WMM Playlist from October 2, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 2, 2024

WMM presents Alex Kimball Williams aka Bad Alaskan + Ivory Blue + Adria Patterson

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Emmaline Twist – “Oblivion”
    from: DISSIMULATION / Black Site Records / August 24, 2018
    [The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, Krysztof Nemeth on baritone guitar, and Alex Alexander on synthesizers & guitar. Emmaline Twist, is a Kansas City based Darkwave / Post-Punk / Shoegaze project. The band released the single, “Strange Pursuit” on October 26, 2023. They released “Aspera” on July 1, 2022. They released the single “Drugs” on July 1, 2021. Their critically acclaimed debut LP, DISSIMULATION was released August 24, 2018 from Black-Site Records. That album was recorded, mixed, and produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. In 2017 the band released “Dissimulation 1,” 4 songs in digital format. Emmaline Twist released their first single Vega” b/w “Moon Eyes” on vinyl on Middle Class Records on September 6, 2016.”]

[Emmaline Twist play a Farewell Show for now, Saturday, October 5, 7:00pm at recordBar, 1520 Grand, KCMO w/ Public Memory at 8:00pm, Emmaline Twist at 9:00pm, and RxGhost at 10:03pm.]

  1. Krystle Warren & The Faculty – “Without U”
    from: Extended Play / Parlour Door Music / November 1, 2024
    [Following their double album LOVE SONGS (2012) and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US, “Macca” is the newest release from Krystle Warren & The Faculty, released Macca on May 22, 2023, recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY. // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs​ was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs​ were recorded with everyone in the same room (​Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play​ was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up ​Extended Play​ are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play,​ they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]
  1. Jolson & The Fear of Snakes – “Popcorn Ceiling”
    from: Yes, But Not With You / Jolson Robert / April 26, 2024
    [Jolson Robert is a multi-instrumentalist/singer based in Kansas City. He grew up in rural Kansas and found solace in music where he learned as many instruments as he could and worked to recreate songs he loved. // Jolson Robert describes his music as indie pop/rock, midwest emo, and funk. He writes and records his musicby himself playing: bass, drums, guitars, keys, and vocals. Then, his friends Garret Aiken on drums, Jesse Rodriguez on guitar, Jackson Broadwater on bass, and recently, his younger brother Gavin Robert on keyboards bring the music to life for live performance as a band, Robert Jolson has written that, “each one of these people is more skilled at their given instrument than I am, which I quite enjoy! It makes the live shows that much cooler. And I’ve always been partial to performing live; I think it’s what I do best as a performer, and of course, it’s what we do as a band.” //Jolson was in Quite Frankly The Band. Info at: http://www.jatfos.com]

[Jolson & The Fear of Snakes play recordBar, 1520 Grand Ave. KCMO, TONIGHT, Wednesday, October 2, at 7:00pm with Descartes A Kant, presented by Up To Eleven]

  1. Making Movies – “La Sombra (En Vivo) [feat. Asdru Sierra]”
    from: Baúl De Las Movies (En Vivo En Folly Theater 2023) / 3/2 Recordings / Sept. 27, 2024
    [Making Movies is a KC based 4-piece band and made up of: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Duncan Burnett on drums. The band draws their influences from the origins of their families: Santiago, Panama, and KC Missouri, and Guadalajara, Mexico. // Enrique Chi writes: “The walls of The Folly are special, it is one of the best sounding stages we’ve ever played on so it seemed like a no brainer to record our 2023 concert there. The concert featured an incredible horn section led by Asdru Sierra from Ozomatli, alongside Trevor Turla and Ryan Heinlein. Mireya Ramos was also able to join us and help us make the night truly magical. That place has history for the city and the Chaurand family so we are excited to share this moment with you.” // Making Movies – Live at the Folly Theater, Kansas City, January 28th, 2023, Produced by Ben Yonas, McKenzii Webster, Executive Producer Javier E. Carrizo, Production Assistant Nora Gibbons, Recording & Mixing Engineer Ben Yonas, Recording Engineer Paul Malinowski, Mastering Engineer, Dave Greenberg/Sonopod, Assistant Sound Engineers Josh Gomez, Ricky Menendez. Asdru Sierra on trumpet; Ryan Heinlein, Trevor Turla on trombone. // “Baúl De Las Movies: Folly Theater 2023” was also filmed. Directed by William J. Stribling. // Directors of Photography Adam Baron-Bloch, Alex Gallitano. // Camera Operators Cole Blaise, Nora Gibbons, Esai Saenz. // Production Designer Aisa Palomares. // Edited by Raymond Fraser. // Colorist Tam Le // DI Coordinator John Daniels-Riveros. // DI Services Provided by Sodalite Color // Stream “Baúl De Las Movies: Folly Theater 2023” – https://ffm.to/follyliveep.OYD. // Latin Grammy nominated band Making Movies released their specual EP EN LA SALA containing 8 of the songs recorded LIVE, on January 12, 2024. Before that they released their single “Medicina”. Most recently Making Movies released XOPA through Cosmica Artists on June 17, 2022. XOPA and was recorded in Memphis, produced by Ben Yonas and mixed by Tchad Blake. More info at: http://www.makingmovies.world. Making Movies released the 5-song EP, EN VIVO (SIN APLAUSO) on February 4, 2022. Making Movies released the 6-track EP BORING BITS, on May 7, 2021. On February 5, the band released the 7-song, La Cuarentena EP which included a brand new version of the first Making Movies song, “La Marcha” and the lullaby “Could You?” (both mixed by Jim Eno of Spoon and tracked at Memphis Magnetic studio), and the love ballad “Una Vida.” The EP also includes: covers of Talking Heads and Tears for Fears classics, plus bonus live acoustic tracks. The EP was made available on BandCamp for only three days on February 5 through February 7, 2021. Making Movies released their single “Could You” on January 12, 2021. About “Could You” lead singer Enrique Javier Chi wrote, “I was thinking about what to share for “Could You?” and I just go back to the fact that Memphis is a profound place… it is a place where you can feel what America truly is and where it comes from. I think you see and feel the reality that so much of this nation was built from exploiting people. You can see that our pop culture is driven by the Black community and yet that community is still the most oppressed in the nation. Things are still so messed up. // Memphis is the place where Elvis started singing black music with a country twang and where Martin Luther King Jr. was shot. It’s a beautiful place, it’s a charming place, it feels at times downtrodden and it’s a place that reminds me of home (both KC and Panamá) in different ways. Our experiences going to Memphis gave us the context to create “Could You?” It was filmed originally for AMERI’KANA TV..” Making Movies released their critically acclaimed album ameri’kana through 3/2 Recordings on May 24, 2019. This was #1 on WMM’s 119 Best Recordings of 2019. Produced by Steve Berlin and Ben Yonas. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits of the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was the band’s follow up release to their critically acclaimed, I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff. More info at: https://makingmovies.world%5D

