WMM Playlist from May 14, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 14, 2025

Stephonne & Rachel Christia of KC Folk Fest + Paul Jesse + Alex Wong & Jen Kiper

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]

from: Iris Silver Mist / 4AD / May 2, 2025
[Jenny Hval was born July 11, 1980, in Oslo, Norway. She is a Norwegian musician, singer, songwriter, lyricist and writer. // Iris Silver Mist is the ninth solo studio album by Jenny. Musically, Iris Silver Mist is as an experimental and art pop recording. Iris Silver Mist is named after a fragrance created by perfumer Maurice Roucel for the French brand Serge Lutens. // During the early months of the 2020 COVID-19 pandemic, Norwegian musician Jenny Hval revisited a teenage fascination with perfume. This sensory interest gradually evolved into a new creative framework, as scent became a substitute for the intimacy and immediacy of live music. Central to this shift was the fragrance Iris Silver Mist by Maurice Roucel for the French perfume house Serge Lutens. Hval described the scent as evoking the sensation of being “close to ghosts”, and its themes of transformation and ephemeral presence would later inform the album that took its name. Hval announced their ninth album, Iris Silver Mist. Many of the tracks on Iris Silver Mist were initially introduced during Hval’s 2024 live performance series I Want To Be a Machine. // Jenny Hval has released nine albums under her own name – two under the moniker Rockettothesky. In 2015, Hval released her fifth studio album, Apocalypse, girl, to widespread critical acclaim. The following year, she released Blood Bitch (which was part of WMM’s 117 Best Recordings of 2017), a concept album influenced by vampires, menstruation and 1970s horror films. Blood Bitch has been described as “an investigation of blood,” Blood Bitch is a concept album which draws parallels between a fictional time-travelling vampire, named Orlando, and Hval’s own experiences touring her previous studio album, Apocalypse, girl. The album’s lyrical content is also influenced by 1970s horror and exploitation films and Virginia Woolf.]

  1. Curtis Harding – “There She Goes (Radio edit)”
    from: ”There She Goes” – Single / Anti / April 29, 2025
    [Curtis Harding – “making some of the best modern soul music out right now” (Uproxx) – has returned today with his first new music in four years. Following collaborations in recent years with RÜFÜS DU SOL and Jazmine Sullivan, the catchy new song “There She Goes” is accompanied by a new music video by Italian director Michele Civetta; taking place in an opulent Beverly Hills Garden with a sinister Twilight Zone-esque secret and featuring actor Omar Dorsey (Selma, Queen Sugar) who is a recurring presence in Harding’s music videos, watch it below. // Curtis Harding is an American soul singer, born in Saginaw, Michigan. Raised as a Mennonite, Harding’s family had no home until they settled in Atlanta, Georgia, when he was 14. Harding’s father, a mechanic, and his mother Dorothy, a gospel singer, took Harding and his five siblings around the United States in a van, stopping at churches. While his mother performed, Harding grew up playing music, though he originally wanted to play professional sports. In the early 2000s, Harding was part of the hip-hop group Proseed. He rapped on and co-wrote CeeLo Green’s 2002 album Cee-Lo Green and His Perfect Imperfections along with several Proseed members. He toured with Green as a backing singer on the Smokin’ Grooves Tour in 2002 alongside Outkast, Cypress Hill, Lauryn Hill, and The Roots. Harding spent time working with groups in Atlanta before moving to Toronto for a year. A year later, he “came back to record with some friends in my living room.” From these sessions came his debut album, Soul Power, on the indie label Burger Records, released May 6, 2014. He spent two weeks recording the album. Randy Michael composed the music on the single “Keep on Shining”, and Jason Reynolds co-wrote “Heaven’s on the Other Side” with Harding.He formed the band Night Sun with two Black Lips members, guitarist Cole Alexander and drummer Joe Bradley. His second album, Face Your Fear, was recorded at Danger Mouse’s 30th Century Studio in New York City. “Wednesday Morning Atonement” is the opening single. Harding describes his genre as “slop ‘n’ soul”, a combination of gospel, punk, psych rock, and blues. He has said that his influences include Albert King, the Everly Brothers, and Ronnie Dyson.]
  1. Car Seat Headrest – “Gethsemane (Radio edit)”
    from: The Scholars / Matador / May 2, 2025
    [Car Seat Headrest announce The Scholars, a bold new rock opera that isn’t just a new chapter for the premiere standard bearers of young internet rockers but also a spiritual rebirth, and the band’s first studio album in five years. Set at the fictional college campus Parnassus University, the songs on “The Scholars” are populated with students and staff whose travails illuminate a loose narrative of life, death, and rebirth. // The band’s rebirth did not come easily. In May of 2020, Car Seat Headrest (frontman Will Toledo, lead guitarist Ethan Ives, drummer Andrew Katz, and bassist Seth Dalby) released their experimental, beat-heavy album “Making a Door Less Open”, right as the world shut down. This led to a long period of enforced inactivity. When they were finally able to tour in 2022 they were delighted, if surprised, that their audience was now younger than ever, thanks to the surprise viral success of their songs ‘It’s Only Sex’ and ‘Sober to Death’ and a new generation discovering their coming-of-age classics “Teens of Denial” and “Twin Fantasy”. // Having gone through their trials, Car Seat Headrest are now ready for the next chapter in their career. It will astonish both longtime supporters and new fans. While Car Seat Headrest started as Toledo’s solo project, it is now fully a band. “What we’ve been doing more of in recent years is just taking the pulses of each other. We’ve really been leaning into that sort of cocoon that started off with the pandemic years and just turned into this special space that we were creating all on our own,” says Toledo. “I was coming out of it as a solo project and it always just felt like it was in pieces. There’s the album we’re working on, and then there’s a live show that we’re doing, and then there’s everything in between. And it didn’t really feel to me like things got in sync in an inner feeling way until this record, with that internal communal energy. And it’s become that band feeling for me in a much more realized way. That’s been a big journey.” It is a journey that listeners will want to embark on again and again as they absorb and discover the rich depths and clanging resonances of “The Scholars”.]
  1. Una Walkenhorst – “Narcissus”
    from: “Narcissus” – Single / Una Walkenhorst / April 27, 2025 [Unreleased – DEMO]
    [Una posted this song/video on Facebook: https://www.facebook.com/reel/896357992596611. Una Walkenhorst released the EP, “Woman of the Year,” on April 16, 2020. This recording was in the Top Five of WMM’s 120 Best recordings of 2020. // Una is a singer/songwriter from Kansas City. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to KC from New Orleans. Over the past several years, Una & Bob had performed together at selected events, including Folk Alliance International. In 2018 the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, with beautiful harmonies.]
  1. Madisen Ward – “Hangin’ On”
    from: “Hangin’ On” – Single / Madisen Ward / Video released September 23, 2024
    [Not released as a single. Madisen shared this with me. “Hangin’ On” is part of a video released Aug 23, 2024 created by Madisen Ward & Bryce Veazey, The video features Will Forte, Mark Normand, Kaylin Hurley, Adam Ward, Brayden Ingram, Kri Chay, Amanda Parra, Baby, Regan Hurley, Keyo Chay, and Madisen Ward as himself. The Video Post-Production was by Major Oak Creative. Music produced, engineered, mixed & mastered by Jeremy Wurst & Gene Abramov at B-24 Studios. Sun logo by Barry Blankenship. Filmed in Independence, MO. / Madisen Ward was born in Oklahoma, and grew up in the outskirts of KCMO. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They opened for BB King at The Midland. They signed with Glassnote Records in 2014 and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Madisen Ward is now performing as his first ever solo project, still crafting his own personal brand of Americana music. The same sound which launched the careers of the Family Folk Duo Madisen Ward and the Mama Bear. / We first played your music on this radio show in early May of 2013 after our mutual friend Joel Nanos of Element Recording sent me a copy of your independent EP, “We Burned The Cane Field.”where your first recorded Madisen’s original songs.

[Madisen Ward plays the Warehouse on Broadway, 3951 Broadway Blvd., KCMO on Sun. May 18, 2025 at 7:30 opening for Lissie.]

  1. Hovvdy & runo plum – “Shooting Star”
    from: “Shooting Star” – Single / Arts & Crafts / February 27, 2025
    [Hovvdy is an American indie pop duo formed in Austin, Texas by Charlie Martin and Will Taylor. // Hovvdy released their first EP in 2014. The following year, they released a split with the band Loafer. In 2016, the band released their debut full-length album, Taster, through Double Double Whammy. Hovvdy’s second album, titled Cranberry, was released in 2018. In 2019, the duo released a split with musician Hannah Read, known as Lomelda. The two artists covered each other’s songs for the release. The two also went on a summer tour to promote the album. Hovvdy’s third album, Heavy Lifter, was released in 2019. The band’s fourth album, True Love, was released on October 1, 2021. They released their self-titled fifth studio album through Arts & Crafts on April 26, 2024. // runo plum is an indie folk-rock artist born and raised in rural Minnesota. Nestled in the quiet woods, runo finds inspiration in everything — deep reflections from the past, love, health, relationships, art, or even just the mundane things of everyday life. // The majority of runo’s songs are written at home in Minnesota and recorded at fellow artist Philip Brooks’ home studio in southern Germany. The songs capture the same authenticity as when they were written, brought to life with wind chimes, rustling trees, and the distant sound of birds singing. // Music has been a constant companion of runo’s throughout her life , but the art of songwriting began to blossom at the age of 14. Fast forward to 2020, amidst the quietude of the pandemic, runo began immersing herself in the world of music production. She spent the year transforming as an artist and writing music more than ever. That year she wrote two EPs, piano songs, etc and earlier from ‘20, which she only released to Bandcamp and Soundcloud. // At the beginning of 2021, runo began sharing videos of her songs on social media. She gathered a small but dedicated audience, eager to experience the music on streaming platforms. Responding to their requests, yin to yang made its debut on Spotify, marking the beginning of a musical journey. Since then, she has independently released a variety of songs and projects, including a 6-track EP titled jupiter and a joint EP mountain songs with Philip Brooks. // Her latest project, earlier from ‘20, brings her back to where it all began. The newly recorded version of her EP has been reborn for wider streaming accessibility and features yin to yang, a standout track from her collection.]

[Hovvdy play recordBar, 1520 Grand Blvd., KCMO Wednesday, May 14, at 7:00pm with Free Range.]

10:29 – Underwriting

  1. Paul Jesse – “Hesitation (Radio Edit)”
    from: “Hesitation” – Single / Fowl Mouth / May 2, 2025
    [Paul Jesse. His musical journey began behind a drum kit in high school, writing and performing in a duo with his brother under the name Night Class. In 2024, he released his debut album, Hello Paul Jesse. Now, he’s entering a new chapter with “Hesitation,” the second single from his upcoming sophomore album, signaling a more vulnerable and refined sound. Paul has continued to build a name rooted in emotional honesty, DIY spirit, and genre-fluid expression. Paul Jesse was on our show in March of 2023 when he collaborated with Deegan Poores, to record the “Hello Paul Jesse, series of releases”. More info at http://www.pauljessemusic.com]

10:33 – Interview with Paul Jesse

We welcome back to the show, singer-songwriter Paul Jesse. His musical journey began behind a drum kit in high school, writing and performing in a duo with his brother under the name Night Class. In 2024, he released his debut album, Hello Paul Jesse. Now, he’s entering a new chapter with “Hesitation,” the second single from his upcoming sophomore album, signaling a more vulnerable and refined sound. Paul has continued to build a name rooted in emotional honesty, DIY spirit, and genre-fluid expression. Paul Jesse was on our show in March of 2023 when he collaborated with Deegan Poores, to record the “Hello Paul Jesse, series of releases”. More info at http://www.pauljessemusic.com

Paul Jesse thanks for being with us on WMM.

Paul Jesse – “Hesitation” – Single released through Fowl Mouth on May 2, 2025,. the second single from his upcoming sophomore album, signaling a more vulnerable and refined sound. Paul has continued to build a name rooted in emotional honesty, DIY spirit, and genre-fluid expression.

Paul Jesse was on our show in March of 2023 when he collaborated with Deegan Poores, to record the “Hello Paul Jesse, series of releases”.

Paul Jesse is a singer, songwriter, and producer based out of Lawrence, Kansas, whose debut EP, Stuck This Way came out in 2021 and combines his smooth and passionate vocals with psychedelic R&B, hip-hop, and electronic bedroom-pop production.

Paul Jesse collaborated with Deegan Poores to make the song “Your Sunshine”,”Your Sunshine (Feat. Hannah Davis)” on April 29, 2022. Paul asked Deegan to executive produce his debut album. Hello Paul Jesse, a 16 track album released on October 4, 2024. Several songs from the album were released through 2023 and 2024 as three EPs and each EP chronicled Paul’s growth and development as a person through heartache, self-reflection, and love, with Part 1, Part 2 and Part 3 capturing a different stage of Paul’s transition. The EP’s included many singles like “Numb” released on January 20, 2023. As described by Center Cut Records: “’Numb’ begins with some Pink Floyd vocals in an echo chamber, and some soundbites laid over a haunting piano for good measure. Paul’s Philly soul special voice is back again, but this time we’ve got some distorted vocals and instruments with Deegan lurking in the mix.” – Patrick Sprehe. Also “Remedy” featuring Arkko released, March 17, 29023

Deegan Poores released his debut album fn 2022, The “Vanishing” Album, combined indie rock, yacht rock, power pop, and synth pop to create a genre-bending sound with co-production from singer-songwriter-producer-filmmaker Remy Styrk from Kansas City.

More info at http://www.pauljessemusic.com

10:42

  1. Paul Jesse – “Drugs Can’t Save Me (Radio Edit)”
    from: “Drugs Can’t Save Me” – Single / Fowl Mouth / February 28, 2025
    [“Drugs Can’t Save Me” is the first single from Pau; Jesse’s upcoming sophomore album, signaling a more vulnerable and refined sound. Paul has continued to build a name rooted in emotional honesty, DIY spirit, and genre-fluid expression. Paul Jesse was on our show in March of 2023 when he collaborated with Deegan Poores, to record the “Hello Paul Jesse, series of releases”. More info at http://www.pauljessemusic.com]

11:45 – More Interview with Paul Jesse

We are talking with singer-songwriter Paul Jesse. His musical journey began behind a drum kit in high school, writing and performing in a duo with his brother under the name Night Class. In 2024, he released his debut album, Hello Paul Jesse. Now, he’s entering a new chapter with “Drugs Can’t Save Me” the first single from his upcoming sophomore album, signaling a more vulnerable and refined sound. Paul has continued to build a name rooted in emotional honesty, DIY spirit, and genre-fluid expression. Paul Jesse was on our show in March of 2023 when he collaborated with Deegan Poores, to record the “Hello Paul Jesse, series of releases”. More info at http://www.pauljessemusic.com

Paul Jesse thanks for being with us on WMM.

Paul Jesse, a singer, songwriter, and producer based out of Lawrence, Kansas, whose debut EP, Stuck This Way came out in 2021 and combines his smooth and passionate vocals with psychedelic R&B, hip-hop, and electronic bedroom-pop production.

11:53

  1. Paul Jesse – “Cycles”
    from: Cycles (Album) / Fowl Mouth / unreleased track from upcoming album Cycles
    [Radio premiere of song from Paul Jesse’s new album coming soon“Drugs Can’t Save Me” and “Hesitation” are the first and second singles from Paul Jesse’s upcoming sophomore album, signaling a more vulnerable and refined sound. Paul has continued to build a name rooted in emotional honesty, DIY spirit, and genre-fluid expression. Paul Jesse was on our show in March of 2023 when he collaborated with Deegan Poores, to record the “Hello Paul Jesse, series of releases”. More info at http://www.pauljessemusic.com]
  1. Claire Adams – “Passenger Seat”
    from: Passenger Seat / Claire Adams / May 2, 2025
    [New 11-track album Recorded at Rio Verde in Guadalajara, Jalisco with Additional recording at Maniax Studios GDL and Weights + Measures KCMO. Mixed and Mastered by Duane Trower at Weights + Measures. Claire Adams on bass, rhythm guitar, vocals; Abraham Villaseñor on lead guitar, rhythm guitar, vocals; Jean Pierre Chaurand on drums; Christian Jiménez on keyboards; Carmen Aguilar on violin; Allysa Bell Jackson on viola; Mike Stover on pedal steel, Juan Carlos Chaurand on percussion; Stephanie Williams on percussion. // Claire Adams lives in Guadalajara, Jalisco, Mexico but still gets back to Kansas City often to work on musical projects and see family and friends. // Musically curious and multifaceted, Claire Adams has spent more than a decade touring, recording and songwriting to hone her melodic instincts and vision. A bassist, guitarist, singer and songwriter, Adams has lent a discerning ear and versatility to a number of projects. // Picking up guitar as a teenager, Adams was immediately drawn to songwriting. Her penchant for wordplay and melody led her to Nashville to study, write and perform, sparking an interest in traveling, touring and working in collaborative environments. // Upon returning closer to home in 2010, Adams set up shop in Kansas City, Missouri, and Claire founded the eight-piece genre-jumping collective Claire and the Crowded Stage – a project that united her pop sensibilities with non-traditional instrumentation. This project teamed her up with guitarist Katy Guillen and drummer Stephanie Williams, leading them to form the nationally touring blues-rock trio Katy Guillen & the Girls in 2012, with Adams on bass and backing vocals. In recent years Adams has been performing solo, collaborating with the KC based string quartet Rewound, pianist Alyssa Murray, Steve Gardels. // On April 2, 2024 Claiere Adams released the EP Words of Love with Claire Adams on vocals, bass; Daniel Dissmore on trumpet; Fritz Hutchison on drums; Jackie Myers on piano; Trevor Turla on trombone; Abraham Villaseñor on guitar. // Recorded, mixed and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Additional recording by Odin Parada at Rec4 Studios, GDL. // Musically curious and multifaceted, Claire Adams is dedicated to collaborating, recording and songwriting to hone her melodic instincts and vision. A bassist, guitarist, singer and songwriter, Adams has lent a discerning ear and versatility to a number of projects. Claire founded the eight-piece genre-jumping collective Claire and the Crowded Stage – a project that united her pop sensibilities with non-traditional instrumentation. This project teamed her up with guitarist Katy Guillen and drummer Stephanie Williams, leading them to form the nationally touring blues-rock trio Katy Guillen & the Girls in 2012, with Adams on bass and backing vocals. In recent years Adams has been performing solo, collaborating with the KC based string quartet Rewound, and in a trio featuring pianist Alyssa Murray. // Claire Adams Alyssa Murray and Steve Gardels released the EP Easy Match on November 1, 2023. Easy Match contains 5 songs. // Claire Adams released “It’s All in Fun” – Single on June 30, 2023. Claire Adams told Michelle Bacon at The Bridge, “”I wrote the string arrangement in the summer of 2021 and we went in to record it this past spring,” Adams said. “I’ve had the happiness of working with Alyssa Bell (viola) and Carmen Dieker (violin) for several years now, mostly playing my songs as arranged by others and I wanted to give a try to arranging a song myself.” “I feel like having an understanding of everyone else’s styles and strengths gives me a sense of direction and focus on what can otherwise be a really abstract craft,” she said. On bass, she, Guillen and Williams comprised the acclaimed trio Katy Guillen & The Girls for seven years, while she has consistently been working with Murray in the years to follow. The four of them got to work with Duane Trower, who has recorded and engineered the majority of Adams‘ solo songs. // Claire Adams released “If It Isn’t Right (Alyssa Murray Remix)” on April 15, 2022 Claire Adams wrote to us saying, “Alyssa Murray made a super cool remix of one of the songs off the last album and I wanted to share it with you. The song is ‘If It Isn’t Right’ and also features the Rewound string trio and an arrangement by Peter Lawless. Alyssa really made it her own and gave it a whole new spin, she’s amazing!” Here are the full credits: Vocals: Claire Adams, Alyssa Murray, Fritz Hutchison. Synths and Beats: Alyssa Murray. Cello: Ezgi Karakus. Viola: Alyssa Bell. Violin: Carmen Dieker. String Arrangement: Peter Lawless. Mixed and Mastered by Duane Trower at Weights + Measures Soundlab. Cover Art by Cassie Allen. ‘If It Isn’t Right’ written by Claire Adams. This song was originally on Claire’s acclaimed album YOU KNOW I KNOW YOU originally released April 24, 2020. // Claire Adams released her album YOU KNOW I KNOW YOU April 24, 2020. Lost in the COVID 19 of 2020. The album was properly given a “release show” and put out on CD in 2021. 10 songs all written by Claire Adams. Recorded at The Blue House in Kansas City, MO. Additional tracking at MARZ Studios in Nederland, TX. Mixed & mastered at Weights + Measures Soundlab in KCMO. Written by Claire Adams, with Claire Adams on guitars, bass, and vocals; Alyssa Murray on keyboards & vocals; and Fritz Hutchison on drums & vocals. // Claire Adams released: Words of Love EP on Feb. 5, 2021 – Recorded and Produced by Claire Adams at Casa 34 in Guadalajara, Jalisco. Mixed and Mastered by Duane Trower at Weights + Measures in Kansas City, MO. Cover Photo by Hugo Parasol. ‘So This Is Love’ written by Mack David, Al Hoffman, and Jerry Livingston. ‘Pocketful Of Rainbows’ written by Ben Weisman, ‘Till There Was You’ written by Meredith Wilson. “Words of Love” written by Claire Adams. ‘Calico Skies’ written by Paul McCartney. // Claire Adams released the EP Moras under the moniker, Mismo Sismo (same earthquake) on July 21, 2021. Claire Adams wrote and recorded this EP at home during the first months of the COVID-19 quarantine. The three songs are meant to be played all together but also stand alone. Mismo Sismo is a collaboration with photographer Hugo Parasol.// Claire played guitar on True Lions album THE FEMPIRE STRIKES BACK. In 2020 Claire played with the band Ondist for their three full length albums, No Coincidence on June 12, and Electricity on Aug. 14, and Mise en Place on Nov. 13, 2020 with songs recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals. Claire also participated in Katy Guillen and The Girls Reunion shows in summer of 20. More info at: https://claireadams.bandcamp.com%5D

11:00 – Station ID

  1. Sunny War – “One Way Train”
    from: Armageddon In A Summer Dress / New West / February 21, 2025
    [Sunny War, also known as Sydney Ward, found inspiration for her latest album, Armageddon In A Summer Dress, while living in her late father’s 100-year-old house in Chattanooga, TN. She initially thought the house was haunted. Eerie sounds and visions led her to write the song “Ghosts.” However, she later discovered that hallucinations were caused by gas leaks, shifting her understanding of those experiences but not her artistic focus. Armageddon In A Summer Dress explores themes of memory, loss, and the ghosts of past selves. //After the success of her 2022 album, Anarchist Gospel, Sunny spent more time touring with artists like Bonnie Raitt and Mitski. To avoid falling back into past struggles with alcohol, she channeled her energy into music, crafting intricate demos and experimenting with sound. This process involved shifting from acoustic to electric guitar, aiming for a fuller band sound. // Tracks like “One Way Train” and “No One Calls Me Baby” highlight her blend of punk and roots influences, emphasizing the rebellious spirit shared by both genres. A notable collaboration on the album is with Steve Ignorant from Crass, whose participation in “Walking Contradiction” reflects Sunny’s admiration for the band and its critique of modern society.\ // Armageddon in a Summer Dress serves as a reflection on identity and choices, balancing heavy themes with empowerment. Sunny War encourages listeners to live authentically and resist societal pressures. Committed to continual growth, she sees every performance and song as an opportunity for exploration. Through her music, Sunny War captures the complexities of life, loss, and the transformative power of creativity. // Produced by Andrija Tokic. Engineered and Mixed by Andrija Tokic at The Bomb Shelter, Nashville, TN. Mastered by Dave Gardner at DSG Mastering, Los Angeles, CA. // Sunny War on Guitar, Banjo, Lead Vocals; Megan Coleman on Drums, Percussion; Jack Lawrence on Bass; Jo Schornikow: Keyboards, Vibraphone, Xylophone; John James Tourville on Pedal Steel, Guitars, Additional Percussion; Andrija Tokic on Additional Percussion; Kyshona Armstrong on Background Vocals; Maureen Murphy: Background Vocals; Nickie Conley on Background Vocals. Sample on “Ghosts”on Adam Ramirez and Sunny War; Steve Ignorant on Vocals on “Walking Contradiction”; Valerie June on Vocals on “Cry Baby”; Tré Burt: Vocals, Guitar on “Scornful Heart”. John Doe: Vocals on “Gone Again” // Sunny War released Anarchist Gospel on Ebruary 3, 2023 part of WMM’s 120 Best Recordings of 2023. About that release Sunny wrote: “I feel like there are two sides of me,” says the Nashville-based singer-songwriter and guitar virtuoso known as Sunny War. “One of them is very self-destructive, and the other is trying to work with that other half to keep things balanced.” That’s the central conflict on her fourth album, the eclectic and innovative Anarchist Gospel, which documents a time when it looked like the self-destructive side might win out. // Extreme emotions can make that battle all the more perilous, yet from such trials Sunny has crafted a set of songs that draw on a range of ideas and styles, as though she’s marshaling all her forces to get her ideas across: ecstatic gospel, dusty country blues, thoughtful folk, rip-roaring rock and roll, even avant garde studio experiments. She melds them together into a powerful statement of survival, revealing a probing songwriter who indulges no comforting platitudes and a highly innovative guitarist who deploys spidery riffs throughout every song. // Because it promises not healing but resilience and perseverance, because it doesn’t take shit for granted, Anarchist Gospel holds up under such intense emotional pressure, acknowledging the pain of living while searching for something that lies just beyond ourselves, some sense of balance between the bad and the good.]

[Sunny War plays The Kansas City Folk Festival at Washington Square Park on Saturday, May 17, 2025 from 11:00am to 8:00pm with Nokosee Fields, Jamogi and the Jammers, Stranded in the City, KC Queertet and more.]

11:03 – Interview with Rachel Christia and Stephonne Singleton

Rachel Christia a Kansas City born tech-girl, afro-futurist, vocalist, actress and landlocked mermaid. She has performed with notable MidCoast bands such as Hearts of Darkness; an eclectic collective influenced by 70s afrobeat, and the Denver based powerhouse Pink Hawks; pulling funky polyrhythms from West Africa and South America. More recently, she enjoys collaborating with her favorite Kansas Music legends or concocting fully improvised audience led musicals with The Maestro’s – Kansas City. She is perfectly aligned as a Kansas City Folk Fest Board member as her primary directive is to build community by lovingly blurring the lines between art and activism.

Rachel Christia, Thanks for being with us on Wednesday MidDay Medley

Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. 9. Stephonne released the single “1 Think It’s Gonna Be Alright” on April, 2025. Stephonne’s newest single, “Forgive Me, Father (Sinead O’Connor) will be officially released on May 19 with the video released on May 23, 2025. More info at: http://www.stephonne.com

Stephonne Singleton, Thanks for being with us on Wednesday MidDay Medley

Rachel Christia & Stephonne Singleton join us to share all the details about Kansas City Folk Festival to be held in Washington Square Park on Saturday, May 17, 2025 from 11:00am to 8:00pm. Lineup includes nationally renowned Americana blues artist Sunny War, Old Time Cherokee fiddler Nokosee Fields, local gospel rock outfit Jamogi and the Jammers, Tex-Mex family band Stranded in the City led by the Reyes Brothers, chamber Dalima Kapten, folk ensemble KC Queertet and more. KC Folk Fest boasts four stages, delicious food trucks, and an extensive craft market chock full of local vendors. Heralded as a grassroots “people’s fest,” this is the 4th annual event organized by a community-led board of musicians & artists. Programming by community partners include a garage band-style open mic sponsored by KC Young Audiences, youth songwriter contest by Heartland Song Network, and showcases by KC Fringe and No Divide KC. Full lineup: http://www.kcfolkfest.org.

People-Powered KC Folk Fest Returns to Washington Square Park with a Riotous Sound

KC Folk Fest returns for another spirited event in Washington Square Park on Sat, May 17, 2025 from 11am-8pm. With a superb lineup featuring touring and local roots artists across styles including: Chamber Folk, Old Time, Americana, Bluegrass, Blues, R&B, Singer-songwriters, and Hip Hop, KC Folk Fest boasts 4 stages, delicious food trucks, and craft market chock full of local vendors. Heralded as a grassroots “people’s fest,” this is the fourth annual event organized by a community-led board of musicians and artists. 

Lineup includes nationally renowned Americana blues artist Sunny War, Old Time Cherokee fiddler Nokosee Fields, local gospel rock outfit Jamogi and the Jammers, Tex-Mex family band Stranded in the City led by the Reyes Brothers, chamber folk ensemble KC Queertet and more. For full lineup, visit: http://www.kcfolkfest.org

11:12

  1. Dalima Kapten – “Feel the Beat, Bud”
    from: “Feel the Beat, Bud’ – Single / Dalima Kapten / September 27, 2024
    [Dalima Kapten (she/her) released the single “Scrappy Rose” also on September 27, 2024.// Dalima Kapten (she/her) is currently working on her debut album. She is a second-generation Kenyan-American pursuing a Master of Arts in Music Technology at the University of Central Missouri. She holds a Bachelor of Arts in Architectural Studies, Theater Minor, and a specialization in Architectural Acoustics from the University of Kansas. // As a theater performer and artist, Dalima is deeply moved by a passion for storytelling and worked at Music Theater Heritage as the Manager of Artistic Operations. Additionally, she presented her self-published chapbook “Native Anomaly” for Columbia University’s HOME: Symposium.]

[Dalima Kapten plays KC Folk Fest at Washington Square Park on Sat, May 17, 2025, 11 to 8:00pm with Sunny War, Nokosee Fields, Jamogi & the Jammers, Stranded in the City, KC Queertet and more.]

[Dalima Kapten plays Night Six of Manor Fest 7 on Thursday, May 29 at 5:00 at PH Coffee, 2200 Lexington Ave,, KCMO with Wills Van Doorn, and Teri Quinn] (all ages).]

11:15 – More Interview Rachel Christia & Stephonne Singleton

We are talking with Rachel Christia & Stephonne Singleton about KC Folk Fest in Washington Square Park, Sat, May 17, 11 to 8:00pm, with Sunny War, Nokosee Fields duo, Jamogi and the Jammers, Dalima Kapten, Stranded in the City, KC Queertet and more. KC Folk Fest boasts 4 stages, delicious food trucks, and craft market chock full of local vendors. Heralded as a grassroots “people’s fest,” this is the 4th annual event organized by a community-led board of musicians & artists. Programming by community partners include a garage band-style open mic sponsored by KC Young Audiences, youth songwriter contest by Heartland Song Network, and showcases by KC Fringe and No Divide KC.

Rachel Christia & Stephonne Singleton thanks for being with us on WMM

Programming by community partners include a garage band-style open mic sponsored by Kansas City Young Audiences, youth songwriter contest by Heartland Song Network, and showcases by KC Fringe and No Divide KC.

Supported by grassroots campaigns such as as our “Dandelion Donor” campaign ($100×100 “Seed” Donors), “Fun Raisers” such as FolkyOkie Karaoke and community outreach events like Pickball – a jam-friendly brand of kickball – alongside local sponsors, community partners and arts grants such at Missouri Arts Council’s Folk Arts Grant, KC Folk Fest continues its legacy as an all-ages, admission-free city festival whose mission is “to celebrate the music and arts of our neighborhoods, region and beyond” – all while paying its artists a living wage. As a zero-waste event with recycling and composting available on-site, KCFF encourages visitors to follow the National Parks mottos “Pack it in, pack it out” and “Leave it better than you found it.”

HISTORY OF THE FEST: Originally founded as a public outreach event for Folk Alliance International’s annual industry conference in 2016, FAI transitioned the fest over to local stakeholders in 2019. “Kansas City Folk Festival” incorporated as a 501(c)3 nonprofit organization in 2021 and produced their first outdoor folk festival on Saturday, May 22, 2022 in Washington Square Park, KCMO.

For questions or interview requests, contact Festival Coordinator Mikal Shapiro at mikal@kcfolkfest.org or (816) 888-0668. KC Folk Fest is May 17, 2025 in Washington Square Park, KCMO. Craft Market opens at 11AM, programming runs from 12PM – 8PM. The fest is all ages and admission free. Donations accepted and are tax deductible.

Rachel Christia & Stephonne Singleton thanks for being with us on WMM

KC Folk Festival at Washington Square Park on Sat, May 17, 2025 from 11 to 8:00pm. Lineup includes nationally renowned Americana blues artist Sunny War, Old Time Cherokee fiddler Nokosee Fields, local gospel rock outfit Jamogi & the Jammers, Tex-Mex family band Stranded in the City led by the Reyes Brothers, chamber folk ensemble KC Queertet and more. KC Folk Fest boasts four stages, delicious food trucks, and an extensive craft market chock full of local vendors. For lineup: http://www.kcfolkfest.org.

11:25

  1. Stranded in The City – “Tell Me”
    from: Family Function / Chorizo Springs Records / April 25, 2025
    [André Reyes, Jr. on piano, keyboard, synthesizers, organ and vocals; Antonio Reyes on drums and vocals; Timmy Keith on guitar & vocals; Matt Elton on bass & vocals; Densil Malabre on congas, timbales, percussion & vocals. // Stranded in the City is made up of brothers André Reyes, Jr. and Antonio Reyes, Timmy Keith, Matt Elton, and Densil (D.J) Malabre. Together they form one of Kansas City’s powerhouse bands. André and Antonio arose from a musical family tracing across four generations. They met Timmy, a natural rock guitarist, and bassist, Matt, who would later become the core of Stranded in the City. Densil adds his West African style to the mix to solidify the sound. // As a diverse group, Stranded in the City provides a retro flavor in a fresh sound, playing every song with soul and every beat of their hearts. Through the thickness of the groove, they deliver rich vocal harmonies and smoking improvisational skills. Expect a melting pot of genres; R&B, Funk, Country, Tex-Mex, Rock and Pop all in their music. Never the less backed by the right energy. // They perform locally and pack venues in Kansas City and the surrounding areas. In the spring of 2025, they will be premiering their sophomore album. Visit the calendar for more details on live performance dates, album releases, events and more. Sign up for the mailing list for updates, and follow on social media for live streams and more content.]

[Stranded in The City plays KC Folk Fest at Washington Square Park on Sat, May 17, 11 to 8:00pm with Sunny War, Nokosee Fields, Jamogi & the Jammers, Dalima Kapten, KC Queertet & more.]

11:29 – Underwriting

  1. Alex Wong – “Permission (feat. Milck)”
    from: “Permission (feat. Milck)” – Single / Alex Wong / November 22, 2024
    [Alex Wong is a Latin GRAMMY®-nominated artist, producer and advocate who creates music to empower everyone, especially those on the margins, to take up space. Alex established The Quiet Voice nonprofit around the idea that our voice doesn’t have to be loud to be strong, which has raised more than $80,000 for BIPOC charities. He’s appeared on NPR’s Mountain Stage, Kerrville Folk Festival, SXSW, 30A, Americanafest, and Musicians Corner, and has produced records for Delta Rae, Vienna Teng, and others. In 2023 he launched The Permission Parties, a multi-sensory experience where each track from his upcoming album Permission is paired with a Chinese-inspired dish that shares a common emotion.]

[Alex Wong presents PERMISSION, an immersive concert experience celebrating and exploring Asian American identity, on Saturday, May 17, from 6:00 to 10:00 pm, at Vivilore Restaurant, 10815 E Winner Rd, Independence, MO.]

11:35 – Interview with Alex Wong & Jen Kiper

Jen Kiper is a music lover and volunteer who works with data to help raise funding for a local nonprofit. From queer punk shows to local theater festivals, Jen can often be found near the front of the room and marveling at the work artists create.

Alex Wong is a Latin GRAMMY®-nominated artist, producer and advocate who creates music to empower everyone, especially those on the margins, to take up space. Alex established The Quiet Voice nonprofit around the idea that our voice doesn’t have to be loud to be strong, which has raised more than $80,000 for BIPOC charities. He’s appeared on NPR’s Mountain Stage, Kerrville Folk Festival, SXSW, 30A, Americanafest, and Musicians Corner, and has produced records for Delta Rae, Vienna Teng, and others. In 2023 Alerx launched The Permission Parties, a multi-sensory experience where each track from his upcoming album Permission is paired with a Chinese-inspired dish that shares a common emotion.

Alex Wong + NAAAP KC presents PERMISSION, an immersive concert experience celebrating and exploring Asian American identity, on Saturday, May 17, from 6:00 to 10:00 pm, at Vivilore Restaurant, 10815 E Winner Rd, Independence, MO. Info at: http://www.eventbrite.com/e/alex-wong

Jen Kiper & Alex Wong Thank you both for being with us on WMM.

Wong’s latest album, PERMISSION, is an honest, personal, and at times uncomfortable look at Wong’s journey as a person of color learning how to take up space in America and exploring what Asian-American music can sound like.

Event information:
Alex Wong’s PERMISSION is Saturday, 5/17 at 6 PM and is an immersive concert experience celebrating and exploring Asian American identity.

What is a Permission Party?

To bring the album to life, Wong has developed a multi-sensory live experience called PERMISSION, which uses food as an on-ramp to his cultural memory.

Attendees will be treated to a first-of-its-kind listening and tasting performance, enjoying 3 songs from Wong’s newest album that are each paired with a Chinese-inspired dish sharing a common emotion. The event will close with a set by Wong including a mix of music from PERMISSION and previous records.

LOCATION: Vivilore Restaurant: 10815 E Winner Rd, Independence, MO 64052

TICKETS: Limited general admission tickets are available – buy early to ensure entry! Tickets will include food + music. Alcoholic beverages will be available for purchase.

DIETARY: All dishes are vegetarian and can be vegan and/or gluten free upon request.

DOORS OPEN @ 6 PM, DINNER BEGINS PROMPTLY @ 7 PM

Wong has developed a multi-sensory live experience which uses food as an on-ramp to his cultural memory. Attendees are treated to a listening and tasting performance, enjoying 3 songs from Wong’s newest album paired with a Chinese-inspired dish sharing a common emotion. The National Association of Asian American Professionals (“NAAAP”) is a non-profit, all-volunteer organization dedicated to advancing the careers and leadership development of Asian American professionals.

Co-presented by NAAAP KC: The National Association of Asian American Professionals (“NAAAP”) is a non-profit, all-volunteer organization dedicated to advancing the careers and leadership development of Asian American professionals. As the largest and fastest-growing Asian American professional organization in the U.S. and Canada, NAAAP fosters leadership, education, accountability, and diversity. The Kansas City chapter connects members through professional development, networking, and community service, empowering leaders to make a meaningful impact in business, education, government, and society. Join our organization for more opportunities to events that inspire growth, collaboration, and community engagement.

Alex Wong & Jen Kiper Thanks for being with us on WMM

Alex Wong presents PERMISSION, an immersive concert experience celebrating and exploring Asian American identity, on Saturday, May 17, from 6:00 to 10:00 pm, at Vivilore Restaurant, 10815 E Winner Rd, Independence, MO.

11:53

  1. Alex Wong – “Second Generation (feat. Vienna Teng & Amulets)”
    from: Second Generation (feat. Vienna Teng & Amulets) – Single / Alex Wong / Feb. 21, 2025
    [Alex Wong is a Latin GRAMMY®-nominated artist, producer and advocate who creates music to empower everyone, especially those on the margins, to take up space. Alex established The Quiet Voice nonprofit around the idea that our voice doesn’t have to be loud to be strong, which has raised more than $80,000 for BIPOC charities. He’s appeared on NPR’s Mountain Stage, Kerrville Folk Festival, SXSW, 30A, Americanafest, and Musicians Corner, and has produced records for Delta Rae, Vienna Teng, and others. In 2023 he launched The Permission Parties, a multi-sensory experience where each track from his upcoming album Permission is paired with a Chinese-inspired dish that shares a common emotion.]

[Alex Wong presents PERMISSION, an immersive concert experience celebrating and exploring Asian American identity, on Sat, May 17, 6 to 10 pm, at Vivilore Restaurant, 10815 E Winner Rd, Indep, MO.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, May 21David Luther joins us to share music form his new album WHO ARE YOU. At 11:00 we will talk with Jeremiah James Gonzales of the band Redder Moon. AND, at 11:30 Katlyn Conroy of the band Cheery joins us to talk about her new music, and life in Liverpool.

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1095

WMM Playlist from May 7, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 7, 2025

Shaun Crowley & Music of Manor Fest 7

I’m Mark Manning. Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.

Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31. Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them.

Manor Fest 7 includes: Making Movies, Calvin Arsenia, Shy Boys, Supermoto, True Lions, Fullbloods, Fritz & Sons, Pale Tongue, Paris Williams, Scabb, Daniel Gum, MC Rue + MIKEY, Eggs On Mars, Kirstie Lynn, Brian Bulger, The Matchsellers, They’re Theirs, Blanky, The Swallowtails, The Creepy Jingles, Jolson & The Fear of Snakes, Stephonne, Malek Azrael & The Vibez, TIDAL. WAV, Rebel Song Academy, Liney Blu, Joel Vs. Joel, Field Daze, 2W33DY, Alber, Teri Quinn, Kadesh Flow, THIMASTR, CS Luxem, Danielle Ate The Sandwich, Big Fat Cow, Lauren Lovelle & The Midnight Spliffs, LyMerrick, Jack Summers, Natalie Prauser, Cat Fight, Midwestern, Dalima Kapten, Wills Van Doorn, Saving Miles Lemon, Pure XTC, Jamogi & The Jammers, DJ Dom Chronicles, Shay Lyriq, Lava Dreams, Highway Demon, Frankie Shorez & Mercury Fire, Apricot Glow, Nina Cherry, Eddie Moore, Gracie Caggiano, Mosaic, and DJ Sammy Sheets. For more information you can visit: http://www.manorrecords.com

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  2. Danielle Ate the Sandwich – “Fumbling”
    from: Fumbling / Danielle Ate The Sandwich / March 21, 2025
    [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]

[Danielle Ate The Sandwich plays Night One of Manor Fest 7 Wednesday, May 21 at 7:00pm at Manor Records 5540 Troost Ave., KCMO with MC Rue + Mikey, and Eggs on Mars.]

10:04 – Interview with Shaun Crowley

Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is the Founder & Executive Director of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. We first met Shaun over 15 years ago as part of the band Rev Gusto, originally formed in high school with friends at Saint James Academy.

Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31. Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them.

Shaun Crowley thanks for being with us on Wednesday MidDay Medley

As reported by Julie Denesha for KCUR.com published April 5, 2024:

Crowley started the nonprofit in 2017, with concerts first in a rented house in Shawnee, then moving to a cafe in Strawberry Hill and later a basement space in the West Bottoms. On Troost, he’s doubled the retail space where he will sell used records. This time, Crowley thinks he has the right business model.

Crowley plans to man the record store Wednesday through Saturday, and on Monday and Tuesday when the store is closed, he’ll teach guitar and bass to students of all ages and skill levels. He already has another musician lined up to teach piano and ukulele.

The storefront will also serve as a concert venue for the artists Manor Records supports. The store will bring back free events from its last space — Songbird Sessions every Thursday, a songwriter open mic and a masterclass educational series.

Crowley started playing in the KC when he was 17 in band Rev Gusto and Momma’s Boy. He said he’s eager to share the lessons he’s learned with young musicians just starting out.

The new space will also serve as home base for preparations for the foundation’s biggest fundraiser of the year. Manor Fest is a multi-day music festival held in Kansas City that goes back to the group’s early days in a Shawnee basement. The foundation’s mission is to provide resources and support to local musicians, and Manor Fest is now a cornerstone of their fundraising efforts.

More information at; http://www.manorrecrds.com

Manor Records Board
Khrystal Johnson – President
Danielle Krakenberg – Secretary
Tyler Fowler – Board Treasurer
Talon Ice – Board Member
Droo Long – Board Member

Record Label Operations Team
Shaun Crowley – Founder & Executive Director
Skylar Rochelle – Record Label Lead
Kayla Jarrett – Record Lavel Team Member

Manor Fest is a local music fundraiser festival curated and ran by Manor Records.All profits from this fundraiser event to help us with our non-profit mission of releasing local artists’ music on physical platforms through our “Manor Records Fund”.

Manor Records all started in a basement of “The Shawnee Manor,” a DIY venue located in Shawnee, KS. From Glass Animals to Shy Boys, the underground venue hosted numerous local acts, and some national touring acts. Founder Shaun Crowley created the first Manor Fest with 10 bands in one night, then grew to a two night event featuring 20 local bands. After years passed and a community was built, it was time for the boys to move out of the deteriorating house.

In October of 2017, Shaun and company officially launched Manor Records. A DIY record label based on the foundation of their infamous Shawnee Manor. Manor Records is a label that takes no profits from their artists, is hands-on, and self-run, with intentions of good music from good people. They began by hosting showcases featuring local and regional bands in addition to putting out cassette releases.

Alongside the festival, Manor Records has been actively providing booking, tour management, cassette releases, blog premieres/reviews, marketing and promotion services for indie acts all over the Mid-west area.

Manor Fest is a local music fundraiser festival curated and ran by Manor Records.All profits from this fundraiser event to help us with our non-profit mission of releasing local artists’ music on physical platforms through our “Manor Records Fund”.

Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31. Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them.

Manor Fest 7 includes: Making Movies, Calvin Arsenia, Shy Boys, Supermoto, True Lions, Fullbloods, Fritz & Sons, Pale Tongue, Paris Williams, Scabb, Daniel Gum, MC Rue + MIKEY, Eggs On Mars, Kirstie Lynn, Brian Bulger, The Matchsellers, They’re Theirs, Blanky, The Swallowtails, The Creepy Jingles, Jolson & The Fear of Snakes, Stephonne, Malek Azrael & The Vibez, TIDAL. WAV, Rebel Song Academy, Liney Blu, Joel Vs. Joel, Field Daze, 2W33DY, Alber, Teri Quinn, Kadesh Flow, THIMASTR, CS Luxem, Danielle Ate The Sandwich, Big Fat Cow, Lauren Lovelle & The Midnight Spliffs, LyMerrick, Jack Summers, Natalie Prauser, Cat Fight, Midwestern, Dalima Kapten, Wills Van Doorn, Saving Miles Lemon, Pure XTC, Jamogi & The Jammers, DJ Dom Chronicles, Shay Lyriq, Lava Dreams, Highway Demon, Frankie Shorez & Mercury Fire, Apricot Glow, Nina Cherry, Eddie Moore, Gracie Caggiano, Mosaic, and DJ Sammy Sheets. For more information you can visit: http://www.manorrecords.com

Manor Fest 7, 60 bands, 20 venues, 8 nights, 8 different neighborhoods

WEEKEND ONE – May 21, 22, 23, & 24

Night One : Wednesday, May 21 – Troost

Venue One : Manor Records, 5540 Troost Ave., KCMO (7-10 PM) all ages

  1. Danielle Ate The Sandwich
  2. MC Rue + Mikey
  3. Eggs on Mars

Night Two : Thursday 5/22 – Westside

Venue One : Fetch, 1659 Summit St. KCMO (5-7 PM) all ages

  1. Big Fat Cow
  2. Stephonne
  3. Lauren Lovelle & The Midnight Spliffs

Venue Two : Greenwood Social Hall, 1750 Belleview Ave, KCMO, (7-10 PM) *21+

  1. Brian Bulger
  2. The Swallowtails
  3. Calvin Arsenia

10:11

  1. Stephonne – “1 Think It’s Gonna Be Alright”
    from: “1 Think It’s Gonna Be Alright” – Single / Glory Blue Music / April, 2025
    [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Recorded, mixed and mastered at Westend Recording Studios, Kansas City. Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. More info at: http://www.stephonne.com]

[Stephonne plays Night Two of Manor Fest 7 on Thursday, May 22 at 5:00pm at Fetch, 1659 Summit St. KCMO with Big Fat Cow, and Lauren Lovelle & The Midnight Spliffs. All ages.]

  1. Calvin Arsenia – “Is That What You Like”
    from: Paradise / Calvin Arsenia / June 23, 2023
    [Paradise is Calvin Arsenia’s 14 track album. Available through http://www.calvinarsenia.com // A new turning point as a songwriter. His most biographical album yet, with songs about Black Lives Matter, Racism, The Police, being on probation, gay love. The album contains collaborations with Cheery, Kadesh Flow and Jametatone. Calvin Arsenia one of our most frequent guests, who first appeared on WMM on July 25, 2012. KC Magazine has hailed Calvin as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.’ Born in Orlando, Florida, Calvin’s creative journey began when he moved to Olathe, Kansas, teaching himself the guitar, piano, banjo. He learned his signature instrument, the harp, at the age of 20. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer where at 24 he released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. On February 14, 2017 Calvin released his critically acclaimed full length debut, Catastrophe, with a live show at recordBar in November 2016 that involved a company of 50 people, dancers, stilt walkers. After signing to Center Cut Records, Calvin released the albums: Cantaloupe in 2018, with a sold out gigantic spectical at The Gem Theatre on Saturday, September 15, 2018. He then released, L.A. Sessions in 2019, and the EP HONEY DEW, and the EP Goddess with Quixotic, the Holiday album, ALL IS CALM. In 2020 Calvin collaborated with Mike Dillon on the Soundtrack to “Summer in Hindsight,” a feature-length film created by The West 18th Street Fashion Show that starred Calvin as an actor. Calvin is also the co-creator of the podcast “We Were Christian Kids” created with childhood friend Justin Randall who is a stand up comedian working in New York City and now Los Angeles. Calvin is also the published author of VERY GOOD BOY DOES FINE, a collection of Poetry & Prose published on October 5, 2021, by Andrews McMeel Universal. Calvin was voted KC’s Best Musician in The Pitch 2018, 2019, 2020, 2021, and 2022. He has been featured in Billboard, NPR.org. Charlotte Street Foundation announced that the recipients of the 2022 Generative Performing Artist Awards are The Black Creatures and Calvin Arsenia Scott.] [Calvin Arsenia played a PARADISE Album Release Party, Friday, June 23, and Saturday, June 24, at 7:00 PM at The Emerald, 1715 West 9th Street, KCMO, WEST BOTTOMS. More info at http://www.calvinarsenia.com][Calvin Arsenia was our guest on WMM on Jan. 18, 2023, June 21, 2023, and our 1000th Show on June 28, 2923.]

[Calvin Arsenia plays Night Two of Manor Fest 7 on Thursday, May 22 at 7:00pm at Greenwood Social Club, 1759 Belleview Ave, 2nd Floor, KCMO with Brian Bulger, and The Swallowtails]

10:17 – More Interview with Shaun Crowley

Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.

Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City.

Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads

Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.

Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them. More information at; http://www.manorrecords.com

Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is the co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. We first met Shaun as part of the band Rev Gusto, originally formed in high school with friends at Saint James Academy.

Shaun Crowley thanks for being with us on Wednesday MidDay Medley

Manor Fest 7, 60 bands, 20 venues, 8 nights, 8 different neighborhoods

WEEKEND ONE – May 21, 22, 23, & 24

Night Three : Friday May 23 – Strawberry Hill

Venue One : Flagship Books, 600 Ohio Ave., KCK (5-7 PM) all ages

  1. CS Luxem
  2. Gracie Caggiano
  3. Joel Vs. Joel

Venue Two : Hillsiders, 403 N. 5th, KCK (7-10 PM) *21+

  1. Kirstie Lynn
  2. Grady Drugg
  3. True Lions

Venue Three : The Easy Inn 322 6th St. KCK (10-12 AM) *21+

  1. Liney Blu
  2. Scabb
  3. Saving Miles Lemon

10:22

  1. CS Luxem – “Symptoms”
    from: Symptoms / Whatever Forever / February 17, 2018
    [Debut length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. The album was recorded over a span of three months above a garage full of Model T’s in northwest Lawrence, KS. The songs were written between 2005-2017 and have been revised throughout these years with different collaborators. Engineer Joel Martin “sculpted” sounds as CS Luxem has always heard them in his head. CS Luxem has been most places. He and his music are light even at their heaviest and heady even at their lightest. And it’s contagious! His distinct vocals and exuberant rhythms are the core of his sound. Whether it be his polished pop jewels or his deep tidal pools of synthesized noise, CS Luxem entrances and invigorates the spirit. Instrumentation ranges from solo vocals with acoustic guitar, to a looping and effects station with electric guitar, to a full rock band with synthesizer, bass and drums. The versatility empowers this performer to vibe as the ambient canvas of an upscale function, as the hope-bearing minstrel at a retirement home, as the dive bar ultra party, and definitely as the scenester’s favorite house show act. Info at http://www.csluxem.bandcamp.com]

[CC Luxem plays Night Three of Manor Fest 7 on Fri, May 23 at 5:00pm at Flagship Books, 600 Ohio Ave., KCK in Strawberry Hill with Gracie Caggiano, and Joel Vs. Joel.]

