.” He continues, “Every day I think about the songs. Think about where we are going. I am so grateful to be working with such generative artists and producers. – Buer Carlie LAVENDER (June 1, 2023)

10:27 – Joey Arias Interview

Joey Arias, is an avant-garde artist based in New York City, best known for work as a performance artist, actor, and cabaret singer, but also as a published author, comedian, stage persona and film actor. One of the original Groundlings in Los Angeles. Joey left for NYC in 1976 and embarked on a new career singing with his best friend Klaus Nomi on stage, in videos, and with David Bowie on SNL in 1979. Arias gradually became involved in the burgeoning 1980s performance art scene, appearing at downtown venues including Club 57 with John Sex, Ann Magnuson, Kenny Scharf, Keith Haring, and Basquiat. Joey also began a career in cabaret, channeling the vocal style of Billie Holiday. Joey can be seen in the films: Wigstock: The Movie, with Lady Bunny, Jackie Beat, Debbie Harry, Leigh Bowery, and RuPaul. Joey is also in Big Top Pee-wee, a 1988 sequel to Pee-wee’s Big Adventure starring Paul Reubens as Pee-wee Herman. Joey is featured in Mondo New York with Karen Finley, Lydia Lunch, and Ann Magnuson; Elvira: Mistress of the Dark starring Cassandra Peterson as Elvira. Joey also has roles in Flawless, starring Robert De Niro and Philip Seymour Hoffman; and To Wong Foo, Thanks for Everything! Julie Newmar starring Wesley Snipes, Patrick Swayze, and John Leguizamo. In 2001 Arias began work for the Las Vegas based, Cirque du Soleil – Zumanity at the New York-New York Hotel. In addition to starring in the show, he co-wrote two of the show’s songs. After six years, Arias returned to NYC where he starred in Arias with a Twist, with puppeteer Basil Twist at HERE Arts Center. The show was also produced in Los Angeles and Paris. Arias continues to perform in venues such as Joe’s Pub and Feinstein’s/54. Recently Joey released his new album, Past Present Future.

In our interview, Joey Arias will share stories about his best friend Klaus Nomi, his work with David Bowie, Saturday Night Live, Andy Warhol, Paul Reubens, Lady Bunny, Cirque du Soleil and More! We’ll spin musical tracks from: Klaus Nomi, Dana Gillespie, David Bowie, The Cast of Big Top Pee Wee, Frankie Goes to Hollywood, and Joey Arias.

10:30 – Joey Arias Interview (5:17)

43:42 –- Born in Fayetteville, North Carolina, Arias was six when he moved with his family to Los Angeles. After high school he sang with the rock band Purlie, which had a 1973 single on Capitol Records.

He met Gary Austin (born Gary Moore; October 18, 1941 – April 1, 2017) was an American improvisational theatre teacher, writer, and director who founded The Groundlings theatre company in 1974.

Joey Arias became one of the original members of The Groundlings with founder Gary Austin, where he worked with Laraine Newman.

Groundlings were cast as High School students in the film Carrie, but Joey didn’t make the cut because he just didn’t look the part.

40:05 – Joey met Kim Hastreiter in 1974. In 1976 he decided to leave LA and with his friend Kim Hastreiter – who would later co-found Paper magazine – drive across country in a pickup truck and move to New York City. It was his Bi-Centennial cross country trip.

Joey wanted to meet Andy Warhol and The Factory Superstars.

Bo Allen was Joey’s mentor. Katy Kay introduced Joey to Klaus Nomi, who was a baker. Klaus invited Joey over to his apartment where they talked for 6 or 7 hours. Joey was –

38:25 – Joey: “finding my people.”

10:35

  1. Klaus Nomi – “Nomi Song”
    from: Klaus Nomi / RCA / 1981
    [Klaus Sperber (January 24, 1944 – August 6, 1983), known professionally as Klaus Nomi, was a German countertenor noted for his wide vocal range and an unusual, otherworldly stage persona. // In the 1970s Nomi immersed himself in the East Village art scene. He was known for his bizarrely visionary theatrical live performances, heavy make-up, unusual costumes, and a highly stylized signature hairdo that flaunted a receding hairline. His songs were equally unusual, ranging from synthesizer-laden interpretations of classical opera to covers of 1960s pop standards like Chubby Checker’s “The Twist” and Lou Christie’s “Lightnin’ Strikes”. Nomi was one of David Bowie’s backup singers for a 1979 performance on Saturday Night Live. // Nomi died in 1983 at the age of 39 as a result of complications from AIDS. He was one of the earliest known figures from the arts community to die from the illness. // Klaus Nomi was born Klaus Sperber in Immenstadt, Bavaria, Germany on January 24, 1944. In the 1960s, he worked as an usher at the Deutsche Oper in West Berlin where he sang for the other ushers and maintenance crew on stage in front of the fire curtain after performances. He also sang opera arias at the Berlin gay discothèque Kleist Casino. // Nomi emigrated to New York City in 1972.He did some off-Broadway theater work and moonlighted as a pastry chef. // In 1977, Nomi appeared in a satirical camp production of Richard Wagner’s Das Rheingold at Charles Ludlam’s Ridiculous Theater Company as the Rheinmaidens and the Wood Bird. // Nomi came to the attention of the East Village art scene in 1978 with his performance in “New Wave Vaudeville”, a four-night event MC’d by artist David McDermott. Dressed in a skin-tight spacesuit with a clear plastic cape, Nomi sang the aria “Mon cœur s’ouvre à ta voix” (“My heart opens to your voice”) from Camille Saint-Saëns’ opera Samson et Dalila The performance ended with a chaotic crash of strobe lights, smoke bombs, and loud electronic sound effects as Nomi backed away into the smoke. Joey Arias recalled: “I still get goose pimples when I think about it… It was like he was from a different planet and his parents were calling him home. When the smoke cleared, he was gone.” After that performance Nomi was invited to perform at clubs all over New York City. // At the New Wave Vaudeville show Nomi met Kristian Hoffman, songwriter for the Mumps. Hoffman was a performer and MC in the second incarnation of New Wave Vaudeville and a close friend of Susan Hannaford and Tom Scully, who produced the show, and Ann Magnuson, who directed it. Anya Phillips, then manager of James Chance and the Contortions, suggested Nomi and Hoffman form a band. Hoffman became Nomi’s de facto musical director, assembling a band that included Page Wood from another New Wave vaudeville act, Come On, and Joe Katz, who was concurrently in The Student Teachers, the Accidents, and The Mumps. // Hoffman helped Nomi choose his pop covers, including the Lou Christie song “Lightnin’ Strikes”. Hoffman wrote several pop songs with which Nomi is closely identified: “The Nomi Song”, “Total Eclipse”, “After The Fall”, and “Simple Man”, the title song of Nomi’s second RCA French LP. This configuration of the Klaus Nomi band performed at Manhattan clubs, including several performances at Max’s Kansas City, Danceteria, Hurrah and the Mudd Club. He also appeared on Manhattan Cable’s TV Party. // Disagreements with the management Nomi engaged led to a dissolution of this band, and Nomi continued without them. In the late 1970s, while performing at Club 57, The Mudd Club, The Pyramid Club, and other venues, Nomi assembled various up-and-coming models, singers, artists, and musicians to perform live with him, including Joey Arias, Keith Haring, John Sex and Kenny Scharf. He was briefly involved with Jean-Michel Basquiat, then known for his graffiti art as SAMO. // Nomi and Arias were introduced to David Bowie at the Mudd Club, who hired them as performers and backup singers for his appearance on Saturday Night Live on December 15, 1979. They performed “TVC 15”, “The Man Who Sold the World”, and “Boys Keep Swinging”. During the performance of “TVC 15”, Nomi and Arias dragged around a large prop pink poodle with a television screen in its mouth. Nomi was so impressed with the plastic quasi-tuxedo suit that Bowie wore during “The Man Who Sold the World” that he commissioned one for himself. He wore the suit on the cover of his self-titled album, as well as during a number of his music videos. Nomi wore his variant of the outfit, in monochromatic black-and-white with spandex and makeup to match, until the last few months of his life. // Nomi played a supporting role as a Nazi official in Anders Grafstrom’s 1980 underground film The Long Island Four. // The 1981 rock documentary film, Urgh! A Music War features Nomi’s live performance of “Total Eclipse.” His performance of “Mon cœur s’ouvre à ta voix” was used for the closing credits. In the liner notes of Nomi’s 1981 self-titled record, 666 Fifth Avenue was listed as the contact address. // He released his second album, Simple Man, in November 1982. He also collaborated with producer Man Parrish, appearing on Parrish’s 1982 album Man Parrish as a backup vocalist on the track “Six Simple Synthesizers”. // In the last several months of his life, Nomi changed his focus to operatic pieces and adopted a Baroque era operatic outfit complete with full collar as his typical onstage attire. The collar helped cover the outbreaks of Kaposi’s sarcoma on his neck, one of the numerous AIDS-related diseases Nomi developed toward the end of his life. // Nomi died at the Sloan Kettering Hospital Center in New York City on August 6, 1983. He was one of the first celebrities to die of complications from AIDS. Upon his death, Nomi’s close friend Joey Arias became the executor of his estate. His ashes were spread across New York City.]

10:38 – More Joey Arias Interview

Arias got a job at the famous Fiorucci designer clothing store. He and other store staff like Vincent Gallo, performed (danced and modeled clothes) in the shop windows.

He was a stylist to Jackie Onassis, Gloria Vanderbilt

37:48 – At Fiorucci he met Andy Warhol
36:59 – with Truman Capote

While in New York, he also performed with Ann Magnuson in a band called Strange Party which recorded and performed in various night clubs. At Club 57 Joey and Ann Magnuson created the “Andy and Edie Show.” Andy saw the show nd praised Joey’s portrayal and y gave Joey one of his wigs. Andy praised Magnuson for her portrayal of…

35:23 – “The Dead Girl”

10:41

  1. Dana Gillespie – “Andy Warhol”
    from: What Memorie We Make: The Complege Mainman Recordings (1971- 1974) / Cherry Red recordings / March 29, 2018
    [[Written by David Bowie. It is an acoustic song about one of Bowie’s early artist inspirations, the American pop artist Andy Warhol. // Originally the song was written for Dana Gillespie, who recorded it in 1971, but her version of the song was not released until 1973 on her album Weren’t Born a Man. Bowie produced Gillespie’s version and Ronson also plays guitar. Gillespie performed the song in 1974 on the Dutch television programme TopPop. // Bowie, an admirer of Warhol, sent him a copy of Hunky Dory and performed “Andy Warhol” for him in person at Warhol’s studio the Factory in New York in September 1971, before the album was released. But due to Warhol’s typically minimal reaction, Bowie was never sure if he liked it. Tony Zanetta, who had brought Bowie to the Factory and later portrayed Warhol in Warhol’s first play, Pork (1971), maintained that Warhol “didn’t say anything but absolutely hated it”. // The song was released as the B-side of the single “Changes” in January 1972. It also appeared on the Japanese compilation The Best of David Bowie from 1974. An edited version, with the dialogue in the introduction cut, as it was on the US single version, is included on Re:Call 1, part of the 2015 boxed set Five Years (1969–1973). // A performance sung by Dana Gillespie was recorded for BBC Radio’s In Concert strand on 3 June 1971, presented by John Peel and first broadcast on June 20 that year.]

10:43 – More Joey Arias Interview

Joey Arias was the original doorman at The Mudd Club. Klaus Nomi & Arias were at the Mudd Club when they were introduced to David Bowie, who hired them as performers & backing singers for his appearance on Saturday Night Live.

Originally Toni Basil was going to be performing with Bowie, but plans changed and Bowie decided to do SNL with Klaus Nomi and Joey. They spent that week with Bowie, deciding the songs to perform. Joey and Klaus came up with their own choreography

On the first day they sat in a little room. Bowie interviewed them on film about their lives.

On December 15, 1979, Nomi and Arias appeared on Saturday Night Live accompanying David Bowie for a live performance of three songs: “The Man Who Sold the World”, “TVC 15” and “Boys Keep Swinging”. During the performance of “TVC 15”, Nomi and Arias dragged around a large prop pink poodle with a television screen in its mouth.

Nomi was so impressed with the plastic quasi-tuxedo suit that Bowie wore during “The Man Who Sold the World” that he commissioned one for himself. He wore the suit on the cover of his self-titled debut album released years later in 1981, as well as during a number of his music videos. Nomi wore his variant of the outfit, in monochromatic black-and-white with spandex and makeup to match, until the last few months of his life.

29:27 – (29:17) – “Voted by SNL as their #1 Musical Performance ever”

10:49

  1. David Bowie – “The Man Who Sold The World”
    from: Saturday Night Live Performance / December 15, 1979
    [Bowie arrived at the famous studio 8H at 30 Rock with a trio of tracks under his belt and a new accompanying artist in tow. The inimitable Klaus Nomi, the notable movement coach and artist, and the flamboyant New York performance artist Joey Arias arrived with Bowie equipped with some avant-garde costumes and a performance unlike anything America had ever seen before. It was about to get a little strange. // In this appearance on December 15, 1979 during the US comedy show Saturday Night Live, David Bowie, Klaus Nomi and flamboyant New York performance artist Joey Arias perform three songs, ‘The Man Who Sold The World’, with Bowie carried to the front of the stage by Nomi and Arias, while wearing a man’s evening dress and a large bow tie (emulating the poet Tristan Tzara). Nomi was so impressed with the costuming that he adopted the huge plastic tuxedo Bowie wears during ‘The Man Who Sold The World’ as his own, wearing one on the cover of his first album and performing in it until his death from AIDS in 1983. // “The Man Who Sold the World” is a song by the English singer-songwriter David Bowie. The title track of Bowie’s third studio album, it was released in November 1970 in the US and in April 1971 in the UK by Mercury Records. Produced by Tony Visconti. // The Man Who Sold the World” went relatively unnoticed upon initial release in 1970. It was not released as a single by Bowie, though appeared as a B-side on the 1973 reissues of “Space Oddity” in the US and “Life on Mars?” in the UK by RCA Records. // The song has been covered by hundreds of artists, with many noting that certain covers have managed to outshine the popularity of Bowie’s original recording. // American rock band Nirvana performed the song for the television program MTV Unplugged in 1993, introducing it to a new audience.]

10:52 – More Joey Arias Interview (7:37)

27:13 – In NYC while having lunch with former Groundling and good friend Cassandra Peterson (Elvira), Cassandra introduced Joey to Paul Reubens

This led to Joey being cast in Big Top Pee-wee, a 1988 American comedy film directed by Randal Kleiser. A standalone sequel to Pee-wee’s Big Adventure (1985), the film stars Paul Reubens reprising his role as Pee-wee Herman.

After the film, Paul Reubens and John Paragon were visiting Joey in NYC and they all three went to Unique Boutique where Michael McQuary worked.

Michael mentioned that Paul should have given him a larger part in the film. That’s when Joey introduced Michael to Paul Ruebens. Michael hadn’t recognized Paul and went screaming out of the room.

22:30 – Joey described Michael as talking very fast like he was on speed and coffee

22:48 – “Paul Reubens meet Michael McQuary”

Paul said, “Well… it was ‘my’ movie.”

21:50 – Michael: “That was really a fun moment.”

11:00

  1. Cast of Big Top Pee Wee – “Big Top Big Finale (1988)”
    from: a clip from Big Top Pee Wee (1988) [cut it at 1:45]

11:02 – Station ID

11:02 – More Joey Arias Interview (7:20)

20:50 – Mark: Mondo New York

Mondo New York is a 1988 film directed by Harvey Nikolai Keith. Mondo New York examines the lives and activities of Manhattan performance artists, and features Joey Arias and Rick Aviles. A number of New York City denizens appear in various sketches, each linked by a young woman’s exploration of the city. Other performers include Charlie Barnett, Joe Coleman, Phoebe Legere, Karen Finley, Lydia Lunch, Veronica Vera, Frank Moore, and Ann Magnuson. The film was produced by Night Flight creator Stuart S. Shapiro.

Elvira: Mistress of the Dark is a 1988 American comedy horror film directed by James Signorelli, starring Cassandra Peterson as eccentric horror host Elvira. The film’s screenplay, written by Peterson, John Paragon, and Sam Egan, follows Elvira inheriting a house nestled in the heart of an overtly prudish community.

Flawless is a 1999 American crime comedy-drama film written and directed by Joel Schumacher, and starring Robert De Niro and Philip Seymour Hoffman.

To Wong Foo, Thanks for Everything! Julie Newmar is a 1995 American road comedy-drama film directed by Beeban Kidron and starring Wesley Snipes, Patrick Swayze, and John Leguizamo as three New York City drag queens who embark on a road trip. Its title refers to an iconic autographed photo of Julie Newmar they carry with them on their journey. Newmar also has a cameo appearance in the film as herself.

Wigstock: The Movie. – Joey did his character “Justine” for Lady Bunny. Wigstock: The Movie is a 1995 documentary film focusing on Wigstock, the annual drag music festival that had been held New York City’s East Village through the 1980s and 1990s. The film presents a number of performances from the 1994 festival, including Crystal Waters, Deee-Lite, Jackie Beat, Debbie Harry, Leigh Bowery, Joey Arias, Freddie Pendavis, and the Dueling Bankheads. The film also captures a performance by RuPaul at the height of his mainstream fame during the 1990s.

Joey Arias was friends with Leigh Bowery (who died in 1994)

In the early 1990s, Arias covered the songs of Holiday in a show titled Strange Fruit which ran for over a year at the Astor Place Theatre on Lafayette Street in New York City and received a positive notice from John Lahr in The New Yorker. During these years he also began a career in cabaret, channeling the vocal style and mannerisms of Billie Holiday.

The 1990s also saw Arias perform in weekly shows at Bar d’O, an intimate lounge in the West Village of New York City performing with Raven O, and then also Sherry. And then inviting other guest performers at Bar d’O including: Jimmy James, Sade Pendavis, Daniel Isengart and Flotilla Debarge. The evenings have inspired annual reunion shows each December at Indochine restaurant and became the subject of a 2011 documentary film produced by Bobby Sheehan.

In 2001 Joey was approached to help with a new Cirque du Soleil’s show featuring an Exotic Sex Cabaret. Joey helped directors get in contact with French designer Manfred Thierry Mugler who was then hired to create the costumes.

17:00 – Joey asked the producers, “who is your emcee?” They said they wanted him to be the emcee. He turned them down. Hanging up on them, until they tricked him into being in the show. In 2001 he started doing rehearsals in Montreal.

In 2003 Arias moved to Las Vegas, Nevada to star in Cirque du Soleil’s Zumanity at the New York-New York Hotel & Casino. In addition to starring in the show as te Mistress of Seduction, he co-wrote several of the show’s songs.

15:25 – Backstage Joey met many celebrities including Burt Bacharach.

14:14 – Joey kissed Burt Bacharach’s hand because “those hands had written his favorite songs of his lifetime.” Joey asked Burt, “Do you know he way to San Joe-ay?”

Michael: “Joey did you know that Burt Bacharach was Marlene Dietrich’s Music Director?”

14:20 – Mark: “Joey did you know that Burt Bacharach is originally from Kansas City?”

14:26 – Joey “It’s all coming back home.”

11:09:50

  1. Frankie Goes to Hollywood – “San Jose”
    from: Welcome to the Pleasuredome / ZTT / October 23, 1984
    [Welcome to the Pleasuredome is the debut studio album by the English band Frankie Goes to Hollywood, first released on 29 October 1984 by ZTT Records. Originally issued as a vinyl double album, it was assured of a UK chart entry at number one due to reported advance sales of over one million. It actually sold around a quarter of a million copies in its first week. The album was also a top-10 seller internationally in countries such as Switzerland, Sweden, Australia and New Zealand. // The album was commercially successful and contained new versions of the songs from the group’s singles from the same year (“Relax” and “Two Tribes”, plus B-side “War”), as well as several cover versions. Trevor Horn’s production dominated the record so thoroughly that the band’s own instrumental performances were often replaced by session musicians or Horn himself. Frankie’s second album, Liverpool, actively featured the full band. // Frankie Goes to Hollywood were an English pop band that formed in Liverpool in 1980. They comprised Holly Johnson (vocals), Paul Rutherford (backing vocals), Mark O’Toole (bass), Brian Nash (guitar) and Peter Gill (drums). Johnson and Rutherford were among the first openly gay pop singers, and Frankie Goes to Hollywood made gay rights and sexuality a theme of their music and performances.]

11:13 – More Joey Arias Interview

14:26 – Joey: Michael and his Man of 1001 Faces

14:00 – Joey: “I remember reading something in newspaper about Michael selling his apartment and moving away.”

13:50 – Michael: “When I hear the Abbott and Costello Meet Frankenstein Suite, I remember the performance we did at Soho Grand. Joey: “I grabbed a flashlight”

12:40 – Joey: “Every one was terrified by your faces. Susanne Bartsch loved it!

12:24 – After six years with Zumanity, Arias returned to New York where he starred in Arias with a Twist, a collaboration with puppeteer Basil Twist at HERE Arts Center. Produced by Barbara Busackino and Tandem Otter Productions, the show received a positive review from Ben Brantley in the New York Times. The show has toured to Los Angeles and Paris and spawned a “docufantasy” film of the same name which premiered at the TriBeCa Film Festival in 2010. // Arias with a Twist: Deluxe, a revamped and expanded version of the show, returned to New York for a limited run at Abrons Arts Center from Sept. 14 to Oct. 16, 2011. // Arias’ relationship with Abrons began in October 2010 when Joey Arias in Concert marked Arias’ first concert appearances in New York in over a decade. Based on the success of the show, Earl Dax collaborated with Josh Wood who produced Arias in concert at New York’s Town Hall on April 21, 2010.

Arias continues to perform in venues such as Joe’s Pub and Feinstein’s/54 Below.

