WMM Playlist from April 2, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
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Produced and Hosted by Mark Manning

Wednesday, April 2, 2025

WMM welcomes Falestine (Fally) Afani as Guest Host & Producer

This is a special presentation for Arab American Heritage Month. Guest Host & Producer Fally Afani shines a light on Palestinian artists: Dam, Bashar Murad, Saint Levant, Elyanna, MC Abdul, Nemesis, Apo and The Apostles, Mohammad Assaf, zeyne, Rim Banna, Bruno Cruz, Ministry of Dub-Key, El-Funoun Palestine Popular Dance Troupe, 47SOUL, Lana Lubany, and Dana Salah.

Fally Afani is a Palestinian-American award-winning journalist with a career spanning nearly three decades in media. She has worked extensively in radio, television, newspapers, magazines, and more. Fally’s work has been featured in magazines, newspapers, and television stations across Kansas. She has received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. Fally is also a two-time recipient of the Rocket Grant Award, which helped develop live music and cultural events for her community, including a Community Dabke Dance Circle and Lawrence PRIDE. Currently, she resides in Lawrence, Kansas, where she focuses on music journalism, live events, and photography.

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. DAM – “Emta Njawzak Yamma”
    from: Ben Haana Wa Maana / DAM- Cooking Vinyl / June 7, 2019
    [DAM’s third studio album. True to their name, which means “everlasting,” DAM has steadily grown and maintained a monumental status in the music world since the mid 90s. Made up of Tamer Nafar, Suhell Nafar, Mahmood Jrere, and Maysa Daw (who joined in 2015), the group drew their foundational inspiration from Tupac and the resemblance between Lydda—the neighborhood they grew up in—and the streets featured in his videos. // DAM is known for its unwavering political statements in its lyrics, which tackle everything from women’s rights to the pressure to marry, from western colonization and interference in the Middle East to the Israeli occupation. // Lead vocalist Daw reminds us, first in a resigned, exhausted tone, and then in a triumphant one, that, as a woman, moreover, as an Arab woman, “Even in the struggle I have double your responsibilities/ If you resist you hurt their Zionism/ If I resist I also hurt their masculinity.” Her lyrics highlight the intersectional oppression that Palestinian women are subjected to, and help to draw the attention of an international audience to two issues which often fall on deaf ears. // DAM is equally quick to point out, however, that misogyny is not simply a Middle Eastern issue, but a universal one, stating, in their song “Prozac” (بروزاك), “Hypocrisy, chauvinism is not a Middle Eastern but a male thing, everyone has a role/ I will deal with the honor killings and you deal with your porn industry.” // DAM fuse traditional Middle Eastern sounds, rhythm and intonation of Arabic-language rap and the unmistakably hip-hop attitude. Formed in 1999 DAM were one of the first acts to popularise rapping in Arabic (although they also rap in English and Hebrew) and have since become renowned for their unique fusion of East and West which combines Arabic percussion rhythms, Middle Eastern melodies and urban hip-hop. Their first single Min Irhabi (‘Who’s the terrorist?’) racked up over 1 million downloads and brought the group to the attention of young people across the Middle East for both their distinctive musical style and the political and humanitarian subtext.]
  1. Bashar Murad – “Intifada On The Dance Floor”
    from: Mascara – EP / PopArabia / June 11, 2011
    [Bashar Murad (Arabic: بشار مراد; was born February 7, 1993. Bashar is a Palestinian singer-songwriter and video artist based in East Jerusalem. His music addresses societal norms, the Israeli occupation, and gender equality in the Middle East. He is best known for his collaboration with Icelandic techno-punk band Hatari on the song “Klefi / Samed”, which was released shortly after Hatari raised banners featuring the Palestinian flag at the final of Eurovision Song Contest 2019 in Tel Aviv. Murad released his debut EP Maskhara in June 2021. // Murad was born in East Jerusalem in 1993, to parents Said Murad and Fadia Daibes. Murad’s father, Said, is the founder of the Palestinian musical group Sabreen, the first Palestinian group of its kind. Sabreen was founded in 1980, and Murad was born during the height of their career. Music helped Murad to overcome the pressure from growing up in an occupied territory. // Upon graduating from the Jerusalem American School, Murad pursued a bachelor’s degree at Bridgewater College, Virginia. In the United States, he realized that not a lot of his co-students knew much about Palestine, yet they wanted to know more about it. This made him realise that he did not want to escape politics and started covering these issues in his music. Since returning to East Jerusalem in 2014 and after publishing several singles in Arabic and English on his YouTube channel, Murad has built an online following. // Murad started his career by uploading cover versions of popular songs on his YouTube channel which he created in 2009. Later, he added a Middle Eastern touch to the songs by using traditional instruments in his covers before he started creating his own songs. He studied at Rimon School of Jazz and Contemporary Music in Israel for a year, and was the first Palestinian from the West Bank to study there. // The majority of his songs are produced by himself in the local record studios of Sabreen Association for Artistic Development. Occasionally, Murad gets grants or other support by organisations and programs, such as the Culture Resource Production Awards Program, that enabled him to produce the song “Shillet Hamal (Bunch of Bums)”. The song is about the feeling of being different and not fitting in. The music video features several people that chose alternative paths of life and can thus identify with this feeling. // For his single “Ana Zalameh (I’m a Man)”, Murad worked together with the United Nations. The UN Women’s “Men and Women for Gender Equality Regional Programme” produced the song which is about the developments of gender roles in Palestine and told from the perspective of a 10-year-old boy. // Murad’s collaboration with the Icelandic techno-punk band Hatari on the song “Klefi / Samed” helped him reach a wider audience. The song was released shortly after the Eurovision Song Contest 2019, which took place in Tel Aviv, and is about the wish for freedom and calls attention to the systematic oppression of Palestinians.[3] Hatari was the only entrant in that year’s contest who openly took a stance on the conflict. // During the Eurovision Song Contest 2019, Murad was part of the protesting artists that participated in the alternative event GlobalVision that was broadcast online during Eurovision week. // In May 2019, Murad participated in the Canadian Music Week in Toronto, Canada. // Murad released his debut EP Maskhara on 11 June 2021, which included four tracks: “Maskhara”, “Antenne” feat. Tamer Nafar, “Intifada on the Dance Floor”, and “Ana wnafsi”. Three years later, he released his second Arabic-language EP, Nafas. // In January 24, 2024, it was announced that he would be among the contestants of Söngvakeppnin 2024, the Icelandic national selection for the Eurovision Song Contest 2024. He competed with the song “Vestrið villt” / “Wild West”,[16] qualifying for the final and ultimately coming second. Amid the Gaza war and calls for Israel to be excluded from the contest, Murad’s participation was the subject of multiple controversies, both with accusations that Icelandic broadcaster RÚV was politicising the event as well as allegations that he was the victim of racism. // Murad resides in East Jerusalem with his younger brother and his father Said Murad, the founder of music group Sabreen. He is openly gay, and has characterized his artistic journey as a struggle against both homophobia in Palestinian society and the Israeli occupation.]
  1. Saint Levant – “Nails”
    from: “Nails” – Single / MDLBEAST Records / May 25, 2023
    [Marwan Abdelhamid (Arabic: مروان عبد الحميد) was born October 6, 2000). Marwan is known professionally as Saint Levant (French: [sɛ̃ ləvɑ̃]; Arabic: سانت ليفانت), is a Palestinian singer-songwriter and rapper. A multilingual artist, he is best known for his song “Very Few Friends”. // Abdelhamid was born in Jerusalem during the Second Intifada to a half-Algerian, half-French mother, Maria Mohammedi, and a half-Palestinian, half-Serbian father, Rashid Abdelhamid, who were both raised in Algeria. His father, the son of a Serbian medical doctor and a Palestinian from Safad who studied engineering in Yugoslavia following his expulsion as a child in 1948, has worked as an architect, hotel entrepreneur, DJ and film producer; his mother, the daughter of a French female pianist and former music teacher at the French lycée in Algiers, has worked for UNRWA. He has a younger brother, named Khaled. // Shortly after Abdelhamid’s birth, the family joined his paternal grandparents in the Gaza Strip, where his parents built a 22-room beachfront hotel in Rimal based on an architectural project by his father, named “Al Deira”. He spent his childhood primarily there, attending the American International School, until the 2007 Battle of Gaza, after which he and his family relocated to Amman, Jordan. He has described the time spent in Gaza as “the best years of [his] life”. // Abdelhamid took up the passion for music from his father and his maternal grandmother, studying piano and saxophone. Growing up, he communicated in French at home, English at school, and Arabic at the Palestinian refugee camp of Al-Wehdat, where he played football with the local team after school. // In 2018, aged 17, Abdelhamid moved to the United States to pursue a bachelor’s degree in International Relations at the University of California, Santa Barbara, from which he graduated in 2022. // Before taking on the name Saint Levant (a pun on “Yves Saint Laurent” and “Levant”), Abdelhamid wrote “Jerusalem Freestyle” and “Nirvana in Gaza”, both of which discussed political issues. Around the same time, Abdelhamid began posting videos on TikTok in which he discussed Palestinian history, as well as commentary on toxic masculinity in Arab culture. // In November 2022, Saint Levant released his trilingual rap track “Very Few Friends”, which was streamed approximately 2 million YouTube views in one month. The song soon became popular on TikTok and Instagram, as well as on Spotify, where it peaked at number 1 in nineteen countries and number 2 in the United States, and reached number 2 on the Global Viral 50 chart. In May 2023, Saint Levant was chosen as Dior’s first fragrance ambassador in the Middle East. The same year, he released the EP From Gaza, with Love. He was named among the 2023 “Men of the Year” by GQ Middle East. In 2024, he signed with Universal Arabic Music (UAM) and released, together with MC Abdul, “Deira”, a song in the chaabi musical style of Algiers dedicated to his father’s hotel in Gaza, which went destroyed in an Israeli bombing in January 2024 during Israel’s war on Gaza; the song featured as the title track on his debut album Deira, containing duets with other artists like Cheb Bilal and Kehlani. Saint Levant performed at Coachella 2024, using his performance to bring awareness to the ongoing war taking place in Gaza. The following 22 May, he was part of the lineup of a Palestine charity concert at Zénith Paris, whose revenue was destined to Medical Aid for Palestinians. // On February 14, 2025, on the occasion of Saint Valentine’s Day, Saint Levant released the EP Love Letters / رسائل حب, divided between a “side A” (Love Letters from Saint Levant) and a “side B” (رسائل حب من مروان, Rasāʾil ḥubb min Marwān), and featuring three unreleased tracks out of six. Three days later, he featured alongside Lourdes Leon in a promotional video for Yves Saint Laurent and Peter Park’s new omakase restaurant Sushi Park Paris. // Early in his career, Abdelhamid co-founded GrowHome, which connects Palestinian entrepreneurs with individuals who can help fund their projects. In early 2022, alongside Stephanie Moukhaiber, he started the 2048 Fellowship – a project providing financial support and mentorship for Palestinian creatives; its name, which was changed to “2048 Foundation” in 2024, references the 100th anniversary of the Nakba. Saint Levant is outspoken on the struggle in Palestine, telling Harper’s Bazaar: “Everything that I do is Israeli-focused and based on the Palestinian cause and struggle, doing a lot of contextualizing […] because I came to America, man, and I realized that a lot of people thought that […] it’s a conflict between these two equal[s who] just hate each other for some reason, [that] Palestinians just hate Israelis. And what people don’t understand is that it’s 80 years of occupation and oppression and displacement and ethnic cleansing so I think it’s very important to just push that forward always and I try to do it through the music; I try to do it through my actions, and everything that I do.” // Following the outbreak of the Israel–Hamas war, Saint Levant has stated that a sense of “survivor’s guilt” has contributed to shaping his artistic production. He identifies as a feminist. // In February 2025, pro-Israel groups and media criticized Yves Saint Laurent’s collaboration with Abdelhamid as a partnership with an “antisemite” (reportedly for “anti-Jewish statements” which included support for the attacks against Maccabi Tel Aviv fans in November 2024), and called for boycotting the brand. // Saint Levant claims inspiration from artists like Wyclef Jean, Cheb Khaled, Fairuz, Marwan Moussa, Lenny Kravitz, Michael Jackson, Stromae, Timbaland, Eminem and Mika. // Abdelhamid is a Muslim. He lives in Los Angeles, though he regularly returns to Amman. Since 2023, he has been in a relationship with French-Haitian singer Naïka.]
  1. Elyanna – “Yabn El Eh (Single Version)”
    from: “Yabn El Eh (Single Version)” – Single / SALXCO UAM LLC / November 20, 2024
    [Elian Amer Marjieh (sometimes credited as Margieh; Arabic: إليان عامر مرجية; born January 22, 2002), known professionally as Elyanna (إليانا), is a Palestinian and Chilean singer-songwriter, merging Arabic music with Latin rhythms to create an experimental Arab-pop sound that has captured a global audience. Born in Nazareth, her musical talents were nurtured by her family, with early influences including iconic figures like Julio Iglesias and Sabah Fakhri, Elyanna’s career took a significant turn when she was discovered at age 15 by Grammy-winner Nasri Atweh. She has released two EPs: Elyanna (2020) and Elyanna II (2022), and one studio album: Woledto (2024). She is currently signed to Universal Arabic Music. Her singles “Ana Lahale”, “Ghareeb Alay”, “Ala Bali”, and “Mama Eh” have all charted on The Official Lebanese Top 20. Elyanna is the first artist to sing in Arabic on The Late Show with Stephen Colbert. She recently sold out The Wiltern in Los Angeles and KOKO in London. // Elian Marjieh was born and raised in Nazareth and is of Palestinian descent. Her paternal grandmother is of Chilean descent. Her mother is a Palestinian poet, and her maternal grandfather is a Palestinian poet and singer who used to perform zajal at Palestinian weddings. Her paternal grandmother is a pianist from Chile, who she frequently visited as a child. // Elyanna began singing at age seven and started posting covers of songs on SoundCloud as a teenager while participating in singing and talent competitions at school. She gained popularity in her community alongside her brother, Feras, who was by her side as a pianist. Feras is now Elyanna’s pianist, producer, and creative director. Her sister, Tali, handles her styling. // In 2017, at the age of 15, she and her family moved to San Diego, California (eventually settling in Los Angeles) to further pursue her musical career after coming across Wassim “Sal” Slaiby on TV. After arriving in the United States, she began posting covers on her Instagram, where she garnered a following of around 300,000 users, and grabbing the attention of musician and producer Nasri Atweh. Nasri would later introduce Elyanna to Sal, and she would spend weekdays in San Diego while driving up to Los Angeles on weekends to work on music with Nasri and Massari.// Elyanna draws inspiration from jazz and blues alongside many household names for families in the Middle East: Dalida, Fairuz, Sabah Fakhri, Abd El Halim Hafez. In 2018, Elyanna contacted singer and producer, Nasri, who took an interest and connected her to his manager, Wassim Slaiby. She was signed to Slaiby’s management company, SALXCO, soon after the two met. She was then mentored by Nasri and fellow singer and producer, Massari. One of her first singles, “Ana Lahale,” featured guest vocals from Massari. That track was on her debut self-titled EP released in February 2020 via ElMar Music, an Empire Distribution imprint. In April 2021, Elyanna was announced as one of the first signees of the newly-formed imprint, Universal Arabic Music (UAM), which Slaiby founded in collaboration with Republic Records and the Universal Music Group. // In 2021, she performed alongside Alnajjar at his concert in Amman, Jordan the following month. In January 2022, she collaborated with Tunisian artist, Balti, on the track “Ghareeb Alay.” In March 2022, she released her second EP, Elyanna II, via UAM. The collection features the single “Al Kawn Janni Maak” (an Arabic version of “La Vie en rose”). Its music video was directed by Caroline “Chuck” Grant, the sister of Lana Del Rey, who ultimately got involved in the project by styling Elyanna. In 2023, the singer made history as the first artist to perform a set entirely in Arabic at the Coachella Valley Music and Arts Festival. // That the same year, her song “Ala Bali” was featured on Netflix comedy-drama series Mo. She also performed at the El Gouna Film Festival and paid tribute to her homeland of Palestine with her single “Olive Branch (غصن زيتون)”. In 2024, Elyanna sold out her debut North American tour and ended it with the announcement of her debut studio album, Woledto, released on April 12 alongside a music video for “Ganeni”. // Boutayna Chokrane praised the record on her review for Pitchfork, stating that it “plays with Arab pop, R&B, EDM, and jazz to express the nuances of love, loss, and longing”. She was positive of the “subtle yet poignant references to identity, displacement, and cultural resilience” as well, as those “underscore [Elyanna’s] sorrow and ferocity”. Moreover, the singer has been featured on the covers of numerous magazines worldwide, including Billboard Arabia, Vogue Arabia, Rolling Stone, Cosmopolitan ME and GQ. On 29 June 2024, she was invited by British rock band Coldplay to perform the songs “We Pray” and “Arabesque” at the 2024 Glastonbury Festival. On July 22, the singer officially announced the Woledto Tour, with concerts in North America and Europe between October and December 2024. Elyanna performed alongside Coldplay for Saturday Night Live on 5 October 2024.]
  1. MC Abdul – “Shouting At The Wall”
    from: Shouting At The Wall / MC Abdul – Empire / June 30, 2021
    [Abdel-Rahman Al-Shantti (Arabic: عبد الرحمن الشنطي; Abdel-Rahman Al-Shantti was born September 14, 2008. He is known professionally as MC Abdul or MCA Abdul is a Palestinian rapper from Gaza, Palestine. He gained popularity when he sang a rap about freedom in front of his school in Gaza which garnered hundreds of thousands of views on social media. As of December 2023, his videos for “Shouting At The Wall” and “Palestine” have received more than 2.1 million views and 1.5 million views, respectively, on YouTube. // Abdel-Rahman Al-Shantti was born in Gaza, Palestine. His mother had surgery to treat CNV bleeding in Egypt around 2007, but Al-Shantti said his mother was not able to maintain the surgery due to the blockade of Gaza by Israel. He started rapping and writing songs at age nine. He began recording cover versions of his favorite tracks and sharing them with friends and online. His family exposed him to artists such as Eminem and fellow Palestinian DJ Khaled, the former of which Abdul considers to be one of his four favourites; the others are NF, Tupac and Jay-Z. He said he would like to go on Arab Idol like fellow Palestinian Mohammed Assaf. // At the start of the 2023 Gaza war, Al-Shantti is living in Los Angeles, although his family, including his younger siblings, are still living in Gaza. // In 2020, Al-Shantti advocated on behalf of Palestinian families in Gaza who were bombed by releasing the song “Shouting at the Wall”. Following the release, he caught the attention of the record label Empire. MC Abdul spoke about the importance of rapping as a tool for coping with challenging times saying “The power that I have in my pen when I’m writing, I am unstoppable. The microphone is the only escape possible”. In 2022, he performs his first concert as part of the FIFA World Cup festivities in Qatar. // In 2024, MC Abdul featured on Saint Levant’s single “Deira” (about the destruction of Al Deira Hotel in an Israeli bombing), which has over 2.5 million streams on Spotify and over 2.9 million views on the music video on YouTube. The track is included in Saint Levant’s debut album Deira.]
  1. Nemahsis – “colored concrete”
    from: Verbathim / Verbaithim / September 13, 2024
    [Nemah Hasan, known professionally as Nemahsis, is a Canadian singer-songwriter from Toronto, Ontario. // Nemah Hasan was born in Ontario, Canada and raised on a farm in the town of Milton. She is the daughter of a Palestinian immigrant. // Hasan began her career on TikTok, posting beauty and fashion videos aimed at Muslim women alongside occasional videos of her singing Adele covers. After being exploited by a company that hired her for an advertising campaign and then failed to pay her, in June 2021 she released her first original single and video “What If I Took It Off for You?”, about social attitudes toward Muslim women who wear the hijab. She followed up with the singles “Paper Thin” in October 2021 and “Dollar Signs” in January 2022, before releasing the EP eleven achers in March 2022. // She followed up with the new non-EP singles “Criminal” in October 2022, and “I Wanna Be Your Right Hand” in February 2023. // In May 2024, She released her first single, “Stick of Gum”, for her upcoming album. The song’s music video was shot entirely in her family’s hometown of Jericho in the occupied West Bank. The single was selected by Spotify editors as one of the best songs of 2024. // On Sept. 13, Hasan independently released her debut album Verbathim. Hasan stated the title “Verbathim is just the word verbatim except someone is grabbing my tongue” to symbolize the censorship she has faced. // On Oct. 12, 2023, soon after the Hamas-led attack on Israel on October 7, the singer shared on social media that she had been dropped by her label, stating “My label just dropped me, a Palestinian artist, for being pro-Palestine”. Her subsequent posts include a rendition of “Team”, by New Zealand artist Lorde, with images from Gaza before and after the bombardments. // The Canadian music magazine Exclaim! named eleven achers one of the 15 best Canadian EPs of 2022. // Hasan & her songwriting colleagues Brendan Grieve and Stevie Solomon were nominated for the SOCAN Songwriting Prize in 2022 for “Paper Thin”. In 2023, the Prism Prize named Nemahsis the winner of the Hi-Fidelity Award for artists using music video in innovative ways. // Verbathim won the Juno Award for alternative album of the year.]

10:32 – Underwriting

  1. Apo and the Apostles – “Ya Yuma Wen”
    from: “Ya Yuma Wen”- Single / Levantine Music – Apo & the Apostles / November 14, 2024
    [Combining the diverse backgrounds of the members, the band has stemmed a new genre in alternative folk rock with a multilingual twist and an upbeat vibe. // Apo Sahagian is the lead singer of Apo and the Apostles. Apo hails from the Armenian Quarter of Jerusalem’s Old City. // These twenty-something guys tend to sing about “bygone beloveds,” said Sahagian, so it’s not the typical froth of pop songs. // When Apo and the Apostles gather in a Bethlehem garage to rehearse and write, they think about their crowd, whether their fans can belt out the lyrics to a particular song, and if it’s energetic enough to get the crowd going. // “We’re trying to come up with a genre we call party rock,” said Sahagian. “Maybe it’s not the right music for a Tuesday night, but if you want to go out and drink and have a good night, we’re gonna show you a fun time.” // most of its members live near the separation wall around Bethlehem and struggle daily with the realities of life in Palestinian cities. // Sahagian, who is Armenian, lives in Jerusalem and has an Israeli identification card, doesn’t have the same issues. But while he would love nothing more than to perform in Jerusalem’s Yellow Submarine, a snug music club in Talpiot, Jerusalem that is a short,15-minute drive from Bethlehem, he is aware of the political sensitivities of some Palestinians regarding the venue, which is Israeli. // “I wish that I could play one day without any of this political black cloud,” he said. // That’s the reality of being a Bethlehem-Jerusalem rock band. The musicians themselves — Sahagian (vocals, guitars, piano), trumpet player Firas Harb, drummer Pierre Taweel, bass guitarist Amir Handal, guitarist Karim Morcos & bass guitarist Joel Thorpe (who played with the band until 2015) — say they are absolutely apolitical, at least when it comes to making music. // “It’s easier to play Amman or Europe than in Israel,” joked Harb, 29, who works as an accountant and financial consultant when he isn’t blowing his horn. // It’s also easier to perform in the mostly Arab East Jerusalem or in Ramallah, the nearby Palestinian city where they have a solid fan base, often drawing several hundred to a show. – This bio contains several excerpts from the band’s facebook page and an article written by Jessica Steinberg from the Feb. 3, 2016, edition of The Times of Israel]
  1. Mohammed Assaf – “Dammi Falastini”
    from: Muntasib Alqamah Amshi – EP / Mohammed Assaf / October 19, 2015
    [ https://youtu.be/F9czNtvvgvA?si=LBxQWmwIPNGiBqDU Mohammad Jaber Abdul Rahman Assaf was born Sept. 1 1989, He is a Palestinian pop singer well known for being the winner of the 22nd season of Arab Idol, broadcast by the MBC network. His victory received worldwide coverage from the media and was welcomed with joy by Palestinians and the rest of the Arab world. In 2013, Assaf was named a goodwill ambassador for peace by The United Nations Relief and Works Agency for Palestine Refugees (UNRWA). He was also named ambassador of culture & arts by the Palestinian government and was offered a position with “diplomatic standing” by Palestinian President Mahmoud Abbas. Assaf’s story is the basis of the 2015 film The Idol, directed by Hany Abu-Assad. After Arab Idol, Assaf has gone on to enjoy huge popularity in the Arab World and the Arab diaspora and has released two albums and a great number of singles and collaborations. Most of his music is sung in the Iraqi and Gulf dialects. // He was born in Misrata, Libya to Palestinian parents. He lived there until he was 4 years old, when his parents moved back to Gaza, he grew up in Khan Younis refugee camp with a middle class couple where he attended UNRWA elementary school. His mother’s family hails from the village of Bayt Daras, which was captured and depopulated by the nascent IDF in 1948 and his father’s family is from Beersheba. Assaf’s parents moved to Khan Yunis Refugee Camp when he was 4 years old. He is one of six siblings, three of whom, including Assaf, have been involved in performing live music. Assaf’s mother Intisar, a mathematics teacher, has stated that Assaf began singing at the age of five and “had a voice of someone who was much, much older.” Before his role on the television show he was attending Gaza City’s Palestine University majoring in media and public relations. Assaf did not have professional training as a singer; he started his career singing at weddings and other private events. He entered the public view in 2000 during a popular local television program where he called in and sung a nationalist song to the host’s praise. Afterward, he was frequently offered contracts with local record companies. Sometime after his first performance, he sang in a local event in Gaza attended by late Palestinian president Yasser Arafat. // Mohammad Assaf travelled from Gaza Strip to Egypt to audition for Arab Idol. It took him two days to reach Egypt by car due to complications on the border. At the beginning, he had to convince the Egyptian security at the border crossing, where he was stuck for two days, to leave Gaza. Once he reached the hotel where the auditions were taking place, the doors were closed in which they did not accept anymore auditions so he jumped over the wall. After he jumped over the wall, he couldn’t get a number to audition; he sat hopelessly in the hall where other contestants were waiting for their turn. He started singing to the contestants, and a Palestinian contestant, Ramadan Abu Nahel, who was waiting to audition heard him and gave him his number saying, “I know I won’t reach the finals but you will.”// He was given the nickname Asaroukh (“The Rocket”) by Lebanese singer and Arab Idol judge Ragheb Alama. Assaf was acclaimed by the jury and the public. His voice and appearance have drawn comparisons to Egyptian singer Abdel Halim Hafez, which has garnered Assaf both fame and controversy. Fans merged part of Hafez’s name with Assaf’s, as in Assaf Hilm Falastine (“Assaf Palestine’s Dream”). Assaf’s final performance was his own song that was well known before his rise to fame “Ali al-kuffiyeh” (“Raise The Kuffiyeh”), a Palestinian song that called on Palestinians to raise their kuffiyehs (a traditional Arab headdress that has become a Palestinian nationalist symbol) and to unite, in light of the split between the two major Palestinian factions, Hamas and Fatah. Hundreds of thousands of Palestinians had tuned in to watch his performance. On June 22, Assaf was declared the winner of Arab Idol, winning the most votes and coming ahead of two other competitors, Ahmed Gamal and Farah Youssef, from Egypt and Syria, respectively. Massive celebrations by Palestinians ensued after the announcement of his victory, including festivities held on the streets of Gaza City, East Jerusalem, Nablus, Ramallah, Bethlehem, Khan Yunis, Nazareth, Lebanon and Jordan, And when his professional career as an artist began after the title of Arab Idol, he was accompanied by Awtar Band led by The Maestro Yacoub Al-Atrash in Arab and international festivals since then. // While Assaf has normally avoided politics on the show, he has stated “I can’t differentiate between my art and my patriotic attitude.” Assaf condemned the ongoing Israeli occupation of West Bank and the poor living conditions in the Gaza Strip. He also stated that Palestinian prisoner Samer Issawi’s long-term hunger strike protest had inspired him. He frequently performed donning the checkered keffiyeh popularly associated with Palestinian nationalism. // He is highly popular in the Palestinian territories, where the Washington Post notes that the “streets of Gaza empty out” when the show goes on air on Fridays and Saturdays. Throughout the West Bank and the Gaza Strip, large posters promoting Assaf have been hung on residences and shops. A source of pride, Assaf has been able to unite Palestinians’ sympathies in a way that Palestinian political factions have not been able. // Some Palestinian politicians have showed their support for the singer who has been creating a sense of unity among Palestinians, regardless of differing political beliefs. Salam Fayyad, former Prime Minister of the Palestinian National Authority, called on all Palestinians to support Assaf. Palestinian President Mahmoud Abbas had also called for Palestinians everywhere, including the diaspora, to vote for Assaf. Assaf also won support from the late Palestinian leader Yasser Arafat’s daughter, Zahwa, who encouraged viewers to vote for him. // Although prior to his participation in Arab Idol, Assaf stated he had been briefly detained by the security forces of the conservative Hamas party and paramilitary group—which maintains de facto control over Gaza—on over 20 different occasions in an effort to dissuade him from singing, the group has not suppressed Palestinian support for Assaf or viewership of the show. Signaling a shift in attitude, a Gaza-based Hamas MP, Yahya Mousa, lauded Assaf and referred to him the “ambassador for Palestinian art.”]
  1. zeyne – “Asli Ana”
    from: “7arrir 3aqlak” / “Asli Ana” – Single / MDLBEAST – Scarab Records / Nov. 21, 2024
    [From suzannezahr.com: The lyrics Zeyne’s of Asli Ana are a powerful exploration of decolonial themes. They challenge the Western concept of “civilization,” exposing how it has historically been weaponized to oppress, displace, and erase. Zeyne confronts the long-standing colonial narrative, highlighting how it justified the theft of our lands, the erasure of our culture, and the distortion of our history. // The song doesn’t stop at critique; it pushes us to question our internalized colonial norms, even in subtle aspects like dress and self-presentation. The line, “Record, I am an Arab, and I know my origin” moved me to tears. It is a poignant reminder of the resilience required to preserve our identity after decades of diaspora and displacement. // Through poetic verses, Zeyne masterfully encapsulates the struggle to maintain our heritage while navigating a world that constantly demands assimilation. // In 1977, the General Assembly called for the annual observance of November 29 as the International Day of Solidarity with the Palestinian People (resolution 32/40 B). On that day, in 1947, the Assembly adopted the resolution on the partition of Palestine (resolution 181 (II)) // In resolution 60/37 of 1 December 2005, the Assembly requested the Committee on the Exercise of the Inalienable Rights of the Palestinian People and the Division for Palestinian Rights, as part of the observance of the International Day of Solidarity with the Palestinian People on November 29, to continue to organize an annual exhibit on Palestinian rights or a cultural event in cooperation with the Permanent Observer Mission of Palestine to the UN. // The resolution on the observance of the International Day of Solidarity with the Palestinian People also encourages Member States to continue to give the widest support and publicity to the observance of the Day of Solidarity.]
  1. Elyanna – “Callin’ U (Tamely Maak)”
    from: WOLEDTO / Universal Arabic Music / April 12, 2024
    [From song tell.com: “Callin’ U (Tamally Maak)” is a captivating song by Palestinian-Chilean pop sensation Elyanna, featured on her album “WOLEDTO” released in 2023. This track is a unique mashup that combines the essence of Danish hip-hop band Outlandish’s “Callin’ U” with the classic Egyptian hit “Tamally Maak” by Amr Diab, showcasing Elyanna’s ability to bridge cultural divides through music. // The song explores themes of deep longing, emotional connection, and devotion to a loved one, emphasizing the singer’s vulnerability and the need for their presence despite physical distance. // The lyrics of “Callin’ U (Tamally Maak)” are rich with emotion and convey a powerful message of love and yearning. The song opens with a sense of urgency, as Elyanna expresses her need for the person she loves. Lines like “I’m Calling You / With all my goals / My very soul / I’m falling through / In need of you” encapsulate the depth of her feelings. Here, the act of calling is not just a physical action but a metaphor for reaching out emotionally, highlighting the singer’s vulnerability and the weight of her longing. // The repeated phrase “تملّي معاك” (Tamally Ma’ak), which translates to “always with you,” serves as a poignant reminder of the singer’s desire for a constant connection with her beloved. This phrase resonates throughout the song, reinforcing the idea that love transcends distance and time. It emphasizes the emotional reliance the singer has on her partner, suggesting that their presence is integral to her happiness and well-being. // As the song progresses, Elyanna’s dynamic vocals convey a mix of passion and melancholy. The lyrics reflect a struggle to articulate feelings, showcasing the complexities of love and the challenges of maintaining a relationship when physically apart. The emotional weight of the song is further enhanced by the blend of Arabic and English lyrics, which not only broadens its appeal but also deepens its cultural significance. // The fusion of the two songs—Outlandish’s contemporary sound and Amr Diab’s classic melody—creates a unique listening experience that resonates with a diverse audience. Elyanna’s ability to weave these elements together speaks to her innovative artistry and her commitment to celebrating her Arab heritage while appealing to global listeners. The heartfelt atmosphere of the song captures the essence of love’s struggles and triumphs, making it relatable to anyone who has experienced longing for a loved one.]
  1. Saint Levant, MC Abdul – “Deira”
    from: DEIRA / SALXCO UAM LLC / February 23, 2024
    [Deira (stylized in all caps; Arabic: ديرة) is the debut studio album by Palestinian rapper Saint Levant. The album features guest appearances from other Palestinian and international artists, namely MC Abdul, Kehlani, Cheb Bilal, TIF [fr] and Sol Band, with additional backing vocals by Zeyne and Naïka. // The album pays homage to Saint Levant’s diverse cultural background, blending contemporary music with traditional styles as well as mixing English-, French- and Arabic-language lyrics. Thematically, it revolves around the Palestinian right of return and the longing for the country’s liberation, having been described as a “tribute” or “ode to Palestine”. The title track and lead single, “Deira”, performed in the chaabi musical style of Algiers, is dedicated to Saint Levant’s family-owned hotel in Gaza, which went destroyed in an Israeli bombing in January 2024 during Israel’s war on Gaza. The opening track, “On This Land”, performed with the Gazan group Sol Band, incorporates parts of the Palestinian patriotic song and unofficial anthem “Mawtini”, and explores the theme of martyrdom; its title references a poem by Mahmoud Darwish. // The album’s release was preceded by three singles in February, April and May 2024, respectively, and was followed by a tour across Europe and North America between September 22 and December 15, 2024.] 
  1. Apo & The Apostles – “Ansaki”
    from: Rawquha / Chimichanga Records / September 4, 2020

11:00 – Station ID

  1. Rim Banna, Bruno Cruz, Ministry of Dub-Key – “The Sun of Love – Remix”
    from: R.I.M.I.X. / Kirkelig Kulturverksted / March 24, 2019
    [Rim Banna (Arabic: ريم بنا; 8 December 1966 – 24 March 2018) was a Palestinian singer and composer who was most known for her modern interpretations of traditional Palestinian songs and poetry. Banna was born in Nazareth, where she graduated from Nazareth Baptist School. She lived in Nazareth with her three children. She met her husband, Ukrainian guitarist Leonid Alexeyenko, while studying music together at the Higher Music Conservatory in Moscow and they married in 1991, and got divorced in 2010. // anna first achieved popularity in the early 1990s, after recording her own versions of traditional Palestinian children’s songs that were on the verge of being forgotten. Many such songs and rhymes sung by Palestinian families again today are said to be thanks to Banna’s work in preserving them via her recordings. // Banna composed her own songs and adds melody to Palestinian poetry. Her message was often focused on the suffering of Palestinians, particularly those of the West Bank. Her music is described as “haunting, emotional, at times bordering on kitsch.” She describes her music as a means of cultural self-assertion: A part of our work consists of collecting traditional Palestinian texts without melodies. So that the texts do not get lost, we try to compose melodies for them that are modern, yet inspired by traditional Palestinian music. // In this way, Banna did more than mimic the traditional techniques and representations of the pieces she interprets. She blends them with modern singing styles because, // Oriental singing techniques are mostly ornamental… But my voice is more two-dimensional, thicker. I try to write songs that fit my voice. I want to create something new in every respect. And that includes bringing people elsewhere closer to the music and soul of the Palestinians. She performed live in the West Bank and reached audiences in Gaza through live webcasts. She performed her first concert in Syria on 8 January 2009 and also performed in Tunisia on 25 July 2011. Her first concert in Beirut took place on 22 March 2012. // Lullabies from the Axis of Evil – Banna’s popularity in Europe began after Norwegian music producer Erik Hillestad invited her to participate on the CD Lullabies from the Axis of Evil (2003) and Norwegian singer Kari Bremnes, who also took part on this production in a duet with Rim Banna, invited her to Oslo. Banna accepted the invitation, and the two artists did a show together. // The album, dubbed “a musical antiwar message to U.S. President Bush from female singers in Palestine, Iraq, Iran, and Norway,” brings these women together with others from North Korea, Syria, Cuba, and Afghanistan, to sing traditional lullabies from their lands in duet form with English-language performers whose translation allows the songs to reach a Western audience. // Mirror of My Soul – The Mirrors of My Soul, which was dedicated to all the Palestinian and Arab political detainees in the Israeli prisons, is a stylistic departure from her previous body of work. Produced in cooperation with a Norwegian quintet, it features “Western pop styling” fused
  1. MC Abdul – “Can I Live”
    from: “Can I Live” – Single / MC Abdul – EMPIRE / December 16, 2024
    [The repeated refrain of “Can I live, can I live” expresses a sense of pleading and longing for the freedom to simply exist and pursue a fulfilling life. The singer, who identifies as a Gaza kid, is yearning for the opportunity to live on their own terms, free from the constraints and challenges that may come with their environment or circumstances. This desire for autonomy and independence is underscored by the repetition of the phrase, emphasizing the importance of being able to thrive and follow one’s dreams. // The lyrics further delve into the struggles and aspirations of the singer, who describes themselves as a young Gaza kid with a unique talent for rap. Despite facing judgment from others, particularly their friends who may view them as eccentric or unconventional, the singer remains dedicated to honing their craft and making a name for themselves in the music industry. The reference to being in a “4 door spinning like a yo-yo” suggests a whirlwind of activity and motion, perhaps symbolizing the fast-paced and unpredictable nature of their life. // As the song continues, MC Abdul paints a picture of resilience and determination in the face of adversity. The mention of having bright plans for the future, despite facing criticism and negativity from others, speaks to the artist’s unwavering optimism and belief in their own potential. The defiance in lines like “My music so loud the police showed up, then we turned it back up” conveys a rebellious spirit and a refusal to be silenced or held back by outside forces. // Ultimately, “Can I Live” serves as an anthem of empowerment and self-assertion, with MC Abdul asserting their right to pursue their ambitions and live life on their own terms. The song captures the universal desire for freedom, self-expression, and success, resonating with listeners who may also be striving to overcome obstacles and carve out their own path in the world. Through its energetic and defiant tone, the track encourages resilience, perseverance, and the belief that one can indeed live and thrive despite the challenges they may face.

MC Abdul – “Can I Live” Lyrics

Can I live, can I live
Can I live, can I live yea
Can I live, can I live
I’m just a Gaza kid u
Can I live, can I live
Can we live, can we live uh
Can I live, can I live
I’m just tryna do it big yea

Young Gaza kid and I came with the cold flow
Rap all day and my friends think I’m loco
See my outside yea they wanna take my photo
Yea I’m in 4 door spinning like a yo-yo
Yea, I got plans to grow up
My future so bright, they hating so what
My music so loud the police showed up
Then we turned it back up
We just tryna have a good time
A good life gotta get mine
MC yea I kick rhymes
Filastine yea I’m big time

Can I live, can I live
Can I live, can I live yea
Can I live, can I live
I’m just a Gaza kid uhh
Can I live, can I live
Can we live, can we live uhh
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Can I live, can I live
I’m just tryna do it big yea

  1. Saint Levant – “From Gaza, With Love”
    from: From Gaza, With Love / 2048 / March 6, 2023
    [Dashing good looks and ample talent make a formidable combination! Saint Levant (Marwan Abdelhamid) has both. He is a musician on an upward trajectory. One of the things that makes Abdelhamid so special is his diverse background: Palestinian, French, Algerian, and Serbian. Woo! Furthermore, he raps in multiple languages: English, French, and Arabic. On his 18-minute, debut EP, From Gaza, With Love, Marwan showcases incredible potential over t“Very Few ds”. // “From Gaza, With Love” keeps things ultra-compelling. I love the middle eastern sound effects within the backdrop which are fitting given his heritage. There is a marvelous percussive component to the title track, which clocks in under two minutes. Even so, the aesthetic – the vibes – remain potent to the nth degree. Abdelhamid maintains his poise, never getting too high or too low. Once more, there are some memorable bars in the mix (“Somebody tell Bella Hadid / Let’s change that to Abdelhamid / And I don’t mean to come off too strong / Bs il asil fala7i”), and of course, Arabic and French too!]
  1. Elyanna, Balti – “Ghareeb Aaly”
    from: Elyanna 2 / Universal Arabic Music / March 4, 2022
    [From songtell.com: The song “Ghareeb Alay” by Elyanna & Balti tells the story of a relationship that started when they were young and innocent. The lyrics describe how their days were sweet and free from jealousy. However, as time goes on, the singer feels that the other person has lost their sense of satisfaction and is always in a state of confusion. They also mention that others have referred to the narrator as a “superstar.” // The chorus repeats the phrase “day by day, night by night” and emphasizes the singer’s longing for the other person who has become a stranger to them. The repetition of “Ghareeb Alay” further expresses the feeling of distance and unfamiliarity. // In the second verse, Balti expresses his deep connection to the other person, stating that their hearts are close, even if physically separated. He emphasizes that their love surpasses societal expectations and boundaries, mentioning his Tunisian background and the Arab heritage of his beloved. Moreover, he highlights his unwavering commitment to the Palestinian cause. // The chorus repeats again, emphasizing the yearning and confusion between the two individuals. The lyrics mention the challenges they face in life but reassure each other of their constant presence and loyalty to one another. // The bridge emphasizes the enduring love and companionship between the narrator and their beloved. It portrays their ability to navigate both joy and hardship together. The lyrics convey the idea that the world consists of both pleasant and difficult times, and that some people can be strange and unpredictable. The narrator expresses their willingness to face any obstacles and endure hardships alongside their beloved. // Overall, “Ghareeb Alay” reflects the complexities of love and relationships over time. It conveys a sense of longing, confusion, and deep connection between two individuals who find solace in their ability to navigate life together.]
  1. El-Funoun Palestine Popular Dance Troupe – “Take me to Palestine”
    from: Zajel / El Funoun / August 24, 2014
    [El Funoun Palestinian Popular Dance Troupe (فرقة الفنون الشعبية الفلسطينية) is a Palestinian dance troupe that was established in 1979. They are also called El Funoun Palestinian Popular Dance Troupe. They currently are based in Ramallah and have a direct mission to “resist the genocide of their people and culture.” As of 2021, the dance troupe has between 50 and 230 volunteer members of men women and children. Their members are also both Muslim and Christian. El Funoun translates to ‘The Art’. // Through the choreography of their dances, they aim to represent Arab-Palestinian traditions. While they perform Dabke, a traditional folkloric dance, they also choreograph different types of dance that also encompass their mission to share their vision of Palestinian dance. Their dances have roots in traditional dances that historically were performed at celebrations and weddings and adapts them for the current context. They aim to appeal to the younger audiences as well and in doing so bring Palestinian culture into the present and let it evolve. They aim to preserve and engage with Palestinian history and traditions through dance and choreography and through performance. Their work in preserving Palestinian culture and creating spaces for Palestinians to engage with their traditional culture and dance through performances, is in opposition to Israeli suppression of Palestinian expression since the Nakba in 1948. // El Funoun’s first performance was at the Dabke Festival in Birzeit University in 1979. Since 1979, El Funoun has performed over 1,000 times at various venues and festivals, as well as produced shows that bring traditional Palestinian folkloric dance with contemporary dance. Originally, El Funoun consisted solely of male dancers, but in 1981 the group opened itself up to female dancers, which attracted some criticism due to its breaking of cultural norms. The group originally focused solely on dabke, but have since expanded to include other dance styles, as well as performances that mix traditional and contemporary choreography. // In 1986 El Funoun established the “Palestinian Folklore Day”, which is an annual celebration that happens every year on October 7 and is celebrated all over Palestine. The dance troupe was also instrumental in establishing the Popular Arts Centre (PAC) in Al-Bireh in the West Bank in 1987, which aims to raise awareness about the arts and create opportunities for community members to participate in the arts. // In the mid-1990s, the group’s mission shifted from preservation of Palestinian cultural identity to development of a contemporary Palestinian identity. // From 1992 to 1999 El Funoun dance troupe performed at the Palestine International Festival. In 1997, the dance troupe received the Palestine Award for Popular Folklore. // In 1997, the group staged Zaghareed, which followed a modern Palestinian wedding. // In 2004, the group collaborated with the Belgian group les Ballets C de la B. // In 2011, the group collaborated with choreographer Yoshiko Chuma. A performance based on the collaboration was staged in New York City in 2012, with two members of the troupe participating. // El Funoun is popular in Palestine and in previous performances would have between 1,000 and 3,000 people at their performances. During COVID-19, they did virtual dance performances. // El Funoun has performed and hosted workshops abroad, in places like Ireland, Malta, and the United Kingdom. They have toured in the United States twice, in 2006 and in 2016.]
  1. Saint Levant, 47SOUL, Shadi Qasem AlNajjar – “DALOONA”
    from: DALOONA / SALXCO UAM LLC / November 25, 2024
    [From: http://www.cosmopolitanme.com by Farwah Bukhari (Nov 26, 2024) Mr Saint Levant has released a new track called Daloona, which features artists 47Soul, Shadi Borini, and more. We are also blessed with a music video directed by Gazan filmmakers Tarzan and Arab Nasser. // Daloona is an ode to his Palestinian roots and a celebration of the people’s resilience through difficult times. It’s an upbeat track that reflects the Palestinian identity through the joy experienced at a wedding. // Saint Levant said about the single: “Right now, we’re suffering immensely. And because of this, to the public and unknowing eyes, the world sees a dark, sad, and partial reality. Just like everybody else in the world, we have moments of joy. People are still getting married. People like SOL Band in GAZA are keeping this joy alive. I just want to show that we Palestinians can have joy, that this community exists, and that there is PRIDE in this identity”. // Saint-Levant, real name Marwan, has Palestinian-Algerian roots and is a multi-lingual rapper. // He was born in 2000 in Jerusalem during the second intifada and spent his childhood in the Gaza Strip until 2007 when his family relocated to Jordan. // He now lives in LA and performed at Coachella earlier this year. At Coachella, he turned his performance into a powerful tribute to Palestine.]

11:28 – Underwriting

  1. 47SOUL – “Don’t Care Where You From”
    from: Shamstep – EP / Cooking Vinyl / June 17, 2015
    [47Soul is a Palestinian Jordanian electronic music group who are one of the main forces behind the Shamstep electronic dance music movement in the Middle East. The band’s first album, Shamstep, was released in 2015. // The group formed in Jordan in 2013. Their debut album Shamstep was released in 2015. In 2017, 47Soul released their second album Balfron Promise, which takes its name from the east London tower block Balfron Tower, where the record was created. It also refers to the Balfour Declaration of 1917 through which the British government committed itself to the creation of a Jewish homeland in Palestine. The group had been residents of Balfron Tower for two years while creating their album. The album received 4 out of 5 stars in a January 2018 review in The Guardian. // The band played at festivals in 2018 like Walthamstow Garden Party, Fusion festival and Festival Med. and NYU Abu Dhabi’s Barzakh festival. // On August 26, 2019, NPR released a YouTube video of 47Soul appearing on their “Tiny Desk Concerts” series. // IIn January 2020, electric guitar player and band member Hamza Arnaout announced his departure from 47Soul citing the need to focus on creating music without the pressure to constantly perform live. // Band members: Tareq Abu Kwaik on vocals, darbuka, electronics – known independently as El Far3i; Ramzy Suleiman on vocals, synthesiser, keyboard – known independently as Z the People; Walaa Sbait on vocals, bass drums. Past member(s): Hamza Arnaout on electric guitar – known independently as El Jehaz. // 47Soul’s style, Shamstep, is based on mijwiz (a levantine folk musical style) and electronic dance. “Shamstep” is a portmanteau: ‘Sham’ refers to the levant region, which is locally referred to as “Bilad al-Sham”, and ‘step’ refers to the musical style dubstep. The band’s music is also associated with the traditional dance called Dabke.]
  1. DAM, Brother Ali – “Overdose”
    from: Overdose from the Netflix Series Mo / Cooking Vinyl / Aug, 10 2022
    [Rapper and activist Brother Ali is known for his dramatic delivery and passion for social justice, with songs rooted in everyday experience, expressions of tolerance, acceptance, and spirituality, and in critiquing racism, the excesses of political power, and everyday economic struggles. His 2003 album, Shadows on the Sun, put him on the map. In 2007, his poignant and forceful The Undisputed Truth hit the Top 200. While 2012’s Mourning in America and Dreaming in Color, addressed white privilege and the country’s longstanding wars. In 2016, Ali endorsed and performed actively for Senator Bernie Sanders, and a year later, in the aftermath of Donald Trump’s election to the presidency, he released All the Beauty in This Whole Life, recordings that actively addressed family, his role as a father, and spiritual practice. Kicking off the 2020s, he issued Secrets & Escapes, moved to Istanbul, and recorded Love & Service. // Born Jason Douglas Newman in Madison, Wisconsin, Ali spent much of his life living in various cities in Wisconsin, Minnesota, and Michigan, where he was first introduced to breakdancing and graffiti and rapping. Eventually, his demo tape, Rites of Passage, made it into the hands of the young Rhymesayers crew, who signed the MC and brought him along with them to the 2000 Scribble Jam, where Ali was a finalist. In 2003 his debut, Shadows on the Sun, produced by Atmosphere’s Ant and including a song (“Forest Whitaker”) that spoke of his albinism and blindness, came out, followed by the Champion EP in 2004. The next few years were tough for Ali, a follower of Warith Deen Mohammed, and a devout Muslim since he was 15, as he was dealing with a divorce and struggling for custody of his son. However, all of this just provided fodder for his music, and in the spring of 2007, Brother Ali’s sophomore album, The Undisputed Truth, hit shelves and became his first Billboard 200 entry. His 2009 effort Us advocated a return to true hip-hop; it was followed in 2012 by the more political-minded Mourning in America and Dreaming in Color. In 2017, following a lengthy break between releases during which he performed at Rhymesayers’ 20th anniversary concert, Ali issued the Ant-produced All the Beauty in This Whole Life, one of his deepest and most uplifting works. // In January 2020, Brother Ali released Secrets & Escapes. The set was the result of three sessions in a Venice, California garage with Evidence. The DJ/producer chopped up records on old-school samplers and ran them through a two-track compressor so they couldn’t be rearranged or mixed. He freestyled rhymes without organizing them into songs. Any time the two assembled something that they’d done before, they threw it away and started anew. Talib Kweli, Pharoahe Monch, and C.S. Armstrong all had guest spots. The opening track, “Abu Enzo,” sampled a teaching by Sheikh Habib Umar ibn Hafidh in Arabic; Hafidh is an influential Yemeni Islamic scholar from Tarim. Known for his opposition to extremism, he promotes a traditional, tolerant, inclusive brand of Islam that resonates with Brother Ali’s spiritual world view. // In 2021, Ali parted ways with longtime label Rhymesayers, moved to Istanbul, and started his own label, Travelers Media. He issued a collection of one-minute songs dubbed Brother Minutester, Vol. 1 and recorded a full-length, Love & Service, which was accompanied by an animated film of the same name. ~ Marisa Brown]
  1. Lana Lubany – “NAZARETH”
    from: NAZARETH – Single / AWAL Recordings / September 19, 2024
    [Lana Lubany is a UK-based Palestinian-American artist who is currently on the rise after her track, ‘THE SNAKE’ which is the first track she ever sang in Arabic and English. She first got into the limelight after a TikTok video where she sang the song to her mom went viral. Her mom supportively commented after hearing the song, “Finally! You See? It’s on a whole other level”. Since her song THE SNAKE burst into the mainstream, she has been making incredible strides in writing and releasing music. In this article, we take a closer look into her life, career, and lifestyle. // Lana’s journey in the world of music began in the heart of Palestine, where her childhood home resonated with the sweet melodies of her upbringing. An early bloomer in the world of songwriting, Lana started crafting her musical tales at the tender age of 11. Her parents, bless them, recognized her talent, and provided unwavering support, nurturing her gift. Her path took an interesting twist when she became a member of a peace choir, granting her the opportunity to perform in front of esteemed figures, including the former US President, Barack Obama. It was a remarkable experience that fueled her passion. // In 2013, Lana took center stage for the first time as a solo performer during the Nazareth Christmas Market event. The following year, she graced the Bethlehem Christmas Market with her own full-hour performance, cementing her presence in the local music scene. ]
  1. Lana Lubany – “THE SNAKE”
    from: THE SNAKE / Levantine Music / February 22, 2022
    [After her high school graduation in 2015, Lana embarked on a digital journey, sharing her musical talents on YouTube through cover songs. Simultaneously, she delved into her original compositions, driven by her early love for mystery and horror books and films. Her debut single, “One Of A Kind,” released in January 2017, garnered praise and a growing fanbase. Teaming up with producer “Dushii,” Lana kicked off the creation of her debut EP in April 2017. Nearly a year later, her first EP track, “Still Love U Call Me,” saw the light of day. // In pursuit of her musical dreams, Lana relocated to the United Kingdom in 2017, finding a new home in the vibrant city of London. She perceived the city as a haven for emerging artists, firmly believing that her big break was waiting in the bustling capital. // It was the release of “THE SNAKE” that marked a turning point in Lana’s career. This track, she asserts, truly encapsulates her essence as an artist. Its success propelled her into stardom, establishing her as a unique talent who effortlessly weaves Arabic and English into her music. Lana draws inspiration from luminaries like Rosalia and Billie Eilish, infusing her songs with atmospheric and visionary qualities, while imbuing her lyrics with purpose and storytelling prowess. With a knack for crafting fresh and catchy melodies, Lana’s music paints a vivid sonic landscape that captivates her audience. Similar artists to Lana include Dizzy Fae, Bloody Civilian, and Aldrch. // Lubany is 26 years old. She was born on November 3, 1996, in Jaffa, Israel. Many consider her quite young for her achievements and have claimed that she is headed in the Billie Eilish direction of being an alt-pop sensation. // Lana stands at a height of 5 feet 6 inches. She has long, dark hair and a very cute face. A true fashionista, Lubany not only keeps up with the latest fashion trends but also makes impressive fashion statements with her dress, which is at all times elegant, stylish, trendy, and exquisite. She has a model-like physique characterized by long legs, a flat tummy, and beautiful curves, which make her a sight for sore eyes..]
  1. Dana Salah – “Weino”
    from: Weino – Single / Dana Salah / August 12, 2021
    [ana Salah (Arabic: دانا صلاح, Levantine Arabic pronunciation: [ˈdæːnæː ˈsˤlˤɑːħ]; born 1989) is a Jordanian singer, songwriter and producer of Palestinian descent. // Salah was born and raised in Amman, Jordan, where she started writing music at the age of 9. As a child, she was diagnosed with ADHD. Following her education at Duke University, North Carolina, she pursued her music career in New York City. // Under the stage name King Deco, Salah started her career as a DJ in Brooklyn and as a songwriter for other artists and TV advertising, with one her songs featuring in a Maybelline commercial. She also briefly worked as a model for Bobbi Brown Cosmetics. Her 2017 single “Move That Body” garnered over 11 million streams on Spotify, reached #6 on the US iTunes Dance charts, and peaked at #25 on the Billboard Dance charts. // In 2021, during the COVID-19 pandemic and following the success of her 2019 single “Castaway”, Salah returned to Jordan and released her first Arabic single, “Weino”, under her own name, incorporating sounds of the daf and other traditional Arab instruments. It generated over 1 million views in 3 months on YouTube and was added to more than 1000 personal playlists on Spotify. In 2022 Salah became a Spotify Equal ambassador, making her the first female Jordanian artist to be featured on a billboard in Times Square. // In October 2023, in response to the Gaza genocide amid the Israel–Hamas war, 25 Middle Eastern and North African artists, including Salah, collaborated on the single “Rajieen”. She also released her single “Ya Tal3een” based on the coded Palestinian folk song “Yā Ṭāliʻīn ʻalā l-Jabal” (يا طالعين على الجبل), traditionally sung by women to men jailed in Israeli prisons.]
  1. Dana Salah – “Ya Tal3een”
    from: Ya Tal3een – Single / Dana Salah / December 27, 2023
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on April 9 – We welcome Til Willis who’s band Til Willis & Erratic Cowboy who play an Album Release Show for their new album, Glass Cactus, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.

At 11:00 we’ll talk with Heather Pontonio of Artist Thrive! and Jose Faus, and Elizabeth Bowman, and Chico Sierra who will share details about the big Artist Thrive! Conference coming to Kansas City on May 6 through May 8.

AND at 11:30 we talk with Kevin King from WHIM Theatre about Whim Productions’ annual flagship production, Alphabet Soup: Theater from Queer Voices April 4-13. an evening of six short plays written by Kansas City-area LGBTQ writers.