  1. Kirstie Lynn & Galen Clark – “Soft Landing”
    from: Kirstie Lynn & Galen Clark / Lost River Sound / August 9, 2024
    [Kirstie Lynn & Galen Clark released Cindergarden (A Sides) on May 22, 2022. They released Cindergarden (B Sidesd) on June 21, 2023. Kirstie Lynn is a classically trained soprano with a passion for songwriting, always looking to marry poetry and melody. Though Kirstie’s voice has been compared to that of Joni Mitchell and Joan Baez, her sound is uniquely her own. Kirstie Lynn is a folk singer-songwriter originally from the fingerlakes region of upstate, NY. She began her professional music studies at the age of 15, and has since received both a Bachelor’s degree from Shenandoah University and a Master’s degree from Carnegie Mellon University in voice and opera performance. Her vocal training lends her the freedom to paint her nature inspired lyrics with a wide range and a beautiful and effortless sound. Kirstie Lynn is one half of the duo Kirstie Lynn and Galen Clark. // Galen Clark introduces an alternative perspective and approach to music that contains multitudes. Migratory melodies, multi-instrumental fluency, and mysterious texture all outline the stylings of the newly transplanted Cuyahoga Valley songwriter, producer, and musician. // Born into an Air Force family, Clark grew up in many places with family anchors in Vermont and Colorado. At the age of 9 following many failed piano lessons, Clark’s grandparents gifted him a Harmony parlor guitar from a Shelburne flea market, starting a journey that would span almost 2 decades of stylistic development, a plethora of ephemeral bands, a degree in music production and recording technology, and a refined take on songwriting. Sharing songs spanning the stoic mountains of Idaho’s lost river range to the ancient hum of the Shenandoah Valley, Galen draws upon energy strewn between varied time and place, a broader quest for belonging, and rejuvenation beyond the front door. Clark’s previous records, Providence (2018) and The Well (2020) offer a contemplative portrait of moods in natural ambiguity, collective consciousness, and introspection. His most recent collaboration with Kansas City – based artist, Kirstie Lynn is a reckoning that is to be heard live and will transport you elsewhere if not in mind than in spirit.][Kirstie Lynn & Galen Clark joined us live on WMM on June 21. // Kirstie Lynn played IN THE ROUND with Calvin Arsenia, Julia Othmer, and Christena Graves at The Bauer, 115 West 18th St., in KCMO’s West Crossroads, Oct. 17, 2025.]

[Kirstie Lynn plays Night Three of Manor Fest 7 on Fri, May 23 at 7:00pm at Hillsiders, 403 N. 5th, KCK *21+with Grady Drugg, and True Lions.]

  1. Saving Miles Lemon – “Hidden Inventory ” – Single
    from: “Hidden Inventory” – Single / Saving Miles Lemon / May 2, 2025
    [Performed by: Saving Miles Lemon. Written by: Miguel Silva-Leon. Produced by: Saving Miles Lemon. One of three new singles released in the last few months from Saving Miles Lemon. Saving Miles Lemon released “The Line” on March 28, 2025. // Saving Miles Lemon released “In The Night” on January 16. 2025// Saving Miles Lemom released the 13-track full-length album LOVELY/ on October 6, 2023. Saving Miles Lemon is the psychedelic-pop project of Miguel Silva-Leon. Formed in 2019 with the goal of releasing an album by the end of the year, the project has transformed into a full-blown musical odyssey for Miguel (who likes to go by Mig) to explore new sounds. It’s hard to define what genre Saving Miles Lemon fits into as they like to let the music go where it wants to go. From smooth dance pop, to blown-out stoner rock, Mig likes to keep things interesting and never stay with one sound for too long.​ // Having grown up learning to play the piano at the age of 7, Miguel found themselves picking up new instruments frequently from the clarinet, saxophone, and oboe to guitar/bass and drums. Just as with their instruments, Mig began practicing their production skills in high school with small bedroom projects and hardcore bands. In a way, nothing has changed, as all of Saving Miles Lemon’s music is recorded and produced entirely by Mig in their bedroom studio to this day. // Their live members include Jacob Frisbee (bass), James Wiltfang (keys), and Zeke Bockleman (drums). // As a live act, the band began performing in 2021 and quickly took over the DIY scene in Kansas City before moving on to the bar/venue scene with sold-out shows at The Rino (KCMO) and The Bottleneck (LFK). They’ve opened for national and international touring bands such as Cub Sport at The Encore at Uptown Theatre (KCMO). // Saving Miles Lemon has released two full-length LPs and a handful of singles.]

[Saving Miles Lemon plays Night Three of Manor Fest 7 on Fri, May 23 at 10:00pm The Easy Inn 322 6th St. KCK*21+ with Liney Blu, and Scabb.]

10:32 – Underwriting

10:34 – More Interview with Shaun Crowley

Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.

Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City.

Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads

Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.

WEEKEND ONE – May 21, 22, 23, & 24

Night Four : Saturday May 24 – West Bottoms

Venue One: Stockyards, 1600 Genessee St, KCMO (3-5 PM) *21+

  1. Jack Summers
  2. Natalie Prauser
  3. The Matchsellers

Venue Two : Hickory Union Moto, 10 S. James St, KCMO (5-7 PM) *21+

  1. Daniel Gum
  2. The Creepy Jingles
  3. Jolson & The Fear of Snakes

Venue Three : Black Box, 1060 Union Ave, KCMO (7-10 PM) all ages

  1. Rebel Song Academy
  2. Fritz & Sons
  3. Making Movies

Venue Four : The Ship, 1221 Union Ave. KCMO (10 PM – 12 AM) *21+

  1. Tidal.wav
  2. Jamogi & The Jammers
  3. DJ Dom Chronicles

10:38

  1. The Matchsellers – “I Can’t Believe Were Still In Love”
    from: “I Can’t Believe We’re Still In Love” – Single / The Matchsellers / February 14, 2025
    [Julie Bates is a classically trained violinist from Kansas City. Andrew Morris is a Chicago blues guitarist from Warsaw, Indiana. They met in Leipzig, Germany. During their year of living in the former East Germany, the pair began reanalyzing the songs of their homeland, and developed a tight yet gritty bluegrass style. In the summer of 2013 they left their jobs to hit the road and haven’t looked back. // In the band’s most recent iteration, mandolinist Brian McCarty brings an invaluable lifetime of experience in the Bluegrass tradition, while Brandon Day thrills audiences with his intricate bass solos. // On May 3, 2024 he Matchsellers released LIVE AT THE WAREHOUSE. // On October 28, 2022 The Matchsellers released The Wishful Thinker’s Hall of Game // On February 12, 2016 they released their album, SONGS WE MADE UP, one of Wednesday MidDay Medley’s 116 Best Recordings of 2016.. In late 2014 they released their debut full length recording, “Kosciusko County,” one of Wednesday MidDay Medley’s 115 Best Recordings of 2015. The Matchsellers have toured 3 European countries and 25 US States, performing 180 shows a year, including last year for the KC Fringe Festival, Bluegrass Bazaar in Flint, Michigan, Norman Music Festival in Norman, OK, and a 1st place win at the Eddie Owen Presents songwriting competition in Atlanta, GA.]

[The Matchsellers plays Night Four of Manor Fest 7 on Saturday, May 24 at 3:00pm at Stockyards, 1600 Genessee St, KCMO with Jack Summers, and Natalie Prauser (*21+ ).]

  1. Jocelyn Nixon – “YOU AIN’T RIGHT! YOU MUST BE WRONG!”
    from: “YOU AIN’T RIGHT! YOU MUST BE WRONG!”-Single / Supe Brill Records / May 2, 2025
    [Jocelyn Olivia Nixon is lead singer of the band The Creepy Jungles. Jocelyn told Nick Spacek of The Pitch, “that the songs she presents to her bandmates in The Jingles’ songs are poppier stuff, typically, while solo songs are more folky, mellow, weird, and lyrical. Solo work also gives her the opportunity to work with others outside the group. As Nixon explains, “It’s basically a tongue-in-cheek song making fun of hard right conservatives and social cliques who think only their way is ‘right.’” She said, “I felt like I needed something where I can be a bit more vulnerable and naked, I suppose,” the musician says. “I think because Jingles do rock n roll pop songs well, I think I’m kinda boxed in as an artist and singer. This is my way of saying I have many sides to myself as an individual and as an artist, and I can forge my own path and defy expectations.” Jocelyn Nixon’s next single, “Real Deal,” is due later this summer . // The Creepy Jingles released a series of 4 new singles in 2024 including “When Things Go Wrong” on February 23, 2024. // The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. ]

[The Creepy Jingles play Night Four of Manor Fest 7 on Saturday, May 24 at 5:00pm at Hickory Union Moto, 10 S. James St, KCMO with Daniel Gum, and Jolson & The Fear of Snakes(*21+)]

[The Creepy Jingles play Boulevardia on Saturday, June 14]

[The Creepy Jingles play Replay Lounge on Saturday, June 21.]

  1. Making Movies – “Pendulum Swing – En Vivo”
    from: Baúl de las Movies: Rocky Mountain Folks Festival 2024 (En Vivo)/ 3/2 Recordings/ 4/25/25]
    [Making Movies is a KC based 4-piece band and made up of: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Duncan Burnett on drums. The band draws their influences from the origins of their families: Santiago, Panama, and KC Missouri, and Guadalajara, Mexico. // Captured during their 2024 magnetic set at the Rocky Mountain Folks Festival in Lyons, Colorado, the EP offers a raw and electrifying glimpse into the band’s dynamic live energy and genre-blending spirit. / The 5-track collection includes a standout performance of “Nadie Sabe (rock’n’roll),” a powerful anthem that nods to the band’s rock roots while giving fans an early taste of their highly anticipated full-length album due out later this year. / Marking Making Movies’ first major U.S. festival appearance, the performance at Rocky Mountain Folks Festival was a milestone moment in the band’s journey—and one they’ll never forget. / “I love that we have a record of that wild and special day,” says Enrique Chi of Making Movies. “The mid-set downpour turned into a blessing—though we had to pause the show, when we returned, dancing in the rain was a pure expression of joy. We are grateful that those folks opened up their space and hearts to us, giving us the opportunity to road test some new songs and prepare for the next chapter for Making Movies.” / The Baúl de las Movies series is a nod to the band’s ongoing effort to open up their archives and share treasured recordings from the road. This latest installment captures the spontaneity and soul of a band known for merging Latin rhythms with psychedelic rock, folk storytelling, and political urgency. / Making Movies continues to carve a unique space in the music landscape, building bridges across cultures and generations. With this release, they invite listeners into the vibrant world they’ve created—live, unfiltered, and alive with possibility. // Last year Making Movies released Baúl De Las Movies (En Vivo En Folly Theater 2023) /=through 3/2 Recordings on September. 27, 2024, Produced by Ben Yonas, McKenzi Webster, Executive Producer Javier E. Carrizo, Production Assistant Nora Gibbons, Recording & Mixing Engineer Ben Yonas, Recording Engineer Paul Malinowski, Mastering Engineer, Dave Greenberg/Sonopod, Assistant Sound Engineers Josh Gomez, Ricky Menendez. Asdru Sierra on trumpet; Ryan Heinlein, Trevor Turla on trombone. // “Baúl De Las Movies: Folly Theater 2023” was also filmed. Directed by William J. Stribling. // Directors of Photography Adam Baron-Bloch, Alex Gallitano. // Camera Operators Cole Blaise, Nora Gibbons, Esai Saenz. // Production Designer Aisa Palomares. // Edited by Raymond Fraser. // Colorist Tam Le // DI Coordinator John Daniels-Riveros. // DI Services Provided by Sodalite Color // Stream “Baúl De Las Movies: Folly Theater 2023” – https://ffm.to/follyliveep.OYD. // Latin Grammy nominated band Making Movies released their special EP EN LA SALA containing 8 of the songs recorded LIVE, on January 12, 2024. // Before that they released their single “Medicina”. // Making Movies released XOPA through Cosmica Artists on June 17, 2022. XOPA and was recorded in Memphis, produced by Ben Yonas. More info at: http://www.makingmovies.world. Making Movies released the 5-song EP, EN VIVO (SIN APLAUSO) on February 4, 2022. Making Movies released the 6-track EP BORING BITS, on May 7, 2021. On February 5, the band released the 7-song, La Cuarentena EP which included a brand new version of the first Making Movies song, “La Marcha” and the lullaby “Could You?” (both mixed by Jim Eno of Spoon and tracked at Memphis Magnetic studio), and the love ballad “Una Vida.” The EP also includes covers of Talking Heads and Tears for Fears, plus bonus live acoustic tracks. The EP was available on BandCamp for only three days Feb. 5 through Feb. 7, 2021. // Making Movies released their single “Could You” on January 12, 2021. About “Could You” lead singer Enrique Javier Chi wrote, “I was thinking about what to share for “Could You?” and I just go back to the fact that Memphis is a profound place… it is a place where you can feel what America truly is and where it comes from. I think you see and feel the reality that so much of this nation was built from exploiting people. You can see that our pop culture is driven by the Black community and yet that community is still the most oppressed in the nation. Things are still so messed up. // Memphis is the place where Elvis started singing black music with a country twang and where Martin Luther King Jr. was shot. It’s a beautiful place, it’s a charming place, it feels at times downtrodden and it’s a place that reminds

[Making Movies play Night Four of Manor Fest 7 on Saturday, May 24 at 7:00pm at Black Box, 1060 Union Ave, KCMO with Rebel Song Academy, and Fritz & Sons, (all ages).]

  1. Jamogi – “Hot Block (Flew The Coop Live)”
    from: Kamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live)” – Single / Jam Tunes / April 11, 2025
    [Jamogi released the siongle “Do It To Me” on March 28, 2025. // Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023. Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire.]

[Jamogi and The Jammers play Night Four of Manor Fest 7 on Saturday, May 24 at 10:00pm at The Ship 1221 Union Ave. KCMO in the West Bottoms with Tidal.wav, and DJ Dom Chronicles]

10:52 – More Interview with Shaun Crowley

Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.

Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.

Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads

Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them. More information at; http://www.manorrecords.com

WEEKEND TWO – May 28, 29, 30, & 31

Night Five: Wednesday May 28, – East KC

Venue One: Farewell, 6523 Stadium Drive, KCMO with (7-10 PM) *21+

  1. Cat Fight
  2. Midwestern
  3. They’re Theirs

Night Six: Thursday May 29 – Historic Northeast

Venue One : PH Coffee, 2200 Lexington Ave,, KCMO (5-7 PM) all ages

  1. Dalima Kapten
  2. Wills Van Doorn
  3. Teri Quinn

Venue Two : J. Rieger & Co. 2700 Guinotte Ave, KCMO (7-10 PM) all ages

  1. Mosiac
  2. THIMASTR
  3. Fullbloods

10:56

  1. They’re Theirs – “Midland Empire”
    from: “Midland Empire” – Single / Chase The Horseman / February 18, 2025
    [As a live band They’re Theirs consists of Chase Horseman on vocals and guitars, Sky Cowdry on bass and Ian Dobyns on drums. // “Midland Empire” was produced by They’re Theirs, engineered by Ian Dobyns, mixed by Ian Dobyns Chase Horseman and Sky Cowdry. Mastered by Justin Perkins/Mystery Room Mastering. Recorded at Element Recording. // Chase The Horseman released the single “Silver Liner” on October 25, 2024. Drums and additional engineering by Ian Dobyns, Additional vocals by Heidi Gluck. Mastered by Anthony Puglisi. Written, produced, performed and mixed by Chase Horseman at Element Recording. // Chase Horseman has composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, The Roseline, Nan Turner and more. Chase The Horseman film composer, band leader, multi-instrumentalist, audio engineer, & producer. // On April 2, 2024 Chase released the 22 track Original Sound Track for Headcount, a feature film from the Burghart Brothers, produced by Continuance Pictures, Method Media, and Shout Factory. Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” // In February 2020 Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. Chase played Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals all performed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos. // On May 1, 2020. // Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowley on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of the Chase Horseman single were be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. // Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018. // More info at: http://www.chasethehorseman.bandcamp.com.]

[They’re Theirs play Night Five of Manor Fest 7 on Wednesday, May 28 at 7:00pm at Farewell, 6523 Stadium Drive, KCMO with Cat Fight, and Midwestern (*21+)]

11:00 – Station ID

  1. Dalima Kapten – “Feel the Beat, Bud”
    from: “Feel the Beat, Bud’ – Single / Dalima Kapten / September 27, 2024
    [Dalilma Kapten (she/her) released the single “Scrappy Rose” also on September 27, 2024.// Dalima Kapten (she/her) is currently working on her debut album. She is a second-generation Kenyan-American pursuing a Master of Arts in Music Technology at the University of Central Missouri. She holds a Bachelor of Arts in Architectural Studies, Theater Minor, and a specialization in Architectural Acoustics from the University of Kansas. // As a theater performer and artist, Dalima is deeply moved by a passion for storytelling and worked at Music Theater Heritage as the Manager of Artistic Operations. Additionally, she presented her self-published chapbook “Native Anomaly” for Columbia University’s HOME: Symposium.]

[Dalima Kapten play Night Six of Manor Fest 7 on Thursday, May 29 at 5:00 at PH Coffee, 2200 Lexington Ave,, KCMO with Wills Van Doorn, and Teri Quinn] (all ages).]

  1. Fullbloods – “Fish in a Bowl”
    from: Playing It Safe / High Dive Records / March 7, 2025
    [Third Single from the 4th studio album of Fullbloods released February 7, 2025. The 2nd Single was released January 10, 2025. The first single, “No Hesitation” was released on December 7, 2024. // Fullbloods is a studio project of songwriter and producer Ross Brown (Shy Boys, Koney, Snacky). Live he is joined by his friends and the music is probably better that way. Thanks for listening! // Fullbloods released their 3rd full-length album Soft and Virtual Touch on High Dive Records on April 3, 2020. All songs written, performed, recorded, mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock Played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]

[Fullbloods play Night Six of Manor Fest 7 on Thursday, May 29 at 7:00 at J. Rieger & Co. 2700 Guinotte Ave, KCMO with Mosiac, and THIMASTR (All ages).]

11:06 – More Interview with Shaun Crowley

Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.

Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.

Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads

WEEKEND TWO – May 28, 29, 30, & 31

Night Seven: Friday May 30 Longfellow + 18th & Vine Jazz District

Venue One: Sister Anne’s 901 E. 31st KCMO(5-7 PM) all ages

  1. Simul Astra
  2. Pure XTC
  3. Blanky

Venue Two: Ruby Jean’s Juicery 3000 Troost Ave, KCMO (7-10 PM) all ages

  1. Shay Lyriq
  2. Malek Azrael & The Vibe
  3. Supermoto

Venue Three: Vine Street Brewing, 2010 Vine, KCMO (10-12 AM) *21+

  1. Nina Cherry
  2. Kadesh Flow
  3. Eddie Moore

11:11

  1. Blanky – “Oh Frail Memory”
    from: “Oh Frail Memory” / Blanky Records / April 8, 2025
    [Blanky embodies the languor left of a perfect day gone past. The always evolving musical project has thus far successfully mirrored the tumultuous transition of an agnostic adolescence to a freeing acceptance of life’s unapologetic inhumanity. The result is a dark happiness; simultaneously baffling and enticing. Incubated in a Black Mountain basement and left in the fields ’til full maturity. Blanky has settled in Lawrence, KS by way of Asheville, North Carolina. Southern origins and midwestern sentimentality are bound together in the timeless mindscape provoked by the broad assortment of compositions and styles performed and produced by the band. The ongoing experimentations of Blanky are a testament to their commitment to combining the culture of sharing and adaptation of 60’s folk and the do-it-yourself ethos of contemporary underground music. Blanky’s poignantly devitalized interpretations of rock’n’roll sound both new and familiar. The sense of desolation induced by their work is all so appropriate for an era marked by post-fact disenfranchisement. Recorded in 2019 at El Rancho Morbido in Black Mountain, NC, and Lakehouse Sudios in Asbury Park, NJ. Engineered by Nick Semanchik & Anthony Cunard. Mixed by Anthony Cunard and Kevin Drew. Anthony Cunard on guitar & vocals, Santo Rizzolo on drums, Joseph Makoviecki on bass, Edward Madill on pedal steel.// The band released their 10 song debut album Baby Blue on May 5, 2018. Baby Blue was also recorded by Blanky at The Morbid Ranch in Black Mountain, NC during Sept. and October of 2017. All music and lyrics were written by Micala Smith and Anthony Cunard. With Max Smith on vocals/ Guitar/ Sax/ Organ, and Anthony Cunard on vocals/ Guitar/ Organ/ Drums. Album Artwork was made by Max Smith and Anthony Cunard.]

[Blanky plays Night Seven of Manor Fest 7 on Friday, May 30 at 5:00 at Sister Anne’s 901 E. 31st KCMO Simul Astra, and Pure XTC. (All ages)]

  1. Malek Azrael – “SELF!SH (feat. SISTERBOT)”
    from: Feels Like EP / Malek Azrael / March 1, 2025\
    [On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]

[Malek Azrael play Night Seven of Manor Fest 7 on Friday, May 30 at 7:00 at Ruby Jean’s Juicery 3000 Troost Ave, KCMO with Shay Lyriq, and Supermoto (All ages)]

  1. Eddie Moore – “In The Kitchen”
    from: What Makes Us / Eddie Moore Music / March 25, 2024
    [“In the Kitchen” features: Eddie Moore on piano, Bass, & Rhoades; Jaylen Ward on drums; Ben Tervort on bass, Isaiah Petrie on vibes. Written & Produced by Eddie Moore(Emoremyz BMI). Executive Producer – Eddie Moore, Co-Producer- Dan Israel. Mixed By- Eddie Moore. Mastered By Crayge Lindesay. Recorded at First Run Studios engineered by Dan Israel // When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Moore reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression. // On March 5, 2024 Eddie Moore released the EP Aperture (Live Piano Works) through Eddie Moore Music. // On April 20, 2023 Eddie Moore released the single “Tsunami” Recorded & produced at Moore’s Tribe Studios, the song features Jaylen Ward on drums. Mixed & mastered by veteran KC savant Craige Lindsay. // Eddie Moore released his critically acclaimed album INTUITION on Oct. 28, 2022. Written & Produced by Eddie Moore. Recorded at Tribe Studios. Featuring Tim Ogutu on guitar. Mix & Mastered by Rick Carson at Make Believe Studios. Album Art by Brandon Wilson. // Eddie Moore released the single, “Love Song” (with Joel Castillo & Bree Cummings) on Oct. 22, 2021. // We The People released the single, “Single Double” on June 10, 2021. Written & Produced By Eddie Moore on keyboards, key bass, & programming; Zach Morrow on drums; and Jason Emmond on bass. // Eddie Moore’s band We The People released their album MISUNDERSTOOD on Sept. 25, 2020. // Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to KC to study under Bobby Watson at the University of Missouri-KC where he received a M.A in Jazz Studies. He was 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”. Moore has shared the stage and recordings with Bobby Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band. Eddie Moore joined WMM on Sept. 23, 2020 and Nov. 23, 2022. More info at http://www.eddiemooremusic.com]

[The Eddie Moore plays Night Seven of Manor Fest 7 on Friday, May 30 at 10:00pm at Vine Street Brewing, 2010 Vine, KCMO with Nina Cherry, and Kadesh Flow. (*21+)]

11:24 – Underwriting

11:26 – Interview with Shaun Crowley

Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.

Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.

Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads

WEEKEND TWO – May 28, 29, 30, & 31

Night Eight: Saturday May 31 – Crossroads

Venue One: Made Mobb, 221 Southwest Blvd, KCMO (3-5 PM) all ages

  1. Alber
  2. LyMerrick
  3. Field Daze

Venue Two: Le Lounge, 130 W. 18th St., KCMO (5-7 PM) *21+

  1. Lava Dreams
  2. Frankie Shorez & Mercury Fire
  3. Apricot Glow

Venue Three: Tree Room, 1820 Megee St., KCMO (7-10 PM) *21+

  1. Highway Demon
  2. Paris Williams
  3. Shy Boys

Venue Four: Stray Cat Film Center, 1662 Broadway Blvd, KCMO (10 PM – 12 AM) *21+

  1. 2w33dy
  2. Pale Tongue
  3. DJ Sammy Sheets

11:32

  1. LyMerrick – “Crash Landed”
    from: “Ephemeral” – Single / LyMerrick / October 1, 2024
    [LyMerrick is a solo artist and lead singer of Supermoto. LyMerrick released “Lost and Sedated” on March 26, 2024; “Runaway” on August 24, 2020; “Look at You (feat. Sleepwvlker) on May 13, 2020; “Early Days” on March 7, 2020; “Reminiscing to the Future” on April 5, 2019; “Lay Me Down” on February 8, 2018; “Moves (feat. Latenitee)” on January 31, 2019; “First Thing (feat. Latenitee)”; “Queen” on December 15, 2018; “Baggage” on December 9, 2018; “Pipe Down” on September 5, 2018; “Not Another Love Somg” on June 27, 2018; and “Not Good Enough” on May 17, 2018. // LyMerrick is also lead singer of Supermoto who released ther self titled deut album, Supermoto /through Manor Records on September 30, 2024. Hailing from Kansas City, this 5-piece group started meeting in the pre covid winter of 2020. April of 2021 they released their first two songs “Moonlight” & “Polarized” which led to a run of energetic & successful live performances – all the while building up many catchy originals drawing on their inspirations of jazz, funk, r&b, city pop and disco. ]

[LyMerrick plays Night Eight of Manor Fest 7 on Saturday, May 31 at 3:00pm at Made Mobb, 221 Southwest Blvd, KCMO with Alber, and Field Daze (*21+).]

  1. Frankie Shorez – “Wanna Be Bad”
    from: “Wanna Be Bad” – Single / Mercy Fire LLC / January 3, 2024
    [Frankie B. Shorez is a 22 year old singer, Songwriter, Model, actress, and clothing designer and Small Business owner from Kansas city MO. From Rags to Riches chasing the dream. // Earlier this year Frankie Shorez & Mercy Fire played ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, and Stephonne.]

[Frankie Shorez & Mercury Fire play Night Eight of Manor Fest 7 on Saturday, May 31 at 3:00pm at Le Lounge, 130 W. 18th St., KCMO with Lava Dreams, and Apricot Glow( *21+).]

  1. Paris Williams & The Human – “Alien Luv (feat. Saving Mils Lemon)” (radio edit)
    from: A Paris Williams Joint / Bitter Sweet Sound / November 19, 2024
    [Paris Williams is a 26-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school. Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarparis]

[Paris Williams play Night Eight of Manor Fest 7 on Saturday, May 31 at 3:00pm at Tree Room, 1820 Megee St., KCMO with Highway Demon, and Shy Boys (*21+)]

  1. Shy Boys – “In Gloves”
    from: Talk Loud / Polyvinyl Record Co. / September 25, 2020
    [3rd album from the KC band Shy Boys. New music follow up to the Dim The Light / Brick By Brick, singles released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records.]

[Shy Boys play Night Eight of Manor Fest 7 on Saturday, May 31 at 3:00pm at Tree Room, 1820 Megee St., KCMO with Highway Demon, and Paris Williams (*21+)]

Shy Boys / The ACBs / Ghosty / The I’ms / Fullbloods / Koney – Discography

The ACB’s / The ACB’s / July 10, 2007
[Debut from KC based 4-piece with Konnor Ervin on lead vocals, Bryan McGuire on bass, Matt Saladino on guitar, Corey Egan on drums & vocals. Written by, and arranged by Konnor Ervin. Produced by Tim Suttle. Recorded & mixed at Underdog Studio in Desoto, KS. Mastered at Euphonic Masters in Memphis, TN.]

The Abracadabras – Be Still, Be Cool / The Abracadabras / January 1, 2008
[5-piece KC band formed in the spring of 2007, with Jocelyn Olivia (John) Nixon on keyboards & vocals, Travis Mckenzie on lead guitar, Bobby (Wayne Hutcherson) Topaz on guitar & vocals, Collin Rausch on bass & vocals, and Kyle Rausch on drums & vocals.]

The ACBs – Stona Rosa / The ACBs / January 1, 2011
[After half of the band left to move to LA, Konnor Ervin and Bryan McGuire got help from: Andrew Connor of Ghosty, and Beau Bruns of Cowboy Indian Bear. All songs written by, and arranged, lead vocals & guitar by Konnor Ervin. Mike Nolte on bass, Bryan McGuire on bass & vocals, Andrew Connor on guitar & vocals, Beau Brus on drums. Kyle Rausch on vocals. Produced by Mike Nolte. Mastered by Roger Seibel Recorded at More Famouser Studios. Mixed at More Famouser Studios. Mastered at SAE Mastering.]

The I’ms – Second MIXES / Independent / 2011
[Collin Rausch and Kyle Rausch. Kyle Rausch also plays with The ACB’s. In 2011 on WMM we started playing songs from The I’ms, a duo made of up Collin and Kyle, who posted 6 of their self recorded songs on their facebook page. We included this informal release in our Top Ten of The 111 Best Recordings of 2011. 3 of the songs from The I’ms ended up being rerecorded for Shy Boys.]

Ghosty – GHOSTY / More Famouser Records – High Dive Records / April 17, 2012
[3rd full length release from Lawrence and KC area band. Ghosty is Andrew Connor, Mike Nolte an Bill Belzer who recorded their new album themselves over the last couple of years with help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, and Dan Talmadge. The new release was pressed on vinyl and available on LP and digital download. More info at ghostysounds.com.]

The ACBs – Little Leaves / High Dive Records / March 5, 2013.
[Konnor Ervin on lead vocals, & guitar; Bryan McGuire on bass, Andrew Connor on guitar; Kyle Rausch on drums. Their songs have been featured on MTV’s The Inbetweeners, and Daytrotter. The title “Little Leaves” is a nod to Konnor Ervin’s landscaping day job. The lead single, “Ocean” was released as a free download in late 2012, prompting Popmatters to declare the ACBs as one of its “Best Hopes to Break Out in 2013.”]

Shy Boys – Shy Boys / High Dive Records / January 17, 2014
[Debut release. Brothers Collin Rausch, Kyle Rausch, and friend and roommate Konnor Ervin, are members of this KC based trio. Collin and Kyle’s father was a High School band director and music teacher. Konnor Ervin is the lead singer and songwriter of The ACBs, where Kyle also plays drums. The 10 song release had two singles premiered by Stereogum. “Keeps Me On My Toes” was a song Collin wrote in 15 minutes while his girlfriend was in the shower. The album was recorded at West End Studio, over two-weekends.]

Shy Boys – “Life is Peachy” – Single Release / High Dive Records / July 15, 2014
[Stereogum has premiered the band’s new song, “Life Is Peachy”, the A-side to their new 45 rpm, 7″ single coming from High Dive Records. Brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin, are members of the Kansas City based band, Shy Boys. ]

Fullbloods – Mild West / High Dive Records / February 26, 2016
[Second full length release from Fullbloods: Ross Brown; Jared Tomasino; David Seume; and Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).]

Shy Boys – Bell House / Polyvinyl Record Co. / August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com

Shy Boys – Dim The Light / Brick By Brick – Singles / Polyvinyl Record Co. / Feb. 15, 2019
[Single release follow up to band’s 2nd album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

Fullbloods – Soft and Virtual Touch / High Dive Records / April 3, 2020
[3rd full-length. All songs written, performed, recorded, mixed by Ross Brown in KCMO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, & 9, sang on 9. Bill Pollock Played drums on 3 & 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 & 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More info at: http://www.fullbloods.com.]

Shy Boys – Talk Loud / Polyvinyl Record Co. / September 25, 2020
[3rd album from the KC band Shy Boys. New music follow up to the Dim The Light / Brick By Brick, singles released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records.]

Koney – Koney / High Dive Records / October 9, 2020

[from Lucas Wetzel’s Pitch Feature: “To bring the songs to life, Konnor enlisted brothers Collin and Kyle Rausch, his roommates in their ramshackle West Plaza house/practice space and his bandmates in chamber pop group Shy Boys. Ross Brown (of Fullbloods) played synthesizer and helped run sound, and multi-instrumentalist Kyle Little contributed on guitar. Fritz Hutchison and Andrew Connor also contributed on several tracks. Recording engineer Mike Nolte flew in from Portland to run the controls at Westend Recordings, and the group set up camp in the studio over a long snowy weekend in 2015.” ]

11:45 – More Interview with Shaun Crowley

Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.

Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City.

Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads

Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.

Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them. More information at; http://www.manorrecords.com

Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is the co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. We first met Shaun as part of the band Rev Gusto, originally formed in high school with friends at Saint James Academy.

Shaun Crowley thanks for being with us on Wednesday MidDay Medley

Manor Fest 7, 60 bands, 20 venues, 8 nights, 8 different neighborhoods

WEEKEND TWO – May 28, 29, 30, & 31

Night Eight: Saturday May 31 – Crossroads

Venue One: Made Mobb, 221 Southwest Blvd, KCMO (3-5 PM) all ages

  1. Alber
  2. LyMerrick
  3. Field Daze

Venue Two: Le Lounge, 130 W. 18th St., KCMO (5-7 PM) *21+

  1. Lava Dreams
  2. Frankie Shorez & Mercury Fire
  3. Apricot Glow

Venue Three: Tree Room, 1820 Megee St., KCMO (7-10 PM) *21+

  1. Highway Demon
  2. Paris Williams
  3. Shy Boys

Venue Four: Stray Cat Film Center, 1662 Broadway Blvd, KCMO (10 PM – 12 AM) *21+

  1. 2w33dy
  2. Pale Tongue
  3. DJ Sammy Sheets

11:54

23. 2W33DY – “Why You So Mean”
from: Why You So Mean / 2W33DY / February 7, 2025
[Lead Guitar: Diyana; Drums and Pedal Steel: Bradford; Bass: Kennedy; Guitar and Vox: Kenia. // Recorded with Caufield Schnug. The band writes, “We recorded these tracks in Lawrence, KS with Caufield Shnug and his cozy studio. From there I took a lot of deliberating and experimenting with mixing and mastering. We ran each track through Brad’s tried and true marantz 8-Track and from there mixing and mastering was a team effort.” They go on to say, “We are excited to bring you more new music as we continue on our journey as the “most dangerous band in KC”.]

    [2W33DY play Night Eight of Manor Fest 7 on Saturday, May 31 at 10:00pm at Stray Cat Film Center, 1662 Broadway Blvd, KCMO with Pale Tongue, and DJ Sammy Sheets. (*21+)]

    1. Noel Coward – “The Party’s Over Now”
      from: Noel Coward in New York / drg / 2003 [orig. 1957]

    NEXT WEEK, Wednesday, May 14Paul Jesse returns with new music. PLUS, at 11:00am, Stephonne and Rachel Christia of KC Folk Fest join us to talk about this year’a festival on Saturday, May 7 in Washington Square Park. AND at 11:30 Jen Kiper and Alex Wong share details about Alex Wong + NAAAP KC present PERMISSION Saturday, May 17, 6:00 to 10:00pm, at Vivilore, 10815 East Winner Road Independence, MO. A first-of-its-kind listening and tasting performance pairing music with a Chinese-inspired dish that shares a common emotion.

    Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

    THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

    This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

    Our Script/Playlist is a “cut and paste” of information.
    Sources for notes: artist’s websites, bios, wikipedia.org

    Wednesday MidDay Medley in on the web:
    http://www.kkfi.org,
    http://www.WednesdayMidDayMedley.org,
    http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1094

    WMM Playlist from APRIL 23, 2025

    Wednesday MidDay Medley
    TEN to NOON Wednesdays – Streaming at KKFI.org
    90.1 FM KKFI – Kansas City Community Radio
    Produced and Hosted by Mark Manning

    Wednesday, April 23, 2025

    WMM presents New & MidCoast Releases + Southwest Ramblers + Guest Producer SYLKYSAN

    1. “Main Title Instrumental – It’s Showtime Folks”
      from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
      [WMM’s Adopted Theme Song]
    1. JW Francis – “Orbit”
      from: Sunshine / Gomino – Born Loser Records / October 11, 2024
      [SUNSHINE is the third album from New York’s next lo-fi legend JW Francis, and, in an appropriately maverick move, will be released just after its creator finished canoeing over 2,000 miles of the Mississippi River. // The follow-up to JW’s critically acclaimed sophomore album WANKERKID, SUNSHINE will be released on October 11 by Born Loser Records. // Shortly after the release, JW is now set to leave the river and tour the new album across the United States, Canada as well as Europe. // Wistful, upbeat and bursting with charisma, new single MISSISSIPPI is quintessential JW and sets the tone perfectly for an album that tells the story of a wandering anti-hero; as JW elaborates. // “SUNSHINE is my Appalachian trail album. It’s the collection of songs I wrote after walking 1500 miles in 123 days, and all that unraveled as a result. The biggest change in my life, after living outside for 4 months, is that I haven’t lived anywhere since. I’ve been nomadic for three years now and this album is the result of that.” // “Future indie classics that reek of modern New York City Charm” –– DIY Magazine // “Captures honest-to-god truths in a new light’ –– The Line of Best Fit // “A nostalgia-tinged hit, filled with jangly guitars and contagious melodies” –– Wonderland. // “Get ready for a good time from New York’s undeniable king of guitar pop” –– Indie Shuffle]

    [JW Francis plays the Lemonade Social, Friday, May 2, at 7:00pm at Lemonade Park, 1628 Wyoming Street, KCMO West Bottoms with Husbands, and Kat King. In 2020, Lemonade Social was formed as a two-day event at Lemonade Park by long-time indie record label The Record Machine and is now celebrating 5 years.]

    1. Keo & Them – “Eyesore”
      from: “Eyesore” – Single / Midtopia / March 14, 2025
      [The new single marks a sonic departure from previous Keo & Them releases, something bandleader Keo notes is by design and a welcome change from previous material from the group. // Keo & Them released their single “Fire”on March 15, 2024. // Keo & Them released their 7-track album, THIS TIME AROUND on October 28, 2023. // When Neo-soul meets funk, meets R&B, meets pop, meets hip hop & even rock sometimes. Keo & Them released the single “Fool Me Once” on October 6, 2023 on Midtopia. Leo & Them released the three song single “Don’t Say” with “Be Still” and “Money Grooves (feat. Greg Spero)” on June 2, 2023 on Midtopia. And earlier “Money Grooves (feat. Greg Spero)” was release by itself on March 2, 2023. For Wichita-based, Texas-raised singer/songwriter Keo, making music is as much about the one creates and the songs one writes as it is about making deeper connections with the other people partaking in an artistic journey. From the unique flavors, perspectives, and performances they each contribute, Keo finds the “Them” that brings her project Keo & Them full circle. // First formed and conceptualized by Keo in 2018, the collective consists of Keo and a revolving door of musicians and collaborators, each of whose contributions would leave an indelible mark on the project’s ever-adapting sound that merges the worlds of 70’s pop and R&B with the moody glow of contemporary neo-soul and beyond. For Keo, the project’s sole constant member, the fluid line-up allowed her to become immersed and acquainted with a Wichita music scene she was completely new to and overwhelmed by. Through meeting, jamming, and performing with the Kansas town’s tight-knit and eclectic music scene in which Keo found something akin to a family. More info at: https://linktr.ee/keoandthem [Keo & Them played Outer Reaches Fest, on Sat, Oct. 14 at recordBar, On the Les BonsBons Electrique stage w/ Sweeping Promises, Static Phantoms, Alyssa Murray.]

    [Keo & Them play the Lemonade Social, Saturday, May 3, at 6:00pm at Lemonade Park, 1628 Wyoming Street, KCMO West Bottoms with Brother Moses, Hotel Leo, and They’re Theirs. In 2020, Lemonade Social was formed as a two-day event at Lemonade Park by long-time indie record label The Record Machine and is now celebrating 5 years.]

    1. Juliette Frost – “Carbon Copy (Radio Edit)”
      from: “Carbon Copy (Radio Edit)” – Single / Juliette Frost / March 22, 2024
      [Juliette writes: “This is a track accompanied by a it’s official music video available on my YouTube: http://www.youtube.com/watch?v=8FfYe3KGiV4 – I may eventually end up finishing the longer version of the song…but this feels pretty complete for now.” // Juliette Frost released the EP personal logs on March 3, 2024. It was part of WMM’s 120 Best Recordings of 2024. personal logs was a small collection of personal notes and feelings collaged into 3 tracks which have been sliced and diced like curry ingredients. // Juliette Frost released the single “Carbin Copy (radio edit). On March 22, 2024. // Juliette Frost released the single “Wizard Trance” with Not Nymph Yet, on December 20, 2023, // Juliette Frost released the single “UeyuAau,” on December 13, 2023. // Juliette Frost released the single “Night Owl,” on April 13, 2023. // Juliette Frost released the single “Fruits of Our Tree,” on December 11, 2022. // Juliette Frost also released the single “Sylvrface,” on February 8, 2021. // Juliette Frost also released the single “Parallel,” on February 8, 2021. // Juliette Frost also released the17 track album, “Lepidoptera” on February 8, 2021. // Juliette Frost also released the single “Streetwalker,” on February 8, 2021. // Juliette Frost recorded a 6-song EP HUSH on May 5, 2021, that was created in a 5-day recording session, in December 2020 in Los Angeles, with musician, bassist, & producer Dominique Sanders. The songs, written by Juliette, feature her vocals layered in harmonies, beats and soundscapes. // Juliette Frost also released the single “burd,” on February 8, 2021. // On April 18, 2020 Juliette released Subterranean.Egyptian.Sea.Monkeys, her 19-track, debut, recorded in her bedroom, when she was 16, sampling sounds from her own cats meowing and purring, among others. When Juliette was making the music for, Subterranean.Egyptian.Sea.Monkeys, she really wasn’t thinking of putting out an album. She was just creating music, and before she knew it she had all of these songs. // Juliette has had the opportunity to see the recording process from two very different perspectives: in a recording studio in LA, and in her own private bedroom, working by herself. Juliette says that she prefers the alone time, in her bedroom process, because she can translate her ideas into reality, much faster. Juliette says she realized her musical passion, and that she had the abilities to create music and songs when she was in middle school. // Juliette Frost went to Shawnee Mission North High School. Juliette is not only a songwriter and producer of music but she is also a visual artist who created amazing collage art, and is also a painter and fine artist. // Juliette grew up surrounded by music in her home, Juliette is the daughter of opera and jazz vocalist Emily Frost and nationally known Hip Hop Beatboxer Adrian “A-Train” Frost] [Juliette Frost played minibar, on October 23, 2024, with Belgium-based Ultra Sunn and Religion of Heartbreak.]

    [Juliette Frost plays SK8BAR, 209 Westport Road, KCMO on Saturday, April 12, at 8:00pm opening for Bellhead, with Cables & Lace.]

    1. Redder Moon – “Drown The Fire”
      from: If You’re Falling, Dive / Redder Moon / April 25, 2025
      [Produced by: Jeremiah James Gonzales. Engineered and Mixed by: Jeremiah James Gonzales, Brody Lowe, Ross Brown. All instruments and Songwriting: Jeremiah James Gonzales with content contributions by: Jason Scott, Brody Lowe, Eric B Lopez, Lauren Chavez. // Redder Moon is a Kansas City based band led by Jeremiah James Gonzales and Brodie Lowe using analog synths, dark dance beats, dreamy guitars, we create Mono No Aware music.. The band began as one of Gonzales’ many music projects, although more electronic than his other work with Knife Crime, Be/Non, Rhunes, Elevator Division, Umberto. Brody Lowe moved to KC from Portland, and met Jeremiah in 2019. The band released their EP, LAND OF THE BLIND on June 13, followed by an album, HELL IS OTHER PEOPLE, on November 5, 2021. ]

    [Redder Moon plays The Warehouse, 3951 Broadway Blvd., KCMO on Friday, April 25, at 7:00pm opening for Vision Video with Urban Heat.]

    1. Keelon Vann – “The Herd of Stranded Sheep”
      from: “The Herd of Stranded Sheep” – Single / Keelon Vann / April 18, 2025
      [Keelon Vann released Tales of the Gypsy on January 1, 2024 which was part of WMM’s 120 Best tecordings of 2024. // Keelon Vann is a 25 year old singer-songwriter and guitarist. Keelon Vann plays an eclectic fusion of Rock & Roll, Pop, R&B, and Funk. He looks to break barriers by paying tribute to the classics and finding inspiration in modern productions alike. The Kansas born artist doesn’t believe in genre. “It’s pretty hard to put you in a box,” said Steve Kraske of KCUR 89.3 Radio. It is, however, to Vann’s dismay, that such fusion of music may result in quite an unorthodox niche. Nonetheless, music is art, and according to Vann, art is not meant to be superficial within genre. Art exists spiritually to inspire and to heal. Keelon studied at William Jewell College. He went to Wyandotte High School, Blue Valley Southwest High School, and Piper High School in Kansas. // Keelon Vann and his trio play The Ship, 1217 Union Ave on February 15, 2024, at 8:00pm. Vann is joined by drummer Thomas Pribyl and bass guitarist Tommy OHalloran.] [Keelon Vann plays recordBar at 1520 Grand Blvd. on February 23.] [Keelon Vann played Chartreuse Saloon, 1625 Oak Street, KCMO on February 23.] [Keelon Vann played Society on March 14.] [Keelon Vann played The Rino, 314 Armour Rd, North Kansas City, on March 28, at with Lady Revel, and IVORY BLUE]
    1. Nature Boys – “Common Visions”
      from: “Common Visions” Single / Dead Broke Rekerdss / April 11, 2025
      [Nature Boys released their album IV /on September 24, 2021. Nature Boys started playing together in Kansas City, Missouri September of 2009. They wrote this about their band: “We had our first show in November or December at the Troost House, and then our second show at Dave’s Stagecoach Inn. We left for our first tour in January of 2010. The band includes: Danny Fischer on guitar & vocals, Suzanne Hogan on bass & vocals. evan malone on drums. Kansas City, Missouri punk rock & rollers that have been kickin’ up dust all across the country since 2009! Their fourth album and first on Dead Broke after self-releasing a slew of their previous efforts. Imagine if Dead Moon was a buch of punk rockers from the south, then you might be getting close to what Nature Boys scrappy & energetic punk rock is all about. Limited to 300 copies. (200 Black, 100 Clear Pink) Comes w/download code..] [Nature Boys playrdd a Special Halloween Benefit for Confluence & KC Tenants on Saturday, October 30, at 8:00 PM, at Blip Roasters 1301 Woodswether Rd, WEST BOTTOMS, KCMO with Pink Phase, DJ Dan Cool, Killus.]

    [Nature Boys play Farewell 6515 Stadium Drive, KCMO, TONIGHT, April 23 with Drastic Plastic, and Snooper.]

    1. mehro – “You’re So Pretty (Radio edit)”
      from You’re So Pretty (Radio Edit) – Single / Heroine Records / February 15, 2025
      [mehro’s songs sound like instant classics. Cut from the same cloth as Elliot Smith, Jeff Buckley and Rufus Wainwright, mehro brings a sincerity and maturity to music that is missing from the current scene. From composition to lyrical imagery, mehro captures the essence of a soul much older and wiser than we would imagine to be his. mehro was born on November 10, 1999. He is an American pop singer, songwriter and guitarist from Los Angeles, USA. // As a teenager, mehro started learning to sing in a choir, and it was only when he was eighteen that he began to play the guitar and write his own songs. mehro cites Elliot Smith, Frank Ocean and Phoebe Bridgers as his main inspirations. Moreover, in an October 2020 interview, mehro revealed that he had other dreams he wanted to accomplish, which is to become a filmmaker and actor – he notably starred in a short film entitled Scarecrow.]

    [mehro plays The Truman 601 East Truman Road, KCMO, TONIGHT, April 23 at 7:00pm, opening for The Walters with Half a Life.]

    10:29 – Underwriting

    1. The Southwest Ramblers – “Lad O’Beirne’s”
      from: The Southwest Ramblers / The Southwet Ramblers / Aprl 18, 2024
      [The Southwest Ramblers are a high-energy trio who bring fresh life to Irish traditional music. With roots in Ireland and the U.S., they fuse deep tradition with a modern spark, making their performances both timeless and electrifying. Their live album captures this energy, and after a successful, critically acclaimed tour a few years back, they’re heading stateside again for a new round of gigs in April and May. For the record: Hughie Kennedy on Button accordion; Jason Turk on Keyboard, Seaboard and Piano accordion, Grace Broadhead – Fiddle & Vocals. For the tour: Dain Forsythe – Bodhrán and Vocals; Jason Turk on Keyboard, Seaboard, Vocals (introductions). Grace Broadhead on Iddle, Vocals (singing)]

    [The Southwest Ramblers play Hammers at 3901 Main Street, KCMO TONIGHT on Wednesday, April 23 at 7:00pm with Of Tree. ]

    10:33 – Interview with Grace Broadhead and Jason Turk of The Southwest Ramblers

    With roots in Ireland and the U.S., this high-energy The Southwest Ramblers bring fresh life to Irish traditional music fusing tradition with a modern spark, making their performances both timeless and electrifying. Their critically acclaimed stateside tour brings them to Kansas City to play Hammers at 3901 Main Street, KCMO TONIGHT Wednesday, April 23 at 7:00pm with Of Tree.

    Grace Broadhead is a Nashville-based fiddler from Sandia Park, New Mexico, who’s racked up an impressive list of awards, including the “Fiddler of London Diaspora Award”. She’s performed with Sharon Shannon, Gaelic Storm, and others, blending raw tradition with her own unique sound.

    Grace Broadhead thanks for being with us on Wednesday MidDay Medley

    Jason Turk is a Cork-born musician pushing the boundaries of Irish traditional music. His work with the Seaboard—an instrument rarely seen in trad—has been so groundbreaking that it’s now part of the school music syllabus in Ireland. He blends Irish melodies with electronic textures, creating a sound that’s as innovative as it is rooted. His performance of Pressed for Time was used as a global ad using Irish Traditional Music to sell music tech.

    Jason Turk thanks for being with us on Wednesday MidDay Medley

    The Southwest Ramblers play Hammers at 3901 Main Street, KCMO TONIGHT on Wednesday, April 23 at 7:00pm with Of Tree.

    Jason Turk from Cork, Ireland and Grace Broadhead from Nashville (Sandia Park, New Mexico)

    Live Album & Tour: The Southwest Ramblers’ live album is a snapshot of their raw, in-the-moment energy, and their U.S. tour showcases this in full force. They’ll be playing across the country in April and May, starting in Nashville, Tennessee, and stopping in:

    • St. Louis, Missouri
      Kansas City, Kansas
    • Fort Collins, Denver, and Colorado Springs, Colorado
    • Taos, New Mexico
    • Salt Lake City, Utah
    • Austin and Dallas, Texas
    • Albuquerque, New Mexico

    Jason Turk is a Cork-born musician pushing the boundaries of Irish traditional music. His work with the Seaboard—an instrument rarely seen in trad—has been so groundbreaking that it’s now part of the school music syllabus in Ireland. He blends Irish melodies with electronic textures, creating a sound that’s as innovative as it is rooted. Watch his performance of Pressed for Time which was used as a global ad using Irish Traditional Music to sell music tech.

    Grace Broadhead is a fiddler from Sandia Park, NM. She is a member of two local bands in Albuquerque, the Duke City Ceili Band and Jug O’ Punch. In 2018 and 2019, Grace competed in the Midwest Fleadh. In 2019, her Newly Composed Tune “Chain Reaction” came in 1st place, affording her the opportunity to compete at Fleadh Cheoil na hEireann 2019. She has also competed in the Comórtas Ceoil in 2020 and 2021 and was awarded a gold medal in the 15-18 fiddle competition both years. In 2021 she also received a gold medal in fiddle slow airs and a silver medal in the lilting competition. In April, 2022, Grace was awarded the inaugural “Fiddler of London Diaspora Award”.

    Grace has had the opportunity to play with several well-known musicians and groups, including the Sharon Shannon Band, The Old Blind Dogs, and Gaelic Storm. She also opened the show for Randal Bays when he came to Albuquerque in February 2019. In 2019, Grace played on two of Fergal Scahill’s Tune a Day videos. She also joined in on two of Colin Farrell’s Tune a Day videos in 2020. Grace and bouzouki player Ben Williamson released their debut album Tipping the Scales in 2021.

    The Southwest Ramblers are a high-energy duo who bring fresh life to Irish traditional music. With roots in Ireland and the U.S., they fuse deep tradition with a modern spark, making their performances both timeless and electrifying.

    Hughie Kennedy: A button accordionist from Cork City, Hughie has been steeped in traditional music all his life. He’s toured the U.S. with The Young Irelanders and played at festivals and céilís across Ireland, Germany, and Switzerland. You might have heard him on Céilí House or Fleadh TV, and he’s a respected teacher in the Irish trad community. Check out one of his popular “Tune a day” videos

    Grace Broadhead: Grace is a Nashville-based fiddler from Sandia Park, New Mexico, who’s racked up an impressive list of awards, including the “Fiddler of London Diaspora Award”. She’s performed with Sharon Shannon, Gaelic Storm, and others, blending raw tradition with her own unique sound. You can watch her winning performance at the Fiddler of London competition here Fiddler Of London

    Jason Turk: Jason is a Cork-born musician pushing the boundaries of Irish traditional music. His work with the Seaboard—an instrument rarely seen in trad—has been so groundbreaking that it’s now part of the school music syllabus in Ireland. He blends Irish melodies with electronic textures, creating a sound that’s as innovative as it is rooted. Watch his performance of Pressed for Time which was used as a global ad using Irish Traditional Music to sell music tech.

    Grace Broadhead and Jason Turkthanks for being with us on Wednesday MidDay Medley

    The Southwest Ramblers play Hammers at 3901 Main Street, KCMO TONIGHT on Wednesday, April 23 at 7:00pm with Of Tree.