[Making Movies plays Percheron Rooftop Series at the Crossroads Hotel, 2101 Central Street, Kansas City, MO, TONIGHT on Wednesday, October 2, 2024, at 7:00 PM.]

  1. Amado Espinoza – “The Blue Journey”
    from: Q’ansas / Amado Espinoza / July 6, 2022
    [Amado Espinoza Quartet brings Andean soul to the American heartland. Amado plays traditional Andean instruments – the charango and sikus, as well as the mandolin and didgeridoo. He teams up with Andres Ramirez on percussion, Tina Bilberry on violin, and Johnny Hamil on bass, to bring a contemporary electric feel to Amado’s dynamic compositions. Expanding ideas of sound, texture and space, they invoke the musical ancestors of us all and activate the music that is alive in all our DNA. The journey is both ritual and joyous celebration. Amado Espinoza Quartet premiered their new album, Q’ansas with an Album Release Show, at the Record Bar, Friday, July 15, 2022, with special guest Julia Othmer.]

[Amado Espinoza plays KIMSA, traditional music from the Andes mountains, South America, and Beyond! Sunday, October 6, at 4:00pm, at Center for Spiritual Living. 1014 W 39th Street, KCMO with Amado Espinoza on flutes, charango, Pedro Calderon on flutes, guitar; and Oscar Rios Pohirieth on Andean flutes.]

10:30 – Underwriting

10:32 – Interview with Adria Patterson

Adria Patterson is swimmer, a life guard, and instructor teaching adults how to swim, helping people overcome their fear of water and end generational cycles of aquaphobia. She is a Certified Life Coach and Certified Swim Instructor. Through education and passion, Adria has held positions in the financial service industry as well as the educational arena, earning numerous awards and recognitions for product development and sales. She has served on the board of advisors for successful non-profit organizations, a local church body, and the regional and general boards of a large denomination. She is currently the founder of PC Swimming, encouraging communities to develop a healthy and safe relationship with water. Adria is the mother of two prominent young men. She is not only a swim coach but a prayer coach that swims. More information at http://www.PCSwimming.com.

Adria Patterson thanks for being with us on Wednesday MidDay Medley

With over a decade of prayer coaching, teaching, and most importantly, real-life, on-your-knees intercessory experience, her understanding of fear is extremely different. Unlike general life\ coaches, Adria demonstrates how developing a specific and strategic prayer life leads to overcoming paralyzing fear to achieve total wellbeing and abundance. Answered prayer is a Christian’s right. It is that expectation that drives the outcome. Thirty years of swimming experience brings additional insight and skills to guide her clients on their personal water journeys.

Adria is known for her direct approach and barrier dissolving style; Adria’s fusion of
authentic testimonies and bold conversation connect with her audience with an intentional, intense and individual purpose.

Adria has served as a leader in Christian Education for several years. She is a Certified Life Coach and Certified Swim Instructor. She works with the most exceptional and determined in the community to develop swimming skills and overcome fear of water.

Prior to her recognition of her “prayer warrior” calling, Adria, through education and passion held positions in the financial service industry as well as the educational arena, earning numerous awards and recognitions for product development and sales. She has served on the board of advisors for successful non-profit organizations, a local church body, and the regional and general boards of a large denomination. Adria continues to provide leadership training and development to local churches and recommendations to church administration. She is currently the founder of PC Swimming, encouraging communities to develop a healthy and safe relationship with water.

Adria is the mother of two prominent young men. She continues to seek the Lord daily to encourage others to uncover their best selves one prayer at a time. She is not only a swim coach that prays but a prayer coach that swims.

Adria Patterson thanks for being with us on Wednesday MidDay Medley

Adria Patterson is currently the founder of PC Swimming, encouraging communities to develop a healthy and safe relationship with water. Adria is the mother of two prominent young men. She is not only a swim coach but a prayer coach that swims. More information at http://www.PCSwimming.com.

10:49

  1. SEYKO – “Anybody High”
    from: “Anybody High” – Single / Groove King Records – Fat Beats / December 1, 2023
    [Produced by Colby Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair. // Seyko released the single “What I Want” on June 23, 2023. //From http://www.seykomusic.com: Seyko has always found music to be a reflection of her innermost thoughts and feelings, a way of self-expression but even deeper than that. Music was always a life-giving, constant companion from the happiest moments to the darkest days. Music continues to be Seyko’s way of communicating with the world around her. // Seyko developed her musical talent during her formative years through church and school choirs, friendships that evolved into singing groups, and professional training through voice lessons and songwriting. Opportunities presented themselves, but Seyko also created opportunities for herself as she chased her dream to create and perform her own music. // The Freedom Affair and SUNU, two Kansas City bands Seyko performs and writes with, have solidified her place in the music scene and provide a solid foundation for beginning her solo career. Seyko’s singing and songwriting career has spanned twenty years, and it shows! Her creative growth has led to her being a well-respected artist in Kansas City, allowing her to participate in recording projects for fellow musicians and even singing background vocals for Michael Bublé at a live concert in 2022.]