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1089

WMM Playlist from March 26, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 26, 2025

WMM presents: Stephonne + Danielle Ate The Sandwich + The Fur and The Fang

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Debbie Friday – “1/17”
    from: “1/17′ / Sub Pop Records / March 20, 2025
    [Debby Friday is sharing “1/17”, an anthemic and salacious new dance pop single for 2025, available now worldwide from Sub Pop and in Canada from Royal Mountain Records. // Written and produced during a whirlwind European tour, “1/17” marks an exciting evolution for Debby Friday as she unveils a softer, more playful side of her artistry. Featuring hypnotic vocals and cheeky lyrics with nods to ancient Greece and nude selfies, the track exudes charm and lightness. With threads of experimental dance-pop woven seamlessly throughout, “1/17” is a refreshing addition to Debby Friday’s sonic world and a promising kickoff to her new era. // “1/17” was produced by Friday and Darcy Baylis, mixed by Alex Gamble, with assistance by Taylor Finnigan, and mastered by Levi Seitz. // Its soaring and singular shot official video is directed by Friday and frequent collaborator Kevan Funk (“WHAT A MAN,” “SO HARD TO TELL”), and filmed at Toronto’s historic Massey Hall. // Friday says of the visual, “It’s based on an amalgamation of two experiences that I had. The first was when I won the Polaris Prize at Massey Hall, which felt like a peak moment in my career. The second was when, nine months later, I played a festival show to absolutely no one in the audience. I’ve spent the past year detaching myself from the highs and lows of this business and trying to see everything as a sign. Of what? I don’t know. But I’m sure in the end, it’ll all mean something.”]
  1. Billie Marten – “Feeling”
    from: Dog Eared / Fiction Records / July 18, 2025
    [New Single from Billie Marten’s 5th LP DOG EARED. Dog Eared is a warm, rich and textured record that bristles with confidence and self-belief, with Billie already approaching the prolificacy of a “lifer” with so much life left to live. It’s a left turn from her previous recordings, albeit a subtle one, taken with a deftness of touch. A musician embracing change, while staying true to her core self. There’s a certain strength of conviction here that finds its voice more prominently in the extensive pool of her acclaimed American contemporaries, of which she now surely stands shoulder to shoulder with. With Dog Eared, Billie calmly posits herself at the top of the tree of not just British contemporary folk artists, but with British songwriters at large. // Of the record’s opening number, “Feeling”, Billie explains: “I’ve discovered that I have a really particular long-term memory: I have specific sensory recollections from when I was two onwards, that I can recall easily now. One of these is marking out roads in my grandmother’s patterned carpet, for my Dad’s old 1950/60s toy cars to drive on. I used to trace patterns in everything: fabric seats at the dentist, carpets, wallpaper and walls, raindrops on car windows. Everything had a pattern to be noticed.” // “Another strong memory is the feeling of big, warm hands when you’re a child and how comforting and safe that feels. The notion of age being so far away from you, but you know it’s a future inevitability, and that you’re on your way there. The inarticulateness of that ‘feeling’ you can’t describe yet, but you’re aware of a push in the world that you don’t yet understand.” ”Feeling” is really set alight by Núria Graham’s guitar part, the one you hear from the outset. It sparks the album info life and really sets a benchmark in terms of rhythm. This is an album of rhythmic focus.”]
  1. Yukimi – “Peace Reign (Radio Edit)”
    from: For You / Ninja Tune / March 28, 2025
    [Debut Solo Album from Yukimi, the celebrated vocalist and co-founder of Grammy-nominated band Little Dragon, shares her new single “Peace Reign.” A hopeful song about believing and striving for a peaceful world, the song starts with a sweet message from Yukimi’s son, “you have to believe it for it to come true, it’s right in front of you.” This is the latest offering from her debut album For You due March 28th via Ninja Tune.
    “Peace Reign is about not giving up on the dream that this world can be a peaceful place. Believing in hope and a brighter future for the generations to come,” says Yukimi.
    Her debut solo album sees her step away from a band formation to create some of her most beautiful and intimate work to date: both intensely personal and brilliantly relatable. On For You, Yukimi elegantly entwines musical styles from jazz, soul and electronic pop to hip hop, roots and psychedelia, but the themes of her solo songs dig deeper than ever, across love, loss, feminine energy and innate resilience. // For You will include previously released singles “Stream of Consciousness” featuring British singer-songwriter Lianne La Havas. The collaboration marks Yukimi’s first time writing and creating music with another woman, which allowed her to fully delve into her feminine energy; “Sad Makeup,” which was written “about those days when you try to push down and control a sad feeling” says Yukimi; “Winter Is Not Dead,” inspired by those long, dark winters in Scandinavia; and the self-empowering debut single “Break Me Down” which was also in collaboration with Lianne La Havas and Little Dragon bandmate and long-time friend Erik Bodin.//Reflecting on For You, Yukimi shares: “I want this music to really be a force to connect people to each other, and step away from the madness of everything on the planet right now. And I’m excited about embarking on that journey on my own – the expression really feels pure.” // To celebrate the album’s release, Yukimi will embark on a full North American tour beginning in April, making stops in major cities including New York, Toronto, Chicago, Portland, San Francisco, and Los Angeles. Full tour details and ticket information can be found at https://yukimi-music.com/. // Renowned for her distinct and graceful voice, Yukimi has captivated audiences since co-founding Little Dragon in 1996. With the band, she has performed on some of the world’s biggest stages, from Coachella and Glastonbury to NPR’s Tiny Desk—while collaborating with an impressive roster of artists, including Mac Miller, Kali Uchis, Gorillaz, JID, KAYTRANADA, Flume, and De La Soul. Her ability to transcend genres and craft deeply moving music has cemented her status as one of the most compelling voices in contemporary music.]
  1. The Faint – “Desperate Guys”
    from: Wet from Birth / Saddle Creek / September 14, 2004.
    [Wet from Birth is the fourth studio album by The Faint, formed in Omaha, Nebraska, the band consists of Todd Fink, Graham Ulicny, Dapose and Clark Baechle. The Faint was originally known as Norman Bailer and included Conor Oberst (of Bright Eyes, with whom The Faint toured in 2005). He quit shortly after the band was formed, though the Faint continued to share a spot with Bright Eyes on Saddle Creek Records. // The band originally consisted of Clark Baechle, Todd Fink (formerly Todd Baechle), and Joel Petersen. Growing up, Fink, Petersen, and Baechle skateboarded in their free time, until Fink developed knee problems, which shifted their hobbies towards making music. They signed to Saddle Creek Records and released a few singles, but were unable to establish widespread sales. After adding Matt Bowen, the Faint released Media. At the end of 1998, Jacob Thiele joined the band, and shortly thereafter, Matt Bowen was replaced by Ethan Jones. They toured the U.S., playing what would become the songs that would comprise the next album, Blank-Wave Arcade, which had a more dance and techno-influenced sound and was an underground hit. Before recording the album, however, Jones left the band and was replaced on bass guitar by Joel Petersen, who played both bass and guitar on the album. Partway through the creation of Danse Macabre, the Faint added Dapose, a death metal guitarist formerly of LEAD. Their next album, recorded with Mike Mogis and released in 2004, was called Wet from Birth. Conor Oberst claimed in an August 2020 interview with Pitchfork Magazine that The Faint were offered a major label record deal, but turned it down out of loyalty and commitment to Saddle Creek, which at the time was still a collaborative project between members of The Faint, Cursive and Bright Eyes. // In May 2008, the Faint announced that they had split from Saddle Creek, and that their fifth studio album would be self-released under their own label, blank.wav. The album, entitled Fasciinatiion, was released on August 5, 2008, in the U.S. The first single from the album was “The Geeks Were Right”, which was released on Boys Noize Records. It was also announced that the band would tour North America with British electronic group Ladytron during the spring. // Since the release of Fasciinatiion, two of the band members, Clark Baechle and Todd Fink have been quietly, with little advertising, performing under the name Depressed Buttons, playing remixes of other artists, and DJing for various small clubs and venues. // The band performed an original song “Teach Me Teacher” on the children’s show Yo Gabba Gabba! in the third-season episode “School”, which originally aired September 19, 2010. // On October 30, 2012, Saddle Creek Records released a deluxe edition of Danse Macabre with the original album remastered, bonus and unreleased tracks, and a DVD of archival footage, live projections from that era’s tour dates, and live footage. The band announced that it would play Danse Macabre in its entirety along with fan favorites during a tour of 24 cities across North America. // In 2016, Graham Ulicny (of Reptar) replaced Jacob Thiele on keyboards. Thiele died on February 13, 2020.]

[The Faint play The Warehouse on Broadway, 3951 Broadway Boulevard, KCMO on Friday, March 28 at 8:00pm with special guests Plack Blague]

  1. Honeybee – “i wish i knew you then”
    from: “i wish i knew you then” – Single / Honeybee / March 28, 2025
    [New honeybee single from their upcoming EP “midtown girl”, to be released on June 6, 2025. // The track was written by the songwriter and lead singer, Makayla Scott, who wrote to us, “i wish i knew you then is inspired by all the stories Al (honeybee bass player and Mak’s partner) has told me about their life prior to us getting to know each other. Sometimes when we are reminiscing and giggling about the past, I get hit with a big wave of fomo – sad i’ve missed out on so much. but they always say that the timing of our relationship is perfect and that they’re glad we met when we did. Still, I would have LOVED to hang with kid AL and play horses or dogs or any of the 2000s era Madden games!” // Honeybee released their EP Saturn Return on March 29, 2024 part of WMM’s 120 Best recordings of 2024. // Honeybee started as the solo project of Singer/Songwriter Makayla Scott and now include 3 or 4 of her friends umping in… Honeybee released the songle “I Know What Love is” on January 27, 2023. Makayla Scott also played with the band Blue False Indigo Makayla Scott studied music at Drury University graduating in 2017. Honeybee played Manor Fest 6 at 6:30 PM at Arizona Trading CO. 1722 Oak Street KCMO with The Highwater, and Jass.]
  1. David Luther – “Wrecking Bay”
    from: “Wrecking Bay”- Single / David Luther / March 28, 2025
    [David Luther released the first single “Smile About Something” on January 21, 2025. David Luther released the 2d single, “If Love Just Ain’t Enough (feat. Garrison Starr) on February 28, 2025. all singles off of David’s upcoming album EWHO YOU ARE expected April 25, 2025. // David Luther Broxterman recorded his first self-titled EP in 2009 with Nashville producer Neilson Hubbard. The EP featured backing vocals from Americana artist Garrison Starr. This experience was the catalyst that would send him on his path to a music career, gigging part-time to begin with while working full-time as a social worker. // In 2020, during the heart of COVID-19, David knew it was time to embrace becoming a full-time musician.. Stepping away from social work and side jobs, especially as a single father of two boys, was a faith move then. During this time, David collaborated with David George and Pat Tomek on his EP Take Me Home, which was released in 2022. The EP included the anthem Home To Kansas City and World’s Gonna Change, a song co-written by David, Brandon Mashburn, and Academy Award and Golden Globe-winning songwriter Tom Whitlock. George and Tomek’s dedication and artistry to the project, along with the exceptional musicians and singers, inspired David. Shortly after, David worked with his sister Anna Taylor and producer Brandon Mashburn on the single I Will, released in 2023, a song to draw attention to things that unite rather than divide us. // In July 2024, David again joined Neilson Hubbard, studio musician Juan Solórzano, and engineer Dylan Alldridge in their East Nashville studio to record a new full-length Americana album. The album, Who You Are, features partner Kelly Dougherty on several songs and Garrison Starr on If Love Just Ain’t Enough. The songs on the LP are a journey of David’s songwriting, many coming from painful places in the past and leading up to the last song he finished the night before the last days of recording, the title track. // David is grateful for the people in his family and community who have come alongside him, often carrying him and sometimes dragging or chasing him down his path. He says he can’t imagine how he’d still be doing this without their ongoing help and encouragement, especially that of his partner and manager, Kelly Dougherty. “I had no idea what I was getting myself into, but there’s no going back.”]
  1. Krystle Warren & The Faculty – “Truly Great Thing”
    from: Extended Play / Parlour Door Music / November 1, 2024
    [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations // // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs​ was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs​ were recorded with everyone in the same room (​Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play​ was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up ​Extended Play​ are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play,​ they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]

10:29 – Underwriting

10:31 – Interview with Stephonne

Stephonne is in the house. Joining us today to debut his new single “It’s Gonna Be Alright.” Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. More info at: http://www.stephonne.com

Stephonne Thanks for being with us on Wednesday MidDay Medley

Welcome back to the show. We are nearly three months into the year and Stephonne has already produced another epic tribute show, this time to Mary J. Blige at the Fifth Floor in the historic West Bottoms. Stephonne was also one of the featured artists at the Rock is Black concert at the Zhou B Art Center in the heart of the 18th & Vine Arts & Cultural District.

Both of these events were very important to Stephonne as a performer, but also in the community building work that Stephonne does.

Stephonne is a multifaceted performer, actor, drag performer, singer-songwriter, model. Stephonne has been a big part of the Wednesday MidDay Medley, as one of our most frequent guests, and someone we call on when we’re celebrating anniversary shows. We have loved watching Stephonne’s journey as a musical performer. This has been a journey of discovery of self.

Part of Stephonne’s most recent work is being on the board of Kansas City Folk Festival.

KC Folk Fest Fundraisers:
Pickball – Saturday, April 19, at 10:00am, in Gillham Park, sign up by April 11, 2025
FolkyOkie Karaoke, April 23 , at 7:00p at The Ship 1221 Union, KCMO West Bottoms
Rural Grit Happy Hour, Monday, May 5, at 6:00pm at The Brick, 727 McGee, KCMO

Kansas City Folk Festival is Saturday May 17, 12:00pm to 8:00pm with Sunny War, Nokisee Fields, Jamogi and The Jammers, Stranded in The City, Rural Grit Happy Hour, Dalima Kapten, Gracie Caggiano, Wim Frederick, Pheenix Leeor, Mitxi Mckee, KC Queertet, No Divide KC Spotlight, KC Fringe Showcase, KC Young Audiences, Heartland Song Network, Poetry, Craft Market, Food Trucks, and more, More infoat: http://www.kcfolkfest.org

Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show

10:40

  1. Stephonne – “1 Think It’s Gonna Be Alright”
    from: “1 Think It’s Gonna Be Alright” – Single / Stephonne / March 28, 2025
    [Co written by Stephonne Singleton with Shawn M Stewart.]

10:43 – More Interview with Stephonne

Stephonne is in the house. Joining us today to debuts his brand new single “It’s Gonna Be Alright.”

More info at: http://www.stephonne.com

Stephonne Thanks for being with us on Wednesday MidDay Medley

Along with your work with KC Folk Fest, you have also worked with Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show.

Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows.

Each Charlotte Street Generative Performing Artist Award receives an unrestricted cash grant of $10,000, recognition by Charlotte Street at the time of the award announcement and throughout 2023. The 2023 Charlotte Street Generative Performing Artist Awards recognize two exceptional artists in the fields of dance, theatre, music, opera, sound art, performance art, multimedia performance, spoken word, puppetry or hybrid performance-based forms. Along with Stephonne Singleton and Tiara Nicole was the other recipients of the 2023 Generative Performing Artist Awards. Since 1997, 29 performing artists and 106 visual artists in the Kansas City region have received this highly regarded award.

All of the 2023 Charlotte Street Award Fellows were selected through competitive processes beginning with open calls for applications from artists based in the five-county Kansas City Metro Area. Artist selections were made by a panel of jurors consisting of renowned and qualified arts professionals. Jurors participated in interviews, presentations, and studio visits, resulting in the selection of 10 finalists for the Generative Performing Artists Awards and 12 finalists for the Visual Artist Awards.

Stephonne’s Statement:

“As a generative performance artist and musician, my music is a result of radical and unconditional love that I have for my life and human connection. That love persists, despite living in a world that relishes my artistic contributions but not the color of my skin nor my queerness. It is within this relentless predicament that I find myself, my melodies, and my lyrics. I share my struggles, triumphs, and journey to self-love through performance. I create music and live experiences that break through the boxes of race, gender, social status and genre so that others may see their reflection in my art. All of my musical influences come together to create something inimitable but familiar. Music has always understood me and It is through music that I continue to define and understand myself. I want my audience to feel accepted and understood by my art, to feel seen – and then to better understand themselves and those around them.”

Stephonne Thanks for being with us on Wednesday MidDay Medley
More info at: http://www.stephonne.com

10:53

  1. Stephonne – “1”
    from: “1” – Single / Stephonne / August 21, 2024
    [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Trombone – Trevor Turla. Recorded, mixed and mastered at Westend Recording Studios, Kansas City. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist – Stephonne Singleton keeps very busy, organizing Tribute Shows, working as a Resident Artist at Charlottee Street studios, playing Music Festivals, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, The Black Box, The Folly Theatre, collaborating with The Black Creatures, Calvin Arsenia, Miki P, Jass, Eboni Fondren, putting out EPs, and singles. Stephonne released his EP SIS: Side B on June 24, 2022 it was in the TOP TEN of WMM’s 120 Best Recordings of 2022. Stephonne was a featured performer at the 23rd Annual West 18th Street Fashion Show on Friday, June 2, 2023, and also in the 24th annual West 18th Street Fashion Show.]
  1. Julien Baker & TORRES – “Sugar in the Tank”
    from: “Sugar in the Tank”- Single / Matador Records / December 13, 2024
    [This was the first single from Julien Baker and TORRES upcoming 12-track album SEND A PRAYER MY WAY to be released April 18, 2025. // After playing “Sugar in the Tank” on The Tonight Show Starring Jimmy Fallon, Julien Baker & TORRES closed out 2024 with the release of their critically acclaimed debut single “Sugar in the Tank” via Matador Records. Since then, they have also shared the official video for the track which was shot in collaboration with the queer country dance party Stud Country. // Formed by their shared experiences of growing up queer in the south, “Sugar in the Tank,” which is now #3 greatest gainer, and #30* at AAA, not only reflects Julien Baker & TORRES’ love of country music, but joyfully reclaims the genre’s traditions and iconography which until only recently felt exclusionary. The single is a beautiful duet that is authentically country as it is a celebration of the songwriter’s roots. // “Sugar in the Tank,” is a stunning duet—a heartfelt celebration of identity and belonging, steeped in the timeless essence of country music. // “Straightforward country — guitar strumming, banjo picking, pedal steel guitar — perfectly suits the all-out declarations of love in “Sugar in the Tank.” -The New York Times // “the pair’s voices fit together like puzzle pieces, making ‘Sugar in the Tank’ a must-listen for any country music fan out there.” Billboard]

11:00 – Station ID

  1. Danielle Ate the Sandwich – “Fumbling”
    from: Fumbling / Danielle Ate The Sandwich / March 21, 2025
    [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]

[Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini. Info at: http://www.greenwoodsocialhall.com]

11:04 – Interview with Danielle Anderson

Danielle Anderson performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle Anderson jois us to talk about her new album FUMBLING from Danielle Ate The Sandwich, released March 21, 2025. Danielle has released over 300 YouTube videos, conducts an annual community songwriting project called the 24 Hour Album, and has released 8 full length albums of original music. She has opened for Mumford and Sons, Jake Shimabukuro, and had the opportunity to write the soundtrack to the Emmy nominated HBO documentary, “Packed in a Trunk: The Lost Art of Edith Lake Wilkinson.” In 2023, Danielle was awarded a 2-year studio residency at the Charlotte Street Foundation, and was the recipient of an Inspiration Grant from ArtsKC in 2024. Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO. Info at: http://www.greenwoodsocialhall.com

Danielle Anderson, thank you for being with us on WMM.

We just heard the title track from Danielle’s 8th full length album Fumbling.

Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews.

Danielle Anderson: vocals, ukulele, guitar, banjo.
Fritz Hutchison: drums, bass, banjo, guitars, keys.
Alison Hawkins: vocals, keys, fiddle.
Joy Zimmerman: vocals.
Marco Pascolini: pedal steel.
Alberto Racanati: trumpet, flugelhorn, piccolo trumpet.
Aryana Nemati: flute.
Laurel Parks: violin.
Sascha Groschang: cello.
Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell.

Danielle Ate The Sandwich’s 8th album received an Inspiration Grant from ArtsKC.

11:12

  1. Danielle Ate the Sandwich – “It’s Not Jupiter”
    from: Fumbling / Danielle Ate The Sandwich / March 21, 2025
    [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]

[Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini.. Info at: http://www.greenwoodsocialhall.com]

11:16 – More Interview with Danielle Anderson

Danielle Anderson performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle Anderson jois us to talk about her new album FUMBLING from Danielle Ate The Sandwich, released March 21, 2025. Danielle has released over 300 YouTube videos, conducts an annual community songwriting project called the 24 Hour Album, and has released 8 full length albums of original music. She has opened for Mumford and Sons, Jake Shimabukuro, and had the opportunity to write the soundtrack to the Emmy nominated HBO documentary, “Packed in a Trunk: The Lost Art of Edith Lake Wilkinson.” In 2023, Danielle was awarded a 2-year studio residency at the Charlotte Street Foundation, and was the recipient of an Inspiration Grant from ArtsKC in 2024. Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO. Info at: http://www.greenwoodsocialhall.com

Danielle Anderson, thank you for being with us on WMM.

We just heard another track from Danielle’s 8th full length album Fumbling.

Danielle had the honor of working with IX Film Productions to create a new music video for the title track of the new album, Fumbling. The result is a beautiful one shot video that takes Danielle through the chaos of life, growing up, making choices, and fumbling through it all.

The video was filmed in Kansas City, MO, by Patrick Poe & Lolo Loren, with production design by Amber Joy. The video features lots of amazing local talent!

Starring:
Ellie DeShon – Mom
Thomas Smith – Dad
Amber Joy – Sister
Jerry Mañan – Friend/Groom
Tiffany Michelle – Friend
Stephanie Stevens – Friend
Forest Kinsey – Priest/Partygoer
Gideon Madison – Partygoer
Ace Lovelace – Partygoer
Lily Gojcevic – Partygoer
Mykah Mleek – Partygoer
Mason Vietti – Partygoer
Liam Chewning – First AC
Isabelle Torri – Hair & Makeup
Bob Colladay – Car

Danielle on Fumbling Tour Dates around the US!

FUMBLING TOUR DATES
March 29th | Kansas City, MO
April 12th | Warrensburg, MO
May 31st | Lawrence, KS
May 10th | Denver, CO
June 12th | Littleton, CO
June 15th | Fort Collins, CO

WEST COAST FUMBLING TOUR
September 11th | Reno, NV
September 12th | Roseville, CA
September 13th | North Bay, CA
September 14th | Sunnyvale, CA
September 20th | Los Angeles, CA
September 22nd | Sun City, AZ
September 23rd | Phoenix, CA

Last summer at the KC Fringe Festival, Danielle presented THE GREATEST GARAGE SALE EVER a one woman comedy cabaret featuring original characters and songs by Danielle Anderson with five performances July 20 thru Sat., July 27 The Bird Comedy Theater, 103 West 19th, KCMO.

On February 23, 2024, Danielle Ate The Sandwich released the single, “Turtle by Jer” – Written by Jerry “Jer” Slougherman and Danielle Anderson. Performed by Jer. Mixed by David Bashford

On January 14, 2024 Danielle Ate The Sandwich released the 6-track release, “2024 (The 24 Hour Album)”.

On February 20, 2022 Danielle Ate The Sandwich released the 7-track release, “Continued Curfew (24 Hour Album 2022)”.

Danielle Ate The Sandwich released the 7-song album, 24 HOUR ALBUM (2021), on April 25, 2021. The 7 songs on this album were written and recorded in 24 hours on April 24th-25th, 2021, during Danielle Ate the Sandwich’s 6th annual 24 Hour Album.

On May 28, 2021 Danielle Ate the Sandwich released, It’s Not a Burden (Original Songs from the Documentary Film) on Youngest Daughter Records. It’s Not A Burden is a powerful and brilliant film about the joys and pain of raising elderly parents. The songs are produced by Joanna Katcher.

Danielle Ate The Sandwich released the single, “A Weight, A Wall” on June 1, 2021.
Danielle Ate The Sandwich released the single, “Goodbye to You” on August 22, 2021.
Danielle Anderson, thank you for being with us on WMM.

11:25

  1. Danielle Ate the Sandwich – “Not Easy To Do”
    from: Fumbling / Danielle Ate The Sandwich / March 21, 2025
    [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]

[Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini.. Info at: http://www.greenwoodsocialhall.com]

11:28 – Underwriting

  1. The Fur and the Fang – “Mr Lorry”
    from: EP 4 /The Fur and the Fang / December 17, 2024
    [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]

[The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]

11:33 – Interview with Zach Hodson, Valerie Schurman and Joe Frogge

Joining us in our 90.1 FM Studios is KC music veteran Zach Hodson, formally of the critically acclaimed Dolls On Fire. Zach’s new band is The Fur and The Fang where Zach on sings, plays guitars, keys & percussion; also joining us in the conversation is: Valerie Schurman who sings, plays kazoo & percussion; and Joe Frogge who sings and plays ukulele. Seann McAnally on vocals & bass is also in the band. The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.” The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. More info at: http://www.thefurandthefang.bandcamp.com

The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com

Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM

The Fur and The Fang is:
Zach Hodson on sings, plays guitars, keys & percussion;
Valerie Schurman who sings, plays kazoo & percussion;
Joe Frogge who sings and plays ukulele.
Seann McAnally on vocals & bass is also in the band.

The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.”

The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson.

11:41

  1. The Fur and the Fang – “Bad Gospel”
    from: EP 4 /The Fur and the Fang / December 17, 2024
    [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]

[The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]

11:44 – More Interview with Zach Hodson, Valerie Schurman and Joe Frogge

Joining us in our 90.1 FM Studios is KC music veteran Zach Hodson, formally of the critically acclaimed Dolls On Fire. Zach’s new band is The Fur and The Fang where Zach on sings, plays guitars, keys & percussion; also joining us in the conversation is: Valerie Schurman who sings, plays kazoo & percussion; and Joe Frogge who sings and plays ukulele. Seann McAnally on vocals & bass is also in the band. The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.” The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson.

The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com

Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM

The Fur and the Fang Discography
The Fur and the Fang released the 4-track EP, EP3 on December 17, 2024
The Fur and the Fang released the 5-track EP, EP3 on July 23, 2024
The Fur and the Fang released the 4-track EP, EP2 on August 25, 2023
The Fur and the Fang released the 4-track EP, EP1 on February 28, 2023
The Fur and the Fang released the 6-track EP, A Furry Fangy Holiday 2023 Dec 20, 2023

The Fur and the Fang released the single, “The Horrors We Don’t Know” on Oct 31, 2023.

Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM

The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com

11:54

  1. The Fur and the Fang – “I Could Never Tell A Lie”
    from: EP 4 /The Fur and the Fang / December 17, 2024
    [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]

[The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on April 2Fallestine “Fally” Afani of I Heart Local Music and the Lawrence Music Alliance joins us as Guest Producer for SPOTLIGHT ON PALESTINIAN ARTISTS a special presentation for Arab American Heritage Month featuring music from Saint Levant, Elyanna, DAM, and More!

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1088

WMM Playlist from March 19, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 19, 2025

WMM presents: Black Light Animals + Big Fat Cow

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Flutienastiness – “Tulum in November”
    from: Tulum in November / Flutienastiness Entertainment / November 28, 2024
    [Amber Underwood’s first new music in four years. Nick Spacek of The Pitch writes, “Seeing the flute player rock a melody which wouldn’t be out of place on a ’70s compilation LP you pulled out of the bargain bin while digging for cool, weird vinyl before a Daft Punk meets Italo disco bass line turns it into the late night track you didn’t know you needed and gets you shaking your ass so hard you scare your pets.” // Jazz flutist, educator, band director, and band leader, Amber Underwood is a native of Kansas City and has been entertaining and performing music since the tender age of 8. Beginning her musical journey on the piano and soon after began playing classical flute. / While in college, Amber discovered Jazz and became intrigued with the art form inspired by musical influences of Bobbi Humphrey, Hubert Laws, Frank Wess, Herbie Mann, and Nestor Torres and found a love for the art form. At age 20, Amber graduated from Wichita State University with a Bachelor of Music in Flute Performance and by 23 she completed a Masters of Arts in Arts Administration and Music Business from the University of Missouri Kansas City Conservatory and continued her education with a second Master’s degree in Education and Teaching Music from Pittsburgh State University. / In the beginning of 2014, the Amber Underwood Project and later transformed into Flutienastiness and the SoulPatrol with the mission to showcase an instrument that is normally used as an auxiliary instrument in jazz but now as a solo instrument. Flutienastiness and the SoulPatrol is a modern and fresh take on smooth jazz and R&B sounds with a touch of Latin, Funk and Gospel. Flutienastiness and the SoulPatrol uses the rich tones and colors of the flute to interpret the various styles and genres of jazz. // Amber has been a presence in the Kansas City jazz scene making a place and a voice for her instrument. Amber has opened for Kirk Whalum and has performed alongside a host of other artist. / Amber is our modern-day soul and contemporary jazz flautist and a force to be reckoned with. Her debut album, ‘This Is Me’ has gained International recognition and was name one of the Top 25 Jazz Albums of Kansas City in 2020. Amber has also appeared on jazz playlists and featured on various recordings from all genres. Amber ‘Flutienastiness’ Underwood is the future of contemporary soul jazz flute! // On October 28, 2020 Flutienastiness released the album THIS IS ME (part of WMM 120 Best recordngs of 2020). The album was produced, mixed, & mastered by Desmond “D. Professor” Mason for Out D. Park Productions. All flutes by Amber Underwood. All tracks were composed collaboratively between Amber & Desmond. Amber writes: “This is album is a touch of all my feelings, life journeys and an inside look into Amber ‘Flutienastiness’ Underwood as a person beyond the stage. More info at:www.flutienastiness.com.]
  1. GHOSTY – “Back To School”
    from: Duane Duane – EP / More Famouser Records / February 27, 2024
    [Lawrence / Kansas City band founded by Andrew Connor. Music by Ghosty. Lyrics by Andrew Connor and Eugene Booth. Recorded by Ross Brown in Kansas City, KS November 2024. Mixed by Ross Brown. Mastered by Mike Nolte at Eureka Mastering. Bill Belzer on drums, percussion; Ross Brown on slide guitar on Duane Duane, backing vocals; Andrew Connor on vocals, guitar; Mike Nolte on bass; David Wetzel on piano, synth, backing vocals; Konnor Ervin om backing vocals; Collin Rausch on backing vocals; and Kyle Rausch on backing vocals. Art by Paul Browning. Consulting by Kyoko Connor // Andrew Connor released the album IN COLORADO on April 21, 2021. // Ghosty released the EP PRODIGAL SON on February 28, 2020. With this EP GHOSTY was able to finally get back to finishing 3 tracks that were started in 2014. Andrew Connor on guitar & keyboards, & vocals, Bill Belzer on drums & percussion, Ross Brown on guitar & keyboards, and Mike Nolte on bass. Basic tracks were recorded in July 2014 at Westend, Kansas City, KS. Engineered by Mike Nolte. The songs were written by Andrew Connor. Mixed by Ross Brown and mastered by Mike Nolte at Eureka Mastering. This EP followed the band’s critically acclaimed 2013 album GHOSTY on High Dive Records. More info at: http://www.ghostysounds.com ]

Ghosty Discography

Ghosty released the 3-song EP, PRODIGAL SUN on February 28, 2020 with Bill Belzer on drums, percussion / Ross Brown on guitar, keys / Andrew Connor on guitar, keyboards, vocals / Mike Nolte on bass

Ghosty released the self titled album GHOSTY on April 17, 2014. It was there 3rd full length release with Andrew Connor, Mike Nolte and Bill Belzer who recorded their new album themselves over the last couple of years with help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, and Dan Talmadge. The new release was pressed on vinyl and available on LP and digital download.]

Ghosty released the single “Love U 2” on July 15, 2013, recorded June 2013 at Westend, Kansas City, KS. Documentary about the recording of this song by surrounding media vimeo.com/70317712 // with: Mike Nolte on bass, engineering, mastering // Andrew Connor on guitar, keys, vocals / Bill Belzer – drums, & percussion

Ghosty released the 5-track EP, TEAM UP AGAIN on April 13, 2010 with Andrew Connor, Mike Nolte, David Wetzel, Josh Adams, Jake Blanton, Suzannah Johannes, Konnor Ervin, Ryan Johnson // Team Up Again,” “Ocean of Heat (Setting FIres),” and “Quell The Hunger” by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2010. “Virginia Song” by Rev. Howard Finster, arranged by Ghosty. “On A Saturday” by Jake Blanton, arranged by Ghosty. // “Team Up Again,” “Setting Fires,” “Virginia Song,” and “On A Saturday” recorded and mixed at Run Riot / More Famouser Studios, Shawnee, KS, September 2009 through March 2010. Engineered and mixed by Mike Nolte and Ghosty. // “Quell The Hunger” recorded at Mixtape Soundlab, Lawrence, KS, January 2009 additional tracking and mixing and Run Riot / More Famouser studios, Shawnee, KS, and February 2010. Engineered and mixed by Mike Nolte and Ghosty.

Ghosty released the 3-track EP, FOOLISH PRIDE on November 17, 2009 with All songs by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2009 // “Foolish Pride” and “Rose-Colored Glasses” basic tracks recorded at Jack’s House, Merriam, Kansas, Fall 2007. Engineered by Mike Nolte and Ghosty. Additional tracking and mixing at More Famouser Studios, Kansas City, MO, and Run Riot Studios, Shawnee, KS, Fall 2009. // “Hey Bill” basic tracks recorded at Mixtape Soundlab, Lawrence, KS, January 2009. Engineered by Mike Nolte and David Wetzel. Additional tracking and mixing at More Famouser Studios, Kansas City, MO by Mike Nolte and Ghosty, Spring 2009.

Ghosty released the 3-track EP, A MYSTIC’S ROBE on September 15, 2009 with Andrew Connor, David Wetzel, Mike Nolte, Jake Blanton, Josh Adams, Carmen Winters // All Songs by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2009 // “My Girl Is Strong” and “Sunday Morning” basic tracks recorded at Mixtape Soundlab, Lawrence, KS, January 2009. Engineered by Mike Nolte and David Wetzel. Additional tracking & mixing at More Famouser Studios, KCMO by Mike Nolte & Ghosty Spring 2009. // “Secret Language” basic tracks recorded at Jack’s House, Merriam, KS, Fall 2007 Engineered by Mike Nolte & Ghosty. Additional tracking & mixing at More Famouser Studios, by Mike Nolte & Ghosty Spring 2009.

Ghosty released the 11-song album ANSWERS on January 15, 2008 with tracks recorded by Paul Malinowski at Westend and Run Riot Studios, Kansas City, KS, 2006-07. racks 4, 6, 7, and 9 were recorded and mixed by Trent Bell at Bell Labs, Norman, OK, 2006. // Track 8 was recorded by Tim Brandsted at UMKC and Paul Malinowski at Westend. Mixed by Paul Malinowski at Westend, 2007. // Tracks 2 and 10 were recorded by Chris Behmer at the Ferrell home, Overland Park, KS, 2005, and with Trent Bell at Bell Labs. Mixed by Trent Bell at Bell Labs, 2006. // Mastered by Roger Seibel at SAE Masterin // All songs by Andrew Connor, arranged by Ghosty // Pretend Outlaw Music, ASCAP. // Released on Oxblood Records.

Ghosty released the 5-track EP, ME, ME, ME on January 15, 2006 w/ Andrew Connor on guitar & vocals / Jeff Ferrell on guitar & vocals // David Wetzel on keyboards &* vocals // Mike Nolte – bass & vocals // Josh Adams on drums & vocals // Recorded & mixed Fall 2005 by Jeff Ferrell and Ghosty at New York St. house, Lawrence, KS. Artwork by Paul Browning. Songs by Andrew Connor, Pretend Outlaw Music

Ghosty released the 19-track album GROW UP OR SLEEP IN (Deluxe Edition) on August 30, 2005 with Josh Adams, Andrew Connor, Jeff Ferrell, Mike Nolte, David Wetzel// and Alums: Jacob Baum, Richard Gintowt, Mark Hurst, Andrew Sallee, James Duft // Big Surrender, Henry Greene, and Hey! Somebody were recorded by Mike Mogis at Presto! in Lincoln, NE in the summer of 2002 // Jacqueline, Rooms in the Dark, (In a Big World)Little Dreams Count, High on Life, Clouds Solve It, Go to Add/Drop City, and World Travelers were recorded by Trent Bell and Andy Nunez at Bell Labs in Norman, OK in the fall 2003 // Mastered by Doug Van Sloun at Studio B // Design by Patrick Giroux at Blue Collar Press // All songs by Andrew Connor, Copyright 2005 // Pretend Outlaw Music(ASCAP) // Wayne Coyne appears courtesy of Warner Brothers Records // BONUS TRACKS: Primadonna, John Hunter, and Sad Sack recorded Summer 2006? at the Ferrell Home in Overland Park, KS by Chris Behmer and Ghosty // Dust Box Nites and Rok Town Air recorded and mixed with Tom Wagner at Underground Sound in Lawrence Kansas, Winter 2005? James Duft plays bass // Going Home Recorded in the Spring of 2002 at 1225 and 1137 Tennessee in Lawrence, KS by Ghosty, Mixed with Jeff Ferrell.

Ghosty released the 6-track EP THE FIVE SHORT MINUTES on February 2, 2002 with Andrew Connor: Guitar, Vocals, Keyboards / Jacob Baum: Bass, Organ, Percussion, Guitar / Richard Gintowt: Drums, Percussion / Jeff Jackson: Pedal Steel Guitar on Track 5 // Recorded Fall 2001 at the haunted house by Jacob Baum / Produced by Ghosty / Mastered by Boyd Bristow

  1. Birdie – “Sleepsinger”
    from: Make Me / Birdie / February 1, 2025
    [Birdie’s new 8-track album. Birdie Is: Betsy Schwartze on vocals, ukulele, keyboard;Andy Oxman on guitar; Barb Wilmoth on drums & bass; Dan Carey on bass. // Birdie released the 8-track album 8 TRACK on July 25, 2024. // Birdie released the 9-track album GRAVITY on October 12, 2022. GRAVITY was made with Birdie in lead vocals & ukelele, Andy Oxman on guitar, Barb Wilmoth on drums, Dan Carey on bass, with Pat Tomek on drums, Gary Paredes on guitar and Marc Bollinger on bass. // Birdie released two full-length albums in 2022. // On May 27, 2022 Birdie’s released the 8-song album WHY DO YOU HAVE TO BE SO COOL? Power pop, punk, and echoes of the girl groups of our time intersect in Kansas City-based band Birdie. This energetic collaboration of local talent brings a fresh take on classic sounds. // Birdie released the single “You Can’t Stop Her” on June 13, 2021. // Birdie released the 7-track EP, CELLOPHANE HEART on June 4, 2021. Birdie is the musical project of Betsy Schwartze who lives in Stilwell KS. Info at: http://www.birdiesound.com]
  1. LYXE – “Sad Surfer”
    from: “Sad Surfer” – Single / LYXE / March 11, 2025
    [Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass,. This indie/alternative rock band LYXE, is from Lawrence, Kansas. // This is LYXE’s second single of 2025 following “All Alone” that was released on February 21, 2025 // “Sad Surfer” – A Melodic Reflection on the Struggle to Find Home. The track blends surf-inspired guitar melodies with introspective lyrics about the search for belonging. The song’s lush, reverb-laden guitars evoke a sense of nostalgia for surf rock from both past and present, while offering a modern twist that perfectly complements the band’s unique sound. With this new release, LYXE continues to push the boundaries of their genre, delivering a hauntingly beautiful reflection on personal longing and identity. / “Sad Surfer” captures the universal struggle of trying to find a place that feels like home. The almost pessimistic lyrics delve into themes of displacement and the desire for stability, resonating with anyone who has ever felt out of sync with their surroundings. With its atmospheric guitar work and emotive vocals, the song creates a sonic landscape that mirrors the inner conflict of seeking a place to call your own. The track’s introspective mood is balanced by its ethereal soundscape, making it a standout piece in the band’s growing catalog. / The release of “Sad Surfer” marks another exciting chapter for LYXE, as they continue to gain momentum in the indie rock scene. Known for their emotionally charged music and genre-blending style, LYXE’s new single is sure to captivate both new listeners and long-time fans alike. //LYXE, a three piece pop-rock outfit formed out of the love of getting fans to sing and dance along to hip shaking rhythms reminiscent of classic 80’s and 90’s sounds. They quickly became a favorite of crowds and musicians alike with the lead of Ryan Wise’s crooning vocals and vintage guitar sounds. The trio has an undeniable chemistry that caught the local scene like wildfire. Bassist AJ Knudson brings a loveable charisma to their live presence, while drummer Jimmy Girod’s subtle, elegant delivery gives this act a sophisticated backbone. // LYXE released their debut EP, EVERYTHING YOU COULD EVER WANT on September 15, 2022. Pulling inspiration from a wide range of genres, this six-song EP has a pop-rock, new wave nostalgia that sinks its teeth into you. Luring in listeners with dramatics and lush hooks on “Wave,” yet unafraid to tap into their feral side on “I Got Everything.” The record closes with “Fit,” which makes you feel like you’re in an argument with your prom date in 1989. Recorded, at Element Recording Studios in Kansas City. The new EP gave listeners a different side of Ryan Wise’s songwriting with crooning vocals and vintage guitar sounds. // On June 23, 2023 LYXE released a remastered version of their song “Wave (Remastered 2023)” produced by Joel Nanos. Remaster by Jake Vertigo, with: Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass, and Chase Horseman on synthesizer. This was originally the debut single “Wave.” // LYXE release their singe ”Ice Cream” on June 23, 2023 // LYXE released their single “P{rom Song” on November 10, 2024. // LYXE released their single “Hard To Talk” on October 4, 2024. // For additional information or inquiries please contact: wearelyxe@gmail.com ]

[LYXE plays Auntie Mae’s Parlor 616 N. 12th St. Manhattan, KS on Friday, March 21 at 8:00pm gthe first of their 12-city tour through Kansas, Minnesota, Missouri, Oklahoma, Colorado, Illinois and Iowa.]

  1. Nightosphere – “Poverty Policy”
    from: “Poverty Policy” – Single / Nightosphere / February 21, 2025
    [Brittany Sawtelle on guitar; Claire Hannah on bass & vocals, Dekota Trogdon on drums. Recorded at BRC Audio Productions by Zack Hames. Mixed + mastered by Mario Quintero. Nick Spacek in The Pitch writes, “their new single sees the band leaning into pure Goth territory, courtesy of a bassline that feels like the most ominous thing ever, plodding along in the best possible way before the song explodes in its final minute as though they can’t possibly hold it in any longer, and then returning to the slow march of what was a eulogy, now becoming the funeral.”// Nightosphere released their own 6-minute version of Echo and the Bunnymen’s “The Killing Moon” on Jan. 31, 2025 // After a couple of early single releases and an excellent 3-way split with Abandoncy and Flooding, Nightosphere developed their heavy slowcore sound into a fully realized, extremely imposing full length. On April 14, 2023 Nightosphere released their 7-track album Katabasis. Katabasis was recorded and mixed by Morgan Reed Greenwood & mastered by Greg Obis at Chicago Mastering Service. The album’s artwork is by Kasper Durkin, and the layout & design by Alexis Politz.]
  1. Lee Walter Redding – “It Should Be Ours”
    from: “It Should Be Ours” – Single / Lee Walter Redding / February 24, 2025
    [On July 15, 2022 Lee Walter Redding released the EP live From The Argyle Wallpaper. Lee Walter Redding on vocals, guitar; Justin Rogers on bass; Andy Kirk on guitar/synth and Justin Skinner on drums. // Lee Walter Redding released “Elephant Man (feat. Stephonne)” on April 9, 2021. Lee told us that he learned about Stephonne Singleton from listening to Wednesday MidDay Medley and hearing Stephonne for the first time. WMM bringing musical collaborations together since 2004. // Kansas City based Lee Walter Redding was raised on 60s rock, steeped in 90s Britpop ennui, and guided by contemporary neo-soul, Lee Walter Redding weaves dry humor into vibrant sonic textures that sway from wistful to chaotic. Think 2010s Nick Lowe fronting The Velvet Underground. On warped vinyl. More info at: http://www.leewalterredding.bandcamp.com] [Lee Walter Redding was our guest on WMM on July 13, 2022]

10:30 – Underwriting

  1. KiNG MALA – “FUN! (Radio Edit)”
    from “FUN!” – Single / Handwritten Records / February 21, 2025
    [KiNG MALA is an alternative pop artist based in Los Angeles. AKA Areli Castro, the El Paso born musician is not afraid to spill her guts. Setting out with the hopes to spark confidence in both herself and her listeners, she creates music that will make you walk taller and speak louder. Both her music and visuals experiment with masculine tropes, sharing “There’s something about taking something traditionally masculine and wearing it as a woman that makes me feel really powerful.” These masculine threads weave throughout everything she does, hence King rather than Queen and “MALA” which roughly translates to “bad bitch” in Spanish. Sharing her feelings from the bottom of her heart KiNG MALA encourages you to dig deep and connect with your inner-self. Life is messy and we shouldn’t feel ashamed to show our emotions and speak our mind. // Dark, provocative and perhaps a little twisted, the new single “cult leader” has an empowering and confident disposition. Manifested with a ‘fake it till you make it’ mindset, the track was actually written when her confidence had taken a hit, though the song writer decided that instead of leaning into the sadness, she would be overly confident and a bit narcissistic to try and boost her self-esteem. Reverberating with a distorted driving beat and haunting vocals, the track oozes with a bold and daring energy.]
  1. Youth Lagoon – “Speed Freak”
    from Rarely Do I Dream / Fat Possum Records / February 21, 2025
    [Trevor Powers was born March 18, 1989. He is better known by his stage name Youth Lagoon, is an American musician from Boise, Idaho. Youth Lagoon’s music has been described as neo-psychedelia, and includes elements of pop, Americana, electronic and experimental music. // Powers was initially active as Youth Lagoon between 2010 to 2016, releasing three studio albums – The Year of Hibernation (2011), Wondrous Bughouse (2013) and Savage Hills Ballroom (2015) – before announcing his retirement from the project. He returned to music in 2018, releasing two studio albums under his own name, before announcing the return of his Youth Lagoon moniker in 2022. // Working closely with producer Rodaidh McDonald, Powers released his fourth Youth Lagoon album, Heaven Is a Junkyard, in 2023 to widespread critical acclaim. The album was followed by Rarely Do I Dream in 2025, to further acclaim, with its lyrical content rooted in boyhood memoir and old-world folklore and incorporates samples from home movies. // “This song came from a thought I had of giving the angel of death a hug. We spend our whole lives running from this thing we can’t outrun. This body is temporary, but there is no death. Only transformation. A door opens when you learn to let go of the identity you’ve been building your whole life. Someone told me a couple years ago, ‘I have good news for you and I have bad news. The bad news is Trevor is doomed. There’s no hope for Trevor. The good news is — you’re not Trevor. When I heard that, it clicked.” – Trevor Powers // “Through a dozen years of shifting sounds and trends, Powers has remained faithful to the fundamentals of chamber pop: tunes that stick in your head and arrangements grand enough to get lost in.” – Pitchfork // 5th album, Rarely Do I Dream, Youth Lagoon’s most comprehensive and audacious album to date. It’s a treasure trove of home movies, twangy fuzz guitars, sun-bleached synths, classical pianos, blown-out drums, and Powers’ spellbinding melodies, all which feel like an old photograph that’s been reanimated in a strange and distant future. // Rooted in love and childhood memoir, Rarely Do I Dream is a triumph of American gothic imagination — where storybook innocence dissolves into a radioactive billow of teenage drifters, drug-addled hustlers, and old-world folklore. Drifting between propulsive electronica and hallucinatory rock songs, Powers’ singular voice always glows front and center as the neon road sign pointing home. // Lead single “Speed Freak,” is a dark joyride that showcases Youth Lagoon’s glaring metamorphosis, unleashes a grungy beat while synth bass struts and splinters into a technicolor post-punk spectacle.]
  1. Tunde Adebimpe – “God Knows”
    from: Thee Black Boltz / Sub Pop Records / April 18, 2025
    [Acclaimed TV On The Radio frontman and multi-hyphenate talent Tunde Adebimpe has released a new song “God Knows,” from his highly anticipated debut solo album, Thee Black Boltz. // “God Knows” delves into the complexities of a bittersweet breakup, showcasing Adebimpe’s distinctive vocals and introspective lyrics. The song captures the raw vulnerability of heartbreak as Adebimpe sings, “You’re the worst thing I ever loved, And you’re bad news but I still want to give you my love.” // Of the latest single, the TV on the Radio frontman says “Breaking up is hard to down dooby doo down do”. // Thee Black Boltz is produced by Tunde Adebimpe & Wilder Zoby, and executive produced by Zoby, with additional production and contributions from Jaleel Bunton & Jahphet Landis (of TV on the Radio), and more. Showcasing visionary soundscapes, the album is a nod to Adebimpe’s propensity to write and sing about the human condition – in all its forms, under all its stressors, both big and small. // “Adebimpe is strutting back into the spotlight with style.” – Consequence // “Adebimpe is plagued with the state of the world, as he muses on the human race, love, tenderness and how to fly above it all. He whistles, claps and yelps—in all the ways that made TV On The Radio songs so com-pelling and mesmeric—but with a progressive voice that sounds fresh and thrilling in 2024.” – Paste // “‘’Magnetic’… It’s an apt name for the track, which opens with a reflective, melancholic lyric (‘I was thinking about my time in space’) before the propulsive instrumentals drop in and never let up.” – AV Club // “Tunde Adebimpe had quite the 2024, stealing scenes in Twisters and reuniting with TV on the Radio to celebrate the 20th anniversary of their debut, Desperate Youth, Blood Thirsty Babes. The front man will get a little more “me” time this year with his first solo album via Sub Pop.” – Vulture’s “Albums We Can’t Wait to Hear in 2025”
  1. Fantastic Negrito – “I Hope Somebody’s Loving You”
    from: Son of a Broken Man / Storefront Records / October 18, 2024
    [Born Xavier Amin Dphrepaulezz, Fantastic Negrito’s story is a testament to resilience and the transformative power of music. By now much has been made of Negrito’s unique story – growing up in an orthodox Muslim household, a doomed major label deal, the near-fatal car crash that permanently damaged his guitar playing hand—as well as the remarkable redemption arc that began in 2015, when he won the first-ever NPR Tiny Desk Contest. He has since earned three GRAMMY® Awards for “Best Contemporary Blues Album,” and shared stages with everyone from Sturgill Simpson to Chris Cornell to Bruce Springsteen. He’s collaborated in the studio with the likes of Sting, E-40, and Tank and The Bangas, performed on countless headline world tours and at festivals such as Lollapalooza, Glastonbury, Newport Folk, and WOMAD. Negrito also founded Revolution Plantation, an urban farm in Oakland, CA aimed at youth education and empowerment. // 2025 is the ten year anniversary of Fantastic Negrito winning the inaugural NPR Tiny Desk Contest. Winning the Tiny Desk Contest took Negrito from a street musician to a genre bending, Grammy winning, internationally acclaimed artist. // His latest release, Son Of A Broken Man sees Fantastic Negrito encapsulating his inimitable style, from hard-hitting guitar riffs to expressive ballads, with the unexpected twists that have become his trademark. It stands as one of his most personal works to date, exploring family, deception, and the human desire to hide the true self as he dives deep into the struggle between father and son. // I Hope Somebody’s Loving You, the second single from “Son Of A Broken Man” is a rare ballad from Fantastic Negrito with a touch of Otis Redding mixed with some Prince. The music video has amassed over 180,000 organic views on YouTube and nearly 1 million organic views on TikTok. The track stems from Negrito observing people on the street while on tour. The message is simple. “I hope somebody, somewhere, somehow, is loving every single person in this world”.]
  1. Tune-Yards – “Limelight (Radio Edit)”
    from: Better Dreamiing / 4AD Records / May 16, 2025
    [Tune-Yards is the Oakland, California–based music project of Merrill Garbus and Nate Brenner. Garbus’s music draws from an eclectic variety of sources and uses elements such as loop pedals, ukulele, vocals, and lo-fi percussion. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice’s annual Pazz and Jop critics’ poll. // The album Nikki Nack was released in 2014, with its first single, “Water Fountain”, being picked up by Google Pixel in 2016 for an advertising campaign. The album I Can Feel You Creep into My Private Life was released in January 2018. At the same time, Tune-Yards provided an atmospheric score for the sci-fi film Sorry to Bother You. // Born in 1979, Garbus was raised in New York City and in New Canaan, Connecticut. She attended Smith College. She was a puppeteer for the Sandglass Theater in Vermont and lived in Montreal where she played ukulele in the band Sister Suvi with guitarist Patrick Gregoire and drummer Nico Dann. Merrill’s sister Ruth Garbus is also a musician who has played solo and in the band Happy Birthday. After releasing her first Tune-Yards album in 2008, she moved to Oakland, where her partner in Tune-Yards, Nate Brenner, also lives. // The first Tune-Yards album, Bird-Brains (stylized as BiRd-BrAiNs) was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August 17, 2009. A full worldwide release followed on November 16, 2009 (and November 17 in North America). The autumn 2009 pressing was remastered at Abbey Road Studios by Christian Wright, and includes two new bonus tracks: “Want Me To” and “Real Live Flesh.” // A second album, Whokill (stylized as w h o k i l l), was released on April 19, 2011. A single from it, “Bizness”, came out in February 2011. It was produced by Garbus and engineered by Eli Crews at New, Improved Studios in Oakland. Applying the live approach to Garbus’ studio work for the first time, Garbus works with bass player Nate Brenner, who co-wrote some of the album’s songs. Comparing the act to Sonic Youth, Frontier Psychiatrist said, “if Bird-Brains was Garbus’ Evol, a record bursting with musical ideas that attempted to subvert the notion of song, who kill is Garbus’ Sister, a record that embraces the traditional pop song as a vehicle to convey those ideas.” The album as well as singles “Bizness” and “Gangsta” received mention on many top 2011 album and song lists, including Time, Rolling Stone, Spin, and the New York Times. In early 2012, the Village Voice’s annual “Pazz and Jop” poll of critics named Whokill the No. 1 album of 2011. The song “Fiya” is featured on a 2010 commercial for the Blackberry Torch, while the song “Gangsta” has been used in the television shows Orange Is the New Black, Letterkenny, Weeds and The Good Wife and the song “Bizness” was used in Season 3 of Transparent. // Garbus started recording material for her third LP during the latter half of 2013, with a working title of Sink-o. A May 6, 2014 release date was later announced with the title Nikki Nack. The album spawned three singles, including “Water Fountain”, which was featured in the soundtrack for EA Sports video game FIFA 15 as well as in a 2016 commercial for the Google Pixel. // A fourth album was released on January 19, 2018, called I Can Feel You Creep into My Private Life. The album showed more of an electronic influence. The single “Look at Your Hands” was released earlier, in October 2017, followed by “Heart Attack” in January.// The Tune-Yards scored the satiric science fiction film Sorry to Bother You (2018). The film was shown at Sundance in January, then began a theatrical run in July. Its soundtrack songs are performed by the Coup, fronted by the film’s director, Boots Riley. Riley said he started working with Tune-Yards in “early 2015” to create the film’s score, with demo tracks already available before the script was complete, and before the start of principal photography. Riley said he was attracted to Garbus’s voice, and to the band’s “unorthodox use of percussion and vocal layering.” Garbus also composed the theme music for The New Yorker Radio Hour. // In 2021, Tune-Yards appeared as the opening performance for Google I/O with Artificial Intelligence powered vocal accompaniment.]
  1. Saya Gray – “Shell (of a Man)”
    from: SAYA / Dirty Hit Records / February 21, 2025
    [Saya Gray (born 1995) is a Canadian musician. She has four albums or EPs, starting with her debut in 2022. // Gray was born in 1995 and raised in Toronto, Ontario, Canada, growing up in the Beaches neighbourhood of Toronto. Her mother is the founder of the Discovery Through the Arts music school in Toronto. Her mother’s family moved from Shizuoka Prefecture in Japan to Canada when her mother was ten years old. Her father is a Scottish-Canadian jazz trumpet player who studied at the Berklee College of Music. She is of Japanese-Canadian descent.Her brother, Lucian Gray, who plays the guitar, appears on her album 19 Masters. She began playing the piano at a young age, eventually deciding around the age of ten to play bass. // Gray began playing music in a house band for a Jamaican Pentecostal church. At the age of eighteen, Gray was a music teacher and a member of the Quincy Bullen Band. After dropping out of high school in order to take night classes instead, she moved to London in the United Kingdom at the age of nineteen. She worked as a touring bassist for over ten years prior to releasing music. She previously played as a bassist in Canadian singer and songwriter Daniel Caesar’s touring band She has also been a musical director for American singer Willow Smith and a bassist for English singer and songwriter Liam Payne. // In 2019, Gray began releasing original music. Her debut album, 19 Masters, was released on June 2, 2022. In 2023 and 2024, she released the dual extended plays QWERTY and QWERTY II. Her second album, Saya, was released on 21 February 2025. // Gray has lived in Toronto and the countries of Japan and the United Kingdom. She was living in Tokyo as of March 2024.]
  1. Gigi Perez – “Chemistry (Radio Edit)”
    from: “Chemistry (Radio Edit)” – Single / Outahere Records / February 28, 2025
    [Gianna Brielle Perez was born February 4, 2000, known professionally as Gigi Perez or simply Gigi, is an American singer-songwriter. Born in New Jersey and raised in Florida, she went viral on TikTok for her songs “Celene” and “Sometimes (Backwood)” and spent a period signed to Interscope Records, on which she released the 2023 EP How to Catch a Falling Knife. After leaving the label, she released “Sailor Song”, which peaked at number 22 on the Billboard Hot 100. “Sailor Song” topped the charts in Ireland, Latvia, and the United Kingdom, and peaked within the top ten of the charts in various countries, including New Zealand and Norway. She has also supported Coldplay on their Music of the Spheres World Tour, Noah Cyrus on her The Hardest Part Tour, girl in red on her Doing It Again Tour and D4vd on his The Root of It All Tour. // Gianna Brielle Perez was born on February 4, 2000, in Hackensack, New Jersey, and raised in West Palm Beach, Florida.: 0:49  She spent a year at a comprehensive before moving to a Christian school.: 8:39  Perez is a lesbian and has credited “Girls Like Girls” by Hayley Kiyoko with helping her accept her sexuality. She began writing songs aged fifteen and began releasing music in 2018 while in high school as part of the band Wendy Lane. Perez attended Berklee College of Music but left due to the COVID-19 pandemic in the United States. She had an older sister, Celene, who died in July 2020, shortly after which Perez’s partner broke up with her.: 29:34  To cope with her grief, she began uploading videos to TikTok to kill time. She went viral in early 2021 after releasing “Celene” and then “Sometimes (Backwood)”, both of which went viral on TikTok, prompting Interscope Records to sign her. // Perez released a further single, “The Man”, in June 2022, a track about expectations faced by men She supported Coldplay on their Music of the Spheres World Tour later that month at their Florida stadium show. She has stated in interviews to have received the offer to do so on her 22nd birthday and in February 2022. She then released “When She Smiles”, a song about a toxic relationship inspired by Ariana Grande, Imogen Heap, and “When Jamie Smiles” from the Ryan Reynolds film Just Friends, and “Glue”, a track written in late 2020 about clinging to a relationship after bereavement. In October 2022, she supported Noah Cyrus on her The Hardest Part Tour and released “Figurines”. In February 2023, she supported D4vd on his The Root of It All Tour. In March, by which time she was based in Brooklyn, she released “Sally” and announced an EP, How to Catch a Falling Knife, which comprised eight songs composed three years earlier. The EP took its title from the stock market term “never try to catch a falling knife”, as she felt it represented what she had put into the project, and was released in April 2023 alongside a music video for focus track “Kill for You”. // In March 2024, after being released from Interscope Records, she released “Normalcy”, a queer love song she had first promoted in December 2022 on TikTok; she followed this a month later with “Please Be Rude”. // In July 2024, she released the single “Sailor Song”, an acoustic queer ballad about a woman who looked like Anne Hathaway. The track went viral on TikTok, and peaked at number 22 on the Billboard Hot 100. Some conservative Christian communities complained about the line “I don’t believe in God, but I believe that you’re my saviour”, prompting Perez to remind her followers that her songwriting was “not a democracy”. She signed to Island Records in September 2024.]