11:15 – Joey’s album PAST PRESENT FUTURE (2023) was recorded in Minneapolis, MN

10:19 – Joey: “You put it out there, it comes back.”

9:45 – Elliot Douglass on piano

8:35 – There will be a Christmas Album too.

7:17 – Joey is working on a book deal. They’re reading his manuscripts. Joey is going “Horizontal in life.”

6:15 – Mark: I have heard both you and Michael talk of being aliens. Joey tells a story of seeing a “glowing person.”

5:20 – Joey tells story of being at Arlo Guthrie’s house

“All you need is love. Let’s make love.” – Joey

00 – Bye Bye

11:27

  1. Joey Arias – “Ooh, What A Feelin
    from: PAST PRESENT FUTURE / Beige Recording NYC / November 19, 2023
    [New 14-song studio album . Much of the album was recorded right here in Minnesota. “It was a dream come true. It was the ultimate focus.” The studio time was extremely fruitful. “We were supposed to do 15 songs, but we ended up doing 30 songs,” Arias says, “Because everyone was so on top of it, and asking what do we do now, what do we do next.”Arias collaborated with an impressive group of musicians, which included many talented Minnesotans alongside a few of his usual collaborators. “I was so blessed to work with a core group of Minnesota-based musicians, with Jason McGlone as our lead engineer. JT Bates played drums. Jeff Bailey played bass. David Feily played guitar. My long-time pianist, Eliot Douglass, flew in from Vegas to do all the sessions,” says Arias, “And all of us, we all literally lived at Pachyderm Studios in Cannon Falls, Minnesota, for weeks. Music all day and night. We didn’t leave the property…There were no outside influences. Just what came out of all of us.” // This album is really a summation of Arias’ career to date. “When we first started this project I was asked ‘What do I want out of this project?’ I said, ‘Well this is going to be the past, the present, and the future.’” In seeking to fulfill that goal, Arias has built a track list that dives deep into the many artistic lives he has led. // “The past refers to songs and material I did, basically as a teenager, when I was signed to Capital Records. The present is all the material that we wrote in Minnesota, in the studio. The future is…. It’s a combination of everything. Pop. Modern. Avant-garde. The sexy. The sensual. It has hard hits. And it has soft hits.” // Being that this is a Joey Arias project, it will be as uniquely ineffable as Arias himself, but it can broadly be categorized as a pop album. “We are going straight ahead with surreal pop music…it’s the Joey style of pop. Not candy pop. Lyrics about love, but also about what is going on in the world today. And how might we better shape the future.“ // Arias gets inspiration from many places, many genres. “The music just gets me. The music has a vibration,” says Arias, “I love seeing new bands. Hearing new music. Everything. Everything from country to hip hop to rap to jazz, heavy metal, rock n roll, disco. There is a vibration to it all.” He continues, “Every day I think about the songs. Think about where we are going. I am so grateful to be working with such generative artists and producers. – Buer Carlie LAVENDER (June 1, 2023)

Additional notes: Klaus Nomi died August 6, 1983. Joey Arias became executor to the Klaus Nomi (Sperber) estate. A tribute to his friend is held in Berlin every year, and the documentary film The Nomi Song was released in 2004. A film on the life Arias shared with Nomi was in development in 2010 with Alan Cumming slated to play Nomi. // In 2019, his archives, which also include material relating to Klaus Nomi, were acquired by Harvard’s Houghton Library.

Joey appears in the 2016 film The Zanctuary by Spanish director José André Sibaja, with Amanda Lepore and Sophia Lamar. // He appeared in the German documentary Wie ich lernte die Zahlen zu lieben/How I Learned to Love the Numbers (2014) by Oliver Sechting and Max Taubert. In 2012, he was interviewed in the documentary feature film Jobriath A.D.

Arias portrayed Joan Crawford in New York and San Francisco productions of Christmas with the Crawfords, a spoof of Christina Crawford’s book Mommie Dearest that’s been a holiday tradition since 1992. The San Francisco-based production premiered Off-Off-Broadway at the Grove Street Playhouse in 2000. Arias also starred in a 2001 and 2015 revival of the play at the Chelsea Playhouse.

11:30 – Underwriting

11:32 – More Interview with Micheal McQuary

After 33 years in New York, Michael relocated to Kansas City, where he premiered his one-man show, I’m Hollywood, at KC Fringe Fest.

Michael also works in film, starring in CORVALO for Mile Deep Films, Keeper and Love Shadow, for Bill’s Eye Cinema, MADEYE, Connections for Cooper Square Productions and two documentary films about his work: Portrait of an Artist for Cooper Square Productions and Man of 1001 Faces, for Taishi Studios.

Michael McQuary also played seven characters in 2022’s television situation comedy, Daddy’s Divas on Amazon TV.

Michael McQuary will perform his one-man show, Sunday, June 15, at 2:00pm at Englewood Arts Center, 10901 East Winner Road, Independence, Missouri.

11:40 – Michael’s Performance in honor of Chita Riveria

  1. Michael McQuary performs – “Kiss of The Spider Woman” (Live)
written by Kander and Ebb

11:43 – More Interview with Micheal McQuary

When not acting or performing, Michael is a visual artist specializing in rapidly drawn portraits known as “Your Essence in Seconds.” Michael’s “Power Sign” jewelry and wall art is avidly collected and can be seen on walls, around wrists, necks and on fingers around the world.

Michael is an artist, in make up, costume, stage settings, props for film and stage. Micheal is also a visual artist of personal portraits, “life captures”with china ink that are collected internationally. Michael designs for YourPowerSign.com where he creates personal art works of metal.

Michael will be in the upcoming feature film by Patrick Rea, “Super Happy Fun Clown”

Michael McQuary thanks for being with us on Wednesday MidDay Medley

Michael McQuary will perform his one-man show, Sunday, June 15, at 2:00pm at Englewood Arts Center, 10901 East Winner Road, Independence, Missouri. More info at: http://www.englewoodarts.art

For WMM, I’m Mark Manning. Thanks for listening.

11:53

  1. Carmen Dragon & Capitol Symphony Orchestra – “Lady of Spain”
    from: Tempo Espanol / Capitol Records / 1959
    [This number was one of the biggest hits of British song-writer Tolchard Evans, in particular being an international best-seller for Eddie Fisher in the 1950s. Here it is in a typically vivacious orchestral arrangement by Carmen Dragon from a 1950s Capitol ‘Full Dimensional Stereo Sound’ LP. The lyrics have been added for anyone who wishes to sing along. This upload is dedicated to a close relative living in Spain. I hope she enjoys it!]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, June 18 present another of our PRIDE specials as we welcome back to the show Chris Garibaldi co-founder of Lotuspool Records and Mark Henning of the bands Zoom, National Trust, Voice of Action, share details about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Grauerholz has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. This new collection of songs span thirty years, or as James so aptly puts it ‘My Life In Four Acts’ – with each side of the two lps representing an Act. Though much of the material could easily be considered Great American Songbook, there is also a deeply personal and distinctly Queer element to the songs. One must not forget that back in the 1970s hardly anyone was doing this. In fact, James may have created his very own lane. More info at: http://www.lotuspool.com

We will also talk with Sisterbot aka Adee Dancy, Hadiza and Zan Bondi about the mini festival Solstice at Sunset at Manheim Gardens on Saturday, June 21, 2025, from 2pm to midnight, featuring 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, and Coloratura, with performances running from 3-11pm.

And we’ll talk with musician Lonnie Fisher.

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1099

WMM presents Michael McQuary + Joey Arias and a special show about Queer Performance in NYC in the ’80s, ’90s, & beyond.

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 11, 2025

WMM presents Michael McQuary + Joey Arias and a special show about Queer Performance in NYC in the ’80s, ’90s, & beyond.

Michael McQuary returns to WMM for a Special Pride Show about Queer Performance in NYC in the ’80s, ’90s, & beyond. Michael grew up in Portland, Oregon. In 1980 he was awarded a scholarship to attend the New York Academy of Dramatic Arts. Michael performed on NYC stages at the River West Theatre, the Divine Theater and the Cooper Square Theatre. His one-man shows played the West Village cabarets, Eighty-eights, the Duplex, and the Trocadero. He premiered his show, The Secret Power of Fu Manchu at Cooper Square Theatre alternating the late-night spot with RuPaul & Mona Foote. Michael played downtown NYC clubs: the SoHo Grand, with Joey Arias & Susanne Bartsch, the Pyramid, Boy Bar, and Starlight Bar & Lounge. Uptown, Michael performed at Danny’s Grand Sea Palace, Don’t Tell Mama, The Bon Soir and Rick Talbots Ladies. Michael premiered his one-man production, Crystal Allen Strikes Back, by Jon Michael Johnson at Danny’s Grand Sea Palace. After 33 years in New York, Michael relocated to Kansas City, where he premiered his one-man show, I’m Hollywood, at KC Fringe Fest. Michael also works in film, starring in CORVALO for Mile Deep Films, Keeper and Love Shadow, for Bill’s Eye Cinema, MADEYE, Connections for Cooper Square Productions and two documentary films about his work: Portrait of an Artist for Cooper Square Productions and Man of 1001 Faces, for Taishi Studios. Michael McQuary also played seven characters in 2022’s television situation comedy, Daddy’s Divas on Amazon TV. He will soon be seen in the upcoming feature film by Patrick Rea, “Super Happy Fun Clown.” Michael McQuary will perform his one-man show, Sunday, June 15, at 2:00pm at Englewood Arts Center, 10901 East Winner Road, Independence, Missouri.

At 10:30 Mark interviews Joey Arias, avant-garde artist based in New York City, best known for work as a performance artist, actor, and cabaret singer, but also as a published author, comedian, stage persona and film actor. One of the original Groundlings in Los Angeles. Joey left for NYC in 1976 and embarked on a new career singing with his best friend Klaus Nomi on stage, in videos, and with David Bowie on SNL in 1979. Arias gradually became involved in the burgeoning 1980s performance art scene, appearing at downtown venues including Club 57 with John Sex, Ann Magnuson, Kenny Scharf, Keith Haring, and Basquiat. Joey also began a career in cabaret, channeling the vocal style of Billie Holiday. Joey can be seen in the films: Wigstock: The Movie with Lady Bunny, Jackie Beat, Debbie Harry, Leigh Bowery, and RuPaul. Joey is also in Big Top Pee-wee, a 1988 sequel to Pee-wee’s Big Adventure starring Paul Reubens as Pee-wee Herman. Joey is featured in Mondo New York with Karen Finley, Lydia Lunch, and Ann Magnuson; Elvira: Mistress of the Dark starring Cassandra Peterson as Elvira. Joey also has roles in Flawless, starring Robert De Niro and Philip Seymour Hoffman; and To Wong Foo, Thanks for Everything! Julie Newmar starring Wesley Snipes, Patrick Swayze, and John Leguizamo. In 2003 Arias moved to Las Vegas, for Cirque du Soleil’s Zumanity at the New York-New York Hotel & Casino. In addition to starring in the show, he co-wrote two of the show’s songs. After six years, Arias returned to NYC where he starred in Arias with a Twist, with puppeteer Basil Twist at HERE Arts Center. The show was also produced in Los Angeles and Paris. Arias continues to perform in venues such as Joe’s Pub and Feinstein’s/54. Recently Joey released his new album, Past Present Future.

Joey Arias will share stories about his friendships with Klaus Nomi, David Bowie, Saturday Night Live, Andy Warhol, Pee Herman aka Paul Reubens, Lady Bunny, Cirque du Soleil and More! We’ll spin musical tracks from: Klaus Nomi, David Bowie, Joey Arias, Dana Gillespie, Yma Sumac, Kiss of The Spiderwoman, William Stromberg & Moscow Symphony Orchestra, and More!

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1099

WMM PLAYLIST from June 4, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 4, 2025

WMM Serves Music of Boulevardia + Chris Haghirian + KC Music Industry Commission

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
  1. Tech N9ne – “This I Know (feat. Kevin Church Johnson) (radio edit)”
    from: 5816 Forest / Strange Music / June 27, 2025
    [New single from upcoming 27th studio album. Aaron Dontez Yates was born November 8, 1971. He is better known by his stage name Tech N9ne (pronounced “tech nine”), is an American rapper and singer. In 1999, he and business partner Travis O’Guin founded the record label Strange Music. He has sold over two million albums and his music has been featured in film, television, and interactive media. In 2009, he won the Left Field Woodie award at the mtvU Woodie Awards. // His stage name originated from the TEC-9 semi-automatic handgun, a name given to him by rapper Black Walt due to his fast-rhyming chopper style. Yates later applied a deeper meaning to the name, stating that it stands for the complete technique of rhyme, with “tech” meaning technique and “nine” representing the number of completion. // Yates was born and raised in Kansas City, Missouri. He began rapping at a very early age, and would rap the letters of his name in order to remember how to spell it. His father Carlton Cook was estranged from the family and his mother suffered from epilepsy and lupus when he was a child, which emotionally affected him and inspired him to “search for God”. He would explore abandoned buildings with his best friend, hoping to catch a ghost on film. He attended Southwest High School in Kansas City. // Early in his career, Yates was a member of a group formed in 1991 called Black Mafia. He saw glimpses of success in the group 57th Street Rogue Dog Villians with their single “Let’s Get Fucked Up”. As a member of the group Nnutthowze, Aaron Yates signed with Perspective Records in 1993. However, the group disbanded soon after being released from the label. Yates signed with Qwest Records briefly before moving to JCOR Records. // In 1997, Yates joined the group the Regime, which was formed by rapper Yukmouth. The following year, he was featured on the soundtrack for the film Gang Related. Yates appeared on the song “The Anthem” by Sway & King Tech in 1999, which also featured artists RZA, Eminem, Xzibit, Pharoahe Monch, Jayo Felony, Chino XL, KRS-One, and Kool G. Rap. Later that year, he and business partner Travis O’Guin founded the record label Strange Music. // In 2001, Yates released the studio album Anghellic on JCOR Records.[9] After disputes arose about the promotion of the album, Yates and his label severed ties with the JCOR with a deal that allowed them to retain the rights to the album. The next year, he released Absolute Power, under a 50–50 joint venture between Strange Music and M.S.C. Music & Entertainment (which was founded by former Priority Records head Mark Cerami). The album debuted number 79 on the Billboard 200. The album’s sales are said to have tripled following a campaign, going by the name of “F.T.I.” was started by the rapper and his label. The campaign, which asked music listeners to legally download the album free through the artist’s own website was in response to the anti-downloading campaign by the RIAA. // In 2006, Yates released the album Everready (The Religion). The following year, he released Misery Loves Kompany. Yates announced that the album was the first in a series of “Tech N9ne Collabos” albums that feature a wide range of guest appearances. // The following year, Yates released the album Killer. That September, he exceeded one million album sales over his entire catalog. Yates remarked of the accomplishment that, “It just reminded me of all the work we’d done in the past, up until now […] I don’t think it’s sunken in yet. I’ve been celebrating for the last two days because that’s a hell of an accomplishment. I’ve been planning success all my life. I’m not even a bit surprised, I’m happy about it. That just means I was right.” Yates released his second Collabos album, Sickology 101, in April 2009. // Yates later performed at the Rock The Bells 2009 Festival and the tenth annual Gathering of the Juggalos. That October, he released K.O.D., an acronym for King of Darkness. The album featured a dark overtone, as Yates was dealing with the illness of his mother. An EP of new songs over unused beats from the K.O.D. album was released in 2010 as The Lost Scripts of K.O.D.. Later that year, Yates released his third Collabos album, The Gates Mixed Plate. In October, he released his second EP Seepage. On December 23, he released his first mixtape Bad Season.which was later released in retail CD form with a modified track list and without DJ Scream. On June 7, 2011, Yates released All 6’s and 7’s. The album features several hip-hop artists as well as rock artists including B.o.B, E-40, Snoop Dogg, Hopsin, T-Pain, Jay Rock, Mint Condition, Busta Rhymes, Twista, Lil Wayne, Yelawolf and Deftones and many others. // In 2011, Yates told 411mania.com that after All 6’s And 7’s he planned on releasing his fourth album in the Collabos series titled Welcome to Strangeland, featuring guest appearances from everyone on Strange Music, followed by the long-awaited K.A.B.O.S.H. and 816 Boyz albums. Then, in July 2011, Yates said in a blog post that Rick Ross has agreed to do a song with him for the K.A.B.O.S.H. album and that he is also hoping to have a collaboration with Jay-Z on that album. In the same blog post, he said that the K.A.B.O.S.H. album will be a rock album. In another blog post several weeks later, he confirmed that he will begin work on the album after completing Welcome to Strangeland. Following his tour, he announced that he was about to begin work on Welcome to Strangeland and Klusterfuk, confirming producers for both projects. ¡Mayday! is to entirely produce Klusterfuk. He said he will then begin work on the K.A.B.O.S.H. album. // Tech N9ne is featured on Lil Wayne’s ninth studio album Tha Carter IV on the song “Interlude”. The track features a verse from Tech and Andre 3000. During a radio interview with Funkmaster Flex in August 2010, Wayne stated that he and Tech N9ne formed a “brotherhood” when Yates visited him in jail. In a later interview, Tech N9ne claimed that he thinks the song will “awaken a lot of other people that wouldn’t usually look [his] way” and “teach all the new fans how to become technicians”. // In an interview with “Underground TV” posted on Tech N9ne’s blog, Tech N9ne spoke about his 2012 plans, confirming the release of Klusterfuk, the K.A.B.O.S.H. album, and an untitled solo album to be released in 2012. He was featured on the song “Edge of Destruction” (which also features Twista) that appears on Machine Gun Kelly’s first studio album “Lace Up”. // On September 18, Tech N9ne released an EP titled “E.B.A.H.” (Evil Brain Angel Heart). On October 30, Tech N9ne released an EP titled Boiling Point. He announced his thirteenth studio album would be titled Something Else and would be released on June 25, 2013. The first song released from the album would be “B.I.T.C.H.”, an acronym for Breaking In To Colored Houses, which features rapper/singer T-Pain. The album would end up being released on July 30, 2013, to universal critical acclaim. The album, which is broken up into three portions — Earth, Water & Fire, features guest appearances from B.o.B, Big K.R.I.T., Cee Lo Green, the Doors, Game, Kendrick Lamar, Serj Tankian, T-Pain, Trae tha Truth, Snow Tha Product, and Wiz Khalifa, among others including several artists from Tech N9ne’s Strange Music imprint. The album was supported by two singles, “So Dope (They Wanna)” and “Fragile”. // Tech N9ne announced a new “Independent Grind” tour in January 2014, which included Freddie Gibbs, Krizz Kaliko, and Jarren Benton. The tour dates were announced on January 30, 2014, and the tour ran from April 9 until June 28, wrapping up in Kansas City. Also in 2014, Yates released Strangeulation, the fifth album in his Collabos series and fourteenth album overall. // In April 2015, Yates confirmed that Eminem will be featured on a song titled “Speedom (Worldwide Choppers 2)”. The song was released on April 20, 2015, as a single supporting his then-upcoming album, Special Effects, which was released on May 4 of the same year. The rapper says Eminem collaborated on the track, free of charge, in exchange for Yates to guest on a track of his for an unknown project. Yates says he was “flabbergasted” that Eminem respected his music so much. // On May 4, 2015, Tech N9ne released Special Effects to critical and commercial acclaim. The album features guest appearances from Corey Taylor, B.o.B, Lil Wayne, 2 Chainz, T.I., Kottonmouth Kings, Hopsin, Captain Chronic, E-40, Yo Gotti, Audio Push and Eminem along with fellow Strange Music artists Krizz Kaliko, Big Scoob and Ces Cru. // In addition, a Special Effects tour began in early April 2015. Tech is joined on tour by Murs, Chris Webby, Krizz Kaliko, Zuse, and King 810. // On November 20, 2015, Tech N9ne released Strangeulation Vol. II, the sixth album in his Collabos series and 16th album overall. The album features the entire roster of Strange Music at the time along with JL, Ryan Bradley, and Tyler Lyon. In spring 2016, Tech N9ne went on tour with fellow Strange members for another Independent Powerhouse Tour. // In December 2016, Tech N9ne released his 17th album, The Storm, the followup to his 1999 debut album The Calm Before The Storm. // In January 2017, Tech N9ne announced his seventh Collabos album titled Dominion, released April 7, and stated plans to release a second album in his Collabos series the same year. In March, Tech began the Strictly Strange ’17 tour with fellow Strange Music artists. The same month, Tech announced on radio station GoMN plans to release his next solo album, Planet, in 2018. On June 20, 2017, Tech earned his first platinum record in 18 years for “Caribou Lou”. Tech N9ne released the eighth Collabos album, Strange Reign, on October 13, 2017, marking it the second album release that year. // On March 2, 2018, Tech N9ne released Planet, making this his 20th studio album. On April 19, 2019, Tech N9ne released N9na, making this his 21st studio album. Nearly a year later, on April 10, 2020, his 22nd album, Enterfear was released. On July 29, 2020, he was featured on “CMFT Must Be Stopped”, a single by Slipknot vocalist Corey Taylor. On October 23, 2020, Tech N9ne released a new project titled Fear Exodus. // On October 8, 2021, Tech N9ne released an album titled “Asin9ne”. The album features guest appearances from Lil Wayne, Mumu Fresh, Snow Tha Product, Russ, E-40, X-Raided, as well as wrestler turned actor Dwayne Johnson. // Tech N9ne features on fellow Kansas City area musician Samantha Fish’s 2021 album Faster, rapping on the song “Loud”. // On May 3, 2022, at Red Rocks Amphitheatre, Tech N9ne announced his then-upcoming album Bliss, performing a song off the album titled “They Know Meh” featuring fellow Kansas City-based rapper, The Popper. // Bliss was released on July 28, 2023, after being delayed from a July 14 release. The album contains guest appearances from Conway the Machine, Joyner Lucas, X-Raided, Kim Dracula, RMR, Qveen Herby and Durand Bernarr. // On May 7, 2024, Yates was unveiled as featured artist on the Falling in Reverse track “Ronald” from their 2024 album Popular Monster. He stars in the official music video portraying a God like entity, who contrasts against the demonic final boss portrayed by Alex Terrible lead singer of the Russian heavy metal group Slaughter to Prevail. Yates will also be supporting the group on their Popular MonsTOUR II: World Domination tour, in Europe and North America. // Yates is known for his dynamic rhyme schemes[citation needed] and speed rap abilities known as the Chopper style. Soren Baker of VH1 states that Yates’ techniques “showcase his wide-ranging, mind-blowing flows”. Baker characterizes Yates’ earlier work as “apocalyptic music, which discussed abortion and infidelity as much as his rapping prowess”. Allmusic reviewer Jason Birchmeier calls his style “bizarre hardcore rap”. Yates stated that he purposely creates flow patterns in order to sound like a percussion while he raps.[50] After hearing an instrumental he would come up with different kinds of patterns and then “fill in” the actual lyrics. // Yates says that he is influenced by old school hip hop, and specifically cites N.W.A, Public Enemy, Boogie Down Productions, Eric B. & Rakim, Schoolly D, and Just-Ice. He is also interested in other genres of music, and lists The Doors, Jim Morrison, Led Zeppelin, Elton John, AC/DC, Metallica, Floetry, Outkast, CeeLo Green, and Gnarls Barkley as influences. He has remarked generally that “I love beautiful music, beautiful music no matter what type”. // Although Tech N9ne mostly collaborates with rappers from his record label Strange Music such as Krizz Kaliko, Kutt Calhoun, Big Scoob, Brotha Lynch Hung, and Stevie Stone as well as underground rappers from his hometown Kansas City, he has also worked with known rappers such as E-40, Ice Cube, Three 6 Mafia, Lil Wayne, Twista, Eminem, Busta Rhymes, Snoop Dogg, Kendrick Lamar, Machine Gun Kelly, Yelawolf, Scarface, Yo Gotti, T-Pain, Wiz Khalifa, Paul Wall, B.o.B, André 3000, T.I., and 2 Chainz. // Tech N9ne has also worked with rock and metal musicians such as Serj Tankian of System of a Down, Corey Taylor of Slipknot, Chino Moreno and Stephen Carpenter of Deftones, Jonathan Davis of Korn, Five Finger Death Punch, and Falling in Reverse. //Yates’ songs have appeared in the films Born 2 Race, Gang Related, Alpha Dog, Our Heroes: The 25 Best Black Sports Movies (Ever), and The Life of Lucky Cucumber. Yates was originally set to score the entire film Alpha Dog, but the studio decided to replace some of his music with more commercially known songs. In 2009, his song “Let’s Go” was used in an online promotional short film for AXE body spray. Yates also appears as an actor in the films Vengeance and Night of the Living Dead: Origins 3D. Yates starred in the musical Alleluia: The Devil’s Carnival, which had a limited theater release July 2015. On November 25, 2015, Tech released “Shine”, a song for the Jaco Pastorius documentary, Jaco. //Several of Yates’ songs are featured in the video games Madden NFL 2006, The Crew, EA Sports MMA, 25 To Life, WWE 2K18, EA Sports UFC 3, and Midnight Club: Los Angeles, in the latter of which Yates is an unlockable character. In 2009, Yates and label mate Krizz Kaliko appeared in a promotional video for the Fight Night Round 4 video game. // Yates’ music has appeared on the television shows Dark Angel, I’m From Rolling Stone, My Super Sweet 16, The Hills, Spike Guys’ Choice Awards, and Warren The Ape. In 2008, his song “Earthquake” was featured on an episode of MTV’s America’s Best Dance Crew in which the crew had to visually convey the title of the song in their performance. On the Aug. 15, 2009 Strikeforce event, Strikeforce: Carano vs. Cyborg, MMA fighter Gilbert Melendez entered the arena to Tech N9ne’s 2006 song “The Beast” for his bout with Mitsuhiro Ishida. His song “Riot Maker” was used as the official theme song for Total Nonstop Action Wrestling’s 2010 Hardcore Justice pay-per-view. Yates also appeared on the 2011 BET Hip Hop Awards in the BET Cypher with B.o.B, Machine Gun Kelly, Kendrick Lamar, and Big K.R.I.T. In 2012, Tech N9ne appeared on the MTV game show Hip Hop Squares for three episodes. In 2013, Tech N9ne’s song “Demons” appeared in the pilot episode of Ironside. On June 24, 2014, Tech N9ne appeared on Jimmy Kimmel Live! to perform “Fragile”, “He’s A Mental Giant”, and “Stamina”. In late 2014, Yates appeared on Wild n Out as captain of the Black Team. // In May 2015, “Give It All” from the album Special Effects was used during Inside the NBA’s “Tip-Off” for Game 4 of the Eastern Conference Finals. // In May 2018, it was announced that Yates had teamed with Boulevard Brewing Company, a brewery based in his hometown of Kansas City, to create a new beer. The beer was released on June 18 in the Kansas City, Wichita, Denver, and Oklahoma City markets. The beer is named Bou Lou as reference to his song “Caribou Lou”, which is also a cocktail with overproof rum (The song specifically mentions Bacardi 151, which has been discontinued), Malibu, and pineapple juice . The beer is a wheat beer with pineapple and coconut flavors. On July 9, Bou Lou went on sale in the St. Louis market. // Yates was married in 1995, but separated in 2005. Yates filed for a divorce in 2015 and it was finalized in November 2017, 12 years after they were initially separated. On October 23, 2024, he married his longtime girlfriend Kristen, with whom he has two daughters, as seen from their social media accounts. Yates is an avid supporter of Kansas City culture and the metro area’s pro sports teams, including the KC Chiefs, KC Royals, and Sporting Kansas City. Before the Chiefs played in the 2019 AFC Championship game, he released a song titled “Red Kingdom”. In 2025, Yates was announced as one of the remixers for the 2026 FIFA World Cup theme, representing Kansas City.]