[Seyko plays The Ship, 1221 Union Ave, KCMO West Bottoms, on Saturday, October 5 at 6:00pm with Desmond Mason on keyboards, Jeff Stocks on guitar, Dave Brick on drums, and Lauren Williams on bass.]

  1. Redder Moon – “Drown The Fire”
    from: “Drown The Fire” – Single / Jarmcharm Records / October 1, 2024
    [Redder Moon Unveils New Single “Drown The Fire” To Kick Off Spooky Season Featuring Bold New Direction from Founding Member Jeremiah James // Redder Moon is excited to announce the release of their latest single with accompanying music video , “Drown The Fire,” Directed by Los Angeles based Mary Chicken Soup, marking a powerful new chapter for the band. This track showcases a fresh creative direction, led by founding member Jeremiah James, who takes center stage as the band’s vocalist and primary songwriter. Known for their evocative soundscapes and dark, emotional undertones, Redder Moon elevates their artistry with *”Drown The Fire” blending raw intensity with lyrical depth. // Jeremiah James’ commanding presence and fresh perspective breathe new life into the band, adding a unique edge that fans both new and old will appreciate. With *”Drown The Fire,”* Redder Moon ventures into uncharted sonic territory, creating an anthemic and haunting track that pushes the boundaries of their signature sound. // “Drown The Fire”* is available now on all major streaming platforms // Redder Moon previously released Hell Is Other People on vinyl on March 18, 2022 (Vinyl)/ Music by Jeremiah James Gonzales and Brody Lowe. Vocals, Lyrics by Jill McKeever (additional/bg vocals: Brody Lowe, Jeremiah James Gonzales) Mixed by Ross Brown. Mastered by Eureka Mastering. The band uses layered synths & production with live bass, drums, guitars, and vocals. Redder Moon tends to skirt the line between traditional electronic act and indie avant garde. With washed out guitars, thick bass grooves, and distant reverb soaked vocals, the songs beam with the almost tactile feel of a sound track to a lost movie but with enough dance-ability to pull you out of your seat. In the last few months of 2020, the band has written and recorded an album’s with of songs, over 20 actually, without playing together, and with each member individually recording their parts at home. This was a welcome channel of creation in a time of restraint. The result is a collection that explores everything from synth pop shoegaze, to dark wave indie sounds More info at http://www.reddermoon.bandcamp.com.]

[Redder Moon play recordBar, 1520 Grand Ave. KCMO, Thursday, October 3, at 7:00pm with Essenger.]

10:58 – Station ID

  1. Bad Alaskan – “Come Back, Come Here”
    from: Red & Black / Bad Alaskan / June 19, 2023
    [Bad Alaskan is Lawrence, Kansas based musician, scientist, researcher, speaker, activist, teacher, Alex Kimball Williams who identifies and celebrates her Native Alaskan / Black / Portuguese origins, with the motto: “Music is medicine.” Alex Kimball Williams also played in the band UltraVivid. Band Alaskan released the single “Red & Black” on December 10, 2021 The album also contains a cover of “Strange Fruit” that Bad Alaskan released as a single on August 17, 2019. Bad Alaskan writes: “This cover of ‘Strange Fruit’ is the perfect blend of old school & new school; direct reference & innovation; the blues & electronic. I’ve always loved the song & wanted to put my own indigenous spin on it. My classical & jazz training leaks through with solos & alterations to the lead melody. The 1939 recording featuring Billie Holiday’s vocals is my favorite cut of this classic. My variation alters the melody to fit a minor blues scale. The key is raised just slightly to stimulate discomfort, the tempo is more upbeat. Originally when she sang the song, it was always the end of her set, staff in the venue was instructed not to make any transactions. She would sing the song with eyes closed. Due to that devotional, prayer-like feel, I begin my sets with this song if I’m going to include it. I read somewhere that this song reminded her of her father. It lines up with my thoughts on my own ancestors, from what would have been his time. Instruments used are Korg Minilogue, Microkorg (vocoding) & Novation circuit. I always record all my parts at once (no over-dubbing), so please enjoy the “fruits” of my labor! Audio engineer: Ross Williams.]

11:02 – Interview with Alex Kimball Williams

Alex Kimball Williams is the artivist (artist + activist) behind the Bad Alaskan project, joining Indigenous EDM & meditative dance. Her work brings cinematic & justice-oriented experiences to various audiences, alternative venues, & multidisciplinary projects. Her praxis includes improv techniques to improve our capacities for coping with discomfort, to support advocates in withstanding the stresses which accompany their critical work. She views art as the vehicle for community growth. Her electric set reimagines traditional melodic motifs on synthesizers & her acoustic set rewinds traditional folk songs from the Negro spiritual pipeline.

Currently, she manages a large-scale climate justice grant based at Haskell Indian Nations University supporting diverse coastal Indigenous communities in protecting their lifeways, including issues of food sovereignty and climate-forced displacement. Additionally, she works as a DEI Team Lead for the Kansas Arts Commission and is dedicated to programmatic equity for Black & Native Artists across Kansas. Alex works as a consultant for museums in the areas of exhibition planning, label writing, & event organizing.