11:00 – Station ID

  1. Black Light Animals – “somebody 2 love me”
    from: “somebody 2 love me” – Single / The Record Machine / February 7, 2025
    [One of the singles from LAST CALL FOR LOVE SONGS to be released Friday, March 28, 2025. For this recording: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone. Recorded at Groove King Studios in KCMO. // Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. More info at: http://www.blacklightanimalsband.bandcamp.com]

[Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!]

11:03 – Interview with Cole Bales & Cody Calhoun

Joining us are Cole Bales & Cody Calhoun of Black Light Animals – sharing details about their new album, LAST CALL FOR LOVE SONGS to be released Fri, March 28, 2025.

Black Light Animals play an Album Release Show on Sat, March 29, 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO w/ Jass, SEYKO, FlarethaRebel, and more!

Cole Bales & Cody Calhoun Thanks for being with us on WMM

We just heard “somebody 2 love me” – single / Groove King Records / December 21, 2024

For the recording: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion.

Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone.

Black Light Animals are a KC based band playing lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Recorded at Groove King Studios in KCMO. Cole & Branden Moser also play with The Freedom Affair.

Last week’s WMM our guest was Seyko who plays with Cole & Branden in The Freedom Affair. Seyko released two singles as a solo artist that were both produced by Cole Bales

Discography of other musical projects that involve members of Black Light Animals:

SEYKO – “Anybody High” – Single / Groove King Records – Fat Beats, Dec. 1, 2023 was Produced by Cole Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair.

SEYKO – “What I Want” – Single / Groove King Records – Fat Beats / June 23, 2023 Produced by Cole Bales of Black Light Animals, bandmate – SEYKO The Freedom Affair.

Jass & The Boys – “Day Dream Girl” – Single / Groove King Records / August 25, 2023

Jass & The Boys – “Gvn2u(feat. Jass & Black Light Animals)” – Single / Groove King Records / July 14, 2023

Jass & The Boys “Love U Like I Love U (feat. Jass & Black Light Animals) “ / Groove King Records / December 2, 2022

“The Boys” are the members of Black Light Animals: Colby Bales, Branden Moser, & Cody Calhoun plus Clarence Copridge. Colby & Branden are also in The Freedom Affair. Jass is Jasmine “Jass” Couch

The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.

The Freedom Affair have a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025.

Shon Ruffin – Vocals
Paula Saunders – Vocals
Seyko Groves – Vocals
Cole Bales – Guitar
Branden Moser – Bass, Acoustic Guitar (Track 4)
Chris Hazelton – Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals
Dave Brick – Drums
Pete Carroll – Trumpet and Flugelhorn
Brett Jackson – Tenor Sax, Baritone Sax, Tambourine

Recorded at Royal Studios in Memphis, TN
Recording Engineer: Boo Mitchell
Tape Operator: Wesley Graham
Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair
Mixed by: Vince Chiarito
Mastered by: JJ Golden at Golden Mastering
Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales
Design and Layout: Tracy Lenihan

The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness.

A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio.

The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse.

Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.

The Freedom Affair released the single “Get My Share” from: The Freedom Affair / Sunflower Soul Records / May 9, 2025 with Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar=, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful Feb. 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to KC with new musical conviction. By November, the band returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio.

The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.

11:12

  1. Black Light Animals – “Pink Lemonade”
    from: “Pink Lemonade” – Single / The Record Machine / September 15, 2023
    [The latest release from the Kansas City based psychedelic soul group, Black Light Animals: Alex Hartmann on drums & percussion, Branden Moser on bass & background vocal, Cody Calhoun on lead electric guitar & background vocals, Colby Bales on lead & background vocals, & acoustic guitar.. This single follows “Persephone” that was released on September 23, 2022. Black Light Animals released their full length debut album, Playboys of The Western World on Groove King Records on July 3, 2020. More info at: http://www.blacklightanimalsband.bandcamp.com]

[Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!]

11:16 – More Interview with Cole Bales & Cody Calhoun

Joining us live in our 90.1 FM Studios are Cole Bales & Cody Calhoun of Black Light Animals. Cole & Cody join us to share details about their new album, LAST CALL FOR LOVE SONGS to be released Friday, March 28, 2025. Black Light Animals are a KC based band playing lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Recorded at Groove King Studios in KCMO. Cole & Branden Moser also play with The Freedom Affair.

Black Light Animals play an Album Release Show Sat, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO w/ Jass, SEYKO, FlarethaRebel, and more!

Cole Bales & Cody Calhoun Thanks for being with us on WMM

We just heard the “somebody 2 love me” – single / Groove King Records / Dec. 21, 2024

Black Light Animals are: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Liam Sumnight on drums & percussion.

Cole and Cody joined us on August 18, 2021

Cole and Cody joined us on July 1, 2020 to talk about the new record.

They also joined us on June 12, 2019 edition of Wednesday MidDay Medley to share a new recording they’ve just completed, “Tell Me That You Love Me” was just finished up and mastered by Zach Harris And to talk about heir previous band, Instant Karma playing their last live show on Saturday, June 22, at recordBar, for SoundMachineKC with Pink Royal, and The Maytags. Instant Karma! was a 4-piece rock band from KC blending elements of psych, soul, funk. and hip hop. Instant Karma bass player Branden Moser has called the band, “a drug trip through the soul section of your local record store.”

Cole Bales & Cody Calhoun, thanks for being with us on WMM

Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!

11:25

  1. Black Light Animals – “nobody left to blame”
    from: “nobody left to blame” – single / The Record Machine / December 21, 2025
    [One of the singles from LAST CALL FOR LOVE SONGS to be released Friday, March 28, 2025. Black Light Animals are: Cole B[ales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone. Recorded at Groove King Studios in KCMO. // More info at: http://www.blacklightanimalsband.bandcamp.com]

[Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!]

11:29 – Underwriting

  1. Big Fat Cow – “Patty”
    from: Behold The Soil! / Big Fat Cow / August 1, 2024
    [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com]

[Big Fat Cow play miniBar, 3810 Broadway, KCMO on Sat., March 22, with The Clarence Tilton Band, and Gullywasher.]

[Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah].

10:35 – Interview with Noah Cassity, Alex May, and Cole Waters of Big Fat Cow

Joining us from the band Big Fat Cow are Noah Cassity, Alex May, and Cole Waters. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; & Matt Chipman on drums.

Big Fat Cow play miniBar, 3810 Broadway, KCMO on Sat., March 22, with The Clarence Tilton Band, and Gullywasher.

Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah. Info at http://www.bigfatcowband.com

Noah Cassity, Alex May, and Cole Water thanks for being with us on WMM

Big Fat Cow is a post-country band delivering cowpoke fuzz since 2022.

Big Fat Cow’s first endeavor was a folk album (Glutton for Punishment) written and recorded by Noah Cassity and mastered and digitized by Kole Waters. Wanting to perform the songs live, Noah recruited the help of Kole on lead guitar alongside childhood friend Alex May to play the bass. Kole was able to bring in Matt Chipman to play drums and finish out the band.

Noah Cassity – lead vocals & guitar
Kole Waters – guitar & vocals
Alex May – bass guitar & vocals
Matt Chipman – drums

Meeting for the first time in KA studios, the newly formed quartet ripped into Noah’s folk songs, turning them into the rock, indie, americana and country inspired pieces that you know today. Each member of the band took and ran with the folk songs that Noah recorded and made it their own, pulling in inspirations from each of their unique musical backgrounds.

Big Fat Cow has made themselves a household name in the Kansas City music scene, leaving an impression on everyone who comes out to see them play. With songs you can dance to and songs that will make you cry in the basement of a DIY show, Big Fat Cow is sure to leave their mark.

“A band this good shouldn’t get saddled with a name this bad … you’re just going to have to tell your friends that you’re going to see Big Fat Cow, and wince while you do it.” – Too Much Rock

The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums.

The cattle’s broadly appealing, yet super unique brand of post-country, a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling.

The herd’s captured a bit of what some suit from a less evolved time would’ve called “It.”

Kole Waters is also in the band Dreamist who released the album Shouldn’t Be from midnomid collective on September 13, 2024

Their 7-track debut album LP. “Made for everyone who cannot live within the margins of the culture imposed upon them.” // Written by Dreamist and Former Members Robert Graves and Travis Barker. Recorded, Mixed, and Mastered by Kole Waters at KA Productions. Released by Midnomid Collective. Album Art by Jaelin Kingsley. Album Packaging Formatted by Jacob Kingsley.

Dreamist is a Post-Emo four-piece based in Kansas City, MO. // Dreamist is the result of the love of art that can simultaneously convey the visceral and esoteric. Holding post-hardcore aggression in one hand and the understated finesse of ambient and art rock in the other; Kole, Eli, Mitri, and Jacob embrace a full spectrum of genre to convey the many highs and lows of the human experience. Whether it is with voice, guitar, drum, synthesizer, or sample, Dreamist creates a space of vulnerability and catharsis in every performance and recording. // Too Much Rock writes: “The band’s songs are long, drifting from twinkling emo into post-rock climaxes. From sung to screamed. From beautiful to brutal. And all of them back again. While Waters’ is generally the pretty guitar, both he and Elisha Ruhman can make their guitars howl. That’s when the crashing drums of Mitri McCawley come into play. Whether on bass or keyboards, Jacob Kingsley filled in the gaps, giving body and weight to the compositions that otherwise might float away on a bed of lighter than air guitar effects.” // More info at: http://www.dreamistkc.com]

Noah Cassity, Alex May and Kole Waters thanks for being with us on WMM

11:54

  1. Big Fat Cow – “Cat Call”
    from: Behold The Soil! / Big Fat Cow / August 1, 2024
    [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com]

[Big Fat Cow play miniBar, 3810 Broadway, KCMO on Sat., March 22, with The Clarence Tilton Band, and Gullywasher. ]

[Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on March 26 Stephonne joins us to premiere the brand new single “It’s Gonna Be Alright.” Also, Danielle Anderson joins us to talk about her new full length album FUMBLING from Danielle Ate The Sandwich releasing on Friday, March 21, 2025, AND Zach Hodson of the band The Fur and The Fang, joins us to talk about the band’s new music and their show Friday, March 28, at 7:00pm at The RINO with The Village Prairie and Cee Dee Vee

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1087

WMM presents: Lone Stranger + Black Light Animals + Big Fat Cow

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 19, 2025

WMM presents: Lone Stranger + Black Light Animals + Big Fat Cow

Mark spins more New & MidCoastal Releases from: Flutienastiness, Ghosty, Birdie, LYXE, Nightosphere, Lee Walter Redding, Lone Stranger, Black Light Animals, and Big Fat Cow.

At 10:30 Zach Phillips returns to play music from LONE STRANGER – live, in our 90.1 FM Studios. LONE STRANGER just released the 13-track debut, INTRODUCING…THE LONE STRANGER on February 15, 2025. The record was recorded & written by Lone Stranger in Kansas City during the pandemic. Mixed by Paul Malinowski. Mastered by Duane Trower. Produced by LONE STRANGER. All music performed by LONE STRANGER. Lone Stranger is a KC native with over 25 years in the music community. From his first band The Gadjits, to THE ARCHITECTS, Zachary has recorded and toured with Tim Armstrong from Rancid, Gilby Clarke from Guns & Roses, inked deals with Epitaph Records, RCA Recordings, and Frank Ieros Skeleton Crew. Zach has toured North America with My Chemical Romance, Vans Warped tour, Flogging Molly, The Mighty Mighty Bosstones, Rancid, The Skatalites, Hepcat, The Slackers, Reel Big Fish, The Pilfers, Spring Heeled Jack, Dance Hall Crashers, Stiff Little Fingers, Bouncing Souls, Frank Turner and The Sleeping Souls, Leftover Crack, Slow Gherkin, RX Bandits, and The Bronx.

At 11:00am Colby Bales and Cody Calhoun of Black Light Animals join us to share details about their new album, LAST CALL FOR LOVE SONGS to be released on March 28, 2025. Black Light Animals are a KC based band playing lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Black Light Animals are: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone. Recorded at Groove King Studios in KCMO. Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!

At 11:30 Mark talks with Noah Cassity and Alex May of the band Big Fat Cow. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow play miniBar, 3810 Broadway, KCMO on Saturday, March 22, with The Clarence Tilton Band, and Gullywasher. Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah. More information at http://www.bigfatcowband.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1087

WMM Playlist from March 12, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 12, 2025

WMM presents: The Extemporaneous Music & Arts Society + SEYKO + Tribute To Danny Cox

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Julien Baker & Calvin Lauber –“Get Me Away From Here, I’m Dying (feat. SOAK, Quinn Christopherson)”
    from: TRAИƧA / Red Hot / November 22, 2024
    [One of the most ambitious projects ever undertaken by the storied activist and music production non-profit Red Hot, TRAИƧA is a spiritual journey across eight chapters and 46 songs with over 100 artists contributing. The album spotlights the gifts of many of the most daring, imaginative trans and non-binary artists working today. // Dust Reid, who led production on Red Hot’s 2014 tribute to Arthur Russell, and Massima Bell, an artist and activist based in Los Angeles, began tracing the contours of what would become TRAИƧA together in 2021. The two producers originally met at a video shoot in upstate New York, and immediately bonded over their shared love of Beverly Glenn-Copeland’s music, as well as a common devotional connection to nature. // The passing of SOPHIE, the pathbreaking electronic producer who died in January 2021, galvanized the producers and focused their work. “We started talking about all the gifts that trans artists have been giving to the world, and wanted to create a Red Hot project that centered and celebrated those gifts,” says Reid. “We hoped to create a narrative that positions trans and non-binary people as leaders in our society insofar as the deep inner work they do to affirm who they are in our current climate. We felt this is something everybody should do. Whether you identify as trans or non-binary or otherwise, if you took the time to explore your gender, get in touch with the feeling side of yourself, maybe we would have a future oriented around values of community, collaboration, care, and healing.” // Bell and Reid began conceiving of the album as a spiritual journey in eight chapters, a mirror of the original eight-stripe rainbow pride flag. The narrative begins at the earliest awareness of consciousness; moves through awakening, trauma, and grief; and arrives at liberation and continual reinvention. “One thing trans people do all the time is turn grief into possibility,” says Bell. “Living under the ongoing Western binary system, trans people reveal maps of possibility for everyone. It’s something that we can all learn from – expanding the possibility of human life.” Each chapter begins with a “chapter track,” kicking off a collection of songs that speak to that chapter’s theme. // As the producers began inviting musicians to contribute to TRAИƧA, the political climate in the United States and across the world started to foment an acute reactionary streak. Legislation denying trans people the hard-won right to medically transition proliferated across the country. Book bans rained down on libraries, stamping shut crucial apertures into trans and queer lives. The necessity of TRAИƧA’s presence in the world started to crystallize. // “The stakes have never been higher,” notes Bell. “We’re seeing a rise in anti-trans hate and vitriol that is particularly being spewed in the United States. I am a trans person from Iowa, one of the states that signed into law a bill that prohibits access to gender-affirming care. It is clearly, materially, a terrifying time.” // TRAИƧA FEATURED ARTISTS:Adrianne Lenker * Ahya Simone * Alan Sparhawk (Low) * Allison Russell * Am Taylor * Anajah * Ana Roxanne * André 3000 * Anjimile * Arthur Baker * Asher White * AV María * Babehoven * Bartees Strange * Belina Rose * Benét * Beverly Glenn-Copeland * Bill Callahan * Blake Mills * Bloomsday * Calvin Lauber * Caroline Rose * Cassandra Croft * Cassandra Jenkins * Christian Lee Hutson * claire rousay * Clairo * CLARITY * Cole Pulice * Dave Longstreth * Devendra Banhart * Eileen Myles * Eli Winter * Elizabeth Glenn-Copeland * Ezra Furman * Faye Webster * Fleet Foxes * Frankie Cosmos * Gary Gunn * Gia Margaret * Green-House * Grouper * Hand Habits * Heart Shaped * Helado Negro * Hunter Schafer * Jamal Shakeri * Jay Dee Daugherty * Jayne County * Jeff Tweedy * Jlin * Joy Guidry * Julianna Barwick * Julie Byrne * Julien Baker * Kara Jackson * Kathi Wilcox * KB Brookins * Kelela * Laraaji * Laura Jane Grace * Lauren Auder * Lee Ranaldo * Lightning Bug * Lomelda * Lucy Liyou * Lynn Avery * Lyra Pramuk * L’Rain * Mary Lattimore * MIZU * Moor Mother * More Eaze * Moses Sumney * Nico Georis * Niecy Blues * Nina Keith * Nsámbu Za Suékama * NYC Trans Oral History Project * Pepper MaShay * Perfume Genius * Pharoah Sanders * Quinn Christopherson * Rachika Nayar * Sade Adu * Sam Smith * Sharon Van Etten * SKY * SOAK * Soft Rōnin * Sparkle Division * Taryn Blake Miller * Teddy Geiger * Time Wharp * Wendy & Lisa of the Revolution * Yaeji * Yaya Bey // Julien Rose Baker was born September 29, 1995. She is an American indie rock singer and guitarist. Her music is noted for its moody quality and confessional lyrical style, as well as frank explorations of topics including Christianity, addiction, mental illness, and human nature. She has received six Grammy Award nominations and three wins as a member of Boygenius. // Born and raised in suburban Memphis, Tennessee, Baker released her debut album Sprained Ankle (2015) while she was a student at Middle Tennessee State University. The album received critical acclaim and appeared on several 2015 year-end lists. Baker subsequently signed to Matador Records and released her second studio album Turn Out the Lights in 2017, to further critical success. Her third album, Little Oblivions (2021), embraced a more full-band sound and became Baker’s first top 40 album on the Billboard 200 chart. // In addition to her solo work, Baker is a member of the indie supergroup Boygenius, alongside Phoebe Bridgers and Lucy Dacus. The group’s debut eponymous EP was released in October 2018. Boygenius announced their reunion in January 2023, and their debut studio album The Record was released in March. Their newest release, titled The Rest, was released in October 2023. Baker is also in a country duo with Torres, debuting together in 2024.]

10:07

On Friday, March 7, 2025 we lost a living legend in Kansas City.

Danny Cox recorded albums for Casablanca Records, ABC Dunhill and MGM. Many of these albums were recorded here in Kansas City through Good Karma Productions run by Vanguard Coffee House owner Stan Plesser who managed Cox’s career along with Brewer & Shipley, and The Ozark Mountain Daredevils.

Danny Cox was born in July 18, 1943 in Cincinnati, Ohio to Bessy and Daniel Cox. He was the seventh of eight children. In 1963 a 20 year old Danny visited Kansas City while on a tour and was denied entry to the Muehlebach Hotel, because he was Black and Kansas City was segregated, this was one year before the passage of the Civil Rights Act of 1964 banned racial discrimination in public places. Back in 1963 Danny was accepted across the river at a Holiday Inn in Kansas City, Kansas. Danny has said “”Oh my god, just how different it was just a couple of miles away,” Cox said in an interview with KCUR 89.3, “The difference was so apparent.” Danny would eventually make his home in Kansas City, Kansas.

Danny moved to Kansas City in 1967, where he continued his over 6 decade long career. Danny Cox was a singer, songwriter, actor, playwright, jingles writer and father of 10 children, and grandfather. He wrote the jingle “The Grass Pad’s High on Grass.” He performed and acted on multiple stages in Kansas City, The Vanguard, The Cowtown Ballroom, The Kansas City Repertory Theatre, Theatre for Young America. He sold out Carnegie Hall four times, toured the world. When Danny performed live he elevated the stage and electrified the room with his spirit and voice.

He was such a power house of a human. He was so many things. He always stood for justice and equality and being a good human. His beautiful family is a testament to his character and love. When you find his music it will move you. Look for his earlier work, it stands the test of time and was always crossing over multiple genres.

I was able to introduce Danny Cox a few years ago at the Crossroads Music Festival where along with a band of KC veteran musicians his children and grandchildren were performing with him. I had worked with his grandchildren at Quindaro Elementary with the KCK Organic Teaching Gardens. I was able to witness the love of this family, and the harmony they created. Danny Cox’s work and art and love will live on forever.

10:10

  1. Danny Cox – “It’s You”
    from: Danny Cox / Dunhill Records / August 15, 1971
    [In 2021 Danny Cox digitally released YOUNG AND HOT (LIVE AT COWTOWN BALLROOM) EP on July 27, 2021. Danny Cox was born in 1942 in Cincinnati, Ohio. He is a folk singer and songwriter best known for his 1974 LP album Feel So Good. Danny Cox moved to Kansas City, Kansas in 1967. As a youth, he sang in a church choir together with Rudolph Iseley, and in the 1960s he started his professional career performing on a Hootennany Folk Tour. Cox has recorded albums for ABC Dunhill, Casablanca, MGM and others. He also partnered a company called Good Karma Productions, run by the KC based Vanguard Coffee House owner Stan Plesser, who managed the acts of Brewer & Shipley, and The Ozark Mountain Daredevils.]
  1. Danny Cox – “Electric Blanket Mama”
    from: Danny Cox / Dunhill Records / August 15, 1971
  1. Danny Cox – “We Can Build It on a Mountain”
    from: Feel So Good / Casablanca Records / 1974
    [Recorded at Bell Sound Studios, New York, January-March, 1974. In 2021 Danny Cox digitally released YOUNG AND HOT (LIVE AT COWTOWN BALLROOM) EP on July 27, 2021. Danny Cox was born in 1942 in Cincinnati, Ohio. He is a folk singer and songwriter best known for his 1974 LP album Feel So Good. Danny Cox moved to Kansas City, Kansas in 1967. As a youth, he sang in a church choir together with Rudolph Iseley, and in the 1960s he started his professional career performing on a Hootennany Folk Tour. Cox has recorded albums for ABC Dunhill, Casablanca, MGM and others. He also partnered a company called Good Karma Productions, run by the KC based Vanguard Coffee House owner Stan Plesser, who managed the acts of Brewer & Shipley, and The Ozark Mountain Daredevils.]

Danny Cox Discography:
Live at 7 Cities (1963)
Sunny (1968)
Birth Announcement (1969)
Live at the Family Dog (1970)
Danny Cox (ABC Dunhill Records) (1971)
Feel So Good (Casablanca Records) (1974)
Troost Avenue Blues (3-track EP) (2006)
Bring Our Loved Ones Back (one track) (2007)
Sack of Trout (Single) (2015)
Vandalism in Eb Minor (Coin Heaven) (Single) (2015)
Kansas City – Where I Belong (Recorded at Pilgrim Chapel) (2012)
Time Is What I Need (Single) (2020)
Young and Hot (Live at Cowtown Ballroom) (5-track EP) (July 27, 2021)
Big John Buck O’Neil (Single) (December 7, 2021)

10:20

  1. Galactic and Irma Thomas – “Where I Belong”
    from: Audience With The Queen / Tchoup-Zilla Records / Expected April 11, 2025
    [New Orleans’ one and only Galactic has joined forces with the legendary Soul Queen of New Orleans, GRAMMY® Award-winning singer Irma Thomas, for an all-new collaborative album. Audience With The Queen that arrives Friday, April 11 on Galactic’s own Tchuop-Zilla Records. // Audience With The Queen marks a landmark departure from Galactic’s 10 previous studio LPs, most of which revolved around the band’s core instrumentalists – Ben Ellman (saxophones, harmonica), Robert Mercurio (bass), Stanton Moore (drums), Jeff Raines (guitar) and Rich Vogel (keyboards) – accompanied by a mix of different vocalists. Here, the 84-year-old Thomas retains the spotlight across eight brand new songs written specifically for her famously warm, blues-drenched voice. Audience With The Queen is heralded by the new single, “Where I Belong.”// Known as the “Soul Queen of New Orleans,” Irma Thomas is a pillar of American R&B and blues history, known for her soulful voice and distinctive southern twang. She immediately made a splash with her 1959 Billboard-charting debut single, “Don’t Mess With My Man,” which she followed with a string of unforgettable hits recorded with producer Allen Toussaint including “It’s Raining” and 1964’s top 20 pop hit, “Wish Someone Would Care,” a slow-burning, self-penned soul ballad based upon her life as a 17-year-old mother of three children. Recorded the same year, Thomas’ “Time Is On My Side” inspired The Rolling Stones to record an almost note-for-note rendition that proved their first top 10 single in the US. Though Thomas’ influence was firmly entrenched in New Orleans and around the globe for over five decades, she received her first-ever GRAMMY® Award in 2007 honoring her 18th studio album, the moving post-Katrina reflection After the Rain. Among her many other honors and accolades include two Blues Music Awards for “Soul Blues Female Artist,” the Americana Honors & Awards’ 2018 “Lifetime Achievement Award For Performance, and induction into the Louisiana Music Hall of Fame. // Galactic has proven an equally essential cornerstone of New Orleans’ dynamic music landscape over their own past three decades. The always adventurous group has evolved continuously since first together in the 1990s as a late-night funk outfit steeped in the unique sounds of their beloved city, thanks in part to their penchant for collaborating with a wildly diverse array of guest artists. While those experiences have afforded a steady stream of musical perspectives and ideas, other elements of their work – like their role as stewards of the historic New Orleans music venue Tipitina’s – have only served to deepen Galactic’s inextricable relationship with their city and its music community, providing an even richer foundation for their ongoing explorations of new creative terrain.]
  1. Abraham Alexander, Adrian Quesada–”Like a Bird (Sing Sing Original Soundtrack)”
    from: “Like a Bird (Sing Sing Original Soundtrack)” – Single / A24 Music / August 23, 2024
    [Nominated for an Oscar for Best Original Song, “Like a Bird” bursts with heart. The track is a collaboration between Grammy winning artist Adrian Quesada (Black Pumas) and Abraham Alexander, a multi-talented star on the rise who has recently opened for Leon Bridges, The Lumineers, and Mavis Staples. Honeyed vocals glide over a soulful instrumentation that’s packed with energy. Punctuated with heavenly backing vocals and a killer guitar outro, the track is exhilarating. “Like a Bird” shines in A24’s highly acclaimed Oscar-nominated film Sing Sing, which starred Colman Domingo. // Abraham Alexander’s debut album SEA/SONS was releaased April 14, 2023. and was in the Top 20 of WMM’s 120 Best Recordings of 2023. Born in Greece to parents of Nigerian descent, Alexander moved to Texas with his family at age 11 to escape the racial tensions they faced in his birthplace. Shortly after moving to the states, his birth mother was killed in a car accident with a drunk driver, leading Alexander to be adopted later in his teens. He found solace in sports as a soccer prodigy and later, following a torn ACL that ended his playing career, in music once a friend handed Alexander a guitar and he unexpectedly found songs pouring out of him. // The 11 tracks on SEA/SONS touch on themes of loss, redemption, longing, anguish and joy. And while his lyrics speak to pain, trauma and life-changing loss, he instills his music with a joyful passion and irrepressible spirit, ultimately giving way to songs that radiate undeniable hope.]

10:28 – Underwriting

  1. They’re Theirs – “Midland Empire”
    from: “Midland Empire” – Single / Chase The Horseman / February 18, 2025
    [As a live band They’re Theirs consists of Chase Horseman on vocals and guitars, Sky Cowdry on bass and Ian Dobyns on drums. // “Midland Empire” was produced by They’re Theirs, engineered by Ian Dobyns, mixed by Ian Dobyns Chase Horseman and Sky Cowdry. Mastered by Justin Perkins/Mystery Room Mastering. Recorded at Element Recording. // Chase The Horseman released the single “Silver Liner” on October 25, 2024. Drums and additional engineering by Ian Dobyns, Additional vocals by Heidi Gluck. Mastered by Anthony Puglisi. Written, produced, performed and mixed by Chase Horseman at Element Recording. // Chase Horseman has composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, The Roseline, Nan Turner and more. Chase The Horseman film composer, band leader, multi-instrumentalist, audio engineer, & producer. // On April 2, 2024 Chase released the 22 track Original Sound Track for Headcount, a feature film from the Burghart Brothers, produced by Continuance Pictures, Method Media, and Shout Factory. Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” // In February 2020 Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. Chase played Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals all performed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos. // On May 1, 2020. // Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowley on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of the Chase Horseman single were be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. // Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018. // More info at: http://www.chasethehorseman.bandcamp.com.]
  1. Perfume Genius – “It’s A Mirror”
    from: Glory / Matador / March 28, 2025
    [Glory was produced by Blake Mills and marks the 7th studio album in his immaculate body of work. It’s a Mirror,” is the first single and its companion music video is directed by Cody Critchloe. The two artists first collaborated on the music video for Perfume Genius’ groundbreaking “Queen,” and Critchloe has also directed videos for artists such as Robyn, Kyle Minoque, Yeah Yeah Yeah’s, Yves Tumor and more. // Perfume Genius, the stage name for Seattle-based solo artist Mike Hadreas who was born in Des Moines, Iowa, moving to the suburbs of Seattle, Washington at the age of 7. Hadreas studied painting in school and took piano lessons as a child. His mother was a special education teacher, and is now an assistant principal at a middle school. His parents divorced when he was a teenager. Growing up, Hadreas was the only openly gay student at his school, and he received death threats which were not addressed by the administration. He dropped out of high school during his senior year. Two years after dropping out, he was attacked by several young men in his neighborhood. He moved to Williamsburg, Brooklyn and worked as a doorman for a club in the East Village. In 2005, Hadreas returned home to Seattle and began recording music. In 2008, Hadreas set up a MySpace page under the name Perfume Genius, and thus began his music career. Hadreas’s music explores topics including sexuality, his personal struggle with Crohn’s disease, domestic abuse, and the dangers faced by gay men in contemporary society. In an interview with Jia Tolentino, Mike Hadreas described the album as influenced by his work with choreographer Kate Wallich on a 2019 dance piece titled “The Sun Still Burns Here”. Hadreas composed numerous songs for the performance, with two singles, “Eye in the Wall” and “Pop Song” resulting, though neither was included on Set My Heart on Fire Immediately. Of the experience, Hadreas explained that the themes of embodiment in his prior music were complicated as dance felt “rebellious against [his] body.” He explained that dancing “blew up this separation between [his] work and the world,” resulting in changes to his songwriting, with songs now telling stories grounded in real-life settings and about real people. He cited Townes Van Zandt, Enya, and Cocteau Twins as influences on the new album]
  1. Til Willis & Erratic Cowboy – “Lost”
    from: “Lost” – Single / Til Willis / February 27, 2025
    [3rd single from the upcoming album, Glass Cactus. Written by Til Willis Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. Steve Faceman on backup vocals. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]

[Til Willis plays Gaslight Gardens 317 North 2nd Street, Lawrence, KS on Sat., March 22 at 7:00pm.]

  1. Angie Fights Crime – “Weight of The World”
    from: Savior of The World / Angie Fights Crime / March 1, 2025
    [Angie Fights Crime is the brainchild of Brent Kinder, a musician, poet, songwriter of unlimited passion and a desire to create music and share it with the world. Angie Fights Crime often features collaborations with musicians from around the world. Savior of The World features Daniel Jordan on vocals, and Keith Howell on drums. Artwork by Tyson Schroeder, and J. Irvine. Mixing and mastering by Robert Rebeck. Brent Kinder is also in the band sMallWaves where he plays bass. With 48 albums, and 452 tracks, Angie Fights Crime is the musical project of one guy who couldn’t stop writing songs. Part I 1995-2015 (The Alphabet Series) Part II 2016 – ? (The Greyscale Series). More information at: https://alonetone.com/angiefightscrime.%5D
  1. She Said – “Wish You Well”
    from: What! / She Said / May 10, 2025
    [Jennie Ferguson on vocals & guitar, Scott Mize on guitar, Doug Hitchcock on drums, Matt Kesler, on bass. Matt Kesler & Scott Mize used to be in a band called Sylvan Grove. Jennie Ferguson & Scott Mize used to play in Shotgun Solution. This was after the time of Jennie’s all-girl psych/pop band PMS. Doug Hitchcock has played with Matt Kesler in the Midtown Jazz Quartet. Doug has played with Freedie Johston, and the band Near Death Experience. Matt Kesler also plays in the famous bands The Pedajets and The Doo Dads.]

[She Said will appear LIVE on WMM here on 90.1 FM KKFI on Wed., April 30, 2025. ]

[She Said play a Record Release Party at recordBar, 1520 Grand Boulevard, KCMO, Saturday, May 10, at 6:00 pm, doors at 5:30 pm.]

  1. Kat King – “I Might Like It”
    from: I Might Like It – Single / Manor Records / February 28, 2025
    [Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. Produced by Isaac Flynn of Hembree. Kat King released the EP Domestic Bliss on April 5, 2024. Domestic Bliss was in the Top 25 of WMM’s 129 Best Recordings of 2024. // On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. // Kat King’s career started as far back as 2nd grade in small town Kansas. As a solo singer-songwriter act, she produced one 13-song album and three EP’s. Now based in Kansas City, Kat King graduated into a 5-piece indie-pop rock group who are gearing up for the release of their second EP together. Their infectious energy has landed them on some of KC’s biggest stages.]
  1. Yuno – “Blest”
    from: Blest / Sub Pop Records / May 16, 2025
    [Debut album from Yuno. All songs on Blest were written & performed by Yuno, co-produced by Yuno and Frank Corr, who also contributed keyboards, drums, & guitar throughout the record, with additional production and instrumentation by Patrick Wimberly (“True,” “Massive”) at The CRC in Brooklyn, and Nick Sanborn at Betty’s in Durham, NC (“True”). Blest was mixed by Steve Vealey and mastered by Joe La Porta. // Yuno was born in New York to Jamaican parents from the U.K., and grew up in the coastal Southern city of Jacksonville, Florida. Raised on a sonic diet of reggae and hip-hop records — his father’s copy of 50 Cent’s Get Rich or Die Tryin’ was on regular rotation in the family car throughout the 2000s — Yuno’s musical tastes began to diverge after his grandfather gifted him a skateboard that he found in a garbage can. Eventually, and unexpectedly, Yuno’s new hobby would dovetail with a future career in music. // “The first time I ever got on a skateboard, I broke my foot,” he recalls. It was while he was on the mend that he fully immersed himself in video games like Dave Mirra Freestyle BMX and Tony Hawk’s Pro Skater, famous gateways for many young punks of the millennial generation. As he studied skate videos to build on his athletic technique, he also cultivated a sixth sense as a composer and overall curator of vibes. “I’m always visualizing things when I’m making music and that helps me complete the full picture,” says Yuno. “To this day I’m like, ‘What does it need to make it fit in a skate video?'” // Having taught himself the bass and guitar at home, his early material began as impressions of harder bands like HIM, Rancid, and AFI; later, he would embrace anti-folk heroes like the Moldy Peaches and Daniel Johnston. With the advent of the social media predecessor Myspace, Yuno began discovering more eclectic local Jacksonville acts, like indie-pop darlings Black Kids — who offered a more diverse look and eclectic sound for the Bold City, which had then been defined by white radio rockers like Limp Bizkit, Yellowcard, and Red Jumpsuit Apparatus. “Seeing Black Kids’ success showed me more of what I could do,” says Yuno. // In time, Yuno taught himself to produce on his laptop, and filled his childhood bedroom with instruments to cultivate a more full-bodied sound, in which he married crunching pop-punk riffs with glimmers of synth strings Yuno uploaded his ballads of teenage longing to Soundcloud, where they began to catch fire within the indie blogosphere — and by 2014, caught the attention of Shabazz Palaces emcee and Sub Pop A&R representative Ishmael Butler. At that time, Yuno had never performed a live show, and could count the number of concerts he’d been to on one hand. // “He DMed me for new music, but I didn’t have anything to bring him,” recalls Yuno. “A year or so later, he came back and asked, ”Do you mind if I share your music with Sub Pop?’ Apparently, they liked it, and I flew out to Seattle to meet everybody.” // That visit resulted in a record deal with Sub Pop and eventually, his 2018 debut EP, Moodie. The record’s evocative, yearning hooks and cinematic ambience made a suitable soundtrack for film and TV. His surfy pop track “Sunlight,” a summer sketch he revitalized from 2012, was featured in an episode of the Netflix series Atypical; and the gossamer melancholy of “Fall in Love” made for a haunting needle drop in comedian Ramy Youssef’s HBO special, Feelings. // By this time, Yuno had moved back to his birthplace of New York City and settled in Bushwick — just before the Covid-19 pandemic had threatened to stall his music career, along with the world. Sequestered at home once more, like the monastic days of his youth, Yuno began piecing together his foundation for Blest. “For the first time in my life, I was social, going to shows, and meeting new people,” says Yuno. “Then I had to kind of go back and revert to just being in my bedroom all day. It was strange, but I was used to it!” // As the pandemic eased, Yuno welcomed collaborators like Nick Sanborn of Sylvan Esso and Patrick Wimberly of Chairlift, the latter who lends his sparkle to the fuzz-rock saunter of Blest track, “Massive” — “The bane of staying young is gettin’ older,” sings Yuno, speaking to the all-too precious resource that is time. Co-producer Frank Corr, the NYC artist who performs as Morning Silk, introduced an array of vintage synthesizers to the musician. //Yuno’s superpower lies in the way he mines a multitude of genres for their pop potential and surfaces with a tapestry that feels novel and fresh. Take, for instance, “Blest,” the immediate, blissful, and bright title track, which is inspired by Rich Harrison-breakbeats and Neptunes-esque jangle. Or the breezy single, “True,” which he began writing at producer Sanborn’s Betty’s in Durham, NC, Yuno moderates a lover’s quarrel with slick, trap percussions. Amid the breakbeated dream-rock of “Gimme Ocean,” he introduces his guitar solo with a searing emo scream, run through an EarthQuaker Devices pedal. Don’t let his sanguine aura or his sherbet pink wardrobe fool you; he can shred as hard as he wants to when he wants to.

11:00 – Station ID

  1. Krista Kopper, Seth Davis, Evan Verploegh, Benjamin Baker, Aaron Osborne
    from: EMAS @ MiniBar May 5. 2024 / EMAS / May 5. 2024
    [Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in Kansas City through performances, a record label, and multidisciplinary collaborations.]
    [EMAS is presenting a concert series at MiniBar, 3810 Broadway Boulevard, KCMO that highlights local & touring improvising & experimental music artists. The series continues with additional concerts on May 4, July 6, Sept. 7, and Nov. 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. Info at http://www.emaskansascity.com]

11:04 – Interview with Seth Davis, Evan Verploegh, Shanté Clair and Benjamin Baker

Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in Kansas City through performances, a record label, and multidisciplinary collaborations. EMAS is presenting a new concert series at MiniBar, 3810 Broadway Boulevard, KCMO that will highlight local and touring improvising and experimental music artists. The series continues with additional concerts on May 4, July 6, September 7, and November 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More info at http://www.emaskansascity.com

Members of Extemporaneous Music & Arts Society join us. Seth Davis (founder), Evan Verploegh (co-founder), Shanté Clair, Benjamin Baker thanks for being with us on WMM.

Seth Andrew Davis is a performer, composer, improviser, technologist, scholar and educator from the Kansas City area. Davis graduated from the University of Missouri-Kansas City Conservatory of Music and Dance in Kansas City, Mo. in 2019 with a BM in Music Composition. Davis has studied with Jim Mobberley, Paul Rudy, Zhou Long, Chen Yi, Mara Gibson and Michael Miller. In 2023, Davis graduated with an MA in Music with an emphasis in Music Technology from the University of Central Missouri where he studied with Jeff Kaiser. // Davis is involved in the improvised music/free improvisation, experimental, and electronic music scenes in Kansas City. Davis’ music runs the gamut of compositions for orchestral and chamber ensembles, performances with free-jazz/free improvised music ensembles and large groups, solo performance, collaborations with dancers and video artists, and the design and collaboration of autonomous and interactive artificial life agents and 3D environments.

Seth Davis has performed and has had his music performed in the United States, the United Kingdom, Ireland, Malaysia, Mexico and Indonesia. Davis has had his work performed at various conferences and festivals including the New York City Electro-Acoustic Music Festival, KC Performing Media Festival, Kansas City Contemporary Music Festival, NASA Regional IV Conference, Electronic Music Midwest, Exchange of Midwest Collegiate Composers, the International Navy Saxophone Symposium, National Flute Association Convention, Making Moves Dance Festival, MoxSonic, Experiments in Electronic Sound at CalArts, Omaha NoiseFest, New Interfaces For Musical Expression (NIME), SPLICE Festival, & the International Computer Music Conference (ICMC).

Davis has had pieces performed by the Mnemosyne Quartet, Project C4, Dionysus, Second Nature Ensemble, Chi Him Chik, Sputter Box, Apply Triangle, loadbang, EMAS, No Treble Low String Trio, UCM New Technologies Ensemble, newEar Contemporary Chamber Ensemble, & the Symbiotique Nonet and has either performed, recorded and/or collaborated with Alexander Adams, Ishmael Ali, Ben Baker, Ben Baker Billington, T.J. Borden, Lucas Brode, Claire De Brunner, Bob Bucko Jr, Lisa Cameron, Kevin Cheli, Craig Chin, Dan Clucas, Brennan Connors, Brandon Cooper, Alex Cunningham, Tim Daisy, Alvaro Domene, Michael Eaton, Douglas R. Ewart, Sandy Ewen, Kelley Gant, Vinny Golia, Enrique Haneine, Lathan Hardy, Jakob Heinemann, Zachary Hickerson, Zoots Houston, Kyle Hutchins, Molly Jones, Max Johnson, Jeff Kaiser, Reid Karris, Krista Kopper, Max Kutner, Tom Law, Scott R. Looney, Thollem McDonas, Adam Minkoff, Federico Musso, Spencer Perkins, Kyle Quass, Alberto Racanati, Aoki Satoru, Adam Shead, Patrick Shiroishi, Damon Smith, Mike Stover, Scott Dean Taylor, Evan Verploegh, Eli Wallace, Weasel Walter, Alex Williams, Drew Williams, David James Witter, & Will Yager. Davis has performed with groups such as newEar Contemporary Chamber Ensemble, Mnemosyne Quartet, Project C4, & the UMKC IMP Ensemble. Davis’s music has been featured and released on labels such as EMAS Records, Lurker Bias, Neuma Records, Mother Brain Records, Personal Archives, Ramble Records, and Relay Recordings.

Davis’ composition & performance style has been described as “brutalist maximalism” , a “workmanlike Renaissance Soundman” (KC Studio Magazine). Davis’ playing has been described as “moving from bubbling liquid mercury and emotive string speculation to surgical-edged metallics and everything in between” (Brad Rose, Foxy Digitalis) and has been called a “master of pedals/effects” (Bruce Lee Gallanter, Downtown Music Gallery). Davis’ music has been described as “confrontational” (Bill Brownlee, There Stands The Glass), “engaging…thoughtfully composed” (Aaron Grant, DiaKCritcal), “fascinating and foreboding, eerie music that challenges and rewards with repeated listens’ ‘ (Bryan Voell, Listen Local) & “futuristic bubbling soundscapes that teem with sonic life” (Brad Rose, Foxy Digitalis). Davis was featured as an “Artist to Watch” by KC Studio in 2023 and along with Evan Verploegh as 2022’s “Plastic Sax” blog’s “People Of The Year.”

As an artist, Davis works closely with performers and collaborators to create pieces, installations, and works that are unique to that partnership. Davis is an avid collaborator, having worked with choreographers, video artists, animators, playwrights etc. Davis’s artistic influences run the gamut from popular music, free-jazz, hip-hop, electronic music, film, literature, visual art, contemporary culture and from this Davis wishes to blur the lines between genres, composer and performer, and various artistic mediums. Davis is also a co-founder of Second Nature, a free jazz/new music/math-rock ensemble, was the guitarist in the new music ensemble Project C4 (2018-2020), and is a founding member of EMAS: Extemporaneous Music & Arts Society. Davis is also an active concert organizer in the Kansas City music scene as the Vice President of KcEMA (KC Electronic Music Alliance) and as Production Coordinator of newEar Contemporary Chamber Ensemble. In 2020, Davis co-founded Mother Brain Records with saxophonist & composer Michael Eaton. Mother Brain Records is a Midwest based label focused on releasing the works of artists in the experimental & improvised music scenes. From 2019-2022, Davis was an artist resident with Charlotte Street Foundation. In 2021, Davis co-founded EMAS with Evan Verploegh. EMAS is an improvised music & arts collective based in Kansas City that is dedicated to advancing creative work in Kansas City. Davis currently is an adjunct instructor at the University of Central Missouri teaching Applied Music Technology and the KC Art Institute teaching music technology courses.


Evan Verploegh (he/him) is a drummer based in Kansas City, Missouri, after relocating from Wisconsin in late 2019. He serves as co-founder of the Extemporaneous Music and Arts Society. EMAS is a collective group dedicated to advancing improvised and experimental artistic work in Kansas City. In 2022, he was awarded a studio residency at Charlotte Street Foundation. Committed to improvisation as an artform, Evan draws from influences of free jazz, contemporary classical, and experimental rock. Evan also serves as an active organizer of live music and arts events.


Benjamin Baker is a composer and performer currently based out of Kansas City. Benjamin’s music comes from a place at the intersection of spontaneous improvisation and traditional storytelling structure with works written for a variety of concert ensembles and popular music groups, drawing influence from a multitude of traditions, genres, and styles. As a performer, Benjamin appears on multiple freelance recording works including projects with the Extemporaneous Music and Arts Society of Kansas City, the band Friendly Thieves, and he is the co-founder of the recording and performance collective II-WANDS. Notable awards Benjamin has recently received include the 2022 ASCAP Morton Gould Young Composer Award for his piece PRIMORDIAL (2019) for alto saxophone and live electronics, as well as attending the Visby International Centre for Composers in 2024 as a composer-in-residence. Benjamin received his B.M. in Composition from Ohio University in 2020 and his M.M. in Composition from the University of Missouri-Kansas City in 2023. More info at: http://www.benjamintbaker.com


Shanté Clair (she/her) is a singer/songwriter and experimental musician who builds prismatic soundscapes through looping and layering effects.

Originally from Chicago and now based in KC, Shanté started her music career on acoustic guitar. After a long stint with experimental band Shiny Jets, she’s now a core member of the Extemporaneous Music & Arts Society (EMAS).


Since playing with EMAS, she has expanded to playing glockenspiel, semi-modular synthesizers, peacock harp (Taishōgoto), and a variety of unconventional objects. Influenced by Stevie Wonder to Captain Beefheart, Shanté works in sonic contrasts, oscillating between shimmering atmospheric tones and stark, punctuated distortion.
By day, Shanté works as a visual designer and enjoys making mixed media art including painting and digital collage.


EMAS is presenting a new concert series at MiniBar, 3810 Broadway Boulevard, KCMO that will highlight local and touring improvising and experimental music artists. The series continues with additional concerts on May 4, July 6, September 7, and November 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More info at http://www.emaskansascity.com

11:13

  1. Krista Kopper, Evan Verploegh, Aaron Osborne, Seth Davis – “2”
    rom: EMAS @ Farewell Nov. 11, 2024 / EMAS / Nov. 11, 2024
    [Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in KC through performances, a record label, and multidisciplinary collaborations.]
    [EMAS is presenting a concert series at MiniBar, 3810 Broadway Boulevard, KCMO that highlights local & touring improvising & experimental music artists. The series continues with additional concerts on May 4, July 6, Sept. 7, and Nov. 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More at http://www.emaskansascity.com]

11:16 – More Interview with Seth Davis, Evan Verploegh, Shanté Clair and Benjamin Baker

Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in Kansas City through performances, a record label, and multidisciplinary collaborations. EMAS is presenting a new concert series at MiniBar, 3810 Broadway Boulevard, KCMO that will highlight local and touring improvising and experimental music artists. The series continues with additional concerts on May 4, July 6, September 7, and November 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More info at http://www.emaskansascity.com

Members of Extemporaneous Music & Arts Society join us. Seth Davis (founder), Evan Verploegh (co-founder), Shanté Clair, Benjamin Baker thanks for being with us on WMM.


Krista Kopper is a fanatic of modern and contemporary music. She has traveled the country playing musicals as well as commissioning, performing, and recording works for the double bass written by some of the most influential modern composers. An avid improviser, she enjoys exploring the infinite variety of sounds that a double bass can produce. To that end, she is an active member of the Extemporaneous Music and Arts Society, an improvised arts collective in Kansas City.

She has a masters degree in double bass performance from The Hartt School where she studied with Robert Black. Some of her career highlights include performing Gubaidulina’s “Concerto for Bassoon and Low Strings” with Ensemble Mise-En at the New York University Library, performing Ustvolskaya’s Composition No. 2 “Dies Irae” with Robert Black and friends at the Jewish Museum in NYC, doing a run of “A Chorus Line” and “Spamalot” at the Palace Theatre in Manchester, NH, teaching at a music summer camp in Cazadero, CA, doing a run of “9 to 5” at Creede Repertory Theatre in Creede, CO, and performing with newEar Contemporary Music Ensemble in KCMO.

Krista was also the creator and host of The Backstage Creative, a podcast that focused on the people who work behind the scenes of theater. Two years ago she started a concert series called The Only Series which highlights 20th century composers. She recently released a solo improvised album called “Blessed Are Those Who Mourn” which is based off of women who have been murdered while running. She is currently working on a book about Robert Black while she freelances in the KCarea. In her spare time she also trains for ultramarathons.


Aaron Osborne is a multi-instrumentalist from KC. He uses electric upright bass; bowed gongs; electronics & auxiliary percussion to create multi-layered, improvised compositions.


Brooke Knoll is a harpist, radio professional, and digital marketer based in Kansas City, Missouri and currently residing in Dublin, Ireland. Brooke is a graduate of the University of Minnesota – Twin Cities, receiving a B.S.B. with majors in Entrepreneurship, Public Non-Profit Management, and Harp. She is currently pursuing an M.A. in Cultural Policy and Arts Management from University College Dublin in Dublin, Ireland. She has studied harp with Kathy Kienzle, Phala Tracy, and Nikki Lemire.

A student of classical harp as well as the Suzuki method, Brooke has experience performing in orchestral and solo settings. A lifelong learner, she seeks to find ways in which the harp can break convention and elicit new emotions from listeners while also employing traditional sonorities. She has previously played with the Roseville String Ensemble and Topeka Symphony. She currently performs as part of the Extemporaneous Music and Arts Society as an improviser and collaborator of contemporary music and teaches lessons to students of all ages.


Brooke got her start in public radio at the University of Minnesota’s radio station, Radio K, where she hosted “Rock Me, Amadeus,” a show dedicated to making classical music accessible and approachable. From there, she joined YourClassical MPR as a digital producer and board operator before finding her way to Kansas City as digital audience specialist and on-air host at 91.9 Classical KC, where she worked until 2024.

As an arts administrator, Brooke has previously worked with the Minnesota Fringe Festival, Saint Paul Chamber Orchestra, Cuban American Youth Orchestra, and Minnesota Orchestra.

Seth Davis (founder), Evan Verploegh (co-founder), Shanté Clair, Benjamin Baker thanks for being with us on WMM.

EMAS is presenting a new concert series at MiniBar, 3810 Broadway Boulevard, KCMO that will highlight local and touring improvising and experimental music artists. The series continues with additional concerts on May 4, July 6, September 7, and November 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More info at http://www.emaskansascity.com

11:25

  1. Shanté Clair, Aaron Osborne – “3”
    from: EMAS @ Fifth Floor December 21, 2024 / EMAS / December 21, 2024
    [Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in KC through performances, a record label, and multidisciplinary collaborations.]

[EMAS is presenting a concert series at MiniBar, 3810 Broadway Boulevard, KCMO that highlights local & touring improvising & experimental music artists. The series continues with additional concerts on May 4, July 6, Sept. 7, and Nov. 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More at http://www.emaskansascity.com]

11:28 – Underwriting

  1. SEYKO – “Anybody High”
    from: “Anybody High” – Single / Groove King Records – Fat Beats / December 1, 2023
    [Produced by Colby Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair. // Seyko released the single “What I Want” on June 23, 2023. //From http://www.seykomusic.com: Seyko has always found music to be a reflection of her innermost thoughts and feelings, a way of self-expression but even deeper than that. Music was always a life-giving, constant companion from the happiest moments to the darkest days. Music continues to be Seyko’s way of communicating with the world around her. // Seyko developed her musical talent during her formative years through church and school choirs, friendships that evolved into singing groups, and professional training through voice lessons and songwriting. Opportunities presented themselves, but Seyko also created opportunities for herself as she chased her dream to create and perform her own music. // The Freedom Affair and SUNU, two Kansas City bands Seyko performs and writes with, have solidified her place in the music scene and provide a solid foundation for beginning her solo career. Seyko’s singing and songwriting career has spanned twenty years, and it shows! Her creative growth has led to her being a well-respected artist in Kansas City, allowing her to participate in recording projects for fellow musicians and even singing background vocals for Michael Bublé at a live concert in 2022.]

11:34 – Interview with SEYKO

KC vocalist SEYKO developed her powerful vocal talent during her formative years through church and school choir. Seyko’s singing and songwriting career has spanned twenty years. Seyko performs and writes music for the bands The Freedom Affair and SUNU, two bands that have solidified her place in the music community. Her creative growth has led to her solo recordings collaborating with members of the bands Black Light Animals and The Freedom Affair. Seyko also participates in recording projects for fellow musicians and singing background vocals for The Band That Fell To Earth and with Michael Bublé at a live concert in 2022. The Freedom Affair have a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025.

Seyko plays the Black Light Animals, LAST CALL FOR LOVE SONGS – Album Release Show on March 29 at The Ship

SUNU play The Ship, 1228 Union Ave, KCMO on Saturday, April 6 at 6:00pm.

The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.

Seyko, Thanks for being with us on Wednesday MidDay Medley

“Anybody High” was released though Groove King Records – Fat Beats, on Dec. 1, 2023 and was Produced by Colby Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair. // Seyko released the single “What I Want” on June 23, 2023. // From http://www.seykomusic.com: Seyko has always found music to be a reflection of her innermost thoughts and feelings, a way of self-expression but even deeper than that. Music was always a life-giving, constant companion from the happiest moments to the darkest days. Music continues to be Seyko’s way of communicating with the world around her. // Seyko developed her musical talent during her formative years through church and school choirs, friendships that evolved into singing groups, and professional training through voice lessons and songwriting. Opportunities presented themselves, but Seyko also created opportunities for herself as she chased her dream to create and perform her own music.

The Freedom Affair has a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025.

Shon Ruffin – Vocals
Paula Saunders – Vocals
Seyko Groves – Vocals
Cole Bales – Guitar
Branden Moser – Bass, Acoustic Guitar (Track 4)
Chris Hazelton – Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals
Dave Brick – Drums
Pete Carroll – Trumpet and Flugelhorn
Brett Jackson – Tenor Sax, Baritone Sax, Tambourine

Recorded at Royal Studios in Memphis, TN
Recording Engineer: Boo Mitchell
Tape Operator: Wesley Graham
Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair
Mixed by: Vince Chiarito
Mastered by: JJ Golden at Golden Mastering
Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales
Design and Layout: Tracy Lenihan

From The Freedom Affair Bandcamp page:

The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness.

A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio.

The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse.

Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.

11:41

  1. The Freedom Affair – “Get My Share”
    from: The Freedom Affair / Sunflower Soul Records / May 9, 2025
    [Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar=, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]

[The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.]

11:45 – More Interview with Seyko

We are talking with KC vocalist SEYKO who developed her powerful vocal talent during her formative years through church and school choir. Seyko’s singing and songwriting career has spanned twenty years. Seyko performs and writes music for the bands The Freedom Affair and SUNU, two bands that have solidified her place in the music community. Her creative growth has led to her solo recordings collaborating with members of the bands Black Light Animals and The Freedom Affair. Seyko also participates in recording projects for fellow musicians and singing background vocals for The Band That Fell To Earth and with Michael Bublé at a live concert in 2022. The Freedom Affair have a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025.

Seyko plays the Black Light Animals, LAST CALL FOR LOVE SONGS – Album Release Show on March 29 at The Ship

SUNU play The Ship, 1228 Union Ave, KCMO on Saturday, April 6 at 6:00pm.

The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.

Seyko, Thanks for being with us on Wednesday MidDay Medley

Seyko also participates in recording projects for fellow musicians and singing background vocals for The Band That Fell To Earth and with Michael Bublé at a live concert in 2022

SEYKO who developed her powerful vocal talent during her formative years through church and school choir. Seyko’s singing and songwriting career has spanned twenty years. Seyko performs and writes music for the bands The Freedom Affair and SUNU, two bands that have solidified her place in the music community.

SUNU was formed in 2007 in Lawrence, Kansas this 8 member ensemble mixes Afrobeat, Jazz, Funk, New Orleans street beats and West African dance drumming to create a tasty brew of shake-your-booty music. With a trio of powerhouse horns, three percussionists and a driving rhythm section they create a potent stew of pure soul that has led them to share the stage with legendary groups like George Clinton and Parliament Funkadelic, The Dirty Dozen Brass Band, and both Femi and Seun Kuti.

PERSONEL:
Rev. Aaron Morris – Trumpet, Vocals
Dan Pem – Tenor Saxophone
Chris Leopold – Trombone
Michael Hamm – Guitar
Chris Shaw – Bass
Dylan Bassett – Percussion
Taylor Babb – Percussion
Alex Thiessen – Percussion

SUNU’s 2015 single “Food, Inc.” b/w “Liberation” was Recorded, mixed, & produced by Chris Hazelton and Mastered by Adam Boose at Cauliflower Audio

For mone information about SUNU you can visit: http://www.sunumusic.com

SEYKO thanks for being with us on Wednesday MidDay Medley.

More info at: http://www.sunumusic.com and http://www.thefreedomaffair.bandcamp.com and http://www.seykomusic.com .

For WMM, and Seyko, I’m Mark Manning. Thanks for listening!

11:53

  1. SEYKO – “What I Want”
    from: “What I Want” – Single / Groove King Records – Fat Beats / June 23, 2023
    [Produced by Colby Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair. // From http://www.seykomusic.com: Seyko has always found music to be a reflection of her innermost thoughts and feelings, a way of self-expression but even deeper than that. Music was always a life-giving, constant companion from the happiest moments to the darkest days. Music continues to be Seyko’s way of communicating with the world around her. // Seyko developed her musical talent during her formative years through church and school choirs, friendships that evolved into singing groups, and professional training through voice lessons and songwriting. Opportunities presented themselves, but Seyko also created opportunities for herself as she chased her dream to create and perform her own music. // The Freedom Affair and Sunu, two Kansas City bands Seyko performs and writes with, have solidified her place in the music scene and provide a solid foundation for beginning her solo career. Seyko’s singing and songwriting career has spanned twenty years, and it shows! Her creative growth has led to her being a well-respected artist in Kansas City, allowing her to participate in recording projects for fellow musicians and even singing background vocals for Michael Bublé at a live concert in 2022.]

[Seyko plays the Black Light Animals, LAST CALL FOR LOVE SONGS – Album Release Show on March 29 at The Ship]

[The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.]