Discography – Studio albums
The Calm Before the Storm (1999)
The Worst (2000)
Anghellic (2001)
Absolute Power (2002)
Everready (The Religion) (2006)
Killer (2008)
K.O.D. (2009)
All 6’s and 7’s (2011)
Something Else (2013)
Special Effects (2015)
The Storm (2016)
Planet (2018)
N9na (2019)
Enterfear (2020)
Asin9ne (2021)
Bliss (2023)
5816 Forest (2025)
Discography – Collabos series
Misery Loves Kompany (2007)
Sickology 101 (2009)
The Gates Mixed Plate (2010)
Welcome to Strangeland (2011)
Strangeulation (2014)
Strangeulation Vol. II (2015)
Dominion (2017)
Strange Reign (2017)
COSM (2024)

[Tech N9ne plays Boulevardia on Saturday, June 14, 9:30 to 11:00pm on The MAIN STAGE]

10:04 – Interview with Chris Haghirian

Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Today we are serving music from the 10th annual Boulevardia Fest including: The Greeting Committee, Honestav, The Freedom Affair, Katy Guillen and The Drive, Kat King, Lorna Kay, The Creepy Jingles, Jamogi, Little Miss Dynamite, Flora From Kansas, Shay Lyriq, Dalima Kapten, TheBabeGabe, Paris Williams, Jackie Myers, Malek Azrael, and The Soul Activators. We started the show with Tech N9ne.

At 11:30 Meighan Peifer & James D. McGee, Creative Director of KC’s Mutual Musicians Foundation share details about The Kansas City Music Industry Commission formed in 2024 with the mission to strengthen the local music ecosystem by supporting musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and content creators. By collaborating with city government, private entities, and KC music industry.

But first, joining us for our first 90-minutes is our friend and special guest, Chris Haghirian host & Producer of Eight One Sixty, heard Tuesday nights at 6:00 PM, on 90.9 The Bridge. Chris studied Journalism / Advertising at The University of Kansas. Chris also studied Photography at Kansas City Art Institute. Chris worked for The KC Star for over 20 years Chris was co-founder of the Middle of The Map Fest. Chris works for Spray KC. Chris organizes multiple concert series, and music stages for Plaza Art Fair & Boulvardia.

Chris Haghirian joins us to share details about Boulevardia, Saturday, June 14, at Crown Center, 2396 Grand Boulevard, encompassing Crown Center & Washington Square Park with 33 national, regional & local acts, 14 DJs, 5 music stages, with nearly 50 Brewing Companies, dozens and dozens of Restaurants & Food Trucks, Multiple merchants in the Makers Market, The Silent Disco, Yard Games, Canna Village, Monster Teeter-Totter, The Swifty Experience, and more. Info at: http://www.boulevardia.com

Chris Haghirian thanks for being with us on WMM

BOULEVARDIA SCHEDULE – SATURDAY, JUNE 14

MAIN STAGE
12:00 PM 1:00 PM Big Luke and the Soul Disciples
1:30 PM 2:10 PM Jackie Myers
2:40 PM 3:20 PM Jessica Paige
3:50 PM 4:30 PM The Phantastics
5:00 PM 6:00 PM The Zeros
6:30 PM 7:30 PM The Greeting Committee
8:00 PM 9:00 PM honestav
9:30 PM 11:00 PM Tech N9ne

FOUNTAIN STAGE- ELEVATE (Fountain Stage)
12:10 PM 12:50 PM The Soul Activators
1:20 PM 2:00 PM Talya Groves
2:30 PM 3:10 PM Land Lion
3:40 PM 4:20 PM Jamogi and The Jammers
4:50 PM 5:30 PM Daisy Buckët Drag Show
6:00 PM 6:40 PM Kat King
7:10 PM 7:50 PM Back Alley Brass Band
8:20 PM 9:00 PM Hembree

PARK STAGE – ILLICIT STAGE (Park Stage)
12:30 PM 1:10 PM Little Miss Dynamite
1:40 PM 2:20 PM Timbers
2:50 PM 3:30 PM David Luther
4:00 PM 4:40 PM Chalis O’Neal
5:10 PM 5:50 PM Lucas Parker
6:20 PM 7:00 PM Lorna Kay
7:30 PM 8:10 PM Katy Guillen and the Drive
8:40 PM 9:30 PM The Freedom Affair

HOLLADAY HILL STAGE
12:50 PM 1:20 PM Dalima Kapten
2:00 PM 2:30 PM Shay Lyriq
3:10 PM 3:40 PM Flora From Kansas
4:20 PM 4:50 PM Lauren Lovelle
5:30 PM 6:00 PM Paris Williams
6:40 PM 7:10 PM The Creepy Jingles
7:50 PM 8:20 PM Malek Azrael and The Vibez
9:00 PM 9:40 PM TheBabeGabe

SILENT DISCO
1:00 PM DJ Dawna – Taylor dance party
1:00 PM Lana Luxx – Taylor dance party
3:00 PM DJ Daz One
3:00 PM DJ Diehard
3:00 PM Tiberias
5:00 PM DJ Hike
5:00 PM DJ EJ
5:00 PM DJ Nana G
7:00 PM DJ Skittlez
7:00 PM DJ ON 10
7:00 PM FK Menace
9:00 PM DJ Joe + DJ Ice Kole
9:00 PM DJ NE$$
9:00 PM Sheppa

10:09

  1. The Greeting Committee – “Can I Leave Me Too?”
    from: Dandelion / Harvest Records / September 24, 2021
    [Formed in KC in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, a& Pierce Turcotte. This EP is a follow up to their Oct. 17, 2019 EP, I’m Afraid I’m Not Angry, and their October 26, 2018, full length vinyl release “This Is It.” The band has previously released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.The Greeting Committee released their single “Ada” on August 27, 2021, through Harvest Records / UMG Recordings. “Ada” is a queer narrative inspired by lived experience of a dear friend. i knew this wasn’t my story to tell, but instead the story of someone i fiercely admire. to our garden, you are loved. you are loved. You can listen to “Ada” at: thegcband.lnk.to/ada.]

[The Greeting Committee plays Boulevardia, Sat., June 14, at 6:30 to 7:30pm on The MAIN STAGE]

  1. Honestav – “Hurts To Fall In Love (Radio Edit)”
    from: hara-kiri (Deluxe) / Rebel Music / May 16, 2025
    [honestav is Av Freeman: a determined, kindred soul who, in the face of unimaginable odds and loss, found himself a breakout hit with 2024’s “I’d Rather Overdose” and a ticket out of rural Missouri. // Growing up the youngest of four brothers and a sister, he caught the music bug early: “They all wanted to be rockstars,” Av says. “I was a little kid going and watching my sixteen-year-old brother play screamo shows in bowling alleys and pizza joints. I was hooked. I wanted it bad.” // He split his time between his parents, spending half the month with his mother and half with his dad. “My mom was the worst tweaker ever,” he explains. “She lived in the hood and got arrested multiple times selling meth.” Life with his father was relatively stable, but still not comfortable. “There was no A.C. and no food,” Av says, “but I was going to school and playing sports. Half the month, I was the quarterback, and the other half, I was running around with no socks, smoking cigarettes with the worst kids.”// From the start, Av’s music was a response to tragedy; at age fifteen, Av found his brother dead from suicide. Amid this grief, Av adopted a tough-guy rap persona. He recorded music obsessively, releasing a song a week for over a hundred weeks in a row. “Literally for two years,” he says. “Sometimes I’d drop even more. I’d record four songs in a night and post two of them.” These years of experimentation reveal themselves in Av’s blend of folk and hip-hop, which sees scratchy verses layered over sensitive acoustic guitars. // After graduating high school, Av paid his bills selling weed. “I thought that’s how I was going to live,” he says. “I’d just be a dude that sells weed. I didn’t even think about the rockstar thing.” Then he got hired as a mover. He held that job for four years. “It was a grind, and I stayed up in the studio every night,” he remembers. “I’d go to work at 6:30 AM after being up until 4 AM recording music. It was draining.” // When Av started making jokes on TikTok, he believed he had finally found his way out. The social media platform paid for views, and his videos reached millions and millions of viewers. “At first I thought, ‘I’m about to get rich.’ I quit my job and shit. But I started spending all my money on studio time. I made enough to afford an apartment, but I was living out of my truck.” // But in January of 2024, tragedy struck again. Av’s father committed suicide. On the truck ride home, Av, through tears, wrote a new song documenting his emotions. Rushing to the studio, Av cut the track and uploaded it as had become routine. Almost overnight, “I’d Rather Overdose” exploded, cracking multiple Billboard charts and amassing over 70 million streams globally. The subsequent remix featuring MOD SUN, teased through an open verse challenge on TikTok, peaked at #21 on Alternative Radio. // “When my dad died, music turned into therapy for me,” Av says. “I’m not making songs to be cool anymore—this is what I gotta do to get through the day. I’m lucky that people hear it.” Now, following a bidding war between every major label, Av is on track to purchase his first home. Building on the success of “I’d Rather Overdose,” honestav released his debut EP, “hara-kiri,” on November 9th, which peaked at #10 on Apple Music’s Alternative Charts and garnered over 110 million streams across all platforms. The EP included the lead single, “Hurts To Fall in Love,” which received significant radio airplay success. // In 2024, honestav expanded his reach by embarking on a highly successful tour alongside MOD SUN and lovelytheband. His electrifying live performances led to sold-out shows in his hometown of Springfield, Missouri, as well as major cities like NYC and LA. These achievements underscore his growing fanbase and the widespread appeal of his music. Following the momentum of his debut EP and successful tours, honestav is excited to announce future projects, including his debut solo Midwest “No License Tour” slated for 2025, which promises to bring his heartfelt performances to even more fans across the region. // honestav belts rhymes about partying and drug addiction, self-loathing and suicide, stifling emotions and trying to open up. “When my brother killed himself, I turned into a punk ass sixteen-year-old,” he says. “When my dad did it, it hit different. It took a different spin. I’m a grown ass man now. If I wasn’t making these songs, I don’t think I’d be alive.” // Still, Av is shocked that this intimacy and introspection connected with such a wide audience. “It seems like people actually started to relate more when I stopped making music for everyone else,” he says. “That’s when they really started listening.” Despite his deep roots in the country, honestav has faced pressures from industry executives and even other artists to lean into familiar tropes of country music. However, Av has a strong sense of identity and remains true to his unique sound. “I grew up in the country, but I wasn’t farming,” he clarifies. “I’m from that, but I’m not that. My homies were farming, but I was riding dirt bikes and busting out windows.” // With the success he’s found by trusting his instincts, Av is determined to keep his music close to his heart, blending his background with his alternative influences to create something truly authentic. His authentic voice and unwavering dedication continue to inspire and connect with listeners around the world.]

[Honestav plays Boulevardia, Saturday, June 14, at 8:00 to 9:00pm on The MAIN STAGE]

  1. The Freedom Affair – “If You Don’t Want Me”
    from: “If You Don’t Want Me” – Single / Sunflower Soul Records / May 15, 2024
    [The Freedom Affair is a 9 piece soul juggernaut from Kansas City, MO. The band formed in 2017 with a vision to write original soul music inspired by the traditions of the genre’s past with a universal message looking toward the future. Their new single “If You Don’t Want Me” features: Shon Ruffin on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, Brett Jackson on tenor Sax, Pat Conway on congas, and Nick Howell on tambourine. Written, Recorded & Mixed by Chris Hazelton. Mastered by JJ Golden // With their debut album FREEDOM IS LOVE, The Freedom Affair has received critical acclaim and have established themselves as a force in the soul music scene across the states and abroad. Keep your eyes and ears open for their songs and album art featured in the series Bel-Air, an Apple commercial, a Netflix series, etc… This band is just getting started. // The Freedom Affair’s live shows have proven to be soul-stirring, transformative events moving audiences both physically and emotionally to joy. // The Freedom Affair released their debut album Freedom Is Love on September 25, 2020. from The album explores themes of love, heartache, empower-ment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording techno-logies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. For the debut record The Freedom Affair was: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns] [The Freedom Affair played The 20th Annual Crossroads Music Fest Saturday,]

[The Freedom Affair play Boulevardia, Sat, June 14, 8:40 to 9:30 PM on Park Stage – ILLICIT Stage.]

  1. Katy Guillen & The Drive – “Back To Normal”
    from: Dream Girl – EP / Katy Guillen Music / March 20, 2020
    [“Flight Attendant delivers an experience,” – Rolling Stone Magazine. Flight Attendant belongs to that breed of rock bands made in Nashville, USA; where their sound is nothing less than a sonic unicorn. Blending sounds of grunge with power-pop hooks, viola and light synth textures, they have begun to create a hypnotic sound and energy all of their own. Glide Magazine says that Lead Singer Karalyne, “Commands your attention like Freddie Mercury working the crowd in an arena.” Flight Attendant band has been compared to Haim and Fleetwood Mac, or as TurnuptheVolume puts it, “Think Warpaint having a dance with Best Coast,” – This “Nashville based eclectic-indie band….is ready for take off”, Velvet Thunder]

[Katy Guillen & The Drive play Boulevardia, Sat, June 14, 7:30 – 8:10pm Park Stage – ILLICIT Stage.]

  1. Kat King – “Somersaults”
    from: “Somersaults”- Single / Kat King / May 2, 2025
    [Kat King eleased the single “I Might Like It” throough Manor Records on February 28, 2025 / / Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. Produced by Isaac Flynn of Hembree. Kat King released the EP Domestic Bliss on April 5, 2024. Domestic Bliss was in the Top 25 of WMM’s 129 Best Recordings of 2024. // On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. // Kat King’s career started as far back as 2nd grade in small town Kansas. As a solo singer-songwriter act, she produced one 13-song album and three EP’s. Now based in Kansas City, Kat King graduated into a 5-piece indie-pop rock group who are gearing up for the release of their second EP together. Their infectious energy has landed them on some of KC’s biggest stages.]

[Kat King play Boulevardia, Saturday, June 14, at 6;00 to 6:40pm on the FOUNTAIN Stage.]

10:29 – Underwriting

  1. Lorna Kay – “What Ever Happened”
    from: “What Ever Happened” – Single / Independent / October 18, 2024
    [Lauren Krum solo project with Mike Stover. Follow up single to “Havin’ A Ball” released July 12, 2024. Lauren Krum is known for her work as lead singer of The Grisly Hand who had their last show on May 11, 2024 at The Ship. The band first started playing live in 2009. When The Grisly Hand released their debut album Safe House, the entire band (at that time: Lauren Krum, Jimmy Fitzner, Johnny Nichols, Chas Snyder, Mike Tuley. Ben Summers & Kian Byrne) climbed into our studios and performed live on our Nov. 10, 2010 show. // Jimmy Fitzner, Johnny Nichols, Chas Snyder were in a band called Left Behind. Lauren had played with them at The Brick, before laving Kansas City to go to Columbia College in Chicago. N Chicago Lauren created the group The Strumpettes a soul-inspired group featuring four female singers and a four-piece band. When the Strumpettes dismantled in 2008 and her life in Chicago started to fall apart, Krum decided to move back to Kansas City. She immediately began singing with From Before. // Within a few months, Krum, Fitzner, Nichols and Snyder were performing as a new group. They had brought on Andy Davis to play mandolin. Krum had found the name “the Grisly Hand” iafter coming across it in the poem “Webster Ford” from Edgar Lee Masters’ Spoon River Anthology. The most Current grouping of The Grisly Hand was Jimmy Fitzner, Lauren Krum, Ben Summers, Mike Stover, Johnny Nichols and Kian Byrne. / A super group of sorts several members have also been involved in other projects. Lauren has played and recorded with Ruddy Swain (w/ David Regnier), Lorna Kay, and Lorna Kay’s Country Club, as well as being a DJ.]

[Lorna K play Boulevardia, Sat, June 14, 6:20 to 7:00pm on Park Stage – ILLICIT Stage.]