    10:51

    1. The Southwest Ramblers – “Darling Girl”
      from: The Southwest Ramblers / The Southwet Ramblers / Aprl 18, 2024
      [The Southwest Ramblers are a high-energy trio who bring fresh life to Irish traditional music. With roots in Ireland and the U.S., they fuse deep tradition with a modern spark, making their performances both timeless and electrifying. Their live album captures this energy, and after a successful, critically acclaimed tour a few years back, they’re heading stateside again for a new round of gigs in April and May. For the record: Hughie Kennedy on Button accordion; Jason Turk on Keyboard, Seaboard and Piano accordion, Grace Broadhead – Fiddle & Vocals. For the tour: Dain Forsythe – Bodhrán and Vocals; Jason Turk on Keyboard, Seaboard, Vocals (introductions). Grace Broadhead on Iddle, Vocals (singing)]

    [The Southwest Ramblers play Hammers at 3901 Main Street, KCMO TONIGHT on Wednesday, April 23 at 7:00pm with Of Tree. ]

    1. Megan Lutrell – “Take Me Back”
      from: “Take Me Back” – Single / Records DK / July 30, 2024
      [Singer-songwriter Megan Luttrell, “one of the biggest breakout stars of the past year,” (Unmistakably Lawrence, 2019), is known for powerhouse vocals and compelling original music. In 2020, Megan won first place in Best of Lawrence’s Best Solo Musician category. In 2019, she started the Women’s Songwriter Showcase, a monthly event lauded by local media. Sadly, with the closure of Kaw Valley Public House, the showcase is on hiatus. Megan was recognized for her work to support women in music when she won second place in the Kansas City People’s Choice Awards for the artist doing the most good for the local music scene. She served as the Program Director for Lumberyard Live on High live music series at the Lumberyard Arts Center in Baldwin City, Kansas and on the executive board of Americana Music Academy in Lawrence, KS. // Megan has always loved music and has been singing since before she can remember. She began playing the guitar around the age of 14 and immediately threw herself into songwriting. WFHB Radio (Bloomington, IN), describes her sound as, “a big country, Americana, blues-style voice. Her songs are beautifully powerful.” Megan released her debut album “Broken Bottles” in June 2016, and her singles, “Miss You” and “Folk Singer” in April 2019, which won 4th place in the 2019 Kansas City People’s Choice Awards. She released singles “Burn” and “Just Out of Reach” in 2020, and “Hold On (Not Too Long)” in 2021. Her newest single, “Take Me Back,” was released in August 2024. Check out an interview with the Pitch KC about the song.“
      “She’s got sass, beauty, presence, and a voice that rings true like a tuning fork to the heart — better catch her while she’s still local!”— Melvin Litton, host of the Gothic Cowboy Review]

    [Megan Lutrell plays Songs in Solidarity: A Fundraiser to Benefit Immigrants’ Rights on Sunday, April 27, at 7:00pm at Lucia 1016 Massachusetts, Lawrence KC with 45 Grados Flamenco, David Luther & Kelly Dougherty, and Shapiro Brothers.]

    11:00 – Station ID – SYLKYSAN as Guest Producer

    WMM presents:SYLKYSAN as Guest Producer for our second hour. SYLKYSAN has been training as a new KKFI Programmer with Wednesday MidDay Medley. SYLKYSAN is the name her Aunt gave her back in the 1980s, explaining that silk comes in a variety of textures. SYLKYSAN says that you will hear a smorgasbord of music from her that will move your mind, body and soul. Go ahead and snap your fingers, tap your feet, bob your head, because we are going to have a House Party! SYLKYSAN will spin tracks from: Luther Vandross, The Gap Band, Lakeside, Tina Marie, Midnight Star, The Emotions, Atlantic Starr, Average White Band, and Earth Wind & Fire.

    1. Luther Vandross – “Bad Boys/Having a Party”
      from: Forever, For Always, For Love / Sony Music Records / September 21, 1982
      [Luther Ronzoni Vandross Jr. (April 20, 1951 – July 1, 2005) was an American soul and R&B singer, songwriter, and record producer. Over his career, he achieved eleven consecutive RIAA-certified platinum albums and sold over 40 million records worldwide. Known as the “Velvet Voice”, Vandross was recognized by Rolling Stone as one of the 200 greatest singers of all time (2023) and was named one of the greatest R&B artists by Billboard. NPR also included him among its 50 Great Voices. He won eight Grammy Awards, including Song of the Year in 2004 for “Dance with My Father”. He has been inducted into both the National Rhythm & Blues Hall of Fame and the Grammy Hall of Fame. // Vandross began his music career in the late 1960s performing at the Apollo Theater in New York City as part of a local musical ensemble. The group later appeared on the television show Sesame Street in the early 1970s. He eventually established himself as a sought-after backing vocalist, contributing to albums by Roberta Flack, Donny Hathaway, Todd Rundgren, Evelyn “Champagne” King, Judy Collins, Chaka Khan, Bette Midler, Diana Ross, David Bowie, Ben E. King, Stevie Wonder, and Donna Summer. In 1980, he served as the lead vocalist for the post-disco group Change on their Gold-certified album The Glow of Love, released on Warner/RFC Records. // After Vandross left the group, he was signed to Epic Records as a solo artist and released his debut solo album, Never Too Much, in 1981. The following year, he was credited as the primary producer on Aretha Franklin’s album Jump to it, which topped the Billboard R&B Albums chart. His hit songs include “Never Too Much”, “Here and Now”, “Any Love”, “Power of Love/Love Power”, “I Can Make It Better”, and “For You to Love”. He also recorded several covers of songs originally performed by other artists, including “Since I Lost My Baby”, “Superstar”, “I (Who Have Nothing)”, and “Always and Forever”. // Vandross collaborated on several notable duets, including “The Closer I Get to You” with Beyoncé, “Endless Love” with Mariah Carey, and “The Best Things in Life Are Free” with Janet Jackson of which the latter two were hit songs in his career. The tribute album So Amazing: An All-Star Tribute to Luther Vandross was released shortly after his death. In 2024, Kendrick Lamar and SZA released the chart-topping single “Luther”, paying homage to Vandross and sampling his rendition of “If This World Were Mine”, a duet with Cheryl Lynn. That same year, he was the subject of the documentary Luther: Never Too Much, which chronicles his life, career, and legacy.]

    11:05 – Special Guest producer SYLKYSAN

    WELCOME EVERYBODY TO MY HOUSE PARTY.

    MY NAME IS SYLKYSAN AND MARK, ALONG WITH 90.1 KKFI KANSAS CITY COMMUNITY RADIO, IS LETTING ME INTRODUCE MYSELF TO THE COMMUNITY OF KKFI.

    SYLKYSAN IS THE NAME MY AUNT GAVE ME IN THE 80’S AND SHE DESCRIBED TO ME, THAT SILK COMES IN A VARITY OF TEXTURES AND THAT’S THE MUSIC YOU WILL HEAR FROM ME. YOU WILL GET A SMORGASBORD OF MUSIC THAT WILL MOVE YOUR MIND, BODY, AND SOUL. SO GO AHEAD AND SNAP YOUR FINGERS, TAP YOUR FEET, BOB YOUR HEAD BECAUSE WE’RE GOING TO HAVE A HOUSE PARTY.

    I STARTED THIS PARTY WITH THE LATE GREAT LUTHER VANDROSS WHO PASSED AWAY IN 2005.

    LUTHER STARTED IN THE LATE 60’S AND WAS ALSO ON SESAME STREET
    IN THE EARLY 70’S AND OF COURSE BECAME A SUPERSTAR.

    “BAD BOYS” WAS RELEASED IN 1982.

    CONTINUING THIS PARTY YOU WILL HEAR THE GAP BAND, LAKESIDE AND TINA MARIE.

    11:07

    1. The Gap Band – “Humpin'”
      from: The Gap Band III / Mercury Records / December 8, 1980
      [The Gap Band was an American R&B and funk band that rose to fame during the 1970s and 1980s. The band consisted of three brothers: Charlie, Ronnie, and Robert Wilson, along with other members; it was named after streets (Greenwood, Archer, and Pine) in the historic Greenwood neighborhood in the brothers’ hometown of Tulsa, Oklahoma. // The band formed in Tulsa in 1967, based around the three Wilson brothers, but often included other musicians as well. The name “Greenwood, Archer, and Pine Band” originally started as a joke, reflecting the band’s origins, and was shortened to GAP Band later. The band received its first big break by being the back up band for fellow Oklahoman Leon Russell’s Stop All That Jazz album released in 1974. // Early on, the group took on a funk sound typical of the early 1970s. This style failed to catch on, and their first two LP’s, 1974’s Magicians Holiday which was recorded at Leon Russell’s historic The Church Studio and 1977’s The Gap Band (not to be confused with their 1979 album), failed to chart or produce any charting singles. Afterwards, they were introduced to Los Angeles producer Lonnie Simmons, who signed them to his production company, Total Experience Productions (named after his successful Crenshaw Boulevard nightclub), and managed to secure a record deal with Mercury Records. // On their first album with Simmons, The Gap Band, they found chart success with songs such as “I’m in Love” and “Shake”; the latter became a Top 10 R&B hit in 1979. // Later that year, the group released “I Don’t Believe You Want to Get Up and Dance (Oops!)” on their album The Gap Band II. Although it did not hit the Billboard Hot 100, it soared to number 4 in the US Billboard R&B chart, and the album went gold. The song, and the band’s musical output as a whole, became more P-Funk-esque, with expanded use of the synthesizers and spoken monologues within songs (see audio sample). The song “Steppin’ (Out)” also reached the top 10 R&B. // The band reached a whole new level of fame in 1980 with the release of the number 1 R&B and number 16 Billboard 200 hit, The Gap Band III. That album had soul ballads such as the number 5 R&B song “Yearning for Your Love”, and funk songs such as the R&B chart-topper “Burn Rubber (Why You Wanna Hurt Me)” and “Humpin'”. They repeated this formula on the number 1 R&B album Gap Band IV in 1982 (the first album released on Simmons’ newly launched Total Experience Records), which resulted in three hit singles: “Early in the Morning” (number 1 R&B, number 13 Dance, number 24 Hot 100), “You Dropped a Bomb on Me” (number 2 R&B, number 31 Hot 100, number 39 Dance), and “Outstanding” (number 1 R&B, number 24 Dance). It was during this time that former Brides of Funkenstein singer Dawn Silva joined them on tour. // Their 1983 album, Gap Band V: Jammin’, went gold, but was not quite as successful as the previous works, peaking at number 2 R&B and number 28 on the Billboard 200. The single “Party Train” peaked at number 3 R&B, and the song “Jam the Motha'” peaked at number 16 R&B, but neither made it onto the Hot 100. The album’s closer “Someday” (a loose cover of Donny Hathaway’s “Someday We’ll All Be Free”) featured Stevie Wonder as a guest vocalist. // Their next work, Gap Band VI brought them back to number 1 R&B in 1985, but the album sold fewer copies and did not go gold. “Beep a Freak” hit number 2 R&B, “I Found My Baby” peaked at number 8 on the R&B charts, and “Disrespect” peaked at number 18. That year, lead singer Charlie Wilson and singer Shirley Murdock provided backing vocals on Zapp & Roger’s number 8 R&B “Computer Love”. // While their 1986 cover of “Going in Circles” went to number 2 on the R&B charts, and the album it was released on, Gap Band VII, hit number 6 R&B, the album almost became their first in years to miss the Billboard 200, peaking at number 159. // While they were beginning to struggle stateside, the group found their greatest success in the UK when their 1986 single “Big Fun” from Gap Band 8 reached number 4 in the UK Singles Chart. 1988’s Straight from the Heart was their last studio album with Total Experience. // The Gap Band caught a small break in 1988 with the Keenen Ivory Wayans film, I’m Gonna Git You Sucka. They contributed the non-charting “You’re So Cute” and the number 14 R&B title track to the film (The first was not on the soundtrack, but was used in the film). Their first song on their new label, Capitol Records, 1989’s “All of My Love” (from their album Round Trip), is, to date, their last number 1 R&B hit. The album also produced the number 8 R&B “Addicted to Your Love” and the number 18 R&B “”We Can Make it Alright.” They left Capitol Records the next year and went on a five-year hiatus from producing new material. // During the 1990s, the band released three non-charting studio albums and two live albums.]
    1. Lakeside – “Fantastic Voyage”
      from: Fantastic Voyage / Unidisc Music / January 1, 1980
      [Lakeside is an American funk band, best known for their 1980 number one R&B hit “Fantastic Voyage”. // In 1969, guitarist Stephen Shockley from Dayton, Ohio formed a group named the Young Underground after he had departed a group known as the Monterreys. Vocalist Mark Woods, who was a member of another local band called the Nomads, joined up with Shockley’s band. In 1971, the Nomads and the Young Underground took on a new, singular identity: with the addition of Thomas Shelby and Mark Wood’s sister Shirley Wood, they became Ohio Lakeside Express. // In 1971, the group became acquainted with Eddie Thomas of Curtom, a record label owned and operated by Mr. Thomas and his partner Curtis Mayfield. Eddie Thomas left Curtom to form his own label, “Lakeside”, which he named after the south-side of Chicago. Lakeside (the record label) signed Ohio Lakeside Express. Eddie Thomas had a number of producers expressing interest in producing an album for Lakeside, but nothing materialized at this stage in their career. That would soon change, as Shirley chose not to pursue her singing career, so they added Ricky Abernathy as a new singer. // At Mavericks Flats, another of the big-time venues of the day, by now they added another vocalist (Otis Stokes) to replace Ricky Abernathy, and a new percussionist (Fred Lewis). The group was seen by Dick Griffey, a promoter handling successful artists like Stevie Wonder. Impressed by the group, he offered his friendship and advice, and began informally managing Lakeside in early 1975. It was also in 1974 that Lakeside met Frank Wilson and signed a deal with Motown. Motown was promoting and prioritizing other groups, and shelved what they had produced for Lakeside. // When Frank Wilson left Motown in 1976 for ABC Dunhill, he formed his own production company named Spec-O-Lite Productions and signed Lakeside after convincing them to drop the “Ohio” and “Express”. // In 1977, Lakeside’s success began to accelerate. That year, the group released their eponymous debut album, which featured the single “If I Didn’t Have You”. About this time, the group debuted on Soul Train, performing a Beloyd Taylor and Peter Cor composition “Shine On”, which helped pave the way for future success. As Lakeside added barefoot drummer Fred Alexander, Jr., the band was approached by Whitfield Records, Motown, and Solar Records. Lakeside chose Solar Records, owned by Dick Griffey, with stablemates The Whispers, Shalamar, Midnight Star, Klymaxx, and Carrie Lucas. // Dick Griffey, the producer who had befriended and managed Lakeside since 1975, started Solar Records in 1978. At that same time, Norman Whitfield had been courting the group to sign with his Whitfield Records, but Griffey offered the group a chance to write and co-produce their own music, which Whitfield was not willing to do. // Parting amicably with Frank Wilson, Lakeside became a part of the Solar family. The band released the album Shot of Love in 1978. Their first Solar album featured songs all written by members of the band and co-produced with Solar staff producer Leon Sylvers III. With this album, the band began to find major success on the R&B charts when the single “It’s All the Way Live” reached number 4. // The band, at this point consisting of bassist Marvin Craig, drummer Fred Alexander, percussionist Fred Lewis, guitarist Steve Shockley, keyboardist Norman Beavers, guitarist/multi-instrumentalist and lead vocalist Otis Stokes, lead vocalist/keyboardist Mark Wood, occasional lead vocalists Tiemeyer McCain and Thomas Shelby found their niche with a sound that stemmed from years of playing together. The band dressed in a range of costumes on their album covers, including pirates, 1920s police officers, cowboys, Arabian knights, and even Robin Hood. // Despite the success of Shot of Love and “It’s All the Way Live”, the album Rough Riders did not fare as well. However, the following album, 1980’s Fantastic Voyage, exceeded all expectations. Its single “Fantastic Voyage” reached number one on the R&B chart. The tune remains the band’s biggest hit, also hitting the pop charts (their only single to do so), where it peaked at number 55. Fantastic Voyage was certified Gold and remains the group’s greatest achievement, and it eventually went Platinum. They followed up this hit with a remake of the Beatles’ song “I Want to Hold Your Hand”, which made the R&B top 10 again. // Subsequent to Fantastic Voyage, Lakeside released six more successful albums. More hits on the R&B charts, such as “Raid” (1983) and “Outrageous” (1984), kept the group going until their change in the late 1980s. “Bullseye” (1987) became the group’s last major hit as new jack swing began taking over the airwaves. // Tyrone Griffin, one of the later members of Lakeside, has a son in the music industry, Tyrone Griffin, Jr., known to the public as singer Ty Dolla Sign.]

    11:19 – Special Guest producer SYLKYSAN

    THE SECOND SONG WAS FROM THE GAP BAND, “HUMPIN”, RELEASED IN 1980.

    THE BAND’S MAIN PLAYERS WERE 3 BROTHERS LAST NAME WILSON AND CHARLIE

    WILSON, THE YOUNGEST IS STILL MAKING MUSIC AND TOURING GIVING
    WONDERFUL SHOWS.

    THE NEXT SONG IS BY THE GROUP LAKESIDE, “FANTASTIC VOYAGE”, RELEASED IN 1980.

    GUITARIST STEPHEN SHOCKLEY FROM DAYTON, OHIO WAS ONE OF THE
    FOUNDING MEMBERS OF THE BAND.

    MOVING ON, WE ARE GOING TO LISTEN TO MS. TINA MARIE, “SQUARE BIZ”.

    11:18

    Teena Marie Songs
    1. Teena Marie – “Square Biz”
      from: 20th Century Masters – The Millennium Collection: The Best of Teena Marie / Motown Records / January 1, 2001
      [Originally released as a single in 1981 from Gordy Records. // “Square Biz” is a 1981 song by American R&B singer, Teena Marie. Bass player and frequent collaborator Allen McGrier is credited as the co-writer along with Marie. The song was released as a single from the album It Must Be Magic, and became one of Marie’s signature songs. The song includes a rap break, an unusual feature at the time. // Mary Christine Brockert (March 5, 1956 – December 26, 2010), known professionally as Teena Marie, was an American soul and R&B singer, songwriter, and producer. She was known by her childhood nickname Tina before taking the stage name Teena Marie and later acquired the nickname Lady T, given to her by her collaborator and friend Rick James. // She was known for her distinctive and soulful soprano vocals, which caused many listeners to believe she was black. Her success in R&B and soul music, and loyalty to these genres earned her the title Ivory Queen of Soul. She played rhythm guitar, keyboards, and congas. Teena Marie was a 4 time Grammy Award nominee. // Mary Christine Brockert was born on March 5, 1956, in Santa Monica, California, the daughter of construction worker Thomas Leslie Brockert and home renovator Mary Anne. She spent her early childhood in Mission Hills, California. She said that her ethnic heritage was Belgian, Portuguese, Italian, Irish, and Native American. In 2005, while visiting Louisiana, she discovered that her paternal ancestors once lived in New Orleans. She took to singing naturally, performing Harry Belafonte’s “Banana Boat Song” by age 2. // When she was eight years old, her parents began sending Tina on auditions which, among other things, netted her an acting role on The Beverly Hillbillies, credited as Tina Marie Brockert. She later taught herself the guitar, bass, and congas. She formed a semi-professional R&B band with her younger brother Anthony and their cousin. // In the early 1970s, after the family moved to Venice, California, Brockert spent her adolescent years in the historically black Venice enclave of Oakwood, nicknamed “Venice Harlem”. There, she acquired a strong spiritual influence from neighborhood matriarch Berthalynn Jackson, a black woman who became her godmother. // While attending Venice High School, Brockert joined the Summer Dance Production and was the female lead in the school’s production of The Music Man. She also fronted a local Venice rock band “Truvair” in 1974–1975; the band’s members were her high school classmates. Following graduation, Brockert juggled auditioning for various record companies with studying English literature at Santa Monica College. // In 1976, Brockert (as the lead singer of a band she had assembled, which included long-time friend Mickey Boyce) gained an introduction to Motown Records staff producer Hal Davis (best known for his work with Brenda Holloway and the Jackson 5). It led to an audition for a film about orphans that was being developed by Motown. The project was shelved, but label boss Berry Gordy, impressed with her singing but having no need for a musical group, decided to sign her as a solo act. Tina recorded unreleased material with a number of different producers over the next few years, before being spotted by labelmate Rick James, who was immediately impressed with her sound. Some of Tina’s earlier, unreleased material has been made available on the compilation album First Class Love: Rare Tee. At the time, James, already established as a successful recording artist, was on tap to produce for Diana Ross but changed his mind and decided to work with Brockert, instead. The result was her debut album release, Wild and Peaceful. The album was, at one point, due to be credited to “Teena Tryson”, but ultimately was put out under “Teena Marie”, the name by which she was known throughout her remaining career. It scored Teena Marie her first top-ten R&B hit “I’m a Sucker for Your Love” (#8 R&B Singles Chart), a duet with James. Neither the album nor its packaging had her picture on it, and many radio programmers assumed she was black during the earliest months of her career. This myth was disproved when she performed her debut hit with James on Soul Train in 1979, becoming the show’s first white female guest. (She appeared on the show eight more times, more than any other white act.) // Her album Lady T (1980), featured her portrait on the cover, and it is noted for having production from Richard Rudolph (the widower of R&B singer Minnie Riperton). Teena Marie had asked Berry Gordy to contact Rudolph and secure his input, as Rick James was unavailable, and she felt unprepared to be sole producer of her own material. Rudolph had intended for “Now That I Have You”, a song he penned, for his wife Minnie Riperton, but offered it to Teena Marie for Lady T. Rudolph also co-composed the single “Behind the Groove”, which reached number 21 on the R&B singles chart and No. 6 on the U.K. singles chart in 1980. The song also was included on the soundtrack of Grand Theft Auto: Vice City on the Fever 105 radio station. // Also in 1980, Teena Marie released the LP Irons in the Fire, for which she handled most of the writing and production herself, an achievement considered rare at the time for a female artist. The single “I Need Your Lovin'” (#37 Pop, No. 9 R&B Singles) brought Teena Marie her first top 40 hit; it also peaked at No. 28 in the UK chart. // The same year, Teena Marie appeared on James’ album Street Songs, with the duet “Fire and Desire”. In an interview, Teena Marie said she had a fever at the time yet managed to record her vocals in one take. After the session, she was driven to a hospital. The two performed the single at the 2004 BET Awards, which was their last TV appearance with one another, as James died later that year. // Teena Marie continued her success with Motown in 1981, with the release of It Must Be Magic (#2 R&B Albums Chart), her first gold record, which included her then biggest hit on R&B, “Square Biz” (#3 R&B Singles). Other notable tracks include “Portuguese Love” (featuring a brief, uncredited cameo by James, No. 54 R&B Singles), the title track “It Must be Magic” (#30 R&B Singles). // In 1982, Teena Marie got into a heated legal battle with Motown Records over her contract and disagreements about releasing her new material. The lawsuit resulted in “The Brockert Initiative”, which made it illegal for a record company to keep an artist under contract without releasing new material for that artist. In such instances, artists are able to sign and release with another label instead of being held back by an unsupportive one. Teena Marie commented on the law in a Los Angeles Times article, saying “It wasn’t something I set out to do. I just wanted to get away from Motown and have a good life. But it helped a lot of people, like Luther Vandross and the Mary Jane Girls, and a lot of different artists, to be able to get out of their contracts. She left Motown as the label’s most successful white solo act. // Contacted by Epic Records in the fall of 1982, after expressing dismay over her Motown contract, Teena Marie signed a worldwide deal with the Columbia Records subsidiary that also allowed her to establish her own publishing company, Midnight Magnet. Epic released the concept album Robbery, which featured the hit “Fix It” (#21 R&B), as well as “Shadow Boxing” and “Casanova Brown”. The latter was one of many tracks Teena Marie wrote over the years about her real-life romance with one-time mentor Rick James. // In 1984, Teena Marie released her biggest-selling album Starchild. It yielded “Lovergirl”, her biggest hit, which peaked at No. 4 on the U.S. Billboard Hot 100 chart in March 1985 and at No. 9 on the R&B chart. “Lovergirl” was included in the 2002 Jennifer Lopez movie Maid in Manhattan. The label also released the moderate R&B hit “Out on a Limb”, which peaked at No. 56 on the R&B chart but didn’t break the Hot 100. “14k” was featured on the soundtrack of the film The Goonies (1985) but this song was not a hit. // In 1986, Teena Marie released a rock music-influenced concept album titled Emerald City. She also recorded the rock-influenced track “Lead Me On”, co-produced by Giorgio Moroder, for the soundtrack of the box-office hit film Top Gun (1986). // In 1988, she returned to R&B and funk, releasing the critically acclaimed album Naked to the World. That album contained the hit “Ooo La La La”, which reached # 1 on the Billboard’s Hot R&B/Hip-Hop Singles & Tracks chart. // Teena Marie released Ivory in the fall of 1990; it scored no pop hits, but it did experience two R&B hits: “Here’s Looking at You” (#11 R&B) and “If I Were a Bell” (#8 R&B). // Teena Marie gave birth to a daughter, Alia Rose, on December 25, 1991, whom she had with a man named Peter Butcher. Alia Rose would grow up following in her mother’s footsteps, often dueting with Marie during live shows and being featured on some of Marie’s songs on her last four albums (La Doña to Beautiful). Alia went under the name Rose LeBeau in the late 2000s. From 2015 and onward, she has since released songs under her original name. // Teena Marie was godmother to American actress and comedian Maya Rudolph, daughter of singer-songwriter Minnie Riperton, as well as Marvin Gaye’s daughter Nona Gaye. She also cared for Rick James’s son Rick, Jr. and family friend Jeremiah O’Neal. Lenny Kravitz posted a video in which he said that Teena Marie had taken him into her home and helped him when he was struggling early in his career. // In 2004, while Teena Marie was sleeping in a hotel room, a large picture frame fell and struck her on the head. The blow caused a serious concussion that resulted in momentary seizures for the rest of her life. // On the afternoon of December 26, 2010, Teena Marie was found dead by her daughter, Alia Rose, in her Pasadena home.
    Midnight Star
    1. Midnight Star – “Feel So Good”
      from: No Parking On The Dance Floor / Unidisc / June 6, 1983
      [Midnight Star is an American musical group that had a string of hit records in the 1980s. // The group was formed in 1976 at Kentucky State University by trumpeter Reggie Calloway, vocalist Belinda Lipscomb, guitarist/drummer/vocalist Melvin Gentry, bassist Kenneth Gant, multi-instrumentalist Bill Simmons, keyboard player/vocalist Bo Watson and guitarist/keyboardist Jeff Cooper, as a self-contained group. They later added non-KSU student trombonist Vincent Calloway (Reginald’s younger brother). A 1978 New York City showcase inspired SOLAR Records chief Dick Griffey to sign the group. They released their debut album The Beginning (1980) with some studio musicians. In 1981 their second album, released on Solar Records, Standing Together, reached position #54 on the U.S. R&B chart. In 1982 they released the album Victory. Using elected band leader Reggie Calloway’s production skills, Midnight Star hit the U.S. R&B chart with early singles “Hot Spot” and “I’ve Been Watching You”. Drummer Bobby Lovelace joined the group in late 1982, freeing Gentry to sing and play guitar exclusively. // Midnight Star’s fourth album, No Parking on the Dance Floor, was released in 1983, and proved to be their breakout. Featuring a mix of R&B and funk with vocoder vocals, the album hit No. 2 on the Billboard magazine Top Black Albums chart and No. 27 on the Billboard Top LPs & Tape and it went double platinum in the U.S. Its first single, “Freak-A-Zoid”, went to No. 2 on the U.S. Black Singles chart. The Washington Post’s J. D. Considine argues that this song served to “establish [the] group’s stylistic identity” and that it “put Midnight Star on the pop music map because it so perfectly combined the group’s technopop tendencies with its R&B roots”[5] Other singles from the album included “Wet My Whistle”, and the title track. The album’s three singles all charted on Billboard’s Hot 100, Black Singles and dance charts. and the album tracks “Slow Jam” (co-written by Kenneth “Babyface” Edmonds) and “Electricity” received significant airplay. // Planetary Invasion had the same “basic sound…from the chattering electronic pulse to Vincent Calloway’s chatty vocoder” as the band’s previous release[5] and also went platinum.”Operator”, the first single, made the pop top 20 and the number one spot on the R&B chart; it remains the band’s only Billboard top 40 hit to date. // In 1985, Kool & the Gang, Midnight Star, Shalamar and Klymaxx performed at the Marriott Convention Center in Oklahoma City. The band continued to concerts in San Antonio and Little Rock. // In 1986 the band released the Headlines, which was their third album to sell at least gold. It was to be their last with the Calloway brothers. Due to irreconcilable differences with the other members, Reggie was out of the group, and Vincent left shortly thereafter. They achieved their biggest success in the UK with “Midas Touch”, which made #8, and “Headlines”, a #16 hit earlier the same year.Without the Calloways who formed the group Calloway and release an album that spawned the 1990 hit single “I Wanna Be Rich”, Midnight Star recorded two more albums, the self-titled Midnight Star and Work It Out. These two albums proved not as successful as their previous three releases, but the singles “Don’t Rock the Boat” and “Snake in the Grass” did reach the top ten on the R&B singles chart. The group went on a long hiatus, though they never officially broke up. // The group reunited in 2000 with many of the original members (including all of the singers) and released the album 15th Avenue two years later. Since then, the group has toured sporadically, most recently with a lineup that includes Belinda Lipscomb, Kenneth Gant, Melvin Gentry, Bo Watson, and Bobby Lovelace, with Bill Simmons sometimes joining as well.

    11:29 – Underwriting

    11:31 – Special Guest producer SYLKYSAN

    BEFORE THE BREAK WE HEARD TINA MARIE, WHO DIED DECEMBER 26, 2010
    AND “SQUARE BIZ” WAS RELEASED AS A SINGLE IN 1981 FROM HER ALBUM “IT MUST BE MAGIC” RELEASED IN 1980, AND SHE WAS RAPPING HER TAIL OFF, AND WAS ONE OF THE FIRST FEMALE RAPPERS. AND WE HEARD MIDNIGHT STAR AND “FEEL SO RIGHT.”

    AND NOW IT’S TIME TO START TWO STEPPING WITH “LOVE IS RIGHT ON” BY THE EMOTIONS AND “TOUCH A FOUR LEAF CLOVER” BY ATLANTIC STAR.

    11:32

    1. The Emotions – “Love Is Right On”
      from: Sunbeam / Sony Music / Spril 1, 1978
      [Sunbeam is the fifth studio album by the girl group the Emotions issued in April 1978 on Columbia Records. The album rose to No. 12 on the Billboard Top Soul Albums chart and No. 40 on the Billboard 200 chart. Sunbeam has been certified Gold in the US by the RIAA. // The Emotions are an American soul/R&B vocal group from Chicago. The group started out in gospel music but transitioned into R&B and disco music. The Emotions were named by VH1 as one of the 18 most influential girl groups of all time. // The group was originally a gospel outfit known as the Hutchinson Sunbeams who toured the gospel circuit with their father Joe Hutchinson. The Sunbeams sang on Jerry Van Dyke’s “Children’s Gospel” television show and also occasionally performed in the concert with Mahalia Jackson. They eventually became an R&B/Soul act with a popular following in their hometown of Chicago, Illinois. Soon being renamed as The Emotions, and now managed by Pervis Staples (formerly with the Staple Singers, another father/children gospel group), they signed with the Memphis-based Volt imprint of Stax Records in the late 1960s. Under the production of Isaac Hayes and David Porter the group issued their 1969 debut album entitled So I Can Love You on Stax. // “So I Can Love You” reached No. 43 on the Billboard Top R&B Albums chart. The album’s “title track peaked at No. 3 on the Billboard Hot R&B Singles chart and No. 39 on the Hot 100. The single, “The Best Part of a Love Affair”, peaked at No. 27 on the Billboard Hot R&B Singles chart. // In 1970, “Heart Association” was released as single and reached No. 29 on the Billboard Hot R&B Singles chart. They releaseed their second album, Untouched, in 1972 on Stax Records. “Show Me How” was released as a single from the album and reached No. 13 on the Billboard Hot R&B Singles chart. // In 1972, the group released three more singles, each reaching the Billboard Soul Singles chart: “My Honey and Me” peaked at No. 18, “I Could Never Be Happy” reached No. 23, and “From Toys to Boys” climbed to No. 37. // The Emotions then started to work on their third studio album entitled Songs of Innocence and Experience. This LP was due to be issued in 1973, but was eventually shelved. The girl group went on to appear in the 1973 feature film Wattstax, performing the song “Peace Be Still.” The tune went on to be added to the movie’s soundtrack. Wattstax was also nominated for a Golden Globe in the category of Best Documentary. With Stax becoming defunct in 1975, the group then left the record label altogether. // The group then joined up with Columbia Records where an association with Maurice White of Earth, Wind & Fire brought them their greatest level of success. With White and Charles Stepney on production, The Emotions issued in 1976 their third studio album Flowers on Columbia Records. Flowers rose to No. 5 upon the Billboard Top R&B/Hip-Hop Albums chart and No. 45 on the Billboard 200. The album was also certified Gold in the US by the RIAA. The LP’s title track got to No. 16 on the Billboard Hot R&B Songs chart. Another single called “I Don’t Wanna Lose Your Love” rose to No. 4 on the Billboard Dance Club Songs chart and No. 13 on the Billboard Hot R&B Songs chart. // Following Charles Stepney’s death in 1976, White took over producing the Emotions. During June 1977 the group issued their follow up album entitled Rejoice. The album reached No. 1 on the Billboard Top R&B Albums chart and No. 7 on the Billboard 200 chart. Rejoice has also been certified Platinum in the US by the RIAA. // With the LP came the single “Don’t Ask My Neighbors” which got to the top ten on the Billboard R&B singles charts. Another song called “Best of My Love” reached No. 1 on the Billboard Pop and R&B charts and won a Grammy for Best R&B Performance By a Duo or Group with Vocals, as well as an American Music Award for Favorite Soul/R&B Single. “Best of My Love” has also been certified Platinum in the US by the RIAA. A compilation album entitled Sunshine was, in November 1977, released by Stax. Sunshine got to No. 39 on the US Billboard Top Soul Albums chart. Dave Marsh of Rolling Stone found the album “is harder edged, more classically soulful than (Rejoice).” John Shearlaw of Record Mirror exclaimed “Old Emotions, new Emotions-they’re just as good.” Covers of Bill Withers’ “Ain’t No Sunshine” and Carla Thomas’ “Gee Whiz (Look at His Eyes)” appeared on the album.Whilst the album cut “Shouting Out Love” peaked at No. 31 on the Billboard Hot Soul Songs chart. // During April 1978, the Emotions issued Sunbeam, their third studio album on Columbia. The album rose to No. 12 on the Billboard Top Soul Albums chart and No. 40 on the Billboard 200 chart.[19][10] John Storm Roberts of High Fidelity stated “”Sunbeam” sparkles with good tracks.” Glenn Clark of The Morning Call wrote “The best thing I can say about this LP is that I like it. The Emotions’ brand of snappy and upbeat soul is good for my soul. Maurice White, guru of Earth, Wind & Fire, produced this album, and I think he has blended well the talent he has brought together.” At this time, Wanda began dating Brothers Johnson keyboardist Wayne Vaughn, and the two composed “Come into My World” together. They were married in 1980 or ’81, and continued to write songs as a team. // Sunbeam has been certified Gold in the US by the RIAA.] An album cut called Smile reached No. 6 on the Billboard Hot Soul Songs chart/ // During 1979, Earth, Wind & Fire collaborated with The Emotions on the single “Boogie Wonderland”. The song reached No. 6 on the Billboard Hot 100, No. 4 on the UK Pop Singles and No. 2 on the US Billboard Hot Soul Songs charts.”Boogie Wonderland” has been certified Gold in the US by the RIAA and Platinum in the UK by the BPI. “Boogie Wonderland” was also Grammy nominated in the categories of Best R&B Instrumental Performance and Best Disco Recording. // Within October of that year the Emotions issued their follow up studio album again produced by White entitled Come into Our World upon Columbia, which rose to no. 35 upon the Billboard Top R&B Albums chart. Jon Wall of Melody Maker wrote “throughout Come into Our World The Emotions’ superb vocal control, range and harmonic sense are displayed to maximum effect”. Wall also added “Come into Our World is one of the most appealing albums I’ve heard since Off the Wall. I can’t get the album off the turntable and I don’t want to”. Bill Rhedon of The Baltimore Sun noted that the album has “excellent material” with “simply steady, unvarying Coming at You, Soul.” A song called “What’s the Name of Your Love?” also got to no. 30 upon the Billboard Hot R&B Songs chart. As well Maurice White went on to be Grammy nominated in the category of Producer of the Year Non-Classical. // Wanda and Jeanette went on to appear on Jennifer Holliday’s Grammy nominated 1983 LP Feel My Soul. Pamela and Wanda also featured on Earth, Wind & Fire’s 1983 album Electric Universe. // The Emotions’ eighth studio album entitled Sincerely was issued in 1984 on Red Label Records.The album rose to No. 3 on the UK Blues & Soul Hiplist chart and No. 33 on the US Billboard Top Soul Albums chart. Dave Hillson of Blues & Soul said The Emotions “caught the mood of eighties Soul perfectly”. Hugh Wyatt of the New York Daily News declared “this album is top shelf”. As a single, “You’re the One” reached No. 19 on the UK Blues & Soul Hiplist chart, No. 34 on the US Billboard Hot R&B Songs chart and No. 11 on the UK Physical Singles chart. Another single called “You’re the Best” rose to No. 33 on the US Billboard Dance Club Songs chart. During 1985 the group also issued their subsequent studio LP entitled If I Only Knew on Motown Records. The album got to No. 11 on the UK Blues & Soul Hiplist chart. // The Emotions went on to feature on Tyler Collins 1989 album Girls Nite Out. A song off the LP that the girl group sang on called “Watcha Gonna Do?” rose to No. 8 on the Billboard Hot R&B / Hip-Hop Songs chart. // Jeanette and Wanda then appeared upon EWF’s 1990 album Heritage. The Emotions also guested upon Nancy Wilson’s 1990 album A Lady with a Song and jazz group Urban Knights’s 1995 LP Urban Knights I. They then featured on LL Cool J’s 1995 LP Mr. Smith which has been certified Double Platinum in the US by the RIAA. The Emotions also appeared on George Duke’s 1995 album Illusions and the Gospel Gangstaz’s 1996 album Do or Die. During 1998 they featured on an episode of Motown Live with fellow girl group Divine and made a guest appearance on Smokey Robinson’s 1999 Grammy nominated album Intimate. // During 2000, Pamela eventually rejoined the group. A year later they were bestowed with the Pioneer Award from the Rhythm and Blues Foundation. The Emotions went on to guest upon Earth, Wind & Fire’s 2003 album The Promise, which was produced by Maurice White. A song from the album featuring The Emotions called “All in the Way” rose to No. 13 on the Billboard Adult R&B Songs chart and No. 25 on the Billboard Adult Contemporary Songs chart. As well the group appeared on a 2004 PBS soul music special hosted by Patti LaBelle where they performed “Best Of My Love”. Within September of that year, Songs of Innocence and Experience were finally released by Stax. // The Emotions went on to collaborate with rapper Snoop Dogg on a track called “Life” upon his 2006 album Tha Blue Carpet Treatment. The album has been certified Gold in the US by the RIAA. The Emotions also appeared as a guest artist upon Terrace Martin’s 2016 Grammy nominated album Velvet Portraits. // On Sept. 18, 2020, Pamela Hutchinson died at 61.]
    1. Atlantic Starr – “Touch A Four Leaf Clover”
      from: The Best of Atlantic Star / A&M Records / January 1, 1986
      [Atlantic Starr is an American R&B band based in White Plains, New York. They are best known for the hits “Always”, “Secret Lovers”, “Circles”, “Silver Shadow”, and “Masterpiece”. // Atlantic Starr began in Greenburgh, New York with trumpeter Duke Jones (who left the band prior to their first recordings), drummer Porter Carroll Jr., bassist Clifford Archer, percussionist and flautist Joseph Phillips, Sheldon Tucker (guitar; parted ways with the band before the first recordings), and three brothers: David Lewis (vocals and guitar), Wayne Lewis (keyboards and vocals), and Jonathan Lewis (keyboards and trombone). The band’s membership eventually stabilized around Carroll, Archer, Phillips, the three Lewis brothers, lead singer Sharon Bryant (who was later replaced by Barbara Weathers), trumpeter William Sudderth III, and saxophonist Damon Rentie (who was later replaced by Koran Daniels). // In 1977, the band came to Westwood, California, and performed on the nightclub scene under the name “Newban,” which they agreed to change at the request of A&M Records executive Herb Alpert when they were signed. Having already agreed to keep the Starr part of an early idea for a new band name, the members decided to add the word Atlantic, because of their East Coast roots. The nine-member band were now A&M employees. // Throughout the late 1970s and early 1980s, Atlantic Starr scored several hits on the R&B charts. However, significant crossover success (onto the pop charts) did not come until halfway into the 1980s, with the release of their album As the Band Turns (their last on A&M Records), and the single “Secret Lovers”. By this time, the band had pared itself down to a quintet, consisting of the three Lewis brothers, Phillips, and Weathers. In 1987 (after signing to Warner Bros. Records), the band solidified their pop success by scoring a No. 1 pop (and R&B) hit with “Always”, a love ballad off their album All in the Name of Love. Following this success, Weathers left for a solo career, and she was replaced by Porscha Martin for the band’s next album, 1989’s We’re Movin’ Up. Although this album was not quite as successful as its predecessors, it did produce another No. 1 R&B hit with “My First Love.” // The band continued to score hits on both the R&B and Pop charts into the early 1990s. 1991 saw the introduction of yet another new female lead singer, when Martin was replaced by Miss Black America 1986, Rachel Oliver, for the album, Love Crazy. This album featured the band’s biggest hit of the 1990s, with “Masterpiece” reaching No. 3 on both the pop and R&B charts in early 1992. The group toured to Japan in 1992 with yet another female vocalist at the helm, Crystal Blake, a studio vocalist for Stevie Wonder who had also sung the female lead parts on the minor hit title track for Eddie Murphy’s How Could It Be album and Young MC’s “Bust a Move.” // Following the release of Love Crazy, Atlantic Starr’s relationship with Warner Bros. Records dissolved, and in 1994, the band recorded one album for Arista: Time. That album was a commercial disappointment and the single “I’ll Remember You” only made it to the fifties on Billboard’s R&B and pop singles charts. Time (which was David Lewis’ last album with the band) found a fifth female singer, Aisha Tanner, replacing Oliver. And when 1999’s Legacy was distributed by the small, independent Street Solid label, Atlantic Starr unveiled yet another lineup—one that consisted of two Lewis Brothers (Wayne and Jonathan) as well as Oliver (who had returned and replaced Tanner) and a new male singer named DeWayne Woods. Although Legacy received little attention, Atlantic Starr still continues to perform today and released their 14th album, Metamorphosis in 2017, featuring L’john Epps and Melessa Pierce. // After leaving Atlantic Starr, original drummer and founding bandmember Porter Carroll Jr. released a self-titled solo album (Porter Carroll II) in 1986. This album featured contributions from several prominent musicians, including Marcus Miller, David Sanborn, and former Starr bandmate Sharon Bryant. He has continued to do session work since that time, and is currently playing percussion in Daryl Hall’s live band. // Following her exit from Atlantic Starr, singer Bryant embarked on a solo career and released an album in 1989, scoring several big hits on the R&B charts, as well as a minor Pop hit from the project. // Original saxophonist Damon Rentie went on to a solo career of his own, releasing his first solo album, Designated Hitter in 1985. His second and third solo albums followed in each successive year (1986 and 1987, respectively). He had also previously done session work with DeBarge. // Original trumpeter William Sudderth continues to follow an active schedule in the music business, performing in many diverse settings and having become one of the most sought-after horn players in the industry.]

    11:41 – Special Guest producer SYLKYSAN

    WE JUST LISTENED TO TINA MARIE, WHO DIED DECEMBER 26, 2010 AND “SQUARE BIZ” WAS RELEASED AS A SINGLE IN 1981 FROM HER ALBUM “IT MUST BE MAGIC” RELEASED IN 1980, AND SHE WAS RAPPING HER TAIL OFF, AND WAS ONE OF THE FIRST FEMALE RAPPERS.

    “FEEL SO GOOD” BY MIDNIGHT STAR, WAS RELEASED 1983. A GROUP FORMED IN 1976 OUT OF KENTUCKY STATE UNIVERSITY BY TRUMPETER REGGIE CALLOWAY, THE ONLY FEMALE SINGER WAS BELINDA LIPSCOMB ALONG WITH SIX OTHER MEMBERS.

    THE EMOTIONS AN ALL SISTER BAND STARTED OUT IN GOSPEL AND EARLY ON, CAME UNDER THE WINGS OF ISAAC HAYES ON STAX RECORDS

    AND LATER MAURICE WHITE FROM EARTH WIND AND FIRE

    “YOUR LOVE IS RIGHT ON” WAS RELEASED IN 1978.

    “TOUCH A FOUR LEAF CLOVER” BY ATLANTIC STAR WAS RELEASED IN 1983.

    THE BAND BEGAN IN GREENBURGH, NEW YORK AND LATER ADDED THREE
    BROTHERS LAST NAMES LEWIS. THE FEMALE VOICE ON THIS SONG IS SHARON BRYANT. SHE LEFT THE GROUP TO GO SOLO IN 1984.

    ARE WE STILL BOBING OUR HEADS, SNAPPING OUR FINGERS OR TAPPING OUR FEET? I KNOW I AM.

    NEXT I HAVE “IF I EVER LOSE THIS HEAVEN” BY THE AVERGE WHITE BAND,

    11:43

    1. Average White Band – “Of I Ever Lose This Heaven (Single Edit)”
      from: Cut The Cake /Atlantic Recording Corp / June 24, 1975
      [The Average White Band (also known as AWB) were a Scottish funk and R&B band that had a series of soul and disco hits between 1974 and 1980. They were best known for their million-selling instrumental track “Pick Up the Pieces”, and their albums AWB and Cut the Cake. The band name was initially proposed by Bonnie Bramlett. They have influenced others, such as the Brand New Heavies, and been sampled by various musicians, including the Beastie Boys, Public Enemy, TLC, the Beatnuts, Too Short, Ice Cube, Eric B. & Rakim, Nas, A Tribe Called Quest, Christina Milian, and Arrested Development, making them the 15th most sampled act in history. // AWB was formed in early 1972 in London by Alan Gorrie, and Malcolm “Molly” Duncan, with Owen “Onnie” McIntyre,[6] Michael Rosen (trumpet), Roger Ball, and Robbie McIntosh joining them in the original line-up. Hamish Stuart[8] quickly replaced Rosen. Duncan and Ball, affectionately known as the Dundee Horns, studied at Duncan of Jordanstone College of Art (now part of the University of Dundee, but which at the time was part of the Dundee Institute of Art and Technology, now known as Abertay University), and were previously members of Mogul Thrash. Gorrie and McIntyre had been members of Forever More. McIntyre & McIntosh were used as session musicians on Chuck Berry’s recording of “My Ding-a-Ling”. // According to Duncan, members of the band had played together before in Scotland, but had moved to London separately and met up by chance at a Traffic concert. They decided to jam together; a friend heard them and remarked: “This is too much for the average white man,” which became adapted as the name of the band. // The band’s breakthrough was a support slot at Eric Clapton’s comeback concert in 1973. MCA Records released their debut album, Show Your Hand (1973), which sold poorly. Bruce McCaskill, who was Clapton’s tour manager, liked the band’s music and agreed to manage them. He borrowed money to take them to the US and to promote them. McCaskill had many contacts from his days with Clapton and managed to get Atlantic Records to sign them. The band relocated to Los Angeles and released the follow-up, AWB, better known as The White Album. It reached No. 1 and was the first of many with producer Arif Mardin. // McIntosh died of a heroin overdose at a Los Angeles party on Sept. 23, 1974.Gorrie also overdosed, but Cher kept him conscious until medical help arrived. The NME reported in January 1975 that AWB played a benefit show for McIntosh’s widow at the Marquee Club in London. McIntosh was replaced by Steve Ferrone, previously of Bloodstone, who had replaced McIntosh before in Brian Auger’s Oblivion Express. // In 1975, the single “Pick Up the Pieces”, taken from the No. 1 AWB album, reached No. 1 on the US Billboard Hot 100 chart. The song knocked Linda Ronstadt’s “You’re No Good” out of No. 1 and sold over one million copies. It was awarded a gold disc by the R.I.A.A. in March 1975. It also prompted The J.B.’s, James Brown’s backup band, to record and release a song in reply, “Pick Up the Pieces, One by One”, under the name AABB (Above Average Black Band). It was both a tribute to AWB’s knowledge of funk and a tongue-in-cheek play on the Scottish band’s name. // AWB followed up with the LPs Cut the Cake (1975) and Soul Searching (1976), both big sellers and yielding further Top 40 singles. Cut the Cake was dedicated by the surviving band members to McIntosh’s memory. A double live album Person To Person was issued in late 1976. Their next LP, Benny & Us, was a collaboration with Ben E. King. // After several more albums, “Warmer Communications” (1978), “Feel No Fret” (1979) and after a switch to the U.S. Arista label, “Shine” (1980) and “Cupid’s In Fashion” (1982), AWB’s audience and sales dwindled. The group initially disbanded by 1983. Their 1980 disco hit “Let’s Go Round Again” (UK No. 12), was covered in the late 1990s by Louise. // Ferrone went on to work with Duran Duran and later with Tom Petty and The Heartbreakers from 1994 until Petty’s death in 2017. Hamish Stuart joined Paul McCartney’s touring group. In 1985 Gorrie released a solo album, Sleepless Nights. // The classic lineup of Gorrie, McIntyre, Ball, Stuart, Duncan and Ferrone reunited for one last time at the Atlantic Records 40th Anniversary in 1988. Gorrie, McIntyre, and Ball then continued in 1989 to record Aftershock. Alex Ligertwood (ex-Santana, Jeff Beck Group and another veteran of Brian Auger’s Oblivion Express) also appeared on this album, replacing lead singer Hamish Stuart, along with Eliot Lewis who co-wrote with Gorrie and joined the band. Ligertwood left after the album’s recording and drummer Tiger McNeil joined for the reunited band’s live shows. McNeil was with the group until 1994. He was then succeeded by Peter Abbott (ex-Blood, Sweat & Tears), who in turn was replaced by Fred “Catfish” Alias in September 1998. Drummer Adam Deitch did a two-year stint with AWB from 1999 to 2001. // Average White Band has continued recording (1997’s Soul Tattoo, 1999’s Face to Face) and touring since. Ball worked on Soul Tattoo with the group but was replaced by Fred Vigdor (aka Freddy V.) in 1996. // Brian Dunne took over the drum chair in 2001 and when Eliot Lewis left the band in September 2002 to pursue other musical opportunities (including a stint with Hall and Oates), he was replaced by Klyde Jones. // Their line-up as of 2002 became Alan Gorrie (bass guitar, guitar, lead and backing vocals), Klyde Jones (keyboards, bass guitar, guitar, lead and backing vocals), Onnie McIntyre (guitar, vocals), Freddy V (sax, keyboards, vocals), and Brian Dunne (drums). // Dunne was replaced by Rocky Bryant as drummer as of the 2006 tour. After Jones left in 2011 to join Hall and Oates, Monte Croft (keyboards, bass, guitar) and former Earth, Wind & Fire member Morris Pleasure (keyboards, bass, guitar) came in to do brief stints before Rob Aries arrived in 2013. // Brent Carter (ex-Tower of Power) has been singing with AWB since 2011. // In July 2015, Malcolm ‘Molly’ Duncan, Steve Ferrone and Hamish Stuart reunited to form The 360 Band. This is in essence one half of the classic AWB. They released an album titled Three Sixty in 2017 and performed live together along with supporting musicians. As of 2019, Alan Gorrie and Onnie McIntyre are the only two original members left in the Average White Band. // Original tenor sax player Molly Duncan died on 8 October 2019, shortly after it had been announced that he had been diagnosed with terminal cancer. // In June 2023, AWB announced their final tour, Let’s Go Round Again One Last Time. “That it’s finally coming to an end is going to mean a highly emotional tour next year, but one which will mean we bow out at the top level,” Gorrie said. “Please join us in a final celebration of that journey, and to a last hurrah of epic proportions with your presence and your aye-ready appreciation!”]

    11:50 – Special Guest producer SYLKYSAN

    WE STILL BE STEPPING AND THERE IS NOTHING LIKE THE KANSAS CITY TWO STEP.

    WE HEARD “IF I EVER LOSE THIS HEAVEN” BY AWB RELEASED IN 1975. A GROUP OUT OF SCOTLAND THAT EXPLODED ONTO THE AMERICAN SCENE IN THE LATE 70’S WITH FUNK R&B SOUND.

    WE ALL KNOW ABOUT EARTH WIND AND FIRE. “IMAGINATION” WAS RELEASED 1976. I WILL SAY THEY CREATED VERY THOUGHT PROVOKING SONGS AND LOVE SONGS.

    THIS IS JUST A SMALL TASTE OF WONDERFUL MUSIC I WILL BRING.

    IN THE FUTURE YOU WILL HEAR JAZZ, CLASSIC ROCK, REGGAE, A LITTLE BLUES, GOSPEL AND OF COURSE SOUL R&B. SO PLEASE KEEP LISTENING TO KKFI FOR DAY AND TIME SO WE CAN CONTINUE THIS HOUSE PARTY.