[SUNU play The Ship, 1228 Union Ave, KCMO on Saturday, April 6 at 6:00pm.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on March 19 Zach Phillips returns with new music from The Lone Stranger. Also we’ll chat with Cole Bales and Cody Calhoun of Black Light Animals about their new album, LAST CALL FOR LOVE SONGS and their Album Release Show March 29 at The Ship. And Noah Cassity and members of Big Fat Cow will be with us.

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1086

WMM presents: The Extemporaneous Music & Arts Society + SEYKO

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 12, 2025

WMM presents: The Extemporaneous Music & Arts Society + SEYKO

Mark spins more New & MidCoastal Releases from: Kat King, She Said, The Freedom Affair, They’re Theirs, Angie Fights Crime, Seyko, Til Willis & Erratic Cowboy, Perfume Genius, Julien Baker & Calvin Lauber, Galactic & Irma Thomas, Abraham Alexander & Adrian Quesada, and Yuno. PLUS we play a musical tribute to the Kansas City Legend – Danny Cox.

At 11:00am members of the Extemporaneous Music and Arts Society join us. Seth Davis (founder), Evan Verploegh (co-founder), Shanté Clair and Benjamin Baker share details about a new concert series at MiniBar, 3810 Broadway Boulevard, KCMO hosted by EMAS that will highlight local and touring improvising and experimental music artists. The series continues with additional concerts on May 4, July 6, September 7, and November 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. EMAS was founded in 2021 and is a free improvisation/contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in Kansas City through performances, a record label, and multidisciplinary collaborations. More info at http://www.emaskansascity.com

At 11:30 Mark talks with KC vocalist SEYKO who developed her powerful vocal talent during her formative years through church and school choir. Seyko’s singing and songwriting career has spanned twenty years. Seyko performs and writes music for the bands The Freedom Affair and SUNU, two bands that have solidified her place in the music community. Her creative growth has led to her solo recordings collaborating with members of the bands Black Light Animals and The Freedom Affair. Seyko also participates in recording projects for fellow musicians and singing background vocals for The Band That Fell To Earth and with Michael Bublé at a live concert in 2022. The Freedom Affair have a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025. The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025. SUNU play The Ship, 1228 Union Ave, KCMO on Saturday, April 6 at 6:00pm. More info at: http://www.sunumusic.com and http://www.thefreedomaffair.bandcamp.com and http://www.seykomusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1086

WMM Playlist from March 5, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 5, 2025

WMM presents: RADIO-TRANS-MISSION

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Electric Orchids – “Transmission (2021)”
    from: Plastic Heart (2021 Remix) / Electric Orchids/ May 13, 2021
    [Electric Orchids originally released their first full-length L.P. album, Plastic Heart on May 13, 2016. All Songs 2016 by Electric Orchids, All Rights Reserved. Produced by Electric Orchids. Recorded, mixed and engineered by Matt Mitchell at Mitcholm Castle. Co Produced by John Granger. Additional sounds courtesy of Sven’s Space Place used with permission. http://www.svengrahn.pp.se // Mastered at Landr.com // Cover art by Val Engholm. // The band remixed Plastic Heart for a special release on May 13, 2021. //Electric Orchids is an Indie-Pop band from Kansas City, Mo. // Electric Orchids are: Marc Thomas on drums, Chris Hutchings on bass, Val Engholm on vocals & keyboards. and Matt Mitchell on Guitar.]
  1. Hot Chip – “Transmission”
    from: War Child Presents Heroes / Astralwerks / February 16, 2009
    [War Child Presents Heroes is a 2009 charity album devoted to the War Child charity’s aid efforts in war-stricken areas, such as Iraq, Uganda, Afghanistan and the Democratic Republic of Congo. With a theme of “placing faith in the next generation,” the concept of the album is to have music legends select a track from their own canon and nominate an artist from the next generation to create a modern reworking of that song. // The album was recorded over six months in London, Manchester, Paris, Berlin, New York, and Los Angeles, and mastered at Abbey Road Studios in North London. Previous War Child charity albums include The Help Album (1995), 1 Love (2002), Hope (2003) and Help: A Day in the Life (2005). // Hot Chip is an English synthpop band formed in London in 2000. The group consists of multi-instrumentalists Alexis Taylor, Joe Goddard, Al Doyle, Owen Clarke, and Felix Martin. They are occasionally joined by former member Rob Smoughton for live performances and studio recordings. The group primarily produces music in the synth-pop and alternative dance genres, drawing influences from house and disco. // Hot Chip began as a bedroom recording project for Taylor and Goddard, who met while students at Elliott School, Putney; their earliest lineup included Smoughton as their drummer. After completing two EPs, Mexico (2001) and San Frandisco (2002), the group released their debut album, Coming on Strong (2004) and added Doyle, Clarke, and Martin to their lineup. The band’s second album, The Warning (2006), was nominated for the Mercury Prize. Their follow-up, Made in the Dark (2008), included the single “Ready for the Floor”, which was nominated for the Grammy Award for Best Dance Recording. The band have subsequently released the albums One Life Stand (2010), In Our Heads (2012), Why Make Sense? (2015), A Bath Full of Ecstasy (2019), and Freakout/Release (2022). // Outside of Hot Chip, the band members, individually and in partnership with each other, are active in other musical acts and occasionally perform DJ sets. // “Transmission” is a song by English post-punk band Joy Division. Originally recorded in 1978 for the band’s aborted self-titled album, it was later re-recorded the following year at a faster tempo and released by record label Factory as the band’s debut single. // “Transmission” was released on 7″ vinyl on November 16, 1979 by record label Factory. It was re-released as a 12″ single with a different sleeve on 20 February 1981. The single charted twice in New Zealand, debuting at number 2 in September 1981 and re-appearing again at number 24 in July 1984. // The song was performed once by the band on television, for the BBC Something Else programme. Twenty seconds of the song is shown in the movie Control (2007), directed by Anton Corbijn, a film based on the biography of Ian’s wife, Deborah Curtis’s Touching from a Distance. // Greil Marcus has a chapter on this song in his book The History of Rock ‘n’ Roll in Ten Songs. According to Marcus, “‘Transmission’ is not an argument. It’s a dramatization of the realization that the act of listening to the radio is a suicidal gesture. It will kill your mind. It will rob your soul.” Marcus also quotes the band’s bassist Peter Hook about the importance of this song: “We were doing a soundcheck at the Mayflower, in May, and we played ‘Transmission’: people had been moving around, and they all stopped to listen. I realized that was our first great song.” // In May 2007, NME magazine placed “Transmission” at number 20 in its list of the 50 “Greatest Indie Anthems Ever”, one place below “Love Will Tear Us Apart”. In 2016, Pitchfork placed “Transmission” at number 10 in its list of “The 200 Best Songs of the 1970s”.]
Transgender Flag

10:06 – Intro / Pledge Break #1

Thanks for tuning into WMM on 90.1 FM KKFI.

I’m Mark Manning. Today we present RADIO-TRANS-MISSION a special show in honor of the fierce courage of our Trans, Non-Binary, & Queer artist friends we’ve regularly featured on this show. We’ll spin music from: Ivory Blue, Cassie Taylor, Cuee, MellowPhobia, Chase Horseman, The Creepy Jingles, June Henry, The Black Creatures, Eve Sheldon, Collidescope, Babydoll, Ingrid Ingram, Shamir, Flamy Grant, Laura Jane Grace, Moses Sumney, Lyra Pramuk, Sam Smith, John Cameron Mitchell, and we started the show with Electric Orchids and Hot Chip.

PLUS, we’ll play more tracks from the non-profit Red Hot Organization‘s new release: TRAИƧA, (that we’ve been featuring this season). TRAИƧA is a spiritual journey across 8 chapters and 46 songs w/ over 100 artists contributing & collaborating with this incredible collection. This 6-LP Box Set spotlights many of the most daring, imaginative trans & non-binary artists working in music today. Many of the artists in this collective we have been featuring on WMM since our inception as a radio show. More info at: https://redhot.org/

We’re living in an age when an entire Political Party, a President, his entire cabinet, the U.S. Congress & Senate, The Supreme Court, Kansas & Missouri State governments are eliminating equality, civil rights, jobs, healthcare, & legal protections for our Transgender, Non-Binary & Queer friends. The recent Presidential election brought out cruel campaigns on every level, that blanketed our media with venomous bigotry, manufactured misinformation and lies, while commercial television & radio profited from the hate.

90.1 FM is non-commercial. We are Community Radio. We are different! It is our mission to give evidence of the humanity that is put at risk by these irresponsible campaigns of hate. Throughout WMM’s 20 year history we’ve been the first to present recordings, live performances and interviews with Ivory Blue, Mitzi McKee, Jocelyn Olivia Nixon, Tillie Hall, Chase Horseman, Cuee, Ingrid Ingram, The Black Creatures, Collidescope, Flamy Grant, Remy Styrk, Calvin Arsenia, Stephonne, Al Hawkins, Kat King and many others.

We bring you this special show as part of our KKFI Winter Fund Drive. And this is where YOU can be involved! We’ll take a few short breaks each hour, to encourage YOU to call us at 888-931-0901 or http://www.kkfi.org to make a donation in support 90.1 FM KKFI.
Joining me in the studio, we have some very special co-hosts:

Betse Ellis. Originally from Fayetteville, Arkansas, Betse received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. For over 40 years she has been playing the violin and fiddle professionally and also working as a teacher of music. Betse was a founding member of the acclaimed internationally known band, The Wilders. Betse has released two acclaimed solo records, and records & performs with the band Little Miss Dynamite, and The Starhaven Rounders and with her husband, multi-instrumentalist Clarke Wyatt, as the internationally known, Betse & Clarke.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Also with us is Rachel Christia a Kansas City born tech-girl, afro-futurist, vocalist, actress and landlocked mermaid. She has performed with notable MidCoast bands such as Hearts of Darkness; an eclectic collective influenced by 70s afrobeat, and the Denver based powerhouse Pink Hawks; pulling funky polyrhythms from West Africa and South America. More recently, she enjoys collaborating with her favorite Kansas Music legends or concocting fully improvised audience led musicals with The Maestro’s – Kansas City. She is perfectly aligned as a Kansas City Folk Fest Board member as her primary directive is to build community by lovingly blurring the lines between art and activism.

Rachel Christia, Thanks for being with us on Wednesday MidDay Medley

Also with us is Mikal Shapiro the creator and co-host and producer of Siren Song, Saturdays at 11:00 AM on 90.1 FM KKFI Kansas City Community Radio. Mikal is also the co-founder of River Trade Radio on 90.1 FM. Mikal Shapiro is the coordinator of the annual Kansas City Folk Fest. They are also founder of State City Films creating documentary and experimental filmmaking practices. A third generation storyteller, they draw inspiration from their travels, love life, and the state of the Union. Mikal studied Film History, Film, & Writing at Sarah Lawrence College in Bronxville, New York. They received their MFA in Film/Video/New Media/Animation from The School of the Art Institute of Chicago in 2012. Artist, filmmaker, puppeteer, ring-leader, Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. They have toured extensively across the United States and have recorded 5 critically acclaimed albums. Mikal records and performs with their band The Musical. They also perform with Shapiro Brothers, and Monta At Odds.

Mikal Shapiro’s The Musical plays a Dinner Matinee on Friday. March 7 , at 7:00 to 9:00 PM, at The Ship, 1221 Union Avenue, KCMO.

Mikal Shapiro, Thanks for being with us on Wednesday MidDay Medley

90.1 FM KKFI Kansas City Community Radio is Non-Commercial, and that means that three times a year, we interrupt our regular programming, to ask our listeners, to help us continue our unique, 24-7 programming. For 37 years 90.1 FM KKFI has been on the air. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We are a non-profit, with a dedicated paid staff of four incredible individuals, and hundreds of volunteers, who donate thousands of hours every year, producing radio shows, training new hosts & producers, developing new radio shows, serving our vast community landscape with music and news, information and stories that reflect the many communities we serve.

90.1 FM KKFI is “Radio Powered By Diversity” For 37 Years our Kansas City Area Community Speaks Through our Airwaves and this Program.

In 2024 on WMM we conducted over 119 interviews with 152 special guests: Michelle Bacon, Adee Dancy, Lonnie Fisher, Tara Fisher, Katie Gilchrist, Erin Keller, Mitzi McKee, Katie Gilchrist, Rod Parks, Jennifer Roe, Janice Woolery, David Luther, Kelly Dougherty, Buck Moon, James Carter, Julia Othmer, James T. Lundie, Flamy Grant, Malek Azrael, Alisön Hawkins, Fritz Hutchison, Betse Ellis, Trecen Peeler, Carlos Nunez, Joelle St. Pierre, Kat King, Elaine McMilian, DJ Thundercutz, Jasmine Majors, Nico Gray, Sarah Bradshaw, Michael Byars, Chris Haghirian, Manuel Abarca, Kim Stanton, Kris Bruders, Paul Wenske, Nancy Meis, Chris Wenske, Isaac S. Cates, Claire Adams, ALBER, Rick Truman, Sondra Freeman, Mara Williams, JM Banks, Jen Owen, Brad Cox, D. Rashaan Gilmore, Anson The Ornery, Shaun Crowley, Chris Kinsley, Sid Sowder, Josh Thomas, Justin Brooks, James Capps, Chris Smead, Jeremiah James Gonzales, Scott Hrabko, Beth Watts Nelson, Jocelyn Olivia Nixon, Lauren Krum, Mike Stover, Brenton Cook, Mikal Shapiro, Stephonne, Chad Brothers, Calvin Arsenia, Ivory Blue, Klaartje Van Lue, Kasey Rausch, Maria Vasquez Boyd, Necia Gamby, Clarke Wyatt, Danny Santell, Miki P., Rachel Lovelace, Peregrine Honig, Izzy Vivas, Krystle Warren, Ashlee Fairchild Jones, Jean Fabien Dijoud, Dan Parsons, Aaron Rhodes, Ethan Payton, Nicolette Paige, Zee Underscore, Charlie Colborne, Bill Belzer, Tommy Capps, Dirk Liebert, Graham Stone, Audrey Crabtree, MusicbySkippy, Lone Stranger, Adam Phillips, Danielle Ate the Sandwich, Scott McCaughey, Kristina King, Lincoln Dreher, Tom Mardikes, Glenn Robinson, Ayron Alexander, Noah Cassidy, Kole Waters, Cameron Thomas, Scott Easterday, Kyle Dahlquist, Bill Sundahl, Bryan Redmond, Ryan Wurtz, Nick Carswell, Fally Afani, Lava Dreams, Hillary Watts, Chuck Whittington, Just Angel, T.A. Rell, Duff Thompson, Josh Mobley, David George, Tucker Slough, Nathan Reusch, Mark Ronning, Lori Raye Erickson, Jessica Dressler, Jen Frank Klenke, Adria Patterson, Alex Kimball Williams, Michael McQuary, Paris Williams, Jesse Kates, Christina Graves, Brandon Graves, Sandra Draper, Beth Barden, Rachel Christia, Miguel Carabello, Daniel Cole, Paul Seiz, Scott Heidemann, Ken Petti, Sondra Freeman, Destiny Atkinson, Kate Hall, Damron Russell Armstrong, Brock Wilbur, Nick Spacek, Bill Brownlee, Rachel Ytyurralde

10:15

  1. Ivory Blue – “Rhythm of the Radio”
    from: “Rhythm of the Radio” – Single / IVORY BLUE / January 31, 2025
    [Written and dedicated to RADIO STATIONS, DJs all over the world. What IVORY says about this song: “I really wanted a song to express how scared I was for the future. But I also wanted a positive message to lift myself up. I realized in the process of writing it that this song was getting me through my emotions and I felt that all music really does just that. It helps us in our darkest times. This song is officially dedicated to all the radio stations that continually change people’s lives through the power of music and to the artists that continue to write out their deepest personal experiences through their own ideas. Let’s make the future a unifying happy place for all!” // IVORY BLUE released the single “Exiled” on November 29, 2024. IVORY BLUE released the single “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their second full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and other radio stations around the world. For STARLIT LOVE CHILD, IVORY BLUE served as songwriter, producer, & vocalist. // On October 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from September 22, 2023, ”The Best of Life” from August 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on February 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. Nick Poortman served in mixing, with Kurt Festge who also served in mixing & Mastering. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017. In 2017 Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE
    has played with The Band That Fell to earth, Boulevardia, Crossroads Music Festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. More info at: http://www.ivorybluemusic.com]
  1. Cassie Taylor – “DEADNAME (Find You) (feat. Cuee & Dante Foley)”
    from: DEADNAME (Find You) (feat. Cuee & Dante Foley) – Single / Former Child / 6-6-2024
    [“Taylor’s new song “DEADNAME (Find You)” tells the story of a trans man coming into his own and finding love. // The story was inspired by people in Taylor’s life that transitioned during the pandemic as well as the artist coming to terms with her own queer identity. // The single works as an anthem of acceptance and a musical form of resistance. \ Cassie Taylor told Luis Xavier De Pena of Watermark online, “For people to have the ability to show up as themselves, I think it’s going to make the fight more sustainable,” Taylor says. “I think to be queer and to lean into joy is a protest.” // It took over two years from concept to execution between issues with label managers not wanting to release a song about trans issues to finding an authentic voice on the record. Releasing the song was no easy feat but the hard work paid off. // Taylor says the single has received overwhelmingly positive support since it release. For Taylor, it’s important to normalize the discussions around transitioning and gender-affirming practices as almost everyone is prone to do the latter. // “I don’t think that there’s a single celebrity, model, human being on Earth that isn’t participating in something to affirm their gender. I think that the thing that catches people up, especially in the conversation about trans rights and inclusivity, is that we’re all doing that,” Taylor says. // Taylor has recently been back in the studio recording new music that speaks on LGBTQ+ topics. The artist says fans can expect new music to drop sometime this summer. // Cassie Taylor was born in 1986 in Boulder, Colorado. They are an American singer-songwriter and blues musician. She started her career in the early 2000s touring as a bassist for her father Otis Taylor, a trance blues musician. Taylor released a positively received solo album, Out of my Mind, in 2013, which infused traditional Delta blues with genres as diverse as electronica, indie rock, and psychedelia. Based in Kansas City, Missouri as of 2013, they are also a model and fashion designer. // Cassie Taylor was raised by her parents Carol Ellen Bjork and blues musician Otis Taylor. They have one younger sister. Despite being born during a period when her father was on hiatus from the music industry, he did expose her to blues music and teach her piano when she was young. She only became aware of his previous career around age 8 or 9. At around age 12, Taylor began playing electric bass, impressing her father with a rendition of “Hey Joe.” // When Taylor was 16, their father asked them to tour as the bassist in his band. Since his usual bassist Kenny Passarelli had a conflicting schedule, she joined his summer tour, playing for twenty dollars per gig. According to Taylor, her father didn’t build her up as a prodigy, but rather “I think I was just cheap child labor. Plus, he knew I wasn’t going to get drunk on the road or go missing. Some people have the fear of God in them. I had the fear of Otis.” // Cassie toured multiple countries with the band, picking up vocals and keyboards as well and went on to appear in eight of his albums, SSWD including lending bass and vocals to his 2007 album Definition of a Circle. Taylor was also on the board of directors for the Blues Foundation. // By 2009, Taylor quit the band to work on her own demo recordings. Frustrated with the process, she moved to Memphis with her then-boyfriend and stepped back from music. They began working in retail, started studying fashion design, and began a modeling career. She later started her own company, Moorhead Apparel, with a focus on men’s clothing. Taylor has made appearances in a number of studio and student films. They now also work as a photographer and videographer. // In June 2023, Taylor met drag queen Trixie Mattel backstage during a performance of Mattel’s in Kansas City. After Taylor posted photos with Mattel in a Playboy jacket on Instagram, they were scouted by Playboy and became a Playboy Bunny for Playboy’s online platform, Centerfold. // Taylor rededicated herself to music in 2010, beginning to work on her debut solo album, Blue, where she wrote all the tracks. Released in 2011, The New Yorker called it a “solid collection of original songs, with occasional nods to her father’s trance blues.” // During this time she formed the trio Girls With Guitars with musicians Dani Wilde and Samantha Fish. They released an eponymous album in 2011, afterwards beginning to tour. While she mostly writes her own material, Taylor has also reworked songs by artists as diverse as Nine Inch Nails and Muddy Waters. // By 2012, Taylor had moved to Kansas City, Missouri and started and started mixing tracks for her second album. Originally financed through the proceeds of her husband selling his car, she was signed by Yellow Dog Records during the production process. Most of the recording took place at Immersive Studios in Boulder, where she had previously worked. // Taylor wrote, arranged, produced, and sang all tracks, also providing bass guitar, piano, Hammond organ, and theremin. The band she formed for the album and live performances includes Larry Thompson on drums and Steve Mignano on guitar, as well as Jon Gray on trumpet. The 12-track album, Out of my Mind, was released on May 7, 2013. // A music video for the first track, “That’s My Man,” was shot in Memphis early in 2013. About the video, which she dedicated to friends in the modeling industry who were LGBTQ, “In the video there are four different ‘males.’ There are the muscle cars, which represent the personification of the traditional male, a man, a transgendered (female to male), and a drag queen. All of them represent different forms of male, whether it be mental, physical or spiritual.” // Reviews were positive, earning sound comparisons to Diana Ross and the Supremes, Janis Joplin, and Gladys Knight, with one review calling the album a “mesmerizing, nuanced, and imaginatively arranged collection of blues-inflected originals.” Also, “Her writing is both intelligent and moving, with exceptionally strong melodies and challenging rhythms, and her production is vivid and adventuresome.” “Taylor’s original compositions here all have to do with heartbreak, but she expresses her pain so exquisitely that it’s a pleasure for the listener to bear.” About her vocals, Premier Guitar wrote “Taylor floats through her melodies with a relaxed, sassy vibe and none of the melismatic tinsel that plagues many contemporary female singers.” // Out of my Mind merges traditional Delta blues with electronica, indie rock, psychedelia, and other modern genres. According to Taylor, “I use a lot of different influences …from West African psychedelic rock, to classic rock, to industrial metal.” About combining genres, “For me, the blues is the root of all American music, and I love each individual genre of American music. It would be dishonest to not use all of the things that I’ve been exposed to because I love them so much.” // Taylor was married to Chuck Haren in late 2012 until their divorce in June 2023. // Taylor came out as bisexual and ambiamorous in June 2022.]
  1. Cuee – “Proud Boi”
    from: “Proud Boi” – Single / Cuee / June 1, 2023
    [Cuee released the (3-song Single) “With Love” including the track “See You Tonight” on February 14, 2023. Before that Cuee released the (3-song Single) “Coming Out” on June 24, 2022. // Lawrence/Chicago based hip-hop artist Cuee is a rapper with a Master’s Degree. Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a graduate of Artist Inc. Originally from Chicago, Illinois, Cuee has wowed audiences with exciting live performances. And since 2017 Cue has released several critically acclaimed albums, an EP, multiple singles. We last talked with Cuee on March 3, 2021 and on May 5, 2021 and before that, on August 12, 2020, when he released the single “Who’s Back.” and before that on May 29, 2019. Cuee released the single: “Ain’t Goin Backon May 7, 2021, “Gravity (Feat: Lindsey Alderman)” on April 29, 2021 and part of GOSPEL the album. In 2020 Cuee’ track, “Shook” landed on an official Spotify playlist dedicated to transgender, non-binary and gender-fluid musicians across the globe including Kim Petras and Lex Allen. Spotify sent out a note said, “Hey Cuee you hit a high note this month.” Cuee said he didn’t even know what that meant, and he looked up to discover he had over 24,000 listener during the month of June on Spotify. I was trying to figure out what happened. I did a little research, I logged onto my instagram account, I was starting to get a flood of followers. I was just tracing it back and I landed on a Spotify playlist, it was an editorial playlist so he couldn’t find out who put him on there. “Someone found me.” Cuee made three trips home to Chicago to record the record. For the new album GOSPEL Cuee explained that this term can have biblical connections but it also means ‘the truth.” The video for “Ain’t Going Back” takes place in a church, and is a declaration of freedom, and identity, while also paying respect. Cuee talked us about how the track was created in the studio and translating the song into a video that was shot in a church. Last time we talked with Cuee he shared his thoughts about ‘”Queerness in a church,” Cuee said, “you know, is very…different, I mean I wanted to bring that into that space, and freedom into that space, allow that space to be seen and heard by other people who traditionally wont take up that space.” Along with getting his Master’s Degree, Cuee has released around 30 different musical tracks, legally changed his name, and has transitioned physically and vocally. The song “Ain’t Going Back” features Cuee’s friend Joel Leoj who is originally from Florida, but after moving to Chicago, became friends with Cuee in school, and recently moved to Lawrence to make music and collaborate on recordings with Cuee. Cuee explained that they have known each other since high school, that they “started a Hip Hop culture club in our high school, to bring music, kinda having a place to chill after school, write music together as a community. That’s how we started.” “I moved out here to Kansas, to go to school, he stayed back in Miami, and then we kind of connected back, maybe about two years ago, and hit it off really strong. We decided we wanted to pursue this music thing together. We decided let’s just do this. So he said he was going to move to Lawrence. I didn’t believe him at first, until he showed up on my doorstep, and I was like, Wow, you are here, let’s do this.” Joel Leoj released the album, JOEY IN WONDERLAND on January 31, 2021. Cuee is a featured guest emcee on the tracks “Eden” and “No Debate.” More info at: http://www.officialcuee.com]
  1. MellowPhobia – “Finding It Hard”
    from: The Act of Loving In Return / Jackal And Hide Records / May 15, 2024
    [Based in Kansas City, Kansas, MellowPhobia is an alt-rock band that brings a lively and dynamic sound to the music scene. Originally from Pittsburgh, Pennsylvania, the band relocated and recorded their debut EP, “Is This Seat Taken?” released in 2021. Their single, “Jackal” later gained attention, leading to performances at festivals and indie venues. Notable highlights include sharing stages with national touring acts such as The Greeting Committee, the Regrettes, The Velveteers, Colony House, and more. By 2024, “Jackal” had surpassed 40,000 streams and the band continues to grow its fan base. Looking ahead, MellowPhobia is gearing up for new releases, each contributing to their evolving sound. // From I Heart Local Muaic., May 15, 2024 written by Fally Afani: “ It’s been a while since we’ve had a really well-produced local indie album come our way, but MellowPhobia continues to check all our boxes. // The Act of Loving in Return is a masterclass in youthful angst. It kicks off with the frustration-laden “Finding It Hard,” setting the tone right away for the album with angsty lyrics over guitar tantrums. From there, the band continues to share their dissatisfactions with us, all while treating their listeners to fantastically-written melodies. We’ve noticed that their bridges are always a moment for quiet reflection before diving back into their noisy airing of grievances. We love it. The frontperson certainly has the vocals for this mood. // We’ve said before that this is a great band live. However, they’ve been garnering a lot of attention online for their recorded work as well. The single “Jackal” is a popular one at shows, but it’s racked up thousands of streams on Spotify. There’s a great vintage vibe for songs like “Scholars” and “Therapy.” “Los Angeles” breaks our hearts, and closer “Breaker Waves” is absolutely stunning. // MellowPhobia is great therapy for today’s young fans. Their live sets are already a blast, but The Act of Loving in Return seals the deal with solid indie rock songwriting. The sheer innocence of it all is enough to leave us emotionally wrecked. We hear these songs and just want to hug them (or shake them) and say “You have your whole lives ahead of you! It’s going to be ok!” If nothing else, this is a perfect Summer album released at just the right time. // MellowPhobia played Lawrence Pride on June 1, 2024.]

10:27 – Underwriting

10:29 – Pledge Break #2

Our WMM Winter Fund Drive Team: Betse Ellis, Rachel Christia, & Mikal Shapiro

Timothy Finn in KC Star named WMM “The Best Place to Hear Local Music on the Radio.” and the Best Place to hear area musicians talk about their music.

Last year on May 15, 2024 – WMM celebrated 20 Years on the radio w/ LIVE performances from: Calvin Arsenia, IVORY BLUE, Stephonne, Julia Othmer, Kasey Rausch and guests Marion Merritt, Maria Vasques Boyd, Nico Gray, and Necia Gamby.

As of this week WMM has done 1085 weeks equaled 2170 hours of radio, 14,105 hours of preparation, over 2800 Interviews, 2500 guests, and over 20,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music community, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.

WMM has presented new formats in radio, with our “A Story In A Song” series, our shows featuring: Apocalypse Meow, Juneteenth, Power to The People Fest, Crossroads Music Fest, Folk Alliance International, Manor Fest, The Outer Reaches Festival, Boulevardia. KC Fringe Festival, Waldo Folk Series, Shuttlecock Music, The Folly Theatre, Owen Cox Dance Group, Bach Aria Soloists, KC Pride, our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, LGBTQIA Themes, Black Lives Matter and interviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin, Regina Spektor, Holly Near, Sam Harris, Sweet Honey in The Rock, Regina Carter, our annual 4-week special: WMM’s 120 Best Recordings of the Year.

To say this WMM has been inspired by the KC music community, is an understatement. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists we’ve met while doing this show.

We are inspired by the Fearless Women who created radio on 90.1 FM long before us: our friend April Fletcher who plays bass professionally in Los Angeles, and hosted Mix Well Before Serving on 90.1 in 1988 on KKFI’s first year of broadcast, and last year returned after 35 years to host and produce WMM.

And our friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. At Anne’s funeral we realized that we are connected to hundreds of other people who Anne had touched with her gentle, wise, guidance and had nudged into taking a job, going out on a stage, organizing an event, doing a radio show. We were all connected, she had loved us all and supported us, and some of us made a pact to do just a little bit of what Anne did, if we all did a little we could continue her work to help build our community, that is how we keep Anne alive in our heart.

And through collaboration, and shining a light, like Abigail Hope Henderson, who we lost in 2013, but not before she ignited a movement to create the Midwest Music Foundation supporting heath care needs and mental health care for the music community. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the stories & music & voice of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers.

We celebrate 1085 weeks of WMM, the show that has brought us together, at this time, on this frequency, in these community airwaves. Thanks for listening.

Donating to 90.1 FM KKFI is investing in your community.

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

10:37

  1. Chase The Horseman – “Silver Liner”
    from: “Silver Liner” – Single / Chase The Horseman / October 25, 2024
    [Silver Liner drums and additional engineering by Ian Dobyns, Additional vocals by Heidi Gluck. Mastered by Anthony Puglisi. Written, produced, performed and mixed by Chase Horseman at Element Recording. // Chase Horseman has composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, Nan Turner and more. Chase The Horseman film composer, band leader, multi-instrumentalist, audio engineer, & producer. They have composed music for over 40 films and as producer collaborated with Teri Quinn, Heidi Lynne Gluck, KD Kuro, and Nan Turner. On April 2, 2024 Chase released the 22 track Original Sound Track for Headcount, a feature film fro the Burghart Brothers, priduced by Continuance Pictures, Methoid Media, and Shout Factory. Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” In February 2020 Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O Chase played Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals pall erformed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. On May 1 Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowlly on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of this single will be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. http://www.chasethehorseman.bandcamp.com. They have composed music for over 40 films and as musician has collaborated Teri Quinn, Heidi Lynne Gluck, KD Kuro, and Nan Turner. Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]
  1. The Creepy Jingles – “Love Like You”
    from: “Love Like You” – Single / High Dive Records / July 14, 2024
    [The was #1 in WMM’s 50 Favorite Singles of 2024. This was the third of four new singles released by The Creepy Jingles in 2024. The band released “Repeat After Me” on April 19, 2024. The band released “When Things Go Wrong” on February 23, 2024. The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. // Song (lyrics/melody/chords) written by Jocelyn Olivia Nixon. Mixed and Recorded by Paul Malinowski and recorded at Massive Sound Studios in Shawnee, Kansas. Mastered by Zack Hames. Jocelyn Nixon on lead vocals & rhythm guitar, Will Van Doorn on lead guitar & backing vocals, Andrew Woody on bass & backing vocals, Nick Robertson on drums & bait. // The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The Creepy Jingles played Apocalypse Meow 17 on Saturday, November 2nd at recordBar,]
  1. Moses Sumney + Lyra Pramuk + Sam Smith – “You Make Me Feel (Mighty Real)”
    rom: TRAИƧA / Red Hot / November 22, 2024
    [One of the most ambitious projects ever undertaken by the storied activist and music production non-profit Red Hot, TRAИƧA is a spiritual journey across eight chapters and 46 songs with over 100 artists contributing. The album spotlights the gifts of many of the most daring, imaginative trans and non-binary artists working today. // Dust Reid, who led production on Red Hot’s 2014 tribute to Arthur Russell, and Massima Bell, an artist and activist based in Los Angeles, began tracing the contours of what would become TRAИƧA together in 2021. The two producers originally met at a video shoot in upstate New York, and immediately bonded over their shared love of Beverly Glenn-Copeland’s music, as well as a common devotional connection to nature. // The passing of SOPHIE, the pathbreaking electronic producer who died in January 2021, galvanized the producers and focused their work. “We started talking about all the gifts that trans artists have been giving to the world, and wanted to create a Red Hot project that centered and celebrated those gifts,” says Reid. “We hoped to create a narrative that positions trans and non-binary people as leaders in our society insofar as the deep inner work they do to affirm who they are in our current climate. We felt this is something everybody should do. Whether you identify as trans or non-binary or otherwise, if you took the time to explore your gender, get in touch with the feeling side of yourself, maybe we would have a future oriented around values of community, collaboration, care, and healing.” // Bell and Reid began conceiving of the album as a spiritual journey in eight chapters, a mirror of the original eight-stripe rainbow pride flag. The narrative begins at the earliest awareness of consciousness; moves through awakening, trauma, and grief; and arrives at liberation and continual reinvention. “One thing trans people do all the time is turn grief into possibility,” says Bell. “Living under the ongoing Western binary system, trans people reveal maps of possibility for everyone. It’s something that we can all learn from – expanding the possibility of human life.” Each chapter begins with a “chapter track,” kicking off a collection of songs that speak to that chapter’s theme. // As the producers began inviting musicians to contribute to TRAИƧA, the political climate in the United States and across the world started to foment an acute reactionary streak. Legislation denying trans people the hard-won right to medically transition proliferated across the country. Book bans rained down on libraries, stamping shut crucial apertures into trans and queer lives. The necessity of TRAИƧA’s presence in the world started to crystallize. // “The stakes have never been higher,” notes Bell. “We’re seeing a rise in anti-trans hate and vitriol that is particularly being spewed in the United States. I am a trans person from Iowa, one of the states that signed into law a bill that prohibits access to gender-affirming care. It is clearly, materially, a terrifying time.” // TRAИƧA FEATURED ARTISTS:Adrianne Lenker * Ahya Simone * Alan Sparhawk (Low) * Allison Russell * Am Taylor * Anajah * Ana Roxanne * André 3000 * Anjimile * Arthur Baker * Asher White * AV María * Babehoven * Bartees Strange * Belina Rose * Benét * Beverly Glenn-Copeland * Bill Callahan * Blake Mills * Bloomsday * Calvin Lauber * Caroline Rose * Cassandra Croft * Cassandra Jenkins * Christian Lee Hutson * claire rousay * Clairo * CLARITY * Cole Pulice * Dave Longstreth * Devendra Banhart * Eileen Myles * Eli Winter * Elizabeth Glenn-Copeland * Ezra Furman * Faye Webster * Fleet Foxes * Frankie Cosmos * Gary Gunn * Gia Margaret * Green-House * Grouper * Hand Habits * Heart Shaped * Helado Negro * Hunter Schafer * Jamal Shakeri * Jay Dee Daugherty * Jayne County * Jeff Tweedy * Jlin * Joy Guidry * Julianna Barwick * Julie Byrne * Julien Baker * Kara Jackson * Kathi Wilcox * KB Brookins * Kelela * Laraaji * Laura Jane Grace * Lauren Auder * Lee Ranaldo * Lightning Bug * Lomelda * Lucy Liyou * Lynn Avery * Lyra Pramuk * L’Rain * Mary Lattimore * MIZU * Moor Mother * More Eaze * Moses Sumney * Nico Georis * Niecy Blues * Nina Keith * Nsámbu Za Suékama * NYC Trans Oral History Project * Pepper MaShay * Perfume Genius * Pharoah Sanders * Quinn Christopherson * Rachika Nayar * Sade Adu * Sam Smith * Sharon Van Etten * SKY * SOAK * Soft Rōnin * Sparkle Division * Taryn Blake Miller * Teddy Geiger * Time Wharp * Wendy & Lisa of the Revolution * Yaeji * Yaya Bey // Moses Sumney was born May 19, 1992 and is an American singer-songwriter. His self-recorded EP, Mid-City Island, was released in 2014. He released another five-song EP in 2016, titled Lamentations. His first full-length album, Aromanticism, was released in September 2017. His second studio album, Græ, was released in 2020. Sumney has performed as an opening act for James Blake, Solange Knowles, and Sufjan Stevens. // Born in California, Sumney was raised by pastor parents, and moved with his family back to Ghana at the age of 10. He described his childhood as “Americanized” by this age and had difficulty adjusting to the culture of Ghana, especially the rural nature of his new environment. There he grew up on a goat farm in Accra and commuted by public bus to school. His family returned to Southern California when Sumney was 16, settling in Riverside. // He did not learn to play any instruments until he was older, writing a cappella music for years instead. Sumney did not perform his musical compositions publicly until he was 20. // After high school, he moved to Los Angeles in 2010 to attend the University of California, Los Angeles. He majored in creative writing and studied poetry, which helped him improve his songwriting. // Lyra Pramuk fuses classical vocalism, pop sensibilities, performance practices and contemporary club culture in what can best be described as futurist folk music. // Lyra Pramuk released her debut album, Fountain through Bedroom Community on March 20, 2020. It was part of WMM’s 120 Best recordings of 2020. Lyra Pramuk’s debut explores a post-human, non-binary understanding of life. Lyra fuses classical training, pop sensibilities, performance practices and contemporary club culture in what may best be described as futurist folk music. The American opera-trained vocalist and electronic musician releases her album via Iceland’s Bedroom Community label. Created entirely from her own voice, although often shaped and structured by electronics, Fountain is an emotional, sensual, and devotional journey. The title is derived from her family name, Pramuk, which translates from Czech as ‘well spring’ or ‘fountain.’ Often wordless, these songs evoke a new wholeness sustained by the ritual force of drowning, immersion, cleansing, and bathing – also referred to in the album artwork by acclaimed visual artist Donna Huanca. Fountain plays with the perception of music, rhythms, speech, body, and the relation between technology and humanity, exploring a post-human, non-binary understanding of life and the fragile ecosystems it depends on. The work documents a healing that is still in process, and a full circle-moment that reunited Lyra with her sound engineer twin brother, Ben, for the final mix, which they completed in tandem. As a vocal activist and member of the queer community, Lyra moved to Berlin in 2013, following her degree at the Eastman School of Music in New York. Since then, she has also been awarded residencies at Elektronmusikstudion EMS Stockholm, Open Port Club Residency in Tokyo and Sapporo, and Future Music Lab of the Atlantic Music Festival in Maine. Her interests also encompass writing, poetry, and fashion, where she is sometimes called upon as a model. As a performance artist, she has collaborated extensively with Donna Huanca and at events such as Glasgow International and the Rochester Fringe Festival. Music composed and produced by Lyra Pramuk. Vocals recorded by Lyra Pramuk and Ben Pramuk in Berlin and at EMS Elektronmusikstudion in Stockholm. Mixed by Ben Pramuk in Berlin. Mastered by Valgeir Sigurðsson and Francesco Fabris at Greenhouse Studios. // Samuel Frederick Smith was born May 19, 1992. Sam is an English singer and songwriter. In 2012, they[a] rose to prominence when they featured on Disclosure’s breakthrough single “Latch”, which peaked at number eleven on the UK Singles Chart. The following year, they featured on Naughty Boy’s single “La La La”, which became a number one single in the UK. // Smith’s debut studio album, In the Lonely Hour (2014), was released through Capitol Records UK and debuted at number one on the UK Albums Chart. The album’s lead single, “Lay Me Down”, was released prior to “La La La”. The album’s second single, “Money on My Mind”, became their second number one single in the UK. Its third single, “Stay with Me”, was internationally successful, reaching number one in the UK and number two on the US Billboard Hot 100, while subsequent singles “I’m Not the Only One” and “Like I Can” reached the top ten in the UK. The album won four awards at the 57th Annual Grammy Awards, including Best Pop Vocal Album, Best New Artist, Record of the Year, Song of the Year, and nominations for Album of the Year and Best Pop Solo Performance. // Smith’s song “Writing’s on the Wall” served as the theme for the James Bond film Spectre (2015), and won Smith a Golden Globe Award and an Academy Award for Best Original Song. Smith’s second studio album, The Thrill of It All (2017), debuted atop the UK and US album charts. The album’s lead single, “Too Good at Goodbyes”, reached number one in the UK and Australia and number four in the US. Following the 2018 single “Promises” (with Calvin Harris), which peaked at number one in the UK, Smith released “Dancing with a Stranger” (with Normani) in 2019, which peaked within the top ten in the UK and the US, also receiving a nomination for Song of the Year at the 2020 Brit Awards. The singles, along with “How Do You Sleep?”, would precede the release of their third studio album, Love Goes (2020). In 2022, Smith’s single “Unholy” (with Kim Petras), would become their first number one single in the US and won the Grammy Award for Best Pop Duo/Group Performance. The song would precede their fourth album, Gloria (2023). // Smith’s numerous accolades include five Grammy Awards, three Brit Awards, three Billboard Music Awards, and an American Music Award, as well as a Golden Globe and an Academy Award. On the UK Albums Chart, In the Lonely Hour was the best-selling debut album of the 2010s and the sixth best-selling album of the decade, while collectively Smith’s albums spent the fourth-most weeks at number one in the 2010s, behind Ed Sheeran, Adele and Eminem. Smith is the first openly non-binary musician to both release a song that reached No. 1 on the Billboard Hot 100 and to win a Grammy Award. // “You Make Me Feel (Mighty Real)” is a song by American disco/R&B singer Sylvester. It was written by James Wirrick and Sylvester, and released by Fantasy Records as the second single from the singer’s fourth album, Step II (1978). The song was already a largely popular dance club hit in late 1978, as the B-side of his previous single “Dance (Disco Heat)”, before it was officially being released in December. It rose to the number one position on the US Billboard Dance Club Songs chart. Music critic Robert Christgau has said the song is “one of those surges of sustained, stylized energy that is disco’s great gift to pop music”. // In 2019, the song was selected by the Library of Congress for preservation in the National Recording Registry for being “culturally, historically, or aesthetically significant”. In 2023, Billboard ranked it among the “500 Best Pop Songs of All Time”. // The song was originally recorded as a mid-tempo piano-driven gospel song; however, after producer Patrick Cowley saw a rehearsal of the song at San Francisco’s City Club, he offered to remix the song. The result was one of the pioneering disco records using some electronic instrumentation and effects, following closely on “I Feel Love” by Donna Summer which heavily used electronic instrumentation ahead of its time. These 1970s songs using electronic instrumentation would have an influence on 1980s and 1990s dance music, which in turn, would have an influence on dance music in the next century. // The song was Sylvester’s first top 10 hit in the United Kingdom, where it peaked at No. 8 on the UK Singles Chart in October 1978. In Sylvester’s home country, the single was his second top 40 hit, peaking at No. 36 on the Billboard Hot 100 chart in February 1979. The song also reached No. 20 on the Billboard Hot Soul Singles chart. A 12″ single was released in 1978, with “Dance (Disco Heat)” as the A-side and “You Make Me Feel (Mighty Real)” as the B-side, and these two extended dance mixes proved to be very popular in dance clubs at the time. The two songs held down the top spot on the Billboard Dance/Disco chart for six weeks in August and September 1978. These two songs helped to establish Sylvester’s career as a noted disco and dance music performer, both in the US and abroad. // Sylvester James Jr. (September 6, 1947 – December 16, 1988), known simply as Sylvester, was an American singer-songwriter. Primarily active in the genres of disco, rhythm and blues, and soul, he was known for his flamboyant and androgynous appearance, falsetto singing voice, and hit disco singles in the late 1970s and 1980s. // Born in Watts, Los Angeles, to a middle-class African-American family, Sylvester developed a love of singing through the gospel choir of his Pentecostal church. Leaving the church after the congregation expressed disapproval of his homosexuality, he found friendship among a group of Black cross-dressers and transgender women who called themselves the Disquotays. Moving to San Francisco in 1970 at the age of 22, Sylvester embraced the counterculture and joined the avant-garde drag troupe the Cockettes, producing solo segments of their shows, which were heavily influenced by female blues and jazz singers such as Billie Holiday and Josephine Baker. During the Cockettes’ critically panned tour of New York City, Sylvester left them to pursue his career elsewhere. He came to front Sylvester and his Hot Band, a rock act that released two commercially unsuccessful albums on Blue Thumb Records in 1973 before disbanding. // Focusing on a solo career, Sylvester signed a recording contract with Harvey Fuqua of Fantasy Records and obtained three new backing singers in the form of Martha Wash and Izora Rhodes – the “Two Tons O’ Fun” – as well as Jeanie Tracy. His first solo album, Sylvester (1977), was a moderate success. This was followed with the acclaimed disco album Step II (1978), which spawned the singles “You Make Me Feel (Mighty Real)” and “Dance (Disco Heat)”, both of which were hits in the US and Europe. Distancing himself from the disco genre, he recorded four more albums – including a live album – with Fantasy Records. After leaving this label, he signed to Megatone Records, the dance-oriented company founded by friend and collaborator Patrick Cowley, where he recorded four more albums, including the Cowley penned hit Hi-NRG track “Do Ya Wanna Funk”. Sylvester was an activist who campaigned against the spread of HIV/AIDS. He died from complications arising from the virus in 1988, leaving all future royalties from his work to San Francisco-based HIV/AIDS charities. // During the late 1970s, Sylvester gained the nickname of the “Queen of Disco” and during his life he attained particular recognition in San Francisco, where he was awarded the key to the city. In 2005, he was posthumously inducted into the Dance Music Hall of Fame, while his life has been recorded in a biography and made the subject of both a documentary and a musical. // During the late 1970s, Sylvester gained the moniker of the “Queen of Disco”, a term that continued to be given to the singer into the 21st century. The English journalist Stephen Brogan later described him as “a star who shined brightly. He only happened once. He was a radical and a visionary in terms of queerness, music and race.” Reynaldo Anderson of Harris-Stowe State University described Sylvester’s influence upon disco and subsequent electronic dance music as “incalculable”. He added that Sylvester’s songs “Dance (Disco Heat)”, “You Make Me Feel (Mighty Real)”, and “Do You Wanna Funk” represented “anthems of disco aficionados for a generation”, while also expressing the view that Sylvester himself “personified the excesses of the 1970s and the experimentation that characterized [the decade’s] changing social norms” within the United States. // Sylvester has been described as having a “flamboyant and colourful” public persona, wearing both male and female gendered clothes as part of his attire, with his biographer Joshua Gamson opining that for Sylvester, “gender was an everyday choice”. Sylvester described his public persona as “an extension of me, the real me”. Sylvester’s friend and publicist Sharon Davis described him as “a quiet, often thoughtful, caring guy, who put others before himself, and was generous to a fault, having little regard for money. His policy was you only live once, so enjoy!” She also noted that he could be “unpredictable”, being “stubborn as a mule” and “always speak[ing] his mind”. Sylvester was considered to be a prima donna by members of the Hot Band and could be temperamental and difficult with those with whom he worked. He found it difficult saving the money that he earned, instead spending it as soon as he obtained it, both on himself and on his lovers, friends, and family. // Sylvester was openly gay, with Gamson noting that he tended to enter into relationships with men who were “white, self-doubting and effeminate”. In 1978, he entered into a relationship with a young white model named John Maley; Sylvester later devoted the song “Can’t Forget the Love” from his Too Hot to Sleep album to his young lover. Maley ended the relationship to move to Los Angeles, later recollecting that Sylvester “was a lovely man, and I owe him a lot”. In 1981, Sylvester entered into a relationship with a slim brunette from Deep River, Connecticut, named Michael Rayner, but unlike his predecessors, he did not move into Sylvester’s house. Their partnership ended when Rayner admitted that he had not fallen completely in love with Sylvester. Sylvester’s next major relationship was with Tom Daniels, a hairdresser whom he met in 1982, but their romance ended after six months when Daniels discovered that Sylvester had been having sex with other men while on tour. The singer’s final partner, the architect Rick Cranmer, was a six-foot two blond, and the duo moved into a house together in the hills. Cranmer died of AIDS-related complications in 1987, the year before Sylvester succumbed to the virus. // In 1985, Sylvester’s boyfriend, Rick Cranmer, became aware that he had become infected with HIV. With no known medical cure, his health deteriorated rapidly and he died September 7, 1987. Sylvester was devastated, and although recognizing that he too was probably infected, he refused to have his blood tested, only noticing the virus’ first symptoms when he developed a persistent cough. Beginning work on an album that would remain unfinished, he moved into a new apartment on Collingwood Street in the Castro, and tried his best to continue performing in the Bay Area, even though he became too ill to undertake a full tour. Eventually diagnosed with AIDS, he was hospitalized for sinus surgery in late 1987, and upon returning to his apartment, he began to be cared for by his mother and Tracy, before being hospitalized again in May 1988, this time with pneumocystis pneumonia. Returning to his flat, he gave away many of his treasured possessions and wrote his will. // Having lost a lot of weight and unable to walk easily, he attended the Castro’s 1988 Gay Freedom Parade in a wheelchair, being pushed along by McKenna in front of the People with AIDS banner; along Market Street, assembled crowds shouted out his name as he passed. The subsequent 1988 Castro Street Fair was named “A Tribute to Sylvester”, and although he was too ill to attend, crowds chanted his name to such an extent that he was able to hear them from his bedroom. He appeared at the Dreamland nightclub (now The Vendry), watching the dancers from the second floor balcony, and DJ Steve Fabus put together an impromptu set of Sylvester songs. When he waved weakly goodbye, the dance floor erupted in stomping and shouting “We love you!” He continued to give interviews to the media, being open about the fact that he was dying of AIDS, and sought in particular to highlight the impact that the disease was having in the African-American community. In an interview with the NME, he stated, “I don’t believe that AIDS is the wrath of God. People have a tendency to blame everything on God.” // For Thanksgiving 1988, his family spent the holiday with him, although he had developed neuropathy and was increasingly bed-ridden and reliant on morphine. He died in his bed on December 16, 1988, at the age of 41. Sylvester had planned his own funeral, insisting that he be dressed in a red kimono and placed in an open-top coffin for the mourners to see, with his friend Yvette Flunder doing his corpse’s makeup. He wanted Tracy to sing at his funeral, accompanied by choirs and many flowers. The whole affair took place in his church, the Love Center, with a sermon being provided by Rev. Walter Hawkins. The event was packed, with standing room only, and the coffin was subsequently taken and buried at his family’s plot in Inglewood Park Cemetery. An album titled Immortal was posthumously released; it contained Sylvester’s final studio recordings and was compiled by Marty Blecman.]

10:48 – Pledge Break #3

Our WMM Winter Fund Drive Team: Betse Ellis, Rachel Christia, and Mikal Shapiro

Today on WMM we present RADIO-TRANS-MISSION a special show in honor of the fierce courage of our Trans, Non-Binary, & Queer MidCoastal Artists we’ve regularly featured on the show. 90.1 FM KKFI’s non-profit organization and governing body is the MidCoast Radio Project. The MidCoast is where we are, on the coasts of the Missouri and Kansas Rivers with a music community that spans the Kansas City Metro region and west to Lawrence and Topeka and south to Olathe and east to Columbia and North to St Joseph. The reach of our community extends beyond the 40 mile reach of our 100,000 watt signal.

WMM and KKFI are committed to featuring artists under-represented in other media, and that includes the music community that lives within the radiance of our 100 watt signal. The story of KC’s Arts & Music Community is a primary focus on WMM, where for 20 years we’ve shined a light on the artists, the labels, recording studios, and music venues.

Wednesday MidDay Medley 90.1 FM was the first radio show to ever play the recordings of: The Black Creatures, Ivory Blue, Cuee, MellowPhobia, Chase Horseman, The Creepy Jingles, June Henry, Eve Sheldon, Remy Styrk, Collidescope, Babydoll, Ingrid Ingram, Shamir, Flamy Grant, Calvin Arsenia, Madisen Ward and the Mama Bear, Krystle Warren, KD Kuro, The Shy Boys, The Salvation Choir. We were the first to interview many of these artists live on the radio and bring their music to a wider audience.

We’re living in an age when an entire Political Party, a President, his entire cabinet, the U.S. Congress & Senate, The Supreme Court, Kansas & Missouri State governments are eliminating equality, civil rights, jobs, healthcare, & legal protections for our Transgender, Non-Binary & Queer friends. The recent election brought out cruel campaigns that blanketed our mainstream media with venomous bigotry, misinformation and lies, while commercial television & radio profited from the hate.

90.1 FM is non-commercial. We are Community Radio. We are different! It is our mission to give evidence of the humanity that is put at risk by these irresponsible campaigns of hate. Throughout WMM’s 20 year history we’ve been the first to present recordings, live performances and interviews with Ivory Blue, Mitzi McKee, Jocelyn Olivia Nixon, Tillie Hall, Chase Horseman, Cuee, Ingrid Ingram, The Black Creatures, Collidescope.

On Feb. 21, 2024 we interviewed Flamy Grant LIVE in our 90.1 FM Studios. Flamy Grant also played live. In 2023 Flamy released BIBLE BELT BABY, the world’s first contemporary Christian music album recorded by a drag performer. Flamy Grant’s single “Good Day” was released September 6, 2023 and is the first song by a drag performer to reach #1 on the iTunes Christian charts. It also debuted at #20 on Billboard’s Christian digital sales chart. // Last year Flamy Grant released her second album, CHURCH which climbed onto the iTunes Country chart and was part of WMM’s 120 Best Recordings of 2024.

One of my favorite tracks from Flamy Grant is “Fortune Teller.”

The great design of our world is built on a solid foundation diversity, a vast spectrum, a balance of living creatures, in a beautiful chaos of birth and death and new life from ashes

As a Queer human this song reminds me that Queer, Gay, Lesbian, Non-Binary, Transgender, Bisexual, humans were raised in a world where they had to develop an extra sensitivity simply to survive.

The ability to immediately read a room full of strangers.

Finding safety in public places, community centers, schools, churches, taverns, grocery stores. If you didn’t read the room correctly you could be hurt, or even killed.
This extra sensitivity, developed through difficult circumstances is actually a gift, and we Queer people are willing to share it with everyone… if you let us.

10:57

  1. Flamy Grant – “Fortune Teller”
    from: “Fortune Teller” – Single / Glam & Glory Records / October 24, 2023
    [Produced by Ben Grace. Sound engineer and electric guitars by Daniel Shearin. // Flamy Grant is winner of 2023 Kerrville New Folk Competition; and the 2023 San Diego Music Award nominee for Best Pop Album for BIBLE BELT BABY, the world’s first contemporary Christian music record by a drag performer. With influences from gospel, blues, folk & rock, hines light on queerness, faith, and overcoming spiritual trauma so often endured by LGBTQ+ people and others who grow up in conservative religious spaces. // Flamy’s iconic roots-rock sound is influenced by singer/songwriters like Natalie Merchant, Tracy Chapman, Over the Rhine, and Amy Grant. Her art shines a spotlight on the queer spiritual journey, telling stories of resilience and recovery from religious trauma. With a bold lip, a big lash, and a blistering voice, Flamy is here to rewrite the rules when it comes to faith-based entertainment, demanding a reckoning for an industry that for too long has silenced and shut out its LGBTQ+ artists and fans. // Flamy’s single “Good Day” released 9/6/23 is the first song by a drag performer to reach #1 on the iTunes Christian charts. It also debuted at #20 on Billboard’s Christian digital chart. Flamy Grant played an Official Showcase the 2024 Folk Alliance Intern. Feb 22.]