She cofounded B.L.A.C.K. Lawrence, a Lawrence-based artist collective, & successfully advocated for Lawrence to become a sanctuary city alongside fellow organizers in Sanctuary Alliance. She also worked with the City of Lawrence to ameliorate the anti-trans bathroom bills in Kansas legislation in 2024, leading to protections for local trans community members. Alex also contributed towards the local efforts making Lawrence the first city in Kansas to adopt the CROWN Act, an ordinance legalizing Black hair & hairstyles in places of work & education.

Alex received the 2018 MLK Dreamer’s award from Lawrence Public Schools, the Community Leader (racial & justice issues) award in the 2021 Best of Lawrence issue, and received a community service award from the Lawrence Juneteenth Organization in 2023.

Alex Kimball Williams thanks for being with us on Wednesday MidDay Medley

Alex identifies and celebrates her Native Alaskan / Black / Portuguese origins, with the motto: “Music is Medicine,” and released her album, Red & Black on June 19, 2023. It was #5 on WMM’s 120 Best Recordings of 2023.

Alex Kimball Williams writes:

I’m a protest musician, sound designer, & community researcher creating at the intersections of climate justice, public policy, & grassroots methods.

I perform ambient NDM (Indigenous dance music) under the name Bad Alaskan, inviting audiences to write songs with me as we explore their capacity for performance. I believe that improv at its root is problem solving, & that sitting in controlled discomfort is a justice skill which helps us advocate for ourselves as well as the people & causes we care about. I invite my audience to perform & meditate alongside me to practice coping while speaking up authentically.

Musically, I blend elements of cinema, EDM, RnB, & devotional music while blending multicultural influences from West African griot to Alaskan hand drumming. I bring together tradition with creativity on contemporary synthesizers. My songwriting process involves listening & connecting with knowledge holders, research & field recording, peering inward, & communing with nature. My performances have ranged from domestic violence centers to public school classrooms, as well as protests, clubs, festivals, & sacred places. I thrive in multidisciplinary collaborations including working with filmmakers, sculptors, & more.

11:11

  1. Bad Alaskan – “Reservations”
    from: Red & Black / Bad Alaskan / June 19, 2023
    [Bad Alaskan is Lawrence, Kansas based musician, scientist, researcher, speaker, activist, teacher, Alex Kimball Williams who identifies and celebrates her Native Alaskan / Black / Portuguese origins, with the motto: “Music is medicine.” Alex Kimball Williams also played in the band UltraVivid. Band Alaskan released the single “Red & Black” on December 10, 2021 The album also contains a cover of “Strange Fruit” that Bad Alaskan released as a single on August 17, 2019. Bad Alaskan writes: “This cover of ‘Strange Fruit’ is the perfect blend of old school & new school; direct reference & innovation; the blues & electronic. I’ve always loved the song & wanted to put my own indigenous spin on it. My classical & jazz training leaks through with solos & alterations to the lead melody. The 1939 recording featuring Billie Holiday’s vocals is my favorite cut of this classic. My variation alters the melody to fit a minor blues scale. The key is raised just slightly to stimulate discomfort, the tempo is more upbeat. Originally when she sang the song, it was always the end of her set, staff in the venue was instructed not to make any transactions. She would sing the song with eyes closed. Due to that devotional, prayer-like feel, I begin my sets with this song if I’m going to include it. I read somewhere that this song reminded her of her father. It lines up with my thoughts on my own ancestors, from what would have been his time. Instruments used are Korg Minilogue, Microkorg (vocoding) & Novation circuit. I always record all my parts at once (no over-dubbing), so please enjoy the “fruits” of my labor! Audio engineer: Ross Williams.]

11:15 – More Interview with Alex Kimball Williams

Alex Kimball Williams a Lawrence, Kansas based multicultural artist, community organizer, researcher, & educator. Her work includes ethnopolitics, medical activism, & climate justice. Alex provides DEIA+ consulting to businesses, organizations, & local governments with organizational transformation & community engagement. She leads teams in a justice-forward approach toward establishing & strengthening group values & ethics. As a community organizer, Alex cofounded several groups including B.L.A.C.K. Lawrence & Sanctuary Alliance. She has won several awards for her collaborative work in cultural equity including the MLK Dreamer’s award, Community Hero in Best of Lawrence 2021, & the 2023 Juneteenth community award. Bad Alaskan is her ambient synth project combining influences of EDM & Indigenous traditional music. Alex identifies and celebrates her Native Alaskan / Black / Portuguese origins, with the motto: “Music is Medicine,” and released her album, Red & Black on June 19, 2023. It was #5 on WMM’s 120 Best Recordings of 2023.

Alex Kimball Williams thanks for being with us on WMM

Alex Kimball Williams is the artivist (artist + activist) behind the Bad Alaskan project, joining Indigenous EDM & meditative dance. Her work brings cinematic & justice-oriented experiences to various audiences, alternative venues, & multidisciplinary projects. Her praxis includes improv techniques to improve our capacities for coping with discomfort, to support advocates in withstanding the stresses which accompany their critical work. She views art as the vehicle for community growth. Her electric set reimagines traditional melodic motifs on synthesizers & her acoustic set rewinds traditional folk songs from the Negro spiritual pipeline.

Currently, she manages a large-scale climate justice grant based at Haskell Indian Nations University supporting diverse coastal Indigenous communities in protecting their lifeways, including issues of food sovereignty and climate-forced displacement. Additionally, she works as a DEI Team Lead for the Kansas Arts Commission & is dedicated to programmatic equity for Black & Native artists across Kansas. Alex works as a consultant for museums in the areas of exhibition planning, label writing, & event organizing.

I’m one of few belonging to my tribe, the Unangax or Aleut/Алеу́ты. It’s critical for me to create music with our melodic & rhythmic motifs because our art is extraordinary & illustrates that we’re still here.