    I WANT TO THANK MARK MANNING, WEDNESDAY MIDDAY MEDLEY AND 90.1 KKFI – KANSAS CITY COMMUNITY RADIO FOR THIS OPPORTUNITY TO INTRODUCE MYSELF,

    HELLO EVERYONE MY NAME IS SYLKYSAN FOR SYLKYSAN SENSATIONS
    PEACE BYE FOR NOW

    WE WILL CLOSE WITH “IMAGINATION” BY EARTH WIND AND FIRE

    11:52

    1. Earth Wind & Fire – “Imagination”
      from: Spirit / Columbia Records / September 1, 1976
      [Earth, Wind & Fire (abbreviated as EW&F or EWF) is an American band formed in Chicago, Illinois in 1969. Their music spans multiple genres, including jazz, R&B, soul, funk, disco, pop, Latin and Afro-pop. They are among the best-selling bands of all time, with sales of over 90 million records worldwide. // The band was formed by Maurice White, originating out of the Salty Peppers; its history includes a hiatus from mid-1984 to mid-1987. Prominent members have included Verdine White, Philip Bailey, Ralph Johnson, Larry Dunn, Al McKay, Roland Bautista, Robert Brookins, Sonny Emory, Freddie Ravel, Ronnie Laws, Sheldon Reynolds and Andrew Woolfolk. The band is known for its kalimba sound, dynamic horn section, energetic and elaborate stage shows, and the contrast between Bailey’s falsetto and Maurice’s tenor vocals. // The band has won six Grammy Awards out of 17 nominations, and four American Music Awards out of 12 nominations. They have been inducted into the Rock and Roll Hall of Fame, the Vocal Group Hall of Fame, the NAACP Image Award Hall of Fame, and Hollywood’s Rockwalk, and earned a star on the Hollywood Walk of Fame. The band has also received an ASCAP Rhythm & Soul Heritage Award, a BET Lifetime Achievement Award, a Soul Train Legend Award, a NARAS Signature Governor’s Award, a Grammy Lifetime Achievement Award, the 2012 Congressional Horizon Award, and the Kennedy Center Honors in 2019. Rolling Stone has called them “innovative, precise yet sensual, calculated yet galvanizing” and declared that the band “changed the sound of black pop”. VH1 has described EWF as “one of the greatest bands”.]
    1. Noel Coward – “The Party’s Over Now”
      from: Noel Coward in New York / drg / 2003 [orig. 1957]

    NEXT WEEK, on April 30 – Special Guests include: Enrique Chi of Making Movies, ALBER, The Forcefields, and the band, She Said!

    Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

    THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

    This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

    Our Script/Playlist is a “cut and paste” of information.
    Sources for notes: artist’s websites, bios, wikipedia.org

    Wednesday MidDay Medley in on the web:
    http://www.kkfi.org,
    http://www.WednesdayMidDayMedley.org,
    http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1092

    WMM Playlist from April 16, 2025

    Wednesday MidDay Medley
    TEN to NOON Wednesdays – Streaming at KKFI.org
    90.1 FM KKFI – Kansas City Community Radio
    Produced and Hosted by Mark Manning

    Wednesday, April 16, 2025

    WMM presents New & MidCoast Releases + Jaclyn Danger, Simon Huntley, & J. Ashley Miller of THE LOVE NOTE featuring Marmoppes at The Strand Theater

    1. “Main Title Instrumental – It’s Showtime Folks”
      from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
      [WMM’s Adopted Theme Song]
    1. Deep Sea Diver – “Billboard Heart (Radio Edit)”
      from: Billboard Heart / Sub Pop Records / February 28, 2025
      [Seattle’s Deep Sea Diver released Billboard Heart, their fourth album, and wide-screened Sub Pop debut. The new long-player includes the “Billboard Heart”, along with highlights “What Do I Know,” “Emergency,” “Let Me Go,” her collaboration with Grammy-winner Madison Cunningham, and the guttural single “Shovel.” // Billboard Heart immediately puts Deep Sea Diver in the company of St. Vincent, TV on the Radio, and Flock of Dimes, bands that have found newly ornate and magnetic ways to make indie rock by discarding notions of how it must sound or what it must say. Dobson punches through her past here. As she howls during Billboard Heart’s rapturous title track, she is “welcoming the future by letting go of it.” // It is a coup, a triumph over self-doubt in which what first felt like failure became an opportunity to find new freedom, belief, and strength. You can hear it in each of these eleven songs, the beating heart that makes everything here feel like a new anthem for finding your own way forward. // Billboard Heart was written and performed by primary songwriter and guitar player Jessica Dobson, and her partner, drummer and band co-writer Peter Mansen, and synth player Elliot Jackson. Additional contributions include former The Shins’ bandmate Yuuki Matthews, Caroline Rose, and Greg Leisz. Billboard Heart was produced by Jessica Dobson and Andy D. Park, with additional production from Adam Schatz, mixed by Park, and mastered by Greg Calbi and Steve Fallone. // You can watch the single-take official video for “Shovel,” directed by Tyler Kalberg and Deep Sea Diver. Dobson says of the track and visual, “‘Shovel’ is one of the most angular and dualistic songs I’ve written, and I wanted to do a one-shot video that captured the grit, rawness, and intensity of the song. Simply put, it is me digging and dancing with a shovel in the middle of the night, desperately looking for beauty in dark places. Influenced by Lynch, the Cohen brothers, Nick Cave, and the sweet dance moves of Kate Bush.” // “Frontwoman Jessica Dobson’s powerful voice and gnarled guitar solos grant the Seattle band’s propulsive, riff-laden indie rock a new level of yearning intensity.” – Pitchfork // “Billboard Heart could propel Deep Sea Diver to the greatest of heights: mild indie stardom. Or at least it should, because this record is very good. But even if they aren’t headlining Pearl Jam-sized arenas this time next year, the sounds of Billboard Heart could fill one.” – PASTE // “There is plenty to unpack with plenty of anthemic moments but also moments of calm that help the epic tracks to soar even more. Dobson’s vocals and guitar work are both captivating throughout in a record that rarely has a dull moment and is full of spirit and spark from start to finish.” – CLASH]
    1. Stereolab – “Aerial Troubles”
      from: Instant Holograms On Metal Film, / Duophonic UHF / Warp. Records / May 23, 2025
      [Stereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group’s sound features influences from krautrock and 1960s French pop music, often incorporating a repetitive motorik beat with the use of vintage electronic keyboards and female vocals sung in English and French. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist art movements. While performing, they play in a more feedback-driven and guitar-oriented style. Since the mid-1990s, the band have drawn from funk, jazz and Brazilian music. // Stereolab were formed by Gane (guitar and keyboards) and Sadier (vocals, keyboards and guitar) after the break-up of McCarthy. The two were romantically involved for fourteen years and are the group’s only consistent members. Other longtime members included 1992 addition Mary Hansen (backing vocals, keyboards and guitar), who died in 2002, and 1993 addition Andy Ramsay (drums). The High Llamas’ leader Sean O’Hagan (guitar and keyboards) was a member from 1993 to 1994 and continued appearing on later records for occasional guest appearances. // Throughout their career, Stereolab have achieved moderate commercial success. The band were released from their recording contract with Elektra Records, and their self-owned label Duophonic signed a distribution deal with Too Pure and later Warp Records. After a ten-year hiatus, the band reunited for live performances in 2019. // Stereolab announces their first new record in 15 years. It includes 13 new studio recordings as well as guest contributions from Cooper Crain, Rob Frye, Ben LaMar Gay, Ric Elsworth, Holger Zapf, Marie Merlet and Molly Read. Alongside the announcement, the group shares a first glimpse into their forthcoming project with first single “Aerial Troubles.” // Instant Holograms On Metal Film will be available on double vinyl LP in standard and colour variants, as well as compact disc and digital formats. The album will arrive two days ahead of the launch of their world tour in Brussels on May 25th. They will then take their discography across Europe with dates in Berlin, Amsterdam, and Paris, among others. They’ll be kicking off the North American leg of the tour this coming October with shows across the United States before heading back to perform a string of shows across the UK. ]
    1. RxGhost – “Anytime But Now”
      from: “Anytime But Now” – “Undersaid”- Singles / Celery Wolf / March 14, 2025
      [RxGhost is: Josh Thomas on vocals & guitar, Justin Brooks on drums, James Capps on guitar, Chris Smead on bass, and Jeremiah James Gonzales. Scaffolding was produced by RxGhost, recorded and mixed by Paul Malinowski at Massive Sound Studios and Recording engineer by Josh Thomas. Music by RxGhost and Lyrics by Josh Thomas. RxGhost released their album Scaffolding on April 11, 2024, part of WMM’s 120 Best Recordings of 2024. More info at: rxghost.bandcamp.com]
    1. Gigi Perez – “Sailor Song”
      from: At the Beach, in Every Life / Outahere / April 25, 2025
      [Gigi Perez has announced her debut full-length album. The record is called At the Beach, In Every Life and is due out April 25. It includes Perez’s breakout single, “Sailor Song.” // “This is the album I needed to listen to when I was twenty years old following the passing of my older sister, Celene,” Perez says. “It’s taken years to process, and seeing how it’s colored everything in my life, it feels like a flag down in the sand at a checkpoint rather than a destination. And there was water everywhere for miles, and a girl met me there every time. I have been loved through my grief.” // Perez will launch a U.S. headlining tour April 23 in New York City. Her 2025 schedule also includes dates opening for Hozier and Mumford & Sons.Gianna Brielle Perez was born February 4, 2000, known professionally as Gigi Perez or simply Gigi, is an American singer-songwriter. Born in New Jersey and raised in Florida, she went viral on TikTok for her songs “Celene” and “Sometimes (Backwood)” and spent a period signed to Interscope Records, on which she released the 2023 EP How to Catch a Falling Knife. After leaving the label, she released “Sailor Song”, which peaked at number 22 on the Billboard Hot 100. “Sailor Song” topped the charts in Ireland, Latvia, and the United Kingdom, and peaked within the top ten of the charts in various countries, including New Zealand and Norway. She has also supported Coldplay on their Music of the Spheres World Tour, Noah Cyrus on her The Hardest Part Tour, girl in red on her Doing It Again Tour and D4vd on his The Root of It All Tour. // Gianna Brielle Perez was born on February 4, 2000, in Hackensack, New Jersey, and raised in West Palm Beach, Florida.: 0:49  She spent a year at a comprehensive before moving to a Christian school.: 8:39  Perez is a lesbian and has credited “Girls Like Girls” by Hayley Kiyoko with helping her accept her sexuality. She began writing songs aged fifteen and began releasing music in 2018 while in high school as part of the band Wendy Lane. Perez attended Berklee College of Music but left due to the COVID-19 pandemic in the United States. She had an older sister, Celene, who died in July 2020, shortly after which Perez’s partner broke up with her.: 29:34  To cope with her grief, she began uploading videos to TikTok to kill time. She went viral in early 2021 after releasing “Celene” and then “Sometimes (Backwood)”, both of which went viral on TikTok, prompting Interscope Records to sign her. // Perez released a further single, “The Man”, in June 2022, a track about expectations faced by men She supported Coldplay on their Music of the Spheres World Tour later that month at their Florida stadium show. She has stated in interviews to have received the offer to do so on her 22nd birthday and in February 2022. She then released “When She Smiles”, a song about a toxic relationship inspired by Ariana Grande, Imogen Heap, and “When Jamie Smiles” from the Ryan Reynolds film Just Friends, and “Glue”, a track written in late 2020 about clinging to a relationship after bereavement. In October 2022, she supported Noah Cyrus on her The Hardest Part Tour and released “Figurines”. In February 2023, she supported D4vd on his The Root of It All Tour. In March, by which time she was based in Brooklyn, she released “Sally” and announced an EP, How to Catch a Falling Knife, which comprised eight songs composed three years earlier. The EP took its title from the stock market term “never try to catch a falling knife”, as she felt it represented what she had put into the project, and was released in April 2023 alongside a music video for focus track “Kill for You”. // In March 2024, after being released from Interscope Records, she released “Normalcy”, a queer love song she had first promoted in December 2022 on TikTok; she followed this a month later with “Please Be Rude”. // In July 2024, she released the single “Sailor Song”, an acoustic queer ballad about a woman who looked like Anne Hathaway. The track went viral on TikTok, and peaked at number 22 on the Billboard Hot 100. Some conservative Christian communities complained about the line “I don’t believe in God, but I believe that you’re my saviour”, prompting Perez to remind her followers that her songwriting was “not a democracy”. She signed to Island Records in September 2024.]
    1. Danny Cox – “What a Time To Be Free”
      from: Feel So Good / Casablanca Records / 1974
      [Recorded at Bell Sound Studios, New York, January-March, 1974. In 2021 Danny Cox digitally released YOUNG AND HOT (LIVE AT COWTOWN BALLROOM) EP on July 27, 2021. Danny Cox was born in 1942 in Cincinnati, Ohio. He is a folk singer and songwriter best known for his 1974 LP album Feel So Good. Danny Cox moved to Kansas City, Kansas in 1967. As a youth, he sang in a church choir together with Rudolph Iseley, and in the 1960s he started his professional career performing on a Hootennany Folk Tour. Cox has recorded albums for ABC Dunhill, Casablanca, MGM and others. He also partnered a company called Good Karma Productions, run by the KC based Vanguard Coffee House owner Stan Plesser, who managed the acts of Brewer & Shipley, and The Ozark Mountain Daredevils.]

    Danny Cox Discography:
    Live at 7 Cities (1963)
    Sunny (1968)
    Birth Announcement (1969)
    Live at the Family Dog (1970)
    Danny Cox (ABC Dunhill Records) (1971)
    Feel So Good (Casablanca Records) (1974)
    Troost Avenue Blues (3-track EP) (2006)
    Bring Our Loved Ones Back (one track) (2007)
    Sack of Trout (Single) (2015)
    Vandalism in Eb Minor (Coin Heaven) (Single) (2015)
    Kansas City – Where I Belong (Recorded at Pilgrim Chapel) (2012)
    Time Is What I Need (Single) (2020)
    Young and Hot (Live at Cowtown Ballroom) (5-track EP) (July

    1. Valerie June – ”Inside Me”
      from: Owls, Omens, and Oracles / Concord Records / April 11, 2025
      [Rooted in the belief that what we focus on is what we manifest, June dreams a song path forward with Owls, Omens, and Oracles that leaves no one behind. Halfway through a decade of immense and rapid global change, June asserts a multidimensional Blackness steeped in laughter, truth, magic, delight, and interdependence. This album is a radical statement to break skepticism, surveillance, and doom scrolling – let yourself celebrate your aliveness. Connect, weep, change, open. Throughout the M. Ward-produced Owls, Omens, and Oracles, Juneʼs distinctive Tennessee twang grips the listener. Visceral twists and a fierceness of raw emotion thread textures and tones through the needle of a multi-genre American quilt, striking against notions that voices should always sound polished and pretty. Gracefulness and gentleness harmonize with dissonance, edginess, and precarity in the sharpest parts of her voice. // Juneʼs singular sound is a North Star as steady and undeniable as any true love story, telling us to “trust the path.” She is inviting us out of the small boxes that keep us apart from each other, her music creating a space where we are already together, already one. The horizon changes as we get closer to it, but our artist is sure-footed in the face of uncertainty and change. She wants everyone who listens to this music to want to be alive, to love, co-creating a future together. Recently Valerie June returned to CBS Saturday Morning where she performed several songs off Owls, Omens, and Oracles. Accompanied by her band, she played lead single “Joy, Joy!,” the unreleased “All I Really Wanna Do,” and debuted “Endless Tree,” a song that was released on Tuesday as a single with an accompanying video. Juneʼs spirited performance gives a taste of what to expect on the upcoming Owls, Omens, and Oracles Tour, which kicks off next week and runs through late June. // Valerie June Hockett was born January 10, 1982, known as Valerie June, is an American singer, songwriter, and multi-instrumentalist from Memphis, Tennessee, United States. Her sound encompasses a mixture of folk, blues, gospel, soul, country, Appalachian and bluegrass. She is signed to Concord Music Group worldwide. // Born in Jackson, Tennessee on January 10, 1982, June is the oldest of five children. As a child growing up in Humboldt, June was exposed to gospel music at her local church and R&B and soul music via her father, Emerson Hockett. As a teenager, her first job was with her father, owner of Hockett Construction in West Tennessee, and a part-time promoter for gospel singers and Prince, K-Ci & JoJo, and Bobby Womack. She helped by hanging posters in town. Her father died in late 2016. // June relocated to Memphis in 2000 and began recording and performing at the age of 19, initially with her then-husband Michael Joyner, in the duo Bella Sun. After her marriage ended, she began working as a solo artist, combining blues, gospel and Appalachian folk in a style that she describes as “organic moonshine roots music”, and learning guitar, banjo, and lap-steel guitar. She became associated with the Memphis-based Broken String Collective. // In 2009 she was a featured artist on MTV’s online series $5 Cover (following the lives of Memphis musicians attempting to make ends meet), and in 2010 she recorded the EP Valerie June and the Tennessee Express, a collaboration with Old Crow Medicine Show. // In 2011 she was honored by the Memphis and Shelby County Music Commission at the Emissaries of Memphis Music event. She raised funds to record an album with producer Craig Street via Kickstarter.com, raising $15,000 in 60 days. Later that year she relocated from Memphis to Williamsburg, Brooklyn. Shortly after, record producer Kevin Augunas introduced June to Dan Auerbach of The Black Keys, which led to the recording of June’s album Pushin’ Against a Stone in July 2011, which was co-written and produced by Dan Auerbach and Kevin Augunas. // In 2012, June performed with producer John Forté on a collaboration called Water Suites (on the hip-hop-blues song “Give Me Water”), and with Meshell Ndegeocello on the song “Be My Husband”. She contributed The Wandering’s 2012 album Go on Now, You Can’t Stay Here: Mississippi Folk Music Volume III. In 2012 she performed in the UK for the first time, playing at Bestival and appearing on Later… with Jools Holland. // She has received substantial radio play in Europe on BBC Radio 6, including a feature on Cerys on 6 with Cerys Matthews. Mary Anne Hobbs of XFM has said of June: “This woman has already touched my heart, she really, really has.” // In February 2013, June was invited to support Jake Bugg on the UK leg of his tour. In March 2013, June performed two nights at South By Southwest. The first performance was on March 14 as part of the Heartbreaker Banquet. On March 16, June performed again, this time as part of The Revival Tour. Rolling Stone June’s second album, The Order of Time one of the 50 Best Albums of 2017, citing “her handsomely idiosyncratic brand of Americana, steeped deep in electric blues and old-time folk, gilded in country twang and gospel yearning….a blend of spacey hippie soul, blues and folk with June’s pinched, modern-Appalachian voice at the center”. In a 2017 interview, Bob Dylan was asked what artists he listened to and respected; June was among the artists he mentioned in reply. More info at: http://www.valeriejune.com]
    1. Aretha Franklin – “Something He Can Feel”
      from “Music from the Warner Bros. Picture Sparkle / Curtom – Atlantic Records / May 5, 1976
      [“Something He Can Feel” was composed by Curtis Mayfield for the 1976 film Sparkle. The song, a love ballad in a Chicago-/Philly-soul style, became a #1 hit on the Billboard’s R&B singles chart in the U.S. twice with two separate recordings: a 1976 version by Aretha Franklin from the film’s soundtrack, and a 1992 cover by En Vogue . // In the original 1976 version of the film Sparkle, the song is performed by “Sister & the Sisters”, with Lonette McKee on lead vocal, and Irene Cara & Dwan Smith on backing vocals. The version of “Something He Can Feel” present on the film’s soundtrack album replaces the vocal tracks with those of Aretha Franklin and the Kitty Haywood Singers, with the instrumental tracks remaining the same. //Sparkle revolves around the lives of the members of Sister & the Sisters, a 1960s Motown-esque girl group, and “Something He Can Feel” is present in the film as part of their repertoire. Franklin’s recording of the song was issued as the first single from the album, and became a number-one hit on Billboard’s Hot Soul Singles chart, peaking at #28 on the Billboard Hot 100, becoming Franklin’s only pop Top 40 hit during the second half of the 1970s. // Sparkle would be remade in 2012, as would “Something He Can Feel”, this time performed by Carmen Ejogo on lead vocal with Jordin Sparks and Tika Sumpter on backing vocals. In an allusion to Aretha Franklin’s version of the song and soundtrack, Sister & Her Sisters perform “Something He Can Feel” as part of a live TV performance headlined by Franklin. // Franklin’s version of the song was featured in the second season of RuPaul’s Drag Race, being performed by contestants Jujubee and Tatianna in a “lipsync for your life”. // Aretha Louise Franklin was born March 25, 1942 and died August 16, 2018. She was a singer, songwriter and pianist. Honored as the “Queen of Soul”, she was twice named by Rolling Stone magazine as the greatest singer of all time. // As a child, Franklin was noticed for her gospel singing at New Bethel Baptist Church in Detroit, Michigan, where her father C. L. Franklin was a minister. At the age of 18, she was signed ato Columbia Records. While her career did not immediately flourish, Franklin found acclaim and commercial success once she signed with Atlantic Records in 1966. She recorded albums such as I Never Loved a Man the Way I Love You (1967), Lady Soul (1968), Spirit in the Dark (1970), Young, Gifted and Black (1972), Amazing Grace (1972), and Sparkle (1976), before experiencing problems with the record company. Franklin left Atlantic in 1979 and signed with Arista Records. Her success continued with the albums Jump to It (1982), Who’s Zoomin’ Who? (1985), Aretha (1986) and A Rose Is Still a Rose (1998). // Franklin is one of the best-selling music artists, with more than 75 million records sold worldwide. She charted 112 singles on the US Billboard charts, including 73 Hot 100 entries, 17 top-ten pop singles, 96 R&B entries and 20 number-one R&B singles. Her best-known hits include “I Never Loved a Man (The Way I Love You)” (1967), “Respect” (1967), “(You Make Me Feel Like) A Natural Woman” (1967), “Chain of Fools” (1967), “Ain’t No Way” (1968), “Think” (1968), “I Say a Little Prayer” (1968), “Call Me” (1970), “Don’t Play That Song (You Lied)” (1970), “Spanish Harlem” (1971), “Rock Steady” (1971), “Day Dreaming” (1972), “Until You Come Back to Me (That’s What I’m Gonna Do)” (1973), “Something He Can Feel” (1976), “Jump to It” (1982), “Freeway of Love” (1985), “Who’s Zoomin’ Who” (1985), “I Knew You Were Waiting (For Me)” (a duet with George Michael, 1987) and “A Rose Is Still a Rose” (1998). She also made a featured appearance in the 1980 musical-comedy film The Blues Brothers. // Franklin received numerous honors through her career. She won 18 Grammy Awards out of 44 nominations, including the first eight awards given for Best Female R&B Vocal Performance (1968–1975), as well as a Grammy Living Legend Award and Lifetime Achievement Award. She was also awarded the National Medal of Arts and the Presidential Medal of Freedom. In 1987, she became the first female artist to be inducted into the Rock & Roll Hall of Fame. Her other inductions include the UK Music Hall of Fame in 2005, the Gospel Music Hall of Fame in 2012, and posthumously the National Women’s Hall of Fame in 2020.In 2019, the Pulitzer Prize jury awarded her a posthumous special citation “for her indelible contribution to American music and culture for more than five decades.]

    10:29 – Underwriting

    1. Kirstie Lynn & Galen Clark – “Soft Landing”
      from: Kirstie Lynn & Galen Clark / Lost River Sound / August 9, 2024
      [Kirstie Lynn & Galen Clark released Cindergarden (A Sides) on May 22, 2022. They released Cindergarden (B Sides) on June 21, 2023. Kirstie Lynn is a classically trained soprano with a passion for songwriting, always looking to marry poetry and melody. Though Kirstie’s voice has been compared to that of Joni Mitchell and Joan Baez, her sound is uniquely her own. Kirstie Lynn is a folk singer-songwriter originally from the fingerlakes region of upstate, NY. She began her professional music studies at the age of 15, and has since received both a Bachelor’s degree from Shenandoah University and a Master’s degree from Carnegie Mellon University in voice and opera performance. Her vocal training lends her the freedom to paint her nature inspired lyrics with a wide range and a beautiful and effortless sound. Kirstie Lynn is one half of the duo Kirstie Lynn and Galen Clark. // Galen Clark introduces an alternative perspective and approach to music that contains multitudes. Migratory melodies, multi-instrumental fluency, and mysterious texture all outline the stylings of the newly transplanted Cuyahoga Valley songwriter, producer, and musician. // Born into an Air Force family, Clark grew up in many places with family anchors in Vermont and Colorado. At the age of 9 following many failed piano lessons, Clark’s grandparents gifted him a Harmony parlor guitar from a Shelburne flea market, starting a journey that would span almost 2 decades of stylistic development, a plethora of ephemeral bands, a degree in music production and recording technology, and a refined take on songwriting. .. Sharing songs spanning the stoic mountains of Idaho’s lost river range to the ancient hum of the Shenandoah Valley, Galen draws upon energy strewn between varied time and place, a broader quest for belonging, and rejuvenation beyond the front door. Clark’s previous records, Providence (2018) and The Well (2020) offer a contemplative portrait of moods in natural ambiguity, collective consciousness, and introspection. His most recent collaboration with Kansas City – based artist, Kirstie Lynn is a reckoning that is to be heard live and will transport you elsewhere if not in mind than in spirit.][Kirstie Lynn & Galen Clark joined us live on WMM on June 21. // Kirstie Lynn played IN THE ROUND with Calvin Arsenia, Julia Othmer, and Christena Graves at The Bauer, 115 West 18th Street, in KCMO’s West Crossroads, Oct. 17.]

    [Kristie Lynn with Hunger Peebles and Naytalir Prauser play Knuckleheads, 2715 Rochester Street KCMO, TONIGHT, Wednesday, April 16, at 7:00pm.]

    1. Old Sound – “Relics of a Small Town”
      from: Liquid Folk Vol. 01 / Old Sound / April 25, 2025
      [Liquid Folk Vol. 01 contains the first two singles to be released by the band, throughout the next few months leading up to their next full-length reklease.“Relics of a Small Town” & “Signs of Life” – Singles Greg Herrenbruck on bass & vocals; Grady Keller on mandolin, acoustic guitar & vocals; Chad Brothers on acoustic guitar & vocals. // On October 6, 2020 Old Sound released their album DELUGE. Recorded at Temple Sounds in Kansas City. The new album was produced by Old Sound, Brendan Moreland and Phil Wade. The album was engineered and mixed by Brendan Moreland and Mastered by Duane Trower at Weights & Measures Sound Lab. // “Deluge” dives deep into the band’s 20-year chemistry, showcasing the band’s acoustic soundscapes and strong three-part harmony. The wide range of songwriting contains lyrics concerning life, love, self-expression, capitalism, climate change, police brutality, the demise of our country, death, and much more. Grady Keller plays guitar and mandolin, Greg Herrenbruck plays bass and Chad Brothers plays lead guitar. All sing. The three members have been creating music together in some fashion for more than 20 years. Greg Herrenbruck & Chad Brothers grew up together as friends in Winfield, Kansas. Winfield is the home of the Walnut Valley Festival. As young college students at Kansas State University they met Grady Keller. The trio has shared many years of picking, camping and performing at the Walnut Valley Festival. Old Sound, is a synthesis of the ideas, techniques, songs and stories we’ve found in those campground. // In 2014 they released their debut recording RAIN FOLLOWS THE PLOW, Recorded and produced by Phil Wade at his studio, Alluvial Fan.More info at: http://www.oldsoundmusic.com]
    1. Champ – “Do It Again Do It Again”
      from: Sampler EP / Champ / March 27, 2025
      [Debut EP, Sampler, from Kansas City, Missouri power pop trio Champ. // Champ began as a recording project of prolific singer-songwriter and DIY punk rocker Bennett Weaver in 2019. That year, Weaver released a four-song demo via Bandcamp, singing and playing every instrument himself. // Now, roughly five years later, Weaver has recruited his longtime friends and collaborators Jack Marsh (bass/backing vocals) and Iggy Audley (drums) to make Champ a full-fledged band (Weaver maintains vocal and guitar duties). // Weaver and Marsh spent 2024 and the early months of 2025 crafting the three songs featured on Sampler. What they came up with were some of their most mature arrangements and some of their catchiest hooks yet, without sacrificing an ounce of the raw emotion that inspired them. // Album art by Lucy Isadora. // Recorded by Lance Rutledge. // Mastered by Justin Mantooth.]

    [Champ plays Howdy, 6523 Stadium Dr., KCMO Sun, April 27 w/ Skinman, Refuse To Thrive, Failure Drill]

    [Champ plays Howdy, 6523 Stadium Dr, KCMO on Fri, May 23 w/ Gripe, Total Sham, J*ckoffs]

    [Champ plays Hitt Records, 10 Hitt St., Columbia, MO on Fri, June 6 w/ Highway Demon]

    1. Wet Leg – “catch these fists (Radio Edi)”
      from: moisturizer / Domino Recording Co / July 17, 2025
      [Wet Leg – the Isle of Wight five piece founded by Rhian Teasdale and Hester Chambers – have announced their eagerly anticipated second album moisturizer will be released on July 17.. Alongside the album announcement, the band also share the first taste of moisturizer with its frenetic, alluringly combative lead single “catch these fists.” Kicking things off with an untamable, electrified groove and from its opening seconds, “catch these fists” is dance-punk par excellence – bass notes ricocheting off a wall of howling synth, thunderous beat catching strays from Teasdale’s cruel deadpan. The video, directed by the band and shot on the island, nods to Ti West, Cameron Crowe and their own “Wet Dream” video and is a suitably off-kilter introduction to moisturizer valley. // Teasdale previously felt allergic to writing love songs, moisturizer is defined by its sheer exuberance and Teasdale ended up finding the process empowering. That new sense of ownership extends to moisturizers album art, an instant-classic freak-fest in which Chambers and Teasdale bare long, ghoulish claws; Teasdale, sporting long, kitschy socks and sans eyebrows, grins fiendishly into the camera. It reflects the album, moisturizer is the band turning the dial up and delivering a record that is unapologetically bolder, stronger and raunchier. // Wet Leg is a British indie rock band from the Isle of Wight, founded in 2019 by Rhian Teasdale and Hester Chambers. The band came to prominence in 2021 when their debut single, “Chaise Longue”, became a viral hit. Their self-titled debut album was released on April 8 2022. // Teasdale and Chambers first met at Isle of Wight College. After ten years of friendship, they became a musical duo in 2019 under the name Wet Leg, signed with Domino Recording Company. They chose the name by playing a game picking different emoji combinations and getting to Wet Leg, it stuck. Their debut single, “Chaise Longue”, was released on June 15, 2021, and gained media notice for earning millions of streams and video views. Their second single, “Wet Dream”, was released on 28 September 2021. Variety noted, “It’s rare that a new group releases two songs and they’re both great”. They appeared on Later… with Jools Holland on BBC2, on 30 October 2021. On 29 November 2021, they announced their debut self-titled album, released on 8 April 2022 via Domino. The same day, Wet Leg released the double-single “Too Late Now” / “Oh No”. // In an interview with Diffus, the band stated that their name came from a regional epithet from the Isle of Wight to describe non-islanders on the island. Those who had crossed the Solent to enter the isle were said to have a wet leg from getting off the boat. // Teasdale had performed for many years on the Isle of Wight as a local musician and pianist, and prior to forming Wet Leg, was known as RHAIN and was linked to the music scene in Bristol. In 2013 Teasdale performed as RHAIN her song “Humdrum Drivel”. In 2014 she was photographed Lucy Dacus’ new album, her fourth solo record, Forever Is A Feeling via Geffen Records. The album’s release comes replete with a special performance video for new single “Bullseye” – featuring acclaimed Irish singer-songwriter Hozier – and filmed for legendary Irish television show Other Voices at the National Gallery of Ireland, Dublin last week. Dacus first met Hozier, one of her favorite artists, when he joined boygenius onstage at their show in Boston in September 2023. She later invited him to duet with her on “Bullseye”, a song about a breakup in which she felt both partners’ respective voices should be portrayed. // Shortly after boygenius’ multiple GRAMMY wins in January 2024, Lucy recorded Forever Is A Feeling in Los Angeles with an array of collaborators that includes Phoebe Bridgers, Julien Baker, Blake Mills, Bartees Strange, Madison Cunningham, Collin Pastore, Jake Finch and Melina Duterte. // The album’s debut single, “Ankles”, was debuted with a performance on The Tonight Show Starring Jimmy Fallon in January and recently hit the top ten at AAA Radio in the U.S – marking Dacus’ first top ten radio hit as a solo artist. Dacus will embark on the Forever Is A Feeling Tour beginning in Philadelphia on April 16th. Support comes from special guest Katie Gavin (of MUNA) and jasmine.4.t. The tour, her largest to date, includes Radio City Music Hall in New York, two nights at The Greek Theater in Los Angeles and two nights at the Ryman Auditorium in Nashville, before heading to the UK and Europe in June. All dates below.
    1. Lucy Dacus – “Ankles”
      from: Forever is a Feeling/ Dirty Hit Records / February 21, 2025
      [Lucy Elizabeth Dacus was born May 2, 1995. She is an American singer-songwriter, guitarist, and record producer. Originally from Richmond, Virginia, Dacus first gained fame following the release of her debut album, No Burden (2016), which led to a deal with Matador Records. Historian, her second album, was released in 2018 to critical acclaim. Home Video, her third studio album, was released in 2021. Forever is a Feeling, her fourth album, was released in 2025. // In addition to her solo work, Dacus is also a member of the indie supergroup Boygenius, with Julien Baker and Phoebe Bridgers. The band has released one studio album and two EPs to critical acclaim and widespread touring. The band won 3 Grammy Awards in 2024, including Best Alternative Music Album. They also became the first all-female band to win Best Rock Song and Best Rock Performance. // In October 2023, Rolling Stone named Dacus the 213th-greatest guitarist of all time, noting: “[her] guitar is as essential an instrument as her voice”. // Lucy Elizabeth Dacus was adopted as an infant and grew up in Mechanicsville, Virginia, a suburb of Richmond. She is of Uzbek and Irish descent.[8] Her adoptive mother is a professional pianist and music teacher, and her adoptive father is a graphic designer. Dacus had an early interest in music, and bought her first guitar, an Ibanez, from Craigslist when she was in middle school. After graduating from Maggie L. Walker Governor’s School in 2013, she began studying film at Virginia Commonwealth University, but left to avoid student debt and the “feeling of being misunderstood” in her university program. Prior to becoming a full-time musician, she was employed by Richmond Camera as an editor for children’s school photos. During this time, she wrote approximately 30 songs, nine of which would make up the tracklist of No Burden.]

    [Lucy Dacus brings her a Forever is a Feeling Tour to The Midland Theatre 1228 Main St. KCMO on Wednesday May 7.at 7:15pm with Katie Gavin & jasmine.4.t]

    1. Jackie Myers – “What About The Butterfly”
      from: “What About The Butterfly” – Single / Jackie Myers / March 20, 2025
      [Second single from upcoming album What About The Butterfly to be released May 18, 2025. // In his online sitte The Plastic Sax Bill Brownlee writes: “Witnessing the transformation of Jackie Myers from a peripheral figure on Kansas City’s jazz scene to one of the region’s most compelling artists has been extraordinarily gratifying. Quietly upping her game in incremental steps, Myers’ resolute work in recent years is reaping dividends. // On any given night, Myers applies her talents in a variety of contexts in Kansas City cafés, restaurants and barrooms. The variety of sounds- pop, rock, blues and, yes, jazz- coalesce on What About the Butterfly. The new album marks the culmination of a remarkable metamorphosis. // Not only is What About the Butterfly superior to Myers’ previous recordings, the album makes most jazz-rooted efforts seem unimaginative and simplistic. Her ambitions extend well beyond conventional Kansas City jazz. // Support from elite collaborators including Bobby Watson helps the album compare favorably to the arty pop of Laura Nyro, the contemporary soul of Cory Henry and the fastidiousness of Jacob Collier. Rarely has Kansas City been the setting for a more pleasing musical glow-up. ” – Read more at http://www.plasticsax.com // Jackie Myers is a jazz pianist, composer, and singer. She is a transplant from Austin Texas, where she performed in the indie touring circuit for almost a decade. She has been playing in Kansas City since December of 2017 with shows that feature a mix of jazz standards and original compositions. Since then she has held residencies at several notable jazz venues in Kansas City, including but not limited to, Corvino Supper Club, Chaz on the Plaza, and Green Lady Lounge. She also held the position of Music Director and piano player for the nationally syndicated radio show – 12th Street Jump – taped live in Kansas City until 2020, when the show ended. // During the pandemic, Jackie was able to continue performing through live streaming from her home and she produced a series of 9 concerts called “Kansas City Drive-ins” that featured artists including Bobby Watson, The Kansas City Jazz Orchestra, Eddie Moore, and Beau Bledsoe. The series was well attended and brought jazz back to its audience in a time when the venues could not host. Myers boasts a catalog of 7 albums and is currently working on her 8th. At her live shows, audiences are treated to Myers’ innovative and fluid keyboard work, punctuated by her bluesy vocals. At other times, Myers’ shows feature a purely instrumental dose. Performing as part of a duo, trio, quartet, or quintet, Myers is typically joined by some of the best musicians offered by a locale, typically combining a crisp rhythm section with top artists on horns or guitar. In 2018, Myers added Hammond organ to her repertoire, adding to the diversity of her performances. She currently plays the Hammond B3 for one of Kansas City’s most decorated Blues Artists – Nick Schnebelen. // As for Myers’ vocals, Louisiana musical writer Dominick Cross said about an earlier recording: “My initial reaction to the recording was that in some ways its Michelle Shocked meets Amy Winehouse. And several listens later, I’d say the same thing with more emphasis on Winehouse.” Bill Brownlee, jazz critic for The Plastic Sax and several other Kansas City publications said, “Her vocals on Ain’t No Sunshine and Stars Fall on Alabama demonstrated that Myers … brings a singular talent to the scene.” Myers debuted her first straight ahead jazz album in 2018 – The Instrumental One, which was recorded live at the prestigious Green Lady Lounge in Kansas City. Made up of eight tracks, including six original compositions, Jackie’s keyboard stylings groove what one critic called “jazz from a solid R&B point of view.” Critics compared The Instrumental One to works by Ahmad Jamal and Les McCann. Kansas City’s Roger Atkinson wrote: “I still like that soul-jazz genre . . . plus, Jackie Myers has a new fan: me.” Myers has also done some impressive work in musical production. In 2017, she produced the musical production Silent Films Out Loud: A Tribute to Buster Keaton. This event featured a nine-piece ensemble playing newly-written compositions to four Buster Keaton silent film classics, including a score by Myers to Buster Keaton’s 1922 Cops. This event, sponsored in part by the City of Austin Economic Development Department, filled Austin’s premier theater – The Stateside at the Paramount. Lastly, she has recently plied her craft with local production startup – FMK Music as a producer and composer for the group. Jackie holds a certificate in music from Berklee School of Music, a BA in music from Grinnell College, and a Master of Arts in Music with a jazz concentration from UMKC. ]

    [Jackie Myers plays a What About The Butterfly Album Release show at The Blue Room, Friday, April 18, 2025 at 7:30pm]

    11:00 – Station ID

    1. Marmoppes – “Butterfly”
      from:“Butterfly” – single / Big Nip Records / March 17, 2024
      [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]

    Marmoppes discography:
    “Nos” – March 23, 2025 (Big Nip Records)
    “Gyatt Time” – Sept. 20, 2024
    “Yr Chemical” – April 28, 2024
    ‘Butterfly” – March 17, 2024
    “Cerulean Blue Truffle Pig” – September 5, 2023

    [Marmoppes play THE LOVE NOTE featuring Marmoppes, Friday, April 18, 2025 at 9:00pm at The Strand Theater, 3544 Troost Ave, KCMO.]

    11:03 – Interview with Jaclyn Danger, Simon Huntley, & J. Ashley Miller

    Lucid Illusions Kansas City’s innovative art collective is presenting THE LOVE NOTE featuring Marmoppes, this Friday, April 18, 2025 at 9:00pm at The Strand Theater, 3544 Troost Ave, KCMO.

    The Strand Theatre is the oldest operating theater in Kansas City and is one of the last remaining XXX theaters in the Midwest. This one night only spectacular features a live on stage improvised musical score by Marmoppes, inspired by a custom-cut smut mixtape filled with the wildest, most hilarious clips from the pre-digital age when all adult movies were shot on film.

    Jaclyn Danger joins us to share details about this special event. Jaclyn Danger studied at The Kansas City Art Institute and is a co-founder of Lucid Illusions an innovative art collective led by queer artists Allison Lloyd, Jaclyn Danger, and Kimmon Smutz. Specializing in immersive, site-specific experiences, the collective transforms unconventional venues into dynamic spaces for multimedia art. Their work blends music, performance art, drag, burlesque, and more, creating interactive events that defy traditional boundaries.

    Also joining us in the conversation are one half of the band, Marmoppes: J. Ashley Miller and Simon Huntley. Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. And after the interview we’ll share their latest single, “Nos.’

    Jaclyn Danger, Simon Huntley, & J. Ashley Miller thank you for being with us on Wednesday MidDay Medley.

    THE LOVE NOTE featuring Marmoppes, is this Friday, April 18, 2025 at 9:00pm at The Strand Theater, 3544 Troost Ave, KCMO.

    11:24

    Marmoppes
    1. Marmoppes – “Nos”
      from: “Nos” – single / Big Nip Records / March 23, 2025
      [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]

    Marmoppes discography:
    “Nos” – March 23, 2025 (Big Nip Records)
    “Gyatt Time” – Sept. 20, 2024
    “Yr Chemical” – April 28, 2024
    ‘Butterfly” – March 17, 2024
    “Cerulean Blue Truffle Pig” – September 5, 2023

    [Marmoppes play THE LOVE NOTE featuring Marmoppes, Friday, April 18, 2025 at 9:00pm at The Strand Theater, 3544 Troost Ave, KCMO.]

    11:28 – Underwriting

    1. Nan & The One Nite Stands – “Sick”
      from: “Sick” – Single / Nan Turner / March 7, 2025
      [Nan + the One Nite Stands. Song by Nan Turner. Music backing track by Chase Horseman. Additional Vox by Tracy Flowers. Recorded + mixed + produced by Chase Horseman at Element Studios, Kansas City, KS. Mastered by Ian Dobyns. Additional studio support by Frida the Dog // On February 19, 2021 Nan Turner released High – Caliber with all songs by Nan Turner. Initial Engineering on 2 and 5 by Mark Ospovat @ Speakersonic Studios, Brooklyn and on 1,3,and 4 by Pat Tomek @ Largely Studios, KCMO. All songs co-engineered, mixed, and co-produced by Chase Horseman @Element Studios, Kansas City, MO. Mastered by Ian Dobyns. // “Yeah” is track 1, on this 5-song EP // The One Nite Stands who played on these songs! Lizz Weiler on bass on 1, 3, and 4; Pat Tomek on drums on 1, 3, and 4; Mark Ospovat on bass on 2 and 5; Don Dawn + Tracy Flowers on backing vocals on 2, 4, and 5; Chase Horseman on keyboards, guitar, and co-production on 1-5. // Thanks to Mark O, Pat, Chase, Ian, Lizz, Don Dawn, Tracy, Peter Gallagher, and Frida the Dog. Xtra BigThanks to: Chase Horseman for sonic textures + production magic. Kimya Dawson, Bertrand “BP” Perrot, MMM, and Sun Ra for Tour Dawg “Space is the Place” Inspiration. // Nan Turner released the single “Desert Nights” released May 22, 2020, written by Nan Turner, and recorded by Mark “Dragon” Ospovat @ SpeakerSonic Studios in Brooklyn, NY. Additional recording and mixing and production by Chase Horseman @ Winky World Studios in Kansas City, MO. Mastered by Ian Dobyns. // On July 12, 2019, Nan Turner released her solo EP, Champs and Losers, Version 2. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. // Nan Turner is also one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock. Her music has been described as “Tone Loc meets the Velvet Underground.” More Info at: http://www.nanturner.bandcamp.com Nan Turner was our guest on WMM on March 31, 2021.]
    1. Tune-Yards – “Heartbreak”
      from: Better Dreamiing / 4AD Records / May 16, 2025
      [Tune-Yards is the Oakland, California–based music project of Merrill Garbus and Nate Brenner. Garbus’s music draws from an eclectic variety of sources and uses elements such as loop pedals, ukulele, vocals, and lo-fi percussion. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice’s annual Pazz and Jop critics’ poll. // The album Nikki Nack was released in 2014, with its first single, “Water Fountain”, being picked up by Google Pixel in 2016 for an advertising campaign. The album I Can Feel You Creep into My Private Life was released in January 2018. At the same time, Tune-Yards provided an atmospheric score for the sci-fi film Sorry to Bother You. // Born in 1979, Garbus was raised in New York City and in New Canaan, Connecticut. She attended Smith College. She was a puppeteer for the Sandglass Theater in Vermont and lived in Montreal where she played ukulele in the band Sister Suvi with guitarist Patrick Gregoire and drummer Nico Dann. Merrill’s sister Ruth Garbus is also a musician who has played solo and in the band Happy Birthday. After releasing her first Tune-Yards album in 2008, she moved to Oakland, where her partner in Tune-Yards, Nate Brenner, also lives. // The first Tune-Yards album, Bird-Brains (stylized as BiRd-BrAiNs) was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August 17, 2009. A full worldwide release followed on November 16, 2009 (and November 17 in North America). The autumn 2009 pressing was remastered at Abbey Road Studios by Christian Wright, and includes two new bonus tracks: “Want Me To” and “Real Live Flesh.” // A second album, Whokill (stylized as w h o k i l l), was released on April 19, 2011. A single from it, “Bizness”, came out in February 2011. It was produced by Garbus and engineered by Eli Crews at New, Improved Studios in Oakland. Applying the live approach to Garbus’ studio work for the first time, Garbus works with bass player Nate Brenner, who co-wrote some of the album’s songs. Comparing the act to Sonic Youth, Frontier Psychiatrist said, “if Bird-Brains was Garbus’ Evol, a record bursting with musical ideas that attempted to subvert the notion of song, who kill is Garbus’ Sister, a record that embraces the traditional pop song as a vehicle to convey those ideas.” The album as well as singles “Bizness” and “Gangsta” received mention on many top 2011 album and song lists, including Time, Rolling Stone, Spin, and the New York Times. In early 2012, the Village Voice’s annual “Pazz and Jop” poll of critics named Whokill the No. 1 album of 2011. The song “Fiya” is featured on a 2010 commercial for the Blackberry Torch, while the song “Gangsta” has been used in the television shows Orange Is the New Black, Letterkenny, Weeds and The Good Wife and the song “Bizness” was used in Season 3 of Transparent. // Garbus started recording material for her third LP during the latter half of 2013, with a working title of Sink-o. A May 6, 2014 release date was later announced with the title Nikki Nack. The album spawned three singles, including “Water Fountain”, which was featured in the soundtrack for EA Sports video game FIFA 15 as well as in a 2016 commercial for the Google Pixel. // A fourth album was released on January 19, 2018, called I Can Feel You Creep into My Private Life. The album showed more of an electronic influence. The single “Look at Your Hands” was released earlier, in October 2017, followed by “Heart Attack” in January.// The Tune-Yards scored the satiric science fiction film Sorry to Bother You (2018). The film was shown at Sundance in January, then began a theatrical run in July. Its soundtrack songs are performed by the Coup, fronted by the film’s director, Boots Riley. Riley said he started working with Tune-Yards in “early 2015” to create the film’s score, with demo tracks already available before the script was complete, and before the start of principal photography. Riley said he was attracted to Garbus’s voice, and to the band’s “unorthodox use of percussion and vocal layering.” Garbus also composed the theme music for The New Yorker Radio Hour. // In 2021, Tune-Yards appeared as the opening performance for Google I/O with Artificial Intelligence powered vocal accompaniment.]
    1. Daniel Gum – “Met You Too Soon”
      from:The Great Conjunction / Manor Records / February 7, 2025
      [All songs written/performed by Daniel Gum (BMI), production/engineering: Mike Crawford & Daniel Gum, mixing: Daniel Gum, bass: Joel Stratton, drums/percussion: Micah Ritchie. With Joel Stratton (piano on 1, baritone guitar on 2), Wills Van Doorn (slide guitar on 3), Brandon Bray (lead guitar on 6), Cole Crawford (piano on 10), Devon Teran (pedal steel on 2), Evan Herd (writing for drums on 7), Rachel Cionitti (bgvs on 1-6, 8), mastering: Mike Nolte at Eureka Mastering, artwork/lettering: Daniel Gum] // Here’s what Daniel had to say about this track: “This song was written reflecting on a past relationship—thinking things probably could have worked out if we met 5 years later than we did. Or maybe they wouldn’t have.. but I’ll never know. This song is a part of a series of singles leading up to my second album. I hope you enjoy the chord progressions and slide guitar especially”. // Daniel Gum is a singer-songwriter based out of Kansas City, KS who has been active since 2017. Daniel Gum released the single “Julia” on December 9, 2022. Daniel Gum released the single “Wolverine (ft. Rachel Cion)” on September 19, 2921. Daniel Gu, released the electronic pop EP, I’M NOT DEAD in 2017 and an acoustic EP, MOON in 2018. In addition to working on his own solo project, Daniel has been working with other local groups—playing bass and engineering for his band Pillow (a post-punk/shoegaze group) and playing drums behind singer-songwriter Chloe Jacobson, also doing some recording for her. Channeling the likes of Elliott Smith & Andy Shauf, he co-produced his new record THIRTEEN with Mike Crawford, playing almost everything you hear on the album and mixing it himself. Signing to Manor Records in the spring of 2020, he officially released THIRTEEN on cassette & CD on October 30, 2020. All songs written, performed, and.mastered by Mike Nolte at Eureka Mastering. Daniel Gum is a 24 year old singer-songwriter . Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EPI’M NOT DEAD on October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming. The first single from Daniel Gum’s album, Thirteen “Ruin Your Life” was released on September 4, The second single, “In The Worst Ways” was released September 28, 2020. ] [On our July 22, 2020, WMM show we played Daniel Gum’s track, “Tired Saint” from French Exit Records – Black Lives Matter Compilation, released July 6, 2020. French Exit Records was launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. Daniel Gum joined us on WMM on November 11, 2020]

    [Daniel Gum plays Farewell KCMO 6515 Stadium Drive, KCMO on Friday, April 19, ay 8:00pm with, Faith Maddox and Sloe Poke]

    1. Faith Maddox – “Sunspot”
      from: Impressions EP / Faith Maddox / February 26, 2024
      [// Faith Maddox released the songle “Frances” om March 11, 2023 through French Exit Records – Performed and mixed by Faith Maddox. Mastered by Deegan Poores. Faith Maddox released the single “Bloody Maple” on February 18, 2022 on French Exit Records. Faith Maddox released the 9-song album SUBTLE HAUNTINGS on February 25, 2022, Faith Maddox on vocals/guitar/bass and Jared Crowley on drums. The album was recorded by Faith Maddox, it was mixed & mastered by Joel Martin. Faith Maddox is a 21-year-old artist currently living in Lawrence, Kansas. A self-taught guitarist and writer, Maddox’s work explores themes of gender, mortality, and nature, often weaving literary references between fingerpicked melodies. Her music is not easily boxed in, taking influence from math rock, jazz, folk, and slowcore. She is an avid fan of Fleabag, Joan Didion, and anything green. Faith Maddox released the 9-song album SUBTLE HAUNTINGS on February 25, 2022, Faith Maddox on vocals/guitar/bass and Jared Crowley on drums. The album was recorded by Faith Maddox, it was mixed & mastered by Joel Martin. Info: http://www.faithmaddox.bandcamp.com]

    [Faith Maddox plays Farewell KCMO 6515 Stadium Drive, KCMO on Friday, April 19, ay 8:00pm with Daniel Gum, and Sloe Poke]

    1. TheBabeGabe X The Human – “FUTURISTIC LOVERS”
      from: HONEYPOP / Seven Rings Media / March 5, 2025
      [Production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on September 20, 2024 through Dirty Hit Records and immediately followed with an 8-track seventh studio album HEAVEN ON URF, on October 25, 2024 on Dirty Hit Records. Our friend and music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On October 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. Kansas City is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.” Deiondre added, “The music scene here is getting cool now, there’s a lot of jazz musicians that go to school for music here too but you can find people from different scenes all over if around the city.” Ty wrote, “The KC scene is great, the community here is so supportive and genuine. This is a really prideful city here and I think they’re finally getting the musicians they deserve.”]
    1. Saving Miles Lemon – “In The Night” – Single
      from: “In The Night” – Single / Saving Miles Lemon / January 16, 2025
      [Performed by: Saving Miles Lemon. Written by: Miguel Silva-Leon. Produced by: Saving Miles Lemon. One of three new singles released in the last few months from Saving Miles Lemon. // Saving Miles Lemom released the 13-track full-length album LOVELY/ on October 6, 2023. Saving Miles Lemon is the psychedelic-pop project of Miguel Silva-Leon. Formed in 2019 with the goal of releasing an album by the end of the year, the project has transformed into a full-blown musical odyssey for Miguel (who likes to go by Mig) to explore new sounds. It’s hard to define what genre Saving Miles Lemon fits into as they like to let the music go where it wants to go. From smooth dance pop, to blown-out stoner rock, Mig likes to keep things interesting and never stay with one sound for too long.​ // Having grown up learning to play the piano at the age of 7, Miguel found themselves picking up new instruments frequently from the clarinet, saxophone, and oboe to guitar/bass and drums. Just as with their instruments, Mig began practicing their production skills in high school with small bedroom projects and hardcore bands. In a way, nothing has changed, as all of Saving Miles Lemon’s music is recorded and produced entirely by Mig in their bedroom studio to this day. // Their live members include Jacob Frisbee (bass), James Wiltfang (keys), and Zeke Bockleman (drums). // As a live act, the band began performing in 2021 and quickly took over the DIY scene in Kansas City before moving on to the bar/venue scene with sold-out shows at The Rino (KCMO) and The Bottleneck (LFK). They’ve opened for national and international touring bands such as Cub Sport at The Encore at Uptown Theatre (KCMO). // Saving Miles Lemon has released two full-length LPs and a handful of singles. A third album is set to release in 2023.] [Saving Miles Lemon played Outer Reaches Fest, Fri, Oct. 13 at recordBar, 1w/ Bombino, The Philistines, & Teri Quinn.]
    1. Various Blonde – “RAW” – Single
      from: “RAW” – Single / Various Blonde / September 1, 2023
      [One of three new singles released in the last few months from Various Bonde. “Couldn’t Love Me” was released March 7, 2025, and “Silent Partner” was released April 11, 2025// Various Blonde released the 10 track album Love Is How We Will Survive on September 1, 2023. That album contained 4 singles released over two years 20022 to 2023. Various Blonde is a Kansas City based experimental, rock, pop, and funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, and vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.” On September 24, 2022 Various Blonde released the single, “Love is How We Survive.” On August 19, 2022 Various Blonde released the single, “Obtuse”. On June 9, 2022 Various Blonde released the single, “Too Many Secrets.” On March 13, 2020 Various Blonde released a three song EP called 3s 2 through The Record Machine. On January 2020 Various Blonde released a three song EP called 3s 1 through The Record Machine. On September 16, 2016 Various Blonde released the 10-track album ALL BASES COVERED through The Record Machine. On January 13, 2015 Various Blonde release the 10-track album, SUMMER HIGH. “More info at: http://www.variousblonde.com]
    1. The Freedom Affair – “Don’t You Wanna Love Me”
      from: The Freedom Affair / Sunflower Soul Records / May 9, 2025
      [Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]

    [The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.]