  1. The Creepy Jingles – “Love Like You”
    from: “Love Like You” – Single / High Dive Records / July 14, 2024
    [This is the third of several new singles being released by The Creepy Jingles this year. The band released “Repeat After Me” on April 19, 2024. The band released “When Things Go Wrong” on February 23, 2024. The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. // Song (lyrics/melody/chords) written by Jocelyn Olivia Nixon. Mixed and Recorded by Paul Malinowski and recorded at Massive Sound Studios in Shawnee, Kansas. Mastered by Zack Hames. Jocelyn Nixon on lead vocals & rhythm guitar, Will Van Doorn on lead guitar & backing vocals, Andrew Woody on bass & backing vocals, Nick Robertson on drums & bait. // The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. ] The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019.]

[The Creepy Jingles play Boulevardia, Sat, June 14, 6:40 to 7:10pm on HOLLIDAY HILL Stage.]

  1. Jamogi – “Go Big Or Go Home”
    from: “Go Big Or Go Home” – Single / Jam Tunes / August 30, 2024
    [Jamogi released the EP Jamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live)” – through Jam Tunes on April 11, 2025. // Jamogi released the single “Do It To Me” on March 28, 2025. // Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire.]

[Jamogi & The Jammers play Boulevardia, Sat, June 14, 3:40 – 4:20pm FOUNTAIN – ELEVATE Stage.]

  1. Little Miss Dynamite– “Not Goodbye”
    from: Grow Up / Rural Grit Records / May 3, 2024
    [Little Miss Dynamite is a four piece string band with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. Engineered and Mixed by Clarke Wyatt, Gnomes and Goats Studio.More info at: http://www.bethwattsnelson.com]]

[Little Miss Dynamite plays Boulevardia, Sat, June 14, at 12:30–1:10pm – ILLICIT Stage (Park Stage.)]

  1. Flora From Kansas – “The Ghost is Me”
    from: Homesick – EP / Melodic / March 14, 2025
    [17 year old Flora Kay A.K.A. Flora From Kansas has already been writing music for 5 years, picking up the guitar in lockdown. “My dad and I often took long walks to a nearby gas station, where we had conversations about how life was going. It was then that we started discussing the idea of creating music together just for the fun of it.”, Flora describes. On a rich diet of Girl In Red, Faye Webster & Alex G, Flora began learning on Garageband before upgrading to Logic for her self-productions. ]

[Flora From Kansas plays Boulevardia, Saturday, June 14, at 3:10–3:40pm – HOLLIDAY Stage.]

  1. TheBabeGabe X The Human – “FUTURISTIC LOVERS”
    from: HONEYPOP / Seven Rings Media / March 5, 2025
    [Production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on Sept. 20, 2024 through Dirty Hit Records and immediately followed with an 8-track 7th studio album HEAVEN ON URF, on Oct. 25, 2024 on Dirty Hit Records. Music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On Oct. 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. KC is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.” Deiondre added, “The music scene here is getting cool now, there’s a lot of jazz musicians that go to school for music here too but you can find people from different scenes all over if around the city.” Ty wrote, “The KC scene is great, the community here is so supportive and genuine. This is a really prideful city here and I think they’re finally getting the musicians they deserve.”]

[TheBabeGabe plays Boulevardia, Saturday, June 14, at 9:00 to 9:40 on the HOLLADAY HILL Stage.]

11:00 – Station ID

  1. Shay Lyriq – “Back By Demand (feat. The Big Chief)”
    from: “Back By Demand (feat. The Big Chief)” – Single / Shay Lyriq / December 10, 2024
    [Shay Lyriq is a soulful and genre-blending artist known for their captivating blend of R&B, hip-hop, and alternative influences. With powerful vocals, poetic lyricism, and a raw, honest approach to storytelling, Shay Lyriq creates music that resonates deeply with listeners. Their sound is an exploration of emotional depth, fusing smooth melodies with hard-hitting beats to craft a sound that is both introspective and universally relatable. // Shay Lyriq’s music spans themes of love, struggle, self-discovery, and empowerment, offering a voice that connects with people on a personal level. With each track, they push boundaries and continue to evolve, carving out a unique space in the music scene. Whether in the studio or performing live, Shay Lyriq delivers an unforgettable experience, blending vulnerability with strength in every note.]

[Shay Lyriq plays Boulevardia, Saturday, June 14, at 2:00 to 2:30pm on the HOLLADAY HILL Stage.]

  1. Paris Williams & The Human – “Alien Luv (feat. Saving Mils Lemon)” (radio edit)
    from: A Paris Williams Joint / Bitter Sweet Sound / November 19, 2024
    [Paris Williams is a 26-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school. Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarparis]

[Paris Williams plays Boulevardia on Sat, June 14 at 5:30 – 6:00pm on HOLLADAY HILL Stage.]

  1. Dalima Kapten – “Feel the Beat, Bud”
    from: “Feel the Beat, Bud’ – Single / Dalima Kapten / September 27, 2024
    [Dalilma Kapten (she/her) released the single “Scrappy Rose” also on September 27, 2024.// Dalima Kapten (she/her) is currently working on her debut album. She is a second-generation Kenyan-American pursuing a Master of Arts in Music Technology at the University of Central Missouri. She holds a Bachelor of Arts in Architectural Studies, Theater Minor, and a specialization in Architectural Acoustics from the University of Kansas. // As a theater performer and artist, Dalima is deeply moved by a passion for storytelling and worked at Music Theater Heritage as the Manager of Artistic Operations. Additionally, she presented her self-published chapbook “Native Anomaly” for Columbia University’s HOME: Symposium.]

[Dalima Kapten plays Boulevardia, Sat, June 14 at 12:50 – 1:20pm on HOLLADAY HILL Stage.]

  1. Jackie Myers – “Brown Dirt Shuffle”
    from: What About The Butterfly / Jackie Myers / April 18, 2025
    [In his online stte The Plastic Sax Bill Brownlee writes: “Witnessing the transformation of Jackie Myers from a peripheral figure on Kansas City’s jazz scene to one of the region’s most compelling artists has been extraordinarily gratifying. Quietly upping her game in incremental steps, Myers’ resolute work in recent years is reaping dividends. // On any given night, Myers applies her talents in a variety of contexts in Kansas City cafés, restaurants and barrooms. The variety of sounds- pop, rock, blues and, yes, jazz- coalesce on What About the Butterfly. The new album marks the culmination of a remarkable metamorphosis. // Not only is What About the Butterfly superior to Myers’ previous recordings, the album makes most jazz-rooted efforts seem unimaginative and simplistic. Her ambitions extend well beyond conventional Kansas City jazz. // Support from elite collaborators including Bobby Watson helps the album compare favorably to the arty pop of Laura Nyro, the contemporary soul of Cory Henry and the fastidiousness of Jacob Collier. Rarely has Kansas City been the setting for a more pleasing musical glow-up. ” – Read more at http://www.plasticsax.com // Jackie Myers is a jazz pianist, composer, and singer. She is a transplant from Austin Texas, where she performed in the indie touring circuit for almost a decade. She has been playing in Kansas City since December of 2017 with shows that feature a mix of jazz standards and original compositions. Since then she has held residencies at several notable jazz venues in Kansas City, including but not limited to, Corvino Supper Club, Chaz on the Plaza, and Green Lady Lounge. She also held the position of Music Director and piano player for the nationally syndicated radio show – 12th Street Jump – taped live in Kansas City until 2020, when the show ended. // During the pandemic, Jackie was able to continue performing through live streaming from her home and she produced a series of 9 concerts called “Kansas City Drive-ins” that featured artists including Bobby Watson, The Kansas City Jazz Orchestra, Eddie Moore, and Beau Bledsoe. The series was well attended and brought jazz back to its audience in a time when the venues could not host. Myers boasts a catalog of 7 albums and is currently working on her 8th. At her live shows, audiences are treated to Myers’ innovative and fluid keyboard work, punctuated by her bluesy vocals. At other times, Myers’ shows feature a purely instrumental dose. Performing as part of a duo, trio, quartet, or quintet, Myers is typically joined by some of the best musicians offered by a locale, typically combining a crisp rhythm section with top artists on horns or guitar. In 2018, Myers added Hammond organ to her repertoire, adding to the diversity of her performances. She currently plays the Hammond B3 for one of Kansas City’s most decorated Blues Artists – Nick Schnebelen. // As for Myers’ vocals, Louisiana musical writer Dominick Cross said about an earlier recording: “My initial reaction to the recording was that in some ways its Michelle Shocked meets Amy Winehouse. And several listens later, I’d say the same thing with more emphasis on Winehouse.” Bill Brownlee, jazz critic for The Plastic Sax and several other Kansas City publications said, “Her vocals on Ain’t No Sunshine and Stars Fall on Alabama demonstrated that Myers … brings a singular talent to the scene.” Myers debuted her first straight ahead jazz album in 2018 – The Instrumental One, which was recorded live at the prestigious Green Lady Lounge in Kansas City. Made up of eight tracks, including six original compositions, Jackie’s keyboard stylings groove what one critic called “jazz from a solid R&B point of view.” Critics compared The Instrumental One to works by Ahmad Jamal and Les McCann. Kansas City’s Roger Atkinson wrote: “I still like that soul-jazz genre . . . plus, Jackie Myers has a new fan: me.” Myers has also done some impressive work in musical production. In 2017, she produced the musical production Silent Films Out Loud: A Tribute to Buster Keaton. This event featured a nine-piece ensemble playing newly-written compositions to four Buster Keaton silent film classics, including a score by Myers to Buster Keaton’s 1922 Cops. This event, sponsored in part by the City of Austin Economic Development Department, filled Austin’s premier theater – The Stateside at the Paramount. Lastly, she has recently plied her craft with local production startup – FMK Music as a producer and composer for the group. Jackie holds a certificate in music from Berklee School of Music, a BA in music from Grinnell College, and a Master of Arts in Music with a jazz concentration from UMKC. ]

[Jackie Myers plays Boulevardia, Saturday, June 14, at 1:20 to 2:10pm on The MAIN STAGE]

  1. Malek Azrael – “22 (Radio Edit)”
    from: Feels Like EP / Malek Azrael / March 1, 2025\
    [On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]

[Malek Azrael plays Boulevardia on Sat, June 14 at 7:50 – 8:20pm on HOLLADAY HILL Stage.]

  1. The Soul Activators – “Sunset”
    from: “Sunset” – Single / The Soul Activators / 2025
    [The Soul Activators released their single “I’m Gone Mr. Wrong” on April 7, 2025. The Soul Activators are a 7-piece band from Kansas City that blends funk guitars, soulful vocals, and Latin-based percussion into a unique new sound. We are a multi-racial, multi-gendered, intergenerational band that reflects our nation. We sing a message of hope and freedom to activate our country into a people-powered movement.]

[The Soul Activators play Boulevardia, Sat, June 14 at 12:10 to 12:50pm FOUNTAIN ELEVATE Stage.]

11:30 – Underwriting

11:32 – Interview with Meighan Peifer and James D. McGee Sr.

Meighan Peifer was born on the East Coast and raised in St. Louis. Her dad was in the Air Force and then worked for Boeing. Her family traveled a lot a kids. Meighan’s mom was Canadian and she is a Canadian citizen. Meighan has been to 49 states and 3 continents. Meighan attended public and private school in St. Peters and O’Fallon, Missouri. She went to Drake University for undergrad in Special Education and Elementary Ed. Meighan obtained a Master’s in Education from the University of Kansas. Meighan moved to Kansas City in 1984 from Des Moines, Iowa. She has taught for 33 years for public schools in Wyandotte and Johnson County. And has operated the Federal Child Care center in KC MO for 26 years. Meighan has an Entertainment and Event Scheduling company as well. Meighan has been volunteering at KKFI for 4 years. Meighan is the host of slAp trAcks airing Tuesdays, 10:00 to Noon on KKFI 90.1 FM playing new flow of Hip Hop and R & B music from all over the local streets and the world. // Meighan is also the host of Rhythm and Seoul Radio airing on 1st and 3rd Wednesdays of each month on Hallyu Wednesdays on KKFI 90.1 FM playing the best in K-Pop. At KKFI Meighan also serves on KKFI’s finance committee, as Active Member Chair, and on KKFI’s Board of Directors.

James D. McGee Sr., is a veteran of the entertainment industry. Skilled in Management, Performing Arts, Marketing Strategy, Radio Programming, and Radio Broadcasting. He received his Bachelor of Arts (BA) focused in Psychology, Religious Studies from University of Central Missouri. McGee, moved to Kansas City from East Palo Alto in 1989. His uncle is legendary drummer James Gadson. McGee has spent decades embedding himself in Kansas City’s cultural landscape. James founded KOJH 100.5 LPFM, a radio station broadcasting from 18th & Vine to the world. McGee also co-founded “18th & Vine Lives,” which is a social concierge service to support and promote businesses and organizations in the Jazz District. McGee’s career spans crucial roles in Kansas City’s jazz community. During his time as a senior manager at the American Jazz Museum, he helped the institution navigate through pandemic challenges while expanding its reach. McGee produced the annual Charlie Parker “In the Yard” celebration showing his ability to honor jazz traditions while creating contemporary cultural connections. James D. McGee Sr, was just recently named the new Creative Director of Kansas City’s Mutual Musicians Foundation Internatinal. As creative director, McGee will seek to strengthen MMF’s role as a living museum while expanding youth and senior programs. His immediate projects include screening a director’s cut of “Last of the Blue Devils: The Kansas City Jazz Story” and organizing the 2025 International Jazz Day celebration.

Meighan Peifer and James D. McGee Thanks for being with us on WMM.

Meighan Peifer and James D. McGee join us to discuss The Kansas City Music Industry Commission formed in 2024 as a joint venture between Black Vine Worldwide Media Group, LLC and Black & White Enterprises, LLC. This initiative aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry. The commission’s mission is to strengthen the local music ecosystem by supporting musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and content creators. By collaborating with city government, private entities, and surrounding the Kansas City music industry

The Kansas City Music Commission is a 2024 joint venture between Black Vine
Worldwide Media Group, LLC (“Black Vine”) and Black & White Enterprises, LLC (“Black & White”). This initiative aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry.

The Commission’s mission is to strengthen the local music ecosystem by supporting
musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and
content creators. By collaborating with city government, private entities, and surrounding
municipalities, the Kansas City Music Commission will ensure the elevation of all sectors of
the Kansas City music industry.

A core focus of the Kansas City Music Commission will be developing programming and
concepts to showcase Kansas City’s musical talent during the 2026 FIFA World Cup. This
high-profile global event presents a unique opportunity to demonstrate Kansas City’s
vibrant music culture to an international audience.

The Commission will develop events designed to inform and engage the community

About the Mutual Musicians Foundation –

The Mutual Musicians Foundation stands as one of KC’s most enduring musical institutions. Founded in 1917 as Local 627 of the American Federation of Musicians, it served as both a union hall and sanctuary for Black musicians. In two years the Mutual Musicians Foundation will celebrate its 110th anniversary. McGee’s appointment marks the beginning of a new era focused on cultural preservation, global innovation and community engagement.

Its building at 1823 Highland Avenue, designated a National Historic Landmark in 1981, continues to host weekend jam sessions where established artists mentor the next gen.

The MMF is the only establishment in Missouri legally allowed to serve patrons until 6 a.m. on weekends, a privilege earned through its historic role in Kansas City jazz. This tradition began when musicians, after finishing their regular club gigs, would gather at the foundation to jam until dawn. Legends like Count Basie, Charlie Parker, and Jay McShann made these sessions part of the city’s musical fabric.

Kansas City hip-hop artist Tech N9ne is again making his mark on the global stage as he unveils the official Sonic ID for the 2026 FIFA World Cup games in Kansas City.

The collaboration between popular artists like Tech and FIFA will be the first time in the tournaments history to feature a city host-specific Sonic ID. The concept behind the short audio clip was designed to highlight the unique cultural sounds of each of the 16 host cities spanning from Canada, Mexico and the United States.

“The project brings together some of the most talented and influential producers from across the host cities, each contributing their unique sound to create a sonic tapestry that reflects the spirit of their hometowns,” KC2026, which is responsible for FIFA World Cup 26 planning in KC, said in a release announcing today’s Kansas City Sonic ID launch. Tech N9ne, whose real name is Aaron Yates, is a Kansas City native and co-founder of the independent record label Strange Music and the the sole artist to contribute a track with lyrics for the KC Sonic ID release.

The track, entitled “Kansas City Theme x FIFA World Cup 26,” is yet another example of Tech N9ne using his musical prowess and iconic hip-hop sound to create a buzz around the city. Kansas City is quite familiar with Tech’s hit song ‘Red Kingdom’ which quickly became the KC Chief’s team anthem, often played at Arrowhead Stadium. That high energy anthem has been performed live during games and Super Bowl rallies since 2019.

“I was so honored to be the one who KC2026 called on to do the Kansas City remix,” Tech N9ne was quoted saying in the release. “The message I’d like for people to take away from this Sonic ID is that togetherness is power, and with that, we can work our way to victory.”

Meighan Peifer and James D. McGee Thanks for being with us on WMM.

The Kansas City Music Commission aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry.

11:48

  1. Tech N9ne – “Kansas City Theme (FIFA World Cup 26™️)”
    from: The Official FIFA World Cup 26™️ Host City Themes / FIFA / March 16, 2025
    [The collaboration between popular artists like Tech and FIFA will be the first time in the tournaments history to feature a city host-specific Sonic ID. The concept was designed to highlight the cultural sounds of each of the 16 host cities spanning from Canada, Mexico and the US. KC Native Tech N9ne is the sole artist to contribute a track with lyrics for the KC Sonic ID release. // “Kansas City Theme x FIFA World Cup 26,” is yet another example of Tech N9ne using his iconic hip-hop sound to create a buzz. Kansas City is familiar with Tech’s song ‘Red Kingdom’ which became the KC Chief’s team anthem, often played at Arrowhead Stadium. That high energy anthem has been performed live during games and Super Bowl rallies since 2019.]

[Tech N9ne plays Boulevardia on Saturday, June 14, 9:30 to 11:00pm on The MAIN STAGE]

  1. Land Lion – “Townie Song”
    from: “Townie Song” – Single / Land Lion / July 25, 2024
    [Land Lion make happy songs about sad things. This KC-based indie rock collective led by Ben Wendt and backed by a revolving all-star supporting cast of musicians draws inspiration from Bright Eyes, Arcade Fire, and Bruce Springsteen. Land Lion are: Ben Wendt on Vocals, Acoustic Guitar; Matt Jack on Drums; Iggy Chamon on Bass; Carlos Chamon on Keys; Grant Paker on Electric Guitar; Parker Mason on Electric Guitar; Michael Cervantes on Trumpet; Kirsten Krier on Trombone; Caitlyn Jacobs on Saxaphone; Schuyler Minor on Vocals & Percussion. // Land Lion is a dynamic project blending indie rock, folk, and Americana, known for its heartfelt lyrics and vibrant instrumentation. Fronted by Ben Wendt, a skilled singer-songwriter & guitarist, the band’s sound captures a raw, emotional energy while drawing inspiration from both contemporary and classic influences. With Wendt’s rich vocals at the helm, Land Lion crafts songs that evoke both introspection and celebration, inviting listeners into a world of personal storytelling and wide-reaching soundscapes. Their music effortlessly weaves intricate melodies and powerful rhythms, with Wendt’s acoustic and electric guitar work providing the backbone to each track, accompanied by an amazing horn section. The band has garnered attention for their live performances and powerful compositions, building a loyal fan base along the way. Land Lion continues to evolve, pushing the boundaries of their sound while staying true to the authentic, emotional core that defines their music.]

[Land Lion plays Boulevardia on Saturday, June 14, at 2:30 – 3:10 on the FOUNTAIN Stage Elevate]

[Land Lion play MidCoast LIVE Friday, June 6, at 12:00 Noon, on 90.1 FM KKFI.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, June 11 we welcome back to the show The Man of 1001 Faces Michael McQuary who will be performing his one-man show on Sunday, June 15, at 2:00pm at Englewood Arts Center, 10901 East Winner Road, Independence, Missouri, AND we’ll bring you a very special interview with Michael’s friend from New York City – stage, screen and recording artist – Joey Arias who will share stories about his work and friendships with The Groundlings, Klaus Nomi, David Bowie, Laraine Newman of Saturday Night Live, Andy Warhol, The Mudd Club, Ann Magnuson, Paul Reubens, Lady Bunny, Elvira, Cirque du Solei, Burt Bacharach, and More!

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1098

WMM Serves Music of Boulevardia + Chris Haghirian + KC Music Industry Commission

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 4, 2025

WMM Serves Music of Boulevardia + Chris Haghirian + KC Music Industry Commission

WMM spins music of the bands & artists playing Boulevardia 10. We’ll feature: Tech N9ne, The Greeting Committee, honestav, The Freedom Affair, Katy Guillen and The Drive, Kat King, Lorna Kay, The Creepy Jingles, Jamogi, Little Miss Dynamite, Flora From Kansas, TheBabeGabe, Shay Lyriq, Paris Williams, Dalima Kapten, Jackie Myers, Malek Azrael, and The Soul Activators. We’ll survey the music of Boulevardia 10, happening on Saturday, June 14, with 5 stages and over 45 bands/artists, celebrating Kansas City with the biggest urban street festival at Crown Center, 2396 Grand Boulevard, KCMO. To learn more about the Live Music, Silent Disco, Food Trucks, Beers & Seltzers, Yard Games, Maker’s Market, Canna Village, Monster Teeter-Totter, The Swifty Experience, and more, you can go to: http://www.boulevardia.com

At 10:00 Chris Haghirian joins us for the first 90 minutes of our show to share details about Boulevardia 10. Chris Haghirian is Host & Producer of Eight One Sixty, heard Tuesday nights at 6:00 PM, on 90.9 The Bridge. Chris studied Journalism / Advertising at The University of Kansas. Chris also studied Photography at Kansas City Art Institute. Chris worked for The Kansas City Star for over 20 years. Chris was co-founder of the Middle of The Map Fest. Chris works for Spray KC. Chris organizes multiple concert series throughout the metro, and music stages for Plaza Art Fair, as well as Boulvardia.