Fortune Teller (Lyrics)

I’m a medium, I’m a fortune teller
I know every word you’re gonna say
I’m a headstrong, lifelong city dweller
I can take you where you’re going by the fastest way
It’s gonna be okay

I traveled time, I’m here from the future
I can show you how this all turns out
I can save you with the data in my computer
We can flourish in the flood and avoid the drought
Yeah, we’re gonna make it out

You feel it in your bones 
But your head is moving slow

I’m a scientist, I got a method and a measure
For observable, reliable, repeatable fact
I’m a decorated educator in the field of pleasure
I’ve learned a lot of lessons I can reenact
Yeah, I been keeping track

You sense that I am true
But your heart is split in two

I’m a prophetess, singing my story
A dressed-up, effervescent, ethical fraud
But this world ain’t ready for an allegory, no
We’re still waiting on a literal god
I just smile and nod

You have intuition
And it’s telling you the story isn’t done

11:00 – Station ID

  1. June Henry – “sega dreamcast”
    from: The Exhumation of Princess Pavement / June Henry Nation / ]=February 14, 2024
    [June Henry is a 20-year-old is a Lawrence KS. Based, freak folk singer-songwriter and multi-instrumentalist.. Her music explores themes of mental illness, queerness, and growing up. // Prior to her official debut, Henry had collected her music in a Google Drive folder, shared only with a small group of friends. Bedridden in 2022, she was convinced to release this music in her first official album Class Pet. // It’s not really something I know how to do, as much as something I have to do to stop myself from exploding,“ from June Henry’s Spotify bio. // Since her debut, she hasn’t gone more than a couple months between releases- creating a niche audience and some of her most popular songs, such as Void-Adjacent and Excoriation. // In 2024 she has released 9n singles, two 4-song EPs., the 11 track album, The Exhumation of Princess Pavement, released February 14, 2024, the 14 track album Between Singles and One-Offs, exclusive CD comprised of singles and EP tracks released May 27, 2024, the 17 track album Podium, released June 30, 2024. // June Henry released the single “method act” on December 16, 2023. // June Henry released the single “fall into” on December 2, 2023. // June Henry released the 3-track EP “the light I SPIT OUT” on November 14, 2023. // June Henry released the single “vampire song” on November 3, 3023. // June Henry released the 5-song EP “flat earth romcom” on September 22, 2023. // June Henry released the 11-track album “something friend” on June 20, 2022. // June Henry released the 15-track album “class pet” on March 15, 2022. // June Henry released the 7-track album, “SOUTH RAMP” through Lotuspool Records when she was “a gay boy in high school (released as August Henry.) // June Henry has been posting a bunch of tunes on bandcamp! These are official releases along with things that have been archived from streaming platforms, AND many demos and voice memos from long ago. Her personal favorite is “the trouble i made”, which features five tracks written and recorded in high school. The first one, “straight boys, was recorded when June was fourteen. Check http://www.junehen.bandcamp.com for even more releases from June Henry.]
  1. Eve Sheldon – “My Beautiful Self”
    from: Recorded in one-take from a facebook request / Eve Sheldon / May 20, 2018
    [Originally recorded by Foolish Sad Robot and 1990s band made up of Tom Livesay and Eve Sheldon. On Sunday, May 20, 2018, early in the evening Eve Sheldon asked Facebook humans to request a song of her’s and she would record four of them on the couch and post them. She ended up recording 10 songs in an hour or so, and she wrote to Tim Finn that it “was a fun freakin snapshot of her singing life.” Friends chose songs from Foolish Sad Robot, The Wilders, and a Trouble In Mind rap. Eve wrote, that the recordings represent her “mellow vocal stylings of this century, and the VERY FIRST song she ever wrote.” (She was 14.) Eve Sheldon called out other singers to ‘get down with this…imagine some 90s cats layin’ down some of their old tunes…and new cats laying down new tunes. i wanna hear!” Eve called out: Mark Smeltzer, David Regnier, Lauren Krum, Betse Ellis, Howard Iceberg, J Ashley Miller…the list is endless…”sing for us, y’all!”. // Eve Sheldon (they/them) is originally from a small rural town in southern Missouri with a population of 128. Eve received a B.A. in vocal performance from William Jewell College in 1989. After college Eve was in the bands Young Johnny Carson Story, My Childhood Hero, and Foolish Sad Robot in the Kansas City. Eve was a professional internationally touring musician for 10 years with their band, The Wilders. // Eve now lives in Frenchtown, NJ. Eve has worked as a Music teacher at River Valley in several musical capacities since 2016, including being the musical director for the middle school musical every year since then. They were the full-time music teacher for the 2017-2018 school year as well as the accompanist for eurythmy and the choirs for several years since 2016. In addition, since 2015, Eve has played in the parent band Moonshine & Millet for many fundraisers, as well as accompanying the River Valley Parent Choir. Eve attended the Waldorf music educators conference in Wisconsin in 2017. // Eve shared thoughts on the nature of inclusivity greatly valued at River Valley. “As a member of the trans community, I hope to be someone kids can look to and see someone who doesn’t fit into society’s ‘traditional’ roles, yet has found a way to thrive and succeed in this world. I also hope they will also see that gender identity is just a part of who you are, and that it doesn’t have to define your life, but rather enhance it.” Eve loves reading, driving, and playing music. They have had a close relationship to the school since their child enrolled there in 2013, sharing, “I’ve worked in many capacities and I’m just honored to be able to lend my help and skills and love for music to a school and students that I believe in.” // Eve Sheldon played The Folly Theatre for KKFI’s 30th Anniversary Celebration, June 30, 2018]
  1. Shamir – “The Beginning”
    from: Homo Anxietatem / Kill Rock Stars / August 18, 2023
    [Shapeshifting Philadelphia-via-Vegas artist Shamir shares a sentimental third and final single & video “The Beginning”from Homo Anxietatem the 9th album & debut for Kill Rock Stars out August 18, 2023. “The Beginning” dives into the missteps of a relationship gone by, while feeling emotionally trapped as time barrels forward. Opening with a jolting record scratch, then seamlessly flowing into a driving guitar strum, the building chorus evokes a nostalgia akin to the soundtrack of a coming-of-age film. With playful lyrical snacks like “I wish I could turn back time, just like Cher” to the painful reality check “we’re so caught up on having a happy ending…we forgot the beginning” – you can’t help but dance & cry along to Shamir’s ever poignant songwriting. The new track follows healing first single “Oversized Sweater”, bittersweet “Our Song”, and surprise release “Crime” featured in HBO’s Last Call: When a Serial Killer Stalked Queer New York. // Shamir (he/she/they) directed the hometown video filmed in Bartram’s Garden with musician friends, including members of the band Friendship and Accidental Popstar Records’ own Ladifa, saying “’The Beginning’ is a song I wrote when I was 14 years old and had never experienced love, yet I was already inundated by all the typical tropes. Even back then I realized a happy ending was contingent on a healthy beginning. The video represents the healing power of being around friends after a break up.” // Homo Anxietatem releases August 18, 2023 . For the 9th Shamir album in eight years, and his debut for the legendary Kill Rock Stars label, the shapeshifting songsmith tries on yet another shade of perfect popcraft. After a run of critically acclaimed heavy rock and industrial-tinged records, Shamir forms his literally unforgettable tunes into alternately subdued and soaring alt-pop. For a 28 year-old, Shamir’s amassed a huge body of work. His live show and recorded output are more closely aligned than ever, holding close to guitar-bass-drums combos. The songs are elemental, yet flawless in their own Shamir-ness. And with the studio polish provided by Hoost (Rina Sawayama, VC Pines), the barebones songwriting becomes the foundation for Shamir in a more introspective mode. This is what happens when one of the most prolific songwriters of a generation calms down a bit: the search for meaning becomes mundane. What happens when someone who lives a chronically unstable life finds solid ground? Well, out comes a perfect pop-punk-rock record. // All songs Written by Shamir Bailey with the exception of “Appetizer” written by Grant Pavol. // All songs Produced by Justin Tailor with the exception of “Appetizer” Produced by Grant Pavol and Justin Tailor and “Words” produced by Teddy Thompson. // All guitar, bass, and live instrument performed by Shamir Bailey and Justin Tailor with the exception of “Appetizer” guitar, bass, and drums performed by Grant Pavol and “Words” bass by Teddy Thompson. // All songs Mixed by Charlie McClean // Mastered by Amy Dragon.]

11:09 – Pledge Break #4

This is WMM’s Winter Fund Drive Show w/ Betse Ellis, Rachel Christia, & Mikal Shapiro

Where can I find out about what is happening in my community?

We need KKFI Now More Than Ever. LGBTQIA, Urban Issues, Black Lives Matter, Labor Rights, The Environment, The Kansas City Visual & Literary Arts , The Performing Arts, Stadium Campaigns, Women’s Issues, Native American Issues, Jazz, Blues, Reggae, Classical, Hip Hop, Folk, Women’s Music, Indie Rock, Pop, Electronica, Punk…the answer is KKFI 90.1 FM Kansas City Community Radio.

KKFI is an Independent, non-commercial radio station!

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, to share your concerns, and offer resources and information. Along with our National Public Affairs shows like Democracy Now and Alternative Radio we offer more locally produced public affairs programs than anywhere else on the dial.

We offer programs for women, the LGBTQIA Community, Native Americans, Black Public Affairs, Labor & Worker’s Unions, Middle Eastern Music & Information, Latino Programming, prison population & justice system, environmental programming, Visual & Performing Arts, KC Tenants, Economics for the People, Understanding Isreal Palistine.

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI! – No commercials, we do have brief underwriting announcements, recognizing those who financially contribute to support non-profit community radio.

At KKFI there is no automated robot playing the same 40 songs in a “rotation,” based on a formula, created by a singular programmer of the robot. KKFI is the opposite of a robot.

There is almost always a human on the end of the phone line when you call 816-931-KKFI.

90.1 offers 100 different radio programs. 85 of these programs are locally, produced, hosted, engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 64 local music shows and 21 locally produced News, Public Affairs, Arts & Talk shows.

There are 140 hours each week of locally produced handcrafted programs.

You will not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting.

Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental.

With all of this, you hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, broadcast live from our non-commercial, midtown studios, at 39th & Main, in the center of our metro, across two states, a collective of communities, and thousands of listeners. What is this worth to you?

11:17

  1. The Black Creatures – “The Weight of Worth”
    from: By Thy Hand / Center Cut Records / August 12, 2022.
    [By Thy Hand was #1 on WMM’s 120 Best Rercordning of 2022. This new album follows their singles: “Criminal” on June 24, 2022, “Loud For Nothin” on May 27, 2022, and “True Friends” on September 17, 2021. After being signed to Center Cut Records the label remastered and reissued their album WILD ECHOES in 2020 and was named Album Of The Year from The Pitch Magazine. the original 2019 release of WILD ECHOES was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. // Jade Green & Xavier Martin of The Black Creatures began working together in 2013. The Black Creatures blur the boundaries of hip-hop, dance, R&B, soul, and EDM, telling stories of real life, and the struggle for equality. Jade’s incredible vocals reveal their background in opera, and their honest lyrics are both personal and political. Jade can interpret soul, jazz, hiphop, and pop. Xavier Martin started music as a violinist, and has transitioned into a co-songwriter, producer, beat-maker, keyboardist, vocalist, engineer, and style maker. // From Center Cut Records Promo Materials: The Black Creatures blend contemporary styles of pop, hip-hop, dance, R&B, EDM and soul with cinematic and storytelling sci-fi/fantasy elements and themes. With the complex and creative approach The Black Creatures take to their art, a diverse audience regularly flocks to their gripping and intensely enchanting performances. // Representing the strange land of Kansas City, Missouri, Jade Green and Xavier began working together around the end of 2013 after meeting on-line talking about cosmetics. After Jade stumbled upon Xavier’s SoundCloud, they asked if they could put their vocals on it, and this led to future collaborations with no more than the intention to dabble. They couldn’t stop and eventually dubbed the project The Black Creatures. // Both Jade & Xavier write and perform vocals, with Xavier at the helm of production and composition. Jade Green has a vocal background in opera and a penchant for theatrics, and both are the foundation of their ever-evolving approach to writing and performing in The Black Creatures. While the instrumentals may set the tone for the show, Jade’s voice captivates the audience from beginning to end. Originally a violinist, Xavier unfurled into a producer and vocalist, maintaining the same air of intrigue and mystery throughout his compositions and performances in The Black Creatures. // After releasing Wild Echoes in the fall of 2020, and receiving Album Of The Year from The Pitch Magazine, high praise came from around the world for the four released singles and accompanying videos. “Wretched (It Goes)” was featured in the NPR Live Sessions “Songs For Change” when The Black Creatures were selected as one of 12 national artists, and included in 90.9 The Bridge’s Top 100 singles along with their song “D’ummm” which was in heavy rotation in the winter. Nuance Magazine wrote, “The Black Creatures take their musical talents and use them in such a way that forces listeners to not only tap their foot to a catchy tune, but pay attention and feel something about what is going on in the world around them. Tackling fascism, police brutality, and the deep-rooted effects of slavery in a rhythmic fashion is one thing. Simultaneously making it a good listen is another. However, The Black Creatures make it happen.” // Mark’s brief review: “Being named “Album of The Year” from The Pitch Kansas City was the recognition this young band deserved, because there is really no other band in Kansas City creating incredibly beautiful and painful protest songs in multi genre styles of beats, vocal styles, textures. The immediate personal and poetic lyrics of Jade Green and tribal, dance floor and soulful beats and melodies of Xavier bring the listener into a multicultural, mixed, gender fluid, soul celebration of life and an honest indictment of the racist, homophobic, and sexist world they are navigating through to survive. Listen carefully to these young music makers, they are wise beyond their years. They sound beautiful and speak the truth to power. They are beautiful. They are The Black Creatures.” Charlotte Street Foundation announced that the recipients of the 2022 Generative Performing Artist Awards are The Black Creatures and Calvin Arsenia Scott. Jade and Xavier completed performances in the world premiere of Christian A. Walker’s “What Came With Spring” for the Owen/Cox Dance Group October 7, 8, and 9 at City Stage Theatre, Union Station, 30 W Pershing Rd, KCMO ]

The Black Creatures Discography
The Black Creatures “Mouth 2 Mouth” – Single, June 5, 2016.
The Black Creatures released their debut album, See No Evil, Dec. 6, 2017.
The Black Creatures “Elements” – Single, February 14, 2018
The Black Creatures “Silver Tears” – Single, June 19, 2018 with additional voices provided by AniMal (Ana Marcela Maldonado Morales) , Barbara Solomon , Kassidee, Quaranta , Adres Va Cortas
The Black Creatures “Dare” (Gorillaz Cover)” – Single, August 8, 2019
The Black Creature – Wild Echoes – September 30, 2019
The Black Creatures – “Turn” – Single, October 30, 2019
The Black Creatures – “Quartz (Twilight)” – Single, November 13, 2019
The Black Creatures – “SHINE” – Single, December 11, 2019
The Black Creatures- “Ghost Bustin’ Dead Prezidentz” – Single, January 8, 2020
The Black Creatures – “To Whom It May Concern” – Single, January 22, 2020
The Black Creatures – “Arcade Love” – Single, February 5, 2020
The Black Creatures – “Run Up” – Single, February 19, 2020.
The Black Creature – Wild Echoes – September 30, 2019
The Black Creatures – “wretched (it goes)”- Single [Center Cut], July 17, 2020 [remastered]
The Black Creature – Wild Echoes – Album (Remastered] August 28, 2020 [Center Cut]
The Black Creatures – “Negative Zero” – Single/Video [Center Cut]
The Black Creatures – “FRIENDS” – Single/Video [Center Cut]
The Black Creatures – BY THY HAND – album August 12, 2022

  1. Collidescope – “Dodo Bird”
    from: FunHouse / Collidescope / June 2, 2023
    A col·lide·scope [kəˈlīdəˌskōp] is a group of butterflies…and is the electronic experimental music outfit of musicians Hadiza Sa-Aadu (Hadiza.) and Madison Monroe (Babydoll). United in music and in intersections from their individual queer experiences, the pair as of late have been leaning into heavier and darker soundscapes providing backbone to the words that are most often sung, sometimes screamed, and least often spoken. Words that point crosshairs at power structures while opening an escape route through fantasy and surrealism. // In June 2023, the pair followed up their first two EPs DEEP TAPE and Systemic, realising their first full length album Funhouse on Bandcamp (and everywhere else). // Tim Harte: Production and mixing on 4 // Dekota (Hop) Trogdon Drums on 1, 4, 6, 8, 10 // Victoria Falls Stillwater: Add’l Vocals on 4 // Les Izmore: Vocals & Add’l Vocals on 9 // Gavin Neves: Engineering, mixing, mastering, production on all tracks; beats on 5, 7, and 9 // Collidescope is Hadiza: Vocals & Synth and Madi Monroe: Guitar, Bass, Synth, Beats, Production, Add’l Vocals on 1 and 9 // Cover art by Hadiza. // We dedicate this album to those we’ve lost. // Special thanks to the number one babies ever Dougie Jones and D’angelo Babycat for the constructive criticism and emotional support. // On December 31, 2020 Collidescope released their 7-track album DEEP TAPE. DEEP TAPE includes Victoria Falls Stillwater on addition sound production and vocals, and was mixed and mastered by J.Ashley Miller. DEEP TAPE is a follow up the band’s debut EP SYSTEMIC released December 16, 2017. Hadiza also released her solo album SHADOW WEIGHT on Nov. 22, 2019. More info at: http://www.hadizaisnothere.bandcamp.com or http://www.acollidescope.bandcamp.com]
  1. Babydoll – “Flamethrower”
    from: “Flamethrower” – Single / Babydoll / April 7, 2021
    [Babydoll is the alternative musical project of Madison Monroe on guitar, bass, beats, synthesizers, mixing & vocals. Flamethrower also includes Hadiza on background vocals. with mastering by Jametatone. “Flamethrower” was released as a single with the track “Wet Noodle”. all rights reserved.]

11:29– Underwriting

11:31 – Pledge Break #5

This is WMM’s Winter Fund Drive Show w/ Betse Ellis, Rachel Christia, & Mikal Shapiro

Last year we offered Live in studio performances from: True Lions, Lonnie Fisher, Mitzi McKee, Calvin Arsenia, Ivory Blue, Stephonne, Kasey Rausch, Julia Othmer, Kasey Rausch, The Swallowtails, Danny Santell, Krystle Warren, MusicbySkippy, Lone Stranger, Just Angel & T.A. Rell, Christena Graves

We have made radio shows that cover: The Kansas City Rep, Outer Reaches Fest, Owen/Cox Dance Group, No Divide KC, The Folly Theatre, recordBar, Lawrence Arts Center, Manor Records, The Rino, KC Blues Society, KC Star, Lawrence Music Alliance, MixMaster Music Conference, Midwest Music Foundation, KC Gift, Juneteenth, Power to The People Fest, The Record Machine, Lemonade Park, Crossroads Music Festival, The Ship, The Black Box Theatre, Amplify Lawrence, Quindaro Ruins, Queer Narratives Fest, Art in the Loop, The film: “I’m So Glad” documenting the KC Gospel Music, Fringe Festival, Make Music Day, Boulevardia, Arts in The Park, UMKC Conservatory of Music, The Crossroads Hotel, High Dive Records, Greenwood Social Hall, KC Folk Fest, Manor Fest, Center Cut Records, KKFI Band Auction, Charlotte Street Foundation, Women’s History Month!, University of Missouri at Columbia, Lawrence Public Library, I Heart Local Music, Black History Month, Bach Aria Soloists, Folk Alliance International, Martin Luther King Jr., Tribute to David Bowie, Tribute to Iris DeMent.

11:39

  1. Ingrid Ingram – “Just Joking”
    from: Worried / Ingrid Ingram / March 8, 2020
    [Ingrid Ingram joined us live on our March 18, 2020 WMM. Ingrid Ingram is a trans-femme musician who uses samples and traditional instruments to create erratic and dreamy soundscapes. On March 8, 2020 Ingrid released her debut full length album, “Worried,” where she explores glam-punk, touching on themes of paranoia, addiction, narcissism and commodified identity in a capitalist society. Ingrid Ingram also plays bass in the KC based band The Creepy Jingles. Prior to “Worried,” 26 year old Ingrid Ingram released three singles from “Worried,” plus her EP “Inside Outside” from January 2017, and “Noises And People” from February 2016. Many of the sounds used in these earlier two releases were recorded on a phone during a two-year period of travel around the United States and stitched together on friend’s laptops. Our first question to Ingrid was, are you worried? She immediately, and bravely identified herself as having BDP, Borderline Personality Disorder. About 1.6% of people have BPD in a given year, with some estimates as high as 6%. Women are diagnosed about three times as often as men. It appears to become less common among older people. Up to half of people improve over a ten-year period. There is an ongoing debate about the naming of the disorder, especially the suitability of the word borderline. The disorder is often stigmatized in both the media and the psychiatric field. When we asked Ingrid Ingram about her musical influences and she told us about Micachu and the Shapes. The UK band was formed by Mica Levi, born February 2, 1987, also known by her stage name Micachu. She is an English singer, songwriter, composer and producer. Micachu and the Shapes includes Raisa Khan on keyboards and Marc Pell on drums. The band signed to Accidental Records. With the Shapes, Levi’s focus has been on experimental pop music. Most of this music prominently features an acoustic half-guitar with various non-standard tunings, extensive distortion, and use of noise and found-object elements, as well as occasionally unusual time signatures. Despite these experimental leanings, the artist categorizes her output with the Shapes as pop music. Ingrid Ingram met Jocelyn Olivia Nixin of The Creepy Jingles when she was working at Succotash, Beth Barden’s restaurant at 2601 Holmes, in KCMO. Ingrid told us about jumping into an already established band that have been playing together for several years and that is was especially fun because Ingrid was a big fan. On WMM, over the past 7 years, we’ve been watching the growing number of brave trans-artists opening us and coming out in the collective Kansas City music communities. Ivory Blue, Eve Sheldon, Ada Brumback, The Creepy Jingles, Mazzy Mann, Cuee, HellKat, True Lions, Chase The Horseman, are many of the artists we’ve had as guests on Wednesday MidDay Medley and have featured their recordings. Ingrid said that she has found acceptance in the KC music community, especially in early DIY spaces, that we can’t mention on the radio. Ingrid grew up in Raytown, Missouri and was home-schooled. She talked about the irony of being home-schooled in relationship to her current job, as the “lunch lady” at an elementary school in Gladstone. Ingrid Ingram is a trans-femme musician who uses samples and traditional instruments to create erratic and dreamy soundscapes. On”Worried,” she explores glam-punk, touching on themes of paranoia, addiction, narcissism and commodified identity in a capitalist society.]
  1. Hedwig & The Angry Inch – “Tear Me Down”
    from: Original Motion Picture Soundtrack to Hedwig & The Angry Inch / Hybrid / 2001
    [Hedwig and the Angry Inch is a rock musical with music and lyrics by Stephen Trask and a book by John Cameron Mitchell. The musical follows Hedwig Robinson, a genderqueer East German singer of a fictional rock and roll band. The story draws on Mitchell’s life as the child of a U.S. Army major general who once commanded the U.S. sector of occupied West Berlin. The character of Hedwig was inspired by a German divorced U.S. Army wife who was Mitchell’s family babysitter and moonlighted as a sex worker at her trailer park home in Junction City, Kansas. The music is steeped in the androgynous 1970s glam rock style of David Bowie (who co-produced the Los Angeles production of the show), as well as the work of John Lennon and early punk performers Lou Reed and Iggy Pop. // The musical opened off-Broadway in 1998, and won the Obie Award and Outer Critics Circle Award for Best Off-Broadway Musical. The production ran for two years, and was remounted with various casts by the original creative team in other US cities. In 2000, the musical had a West End production, and it has been produced throughout the world in hundreds of stage productions. // In 2014, the show saw its first Broadway incarnation, opening that April at the Belasco Theatre and winning the year’s Tony Award for Best Revival of a Musical. The production closed on September 13, 2015. A national tour of the show began at San Francisco’s Golden Gate Theatre in October 2016 before closing at the Kennedy Center in July 2017.]

11:45 – Pledge Break #6

WMM’s Winter Fund Drive Show w/ Betse Ellis & Rachel Christia & Mikal Shapiro

KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my interesting friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your artspace, on your iPod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to http://www.kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

Please help keep this part of our public airwaves alive for our community to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio,” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

Mikal Shapiro’s The Musical plays a Dinner Matinee on Friday. March 7 , at 7:00 to 9:00 PM, at The Ship, 1221 Union Avenue, KCMO.

For Betse Ellis, Rachel Christia, Mikal Shapiro, I’m Mark Manning. Thanks for listening!

11:53

  1. Laura Jane Grace –“Surrender Your Gender (feat. Lee Ranaldo, Jayne County, Kathi Wilcox, Jay Dee Daugherty & Am Taylor)”
    from: TRAИƧA / Red Hot / November 22, 2024
    [Originally written by trans icon Jayne County. // One of the most ambitious projects ever undertaken by the storied activist and music production non-profit Red Hot, TRAИƧA is a spiritual journey across eight chapters and 46 songs with over 100 artists contributing. The album spotlights the gifts of many of the most daring, imaginative trans and non-binary artists working today. // Dust Reid, who led production on Red Hot’s 2014 tribute to Arthur Russell, and Massima Bell, an artist and activist based in Los Angeles, began tracing the contours of what would become TRAИƧA together in 2021. The two producers originally met at a video shoot in upstate New York, and immediately bonded over their shared love of Beverly Glenn-Copeland’s music, as well as a common devotional connection to nature. The passing of SOPHIE, the pathbreaking electronic producer who died in January 2021, galvanized the producers and focused their work. “We started talking about all the gifts that trans artists have been giving to the world, and wanted to create a Red Hot project that centered and celebrated those gifts,” says Reid. “We hoped to create a narrative that positions trans and non-binary people as leaders in our society insofar as the deep inner work they do to affirm who they are in our current climate. We felt this is something everybody should do. Whether you identify as trans or non-binary or otherwise, if you took the time to explore your gender, get in touch with the feeling side of yourself, maybe we would have a future oriented around values of community, collaboration, care, and healing.” // Bell and Reid began conceiving of the album as a spiritual journey in eight chapters, a mirror of the original eight-stripe rainbow pride flag. The narrative begins at the earliest awareness of consciousness; moves through awakening, trauma, and grief; and arrives at liberation and continual reinvention. “One thing trans people do all the time is turn grief into possibility,” says Bell. “Living under the ongoing Western binary system, trans people reveal maps of possibility for everyone. It’s something that we can all learn from – expanding the possibility of human life.” Each chapter begins with a “chapter track,” kicking off a collection of songs that speak to that chapter’s theme. // As the producers began inviting musicians to contribute to TRAИƧA, the political climate in the United States and across the world started to foment an acute reactionary streak. Legislation denying trans people the hard-won right to medically transition proliferated across the country. Book bans rained down on libraries, stamping shut crucial apertures into trans and queer lives. The necessity of TRAИƧA’s presence in the world started to crystallize. // “The stakes have never been higher,” notes Bell. “We’re seeing a rise in anti-trans hate and vitriol that is particularly being spewed in the United States. I am a trans person from Iowa, one of the states that signed into law a bill that prohibits access to gender-affirming care. It is clearly, materially, a terrifying time.” // Laura Jane Grace (born Thomas James Gabel; November 8, 1980) is an American musician best known as the founder, lead singer, songwriter, and guitarist of the punk rock band Against Me!. In addition to Against Me!, Grace fronts the band Laura Jane Grace & the Devouring Mothers, a solo project she started in 2016. Grace is notable for being one of the first highly visible punk rock musicians to publicly come out as transgender, which she did in May 2012. She released her first solo studio album since transitioning, Stay Alive, in 2020, followed by Hole in My Head in 2024.// Grace experienced feelings of gender dysphoria from a young age, citing them as her “earliest memories”. Grace publicly came out as a transgender woman in May 2012 in an article to Rolling Stone. Grace announced plans to begin transitioning. Having been inspired to come out after meeting a transgender Against Me! fan, Grace had informed the rest of the band that February. In 2012, she began publicly using the name Laura Jane Grace. “Laura” is the name her mother would have chosen had she been assigned female at birth, “Jane” was selected simply because she thinks it’s pretty, and “Grace” is her mother’s maiden name. On continuing to perform in Against Me!, Grace said, “However fierce our band was in the past, imagine me, six-foot-two, in heels, fucking screaming into someone’s face.” // In her 2012 interview with Rolling Stone, Grace revealed plans to take hormones and undergo electrolysis. She said she was also considering surgery. She expressed apprehension about chondrolaryngoplasty and bottom surgery, saying, “I don’t give a fuck if I lose my penis. It’s just fucking scary because of the surgery. I’ve needed to have my wisdom teeth removed for five years, and I still haven’t.” She said that she would live as a woman and undergo psychotherapy for a year before considering gender-affirming surgery: “Right now, I’m in this awkward transition period. I look like a dude, and feel like a dude, and it sucks. But eventually I’ll flip, and I’ll present as female.” In 2015, Grace stated, “I think it’s perfectly valid [for a trans person] to never undergo bottom surgery”. // In response to Grace’s announcement, a number of figures in the punk community voiced their support, including musicians Brian Fallon, Brendan Kelly, Franz Nicolay, and Mike Shinoda; cartoonist Mitch Clem; and professional wrestler CM Punk. Herndon Graddick, President of GLAAD, hoped that Grace’s public profile would increase public awareness and acceptance of trans people: “[Laura] is displaying extraordinary courage by coming out as transgender after already establishing herself as a rock star. For many of the band’s fans, this may be the first time they’re actually thinking about transgender people and the bravery it sometimes takes in order to be true to yourself.” // Grace confirmed in January 2019 that she underwent facial feminization surgery in December 2018 as part of her transition. // Lee Ranaldo of Sonic Youth; Jayne County who was born Wayne Rogers, on July 13, 1947 and is an American singer, songwriter, actress and record producer whose career has spanned six decades. Under the name Wayne County (inspired by Wayne County, Michigan), she was the vocalist of influential proto-punk band Wayne County & the Electric Chairs; Kathi Wilcox who was born November 19, 1969, and is an American musician. She is the bass player in Bikini Kill and guitar player in the Casual Dots. She was also a member of the Julie Ruin and the Frumpies; Jay Dee Daugherty was born March 22, 1952 and is an American drummer and songwriter most known for his work with Patti Smith. As a member of the Patti Smith Group, he has been nominated twice to the Rock and Roll Hall of Fame. Moving to New York City in 1974, Jay Dee Daugherty co-founded the Mumps with high school friends Lance Loud and Kristian Hoffman; & Am Taylor – Amy Louise Taylor is an Australian musician and activist from Mullumbimby, Australia. She is known as a songwriter and lead vocalist of the ARIA Award winning rock band Amyl and the Sniffers based in Melbourne, Australia.]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on March 12 we welcome Shanté Clare, Seth Davis, Evan Verploegh(ver-ploo) and Benjamin Bake of The Extemporaneous Music and Arts Society. ALSO Seyko Groves joins us to talk about her solo music and her work with The Freedom Affair, and we’ll have many new releases from Ghosty, Kat King, Birdie, They’re Theirs, Til Willis & Erratic Cowboy, Lee Walter Redding, and more

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1085

WMM Playlist from February 26, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 26, 2025

WMM presents: Miss Boating + T.A. Rell & Just Angel + 4th Dimensional Flowers

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. LYXE – “All Alone”
    from: “All Alone” – Single / LYXE / February 21, 2025
    [Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass,. This indie/alternative rock band LYXE, is from Lawrence, Kansas. // The track is a raw and powerful anthem that taps into the pain of a broken relationship and the messy aftermath of trying to heal. Known for their high-energy live performances and a sound that effortlessly blends nostalgia with originality, LYXE continues to carve out their place in the indie scene with “All Alone.” Drawing from the energy and grit of 80s, 90s, and early 2000s rock, the song brings listeners a no-frills, back-to-basics rock and roll experience. With stripped-down instrumentation and emotive lyrics, the band’s latest track dives deep into the personal struggle of dealing with an ex’s departure and the unhealthy coping mechanisms that follow. // Lead vocalist and guitarist, Ryan Wise explains, “‘All Alone’ is about feeling like you’re stuck in a cycle of self-destruction after losing someone. The pain becomes a comfort, and it’s easier to lean into unhealthy habits than face the truth. It’s not about the ex anymore – it’s about how we often lose ourselves when the world feels too heavy.” // The single arrives on the heels of LYXE’s consistently packed live shows, which have become a staple in the Midwest music scene. Their vibrant and engaging performances have earned them a dedicated following, making them one of the most exciting and authentic indie bands to watch in 2025. Fans of hard-hitting guitar riffs and unapologetic, emotional storytelling will find “All Alone” to be a perfect addition to their playlist. The song is a raw, cathartic journey that resonates with anyone who has ever been left behind and found themselves drifting in search of a way back to something real. // Formed in 2019, they’re an energetic three-piece whose music blends the best of modern rock radio with danceable ’80s New Wave. If Wavves listened to a lot of early INXS, the music they made would sound like LYXE. I Heart Local Music describes them as “…easily Lawrence’s most exciting band at the moment, and they prove it with every show.” // LYXE, a three piece pop-rock outfit formed out of the love of getting fans to sing and dance along to hip shaking rhythms reminiscent of classic 80’s and 90’s sounds. They quickly became a favorite of crowds and musicians alike with the lead of Ryan Wise’s crooning vocals and vintage guitar sounds. The trio has an undeniable chemistry that caught the local scene like wildfire. Bassist AJ Knudson brings a loveable charisma to their live presence, while drummer Jimmy Girod’s subtle, elegant delivery gives this act a sophisticated backbone. // LYXE released their debut EP, EVERYTHING YOU COULD EVER WANT on September 15, 2022. Pulling inspiration from a wide range of genres, this six-song EP has a pop-rock, new wave nostalgia that sinks its teeth into you. Luring in listeners with dramatics and lush hooks on “Wave,” yet unafraid to tap into their feral side on “I Got Everything.” The record closes with “Fit,” which makes you feel like you’re in an argument with your prom date in 1989. Recorded, at Element Recording Studios in Kansas City. The new EP gave listeners a different side of Ryan Wise’s songwriting with crooning vocals and vintage guitar sounds. // On June 23, 2023 LYXE released a remastered version of their song “Wave (Remastered 2023)” produced by Joel Nanos. Remaster by Jake Vertigo, with: Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass, and Chase Horseman on synthesizer. This was originally the debut single “Wave.” // LYXE release their singe ”Ice Cream” on June 23, 2023 // LYXE released their single “P{rom Song” on November 10, 2024. // LYXE released their single “Hard To Talk” on October 4, 2024. // For additional information or inquiries please contact: wearelyxe@gmail.com ]
Malek Azrael
  1. Malek Azrael – “Room 4U”
    from: “Room 4U” – Single / Malek Azrael / February 28, 2025
    [First single from Malek Azrael’s upcoming EP FEELS LIKE. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Makek Azrael released his 10-track album debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and is currently working with touring. Malek Azrael has been involved with Making Movies non-profit organization Art As Mentorship. He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]

[Malek Azrael & The Vibez plays ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Jamogi and The Jammers, Stephonne and Frankie Shorez & Mercy Fire.]

[Rock is Black is dedicated to uplifting and showcasing under-represented Black artists in the rock music genre, and celebrate the rich, yet often overlooked, contributions Black artists have made to rock music throughout history. From blues rock to pop punk, this unique occasion serves as the release concert for the highly anticipated indie rock EP by Malek Azrael & the Vibez, a band committed to redefining the landscape of music through a Black lens. Malek Azrael is a KC-based singer, songwriter, & producer whose music effortlessly blends Indie Rock & R&B Pop.]

  1. Krystle Warren & The Faculty – “Build It Up”
    from: Extended Play / Parlour Door Music / November 1, 2024
    [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. // Krystle is one of our most played artists, of all time, on this radio show. Krystle is also one of our most frequent guests, today is her 20h appearance on our show. // Krystle Warren began performing in her native KC at the age of 16. Krystle graduated from Paseo Arts Academy and in 2001 began her musical career collaborating with area jazz and pop musicians. After moving to New York City, she started busking on the streets and later formed her band, The Faculty. After her independent EP release, Diary, Krystle was signed to Paris based music label Because Music who sent her a one-way ticket. Krystle Warren & The Faculty released the album CIRCLES in 2009. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs​ was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson,]

Krystle Warren & The Faculty Discography
Krystle Warren & The Faculty has released the EP “Diary” on May 1, 2007
Krystle Warren released “The Up Series – EP” on November 10, 2008
Krystle Warren releases the 13-song Album CIRCLES on March 13, 2009
Krystle Warren & The Faculty released “A Time To Keep – Love Songs EP”, Aug. 12, 2011
Krystle Warren & The Faculty released the double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 as “Love Songs: A Time to Embrace,” and “Love Songs: A Time to Refrain from Embracing. ” And released on separate digital and CD albums in the United States as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015
Krystle Warren released the album THREE THE HARDWAY on August 18, 2017
Krystle Warren & The Faculty released the single “Rising” on May 31, 2019
Krystle Warren & The Crew released the 4-song EP, THE CREW on September 15, 2020
Krystle Warren & The Faculty released the single “Macca”on May 22, 2023
Krystle Warren & The Faculty released the single “LA DOLCE VITA” on March 1, 2024

  1. Sweeping Promises – “Shadow Me”
    from: Good Living is Coming For You / Feel it Records – Sub Pop / June 30, 2023
    [“For more than a half century, underground music revolutionaries have taken a whack at the mundane mainstream like a piñata. England punks spat “NO FUTURE” at germ-free adolescents. Ohio new wavers devolutionized mankind with whips. Athens art school students chomped at hero worship. MetroCard-carrying riot grrrls rebirthed the bomp with a gasoline gut. In 2020, Sweeping Promises read our pandemic minds with Hunger for a Way Out. In 2023, they return with a new message: Good Living Is Coming For You. At first glance, this nouveau wave slogan offers hope wrapped around relief. At first listen, we realize this may actually be a warning. Darker still, a threat. // A band famous for their unfussy, monolithic anthems, Sweeping Promises elegantly ravage us again with another future classic. They return as a fist of velvet rose petals roaring inside a compact wrecking ball. Gone is the Boston brutalist ambience of their subterranean concrete laboratory and the revelatory single mic recording technique. In its place, a retired and resplendent nude painting studio in Lawrence, Kansas, bathed in light with high ceilings and hardwood floors. Guided once again by their surrounding architecture, a reverb-rich space remains the defining element at the heart of their highly stylized sound. A watery ghost from the golden age of art-punk now wields sharper knives and more microphones. // If the mood of HFAWO was hungry, GLICFY is RAVENOUS. In 2023, appetite is addressed in new ways: Power struggles are aired in “Eraser,” restraints are broken in “You Shatter,” anguished exclamations sting in “Good Living Is Coming for You.” The taboo subject of aging is (s)heroically dragged out into the open. Every line is delivered with such joyous, soaring layers that each punch lands like a chef’s kiss. // Sweeping Promises are Lira Mondal and Caufield Schnug. A chance meeting in Arkansas led to a decade of playing in an eclectic assortment of projects together. Their relentless practice made perfect. Bass playing Lira is an emotive bolt of thunderous energy with the iconic blast of a girl group rolled into one robust throat. Caufield is an intentional guitar player and drummer. No note or hit is extraneous. Together they are meticulous sound engineers, using space as a key ingredient to their distinct sound. Controlling every aspect of their craft, from the first note they write together, all the way through to the final mastering process, each record is an unspoiled fingerprint unique to their dynamic chemistry. // Written before the pandemic, Hunger for a Way Out was released on Feel It Records in the summer of 2020. These songs drip with the anxious urgency of a commanding live performance yet their gauzy production transports us like the fading memory of a favorite song. This distorted sense of time resonated with thousands of quarantined listeners who turned the album into a life-saving floatation device and most beloved album of the year. This is when Feel It Records (North America) and Sub Pop (everywhere else) joined forces to divide/unite and conquer; beginning with the 2021 single “Pain Without a Touch” and now carrying through to Good Living Is Coming For You. // The pandemic went on to trigger an absurd chain of events for Sweeping Promises. Under financial strain, Mondal and Schnug uprooted their lives. They surrendered their studio in Cambridge to take refuge with family in Texas. They completed over 50 demos between their Austin bathroom and a Marfa abode, but feeling unsatisfied, they sought another fresh start. When a disused church in Ohio proved too difficult to rehab, they ultimately found lasting inspiration in Kansas. With their home and studio all under one roof, life is music and music is life.]

[Sweeping Promises play the Palestine Benefit Show, Friday, Feb. 28, 2025, at 7:00pm at The Bottleneck, 737 New Hampshire St., Lawrence, Kansas with Drifter, Ghoulies, Flatline, and Toasterbath. Presented by I Heart Local Music, Blood Bank DIY & KU Students for Justice in Palestine. All proceeds will go directly toward getting critical aid to victims of the ongoing genocide in Gaza and the West Bank.]

  1. The Matchsellers – “I Can’t Believe Were Still In Love”
    from: “I Can’t Believe We’re Still In Love” – Single / The Matchsellers / February 14, 2025
    [Julie Bates is a classically trained violinist from Kansas City. Andrew Morris is a Chicago blues guitarist from Warsaw, Indiana. They met in Leipzig, Germany. During their year of living in the former East Germany, the pair began reanalyzing the songs of their homeland, and developed a tight yet gritty bluegrass style. In the summer of 2013 they left their jobs to hit the road and haven’t looked back. // In the band’s most recent iteration, mandolinist Brian McCarty brings an invaluable lifetime of experience in the Bluegrass tradition, while Brandon Day thrills audiences with his intricate bass solos. // On May 3, 2024 he Matchsellers released LIVE AT THE WAREHOUSE. // On October 28, 2022 The Matchsellers released The Wishful Thinker’s Hall of Game // On February 12, 2016 they released their album, SONGS WE MADE UP, one of Wednesday MidDay Medley’s 116 Best Recordings of 2016.. In late 2014 they released their debut full length recording, “Kosciusko County,” one of Wednesday MidDay Medley’s 115 Best Recordings of 2015. The Matchsellers have toured 3 European countries and 25 US States, performing 180 shows a year, including last year for the KC Fringe Festival, Bluegrass Bazaar in Flint, Michigan, Norman Music Festival in Norman, OK, and a 1st place win at the Eddie Owen Presents songwriting competition in Atlanta, GA.]
  1. Waxahatchee – “Right Back to It (feat. MJ Lenderman)”
    from: Tiger’s Blood / Merge Records / March 22, 2024
    [Kansas City based Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. // Tiger’s Blood was produced by Brad Cook. Engineered & mixed by Gerardo “Jerry” Ordonez. Assistant engineering by Natalia Chernitsky. Mastered by Emily Lazar. Recorded and Mixed at Sonic Ranch Recording Studios. // On March 27, 2020 Waxahatchee released SAINT CLOUD which was in the TOP 20 of WMM’s 120 Best recordings of 2020. On Saint Cloud all songs were written by Katie Crutchfield. Recorded & mixed at Sonic Ranch in Tornillo, TX & Long Pond in Stuyvesant, NY. Produced by Brad Cook. Engineered by Jerry Ordonez. Additional engineering by Jon Low. Mixed by Jon Low. Mastered by Brent Lambert at The Kitchen. KATIE CRUTCHFIELD on vocals, acoustic guitar, piano, keys; BRAD COOK on bass, acoustic guitar, piano, keys, synth; BOBBY COLOMBO on electric guitar, acoustic guitar, keys; BILL LENNOX on electric guitar, acoustic guitar, keys, percussion; NICK KINSEY on drums, percussion; JOSH KAUFMAN on electric guitars, piano, organ, percussion. More info at: http://www.waxahatchee.com.] [Waxahatchee played the Uptown Theatre on April 18, 2024] // [MJ Lenderman released from: Manning Fireworks through Anti records on September 6, 2024 // Mark Jacob Lenderman (born 1999), also known as Jake Lenderman and MJ Lenderman, is an American singer-songwriter and multi-instrumentalist. He has released three solo albums, and also plays with the alternative rock band Wednesday. He also has played drums for Indigo De Souza. Lenderman’s style has been described as alt-country, classic rock, and indie rock music. // Lenderman was born in Asheville, North Carolina. His great-grandfather was saxophonist Charlie Ventura. He was raised Catholic and was an altar boy. He played basketball and obsessively watched tapes of Michael Jordan. He grew up listening to Mark Linkous and Jason Molina. In his junior and senior years of high school, he began posting his music to Bandcamp. Lenderman studied at UNC Asheville for three semesters.[ // In 2018, Lenderman played the drums for fellow Asheville artist Indigo De Souza on her albums I Love My Mom and Any Shape You Take. Lenderman met Karly Hartzman, lead singer for the group Wednesday, and he joined the band for an EP called How Do You Let Love Into the Heart That Isn’t Split Wide Open (2018). // In July 2019, he released a self-titled album, his first solo album. At that time, he was working in an ice cream shop to support himself financially. // Lenderman toured with Wednesday in early February 2020, until the COVID-19 pandemic ended the tour. During the COVID-19 pandemic, while collecting unemployment insurance, Lenderman wrote the songs that became the album Ghost of Your Guitar Solo, released in 2021. // His third album Boat Songs was released in 2022 on Dear Life Records. It was listed as one of the best albums of 2022 by Pitchfork, The A.V. Club, and The Ringer. After the success of the album, Lenderman signed a recording contract with Anti-. In 2023, he released the singles “Rudolph” and “Knockin'”. // Lenderman contributed guitar and vocals to the album Tiger’s Blood by Waxahatchee, released in March 2024, and was listed as featured guest artist on the album’s lead single, “Right Back To It”. In March 2024, Lenderman performed “Right Back To It” with Waxahatchee on The Late Show with Stephen Colbert. Lenderman’s next album, Manning Fireworks, released in September 2024.]

[MJ Lenderman and The Wind plays The Bottleneck, 737 New Hamphshire St., Lawrence, Kansas, Monday, March 3, at 7:00pm]

  1. Joy Oladokun – “Observation #1”
    from: Observations From A Crowded Room / Amigo Records – Verve Forecast / Oct. 18, 2024
    [Joy Iladokun released Proof of Life her 4th studio album on April 28, 2024. The album was supported by five singles released throughout 2022 & 2023. The album features guest appearances from Mt. Joy, Manchester Orchestra, Chris Stapleton, Maxo Kream, and Noah Kahan. In a press release about the album, Oladokun said that she intended for the songs on Proof of Life to be “helpful anthems” and to resonate with “anybody who feels normal and needs a little musical boost to get through the day”. The first single, “Keeping the Light On”, was released on January 21, 2022. The second single, “Sweet Symphony” (featuring Chris Stapleton), was released on September 23, 2022. Of the song, Oladokun said that the song was about “the vulnerability, the fear, and the ups and downs that come from loving someone.” The third single, “Changes”, was released on February 17, 2023, simultaneously with the album announcement. The fourth single, “We’re All Gonna Die” (with Noah Kahan), was released March 17, 2023. The 5th and final single, “Taking Things for Granted”, was released on April 21, 2023. // Joy Oladokun was born April 6, 1992, she is an American singer-songwriter. Oladokun’s music spans the genres of folk, R&B, rock, and pop and is influenced by her identity as a queer woman of color. Oladokun grew up in Casa Grande, Arizona, listening to country and folk music, as well as Bob Marley and Lauryn Hill. Both of her parents are Nigerian immigrants to the United States. Her family regularly attended a Christian church, where Oladokun was chosen to lead worship. Later, Oladokun left the church because it limited her creativity. // When Oladokun was 10, a video of Tracy Chapman inspired her to learn guitar.// After college, at a friend’s suggestion, Oladokun moved to Los Angeles to pursue her music career. She later moved to East Nashville, where she signed with Prescription Songs. She has released three studio albums. In 2015, Joy Oladokun self-released her debut EP Cathedrals. Her debut studio album, Carry Me was funded by Kickstarter and released on April 29, 2016 through Well Records. // Oladokun released the single “Sunday” in 2019, saying “‘Sunday’ is the song that 12-year-old Joy, seated in the back of church youth group, needed to hear. She needed to hear that you can be queer and happy. Queer and healthy. Queer and holy. She needed to see married women kissing and playing with their kids.” The music video highlights people in LGBTQ relation-ships and has a predominantly queer cast. // Oladokun’s song “Mercy” follows in the same theme, describing her experience as a Black person in the United States, while the single “I See America” criticizes systemic racism. NPR listed “I See America” on its 100 Best Songs of 2020. // On July 17, 2020, Oladokun released her 2nd studio album, In Defense of My Own Happiness (Vol. 1). Billboard described the album as a “stunningly emotional collection.” Mitch Mosk, editor-in-chief of Atwood Mag., called it a “a sweeping, soaring, and stunning sophomore record oozing heart and soul.” // In 2021, Oladokun received a grant from YouTube’s “#YouTubeBlack Voices Fund”. The same year she signed with Amigo Records, Verve Forecast Records, & Republics. http://www.joyoladokun.com Oladokun played The Truman on Sept. 12, 2024]
Joy Oladokun sings at the Respect for Marriage Act bill signing Tuesday, December 13, 2022, on the South Lawn of the White House. (Official White House Photo by Hannah Foslien)
  1. Joy Oladokun – “Strong Ones”
    from: Observations From A Crowded Room / Amigo Records – Verve Forecast / Oct. 18, 2024

[Joy Oladokun plays The Truman, 601 E.Truman Road, KCMO, TONIGHT, Wednesday, February 26, at 8:00pm with Luke Tyler Shelton]

10:34 – Underwriting

  1. 4th Dimensional Flowers – “gum”
    from: Love/Time / 4th Dimensional Flowers / February 3, 2025
    [4th Dimensional Flowers is a Kansas City-based music group composed of: Dylan Peace, on guitar and vocals. Gwen Heath, on Bass, Andy Wooden on drums, and lead guitarist Isaac Samayee. The music of 4th Dimensional Flowers is a fresh reincarnation of Grunge/Alternative Rock, and poppy Midwest Shoegaze with an emphasis on crunchy, melodic guitars, bass so full you can bite right into it, and beats that’ll get you dancing until you can’t feel your legs! 4th Dimensional Flowers has played alongside other popular acts such as Brady Rowland and the Missile kids , Lucky dragon no. 5, MabKC, and Island Policy/ // The Bi/Polar Album is a unique blend of extreme emotions, made to represent what having bipolar depression feels like, with major ups and downs, extreme genre/mood change, every song brings you just a smidgeon closer to insanity, and hopefully a better understanding of people with severe mental illness. // Switching from introspective singer-songwriter songs like If I, to more hardcore, heavy-hitting songs like Antifreeze. The band writes, “This album is made to cry to, to thrash to, or just to vibe to, and we hope it helps to bring people with mental illness some peace, in knowing that you are not alone, and we love you.”]

10:39 – Interview with Dylan Pease & Andy Wooden of 4th Dimensional Flowers

Dylan Peace is a vocalist and guitar player for 4th Dimensional Flowers. His main influences are The Thermals, Nirvana, and Jack White. Dylan hosts a goofy late-night radio show about local Kansas City musicians on 90.1FM called Local Wave, heard Thursday nights / Friday mornings, from Midnight to 2:00am. Dylan also absolutely loves to bake. He loves rocks and their magical properties. Dylan’s favorite television show is American Dad. From the very first time he could play guitar, Dylan has been making music for people like himself, with mental illness. Dylan just doesn’t want anyone to feel alone, and I hopes to spread a little “community” with his music.

Dylan Pease thanks for being with us again on Wednesday MidDay Medley

Andy Wooden plays drums for 4th Dimensional Flowers. Andy’s dad is also a professional drummer. Andy’s dad saw an ad placed by Dylan looking for a drummer. Andy’s dad encouraged him to call Dylan and set up a meeting. Andy Wooden is originally from Kansas City. Andy has also played with the bands: Kid Computer. and OK O’Clock, and 20 other bands. At one point Andy was playing drums in so many bands that he had band practice every day of the week, with two different sessions on Saturdays and Sundays. For several years Andy worked for Explorers Drums & Percussion, at 8050 Wornal Road, KCMO before it closed.

Andy Wooden, thanks for being with us again on Wednesday MidDay Medley

Dylan Pease & Andy Wooden are here to talk about their band, 4th Dimensional Flowers join us live in our 90.1 FM Studios. The music of 4 Dimensional Flowers is a fresh reincarnation of Grunge/Alternative Rock, and poppy Midwest Shoegaze with an emphasis on crunchy, melodic guitars, bass so full you can bite right into it, and beats that’ll get you dancing until you can’t feel your legs! 4th Dimensional Flowers is made up of Dylan Peace, on guitar and vocals. Gwen Heath, on Bass, Andy Wooden on drums, and lead guitarist Isaac Samayee. The band has played alongside other popular acts such as Brady Rowland and the Missile Kids, Lucky Dragon no. 5, MabKC, and Island Policy. More info at: http://4thdimensionalflowers.com

4th Dimensional Flowers include:

Dylan Peace, on guitar and vocals
Gwen Heath, on Bass,
Andy Wooden on drums, and
lead guitarist Isaac Samayee.

New songs are part of the band’s new EP Love/Time.

Gwendolyn Heath plays bass with 4th Dimensional Flowers. She is heavily influenced by the styles that got her into playing music as a teenager: rock, metal, punk, and anything with guitars, drums, and the volume cranked to 11. Gwen’s Biggest inspirations are bands such as Mastodon, Red Fang, and Refused. Gwen first became addicted to making music and playing shows when she was in her first band Nuclear Destruction, a melodic death-metal project that eventually grew apart. Eventually one of her closest friends Dylan Pease was looking for a bassist and she fit like a glove with a new line up and a rebrand of 4th Dimensional Flowers. Gwen found music to be an outlet for her repressed feelings. Before she transitioned, her love of music and the community of Kansas City allowed her to first “come out” to her fellow musicians.

Gwen Heath thanks for being with us again on Wednesday MidDay Medley

4th Dimensional Flowers will be releasing A full length album in May called Bi/Polar. The album will be a unique blend of extreme emotions, made to represent what having bipolar depression feels like, with major ups and downs, extreme genre/mood change, every song brings you just a smidgeon closer to insanity, and hopefully a better understanding of people with severe mental illness

10:47

  1. 4th Dimensional Flowers – “Antifreeze”
    from: Love/Time / 4th Dimensional Flowers / February 3, 2025
    [4 Dimensional Flowers is a Kansas City-based music group composed of: Dylan Peace, on guitar and vocals. Gwen Heath, on Bass, Andy Wooden on drums, and lead guitarist Isaac Samayee. The music of 4 Dimensional Flowers is a fresh reincarnation of Grunge/Alternative Rock, and poppy Midwest Shoegaze with an emphasis on crunchy, melodic guitars, bass so full you can bite right into it, and beats that’ll get you dancing until you can’t feel your legs! 4 Dimensional Flowers has played alongside other popular acts such as Brady Rowland and the Missile kids , Lucky dragon no. 5, MabKC, and Island Policy/ // The Bi/Polar Album is a unique blend of extreme emotions, made to represent what having bipolar depression feels like, with major ups and downs, extreme genre/mood change, every song brings you just a smidgeon closer to insanity, and hopefully a better understanding of people with severe mental illness. // Switching from introspective singer-songwriter songs like If I, to more hardcore, heavy-hitting songs like Antifreeze.]

10:50 – Interview w/ Dylan Pease & Andy Wooden of 4th Dimensional Flowers

Dylan Pease and Andy Wooden join us to talk about their band, 4th Dimensional Flowers join us live in our 90.1 FM Studios. The music of 4th Dimensional Flowers is a fresh reincarnation of Grunge/Alternative Rock, and poppy Midwest Shoegaze with an emphasis on crunchy, melodic guitars, bass so full you can bite right into it, and beats that’ll get you dancing until you can’t feel your legs! 4th Dimensional Flowers is made up of Dylan Peace, on guitar and vocals. Gwen Heath, on Bass, Andy Wooden on drums, and lead guitarist Isaac Samayee. The band has played alongside other popular acts such as Brady Rowland and the Missile Kids, Lucky Dragon no. 5, MabKC, and Island Policy. More info at: http://4thdimensionalflowers.com

Dylan Pease, Andy Wooden and Gwen Heath thanks for being with us again on WMM

4th Dimensional Flowers is Dylan Peace on guitar & vocals; Gwen Heath on Bass, Andy Wooden on drums, and Isaac Samayee on lead guitar

New songs are part of the band’s new EP Love/Time.

4th Dimensional Flowers will be releasing A full length album in May called Bi/Polar. The album will be a unique blend of extreme emotions, made to represent what having bipolar depression feels like, with major ups and downs, extreme genre/mood change, every song brings you just a smidgeon closer to insanity, and hopefully a better understanding of people with severe mental illness.

The music of 4th Dimensional Flowers is a fresh reincarnation of Grunge/Alternative Rock, and poppy Midwest Shoegaze with an emphasis on crunchy, melodic guitars, bass so full you can bite right into it, and beats that’ll get you dancing until you can’t feel your legs!

4th Dimensional Flowers has played alongside other popular acts such as Brady Rowland and the Missile kids, Lucky Dragon No. 5, MabKC, and Island Policy.

Dylan Pease & Andy Wooden thanks for being with us again on WMM

More info at: http://4thdimensionalflowers.com

10:57

  1. 4th Dimensional Flowers – “Reptilez (Live from KKFI Band Auction)” (CD #11) (3:26)
    from: Love/Time / 4 Dimensional Flowers / February 3, 2025
    [4th Dimensional Flowers is a Kansas City-based music group composed of: Dylan Peace, on guitar and vocals. Gwen Heath, on Bass, Andy Wooden on drums, and lead guitarist Isaac Samayee. The music of 4 Dimensional Flowers is a fresh reincarnation of Grunge/Alternative Rock, and poppy Midwest Shoegaze with an emphasis on crunchy, melodic guitars, bass so full you can bite right into it, and beats that’ll get you dancing until you can’t feel your legs! 4 Dimensional Flowers has played alongside other popular acts such as Brady Rowland and the Missile Kids, Lucky Dragon no. 5, MabKC, and Island Policy.]

11:00 – Station ID

  1. T.A. Rell – “4oreign (Radio Edit)”
    from: “4oreign (Radio Edit)” – Single / T.A.P. OUT Music / April 13, 2024
    [Arick “TA. Rell” Ridgell is a 23 year old producer/writer/artist who recently has began emerging by way of the internet. The Kansas City,Missouri native was born August 29,1990. He’s an alumni of Center High School (Kansas City,MO, 64131), and a current student at Longview Community College (Lee’s Summit,MO), where he’s currently looking to obtain a degree in Audio Engineering. He’s what you’d call a mixing pot of R&B, country, gospel, pop, rock and roll, etc… TA’s “style influenced by a variety of artists such as Ray Charles, James Brown, Smokie Robinson, The Temptations, Jamie Foxx, Tank, Tyrese, Musiq Soulchild, Fred Hammond, John P. Kee, amongst others]

11:04 – Interview with T.A. Rell

Arick “T.A. Rell” Ridgell is a 34 year old musician has been writing and producing music since the age of 18. The Kansas City, Missouri native was born August 29, 1990. He’s an alumni of Center High School (Kansas City, MO), and a current student at Longview Community College (Lee’s Summit, MO), where he’s currently looking to obtain a degree in Audio Engineering. He’s what you’d call a mixing pot of R&B, country, gospel, pop, rock and roll, etc… TA’s “style influenced by a variety of artists such as Ray Charles, James Brown, Smokie Robinson, The Temptations, Jamie Foxx, Tank, Tyrese, Musiq Soulchild, Fred Hammond, John P. Kee, amongst others. T.A. tries not to trap himself in the box on genres but tries to use his love for all music to unlock the hearts and souls of listeners around the world.

T.A. Rell return to Wednesday MidDay Medley to share the newest single from T.A. Rell called, “Take It Back.” T.A. Rell plays keyboards and sings background with Just Angel in their band The Wades. Just Angel is a musician, songwriter, dancer, and creative artist. Her powerful voice has been called, “Passionate … Soulful… and Inspiring.”

T.A. Rell thanks for being with us again on WMM

Arick “T.A. Rell” Ridgell has been writing and producing music since the age of 18. The Kansas City, Missouri native was born August 29, 1990.

He’s an alumni of Center High School (Kansas City, MO), and a current student at Longview Community College (Lee’s Summit, MO), where he’s currently looking to obtain a degree in Audio Engineering.

He has produced music with many artists including the song “Make Love” produced by Tj-Hooker)

“Take It Back” – Single / T.A.P. OUT MUSIC – DistroKid / February 14, 2025

11:13

  1. T.A. Rell – “Take It Back”
    from: “Take It Back” – Single / T.A.P. OUT MUSIC – DistroKid / February 14, 2025
    [Arick “TA. Rell” Ridgell is a 23 year old producer/writer/artist who recently has began emerging by way of the internet. The Kansas City,Missouri native was born August 29,1990. He’s an alumni of Center High School (Kansas City,MO, 64131), and a current student at Longview Community College (Lee’s Summit,MO), where he’s currently looking to obtain a degree in Audio Engineering. He’s what you’d call a mixing pot of R&B, country, gospel, pop, rock and roll, etc… TA’s “style influenced by a variety of artists such as Ray Charles, James Brown, Smokie Robinson, The Temptations, Jamie Foxx, Tank, Tyrese, Musiq Soulchild, Fred Hammond, John P. Kee, amongst others]

11:17 – More Interview with T.A. Tell and Just Angel

We are talking with T.A. Rell and Just Angel who with their band, The Wades can be found rocking stages with original songs from their recordings and eclectic takes on popular music. We just heard the new single from T.A. Rell

Just Angel is a singer, musician, songwriter, dancer, and creative artist. Her powerful voice has been called, “Passionate … Soulful… and Inspiring.” Her music finds its home in Rock, Jazz, and Alternative, and she has found a way to incorporate those genres within her love with Soul and R&B. Just Angel has performed with My Brothers & Sisters. Just Angel and her band, The Wades (which include T.A. Rell) can be found rocking stages with her original songs from her recordings and eclectic takes on popular music. She released her debut EP, JUST ANGEL, PART 1 on December 24, 2020. She released her follow up EP, JUST ANGEL, PART 2 on December 25, 2021. She also contributed vocals to the amazing Sisterbot record. Just Angel has performed in multiple theatre theatre productions., and has been working on her musical degree at UMKC. Last year Just Angel released the single “Dumb” which was part of WMM’s favorite 50 Singles of 2024.