    1. Noel Coward – “The Party’s Over Now”
      from: Noel Coward in New York / drg / 2003 [orig. 1957]

    This Friday, April 18 at Noon, Mark will be hosting MidCoast LIVE with musician ALBER who will play a 60-minute concert LIVE in our 90.1 FM Studios.

    NEXT WEEK, on April 23 – We’ll be playing more New & MidCoastal Releases! And we’ll interview the Southwest Ramblers who’ll be rambling into town to play Hammers at 3901 Main April 23. And in our 2nd hour we welcome Guest Producer Silky Sand Sensations!

    Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

    THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

    This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

    Our Script/Playlist is a “cut and paste” of information.
    Sources for notes: artist’s websites, bios, wikipedia.org

    Wednesday MidDay Medley in on the web:
    http://www.kkfi.org,
    http://www.WednesdayMidDayMedley.org,
    http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1091

    WMM Playlist from April 9, 2025

    Wednesday MidDay Medley
    TEN to NOON Wednesdays – Streaming at KKFI.org
    90.1 FM KKFI – Kansas City Community Radio
    Produced and Hosted by Mark Manning

    Wednesday, April 9, 2025

    WMM presents Til Willis, Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra, Kevin King & Zo E. Schmidt

    1. “Main Title Instrumental – It’s Showtime Folks”
      from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
      [WMM’s Adopted Theme Song]
    1. REVISER – “CELESTINE”
      from: “CELESTINE” – Single / TEVISER / February 28, 2025
      Calling to mind classic 80’s bands such as Sisters of Mercy, The Cure, and Killing Joke, REVISER sounds complimentary to such contemporaries as Actors, Soft Kill, and Drab Majesty. REVISER collects and redirects its familiar influences into something both familiar and foreign, a sound that is dark, deep, and danceable. Dedric Moore on keyboards and Krysztof Nemeth on vocals and baritone guitar, with newest member Breaka Dawn (of The Bad Ideas) singing with Krysztof. This is the 4th single form REVISER who released “DARKSIDERS” on October 18, 2024, and “ASSASINS” and “BURN IT OUT” on March 15, 2024. REVISOR is a continuation of the musical collaboration from Static Phantoms, Religion of Heartbreak (with Mikal Shapiro) and Monta At Odds.
    1. Eddie Moore – “In The Kitchen”
      from: What Makes Us / Eddie Moore Music / March 25, 2024
      [“In the Kitchen” features: Eddie Moore on piano, Bass, & Rhoades; Jaylen Ward on drums; Ben Tervort on bass, Isaiah Petrie on vibes. Written & Produced by Eddie Moore(Emoremyz BMI). Executive Producer – Eddie Moore, Co-Producer- Dan Israel. Mixed By- Eddie Moore. Mastered By Crayge Lindesay. Recorded at First Run Studios engineered by Dan Israel // When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Moore reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression. // On March 5, 2024 Eddie Moore released the EP Aperture (Live Piano Works) through Eddie Moore Music. // On April 20, 2023 Eddie Moore released the single “Tsunami” Recorded & produced at Moore’s Tribe Studios, the song features Jaylen Ward on drums. Mixed & mastered by veteran KC savant Crayge Lindesay. // Eddie Moore released his critically acclaimed album INTUITION on Oct. 28, 2022. Written & Produced by Eddie Moore. Recorded at Tribe Studios. Featuring Tim Ogutu on guitar. Mix & Mastered by Rick Carson at Make Believe Studios. Album Art by Brandon Wilson. // Eddie Moore released the single, “Love Song” (with Joel Castillo & Bree Cummings) on Oct. 22, 2021. // We The People released the single, “Single Double” on June 10, 2021. Written & Produced By Eddie Moore on keyboards, key bass, & programming; Zach Morrow on drums; and Jason Emmond on bass. // Eddie Moore’s band We The People released their album MISUNDERSTOOD on Sept. 25, 2020. // Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to KC to study under Bobby Watson at the University of Missouri-KC where he received a M.A in Jazz Studies. He was 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”. Moore has shared the stage and recordings with Bobby Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band. Eddie Moore joined WMM on Sept. 23, 2020 and Nov. 23, 2022. More info at http://www.eddiemooremusic.com]

    [The Eddie Moore Trio plays The Majestic, 931 Broadway, KCMO, Thursday, April 10, at 6:00pm]

    1. Ivory Blue – “Heartbeat”
      from: “Heartbeat” – Single / IVORY BLUE / March 28, 2025
      [For “HEARTBEAT” IVORY writes, “is about letting things be when there seems to be no way to change the outcome of something that happened in our life. Sometimes, things happen without an apparent reason. Other times it’s a blessing in disguise and time will tell if it was worth the pain we felt going through it.” // IVORY BLUE released the single “Rhythm of the Radio” on January 31, 2025 // IVORY BLUE released the single “Exiled” on November 29, 2024. IVORY BLUE released the single “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and stations around the world. // On Oct. 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from Sept. 22, 2023, ”The Best of Life” from Aug. 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on Feb. 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to Earth, Boulevardia, Crossroads Music Festival, The Middle of the Map Fest, The Westport Roots Festival, the KCPT Screening of “Real Boy” at KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. More info at: http://www.ivorybluemusic.com]
    1. My Oh My – “Face in the Crowd (Live)”
      from: Live At The Library / My Oh My / April 11, 2025.
      [A.M. Merker on vocals & guitar, Grant Buell on keyboards, Jacob Horpinjuk on drums, Justin Rogers on bass, Melissa Geffert on vocals, Sarah Wittman on vocals, and Stephen Berry on guitar. // Recorded live at Union Library, Kansas City, MO, September 9, 2023 // Recorded, mixed, and edited by Paul Malinowski @ Massive Sound, Shawnee, KS. Mastered by Mike Nolte ® Eureka Mastering, Kansas City, KS. Photography by Betsy Gretzinger Vida. Videography by Jack McClain @ Circle M Films. All songs A.M. Merker / My Oh My, except “Superstar” (Leon Russell, Bonnie Bramlett, Skyhill Publishing/Delbon Publishing, BMI) © 2025 All rights reserved // myohmykc.com // My Oh My released the singles: “Working on Assumptions” / “I Just Don’t Understand” on November 11, 2022. // My Oh My released the 10-song album ThHE WAR OUTSIDE on May 19, 2018 // My Oh My released the single “Christmastime, 2016” on December 16, 2016 // My Oh My released the 6-track EP, WOULDN’T HAVE IT ANY OTHER WAY on December 12, 2015. // My Oh My released the 9-track debut album, YOUR HEART NOT MINE on March 14, 2014.]

    [My Oh My play an Album Release Matinee Show on Friday, April 11, at 6:00pm at The Ship 1221 Union Ave. KCMO in the West Bottoms.]

    Kansas City, MO USA – August 04, 2024: easterday at recordBar
    1. the easterday band – “Smothered (Live)”
      from: live recordings of Scott Easterday: 35 Years / Recorded August 4, 2024 / Unreleased
      [Scott Easterday: 35 Years – celebrating Scott’s 35 years as a singer, songwriter and performer, from Sunday, August 4, at the recordBar, 1520 Grand, KCMO. This retrospective concert featured 11 other musicians who have performed with Scott over the years. There were 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featured in the show were Mark Accuff, Elaine McMilian, Jon Niccum of the original Easterday band with Richard Alwyn. Also in the show were Marco Pascolini, Richard Burgess, and Sam Platt of (the latter day) Expassionates. And also in the also were: Kyle Dahlquist, Bryan Hicks, Nate Hofer, and Matt Richey. // Originally released on the album: Easterday 1993-1995 from Scott Easterday in 2004. The easterday band featuring Scott Easterday on lead vocals and guitar, Elaine McMilian on vocals, Jon Niccum on bass and Mark Acuff on drums. The band was active from 1993-1995. The album was recorded at Red House Studios by Ed Rose and released in 2004. They have had a couple reunions since then and are taking advantage of this occasion to have another. Mark plays drums in Promise Breakers. Jon was the creator of The Worst Gig [worstgig.com] and Elaine just published her first book of poetry, Copper and Other Precious Metals. ]

    [Easterday play The Black Box 1060 Union Ave. KCMO in West Bottoms on Fri, April 11, at 6:30pm]

    1. Krystle Warren & The Faculty – “Empty Chairs”
      from: Extended Play / Parlour Door Music / November 1, 2024
      [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations // // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs​ was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs​ were recorded with everyone in the same room (​Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play​ was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up ​Extended Play​ are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play,​ they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]

    10:29 – Underwriting

    1. Til Willis & Erratic Cowboy – “Lost”
      from: “Lost” – Single / Til Willis / February 27, 2025
      [3rd single from the upcoming album, Glass Cactus. Written by Til Willis Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. Steve Faceman on backup vocals. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]

    [Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]

    10:35 – Interview with Til Willis

    Til Willis was born in the heat of 1980, has been making music for a long time. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. Til Willis joins us to share details about his band Til Willis & Erratic Cowboy and their new album Glass Cactus. Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.

    Til Willis Thanks for being with us on Wednesday MidDay Medley

    The last album from Til Willis & Erratic Cowboy was Grinding of The Stars, released Nov. 4, 2022 tand recorded in a 122 year old barn. With Til Willis on guitars & vocals; Eric Binkley on bass, and Austin Sinkler on drums/ Recorded/Mixed/Produced by Til Willis. Mastered by John Hruska.

    Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas.

    Til Willis & Erratic Cowboy is:
    Til Willis on vocals & guitar
    Bradley McKellip on guitar & backup vocals
    Eric Binkley on bass
    Austin Sinkler on drums.

    With Steve Faceman on backup vocals for “Lost.
    With Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law
    With Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday

    10:43

    1. Til Willis & Erratic Cowboy – “Ten Miles of Days”
      from: Glass Cactus / Til Willis / March 27, 2025
      [Til Willis on vocals, guitar, percussion, mixing, & production; Bradley McKellip om guitars & lap steel; Eric Binkley on bass, and Austin Sinkler on grums with Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday; Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law; and Steve Faceman on backup vocals on Lost. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy.]

    [Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]

    10:46 – More Interview with Til Willis

    Til Willis began performing in 1992, at the remarkable age of just twelve. Since then, he’s produced an expansive catalog of music, including fifteen studio albums, two live albums, and five EPs. Til’s bandmates, known as Erratic Cowboy, both compliment and enhance Til’s well-seasoned songwriting, and have added their own dynamic energy to his albums and live shows since 2012.

    Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.

    Til Willis Thanks for being with us on Wednesday MidDay Medley

    Til has headlined his own shows, and opened for such notable acts as Jesse Robinson, The Subdudes, Mel Melton and the Wicked Mojos, Fainting Goats, and Pete Seeger.

    Glass Cactus was recorded in The Barn in Tecumseh, KS. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence. Cover art by David Huddleston

    Til and the boys perform frequently at favorite venues: recordbar and The Brick in KC, and Replay Lounge, Kaw Valley Public House and The Bottleneck in Lawrence.

    There are people who write songs, and then there are songwriters… people who write simply because they have no other choice, poets in denim who wonder if they’re poetic at all. It’s talk of fire, and the breath of storms passed that stirs the echoes of longing to express one’s self…Til Willis came along after the birth of rock and roll, but before the setting of the sun in the home state of Elvis. A state that as John Magnie says, “Eats the roots of American music.” And, out of this climate Til strode with the confident swagger of a man possessed with the desire to be a songwriter.

    Growing up on rock & roll made during a time when “rock & roll” mattered, and it wasn’t about fashion & packaging, Til strives to deliver substance in his own orchard of sound.

    A listen to any of his albums, The Thought I Had, Shadow of the Future, Lovesick, Crimson Wind, or Cindershine confirms this level of commitment. It’s not bubblegum pop, or mindless distortion. This is American Rock, and Til has brought it to life on stages from Mississippi to California, Colorado to Oklahoma.

    He has composed scores for plays by playwright Steve Goode, and student films made at the University of Colorado. He has produced albums for artists like Drew Fowler, in addition to producing all of his own recordings.

    In short Til Willis is an energetic young singer/songwriter with a voice that thunders, and a musical passion and vision that screams the haunted howl of hellhounds down a dusty road. Rock and Roll is freedom, and Til exercises his daily.

    CEO at Til Willis & Erratic Cowboy
    Studied at Colorado State University
    Lives in Lawrence, Kansas // From Ouray, Colorado
    Married to Stephanie Willism, Daughter: Mahalia, Dog: Twyla

    Til Willis Thanks for being with us on Wednesday MidDay Medley

    Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.

    10:45

    1. Til Willis & Erratic Cowboy – “Horizon Before Us to Love”
      from: Glass Cactus / Til Willis / March 27, 2025
      [Til Willis on vocals, guitar, percussion, mixing, & production; Bradley McKellip om guitars & lap steel; Eric Binkley on bass, and Austin Sinkler on grums with Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday; Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law; and Steve Faceman on backup vocals on Lost. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]

    [Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]

    11:00 – Station ID

    11:00 – Interview with Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, and Chico Sierra

    Heather Pontonio – Arts & Science Council (Rep= Ashley)

    Heather Pontonio has a master’s degree in Public Administration from New York University and a bachelor’s degree in Arts Administration from the State University of New York at Fredonia. She serves on the board of VIA Collaborative Arts and Research Advisory Board for the Strategic National Arts Alumni Project (SNAAP).

    Heather is the Senior Program Director at the Emily Hall Tremaine Foundation where she is responsible for national strategy and administration of the Art Program portfolio focused on professional practices for both artists and curators. In her 13 years at the Foundation, she has expanded the curatorial portfolio from a single program (the Emily Hall Tremaine Exhibition Award) to a suite of programs that support dozens of curators and been instrumental in the launch of Artists Thrive, a national tool to assess and improve conditions for artists across the country.

    Heather joins us to share details about the ARTISTS THRIVE 2025 Summit in Kansas City, on May 6-8. The 2025 summit venue has been provided with generous support from the Ewing Marion Kauffman Foundation, with lead local partner Mid-America Arts Alliance and Charlotte Street Foundation. Artists, arts leaders, educators, and funders can expand their creative circle. This unique event offers a powerful networking hub, connecting art communities with passionate colleagues from across the country. For more information on the 2025 Artists Thrive Summit you can visit: http://www.artiststhrive.org

    Heather Thanks for being with us on the radio.

    Emily Hall Tremaine Foundation is based in New Haven, Connecticut, but you are calling us from Montana, through your work for the foundation you travel all over the country.

    2025 Artists Thrive Summit May 6-8 Ewing Marion Kauffman Foundation

    Mid-America Arts Alliance and Charlotte Street Foundation

    Also Joining us in the conversation is José Faus – writer, performer, visual artist, and independent teacher/mentor with an interest in the role of artists as creative catalysts for community building. He is a co-founder of the Latino Writers Collective. His writings have appeared in many anthologies and journals. His chapbook, This Town Like That was released by Spartan Press. The Life and Times of Jose Calderon was published by West 39 Press. His children’s book, Possum Trot was published by La Resistencia Press. More info at: http://www.artistinc.art/facilitator/jose-faus/

    José Faus Thanks for being with us on the radio.

    Also joining us is Elizabeth Bettendorf Bowman (she/her) is a theatre artist dedicated to making the arts truly accessible. Since graduating from Northwest Missouri State University in 2012, she has made KC her home and has worked at several area not-for-profit companies. She received her Master of Arts in Theatre from the University of Missouri-KC and is a faculty member at Benedictine College where she teaches theatre courses. She has also taught for KCK Community College at the Fort Leavenworth correctional facilities. // As a director & administrator, Elizabeth has worked at such companies as the Kansas City Repertory Theatre, Coterie Theatre, Metropolitan Ensemble Theatre, and KC Fringe. Through her work in theatre education & outreach, Elizabeth was inspired to create a theatre which reaches all corners of the diverse KC community. By producing free professional theatre, Elizabeth hopes to foster the creativity of our citizens and explore the truly global nature of the KC region. http://www.kcpublictheatre.org

    Elizabeth Bettendorf Bowman Thanks for being with us on the radio.

    Also joining us is visual artist and muralist Chico Sierra, originally from El Paso Texax. Having relocated from his familial homeland, Chico attempts to connect the dots of his cultural history and create new stories based around humanism, class structures and social justice. Influenced by his interests in spiritual iconography he is attempting to create new narratives using symbolism that has been previously clouded by colonialism and more recently appropriated by euro-centric new age spiritualism. Chico’s work has been shown at the Nerman Museum of Contemporary Art, The Nelson Atkins Museum of Art, the Nelson Atkins Museum Day of the Dead exhibit, Mattie Rhodes, Union Station, and InterUrban ArtHouse. More info at: http://www.chicosierra.com

    Chico Sierra, Thanks for being with us on the radio.

    Chris Dahlquist, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra are part of a Plenary Session: Lay of the Land: An Overview of the Arts in KC – Tuesday, May 6, 5-6pm. This session is designed to ground all Summit attendees into the Kansas City art scene.

    Chris Dahlquist will cover Historic KC: 18th and Vine // Hallmark // Walt Disney – Laugh-O-Gram // Union Station // Downtown Airport // Nelson-Atkins // Folly Theatre // Midland Theatre
    …and bring it into the Contemporary: Charlotte St Foundation // Belger Crane Yard // Zhou B Art Center // Crossroads // Kaufman Performing Arts Center

    Elizabeth Bowman of KC Public Theatre will cover the: Spencer Theatre on UMKC’s Campus // Copaken Stage (Power & Light district) // Unicorn Theatre // Coterie Theatre // Musical Theatre Heritage in Crown Center // The Black Box // Just Off Broadway // The Arts Asylum // White Theatre // City Stage in Union Station // Warwick Theater // The Gem Theatre // Quality Hill Playhouse // Johnson County Arts and Heritage Center // Martin City Melodrama // The New Theatre // Stern Black Box Theatre at Charlotte Street Found

    Artist-Thrive will include tours and interactive experiences include InterUrban ArtHouse in Overland Park, Englewood Arts Center in Independence, Charlotte Street in Kansas City, and the Nerman Museum of Contemporary Art at Johnson County Community College.

    Learning Journeys:
    Airport
    InterUrban Arts
    Englewood Arts
    Nerman Museum at Johnson County Community College in Overland Park
    Charlotte Street (also dinner on Wed)

    Other locations
    Main hotel: Kansas City Marriott Country Club Plaza
    Dinner Tuesday: Crossroads – Jack Stack and Lidia’s
    Dinner Thursday: Food truck event at Oppenstein Brothers Memorial Park, 1123 Walnut St, Kansas City, MO 64106

    Partners
    Mid-America Arts Alliance
    Arts KC
    Kauffman Foundation Conference Center
    KCAI
    Belger Arts

    Artists, arts leaders, educators, and funders from across the United States are invited to expand their creative circle at the annual 2025 Artists Thrive Summit in Kansas City, Missouri, May 6–8, 2025.

    This event offers a powerful networking hub to help connect attendees with passionate colleagues from across the region and country. As part of the Summit, Artists Thrive has partnered with Kansas City organizations to craft regional experiences, including tours to cultural venues embedded in the community.

    Attendees will spark collaborations, share best practices, and find inspiration alongside a diverse group of individuals who share a similar dedication to the arts. The Summit’s flexible format ensures everyone—introverts, extroverts, seasoned professionals, or those new to the field—can make lasting
    connections.

    Artists Thrive aims to raise the value of artists in every community. Artists Thrive is a growing initiative offering activities, practices, language, visions and values of what it means to succeed and thrive as an artist – and what it means to have a thriving arts sector and, eventually, thriving communities. It is a set of interconnected and holistic resources that can guide us in improving our performance and, ultimately, the conditions in which artists can thrive. Artists Thrive is funded by the Emily Hall Tremaine Foundation.

    Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra thanks or being on WMM

    ARTISTS THRIVE 2025 Summit in Kansas City, on May 6-8. The 2025 summit venue has been provided with generous support from the Ewing Marion Kauffman Foundation, with lead local partner Mid-America Arts Alliance and Charlotte Street Foundation. Artists, arts leaders, educators, and funders can expand their creative circle. This unique event offers a powerful networking hub, connecting art communities with passionate colleagues from across the country. For more information on the 2025 Artists Thrive Summit you can visit: http://www.artiststhrive.org

    11:25

    1. Helen Gillet – Vautour”
      from: Helkiase / Helen Gillet / July 6, 2018
      [Originally from Leuven, Belgium and now based in New Orleans, Louisiana. Globe Trotting, multi-faceted, jazz-based cellist, singer, composer and improviser Helen Gillet is a “mixed bag” of musical influence. Downbeat Magazine recently nominated her a Rising Star in the 61st Annual Critic’s Poll. She believes music to be an expression of the honest human condition; performing an eclectic mix of French pop, Avant Garde Jazz, North Indian, Folk and Classical styles. Helen Gillet’s 2018 solo album is Inspired by Helkiase, a cure-all medicine invented by the nuns of Notre Dame à la Rose hospital in Lessines, Belgium. (The hospital was one of Europe’s longest continually operating hospitals founded in XIII’s century). Gillet’s latest music deals with the more recent personal layers of complicated grief and finding new strength, sense of humor and inspiration. This recording captures the current spirit of Gillet’s live performance and features her newest original songs “Slow Drag Pavageau” written about legendary dancer and New Orleans bassist Alcide Pavageau, as well as “You Found Me,” “Skin,” and “Vautour,”song inspired by Israeili composer and artist Naama Tsabar. All songs are performed by Helen Gillet using a Boss RC50 Loop station and mainly cello and voice. Tracks 7 “Tonnerre” and 4 “Helkiase” use a Moog Sub Fatty synthesizer and vinyl scratching of a famous 1940 General de Gaulle speech. Live studio sessions and evening concerts recorded by Andrew “Goat” Gilchrist at the House of 1Hz on March 8th and 9th 2018 in New Orleans, LA. Mastered by Bruce Barielle.]

    [Owen / Cox Dance Group presents SKIN with Helen Gillet on Saturday, April 12, at 8:00pm at The Folly Theater, 300 West 12th Street, KCMO. -Critically acclaimed collaboration with New Orleans-based cellist, vocalist, live looping artist and composer Helen Gillet. Skin features original music by Gillet and choreography by Jennifer Owen, performed live by Gillet, Brad Cox, and the captivating dancers of Owen/Cox Dance Group. Skin will be performed live for one night only]

    [“Skin”originally made its World premiered April 1 and 2, April 3 at 2:00 PM, at City Stage Theatre, Union Station,KCMO choreography by Jennifer Owen and musician Brad Cox in collaboration with New Orleans-based cellist Helen Gillet. Owen/Cox Dance Group is a 501(c)3 not for profit corporation. More info at: http://www.owencoxdance.org]

    1. Anaǐs Mitchell – “Flowers (Eurydice’s Song)”
      from: Hadestown / Righteous Babe Records / March 9, 2018
      [Hadestown is the fourth studio album by American folk singer-songwriter Anaïs Mitchell, and was released by Righteous Babe Records on March 9, 2010. The concept album, which became the basis for the stage musical of the same name, follows a variation on the ancient Greek myth of Orpheus and Eurydice, where Orpheus must embark on a quest to rescue his wife Eurydice from the underworld. It has been advertised as a “folk opera”. Several of the songs feature singers other than Mitchell, including Justin Vernon, Ani DiFranco, Greg Brown, Ben Knox Miller, and The Haden Triplets (Tanya, Petra and Rachel Haden). The album was nominated for a Grammy Award for Best Recording Package in the 53rd Annual Grammy Awards. // Between 2006 and 2007, Mitchell staged performances of Hadestown, a musical based on the Greek myth of Orpheus and Eurydice. Unsure what lay ahead for the stage musical, she decided to turn it into a concept album. Raising a few thousand dollars by emailing her fan base and asking them to pitch in for shirts and other merchandise, Mitchell worked on the album for over a year. // The album features orchestral arrangements by Michael Chorney, who had worked with Mitchell’s recordings since her album Hymns for the Exiled in 2004. //Within the narrative of the album, the part of Orpheus is played by Vernon; Persephone by DiFranco; Hades by Greg Brown; The Fates by Tanya, Petra and Rachel Haden; Hermes by Ben Knox Miller; and Eurydice by Mitchell. While most of the recording was produced by Todd Sickafoose at Brooklyn Recording Studio in New York City, the lead vocals were often produced elsewhere in the United States. The album encompasses a variety of American roots music forms, including folk, indie folk, country, blues, ragtime, gospel, rock, swing, and avant-garde. // Anaïs Mitchell was born March 26, 1981. She is an American singer-songwriter, musician, and playwright. Mitchell has released eight studio albums, including Hadestown (2010), Young Man in America (2012), Child Ballads (2013), and Anaïs Mitchell (2022). // She developed her album Hadestown into a stage musical (together with director Rachel Chavkin), which received its US debut at New York Theatre Workshop in summer 2016, and its Canadian debut at the Citadel Theatre, Edmonton the following year. The show opened at London’s National Theatre in November 2018 and then on Broadway on April 17, 2019, at the Walter Kerr Theatre. The Broadway production of Hadestown won eight Tony Awards in 2019 including the Tony Award for Best Musical. Mitchell received the Tony Award for Best Original Score; she was also nominated for Best Book of a Musical. The Broadway cast album of the show took home the Grammy Award for Best Musical Theater Album in 2020. Mitchell’s first book, Working on a Song: The Lyrics of Hadestown, was published by Plume Books on October 6, 2020. Mitchell was included in Time’s 100 Most Influential People of 2020. // Mitchell is a member of the band Bonny Light Horseman, whose self-titled debut was released in 2020. The band’s second album, “Golden Rolling Holy”, was released in 2022, followed by “Keep Me on Your Mind/See You Free” in 2024. // Mitchell’s father, a novelist and college professor, named her after author Anaïs Nin. She grew up on Treleven farm in Addison County, Vermont and graduated from Mount Abraham Union High School. She was raised Quaker. Her mother was Deputy Secretary of Vermont’s Agency of Human Services. After traveling to the Middle East, Europe and Latin America as a child, she attended Middlebury College, where she majored in political science and graduated in 2004.]

    [The Broadway National Tour of Hadestown plays The Lied Center, 1600 Stewart Drive, Lawrence Kansas, this Monday, April 14 at 7:30pm]

    11:32 – Underwriting

    11:33 – Interview with Kevin King & Zo E. Schmidt – Whim Productions

    Kevin King is originally from Topeka, Kansas. He studied at The University of Kansas, In 2011 Kevin founded Whim Productions where he serves as Producing Artistic Director of Whim Productions. He is a queer playwright based in KCMO and is a playwright-in-residence at the Midwest Dramatists Center, former playwright-in-residence in the Charlotte Street Foundation Studio Residency program, and a member of the Dramatists Guild. His short play The Swallows was selected for the 2019 William Inge Theater Festival New Play Lab.

    King’s work has also appeared in the Kansas City Fringe Festival, Alphabet Soup: Theater from Queer Voices (Whim Productions, 2015, 2016, 2018, 2019,2020), The Barn Players’ 6×10 Short Play festival (2018, 2019), Midwest Dramatists Conference (2018, 2019), One-Minute Play Festival (2016), Fishtank Theater’s 12 Plays of Christmas (2014), and other festivals. His work ranges from campy to slice-of-life realism, portrayed through a quirky, queer lens. Kevin also works as an intimacy coach.

    Kevin King joins us to share details about Whim Production’s annual flagship event, Alphabet Soup: Theater from Queer Voices an evening of six short plays written by Kansas City-area LGBTQ writers. Running through April 13, 2025, at Whim Space, 415 Prospect Ave, KCMO, in historic Pendleton Heights. For info visit: http://www.whimproductions.org.

    Kevin King and Zo E. Schmidt welcome to Wednesday MidDay Medley

    Whim Productions’ Alphabet Soup: Theater from Queer Voices returns to Whim Space from April 4-13. Alphabet Soup, Whim’s annual flagship production, is an evening of six short plays written by Kansas City-area LGBTQ writers.

    Alphabet Soup debuted in 2015 as part of the Kansas City Fringe Festival and now returns for its ninth iteration.

    “We’re so excited to bring back Alphabet Soup for a 9th year!” said Kevin King, Whim’s producing artistic director. “The six plays we’re presenting are a great mix of over-the-top narratives and very grounded drama. We can’t wait to share these with audiences!”

    The selected playwrights participate in private workshops facilitated by Kevin King, Whim’s Producing Artistic Director. This allows the plays to develop and builds a community among the writers. The workshops have given production opportunities to people who had never had a production before. In fact, some of the selected playwrights had never written a play prior to being involved in Soup.

    This year’s short plays are:

    The High Who Spied Me by John Adams (he/him): A top-secret agent is sent to America to retrieve a stolen nuclear missile — but finds something even more explosive.

    Pride and Precipice by Camilo Fontecilla (he/him): A mountain hike tests all the limits of Willow and Bree’s relationship.

    Futureproof by Courtney Honors (they/her): Only hours after meeting, two women — one a serial monogamist and the other a doomsday prepper — rush into a relationship and try to make it work despite the looming threat of an armageddon.

    The Space Where We Met by Kevin King (he/him): On the eve of their 10-year high school reunion, Charlie and Melissa have surprising realizations about each other. Turns out, ten years can change everything, including what you think you know.

    Oversteeped Tea by B. Michael McFarland (he/him): What are the consequences of our actions? An estranged brother and sister find out over afternoon tea.

    All the Stars in Cygnus by Zo E. Schmidt (they/them): Love and mortality collide in this poignant farewell as Val grapples with Kitty’s refusal to embrace eternity.

    All plays are presented at every performance.

    Alphabet Soup isn’t just a presentation of plays. Built into it is a script development process that builds the skills of the participating playwrights and strengthens the selected plays. King said that the workshops have paid dividends, both for Whim and the playwrights. Several plays that were developed in Alphabet Soup have been presented across the country. This summer, Kevin King & John Adams will present plays developed by Alphabet Soup at the Valdez Theatre Conference. David Whitner’s play “Tickle Monster, ” from the 2024 festival, will be published by Smith & Kraus in an anthology.

    Tickets are available online at http://www.whimproductions.org and at the door.

    VENUE: Whim Space – 415 Prospect Ave, Kansas City, 64124

    DATES & TIMES:
    Fri. Apr 4th, 7:30 pm
    Sat. Apr 5th, 7:30 pm
    Sun. Apr 6th, 3:00 pm
    Mon. Apr 7th, 7:30 pm
    Fri. Apr 11th, 7:30 pm
    Sat. Apr 12th, 7:30 pm
    Sun. Apr 13th, 3:00 pm

    Doors open 30 min. before show. There is no admission 10 minutes after show starts.

    Whim Productions is dedicated to creating challenging and evocative queer theater. Our mission is to produce works written by LGBTQ+ writers with narratives that center queer characters. We are committed to sharing the diversity of queer lives with Kansas City audiences and providing a platform for LGBTQ+ theater artists to tell their own stories.
    Queer Theater. Whimsical Edge.

    Producing Artistic Director 𝗞𝗲𝘃𝗶𝗻 𝗞𝗶𝗻𝗴 founded Whim Productions in 2011 and has directed, written, & choreographed intimacy in many of our productions. He’s currently tackling the sound design and intimacy choreography for the world premiere of Kissing in the Grocery Store! Kevin’s passion for creating safe, evocative, and inclusive theatre shines in this production.

    Kevin King and Zo E. Schmidt thank you for being with us on Wednesday MidDay Medley

    Whim Production’s annual flagship event, Alphabet Soup: Theater from Queer Voices an evening of six short plays written by Kansas City-area LGBTQ writers. Running through April 13, 2025, at Whim Space, 415 Prospect Ave, KCMO, in historic Pendleton Heights. For info visit: http://www.whimproductions.org.

    For WMM, I’m Mark Manning. Thanks for listening!

    11:53

    1. Jamogi – “DO IT TO ME”
      from: “DO IT TO ME” – Single / Jam Tunes / March 28, 2025
      [Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire.]

    [Jamogi and The Jammers play The Ship 1221 Union Ave. KCMO in the West Bottoms on Friday, April 11, at 8:00pm for the Flew The Coop Sessions Fundraiser.]

    1. Noel Coward – “The Party’s Over Now”
      from: Noel Coward in New York / drg / 2003 [orig. 1957]

    NEXT WEEK, on April 16 – Jaclyn Danger shares details about The Love Note April 18 at Strand Theatre on Troost. AND Zach Phillips returns w/ LIVE music from Lone Stranger.

    Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

    THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

    This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

    Our Script/Playlist is a “cut and paste” of information.
    Sources for notes: artist’s websites, bios, wikipedia.org

    Wednesday MidDay Medley in on the web:
    http://www.kkfi.org,
    http://www.WednesdayMidDayMedley.org,
    http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1090

    WMM Playlist from April 2, 2025

    Wednesday MidDay Medley
    TEN to NOON Wednesdays – Streaming at KKFI.org
    90.1 FM KKFI – Kansas City Community Radio
    Produced and Hosted by Mark Manning

    Wednesday, April 2, 2025

    WMM welcomes Falestine (Fally) Afani as Guest Host & Producer

    This is a special presentation for Arab American Heritage Month. Guest Host & Producer Fally Afani shines a light on Palestinian artists: Dam, Bashar Murad, Saint Levant, Elyanna, MC Abdul, Nemesis, Apo and The Apostles, Mohammad Assaf, zeyne, Rim Banna, Bruno Cruz, Ministry of Dub-Key, El-Funoun Palestine Popular Dance Troupe, 47SOUL, Lana Lubany, and Dana Salah.

    Fally Afani is a Palestinian-American award-winning journalist with a career spanning nearly three decades in media. She has worked extensively in radio, television, newspapers, magazines, and more. Fally’s work has been featured in magazines, newspapers, and television stations across Kansas. She has received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. Fally is also a two-time recipient of the Rocket Grant Award, which helped develop live music and cultural events for her community, including a Community Dabke Dance Circle and Lawrence PRIDE. Currently, she resides in Lawrence, Kansas, where she focuses on music journalism, live events, and photography.

    1. “Main Title Instrumental – It’s Showtime Folks”
      from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
      [WMM’s Adopted Theme Song]
    1. DAM – “Emta Njawzak Yamma”
      from: Ben Haana Wa Maana / DAM- Cooking Vinyl / June 7, 2019
      [DAM’s third studio album. True to their name, which means “everlasting,” DAM has steadily grown and maintained a monumental status in the music world since the mid 90s. Made up of Tamer Nafar, Suhell Nafar, Mahmood Jrere, and Maysa Daw (who joined in 2015), the group drew their foundational inspiration from Tupac and the resemblance between Lydda—the neighborhood they grew up in—and the streets featured in his videos. // DAM is known for its unwavering political statements in its lyrics, which tackle everything from women’s rights to the pressure to marry, from western colonization and interference in the Middle East to the Israeli occupation. // Lead vocalist Daw reminds us, first in a resigned, exhausted tone, and then in a triumphant one, that, as a woman, moreover, as an Arab woman, “Even in the struggle I have double your responsibilities/ If you resist you hurt their Zionism/ If I resist I also hurt their masculinity.” Her lyrics highlight the intersectional oppression that Palestinian women are subjected to, and help to draw the attention of an international audience to two issues which often fall on deaf ears. // DAM is equally quick to point out, however, that misogyny is not simply a Middle Eastern issue, but a universal one, stating, in their song “Prozac” (بروزاك), “Hypocrisy, chauvinism is not a Middle Eastern but a male thing, everyone has a role/ I will deal with the honor killings and you deal with your porn industry.” // DAM fuse traditional Middle Eastern sounds, rhythm and intonation of Arabic-language rap and the unmistakably hip-hop attitude. Formed in 1999 DAM were one of the first acts to popularise rapping in Arabic (although they also rap in English and Hebrew) and have since become renowned for their unique fusion of East and West which combines Arabic percussion rhythms, Middle Eastern melodies and urban hip-hop. Their first single Min Irhabi (‘Who’s the terrorist?’) racked up over 1 million downloads and brought the group to the attention of young people across the Middle East for both their distinctive musical style and the political and humanitarian subtext.]
    1. Bashar Murad – “Intifada On The Dance Floor”
      from: Mascara – EP / PopArabia / June 11, 2011
      [Bashar Murad (Arabic: بشار مراد; was born February 7, 1993. Bashar is a Palestinian singer-songwriter and video artist based in East Jerusalem. His music addresses societal norms, the Israeli occupation, and gender equality in the Middle East. He is best known for his collaboration with Icelandic techno-punk band Hatari on the song “Klefi / Samed”, which was released shortly after Hatari raised banners featuring the Palestinian flag at the final of Eurovision Song Contest 2019 in Tel Aviv. Murad released his debut EP Maskhara in June 2021. // Murad was born in East Jerusalem in 1993, to parents Said Murad and Fadia Daibes. Murad’s father, Said, is the founder of the Palestinian musical group Sabreen, the first Palestinian group of its kind. Sabreen was founded in 1980, and Murad was born during the height of their career. Music helped Murad to overcome the pressure from growing up in an occupied territory. // Upon graduating from the Jerusalem American School, Murad pursued a bachelor’s degree at Bridgewater College, Virginia. In the United States, he realized that not a lot of his co-students knew much about Palestine, yet they wanted to know more about it. This made him realise that he did not want to escape politics and started covering these issues in his music. Since returning to East Jerusalem in 2014 and after publishing several singles in Arabic and English on his YouTube channel, Murad has built an online following. // Murad started his career by uploading cover versions of popular songs on his YouTube channel which he created in 2009. Later, he added a Middle Eastern touch to the songs by using traditional instruments in his covers before he started creating his own songs. He studied at Rimon School of Jazz and Contemporary Music in Israel for a year, and was the first Palestinian from the West Bank to study there. // The majority of his songs are produced by himself in the local record studios of Sabreen Association for Artistic Development. Occasionally, Murad gets grants or other support by organisations and programs, such as the Culture Resource Production Awards Program, that enabled him to produce the song “Shillet Hamal (Bunch of Bums)”. The song is about the feeling of being different and not fitting in. The music video features several people that chose alternative paths of life and can thus identify with this feeling. // For his single “Ana Zalameh (I’m a Man)”, Murad worked together with the United Nations. The UN Women’s “Men and Women for Gender Equality Regional Programme” produced the song which is about the developments of gender roles in Palestine and told from the perspective of a 10-year-old boy. // Murad’s collaboration with the Icelandic techno-punk band Hatari on the song “Klefi / Samed” helped him reach a wider audience. The song was released shortly after the Eurovision Song Contest 2019, which took place in Tel Aviv, and is about the wish for freedom and calls attention to the systematic oppression of Palestinians.[3] Hatari was the only entrant in that year’s contest who openly took a stance on the conflict. // During the Eurovision Song Contest 2019, Murad was part of the protesting artists that participated in the alternative event GlobalVision that was broadcast online during Eurovision week. // In May 2019, Murad participated in the Canadian Music Week in Toronto, Canada. // Murad released his debut EP Maskhara on 11 June 2021, which included four tracks: “Maskhara”, “Antenne” feat. Tamer Nafar, “Intifada on the Dance Floor”, and “Ana wnafsi”. Three years later, he released his second Arabic-language EP, Nafas. // In January 24, 2024, it was announced that he would be among the contestants of Söngvakeppnin 2024, the Icelandic national selection for the Eurovision Song Contest 2024. He competed with the song “Vestrið villt” / “Wild West”,[16] qualifying for the final and ultimately coming second. Amid the Gaza war and calls for Israel to be excluded from the contest, Murad’s participation was the subject of multiple controversies, both with accusations that Icelandic broadcaster RÚV was politicising the event as well as allegations that he was the victim of racism. // Murad resides in East Jerusalem with his younger brother and his father Said Murad, the founder of music group Sabreen. He is openly gay, and has characterized his artistic journey as a struggle against both homophobia in Palestinian society and the Israeli occupation.]
    1. Saint Levant – “Nails”
      from: “Nails” – Single / MDLBEAST Records / May 25, 2023
      [Marwan Abdelhamid (Arabic: مروان عبد الحميد) was born October 6, 2000). Marwan is known professionally as Saint Levant (French: [sɛ̃ ləvɑ̃]; Arabic: سانت ليفانت), is a Palestinian singer-songwriter and rapper. A multilingual artist, he is best known for his song “Very Few Friends”. // Abdelhamid was born in Jerusalem during the Second Intifada to a half-Algerian, half-French mother, Maria Mohammedi, and a half-Palestinian, half-Serbian father, Rashid Abdelhamid, who were both raised in Algeria. His father, the son of a Serbian medical doctor and a Palestinian from Safad who studied engineering in Yugoslavia following his expulsion as a child in 1948, has worked as an architect, hotel entrepreneur, DJ and film producer; his mother, the daughter of a French female pianist and former music teacher at the French lycée in Algiers, has worked for UNRWA. He has a younger brother, named Khaled. // Shortly after Abdelhamid’s birth, the family joined his paternal grandparents in the Gaza Strip, where his parents built a 22-room beachfront hotel in Rimal based on an architectural project by his father, named “Al Deira”. He spent his childhood primarily there, attending the American International School, until the 2007 Battle of Gaza, after which he and his family relocated to Amman, Jordan. He has described the time spent in Gaza as “the best years of [his] life”. // Abdelhamid took up the passion for music from his father and his maternal grandmother, studying piano and saxophone. Growing up, he communicated in French at home, English at school, and Arabic at the Palestinian refugee camp of Al-Wehdat, where he played football with the local team after school. // In 2018, aged 17, Abdelhamid moved to the United States to pursue a bachelor’s degree in International Relations at the University of California, Santa Barbara, from which he graduated in 2022. // Before taking on the name Saint Levant (a pun on “Yves Saint Laurent” and “Levant”), Abdelhamid wrote “Jerusalem Freestyle” and “Nirvana in Gaza”, both of which discussed political issues. Around the same time, Abdelhamid began posting videos on TikTok in which he discussed Palestinian history, as well as commentary on toxic masculinity in Arab culture. // In November 2022, Saint Levant released his trilingual rap track “Very Few Friends”, which was streamed approximately 2 million YouTube views in one month. The song soon became popular on TikTok and Instagram, as well as on Spotify, where it peaked at number 1 in nineteen countries and number 2 in the United States, and reached number 2 on the Global Viral 50 chart. In May 2023, Saint Levant was chosen as Dior’s first fragrance ambassador in the Middle East. The same year, he released the EP From Gaza, with Love. He was named among the 2023 “Men of the Year” by GQ Middle East. In 2024, he signed with Universal Arabic Music (UAM) and released, together with MC Abdul, “Deira”, a song in the chaabi musical style of Algiers dedicated to his father’s hotel in Gaza, which went destroyed in an Israeli bombing in January 2024 during Israel’s war on Gaza; the song featured as the title track on his debut album Deira, containing duets with other artists like Cheb Bilal and Kehlani. Saint Levant performed at Coachella 2024, using his performance to bring awareness to the ongoing war taking place in Gaza. The following 22 May, he was part of the lineup of a Palestine charity concert at Zénith Paris, whose revenue was destined to Medical Aid for Palestinians. // On February 14, 2025, on the occasion of Saint Valentine’s Day, Saint Levant released the EP Love Letters / رسائل حب, divided between a “side A” (Love Letters from Saint Levant) and a “side B” (رسائل حب من مروان, Rasāʾil ḥubb min Marwān), and featuring three unreleased tracks out of six. Three days later, he featured alongside Lourdes Leon in a promotional video for Yves Saint Laurent and Peter Park’s new omakase restaurant Sushi Park Paris. // Early in his career, Abdelhamid co-founded GrowHome, which connects Palestinian entrepreneurs with individuals who can help fund their projects. In early 2022, alongside Stephanie Moukhaiber, he started the 2048 Fellowship – a project providing financial support and mentorship for Palestinian creatives; its name, which was changed to “2048 Foundation” in 2024, references the 100th anniversary of the Nakba. Saint Levant is outspoken on the struggle in Palestine, telling Harper’s Bazaar: “Everything that I do is Israeli-focused and based on the Palestinian cause and struggle, doing a lot of contextualizing […] because I came to America, man, and I realized that a lot of people thought that […] it’s a conflict between these two equal[s who] just hate each other for some reason, [that] Palestinians just hate Israelis. And what people don’t understand is that it’s 80 years of occupation and oppression and displacement and ethnic cleansing so I think it’s very important to just push that forward always and I try to do it through the music; I try to do it through my actions, and everything that I do.” // Following the outbreak of the Israel–Hamas war, Saint Levant has stated that a sense of “survivor’s guilt” has contributed to shaping his artistic production. He identifies as a feminist. // In February 2025, pro-Israel groups and media criticized Yves Saint Laurent’s collaboration with Abdelhamid as a partnership with an “antisemite” (reportedly for “anti-Jewish statements” which included support for the attacks against Maccabi Tel Aviv fans in November 2024), and called for boycotting the brand. // Saint Levant claims inspiration from artists like Wyclef Jean, Cheb Khaled, Fairuz, Marwan Moussa, Lenny Kravitz, Michael Jackson, Stromae, Timbaland, Eminem and Mika. // Abdelhamid is a Muslim. He lives in Los Angeles, though he regularly returns to Amman. Since 2023, he has been in a relationship with French-Haitian singer Naïka.]
    1. Elyanna – “Yabn El Eh (Single Version)”
      from: “Yabn El Eh (Single Version)” – Single / SALXCO UAM LLC / November 20, 2024
      [Elian Amer Marjieh (sometimes credited as Margieh; Arabic: إليان عامر مرجية; born January 22, 2002), known professionally as Elyanna (إليانا), is a Palestinian and Chilean singer-songwriter, merging Arabic music with Latin rhythms to create an experimental Arab-pop sound that has captured a global audience. Born in Nazareth, her musical talents were nurtured by her family, with early influences including iconic figures like Julio Iglesias and Sabah Fakhri, Elyanna’s career took a significant turn when she was discovered at age 15 by Grammy-winner Nasri Atweh. She has released two EPs: Elyanna (2020) and Elyanna II (2022), and one studio album: Woledto (2024). She is currently signed to Universal Arabic Music. Her singles “Ana Lahale”, “Ghareeb Alay”, “Ala Bali”, and “Mama Eh” have all charted on The Official Lebanese Top 20. Elyanna is the first artist to sing in Arabic on The Late Show with Stephen Colbert. She recently sold out The Wiltern in Los Angeles and KOKO in London. // Elian Marjieh was born and raised in Nazareth and is of Palestinian descent. Her paternal grandmother is of Chilean descent. Her mother is a Palestinian poet, and her maternal grandfather is a Palestinian poet and singer who used to perform zajal at Palestinian weddings. Her paternal grandmother is a pianist from Chile, who she frequently visited as a child. // Elyanna began singing at age seven and started posting covers of songs on SoundCloud as a teenager while participating in singing and talent competitions at school. She gained popularity in her community alongside her brother, Feras, who was by her side as a pianist. Feras is now Elyanna’s pianist, producer, and creative director. Her sister, Tali, handles her styling. // In 2017, at the age of 15, she and her family moved to San Diego, California (eventually settling in Los Angeles) to further pursue her musical career after coming across Wassim “Sal” Slaiby on TV. After arriving in the United States, she began posting covers on her Instagram, where she garnered a following of around 300,000 users, and grabbing the attention of musician and producer Nasri Atweh. Nasri would later introduce Elyanna to Sal, and she would spend weekdays in San Diego while driving up to Los Angeles on weekends to work on music with Nasri and Massari.// Elyanna draws inspiration from jazz and blues alongside many household names for families in the Middle East: Dalida, Fairuz, Sabah Fakhri, Abd El Halim Hafez. In 2018, Elyanna contacted singer and producer, Nasri, who took an interest and connected her to his manager, Wassim Slaiby. She was signed to Slaiby’s management company, SALXCO, soon after the two met. She was then mentored by Nasri and fellow singer and producer, Massari. One of her first singles, “Ana Lahale,” featured guest vocals from Massari. That track was on her debut self-titled EP released in February 2020 via ElMar Music, an Empire Distribution imprint. In April 2021, Elyanna was announced as one of the first signees of the newly-formed imprint, Universal Arabic Music (UAM), which Slaiby founded in collaboration with Republic Records and the Universal Music Group. // In 2021, she performed alongside Alnajjar at his concert in Amman, Jordan the following month. In January 2022, she collaborated with Tunisian artist, Balti, on the track “Ghareeb Alay.” In March 2022, she released her second EP, Elyanna II, via UAM. The collection features the single “Al Kawn Janni Maak” (an Arabic version of “La Vie en rose”). Its music video was directed by Caroline “Chuck” Grant, the sister of Lana Del Rey, who ultimately got involved in the project by styling Elyanna. In 2023, the singer made history as the first artist to perform a set entirely in Arabic at the Coachella Valley Music and Arts Festival. // That the same year, her song “Ala Bali” was featured on Netflix comedy-drama series Mo. She also performed at the El Gouna Film Festival and paid tribute to her homeland of Palestine with her single “Olive Branch (غصن زيتون)”. In 2024, Elyanna sold out her debut North American tour and ended it with the announcement of her debut studio album, Woledto, released on April 12 alongside a music video for “Ganeni”. // Boutayna Chokrane praised the record on her review for Pitchfork, stating that it “plays with Arab pop, R&B, EDM, and jazz to express the nuances of love, loss, and longing”. She was positive of the “subtle yet poignant references to identity, displacement, and cultural resilience” as well, as those “underscore [Elyanna’s] sorrow and ferocity”. Moreover, the singer has been featured on the covers of numerous magazines worldwide, including Billboard Arabia, Vogue Arabia, Rolling Stone, Cosmopolitan ME and GQ. On 29 June 2024, she was invited by British rock band Coldplay to perform the songs “We Pray” and “Arabesque” at the 2024 Glastonbury Festival. On July 22, the singer officially announced the Woledto Tour, with concerts in North America and Europe between October and December 2024. Elyanna performed alongside Coldplay for Saturday Night Live on 5 October 2024.]
    1. MC Abdul – “Shouting At The Wall”
      from: Shouting At The Wall / MC Abdul – Empire / June 30, 2021
      [Abdel-Rahman Al-Shantti (Arabic: عبد الرحمن الشنطي; Abdel-Rahman Al-Shantti was born September 14, 2008. He is known professionally as MC Abdul or MCA Abdul is a Palestinian rapper from Gaza, Palestine. He gained popularity when he sang a rap about freedom in front of his school in Gaza which garnered hundreds of thousands of views on social media. As of December 2023, his videos for “Shouting At The Wall” and “Palestine” have received more than 2.1 million views and 1.5 million views, respectively, on YouTube. // Abdel-Rahman Al-Shantti was born in Gaza, Palestine. His mother had surgery to treat CNV bleeding in Egypt around 2007, but Al-Shantti said his mother was not able to maintain the surgery due to the blockade of Gaza by Israel. He started rapping and writing songs at age nine. He began recording cover versions of his favorite tracks and sharing them with friends and online. His family exposed him to artists such as Eminem and fellow Palestinian DJ Khaled, the former of which Abdul considers to be one of his four favourites; the others are NF, Tupac and Jay-Z. He said he would like to go on Arab Idol like fellow Palestinian Mohammed Assaf. // At the start of the 2023 Gaza war, Al-Shantti is living in Los Angeles, although his family, including his younger siblings, are still living in Gaza. // In 2020, Al-Shantti advocated on behalf of Palestinian families in Gaza who were bombed by releasing the song “Shouting at the Wall”. Following the release, he caught the attention of the record label Empire. MC Abdul spoke about the importance of rapping as a tool for coping with challenging times saying “The power that I have in my pen when I’m writing, I am unstoppable. The microphone is the only escape possible”. In 2022, he performs his first concert as part of the FIFA World Cup festivities in Qatar. // In 2024, MC Abdul featured on Saint Levant’s single “Deira” (about the destruction of Al Deira Hotel in an Israeli bombing), which has over 2.5 million streams on Spotify and over 2.9 million views on the music video on YouTube. The track is included in Saint Levant’s debut album Deira.]
    1. Nemahsis – “colored concrete”
      from: Verbathim / Verbaithim / September 13, 2024
      [Nemah Hasan, known professionally as Nemahsis, is a Canadian singer-songwriter from Toronto, Ontario. // Nemah Hasan was born in Ontario, Canada and raised on a farm in the town of Milton. She is the daughter of a Palestinian immigrant. // Hasan began her career on TikTok, posting beauty and fashion videos aimed at Muslim women alongside occasional videos of her singing Adele covers. After being exploited by a company that hired her for an advertising campaign and then failed to pay her, in June 2021 she released her first original single and video “What If I Took It Off for You?”, about social attitudes toward Muslim women who wear the hijab. She followed up with the singles “Paper Thin” in October 2021 and “Dollar Signs” in January 2022, before releasing the EP eleven achers in March 2022. // She followed up with the new non-EP singles “Criminal” in October 2022, and “I Wanna Be Your Right Hand” in February 2023. // In May 2024, She released her first single, “Stick of Gum”, for her upcoming album. The song’s music video was shot entirely in her family’s hometown of Jericho in the occupied West Bank. The single was selected by Spotify editors as one of the best songs of 2024. // On Sept. 13, Hasan independently released her debut album Verbathim. Hasan stated the title “Verbathim is just the word verbatim except someone is grabbing my tongue” to symbolize the censorship she has faced. // On Oct. 12, 2023, soon after the Hamas-led attack on Israel on October 7, the singer shared on social media that she had been dropped by her label, stating “My label just dropped me, a Palestinian artist, for being pro-Palestine”. Her subsequent posts include a rendition of “Team”, by New Zealand artist Lorde, with images from Gaza before and after the bombardments. // The Canadian music magazine Exclaim! named eleven achers one of the 15 best Canadian EPs of 2022. // Hasan & her songwriting colleagues Brendan Grieve and Stevie Solomon were nominated for the SOCAN Songwriting Prize in 2022 for “Paper Thin”. In 2023, the Prism Prize named Nemahsis the winner of the Hi-Fidelity Award for artists using music video in innovative ways. // Verbathim won the Juno Award for alternative album of the year.]