At 11:30 Mark talks with Meighan Peifer who taught for 33 years in public schools in Wyandotte and Johnson County and has operated the Federal Child Care Center in KCMO for 26 years. We also talk with James D. McGee Sr, Creative Director of Kansas City’s Mutual Musicians Foundation. Meighan and James will discuss The Kansas City Music Industry Commission formed in 2024 as a joint venture between Black Vine Worldwide Media Group, LLC and Black & White Enterprises, LLC. This initiative aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry. The commission’s mission is to strengthen the local music ecosystem by supporting musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and content creators. By collaborating with city government, private entities, and surrounding the Kansas City music industry.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1098

WMM Playlist from May 28, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 28, 2025

WMM presents: Cheyenne Jackson + HuDost + She Speaks in Tongues

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Be / Non – “A Mountain of Yeses”
    from: A Mountain of Yeses / Unipegadong / May 12, 2009
    [It’s been over 16 years since this project began. A Mountain of Yeses was released in May of 2009 and was always meant to have a visual accompaniment associated with it. Still a work in progress… On May 30th, 2025, Be/Non will finally have visuals to accompany the story of AMOY for a live setting. Performed in its entirety, for the first time since 2009, featuring the original AMOY members, plus one. This is a once in a lifetime performance. // A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. // Brodie Rush is a musician, songwriter, band leader, graphic artist, actor, father and survivor. He is a Director of Animation & Motion Graphics and has created music videos for several bands and poster designs for theatre and music events. He is also the creative genius behind Be/Non, a Kansas City band that has been making music for over 20 years. // Be/Non founder Brodie Rush is a musician, songwriter, band leader, graphic artist, actor, father and survivor. He is a Director of Animation & Motion Graphics and has created music videos for several bands and poster designs for theatre and music events. He is also the creative genius behind Be/Non, a Kansas City band that has been making music for over 20 years. Brodie Rush has been working to get his life back after surviving an Aortic Dissection in October 2019, and after being in a coma, and after months of therapy, recovery, and healing through two dangerous years of Covid-19.// On April 8, 2020 Be/non released, A Valley of No: The Alternative A Mountain of Yeses through Haymaker Records. Brodie wrote: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. // Warehouse on Broadway is Kansas City’s newest 650 capacity music venue featuring Super Awesome Events & Killer F*ing Food, 7 days a week. Located in the Westport neighborhood one of Kansas City’s premiere bar districts. Our venue is your venue, as we all gather to celebrate extraordinary experiences with the finest local, regional, and national artists the universe has to offer. Our restaurant is open weeknights, 5p-1a. Entrance to the venue is located on the north side of the building, and is ADA accessible.]

[BE/NON will be Performing ‘A Mountain of Yeses’ in full on Friday, May 30, at 7:00pm, at Warehouse On Broadway, 3951 Broadway, KCMO with Gemini Parks & Still Ill.]

  1. Sisterbot – “Feel The Color”
    from: Truth House / Sisterbot / July 10, 2021
    [Sisterbot is a performing artist dedicated to breaking genre boundaries, creating cosmic musical and theatrical experiences. The 9-piece Sisterbot Band is a “punk pop chamber orchestra” complete with electric guitar, drums, piano, strings and horn. “Truth House (2021) is a concept album written over the span of three years, encapsulating a chapter of my life that I spent in a house alone, dealing with the aftermath of trauma and rebirth.”- Sisterbot (Adee Dancy). Written by Sisterbot. Produced by Jametatone and Sisterbot. Engineered, Mixed, Mastered by Jametatone, except “Approval” which was Produced, Engineered, & Mixed by Andrew Bonci Jr. at Magnolia Tree Studios, with AJ Bonci on guitar, Just Angel and Sisterbot on vocals. Cover Art by Mazzy Mann. Adee Rocket Dancy released the single “Hello Moon (feat. The Swallowtails)” on April 26, 2021. (This is on the Sisterbot album.) Produced by Jametatone & Adee Rocket Dancy. Adee Rocket Dancy on piano & vocals & cello; Rachel Lovelace on bassoon; Mikala Petillo on guitar & background vocals, Mixing & Mastering by Jametatone. Adee Rocket Dancy writes, “This is a song about my life-long love for the moon. Adee chose April 26, 2021 to honor “The Pink Moon.” Info: Sisterbot.bandcamp.com]

[Sisterbot plays The Benefit for Amplify Lawrence Saturday, May 31, at 8:00pm at The Bottleneck, 737 New Hampshire St., Lawrence, KS. with She Speaks in Tongues, Cheery, Lauren Lovelle, True Lions.]

  1. Malek Azrael – “SELF!SH (feat. SISTERBOT)”
    from: Feels Like EP / Malek Azrael / March 1, 2025\
    [On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]

[Malek Azrael play Night Seven of Manor Fest 7 on Friday, May 30 at 7:00 at Ruby Jean’s Juicery 3000 Troost Ave, KCMO with Shay Lyriq, and Supermoto (All ages)]

  1. Saving Miles Lemon – “The Line” – Single
    from: “The Line” – Single / Saving Miles Lemon / March 28, 2025
    [Performed by: Saving Miles Lemon. Written by: Miguel Silva-Leon. Produced by: Saving Miles Lemon. One of three new singles released in the last few months from Saving Miles Lemon. Saving Miles Lemon released “Hidden Inventory” on May 2, 2025. Saving Miles Lemon released “The Line” on March 28, 2025. // Saving Miles Lemon released “In The Night” on January 16. 2025// Saving Miles Lemom released the 13-track full-length album LOVELY/ on October 6, 2023. Saving Miles Lemon is the psychedelic-pop project of Miguel Silva-Leon. Formed in 2019 with the goal of releasing an album by the end of the year, the project has transformed into a full-blown musical odyssey for Miguel (who likes to go by Mig) to explore new sounds. It’s hard to define what genre Saving Miles Lemon fits into as they like to let the music go where it wants to go. From smooth dance pop, to blown-out stoner rock, Mig likes to keep things interesting and never stay with one sound for too long.​ // Having grown up learning to play the piano at the age of 7, Miguel found themselves picking up new instruments frequently from the clarinet, saxophone, and oboe to guitar/bass and drums. Just as with their instruments, Mig began practicing their production skills in high school with small bedroom projects and hardcore bands. In a way, nothing has changed, as all of Saving Miles Lemon’s music is recorded and produced entirely by Mig in their bedroom studio to this day. // Their live members include Jacob Frisbee (bass), James Wiltfang (keys), and Zeke Bockleman (drums). // As a live act, the band began performing in 2021 and quickly took over the DIY scene in Kansas City before moving on to the bar/venue scene with sold-out shows at The Rino (KCMO) and The Bottleneck (LFK). They’ve opened for national and international touring bands such as Cub Sport at The Encore at Uptown Theatre (KCMO). // Saving Miles Lemon has released two full-length LPs and a handful of singles.]
  1. Stereolab – “Melodie Is A Wound (Edit)”
    from: Instant Holograms On Metal Film, / Duophonic UHF / Warp Records / May 23, 2025
    [Stereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group’s sound features influences from krautrock and 1960s French pop music, often incorporating a repetitive motorik beat with the use of vintage electronic keyboards and female vocals sung in English and French. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist art movements. While performing, they play in a more feedback-driven and guitar-oriented style. Since the mid-1990s, the band have drawn from funk, jazz and Brazilian music. // Stereolab were formed by Gane (guitar and keyboards) and Sadier (vocals, keyboards and guitar) after the break-up of McCarthy. The two were romantically involved for fourteen years and are the group’s only consistent members. Other longtime members included 1992 addition Mary Hansen (backing vocals, keyboards and guitar), who died in 2002, and 1993 addition Andy Ramsay (drums). The High Llamas’ leader Sean O’Hagan (guitar and keyboards) was a member from 1993 to 1994 and continued appearing on later records for occasional guest appearances. // Throughout their career, Stereolab have achieved moderate commercial success. The band were released from their recording contract with Elektra Records, and their self-owned label Duophonic signed a distribution deal with Too Pure and later Warp Records. After a ten-year hiatus, the band reunited for live performances in 2019. // Stereolab announces their first new record in 15 years. It includes 13 new studio recordings as well as guest contributions from Cooper Crain, Rob Frye, Ben LaMar Gay, Ric Elsworth, Holger Zapf, Marie Merlet and Molly Read. Alongside the announcement, the group shares a first glimpse into their forthcoming project with first single “Aerial Troubles.” // Instant Holograms On Metal Film will be available on double vinyl LP in standard and colour variants, as well as compact disc and digital formats. The album will arrive two days ahead of the launch of their world tour in Brussels on May 25th. They will then take their discography across Europe with dates in Berlin, Amsterdam, and Paris, among others. They’ll be kicking off the North American leg of the tour this coming October with shows across the United States before heading back to perform a string of shows across the UK.]
  1. True Lions – “8th of January”
    from: MidCoast LIVE! / True Lions / January 6, 2025
    [Recorded LIVE on 90.1 FM KKFI Kansas City community radio, hosted by Mark Manning! Performed on May 17, 2024. Special thanks to Chad Brothers for the audio files, and huge thanks to Betse Ellis for teaching us tracks 1, 2, and 3! “Hamilton Ironworks” by John Hartford. “Hog of the Forsaken” by Michael Hurley. // Fritz Hutchison~ drums, synth, vocals. Alison Hawkins~ fiddle/ // Alison Hawkins is a queer artist, writer, multi-instrumentalist, and music teacher in KCK. They dropped out of music school (after studying classical piano) and dedicated their life to intersectional activism through community organizing and self-expression. In 2018 they founded the alt-pop band True Lions, releasing two EPs in 2019, and a keytar-inspired full-length album THE FEMPIRE STRIKES BACK in 2021, released by Manor Records. In 2022 they became enchanted by the fiddle and obsessed with Ozark old time music while hiking through North American national parks. In 2023, Al teamed up with their partner Fritz Hutchison to create THE GREATEST PLANET IN THE WORLD released February 21, 2023 playing song taught to them by Betse Ellis, and also released TRUE LIONS FRITZ HUTCHISON SPLIT CASSETTE though Manor Records on April 26, 2023. // Fritz Hutchison is a multi-instrumentalist singer-songwriter based in Kansas City. Fritz landed in the KC Music Community in 2008 playing drums with: She’s a Keeper. He played for several years with Grand Marquis, was part of the band Freight Train Rabbit Killer. As a guitarist he has played with True Lions, J Ashley Miller, Lauren Krum, Miki P, Calvin Arsenia, and many others. His second solo album, MOVIE NIGHT was released on April, 15, 2022 through Manor Records. He released his debut album Wide Wild Acres in March 2020 on Center Cut Records, receiving positive reviews in the US, Australia, the UK and the Netherlands. Fritz has also released the sweet and sad country single “All the Way From Here (Happy Holidays)” in January 2021 and “Zack Attack!” in March 2022. // True Lions released COLD GRAVY BOWL on March 1, 2024 ands played an Album Release show March 2, 2024 at The Emerald, 1717 W. 9th Street, KCMO [West Bottoms]. Called “a theatrical punk drag rock and roll folk event” The night also featured: The Matchsellers, Scary Cherry, Ezra Prince, and Nora Demented.]

[True Lions plays The Benefit for Amplify Lawrence Sat, May 31, at 8:00pm at The Bottleneck, 737 New Hampshire St., Lawrence, KS. W/ She Speaks in Tongues, Sisterbot, Cheery, and Lauren Lovelle.]

  1. She Said – “Time”
    from: What! / May 10, 2025
    [Jennie Ferguson on vocals & guitar, Scott Mize on guitar, Doug Hitchcock on drums, and Matt Kesler, on bass. Matt Kesler and Scott Mize used to be in a band called Sylvan Grove. Lyrics by Jennie Ferguson, music by Jennie Ferguson and She Said. Produced by She Said. Recorded and Engineered by Paul Malinowski at Massive Sound in Shawnee, Kansas. Mixing by Paul Malinowski and She Said. Mastered by Mike Nolte at Eureka Mastering. Jennie Ferguson and Scott Mize used to play in a band called Shotgun Solution. This was after the time of Jennie’s all-girl psych/pop band PMS. Doug Hitchcock has played with Matt Kesler in the Midtown Jazz Quartet. Doug has played with Freedie Johston, and the band Near Death Experience. Matt Kesler also plays in the famous bands The Pedajets and The Doo Dads.]

[She Said play a special “What!” Album Release Show Friday, June 6, at 6:00pm at Replay Lounge, 80 East 10 Sreeet, Lawrence, Kansas, with The Mad Kings.]

10:29 – Underwriting

10:31 – Interview with Kate McCandless

Kate McCandless performs as SHE SPEAKS IN TONGUES. Kate writes: “My work is about reclaiming agency. It is about giving voice and liberation to what was repressed and silenced.” Described by Sasha Geffen as “Best Feminist Rock n’ Roll Exorcism”. Armed with body, voice, and a fierce, shamanic energy, SHE SPEAKS IN TONGUES often lures with nostalgia – simultaneously embracing and questioning its comfort and authority with a dark, feminist bent. McCandless creates & performs her work solo, and in collaboration with other musicians. The effect is jarring, haunting, and a cathartic call to healing. A transplant from Chicago since 2020, McCandless now calls KC her creative home base. SHE SPEAKS IN TONGUES plays The Benefit for Amplify Lawrence Saturday, May 31, at 8:00pm at The Bottleneck, 737 New Hampshire St., Lawrence, KS. with Sisterbot, Lauren Lovelle, True Lions, and Cheery. // And – TQ Headquarters House Show, May 10, 6:30pm, KCMO with: Drew Black, Fenwa Teryen, Emily Davis. // And – SHE SPEAKS IN TONGUES submits: SUPPOSED FORMER INFATUATION JUNKIE//Alanis Morissette, May 13, at The Black Box, 1060 Union Ave, KCMO with Katie Gilchrist and Project1994 performing JAGGED LITTLE PILL. Info at: http://www.shespeaksintongues.com

Kate McCandless thanks for being with us on Wednesday MidDay Medley

SHE SPEAKS IN TONGUES is artist, vocalist, performer Kate McCandless. Armed with body, voice, and a fierce, shamanic energy, SHE SPEAKS IN TONGUES often lures with nostalgia – simultaneously embracing and questioning its comfort and authority with a dark, feminist bent. McCandless creates and performs her work solo, and in collaboration with other musicians. The effect is jarring, haunting, and a cathartic call to healing. A transplant from Chicago since 2020, McCandless now calls KC her creative home base.

About SHE SPEAKS IN TONGUES submits series: SHE SPEAKS IN TONGUES submits: is a live, album listening experience with a femme/feminist edge; twists,turns and script flipping. Featuring artist, vocalist, performer Kate McCandless and an assembly of top notch Kansas City musicians and collaborators, this is not your typical tribute. Collaborators have included Cody Wyoming, Katie Gilchrist, Matt Richey just to name a few. Recent performances as part of the series include: EASTER//Patti Smith (2023-2024) TO BRING YOU MY LOVE//PJ Harvey (2023-2024) and currently, SUPPOSED FORMER INFATUATION JUNKIE//Alanis Morissette

About SHE SPEAKS IN TONGUES’ Bjork-inspired album/performance DOMESTIKA

“Kate McCandless samples music as hungrily as Girl Talk, but she doesn’t use a computer. With her band Speaks in Tongues, the singer repurposes well-worn rock and blues classics into new narratives…unravels threads from the music she loves to knot together her own bizarro-world reimaginings, a process she describes…as ‘a necessary feminist act…a reclaim of agency.'” – Sasha Geffen, The Chicago Reader

1 day, 1 take per song. Just me, my voice, and my looping pedal, live and in the moment, recorded in Chicago and released in 2020 at the start of the pandemic.

This album is my bloody valentine to Bjork, Motherhood, Feminism, and all the wisdom they have given me. My hope is that this music/performance serves as a stinging yet redemptive balm for my listeners, especially during these trying times. In addition to performing excerpts from DOMESTIKA live in local music venues, my intention with this work is to create a more intentional performance, to debut in Kansas City and to tour.

This project began as an exploration of what I believed were feminist themes in Bjork’s music and a desire to highlight them, especially given her latest releases Vulnicura & Utopia, and subsequent interviews. “Domestika” was the original title intended for what became Bjork’s iconic Vespertine, during which she fell in love with Matthew Barney … the partner who would later cheat on her and file for divorce. There was something I wanted to reclaim in that. This desire was highlighted by my more recent struggles with Motherhood, mental health, and the wounding of being homebound.

What I didn’t expect was how this project would become a cathartic space in which to process the unfolding reckoning with injustice in our times … #MeToo, Black Lives Matter, the Trump presidency, the collective isolation/struggle during a pandemic…In the process I formed a chain of channeled messages … as if from my Mother ancestors, or Mother Earth herself. Messages of unheard stories, pain, healing, justice, and hope.

For, SHE SPEAKES IN TONGUES – DOMESTIKA, released May 8, 2020 – Kate McCandless writes DOMESTIKA began as an exploration of what I believed were feminist themes in Bjork’s music and a desire to highlight them. This was especially given her latest releases Vulnicura & Utopia, and subsequent interviews. “Domestika” was the original title intended for what became Bjork’s iconic Vespertine, until she met Matthew Barney … the partner who would later cheat on her and file for divorce. There was something I wanted to reclaim in that. This desire was highlighted by my more recent struggles with Motherhood, mental health, and the wounding of being homebound. // In the process I formed a chain of channeled messages … as if from my Mother ancestors, or Mother Earth herself. Messages of unheard stories, pain, healing, justice, and hope. // This album is my bloody valentine to Motherhood and all the wisdom She gave me. My hope is that this music serves as a kind of balm for my listeners, especially during these trying times. // Vocals, looping pedal, arrangement/mashup, select lyrics: Kate McCandless.Electronic music (Light Bearer): Nigel Harsch. Engineering: Steve Marek. Mixing and Mastering: Steve Marek. Music & Lyric Inspiration: Bjork.

10:38

  1. She Speaks in Tongues – “All That She Said Was True”
    DOMESTIKA / She Speaks in Tongues / May 8, 2020.
    [This 8-track album project began as an exploration of what I believed were feminist themes in Bjork’s music and a desire to highlight them, especially given her latest releases Vulnicura & Utopia, and subsequent interviews. “Domestika” was the original title intended for what became Bjork’s iconic Vespertine, until she met Matthew Barney … the partner who would later cheat on her and file for divorce. There was something I wanted to reclaim in that. // This desire was highlighted by my more recent struggles with Motherhood, mental health, and the wounding of being homebound. In the process I formed a chain of channeled messages … as if from my Mother ancestors, or Mother Earth herself. Messages of unheard stories, pain, healing, justice, and hope. // This album is my bloody valentine to Motherhood and all the wisdom She gave me. My hope is that this music serves as a kind of balm for my listeners, especially during these trying times. // Kate McCandless on vocals, looping pedal, arrangement/mashup, select lyrics; Nigel Harsch on Electronic music (Volva, Make it Right, Light Bearer). Engineering: Steve Marek. Mixing and Mastering: Steve Marek. Music & Lyric Inspiration: Bjork. Album Art: Kristina Carr, Tom Gonzalez // I want to express my deepest love and appreciation to Adrian and Simon. Special thanks to Steve M, Nigel H, Donnie M, Rachael G, Tom G, Kristina C, Carly S, Kirstin F, Liz JS and of course to Bjork for her incredible artistry and inspiration.]

10:11 – More Interview with Kate McCandless

Kate McCandless who performs as SHE SPEAKS IN TONGUES.

Kate McCandless Thanks for being with us on WMM

SHE SPEAKS IN TONGUES plays The Benefit for Amplify Lawrence Saturday, May 31, at 8:00pm at The Bottleneck, 737 New Hampshire St., Lawrence, KS. with Sisterbot, Lauren Lovelle, True Lions, and Cheery.

SHE SPEAKS IN TONGUES plays TQ Headquarters House Show, May 10, 6:30pm, KCMO with: Drew Black, Fenwa Teryen, Emily Davis.

SHE SPEAKS IN TONGUES submits: SUPPOSED FORMER INFATUATION JUNKIE//Alanis Morissette, May 13, at The Black Box, 1060 Union Ave, KCMO with Katie Gilchrist and Project1994 performing JAGGED LITTLE PILL. Info at: http://www.shespeaksintongues.com

This first time Kate was on the WMM show was on April 5, 2023 when Kate and Cody Wyoming came on the show to share details about SHE SPEAKS IN TONGUES submits: Patti Smith’s EASTER on EASTER, Sunday, April 9, 2023, at 7:00 PM, at recordBar 1520 Grand Blvd, KCMO. SHE SPEAKS IN TONGUES is thrilled to partner with Kansas City forces: THE CODY WYOMING DEAL, Julia Othmer, and Teri Quinn to create a cathartic, sacred homage to Patti Smith and her work…with a surprising, shamanic edge where nothing is sacred… Sacred is all.

SHE SPEAKS IN TONGUES started in Chicago and has transitioned to Kansas City.

Many of us first became aware of She Speaks in Tongues in 2022 when she played the Outer Reaches Festival.