Just Angel and T.A. Rell thanks for being with us again on WMM

Just Angel produced the 4 song EP, JUST ANGEL PT.1 in 3 days in 2020, She then produced a second 4-song EP, JUST ANGEL PT. 2 in 24 hours in 2021. Just Angel has a birthday on December 24. Producer & Musician T.A. Rell helped birth into fruition the Just Angel EP releases with the 5 month hiatus between recordings.

Just Angel has been working on her musical degree at UMKC.

Just Angel collaborated with Sisterbot aka Adee Dancey on the track “Approval.”

With Adee Dancy Just Angel has a band called Neo Emo Soul.

Last year Just Angel released the single “Dumb” which was part of WMM’s favorite 50 Singles of 2024.

Just Angel and T.A. Rell thanks for being with us again on WMM

More info at: https://linktr.ee/JustAngel_TigerLilyStar

11:25

  1. Just Angel – “Dumb”
    from: “Dumb” – Single / T.A.P. OUT MUSIC/ August 9, 2024
    [Just Angel is a Kansas City based, singer, musician, songwriter, dancer. and creative artist. She recently contributed vocals to the recent Sisterbot record. More info at: /distrokid.com/hyperfollow/justangel/just-angel–pt-1: Just Angel: Pt. 2 is a followup to Just Angel Pt.1 – EP released on December 24, 2020 Just Angel is a musician, songwriter, dancer, and creative artist. Just Angel, has been seen on stages of The Barn Players Community Theatre, at Johnson County Arts & Heritage Center in BEAUTIFUL, The Carole King Musical,, The Music Theater Heritage: Ruby Room performance of “Piece of My Heart” in 2023, The Black Repertory Theatre of Kansas City “After Midnight” in 2022, and playing Osceola Mays in “Texas in Paris” in 2021. Her band, The Wades, can be found playing eclectic takes on pop music, and Just Angel‘s originals, from Part 1 & 2. Her single “Dumb”, was released August 9, 2024. More at https://linktr.ee/JustAngel_TigerLilyStar%5D

11:28 – Underwriting

  1. Miss Boating – “You’ll Sparkle”
    from: Jewel In The Trash / High Dive Records / June 29, 2024
    [Miss Boating signed with High Dive Records to release their debut album, JEWEL IN THE TRASH. Miss Boating is a KC based, 5-piece with multi-instrumentalist & lead singer Charlie Colborne, drummer Bill Belzer, Aaron Jones on trombone, Tom Gillespie on Saxophone, and Bryan McGuire on bass. (Phil Dickey played bass on the album.) Charlie and Bill met in the late 1980s. In the beginning they were called The Sympathetic Fringe, and then The Sleazebeats. In recent years Charlie & Bill added Aaron, Tim and Bryan. Described by one local radio host as “the perfect house band for a John Waters After Party.” One of their songs is about a friend’s mom’s dynamic relationship with prescription medication. Another is a tribute to the late Evan Jolly, their former bassist. All of the songs written by Charlie Colborne through his blue/gay eyes. These songs have a fine patina of ditch weed, filthy humor, cigarette smoke, gay drama, Bee Gee’s inflected new wave, queer music hall schmaltz, odd stiff naive sambas, and box wine. More info at: http://www.highdivekc.com // From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. // On Jan 1, 2020 Miss Boating released The Vhargon Sidestep w/: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

[Miss Boating play The Ship, 1221 Union Avenue, KCMO, Friday, March 7, 2025 at 9:00pm with Sit Queen both opening for Paisley Fields.]

11:33 – Interview with Charlie Colborne & Bill Belzer

Charlie Colborne is Senior Editor & Editorial Manager for Greeting Cards at Andrews McMeel Publishing. Prior to this position Charlie worked as an Attorney for Legal Aid. Charlie Colborne is from KC, and literally lives 3 blocks from where he was born. As he writes, “…basically, he’s gone nowhere.’ Charlie came from a musical family, his mother Kathleen passed down to him her love of playing the piano. Charlie has been playing in bands since the late 1980s including The Larvae, The Post-Executives, Crackpot Idealists, Borax Babies, Faun, The Sympathetic Fringe, The Escapegoats, The Sleazebeats and Miss Boating. Charlie also has collaborated with theatre performances.

Charlie Colborne, Thanks for being with us on Wednesday MidDay Medley

Bill Belzer was born on the day Nixon was elected to his only full term (November 5, 1968 ) at the now demolished St. Mary’s Hospital, in a room over-looking the Liberty Memorial. He played bass guitar and drums in high school, first at Catholic Savior of the World High School Seminary in Kansas City, Kansas and then Rockhurst High School, in Kansas City, Missouri, from which he graduated in 1987. While at Rockhurst High School he joined the band Mongol Beach Party as drummer. The band’s breakup coincided with Bill leaving to join Uncle Tupelo as drummer for a stint on their European-American Tour with Michelle Shocked, The Band and Taj Mahal in the early 1990s. Like Charlie he has stuck close to home. His beloved boyfriend Aaron plays trombone in Miss Boating and they are both very much looking forward to having band practice again. Bill has been a part of the bands: Mongol Beach Party, Grumpy, Uncle Tupelo, The Grant Hart Band, The Sleazebeats, The Patio Set, The Terrible Twos, Ghosty, Lazy, The New Amsterdams, and Miss Boating.

Bill Belzer Thanks for being with us on Wednesday MidDay Medley

Miss Boating play The Ship, 1221 Union Avenue, KCMO, Friday, March 7 at 9:00pm opening for Paisley Fields.

Congratulations on being signed to High Dive Records

High Dive Records says, “These songs have a fine patina of ditch weed, filthy humor, cigarette smoke, gay drama, Bee Gee’s inflected new wave, queer music hall schmaltz, odd stiff naive sambas, and box wine.” More info at: http://www.highdivekc.com

Charlie and Bill met in the late 1980s.

In the beginning they were called The Sympathetic Fringe, and then The Sleazebeats. In recent years Charlie & Bill added Aaron, Tim and Bryan.

Charlie Colborne on keyboards and guitar,
Bill Belzer, on drums
Aaron Jones on trombone,
Tom Gillespie on Saxophone,
Bryan McGuire (The ACBs) on bass.

(Phil Dickey played bass on the album.)

Described by a local radio host as “the perfect house band for a John Waters After Party.

Many of the tunes on their self titled debut LP may have been written before your parents were born. One song is about a friend’s mom’s dynamic relationship with prescription medication.

Another describes what tetracycline does to your teeth. Another is a tribute to the late Evan Jolly, their former bassist, but it could be about anyone you still love but miss every day.

All songs written by Charlie Colborne. Bee Gee’s inflected new wave, queer music hall schmaltz, odd stiff naive sambas. Many genres. This queen contains multitudes.

11:42

  1. Miss Boating – “Jewel In The Trash”
    from: Jewel In The Trash / High Dive Records / June 29, 2024
    [Miss Boating is a KC based, five-piece with multi-instrumentalist & lead singer Charlie Coleborne, drummer Bill Belzer, Aaron Jones on trombone, Tom Gillespie on Saxophone, and Bryan McGuire on bass. (Phil Dickey played bass on the album.) Charlie and Bill met in the late 1980s. In the beginning they were called The Sympathetic Fringe, and then The Sleazebeats. In recent years Charlie & Bill added Aaron, Tim and Bryan. Described by one local radio host as “the perfect house band for a John Waters After Party.” One of their songs is about a friend’s mom’s dynamic relationship with prescription medication. Another is a tribute to the late Evan Jolly, their former bassist. All of the songs are written by Charlie Colborne. // From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. // On Jan 1, 2020 Miss Boating released The Vhargon Sidestep with: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

[Miss Boating play The Ship, 1221 Union Avenue, KCMO, Friday, March 7, 2025 at 9:00pm with Sit Queen both opening for Paisley Fields.]

11:44 – More Interview with Charlie Colborne & Bill Belzer

We are talking with multi-instrumentalist & lead singer Charlie Colborne, drummer Bill Belzer, about their band Miss Boating.

Last year Miss Boating were signed to High Dive Records

Miss Boating play The Ship, 1221 Union Avenue, KCMO, Friday, March 7, 2025 at 9:00pm with Sit Queen both opening for Paisley Fields of the band Lavender Country

Miss Boating:
Charlie Colborne on keyboards and guitar,
Bill Belzer, on drums
Aaron Jones on trombone,
Tom Gillespie on Saxophone,
Bryan McGuire (The ACBs) on bass.
(Phil Dickey played bass on the album.)

How the band took on the name “Miss Boating,” is inspired by, Charlie’s mom, Kathleen Rita Colborne, who in January 1956, was crowned “Miss Boating” at the Kansas City Sports Show. A photo of Miss Boating went up at the bar in the Twin Oaks apartment complex where she lived. The photo caught the eye of John H. (Jack) Colborne, from Wausau, Wisconsin. They met, and after a brief courtship they married in August 1956.

From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died.

The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin.

On January 1, 2020 Miss Boating released The Vhargon Sidestep with: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

Miss Boating rose from the ashes of your former band The Sleazebeats, who played live in various incarnations for 20 years, always with Bill and Charlie. Releasing a full length album with Jeff Harshbarger on bass on January 1, 2012

Charlie and Bill faced a difficult 2019 when combined with the death their the friend and Sleazebeats bassist, Evan Vhargon who took his own life on November 8, 2018. And also with Charlie’s mother passed away on March 1, 2019.

You guys wrote that you “were lost when Evan passed.”

Through the tough times Bill and Charlie kept playing music and “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.”

Phil Dickey is part of the bands: Dragon Inn 3, and Someone Still Loves You Boris Yeltsin.

A midtown staple, Charlie has been in a bunch of bands, most of which seldom ventured out of the basement.

Here’s the list:
The Larvae,
The Post-Executives,
Crackpot Idealists,
Borax Babies,
Faun,
Sympathetic Fringe,
The Sleazebeats,
The Escapegoats,
Miss Boating

Charlie Colborne & Bill Belzer thanks for being with us on Wednesday MidDay Medley

Miss Boating play The Ship, 1221 Union Avenue, KCMO, Friday, March 7, 2025 at 9:00pm with Sit Queen both opening for Paisley Fields.

11:54

  1. Paisley Fields – “Iowa”
    from: Limp Wrist / Don Giovanni Records / August 26, 2022
    [James Wilson, is known professionally as Paisley Fields. They are a queer country music artist based between Brooklyn, NY and Nashville, TN. // Wilson grew up in Hudson, Iowa where their grandparents owned a farm. They grew up listening to country music, but resisted performing in the genre until they reconnected with their country roots while living in Japan. // Wilson is queer and non-binary. // Wilson assembled an alt-country band which performed their first show as the Paisley Fields in Brooklyn on New Year’s Eve 2013. After the release of their first EP Oh These Urban Fences in 2015, Wilson adopted the name Paisley Fields as a stage name. Their first full-length album Glitter & Sawdust, released in 2018, is an exploration of the duality of the masculine and feminine. // The next two albums Electric Park Ballroom and Limp Wrist were released on Don Giovanni Records. Electric Park Ballroom is named after a dancehall they visited in childhood but the songs center on present-day urban narratives while Limp Wrist focuses on the realities of rural queer life. // In 2019, Paisley Fields toured with queer country pioneers Lavender Country and Lavender Country later guested on Paisley Fields’ “Stay Away From My Man.” They played keyboards on Lavender Country’s 2022 album Blackberry Rose. // “Burn This Statehouse Down,” a duet with Mya Byrne protesting Tennessee’s anti-trans legislation, was chosen as one of NPR music critic Ann Powers’ favorite songs of 2023. // As a songwriter, Wilson has written with Bob the Drag Queen (“Purse First”) and Scarlet Envy (“Feeling Is Mutual,” “Press On,” “Is It Me?”). // Paisley Fields combines country, rock, pop, and disco while their lyrics include explicit queer themes, ranging from gay sex (“Ride Me Cowboy”) to being outed (“Blackhawk County Line”) to referencing Matthew Shepard (“Iowa”)..]

Paisley Fields Discography
“Burn This Statehouse Down” with Mya Byrne (2023) (Kill Rock Stars)
The Field Sessions Live EP (2023) (Don Giovanni Records)
Limp Wrist (2022) (Don Giovanni Records)
Electric Park Ballroom (2020) (Don Giovanni Records)
Glitter & Sawdust (2018)
Oh These Urban Fences EP (2015)

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on March 5 we present Radio-Trans-Mission featuring our favorite Trans artists we’ve regularly featured on our show musically and as special guests. Also next week we are joined by Rachel Christia, Fran Stanton, and Betse Ellis as our special Guest Co-Hosts, for our Wednesday MidDay Medley Winter On-Air-Fund Drive.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org
http://www.WednesdayMidDayMedley.org
http://www.instagram.wednesday_midday_medley
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1084

WMM Playlist from February 19, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 19, 2025

WMM welcomes Les Izmore as Guest Producer

Mark welcomes Les Izmore, who joins us as Guest Producer. Les Izmore is a Africanfurist, a multi-disciplinary artist, a lover of music. Les Izmore is a musician, spoken word artist, producer, director, curator, poet, DJ, writer, percussionist, songwriter, music composer, beat maker, emcee and vocalist. Les Izmore is a creative centered around experimentation and love. His current project is now known as Les Izmore & The GOATS, it is a project that opens a portal to decolonized worlds using the technology of live looping, hand percussion, vocalization, collaboration and improvisation based off lyricism and heartfelt structured vibrations. Les is part of Arquesta Del SolSoul, a Kansas City-based, cosmic music collective, teleporting through indigeneity, decolonization, love and freedom.

Les Izmore will spin tracks from: Santigold, Lady Wray, Combo Chimbita, Adeta Marie, MFR Souls, Canalón de Timbiquí, The Black Creatures, serpentwithfeet with Ambré, & Alex Isley, Kelela, keiyaA, Amaarae, Bikini Kill, Death, Sweeping Promises, Tierra Whack, Gloria Jones, Lilblackkids, Georgia Anne Muldrow & Keith Rice, Los Rakas & Big Klef, AKU, The Roots, Outkast with Cee-Lo, Mach-Hommy, and Teedra Moses.

Les Izmore has shared the stage with such acts as: Kendrick Lamar, Shabazz Palaces, Public Enemy, Seun Kuti and the Egypt 80, Tank and the Bangas, Femi Kuti & The Positive Force ft. Mádé Kuti, KRS-ONE, dead prez, SOUL GLO, Lupe Fiasco, Mobb Deep, Reflection Eternal (Hi-Tek & Talib Kweli), Sadat X, Slick Rick, Snoop Dogg, Unknown Mortal Orchestra, Tef Poe, Hermon Mehari, Joc Max, Deejay Platinum, Emcee Reach, The Roots, Chance the Rapper, Del the Funky Homosapien, Combo Chimbita, Earthgang, Fashawn, Exile, Bahamadia, Georgia Anne Muldrow, Clipping, Mobb Deep, Radkey, Ozomatli, Making Movies, Las Cafeteras, Gio Chamba, Busdriver, Milo, Nocando, Open Mike Eagle (Hellfyre club), and The BUHS.

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]

2. Santigold – “L.E.S. Artistes”
from: Santigold / Downtown Music / April 29, 2008
[]Santogold is the debut studio album by musician and singer Santigold (who performed as Santogold at the time of the album’s release). The album was recorded within eight weeks in New York City at Schoolhouse and Pitch Black Studios. It was written and produced primarily by Santigold and former Stiffed bandmate John Hill, alongside contributions from other producers, including Diplo, Switch and Disco D, and vocal appearances from Spank Rock and Trouble Andrew. // This album incorporates a variety of musical styles, such as new wave, punk, electro, reggae and dub, with the aim of defying boundaries and genre classification. This genre-defying approach awarded the album with praise from music critics. It earned multiple spots on music publications’ year-end lists of the best albums of the year, as well as on several decade-end lists. The record charted in the United States, United Kingdom, Ireland, Netherlands, France and Belgium, and spawned the singles “Creator”, “L.E.S. Artistes”, “Lights Out”, and “Say Aha” // Santi White was born September 25, 1976 in Philadelphia, Pennsylvania to parents Ron White, an advisor to mayor John F. Street and Aruby Odom-White, a psychiatrist. She attended Germantown Friends School in Philadelphia, and later attended college at Wesleyan University, where she double-majored in music and African-American studies. Santi has described herself as “super-social and a connector of people” in her youth, growing up in Philadelphia. // She is known professionally as Santigold (formerly Santogold). She obtained her pseudonym in the 1990s after a friend gave it to her as a nickname. She worked for Epic Records as an A&R representative but left the position to co-write and executive produce How I Do, the singer Res’s debut album. // She was the singer of Philadelphia-based punk rock band Stiffed, which released the EP Sex Sells (2003) and the album Burned Again (2005). Both records were produced by Bad Brains bassist Darryl Jenifer. While in the band, White was offered a solo contract by Martin Heath of London-based independent label Lizard King Records. // Her debut studio album, Santogold (2008), was released by Atlantic Records and met with widespread critical praise for its cross-genre blending of dub, new wave, and hip hop music. Its second single, “L.E.S. Artistes”, peaked within the top 40 of the UK Singles Chart. // Her second album, Master of My Make-Believe (2012), was met with continued positive reception and peaked at number 21 on the Billboard 200. It spawned the single “Disparate Youth”, which entered the Bubbling Under Hot 100 and moderately entered charts in several countries. Her third album, 99¢ (2016), her second mixtape, I Don’t Want: The Gold Fire Sessions (2018), and her fourth album, Spirituals (2022), were each met with continued praise. The latter was described by The Guardian as a “whirlwind album full of feeling and fervour”. // Additionally, Santigold has collaborated with artists including Beastie Boys, Jay-Z, Kanye West, David Byrne, Mark Ronson, Karen O, ASAP Rocky, and Diplo. Her awards include “Best Breakthrough Artist” at the 2008 NME Awards, and the Vanguard Award at 2009 ASCAP Awards.]

  1. Lady Wray – “Under The Sun”
    from: Piece of Me Big Crown Records / January 28, 2022
    [Lady Wray’s 2022 album Piece Of Me is one of my favorite releases for the year. Incredible vintage, sounding heartfelt R&B/ Soul music. With modernized takes on classic love songs. / Virginia-born singer/songwriter Nicole Wray has everything you’d want in a singer: an infectious Jackson-5-family-member flare, a range like Aretha’s, and a church upbringing that’s brought a pure, healing texture to her voice.]
  1. Combo Chimbita – “Babalawo”
    from: IRE / Anti / January 26, 2022
    [Continuing their mystical saga, Combo Chimbita roar back onto the global stage with their cathartic new album, IRÉ, channeling the fear, rage and empathy of a world in flames into an urgent spirit of musical dissidence. The album’s evocative title is forged upon double-edged meaning: on one hand embracing the divinely inspired blessings and prosperity foretold by our spiritual elders, and on the other a brazen, propulsive affirmation of revolutionary futures in the making. Afro-Caribbean transcendance, bewildering chants, booming drums and psychedelic distortion lay the rhythmic foundation for IRÉ; a testament to the ever expanding scope of Combo Chimbita’s sonic palette and their modes of resistance in realms both spiritual and terrestrial. // Described by NPR’s Alt.Latino as an “otherworldly presence,” Combo Chimbita is the creative unity of Carolina Oliveros (vocals, guacharaca), Niño Lento es Fuego (guitar), Prince of Queens (bass, synthesizers) and Dilemastronauta (drums), who together transcend common concepts of time and nationality. As self-described Abya-yalistas seeking meaning beyond a Latin American framework, they carry the burning torch of an unbroken, insubmissive people, unshackling their essence from the cruelty of conquest throughout Abya Yala. “Music is a tool of connection across time, territory and generations,” says Prince of Queens, echoing the visual metamorphosis for single “Memoria” and Combo Chimbita’s own decolonial shedding of skin.]
  1. Adeta Marie – “Community Ties”
    from: Passionfruit Flowers / Adeta Marie / June 28, 2023
    [Adeta Marie is a Kansas City based music maker and vocalist. She started playing out in 2019. She told Voyage KC magazine in September 9, 2021 that “Creating was a way to heal from life trauma and speak gently to myself and my experiences. Music was a way for me to feel and validate my struggle. My very first songs are very somber and talk a lot about sad things. If you follow my songs, they tell a story of how I feel and how much I’ve grown from my loneliest times. It took a while for me to feel comfortable expressing my art freely and openly, but I felt like the burden of judgment was lifted when I did. Ever since then, I’ve loved performing my art as much as I love creating it.” // Adeta Marie is also a licensed esthetician and self-taught MUA. She got her license in 2019, and has worked for Sephora and Lancôme. More info at: https://linktr.ee/AdetaMarie%5D
  1. MFR Souls – “Love You Tonight (feat. DJ Maphorisa, Sha Sha & Kabza De Small)”
    from: The Beginning / South Africa – Sony / October 25, 2019
    [MFR Souls is a South African amapiano music duo founded in 2012 by Tumelo Nedondwe and Tumelo Mabe, both of whom are DJ and music producers from Katlehong in the East Rand of Johannesburg. They are regarded as being part of the pioneers of the ama piano sound, alongside Kabza de small, Jazzidiciples. Their hit single “Love You Tonight” was commercial success certified platinum in South Africa. // They met in 2009 at an event in Tokoza and eventually formed their group in 2013, Ma-Ero & Force Reloaded and later was named MFR Souls. // In December 2015, their 5 tracks Extended Play Bless The Souls was released. // In 2016 they released ama piano mixtapes. // On October 4, 2019, they released a single “Love You Tonight” featuring Sha Sha, Kabza De Small and DJ Maphorisa. The song was certified platinum in South Africa. At the 26th ceremony of South African Music Awards “Love You Tonight” was nominated for Best Collaboration and Best Music Video. Their collaborative album Scorpion Kings with Kabza De Small, Virgo Deep and DJ Maphorisa won Best Produced Album of the Year at SAMA 26 awards. On November 8, 2019, their Extended Play The beginning was released. // In early 2020, their single “Amanikiniki” featuring Kamo Mphela and Bontle Smith was released. The song debuted number 3 on RAM charts and was certified platinum with sales of 50 000 units. “Amanikiniki” was nominated for Record of the Year (fan-voted) and Music Video of The Year at 27th South African Music Awards and Song Of the Year at MAMA awards. On August 14, 2020, their second studio album Musical Kings was released. The album features Bontle Smith, Tshego, Zano, J’Something and Manu Worldstar. // On May 14, 2021, they released a single “Abahambayo” featuring Mzulu Kakhulu, Khobzn Kiavalla and DJ T-Man SA. // In October 12, they teased their second studio album Healers Of The Soul, released on November 12, 2021. In November 4, album pre-order were made available. // On April 1, 2022, their EP T-squared was released in South Africa. // In early May 2022, they were featured on Freedom Sounds: From Kwaito to Amapiano documentary by Spotify. // On May 5, 2023, the duo released their long-awaited single, “Bawo” featuring Russell Zuma, Shane907 & Locco MusiQ.]
  1. Canalón de Timbiquí – “Qué Pena”
    from: Arrullando / Canalón de Timbiquí / January 30, 2016
    [The sweetly exuberant chanting of 5 female voices, the marimba, the drums & guasa percussion surrounding Nidia Góngora, Canalón embody the rich musical mix of African and Latin- American traditions unique to Colombia’s Pacific coast. // Canalon’s music echoes the ancestral sounds of the Afro-Colombian Pacific Coast, recreating the power and rhythm with the chonta marimba, the percussion instrument guasa and the bombs drum. The melodies of the marimba and voice reflect the sounds of the pacific coast, and the lyrics are about the jungles, rivers, miners and all of their surroundings in the town they are from – Timbiqui. Timbiqui, located in the Cauca state on the Pacific Coast, is where the group hails from. The group of female singers are led by Nidia Góngora (long-time Quantic collaborator) and are supported by a band using a range of traditional percussive instruments such as the tambora drum and the xylophone-style marimba with its unique, light sound. // With international interest in this traditional ‘pacifico’ music, Nidia Góngora has worked with producer, band leader, and DJ Quantic for the past five years in collaborations and tours across Europe. In 2012, Sofrito Records included in its compilation record the song LA ZORRA Y EL PEROL, one of Canalón’s classic songs. In the same year, the group made a cover of La Jeanne from renowed and beloved French artist George Brassens. // More info at: https://canalondetimbiqui.wixsite.com.%5D

10:33 – Underwriting

  1. The Black Creatures – “TRUE FRIENDS”
    from: “TRUE FRIENDS” – Single / The Black creatures / September 17, 2021
    [The Black Creatures followed this single with their last full length record, By Thy Hand / from Center Cut Records on August 12, 2022. By Thy Hand was #1 on WMM’s 120 Best Rercordning of 2022. This new album follows their singles: “Criminal” on June 24, 2022, “Loud For Nothin” on May 27, 2022, and “True Friends” on September 17, 2021. After being signed to Center Cut Records the label remastered and reissued their album WILD ECHOES in 2020 and was named Album Of The Year from The Pitch Magazine. the original 2019 release of WILD ECHOES was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. // Jade Green & Xavier Martin of The Black Creatures began working together in 2013. The Black Creatures blur the boundaries of hip-hop, dance, R&B, soul, and EDM, telling stories of real life, and the struggle for equality. Jade’s incredible vocals reveal their background in opera, and their honest lyrics are both personal and political. Jade can interpret soul, jazz, hiphop, and pop. Xavier Martin started music as a violinist, and has transitioned into a co-songwriter, producer, beat-maker, keyboardist, vocalist, engineer, and style maker. // From Center Cut Records Promo Materials: The Black Creatures blend contemporary styles of pop, hip-hop, dance, R&B, EDM and soul with cinematic and storytelling sci-fi/fantasy elements and themes. With the complex and creative approach The Black Creatures take to their art, a diverse audience regularly flocks to their gripping and intensely enchanting performances. // Representing the strange land of Kansas City, Missouri, Jade Green and Xavier began working together around the end of 2013 after meeting on-line talking about cosmetics. After Jade stumbled upon Xavier’s SoundCloud, they asked if they could put their vocals on it, and this led to future collaborations with no more than the intention to dabble. They couldn’t stop and eventually dubbed the project The Black Creatures. // Both Jade & Xavier write and perform vocals, with Xavier at the helm of production and composition. Jade Green has a vocal background in opera and a penchant for theatrics, and both are the foundation of their ever-evolving approach to writing and performing in The Black Creatures. While the instrumentals may set the tone for the show, Jade’s voice captivates the audience from beginning to end. Originally a violinist, Xavier unfurled into a producer and vocalist, maintaining the same air of intrigue and mystery throughout his compositions and performances in The Black Creatures. // After releasing Wild Echoes in the fall of 2020, and receiving Album Of The Year from The Pitch Magazine, high praise came from around the world for the four released singles and accompanying videos. “Wretched (It Goes)” was featured in the NPR Live Sessions “Songs For Change” when The Black Creatures were selected as one of 12 national artists, and included in 90.9 The Bridge’s Top 100 singles along with their song “D’ummm” which was in heavy rotation in the winter. Nuance Magazine wrote, “The Black Creatures take their musical talents and use them in such a way that forces listeners to not only tap their foot to a catchy tune, but pay attention and feel something about what is going on in the world around them. Tackling fascism, police brutality, and the deep-rooted effects of slavery in a rhythmic fashion is one thing. Simultaneously making it a good listen is another. However, The Black Creatures make it happen.” // Mark’s brief review: “Being named “Album of The Year” from The Pitch Kansas City was the recognition this young band deserved, because there is really no other band in Kansas City creating incredibly beautiful and painful protest songs in multi genre styles of beats, vocal styles, textures. The immediate personal and poetic lyrics of Jade Green and tribal, dance floor and soulful beats and melodies of Xavier bring the listener into a multicultural, mixed, gender fluid, soul celebration of life and an honest indictment of the racist, homophobic, and sexist world they are navigating through to survive. Listen carefully to these young music makers, they are wise beyond their years. They sound beautiful and speak the truth to power. They are beautiful. They are The Black Creatures.” Charlotte Street Foundation announced that the recipients of the 2022 Generative Performing Artist Awards are The Black Creatures and Calvin Arsenia Scott. Jade and Xavier completed performances in the world premiere of Christian A. Walker’s “What Came With Spring” for the Owen/Cox Dance Group October 7, 8, and 9 at City Stage Theatre, Union Station, 30 W Pershing Rd, KCMO ]

    The Black Creatures Discography
    The Black Creatures “Mouth 2 Mouth” – Single, June 5, 2016.
    The Black Creatures released their debut album, See No Evil, Dec. 6, 2017.
    The Black Creatures “Elements” – Single, February 14, 2018
    The Black Creatures “Silver Tears” – Single, June 19, 2018 w/ additional voices from: AniMal (Ana Marcela Maldonado Morales) , Barbara Solomon , Kassidee, Quaranta , Adres Va Cortas
    The Black Creatures “Dare” (Gorillaz Cover)” – Single, August 8, 2019
    The Black Creature – Wild Echoes – September 30, 2019
    The Black Creatures – “Turn” – Single, October 30, 2019
    The Black Creatures – “Quartz (Twilight)” – Single, November 13, 2019
    The Black Creatures – “SHINE” – Single, December 11, 2019
    The Black Creatures- “Ghost Bustin’ Dead Prezidentz” – Single, January 8, 2020
    The Black Creatures – “To Whom It May Concern” – Single, January 22, 2020
    The Black Creatures – “Arcade Love” – Single, February 5, 2020
    The Black Creatures – “Run Up” – Single, February 19, 2020.
    The Black Creature – Wild Echoes – September 30, 2019
    The Black Creatures – “wretched (it goes)”- Single [Center Cut], July 17, 2020 [remastered]
    The Black Creature – Wild Echoes – Album (Remastered] August 28, 2020 [Center Cut]
    The Black Creatures – “Negative Zero” – Single/Video [Center Cut]
    The Black Creatures – “FRIENDS” – Single/Video [Center Cut]
    The Black Creatures – BY THY HAND – album August 12, 2022
  1. serpentwithfeet, Ambré, & Alex Isley – “Fellowship (Remix) ft. Ambré & Alex Isley (feat. Ambré & Alex Isley)”
    from: DEACON’S Grove – EP / Secretly Canadian / November 5, 2021
    [Jonathan Josiah Wise was born July 9, 1988 and is known as serpentwithfeet, is an R&B singer based in Brooklyn, NYC. Wise signed with the English record label Tri Angle to release his debut EP, Blisters (2016). He entered a joint venture with Secretly Canadian to release his debut studio album, soil (2018), which was met with critical acclaim. His second EP, Apparition (2020), and his second and third albums, Deacon (2021) and Grip (2024), were each met with continued critical praise. // Wise was raised in Baltimore, Maryland. He grew up in a religious family; his father owned a Christian bookstore and his mother was a choir director. Wise joined the church choir as a child and grew up with classical and gospel music as a primary influence. // When he was 11 years old his mother asked him if he wanted to audition for the Maryland State Boychoir and, ignoring his refusal, she signed him up anyway and he ended up loving it. This was his introduction to classical vocal music. He realized from this experience that there was a lack of diversity in the choir and there was “not much room for the black voice.” // He attended high school at Baltimore City College, a school for gifted and talented students that was known for their internationally competitive choir. At the age of 14, he competed in choir competitions with his school choir in Europe and won trophies. He said in an interview with Loud and Quiet: “It was all black kids, but our repertoire was predominantly classical. And that blew my mind.” After this, Wise decided that he wanted to become a world-class performer and he started taking vocal lessons to become a classically trained opera singer. // He later moved to Philadelphia, where he attended the University of the Arts. Although Wise was initially interested in becoming a classical opera singer, he was rejected from conservatories he applied to. // After leaving the University of the Arts, Wise spent time in Paris and in Philadelphia’s neo-soul scene. However, his voice was seen as closer in tone to opera than to his peers in neo-soul. Wise then moved to New York, where he released his first single “Curiosity of Other Men” in 2014. // The song led to Wise’s eventual signing with Tri Angle in 2015 and the release of Wise’s debut EP, Blisters, in 2016. The EP featured production from the Haxan Cloak, who has worked with artists including Björk and the Body. Blisters debuted to extremely positive reviews from critics. // Wise began work on his debut studio album Soil in 2017 with producers including Clams Casino, Katie Gately, and Adele collaborator Paul Epworth. The album was released on June 8, 2018, to positive reviews from critics.AllMusic observed that serpentwithfeet brought avant-garde elements into his usual mix of R&B, gospel and classical sounds to create a sense of aching sadness. // In 2017, Wise went on tour with the band Grizzly Bear as their opener. On the Brockhampton album Iridescence (2018), Serpent-withfeet features on the song “Tonya”, which was first performed live on The Tonight Show Starring Jimmy Fallon. He appeared on a remix of Björk’s “Blissing Me” (2017), and performed in concert with Björk on her 2019 Cornucopia tour. In 2019, he also served as the opening act in selected dates of Rosalía’s El Mal Querer Tour. // On June 26, 2019, he released a song “Receipts”, which featured Ty Dolla Sign. In 2020, Wise was featured in a track titled “Start” in Ellie Goulding’s fourth studio album Brightest Blue, and collaborated with Ty Dolla Sign again by singing background vocals and writing on Ty Dolla Sign’s song “Ego Death”, a collaborative track with Kanye West, FKA Twigs, and Skrillex, and additionally appeared on an interlude on Ty Dolla Sign’s 2020 album, Featuring Ty Dolla Sign. // He also announced his upcoming EP Apparition, via Secretly Canadian. Apparition was released on April 29, 2020. Made up of three songs, it includes the single “A Comma”, “This Hill”, and “Psychic”. // On January 8, 2021, he was featured in Virgil Abloh’s single titled “Delicate Limbs”. // In January 2021, Serpentwithfeet announced his second studio album Deacon, and release the lead single “Fellowship”, co-produced with Sampha and Lil Silva. The album released on March 26. In August 2022, Serpentwithfeet released “On Air”, a collaboration with Moby, released on the Always Centered at Night label. On September 30, 2022, he was featured on “Fungal City”, one of the songs on Björk’s album Fossora, marking their second collaboration. //Wise is gay and from a young age used gospel music to express his sexuality.]
  1. Kelela – “LMK”
    from: Take Me Apart / Warp Records / October 6, 2017
    [Kelela Mizanekristos (Amharic: ከለላ ሚዛነክርስቶስ, käläla mizanäkərəsətosə, [kələla mizanəkrɨstos]) was born June 4, 1983. She is an American singer. She made her debut in the music industry with the release of her 2013 mixtape Cut 4 Me. In 2015, she released Hallucinogen, an EP which deals with the beginning, middle, and end of a relationship in reverse chronological order. Her debut studio album, Take Me Apart, was released in 2017 to critical acclaim. After a nearly 5-year hiatus, Kelela released her second album, Raven, in February of 2023. // A second-generation Ethiopian American and an only child, Mizanekristos was born in Washington, D.C., on June 4, 1983. Growing up in Gaithersburg, Maryland, she learned to play the violin in fourth grade and sang in her school’s choir. In 2001, she graduated from Magruder High School. After transferring from Montgomery College to the American University, Mizanekristos began singing jazz standards at cafés. In 2008, she joined an indie band called Dizzy Spells and sang progressive metal after meeting Tosin Abasi, whom she later dated. In 2010, she moved to Los Angeles, where she currently lives, in addition to London. // In November 2012, Mizanekristos began work on her debut mixtape with already two recorded songs. She later quit her job as a telemarketer to fully pursue her career as a musician. Having moved to Los Angeles, Mizanekristos connected with Teengirl Fantasy and contributed to the group’s 2013 album Tracer on the song “EFX”, which led her to meet Prince William from the label Fade to Mind. He introduced her to the sound of the record label and its sister imprint from London, Night Slugs. In May 2013, she appeared on Kingdom’s “Bank Head”, and five months later released her mixtape Cut 4 Me for free. Harriet Gisbone of The Guardian described the mixtape as “an experiment for the production team, the first time the production crew had used vocals on their club tracks.” Her track “Go All Night” was included on Saint Heron, a multi-artist compilation album released by Solange Knowles. The mixtape was heavily influenced by grime music, a popular electronic genre based in the UK, and helped revive the subgenre known as rhythm & grime. // In December 2013, DJ Kitty Cash released her Love the Free mixtape, which featured her song “The High”. Mizanekristos later released the track herself on February 4, 2014, on her SoundCloud.She also featured on Bok Bok’s song “Melba’s Call”, which was released on March 5. On March 3, 2015, Mizanekristos announced the release of her first EP, Hallucinogen, alongside the release of the lead single, “A Message”, and its accompanying music video. The second single, “Rewind”, was released on September 2. The EP covers the beginning, middle, and end of a relationship in reverse chronological order, and includes the previously shared “The High”. // In 2016, Mizanekristos was featured on “A Breath Away” from Clams Casino’s 32 Levels, “From the Ground” from Danny Brown’s Atrocity Exhibition, and “Scales” from Solange’s A Seat at the Table. In February 2017, she took part in Red Bull Sound Select’s 3 Days in Miami. Later that year, she was featured on the track “Submission” alongside rapper Danny Brown and provided additional vocals on the track “Busted and Blue” from Gorillaz’s album Humanz. // On July 14, 2017, Mizanekristos announced her debut studio album, Take Me Apart. It was made available for pre-order on August 1 alongside the release of the lead single, “LMK”. Three more singles preceded the album, “Frontline”, “Waitin” and “Blue Light”, before it was released on October 6, 2017. The album received widespread acclaim from music critics and featured on various year-end lists. It was also included in the 2018 edition of the book 1001 Albums You Must Hear Before You Die. The music critic Craig Jenkins noted heavy electronic instrumentation on the album with “deconstructed dubstep wubs in ‘Blue Light’ and used the Roland synth that gave ‘Jupiter’ its name—an instrument famous for its blaring leads—to play sultry chiptune instead.” // On June 13, 2018, Mizanekristos was featured on the Girl Unit remix of the song “WYWD”, which served as the lead single from his upcoming album, Song Feel. The two have previously worked together on Cut 4 Me’s “Floor Show” and Hallucinogen’s “Rewind”. // On September 12, 2018, Mizanekristos announced Take Me a_Part, the Remixes, a remix album consisting of remixes from her debut album, and shared a remix for “LMK” featuring Princess Nokia, Junglepussy, Cupcakke and Ms. Boogie. The album features contributions from Kaytranada, Rare Essence, Serpentwithfeet and others. On September 26, Mizanekristos shared Kaytranada’s “Waitin” remix as the second single from the album. The album was released on October 5, 2018, making it a year since the release of Take Me Apart. // On September 13, 2022, Mizanekristos released “Washed Away”, her first single in five years along with a music video. On November 15, 2022, Mizanekristos announced her second studio album, Raven, would be released in early 2023. “Happy Ending”, “On the Run”, “Contact”, and “Enough for Love” were also released as singles prior to the release of the album. // On February 10, 2023, Raven was released. She performed “Enough for Love” on The Tonight Show Starring Jimmy Fallon the same day. // Raven includes collaborators such as Asmara from Fade to Mind’s NGUZUNGUZU, Philadelphia-based DJ and producer LSDXOXO, German ambient duo OCA, and Toronto DJ BAMBII. The album showcases Black futurist art and electronic music sharing inspiration with Stevie Wonder, Herbie Hancock, and Sun Ra to Janelle Monáe, Solange, Beyoncé, Drexciya and Aaliyah. // On November 10, 2023, Mizanekristos was featured on PinkPantheress’ debut album, Heaven Knows, on the song “Bury Me”. // On December 6, 2023, Mizanekristos announced the release of her second remix album Rave:N, the Remixes, a compilation of remixes from her album Raven released earlier that year. The album was released on February 9, 2024. “Contact (Karen Nyame KG Remix)”, “Closure (Flexulant x BAMBII Remix feat. RahRah Gabor & Brazy)”, “Happy Ending (A.G. Remix)”, and “Holier (JD. Reid Remix) [feat. Shygirl]” were singles leading up to the release of Rave:N, the Remixes. A music video was released for “Closure (Flexulant x BAMBII Remix feat. RahRah Gabor & Brazy)” along with vignettes for the other singles. // Kelela openly identifies as queer. In 2020, the artist made a reading primer that contained essays and literature, podcasts and videos, and documentaries as reference material for her friends, family and business partners. Resources included Reader on Misogynoir by Kandis Williams, The will to change by bell hooks and Algorithms of Oppression by Safiya Umoja Noble; the Seeing White podcast and IGTV videos from Sonya Renee Taylor about Black labour called Are you stealing from Black folks? and More on Stealing from Black People: Right Relationship Beyond Capitalism; and The Last Angel of History (1996), which features interviews from the late Octavia E Butler and Greg Tate. The material inspired similar primers created and shared during the George Floyd protests and uprisings in 2020.]
  1. KeiyaA – “Do Yourself a Favor”
    from: Forever, Ya Girl / Forever Recordings / March 27, 2020
    [This album was part of WMM’s 120 Best recordings of 2020. The debut album from KeiyaA originally from Chicago, now based in NYC. Written and produced by keiyaA, featuring additional production from dj blackpower & dj cowriiie. Mixed & mastered by BSTFRND. // Chakeiya Camille Richmond was born July 28, 1992. She is known professionally as Keiyaa (stylized as KeiyaA), is an American singer-songwriter, multi-instrumentalist, and a record producer. She independently released her debut album Forever, Ya Girl in 2020. // Chakeiya Camille Richmond was born and raised in Chicago on the city’s south side. During childhood she sang in the Chicago Children’s Choir until switching to the alto saxophone in seventh grade. She cited soul artists including Chaka Khan, Patrice Rushen, jazz musicians like John Coltrane and Miles Davis and R&B groups such as SWV as early musical influences. She also finds inspiration in goth and post-punk/alternative rock artists like Nirvana and Siouxsie and the Banshees. // Richmond attended University of Illinois at Chicago and Columbia College to study jazz and play alto sax before leaving due to disillusionment with the program’s hierarchical nature, as well difficulty balancing school with working full-time. Shortly after she decided to pursue music professionally. // While still playing and performing on alto sax, she collaborated with Chicago musicians including Noname and Vic Mensa. She decided to switch her focus to solo work producing and singing R&B and electronic music. Perform-ing under the name Keiya, she released her debut EP, WORK, in July 2015. It was described as “emotional, sleepy, and yet strikingly optimistic” by These Days magazine. Shortly after its release she moved to New York. She added an additional “A” to her name (KeiyaA) in order to differentiate herself from other performers on streaming sites. // KeiyaA’s debut album Forever, Ya Girl was released in March 2020 and self-produced under her personal label Forever Recordings. It was reviewed by Olivia Ovendon for KEXP as featuring “powerful mantra-esque lyrics, and woozy, heady, immersive beats in captivating fashion.” Esquire described the sound as “downcast grime and smooth R&B.” Pitchfork writer Clare Lobenfeld rated the album an 8.2/10 and praised its “resolute realness that can only happen outside the major label gaze.” Forever, Ya Girl was named to Pitchfork, Rolling Stone, and The Guardian’s “Best Albums of 2020” lists. // She performed an NPR Tiny Desk concert at her home on February 11, 2021. // Keiyaa resides in Brooklyn.]
  1. Amaarae – “Sex, Violence, Suicide”
    from: Fountain Baby / Golden Angel LLC – Interscope / June 9, 2023
    [Ama Serwah Genfi was born July 4, 1994. She is formerly known as Petrah and currently known as Amaarae, an American-Ghanaian singer & songwriter. She is known for her fusion of pop, R&B, afrobeats, and alté, as well as her fluid representation of gender and sexuality. After collaborating with local artists and putting out a few singles, she released her debut EP, Passionfruit Summers, in 2017. // In 2020, Amaarae released her debut album The Angel You Don’t Know to critical acclaim. The song “Sad Girlz Luv Money” featuring Moliy gained popularity on TikTok. In 2021 the song was remixed with a feature from Kali Uchis and charted globally. Pitchfork labeled the album “Best New Music” and named it the 19th best album of 2020. // On June 9, 2023, she released her highly anticipated second album Fountain Baby to rave reviews. // Amaarae was born in the Bronx, New York to Ama Bawuah and Kwadwo Boateng Genfi and was raised between Atlanta, United States and Accra, Ghana. She is the eldest of two children. Amaarae wrote her first song at the age of 13. During her teenage years, she enjoyed watching music videos and said that one of her most vivid memories was watching the music video for the Kelis song “Young, Fresh n’ New”. She recalls Kelis’ unique expression being an inspiration for her. // During high school, she started making mixtapes. By the age of 17, she took up an internship at a music studio. At a tertiary institution, she undertook voice training and honed her songwrit-ing skills while studying English literature. She returned to Ghana in June 2017. // Amaarae released her debut project Passionfruit Summers in 2017. The album features the song “Fluid”, which was complemented by a music video. // Amaarae was named one of Apple Music Africa’s Favourite New Artists in April 2018 and later that year became an Apple Music Beats 1 featured artist[16] for her debut project Passionfruit Summers which she released through her independent record label, Golden Child LLC on November 30, 2017. In Nov. 2018 she performed with Teni, BOJ and Odunsi (The Engine) at ART X Lagos, an art fair in Lagos, Nigeria. // Amaarae has also been acknowledged for her style and fashion sense. In 2018, she was featured in Vogue online in an article on four women across the globe with buzz haircuts and was mentioned as one of Vogue online’s Top 100 Style Influencers of 2018. She was nominated as Artist of the Year at the Glitz Style Awards in Ghana. She has also patronized Ghanaian fashion brand Free The Youth. On March 23, 2019, Amaarae was chosen to perform at the first Boiler Room event in Accra alongside La Meme Gang (A Collective comprising Nxwrth, RJZ, KwakuBS, Darkovibes, Kiddblack and $pacely) and rapper Kwesi Arthur. // Amaarae has since collaborated with Stonebwoy, Kojey Radical, M3NSA, Santi, Blaqbonez, Buju, Odunsi, B4bonah. In 2019, she collaborated with the Nigerian singer-songwriter Wande Coal. // On Nov. 12, 2020, Amaarae released her debut studio album, The Angel You Don’t Know. Owen Myers of Pitchfork wrote that it “crackles with innovation, a pacesetter at a time when industry bigwigs are waking up to the long-held truth that Africa is setting the global tempo for pop music.” // In May 2022, Amaarae, with Black Sherif, Stonebwoy and Smallgod met Kendrick Lamar when he visited Ghana and held a album listening party in Accra for his album, Mr. Morale & The Big Steppers. // On June 9, 2023, she released her 2nd album Fountain Baby. The release also came with the news that she’d become the first Ghanaian to appear on NPR Tiny Desk.] 