    10:32 – Underwriting

    1. Apo and the Apostles – “Ya Yuma Wen”
      from: “Ya Yuma Wen”- Single / Levantine Music – Apo & the Apostles / November 14, 2024
      [Combining the diverse backgrounds of the members, the band has stemmed a new genre in alternative folk rock with a multilingual twist and an upbeat vibe. // Apo Sahagian is the lead singer of Apo and the Apostles. Apo hails from the Armenian Quarter of Jerusalem’s Old City. // These twenty-something guys tend to sing about “bygone beloveds,” said Sahagian, so it’s not the typical froth of pop songs. // When Apo and the Apostles gather in a Bethlehem garage to rehearse and write, they think about their crowd, whether their fans can belt out the lyrics to a particular song, and if it’s energetic enough to get the crowd going. // “We’re trying to come up with a genre we call party rock,” said Sahagian. “Maybe it’s not the right music for a Tuesday night, but if you want to go out and drink and have a good night, we’re gonna show you a fun time.” // most of its members live near the separation wall around Bethlehem and struggle daily with the realities of life in Palestinian cities. // Sahagian, who is Armenian, lives in Jerusalem and has an Israeli identification card, doesn’t have the same issues. But while he would love nothing more than to perform in Jerusalem’s Yellow Submarine, a snug music club in Talpiot, Jerusalem that is a short,15-minute drive from Bethlehem, he is aware of the political sensitivities of some Palestinians regarding the venue, which is Israeli. // “I wish that I could play one day without any of this political black cloud,” he said. // That’s the reality of being a Bethlehem-Jerusalem rock band. The musicians themselves — Sahagian (vocals, guitars, piano), trumpet player Firas Harb, drummer Pierre Taweel, bass guitarist Amir Handal, guitarist Karim Morcos & bass guitarist Joel Thorpe (who played with the band until 2015) — say they are absolutely apolitical, at least when it comes to making music. // “It’s easier to play Amman or Europe than in Israel,” joked Harb, 29, who works as an accountant and financial consultant when he isn’t blowing his horn. // It’s also easier to perform in the mostly Arab East Jerusalem or in Ramallah, the nearby Palestinian city where they have a solid fan base, often drawing several hundred to a show. – This bio contains several excerpts from the band’s facebook page and an article written by Jessica Steinberg from the Feb. 3, 2016, edition of The Times of Israel]
    1. Mohammed Assaf – “Dammi Falastini”
      from: Muntasib Alqamah Amshi – EP / Mohammed Assaf / October 19, 2015
      [ https://youtu.be/F9czNtvvgvA?si=LBxQWmwIPNGiBqDU Mohammad Jaber Abdul Rahman Assaf was born Sept. 1 1989, He is a Palestinian pop singer well known for being the winner of the 22nd season of Arab Idol, broadcast by the MBC network. His victory received worldwide coverage from the media and was welcomed with joy by Palestinians and the rest of the Arab world. In 2013, Assaf was named a goodwill ambassador for peace by The United Nations Relief and Works Agency for Palestine Refugees (UNRWA). He was also named ambassador of culture & arts by the Palestinian government and was offered a position with “diplomatic standing” by Palestinian President Mahmoud Abbas. Assaf’s story is the basis of the 2015 film The Idol, directed by Hany Abu-Assad. After Arab Idol, Assaf has gone on to enjoy huge popularity in the Arab World and the Arab diaspora and has released two albums and a great number of singles and collaborations. Most of his music is sung in the Iraqi and Gulf dialects. // He was born in Misrata, Libya to Palestinian parents. He lived there until he was 4 years old, when his parents moved back to Gaza, he grew up in Khan Younis refugee camp with a middle class couple where he attended UNRWA elementary school. His mother’s family hails from the village of Bayt Daras, which was captured and depopulated by the nascent IDF in 1948 and his father’s family is from Beersheba. Assaf’s parents moved to Khan Yunis Refugee Camp when he was 4 years old. He is one of six siblings, three of whom, including Assaf, have been involved in performing live music. Assaf’s mother Intisar, a mathematics teacher, has stated that Assaf began singing at the age of five and “had a voice of someone who was much, much older.” Before his role on the television show he was attending Gaza City’s Palestine University majoring in media and public relations. Assaf did not have professional training as a singer; he started his career singing at weddings and other private events. He entered the public view in 2000 during a popular local television program where he called in and sung a nationalist song to the host’s praise. Afterward, he was frequently offered contracts with local record companies. Sometime after his first performance, he sang in a local event in Gaza attended by late Palestinian president Yasser Arafat. // Mohammad Assaf travelled from Gaza Strip to Egypt to audition for Arab Idol. It took him two days to reach Egypt by car due to complications on the border. At the beginning, he had to convince the Egyptian security at the border crossing, where he was stuck for two days, to leave Gaza. Once he reached the hotel where the auditions were taking place, the doors were closed in which they did not accept anymore auditions so he jumped over the wall. After he jumped over the wall, he couldn’t get a number to audition; he sat hopelessly in the hall where other contestants were waiting for their turn. He started singing to the contestants, and a Palestinian contestant, Ramadan Abu Nahel, who was waiting to audition heard him and gave him his number saying, “I know I won’t reach the finals but you will.”// He was given the nickname Asaroukh (“The Rocket”) by Lebanese singer and Arab Idol judge Ragheb Alama. Assaf was acclaimed by the jury and the public. His voice and appearance have drawn comparisons to Egyptian singer Abdel Halim Hafez, which has garnered Assaf both fame and controversy. Fans merged part of Hafez’s name with Assaf’s, as in Assaf Hilm Falastine (“Assaf Palestine’s Dream”). Assaf’s final performance was his own song that was well known before his rise to fame “Ali al-kuffiyeh” (“Raise The Kuffiyeh”), a Palestinian song that called on Palestinians to raise their kuffiyehs (a traditional Arab headdress that has become a Palestinian nationalist symbol) and to unite, in light of the split between the two major Palestinian factions, Hamas and Fatah. Hundreds of thousands of Palestinians had tuned in to watch his performance. On June 22, Assaf was declared the winner of Arab Idol, winning the most votes and coming ahead of two other competitors, Ahmed Gamal and Farah Youssef, from Egypt and Syria, respectively. Massive celebrations by Palestinians ensued after the announcement of his victory, including festivities held on the streets of Gaza City, East Jerusalem, Nablus, Ramallah, Bethlehem, Khan Yunis, Nazareth, Lebanon and Jordan, And when his professional career as an artist began after the title of Arab Idol, he was accompanied by Awtar Band led by The Maestro Yacoub Al-Atrash in Arab and international festivals since then. // While Assaf has normally avoided politics on the show, he has stated “I can’t differentiate between my art and my patriotic attitude.” Assaf condemned the ongoing Israeli occupation of West Bank and the poor living conditions in the Gaza Strip. He also stated that Palestinian prisoner Samer Issawi’s long-term hunger strike protest had inspired him. He frequently performed donning the checkered keffiyeh popularly associated with Palestinian nationalism. // He is highly popular in the Palestinian territories, where the Washington Post notes that the “streets of Gaza empty out” when the show goes on air on Fridays and Saturdays. Throughout the West Bank and the Gaza Strip, large posters promoting Assaf have been hung on residences and shops. A source of pride, Assaf has been able to unite Palestinians’ sympathies in a way that Palestinian political factions have not been able. // Some Palestinian politicians have showed their support for the singer who has been creating a sense of unity among Palestinians, regardless of differing political beliefs. Salam Fayyad, former Prime Minister of the Palestinian National Authority, called on all Palestinians to support Assaf. Palestinian President Mahmoud Abbas had also called for Palestinians everywhere, including the diaspora, to vote for Assaf. Assaf also won support from the late Palestinian leader Yasser Arafat’s daughter, Zahwa, who encouraged viewers to vote for him. // Although prior to his participation in Arab Idol, Assaf stated he had been briefly detained by the security forces of the conservative Hamas party and paramilitary group—which maintains de facto control over Gaza—on over 20 different occasions in an effort to dissuade him from singing, the group has not suppressed Palestinian support for Assaf or viewership of the show. Signaling a shift in attitude, a Gaza-based Hamas MP, Yahya Mousa, lauded Assaf and referred to him the “ambassador for Palestinian art.”]
    1. zeyne – “Asli Ana”
      from: “7arrir 3aqlak” / “Asli Ana” – Single / MDLBEAST – Scarab Records / Nov. 21, 2024
      [From suzannezahr.com: The lyrics Zeyne’s of Asli Ana are a powerful exploration of decolonial themes. They challenge the Western concept of “civilization,” exposing how it has historically been weaponized to oppress, displace, and erase. Zeyne confronts the long-standing colonial narrative, highlighting how it justified the theft of our lands, the erasure of our culture, and the distortion of our history. // The song doesn’t stop at critique; it pushes us to question our internalized colonial norms, even in subtle aspects like dress and self-presentation. The line, “Record, I am an Arab, and I know my origin” moved me to tears. It is a poignant reminder of the resilience required to preserve our identity after decades of diaspora and displacement. // Through poetic verses, Zeyne masterfully encapsulates the struggle to maintain our heritage while navigating a world that constantly demands assimilation. // In 1977, the General Assembly called for the annual observance of November 29 as the International Day of Solidarity with the Palestinian People (resolution 32/40 B). On that day, in 1947, the Assembly adopted the resolution on the partition of Palestine (resolution 181 (II)) // In resolution 60/37 of 1 December 2005, the Assembly requested the Committee on the Exercise of the Inalienable Rights of the Palestinian People and the Division for Palestinian Rights, as part of the observance of the International Day of Solidarity with the Palestinian People on November 29, to continue to organize an annual exhibit on Palestinian rights or a cultural event in cooperation with the Permanent Observer Mission of Palestine to the UN. // The resolution on the observance of the International Day of Solidarity with the Palestinian People also encourages Member States to continue to give the widest support and publicity to the observance of the Day of Solidarity.]
    1. Elyanna – “Callin’ U (Tamely Maak)”
      from: WOLEDTO / Universal Arabic Music / April 12, 2024
      [From song tell.com: “Callin’ U (Tamally Maak)” is a captivating song by Palestinian-Chilean pop sensation Elyanna, featured on her album “WOLEDTO” released in 2023. This track is a unique mashup that combines the essence of Danish hip-hop band Outlandish’s “Callin’ U” with the classic Egyptian hit “Tamally Maak” by Amr Diab, showcasing Elyanna’s ability to bridge cultural divides through music. // The song explores themes of deep longing, emotional connection, and devotion to a loved one, emphasizing the singer’s vulnerability and the need for their presence despite physical distance. // The lyrics of “Callin’ U (Tamally Maak)” are rich with emotion and convey a powerful message of love and yearning. The song opens with a sense of urgency, as Elyanna expresses her need for the person she loves. Lines like “I’m Calling You / With all my goals / My very soul / I’m falling through / In need of you” encapsulate the depth of her feelings. Here, the act of calling is not just a physical action but a metaphor for reaching out emotionally, highlighting the singer’s vulnerability and the weight of her longing. // The repeated phrase “تملّي معاك” (Tamally Ma’ak), which translates to “always with you,” serves as a poignant reminder of the singer’s desire for a constant connection with her beloved. This phrase resonates throughout the song, reinforcing the idea that love transcends distance and time. It emphasizes the emotional reliance the singer has on her partner, suggesting that their presence is integral to her happiness and well-being. // As the song progresses, Elyanna’s dynamic vocals convey a mix of passion and melancholy. The lyrics reflect a struggle to articulate feelings, showcasing the complexities of love and the challenges of maintaining a relationship when physically apart. The emotional weight of the song is further enhanced by the blend of Arabic and English lyrics, which not only broadens its appeal but also deepens its cultural significance. // The fusion of the two songs—Outlandish’s contemporary sound and Amr Diab’s classic melody—creates a unique listening experience that resonates with a diverse audience. Elyanna’s ability to weave these elements together speaks to her innovative artistry and her commitment to celebrating her Arab heritage while appealing to global listeners. The heartfelt atmosphere of the song captures the essence of love’s struggles and triumphs, making it relatable to anyone who has experienced longing for a loved one.]
    1. Saint Levant, MC Abdul – “Deira”
      from: DEIRA / SALXCO UAM LLC / February 23, 2024
      [Deira (stylized in all caps; Arabic: ديرة) is the debut studio album by Palestinian rapper Saint Levant. The album features guest appearances from other Palestinian and international artists, namely MC Abdul, Kehlani, Cheb Bilal, TIF [fr] and Sol Band, with additional backing vocals by Zeyne and Naïka. // The album pays homage to Saint Levant’s diverse cultural background, blending contemporary music with traditional styles as well as mixing English-, French- and Arabic-language lyrics. Thematically, it revolves around the Palestinian right of return and the longing for the country’s liberation, having been described as a “tribute” or “ode to Palestine”. The title track and lead single, “Deira”, performed in the chaabi musical style of Algiers, is dedicated to Saint Levant’s family-owned hotel in Gaza, which went destroyed in an Israeli bombing in January 2024 during Israel’s war on Gaza. The opening track, “On This Land”, performed with the Gazan group Sol Band, incorporates parts of the Palestinian patriotic song and unofficial anthem “Mawtini”, and explores the theme of martyrdom; its title references a poem by Mahmoud Darwish. // The album’s release was preceded by three singles in February, April and May 2024, respectively, and was followed by a tour across Europe and North America between September 22 and December 15, 2024.] 
    1. Apo & The Apostles – “Ansaki”
      from: Rawquha / Chimichanga Records / September 4, 2020

    11:00 – Station ID

    1. Rim Banna, Bruno Cruz, Ministry of Dub-Key – “The Sun of Love – Remix”
      from: R.I.M.I.X. / Kirkelig Kulturverksted / March 24, 2019
      [Rim Banna (Arabic: ريم بنا; 8 December 1966 – 24 March 2018) was a Palestinian singer and composer who was most known for her modern interpretations of traditional Palestinian songs and poetry. Banna was born in Nazareth, where she graduated from Nazareth Baptist School. She lived in Nazareth with her three children. She met her husband, Ukrainian guitarist Leonid Alexeyenko, while studying music together at the Higher Music Conservatory in Moscow and they married in 1991, and got divorced in 2010. // anna first achieved popularity in the early 1990s, after recording her own versions of traditional Palestinian children’s songs that were on the verge of being forgotten. Many such songs and rhymes sung by Palestinian families again today are said to be thanks to Banna’s work in preserving them via her recordings. // Banna composed her own songs and adds melody to Palestinian poetry. Her message was often focused on the suffering of Palestinians, particularly those of the West Bank. Her music is described as “haunting, emotional, at times bordering on kitsch.” She describes her music as a means of cultural self-assertion: A part of our work consists of collecting traditional Palestinian texts without melodies. So that the texts do not get lost, we try to compose melodies for them that are modern, yet inspired by traditional Palestinian music. // In this way, Banna did more than mimic the traditional techniques and representations of the pieces she interprets. She blends them with modern singing styles because, // Oriental singing techniques are mostly ornamental… But my voice is more two-dimensional, thicker. I try to write songs that fit my voice. I want to create something new in every respect. And that includes bringing people elsewhere closer to the music and soul of the Palestinians. She performed live in the West Bank and reached audiences in Gaza through live webcasts. She performed her first concert in Syria on 8 January 2009 and also performed in Tunisia on 25 July 2011. Her first concert in Beirut took place on 22 March 2012. // Lullabies from the Axis of Evil – Banna’s popularity in Europe began after Norwegian music producer Erik Hillestad invited her to participate on the CD Lullabies from the Axis of Evil (2003) and Norwegian singer Kari Bremnes, who also took part on this production in a duet with Rim Banna, invited her to Oslo. Banna accepted the invitation, and the two artists did a show together. // The album, dubbed “a musical antiwar message to U.S. President Bush from female singers in Palestine, Iraq, Iran, and Norway,” brings these women together with others from North Korea, Syria, Cuba, and Afghanistan, to sing traditional lullabies from their lands in duet form with English-language performers whose translation allows the songs to reach a Western audience. // Mirror of My Soul – The Mirrors of My Soul, which was dedicated to all the Palestinian and Arab political detainees in the Israeli prisons, is a stylistic departure from her previous body of work. Produced in cooperation with a Norwegian quintet, it features “Western pop styling” fused
    1. MC Abdul – “Can I Live”
      from: “Can I Live” – Single / MC Abdul – EMPIRE / December 16, 2024
      [The repeated refrain of “Can I live, can I live” expresses a sense of pleading and longing for the freedom to simply exist and pursue a fulfilling life. The singer, who identifies as a Gaza kid, is yearning for the opportunity to live on their own terms, free from the constraints and challenges that may come with their environment or circumstances. This desire for autonomy and independence is underscored by the repetition of the phrase, emphasizing the importance of being able to thrive and follow one’s dreams. // The lyrics further delve into the struggles and aspirations of the singer, who describes themselves as a young Gaza kid with a unique talent for rap. Despite facing judgment from others, particularly their friends who may view them as eccentric or unconventional, the singer remains dedicated to honing their craft and making a name for themselves in the music industry. The reference to being in a “4 door spinning like a yo-yo” suggests a whirlwind of activity and motion, perhaps symbolizing the fast-paced and unpredictable nature of their life. // As the song continues, MC Abdul paints a picture of resilience and determination in the face of adversity. The mention of having bright plans for the future, despite facing criticism and negativity from others, speaks to the artist’s unwavering optimism and belief in their own potential. The defiance in lines like “My music so loud the police showed up, then we turned it back up” conveys a rebellious spirit and a refusal to be silenced or held back by outside forces. // Ultimately, “Can I Live” serves as an anthem of empowerment and self-assertion, with MC Abdul asserting their right to pursue their ambitions and live life on their own terms. The song captures the universal desire for freedom, self-expression, and success, resonating with listeners who may also be striving to overcome obstacles and carve out their own path in the world. Through its energetic and defiant tone, the track encourages resilience, perseverance, and the belief that one can indeed live and thrive despite the challenges they may face.

    MC Abdul – “Can I Live” Lyrics

    Can I live, can I live
    Can I live, can I live yea
    Can I live, can I live
    I’m just a Gaza kid u
    Can I live, can I live
    Can we live, can we live uh
    Can I live, can I live
    I’m just tryna do it big yea

    Young Gaza kid and I came with the cold flow
    Rap all day and my friends think I’m loco
    See my outside yea they wanna take my photo
    Yea I’m in 4 door spinning like a yo-yo
    Yea, I got plans to grow up
    My future so bright, they hating so what
    My music so loud the police showed up
    Then we turned it back up
    We just tryna have a good time
    A good life gotta get mine
    MC yea I kick rhymes
    Filastine yea I’m big time

    Can I live, can I live
    Can I live, can I live yea
    Can I live, can I live
    I’m just a Gaza kid uhh
    Can I live, can I live
    Can we live, can we live uhh
    People were interested in these podcasts

    Can I live, can I live
    I’m just tryna do it big yea

    1. Saint Levant – “From Gaza, With Love”
      from: From Gaza, With Love / 2048 / March 6, 2023
      [Dashing good looks and ample talent make a formidable combination! Saint Levant (Marwan Abdelhamid) has both. He is a musician on an upward trajectory. One of the things that makes Abdelhamid so special is his diverse background: Palestinian, French, Algerian, and Serbian. Woo! Furthermore, he raps in multiple languages: English, French, and Arabic. On his 18-minute, debut EP, From Gaza, With Love, Marwan showcases incredible potential over t“Very Few ds”. // “From Gaza, With Love” keeps things ultra-compelling. I love the middle eastern sound effects within the backdrop which are fitting given his heritage. There is a marvelous percussive component to the title track, which clocks in under two minutes. Even so, the aesthetic – the vibes – remain potent to the nth degree. Abdelhamid maintains his poise, never getting too high or too low. Once more, there are some memorable bars in the mix (“Somebody tell Bella Hadid / Let’s change that to Abdelhamid / And I don’t mean to come off too strong / Bs il asil fala7i”), and of course, Arabic and French too!]
    1. Elyanna, Balti – “Ghareeb Aaly”
      from: Elyanna 2 / Universal Arabic Music / March 4, 2022
      [From songtell.com: The song “Ghareeb Alay” by Elyanna & Balti tells the story of a relationship that started when they were young and innocent. The lyrics describe how their days were sweet and free from jealousy. However, as time goes on, the singer feels that the other person has lost their sense of satisfaction and is always in a state of confusion. They also mention that others have referred to the narrator as a “superstar.” // The chorus repeats the phrase “day by day, night by night” and emphasizes the singer’s longing for the other person who has become a stranger to them. The repetition of “Ghareeb Alay” further expresses the feeling of distance and unfamiliarity. // In the second verse, Balti expresses his deep connection to the other person, stating that their hearts are close, even if physically separated. He emphasizes that their love surpasses societal expectations and boundaries, mentioning his Tunisian background and the Arab heritage of his beloved. Moreover, he highlights his unwavering commitment to the Palestinian cause. // The chorus repeats again, emphasizing the yearning and confusion between the two individuals. The lyrics mention the challenges they face in life but reassure each other of their constant presence and loyalty to one another. // The bridge emphasizes the enduring love and companionship between the narrator and their beloved. It portrays their ability to navigate both joy and hardship together. The lyrics convey the idea that the world consists of both pleasant and difficult times, and that some people can be strange and unpredictable. The narrator expresses their willingness to face any obstacles and endure hardships alongside their beloved. // Overall, “Ghareeb Alay” reflects the complexities of love and relationships over time. It conveys a sense of longing, confusion, and deep connection between two individuals who find solace in their ability to navigate life together.]
    1. El-Funoun Palestine Popular Dance Troupe – “Take me to Palestine”
      from: Zajel / El Funoun / August 24, 2014
      [El Funoun Palestinian Popular Dance Troupe (فرقة الفنون الشعبية الفلسطينية) is a Palestinian dance troupe that was established in 1979. They are also called El Funoun Palestinian Popular Dance Troupe. They currently are based in Ramallah and have a direct mission to “resist the genocide of their people and culture.” As of 2021, the dance troupe has between 50 and 230 volunteer members of men women and children. Their members are also both Muslim and Christian. El Funoun translates to ‘The Art’. // Through the choreography of their dances, they aim to represent Arab-Palestinian traditions. While they perform Dabke, a traditional folkloric dance, they also choreograph different types of dance that also encompass their mission to share their vision of Palestinian dance. Their dances have roots in traditional dances that historically were performed at celebrations and weddings and adapts them for the current context. They aim to appeal to the younger audiences as well and in doing so bring Palestinian culture into the present and let it evolve. They aim to preserve and engage with Palestinian history and traditions through dance and choreography and through performance. Their work in preserving Palestinian culture and creating spaces for Palestinians to engage with their traditional culture and dance through performances, is in opposition to Israeli suppression of Palestinian expression since the Nakba in 1948. // El Funoun’s first performance was at the Dabke Festival in Birzeit University in 1979. Since 1979, El Funoun has performed over 1,000 times at various venues and festivals, as well as produced shows that bring traditional Palestinian folkloric dance with contemporary dance. Originally, El Funoun consisted solely of male dancers, but in 1981 the group opened itself up to female dancers, which attracted some criticism due to its breaking of cultural norms. The group originally focused solely on dabke, but have since expanded to include other dance styles, as well as performances that mix traditional and contemporary choreography. // In 1986 El Funoun established the “Palestinian Folklore Day”, which is an annual celebration that happens every year on October 7 and is celebrated all over Palestine. The dance troupe was also instrumental in establishing the Popular Arts Centre (PAC) in Al-Bireh in the West Bank in 1987, which aims to raise awareness about the arts and create opportunities for community members to participate in the arts. // In the mid-1990s, the group’s mission shifted from preservation of Palestinian cultural identity to development of a contemporary Palestinian identity. // From 1992 to 1999 El Funoun dance troupe performed at the Palestine International Festival. In 1997, the dance troupe received the Palestine Award for Popular Folklore. // In 1997, the group staged Zaghareed, which followed a modern Palestinian wedding. // In 2004, the group collaborated with the Belgian group les Ballets C de la B. // In 2011, the group collaborated with choreographer Yoshiko Chuma. A performance based on the collaboration was staged in New York City in 2012, with two members of the troupe participating. // El Funoun is popular in Palestine and in previous performances would have between 1,000 and 3,000 people at their performances. During COVID-19, they did virtual dance performances. // El Funoun has performed and hosted workshops abroad, in places like Ireland, Malta, and the United Kingdom. They have toured in the United States twice, in 2006 and in 2016.]
    1. Saint Levant, 47SOUL, Shadi Qasem AlNajjar – “DALOONA”
      from: DALOONA / SALXCO UAM LLC / November 25, 2024
      [From: http://www.cosmopolitanme.com by Farwah Bukhari (Nov 26, 2024) Mr Saint Levant has released a new track called Daloona, which features artists 47Soul, Shadi Borini, and more. We are also blessed with a music video directed by Gazan filmmakers Tarzan and Arab Nasser. // Daloona is an ode to his Palestinian roots and a celebration of the people’s resilience through difficult times. It’s an upbeat track that reflects the Palestinian identity through the joy experienced at a wedding. // Saint Levant said about the single: “Right now, we’re suffering immensely. And because of this, to the public and unknowing eyes, the world sees a dark, sad, and partial reality. Just like everybody else in the world, we have moments of joy. People are still getting married. People like SOL Band in GAZA are keeping this joy alive. I just want to show that we Palestinians can have joy, that this community exists, and that there is PRIDE in this identity”. // Saint-Levant, real name Marwan, has Palestinian-Algerian roots and is a multi-lingual rapper. // He was born in 2000 in Jerusalem during the second intifada and spent his childhood in the Gaza Strip until 2007 when his family relocated to Jordan. // He now lives in LA and performed at Coachella earlier this year. At Coachella, he turned his performance into a powerful tribute to Palestine.]

    11:28 – Underwriting

    1. 47SOUL – “Don’t Care Where You From”
      from: Shamstep – EP / Cooking Vinyl / June 17, 2015
      [47Soul is a Palestinian Jordanian electronic music group who are one of the main forces behind the Shamstep electronic dance music movement in the Middle East. The band’s first album, Shamstep, was released in 2015. // The group formed in Jordan in 2013. Their debut album Shamstep was released in 2015. In 2017, 47Soul released their second album Balfron Promise, which takes its name from the east London tower block Balfron Tower, where the record was created. It also refers to the Balfour Declaration of 1917 through which the British government committed itself to the creation of a Jewish homeland in Palestine. The group had been residents of Balfron Tower for two years while creating their album. The album received 4 out of 5 stars in a January 2018 review in The Guardian. // The band played at festivals in 2018 like Walthamstow Garden Party, Fusion festival and Festival Med. and NYU Abu Dhabi’s Barzakh festival. // On August 26, 2019, NPR released a YouTube video of 47Soul appearing on their “Tiny Desk Concerts” series. // IIn January 2020, electric guitar player and band member Hamza Arnaout announced his departure from 47Soul citing the need to focus on creating music without the pressure to constantly perform live. // Band members: Tareq Abu Kwaik on vocals, darbuka, electronics – known independently as El Far3i; Ramzy Suleiman on vocals, synthesiser, keyboard – known independently as Z the People; Walaa Sbait on vocals, bass drums. Past member(s): Hamza Arnaout on electric guitar – known independently as El Jehaz. // 47Soul’s style, Shamstep, is based on mijwiz (a levantine folk musical style) and electronic dance. “Shamstep” is a portmanteau: ‘Sham’ refers to the levant region, which is locally referred to as “Bilad al-Sham”, and ‘step’ refers to the musical style dubstep. The band’s music is also associated with the traditional dance called Dabke.]
    1. DAM, Brother Ali – “Overdose”
      from: Overdose from the Netflix Series Mo / Cooking Vinyl / Aug, 10 2022
      [Rapper and activist Brother Ali is known for his dramatic delivery and passion for social justice, with songs rooted in everyday experience, expressions of tolerance, acceptance, and spirituality, and in critiquing racism, the excesses of political power, and everyday economic struggles. His 2003 album, Shadows on the Sun, put him on the map. In 2007, his poignant and forceful The Undisputed Truth hit the Top 200. While 2012’s Mourning in America and Dreaming in Color, addressed white privilege and the country’s longstanding wars. In 2016, Ali endorsed and performed actively for Senator Bernie Sanders, and a year later, in the aftermath of Donald Trump’s election to the presidency, he released All the Beauty in This Whole Life, recordings that actively addressed family, his role as a father, and spiritual practice. Kicking off the 2020s, he issued Secrets & Escapes, moved to Istanbul, and recorded Love & Service. // Born Jason Douglas Newman in Madison, Wisconsin, Ali spent much of his life living in various cities in Wisconsin, Minnesota, and Michigan, where he was first introduced to breakdancing and graffiti and rapping. Eventually, his demo tape, Rites of Passage, made it into the hands of the young Rhymesayers crew, who signed the MC and brought him along with them to the 2000 Scribble Jam, where Ali was a finalist. In 2003 his debut, Shadows on the Sun, produced by Atmosphere’s Ant and including a song (“Forest Whitaker”) that spoke of his albinism and blindness, came out, followed by the Champion EP in 2004. The next few years were tough for Ali, a follower of Warith Deen Mohammed, and a devout Muslim since he was 15, as he was dealing with a divorce and struggling for custody of his son. However, all of this just provided fodder for his music, and in the spring of 2007, Brother Ali’s sophomore album, The Undisputed Truth, hit shelves and became his first Billboard 200 entry. His 2009 effort Us advocated a return to true hip-hop; it was followed in 2012 by the more political-minded Mourning in America and Dreaming in Color. In 2017, following a lengthy break between releases during which he performed at Rhymesayers’ 20th anniversary concert, Ali issued the Ant-produced All the Beauty in This Whole Life, one of his deepest and most uplifting works. // In January 2020, Brother Ali released Secrets & Escapes. The set was the result of three sessions in a Venice, California garage with Evidence. The DJ/producer chopped up records on old-school samplers and ran them through a two-track compressor so they couldn’t be rearranged or mixed. He freestyled rhymes without organizing them into songs. Any time the two assembled something that they’d done before, they threw it away and started anew. Talib Kweli, Pharoahe Monch, and C.S. Armstrong all had guest spots. The opening track, “Abu Enzo,” sampled a teaching by Sheikh Habib Umar ibn Hafidh in Arabic; Hafidh is an influential Yemeni Islamic scholar from Tarim. Known for his opposition to extremism, he promotes a traditional, tolerant, inclusive brand of Islam that resonates with Brother Ali’s spiritual world view. // In 2021, Ali parted ways with longtime label Rhymesayers, moved to Istanbul, and started his own label, Travelers Media. He issued a collection of one-minute songs dubbed Brother Minutester, Vol. 1 and recorded a full-length, Love & Service, which was accompanied by an animated film of the same name. ~ Marisa Brown]
    1. Lana Lubany – “NAZARETH”
      from: NAZARETH – Single / AWAL Recordings / September 19, 2024
      [Lana Lubany is a UK-based Palestinian-American artist who is currently on the rise after her track, ‘THE SNAKE’ which is the first track she ever sang in Arabic and English. She first got into the limelight after a TikTok video where she sang the song to her mom went viral. Her mom supportively commented after hearing the song, “Finally! You See? It’s on a whole other level”. Since her song THE SNAKE burst into the mainstream, she has been making incredible strides in writing and releasing music. In this article, we take a closer look into her life, career, and lifestyle. // Lana’s journey in the world of music began in the heart of Palestine, where her childhood home resonated with the sweet melodies of her upbringing. An early bloomer in the world of songwriting, Lana started crafting her musical tales at the tender age of 11. Her parents, bless them, recognized her talent, and provided unwavering support, nurturing her gift. Her path took an interesting twist when she became a member of a peace choir, granting her the opportunity to perform in front of esteemed figures, including the former US President, Barack Obama. It was a remarkable experience that fueled her passion. // In 2013, Lana took center stage for the first time as a solo performer during the Nazareth Christmas Market event. The following year, she graced the Bethlehem Christmas Market with her own full-hour performance, cementing her presence in the local music scene. ]
    1. Lana Lubany – “THE SNAKE”
      from: THE SNAKE / Levantine Music / February 22, 2022
      [After her high school graduation in 2015, Lana embarked on a digital journey, sharing her musical talents on YouTube through cover songs. Simultaneously, she delved into her original compositions, driven by her early love for mystery and horror books and films. Her debut single, “One Of A Kind,” released in January 2017, garnered praise and a growing fanbase. Teaming up with producer “Dushii,” Lana kicked off the creation of her debut EP in April 2017. Nearly a year later, her first EP track, “Still Love U Call Me,” saw the light of day. // In pursuit of her musical dreams, Lana relocated to the United Kingdom in 2017, finding a new home in the vibrant city of London. She perceived the city as a haven for emerging artists, firmly believing that her big break was waiting in the bustling capital. // It was the release of “THE SNAKE” that marked a turning point in Lana’s career. This track, she asserts, truly encapsulates her essence as an artist. Its success propelled her into stardom, establishing her as a unique talent who effortlessly weaves Arabic and English into her music. Lana draws inspiration from luminaries like Rosalia and Billie Eilish, infusing her songs with atmospheric and visionary qualities, while imbuing her lyrics with purpose and storytelling prowess. With a knack for crafting fresh and catchy melodies, Lana’s music paints a vivid sonic landscape that captivates her audience. Similar artists to Lana include Dizzy Fae, Bloody Civilian, and Aldrch. // Lubany is 26 years old. She was born on November 3, 1996, in Jaffa, Israel. Many consider her quite young for her achievements and have claimed that she is headed in the Billie Eilish direction of being an alt-pop sensation. // Lana stands at a height of 5 feet 6 inches. She has long, dark hair and a very cute face. A true fashionista, Lubany not only keeps up with the latest fashion trends but also makes impressive fashion statements with her dress, which is at all times elegant, stylish, trendy, and exquisite. She has a model-like physique characterized by long legs, a flat tummy, and beautiful curves, which make her a sight for sore eyes..]
    1. Dana Salah – “Weino”
      from: Weino – Single / Dana Salah / August 12, 2021
      [ana Salah (Arabic: دانا صلاح, Levantine Arabic pronunciation: [ˈdæːnæː ˈsˤlˤɑːħ]; born 1989) is a Jordanian singer, songwriter and producer of Palestinian descent. // Salah was born and raised in Amman, Jordan, where she started writing music at the age of 9. As a child, she was diagnosed with ADHD. Following her education at Duke University, North Carolina, she pursued her music career in New York City. // Under the stage name King Deco, Salah started her career as a DJ in Brooklyn and as a songwriter for other artists and TV advertising, with one her songs featuring in a Maybelline commercial. She also briefly worked as a model for Bobbi Brown Cosmetics. Her 2017 single “Move That Body” garnered over 11 million streams on Spotify, reached #6 on the US iTunes Dance charts, and peaked at #25 on the Billboard Dance charts. // In 2021, during the COVID-19 pandemic and following the success of her 2019 single “Castaway”, Salah returned to Jordan and released her first Arabic single, “Weino”, under her own name, incorporating sounds of the daf and other traditional Arab instruments. It generated over 1 million views in 3 months on YouTube and was added to more than 1000 personal playlists on Spotify. In 2022 Salah became a Spotify Equal ambassador, making her the first female Jordanian artist to be featured on a billboard in Times Square. // In October 2023, in response to the Gaza genocide amid the Israel–Hamas war, 25 Middle Eastern and North African artists, including Salah, collaborated on the single “Rajieen”. She also released her single “Ya Tal3een” based on the coded Palestinian folk song “Yā Ṭāliʻīn ʻalā l-Jabal” (يا طالعين على الجبل), traditionally sung by women to men jailed in Israeli prisons.]
    1. Dana Salah – “Ya Tal3een”
      from: Ya Tal3een – Single / Dana Salah / December 27, 2023
    1. Noel Coward – “The Party’s Over Now”
      from: Noel Coward in New York / drg / 2003 [orig. 1957]

    Next week on April 9 – We welcome Til Willis who’s band Til Willis & Erratic Cowboy who play an Album Release Show for their new album, Glass Cactus, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.

    At 11:00 we’ll talk with Heather Pontonio of Artist Thrive! and Jose Faus, and Elizabeth Bowman, and Chico Sierra who will share details about the big Artist Thrive! Conference coming to Kansas City on May 6 through May 8.

    AND at 11:30 we talk with Kevin King from WHIM Theatre about Whim Productions’ annual flagship production, Alphabet Soup: Theater from Queer Voices April 4-13. an evening of six short plays written by Kansas City-area LGBTQ writers.

    Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

    THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

    This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

    Our Script/Playlist is a “cut and paste” of information.
    Sources for notes: artist’s websites, bios, wikipedia.org

    Wednesday MidDay Medley in on the web:
    http://www.kkfi.org,
    http://www.WednesdayMidDayMedley.org,
    http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1089

    WMM Playlist from March 26, 2025

    Wednesday MidDay Medley
    TEN to NOON Wednesdays – Streaming at KKFI.org
    90.1 FM KKFI – Kansas City Community Radio
    Produced and Hosted by Mark Manning

    Wednesday, March 26, 2025

    WMM presents: Stephonne + Danielle Ate The Sandwich + The Fur and The Fang

    1. “Main Title Instrumental – It’s Showtime Folks”
      from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
      [WMM’s Adopted Theme Song]
    1. Debbie Friday – “1/17”
      from: “1/17′ / Sub Pop Records / March 20, 2025
      [Debby Friday is sharing “1/17”, an anthemic and salacious new dance pop single for 2025, available now worldwide from Sub Pop and in Canada from Royal Mountain Records. // Written and produced during a whirlwind European tour, “1/17” marks an exciting evolution for Debby Friday as she unveils a softer, more playful side of her artistry. Featuring hypnotic vocals and cheeky lyrics with nods to ancient Greece and nude selfies, the track exudes charm and lightness. With threads of experimental dance-pop woven seamlessly throughout, “1/17” is a refreshing addition to Debby Friday’s sonic world and a promising kickoff to her new era. // “1/17” was produced by Friday and Darcy Baylis, mixed by Alex Gamble, with assistance by Taylor Finnigan, and mastered by Levi Seitz. // Its soaring and singular shot official video is directed by Friday and frequent collaborator Kevan Funk (“WHAT A MAN,” “SO HARD TO TELL”), and filmed at Toronto’s historic Massey Hall. // Friday says of the visual, “It’s based on an amalgamation of two experiences that I had. The first was when I won the Polaris Prize at Massey Hall, which felt like a peak moment in my career. The second was when, nine months later, I played a festival show to absolutely no one in the audience. I’ve spent the past year detaching myself from the highs and lows of this business and trying to see everything as a sign. Of what? I don’t know. But I’m sure in the end, it’ll all mean something.”]
    1. Billie Marten – “Feeling”
      from: Dog Eared / Fiction Records / July 18, 2025
      [New Single from Billie Marten’s 5th LP DOG EARED. Dog Eared is a warm, rich and textured record that bristles with confidence and self-belief, with Billie already approaching the prolificacy of a “lifer” with so much life left to live. It’s a left turn from her previous recordings, albeit a subtle one, taken with a deftness of touch. A musician embracing change, while staying true to her core self. There’s a certain strength of conviction here that finds its voice more prominently in the extensive pool of her acclaimed American contemporaries, of which she now surely stands shoulder to shoulder with. With Dog Eared, Billie calmly posits herself at the top of the tree of not just British contemporary folk artists, but with British songwriters at large. // Of the record’s opening number, “Feeling”, Billie explains: “I’ve discovered that I have a really particular long-term memory: I have specific sensory recollections from when I was two onwards, that I can recall easily now. One of these is marking out roads in my grandmother’s patterned carpet, for my Dad’s old 1950/60s toy cars to drive on. I used to trace patterns in everything: fabric seats at the dentist, carpets, wallpaper and walls, raindrops on car windows. Everything had a pattern to be noticed.” // “Another strong memory is the feeling of big, warm hands when you’re a child and how comforting and safe that feels. The notion of age being so far away from you, but you know it’s a future inevitability, and that you’re on your way there. The inarticulateness of that ‘feeling’ you can’t describe yet, but you’re aware of a push in the world that you don’t yet understand.” ”Feeling” is really set alight by Núria Graham’s guitar part, the one you hear from the outset. It sparks the album info life and really sets a benchmark in terms of rhythm. This is an album of rhythmic focus.”]
    1. Yukimi – “Peace Reign (Radio Edit)”
      from: For You / Ninja Tune / March 28, 2025
      [Debut Solo Album from Yukimi, the celebrated vocalist and co-founder of Grammy-nominated band Little Dragon, shares her new single “Peace Reign.” A hopeful song about believing and striving for a peaceful world, the song starts with a sweet message from Yukimi’s son, “you have to believe it for it to come true, it’s right in front of you.” This is the latest offering from her debut album For You due March 28th via Ninja Tune.
      “Peace Reign is about not giving up on the dream that this world can be a peaceful place. Believing in hope and a brighter future for the generations to come,” says Yukimi.
      Her debut solo album sees her step away from a band formation to create some of her most beautiful and intimate work to date: both intensely personal and brilliantly relatable. On For You, Yukimi elegantly entwines musical styles from jazz, soul and electronic pop to hip hop, roots and psychedelia, but the themes of her solo songs dig deeper than ever, across love, loss, feminine energy and innate resilience. // For You will include previously released singles “Stream of Consciousness” featuring British singer-songwriter Lianne La Havas. The collaboration marks Yukimi’s first time writing and creating music with another woman, which allowed her to fully delve into her feminine energy; “Sad Makeup,” which was written “about those days when you try to push down and control a sad feeling” says Yukimi; “Winter Is Not Dead,” inspired by those long, dark winters in Scandinavia; and the self-empowering debut single “Break Me Down” which was also in collaboration with Lianne La Havas and Little Dragon bandmate and long-time friend Erik Bodin.//Reflecting on For You, Yukimi shares: “I want this music to really be a force to connect people to each other, and step away from the madness of everything on the planet right now. And I’m excited about embarking on that journey on my own – the expression really feels pure.” // To celebrate the album’s release, Yukimi will embark on a full North American tour beginning in April, making stops in major cities including New York, Toronto, Chicago, Portland, San Francisco, and Los Angeles. Full tour details and ticket information can be found at https://yukimi-music.com/. // Renowned for her distinct and graceful voice, Yukimi has captivated audiences since co-founding Little Dragon in 1996. With the band, she has performed on some of the world’s biggest stages, from Coachella and Glastonbury to NPR’s Tiny Desk—while collaborating with an impressive roster of artists, including Mac Miller, Kali Uchis, Gorillaz, JID, KAYTRANADA, Flume, and De La Soul. Her ability to transcend genres and craft deeply moving music has cemented her status as one of the most compelling voices in contemporary music.]
    1. The Faint – “Desperate Guys”
      from: Wet from Birth / Saddle Creek / September 14, 2004.
      [Wet from Birth is the fourth studio album by The Faint, formed in Omaha, Nebraska, the band consists of Todd Fink, Graham Ulicny, Dapose and Clark Baechle. The Faint was originally known as Norman Bailer and included Conor Oberst (of Bright Eyes, with whom The Faint toured in 2005). He quit shortly after the band was formed, though the Faint continued to share a spot with Bright Eyes on Saddle Creek Records. // The band originally consisted of Clark Baechle, Todd Fink (formerly Todd Baechle), and Joel Petersen. Growing up, Fink, Petersen, and Baechle skateboarded in their free time, until Fink developed knee problems, which shifted their hobbies towards making music. They signed to Saddle Creek Records and released a few singles, but were unable to establish widespread sales. After adding Matt Bowen, the Faint released Media. At the end of 1998, Jacob Thiele joined the band, and shortly thereafter, Matt Bowen was replaced by Ethan Jones. They toured the U.S., playing what would become the songs that would comprise the next album, Blank-Wave Arcade, which had a more dance and techno-influenced sound and was an underground hit. Before recording the album, however, Jones left the band and was replaced on bass guitar by Joel Petersen, who played both bass and guitar on the album. Partway through the creation of Danse Macabre, the Faint added Dapose, a death metal guitarist formerly of LEAD. Their next album, recorded with Mike Mogis and released in 2004, was called Wet from Birth. Conor Oberst claimed in an August 2020 interview with Pitchfork Magazine that The Faint were offered a major label record deal, but turned it down out of loyalty and commitment to Saddle Creek, which at the time was still a collaborative project between members of The Faint, Cursive and Bright Eyes. // In May 2008, the Faint announced that they had split from Saddle Creek, and that their fifth studio album would be self-released under their own label, blank.wav. The album, entitled Fasciinatiion, was released on August 5, 2008, in the U.S. The first single from the album was “The Geeks Were Right”, which was released on Boys Noize Records. It was also announced that the band would tour North America with British electronic group Ladytron during the spring. // Since the release of Fasciinatiion, two of the band members, Clark Baechle and Todd Fink have been quietly, with little advertising, performing under the name Depressed Buttons, playing remixes of other artists, and DJing for various small clubs and venues. // The band performed an original song “Teach Me Teacher” on the children’s show Yo Gabba Gabba! in the third-season episode “School”, which originally aired September 19, 2010. // On October 30, 2012, Saddle Creek Records released a deluxe edition of Danse Macabre with the original album remastered, bonus and unreleased tracks, and a DVD of archival footage, live projections from that era’s tour dates, and live footage. The band announced that it would play Danse Macabre in its entirety along with fan favorites during a tour of 24 cities across North America. // In 2016, Graham Ulicny (of Reptar) replaced Jacob Thiele on keyboards. Thiele died on February 13, 2020.]

    [The Faint play The Warehouse on Broadway, 3951 Broadway Boulevard, KCMO on Friday, March 28 at 8:00pm with special guests Plack Blague]

    1. Honeybee – “i wish i knew you then”
      from: “i wish i knew you then” – Single / Honeybee / March 28, 2025
      [New honeybee single from their upcoming EP “midtown girl”, to be released on June 6, 2025. // The track was written by the songwriter and lead singer, Makayla Scott, who wrote to us, “i wish i knew you then is inspired by all the stories Al (honeybee bass player and Mak’s partner) has told me about their life prior to us getting to know each other. Sometimes when we are reminiscing and giggling about the past, I get hit with a big wave of fomo – sad i’ve missed out on so much. but they always say that the timing of our relationship is perfect and that they’re glad we met when we did. Still, I would have LOVED to hang with kid AL and play horses or dogs or any of the 2000s era Madden games!” // Honeybee released their EP Saturn Return on March 29, 2024 part of WMM’s 120 Best recordings of 2024. // Honeybee started as the solo project of Singer/Songwriter Makayla Scott and now include 3 or 4 of her friends umping in… Honeybee released the songle “I Know What Love is” on January 27, 2023. Makayla Scott also played with the band Blue False Indigo Makayla Scott studied music at Drury University graduating in 2017. Honeybee played Manor Fest 6 at 6:30 PM at Arizona Trading CO. 1722 Oak Street KCMO with The Highwater, and Jass.]
    1. David Luther – “Wrecking Bay”
      from: “Wrecking Bay”- Single / David Luther / March 28, 2025
      [David Luther released the first single “Smile About Something” on January 21, 2025. David Luther released the 2d single, “If Love Just Ain’t Enough (feat. Garrison Starr) on February 28, 2025. all singles off of David’s upcoming album EWHO YOU ARE expected April 25, 2025. // David Luther Broxterman recorded his first self-titled EP in 2009 with Nashville producer Neilson Hubbard. The EP featured backing vocals from Americana artist Garrison Starr. This experience was the catalyst that would send him on his path to a music career, gigging part-time to begin with while working full-time as a social worker. // In 2020, during the heart of COVID-19, David knew it was time to embrace becoming a full-time musician.. Stepping away from social work and side jobs, especially as a single father of two boys, was a faith move then. During this time, David collaborated with David George and Pat Tomek on his EP Take Me Home, which was released in 2022. The EP included the anthem Home To Kansas City and World’s Gonna Change, a song co-written by David, Brandon Mashburn, and Academy Award and Golden Globe-winning songwriter Tom Whitlock. George and Tomek’s dedication and artistry to the project, along with the exceptional musicians and singers, inspired David. Shortly after, David worked with his sister Anna Taylor and producer Brandon Mashburn on the single I Will, released in 2023, a song to draw attention to things that unite rather than divide us. // In July 2024, David again joined Neilson Hubbard, studio musician Juan Solórzano, and engineer Dylan Alldridge in their East Nashville studio to record a new full-length Americana album. The album, Who You Are, features partner Kelly Dougherty on several songs and Garrison Starr on If Love Just Ain’t Enough. The songs on the LP are a journey of David’s songwriting, many coming from painful places in the past and leading up to the last song he finished the night before the last days of recording, the title track. // David is grateful for the people in his family and community who have come alongside him, often carrying him and sometimes dragging or chasing him down his path. He says he can’t imagine how he’d still be doing this without their ongoing help and encouragement, especially that of his partner and manager, Kelly Dougherty. “I had no idea what I was getting myself into, but there’s no going back.”]
    1. Krystle Warren & The Faculty – “Truly Great Thing”
      from: Extended Play / Parlour Door Music / November 1, 2024
      [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations // // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs​ was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs​ were recorded with everyone in the same room (​Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play​ was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up ​Extended Play​ are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play,​ they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]

    10:29 – Underwriting

    10:31 – Interview with Stephonne

    Stephonne is in the house. Joining us today to debut his new single “It’s Gonna Be Alright.” Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. More info at: http://www.stephonne.com

    Stephonne Thanks for being with us on Wednesday MidDay Medley

    Welcome back to the show. We are nearly three months into the year and Stephonne has already produced another epic tribute show, this time to Mary J. Blige at the Fifth Floor in the historic West Bottoms. Stephonne was also one of the featured artists at the Rock is Black concert at the Zhou B Art Center in the heart of the 18th & Vine Arts & Cultural District.

    Both of these events were very important to Stephonne as a performer, but also in the community building work that Stephonne does.

    Stephonne is a multifaceted performer, actor, drag performer, singer-songwriter, model. Stephonne has been a big part of the Wednesday MidDay Medley, as one of our most frequent guests, and someone we call on when we’re celebrating anniversary shows. We have loved watching Stephonne’s journey as a musical performer. This has been a journey of discovery of self.

    Part of Stephonne’s most recent work is being on the board of Kansas City Folk Festival.

    KC Folk Fest Fundraisers:
    Pickball – Saturday, April 19, at 10:00am, in Gillham Park, sign up by April 11, 2025
    FolkyOkie Karaoke, April 23 , at 7:00p at The Ship 1221 Union, KCMO West Bottoms
    Rural Grit Happy Hour, Monday, May 5, at 6:00pm at The Brick, 727 McGee, KCMO

    Kansas City Folk Festival is Saturday May 17, 12:00pm to 8:00pm with Sunny War, Nokisee Fields, Jamogi and The Jammers, Stranded in The City, Rural Grit Happy Hour, Dalima Kapten, Gracie Caggiano, Wim Frederick, Pheenix Leeor, Mitxi Mckee, KC Queertet, No Divide KC Spotlight, KC Fringe Showcase, KC Young Audiences, Heartland Song Network, Poetry, Craft Market, Food Trucks, and more, More infoat: http://www.kcfolkfest.org

    Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show

    10:40

    1. Stephonne – “1 Think It’s Gonna Be Alright”
      from: “1 Think It’s Gonna Be Alright” – Single / Stephonne / March 28, 2025
      [Co written by Stephonne Singleton with Shawn M Stewart.]

    10:43 – More Interview with Stephonne

    Stephonne is in the house. Joining us today to debuts his brand new single “It’s Gonna Be Alright.”

    More info at: http://www.stephonne.com

    Stephonne Thanks for being with us on Wednesday MidDay Medley

    Along with your work with KC Folk Fest, you have also worked with Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show.

    Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows.

    Each Charlotte Street Generative Performing Artist Award receives an unrestricted cash grant of $10,000, recognition by Charlotte Street at the time of the award announcement and throughout 2023. The 2023 Charlotte Street Generative Performing Artist Awards recognize two exceptional artists in the fields of dance, theatre, music, opera, sound art, performance art, multimedia performance, spoken word, puppetry or hybrid performance-based forms. Along with Stephonne Singleton and Tiara Nicole was the other recipients of the 2023 Generative Performing Artist Awards. Since 1997, 29 performing artists and 106 visual artists in the Kansas City region have received this highly regarded award.

    All of the 2023 Charlotte Street Award Fellows were selected through competitive processes beginning with open calls for applications from artists based in the five-county Kansas City Metro Area. Artist selections were made by a panel of jurors consisting of renowned and qualified arts professionals. Jurors participated in interviews, presentations, and studio visits, resulting in the selection of 10 finalists for the Generative Performing Artists Awards and 12 finalists for the Visual Artist Awards.