About SHE SPEAKS IN TONGUES//// HEALING ARTS

Kate McCandless (SHE SPEAKS IN TONGUES) is as an artist, writer, energy healer, and tarot reader in the Kansas City area, after studying and practicing in Chicago IL. Her Shamanic approach takes the work beyond the basic hand positions or interpreter role, and flows seamlessly with her artistic practice and expression. Kate was attuned and initiated into the Reiki practice at levels 1-Master through Sara Gaines of Red Bird Reiki’s 1 Year Shamanic Reiki Apprenticeship (Chicago/Galena IL.) There she studied and explored Shamanism in the open tradition/practice of the Andean Peruvian shamans/Q’ero. Kate’s path to Tarot came naturally and intuitively and she is mostly self taught, though counted among her teachers is Lindsay Mack. Kate has completed Mack’s renowned and in depth course, Tarot for the Wild Soul and continues to study and practice on her own. Kate believes tarot and energy work is for every person and can be used as an excellent tool for self reflection, healing, and self care for any one who is curious, interested, and/or called. She serves as a compassionate facilitator and holder of space. She believes the journey is yours and she is here to support that without dogma nor judgement. Kate believes that tarot and energy work is intended to be inclusive, compassionate, healing, unpretentious and easeful, while rooted in the here and now. By reflecting on “what’s here now” we can curiously and kindly bring our awareness to reach for a more whole and healing present, and therefore, future. Other practitioners/artists she considers teachers and inspirations are Chani Nicholas, Sarah Faith Gottesdiener, Tatianna Morales, Renee Sills (Embodied Astrology,) Michelle Tea, Julia Cameron, and Rachael Gonzalez (FAMILIAR) just to name a few.

Kate McCandless was last on our show on October 18, 2023 when she and Cody Wyoming who joined us to share details about SHE SPEAKS IN TONGUES submits: PJ Harvey’s To Bring You My Love W/ THE CODY WYOMING DEAL, Friday, October 20, 8:00 PM at The Brick, 1727 McGee, KCMO.

ABOUT THE SHOW and SHE SPEAKS IN TONGUES SUBMITS series

Born out of the impulse to reclaim joy after the heaviness of these many years… Artist/Vocalist and Chicago transplant SHE SPEAKS IN TONGUES ( Kate McCandless) pairs up with local legend Cody Wyoming and his “deal”…a crew of some of KC’s finest…to create a quality, live performance of albums that have been creative touch points of inspiration, nostalgia, and sweet sweet nerdery.

SHE SPEAKS IN TONGUES is Kate McCandless on vocals, performance, percussion.

CODY WYOMING DEAL is Cody Wyoming on guitar, organ, synth, & backing vocal; Matt Richey on drums; Justin Muschinske on bass, baritone, organ, guitar, & synth; J. Howell on guitar, prepared guitar, & sound design; Katie Gilchrist on backing vocals,

10:20

  1. She Speaks in Tongues – “Make It Right”
    DOMESTIKA / She Speaks in Tongues / May 8, 2020.
    [This 8-track album project began as an exploration of what I believed were feminist themes in Bjork’s music and a desire to highlight them, especially given her latest releases Vulnicura & Utopia, and subsequent interviews. “Domestika” was the original title intended for what became Bjork’s iconic Vespertine, until she met Matthew Barney … the partner who would later cheat on her and file for divorce. There was something I wanted to reclaim in that. // This desire was highlighted by my more recent struggles with Motherhood, mental health, and the wounding of being homebound. In the process I formed a chain of channeled messages … as if from my Mother ancestors, or Mother Earth herself. Messages of unheard stories, pain, healing, justice, and hope. // This album is my bloody valentine to Motherhood and all the wisdom She gave me. My hope is that this music serves as a kind of balm for my listeners, especially during these trying times. // Kate McCandless on vocals, looping pedal, arrangement/mashup, select lyrics; Nigel Harsch on Electronic music (Volva, Make it Right, Light Bearer). Engineering: Steve Marek. Mixing and Mastering: Steve Marek. Music & Lyric Inspiration: Bjork. Album Art: Kristina Carr, Tom Gonzalez // I want to express my deepest love and appreciation to Adrian and Simon. Special thanks to Steve M, Nigel H, Donnie M, Rachael G, Tom G, Kristina C, Carly S, Kirstin F, Liz JS and of course to Bjork for her incredible artistry and inspiration.]

10:27 – More Interview with Kate McCandless

SHAMANIC ENERGY WORK + TAROT //// SHE SPEAKS IN TONGUES

“KATE IS INCREDIBLE! I don’t have the words to fully relay what happened but Kate created the most healing safe cocoon of reiki energy magic I have ever experienced. I was able to feel and release challenging emotions and I feel we accomplished deep healing work for myself and ancestors… my experience was so epic. Thank you Kate for doing this kind of work in the world.” – Amy W., Energy Healing Client, Kansas City, MO

Kate McCandless Thanks for being with us on WMM

SHE SPEAKS IN TONGUES plays The Benefit for Amplify Lawrence Saturday, May 31, at 8:00pm at The Bottleneck, 737 New Hampshire St., Lawrence, KS. with Sisterbot, Lauren Lovelle, True Lions, and Cheery.

SHE SPEAKS IN TONGUES plays TQ Headquarters House Show, May 10, 6:30pm, KCMO with: Drew Black, Fenwa Teryen, Emily Davis.

SHE SPEAKS IN TONGUES submits: SUPPOSED FORMER INFATUATION JUNKIE // Alanis Morissette, May 13, at The Black Box, 1060 Union, KCMO with Katie Gilchrist and Project1994 performing JAGGED LITTLE PILL. Info at: http://www.shespeaksintongues.com

11:00 – Station ID

  1. HuDost – “Broken Down in America”
    from: The Monkey in the Crown / Open Sesame Music / June 6, 2025
    [HuDost’s new album, features a collection of songs that have already begun to captivate listeners, including the fiery Fire of Eden, the introspective Sol Searcher (Light Upon the Water), and the call for change in Acting Out the Outrage. These songs set the tone for the full album, which explores themes of societal breakdown, personal transformation, and collective healing. Tracks like Broken Down in America, Take It Back, and Nothing Left grapple with disillusionment, while Shine On (Knick of Time) and Mercy offer hope and reconciliation. Each song is a testament to HuDost’s unique sound—raw, authentic, and deeply connected to the human experience. // HuDost were delighted to be joined by a slew of amazing musicians on this album including drummer Chris Powell as well as SistaStrings, who both play with Brandi Carlile. They are also joined by the Jars of Clay guys; Charlie Lowell on keys, Matthew Odmark doing various magical things and two new songs written with Dan Haseltine. Singer Rachael Davis joins on a few songs with her beautiful distinctive harmonies and Kai Welch (Abigail Washburn/Kacey Musgraves/The Fray) plays on accordion & horns. Long time HuDost alumni Anit Ghosh adds his gypsy world touch on a couple of tracks. Matt Nelson contributes astonishing string arrangements. Last but not least, HuDost’s ‘5th Member’ Dan Walters, the only other person besides Moksha and JW that has played on every single record over the past 20 years, on bass! // THE MONKEY IN THE CROWN is more than just a collection of songs; it’s a journey into the complexities of identity, transformation, and choice. From the hopeful Shine On (Knick of Time) to the paradoxical Child of Children, the album invites listeners to explore the tension between illusion and truth, the sacred and the profane, the personal and the collective. It’s a call to action, to change, and to embrace our shared humanity, no matter the form it takes. // This album also marks a significant milestone for HuDost—celebrating 20 years as a band, a couple, and a family. For two decades, the partnership of Moksha Sommer and Jemal Wade Hines has produced music that is deeply rooted in their experiences as activists, parents, and musicians. Their journey has been one of artistic evolution and social engagement, building a devoted global fanbase through their powerful lyrics and genre-blurring sound. HuDost’s live performances continue to inspire, proving that music can not only entertain but also catalyze change.]

[HuDost play Greenwood Social Hall, 1750 Belleview Ave, 2nd Floor, KCMO on Thursday May 29 at 7:00pm with Calvin Arsenia. Info at: http://www.hudost.com]

11:04 – Interview with Moksha Sommer & Jemal Wade Hines of the band HuDost

Many years before receiving praise from NPR, ranking on the Billboard charts, or winning prestigious awards, something magical happened; a teenaged Moksha Sommer was reading the lush words of the Persian poet Rumi in her Montreal apartment and wildly decided to join friends for a spur of the moment trip to North Carolina for a Rumi Festival put on by Turkish Sufis. It was there that, from across a room of dancers, Jemal Wade Hines was playing frame drum and heard Sommer’s voice cutting through the crowd and jolting his heart awake. That moment was the beginning of HuDost. Today we are featuring music from their new album THE MONKEY AND THE CROWN, that marks the band’s 20th Anniversary. HuDost play Greenwood Social Hall, 1750 BelleviewAve, 2nd Floor, KCMO on Thurs, May 29 at 7:00pm. Info at: http://www.hudost.com

Moksha Sommer & Jemal Wade Hines Thanks for being with us on WMM

We just heard Broken Down in America – Rock, anthemic vocals, call-to-action. As parents of two children that we love dearly, there is a painful daily awareness of gun violence and school shootings. Written from that perspective; asks questions about politics.

Broken Down in America (lyrics)

Hey my son, it’s Monday morning
Use your teacher like a human shield
No one ever sees the time bomb
Counting down the wounds that never healed, never healed
Broken down in America, broken down in America this time

Daughter, you should use protection
Don’t get hurt by games the rich men play
When they shelter in position
I want you to run the other way, the other way
Broken down in America, broken down in America again

The only arms I bear are here and open
Waiting for their turn

Every day I pray for living
To last longer than the stench of fear
Keep my babies safe from gunmen
I want children not just souvenirs, souvenirs
Crying out in America, crying out in America again

The only arms I bear are here and open
Waiting for your love

Can you pull the bullets out
Before the words come form your mouth
Fight them on your own side
Before deepening the divide
When the shots are fired from the inside
And we bear the wounds of false pride
There’s nowhere left to go nowhere to hide

Is it love that will decide? Is it love that will decide?
Is it love that will decide what stops the war? What stops the war?
Is it love that stops the war? Is it love that stops the war?
Broken down in America again

HuDost’s new album, THE MONKEY IN THE CROWN, marks the band’s 20th anniversary and invites listeners to confront the paradox of human nature—are we the fools hiding behind pretense, or humble beings with dignity in unexpected forms? This bold release challenges us all to reflect on our choices in a world full of complexity and contradiction. Blending elements of electric folk rock, world music influences, and acoustic soul, the album weaves a sonic tapestry that resonates with both urgency and introspection. The tracks are an exploration of the human spirit, filled with raw emotion and an invitation to rise above, embrace truth, and reclaim agency.

The album features a collection of songs that have already begun to captivate listeners, including the fiery Fire of Eden, the introspective Sol Searcher (Light Upon the Water), and the call for change in Acting Out the Outrage. These songs set the tone for the full album, which explores themes of societal breakdown, personal transformation, and collective healing. Tracks like Broken Down in America, Take It Back, and Nothing Left grapple with disillusionment, while Shine On (Knick of Time) and Mercy offer hope and reconciliation. Each song is a testament to HuDost’s unique sound—raw, authentic, and deeply connected to the human experience.

HuDost were delighted to be joined by a slew of amazing musicians on this album including drummer Chris Powell as well as SistaStrings, who both play with Brandi Carlile. They are also joined by the Jars of Clay guys; Charlie Lowell on keys, Matthew Odmark doing various magical things and two new songs written with Dan Haseltine. Singer Rachael Davis joins on a few songs with her beautiful distinctive harmonies and Kai Welch (Abigail Washburn/Kacey Musgraves/The Fray) plays on accordion & horns. Long time HuDost alumni Anit Ghosh adds his gypsy world touch on a couple of tracks. Matt Nelson contributes astonishing string arrangements. Last but not least, HuDost’s ‘5th Member’ Dan Walters, the only other person besides Moksha and JW that has played on every single record over the past 20 years, on bass!

THE MONKEY IN THE CROWN is more than just a collection of songs; it’s a journey into the complexities of identity, transformation, and choice. From the hopeful Shine On (Knick of Time) to the paradoxical Child of Children, the album invites listeners to explore the tension between illusion and truth, the sacred and the profane, the personal and the collective. It’s a call to action, to change, and to embrace our shared humanity, no matter the form it takes.

This album also marks a significant milestone for HuDost—celebrating 20 years as a band, a couple, and a family. For two decades, the partnership of Moksha Sommer and Jemal Wade Hines has produced music that is deeply rooted in their experiences as activists, parents, and musicians. Their journey has been one of artistic evolution and social engagement, building a devoted global fanbase through their powerful lyrics and genre-blurring sound. HuDost’s live performances continue to inspire, proving that music can not only entertain but also catalyze change.

For Radio Promo/Interviews: Kari Estrin

“HuDost has a folk quality yet is quite postmodern; the band offers new takes on ancient words and melodies, cross-cultural hybrid transcendental chill-out music with an edge.… This is not fluffy new-age music—it’s serious, complex fare with no aversion to addressing agony. Sommer’s vocal execution is precisely orchestrated, her voice-opening, hollow-toned vortexes piercing through the tough spots. ” – Chronogram Magazine

Many years before receiving praise from NPR, ranking on the Billboard charts, or winning prestigious awards, something magical happened; a teenaged Moksha Sommer was reading the lush words of the Persian poet Rumi in her Montreal apartment and wildly decided to join friends for a spur of the moment trip to North Carolina for a Rumi Festival put on by Turkish Sufis. It was there that, from across a room of dancers, Jemal Wade Hines was playing frame drum and heard Sommer’s voice cutting through the crowd and jolting his heart awake. That moment was the beginning of HuDost.

Since then, Sommer and Hines have married as a couple, as musicians, as activists, and as parents; in all of those they are guided by love. They are highly engaged activists, doing advocacy work as Representatives for ONE (a non-profit organization working to end extreme poverty) and joining forces with other non-profit organizations. They have discovered the alchemy and power of the combination of music and activism and how change can be effectively created through those tools.

HuDost has a new album that is being released in 2025. Their previous albums have received rave reviews and have reached #4 in the Canadian National Folk/Roots/Blues Chart, #9 in the US Folk Radio Charts, reached #24 in the BILLBOARD SALES CHARTS for Folk/Americana and won an Independent Music Award for Social Action Song. In 2020 they received two of the ‘Best of Nashville’ awards. On past albums HuDost has worked with GRAMMY Award-winning producer Malcolm Burn (Bob Dylan, Emmylou Harris, Peter Gabriel) and GRAMMY Award-winning mixers Oz Fritz (Tom Waits, Bill Laswell, Primus) and Vance Powell (Jack White, Chris Stapleton, Pearl Jam, Willie Nelson, Buddy Guy, Beyonce, Beck, Alicia Keys, Melissa Etheridge, Kings of Leon).

HuDost functions as a duo or as a band, including guest musicians of varying sensibilities and backgrounds, and often including dance in their shows. As a duo their instrumentation includes vocals, harmonium (Indian Pump-Organ), live looping and beats, NORD Keys, guitars, Dulcinet, percussion, and a slew of sonic ambient effects. Their music is a rich, eclectic blending of pop and rock with traditional Sufi music, Bulgarian, Croatian, Macedonian and Balkan folk music, Farsi, Turkish, Arabic, and folk. Their sound crosses all borders and barriers, taking the listener on a journey they will never forget.

HuDost’s music is a powerful voice for life’s journey and discovery. In 2008, Moksha went through a painful process of brain surgery due to a tumor. The healing from this included re-learning language skills, losing and regaining proper sight, and experiencing seizures. This could have been staggering but instead served as learning that has fueled a potent desire to bring healing through sound. In 2013 their amazing son, Kaleb, was brought into the world and their sweet baby Sylvan was born in 2022. It is through music that the losses and gains, pains and triumphs, and excruciating beauty of life can be given a voice of empathy. Both critics and fans have said time and time again that the music of HuDost is this very expression.

Highlight Performances/Collaborations: Bonnaroo, FloydFest, Blissfest, The ARK, Vancouver Island MusicFest, the Salvador Dali Museum, The Levitt Pavilions, WoodSongs, Nashville’s Bluebird Café, Music City Roots, Tim Robbins’ WTF?! Fest, The Montreal Folk Festival, Hillside Festival, LEAF Festival, Stan Rogers Folk Fest, BhaktiFest, World Café Live, Alex Grey’s CoSM, The Oregon Shakespeare Festival, Shakori Hills Grassroots Festival, CaveFest (The Caverns, TN), headlining The Islands Folk Fest (Vancouver), and many more. Highlight collaborations and opening slots for other artists include Ani DiFranco, Philip Glass, Jon Anderson (YES), Snatam Kaur, Steve Kilbey (The Church), Ramy Essam, California Guitar Trio, Bell Orchestre, Neko Case, Jim Lauderdale, Omar Faruk Tekbilek, Mercan Dede, and many more.

“Teeming with rich, iridescent vocals layered over powerful electric guitar licks, driving percussion and the haunting church organ-esque tones of the harmonium accented by the shimmering strings of Shahi Baaja (Electric Indian Auto-Harp), Bazouki and Dulcinet, HuDost’s one-of-a-kind sound is built on the impeccable musicianship of life-partners Jemal Wade Hines and Moksha Sommer. HuDost performs as either a duo or along with a band of fellow eclectic musicians—often engaging concertgoers through multiple mediums by weaving performance art and dance into their shows for an unforgettable experience that will leave audiences spellbound. ” – Levitt Foundation

HuDost play Greenwood Social Hall, 1750 BelleviewAve, 2nd Floor, KCMO on Thurs, May 29 at 7:00pm. Info at: http://www.hudost.com

“Nothing Left” – Pop, singer/songwriter. This song explores the bittersweet duality of having nothing left, where emptiness feels about like a weight and a release. Through haunting melodies and reflective lyrics, it captures the complex emotions of loss, freedom, and the unknown space that lies in between. It is the zen reality of nothingness.

11:13

  1. HuDost – “Nothing Left”
    from: The Monkey in the Crown / Open Sesame Music / June 6, 2025
    [HuDost’s new album, features a collection of songs that have already begun to captivate listeners, including the fiery Fire of Eden, the introspective Sol Searcher (Light Upon the Water), and the call for change in Acting Out the Outrage. These songs set the tone for the full album, which explores themes of societal breakdown, personal transformation, and collective healing. Tracks like Broken Down in America, Take It Back, and Nothing Left grapple with disillusionment, while Shine On (Knick of Time) and Mercy offer hope and reconciliation. Each song is a testament to HuDost’s unique sound—raw, authentic, and deeply connected to the human experience. // HuDost were delighted to be joined by a slew of amazing musicians on this album including drummer Chris Powell as well as SistaStrings, who both play with Brandi Carlile. They are also joined by the Jars of Clay guys; Charlie Lowell on keys, Matthew Odmark doing various magical things and two new songs written with Dan Haseltine. Singer Rachael Davis joins on a few songs with her beautiful distinctive harmonies and Kai Welch (Abigail Washburn/Kacey Musgraves/The Fray) plays on accordion & horns. Long time HuDost alumni Anit Ghosh adds his gypsy world touch on a couple of tracks. Matt Nelson contributes astonishing string arrangements. Last but not least, HuDost’s ‘5th Member’ Dan Walters, the only other person besides Moksha and JW that has played on every single record over the past 20 years, on bass! // THE MONKEY IN THE CROWN is more than just a collection of songs; it’s a journey into the complexities of identity, transformation, and choice. From the hopeful Shine On (Knick of Time) to the paradoxical Child of Children, the album invites listeners to explore the tension between illusion and truth, the sacred and the profane, the personal and the collective. It’s a call to action, to change, and to embrace our shared humanity, no matter the form it takes. // This album also marks a significant milestone for HuDost—celebrating 20 years as a band, a couple, and a family. For two decades, the partnership of Moksha Sommer and Jemal Wade Hines has produced music that is deeply rooted in their experiences as activists, parents, and musicians. Their journey has been one of artistic evolution and social engagement, building a devoted global fanbase through their powerful lyrics and genre-blurring sound. HuDost’s live performances continue to inspire, proving that music can not only entertain but also catalyze change.]

[HuDost play Greenwood Social Hall, 1750 Belleview Ave, 2nd Floor, KCMO on Thursday May 29 at 7:00pm with Calvin Arsenia. Info at: http://www.hudost.com]

11:16 – More Interview with Moksha Sommer & Jemal Wade Hines of the band HuDost

Moksha Sommer and Jemal Wade Hines are the heart of the band HuDost. Today we are featuring music from their new album THE MONKEY AND THE CROWN, that marks the band’s 20th Anniversary. HuDost play Greenwood Social Hall, 1750 BelleviewAve, 2nd Floor, KCMO on Thurs, May 29 at 7:00pm. Info at: http://www.hudost.com

Moksha Sommer & Jemal Wade Hines Thanks for being with us on WMM

About HuDost
The music of HuDost weaves a seamless tapestry of Folk, World, and Rock that renders tears and laughter in listeners, cultivating the nameless longing that abides somewhere in all our hearts and invoking total celebration. HuDost’s core musicians are Moksha Sommer, from Montréal, and Jemal Wade Hines from Kentucky. Having toured the U.S., Canada, and Europe constantly since April 2006, HuDost has grown and expanded, travelled rocky and glorious terrain and marveled at all they can learn and explore. Moksha and Jemal Wade in this time have grown as artists, as seekers, as a couple and as a family. Since 2015 they have also been highly engaged activists, doing advocacy work as KY Congressional District Representatives for ONE (a non-profit organization working to end extreme poverty and, specifically, the sexism of poverty).

HuDost’s last album ‘of Water + Mercy’ received rave reviews and as an independent release reached #24 in the BILLBOARD SALES CHARTS for Folk/Americana also winning the 2020 Independent Music Award for Social Action Song. In the last year they also received two of the ‘Best of Nashville 2020’ awards. On past albums HuDost has worked with GRAMMY Award-winning producer Malcolm Burn (Bob Dylan, Emmylou Harris, Peter Gabriel) and GRAMMY Award-winning mixers Oz Fritz (Tom Waits, Bill Laswell, Primus) and Vance Powell (Jack White, Chris Stapleton, Pearl Jam, Willie Nelson, Buddy Guy, Beyonce, Beck, Alicia Keys, Melissa Etheridge, Kings of Leon).