11:00 – Station ID

  1. Bikini Kill – “Rebel Girl”
    from: The Singles / Bikini Kill Records / June 23, 1998
    [Bikini Kill is an American punk rock band formed in Olympia, Washington, in October 1990. The group originally consisted of singer and songwriter Kathleen Hanna, guitarist Billy Karren, bassist Kathi Wilcox, and drummer Tobi Vail. // The band pioneered the riot grrrl movement, with feminist lyrics and fiery performances. Their music is characteristically abrasive and hardcore-influenced. // After two full-length albums, several EPs and two compilations, they disbanded in 1997. The band reunited for tours in 2019 and 2022, with Erica Dawn Lyle on guitar in place of Karren. // Bikini Kill formed in Olympia, Washington, in October 1990, by Kathleen Hanna (vocals), Billy Karren (guitar), Kathi Wilcox (bass), and Tobi Vail (drums). Hanna, Vail, and Wilcox met while attending The Evergreen State College in Washington. Hanna also published a fanzine called Bikini Kill for their first tours in 1991. The band wrote songs together and encouraged a female-centric environment at their shows, urging women to come to the front of the stage and handing out lyric sheets to them. Hanna would also dive into the crowd to personally remove male hecklers. Such male concertgoers would often verbally and physically assault Hanna during shows when the tickets were still inexpensive and easily procured. However, the band’s reach included large male audiences as well as young women. // Fellow riot grrrl musician Lois Maffeo originally adopted Bikini Kill as a band name, inspired by the 1967 B-movie The Million Eyes of Sumuru. She and her friend Margaret Doherty used the name for a one-off performance in the late 1980s where they donned faux fur punk cave girl costumes. Vail liked the name and appropriated it after Maffeo settled on the band name Cradle Robbers. // After an independent demo cassette, Revolution Girl Style Now, Bikini Kill released the Bikini Kill EP on the indie label Kill Rock Stars. Produced by Ian MacKaye of Minor Threat and Fugazi, the released help establish the band’s audience. The band’s debut album, Pussy Whipped, was released in September 1993. Bikini Kill toured in London, England to begin working with Huggy Bear, releasing a split album, Our Troubled Youth / Yeah Yeah Yeah Yeah, and touring the UK. The tour was the subject of a documentary film by Lucy Thane titled It Changed My Life: Bikini Kill in the U.K. Upon their return to the United States, the band began working with Joan Jett of the Runaways, whose music Hanna described as an early example of the Riot Grrrl aesthetic. Jett produced the single “New Radio”/”Rebel Girl” for the band, and Hanna co-wrote several songs on Jett’s Pure and Simple album. // By the following year, Riot Grrrl was receiving constant attention in the media, and Bikini Kill were increasingly referred to as pioneers of the movement. Hanna called for a “media blackout” amongst Riot Grrrls, as they felt the band and the movement were being misrepresented by the media. The pioneer reputation endures but, as Hanna recalls, “[Bikini Kill was] very vilified during the ’90s by so many people, and hated by so many people, and I think that that’s been kind of written out of the history. People were throwing chains at our heads – people hated us – and it was really, really hard to be in that band.” // The band’s final album, Reject All American, was released in 1996. After the band’s breakup in 1997, a compilation of singles recorded between 1993 and 1995 was released in 1998 under the name The Singles. // During the summer of 1992, Karren, Wilcox, and Vail, along with Molly Neuman of Bratmobile, formed The Frumpies, touring as late as the early 2000s along with a similar Italian punk rock band Dada Swing. // Vail, notorious for her numerous side projects and being in several bands at a time, later resurfaced in a band called Spider and the Webs, and played with the Old Haunts until the band broke up in 2009. Kathi Wilcox played in the Casual Dots, who released albums in 2004 and 2022, and Billy Karren played in Ghost Mom. Hanna first contributed to an LP called Real Fiction as a member of the Fakes, and then turned to more dance-based new wave music (with similar feminist lyrical themes) on her solo debut, Julie Ruin. She then became a member of the political new wave outfit Le Tigre. After Le Tigre broke up, Hanna became the front woman of a band named after her solo project, The Julie Ruin, for which Wilcox plays bass. // In February 2016, a pro-Hillary Clinton clip utilizing the Bikini Kill song “Rebel Girl” began to go viral, but was taken down by Vail (who supported Bernie Sanders in the primary). // In 2017, Kathleen Hanna, Kathi Wilcox and Tobi Vail reunited to play one song at a book-release concert for Jenn Pelly’s book about the Raincoats. On January 15, 2019, Bikini Kill announced four U.S. shows, in New York and Los Angeles. The lineup for these shows included Hanna, Wilcox, Tobi Vail and touring guitarist Erica Dawn Lyle, who replaced Billy Karren in the lineup. The first show was April 25 at the Hollywood Palladium with Alice Bag as opener. In June the band played two European dates, in London at Brixton Academy, supported by Big Joanie, and with the Tuts and Child’s Pose opening. On September 15, they headlined the third day of the Riot Fest event in Chicago. /// On November 6, 2019, Bikini Kill announced a 13-date North American Tour for 2020, beginning in Olympia, Washington. The lineup for these shows was the same for the previous dates in 2019, and was scheduled to start March 13, 2020 at Olympia’s Capitol Theater. The remainder of the West Coast tour included shows in Victoria, B.C., where they were to be supported by Mecca Normal, and in Portland supported by the Lithics. The tour also included some European dates in June & August, including Oslo’s Øya Festival. The tour was rescheduled to 2022 in the wake of the COVID-19 pandemic. // In Oct. 2022 the band announced an Australian tour for March 2023, their first Australian shows in 26 years, touring to Hobart, Brisbane, Adelaide, Melbourne, the Golden Plains Festival in country Victoria, Perth and at the Sydney Opera House. Hanna, Wilcox and Vail were joined by touring guitarist Sara Landeau, who played with both Hanna and Wilcox in The Julie Ruin. Vail also fell ill for part of the tour, leaving the band’s Australian drum tech Lauren Hammel (also of Tropical Fuck Storm) to fill in on drums for the Victorian shows. // Early in 2020, in an interview with Pitchfork, Hanna stated that the band had no plans at the time to create new material. // Current members: Kathleen Hanna – lead vocals, bass, Tobi Vail – drums, occasional lead vocals; and Kathi Wilcox – bass guitar, backing vocals, guitar, occasional drums.]
  1. Death – “Politicians In My Eyes” 
    from: …For The Whole World To See / Drag City Records / February 17, 2009  
    […For the Whole World to See is a studio album by the Detroit band Death, released in 2009 and consisting of various demos originally recorded in the mid 1970s. // In 1975 the band entered a studio to record a 12-song album. After refusing to change their group’s name, Death was turned away by Clive Davis of Columbia Records. Only seven songs were completed and the album was never released. The surviving songs were released as …For the Whole World to See in 2009 by Drag City. // Just prior to and right after the record’s release, the songs on …For the Whole World to See were performed live by Rough Francis, a band formed by the three sons of Death’s original bassist. With the record’s critical acclaim and praise from many other musicians, the two surviving members of Death reformed the band with a new guitarist to promote the record themselves. // Death is an American musical group formed in Detroit, Michigan, in 1971 by brothers Bobby (bass, vocals), David (March 19, 1952 – October 9, 2000) (guitar), and Dannis Hackney (drums, percussion). // The trio initially started as a funk group but quickly switched their style to rock after seeing concerts by the Who and Alice Cooper. Music critic Peter Margasak retrospectively wrote that David “pushed the group in a hard-rock direction that presaged punk, and while this certainly didn’t help them find a following in the mid-70s, today it makes them look like visionaries” – David himself having been called “the visionary of the group”. Publications such as Gawker have named them as one of the first punk rock bands. The band broke up in 1977, but unexpected interest in their music resulted in independent record label Drag City releasing their unreleased recordings from 1975 in 2009, and the band reforming. // In 1964, the three young Hackney brothers (David, Bobby and Dannis) watched the Beatles’ first appearance on The Ed Sullivan Show with their father. The following day, David found a discarded guitar in an alley and used it to start learning to play. Brothers Bobby and Dannis soon followed suit and they began playing music together. Later, the young trio purchased the best instruments that they could afford with the money that their mother won in a car accident settlement. // The brothers practiced and recorded early demos in a room in the family home and performed their earliest gigs from their garage. Forming in 1971 and originally calling themselves Rock Fire Funk Express, guitarist David convinced his brothers to change the band’s name to Death in 1973 after their father died in an accident. David wanted to change the meaning of the word: “His concept was spinning death from the negative to the positive. It was a hard sell”, Bobby Hackney recalled in 2010. The name distinguished them from other all-black bands; their musical style, an innovation on an already evident musical approach in Detroit, further demarcated Death, “no doubt” the first all-black punk band. // On February 18, 1975, Death recorded seven songs written by David and Bobby at Detroit’s United Sound Studios with engineer Jim Vitti. According to the Hackney family, Columbia Records president Clive Davis funded the recording sessions but implored the band to change its name to something more commercially palatable. When the Hackneys refused, Davis ceased his support. Bobby and Dannis were tentative about this decision, ultimately prioritizing the brotherly relationship. The band only recorded seven songs instead of the planned dozen. The following year they self-released a single taken from these sessions on their label Tryangle Records. The single “Politicians in My Eyes” b/w “Keep On Knocking” saw a run of only 500 copies. // The Hackney brothers ended the band in 1977. The brothers then moved to Burlington, Vermont, and released two albums of gospel rock as The 4th Movement in the early 1980s. David moved back to Detroit in 1982 and died of lung cancer in 2000. Bobby & Dannis still reside in Vermont and lead the reggae band Lambsbread. Dannis is currently the drummer for the Vermont-based rock/funk band The Aerolites. // Copies of the “Politicians in My Eyes” 7″, and the story of Death continued to circulate in collector’s circles, with some copies selling for $800 due to their extreme rarity; one source of them was Don Schwenk, a friend of the Hackneys who was originally commissioned to create the album art for the upcoming LP, and was given a box of the singles in exchange. MP3s of the two songs from the single eventually found their way to Chunklet in 2008; around this time Bobby Hackney’s son Julian moved to California and heard the Death songs after a recommendation of a roommate and immediately recognized his father’s voice. Once the news of the discovery and the story of Death began to spread, it eventually reached Drag City Records, who contacted the Hackneys about the possible release of the album, who provided the label with the original master tape: In 2009, Drag City released all seven Death songs from their 1975 United Sound sessions on CD and LP under the title …For the Whole World to See. // In the meantime, the sons of Bobby Hackney (Julian, Urian, & Bobby Jr.), wanting to get the word out more, started a band called Rough Francis (named after a nickname occasionally used by their uncle David), covering the songs of Death after discovering the old recordings online. A March 2009 article in The New York Times by Mike Rubin, covering one of Rough Francis’ live shows and the history of Death introduced the band to an even wider audience. The popularity eventually reached Mickey Leigh, who invited both bands to play Joey Ramone’s birthday party. In September 2009, a reformed Death played three shows with original members Bobby and Dannis Hackney, with Lambsbread guitarist Bobbie Duncan taking the place of the late David Hackney. During a 2010 performance at the Boomslang Festival in Lexington, Kentucky, the band announced that Drag City would release a new album with demos and rough cuts that predate the 1975 sessions. The album Spiritual • Mental • Physical was released in January 2011. In 2014, Death released their third studio album III, and in 2015 their most recent record, entitled N.E.W. was released. // David was integral to the band’s style, that of mysticism and “eccentric spirituality”. // Members: Bobby Hackney, Sr. on vocals, bass (1964–1977, 2009–present); Dannis Hackney on drums (1964–1977, 2009–present); Julian Hackney on guitar (2023–present); Urian Hackney on guitar (2023–present). Past members: David Hackney on guitars (1964–1977, died 2000) and Bobbie Duncan – on guitars (2009–2023).]
  1. Sweeping Promises – “Cross Me Out”
    from: Hunger for a Way Out / Feel It Records / August 14, 2020
    [“For more than a half century, underground music revolutionaries have taken a whack at the mundane mainstream like a piñata. England punks spat “NO FUTURE” at germ-free adolescents. Ohio new wavers devolutionized mankind with whips. Athens art school students chomped at hero worship. MetroCard-carrying riot grrrls rebirthed the bomp with a gasoline gut. In 2020, Sweeping Promises read our pandemic minds with Hunger for a Way Out. In 2023, they return with a new message: Good Living Is Coming For You. At first glance, this nouveau wave slogan offers hope wrapped around relief. At first listen, we realize this may actually be a warning. Darker still, a threat. // A band famous for their unfussy, monolithic anthems, Sweeping Promises elegantly ravage us again with another future classic. They return as a fist of velvet rose petals roaring inside a compact wrecking ball. Gone is the Boston brutalist ambience of their subterranean concrete laboratory and the revelatory single mic recording technique. In its place, a retired and resplendent nude painting studio in Lawrence, Kansas, bathed in light with high ceilings and hardwood floors. Guided once again by their surrounding architecture, a reverb-rich space remains the defining element at the heart of their highly stylized sound. A watery ghost from the golden age of art-punk now wields sharper knives and more microphones. // If the mood of HFAWO was hungry, GLICFY is RAVENOUS. In 2023, appetite is addressed in new ways: Power struggles are aired in “Eraser,” restraints are broken in “You Shatter,” anguished exclamations sting in “Good Living Is Coming for You.” The taboo subject of aging is (s)heroically dragged out into the open. Every line is delivered with such joyous, soaring layers that each punch lands like a chef’s kiss. // Sweeping Promises are Lira Mondal and Caufield Schnug. A chance meeting in Arkansas led to a decade of playing in an eclectic assortment of projects together. Their relentless practice made perfect. Bass playing Lira is an emotive bolt of thunderous energy with the iconic blast of a girl group rolled into one robust throat. Caufield is an intentional guitar player and drummer. No note or hit is extraneous. Together they are meticulous sound engineers, using space as a key ingredient to their distinct sound. Controlling every aspect of their craft, from the first note they write together, all the way through to the final mastering process, each record is an unspoiled fingerprint unique to their dynamic chemistry. // Written before the pandemic, Hunger for a Way Out was released on Feel It Records in the summer of 2020. These songs drip with the anxious urgency of a commanding live performance yet their gauzy production transports us like the fading memory of a favorite song. This distorted sense of time resonated with thousands of quarantined listeners who turned the album into a life-saving floatation device and most beloved album of the year. This is when Feel It Records (North America) and Sub Pop (everywhere else) joined forces to divide/unite and conquer; beginning with the 2021 single “Pain Without a Touch” and now carrying through to Good Living Is Coming For You. // The pandemic went on to trigger an absurd chain of events for Sweeping Promises. Under financial strain, Mondal and Schnug uprooted their lives. They surrendered their studio in Cambridge to take refuge with family in Texas. They completed over 50 demos between their Austin bathroom and a Marfa abode, but feeling unsatisfied, they sought another fresh start. When a disused church in Ohio proved too difficult to rehab, they ultimately found lasting inspiration in Kansas. With their home and studio all under one roof, life is music and music is life. //Good Living Is Coming For You ultimately reflects being thrust into a severely unpredictable world. A capsized boat isn’t entirely bad. In fact, it can be the necessary push toward finding solid ground.” -Tracy Wilson (Courtesy Desk). Sweeping Promises played Outer Reaches Fest, on Sat, October 14 at recordBar, On the Les BonsBons Electrique stage w/, Keo & Them, Static Phantoms.]
  1. Tierra Whack – “SHOWER SONG”
    from: WORLD WIDE WHACK / Interscope Records / March 15, 2024
    [Tierra Helena Whack was born August 11, 1995. She is an American rapper and singer. She originally performed as “Dizzle Dizz” as a teenager but reverted to her birth name in 2017. Her debut mixtape, Whack World, was released in May 2018 and received widespread critical acclaim. Her song “Mumbo Jumbo” was nominated at the 61st Annual Grammy Awards for Best Music Video. Whack has since collaborated with Beyoncé, Alicia Keys, Tyler, the Creator, Chief Keef, and Melanie Martinez. // Whack was born in 1995 and grew up living with two younger siblings and their mother in North Philadelphia. In a 2018 interview with The Fader, Whack mentioned that she and her father are estranged. She was an introverted child who wrote to help herself deal with insecurities. As a child, Whack loved the author Dr. Seuss to the extent that she would rhyme the sentences together in her homework assignments. // Whack pinpointed the exact moment when her love for rhyming began. She had to rhyme for a homework assignment for class and after receiving positive feedback, she continued with it. She later asked her mother for composition books to fill with rhymes and lyrics before she eventually started recording herself. // Whack attended The Arts Academy at Benjamin Rush in Philadelphia for three years before finishing high school in Atlanta. At Benjamin Rush, she was a vocal major and was one of the few black students in a predominantly white graduating class. With some difficulty, she and her friends persuaded their principal to let them perform the finale from Sister Act 2: Back in the Habit for the school vocal showcase; Whack performed a rap verse in the song. Later in Whack’s career, she toured with Lauryn Hill, who starred in the 1993 film. // At around fifteen, Whack who went by the moniker “Dizzle Dizz” appeared in a 2011 freestyle video produced by Philadelphia’s underground music collective We Run the Streets. Her mother drove past the group of men freestyling and encouraged her to join. She released several tracks as Dizzle Dizz including “Dizzy Rascvls”, but struggled with depression in the months afterwards. Despite being a teenager, Whack gained notoriety in the streets of Philadelphia as “Dizzle Dizz.”[14] Although she had growing fame, Whack grew bored. There was no way to make money in freestyling and no way to creatively grow. She claimed there was little experimentation and growth beyond battle rapping if she were to stay in Philadelphia. Her mother elected to move out of Philadelphia so Whack could finish school. After going to Atlanta with her mother, Whack began working at a Mister Car Wash allowing her to save for a Mac laptop and start recording her music. She was often the only woman working on the line at the car wash, and her former manager said she was a memorable person with an impressive drive, which Whack credits to her mother. // In Atlanta, Whack kept a low profile, having felt the effects of fame back home. She wanted to keep to herself to have a chance to solely focus on her music. By the time she returned to Philadelphia, she had a laptop full of two years’ worth of music, which she never ended up sharing with anyone. She left her family behind in Atlanta. During that time she was homeless for three months and hopped around staying at friends’ homes but refused to return to Atlanta. She believed staying in Philadelphia would be best for her music career. // By 2015, Whack was in Philadelphia and she reconnected with Kenete Simms, a sound engineer and music producer whom she knew from her teenage years. Whack credits Simms as being her collaborator. After she returned to working with Simms she learned how to properly mix her own music. Simms helped her use equipment in order to help her make music more easily. In 2017, she signed with Interscope Records; Johnny Montina is her manager. // In March 2017, Whack made her debut as Tierra Whack with three tracks, including “Toe Jam” and “Sh_ Happens”. In October 2017, she released “Mumbo Jumbo”, a hip-hop single and accompanying music video which featured the young rapper performing while wearing a mouth prop. Most of the lyrics to the track are purposefully unintelligible. She also toured with Flying Lotus in 2017. // Whack’s debut fifteen-track mixtape, Whack World, was released on May 30, 2018 and received a “Best New Music” accolade from Pitchfork. Critics praised the unusual format of the album—each song lasting precisely one minute. She released each short track on Instagram, each accompanied by a short film directed by Thibaut Duverneix and Mathieu Léger. The multimedia project received widespread critical acclaim. Robert Christgau gave the album an A-minus and reported in Vice that his wife, fellow critic Carola Dibbell, loved the video, saying, “it gave me reason for living”. // Often referred to as the “Missy Elliott” of this generation, Whack has gained a great amount of acclaim for the creativity and eccentricity of her music videos. The track “Mumbo Jumbo” received a nomination for Best Music Video for the 2019 Grammy Awards. In October 2018, Whack traveled to Tokyo for a long-term artistic sabbatical. // In an episode of Genius’ The Cosign series on YouTube in which current artists who have been in the industry have the opportunity to watch videos of newer artists, rapper Remy Ma chose to cosign Whack. Even though she mentioned seeing potential in each of the artists, Remy said, “I pick(ed) her because I feel like she brought the entire package as far as the song, the delivery, the vocals, and the actual visual. I feel like she did something that was super out of the ordinary, and I enjoyed it… I wanna watch it again.” In the episode of The Cosign, Whack’s music video for her single “Unemployed” was put in a group with music videos from other female MCs including Kash Doll, CupcakKe, Mulatto, Tay Money, and That Girl Lay Lay. // She has recorded as-yet-unreleased music with Meek Mill and Childish Gambino. In 2018, she toured with 6lack on his world tour, From East Atlanta with Love. Briana Younger, the writer for The Fader, wrote that “popular and mainstream rap hasn’t championed a darker-skinned woman since Missy Elliot…and Whack seems poised to be the one.” Whack acknowledged that women in the music industry often aren’t afforded the privilege to make art for art’s sake, but she refuses to let that inhibit her. Beginning February 19, 2019, Whack released one single per week for five weeks in a series she called “#whackhistorymonth.” These singles included “Only Child”, “Clones”, “Gloria”, “Wasteland”, and “Unemployed”. Whether these tracks will be released under a full-length album has not yet been revealed. Whack has said that she is not thinking about a timeline for a new album, saying “I’m not gonna drive myself crazy. I’m having fun creating what I’m creating.” Whack collaborated with Flying Lotus on the song “Yellow Belly” for his 2019 album Flamagra and she was later named as one of the members of XXL’s “2019 Freshman Class” on June 20, 2019. She appeared at many festivals in the 2019 festival season including Coachella, Primavera Sound, Lollapalooza, Outside Lands, Camp Flog Gnaw, Osheaga, and Austin City Limits. Her song “Unemployed” is featured in the football game FIFA 20. // Whack co-wrote and was featured in Melanie Martinez’s single “Copy Cat”, which was released on February 10, 2020. It marks the first time that Whack has worked in a professional capacity with Melanie Martinez.[29] In May 2020, Whack appeared alongside American rapper Lil Yachty on the song “T.D” which features rappers ASAP Rocky and Tyler, the Creator. The song was #84 on the Billboard Hot 100 and Whack’s first entry on the chart. She featured on the song “Me x 7” by Alicia Keys, taken from her seventh studio album, Alicia, in September 2020. Her 2017 single, “Mumbo Jumbo”, had an accompanying music video that garnered a Best Music Video nomination for the 2019 Grammy Awards. // In October 2020, Whack released her first solo single of the year titled “Dora”. In November 2020, she appeared in the 2020 Apple holiday commercial “The Magic of Mini” which featured the new singles, “Peppers and Onions” and “feel good” which were released coinciding with the introduction of the commercial. In April 2021, she released a single titled “Link”. The music video, created in partnership with the LEGO Group, had Whack sit with a group of schoolchildren as part of Lego’s “Rebuild the World” campaign, using their ideas as inspiration for the video. In December 2021, she released three EPs, Rap?, Pop? and R&B?. // March 15, 2024, Whack released her 2nd studio album “World Wide Whack” under Interscope Records, it received a 7.3 on the Pitchfork web site. In June 2024, she performed a Tiny Desk Concert featuring some songs from her new album; “Mood Swing”,”Accessible”, “Ms. Behave”, “Imaginary Friends”, “Moovies”, “27 Club” and “Shower Song” as well as earlier favorites: “Flea Market”, “Pretty Ugly”, and “Hungry Hippo”. The concert featured the mascot Phillie Phanatic as a proud supporter of her birth city quoting “anything Philly is all me”. // Whack’s beginnings in rap started with battle rapping and it is something she looks upon fondly. While she appreciates the foundation which it gave her for her music, she wanted to aim higher than just rap battles. Seeing artists such as Lauryn Hill, Andre 3000, and Eminem had inspired her to become a true artist. In doing so, she would be seen as something more serious than just a battle rapper. // Whack cites Outkast, Erykah Badu, Busta Rhymes, and Kelis as some of her musical influences. Whack claims there are many different things which inspire and motivate her and she wants to be able to portray those to her fans in her music. She credits Sesame Street and the children’s book No! David as some of her influences; that is clearly seen through her visuals from her album’s music video. Her inspirations come from everything, from her relationships to people to inanimate objects. Her single, “Only Child”, for example, was created after dating a man whose behavior she aligned with that of someone who grew up an only child. // Whack’s mother is often credited as one of if not the biggest inspirations for her music. She recalls her mother playing gangster rap during car rides. For her single “Unemployed”, her mother helped her create the key musical hook. // Whack has written poetry since she was a child. Writing was a way for her to deal with her shyness and insecurities. She is also an accomplished spoken word performer. // She lives in Philadelphia with her mother and her two siblings. She is still “Philly-based,” saying that Philadelphia is her home and where she feels grounded. She owns a cat, whom she named Starkey after the Whole Foods brand of sparkling water. She does not drink alcohol or smoke cigarettes. She is severely allergic to insects, a condition she satirizes in the music video for her 2018 track, “Bugs Life”.]
  1. Gloria Jones – “Tainted Love (Single Version)”
    from: Tainted Love: The Original Single / UMG / January 1, 1982 (Originally released in 1964)
    [“Tainted Love” is a song composed by Ed Cobb, formerly of American group the Four Preps, which was originally recorded by Gloria Jones in 1964. Renowned session musician and virtuoso guitarist Glen Campbell played lead guitar. A version by Impedance reached #14 on the Canadian Dance charts, April 14, 1990. // American artist Gloria Jones made the first recording of “Tainted Love” in 1964, with renowned session guitarist Glen Campbell on lead guitar. The song was written and produced by Ed Cobb and arranged by Lincoln Mayorga. It was the B-side of her 1965 single “My Bad Boy’s Comin’ Home”, which was a commercial flop, failing to chart in either the US or the UK. According to Nick Talevski, before Jones recorded the song, Cobb had offered it to the Standells, whom he managed and produced, but they rejected it. The Standells say that the song was never offered to them, and that they were not signed to Cobb’s company Greengrass Productions until 1966, some two years after Jones’s recording. // In 1973, British club DJ Richard Searling purchased a copy of the almost decade-old single while on a trip to the United States. The track’s Motown-influenced sound (featuring a fast tempo, horns, electric rhythm guitar and female backing vocals) fit in perfectly with the music favoured by those involved in the UK’s Northern soul club scene of the early 1970s, and Searling popularised the song at the Northern soul club Va Va’s in Bolton, and later, at Wigan Casino. // Owing to the new-found underground popularity of the song, Jones re-recorded “Tainted Love” in 1976 and released it as a single, but it also failed to chart. This version was released on her album Vixen and was produced by her boyfriend Marc Bolan. // It attained worldwide fame after being covered and reworked by British synth-pop duo Soft Cell in 1981 and has since been covered by numerous groups and artists. // In 2014, NME ranked it number 305 in their list of the 500 Greatest Songs of All Time.// Gloria Richetta Jones (born October 19, 1945) is an American singer and songwriter who first found success in the United Kingdom, being recognized there as “The Queen of Northern Soul”.She recorded the 1965 hit song “Tainted Love” and has worked in multiple genres as a Motown songwriter and recording artist, backing vocalist, and as a performer in musicals such as Hair. In the 1970s, she was a keyboardist and vocalist in Marc Bolan’s glam rock band T. Rex. She and Bolan were also in a committed romantic relationship and had a son together. // Jones first met Marc Bolan of T. Rex in 1969 while performing in Hair (Los Angeles cast). While touring in Europe, Bolan and Jones met for the second time at the Speakeasy in London. In 1972, she was recommended by Warner Brothers’ Bob Regehr to sing backing vocals behind T. Rex at Winterland in San Francisco. // Soon after joining T. Rex, Jones and Bolan became romantically involved. They had a son, Rolan Bolan (b. September 26, 1975). She sang backing vocals and played clavinet with T. Rex from 1973 to 1977. Her rendition of “(Sittin’ On) The Dock of the Bay” appears as a bonus track on T. Rex’s album Bolan’s Zip Gun. Jones released an album in 1976, called Vixen, which featured several songs written by Bolan, and he also was the producer for the album. // In 1977, Jones worked with the group Gonzalez, producing several of their singles, and also penning the disco hit, “Haven’t Stopped Dancing Yet” for the group. She toured the UK with Gonzalez, first on the Bob Marley tour, and then with Osibisa. // She was the driver of the car, a Mini 1275 GT, that struck a tree near Barnes Common, killing Bolan at 4:00am on September 16, 1977, on the way back to Bolan’s Richmond property. They had been returning from an evening at a restaurant in Mayfair where they had both been drinking wine. Jones was found by her brother Richard with her foot trapped beneath the clutch by the engine. Bolan was found unconscious in the passenger seat, which had been dislodged and landed in the rear of the vehicle. Jones was wearing a seat belt at the time of the crash. Bolan was not wearing a seat belt. Jones was conscious after the crash. Bolan, who was a passenger in the car that slammed into the tree, was pronounced dead at the scene on the arrival of paramedics. Jones survived the crash but was critically injured. She sustained a broken jaw in the crash. When she recovered sufficiently to leave hospital, she was informed that Bolan’s fans had looted most of their possessions from their house. She was later scheduled to appear in court in London on charges of being unfit to drive and of driving a car in a dangerous condition. However, she left the UK with her son and returned to the US before the court date so the Coroner’s Court recorded a verdict of accidental death. // Having lost her possessions, Jones moved with her son back to Los Angeles, where they stayed with Jones’s family. // In 1978, she released the album Windstorm, which she dedicated to the memory of Bolan: the back cover reads, “Special dedication in memory of my son’s father, Marc Bolan, whom we miss very much.” Her single “Bring on the Love” was a success on the American R&B chart. // Jones stayed in the music industry for several years after, releasing an album produced by Ed Cobb, titled Reunited in 1981. She also collaborated again with Billy Preston and other Cogic Singers for a 1984 reunion album The Cogic’s. She has since worked as a musical supervisor for films. // On her 1982 album Reunited, she was proclaimed “Northern Queen of Soul”. // In 2010, together with her son Rolan, she established the Marc Bolan School of Music & Film in Makeni, Sierra Leone. / She is featured in the film 20 Feet from Stadium.]
  1. Lilblackkids, Georgia Anne Muldrow & Keith Rice – “The Wait” \
    from: Planet Of The Blues: Part Two / Epistrophik Peach Sound / October 22, 2023
    [Following their release of the original “Planet Of The Blues” EP in early 2022, Singer, Producer “Georgia Anne Muldrow” and Producer,Songwriter, Instumentalist “Keith Rice” collaborate again as “LilBLACKKIDS” for their Sequel EP “Planet Of The Blues Part Two” now available on dsps.]
  1. Los Rakas & Big Klef – “Candela”
    from: “Candela” – Single / WSAMG / August 26, 2022
    [Los Rakas was born in the youth centers of Oakland, CA in 2006. This duo are of Panamanian descent and raised in both cultures. Los Rakas are known for rocking any party – from youth events to world wide festivals, they hype the crowd and get the party all the way live! What is a raka? a person who is proud of who they are. ore info at: losrakas.com]
  1. AKU – “FALASTINI PIANO”
    from: “FALASTINI PIANO” – Single / Records DK / January 12, 2024

11:34 – Underwriting

  1. The Roots – “Somebody’s Gotta Do It (feat. Jean Grae)”
    from: The Tipping Point / Geffen Records / January 1, 2004
    [The Roots are an American hip hop band formed in 1987 by singer Tariq “Black Thought” Trotter and drummer Ahmir “Questlove” Thompson in Philadelphia, Pennsylvania. The Roots serve as the house band on NBC’s The Tonight Show Starring Jimmy Fallon, having served in the same role on Late Night with Jimmy Fallon from 2009 to 2014. Current regular members of The Roots on The Tonight Show are Captain Kirk Douglas (guitar), Mark Kelley (bass), James Poyser (keyboards), Ian Hendrickson-Smith (saxophone), Damon “Tuba Gooding Jr.” Bryson (sousaphone), Stro Elliot (keyboards and drums), Dave Guy (trumpet), Kamal Gray (keyboards), and Raymond Angry (keyboards). // The Roots are known for a jazzy and eclectic approach to hip hop featuring live musical instruments and the group’s work has consistently been met with critical acclaim. ThoughtCo ranked the band #7 on its list of the 25 Best Hip-Hop Groups of All-Time, calling them “Hip-hop’s first legitimate band.” // In addition to the band’s music, several members of the Roots are involved in side projects, including record production, acting, and regularly serving as guests on other musicians’ albums and live shows. // Black Thought with the Roots in 1999: “The Roots originated in Philadelphia with Ahmir “Questlove” Thompson and Tariq “Black Thought” Trotter while they were both attending the Philadelphia High School for the Creative and Performing Arts.] They would busk out on the street corners with Questlove playing bucket drums and Black Thought rapping over his rhythms. Their first organized gig was a talent show in 1989 at the school where they used the name Radio Activity, which began a series of name changes that progressed through Black to the Future and then The Square Roots. Another MC, Malik B., and a permanent bass player, Leonard “Hub” Hubbard, were added to the band before the release of their first album. In 1992, they dropped the “Square” from “Square Roots” because a local folk group had claim to the name.” // Unable to break through in their native Philadelphia, the band briefly moved to London, where they would release their 1993 debut, Organix. The album was released and sold independently. In the span of a year, the band developed a cult following in Europe, boosted by touring. The Roots would receive offers from music labels, and the band eventually signed with DGC/Geffen. // Several members, including longtime member Malik B., left the group. In December 2001, the Roots backed Jay-Z for his MTV Unplugged concert. With heightened popularity came mounting pressure. The Roots released Phrenology (named after the pseudoscience of the same name) in 2002. Despite not charting as high as Things Fall Apart, reaching a peak of No. 28 on the charts, Phrenology was commercially successful, being certified gold, and earning a Grammy nomination for Best Rap Album. At the time, however, there came rumors that the Roots were losing interest in their signing with MCA. During this time, the band backed Jay-Z for his 2003 farewell concert in Madison Square Garden and appeared in the accompanying Fade to Black concert film. // After Phrenology, Ben Kenney and Scratch both left the group; Kenney joined the rock band Incubus. This culminated with the release of 2004’s The Tipping Point, the byproduct of several jam sessions. The album earned two more Grammy nominations: one for Best Urban/Alternative Performance for the track “Star/Pointro” and another for Best Rap Performance By A Duo Or Group for the track “Don’t Say Nuthin’.” The Tipping Point peaked at No. 4 on the Billboard album chart. In 2005, Home Grown! The Beginner’s Guide to Understanding the Roots, Volumes 1 & 2, a two-disc compilation album, was released. The Roots were among several performers on the 2006 film Dave Chappelle’s Block Party, whose event took place on September 18, 2004, and was released on film two years later.]
  1. Outkast – “In Due Time (with Cee-Lo) – Single”
    from: “”In Due Time” – Single / RCA Records / September 16, 1997
    [A single from the Soundtrack to Soul Food the soundtrack to the 1997 film of the same name. It was released on September 16, 1997, through LaFace Records and mainly consisted of R&B music with some hip hop music. The soundtrack was a success, peaking at number 4 on the Billboard 200 and number 1 on the Top R&B/Hip-Hop Albums chart and was certified double Multi-Platinum on February 17, 1998. Four singles charted on the Billboard Hot 100: “I Care ‘Bout You” , “What About Us?” by Total, “We’re Not Making Love No More” by Dru Hill, and “A Song for Mama” by Boyz II Men, the latter of which was a number 1 R&B single. The soundtrack was also noted for the fictional quintet group Milestone, consisting of K-Ci & JoJo (of Jodeci), Babyface and his brothers, Kevon and Melvin Edmonds (of After 7), who all came together once for their single and cameo appearance in the film. // Outkast (sometimes written as OutKast) was an American hip hop duo formed in Atlanta, Georgia, in 1992, consisting of Big Boi (Antwan Patton) and André 3000 (André Benjamin, formerly known as Dré). Widely regarded as one of the greatest and most influential hip hop acts of all time, the duo achieved both critical acclaim and commercial success from the mid-1990s to the early 2000s, helping to popularize Southern hip hop with their intricate lyricism, memorable melodies, and positive themes, while experimenting with a diverse range of genres such as funk, psychedelia, jazz, and techno. // Patton and Benjamin formed Outkast as high school students. They released their debut studio album Southernplayalisticadillacmuzik in 1994, which gained popularity after its single “Player’s Ball” peaked atop the Billboard Hot Rap Songs chart. The duo further experimented and honed their sound with their second and third albums ATLiens (1996) and Aquemini (1998), both of which were met with critical acclaim. They then achieved mainstream recognition and continued acclaim with their fourth album Stankonia (2000), which was supported by the singles “B.O.B.” and “Ms. Jackson”, the latter of which topped the Billboard Hot 100 and won Best Rap Performance by a Duo or Group at the 44th Annual Grammy Awards. // The duo then released the double album Speakerboxxx/The Love Below (2003), their only album to debut atop the Billboard 200. It received Diamond certification by the Recording Industry Association of America (RIAA), was supported by their second and third number one singles: “The Way You Move” (performed by Big Boi) and “Hey Ya!” (performed by André 3000), respectively, and won Album of the Year at the 46th Annual Grammy Awards. Outkast starred in the 2006 musical film Idlewild and recorded the film’s accompanying soundtrack, which was released as their final album three days before the film’s release. The duo split the following year, and both members have pursued solo careers. Outkast temporarily reunited in 2014 to celebrate their debut album’s 20th anniversary with performances at more than 40 festivals worldwide, beginning at the Coachella Festival in April 2014. // Along with being one of hip hop’s most influential acts, Outkast is also one of the most successful, having certified sales of 20 million records between six studio albums and a compilation album, as well as having earned six Grammy Awards. In 2015, Rolling Stone ranked them No. 7 on its list of the “20 Greatest Duos of All Time”, while publications such as it and Pitchfork have listed their albums among the best in all of hip hop and of all time.]
  1. Mach-Hommy – “Self Luh”
    from: Balens Cho (Hot Candles) / Mach-Hommy, Inc. / December 4, 2021
    [Mach-Hommy is an American rapper and record producer. He is known for concealing his real name and face in all public appearances, a practice that has led him to be described as “one of hip-hop’s most elusive artists”. // Mach-Hommy has gained a cult following as a result of his work ethic and sense of mystery. His lyrics are often heavily related to the social and political history of his Haitian heritage. Though he predominantly raps in English, he also frequently incorporates Haitian Kreyòl into his lyrics. He disallows his lyrics from being posted on lyric sites, describing such republishing as the sites “monetizing” his work,[3] and he charges hundreds and even thousands of dollars for his releases, many of which are not available on streaming services. // Mach-Hommy was raised predominantly in Newark, New Jersey, but also spent much of his childhood in Port-au-Prince. His father was a folk guitarist, and Mach credits his father’s musical style as an influence on his own. The first music Mach recorded was at the age of 13, when he performed a freestyle over the beat to Raekwon’s “Verbal Intercourse”. // In his early career, Mach found the music recording process to be an “unhealthy” environment and sought to take up filmmaking instead. However, at the encouragement of several Griselda members, he performed a verse for the song “Beloved”, which motivated him to begin rapping again. // Mach-Hommy first received widespread attention after the release of his 2016 album, H.B.O. (Haitian Body Odor), which he sold via Instagram. Mach pressed only 187 copies of the H.B.O. CD and sold them for $300 apiece, before eventually uploading the album to SoundCloud in 2017. He released numerous other albums in the following years, many of which were sold at high prices through services like Bandcamp and never released on streaming services. // In 2021, Mach-Hommy released his album Pray for Haiti on most streaming services. Mach stated that he would donate his share of profits from the album to the Pray for Haiti Trust Fund, a charity he established to fund educational services and institutions in Haiti. Pray for Haiti also brought Mach a greater level of attention from the music press, with Pitchfork honoring the album with a “Best New Music” award and Rolling Stone describing it as “a modern hip-hop classic”. // Mach-Hommy has intermittently associated with the Griselda Records label. Though Mach was once considered part of the Griselda collective, he separated from them after a falling-out with Westside Gunn, and as of 2017 Mach-Hommy was unaffiliated with the label.[6][7] Mach and Gunn eventually reconciled in late 2020, as Westside Gunn served as an executive producer of Pray for Haiti. // On May 17, 2024, Mach-Hommy independently released #Richaxxhaitian. The album contained features from Kaytranada, 03 Greedo, Roc Marciano, and Black Thought, among others. The album received positive reviews from critics. // In an interview with Billboard, Mach stated that he speaks every Romance language. He is also an avid fisher and hunter. // Mach-Hommy cites a wide range of writers as influential upon him, including William Shakespeare, Chinua Achebe, George Orwell, Lorraine Hansberry, Fyodor Dostoevsky, and Dante. He also cites political and philosophical thinkers such as Malcolm X, C. L. R. James, Thomas Aquinas, and Friedrich Nietzsche. He cites Prodigy and Mobb Deep as musical influences.]
  1. Teedra Moses – “BE YOUR GIRL (KAYTRANADA REMIX)”
    from: BE YOUR GIRL (KAYTRANADA REMIX) – Single / Back Moses Ent. / May 4, 2018
    [Teedra Shenita Moses was born December 17, 1976. She is an American R&B and soul singer-songwriter. // Moses was born and raised in New Orleans. She later moved to Los Angeles with her mother and three siblings after her parents separated.// Her childhood has been a direct influence on her musical style, her mother was a gospel singer and she was raised on gospel, jazz, zydeco and blues. // Moses recalls wanting to listen to the music that was then being played on the radio, but her mother made her listen to gospel. The final song on her debut album, “I Think of You (Shirley’s Song)”, is dedicated to her late mother. // Prior to becoming a recording artist, Moses worked as an assistant wardrobe stylist alongside her best friend Nonja McKenzie for artists such as Will Smith, Kelis, R. Kelly and No Doubt. But after breaking her leg on a video set, Moses decided to follow her heart and make music. // Moses teamed up with producer Paul Poli and signed with the Indie Record Label, TVT Records to release her debut album Complex Simplicity in August 2004. Complex Simplicity included fourteen tracks penned by Moses, with dominant production handled by Poli; the two would share a deserved executive production credit. The album underperformed on the major U.S. chart, debuting and peaking at number one hundred and sixty-eight on the Billboard 200. However, the album was critically acclaimed, otherwise finding success on the Top R&B/Hip-Hop Albums, the Top Independent Albums, and the Top Heatseekers charts, reaching number twenty, number eleven, and number ten, respectively. It is now considered a cult classic. // In addition to executive producing and penning all the lyrics on her own project, Moses has written songs for other artists including Nivea, Christina Milian, Mary J. Blige and others. She was featured on and co-wrote two songs from Raphael Saadiq’s 2004 album Ray Ray, “Chic” and “I Want You Back”. Her songs have been showcased in the Logo series Noah’s Arc as well as in the HBO hit show Entourage, and in movies such as Never Die Alone, Beauty Shop, and Be Cool. // Though Moses had not released a studio album in several years, she could be found touring and doing live shows on a regular basis. From March to November 2010 Moses was a spokesmodel on the Lady Hennessy Tour. In addition, Moses continued to release underground, all-original mixtapes for her fans to enjoy while she awaited a new label deal that was necessitated by the Chapter 11 bankruptcy filed by the now defunct TVT Records in 2008. //On March 25, 2011, it was announced that Moses had signed to rapper Rick Ross’ Maybach Music Group via Warner Bros. Records as its first female artist. In 2011, Moses released the Luxurious Undergrind mixtape. // In February 2014, Moses released the single “All I Ever Wanted,” which samples Dynasty’s 1980 song “Adventures in the Land of Music”. The song was released as the lead single from her EP Cognac & Conversation, which is co-executive produced by Rick Ross and Raphael Saadiq. // In December 2014, it was reported that Moses signed to Shanachie Records after the ill-fated alliance with Maybach Music Group. Moses revealed singer Avery Sunshine was the reason why she signed with the label, due to the success that Sunshine is having while being on Shanachie’s roster. On August 8, 2015, finally second album Cognac & Conversation was released. // When writing songs, Moses prefers to do so alone in her own space. Commenting on this Moses said; “I hate to admit it because it sounds so weird, but I don’t like other energies around me. I need to be alone, in my own space, with just me and my music so I can be honest with whatever I feel from the music; otherwise I’m just giving something from the surface.” Moses also tries to always be honest with her lyrical content noting it as important to her, expanding on this Moses commented saying “If I’m honest with people, then people will feel that. And that’s been my experience so far, just being frank about my feelings about life, and my experiences in life and love. I think me being honest like that is why I’ve gained sincere fans. From here to America, sincere people who really dig me, that can quote lyrics.”]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on February 26 Just Angel and T.A. Rell join us to share new music, plus Bill Belzer & Charlie Colborne of Miss Boating will be here, and we’ll also talk with Dylan Pease and members of the band, 4 Dimensional Flowers.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

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On your local radio dial 90.1 FM or
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Show #1083

WMM Playlist from February 12, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 12, 2025

WMM presents: Ross Brown of Fullbloods + Run With It + Nathan Reusch & Zach Laman of KC Synthesizer Collective

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Lady Blackbird – “Like A Woman”
    from: Slang Spirituals / Foundation Music Production / September 13, 2024
    [Marley Munroe was born January 18, 1985. known professionally as Lady Blackbird, is an American-born jazz and soul singer-songwriter, working primarily in the United Kingdom. She has been described as “the Grace Jones of jazz”. // Munroe was raised in Farmington, New Mexico by a religious family and was encouraged by her parents to sing from a young age, first performing the national anthem at local basketball games and in church. By 12, she signed with a Christian record label based in Nashville, which resulted in work with the rap and rock trio DC Talk. This contract was in place until Munroe was aged 18 in around 2003, but she had realised by 16 that she did not identify fully with the Christian music world and decided to leave at the contract’s end. Munroe then became an independent musician, touring with DC Talk’s TobyMac and appearing on his first four solo albums, and doing sessions in New York City and Los Angeles. This included collaborations with notable artists such as Jimmy Jam and Terry Lewis, Sam Watters, Tricky Stewart and Louis Biancaniello. // Her next record deal was signed with Epic Records in 2013. Munroe released two pop-soul singles on the label, but left relatively soon afterward due to creative differences, as “Epic wanted more of an R&B direction.” Around this time, Munroe wrote and sang backing vocals for Anastacia’s 2014 single “Staring at the Sun”. // Following the end of her contract with Epic, Munroe began working with friend and Grammy-nominated producer Chris Seefried. In his LA studio, they experimented with jazz ballads, and recorded an original song called “Nobody’s Sweetheart” and an interpretation of the 1966 song “Blackbird” by Nina Simone, using a cappella vocals and then building the music around Munroe’s voice. The song inspired Munroe to take up the stage name Lady Blackbird, rather than using her real name as she had previously planned. // “Blackbird” was released in May 2020 as Munroe’s debut single under the Lady Blackbird moniker, bringing her to mainstream critical attention. Despite having been recorded a year earlier, its release coincided with the Black Lives Matter movement in the aftermath of the murder of George Floyd, bringing a sombre contemporary context to the song about Black womanhood. // Munroe signed to BMG Rights Management in July 2021. Her debut album, Black Acid Soul, a further collaboration with Seefried, was released on September 3, 2021, with physical editions released on January 28, 2022. The album bears a strong jazz influence and emphasis on pared-back vocals, with a number of covers and reinterpretations of songs from the 1960s and 70s. These include “Collage” by The James Gang, “It’ll Never Happen Again” by Tim Hardin, and “Wanted Dead or Alive” by The Voices of East Harlem. The title was coined by Seefried as a made-up sub-genre, and is also the name of the final track. // The album peaked at number 6 on the UK Albums Chart. It also entered the Official Jazz chart at Number One, as well as number 20 on the Vinyl chart. Three songs also hit number one on the UK Indie Breakers Chart through 2022 and 2023. A two-disc deluxe edition, containing five bonus tracks and some remixes, was released in October 2022. The singles “Feel It Comin” and “Woman” peaked at number 39 and 35, respectively, on the Official UK Top 40. // Black Acid Soul received a five-star review in The Guardian, with Alexis Petridis describing it as “musically understated, stark and rooted in jazz”. Petridis was “struck by the sense of an artist who’s finally found her calling” and noted, “these are songs and performances that burn deep into you.” // Following the album’s release, Munroe performed on a number of television shows, including The Graham Norton Show, The Jonathan Ross Show, and Radio 2’s Piano Room, as well as at numerous jazz festivals and supporting Gregory Porter on tour. //Munroe has said her second album Slang Spirituals is “about women’s empowerment”. // In 2023, producer Trevor Horn recorded a remake of Grace Jones’ “Slave to the Rhythm”, which he co-wrote, with Lady Blackbird on lead vocals. It was released on September 25 as the lead single from Horn’s album Echoes: Ancient & Modern.]

10:10 – TRAИƧA and otherwise

One of the most ambitious projects ever undertaken by the storied activist and music production non-profit Red Hot, TRAИƧA is a spiritual journey across eight chapters and 46 songs with over 100 artists contributing. The album spotlights the gifts of many of the most daring, imaginative trans and non-binary artists working today. This 6-LP Box Set spotlights many of the most daring, imaginative trans and non-binary artists working in music today. Many of the artists in this collective we have been featuring on WMM since our inception as a radio show. More info at: https://redhot.org/ From this new collection we are going to hear Lauren Auder + Wendy & Lisa – “I Would Die 4 U”

But first. a track that also quotes the lyrics of Prince, the new single is from Moses Sumney, Syd & Meshell Ndegeocello – “Hey Girl(s)”is a new version of “Hey Girl” from Moses Sumney’s 2024 EP Sophcore. “Hey Girl(s),” features Syd (of the Internet) and Meshell Ndegeocello. Ndegeocello said, “I was excited when Moses thought of me for this song because I love his voice, it’s just otherworldly, and this song spoke to me because of the way he pushes a romantic narrative into the future. It was a pleasure to get a glimpse into his process and an honor to be part of it.” // This year Meshell Ndegeocello won the Grammy Award for Best Alternative Jazz Album for – No More Water: The Gospel Of James Baldwin. She’s the only artist ever to win the category, as she took home the trophy in 2024, too, for The Omnichord Real Book, when Best Alternative Jazz Album was handed out for the first time.