    Stephonne’s Statement:

    “As a generative performance artist and musician, my music is a result of radical and unconditional love that I have for my life and human connection. That love persists, despite living in a world that relishes my artistic contributions but not the color of my skin nor my queerness. It is within this relentless predicament that I find myself, my melodies, and my lyrics. I share my struggles, triumphs, and journey to self-love through performance. I create music and live experiences that break through the boxes of race, gender, social status and genre so that others may see their reflection in my art. All of my musical influences come together to create something inimitable but familiar. Music has always understood me and It is through music that I continue to define and understand myself. I want my audience to feel accepted and understood by my art, to feel seen – and then to better understand themselves and those around them.”

    Stephonne Thanks for being with us on Wednesday MidDay Medley
    More info at: http://www.stephonne.com

    10:53

    1. Stephonne – “1”
      from: “1” – Single / Stephonne / August 21, 2024
      [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Trombone – Trevor Turla. Recorded, mixed and mastered at Westend Recording Studios, Kansas City. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist – Stephonne Singleton keeps very busy, organizing Tribute Shows, working as a Resident Artist at Charlottee Street studios, playing Music Festivals, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, The Black Box, The Folly Theatre, collaborating with The Black Creatures, Calvin Arsenia, Miki P, Jass, Eboni Fondren, putting out EPs, and singles. Stephonne released his EP SIS: Side B on June 24, 2022 it was in the TOP TEN of WMM’s 120 Best Recordings of 2022. Stephonne was a featured performer at the 23rd Annual West 18th Street Fashion Show on Friday, June 2, 2023, and also in the 24th annual West 18th Street Fashion Show.]
    1. Julien Baker & TORRES – “Sugar in the Tank”
      from: “Sugar in the Tank”- Single / Matador Records / December 13, 2024
      [This was the first single from Julien Baker and TORRES upcoming 12-track album SEND A PRAYER MY WAY to be released April 18, 2025. // After playing “Sugar in the Tank” on The Tonight Show Starring Jimmy Fallon, Julien Baker & TORRES closed out 2024 with the release of their critically acclaimed debut single “Sugar in the Tank” via Matador Records. Since then, they have also shared the official video for the track which was shot in collaboration with the queer country dance party Stud Country. // Formed by their shared experiences of growing up queer in the south, “Sugar in the Tank,” which is now #3 greatest gainer, and #30* at AAA, not only reflects Julien Baker & TORRES’ love of country music, but joyfully reclaims the genre’s traditions and iconography which until only recently felt exclusionary. The single is a beautiful duet that is authentically country as it is a celebration of the songwriter’s roots. // “Sugar in the Tank,” is a stunning duet—a heartfelt celebration of identity and belonging, steeped in the timeless essence of country music. // “Straightforward country — guitar strumming, banjo picking, pedal steel guitar — perfectly suits the all-out declarations of love in “Sugar in the Tank.” -The New York Times // “the pair’s voices fit together like puzzle pieces, making ‘Sugar in the Tank’ a must-listen for any country music fan out there.” Billboard]

    11:00 – Station ID

    1. Danielle Ate the Sandwich – “Fumbling”
      from: Fumbling / Danielle Ate The Sandwich / March 21, 2025
      [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]

    [Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini. Info at: http://www.greenwoodsocialhall.com]

    11:04 – Interview with Danielle Anderson

    Danielle Anderson performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle Anderson jois us to talk about her new album FUMBLING from Danielle Ate The Sandwich, released March 21, 2025. Danielle has released over 300 YouTube videos, conducts an annual community songwriting project called the 24 Hour Album, and has released 8 full length albums of original music. She has opened for Mumford and Sons, Jake Shimabukuro, and had the opportunity to write the soundtrack to the Emmy nominated HBO documentary, “Packed in a Trunk: The Lost Art of Edith Lake Wilkinson.” In 2023, Danielle was awarded a 2-year studio residency at the Charlotte Street Foundation, and was the recipient of an Inspiration Grant from ArtsKC in 2024. Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO. Info at: http://www.greenwoodsocialhall.com

    Danielle Anderson, thank you for being with us on WMM.

    We just heard the title track from Danielle’s 8th full length album Fumbling.

    Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews.

    Danielle Anderson: vocals, ukulele, guitar, banjo.
    Fritz Hutchison: drums, bass, banjo, guitars, keys.
    Alison Hawkins: vocals, keys, fiddle.
    Joy Zimmerman: vocals.
    Marco Pascolini: pedal steel.
    Alberto Racanati: trumpet, flugelhorn, piccolo trumpet.
    Aryana Nemati: flute.
    Laurel Parks: violin.
    Sascha Groschang: cello.
    Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell.

    Danielle Ate The Sandwich’s 8th album received an Inspiration Grant from ArtsKC.

    11:12

    1. Danielle Ate the Sandwich – “It’s Not Jupiter”
      from: Fumbling / Danielle Ate The Sandwich / March 21, 2025
      [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]

    [Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini.. Info at: http://www.greenwoodsocialhall.com]

    11:16 – More Interview with Danielle Anderson

    Danielle Anderson performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle Anderson jois us to talk about her new album FUMBLING from Danielle Ate The Sandwich, released March 21, 2025. Danielle has released over 300 YouTube videos, conducts an annual community songwriting project called the 24 Hour Album, and has released 8 full length albums of original music. She has opened for Mumford and Sons, Jake Shimabukuro, and had the opportunity to write the soundtrack to the Emmy nominated HBO documentary, “Packed in a Trunk: The Lost Art of Edith Lake Wilkinson.” In 2023, Danielle was awarded a 2-year studio residency at the Charlotte Street Foundation, and was the recipient of an Inspiration Grant from ArtsKC in 2024. Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO. Info at: http://www.greenwoodsocialhall.com

    Danielle Anderson, thank you for being with us on WMM.

    We just heard another track from Danielle’s 8th full length album Fumbling.

    Danielle had the honor of working with IX Film Productions to create a new music video for the title track of the new album, Fumbling. The result is a beautiful one shot video that takes Danielle through the chaos of life, growing up, making choices, and fumbling through it all.

    The video was filmed in Kansas City, MO, by Patrick Poe & Lolo Loren, with production design by Amber Joy. The video features lots of amazing local talent!

    Starring:
    Ellie DeShon – Mom
    Thomas Smith – Dad
    Amber Joy – Sister
    Jerry Mañan – Friend/Groom
    Tiffany Michelle – Friend
    Stephanie Stevens – Friend
    Forest Kinsey – Priest/Partygoer
    Gideon Madison – Partygoer
    Ace Lovelace – Partygoer
    Lily Gojcevic – Partygoer
    Mykah Mleek – Partygoer
    Mason Vietti – Partygoer
    Liam Chewning – First AC
    Isabelle Torri – Hair & Makeup
    Bob Colladay – Car

    Danielle on Fumbling Tour Dates around the US!

    FUMBLING TOUR DATES
    March 29th | Kansas City, MO
    April 12th | Warrensburg, MO
    May 31st | Lawrence, KS
    May 10th | Denver, CO
    June 12th | Littleton, CO
    June 15th | Fort Collins, CO

    WEST COAST FUMBLING TOUR
    September 11th | Reno, NV
    September 12th | Roseville, CA
    September 13th | North Bay, CA
    September 14th | Sunnyvale, CA
    September 20th | Los Angeles, CA
    September 22nd | Sun City, AZ
    September 23rd | Phoenix, CA

    Last summer at the KC Fringe Festival, Danielle presented THE GREATEST GARAGE SALE EVER a one woman comedy cabaret featuring original characters and songs by Danielle Anderson with five performances July 20 thru Sat., July 27 The Bird Comedy Theater, 103 West 19th, KCMO.

    On February 23, 2024, Danielle Ate The Sandwich released the single, “Turtle by Jer” – Written by Jerry “Jer” Slougherman and Danielle Anderson. Performed by Jer. Mixed by David Bashford

    On January 14, 2024 Danielle Ate The Sandwich released the 6-track release, “2024 (The 24 Hour Album)”.

    On February 20, 2022 Danielle Ate The Sandwich released the 7-track release, “Continued Curfew (24 Hour Album 2022)”.

    Danielle Ate The Sandwich released the 7-song album, 24 HOUR ALBUM (2021), on April 25, 2021. The 7 songs on this album were written and recorded in 24 hours on April 24th-25th, 2021, during Danielle Ate the Sandwich’s 6th annual 24 Hour Album.

    On May 28, 2021 Danielle Ate the Sandwich released, It’s Not a Burden (Original Songs from the Documentary Film) on Youngest Daughter Records. It’s Not A Burden is a powerful and brilliant film about the joys and pain of raising elderly parents. The songs are produced by Joanna Katcher.

    Danielle Ate The Sandwich released the single, “A Weight, A Wall” on June 1, 2021.
    Danielle Ate The Sandwich released the single, “Goodbye to You” on August 22, 2021.
    Danielle Anderson, thank you for being with us on WMM.

    11:25

    1. Danielle Ate the Sandwich – “Not Easy To Do”
      from: Fumbling / Danielle Ate The Sandwich / March 21, 2025
      [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]

    [Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini.. Info at: http://www.greenwoodsocialhall.com]

    11:28 – Underwriting

    1. The Fur and the Fang – “Mr Lorry”
      from: EP 4 /The Fur and the Fang / December 17, 2024
      [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]

    [The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]

    11:33 – Interview with Zach Hodson, Valerie Schurman and Joe Frogge

    Joining us in our 90.1 FM Studios is KC music veteran Zach Hodson, formally of the critically acclaimed Dolls On Fire. Zach’s new band is The Fur and The Fang where Zach on sings, plays guitars, keys & percussion; also joining us in the conversation is: Valerie Schurman who sings, plays kazoo & percussion; and Joe Frogge who sings and plays ukulele. Seann McAnally on vocals & bass is also in the band. The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.” The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. More info at: http://www.thefurandthefang.bandcamp.com

    The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com

    Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM

    The Fur and The Fang is:
    Zach Hodson on sings, plays guitars, keys & percussion;
    Valerie Schurman who sings, plays kazoo & percussion;
    Joe Frogge who sings and plays ukulele.
    Seann McAnally on vocals & bass is also in the band.

    The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.”

    The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson.

    11:41

    1. The Fur and the Fang – “Bad Gospel”
      from: EP 4 /The Fur and the Fang / December 17, 2024
      [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]

    [The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]

    11:44 – More Interview with Zach Hodson, Valerie Schurman and Joe Frogge

    Joining us in our 90.1 FM Studios is KC music veteran Zach Hodson, formally of the critically acclaimed Dolls On Fire. Zach’s new band is The Fur and The Fang where Zach on sings, plays guitars, keys & percussion; also joining us in the conversation is: Valerie Schurman who sings, plays kazoo & percussion; and Joe Frogge who sings and plays ukulele. Seann McAnally on vocals & bass is also in the band. The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.” The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson.

    The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com

    Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM

    The Fur and the Fang Discography
    The Fur and the Fang released the 4-track EP, EP3 on December 17, 2024
    The Fur and the Fang released the 5-track EP, EP3 on July 23, 2024
    The Fur and the Fang released the 4-track EP, EP2 on August 25, 2023
    The Fur and the Fang released the 4-track EP, EP1 on February 28, 2023
    The Fur and the Fang released the 6-track EP, A Furry Fangy Holiday 2023 Dec 20, 2023

    The Fur and the Fang released the single, “The Horrors We Don’t Know” on Oct 31, 2023.

    Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM

    The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com

    11:54

    1. The Fur and the Fang – “I Could Never Tell A Lie”
      from: EP 4 /The Fur and the Fang / December 17, 2024
      [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]

    [The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]

    1. Noel Coward – “The Party’s Over Now”
      from: Noel Coward in New York / drg / 2003 [orig. 1957]

    NEXT WEEK, on April 2Fallestine “Fally” Afani of I Heart Local Music and the Lawrence Music Alliance joins us as Guest Producer for SPOTLIGHT ON PALESTINIAN ARTISTS a special presentation for Arab American Heritage Month featuring music from Saint Levant, Elyanna, DAM, and More!

    Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

    THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

    This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

    Our Script/Playlist is a “cut and paste” of information.
    Sources for notes: artist’s websites, bios, wikipedia.org

    Wednesday MidDay Medley in on the web:
    http://www.kkfi.org,
    http://www.WednesdayMidDayMedley.org,
    http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1088

    WMM Playlist from March 19, 2025

    Wednesday MidDay Medley
    TEN to NOON Wednesdays – Streaming at KKFI.org
    90.1 FM KKFI – Kansas City Community Radio
    Produced and Hosted by Mark Manning

    Wednesday, March 19, 2025

    WMM presents: Black Light Animals + Big Fat Cow

    1. “Main Title Instrumental – It’s Showtime Folks”
      from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
      [WMM’s Adopted Theme Song]
    1. Flutienastiness – “Tulum in November”
      from: Tulum in November / Flutienastiness Entertainment / November 28, 2024
      [Amber Underwood’s first new music in four years. Nick Spacek of The Pitch writes, “Seeing the flute player rock a melody which wouldn’t be out of place on a ’70s compilation LP you pulled out of the bargain bin while digging for cool, weird vinyl before a Daft Punk meets Italo disco bass line turns it into the late night track you didn’t know you needed and gets you shaking your ass so hard you scare your pets.” // Jazz flutist, educator, band director, and band leader, Amber Underwood is a native of Kansas City and has been entertaining and performing music since the tender age of 8. Beginning her musical journey on the piano and soon after began playing classical flute. / While in college, Amber discovered Jazz and became intrigued with the art form inspired by musical influences of Bobbi Humphrey, Hubert Laws, Frank Wess, Herbie Mann, and Nestor Torres and found a love for the art form. At age 20, Amber graduated from Wichita State University with a Bachelor of Music in Flute Performance and by 23 she completed a Masters of Arts in Arts Administration and Music Business from the University of Missouri Kansas City Conservatory and continued her education with a second Master’s degree in Education and Teaching Music from Pittsburgh State University. / In the beginning of 2014, the Amber Underwood Project and later transformed into Flutienastiness and the SoulPatrol with the mission to showcase an instrument that is normally used as an auxiliary instrument in jazz but now as a solo instrument. Flutienastiness and the SoulPatrol is a modern and fresh take on smooth jazz and R&B sounds with a touch of Latin, Funk and Gospel. Flutienastiness and the SoulPatrol uses the rich tones and colors of the flute to interpret the various styles and genres of jazz. // Amber has been a presence in the Kansas City jazz scene making a place and a voice for her instrument. Amber has opened for Kirk Whalum and has performed alongside a host of other artist. / Amber is our modern-day soul and contemporary jazz flautist and a force to be reckoned with. Her debut album, ‘This Is Me’ has gained International recognition and was name one of the Top 25 Jazz Albums of Kansas City in 2020. Amber has also appeared on jazz playlists and featured on various recordings from all genres. Amber ‘Flutienastiness’ Underwood is the future of contemporary soul jazz flute! // On October 28, 2020 Flutienastiness released the album THIS IS ME (part of WMM 120 Best recordngs of 2020). The album was produced, mixed, & mastered by Desmond “D. Professor” Mason for Out D. Park Productions. All flutes by Amber Underwood. All tracks were composed collaboratively between Amber & Desmond. Amber writes: “This is album is a touch of all my feelings, life journeys and an inside look into Amber ‘Flutienastiness’ Underwood as a person beyond the stage. More info at:www.flutienastiness.com.]
    1. GHOSTY – “Back To School”
      from: Duane Duane – EP / More Famouser Records / February 27, 2024
      [Lawrence / Kansas City band founded by Andrew Connor. Music by Ghosty. Lyrics by Andrew Connor and Eugene Booth. Recorded by Ross Brown in Kansas City, KS November 2024. Mixed by Ross Brown. Mastered by Mike Nolte at Eureka Mastering. Bill Belzer on drums, percussion; Ross Brown on slide guitar on Duane Duane, backing vocals; Andrew Connor on vocals, guitar; Mike Nolte on bass; David Wetzel on piano, synth, backing vocals; Konnor Ervin om backing vocals; Collin Rausch on backing vocals; and Kyle Rausch on backing vocals. Art by Paul Browning. Consulting by Kyoko Connor // Andrew Connor released the album IN COLORADO on April 21, 2021. // Ghosty released the EP PRODIGAL SON on February 28, 2020. With this EP GHOSTY was able to finally get back to finishing 3 tracks that were started in 2014. Andrew Connor on guitar & keyboards, & vocals, Bill Belzer on drums & percussion, Ross Brown on guitar & keyboards, and Mike Nolte on bass. Basic tracks were recorded in July 2014 at Westend, Kansas City, KS. Engineered by Mike Nolte. The songs were written by Andrew Connor. Mixed by Ross Brown and mastered by Mike Nolte at Eureka Mastering. This EP followed the band’s critically acclaimed 2013 album GHOSTY on High Dive Records. More info at: http://www.ghostysounds.com ]

    Ghosty Discography

    Ghosty released the 3-song EP, PRODIGAL SUN on February 28, 2020 with Bill Belzer on drums, percussion / Ross Brown on guitar, keys / Andrew Connor on guitar, keyboards, vocals / Mike Nolte on bass

    Ghosty released the self titled album GHOSTY on April 17, 2014. It was there 3rd full length release with Andrew Connor, Mike Nolte and Bill Belzer who recorded their new album themselves over the last couple of years with help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, and Dan Talmadge. The new release was pressed on vinyl and available on LP and digital download.]

    Ghosty released the single “Love U 2” on July 15, 2013, recorded June 2013 at Westend, Kansas City, KS. Documentary about the recording of this song by surrounding media vimeo.com/70317712 // with: Mike Nolte on bass, engineering, mastering // Andrew Connor on guitar, keys, vocals / Bill Belzer – drums, & percussion

    Ghosty released the 5-track EP, TEAM UP AGAIN on April 13, 2010 with Andrew Connor, Mike Nolte, David Wetzel, Josh Adams, Jake Blanton, Suzannah Johannes, Konnor Ervin, Ryan Johnson // Team Up Again,” “Ocean of Heat (Setting FIres),” and “Quell The Hunger” by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2010. “Virginia Song” by Rev. Howard Finster, arranged by Ghosty. “On A Saturday” by Jake Blanton, arranged by Ghosty. // “Team Up Again,” “Setting Fires,” “Virginia Song,” and “On A Saturday” recorded and mixed at Run Riot / More Famouser Studios, Shawnee, KS, September 2009 through March 2010. Engineered and mixed by Mike Nolte and Ghosty. // “Quell The Hunger” recorded at Mixtape Soundlab, Lawrence, KS, January 2009 additional tracking and mixing and Run Riot / More Famouser studios, Shawnee, KS, and February 2010. Engineered and mixed by Mike Nolte and Ghosty.

    Ghosty released the 3-track EP, FOOLISH PRIDE on November 17, 2009 with All songs by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2009 // “Foolish Pride” and “Rose-Colored Glasses” basic tracks recorded at Jack’s House, Merriam, Kansas, Fall 2007. Engineered by Mike Nolte and Ghosty. Additional tracking and mixing at More Famouser Studios, Kansas City, MO, and Run Riot Studios, Shawnee, KS, Fall 2009. // “Hey Bill” basic tracks recorded at Mixtape Soundlab, Lawrence, KS, January 2009. Engineered by Mike Nolte and David Wetzel. Additional tracking and mixing at More Famouser Studios, Kansas City, MO by Mike Nolte and Ghosty, Spring 2009.

    Ghosty released the 3-track EP, A MYSTIC’S ROBE on September 15, 2009 with Andrew Connor, David Wetzel, Mike Nolte, Jake Blanton, Josh Adams, Carmen Winters // All Songs by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2009 // “My Girl Is Strong” and “Sunday Morning” basic tracks recorded at Mixtape Soundlab, Lawrence, KS, January 2009. Engineered by Mike Nolte and David Wetzel. Additional tracking & mixing at More Famouser Studios, KCMO by Mike Nolte & Ghosty Spring 2009. // “Secret Language” basic tracks recorded at Jack’s House, Merriam, KS, Fall 2007 Engineered by Mike Nolte & Ghosty. Additional tracking & mixing at More Famouser Studios, by Mike Nolte & Ghosty Spring 2009.

    Ghosty released the 11-song album ANSWERS on January 15, 2008 with tracks recorded by Paul Malinowski at Westend and Run Riot Studios, Kansas City, KS, 2006-07. racks 4, 6, 7, and 9 were recorded and mixed by Trent Bell at Bell Labs, Norman, OK, 2006. // Track 8 was recorded by Tim Brandsted at UMKC and Paul Malinowski at Westend. Mixed by Paul Malinowski at Westend, 2007. // Tracks 2 and 10 were recorded by Chris Behmer at the Ferrell home, Overland Park, KS, 2005, and with Trent Bell at Bell Labs. Mixed by Trent Bell at Bell Labs, 2006. // Mastered by Roger Seibel at SAE Masterin // All songs by Andrew Connor, arranged by Ghosty // Pretend Outlaw Music, ASCAP. // Released on Oxblood Records.

    Ghosty released the 5-track EP, ME, ME, ME on January 15, 2006 w/ Andrew Connor on guitar & vocals / Jeff Ferrell on guitar & vocals // David Wetzel on keyboards &* vocals // Mike Nolte – bass & vocals // Josh Adams on drums & vocals // Recorded & mixed Fall 2005 by Jeff Ferrell and Ghosty at New York St. house, Lawrence, KS. Artwork by Paul Browning. Songs by Andrew Connor, Pretend Outlaw Music

    Ghosty released the 19-track album GROW UP OR SLEEP IN (Deluxe Edition) on August 30, 2005 with Josh Adams, Andrew Connor, Jeff Ferrell, Mike Nolte, David Wetzel// and Alums: Jacob Baum, Richard Gintowt, Mark Hurst, Andrew Sallee, James Duft // Big Surrender, Henry Greene, and Hey! Somebody were recorded by Mike Mogis at Presto! in Lincoln, NE in the summer of 2002 // Jacqueline, Rooms in the Dark, (In a Big World)Little Dreams Count, High on Life, Clouds Solve It, Go to Add/Drop City, and World Travelers were recorded by Trent Bell and Andy Nunez at Bell Labs in Norman, OK in the fall 2003 // Mastered by Doug Van Sloun at Studio B // Design by Patrick Giroux at Blue Collar Press // All songs by Andrew Connor, Copyright 2005 // Pretend Outlaw Music(ASCAP) // Wayne Coyne appears courtesy of Warner Brothers Records // BONUS TRACKS: Primadonna, John Hunter, and Sad Sack recorded Summer 2006? at the Ferrell Home in Overland Park, KS by Chris Behmer and Ghosty // Dust Box Nites and Rok Town Air recorded and mixed with Tom Wagner at Underground Sound in Lawrence Kansas, Winter 2005? James Duft plays bass // Going Home Recorded in the Spring of 2002 at 1225 and 1137 Tennessee in Lawrence, KS by Ghosty, Mixed with Jeff Ferrell.

    Ghosty released the 6-track EP THE FIVE SHORT MINUTES on February 2, 2002 with Andrew Connor: Guitar, Vocals, Keyboards / Jacob Baum: Bass, Organ, Percussion, Guitar / Richard Gintowt: Drums, Percussion / Jeff Jackson: Pedal Steel Guitar on Track 5 // Recorded Fall 2001 at the haunted house by Jacob Baum / Produced by Ghosty / Mastered by Boyd Bristow

    1. Birdie – “Sleepsinger”
      from: Make Me / Birdie / February 1, 2025
      [Birdie’s new 8-track album. Birdie Is: Betsy Schwartze on vocals, ukulele, keyboard;Andy Oxman on guitar; Barb Wilmoth on drums & bass; Dan Carey on bass. // Birdie released the 8-track album 8 TRACK on July 25, 2024. // Birdie released the 9-track album GRAVITY on October 12, 2022. GRAVITY was made with Birdie in lead vocals & ukelele, Andy Oxman on guitar, Barb Wilmoth on drums, Dan Carey on bass, with Pat Tomek on drums, Gary Paredes on guitar and Marc Bollinger on bass. // Birdie released two full-length albums in 2022. // On May 27, 2022 Birdie’s released the 8-song album WHY DO YOU HAVE TO BE SO COOL? Power pop, punk, and echoes of the girl groups of our time intersect in Kansas City-based band Birdie. This energetic collaboration of local talent brings a fresh take on classic sounds. // Birdie released the single “You Can’t Stop Her” on June 13, 2021. // Birdie released the 7-track EP, CELLOPHANE HEART on June 4, 2021. Birdie is the musical project of Betsy Schwartze who lives in Stilwell KS. Info at: http://www.birdiesound.com]
    1. LYXE – “Sad Surfer”
      from: “Sad Surfer” – Single / LYXE / March 11, 2025
      [Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass,. This indie/alternative rock band LYXE, is from Lawrence, Kansas. // This is LYXE’s second single of 2025 following “All Alone” that was released on February 21, 2025 // “Sad Surfer” – A Melodic Reflection on the Struggle to Find Home. The track blends surf-inspired guitar melodies with introspective lyrics about the search for belonging. The song’s lush, reverb-laden guitars evoke a sense of nostalgia for surf rock from both past and present, while offering a modern twist that perfectly complements the band’s unique sound. With this new release, LYXE continues to push the boundaries of their genre, delivering a hauntingly beautiful reflection on personal longing and identity. / “Sad Surfer” captures the universal struggle of trying to find a place that feels like home. The almost pessimistic lyrics delve into themes of displacement and the desire for stability, resonating with anyone who has ever felt out of sync with their surroundings. With its atmospheric guitar work and emotive vocals, the song creates a sonic landscape that mirrors the inner conflict of seeking a place to call your own. The track’s introspective mood is balanced by its ethereal soundscape, making it a standout piece in the band’s growing catalog. / The release of “Sad Surfer” marks another exciting chapter for LYXE, as they continue to gain momentum in the indie rock scene. Known for their emotionally charged music and genre-blending style, LYXE’s new single is sure to captivate both new listeners and long-time fans alike. //LYXE, a three piece pop-rock outfit formed out of the love of getting fans to sing and dance along to hip shaking rhythms reminiscent of classic 80’s and 90’s sounds. They quickly became a favorite of crowds and musicians alike with the lead of Ryan Wise’s crooning vocals and vintage guitar sounds. The trio has an undeniable chemistry that caught the local scene like wildfire. Bassist AJ Knudson brings a loveable charisma to their live presence, while drummer Jimmy Girod’s subtle, elegant delivery gives this act a sophisticated backbone. // LYXE released their debut EP, EVERYTHING YOU COULD EVER WANT on September 15, 2022. Pulling inspiration from a wide range of genres, this six-song EP has a pop-rock, new wave nostalgia that sinks its teeth into you. Luring in listeners with dramatics and lush hooks on “Wave,” yet unafraid to tap into their feral side on “I Got Everything.” The record closes with “Fit,” which makes you feel like you’re in an argument with your prom date in 1989. Recorded, at Element Recording Studios in Kansas City. The new EP gave listeners a different side of Ryan Wise’s songwriting with crooning vocals and vintage guitar sounds. // On June 23, 2023 LYXE released a remastered version of their song “Wave (Remastered 2023)” produced by Joel Nanos. Remaster by Jake Vertigo, with: Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass, and Chase Horseman on synthesizer. This was originally the debut single “Wave.” // LYXE release their singe ”Ice Cream” on June 23, 2023 // LYXE released their single “P{rom Song” on November 10, 2024. // LYXE released their single “Hard To Talk” on October 4, 2024. // For additional information or inquiries please contact: wearelyxe@gmail.com ]

    [LYXE plays Auntie Mae’s Parlor 616 N. 12th St. Manhattan, KS on Friday, March 21 at 8:00pm gthe first of their 12-city tour through Kansas, Minnesota, Missouri, Oklahoma, Colorado, Illinois and Iowa.]

    1. Nightosphere – “Poverty Policy”
      from: “Poverty Policy” – Single / Nightosphere / February 21, 2025
      [Brittany Sawtelle on guitar; Claire Hannah on bass & vocals, Dekota Trogdon on drums. Recorded at BRC Audio Productions by Zack Hames. Mixed + mastered by Mario Quintero. Nick Spacek in The Pitch writes, “their new single sees the band leaning into pure Goth territory, courtesy of a bassline that feels like the most ominous thing ever, plodding along in the best possible way before the song explodes in its final minute as though they can’t possibly hold it in any longer, and then returning to the slow march of what was a eulogy, now becoming the funeral.”// Nightosphere released their own 6-minute version of Echo and the Bunnymen’s “The Killing Moon” on Jan. 31, 2025 // After a couple of early single releases and an excellent 3-way split with Abandoncy and Flooding, Nightosphere developed their heavy slowcore sound into a fully realized, extremely imposing full length. On April 14, 2023 Nightosphere released their 7-track album Katabasis. Katabasis was recorded and mixed by Morgan Reed Greenwood & mastered by Greg Obis at Chicago Mastering Service. The album’s artwork is by Kasper Durkin, and the layout & design by Alexis Politz.]
    1. Lee Walter Redding – “It Should Be Ours”
      from: “It Should Be Ours” – Single / Lee Walter Redding / February 24, 2025
      [On July 15, 2022 Lee Walter Redding released the EP live From The Argyle Wallpaper. Lee Walter Redding on vocals, guitar; Justin Rogers on bass; Andy Kirk on guitar/synth and Justin Skinner on drums. // Lee Walter Redding released “Elephant Man (feat. Stephonne)” on April 9, 2021. Lee told us that he learned about Stephonne Singleton from listening to Wednesday MidDay Medley and hearing Stephonne for the first time. WMM bringing musical collaborations together since 2004. // Kansas City based Lee Walter Redding was raised on 60s rock, steeped in 90s Britpop ennui, and guided by contemporary neo-soul, Lee Walter Redding weaves dry humor into vibrant sonic textures that sway from wistful to chaotic. Think 2010s Nick Lowe fronting The Velvet Underground. On warped vinyl. More info at: http://www.leewalterredding.bandcamp.com] [Lee Walter Redding was our guest on WMM on July 13, 2022]

    10:30 – Underwriting

    1. KiNG MALA – “FUN! (Radio Edit)”
      from “FUN!” – Single / Handwritten Records / February 21, 2025
      [KiNG MALA is an alternative pop artist based in Los Angeles. AKA Areli Castro, the El Paso born musician is not afraid to spill her guts. Setting out with the hopes to spark confidence in both herself and her listeners, she creates music that will make you walk taller and speak louder. Both her music and visuals experiment with masculine tropes, sharing “There’s something about taking something traditionally masculine and wearing it as a woman that makes me feel really powerful.” These masculine threads weave throughout everything she does, hence King rather than Queen and “MALA” which roughly translates to “bad bitch” in Spanish. Sharing her feelings from the bottom of her heart KiNG MALA encourages you to dig deep and connect with your inner-self. Life is messy and we shouldn’t feel ashamed to show our emotions and speak our mind. // Dark, provocative and perhaps a little twisted, the new single “cult leader” has an empowering and confident disposition. Manifested with a ‘fake it till you make it’ mindset, the track was actually written when her confidence had taken a hit, though the song writer decided that instead of leaning into the sadness, she would be overly confident and a bit narcissistic to try and boost her self-esteem. Reverberating with a distorted driving beat and haunting vocals, the track oozes with a bold and daring energy.]
    1. Youth Lagoon – “Speed Freak”
      from Rarely Do I Dream / Fat Possum Records / February 21, 2025
      [Trevor Powers was born March 18, 1989. He is better known by his stage name Youth Lagoon, is an American musician from Boise, Idaho. Youth Lagoon’s music has been described as neo-psychedelia, and includes elements of pop, Americana, electronic and experimental music. // Powers was initially active as Youth Lagoon between 2010 to 2016, releasing three studio albums – The Year of Hibernation (2011), Wondrous Bughouse (2013) and Savage Hills Ballroom (2015) – before announcing his retirement from the project. He returned to music in 2018, releasing two studio albums under his own name, before announcing the return of his Youth Lagoon moniker in 2022. // Working closely with producer Rodaidh McDonald, Powers released his fourth Youth Lagoon album, Heaven Is a Junkyard, in 2023 to widespread critical acclaim. The album was followed by Rarely Do I Dream in 2025, to further acclaim, with its lyrical content rooted in boyhood memoir and old-world folklore and incorporates samples from home movies. // “This song came from a thought I had of giving the angel of death a hug. We spend our whole lives running from this thing we can’t outrun. This body is temporary, but there is no death. Only transformation. A door opens when you learn to let go of the identity you’ve been building your whole life. Someone told me a couple years ago, ‘I have good news for you and I have bad news. The bad news is Trevor is doomed. There’s no hope for Trevor. The good news is — you’re not Trevor. When I heard that, it clicked.” – Trevor Powers // “Through a dozen years of shifting sounds and trends, Powers has remained faithful to the fundamentals of chamber pop: tunes that stick in your head and arrangements grand enough to get lost in.” – Pitchfork // 5th album, Rarely Do I Dream, Youth Lagoon’s most comprehensive and audacious album to date. It’s a treasure trove of home movies, twangy fuzz guitars, sun-bleached synths, classical pianos, blown-out drums, and Powers’ spellbinding melodies, all which feel like an old photograph that’s been reanimated in a strange and distant future. // Rooted in love and childhood memoir, Rarely Do I Dream is a triumph of American gothic imagination — where storybook innocence dissolves into a radioactive billow of teenage drifters, drug-addled hustlers, and old-world folklore. Drifting between propulsive electronica and hallucinatory rock songs, Powers’ singular voice always glows front and center as the neon road sign pointing home. // Lead single “Speed Freak,” is a dark joyride that showcases Youth Lagoon’s glaring metamorphosis, unleashes a grungy beat while synth bass struts and splinters into a technicolor post-punk spectacle.]
    1. Tunde Adebimpe – “God Knows”
      from: Thee Black Boltz / Sub Pop Records / April 18, 2025
      [Acclaimed TV On The Radio frontman and multi-hyphenate talent Tunde Adebimpe has released a new song “God Knows,” from his highly anticipated debut solo album, Thee Black Boltz. // “God Knows” delves into the complexities of a bittersweet breakup, showcasing Adebimpe’s distinctive vocals and introspective lyrics. The song captures the raw vulnerability of heartbreak as Adebimpe sings, “You’re the worst thing I ever loved, And you’re bad news but I still want to give you my love.” // Of the latest single, the TV on the Radio frontman says “Breaking up is hard to down dooby doo down do”. // Thee Black Boltz is produced by Tunde Adebimpe & Wilder Zoby, and executive produced by Zoby, with additional production and contributions from Jaleel Bunton & Jahphet Landis (of TV on the Radio), and more. Showcasing visionary soundscapes, the album is a nod to Adebimpe’s propensity to write and sing about the human condition – in all its forms, under all its stressors, both big and small. // “Adebimpe is strutting back into the spotlight with style.” – Consequence // “Adebimpe is plagued with the state of the world, as he muses on the human race, love, tenderness and how to fly above it all. He whistles, claps and yelps—in all the ways that made TV On The Radio songs so com-pelling and mesmeric—but with a progressive voice that sounds fresh and thrilling in 2024.” – Paste // “‘’Magnetic’… It’s an apt name for the track, which opens with a reflective, melancholic lyric (‘I was thinking about my time in space’) before the propulsive instrumentals drop in and never let up.” – AV Club // “Tunde Adebimpe had quite the 2024, stealing scenes in Twisters and reuniting with TV on the Radio to celebrate the 20th anniversary of their debut, Desperate Youth, Blood Thirsty Babes. The front man will get a little more “me” time this year with his first solo album via Sub Pop.” – Vulture’s “Albums We Can’t Wait to Hear in 2025”
    1. Fantastic Negrito – “I Hope Somebody’s Loving You”
      from: Son of a Broken Man / Storefront Records / October 18, 2024
      [Born Xavier Amin Dphrepaulezz, Fantastic Negrito’s story is a testament to resilience and the transformative power of music. By now much has been made of Negrito’s unique story – growing up in an orthodox Muslim household, a doomed major label deal, the near-fatal car crash that permanently damaged his guitar playing hand—as well as the remarkable redemption arc that began in 2015, when he won the first-ever NPR Tiny Desk Contest. He has since earned three GRAMMY® Awards for “Best Contemporary Blues Album,” and shared stages with everyone from Sturgill Simpson to Chris Cornell to Bruce Springsteen. He’s collaborated in the studio with the likes of Sting, E-40, and Tank and The Bangas, performed on countless headline world tours and at festivals such as Lollapalooza, Glastonbury, Newport Folk, and WOMAD. Negrito also founded Revolution Plantation, an urban farm in Oakland, CA aimed at youth education and empowerment. // 2025 is the ten year anniversary of Fantastic Negrito winning the inaugural NPR Tiny Desk Contest. Winning the Tiny Desk Contest took Negrito from a street musician to a genre bending, Grammy winning, internationally acclaimed artist. // His latest release, Son Of A Broken Man sees Fantastic Negrito encapsulating his inimitable style, from hard-hitting guitar riffs to expressive ballads, with the unexpected twists that have become his trademark. It stands as one of his most personal works to date, exploring family, deception, and the human desire to hide the true self as he dives deep into the struggle between father and son. // I Hope Somebody’s Loving You, the second single from “Son Of A Broken Man” is a rare ballad from Fantastic Negrito with a touch of Otis Redding mixed with some Prince. The music video has amassed over 180,000 organic views on YouTube and nearly 1 million organic views on TikTok. The track stems from Negrito observing people on the street while on tour. The message is simple. “I hope somebody, somewhere, somehow, is loving every single person in this world”.]
    1. Tune-Yards – “Limelight (Radio Edit)”
      from: Better Dreamiing / 4AD Records / May 16, 2025
      [Tune-Yards is the Oakland, California–based music project of Merrill Garbus and Nate Brenner. Garbus’s music draws from an eclectic variety of sources and uses elements such as loop pedals, ukulele, vocals, and lo-fi percussion. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice’s annual Pazz and Jop critics’ poll. // The album Nikki Nack was released in 2014, with its first single, “Water Fountain”, being picked up by Google Pixel in 2016 for an advertising campaign. The album I Can Feel You Creep into My Private Life was released in January 2018. At the same time, Tune-Yards provided an atmospheric score for the sci-fi film Sorry to Bother You. // Born in 1979, Garbus was raised in New York City and in New Canaan, Connecticut. She attended Smith College. She was a puppeteer for the Sandglass Theater in Vermont and lived in Montreal where she played ukulele in the band Sister Suvi with guitarist Patrick Gregoire and drummer Nico Dann. Merrill’s sister Ruth Garbus is also a musician who has played solo and in the band Happy Birthday. After releasing her first Tune-Yards album in 2008, she moved to Oakland, where her partner in Tune-Yards, Nate Brenner, also lives. // The first Tune-Yards album, Bird-Brains (stylized as BiRd-BrAiNs) was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August 17, 2009. A full worldwide release followed on November 16, 2009 (and November 17 in North America). The autumn 2009 pressing was remastered at Abbey Road Studios by Christian Wright, and includes two new bonus tracks: “Want Me To” and “Real Live Flesh.” // A second album, Whokill (stylized as w h o k i l l), was released on April 19, 2011. A single from it, “Bizness”, came out in February 2011. It was produced by Garbus and engineered by Eli Crews at New, Improved Studios in Oakland. Applying the live approach to Garbus’ studio work for the first time, Garbus works with bass player Nate Brenner, who co-wrote some of the album’s songs. Comparing the act to Sonic Youth, Frontier Psychiatrist said, “if Bird-Brains was Garbus’ Evol, a record bursting with musical ideas that attempted to subvert the notion of song, who kill is Garbus’ Sister, a record that embraces the traditional pop song as a vehicle to convey those ideas.” The album as well as singles “Bizness” and “Gangsta” received mention on many top 2011 album and song lists, including Time, Rolling Stone, Spin, and the New York Times. In early 2012, the Village Voice’s annual “Pazz and Jop” poll of critics named Whokill the No. 1 album of 2011. The song “Fiya” is featured on a 2010 commercial for the Blackberry Torch, while the song “Gangsta” has been used in the television shows Orange Is the New Black, Letterkenny, Weeds and The Good Wife and the song “Bizness” was used in Season 3 of Transparent. // Garbus started recording material for her third LP during the latter half of 2013, with a working title of Sink-o. A May 6, 2014 release date was later announced with the title Nikki Nack. The album spawned three singles, including “Water Fountain”, which was featured in the soundtrack for EA Sports video game FIFA 15 as well as in a 2016 commercial for the Google Pixel. // A fourth album was released on January 19, 2018, called I Can Feel You Creep into My Private Life. The album showed more of an electronic influence. The single “Look at Your Hands” was released earlier, in October 2017, followed by “Heart Attack” in January.// The Tune-Yards scored the satiric science fiction film Sorry to Bother You (2018). The film was shown at Sundance in January, then began a theatrical run in July. Its soundtrack songs are performed by the Coup, fronted by the film’s director, Boots Riley. Riley said he started working with Tune-Yards in “early 2015” to create the film’s score, with demo tracks already available before the script was complete, and before the start of principal photography. Riley said he was attracted to Garbus’s voice, and to the band’s “unorthodox use of percussion and vocal layering.” Garbus also composed the theme music for The New Yorker Radio Hour. // In 2021, Tune-Yards appeared as the opening performance for Google I/O with Artificial Intelligence powered vocal accompaniment.]
    1. Saya Gray – “Shell (of a Man)”
      from: SAYA / Dirty Hit Records / February 21, 2025
      [Saya Gray (born 1995) is a Canadian musician. She has four albums or EPs, starting with her debut in 2022. // Gray was born in 1995 and raised in Toronto, Ontario, Canada, growing up in the Beaches neighbourhood of Toronto. Her mother is the founder of the Discovery Through the Arts music school in Toronto. Her mother’s family moved from Shizuoka Prefecture in Japan to Canada when her mother was ten years old. Her father is a Scottish-Canadian jazz trumpet player who studied at the Berklee College of Music. She is of Japanese-Canadian descent.Her brother, Lucian Gray, who plays the guitar, appears on her album 19 Masters. She began playing the piano at a young age, eventually deciding around the age of ten to play bass. // Gray began playing music in a house band for a Jamaican Pentecostal church. At the age of eighteen, Gray was a music teacher and a member of the Quincy Bullen Band. After dropping out of high school in order to take night classes instead, she moved to London in the United Kingdom at the age of nineteen. She worked as a touring bassist for over ten years prior to releasing music. She previously played as a bassist in Canadian singer and songwriter Daniel Caesar’s touring band She has also been a musical director for American singer Willow Smith and a bassist for English singer and songwriter Liam Payne. // In 2019, Gray began releasing original music. Her debut album, 19 Masters, was released on June 2, 2022. In 2023 and 2024, she released the dual extended plays QWERTY and QWERTY II. Her second album, Saya, was released on 21 February 2025. // Gray has lived in Toronto and the countries of Japan and the United Kingdom. She was living in Tokyo as of March 2024.]
    1. Gigi Perez – “Chemistry (Radio Edit)”
      from: “Chemistry (Radio Edit)” – Single / Outahere Records / February 28, 2025
      [Gianna Brielle Perez was born February 4, 2000, known professionally as Gigi Perez or simply Gigi, is an American singer-songwriter. Born in New Jersey and raised in Florida, she went viral on TikTok for her songs “Celene” and “Sometimes (Backwood)” and spent a period signed to Interscope Records, on which she released the 2023 EP How to Catch a Falling Knife. After leaving the label, she released “Sailor Song”, which peaked at number 22 on the Billboard Hot 100. “Sailor Song” topped the charts in Ireland, Latvia, and the United Kingdom, and peaked within the top ten of the charts in various countries, including New Zealand and Norway. She has also supported Coldplay on their Music of the Spheres World Tour, Noah Cyrus on her The Hardest Part Tour, girl in red on her Doing It Again Tour and D4vd on his The Root of It All Tour. // Gianna Brielle Perez was born on February 4, 2000, in Hackensack, New Jersey, and raised in West Palm Beach, Florida.: 0:49  She spent a year at a comprehensive before moving to a Christian school.: 8:39  Perez is a lesbian and has credited “Girls Like Girls” by Hayley Kiyoko with helping her accept her sexuality. She began writing songs aged fifteen and began releasing music in 2018 while in high school as part of the band Wendy Lane. Perez attended Berklee College of Music but left due to the COVID-19 pandemic in the United States. She had an older sister, Celene, who died in July 2020, shortly after which Perez’s partner broke up with her.: 29:34  To cope with her grief, she began uploading videos to TikTok to kill time. She went viral in early 2021 after releasing “Celene” and then “Sometimes (Backwood)”, both of which went viral on TikTok, prompting Interscope Records to sign her. // Perez released a further single, “The Man”, in June 2022, a track about expectations faced by men She supported Coldplay on their Music of the Spheres World Tour later that month at their Florida stadium show. She has stated in interviews to have received the offer to do so on her 22nd birthday and in February 2022. She then released “When She Smiles”, a song about a toxic relationship inspired by Ariana Grande, Imogen Heap, and “When Jamie Smiles” from the Ryan Reynolds film Just Friends, and “Glue”, a track written in late 2020 about clinging to a relationship after bereavement. In October 2022, she supported Noah Cyrus on her The Hardest Part Tour and released “Figurines”. In February 2023, she supported D4vd on his The Root of It All Tour. In March, by which time she was based in Brooklyn, she released “Sally” and announced an EP, How to Catch a Falling Knife, which comprised eight songs composed three years earlier. The EP took its title from the stock market term “never try to catch a falling knife”, as she felt it represented what she had put into the project, and was released in April 2023 alongside a music video for focus track “Kill for You”. // In March 2024, after being released from Interscope Records, she released “Normalcy”, a queer love song she had first promoted in December 2022 on TikTok; she followed this a month later with “Please Be Rude”. // In July 2024, she released the single “Sailor Song”, an acoustic queer ballad about a woman who looked like Anne Hathaway. The track went viral on TikTok, and peaked at number 22 on the Billboard Hot 100. Some conservative Christian communities complained about the line “I don’t believe in God, but I believe that you’re my saviour”, prompting Perez to remind her followers that her songwriting was “not a democracy”. She signed to Island Records in September 2024.]

    11:00 – Station ID

    1. Black Light Animals – “somebody 2 love me”
      from: “somebody 2 love me” – Single / The Record Machine / February 7, 2025
      [One of the singles from LAST CALL FOR LOVE SONGS to be released Friday, March 28, 2025. For this recording: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone. Recorded at Groove King Studios in KCMO. // Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. More info at: http://www.blacklightanimalsband.bandcamp.com]

    [Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!]

    11:03 – Interview with Cole Bales & Cody Calhoun

    Joining us are Cole Bales & Cody Calhoun of Black Light Animals – sharing details about their new album, LAST CALL FOR LOVE SONGS to be released Fri, March 28, 2025.

    Black Light Animals play an Album Release Show on Sat, March 29, 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO w/ Jass, SEYKO, FlarethaRebel, and more!

    Cole Bales & Cody Calhoun Thanks for being with us on WMM

    We just heard “somebody 2 love me” – single / Groove King Records / December 21, 2024

    For the recording: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion.

    Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone.

    Black Light Animals are a KC based band playing lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Recorded at Groove King Studios in KCMO. Cole & Branden Moser also play with The Freedom Affair.

    Last week’s WMM our guest was Seyko who plays with Cole & Branden in The Freedom Affair. Seyko released two singles as a solo artist that were both produced by Cole Bales

    Discography of other musical projects that involve members of Black Light Animals:

    SEYKO – “Anybody High” – Single / Groove King Records – Fat Beats, Dec. 1, 2023 was Produced by Cole Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair.

    SEYKO – “What I Want” – Single / Groove King Records – Fat Beats / June 23, 2023 Produced by Cole Bales of Black Light Animals, bandmate – SEYKO The Freedom Affair.

    Jass & The Boys – “Day Dream Girl” – Single / Groove King Records / August 25, 2023

    Jass & The Boys – “Gvn2u(feat. Jass & Black Light Animals)” – Single / Groove King Records / July 14, 2023

    Jass & The Boys “Love U Like I Love U (feat. Jass & Black Light Animals) “ / Groove King Records / December 2, 2022

    “The Boys” are the members of Black Light Animals: Colby Bales, Branden Moser, & Cody Calhoun plus Clarence Copridge. Colby & Branden are also in The Freedom Affair. Jass is Jasmine “Jass” Couch

    The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.

    The Freedom Affair have a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025.

    Shon Ruffin – Vocals
    Paula Saunders – Vocals
    Seyko Groves – Vocals
    Cole Bales – Guitar
    Branden Moser – Bass, Acoustic Guitar (Track 4)
    Chris Hazelton – Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals
    Dave Brick – Drums
    Pete Carroll – Trumpet and Flugelhorn
    Brett Jackson – Tenor Sax, Baritone Sax, Tambourine

    Recorded at Royal Studios in Memphis, TN
    Recording Engineer: Boo Mitchell
    Tape Operator: Wesley Graham
    Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair
    Mixed by: Vince Chiarito
    Mastered by: JJ Golden at Golden Mastering
    Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales
    Design and Layout: Tracy Lenihan

    The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness.

    A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio.

    The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse.

    Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.

    The Freedom Affair released the single “Get My Share” from: The Freedom Affair / Sunflower Soul Records / May 9, 2025 with Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar=, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful Feb. 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to KC with new musical conviction. By November, the band returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio.

    The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.

    11:12

    1. Black Light Animals – “Pink Lemonade”
      from: “Pink Lemonade” – Single / The Record Machine / September 15, 2023
      [The latest release from the Kansas City based psychedelic soul group, Black Light Animals: Alex Hartmann on drums & percussion, Branden Moser on bass & background vocal, Cody Calhoun on lead electric guitar & background vocals, Colby Bales on lead & background vocals, & acoustic guitar.. This single follows “Persephone” that was released on September 23, 2022. Black Light Animals released their full length debut album, Playboys of The Western World on Groove King Records on July 3, 2020. More info at: http://www.blacklightanimalsband.bandcamp.com]

    [Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!]

    11:16 – More Interview with Cole Bales & Cody Calhoun

    Joining us live in our 90.1 FM Studios are Cole Bales & Cody Calhoun of Black Light Animals. Cole & Cody join us to share details about their new album, LAST CALL FOR LOVE SONGS to be released Friday, March 28, 2025. Black Light Animals are a KC based band playing lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Recorded at Groove King Studios in KCMO. Cole & Branden Moser also play with The Freedom Affair.

    Black Light Animals play an Album Release Show Sat, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO w/ Jass, SEYKO, FlarethaRebel, and more!

    Cole Bales & Cody Calhoun Thanks for being with us on WMM

    We just heard the “somebody 2 love me” – single / Groove King Records / Dec. 21, 2024

    Black Light Animals are: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Liam Sumnight on drums & percussion.

    Cole and Cody joined us on August 18, 2021

    Cole and Cody joined us on July 1, 2020 to talk about the new record.

    They also joined us on June 12, 2019 edition of Wednesday MidDay Medley to share a new recording they’ve just completed, “Tell Me That You Love Me” was just finished up and mastered by Zach Harris And to talk about heir previous band, Instant Karma playing their last live show on Saturday, June 22, at recordBar, for SoundMachineKC with Pink Royal, and The Maytags. Instant Karma! was a 4-piece rock band from KC blending elements of psych, soul, funk. and hip hop. Instant Karma bass player Branden Moser has called the band, “a drug trip through the soul section of your local record store.”

    Cole Bales & Cody Calhoun, thanks for being with us on WMM

    Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!

    11:25

    1. Black Light Animals – “nobody left to blame”
      from: “nobody left to blame” – single / The Record Machine / December 21, 2025
      [One of the singles from LAST CALL FOR LOVE SONGS to be released Friday, March 28, 2025. Black Light Animals are: Cole B[ales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone. Recorded at Groove King Studios in KCMO. // More info at: http://www.blacklightanimalsband.bandcamp.com]

    [Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!]

    11:29 – Underwriting

    1. Big Fat Cow – “Patty”
      from: Behold The Soil! / Big Fat Cow / August 1, 2024
      [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com]

    [Big Fat Cow play miniBar, 3810 Broadway, KCMO on Sat., March 22, with The Clarence Tilton Band, and Gullywasher.]

    [Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah].

    10:35 – Interview with Noah Cassity, Alex May, and Cole Waters of Big Fat Cow

    Joining us from the band Big Fat Cow are Noah Cassity, Alex May, and Cole Waters. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; & Matt Chipman on drums.

    Big Fat Cow play miniBar, 3810 Broadway, KCMO on Sat., March 22, with The Clarence Tilton Band, and Gullywasher.

    Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah. Info at http://www.bigfatcowband.com

    Noah Cassity, Alex May, and Cole Water thanks for being with us on WMM

    Big Fat Cow is a post-country band delivering cowpoke fuzz since 2022.

    Big Fat Cow’s first endeavor was a folk album (Glutton for Punishment) written and recorded by Noah Cassity and mastered and digitized by Kole Waters. Wanting to perform the songs live, Noah recruited the help of Kole on lead guitar alongside childhood friend Alex May to play the bass. Kole was able to bring in Matt Chipman to play drums and finish out the band.

    Noah Cassity – lead vocals & guitar
    Kole Waters – guitar & vocals
    Alex May – bass guitar & vocals
    Matt Chipman – drums

    Meeting for the first time in KA studios, the newly formed quartet ripped into Noah’s folk songs, turning them into the rock, indie, americana and country inspired pieces that you know today. Each member of the band took and ran with the folk songs that Noah recorded and made it their own, pulling in inspirations from each of their unique musical backgrounds.