In November, 2021 HuDost released, ‘Anthems of Home’ that defines real, honest love and is a lush, breathtaking original collection of compositions that ask important questions. In this time of loss and awakening HuDost’s new album gives powerful voice to this journey in a way that will remain timeless and will prove the resilience that we all share. Special guests on the album include Jars of Clay, The Accidentals, Christie Lenée and others. Their early release from the new album, ‘Our Words Will Be Louder’, included additional music video cameos from Kevin Clash (Elmo), Kevin Hearn (from the Barenaked Ladies), Cy Curning (from The FIXX), GangstaGrass, Alana Bridgewater, Nawal, Hymn for Her, Jai Uttal, and more. HuDost worked with minister/activist William J. Barber II and all proceeds from it went to the Poor People’s Campaign. It received press coverage in over 130 major news publications and radio including CTV News, The Observer, Roots Music Canada, All Access Music, and received the ‘Best Music Video of the Week’ from Blues and Roots Radio.

HuDost functions as a duo or as a band, including guest musicians of varying sensibilities and backgrounds, and often including dance in their shows. As a duo their instrumentation includes vocals, harmonium (Indian Pump-Organ), NORD Keys, guitars, Dulcinet, percussion, and a slew of sonic ambient effects. Their music is a rich, eclectic blending of pop and rock with traditional Sufi music, Bulgarian, Croatian, Macedonian and Balkan folk music, Farsi, Turkish, Arabic, and folk. Their sound crosses all borders and barriers, taking the listener on a journey they will never forget.

Highlight performances include Bonnaroo, Resident band at FloydFest, BhaktiFest, World Café Live, Blissfest, The ARK, Alex Grey’s CoSM, the Salvador Dali Museum, Shakori Hills Grassroots Festival, headlining The Islands Folk Fest (Vancouver), WMNF’s Tropical Heat Wave Festival, The Levitt Pavilions, WoodSongs at the Kentucky Theater (on PBS), Nashville’s Bluebird Café, Music City Roots, Tim Robbins’ WTF?! Fest, The Montreal Folk Festival, The Stan Rogers Folk Festival, and many more. Highlight collaborations and opening slots for other artists include Ani DiFranco, Philip Glass, Jon Anderson (YES), Snatam Kaur, Steve Kilbey (The Church), Ramy Essam, California Guitar Trio, Bell Orchestre, Neko Case, Jim Lauderdale, Omar Faruk Tekbilek, Mercan Dede, and more.

HuDost’s music is a powerful expression of life’s journey and discovery. In 2008, Moksha went through a painful process of brain surgery due to a tumor. The healing from this included re-learning language skills, losing and regaining proper sight, and experiencing seizures. This could have been staggering but instead served as learning that has fueled a potent desire to bring healing through sound. In 2013 their amazing son, Kaleb, was brought into the world. It is through music that the losses and gains, pains and triumphs, and excruciating beauty of life can be given a voice of empathy to the synonymous lives of all people. Both critics and fans have said time and time again that the music of HuDost is this very expression.

HuDost’s message comes from real experience, real emotion, and real concern for the world – from the birth of a child, to the healing of the body, to the healing of the planet, their words and music echo the human experience.

“Take It Back (3:33)” – Americana, singer/songwriter. This song gently weaves a story of healing, where letting go of past hurt makes space for rediscovering a quiet sense of self. With soft, tender melodies, it captures the quiet strength found in embracing vulnerability and moving toward with grace.

“Take It Back” (Lyrics)

Take it back, take it back

Here’s the prescription for all of the questions you never would ask
Take the eviction for all of the hurt you have held from the past
And let it go

Take it back, take it back

We’re numb to the violence, because denial is safer than rage
Bring us back silence where we can see again, hear and engage
And let us sing

Take it back, take it back

When I’ve come back, back from the limit of where we are numb
We’ve all been dumb, break back the edges, the ugly, the lies

Please remind me of mornings, when I was simply an innocent child
Listening for bird songs, and waiting for light to return to my eyes

This is where
I take it back, take it back, take it back

Moksha Sommer & Jemal Wade Hines Thanks for being with us on WMM

HuDost play Greenwood Social Hall, 1750 BelleviewAve, 2nd Floor, KCMO on Thurs, May 29 at 7:00pm, with Calvin Arsenia. Info at: http://www.hudost.com

11:25

  1. HuDost – “Take It Back”
    from: The Monkey in the Crown / Open Sesame Records / June 6, 2025

[HuDost play Greenwood Social Hall, 1750 Belleview Ave, 2nd Floor, KCMO on Thursday May 29 at 7:00pm with Calvin Arsenia. Info at: http://www.hudost.com]

11:28 – Underwriting

  1. Cheyenne Jackson – “Celebrate Your Face (Zach Wallis Remix)”
    from: Celebrate Your Face (Zach Wallis Remix) – Single / Ooze House of Music / Sept. 1, 2022
    [Speaking to his fans in the Instagram post below, the Cheyenne Jackson reported: “I wrote this song several years ago for someone in my family who was suffering with depression. I wanted her to see how beautiful and important and how much she actually mattered, even though she couldn’t see it at the time. I never did anything with it, I guess I just figured it would find a home when the time was right. Well, for the season 2 finale of the Fax TYV show Call Me Kat, I pitched it to my producers and they loved it for the show…so I made a proper recording of it and channeled my inner Duran Duran / Neverending Story / TOP GUN fantasy.” // ‘Celebrate Your Face’ was released to streaming outlets by Ooze House Music from producers Jay Levine and Rob Schustack. Cheyenne wrote, sang and aided Jason Brett Levine and Jessica Charlotte Vaughn in composing the new bop. Find ‘Celebrate Your Face’ on Spotify, iTunes, Tidal, Deezer and Pandora. Or you can stream it on YouTube below. Because laziness. // On top of three albums as part of a Broadway cast and one album from the recently cancelled Netflix musical Julie and the Phantoms, Cheyenne has released five singles as a solo singer with three accompanying solo albums. His latest catalog, 2016’s Renaissance, reached #9 on the Billboard Jazz chart. // Most known for his roles in 30 Rock, Glee and American Horror Story.]

[Cheyenne Jackson plays the Folly Pride Concert, Friday, June 13, at 7:30pm at The Folly Theater, 300 W 12th St. KCMO. More information at http://www.follytheater.org]

11:34 – Interview with Cheyenne Jackson

Cheyenne Jackson, is a Grammy and Emmy-nominated actor, singer, and songwriter known for his work on Broadway in XANADU, Thoroughly Modern Millie, Aida, The Performers, Once Upon a Mattress, Finian’s Rainbow, All Shook Up, The Secret Garden, Into the Woods, and Damn Yankees. His TV credits include American Horror Story, 30 Rock, Glee, Curb Your Enthusiasm, Call Me Kat, The Morning Show, Law and Order, Ugly Betty, Matlock, Modern Family, and Rupaul’s Drag Race. For Julie and the Phantoms, he earned an Emmy nomination. Film roles include, the OSCAR-nominated UNITED 93, and HBO’s Behind the Candelabra. Jackson has sold out shows at Carnegie Hall and Disney Hall. His live performances have graced Lincoln Center, the Hollywood Bowl, and the Kennedy Center showcasing his unique blend of jazz, pop, and folk. Cheyenne has released three full length albums and multiple singles. Cheyenne Jackson plays the Folly Pride Concert, Friday, June 13, at 7:30pm at The Folly Theater, 300 W 12th St. KCMO. More information at http://www.follytheater.org

Cheyenne Jackson thank you for being with us on Wednesday MidDay Medley!

Cheyenne Jackson is a GRAMMY and Emmy-nominated actor, singer, and songwriter known for his versatile work across Broadway, television, film, and concert stages. He received a GRAMMY nomination for his collaboration with the San Francisco Symphony as Tony in West Side Story conducted by the legendary Michael Tilson Thomas.

Three albums, Multiple singles. 25 films. Over 40 TV Shows. 25 stage shows, Multiple tours

Cheyenne’s mother Sherrie taught Jackson, his sister, and his two brothers to sing. Cheyenne grew up hearing Joni Mitchell music playing through the house.

Jackson was born in Spokane, Washington to David and Sherri Jackson, and was named by his father after the 1950s Western series Cheyenne. The 3rd of four children, he was raised in Oldtown, Idaho, a “teeny mill town” in a rural area in northern Idaho near the Washington border. His father was a Vietnam veteran. His mother taught Jackson, his sister, and his two brothers to sing and regularly played music by Joan Baez, Joni Mitchell, Bob Dylan, and Elvis Presley at home. Throughout his childhood, Jackson lived with his family in a rural home that had an outhouse and no running water. He moved to Spokane as a teenager.

Cheyenne states is professional work on stage – did the discipline of Theatre give you the strength to balance all the work you do on TV, Film, on Stage”

After beginning his acting career in regional theatre in Seattle, Washington, Jackson moved to Manhattan and was an understudy in the Broadway productions of Thoroughly Modern Millie (2002) and Aida (2003). He next originated the role of Matthew in the workshop production of Altar Boyz (2004) for the New York Musical Theatre Festival, and was replaced by Scott Porter for the Off-Broadway run. Jackson’s first leading role on Broadway was in All Shook Up (2005), which earned him a Theatre World Award for “Outstanding Broadway Debut”

Having done a lot of work with Ryan Murphy reoccurring roles on Glee Multiple seasons on American Horror Story with Lady Gaga

Jackson appeared on the March 26, 2008, cover of The Advocate and was named “Entertainer of the Year” by Out and appeared alongside Gus Van Sant, Katy Perry, and Sam Sparro on the cover of the magazine’s commemorative 100th issue in December.

He also appeared on the cover of Out’s November 2010 issue. In July 2012, he appeared on the cover of attitude.

Jackson is an LGBT rights advocate. He is an international ambassador for amfAR (The Foundation for AIDS Research).

Jackson is also a national ambassador and spokesperson for the Hetrick-Martin Institute, a non-profit organization devoted to serving the needs of LGBT youth.

With Husband Jason Landau married in Encino, California, in September 2014. Jackson and Landau became the parents of twins, a girl named Willow and a boy named Ethan, in October 2016.

Cheyenne Jackson Has made several appearances on RuPaul’s Drag Race.

On Cheyenne’s most recent Television series “Call Me Kat” staring Mayim Bialik Cheyenne played Max, Kat’s boyfriend. One of the cast members of the show was the legendary Leslie Jordan. Cheyenne and Leslie became good friends and recorded a Christmas Single “The Little Drummer Boy / Peace On Earth” together for the November 20, 2021 release. We tragically lost Leslie Jordan the following year.

On Broadway, Jackson’s career spans iconic roles in XANADU, Thoroughly Modern Millie, Aida, The Performers, Once Upon a Mattress, Finian’s Rainbow, and All Shook Up, where he won a Theatre World Award. His other credits include The Secret Garden, Into the Woods on Broadway (2022), and the acclaimed Encores! production of DAMN YANKEES. Jackson’s remarkable stage presence and ability to bring depth to a wide range of characters have made him a beloved figure in musical theater.

His TV credits include notable appearances in American Horror Story, 30 Rock, Glee, Curb Your Enthusiasm, Doctor Odyssey, Call Me Kat, The Morning Show, and American Woman. He also starred in Julie and the Phantoms, where his portrayal of a rock star earned him critical acclaim and an Emmy nomination. Other TV and film roles include Descendants 3, the OSCAR-nominated UNITED 93, HBO’s Behind the Candelabra, Law and Order, CSI, Ugly Betty, Saved By The Bell, Matlock, and Modern Family.

As a concert performer, Jackson has sold out major venues including Carnegie Hall and Disney Hall. His live performances have also graced prestigious stages such as Lincoln Center, the Hollywood Bowl, and the Kennedy Center. As a recording artist, Jackson has released albums including The Power of Two, I’m Blue, Skies, Love, Dad, and Renaissance, showcasing his unique blend of jazz, pop, and folk. His musicality as both a vocalist and songwriter continues to earn praise from critics and fans alike.

With an ever-expanding body of work, Cheyenne Jackson remains a leading talent in the entertainment industry, captivating audiences with his exceptional performances, creative artistry, and open-hearted vulnerability.

Cheyenne Jackson – Born – Cheyenne David Jackson – July 12, 1975 (age 49) in Spokane, Washington, U.S.

With spouse Jason Landau ​(married 2014)​ Cheyenne has two children twins

After beginning his acting career in regional theatre in Seattle, Washington, Jackson moved to Manhattan and was an understudy in the Broadway productions of Thoroughly Modern Millie (2002) and Aida (2003). He next originated the role of Matthew in the workshop production of Altar Boyz (2004) for the New York Musical Theatre Festival, and was replaced by Scott Porter for the Off-Broadway run. Jackson’s first leading role on Broadway was in All Shook Up (2005), which earned him a Theatre World Award for “Outstanding Broadway Debut”. Since then, on the New York stage, he has starred in The Agony & the Agony (2006), Xanadu (2007; Drama League, Drama Desk nominations), Damn Yankees (2008), Finian’s Rainbow (2010; Drama Desk nomination), 8 (2011), The Heart of the Matter (2012), The Performers (2013), The Secret Garden (2016), Into the Woods (2022), and Once Upon a Mattress (2024).

He has also appeared in a number of films, including the 2006 Academy Award-nominated United 93, in which his portrayal of Mark Bingham earned him the Boston Society of Film Critics 2006 award for Best Ensemble Cast. He also had a leading role in the 2014 independent romantic comedy ensemble, Mutual Friends, and guest roles in television series such as NBC’s 30 Rock and Fox’s Glee. Beginning in 2015, Jackson starred in the FX horror anthology television series American Horror Story in its fifth, sixth, seventh, and eighth seasons.

In concert, Jackson has sold out Carnegie Hall twice: The Power of Two in 2010 and Music of the Mad Men Era in 2011. He also performs in cabarets. In addition to his Broadway cast albums, he has released three albums of popular music, including a joint album called The Power of Two with Michael Feinstein in 2008. In 2012, Jackson released two singles, “Drive” and “Before You”, from his 2013 album I’m Blue, Skies. In 2016, Jackson released his third studio album, Renaissance, an album adapted and expanded from his solo concert Music of the Mad Men Era.

He also stars as Hades in Disney Channel’s Descendants 3. In 2020, he reunited with Descendants alumni Kenny Ortega and Booboo Stewart in Netflix’s Julie and the Phantoms.

Early life – Jackson was born in Spokane, Washington to David and Sherri Jackson, and was named by his father after the 1950s Western series Cheyenne. The third of four children, he was raised in Oldtown, Idaho, a “teeny mill town” in a rural area in northern Idaho near the Washington border. His father was a Vietnam veteran. His mother taught Jackson, his sister, and his two brothers to sing and regularly played music by Joan Baez, Joni Mitchell, Bob Dylan, and Elvis Presley at home. Throughout his childhood, Jackson lived with his family in a rural home that had an outhouse and no running water. He moved to Spokane as a teenager.

In Seattle, Jackson worked as an ad executive at a magazine and did some theater work on the side, earning his Equity card. He moved to New York City after 2001 to pursue an acting career.

Career – Theatrical – In regional theaters, Jackson has appeared as Tony in West Side Story, as Joey in The Most Happy Fella, as Cain in Children of Eden, as Berger in Hair, as Billy Bigelow in Carousel, as Joe Hardy in Damn Yankees, as Rocky in The Rocky Horror Show, and as The Poet in Kismet, among many other productions.

Jackson made his Broadway debut understudying both male leads in the Tony Award-winning musical Thoroughly Modern Millie. He later served as the standby for the character of Radames in Aida, then originated the role of Matthew in the NYMF production of Altar Boyz. In 2005, he originated his first Broadway leading role in the musical All Shook Up, a tribute to Elvis Presley. His performance as Chad earned him the Theatre World Award and nominations from the Drama League and Outer Critics Circle Awards for Outstanding Lead Actor. In 2006, Jackson starred off-Broadway in playwright Nicky Silver’s The Agony and The Agony with Victoria Clark. In June 2007, less than a week before the scheduled opening night, Jackson assumed the lead role of Sonny on Broadway in Xanadu, replacing James Carpinello who had been injured during rehearsal. Previous workshop productions of the musical starred Jackson and Jane Krakowski. However, both Jackson and Krakowski opted out of the initial Broadway run, citing schedule conflicts. His performance as Sonny earned him nominations from the Drama League and Drama Desk for Outstanding Lead Actor. Xanadu had several Tony Award nominations including “Best New Musical” for which Jackson and the cast performed on the 62nd Tony Awards show.

In 2008, Jackson joined Jane Krakowski and Sean Hayes in the New York City Center’s Encores! production of Damn Yankees. He returned to Encores! in 2009, playing Woody Mahoney in a staged concert of Finian’s Rainbow. Jackson also starred in the development workshop of The Book of Mormon by Trey Parker, Matt Stone, and Robert Lopez, who co-wrote the music for Avenue Q.

In October 2009, Jackson opened on Broadway reprising the role of Woody Mahoney in the revival of the 1947 musical Finian’s Rainbow at the St. James Theatre, costarring with Jim Norton and Kate Baldwin. The Wall Street Journal wrote, “The way that [Kate Baldwin] and Cheyenne Jackson sing “Old Devil Moon” is the stuff best-selling cast albums are made of.” The show closed on January 17, 2010. Along with the company of Finian’s Rainbow, Jackson recorded the Broadway revival cast album in early December 2009, with a release date of February 2, 2010.

In September 2011, Jackson joined Morgan Freeman, Ellen Barkin, Matt Bomer, Christine Lahti, and John Lithgow as part of the Broadway-premiere cast of Dustin Lance Black’s new play 8, directed by Joe Mantello. In June 2012, Jackson starred opposite Krysten Ritter in Neil LaBute’s The Heart of The Matter produced by MCC Theater at the Lucille Lortel Theatre.

In the 2012–2013 Broadway season, Jackson, Henry Winkler, Alicia Silverstone, Daniel Breaker, Jenni Barber and Ari Graynor starred in David West Read’s play The Performers which started previews on October 23, 2012, at the Longacre Theatre.[28] The play closed on November 18, 2012, after 23 previews and 7 regular performances.

In 2016, Jackson appeared in the 25th Anniversary Concert of The Secret Garden as Dr. Neville Craven at the Lincoln Center.

In 2019, Jackson made his Hollywood Bowl debut playing the roles of the Wolf/Cinderella’s Prince in the show Into the Woods opposite Sutton Foster, Sierra Boggess, Patina Miller, Skylar Astin, Chris Carmack, and Shanice Williams. He later reprised these roles while temporarily filling in for Gavin Creel in the 2022 Broadway revival at the St. James Theatre opposite Miller, Sara Bareilles, Brian D’Arcy James, Phillipa Soo, Joshua Henry, and Julia Lester.

In 2024, he portrayed Sir Harry in the New York City Center production of Once Upon A Mattress as a part of its Encores! series. In November, he starred as Georges in the Pasadena Playhouse production of La Cage aux Folles.

Film career – In films, Jackson most notably portrayed 9/11 victim and hero Mark Bingham in United 93 which won the Boston Society of Film Critics 2006 award for Best Ensemble Cast. He has also appeared in several other films including: Curiosity (2005), Hysteria (2010), Smile (2011), the critically lauded The Green (opposite Julia Ormond and Illeana Douglas), and 2012 Sundance Film Festival selection Price Check (with Parker Posey). He portrayed Greta Gerwig’s boyfriend Roger in the 2012 Fox Searchlight Pictures film Lola Versus. In 2013, he starred in the HBO biopic of Liberace, Behind the Candelabra, with Michael Douglas and Matt Damon. He also appeared in the independent films Mutual Friends (2013), Lucky Stiff (2014), and A Beautiful Now (2015). More recently, he played Hades in the Disney Channel original movie Descendants 3 (2019).

Jackson had a lead role in the film version of Six Dance Lessons in Six Weeks in 2014. He played Michael Minetti, who is hired by retiree Lily Harrison (Gena Rowlands) to give her private dance lessons at her home for six weeks. The film is based on Richard Alfieri’s Broadway play of the same name and is directed by Arthur Allan Seidelman.

TV career – From 2009 – 2013, Jackson had a recurring role on the award-winning series 30 Rock playing Danny Baker. Jackson also portrayed Dustin Goolsby, the coach of “Vocal Adrenaline”, the main rival of “New Directions”, on the 2nd season of FOX’s show Glee.

He has guest starred on several television series, including Lipstick Jungle, Life on Mars, and Ugly Betty, and was featured in a prominent guest role during Season 8 of Curb Your Enthusiasm. His character “Terry” was the personal trainer to Larry David and Wanda Sykes. On March 15, 2010, Jackson made his guest-starring debut on the NBC series Law & Order in an episode entitled “Innocence”.

In 2008, Jackson played series lead Sebastian Kinglare for the Lifetime Television pilot Family Practice opposite Anne Archer and Beau Bridges. The series was not picked up for distribution.

In 2010, Jackson filmed a sitcom pilot for ABC-TV called It Takes a Village, co-starring Leah Remini, which was not picked up for the fall 2010 season.

In 2012, Jackson and Nathan Lane were cast as series leads in the USA Network comedy pilot Local Talent. The series was not picked up for distribution.

Additionally, Jackson guest starred on the pilot episode of NBC’s revamp of The Munsters, Mockingbird Lane, written by Bryan Fuller and directed by Bryan Singer. Jackson portrayed Scout Master Steve, a competing love interest for Portia de Rossi’s character Lily Munster; the show also stars Eddie Izzard and Jerry O’Connell.[39] NBC aired the pilot as a Halloween special on October 26, 2012.

Jackson also appeared in the 5th season of American Horror Story as one of the leads alongside Lady Gaga & Matt Bomer. Jackson returned to the show’s 6th season to play Network Executive Sidney Aaron James as well as the 7th season to play psychiatrist Dr. Rudy Vincent Anderson and 8th season of the show to play warlock John Henry Moore.