Art- everything each of us brings- is the vehicle for community change. Creativity is resilience. “I’m here if you need to talk, or Qaĝaduuxsix (dance).” Bad Alaskan played several Private Showcase at Folk Alliance International Conference including: Thursday, February 22, at 11:00pm in Lawrence Free State Room #609. // Thursday, February 22, at 12:00am in Folk Alliance Region Midwest (FARM) in Room #755. // Saturday February 24, 12:00am in Lawrence Free State Room # 609 of The Westin Kansas City Hotel at Crown Center 1 East Pershing Road, KCMO.

11:25

  1. Bad Alaskan – “Groove”
    from: Red & Black / Bad Alaskan / June 19, 2023
    [Bad Alaskan is Lawrence, Kansas based musician, scientist, researcher, speaker, activist, teacher, Alex Kimball Williams who identifies and celebrates her Native Alaskan / Black / Portuguese origins, with the motto: “Music is medicine.” Alex Kimball Williams also played in the band UltraVivid. Band Alaskan released the single “Red & Black” on December 10, 2021 The album also contains a cover of “Strange Fruit” that Bad Alaskan released as a single on August 17, 2019. Bad Alaskan writes: “This cover of ‘Strange Fruit’ is the perfect blend of old school & new school; direct reference & innovation; the blues & electronic. I’ve always loved the song & wanted to put my own indigenous spin on it. My classical & jazz training leaks through with solos & alterations to the lead melody. The 1939 recording featuring Billie Holiday’s vocals is my favorite cut of this classic. My variation alters the melody to fit a minor blues scale. The key is raised just slightly to stimulate discomfort, the tempo is more upbeat. Originally when she sang the song, it was always the end of her set, staff in the venue was instructed not to make any transactions. She would sing the song with eyes closed. Due to that devotional, prayer-like feel, I begin my sets with this song if I’m going to include it. I read somewhere that this song reminded her of her father. It lines up with my thoughts on my own ancestors, from what would have been his time. Instruments used are Korg Minilogue, Microkorg (vocoding) & Novation circuit. I always record all my parts at once (no over-dubbing), so please enjoy the “fruits” of my labor! Audio engineer: Ross Williams.]

11:29 – Underwriting

11:31 – Interview with IVORY BLUE

We welcome a friend of the show, IVORY BLUE, making her 18th appearance on this program. Just nack in the country after doing shows this summer in Europe. IVORY is here to share her new single, “Olé!” that will be officially released this Friday, October 4, 2024. “Olé!” is her sixth single this year including: “Breathing Underwater” (Aug. 9), “Bad Dreams” (June 7), “Batter Up” (April 22), “Flashback” (March 15), and “Howl” (Feb. 16). IVORY BLUE released her second album, STARLIT LOVE CHILD, on November 17, 2023, It was in the top 5 of WMM’s 120 Best Recordings of 2023.

IVORY BLUE thanks for being with us on WMM.

IVORY BLUE released her 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023, It was in the top 5 of WMM’s 120 Best Recordings of 2023. A free-spirited musician, IVORY BLUE has become an expressive multi-genre artist whose music is passionate rock, with a dash of pop hooks & a healthy dose of swagger. At the age of four, IVORY’s birth mother put her up for adoption. IVORY lived with eight different “foster parent” families, before running away at 15. Ivory turned to music to express her pain and personal story. In 2010 Klaartje Van Lue saw IVORY performing in a YouTube video. The Van Lue family adopted IVORY into their family. As a multi-instrumentalist, IVORY refining her style, using digital looping pedals to stack harmonies, giving tsolo shows the feel of a full band.

IVORY BLUE released their full-length debut album COMPOUND LOVE on February 25, 2022. COMPOUND LOVE was in the Top Ten of WMM’s 120 Best Recordings of 2022. IVORY BLUE released the video of their song, “Family Table” directed by Mikal Shapiro, on August 21, 2021. IVORY BLUE’s debut EP, READY GET SET was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when IVORY was among 1800 artists/bands that competed in neXt2Rock. IVORY won local & regional challenges and advanced to nationals in Los Angeles, California to win the top prize.

IVORY BLUE has played Boulevardia, Kauffman Stadium, Crossroads Music Festival, The Middle of the Map Festival, The Westport Roots Festival, Apocalypse Meow, the KCPT Screening of “Real Boy” at The KC Public Library, The Viper Room (L.A.), ULAH with You Found Music, Arts In The Park, The Englewood Arts Center, MiniBar, recordBar, Lemonade Park, Davy’s Uptown Ramblers Club, Records With Merritt, The Tank Room, and many others.

IVORY BLUE was born in 1986 in Peoria Illinois, as Devin James Miclettet. At the age of four, IVORY’s birth mother put them up for adoption. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long. IVORY lived with eight different “foster parent” families, before running away at 15. Ivory turned to music to express their pain and personal story. In 2010 Klaartje Van Lue saw IVORY performing in a YouTube video, captured from an open mike performance. Klaartje had moved to the United States from Belgium to marry her husband and then raise her son and daughter. Klaartje, a pianist and working mom, felt a connection, musically and maternally, sent a plane ticket for IVORY to fly to KC. The Van Lue’s adopted IVORY into their family. 11 years ago IVORY came out as “Transgender” helping to educate and to clear the pathway for a growing number of trans, queer, & non-binary musical artists who are part of KC’s diverse and collaborative music community. More info at: https://linktr.ee/ivorybluemusic

11:40

  1. Ivory Blue – “Olé!”
    from: “Olé!” – Single / IVORY BLUE / October 4, 2024
    [IVORY BLUE released the single ‘ Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2023 // IVORY BLUE released the single “Howl” on Feb. 16, 2024. // IVORY BLUE released their second full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of Wednesday MidDay Medley’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and other radio stations around the world. For STARLIT LOVE CHILD, IVORY BLUE served as songwriter, producer, & vocalist. // On October 27, 2023 IVORY BLUE released the sIngle “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from September 22, 2023, ”The Best of Life” from August 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on February 24, 2023.]