    Big Fat Cow has made themselves a household name in the Kansas City music scene, leaving an impression on everyone who comes out to see them play. With songs you can dance to and songs that will make you cry in the basement of a DIY show, Big Fat Cow is sure to leave their mark.

    “A band this good shouldn’t get saddled with a name this bad … you’re just going to have to tell your friends that you’re going to see Big Fat Cow, and wince while you do it.” – Too Much Rock

    The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums.

    The cattle’s broadly appealing, yet super unique brand of post-country, a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling.

    The herd’s captured a bit of what some suit from a less evolved time would’ve called “It.”

    Kole Waters is also in the band Dreamist who released the album Shouldn’t Be from midnomid collective on September 13, 2024

    Their 7-track debut album LP. “Made for everyone who cannot live within the margins of the culture imposed upon them.” // Written by Dreamist and Former Members Robert Graves and Travis Barker. Recorded, Mixed, and Mastered by Kole Waters at KA Productions. Released by Midnomid Collective. Album Art by Jaelin Kingsley. Album Packaging Formatted by Jacob Kingsley.

    Dreamist is a Post-Emo four-piece based in Kansas City, MO. // Dreamist is the result of the love of art that can simultaneously convey the visceral and esoteric. Holding post-hardcore aggression in one hand and the understated finesse of ambient and art rock in the other; Kole, Eli, Mitri, and Jacob embrace a full spectrum of genre to convey the many highs and lows of the human experience. Whether it is with voice, guitar, drum, synthesizer, or sample, Dreamist creates a space of vulnerability and catharsis in every performance and recording. // Too Much Rock writes: “The band’s songs are long, drifting from twinkling emo into post-rock climaxes. From sung to screamed. From beautiful to brutal. And all of them back again. While Waters’ is generally the pretty guitar, both he and Elisha Ruhman can make their guitars howl. That’s when the crashing drums of Mitri McCawley come into play. Whether on bass or keyboards, Jacob Kingsley filled in the gaps, giving body and weight to the compositions that otherwise might float away on a bed of lighter than air guitar effects.” // More info at: http://www.dreamistkc.com]

    Noah Cassity, Alex May and Kole Waters thanks for being with us on WMM

    11:54

    1. Big Fat Cow – “Cat Call”
      from: Behold The Soil! / Big Fat Cow / August 1, 2024
      [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com]

    [Big Fat Cow play miniBar, 3810 Broadway, KCMO on Sat., March 22, with The Clarence Tilton Band, and Gullywasher. ]

    [Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah.]

    1. Noel Coward – “The Party’s Over Now”
      from: Noel Coward in New York / drg / 2003 [orig. 1957]

    NEXT WEEK, on March 26 Stephonne joins us to premiere the brand new single “It’s Gonna Be Alright.” Also, Danielle Anderson joins us to talk about her new full length album FUMBLING from Danielle Ate The Sandwich releasing on Friday, March 21, 2025, AND Zach Hodson of the band The Fur and The Fang, joins us to talk about the band’s new music and their show Friday, March 28, at 7:00pm at The RINO with The Village Prairie and Cee Dee Vee

    Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

    THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

    This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

    Our Script/Playlist is a “cut and paste” of information.
    Sources for notes: artist’s websites, bios, wikipedia.org

    Wednesday MidDay Medley in on the web:
    http://www.kkfi.org,
    http://www.WednesdayMidDayMedley.org,
    http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1087

    WMM presents: Lone Stranger + Black Light Animals + Big Fat Cow

    Wednesday MidDay Medley
    TEN to NOON Wednesdays – Streaming at KKFI.org
    90.1 FM KKFI – Kansas City Community Radio
    Produced and Hosted by Mark Manning

    Wednesday, March 19, 2025

    WMM presents: Lone Stranger + Black Light Animals + Big Fat Cow

    Mark spins more New & MidCoastal Releases from: Flutienastiness, Ghosty, Birdie, LYXE, Nightosphere, Lee Walter Redding, Lone Stranger, Black Light Animals, and Big Fat Cow.

    At 10:30 Zach Phillips returns to play music from LONE STRANGER – live, in our 90.1 FM Studios. LONE STRANGER just released the 13-track debut, INTRODUCING…THE LONE STRANGER on February 15, 2025. The record was recorded & written by Lone Stranger in Kansas City during the pandemic. Mixed by Paul Malinowski. Mastered by Duane Trower. Produced by LONE STRANGER. All music performed by LONE STRANGER. Lone Stranger is a KC native with over 25 years in the music community. From his first band The Gadjits, to THE ARCHITECTS, Zachary has recorded and toured with Tim Armstrong from Rancid, Gilby Clarke from Guns & Roses, inked deals with Epitaph Records, RCA Recordings, and Frank Ieros Skeleton Crew. Zach has toured North America with My Chemical Romance, Vans Warped tour, Flogging Molly, The Mighty Mighty Bosstones, Rancid, The Skatalites, Hepcat, The Slackers, Reel Big Fish, The Pilfers, Spring Heeled Jack, Dance Hall Crashers, Stiff Little Fingers, Bouncing Souls, Frank Turner and The Sleeping Souls, Leftover Crack, Slow Gherkin, RX Bandits, and The Bronx.

    At 11:00am Colby Bales and Cody Calhoun of Black Light Animals join us to share details about their new album, LAST CALL FOR LOVE SONGS to be released on March 28, 2025. Black Light Animals are a KC based band playing lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Black Light Animals are: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone. Recorded at Groove King Studios in KCMO. Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!

    At 11:30 Mark talks with Noah Cassity and Alex May of the band Big Fat Cow. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow play miniBar, 3810 Broadway, KCMO on Saturday, March 22, with The Clarence Tilton Band, and Gullywasher. Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah. More information at http://www.bigfatcowband.com

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1087

    WMM Playlist from March 12, 2025

    Wednesday MidDay Medley
    TEN to NOON Wednesdays – Streaming at KKFI.org
    90.1 FM KKFI – Kansas City Community Radio
    Produced and Hosted by Mark Manning

    Wednesday, March 12, 2025

    WMM presents: The Extemporaneous Music & Arts Society + SEYKO + Tribute To Danny Cox

    1. “Main Title Instrumental – It’s Showtime Folks”
      from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
      [WMM’s Adopted Theme Song]
    1. Julien Baker & Calvin Lauber –“Get Me Away From Here, I’m Dying (feat. SOAK, Quinn Christopherson)”
      from: TRAИƧA / Red Hot / November 22, 2024
      [One of the most ambitious projects ever undertaken by the storied activist and music production non-profit Red Hot, TRAИƧA is a spiritual journey across eight chapters and 46 songs with over 100 artists contributing. The album spotlights the gifts of many of the most daring, imaginative trans and non-binary artists working today. // Dust Reid, who led production on Red Hot’s 2014 tribute to Arthur Russell, and Massima Bell, an artist and activist based in Los Angeles, began tracing the contours of what would become TRAИƧA together in 2021. The two producers originally met at a video shoot in upstate New York, and immediately bonded over their shared love of Beverly Glenn-Copeland’s music, as well as a common devotional connection to nature. // The passing of SOPHIE, the pathbreaking electronic producer who died in January 2021, galvanized the producers and focused their work. “We started talking about all the gifts that trans artists have been giving to the world, and wanted to create a Red Hot project that centered and celebrated those gifts,” says Reid. “We hoped to create a narrative that positions trans and non-binary people as leaders in our society insofar as the deep inner work they do to affirm who they are in our current climate. We felt this is something everybody should do. Whether you identify as trans or non-binary or otherwise, if you took the time to explore your gender, get in touch with the feeling side of yourself, maybe we would have a future oriented around values of community, collaboration, care, and healing.” // Bell and Reid began conceiving of the album as a spiritual journey in eight chapters, a mirror of the original eight-stripe rainbow pride flag. The narrative begins at the earliest awareness of consciousness; moves through awakening, trauma, and grief; and arrives at liberation and continual reinvention. “One thing trans people do all the time is turn grief into possibility,” says Bell. “Living under the ongoing Western binary system, trans people reveal maps of possibility for everyone. It’s something that we can all learn from – expanding the possibility of human life.” Each chapter begins with a “chapter track,” kicking off a collection of songs that speak to that chapter’s theme. // As the producers began inviting musicians to contribute to TRAИƧA, the political climate in the United States and across the world started to foment an acute reactionary streak. Legislation denying trans people the hard-won right to medically transition proliferated across the country. Book bans rained down on libraries, stamping shut crucial apertures into trans and queer lives. The necessity of TRAИƧA’s presence in the world started to crystallize. // “The stakes have never been higher,” notes Bell. “We’re seeing a rise in anti-trans hate and vitriol that is particularly being spewed in the United States. I am a trans person from Iowa, one of the states that signed into law a bill that prohibits access to gender-affirming care. It is clearly, materially, a terrifying time.” // TRAИƧA FEATURED ARTISTS:Adrianne Lenker * Ahya Simone * Alan Sparhawk (Low) * Allison Russell * Am Taylor * Anajah * Ana Roxanne * André 3000 * Anjimile * Arthur Baker * Asher White * AV María * Babehoven * Bartees Strange * Belina Rose * Benét * Beverly Glenn-Copeland * Bill Callahan * Blake Mills * Bloomsday * Calvin Lauber * Caroline Rose * Cassandra Croft * Cassandra Jenkins * Christian Lee Hutson * claire rousay * Clairo * CLARITY * Cole Pulice * Dave Longstreth * Devendra Banhart * Eileen Myles * Eli Winter * Elizabeth Glenn-Copeland * Ezra Furman * Faye Webster * Fleet Foxes * Frankie Cosmos * Gary Gunn * Gia Margaret * Green-House * Grouper * Hand Habits * Heart Shaped * Helado Negro * Hunter Schafer * Jamal Shakeri * Jay Dee Daugherty * Jayne County * Jeff Tweedy * Jlin * Joy Guidry * Julianna Barwick * Julie Byrne * Julien Baker * Kara Jackson * Kathi Wilcox * KB Brookins * Kelela * Laraaji * Laura Jane Grace * Lauren Auder * Lee Ranaldo * Lightning Bug * Lomelda * Lucy Liyou * Lynn Avery * Lyra Pramuk * L’Rain * Mary Lattimore * MIZU * Moor Mother * More Eaze * Moses Sumney * Nico Georis * Niecy Blues * Nina Keith * Nsámbu Za Suékama * NYC Trans Oral History Project * Pepper MaShay * Perfume Genius * Pharoah Sanders * Quinn Christopherson * Rachika Nayar * Sade Adu * Sam Smith * Sharon Van Etten * SKY * SOAK * Soft Rōnin * Sparkle Division * Taryn Blake Miller * Teddy Geiger * Time Wharp * Wendy & Lisa of the Revolution * Yaeji * Yaya Bey // Julien Rose Baker was born September 29, 1995. She is an American indie rock singer and guitarist. Her music is noted for its moody quality and confessional lyrical style, as well as frank explorations of topics including Christianity, addiction, mental illness, and human nature. She has received six Grammy Award nominations and three wins as a member of Boygenius. // Born and raised in suburban Memphis, Tennessee, Baker released her debut album Sprained Ankle (2015) while she was a student at Middle Tennessee State University. The album received critical acclaim and appeared on several 2015 year-end lists. Baker subsequently signed to Matador Records and released her second studio album Turn Out the Lights in 2017, to further critical success. Her third album, Little Oblivions (2021), embraced a more full-band sound and became Baker’s first top 40 album on the Billboard 200 chart. // In addition to her solo work, Baker is a member of the indie supergroup Boygenius, alongside Phoebe Bridgers and Lucy Dacus. The group’s debut eponymous EP was released in October 2018. Boygenius announced their reunion in January 2023, and their debut studio album The Record was released in March. Their newest release, titled The Rest, was released in October 2023. Baker is also in a country duo with Torres, debuting together in 2024.]

    10:07

    On Friday, March 7, 2025 we lost a living legend in Kansas City.

    Danny Cox recorded albums for Casablanca Records, ABC Dunhill and MGM. Many of these albums were recorded here in Kansas City through Good Karma Productions run by Vanguard Coffee House owner Stan Plesser who managed Cox’s career along with Brewer & Shipley, and The Ozark Mountain Daredevils.

    Danny Cox was born in July 18, 1943 in Cincinnati, Ohio to Bessy and Daniel Cox. He was the seventh of eight children. In 1963 a 20 year old Danny visited Kansas City while on a tour and was denied entry to the Muehlebach Hotel, because he was Black and Kansas City was segregated, this was one year before the passage of the Civil Rights Act of 1964 banned racial discrimination in public places. Back in 1963 Danny was accepted across the river at a Holiday Inn in Kansas City, Kansas. Danny has said “”Oh my god, just how different it was just a couple of miles away,” Cox said in an interview with KCUR 89.3, “The difference was so apparent.” Danny would eventually make his home in Kansas City, Kansas.

    Danny moved to Kansas City in 1967, where he continued his over 6 decade long career. Danny Cox was a singer, songwriter, actor, playwright, jingles writer and father of 10 children, and grandfather. He wrote the jingle “The Grass Pad’s High on Grass.” He performed and acted on multiple stages in Kansas City, The Vanguard, The Cowtown Ballroom, The Kansas City Repertory Theatre, Theatre for Young America. He sold out Carnegie Hall four times, toured the world. When Danny performed live he elevated the stage and electrified the room with his spirit and voice.

    He was such a power house of a human. He was so many things. He always stood for justice and equality and being a good human. His beautiful family is a testament to his character and love. When you find his music it will move you. Look for his earlier work, it stands the test of time and was always crossing over multiple genres.

    I was able to introduce Danny Cox a few years ago at the Crossroads Music Festival where along with a band of KC veteran musicians his children and grandchildren were performing with him. I had worked with his grandchildren at Quindaro Elementary with the KCK Organic Teaching Gardens. I was able to witness the love of this family, and the harmony they created. Danny Cox’s work and art and love will live on forever.

    10:10

    1. Danny Cox – “It’s You”
      from: Danny Cox / Dunhill Records / August 15, 1971
      [In 2021 Danny Cox digitally released YOUNG AND HOT (LIVE AT COWTOWN BALLROOM) EP on July 27, 2021. Danny Cox was born in 1942 in Cincinnati, Ohio. He is a folk singer and songwriter best known for his 1974 LP album Feel So Good. Danny Cox moved to Kansas City, Kansas in 1967. As a youth, he sang in a church choir together with Rudolph Iseley, and in the 1960s he started his professional career performing on a Hootennany Folk Tour. Cox has recorded albums for ABC Dunhill, Casablanca, MGM and others. He also partnered a company called Good Karma Productions, run by the KC based Vanguard Coffee House owner Stan Plesser, who managed the acts of Brewer & Shipley, and The Ozark Mountain Daredevils.]
    1. Danny Cox – “Electric Blanket Mama”
      from: Danny Cox / Dunhill Records / August 15, 1971
    1. Danny Cox – “We Can Build It on a Mountain”
      from: Feel So Good / Casablanca Records / 1974
      [Recorded at Bell Sound Studios, New York, January-March, 1974. In 2021 Danny Cox digitally released YOUNG AND HOT (LIVE AT COWTOWN BALLROOM) EP on July 27, 2021. Danny Cox was born in 1942 in Cincinnati, Ohio. He is a folk singer and songwriter best known for his 1974 LP album Feel So Good. Danny Cox moved to Kansas City, Kansas in 1967. As a youth, he sang in a church choir together with Rudolph Iseley, and in the 1960s he started his professional career performing on a Hootennany Folk Tour. Cox has recorded albums for ABC Dunhill, Casablanca, MGM and others. He also partnered a company called Good Karma Productions, run by the KC based Vanguard Coffee House owner Stan Plesser, who managed the acts of Brewer & Shipley, and The Ozark Mountain Daredevils.]

    Danny Cox Discography:
    Live at 7 Cities (1963)
    Sunny (1968)
    Birth Announcement (1969)
    Live at the Family Dog (1970)
    Danny Cox (ABC Dunhill Records) (1971)
    Feel So Good (Casablanca Records) (1974)
    Troost Avenue Blues (3-track EP) (2006)
    Bring Our Loved Ones Back (one track) (2007)
    Sack of Trout (Single) (2015)
    Vandalism in Eb Minor (Coin Heaven) (Single) (2015)
    Kansas City – Where I Belong (Recorded at Pilgrim Chapel) (2012)
    Time Is What I Need (Single) (2020)
    Young and Hot (Live at Cowtown Ballroom) (5-track EP) (July 27, 2021)
    Big John Buck O’Neil (Single) (December 7, 2021)

    10:20

    1. Galactic and Irma Thomas – “Where I Belong”
      from: Audience With The Queen / Tchoup-Zilla Records / Expected April 11, 2025
      [New Orleans’ one and only Galactic has joined forces with the legendary Soul Queen of New Orleans, GRAMMY® Award-winning singer Irma Thomas, for an all-new collaborative album. Audience With The Queen that arrives Friday, April 11 on Galactic’s own Tchuop-Zilla Records. // Audience With The Queen marks a landmark departure from Galactic’s 10 previous studio LPs, most of which revolved around the band’s core instrumentalists – Ben Ellman (saxophones, harmonica), Robert Mercurio (bass), Stanton Moore (drums), Jeff Raines (guitar) and Rich Vogel (keyboards) – accompanied by a mix of different vocalists. Here, the 84-year-old Thomas retains the spotlight across eight brand new songs written specifically for her famously warm, blues-drenched voice. Audience With The Queen is heralded by the new single, “Where I Belong.”// Known as the “Soul Queen of New Orleans,” Irma Thomas is a pillar of American R&B and blues history, known for her soulful voice and distinctive southern twang. She immediately made a splash with her 1959 Billboard-charting debut single, “Don’t Mess With My Man,” which she followed with a string of unforgettable hits recorded with producer Allen Toussaint including “It’s Raining” and 1964’s top 20 pop hit, “Wish Someone Would Care,” a slow-burning, self-penned soul ballad based upon her life as a 17-year-old mother of three children. Recorded the same year, Thomas’ “Time Is On My Side” inspired The Rolling Stones to record an almost note-for-note rendition that proved their first top 10 single in the US. Though Thomas’ influence was firmly entrenched in New Orleans and around the globe for over five decades, she received her first-ever GRAMMY® Award in 2007 honoring her 18th studio album, the moving post-Katrina reflection After the Rain. Among her many other honors and accolades include two Blues Music Awards for “Soul Blues Female Artist,” the Americana Honors & Awards’ 2018 “Lifetime Achievement Award For Performance, and induction into the Louisiana Music Hall of Fame. // Galactic has proven an equally essential cornerstone of New Orleans’ dynamic music landscape over their own past three decades. The always adventurous group has evolved continuously since first together in the 1990s as a late-night funk outfit steeped in the unique sounds of their beloved city, thanks in part to their penchant for collaborating with a wildly diverse array of guest artists. While those experiences have afforded a steady stream of musical perspectives and ideas, other elements of their work – like their role as stewards of the historic New Orleans music venue Tipitina’s – have only served to deepen Galactic’s inextricable relationship with their city and its music community, providing an even richer foundation for their ongoing explorations of new creative terrain.]
    1. Abraham Alexander, Adrian Quesada–”Like a Bird (Sing Sing Original Soundtrack)”
      from: “Like a Bird (Sing Sing Original Soundtrack)” – Single / A24 Music / August 23, 2024
      [Nominated for an Oscar for Best Original Song, “Like a Bird” bursts with heart. The track is a collaboration between Grammy winning artist Adrian Quesada (Black Pumas) and Abraham Alexander, a multi-talented star on the rise who has recently opened for Leon Bridges, The Lumineers, and Mavis Staples. Honeyed vocals glide over a soulful instrumentation that’s packed with energy. Punctuated with heavenly backing vocals and a killer guitar outro, the track is exhilarating. “Like a Bird” shines in A24’s highly acclaimed Oscar-nominated film Sing Sing, which starred Colman Domingo. // Abraham Alexander’s debut album SEA/SONS was releaased April 14, 2023. and was in the Top 20 of WMM’s 120 Best Recordings of 2023. Born in Greece to parents of Nigerian descent, Alexander moved to Texas with his family at age 11 to escape the racial tensions they faced in his birthplace. Shortly after moving to the states, his birth mother was killed in a car accident with a drunk driver, leading Alexander to be adopted later in his teens. He found solace in sports as a soccer prodigy and later, following a torn ACL that ended his playing career, in music once a friend handed Alexander a guitar and he unexpectedly found songs pouring out of him. // The 11 tracks on SEA/SONS touch on themes of loss, redemption, longing, anguish and joy. And while his lyrics speak to pain, trauma and life-changing loss, he instills his music with a joyful passion and irrepressible spirit, ultimately giving way to songs that radiate undeniable hope.]

    10:28 – Underwriting

    1. They’re Theirs – “Midland Empire”
      from: “Midland Empire” – Single / Chase The Horseman / February 18, 2025
      [As a live band They’re Theirs consists of Chase Horseman on vocals and guitars, Sky Cowdry on bass and Ian Dobyns on drums. // “Midland Empire” was produced by They’re Theirs, engineered by Ian Dobyns, mixed by Ian Dobyns Chase Horseman and Sky Cowdry. Mastered by Justin Perkins/Mystery Room Mastering. Recorded at Element Recording. // Chase The Horseman released the single “Silver Liner” on October 25, 2024. Drums and additional engineering by Ian Dobyns, Additional vocals by Heidi Gluck. Mastered by Anthony Puglisi. Written, produced, performed and mixed by Chase Horseman at Element Recording. // Chase Horseman has composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, The Roseline, Nan Turner and more. Chase The Horseman film composer, band leader, multi-instrumentalist, audio engineer, & producer. // On April 2, 2024 Chase released the 22 track Original Sound Track for Headcount, a feature film from the Burghart Brothers, produced by Continuance Pictures, Method Media, and Shout Factory. Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” // In February 2020 Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. Chase played Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals all performed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos. // On May 1, 2020. // Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowley on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of the Chase Horseman single were be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. // Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018. // More info at: http://www.chasethehorseman.bandcamp.com.]
    1. Perfume Genius – “It’s A Mirror”
      from: Glory / Matador / March 28, 2025
      [Glory was produced by Blake Mills and marks the 7th studio album in his immaculate body of work. It’s a Mirror,” is the first single and its companion music video is directed by Cody Critchloe. The two artists first collaborated on the music video for Perfume Genius’ groundbreaking “Queen,” and Critchloe has also directed videos for artists such as Robyn, Kyle Minoque, Yeah Yeah Yeah’s, Yves Tumor and more. // Perfume Genius, the stage name for Seattle-based solo artist Mike Hadreas who was born in Des Moines, Iowa, moving to the suburbs of Seattle, Washington at the age of 7. Hadreas studied painting in school and took piano lessons as a child. His mother was a special education teacher, and is now an assistant principal at a middle school. His parents divorced when he was a teenager. Growing up, Hadreas was the only openly gay student at his school, and he received death threats which were not addressed by the administration. He dropped out of high school during his senior year. Two years after dropping out, he was attacked by several young men in his neighborhood. He moved to Williamsburg, Brooklyn and worked as a doorman for a club in the East Village. In 2005, Hadreas returned home to Seattle and began recording music. In 2008, Hadreas set up a MySpace page under the name Perfume Genius, and thus began his music career. Hadreas’s music explores topics including sexuality, his personal struggle with Crohn’s disease, domestic abuse, and the dangers faced by gay men in contemporary society. In an interview with Jia Tolentino, Mike Hadreas described the album as influenced by his work with choreographer Kate Wallich on a 2019 dance piece titled “The Sun Still Burns Here”. Hadreas composed numerous songs for the performance, with two singles, “Eye in the Wall” and “Pop Song” resulting, though neither was included on Set My Heart on Fire Immediately. Of the experience, Hadreas explained that the themes of embodiment in his prior music were complicated as dance felt “rebellious against [his] body.” He explained that dancing “blew up this separation between [his] work and the world,” resulting in changes to his songwriting, with songs now telling stories grounded in real-life settings and about real people. He cited Townes Van Zandt, Enya, and Cocteau Twins as influences on the new album]
    1. Til Willis & Erratic Cowboy – “Lost”
      from: “Lost” – Single / Til Willis / February 27, 2025
      [3rd single from the upcoming album, Glass Cactus. Written by Til Willis Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. Steve Faceman on backup vocals. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]

    [Til Willis plays Gaslight Gardens 317 North 2nd Street, Lawrence, KS on Sat., March 22 at 7:00pm.]

    1. Angie Fights Crime – “Weight of The World”
      from: Savior of The World / Angie Fights Crime / March 1, 2025
      [Angie Fights Crime is the brainchild of Brent Kinder, a musician, poet, songwriter of unlimited passion and a desire to create music and share it with the world. Angie Fights Crime often features collaborations with musicians from around the world. Savior of The World features Daniel Jordan on vocals, and Keith Howell on drums. Artwork by Tyson Schroeder, and J. Irvine. Mixing and mastering by Robert Rebeck. Brent Kinder is also in the band sMallWaves where he plays bass. With 48 albums, and 452 tracks, Angie Fights Crime is the musical project of one guy who couldn’t stop writing songs. Part I 1995-2015 (The Alphabet Series) Part II 2016 – ? (The Greyscale Series). More information at: https://alonetone.com/angiefightscrime.%5D
    1. She Said – “Wish You Well”
      from: What! / She Said / May 10, 2025
      [Jennie Ferguson on vocals & guitar, Scott Mize on guitar, Doug Hitchcock on drums, Matt Kesler, on bass. Matt Kesler & Scott Mize used to be in a band called Sylvan Grove. Jennie Ferguson & Scott Mize used to play in Shotgun Solution. This was after the time of Jennie’s all-girl psych/pop band PMS. Doug Hitchcock has played with Matt Kesler in the Midtown Jazz Quartet. Doug has played with Freedie Johston, and the band Near Death Experience. Matt Kesler also plays in the famous bands The Pedajets and The Doo Dads.]

    [She Said will appear LIVE on WMM here on 90.1 FM KKFI on Wed., April 30, 2025. ]

    [She Said play a Record Release Party at recordBar, 1520 Grand Boulevard, KCMO, Saturday, May 10, at 6:00 pm, doors at 5:30 pm.]

    1. Kat King – “I Might Like It”
      from: I Might Like It – Single / Manor Records / February 28, 2025
      [Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. Produced by Isaac Flynn of Hembree. Kat King released the EP Domestic Bliss on April 5, 2024. Domestic Bliss was in the Top 25 of WMM’s 129 Best Recordings of 2024. // On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. // Kat King’s career started as far back as 2nd grade in small town Kansas. As a solo singer-songwriter act, she produced one 13-song album and three EP’s. Now based in Kansas City, Kat King graduated into a 5-piece indie-pop rock group who are gearing up for the release of their second EP together. Their infectious energy has landed them on some of KC’s biggest stages.]
    1. Yuno – “Blest”
      from: Blest / Sub Pop Records / May 16, 2025
      [Debut album from Yuno. All songs on Blest were written & performed by Yuno, co-produced by Yuno and Frank Corr, who also contributed keyboards, drums, & guitar throughout the record, with additional production and instrumentation by Patrick Wimberly (“True,” “Massive”) at The CRC in Brooklyn, and Nick Sanborn at Betty’s in Durham, NC (“True”). Blest was mixed by Steve Vealey and mastered by Joe La Porta. // Yuno was born in New York to Jamaican parents from the U.K., and grew up in the coastal Southern city of Jacksonville, Florida. Raised on a sonic diet of reggae and hip-hop records — his father’s copy of 50 Cent’s Get Rich or Die Tryin’ was on regular rotation in the family car throughout the 2000s — Yuno’s musical tastes began to diverge after his grandfather gifted him a skateboard that he found in a garbage can. Eventually, and unexpectedly, Yuno’s new hobby would dovetail with a future career in music. // “The first time I ever got on a skateboard, I broke my foot,” he recalls. It was while he was on the mend that he fully immersed himself in video games like Dave Mirra Freestyle BMX and Tony Hawk’s Pro Skater, famous gateways for many young punks of the millennial generation. As he studied skate videos to build on his athletic technique, he also cultivated a sixth sense as a composer and overall curator of vibes. “I’m always visualizing things when I’m making music and that helps me complete the full picture,” says Yuno. “To this day I’m like, ‘What does it need to make it fit in a skate video?'” // Having taught himself the bass and guitar at home, his early material began as impressions of harder bands like HIM, Rancid, and AFI; later, he would embrace anti-folk heroes like the Moldy Peaches and Daniel Johnston. With the advent of the social media predecessor Myspace, Yuno began discovering more eclectic local Jacksonville acts, like indie-pop darlings Black Kids — who offered a more diverse look and eclectic sound for the Bold City, which had then been defined by white radio rockers like Limp Bizkit, Yellowcard, and Red Jumpsuit Apparatus. “Seeing Black Kids’ success showed me more of what I could do,” says Yuno. // In time, Yuno taught himself to produce on his laptop, and filled his childhood bedroom with instruments to cultivate a more full-bodied sound, in which he married crunching pop-punk riffs with glimmers of synth strings Yuno uploaded his ballads of teenage longing to Soundcloud, where they began to catch fire within the indie blogosphere — and by 2014, caught the attention of Shabazz Palaces emcee and Sub Pop A&R representative Ishmael Butler. At that time, Yuno had never performed a live show, and could count the number of concerts he’d been to on one hand. // “He DMed me for new music, but I didn’t have anything to bring him,” recalls Yuno. “A year or so later, he came back and asked, ”Do you mind if I share your music with Sub Pop?’ Apparently, they liked it, and I flew out to Seattle to meet everybody.” // That visit resulted in a record deal with Sub Pop and eventually, his 2018 debut EP, Moodie. The record’s evocative, yearning hooks and cinematic ambience made a suitable soundtrack for film and TV. His surfy pop track “Sunlight,” a summer sketch he revitalized from 2012, was featured in an episode of the Netflix series Atypical; and the gossamer melancholy of “Fall in Love” made for a haunting needle drop in comedian Ramy Youssef’s HBO special, Feelings. // By this time, Yuno had moved back to his birthplace of New York City and settled in Bushwick — just before the Covid-19 pandemic had threatened to stall his music career, along with the world. Sequestered at home once more, like the monastic days of his youth, Yuno began piecing together his foundation for Blest. “For the first time in my life, I was social, going to shows, and meeting new people,” says Yuno. “Then I had to kind of go back and revert to just being in my bedroom all day. It was strange, but I was used to it!” // As the pandemic eased, Yuno welcomed collaborators like Nick Sanborn of Sylvan Esso and Patrick Wimberly of Chairlift, the latter who lends his sparkle to the fuzz-rock saunter of Blest track, “Massive” — “The bane of staying young is gettin’ older,” sings Yuno, speaking to the all-too precious resource that is time. Co-producer Frank Corr, the NYC artist who performs as Morning Silk, introduced an array of vintage synthesizers to the musician. //Yuno’s superpower lies in the way he mines a multitude of genres for their pop potential and surfaces with a tapestry that feels novel and fresh. Take, for instance, “Blest,” the immediate, blissful, and bright title track, which is inspired by Rich Harrison-breakbeats and Neptunes-esque jangle. Or the breezy single, “True,” which he began writing at producer Sanborn’s Betty’s in Durham, NC, Yuno moderates a lover’s quarrel with slick, trap percussions. Amid the breakbeated dream-rock of “Gimme Ocean,” he introduces his guitar solo with a searing emo scream, run through an EarthQuaker Devices pedal. Don’t let his sanguine aura or his sherbet pink wardrobe fool you; he can shred as hard as he wants to when he wants to.

    11:00 – Station ID

    1. Krista Kopper, Seth Davis, Evan Verploegh, Benjamin Baker, Aaron Osborne
      from: EMAS @ MiniBar May 5. 2024 / EMAS / May 5. 2024
      [Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in Kansas City through performances, a record label, and multidisciplinary collaborations.]
      [EMAS is presenting a concert series at MiniBar, 3810 Broadway Boulevard, KCMO that highlights local & touring improvising & experimental music artists. The series continues with additional concerts on May 4, July 6, Sept. 7, and Nov. 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. Info at http://www.emaskansascity.com]

    11:04 – Interview with Seth Davis, Evan Verploegh, Shanté Clair and Benjamin Baker

    Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in Kansas City through performances, a record label, and multidisciplinary collaborations. EMAS is presenting a new concert series at MiniBar, 3810 Broadway Boulevard, KCMO that will highlight local and touring improvising and experimental music artists. The series continues with additional concerts on May 4, July 6, September 7, and November 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More info at http://www.emaskansascity.com

    Members of Extemporaneous Music & Arts Society join us. Seth Davis (founder), Evan Verploegh (co-founder), Shanté Clair, Benjamin Baker thanks for being with us on WMM.

    Seth Andrew Davis is a performer, composer, improviser, technologist, scholar and educator from the Kansas City area. Davis graduated from the University of Missouri-Kansas City Conservatory of Music and Dance in Kansas City, Mo. in 2019 with a BM in Music Composition. Davis has studied with Jim Mobberley, Paul Rudy, Zhou Long, Chen Yi, Mara Gibson and Michael Miller. In 2023, Davis graduated with an MA in Music with an emphasis in Music Technology from the University of Central Missouri where he studied with Jeff Kaiser. // Davis is involved in the improvised music/free improvisation, experimental, and electronic music scenes in Kansas City. Davis’ music runs the gamut of compositions for orchestral and chamber ensembles, performances with free-jazz/free improvised music ensembles and large groups, solo performance, collaborations with dancers and video artists, and the design and collaboration of autonomous and interactive artificial life agents and 3D environments.

    Seth Davis has performed and has had his music performed in the United States, the United Kingdom, Ireland, Malaysia, Mexico and Indonesia. Davis has had his work performed at various conferences and festivals including the New York City Electro-Acoustic Music Festival, KC Performing Media Festival, Kansas City Contemporary Music Festival, NASA Regional IV Conference, Electronic Music Midwest, Exchange of Midwest Collegiate Composers, the International Navy Saxophone Symposium, National Flute Association Convention, Making Moves Dance Festival, MoxSonic, Experiments in Electronic Sound at CalArts, Omaha NoiseFest, New Interfaces For Musical Expression (NIME), SPLICE Festival, & the International Computer Music Conference (ICMC).

    Davis has had pieces performed by the Mnemosyne Quartet, Project C4, Dionysus, Second Nature Ensemble, Chi Him Chik, Sputter Box, Apply Triangle, loadbang, EMAS, No Treble Low String Trio, UCM New Technologies Ensemble, newEar Contemporary Chamber Ensemble, & the Symbiotique Nonet and has either performed, recorded and/or collaborated with Alexander Adams, Ishmael Ali, Ben Baker, Ben Baker Billington, T.J. Borden, Lucas Brode, Claire De Brunner, Bob Bucko Jr, Lisa Cameron, Kevin Cheli, Craig Chin, Dan Clucas, Brennan Connors, Brandon Cooper, Alex Cunningham, Tim Daisy, Alvaro Domene, Michael Eaton, Douglas R. Ewart, Sandy Ewen, Kelley Gant, Vinny Golia, Enrique Haneine, Lathan Hardy, Jakob Heinemann, Zachary Hickerson, Zoots Houston, Kyle Hutchins, Molly Jones, Max Johnson, Jeff Kaiser, Reid Karris, Krista Kopper, Max Kutner, Tom Law, Scott R. Looney, Thollem McDonas, Adam Minkoff, Federico Musso, Spencer Perkins, Kyle Quass, Alberto Racanati, Aoki Satoru, Adam Shead, Patrick Shiroishi, Damon Smith, Mike Stover, Scott Dean Taylor, Evan Verploegh, Eli Wallace, Weasel Walter, Alex Williams, Drew Williams, David James Witter, & Will Yager. Davis has performed with groups such as newEar Contemporary Chamber Ensemble, Mnemosyne Quartet, Project C4, & the UMKC IMP Ensemble. Davis’s music has been featured and released on labels such as EMAS Records, Lurker Bias, Neuma Records, Mother Brain Records, Personal Archives, Ramble Records, and Relay Recordings.

    Davis’ composition & performance style has been described as “brutalist maximalism” , a “workmanlike Renaissance Soundman” (KC Studio Magazine). Davis’ playing has been described as “moving from bubbling liquid mercury and emotive string speculation to surgical-edged metallics and everything in between” (Brad Rose, Foxy Digitalis) and has been called a “master of pedals/effects” (Bruce Lee Gallanter, Downtown Music Gallery). Davis’ music has been described as “confrontational” (Bill Brownlee, There Stands The Glass), “engaging…thoughtfully composed” (Aaron Grant, DiaKCritcal), “fascinating and foreboding, eerie music that challenges and rewards with repeated listens’ ‘ (Bryan Voell, Listen Local) & “futuristic bubbling soundscapes that teem with sonic life” (Brad Rose, Foxy Digitalis). Davis was featured as an “Artist to Watch” by KC Studio in 2023 and along with Evan Verploegh as 2022’s “Plastic Sax” blog’s “People Of The Year.”

    As an artist, Davis works closely with performers and collaborators to create pieces, installations, and works that are unique to that partnership. Davis is an avid collaborator, having worked with choreographers, video artists, animators, playwrights etc. Davis’s artistic influences run the gamut from popular music, free-jazz, hip-hop, electronic music, film, literature, visual art, contemporary culture and from this Davis wishes to blur the lines between genres, composer and performer, and various artistic mediums. Davis is also a co-founder of Second Nature, a free jazz/new music/math-rock ensemble, was the guitarist in the new music ensemble Project C4 (2018-2020), and is a founding member of EMAS: Extemporaneous Music & Arts Society. Davis is also an active concert organizer in the Kansas City music scene as the Vice President of KcEMA (KC Electronic Music Alliance) and as Production Coordinator of newEar Contemporary Chamber Ensemble. In 2020, Davis co-founded Mother Brain Records with saxophonist & composer Michael Eaton. Mother Brain Records is a Midwest based label focused on releasing the works of artists in the experimental & improvised music scenes. From 2019-2022, Davis was an artist resident with Charlotte Street Foundation. In 2021, Davis co-founded EMAS with Evan Verploegh. EMAS is an improvised music & arts collective based in Kansas City that is dedicated to advancing creative work in Kansas City. Davis currently is an adjunct instructor at the University of Central Missouri teaching Applied Music Technology and the KC Art Institute teaching music technology courses.


    Evan Verploegh (he/him) is a drummer based in Kansas City, Missouri, after relocating from Wisconsin in late 2019. He serves as co-founder of the Extemporaneous Music and Arts Society. EMAS is a collective group dedicated to advancing improvised and experimental artistic work in Kansas City. In 2022, he was awarded a studio residency at Charlotte Street Foundation. Committed to improvisation as an artform, Evan draws from influences of free jazz, contemporary classical, and experimental rock. Evan also serves as an active organizer of live music and arts events.


    Benjamin Baker is a composer and performer currently based out of Kansas City. Benjamin’s music comes from a place at the intersection of spontaneous improvisation and traditional storytelling structure with works written for a variety of concert ensembles and popular music groups, drawing influence from a multitude of traditions, genres, and styles. As a performer, Benjamin appears on multiple freelance recording works including projects with the Extemporaneous Music and Arts Society of Kansas City, the band Friendly Thieves, and he is the co-founder of the recording and performance collective II-WANDS. Notable awards Benjamin has recently received include the 2022 ASCAP Morton Gould Young Composer Award for his piece PRIMORDIAL (2019) for alto saxophone and live electronics, as well as attending the Visby International Centre for Composers in 2024 as a composer-in-residence. Benjamin received his B.M. in Composition from Ohio University in 2020 and his M.M. in Composition from the University of Missouri-Kansas City in 2023. More info at: http://www.benjamintbaker.com


    Shanté Clair (she/her) is a singer/songwriter and experimental musician who builds prismatic soundscapes through looping and layering effects.

    Originally from Chicago and now based in KC, Shanté started her music career on acoustic guitar. After a long stint with experimental band Shiny Jets, she’s now a core member of the Extemporaneous Music & Arts Society (EMAS).


    Since playing with EMAS, she has expanded to playing glockenspiel, semi-modular synthesizers, peacock harp (Taishōgoto), and a variety of unconventional objects. Influenced by Stevie Wonder to Captain Beefheart, Shanté works in sonic contrasts, oscillating between shimmering atmospheric tones and stark, punctuated distortion.
    By day, Shanté works as a visual designer and enjoys making mixed media art including painting and digital collage.


    EMAS is presenting a new concert series at MiniBar, 3810 Broadway Boulevard, KCMO that will highlight local and touring improvising and experimental music artists. The series continues with additional concerts on May 4, July 6, September 7, and November 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More info at http://www.emaskansascity.com

    11:13

    1. Krista Kopper, Evan Verploegh, Aaron Osborne, Seth Davis – “2”
      rom: EMAS @ Farewell Nov. 11, 2024 / EMAS / Nov. 11, 2024
      [Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in KC through performances, a record label, and multidisciplinary collaborations.]
      [EMAS is presenting a concert series at MiniBar, 3810 Broadway Boulevard, KCMO that highlights local & touring improvising & experimental music artists. The series continues with additional concerts on May 4, July 6, Sept. 7, and Nov. 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More at http://www.emaskansascity.com]

    11:16 – More Interview with Seth Davis, Evan Verploegh, Shanté Clair and Benjamin Baker

    Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in Kansas City through performances, a record label, and multidisciplinary collaborations. EMAS is presenting a new concert series at MiniBar, 3810 Broadway Boulevard, KCMO that will highlight local and touring improvising and experimental music artists. The series continues with additional concerts on May 4, July 6, September 7, and November 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More info at http://www.emaskansascity.com

    Members of Extemporaneous Music & Arts Society join us. Seth Davis (founder), Evan Verploegh (co-founder), Shanté Clair, Benjamin Baker thanks for being with us on WMM.


    Krista Kopper is a fanatic of modern and contemporary music. She has traveled the country playing musicals as well as commissioning, performing, and recording works for the double bass written by some of the most influential modern composers. An avid improviser, she enjoys exploring the infinite variety of sounds that a double bass can produce. To that end, she is an active member of the Extemporaneous Music and Arts Society, an improvised arts collective in Kansas City.

    She has a masters degree in double bass performance from The Hartt School where she studied with Robert Black. Some of her career highlights include performing Gubaidulina’s “Concerto for Bassoon and Low Strings” with Ensemble Mise-En at the New York University Library, performing Ustvolskaya’s Composition No. 2 “Dies Irae” with Robert Black and friends at the Jewish Museum in NYC, doing a run of “A Chorus Line” and “Spamalot” at the Palace Theatre in Manchester, NH, teaching at a music summer camp in Cazadero, CA, doing a run of “9 to 5” at Creede Repertory Theatre in Creede, CO, and performing with newEar Contemporary Music Ensemble in KCMO.

    Krista was also the creator and host of The Backstage Creative, a podcast that focused on the people who work behind the scenes of theater. Two years ago she started a concert series called The Only Series which highlights 20th century composers. She recently released a solo improvised album called “Blessed Are Those Who Mourn” which is based off of women who have been murdered while running. She is currently working on a book about Robert Black while she freelances in the KCarea. In her spare time she also trains for ultramarathons.


    Aaron Osborne is a multi-instrumentalist from KC. He uses electric upright bass; bowed gongs; electronics & auxiliary percussion to create multi-layered, improvised compositions.


    Brooke Knoll is a harpist, radio professional, and digital marketer based in Kansas City, Missouri and currently residing in Dublin, Ireland. Brooke is a graduate of the University of Minnesota – Twin Cities, receiving a B.S.B. with majors in Entrepreneurship, Public Non-Profit Management, and Harp. She is currently pursuing an M.A. in Cultural Policy and Arts Management from University College Dublin in Dublin, Ireland. She has studied harp with Kathy Kienzle, Phala Tracy, and Nikki Lemire.

    A student of classical harp as well as the Suzuki method, Brooke has experience performing in orchestral and solo settings. A lifelong learner, she seeks to find ways in which the harp can break convention and elicit new emotions from listeners while also employing traditional sonorities. She has previously played with the Roseville String Ensemble and Topeka Symphony. She currently performs as part of the Extemporaneous Music and Arts Society as an improviser and collaborator of contemporary music and teaches lessons to students of all ages.


    Brooke got her start in public radio at the University of Minnesota’s radio station, Radio K, where she hosted “Rock Me, Amadeus,” a show dedicated to making classical music accessible and approachable. From there, she joined YourClassical MPR as a digital producer and board operator before finding her way to Kansas City as digital audience specialist and on-air host at 91.9 Classical KC, where she worked until 2024.

    As an arts administrator, Brooke has previously worked with the Minnesota Fringe Festival, Saint Paul Chamber Orchestra, Cuban American Youth Orchestra, and Minnesota Orchestra.

    Seth Davis (founder), Evan Verploegh (co-founder), Shanté Clair, Benjamin Baker thanks for being with us on WMM.

    EMAS is presenting a new concert series at MiniBar, 3810 Broadway Boulevard, KCMO that will highlight local and touring improvising and experimental music artists. The series continues with additional concerts on May 4, July 6, September 7, and November 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More info at http://www.emaskansascity.com

    11:25

    1. Shanté Clair, Aaron Osborne – “3”
      from: EMAS @ Fifth Floor December 21, 2024 / EMAS / December 21, 2024
      [Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in KC through performances, a record label, and multidisciplinary collaborations.]

    [EMAS is presenting a concert series at MiniBar, 3810 Broadway Boulevard, KCMO that highlights local & touring improvising & experimental music artists. The series continues with additional concerts on May 4, July 6, Sept. 7, and Nov. 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More at http://www.emaskansascity.com]

    11:28 – Underwriting

    1. SEYKO – “Anybody High”
      from: “Anybody High” – Single / Groove King Records – Fat Beats / December 1, 2023
      [Produced by Colby Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair. // Seyko released the single “What I Want” on June 23, 2023. //From http://www.seykomusic.com: Seyko has always found music to be a reflection of her innermost thoughts and feelings, a way of self-expression but even deeper than that. Music was always a life-giving, constant companion from the happiest moments to the darkest days. Music continues to be Seyko’s way of communicating with the world around her. // Seyko developed her musical talent during her formative years through church and school choirs, friendships that evolved into singing groups, and professional training through voice lessons and songwriting. Opportunities presented themselves, but Seyko also created opportunities for herself as she chased her dream to create and perform her own music. // The Freedom Affair and SUNU, two Kansas City bands Seyko performs and writes with, have solidified her place in the music scene and provide a solid foundation for beginning her solo career. Seyko’s singing and songwriting career has spanned twenty years, and it shows! Her creative growth has led to her being a well-respected artist in Kansas City, allowing her to participate in recording projects for fellow musicians and even singing background vocals for Michael Bublé at a live concert in 2022.]

    11:34 – Interview with SEYKO

    KC vocalist SEYKO developed her powerful vocal talent during her formative years through church and school choir. Seyko’s singing and songwriting career has spanned twenty years. Seyko performs and writes music for the bands The Freedom Affair and SUNU, two bands that have solidified her place in the music community. Her creative growth has led to her solo recordings collaborating with members of the bands Black Light Animals and The Freedom Affair. Seyko also participates in recording projects for fellow musicians and singing background vocals for The Band That Fell To Earth and with Michael Bublé at a live concert in 2022. The Freedom Affair have a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025.

    Seyko plays the Black Light Animals, LAST CALL FOR LOVE SONGS – Album Release Show on March 29 at The Ship

    SUNU play The Ship, 1228 Union Ave, KCMO on Saturday, April 6 at 6:00pm.

    The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.

    Seyko, Thanks for being with us on Wednesday MidDay Medley

    “Anybody High” was released though Groove King Records – Fat Beats, on Dec. 1, 2023 and was Produced by Colby Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair. // Seyko released the single “What I Want” on June 23, 2023. // From http://www.seykomusic.com: Seyko has always found music to be a reflection of her innermost thoughts and feelings, a way of self-expression but even deeper than that. Music was always a life-giving, constant companion from the happiest moments to the darkest days. Music continues to be Seyko’s way of communicating with the world around her. // Seyko developed her musical talent during her formative years through church and school choirs, friendships that evolved into singing groups, and professional training through voice lessons and songwriting. Opportunities presented themselves, but Seyko also created opportunities for herself as she chased her dream to create and perform her own music.

    The Freedom Affair has a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025.

    Shon Ruffin – Vocals
    Paula Saunders – Vocals
    Seyko Groves – Vocals
    Cole Bales – Guitar
    Branden Moser – Bass, Acoustic Guitar (Track 4)
    Chris Hazelton – Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals
    Dave Brick – Drums
    Pete Carroll – Trumpet and Flugelhorn
    Brett Jackson – Tenor Sax, Baritone Sax, Tambourine

    Recorded at Royal Studios in Memphis, TN
    Recording Engineer: Boo Mitchell
    Tape Operator: Wesley Graham
    Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair
    Mixed by: Vince Chiarito
    Mastered by: JJ Golden at Golden Mastering
    Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales
    Design and Layout: Tracy Lenihan

    From The Freedom Affair Bandcamp page:

    The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness.

    A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio.

    The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse.

    Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.

    11:41

    1. The Freedom Affair – “Get My Share”
      from: The Freedom Affair / Sunflower Soul Records / May 9, 2025
      [Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar=, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]

    [The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.]

    11:45 – More Interview with Seyko

    We are talking with KC vocalist SEYKO who developed her powerful vocal talent during her formative years through church and school choir. Seyko’s singing and songwriting career has spanned twenty years. Seyko performs and writes music for the bands The Freedom Affair and SUNU, two bands that have solidified her place in the music community. Her creative growth has led to her solo recordings collaborating with members of the bands Black Light Animals and The Freedom Affair. Seyko also participates in recording projects for fellow musicians and singing background vocals for The Band That Fell To Earth and with Michael Bublé at a live concert in 2022. The Freedom Affair have a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025.

    Seyko plays the Black Light Animals, LAST CALL FOR LOVE SONGS – Album Release Show on March 29 at The Ship

    SUNU play The Ship, 1228 Union Ave, KCMO on Saturday, April 6 at 6:00pm.

    The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.

    Seyko, Thanks for being with us on Wednesday MidDay Medley

    Seyko also participates in recording projects for fellow musicians and singing background vocals for The Band That Fell To Earth and with Michael Bublé at a live concert in 2022

    SEYKO who developed her powerful vocal talent during her formative years through church and school choir. Seyko’s singing and songwriting career has spanned twenty years. Seyko performs and writes music for the bands The Freedom Affair and SUNU, two bands that have solidified her place in the music community.

    SUNU was formed in 2007 in Lawrence, Kansas this 8 member ensemble mixes Afrobeat, Jazz, Funk, New Orleans street beats and West African dance drumming to create a tasty brew of shake-your-booty music. With a trio of powerhouse horns, three percussionists and a driving rhythm section they create a potent stew of pure soul that has led them to share the stage with legendary groups like George Clinton and Parliament Funkadelic, The Dirty Dozen Brass Band, and both Femi and Seun Kuti.

    PERSONEL:
    Rev. Aaron Morris – Trumpet, Vocals
    Dan Pem – Tenor Saxophone
    Chris Leopold – Trombone
    Michael Hamm – Guitar
    Chris Shaw – Bass
    Dylan Bassett – Percussion
    Taylor Babb – Percussion
    Alex Thiessen – Percussion

    SUNU’s 2015 single “Food, Inc.” b/w “Liberation” was Recorded, mixed, & produced by Chris Hazelton and Mastered by Adam Boose at Cauliflower Audio

    For mone information about SUNU you can visit: http://www.sunumusic.com

    SEYKO thanks for being with us on Wednesday MidDay Medley.

    More info at: http://www.sunumusic.com and http://www.thefreedomaffair.bandcamp.com and http://www.seykomusic.com .

    For WMM, and Seyko, I’m Mark Manning. Thanks for listening!

    11:53

    1. SEYKO – “What I Want”
      from: “What I Want” – Single / Groove King Records – Fat Beats / June 23, 2023
      [Produced by Colby Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair. // From http://www.seykomusic.com: Seyko has always found music to be a reflection of her innermost thoughts and feelings, a way of self-expression but even deeper than that. Music was always a life-giving, constant companion from the happiest moments to the darkest days. Music continues to be Seyko’s way of communicating with the world around her. // Seyko developed her musical talent during her formative years through church and school choirs, friendships that evolved into singing groups, and professional training through voice lessons and songwriting. Opportunities presented themselves, but Seyko also created opportunities for herself as she chased her dream to create and perform her own music. // The Freedom Affair and Sunu, two Kansas City bands Seyko performs and writes with, have solidified her place in the music scene and provide a solid foundation for beginning her solo career. Seyko’s singing and songwriting career has spanned twenty years, and it shows! Her creative growth has led to her being a well-respected artist in Kansas City, allowing her to participate in recording projects for fellow musicians and even singing background vocals for Michael Bublé at a live concert in 2022.]

    [Seyko plays the Black Light Animals, LAST CALL FOR LOVE SONGS – Album Release Show on March 29 at The Ship]

    [The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.]

    [SUNU play The Ship, 1228 Union Ave, KCMO on Saturday, April 6 at 6:00pm.]

    1. Noel Coward – “The Party’s Over Now”
      from: Noel Coward in New York / drg / 2003 [orig. 1957]

    NEXT WEEK, on March 19 Zach Phillips returns with new music from The Lone Stranger. Also we’ll chat with Cole Bales and Cody Calhoun of Black Light Animals about their new album, LAST CALL FOR LOVE SONGS and their Album Release Show March 29 at The Ship. And Noah Cassity and members of Big Fat Cow will be with us.

    Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

    THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

    This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

    Our Script/Playlist is a “cut and paste” of information.
    Sources for notes: artist’s websites, bios, wikipedia.org

    Wednesday MidDay Medley in on the web:
    http://www.kkfi.org,
    http://www.WednesdayMidDayMedley.org,
    http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1086