  1. Moses Sumney, Syd & Meshell Ndegeocello – “Hey Girl(s)”
    from: Hey Girl (s) – Single / TUNTUN Records / February 5, 2025
    [Moses Sumney has released a new version of his Sophcore song “Hey Girl.” The new song, called “Hey Girl(s),” features Syd (of the Internet) and Meshell Ndegeocello. In a statement, Ndegeocello said, “I was excited when Moses thought of me for this song because I love his voice, it’s just otherworldly, and this song spoke to me because of the way he pushes a romantic narrative into the future. It was a pleasure to get a glimpse into his process and an honor to be part of it.” // This year Meshell Ndegeocello won the Grammy Award for Best Alternative Jazz Album for No More Water: The Gospel Of James Baldwin. She’s the only artist ever to win the category, as she took home the trophy in 2024, too, when it was handed out for the first time. // Written by Moses Sumney, Syd, Meshell Ndegeocello, Zach Cooper, Vic Dimotsis. Produced by Zach Cooper, Moses Sumney, King Garbage. Rhodes and Synths by Zach Cooper; Drums by Vic Dimotsis, Graham Jonson; Piano by Moses Sumney; Horns/Woodwinds by Hailey Niswanger; Guitar and Bass by Zach Cooper; and Percussion by Abe Rounds. Vocal Engineering by Beatriz Artola (Electric Lady Studios), Moses Sumney (Blackalachia Studios); Horn Engineering by Hailey Niswanger. Mixed by Ben Baptie and Chris Tabron. Mastered by Joe LaPorta (Sterling Sound) // Moses Sumney (born May 19, 1992) is an American singer-songwriter. His self-recorded EP, Mid-City Island, was released in 2014. He released another five-song EP in 2016, titled Lamentations. His first full-length album, Aromanticism, was released in September 2017. His second studio album, Græ, was released in 2020. Sumney has performed as an opening act for James Blake, Solange Knowles, and Sufjan Stevens. // Born in California, Sumney was raised by pastor parents, and moved with his family back to Ghana at the age of 10. He described his childhood as “Americanized” by this age and had difficulty adjusting to the culture of Ghana, especially the rural nature of his new environment. There he grew up on a goat farm in Accra and commuted by public bus to school. His family returned to Southern California when Sumney was 16, settling in Riverside. // He did not learn to play any instruments until he was older, writing a cappella music for years instead. Sumney did not perform his musical compositions publicly until he was 20. // >>> After high school, he moved to Los Angeles in 2010 to attend the University of California, Los Angeles. He majored in creative writing and studied poetry, which helped him improve his songwriting. // A singer, songwriter, and producer working in a variety of pop and folks styles, Syd was born Erin Sidney in Burlington, Vermont, where he started out first as a drummer before picking up the guitar at the age of 15. He began posting his music online and, gaining a fan base through his efforts, he moved to Boston and met drummer Jason Gardner while attending college. They decided to work together, and the two began recording Week Days, Weak Knees in Gardner’s apartment. Self-released, the record sold respectably and Syd began to up his performance schedule to promote the album. Many of his live performance recordings were traded by fans, which in turn helped spread his music even further. With his music career gathering momentum, Syd released his sophomore album, Fault Lines, in 2004, followed by The Way We Found It in 2007 and the Upswing EP in 2009. Syd has also been active as a producer and drummer, contributing to albums by Mia Dyson as well as performing and recording with Hotels & Highways, the Pullmen, and Radio Skies. In 2016, following a seven-year gap, Syd began issuing songs, one at a time, which eventually culminated in the 2017 full-length album, Easy Magic. ~ Bradley Torreano // >>> Meshell Ndegeocello is an unassuming colossus whose body of work extends far beyond the early hits and virtuosic bass playing with which she is most associated. “If That’s Your Boyfriend (He Wasn’t Last Night),” her taunting and funky breakout single, immediately set her apart as an instrumentalist, vocalist, songwriter, and producer. Less than a year after the song entered Billboard’s R&B/hip-hop, dance, and pop charts, Ndegeocello was nominated for four Grammys, including Best R&B Album for Plantation Lullabies (1993) and Best Pop Vocal Collaboration for “Wild Night,” her Top Ten hit duet with John Mellencamp. Ndegeocello has remained impossible to typecast ever since. A preternatural synthesist, she has mixed and moved across jazz, blues, soul, funk, and reggae, as well as folk and rock. As a leader, she has alternated just as freely between small combos and large ensembles, and as a session musician and featured artist has written and recorded across an even wider spectrum of styles. In addition to her lithe and melodic primary instrument and vocals encompassing authoritative raps, pensive spoken word, and ethereal choruses, Ndegeocello has played keyboards, drums, and guitar, among other instruments. Foremost among the many highlights in her catalog are three additional Grammy-nominated albums: the oft-pointed and probing Peace Beyond Passion (1996), the imaginative covers set Ventriloquism (2018), and the wide-scoped Omnichord Real Book (2023), the latter of which marked her Blue Note debut and took the first Grammy for Best Alternative Jazz Album. The following year, Ndegeocello was behind the Sun Ra tribute Red Hot & Ra: The Magic City and No More Water: The Gospel of James Baldwin. // Michelle Lynn Johnson was born in Berlin and raised primarily in Washington, D.C. Her father Jacques Johnson was a U.S. Army sergeant major, educator, and tenor saxophonist who played extensively in army bands and recorded several albums. Interested in a wide range of music, the younger Johnson began to play bass in and around D.C. in her teens, performing with go-go bands such as Rare Essence, Prophecy, and Little Benny & the Masters. She graduated from Duke Ellington School of the Arts and studied music at Howard University before moving to Harlem. In New York, she played in clubs, auditioned for Living Colour (the role went to Doug Wimbish), and contributed to 1991-1993 recordings by the Lenny White-produced group Voyceboxing, saxophonist Steve Coleman, and singers Toshi Kubota and Caron Wheeler. During this period, Johnson was on the brink of quitting music and had enrolled in barber college when her otherwise ignored solo demo attracted a deal with Maverick, the Warner-distributed label launched by Madonna. // Having been credited for her session work under Me’Shelle, Meshell Johnson, and Me’Shell NdegéOcello, Johnson settled on the latter with the Swahili word for “free like a bird” as her last name. Her solo album debut was made in October 1993 with Plantation Lullabies. From the start, Ndegeocello showed a natural disinclination for conforming to industry genre designations, freely blending funk, jazz, and hip-hop with mature contemporary R&B. Ndegeocello produced the entirety of the album with David Gamson (Scritti Politti), André Betts (Madonna’s “Justify My Love”), and Bob Power (A Tribe Called Quest) alternating as co-producers. Veteran musicians such as Wah Wah Watson, Geri Allen, and Bill Summers were involved as much as younger contributors like Joshua Redman and DJ Premier. In addition to her fluid and melodic basslines, Plantation Lullabies displayed Ndegeocello’s aptitude for both singing and rapping and ease with switching from confrontational to seductive modes. It also showed Ndegeocello as a lyrical firebrand confronting racism and related issues such as beauty standards and the faults of capitalism. “If That’s Your Boyfriend (He Wasn’t Last Night),” its most attitudinal and energetic single, reached number 23 on Billboard’s R&B/hip-hop chart, number 20 on the dance chart, and cracked the Hot 100, peaking at number 73. While that song was taking hold, John Mellencamp released his cover of Van Morrison’s “Wild Night” with Ndegeocello on bass and co-lead vocals. The duet went to number three on the Hot 100. Ndegeocello was subsequently nominated for four Grammys: Best R&B Album, Best Rhythm & Blues Song and Best Female R&B Vocal Performance (both for “If That’s Your Boyfriend”), and Best Pop Vocal Collaboration (for “Wild Night”). // Almost three years passed between the release of Ndegeocello’s first and second albums. During the interim, she was heard on albums by Madonna, Marcus Miller, and Guru, among others, and appeared on soundtracks and compilations ranging from Higher Learning and Panther to the Red Hot Organization project Stolen Moments, joined on the latter by Herbie Hancock. Peace Beyond Passion, Ndegeocello’s second full-length, was produced by main Plantation Lullabies collaborator David Gamson and made with many of the same associates. Leaner and more atmospheric qualities distinguished it from the debut. The set, which added Gene Lake (drums), Wendy Melvoin (guitar), Billy Preston (organ), and Bennie Maupin (bass clarinet) to the Ndegeocello collaborative mix, saw release in June 1996 and peaked on the Billboard 200 at number 63, considerably higher than the debut. Along with originals as provocative as their titles indicated — “Deuteronomy: Nggerman,” “Leviticus: Fggot,” and so forth — Peace Beyond Passion contained a cover of Bill Withers’ “Who Is He (And What Is He to You?)” that topped Billboard’s dance chart. At the 39th Annual Grammy Awards ceremony, Peace Beyond Passion was up for Best R&B Album, and Chaka Khan’s November 1996 single “Never Miss the Water,” featuring Ndegeocello on bass and secondary vocals, was nominated in the category of Best R&B Performance by a Duo or Group with Vocal. // Busying herself with more soundtrack and session activity, Ndegeocello again took three years to deliver another album. In addition to appearances on Batman & Robin and How Stella Got Her Groove Back, she recorded with an assortment of artists including the Rolling Stones, Queen Pen, and Scritti Politti. Bitter, on which she was billed as Meshell Ndegéocello, arrived in August 1999. Downcast, reflective, and organic with sympathetic production from Craig Street, Ndegeocello’s third album was bolstered by instrumental support from the likes of Wendy & Lisa, along with guitarists Ronny Drayton, David Torn, and Doyle Bramhall II. It was also notable for setting off a long-term association with bassist and guitarist Chris Bruce. While only “Grace” was promoted as a single, “Beautiful” and “Fool of Me,” and a version of Jimi Hendrix’s “May This Be Love” draped with strings, became some of Ndegeocello’s best-known ballads. Bitter’s release was trailed by more soundtracks and collaborations. Albums from Indigo Girls, John Mellencamp, Ledisi, Joe Henry, and Lamb arrived from late 1999 through the first half of 2002 with Ndegeocello the common factor. // After a few delays, Cookie: The Anthropological Mixtape, recorded in mid-2001 with Ndegeocello and Allen Cato as co-producers, landed in June 2002. It marked the simplification of the musician’s name with the dropping of the accent from Ndegéocello. Threaded with sampled spoken passages from the likes of Dick Gregory, Gil Scott-Heron, and Angela Davis, Cookie was also packed with similarly sharp, often rapped critiques from Ndegeocello herself, leading with “Dead N*gga Blvd.,” a song targeting hollow gestures and the perpetuation of racist stereotypes, among other issues, with a call to “redefine what it means to be free.” Caron Wheeler and Lalah Hathaway supplied some of the LP’s additional vocals, while the single “Pocketbook” was remixed by Rockwilder and Missy Elliott with appearances from Redman and Tweet. Cookie became Ndegeocello’s second album to crack the upper half of the Billboard 200, and it was nominated for a Grammy in the category of Best Contemporary R&B Album. The following October, Ndegeocello closed out the Maverick era with the sensual Comfort Woman. Its liquid funk and reggae grooves, anchored by Ndegeocello’s bass and Chris Dave’s drums, were co-produced by Cato. // Setting up temporarily with the Shanachie label, Ndegeocello moved forward with The Spirit Music Jamia: Dance of the Infidel. A significant departure, the exploratory and entirely self-composed set was rooted in jazz and primarily instrumental. Ndegeocello opted to not sing, leaving its few vocal turns to Cassandra Wilson, Lalah Hathaway, and Sabina Sciubba, and shared bass duties with Matthew Garrison. Also among the shifting personnel was drummer Jack DeJohnette, saxophonist Oliver Lake, and clarinetist Don Byron. Dance of the Infidel was the leader’s first album to register on Billboard’s jazz chart, reaching number nine upon release in June 2005, and was nominated for a Grammy in the category of Best Contemporary Jazz Album. Instead of remaining in that stylistic mode, Ndegeocello continued to keep listeners on their toes with album seven, The World Has Made Me the Man of My Dreams. Had it not been preceded by a rumbling cover of Radiohead’s “The National Anthem” and a Grammy-nominated radical reworking of Earth, Wind & Fire’s “Fantasy,” it would have likely surprised her entire fanbase. The fruit of another one-album label affiliation — this time with Decca — The World Has Made Me the Man of My Dreams ranged in approach from the confrontational and driving rock of “The Sloganeer” to the lovelorn folk of “Shirk,” featuring Pat Metheny and Hervé Samb on guitar, and a secondary vocal from Oumou Sangare. // Ndegeocello capped the 2000s in October 2009 with Devil’s Halo, recorded for Downtown Music subsidiary Mercer Street. One of her tightest and most rock-oriented albums, it was made with a core backing band of Deantoni Parks (drums), Chris Bruce (guitar), and Keefus Ciancia (keyboards), and was filled with candid songwriting, as well as a longing cover of Ready for the World’s “Love You Down.” She then settled in with the Paris-based Naïve label for four projects. The same trio of players backed her for the first of these, Weather, a collaboration with Joe Henry that arrived in November 2011. Along with the fraught “Dirty World” and strutting “Petite Mort” were spare readings of Leonard Cohen’s “Chelsea Hotel” and Soul Children’s deep Stax gem “Don’t Take My Kindness for Weakness.” Next, in October 2012, Ndegeocello detoured again with Pour Une Âme Souveraine: A Dedication to Nina Simone, interpretations of songs Nina Simone either wrote or covered herself, from Simone and Weldon Irvine’s “To Be Young, Gifted, and Black” to Cohen’s “Suzanne.” Parks, Bruce, and keyboardist Jebin Bruni backed Ndegeocello, who shared lead vocals with the likes of Sinéad O’Connor, Toshi Reagon, Lizz Wright, and Valerie June. Comet, Come to Me followed in June 2014. Drummer Earl Harvin joined Bruni and Bruce as primary support, and Doyle Bramhall II contributed vocals and guitar to two songs. Stylistically, Comet, Come to Me picked up where Weather left off, highlighted by probing soul-blues-rock hybrids like “Conviction,” the rootsier “Good Day Bad,” and a creative update of Whodini’s “Friends.” It was the eighth album Ndegeocello placed on the Billboard 200, and her tenth on the R&B/hip-hop chart. The Naïve phase concluded in March 2018 with Ventriloquism. An imaginative all-covers set with Abe Rounds on drums, it refreshed songs dating mostly from the ’80s, including Prince and Wendy & Lisa’s “Sometimes It Snows in April,” Lisa Lisa & Cult Jam’s “I Wonder If I Take You Home,” and the System’s “Don’t Disturb the Groove.” Ventriloquism was up for a Grammy in the category of Best Urban Contemporary Album. // During the years Ndegeocello was on Naïve, she contributed to a wide assortment of additional sessions led by the likes of Victor Wooton, Robert Glasper, Chris Connelly, Ibeyi, and Marc Ribot. Moreover, she produced Jason Moran’s All Rise: A Joyful Elegy for Fats Waller and Marcus Strickland’s Nihil Novi, a pair of Blue Note dates. That activity continued in 2020, throughout which Ndegeocello factored in material from Joan as Police Woman, Pat Metheny, and Lakecia Benjamin, and also Glasper. “Better Than I Imagined,” pairing Ndegeocello with H.E.R. for Glasper’s Black Radio III, was the winner of that year’s Grammy for Best R&B Song. Additional Ndegeocello collaborations from 2021 to 2023 occurred on projects from Antonio Sanchez, Brandee Younger, and Sam Gendel. During this period, Ndegeocello covered “Fantastic Voyage” for the David Bowie tribute album Modern Love. // Tightening her association with Blue Note, Ndegeocello signed with the historic label for her 13th album. The Omnichord Real Book, a double-length set of genre-spanning work on which she was joined by the likes of Moran, Younger, and Jeff Parker, with Josh Johnson as producer, was released in June 2023. It was her first set of primarily original material in almost a decade. It won the inaugural Grammy for Best Alternative Jazz Album eight months after arrival. The Red Hot Organization recruited Ndegeocello to curate the 2024 benefit project Red Hot & Ra: The Magic City. The nine-song benefit set — featuring all originals by the curator and her collaborators inspired by Sun Ra — was released that April. Its cast included jazz luminaries such as nonagenarian saxophonist Marshall Allen (current leader of the Sun Ra Arkestra), drummer Deantoni Parks, saxophonist Immanuel Wilkins, and saxophonist/vocalist Darius Jones. Ndegeocello then returned on Blue Note with No More Water: The Gospel of James Baldwin, an extension of a theatrical production she presented at Harlem Stage in 2016. The August 2024 release of No More Water coincided with writer/activist Baldwin’s 100th birthday. ~ Andy Kellman]
  1. Lauren Auder + Wendy & Lisa – “I Would Die 4 U”
    from: TRAИƧA / Red Hot / November 22, 2024
    [One of the most ambitious projects ever undertaken by the storied activist and music production non-profit Red Hot, TRAИƧA is a spiritual journey across eight chapters and 46 songs with over 100 artists contributing. The album spotlights the gifts of many of the most daring, imaginative trans and non-binary artists working today. // Dust Reid, who led production on Red Hot’s 2014 tribute to Arthur Russell, and Massima Bell, an artist and activist based in Los Angeles, began tracing the contours of what would become TRAИƧA together in 2021. The two producers originally met at a video shoot in upstate New York, and immediately bonded over their shared love of Beverly Glenn-Copeland’s music, as well as a common devotional connection to nature. // The passing of SOPHIE, the pathbreaking electronic producer who died in January 2021, galvanized the producers and focused their work. “We started talking about all the gifts that trans artists have been giving to the world, and wanted to create a Red Hot project that centered and celebrated those gifts,” says Reid. “We hoped to create a narrative that positions trans and non-binary people as leaders in our society insofar as the deep inner work they do to affirm who they are in our current climate. We felt this is something everybody should do. Whether you identify as trans or non-binary or otherwise, if you took the time to explore your gender, get in touch with the feeling side of yourself, maybe we would have a future oriented around values of community, collaboration, care, and healing.” // Bell and Reid began conceiving of the album as a spiritual journey in eight chapters, a mirror of the original eight-stripe rainbow pride flag. The narrative begins at the earliest awareness of consciousness; moves through awakening, trauma, and grief; and arrives at liberation and continual reinvention. “One thing trans people do all the time is turn grief into possibility,” says Bell. “Living under the ongoing Western binary system, trans people reveal maps of possibility for everyone. It’s something that we can all learn from – expanding the possibility of human life.” Each chapter begins with a “chapter track,” kicking off a collection of songs that speak to that chapter’s theme. // As the producers began inviting musicians to contribute to TRAИƧA, the political climate in the United States and across the world started to foment an acute reactionary streak. Legislation denying trans people the hard-won right to medically transition proliferated across the country. Book bans rained down on libraries, stamping shut crucial apertures into trans and queer lives. The necessity of TRAИƧA’s presence in the world started to crystallize. // “The stakes have never been higher,” notes Bell. “We’re seeing a rise in anti-trans hate and vitriol that is particularly being spewed in the United States. I am a trans person from Iowa, one of the states that signed into law a bill that prohibits access to gender-affirming care. It is clearly, materially, a terrifying time.” // TRAИƧA FEATURED ARTISTS:Adrianne Lenker * Ahya Simone * Alan Sparhawk (Low) * Allison Russell * Am Taylor * Anajah * Ana Roxanne * André 3000 * Anjimile * Arthur Baker * Asher White * AV María * Babehoven * Bartees Strange * Belina Rose * Benét * Beverly Glenn-Copeland * Bill Callahan * Blake Mills * Bloomsday * Calvin Lauber * Caroline Rose * Cassandra Croft * Cassandra Jenkins * Christian Lee Hutson * claire rousay * Clairo * CLARITY * Cole Pulice * Dave Longstreth * Devendra Banhart * Eileen Myles * Eli Winter * Elizabeth Glenn-Copeland * Ezra Furman * Faye Webster * Fleet Foxes * Frankie Cosmos * Gary Gunn * Gia Margaret * Green-House * Grouper * Hand Habits * Heart Shaped * Helado Negro * Hunter Schafer * Jamal Shakeri * Jay Dee Daugherty * Jayne County * Jeff Tweedy * Jlin * Joy Guidry * Julianna Barwick * Julie Byrne * Julien Baker * Kara Jackson * Kathi Wilcox * KB Brookins * Kelela * Laraaji * Laura Jane Grace * Lauren Auder * Lee Ranaldo * Lightning Bug * Lomelda * Lucy Liyou * Lynn Avery * Lyra Pramuk * L’Rain * Mary Lattimore * MIZU * Moor Mother * More Eaze * Moses Sumney * Nico Georis * Niecy Blues * Nina Keith * Nsámbu Za Suékama * NYC Trans Oral History Project * Pepper MaShay * Perfume Genius * Pharoah Sanders * Quinn Christopherson * Rachika Nayar * Sade Adu * Sam Smith * Sharon Van Etten * SKY * SOAK * Soft Rōnin * Sparkle Division * Taryn Blake Miller * Teddy Geiger * Time Wharp * Wendy & Lisa of the Revolution * Yaeji * Yaya Bey // >>> Lauren Auder was born in 1998. She is a British-French singer-songwriter and record producer. Born in Watford and raised in the French town of Albi, she began her career producing for underground French and English rap artists. Auder signed to True Panther Sounds and made her solo debut in 2018 with the EP Who Carry’s You, which was followed by the EP Two Caves In in 2020. Her debut album, The Infinite Spine, was released on 18 July 2023. // Auder was born in Watford, near London, where she lived until the age of seven when she moved with her music journalist parents to Albi, France to avoid the “hectic and expensive lifestyle” of London. At the time of their migration, her mother worked at NME, while her father worked at Kerrang!. She revealed in 2015, at the age of seventeen, that she was doing literary studies in Albi. In 2015, Auder began working with artists in the London underground hip hop scene such as Lord Pusswhip, Jeshi and Slowthai, while also self-publishing content onto SoundCloud on the side. During this period of her early career, Daisy Jones of Dazed wrote, “With [her] woozy, far-away vocals and dreamy, half-baked beats, the 17-year-old French-English producer sounds like King Krule if [she] got heavily into hip hop and pushed [her] music through a coedine-coated seive.” After graduating from high school in September 2016, she returned to London shortly after signing to independent record label True Panther Sounds. // In December 2017, Auder made her professional solo debut under True Panther Sounds with the single “The Baptist” which was inspired by Maurice Duruflé and received acclaim from Pitchfork. This was followed by her second single “These Broken Limbs Again Into One Body” in February 2018. Both singles would feature on her debut EP Who Carry’s You, which was released in March 2018. In October 2018, she accompanied Christine and the Queens on their tour of Europe supporting the album Chris (2018). // Supported by the singles “June 14th” and “Meek”, Auder’s second EP Two Caves In was released in March 2020. In September 2020, Auder and Boston-based producer Mmph provided American band Haim a remix version of the song “Summer Girl” by for their titular remix EP. In December 2020, Auder and American singer-songwriter Caroline Polachek released a cover version of the song “Some Small Hope” by Virginia Astley.// Auder released her third EP, 5 Songs for the Dysphoric, in February 2021. Her first album The Infinite Spine was released on July 18, 2023. // Auder is a baritone vocalist. Daisy Jones of Noisey described her musical style as orchestral pop. Steve Janes of WithGuitars.com wrote that she “adopt[s] the ethos of classic era baroque pop to fuse elements of post-rock and soul with modern classical, ambient and experimental electronics.” Auder cites French composer Maurice Duruflé and California rap duo Main Attrakionz as some of her biggest musical influences, while also being inspired by romantic poets such as William Blake. // In September 2019, Auder came out as transgender. She used the pronouns up until August 2020 when she began publicly identifying as a woman. She told i-D: “In a lot of ways I’ve known forever, and in other ways I’ve known since I was 12, and in other ways I’m only just figuring it out, but I’m way more in touch with myself and how I feel and who I want to be […] I think it’s made me more confident and aware of myself. That transition in my life, and becoming an adult, has gone hand in hand with the way I present my work.” // As of October 2020, Auder resides in Bermondsey in England. // Wendy & Lisa (briefly known as Girl Bros.) is a music duo consisting of Wendy Melvoin and Lisa Coleman. They began working with Prince in the early 1980s and were part of his band the Revolution, before branching out on their own and releasing their eponymous debut studio album in 1987. In recent years they have turned their attention to writing music for film and television and have won an Emmy Award. // They have released five studio albums, with their most recent album being 2008’s White Flags of Winter Chimneys. // In 1980, Lisa Coleman replaced Gayle Chapman in Prince’s touring band on keyboards and piano. Coleman was asked to contribute vocals to several tracks over his next few albums. In 1983, guitarist Dez Dickerson left the band over religious conflicts. Prince invited Wendy Melvoin (Lisa’s girlfriend at the time) into the band as they began to record Purple Rain (1984). The film and album turned Prince and the newly named Revolution into superstars. Prince’s personal life also became intertwined with Melvoin’s when he began dating her twin sister Susannah. // After Purple Rain (1984), Prince and the Revolution recorded Around the World in a Day (1985) and then Parade (1986), the soundtrack to Prince’s film Under the Cherry Moon (1986). In interviews, the two reported they felt they were not getting the recognition and credit they deserved despite their growing contributions to his work. During 1986, Melvoin and Coleman became increasingly disillusioned with Prince’s decision to expand the Revolution with non-musicians, such as Wally Safford and Greg Brooks, and Prince’s increasing machismo that these new members brought with them. Unhappy and vocal about their feelings, they were eventually convinced to remain with the band through the end of the Hit N Run – Parade Tour. However, Prince felt spurned and as a result he had already decided he would dissolve the Revolution once the tour was complete. Hence, by October 1986, Melvoin and Coleman (along with Bobby Z.) were dismissed by Prince, disrupting the Dream Factory album that was already completed and effectively dissolving The Revolution. // In 1987 the duo released an album simply titled Wendy and Lisa on Columbia Records in the US and on Virgin Records in the UK. The singles released were “Honeymoon Express”, “Waterfall” and “Sideshow” but none hit the top 40 on either side of the Atlantic. The follow-up album, Fruit at the Bottom, was released in 1989. The singles released were “Are You My Baby?”, “Lolly Lolly” (remixed by Prince) and “Satisfaction”, which gave them a top 40 single in the UK. “Waterfall ’89” failed to capitalize on the success of “Satisfaction” and reached another minor placing. // In 1990, the duo signed with Virgin Records in the US (which was already their label in Europe) and released Eroica. However, this too met only minor chart success. In 1991, Virgin UK released the remix album Re-mix-In-a-Carnation, a selection of club mixes from the first three albums as remixed by producers like the Orb, William Orbit, and Nellee Hooper. // In the mid-1990s, Wendy & Lisa worked on several movie projects with record producer Trevor Horn. They recorded an album with him as producer, but had a falling out (according to them, due to Horn and his wife Jill Sinclair’s alleged homophobia) and the project was shelved, leaving the master tapes in Horn’s hands and acrimony between the parties involved. // Their next solo effort – the 1998 album Girl Bros. – was the first to be independently released, with all subsequent releases also self-released. // In 2004, the duo reached a rapprochement with Prince and contributed to several tracks on his Planet Earth (2007) album. // In December 2008, White Flags of Winter Chimneys was released. The title is taken from a line in the Joni Mitchell song “Hejira”. 2011 saw the release of the Snapshots EP, which came with limited edition artwork, autographs and a photo book. It is a 6-track collection of songs that were recorded over the preceding 20 years of their careers but had previously never been released. // Melvoin and Coleman have done session work and/or written songs with Seal, k.d. lang, Joni Mitchell, Meshell Ndegeocello, Pearl Jam, Terence Trent D’Arby, Lisa Germano, Lisa Marie Presley, Liz Phair, Michael Penn, Grace Jones, Tricky, the Three O’Clock, Uh Huh Her, Sheryl Crow, Victoria Williams, Rob Thomas, Gwen Stefani, Skye Edwards, Scritti Politti, Nerina Pallot, OK Go, Madonna, The Like, Nina Gordon, fDeluxe, the Family, Doyle Bramhall II, Nikka Costa, André Cymone, Kate Earl, Eric Clapton, Bettye LaVette, Ilse DeLange, Mac Miller, and Walk the Moon. Their vocals were featured on the soundtrack for Toys (1992). // Their first scoring project was for Dangerous Minds (1995). The team has scored numerous TV shows and films, including popular TV shows like Crossing Jordan, Heroes, Nurse Jackie and Firefly Lane. // Wendy & Lisa technically share the honor of winners of a Grammy and Oscar for being part of the Revolution, as Purple Rain (1984) won two Grammys, and the Oscar for Best Original Score. In 2010, they received the Emmy Award for Outstanding Original Main Title Theme Music for their work on Nurse Jackie. They received the ASCAP award for Composers of the Year for their work on Dangerous Minds (1995), the theme to HBO’s Carnivàle, Crossing Jordan and Heroes. They were nominated for an Emmy in 2012 for the main title theme for the Fox show Touch. // Melvoin and Coleman have made numerous contributions to television themes. They wrote theme music and background scores for TV shows such as Shades of Blue, Crossing Jordan, Bionic Woman, Carnivàle, Heroes, Mercy and Showtime’s Nurse Jackie. // In 2001 they worked with Neil Finn on his second solo album, One Nil. // They have also been featured on several film scores and soundtracks, including Dangerous Minds (1995), Hav Plenty (1997), Something New (2006), and Wine Country (2019). The film Toys (1992) featured their song “The Closing of the Year” as its main theme, and they also produced the full-length Heroes: Original Score, released in April 2009, composed entirely of their full-length compositions for each of the show’s characters. They scored the TV series Touch created by Crossing Jordan and Heroes creator, Tim Kring. // Melvoin and Coleman collaborated with Grace Jones for her 2008 album Hurricane.]
  1. Benjamin Booker – “SLOW DANCE IN A GAY BAR”
    from: Lower / Fire Next Time Records / January 24, 2025
    [Third full length album from Benjamin Booker was born Benjamin Roderick Evans on June 14, 1989. He is an American musician, singer, songwriter and guitarist. He cites The Gun Club, Blind Willie Johnson and T. Rex as influences. His music was described by the Chicago Tribune as “a raw brand of blues/boogie/soul,” by The Independent as “frenzied guitar-strumming and raw, soulful vocals that are hair-raising in intensity” and by Spin as “bright, furious, explosive garage rock.” // Benjamin Booker was born in Virginia Beach, Virginia. His family relocated to Tampa, Florida, where he attended all-ages DIY punk shows as a teenager. He attended Orange Grove Middle School, a magnet school for the performing arts, followed by Hillsborough High School, where he studied in the International Baccalaureate Program. He then attended the University of Florida in Gainesville, studying journalism with intentions of going into music journalism. After college, he moved to New Orleans to work for a non-profit organization and began playing shows. He self-released the four-track EP Waiting Ones in 2012, a collection of “low-fi blues-influenced folk-punk recordings and handclap percussion” that gained the attention of music blog Aquarium Drunkard. The track “Have You Seen My Son” eventually landed on Sirius XM satellite radio. In 2013, he began touring as an electric duo and signed with ATO Records to produce his debut album.
  1. beabadoobee – “Coming Home”
    from: This is How Tomorrow Moves / Dirty Hit / August 9, 2024
    [This Is How Tomorrow Moves is the third studio album by the Filipino-English singer and songwriter Beabadoobee. It was released by English independent label Dirty Hit on 9 August 2024.[1] It features the singles “Take a Bite”, “Coming Home”, “Ever Seen”, and “Beaches”. “Real Man” was later released as the album’s fifth single. The album debuted at number one on the UK Albums Chart, making it her first to do so. // Beabadoobee had released two studio albums since 2020. With the release of This Is How Tomorrow Moves at age 24, critics started calling it her first “adult” album. The singer pivoted to new themes, moving away from the teenage angst on her previous records. It is primarily an indie rock record which incorporates dream pop and indie-pop heavily influenced by the early 2000s. // Beatrice Kristi Ilejay Laus[a] was born June 3, 2000. She is known professionally as Beabadoobee (/biːbəˈduːbiː/; bee-bə-DOO-bee), is a Filipino-British singer-songwriter. From 2018 to 2021, she released five extended plays (EPs) under the independent label Dirty Hit: Lice (2018), Patched Up (2018), Loveworm (2019), Space Cadet (2019) and Our Extended Play (2021). Her debut studio album Fake It Flowers was released in October 2020, and received critical acclaim. Her second studio album, Beatopia, was released on 15 July 2022, which spawned the hit “The Perfect Pair”. Her third studio album, This Is How Tomorrow Moves, was released on 9 August 2024; it became her first album to peak atop the UK Albums Chart. // Beabadoobee served as a supporting act for labelmates the 1975 during several legs of their Music for Cars Tour, as well as American singer Clairo during her Immunity Tour. She was nominated for the Rising Star Award at the 2020 Brit Awards, and was presented with the Radar Award at the 2020 NME Awards. Beabadoobee was also predicted as a breakthrough act for 2020 in an annual BBC poll of music critics, Sound of 2020. In 2023, Beabadoobee was an opening act for Taylor Swift at the Eras Tour. // Laus was born in Iloilo City in the Philippines on 3 June 2000 and moved to the United Kingdom with her parents at the age of three. She grew up in West London listening to original Pinoy music as well as pop and rock music from the 1990s. While she was a teenager, she listened to indie rock artists including Karen O, Yeah Yeah Yeahs, Florist and Alex G. // She studied at Sacred Heart High School, an all-girls Catholic school, before completing her thirteenth year at Hammersmith Academy. Laus spent seven years learning to play the violin, before getting her first guitar second-hand at the age of 17. She also learned through watching YouTube tutorials produced by other accomplished guitarists. She was inspired by Kimya Dawson and the Juno soundtrack to start making music. She identifies as bisexual. Laus says that she can understand the Philippine languages Hiligaynon and Tagalog fluently, but cannot speak them. // The first song Beabadoobee wrote on her guitar was “Coffee”.[20] She took her professional name as a joke when her friend and producer Oscar Lang was preparing to upload “Coffee” and suggested she release her music under an artist name. Beabadoobee was a name she had invented for her finsta account because none of her names were being accepted by Instagram. // She released “Coffee” as well as a cover of Karen O’s “The Moon Song” in September 2017. “Coffee” gained over 300,000 views on YouTube, as well as the attention of Dirty Hit Records. She signed to the label in April 2018. This was followed by the release of her debut EP Lice in March 2018 and her second EP Patched Up in December 2018. In January 2019, Beabadoobee was placed with Billie Eilish on NME’s annual list of “essential new artists”, the “NME 100”. She subsequently released her third EP titled Loveworm. Beabadoobee released an acoustic version of this EP titled Loveworm (Bedroom Sessions) in July 2019. // In September 2019, Beabadoobee embarked on her first tour supporting Clairo on her Immunity Tour, before releasing her fourth EP, Space Cadet, in October 2019. Beabadoobee subsequently made the front cover of NME on 25 October 2019.[14] She was shortlisted for the Rising Star Award at the 2020 Brit Awards in December 2019.[34] In November 2019, Beabadoobee released a pair of Spotify Singles, one being a cover of “Don’t You Forget About Me” by Simple Minds as well as a version of “She Plays Bass” recorded in Abbey Road Studios in London. In December 2019, Beabadoobee was longlisted in the annual BBC poll of music critics, Sound of 2020. // In February 2020, Beabadoobee performed at the 2020 NME Awards after winning the Radar Award. She supported labelmates the 1975 on their Music for Cars Tour for both the U.K. leg in February 2020. She was scheduled to also support the band during the North American leg of this tour in April 2020,[39] however it was postponed due to the COVID-19 pandemic. // A sample of Beabadoobee’s 2017 debut single “Coffee” was used on Canadian rapper Powfu’s 2019 single, “Death Bed (Coffee for Your Head)”. The song became a massively successful sleeper hit after going viral on the app TikTok in early 2020, becoming Beabadoobee’s first official chart entry in her career, both locally and internationally. By April 2020, it had entered the Top 5 in several countries including the U.K., Australia and New Zealand. It earned gold certification status in Belgium, Canada, France, Mexico and New Zealand, as well as Platinum or higher in the U.S. and the U.K. among several other countries. Speaking about her reaction to the popularization of “Death Bed”, Beabadoobee said, “I’m not going to lie, it was overwhelming… I kinda hated it. I hated more people knowing about the first song I’d ever written and not my others. I was so stubborn but I grew into it and accepted that’s just how life works. I was extremely grateful for its existence and it’s only given me more opportunities.” // Beabadoobee announced her debut studio album, Fake It Flowers, and released its lead single “Care” on 14 July 2020. In early August 2020, she released the album’s second single, “Sorry”, and revealed the album’s track listing, cover art and official release date. Beabadoobee released “Worth It” as the third single, “How Was Your Day?” as the fourth single, and “Together” as the fifth and final single of Fake It Flowers. The album was released on 16 October 2020 to critical acclaim and spent one week in the UK Albums Chart at number 8. According to sales in the United States, Billboard ranked Beabadoobee as the Top New Rock Artist of 2020. In 2021, she embarked on a headlining tour of the United Kingdom and Ireland to support the album. // Beabadoobee released the single “Last Day on Earth” on 24 March, produced and co-written by Matty Healy and George Daniel of the 1975. The musician announced that the single is taken from her EP Our Extended Play, which she said that she wrote with her labelmates “on the countryside”. // Her second album, Beatopia, was announced on 23 March 2022. It was released on 15 July 2022 through Dirty Hit and spawned the R.I.A.A. Gold certified song “The Perfect Pair.” // In January 2023, Beabadoobee posted the snippet of an unreleased song on TikTok, which soon went viral across the website due to its popularity with couples and the approach of the upcoming holiday. “Glue Song” was later released on Valentine’s Day, 14 February 2023, with another version featuring Clairo released on 17 April 2023 which charted in several countries. The collaboration gained significant attention and marked a continued evolution in her sound, blending chamber pop with heartfelt lyrics inspired by her personal experiences. // Starting in March 2023, Beabadoobee toured in Germany, Italy, Luxembourg, Belgium, Norway, Netherlands, Sweden and Denmark. Beabadoobee also performed as an opening act on twelve shows of the US leg of Taylor Swift’s 2023 The Eras Tour. // On June 29, 2023, Beabadoobee announced that she would cancel her European tour due to an unspecified illness. She then announced a new single on July 11, 2023, called “The Way Things Go”, which was released on July 19, was released on October 20, 2023. // Her third studio album, This Is How Tomorrow Moves, was released on August 9, 2024, which went on to debut at number 1 in the UK, making it her first number-one album. // Laus has cited Elliott Smith, Mac DeMarco, the Moldy Peaches, Pavement, Mazzy Star, the Beatles, Simon and Garfunkel, and Daniel Johnston as her musical influences.[4][15] She has a tattoo of Johnston’s artwork from the cover of his album Continued Story with Texas Instruments. In a 2018 interview with Vice, she expressed plans to make film soundtracks in the future as they heavily inspired her to make music. Laus’ musical style is also deeply influenced by 90s alternative rock and shoegaze bands like The Cure, The Smiths, My Bloody Valentine, and The Smashing Pumpkins.]
  1. FKA Twigs – “Eusexua”
    from: EUSEXUA / Young Recordings / January 24, 2025
    [EUSEXUA is the third studio album from FKA twigs and follow up to CAPRISONGS which was part of WMM 120 Best Recordings of 2022. CAPRISONGS was the follow up to FKA Twigs November 8, 2019 album MAGDALENE, which was #29 on WMM’s 119 Best Recordings of 2019. // Tahliah Debrett Barnett was born on January 16, 1988. She is known professionally as FKA Twigs. She is a British singer and songwriter, raised in Tewkesbury, Gloucestershire. She became a backup dancer after moving to South London when she was 17 years old. She made her musical debut with the extended plays EP1 (2012) and EP2 (2013). Her debut studio album, LP1, was released in August 2014 to critical acclaim, peaking at number 16 on the UK Albums Chart and number 30 on the US Billboard 200. It was later nominated for the 2014 Mercury Prize. She released the M3LL155X EP in 2015 to further critical praise, as well as her second studio album Magdalene four years later. Her work has been described as “genre-bending”, drawing on various genres including electronic music, trip hop, R&B, and avant-garde. Her work has been compared to the work of Tricky as well as Kate Bush, Janet Jackson, The xx, and Massive Attack, while Slate described her work as distinctive in a way that rises above her influences. The Wall Street Journal described her as “an heir to futuristic R&B muses like Aaliyah, Missy Elliott and others under the progressive sway of producer Timbaland.” Describing her artistry, she said: “I am not restricted by any musical genre. I like to experiment with sounds, generating emotions while putting my voice on certain atmospheres […] I found my own way of playing punk. I like industrial sounds and incorporating everyday life’s sounds like a car alarm.” FKA Twigs has been associated with the alternative R&B tag, though she herself has rejected the R&B label as related to her race: “It’s just because I’m mixed race. When I first released music and no one knew what I looked like, I would read comments like: ‘I’ve never heard anything like this before, it’s not in a genre.’ And then my picture came out six months later, now she’s an R&B singer. I share certain sonic threads with classical music; my song ‘Preface’ is like a hymn. So let’s talk about that. If I was white and blonde and said I went to church all the time, you’d be talking about the ‘choral aspect’. But you’re not talking about that because I’m a mixed-race girl from south London.” The first singers who influenced FKA Twigs were Billie Holiday, Ella Fitzgerald, and Marvin Gaye. When she started composing songs, she wanted to reproduce music she liked: “every bit of music that I made sounded like a pastiche of Siouxsie and the Banshees or Adam Ant. But through that I discovered myself”. In an interview after being shortlisted for the 2014 Mercury Prize, Twigs cited GERMFREE ADOLESCENTS by X-Ray Spex as her favorite album of all time.]

10:30 – Underwriting

  1. Fullbloods – “Fish in a Bowl”
    from: Playing It Safe / High Dive Records / March 7, 2025
    [Third Single from the 4th studio album of Fullbloods released February 7, 2025. The 2nd Single was released January 10, 2025. The first single, “No Hesitation” was released on December 7, 2024. // Fullbloods is a studio project of songwriter and producer Ross Brown (Shy Boys, Koney, Snacky). Live he is joined by his friends and the music is probably better that way. Thanks for listening! // Fullbloods released their 3rd full-length album Soft and Virtual Touch on High Dive Records on April 3, 2020. All songs written, performed, recorded, mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock Played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]

[Fullbloods play The Ship 1221 Union Ave, KCMO on Friday February 21, at 9:00 pm with Fake Italian for Daniel Gum’s The Great Conjunction Album Release Show. ]

[Fullbloods play Hillsiders 403 N. 5th Street, KCK on Friday, March 7 at 8:00 PM for their own PLAYING IT SAFE Album Release Show with Schemada, and 2w33dy.]

10:35 – Interview with Ross Brown

Ross Brown joins us live in our 90.1 FM studios to talk about “Playing It Safe” the new studio album from Fullbloods, released both digitally and on vinyl through High Dive Records on March 7, 2025.

Fullbloods is a studio project of songwriter and producer Ross Brown who is also in the bands: Shy Boys, Koney, and Snacky. When Fullbloods play live, Ross is joined on stage by his friends.

In writing about Ross Brown’s previous Fullbloods album, Soft and Virtual Touch , Lionell Williams aka “Vinyl Williams” of PRIVATE PLAYLIST on KCRW calls “Ross Brown a frickin’ genius. He’s the modern day Brian Wilson of America. His whole album, the entire way through, is one of those albums [where] every microsecond, every quantum moment, is wow. He’s just a straight-up genius.”

Fullbloods play The Ship 1221 Union Ave, KCMO on Friday February 21, at 9:00 pm with Fake Italian for Daniel Gum’s The Great Conjunction Album Release Show.

Fullbloods play Hillsiders 403 N. 5th Street, KCK on Friday, March 7 at 8:00 PM for their own PLAYING IT SAFE Album Release Show with Schemada, and 2w33dy.

More info at: http://www.fullbloods.com

Ross Brown welcome to Wednesday MidDay Medley

Past releases from Fullbloods:

Fullbloods – Soft and Virtual Touch – 10 Track Album – April 3, 2020
All songs written/performed/recorded/mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. http://www.fullbloods.com // Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock Played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. //

Fullbloods – Mild West – 11 track album – March 1, 2016
Engineered by Mike Nolte at Westend Studios in Kansas City, KS. Additional tracking by Ross Brown at the Reservation in Kansas City, MO. Mixed by Fullbloods at Westend Studios. Mastered by Mike Nolte at Eureka Mastering. //All songs written by Ross Brown (Bargain Hunt Music / ASCAP) // Artwork by Shelby Keierleber, photographed by Chris Daharsh //Back cover and insert photographs by Stacey Schmitz //Special thanks to Jerad Tomasino, Mike Nolte, David Seume, The ACBs, and friends + families

10:44

  1. Fullbloods – “White House Dot Com (Blue Websites)”
    from: Playing It Safe / High Dive Records / March 7, 2025
    [2nd Single from the 4th studio album of Fullbloods released January 10, 2025. The first single, “No Hesitation” was released on December 7, 2024. // Fullbloods is a studio project of songwriter and producer Ross Brown (Shy Boys, Koney, Snacky). Live he is joined by his friends and the music is probably better that way. Thanks for listening! // Fullbloods released their 3rd full-length album Soft and Virtual Touch on High Dive Records on April 3, 2020. All songs written, performed, recorded, mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock Played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]

10:48 – More Interview with Ross Brown

Ross Brown joins us live in our 90.1 FM studios to talk about “Playing It Safe” the new studio album from Fullbloods, released both digitally and on vinyl through High Dive Records on March 7, 2025. Fullbloods is a studio project of songwriter and producer Ross Brown.

Fullbloods play The Ship 1221 Union Ave, KCMO on Friday February 21, at 9:00 pm with Fake Italian for Daniel Gum’s The Great Conjunction Album Release Show.

Fullbloods play Hillsiders 403 N. 5th Street, KCK on Friday, March 7 at 8:00 PM for their own PLAYING IT SAFE Album Release Show with Schemada, and 2w33dy. More info at: http://www.fullbloods.com

Ross Brown welcome to Wednesday MidDay Medley

When Fullbloods play live, Ross is joined by his friends: Konner Ervin on guitar, Kyle Little on keyboards, Kyle Rausch on bass, Fritz Hutchison on drums.

Ross Brown is also in: Shy Boys, Koney, Snacky, and Ghosty

Shy Boys / The ACBs / Ghosty / The I’ms / Fullbloods / Koney – Discography

The ACB’s / The ACB’s / July 10, 2007
[Debut from KC based 4-piece with Konnor Ervin on lead vocals, Bryan McGuire on bass, Matt Saladino on guitar, Corey Egan on drums & vocals. Written by, and arranged by Konnor Ervin. Produced by Tim Suttle. Recorded & mixed at Underdog Studio in Desoto, KS. Mastered at Euphonic Masters in Memphis, TN.]

The Abracadabras – Be Still, Be Cool / The Abracadabras / January 1, 2008
[5-piece KC band formed in the spring of 2007, with Jocelyn Olivia (John) Nixon on keyboards & vocals, Travis Mckenzie on lead guitar, Bobby (Wayne Hutcherson) Topaz on guitar & vocals, Collin Rausch on bass & vocals, and Kyle Rausch on drums & vocals.]

The ACBs – Stona Rosa / The ACBs / January 1, 2011
[After half of the band left to move to LA, Konnor Ervin and Bryan McGuire got help from: Andrew Connor of Ghosty, and Beau Bruns of Cowboy Indian Bear. All songs written by, and arranged, lead vocals & guitar by Konnor Ervin. Mike Nolte on bass, Bryan McGuire on bass & vocals, Andrew Connor on guitar & vocals, Beau Brus on drums. Kyle Rausch on vocals. Produced by Mike Nolte. Mastered by Roger Seibel Recorded at More Famouser Studios. Mixed at More Famouser Studios. Mastered at SAE Mastering.]

The I’ms – Second MIXES / Independent / 2011
[Collin Rausch and Kyle Rausch. Kyle Rausch also plays with The ACB’s. In 2011 on WMM we started playing songs from The I’ms, a duo made of up Collin and Kyle, who posted 6 of their self recorded songs on their facebook page. We included this informal release in our Top Ten of The 111 Best Recordings of 2011. 3 of the songs from The I’ms ended up being rerecorded for Shy Boys.]

Ghosty – GHOSTY / More Famouser Records – High Dive Records / April 17, 2012
[3rd full length release from Lawrence and KC area band. Ghosty is Andrew Connor, Mike Nolte an Bill Belzer who recorded their new album themselves over the last couple of years with help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, and Dan Talmadge. The new release was pressed on vinyl and available on LP and digital download. More info at ghostysounds.com.]

The ACBs – Little Leaves / High Dive Records / March 5, 2013.
[Konnor Ervin on lead vocals, & guitar; Bryan McGuire on bass, Andrew Connor on guitar; Kyle Rausch on drums. Their songs have been featured on MTV’s The Inbetweeners, and Daytrotter. The title “Little Leaves” is a nod to Konnor Ervin’s landscaping day job. The lead single, “Ocean” was released as a free download in late 2012, prompting Popmatters to declare the ACBs as one of its “Best Hopes to Break Out in 2013.”]

Shy Boys – Shy Boys / High Dive Records / January 17, 2014
[Debut release. Brothers Collin Rausch, Kyle Rausch, and friend and roommate Konnor Ervin, are members of this KC based trio. Collin and Kyle’s father was a High School band director and music teacher. Konnor Ervin is the lead singer and songwriter of The ACBs, where Kyle also plays drums. The 10 song release had two singles premiered by Stereogum. “Keeps Me On My Toes” was a song Collin wrote in 15 minutes while his girlfriend was in the shower. The album was recorded at West End Studio, over two-weekends.]

Shy Boys – “Life is Peachy” – Single Release / High Dive Records / July 15, 2014
[Stereogum has premiered the band’s new song, “Life Is Peachy”, the A-side to their new 45 rpm, 7″ single coming from High Dive Records. Brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin, are members of the Kansas City based band, Shy Boys. ]

Fullbloods – Mild West / High Dive Records / February 26, 2016
[Second full length release from Fullbloods: Ross Brown; Jared Tomasino; David Seume; and Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).]

Shy Boys – Bell House / Polyvinyl Record Co. / August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com

Shy Boys – Dim The Light / Brick By Brick – Singles / Polyvinyl Record Co. / Feb. 15, 2019
[Single release follow up to band’s 2nd album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

Fullbloods – Soft and Virtual Touch / High Dive Records / April 3, 2020
[3rd full-length. All songs written, performed, recorded, mixed by Ross Brown in KCMO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, & 9, sang on 9. Bill Pollock Played drums on 3 & 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 & 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More info at: http://www.fullbloods.com.]

Shy Boys – Talk Loud / Polyvinyl Record Co. / September 25, 2020
[3rd album from the KC band Shy Boys. New music follow up to the Dim The Light / Brick By Brick, singles released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records.]

Koney – Koney / High Dive Records / October 9, 2020

[from Lucas Wetzel’s Pitch Feature: “To bring the songs to life, Konnor enlisted brothers Collin and Kyle Rausch, his roommates in their ramshackle West Plaza house/practice space and his bandmates in chamber pop group Shy Boys. Ross Brown (of Fullbloods) played synthesizer and helped run sound, and multi-instrumentalist Kyle Little contributed on guitar. Fritz Hutchison and Andrew Connor also contributed on several tracks. Recording engineer Mike Nolte flew in from Portland to run the controls at Westend Recordings, and the group set up camp in the studio over a long snowy weekend in 2015.” ]

Ross Brown welcome to Wednesday MidDay Medley

Fullbloods play The Ship 1221 Union Ave, KCMO on Friday February 21, at 9:00 pm with Fake Italian for Daniel Gum’s The Great Conjunction Album Release Show.

Fullbloods play Hillsiders 403 N. 5th Street, KCK on Friday, March 7 at 8:00 PM for their own PLAYING IT SAFE Album Release Show with Schemada, and 2w33dy.

More info at: http://www.fullbloods.com

10:57

  1. Fullbloods – “No Hesitation”
    from: Playing It Safe / High Dive Records / March 7, 2025
    [The first single, “No Hesitation” was released on December 7, 2024. // Fullbloods is a studio project of songwriter and producer Ross Brown (Shy Boys, Koney, Snacky). Live he is joined by his friends and the music is probably better that way. Thanks for listening! // Fullbloods released their 3rd full-length album Soft and Virtual Touch on High Dive Records on April 3, 2020. All songs written, performed, recorded, mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock Played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. Info: http://www.fullbloods.com.]

[Fullbloods play The Ship 1221 Union Ave, KCMO on Friday February 21, at 9:00 pm with Fake Italian for Daniel Gum’s The Great Conjunction Album Release Show. ]

[Fullbloods play Hillsiders 403 N. 5th Street, KCK on Friday, March 7 at 8:00 PM for their own PLAYING IT SAFE Album Release Show with Schemada, and 2w33dy.]

11:00 – Station ID

  1. Run With It – “Night Watch”
    from: “Night Watch” – Single / Run With It / August 21, 2024
    [Miguel Antonio on lead vocals & guitar. Daniel Cole on drums, Paul Seiz on keyboards. Cody Ryan Stapleton on lead guitar, and Matt Muckenthaler on bass guitar // “Night Watch” is a pulsating anthem of the nocturnal world, vividly capturing the allure and chaos of nightlife. It plunges into a city where nights stretch endlessly, illuminated by flashing lights and electric energy, evoking both an invitation and a warning. The song’s chorus, “I’m on the night watch, baby,” symbolizes a restless vigilance amidst the thrilling uncertainties of the night. // The band has always been known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. The band has toured extensively. Run With It are influenced by The Black Keys, Maroon 5, Bill Withers, and more. With backgrounds in gritty rock, groovy soul, stylish R&B. // Miguel Carabello was born June 11, 1980 originally from Junction City, Kansas, Married. Daniel Cole was born April 8, 1991 and graduated from Lee’s Summit West HS in 2009. Paul Seiz Paul graduated from Millikin University with a degree in Commercial Music and began his professional career as the Resident Music Director of Playhouse On The Square, a professional theater in Memphis, TN. Paul has been the regional entertainment director for Howl At The Moon for nearly eight years. And also plays with Songwheels and works as a DJ. Paul lives in Overland Park KS and has three kids. Cody Ryan Stapleton lives in KCK he has played with several bands including The Dear Misses. Matt Muckenthaler studied at Missouri Western State University and has played in several bands. // Run With it were last on WMM on October 23, 2024, before that is was nearly eight years ago on March 22, 2017 when the band was aa three-piece with Miguel Caraballo on lead vocals & guitar, Daniel Cole on Drums, and Ben Byard on bass & vocals. promoting their EP How To Start A Fire release March 24, 2017. The band put together 60 songs before going into the studio. They sifted through the songs with producer Josh Gleave and found the six best songs to record. // // More information at: http://www.runwithitband.com]

[Run With It play a 60-minute concert on MidCoast LIVE! Friday, February 14, at 12:00 noon on 90.1 FM KKFI – Kansas City Community Radio.]

11:03 – Interview with Run With It

Run With It return to WMM. Miguel Antonio on lead vocals & guitar, Daniel Cole on drums & percussion, Paul Seiz on keyboards, Cody Ryan Stapleton on lead guitar; and Matt Muckenthaler on bass guitar collectively are one of the hardest working bands in Kansas City. For nearly a decade, Run With It has been touring across the country, from college campus showcases to corporate galas. Their high-octane performances leave an indelible mark. Run With It combine their exceptional original songs with skillful covers of artists like Kings of Leon and Ed Sheeran. Run With It are influenced by The Black Keys, Maroon 5, Bill Withers, OneRepublic, and Imagine Dragons with backgrounds in gritty rock, groovy soul, and stylish R&B. Their alternative rock vibe creates an electrifying atmosphere. Run With It released their recent singles: “Ghost Like You” on September 13, 2024; “Nightwatch” on August 21, 2024; and “It’s Not Over (feat. The Royal Chief) on April 10, 2024.

Run With It play a 60-minute concert on MidCoast LIVE! Friday, February 14, at 12:00 noon on 90.1 FM KKFI – Kansas City Community Radio. More info at: linktr.ee/runwithitband

Miguel Antonio , Daniel Cole, Paul Seiz, Cody Ryan Stapleton, and Matt Muckenthaler thanks for being with us again on Wednesday MidDay Medley

Run With It released their newest singles:
“It’s Not Over (feat. The Royal Chief) on April 10, 2024;
“Nightwatch” on August 21, 2024; and
“Ghost Like You” on September 13, 2024.

Run With It offers a diverse musical experience tailored to various events. From campus showcases to corporate galas, their high-octane performances leave an indelible mark. With influences ranging from OneRepublic to Imagine Dragons, their alternative rock vibe creates an electrifying atmosphere. Combining exceptional originals with skillful covers of artists like Kings of Leon and Ed Sheeran, Run With It ensures a night of non-stop.

Run With it were last on WMM on October 23, 2024. Before that is was eight years ago on March 22, 2017 when the band was a 3-piece. They have now expanded to be a 5-piece band. More info at: linktr.ee/runwithitband

Miguel Antonio – Lead Singer / Guitar – was born June 11, 1980 originally from Junction City, Kansas, Married.

Daniel Cole – Drummer – was born April 8, 1991 and graduated from Lee’s Summit West HS in 2009 Damniel also plays with Kat King

Paul Seiz – Keyboardist – graduated from Millikin University with a degree in Commercial Music and began his professional career as the Resident Music Director of Playhouse On The Square, a professional theater in Memphis, TN. Paul has been the regional entertainment director for Howl At The Moon for nearly eight years. And also plays with Songwheels and works as a DJ. Paul lives in Overland Park KS and has three kids

Cody Ryan Stapleton – Lead Guitar – lives in KCK he has played with several bands including The Dear Misses.

Matt Muckenthaler – Bass Guitar – studied at Missouri Western State University and has played in several bands

“Night Watch” is a pulsating anthem of the nocturnal world, vividly capturing the allure and chaos of nightlife. It plunges into a city where nights stretch endlessly, illuminated by flashing lights and electric energy, evoking both an invitation and a warning. The song’s chorus, “I’m on the night watch, baby,” symbolizes a restless vigilance amidst the thrilling uncertainties of the night.

Nightwatch – Run With It
V1
Late nights
Losing time
The cars
The trains
The flashing lights
Fit right
In the line
When they let me in
I dance all night
PC
Just one taste (gonna kill the pain) eh eh eh
Just one taste
Just one taste (all it’s gonna take) eh eheh
Just one taste
CH
I’m on the night watch baby
Run and tell the sun
I’ll run until the sun.
Comes up
V2
Lost in the bathroom stall
Spin around until I make it out
Her lips said it all
If this is lost
I don’t want to be found
PC
Just one taste (gonna kill the pain) eh eh eh
Just one taste
Just one taste (all it’s gonna take) eh eheh
Just one taste
CH
I’m on the night watch baby
Run and tell the sun
I’ll run until the sun.
Comes up

Run With it were last on WMM on October 23, 2024, before that is was nearly eight years ago on March 22, 2017 when the band was aa three-piece with Miguel Caraballo on lead vocals & guitar, Daniel Cole on Drums, and Ben Byard on bass & vocals. promoting their EP How To Start A Fire release March 24, 2017. The band put together 60 songs before going into the studio. They sifted through the songs with producer Josh Gleave and found the six best songs to record.

11:13

  1. Run With It – “It’s Not Over (feat. The Royal Chief)”
    from: “It’s Not Over (feat. The Royal Chief)” – Single / Run With It / April 10, 2024
    [Miguel Antonio on lead vocals & guitar. Daniel Cole on drums, Paul Seiz on keyboards. Cody Ryan Stapleton on lead guitar, and Matt Muckenthaler on bass guitar // “Night Watch” is a pulsating anthem of the nocturnal world, vividly capturing the allure and chaos of nightlife. It plunges into a city where nights stretch endlessly, illuminated by flashing lights and electric energy, evoking both an invitation and a warning. The song’s chorus, “I’m on the night watch, baby,” symbolizes a restless vigilance amidst the thrilling uncertainties of the night. // The band has always been known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. The band has toured extensively. Run With It are influenced by The Black Keys, Maroon 5, Bill Withers, and more. With backgrounds in gritty rock, groovy soul, stylish R&B. // Miguel Carabello was born June 11, 1980 originally from Junction City, Kansas, Married. Daniel Cole was born April 8, 1991 and graduated from Lee’s Summit West HS in 2009. Paul Seiz Paul graduated from Millikin University with a degree in Commercial Music and began his professional career as the Resident Music Director of Playhouse On The Square, a professional theater in Memphis, TN. Paul has been the regional entertainment director for Howl At The Moon for nearly eight years. And also plays with Songwheels and works as a DJ. Paul lives in Overland Park KS and has three kids. Cody Ryan Stapleton lives in KCK he has played with several bands including The Dear Misses. Matt Muckenthaler studied at Missouri Western State University and has played in several bands. // Run With it were last on WMM on October 23, 2024, before that is was nearly eight years ago on March 22, 2017 when the band was aa three-piece with Miguel Caraballo on lead vocals & guitar, Daniel Cole on Drums, and Ben Byard on bass & vocals. promoting their EP How To Start A Fire release March 24, 2017. The band put together 60 songs before going into the studio. They sifted through the songs with producer Josh Gleave and found the six best songs to record. // // More information at: http://www.runwithitband.com]

[Run With It play a 60-minute concert on MidCoast LIVE! Friday, February 14, at 12:00 noon on 90.1 FM KKFI – Kansas City Community Radio.]

11:16 – More Interview with Run With It

Run With It return to WMM. Miguel Antonio on lead vocals & guitar, Daniel Cole on drums & percussion, Paul Seiz on keyboards, Cody Ryan Stapleton on lead guitar; and Matt Muckenthaler on bass guitar collectively are one of the hardest working bands in Kansas City. For nearly a decade, Run With It has been touring across the country, from college campus showcases to corporate galas. Their high-octane performances leave an indelible mark. Run With It combine their exceptional original songs with skillful covers of artists like Kings of Leon and Ed Sheeran. Run With It are influenced by The Black Keys, Maroon 5, Bill Withers, OneRepublic, and Imagine Dragons with backgrounds in gritty rock, groovy soul, and stylish R&B. Their alternative rock vibe creates an electrifying atmosphere. Run With It released their recent singles: “Ghost Like You” on September 13, 2024; “Nightwatch” on August 21, 2024; and “It’s Not Over (feat. The Royal Chief) on April 10, 2024.

Run With It play a 60-minute concert on MidCoast LIVE! Friday, Feb. 14, at 12:00 noon on 90.1 FM KKFI – Kansas City Community Radio. More info at: linktr.ee/runwithitband

Miguel Antonio , Daniel Cole, Paul Seiz, Cody Ryan Stapleton , and Matt Muckenthaler on bass guitar thanks for being with us again on Wednesday MidDay Medley

Step into the world of Run With It, where every performance feels like a journey through indie-pop bliss. With their infectious energy and captivating stage presence, this band effortlessly weaves together indie rock vibes with irresistible pop hooks, drawing inspiration from acts like The Killers, Walk the Moon, and Kings Of Leon.

Their music journey has been a passion-fueled ride, resonating deeply with listeners through infectious melodies and high-energy anthems. Each track showcases their creativity and profound connection with their audience. Memorable shows at venues like Al Udeid Air Force Base in Doha, Qatar, touring college campuses, and sharing stages with Candlebox and Jake Clemons are propelling them into a bright future.

Whether lighting up a festival stage or creating an intimate vibe in a local venue, Run With It brings a personal touch that turns every performance into a shared experience. Join their musical journey and discover why their sound is making waves.

Main contact – Miguel Antonio – 816-582-2056 – booking@runwithitband.net

Booking for Public/Private Events – lauren@redbeatentertainment.com

College Booking – libby@metropolismanagement.com

Instagram – https://www.instagram.com/runwithitband/

Facebook – https://www.facebook.com/Runwithitbandoffical

Snap Chat – https://www.snapchat.com/add/runwithitband?share_id=NUYzOTBG&locale=en_UShttps://www.snapchat.com/add/runwithitband?share_id=NUYzOTBG&locale=en_US

Tiktok – https://www.tiktok.com/@runwithitband

Twitter – https://twitter.com/runwithitband

The band is known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. Run With It are influenced by The Black Keys, Maroon 5, Bill Withers, and more. With backgrounds in gritty rock, groovy soul, stylish R&B.

Ghost Like You delves into the intoxicating pull of a toxic love, where the protagonist is entranced by a ghostly presence that blurs the line between pleasure and pain. The lyrics explore the conflict between desire and self-destruction, as the protagonist grapples with the consuming nature of this almost supernatural connection.

Ghost LIke You
V1:
I’ve been waiting for a ghost like you
I’ve got these walls that you can walk on through
Your voice it echos down these empty halls
Your touch is soft come and break my fall
I’ve been sleeping when the suns comes up
The days are torture without your touch
Wake up again to the light of the moon
I’ve been waiting for a ghost like you
CH;
You haunt me, i’m fadin i gotta let go
Come and save me take control
Are you my demon or my angel of gold
Is there a heaven you know
is there a heaven you know
V2:
You take my hands tie me to the bed
Give me a drink the room starts to spin
You whisper words that I can’t forgive
You bite my chest and make me want to live
You’re a demon played me for a fool
You’re a angel only speak truth
Say your prayers and make me new
I’ve been waiting for a ghost like you
CH;
You haunt me, i’m fadin i gotta let go
Come and save me take control
Are you my demon or my angel of gold
Is there a heaven you know
is there a heaven you know

Miguel Antonio , Daniel Cole, Paul Seiz, Cody Ryan Stapleton , and Matt Muckenthaler on bass guitar thanks for being with us again on Wednesday MidDay Medley

Run With It play a 60-minute concert on MidCoast LIVE! Friday, February 14, at 12:00 noon on 90.1 FM KKFI – Kansas City Community Radio. Info at: linktr.ee/runwithitband

11:25

  1. Run With It – “Ghost Like You”
    from: “Ghost Like You” – Single / Run With It / September 13, 2024.
    [Miguel Antonio on lead vocals & guitar. Daniel Cole on drums, Paul Seiz on keyboards. Cody Ryan Stapleton on lead guitar, and Matt Muckenthaler on bass guitar // “Night Watch” is a pulsating anthem of the nocturnal world, vividly capturing the allure and chaos of nightlife. It plunges into a city where nights stretch endlessly, illuminated by flashing lights and electric energy, evoking both an invitation and a warning. The song’s chorus, “I’m on the night watch, baby,” symbolizes a restless vigilance amidst the thrilling uncertainties of the night. // The band has always been known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. The band has toured extensively. Run With It are influenced by The Black Keys, Maroon 5, Bill Withers, and more. With backgrounds in gritty rock, groovy soul, stylish R&B. // Miguel Carabello was born June 11, 1980 originally from Junction City, Kansas, Married. Daniel Cole was born April 8, 1991 and graduated from Lee’s Summit West HS in 2009. Paul Seiz Paul graduated from Millikin University with a degree in Commercial Music and began his professional career as the Resident Music Director of Playhouse On The Square, a professional theater in Memphis, TN. Paul has been the regional entertainment director for Howl At The Moon for nearly eight years. And also plays with Songwheels and works as a DJ. Paul lives in Overland Park KS and has three kids. Cody Ryan Stapleton lives in KCK he has played with several bands including The Dear Misses. Matt Muckenthaler studied at Missouri Western State University and has played in several bands. // Run With it were last on WMM on October 23, 2024, before that is was nearly eight years ago on March 22, 2017 when the band was aa three-piece with Miguel Caraballo on lead vocals & guitar, Daniel Cole on Drums, and Ben Byard on bass & vocals. promoting their EP How To Start A Fire release March 24, 2017. The band put together 60 songs before going into the studio. They sifted through the songs with producer Josh Gleave and found the six best songs to record. // // More information at: http://www.runwithitband.com]

[Run With It play a 60-minute concert on MidCoast LIVE! Friday, February 14, at 12:00 noon on 90.1 FM KKFI – Kansas City Community Radio.]

11:28 – Underwriting

  1. Bobcat Attack – “Bird of Prey”
    from: “Bird of Prey” – Single / Les Bon Bons Electriques – The Record Machine / Jan. 10, 2025
    [Bobcat Attack is the alter ego of electronic musician Nathan Reusch. Reusch has a passion for blending dub, techno, and ambient electronica into his own improvised vision. His compositions, crafted with synthesizers, drum machines, and modular synths, create a pulsing soundscape that is both intimate and lush, setting him apart in the electronic music scene. // Reusch first started making electronic music influenced by emo/punk in the early 2000s, opening for acts like Taking Back Sunday, Mewihoutyou, Coheed and Cambria, to more fitting artists like Joy Electric, Atom & His Package, Casiotone for the Painfully Alone and Yacht. In 2003, he started his indie label, The Record Machine, and in 2011, he founded KC’s Middle of the Map Fest; his time and focus on making his music came to a halt. The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renewed his interest in making music. After a few months of waywardly trying to figure out patches and midi cables, he joined KC’s Synth Collective and found a group of similarly-minded electronic musicians. // After a year of playing and organizing shows with the KC Synth Collective, he is regaining his footing; Reusch is ready to release his first new material in nearly two decades. Bobcat Attack bridges the gap between ambient, dub-techno, and house music. The result is a rich textural environment of blooming melodies, entrancing techno beats, and ambient soundscapes that immerses the listener in a vibrant, flooding forest of electronica. His arrangements are patient and complete, and there’s always a discovery bubbling underneath the surface. // Bobcat Attack’s debut single release, “Pallas,” (Sept. 20, 2024) was the inaugural release on Les Bon Bons Electriques – The Record Machine imprint. This collaboration between fellow electronic musician and collaborator Mark Ronning (Mr. Golden Sun/Pool Culure) and Reusch’s label, The Record Machine,]

[Bobcat Attack plays The Kansas City Synthesizer Collective third anniversary special show, Friday, February 21, at 7:00pm, at Stockyards Brewing Co, 1600 Genessee St, Ste 100, KCMO.]

11:33 – Interview with Nathan Reusch and Zac Laman

Nathan Reusch is co-founder of The Record Machine an area music label that is celebrating 22 years! Nathan Reusch first started making electronic music under the name Bobcat Attack influenced by emo/punk in the early 2000s, opening for acts like Taking Back Sunday, Mewihoutyou, Coheed and Cambria, to more fitting artists like Joy Electric, Atom & His Package, Casiotone for the Painfully Alone and Yacht. In 2003, he started his indie label, The Record Machine, and in 2011, he founded KC’s Middle of the Map Fest; his time and focus on making his music came to a halt. Under Nathan’s leadership The Record Machine has been the label for Static Phantoms, Monta, Various Blonde, Cowboy Indian Bear, LaGuerre, The Philistines, and Black Light Animals and many more. Nathan is also a DJ. The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renewed his interest in making music. After a few months of waywardly trying to figure out patches and midi cables, he joined KC’s Synth Collective and found a group of similarly-minded electronic musicians. His debut track, Pallas, released September 18, 2024 was the inaugural release on Les Bon Bons Electriques imprint on The Record Machine label. This collaboration between fellow electronic musician and collaborator Mark Ronning (Mr. Golden Sun/Pool Culure) and Reusch’s label, The Record Machine,

Nathan Reusch thanks for being with us on WMM.

Kansas City based musician Zac Laman records music as Wrker_. Wrker_ is an electronic music producer who has been pushing the boundaries of jungle and drum and bass since 1996. Growing up in Bentonville, AR, his early days were steeped in a passion for underground sounds that would later find new expression through the innovative capabilities of the Polyend Tracker. In 2004, a move to Kansas City, MO marked a turning point, offering fresh perspectives and a vibrant new scene to fuel his creative journey. // Drawing inspiration from influential forces like the pioneering UK label Metal Headz, as well as the experimental realms of Aphex Twin, Venetian Snares, and Squarepusher, wrker_ crafts complex, high-energy soundscapes that blend intricate breakbeats with futuristic electronic textures. His work is a seamless fusion of classic jungle/drum and bass rhythms and contemporary production techniques, resulting in a sound that is both a nod to the genre’s storied past and a bold step into its future. // Today, Wrker_ continues to explore and expand his sonic palette, delivering tracks that captivate audiences with their technical precision, relentless energy, and unmistakable creative vision. // We first played Wrker_ on WMM on October 4, 2023.

Zac Laman thanks for being with us on WMM.

Nathan Reusch (Bobcat) Attack & Zac Laman (Wrker_s) share details about the KC Synthesizer Collective, a group of electronic musicians working to build platforms for experimental & emerging artists. The KC Synthesizer Collective is cultivating a community centered around creativity & self-expression in the electronic music scene. The collective meets on the 1st & 3rd Tues. from 6 to 10:00 pm at Stockyards Brewing Co.

The Kansas City Synthesizer Collective will celebrate their third anniversary with a special show, Friday, February 21, at 7:00pm, at Stockyards Brewing Co, 1600 Genessee St, Ste 100, KCMO. More info at: http://www.kcsynthcollective.com

The new Bobcat Attack single “Bird of Prey” is Bobcat Attack’s debut single release, “Pallas,” (Sept. 20, 2024) was the inaugural release on Les Bon Bons Electriques – The Record Machine imprint. This collaboration between fellow electronic musician and collaborator Mark Ronning (Mr. Golden Sun/Pool Culure) and Reusch’s label, The Record Machine..

Zach Laman grew up in Bentonville, AR, his early days were steeped in a passion for underground sounds that would later find new expression through the innovative capabilities of the Polyend Tracker. In 2004, a move to Kansas City, MO marked a turning point, offering fresh perspectives and a vibrant new scene to fuel his creative journey.

The new single from Wrker_ is “ICE” from an upcoming EP to be released soon. Earlier this year on January 7, 2025 Wrker_ released the 5-track EP – HEAR THIS.

11:40

  1. Wrker_ – “ICE”
    from: “Ice” / Wrker_ / January 14, 2025, 2023
    [“ICE” is from an upcoming EP to be released soon. Earlier this year on January 7, 2025 Wrker_ released the 5-track EP – HEAR THIS. On July 18, 2024 Wrker_ released the single “5”. On November 22, 2023 Wrker_ released the singe, “Berserk Earth.” // Kansas City based Wrker is Zachary Laman. Zach Laman records music as Wrker_. Wrker_ is an electronic music producer who has been pushing the boundaries of jungle and drum and bass since 1996. Growing up in Bentonville, AR, his early days were steeped in a passion for underground sounds that would later find new expression through the innovative capabilities of the Polyend Tracker. In 2004, a move to Kansas City, MO marked a turning point, offering fresh perspectives and a vibrant new scene to fuel his creative journey. / Drawing inspiration from influential forces like the pioneering UK label Metal Headz, as well as the experimental realms of Aphex Twin, Venetian Snares, and Squarepusher, wrker_ crafts complex, high-energy soundscapes that blend intricate breakbeats with futuristic electronic textures. His work is a seamless fusion of classic jungle/drum and bass rhythms and contemporary production techniques, resulting in a sound that is both a nod to the genre’s storied past and a bold step into its future. // Today, wrker_ continues to explore and expand his sonic palette, delivering tracks that captivate audiences with their technical precision, relentless energy, and unmistakable creative vision. We first played Wrker_ on WMM on October 4, 2023 wehen we played the track “Champion Soun” where Wrker_ who Chopped, sampled, tickled, and keyed. Made on the Polyend tracker.]

[Wrker_ plays The Kansas City Synthesizer Collective third anniversary special show, Friday, February 21, at 7:00pm, at Stockyards Brewing Co, 1600 Genessee St, Ste 100, KCMO.]

11:45 – More Interview with with Nathan Reusch and Zac Laman

Nathan Reusch is co-founder of The Record Machine an area music label that is celebrating 22 years! Nathan Reusch first started making electronic music under the name Bobcat Attack influenced by emo/punk in the early 2000s, opening for acts like Taking Back Sunday, Mewihoutyou, Coheed and Cambria, to more fitting artists like Joy Electric, Atom & His Package, Casiotone for the Painfully Alone and Yacht. In 2003, he started his indie label, The Record Machine, and in 2011, he founded KC’s Middle of the Map Fest; his time and focus on making his music came to a halt. Under Nathan’s leadership The Record Machine has been the label for Static Phantoms, Monta, Various Blonde, Cowboy Indian Bear, LaGuerre, The Philistines, and Black Light Animals and many more. Nathan is also a DJ. The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renewed his interest in making music. After a few months of waywardly trying to figure out patches and midi cables, he joined KC’s Synth Collective and found a group of similarly-minded electronic musicians. His debut track, Pallas, released September 18, 2024 was the inaugural release on Les Bon Bons Electriques imprint on The Record Machine label. This collaboration between fellow electronic musician and collaborator Mark Ronning (Mr. Golden Sun/Pool Culure) and Reusch’s label, The Record Machine,

Nathan Reusch thanks for being with us on WMM.

Kansas City based musician Zac Laman records music as Wrker_. Wrker_ is an electronic music producer who has been pushing the boundaries of jungle and drum and bass since 1996. Growing up in Bentonville, AR, his early days were steeped in a passion for underground sounds that would later find new expression through the innovative capabilities of the Polyend Tracker. In 2004, a move to Kansas City, MO marked a turning point, offering fresh perspectives and a vibrant new scene to fuel his creative journey. // Drawing inspiration from influential forces like the pioneering UK label Metal Headz, as well as the experimental realms of Aphex Twin, Venetian Snares, and Squarepusher, wrker_ crafts complex, high-energy soundscapes that blend intricate breakbeats with futuristic electronic textures. His work is a seamless fusion of classic jungle/drum and bass rhythms and contemporary production techniques, resulting in a sound that is both a nod to the genre’s storied past and a bold step into its future. // Today, wrker_ continues to explore and expand his sonic palette, delivering tracks that captivate audiences with their technical precision, relentless energy, and unmistakable creative vision. // We first played Wrker_ on WMM on October 4, 2023.

Zac Laman thanks for being with us on WMM.

Nathan Reusch aka Bobcat Attack and Zac Laman aka Wrker_share details about the Kansas City Synthesizer Collective, a group of electronic musicians working to build platforms for experimental & emerging artists. The KC Synthesizer Collective is cultivating a community centered around creativity & self-expression in the electronic music scene. The collective meets on the 1st and 3rd Tuesdays from 6:00pm to 10:00 pm at Stockyards Brewing Co.

Nathan Reusch aka Bobcat Attack & Zach Laman aka Wrker_ Thanks for being on WMM

The Kansas City Synthesizer Collective will celebrate their third anniversary with a special show, Friday, February 21, at 7:00pm, at Stockyards Brewing Co, 1600 Genessee St, Ste 100, KCMO. More info at: http://www.kcsynthcollective.com

  1. Dusk Runner – “Stranger Danger”
    from: “Stranger Danger” – Single / Dusk Runner / 2025
    [Dusk Runner is Jesse Jones]

[Dusk Runner plays The Kansas City Synthesizer Collective third anniversary special show, Friday, February 21, at 7:00pm, at Stockyards Brewing Co, 1600 Genessee St, Ste 100, KCMO.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, Feb 19 – MC, Band Leader, Activist, Les Izmore joins us as Guest Producer.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1082