11:43 – More Interview with Ivory Blue

We welcome IVORY BLUE back to the show. Her single, “Olé!” will be released October 4, 2024. “Olé!” is her sixth single this year including: “Breathing Underwater” (Aug. 9), “Bad Dreams” (June 7), “Batter Up” (April 22), “Flashback” (March 15), and “Howl” (Feb. 16). IVORY BLUE released her second album, STARLIT LOVE CHILD, on November 17, 2023, It was in the top 5 of WMM’s 120 Best Recordings of 2023. At the age of four, IVORY’s birth mother put her up for adoption. IVORY lived with eight different “foster parent” families, before running away at 15. Ivory turned to music to express her pain and personal story. In 2010 Klaartje Van Lue saw IVORY performing in a YouTube video. The Van Lue family adopted IVORY into their family. IVORY BLUE was the grand Prize winner of the nation-wide talent competition Next To Rock in 1017.

IVORY BLUE Thank you for being with us on Wednesday MidDay Medley

IVORY BLUE released their full length debut album COMPOUND LOVE on February 25, 2022. COMPOUND LOVE was in the Top Ten of WMM’s 120 Best recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. Nick Poortman served in mixing, with Kurt Festge who also served in mixing & Mastering. // IVORY BLUE has played Crossroads Music Festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library, and Kauffman Stadium. //

Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender”. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, Ivory settled in Kansas City, MO and quickly began attracting an intense regional following for their strong vocals and incisive, deeply personal lyrics.

In 2023 IVORY BLUE released the singles” “In A World Like This” (Sept. 22, 2023), “The Best of Life” (August 4, 2023), “Control” from May 26, and “All Outta Love” (February 24, 2024).

IVORY BLUE lived a nomadic existence until settling in Kansas City MO and becoming part of the local musical community. After winning a nationwide talent contest in 2017 Ivory Blue started having success with some national and international radio play which continues today.

Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families. before running away at 15.

Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying them Ivory KC, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender.

As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, Ivory settled in Kansas City, MO and quickly began attracting an intense regional following for their strong vocals and incisive, deeply personal lyrics.

By 2013, IVORY BLUE was playing regularly in and around Kansas City and the first EP ‘Ready Get Set’ was released. in 2015. While the EP helped spread the word and got much attention from regional radio and TV stations, a big break would come in 2017.

Ivory entered NeXt2Rock, a nationwide talent search with over 1800 artists/bands who applied to find fresh and promising rock artists.

IVORY BLUE was the grand Prize winner of the nation-wide talent competition Next To Rock in 1017.

The top 5 national bands battled it off for the win in Los Angeles CA at the legendary Viper Room, with judges Scott Borchetta (BMLG), John Varvatos (fashion designer), Steve Jones (Sex Pistols Guitarist and Host of “Jonesy’s Jukebox”), Desmond Child (Musician, producer), Chris Lord-Alge (producer), Ivory Blue won over the judges and became the grand prize winner! Ivory

Ivory won the contest and a one-year record deal with BMLG who re-released the song Ready Get Set from the 2015 EP. Ivory’s 2018 re-release of ‘Ready Get Set’ undauntedly received National and International airplay within weeks.

NeXt2Rock Judges Comments about Ivory Blue:

“You got star quality and a lot of potential” by Steve Jones (Sex Pistols Guitarist and Host of “Jonesy’s Jukebox” on KLOS (95.5) Los Angeles, CA, USA)

“Giving us the diamond in the rough we can only dream of, the foundation that’s built underneath it, that’s what music is made from. by Chris Lord-Alge (Engineer/Mixer).

“I love everything about you, you sing what you live, you’re fantastic” by Desmond Child (Musician \ Songwriter and Producer).

“We’ve been waiting for the WOW, and you are the WOW”, “You’re a true artist” by John Varvatos (Fashion Designer and Record Label Head)

“You exude artistry from the minute you step on that stage” by Scott Borchetta – Big Machine Label Group president and CEO.

“There’s something special about you”, “You’re a true artist” by Gavin Rossdale (British musician, singer, lead singer and rhythm guitarist of the rock band BUSH).

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, Kansas City Public Library, and Kauffman Stadium.

IVORY BLUE started writing music at a very young age, creating their unique alt-rock sound, using a tape recorder to superimpose sounds that added to a song production. After starting performances in coffee shops and small venues, they began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, IVORY BLUE settled in Kansas City, MO and quickly began attracting a following for their strong vocals and deeply personal lyrics. On July 29th, 2022, and after studying the craft of recording and self- producing, this amazing singer-songwriter with a passionate love for everyone struggling through life, released their first full length album, COMPOUND LOVE. This was followed by their single, “Red Light” and “Starlit Love Child.”

In February 2020 and after studying the craft of recording and self-producing, this amazing singer-songwriter with soaring vocals, passionate love for everyone struggling through life, released ‘Elite Dreamland’. There are no words to describe the incredible artistry behind this song. a single that hits your heart about understanding how it feels to be misunderstood in a world of people that seem to know what they are doing.

IVORY BLUE produces all the tracks with the exception of Drums and Bass. Ivory is currently working with Lester Estelle (Drummer for Kelly Clarkson), Craig Kew (Bass) KC, Kurt Festge (Mastering | Citizen Kane & Vilent Femmes) NC. and Nick Poortman (LA based Los Angeles based Producer, Engineer, Mixer, and Songwriter) Nick has worked alongside producers including Justin Gray, Gil Norton, Big Tank, and Greg Haver on sessions throughout the USA, UK, Europe, and New Zealand.