Jackson made several appearances on RuPaul’s Drag Race. He also appeared in the tenth episode of Season 2 of Sense8 as Blake Huntington, an award-winning actor who is cast opposite Miguel Ángel Silvestre’s Lito Rodríguez in a Hollywood film. In 2019, he played the role of Hades, Mal’s father in the Disney Channel Original Movie Descendants 3.

Jackson has starred in several notable webisode series including Cubby Bernstein opposite Nathan Lane, Legally Brown with Allison Janney, and The [title of show] Show from the meta-fictional Broadway musical [Title of Show].

Since 2020, Jackson costars as Max in the Fox comedy series Call Me Kat opposite Mayim Bialik and Kyla Pratt.

In 2022, Jackson competed in season seven of The Masked Singer as “Prince” of Team Good who resembles a frog dressed as a prince. He finished in third place.

Musical career – Early in his career, Jackson worked as a back-up singer for Vanessa Williams and Heather Headley.

In March 2009, Jackson made his nightclub debut at Feinstein’s at Loews Regency with a sold-out one-man show titled Back to the Start. He later teamed up with Michael Feinstein to create a nightclub act titled “The Power of Two”. A CD of the show was released on November 3, 2009.

The Power of Two, a concert reuniting Jackson and Feinstein, was presented at Carnegie Hall on October 29, 2010. Jackson was the guest artist performing with the New York Pops in concert, Cheyenne Jackson’s Cocktail Hour: Music of the Mad Men Era, at Carnegie Hall on November 18, 2011. Joe Dziemianowicz of The New York Daily News wrote, “There, in Judy (Garland)’s spot singing Joni (Mitchell)’s song, (Cheyenne) Jackson turned the bittersweet ballad into a beautiful highlight in an evening filled with luscious moments with the New York Pops.”]

On Dec 31, 2012, Jackson reprised Music of the Mad Men Era at The Kennedy Center Concert Hall with 96 members of the National Symphony Orchestra and Nina Arianda.

In March 2012, Jackson was signed to Sony/ATV publishing as a songwriter and given a developmental artist deal through Sony/ATV’s Hickory Records and Red Distribution.

On May 10, 2012, Jackson released his single “Drive”, his first non-theatrical single and his first music video release. The video was directed by Austrian music video director Christian Hörlesberger and the track produced by Thomas “Tawgs” Salter. It was the first single released from I’m Blue, Skies, which was eventually released in June 2013. The album was co-written by Jackson with Sia, Stephen “Stevie” Aiello, and Charlotte Sometimes.

On July 10, 2012, Jackson released his second single from I’m Blue, Skies, “Before You”, also produced by Salter. In August 2012, “Before You” reached a peak of No. 31 on the Hot 100 AC chart.

In 2013, he released three singles, “She’s Pretty, She Lies”, “Look at Me”, and “I’m Blue, Skies”, followed in 2015 with the single “Don’t Wanna Know”, all accompanied by music videos. On June 3, 2016, Jackson released Renaissance, an album on the PS Classics record label, adapted and expanded from his solo concert Music of the Mad Men Era.

In the media – Jackson appeared on the March 26, 2008, cover of The Advocate. In 2008, he was named “Entertainer of the Year” by Out and appeared alongside Gus Van Sant, Katy Perry, and Sam Sparro on the cover of the magazine’s commemorative 100th issue in December. In April 2010, he appeared on the cover of Canadian fab magazine under the title “Cheyenne Jackson: I Love New York” with photographs by Mike Ruiz. He also appeared on the cover of Out’s November 2010 issue. In July 2012, he appeared on the cover of attitude.

Charity work – Jackson is an LGBT rights advocate. He is an international ambassador for amfAR (The Foundation for AIDS Research).

Jackson is also a national ambassador and spokesperson for the Hetrick-Martin Institute, a non-profit organization devoted to serving the needs of LGBT youth.

Personal life – Jackson is gay. He began dating Monte Lapka, a physicist, in 2000. The two married on September 3, 2011, in New York City. In July 2013, they announced plans to divorce. They filed for divorce in September 2013.

In October 2013, Jackson announced he was dating actor Jason Landau on his official Instagram account. They announced their engagement in February 2014 and married in Encino, California, in September 2014. Jackson and Landau became the parents of twins, a girl named Willow and a boy named Ethan, in October 2016.

Jackson has discussed his struggles with alcoholism, and in 2023 said that he had relapsed after 10 years of sobriety.

Discography – Studio albumss

The Power of Two (with Michael Feinstein) / Released: November 3, 2009 / Qualiton Imports, Harbinger Records

I’m Blue, Skies / Released: June 25, 2013/ Shiny Boy Music LLC

Renaissance / Released: June 3, 2016/ PS Classics

Original Broadway cast albums
All Shook Up (2005)
Xanadu (2007)
Finian’s Rainbow (2009)

Soundtrack appearances
Descendants 3 (2019)
Julie and the Phantoms: Music from the Netflix Original Series (2020)

Singles
2012: “Drive”
2012: “Before You”
2013: “Don’t Wanna Know”[77]
2015: “Find the Best of Me”
Music videos
2012: “Drive”
2012: “Before You”
2013: “Don’t Wanna Know”
2013: “Don’t Look at Me”
2013: “She’s Pretty, She Lies”
2013: “I’m Blue, Skies”

Filmography- 23 films
2005 Curiosity Luke Short film
2006 United 93 Mark Bingham
2010 Photo Op Zig Short film
2019 Hysteria Scott
2011 The Green Daniel
2011 Smile Doctor Steve Short film
2012 Price Check Ernie
1012 Lola Versus Roger
2013 Mutual Friends Christoph
2014 The One I Wrote for You Ben Cantor
2014 Six Dance Lessons in Six Weeks Michael Minetti
2014 Dragula Mr. Newton
2014 Love Is Strange Ted
2014 Lucky Stiff MC
2015 A Beautiful Now David
2015 Day Out of Days Phil
2016 Bear with Us Hudson
2016 Opening Night Eli Faisel
2017 Hello Again Robert (The Writer)
2018 Hurricane Bianca 2: From Russia with Hate Boris
2021 Werewolves Within Devon
2024 Borderlands Jakobs Scenes cut
2025 Queens of the Dead

Television – (Over 40 TV Shows)
2008 Lipstick Jungle Bryce Episode: “Chapter 15: The Sisterhood of the Traveling Prada”
2008 Family Practice Sebastian Kinglare Television film
2009 Life on Mars Sebastian Grace Episode: “Let All the Children Boogie”
2009 Ugly Betty Timothy D’Artagnan Episode: “Sugar Daddy”
2009–2012 30 Rock Danny Baker 12 episodes
2010 Law & Order Jon Sorrentino Episode: “Innocence”
2010 It Takes a Village Scott Unsold television pilot
2010–2011 Glee Dustin Goolsby 3 episodes
2011 Curb Your Enthusiasm Terry Episode: “Car Periscope”
2012 Mockingbird Lane Steve Unsold television pilot
2013 Onion News Empire Cameron Grey Unsold television pilot
2013 Behind the Candelabra Billy Leatherwood Television film
2013 Full Circle Peter Barlow 3 episodes
2014 HR Tim Harcourt Unsold television pilot
2014 Royal Pains Sam Episode: “Oh, M.G.”
2014 CSI: Crime Scene Investigation Nebula1 Episode: “Kitty”
2015–2016 American Horror Story: Hotel Will Drake 9 episodes
2016 American Horror Story: Roanoke Sidney Aaron James 7 episodes
2016 American Housewife Johnny Diamond Episode: “Disconnected”
2017–2019 RuPaul’s Drag Race Himself 3 episodes (“Draggily Ever After”, “Evil Twins”, “L.A.D.P.!”)
2017 The Real O’Neals Mr. Peters Episode: “The Real Mr. Nice Guy”
2017 Sense8 Blake Huntington Episode: “If All the World’s a Stage, Identity Is Nothing But a Costume”
2017 American Horror Story: Cult Dr. Rudy Vincent 9 episodes
2017 Modern Family Max Episode: “In Your Head”
2018 American Woman Greg Parker 7 episodes
2018 Will & Grace Michael Episode: “The Beefcake & the Cake Beef”
2018 American Horror Story: Apocalypse John Henry Moore 4 episodes
2019 Descendants 3 Hades Television film
2019 The Morning Show Himself Episode: “No One’s Gonna Harm You, Not While I’m Around”
2019 Watchmen Hooded Justice 3 episodes
2020 Descendants Remix Dance Party Hades Television special
2020 Equal Dale Jennings Docuseries
2020 Julie and the Phantoms Caleb Covington 5 episodes
2020 Saved by the Bell René 3 episodes


2021–2023 Call Me Kat Max Main role
2021 RuPaul’s Drag Race: All Stars Himself Special guest, Episode: “Snatch Game of Love”
2021 A Clüsterfünke Christmas Frank Television film
2021 Descendants: The Royal Wedding Hades (voice) Animated television film
2022 The Masked Singer Prince Season 7 contestant; Third place
2024 Doctor Odyssey Bryan Episode: “Oh, Daddy!”

Stage credits
1995 Kiss Me, Kate Bill Calhoun / Lucentio Spokane Civic Theatre
1996 Kismet Hajj
1997 Carousel Billy Bigelow
1998 Children of Eden Cain / Japheth Jane Addams Theatre
2002-2003 Thoroughly Modern Millie Dishwasher / Ensemble / u/s Jimmy Smith / u/s Trevor Graydon III Marquis Theatre Broadway
2003 The Rocky Horror Show Rocky 5th Avenue Theatre Regional
2003 Aida s/b Radames Palace Theatre Broadway
2004 Altar Boyz Matthew Puerto Rican Traveling Theater NY Musical Theatre Fest
2005 All Shook Up Chad Palace Theatre Broadway
2005 On the Twentieth Century “Life is Like a Train” Porter New Amsterdam Theatre
2005 The 24 Hour Plays Kevin American Airlines Theatre
2006 The Agony and The Agony Chet Vineyard Theatre Off-Broadway


2007-2008 Xanadu Sonny Malone Helen Hayes Theatre Broadway
2008 Damn Yankee Joe Hardy New York City Center Off-Broadway Encores!
2009-2010 Finian’s Rainbow Woody St. James Theatre Broadway
2011 8 Paul Katami Eugene O’Neill Theatre
2012 The Heart of the Matter Him Lucille Lortel Theatre Off-Broadway[2012
2012 The Performers Mandrew Longacre Theatre Broadway
2013 West Side Story Tony Davies Hall Concert
2014 The Most Happy Fella Joe NYC Center Off-Broadway Encores!
2016 The Secret Garden Dr. Neville Craven Lincoln Center 25th Anniversary Concert
2019 Into the Woods The Wolf Cinderella’s Prince Hollywood Bowl July 26–28
2022 Into the Woods The Wolf Cinderella’s Prince St. James Theatre Broadway
2024 Once Upon a Mattress Sir Harry NYC Center Off-Broadway Encores!
2024 La Cage aux Folles Georges Pasadena Playhouse Los Angeles

Cheyenne Jackson thank you for being with us on Wednesday MidDay Medley!

Cheyenne Jackson plays the Folly Pride Concert, Friday, June 13, at 7:30pm at The Folly Theater, 300 W 12th St. KCMO. More information at http://www.follytheater.org

11:49

  1. Cheyenne Jackson – “Drive”
    from: I’m Blue, Skies / Shiny Boy Music / June 25, 2013
    [On May 10, 2012, Jackson released his single “Drive”, his first non-theatrical single and his first music video release. The video was directed by Austrian music video director Christian Hörlesberger and the track produced by Thomas “Tawgs” Salter. It was the first single released from I’m Blue, Skies, which was eventually released in June 2013. The album was co-written by Jackson with Sia, Stephen “Stevie” Aiello, and Charlotte Sometimes. // On July 10, 2012, Jackson released his second single from I’m Blue, Skies, “Before You”, also produced by Salter. In August 2012, “Before You” reached a peak of No. 31 on the Hot 100 AC chart. // In 2013, he released three singles, “She’s Pretty, She Lies”, “Look at Me”, and “I’m Blue, Skies”, followed in 2015 with the single “Don’t Wanna Know”, all accompanied by music videos.]

[Cheyenne Jackson plays the Folly Pride Concert, Friday, June 13, at 7:30pm at The Folly Theater, 300 W 12th St. KCMO. More information at http://www.follytheater.org]

  1. Valerie June – “Superpower”
    from: Owls, Omens, and Oracles / Concord Records / April 11, 2025
    [Rooted in the belief that what we focus on is what we manifest, June dreams a song path forward with Owls, Omens, and Oracles that leaves no one behind. Halfway through a decade of immense and rapid global change, June asserts a multidimensional Blackness steeped in laughter, truth, magic, delight, and interdependence. This album is a radical statement to break skepticism, surveillance, and doom scrolling – let yourself celebrate your aliveness. Connect, weep, change, open. Throughout the M. Ward-produced Owls, Omens, and Oracles, Juneʼs distinctive Tennessee twang grips the listener. Visceral twists and a fierceness of raw emotion thread textures and tones through the needle of a multi-genre American quilt, striking against notions that voices should always sound polished and pretty. Gracefulness and gentleness harmonize with dissonance, edginess, and precarity in the sharpest parts of her voice. // Juneʼs singular sound is a North Star as steady and undeniable as any true love story, telling us to “trust the path.” She is inviting us out of the small boxes that keep us apart from each other, her music creating a space where we are already together, already one. The horizon changes as we get closer to it, but our artist is sure-footed in the face of uncertainty and change. She wants everyone who listens to this music to want to be alive, to love, co-creating a future together. Valerie June returned to CBS Saturday Morning where she performed several songs off Owls, Omens, and Oracles. Accompanied by her band, she played lead single “Joy, Joy!,” the unreleased “All I Really Wanna Do,” and debuted “Endless Tree,” a song that was released on Tuesday as a single with an accompanying video. Juneʼs spirited performance gives a taste of what to expect on the upcoming Owls, Omens, and Oracles Tour, which kicks off next week and runs through late June. // Valerie June Hockett was born January 10, 1982, known as Valerie June, is an American singer, songwriter, and multi-instrumentalist from Memphis, Tennessee, United States. Her sound encompasses a mixture of folk, blues, gospel, soul, country, Appalachian and bluegrass. She is signed to Concord Music Group worldwide. // Born in Jackson, Tennessee on January 10, 1982, June is the oldest of five children. As a child growing up in Humboldt, June was exposed to gospel music at her local church and R&B and soul music via her father, Emerson Hockett. As a teenager, her first job was with her father, owner of Hockett Construction in West Tennessee, and a part-time promoter for gospel singers and Prince, K-Ci & JoJo, and Bobby Womack. She helped by hanging posters in town. Her father died in late 2016. // June relocated to Memphis in 2000 and began recording and performing at the age of 19, initially with her then-husband Michael Joyner, in the duo Bella Sun. After her marriage ended, she began working as a solo artist, combining blues, gospel and Appalachian folk in a style that she describes as “organic moonshine roots music”, and learning guitar, banjo, and lap-steel guitar. She became associated with the Memphis-based Broken String Collective. // In 2009 she was a featured artist on MTV’s online series $5 Cover (following the lives of Memphis musicians attempting to make ends meet), and in 2010 she recorded the EP Valerie June and the Tennessee Express, a collaboration with Old Crow Medicine Show. // In 2011 she was honored by the Memphis and Shelby County Music Commission at the Emissaries of Memphis Music event. She raised funds to record an album with producer Craig Street via Kickstarter.com, raising $15,000 in 60 days. Later that year she relocated from Memphis to Williamsburg, Brooklyn. Shortly after, record producer Kevin Augunas introduced June to Dan Auerbach of The Black Keys, which led to the recording of June’s album Pushin’ Against a Stone in July 2011, which was co-written and produced by Dan Auerbach and Kevin Augunas. // In 2012, June performed with producer John Forté on a collaboration called Water Suites (on the hip-hop-blues song “Give Me Water”), and with Meshell Ndegeocello on the song “Be My Husband”. She contributed The Wandering’s 2012 album Go on Now, You Can’t Stay Here: Mississippi Folk Music Volume III. In 2012 she performed in the UK for the first time, playing at Bestival and appearing on Later… with Jools Holland. // She has received substantial radio play in Europe on BBC Radio 6, including a feature on Cerys on 6 with Cerys Matthews. Mary Anne Hobbs of XFM has said of June: “This woman has already touched my heart, she really, really has.” // In February 2013, June was invited to support Jake Bugg on the UK leg of his tour. In March 2013, June performed two nights at South By Southwest. The first performance was on March 14 as part of the Heartbreaker Banquet. On March 16, June performed again, this time as part of The Revival Tour. Rolling Stone June’s second album, The Order of Time one of the 50 Best Albums of 2017, citing “her handsomely idiosyncratic brand of Americana, steeped deep in electric blues and old-time folk, gilded in country twang and gospel yearning….a blend of spacey hippie soul, blues and folk with June’s pinched, modern-Appalachian voice at the center”. In a 2017 interview, Bob Dylan was asked what artists he listened to and respected; June was among the artists he mentioned in reply. More info at: http://www.valeriejune.com]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, June 4 – Chris Haghirian joins us to share al the details about Boulevardia 10, Saturday, June 14, with 5 stages and over 45 bands/artists, celebrating Kansas City with the biggest urban street festival at Crown Center, 2396 Grand Boulevard, KCMO. We’ll survey the music of the festival. At 11:30 we’ll talk with Meighan Piefer and James McGee about the Kansas City Music Industry Commission

In two weeks on June 11 we welcome back to thew show the man of 1001 Faces Michael McQuary AND we’ll talk with Michael’s friend – stage, screen and recording artist – Joey Arias who will share stories about his work and friendships with Klaus Nomi, Andy Warhol, Pee Herman aka Paul Reubens, Lady Bunny and More!

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1097

WMM presents: Cheyenne Jackson + HuDost + She Speaks in Tongues

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 28, 2025

WMM presents: Cheyenne Jackson + HuDost + She Speaks in Tongues

Mark spins more New & MidCoastal releases from: True Lions, Malek Azrael and Sisterbot, She Said, Saving Miles Lemon, Be/Non, HuDost, Stereolab, Cheyenne Jackson, and Valerie June.

At 10:30 we welcome Kate McCandless who performs as SHE SPEAKS IN TONGUES. Kate writes: “My work is about reclaiming agency. It is about giving voice and liberation to what was repressed and silenced.” Described by Sasha Geffen as “Best Feminist Rock n’ Roll Exorcism”. Armed with body, voice, and a fierce, shamanic energy, SHE SPEAKS IN TONGUES often lures with nostalgia – simultaneously embracing and questioning its comfort and authority with a dark, feminist bent. McCandless creates and performs her work solo, and in collaboration with other musicians. The effect is jarring, haunting, and a cathartic call to healing. A transplant from Chicago since 2020, McCandless now calls Kansas City her creative home base. SHE SPEAKS IN TONGUES shows coming up: The Benefit for Amplify Lawrence Saturday, May 31, at 8:00pm at The Bottleneck, 737 New Hampshire St., Lawrence, KS. with Sisterbot, Lauren Lovelle, True Lions, and Cheery. // And – TQ Headquarters House Show, May 10, 6:30pm, KCMO with: Drew Black, Fenwa Teryen, Emily Davis. // And – SHE SPEAKS IN TONGUES submits: SUPPOSED FORMER INFATUATION JUNKIE//Alanis Morissette, May 13, at The Black Box, 1060 Union Ave, KCMO with Katie Gilchrist and Project1994 performing JAGGED LITTLE PILL. Info at: http://www.shespeaksintongues.com

At 11:00 Mark welcomes Moksha Sommer & Jemal Wade Hines of the band HuDost, who join us in our 90.1 FM Studios just before their show at Greenwood Social Hall. We will feature songs from their new album THE MONKEY AND THE CROWN, that marks the band’s 20th Anniversary. Many years before receiving praise from NPR, ranking on the Billboard charts, or winning prestigious awards, something magical happened; a teenaged Moksha Sommer was reading the lush words of the Persian poet Rumi in her Montreal apartment and wildly decided to join friends for a spur of the moment trip to North Carolina for a Rumi Festival put on by Turkish Sufis. It was there that, from across a room of dancers, Jemal Wade Hines was playing frame drum and heard Sommer’s voice cutting through the crowd and jolting his heart awake. That moment was the beginning of HuDost. HuDost play Greenwood Social Hall, Thursday, May 29 at 7:00pm. More information at: http://www.hudost.com

At 11:30 Mark talks to Cheyenne Jackson, Grammy & Emmy-nominated actor, singer, and songwriter known for his work on Broadway in XANADU, Thoroughly Modern Millie, Aida, The Performers, Once Upon a Mattress, Finian’s Rainbow, All Shook Up, The Secret Garden, Into the Woods, and Damn Yankees. His TV credits include American Horror Story, 30 Rock, Glee, Curb Your Enthusiasm, Call Me Kat, The Morning Show, Law and Order, Ugly Betty, Matlock, Modern Family, and Rupaul’s Drag Race. For Julie and the Phantoms, he earned an Emmy nomination. Film roles include, the OSCAR-nominated UNITED 93, and HBO’s Behind the Candelabra. Jackson has sold out Carnegie Hall and Disney Hall. His live performances have graced Lincoln Center, the Hollywood Bowl, and the Kennedy Center showcasing his unique blend of jazz, pop, and folk. Jackson’s full length album releases include: THE POWER OF TWO with Michael Feinstein, (11/2/2009), I’M BLUE, SKIES (June 25, 2913), and RENAISSANCE (June 3, 2016). Cheyenne Jackson plays the Folly Pride Concert, Friday, June 13, at 7:30pm at The Folly Theater, 300 W 12th St. KCMO. More information at http://www.follytheater.org

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1097