Ivory Blue released the video of ‘FAMILY TABLES’ on August 21, 2021 and the track was released on September 7, 2021. Ivory Blue is currently finishing the first full length CD/Album ‘Compound Love’ to be released in 2021 as well as the Red Light EP for 2022. “Family Tables” hit #1 on Banks Radio in Australia the first week of the release. 23 countries have listed on Ivory’s Spotify reports and that after just 1 week released.

Ivory Blue Thank you for being with us on Wednesday MidDay Medley

More info at: http://www.ivorybluemusic.com

11:54

  1. Ivory Blue – “Breathing Underwater”
    from: “Breathing Underwater” – Single / IVORY BLUE / August 9, 2024
    [IVORY BLUE released the single “Bad Dreams”on June 7, 2024 IVORY BLUE released the single “Batter Up” on April 22, 2024. IVORY BLUE released the single “Flashback” on March 15, 2023 // IVORY BLUE released the single “Howl” on Feb. 16, 2024. // IVORY BLUE released their second full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of Wednesday MidDay Medley’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and other radio stations around the world. For STARLIT LOVE CHILD, IVORY BLUE served as songwriter, producer, & vocalist. // On October 27, 2023 IVORY BLUE released the sIngle “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from September 22, 2023, ”The Best of Life” from August 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on February 24, 2023. IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top Ten of WMM’s 120 Best recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. Nick Poortman served in mixing, with Kurt Festge who also served in mixing & Mastering. IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017. In 2017 Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played Crossroads Music Festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender”. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, Ivory settled in Kansas City, MO and quickly began attracting an intense regional following for their strong vocals and incisive, deeply personal lyrics. // By 2013, IVORY BLUE was playing regularly in and around KC and the first EP ‘Ready Get Set’ was released in 2015. IVORY BLUE released the video of “Family Table” directed by Mikal Shapiro, on Aug. 21, 2021 and the audio track was released on Sept. 7, 2021. IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. IVORY BLUE released their debut album COMPOUND LOVE on Feb. 25, 2022. IVORY BLUE released the single “Red Light” on July 29, 2022. IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022. IVORY BLUE released the single “All Outta Love” on Feb. 24, 2023. http://www.ivorybluemusic.com]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, October 9 – The Man of a 1001Faces – Michael McQuary joins us to share details about his show, One Night Date with Michael McQuary, Sunday, October 13, 2024 at 7:00pm, at Englewood Arts, 10901 E Winner Rd, Independence, MO // at 11:00 Hop Hop Recording Artist and Producer Paris Williams returns to the show. // AND at 11:30am Jesse Kates joins us with new music from The Sexy Accident.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1063

WMM Playlist from September 25, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 25, 2024

WMM is Spinning Records With Marion Merritt + Jessica Dressler & Jen Frank Klenke of “Rennie”

We welcome back to the show, Marion Merritt as our special “Guest Producer!” Marion will share her sonic discoveries and information from her musically-encyclopedic-brain. Marion Merritt is an empath and has a special ability to know what music you’re seeking. She’s our most frequent contributor to WMM. Marion grew up in Los Angeles and St. Louis and went to college in Columbia, MO. She studied art & musical engineering, and is an avid lover of classic films. She saw Talking Heads on their 1st tour at One Block West in 1978. For 20 years she’s been sharing music form her musical journeys. Marion also writes about new releases as a contributor The Pitch. With partner Ann Stewart, Marion is the proprietor of Records With Merritt, a minority owned business at 1614 Westport Rd. in KC. More info at: http://www.recordswithmerritt.com.

Marion Merritt welcome back to Wednesday MidDay Medley

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Dimitri From Paris – “Prologue”
    from: Sacrebleu / Yellow Productions – Atlantic / June 11, 1996
    [Debut studio albumm from Dimitri from Paris was born Dimitrios Yerasimos, on October 27, 1963. He is a French music producer and DJ of Greek descent. His musical influences are rooted in 1970s funk and disco sounds that spawned contemporary house music, as well as original soundtracks from 1950s and 1960s movies such as Breakfast at Tiffany’s, La Dolce Vita and The Party, which were sampled in his album Sacrebleu. Dimitri fused these sounds with electro and block party hip hop he discovered in the 1980s. // Contrary to his musical pseudonym, Dimitri was born not in Paris but born in Peckham, South London, to Rûm parents (Greeks of Turkey), Dimitri grew up in France where he discovered DJing at home, using whatever he could find to “cut and paste” samples from disco hits or in to montages heard on the radio, blending them together to make tapes. This early experimentation helped him launch his DJ career. // He started out by DJing at the French station Radio 7, before moving on to Skyrock and finally to Radio NRJ, Europe’s largest FM radio network, in 1986. There, he introduced the first ever house music show to be broadcast in France, while simultaneously producing under the direction of sound designer Michel Gaubert, runway soundtracks for fashion houses such as Chanel, Jean-Paul Gaultier, Hermès and Yves Saint-Laurent. He also released two solo EPs from 1993 to 1994 and contributed to the Yellow Productions compilation La Yellow 357. // In 1996, Dimitri gained worldwide recognition with the release of his first full album, Sacrebleu, released on Yellow Productions. A blend of diverse influences including jazz, original film soundtracks, samba, and organic house, Sacrebleu sold 300,000 copies worldwide and was named Album of the Year by UK’s Mixmag magazine. // In 2000, Dimitri followed Sacrebleu up with A Night at the Playboy Mansion (Virgin) and Disco Forever (BBE), followed by My Salsoul in 2001, After the Playboy Mansion in 2002. In 2003, Cruising Attitude was released, to be closely followed by his first outing on UK’s premier dance music label Defected: Dimitri from Paris In the House. // He has followed a somewhat glamorous musical path by recording soundtracks and advertising campaigns for fashion houses Chanel, Jean-Paul Gautier and Yves Saint Laurent and remixing hundreds of artists as diverse as Björk, The Cardigans, James Brown, Michael Jackson, New Order and Quincy Jones. He also did the music for the anime Tsukuyomi: Moon Phase and mixed the soundtrack for the French luxury dessin animé Jet Groove produced by Method Films. // 2005 saw Dimitri go back to his Funk and Disco roots, with Japanese hip hop producer and über collector DJ Muro for Super Disco Friends a double CD mixdown. In 2006 he offered his House of Love outing to Valentine’s Day’s lovers. Later on Dimitri produced Los Amigos Invisibles “Super Pop Venezuela” album which grabbed a nomination for a Grammy Award. // 2007 saw the release of the Cocktail Disco project with longtime partner BBE, a handful of disco classics remixes and other surprises down the line. // 2009 saw the release of the Night Dubbin’, a post-disco R&B compilation remix album.]
  1. King Fela – “Yehla Moya (feat. Omagugu) [Da Capo & Nduduzo Makhathini Remix]”
    from: Da Capo – Genesys / Genesys / May 29, 2020
    [Nicodimas Sekheta Mogashoa (born June 9, 1992), professionally known as Da Capo, is a South African DJ and record producer. Born and raised in Seshego, Da Capo rose to prominence after remixing the single “Pretty Disaster” by Moneoa. He then signed a recording deal with Soulstic Music and his studio debut album Indigo Child (2017), which was certified double platinum by the Recording Industry of South Africa (RiSA). // Nicodimas Sekheta Mogashoa was born on August 14, 1992, Seshego township Zone 3, Polokwane, South Africa. After completed his matric, he studied for media and communication at University of Limpopo but dropped out. His musical career began as a rapper and later developed interest on house music. // After he signed a record deal with Soulstic Music, Indigo Child was released on December 8, 2017, in South Africa. It features GoodLuck, Berita, Wanda Baloyi, Jackie Queens, Renee Thompson, Soulsta, Miss Dippy, Tshepo King, and Darian Crouse. The album was certified double platinum[7] and garnered over 36.5 million streams on digitally streaming platforms. // He established independent record label Genesys Entity and released his EP Genesys in May 2020. “Moyo Wanagu” featuring BATUND was released as EP’s lead single. // “Light House” was released on September 3, 2021, by TRESOR featuring Da Capo and Sun-El Musician. // In the fourth quarter of 2021, he collaborated with Gallo to remix “Imbizo”, which appeared on compilation album Music is Forever, released on December 17, 2021. // “Molili” featuring Batundi, Nana Atta and Lokua Kanza released on June 23, 2023, as lead single of his Bakone EP released on July 14. “Molili” reached No 29 at Phalaphala FM Top 30 Chart. // Bakone was released on July 14, 2023. The EP is an afro-house record fused with afro-tech and deep house elements. Capo calloborated with Batundi, Nana Atta and Lokua Kanza, Da Africa Deep. Same day, Capo was announced as Sghubhu cover star by Apple Music. // In February 2024, Capo announced two upcoming albums Indigo Child II, and Aquatone Cotton Fabric. // In an interview with The Playground, Da Capo said: his musical career was inspired by Jimpster, Nick Holder, Quinton Harris. // Nduduzo Makhathini is a pianist, composer, teacher and music philosopher. He started singing gospel music in the Zion Evangelical Ministries of Africa in his teenage years in Umgungundlovu, Kwazulu Natal, South Africa. // After matriculating from high school, Nduduzo studied Jazz Piano at the University of Kwazulu Natal where he attained a Diploma in 2005. // Nduduzo continued his journey in music education working as a lecturer in Wits University, University Of Kwazulu Natal and as a Head of music department at University of Fort Hare. // He came from a musical family with his father being a guitarist and his mother a keyboardist and singer who also was his first piano teacher. // Nduduzo has claimed John Coltrane’s A Love Supreme as an album that made him first fall in love with jazz. He first encountered the album at the University of Kwazulu Natal music library as a student. Although Nduduzo’s sound and musical effect is unique, he is influenced by Jazz greats like McCoy Tyner, John Coltrane, Bheki Mseleku etc. // Nduduzo himself explained Bheki Mseleku’s influence on his music during the recording of his third studio album, Listening To The Ground: …if people believe I have a voice; I think they are just hearing the echoes of bab’ Mseleku. // He was awarded the Standard Bank Young Artist award for Jazz in 2015. Makhathini is the first South African artist to release music under the legendary Blue Note Records.]
  1. SUUNS – “Road Signs and Meanings”
    from: The Breaks / Joyful Noise / September 6, 2024
    [Produced by Liam O’Neill and SUUNS. Engineered by Adrian Popovich at Mountain City and Breakglass-Montreal 2022-2023. Mixed by Adrian Popovich. Mastered by Heba Kadry, NYC. Jacket photographs by Joseph Yarmush. Insert by Alexander Ortiz. Layout by Ryan Hover and Joseph Yarmush. All Songs by SUUNS Ben Shemie, Liam O’Neill, Joseph Yarmush. // Suuns (/suːns/) is a Canadian rock band from Montreal. It was formed in mid-2007 when vocalist and guitarist Ben Shemie and guitarist and bassist Joe Yarmush got together to make some beats which quickly evolved into a few songs. The duo was soon joined by drummer Liam O’Neill and bassist and keyboardist Max Henry to complete the original line-up. The band signed to Secretly Canadian in 2010. Since 2018, Suuns saw the departure of Henry as an official member[2] (he continues to record in the studio) to pursue a scholastic path, and in 2020 they officially signed with Joyful Noise Recordings with their 2020 output of Fiction, followed by their 2021 LP The Witness.]
  1. Alan Sparhawk – “Can U Hear” 
    from: White Roses, My God / Sub Pop Records / September 27, 2024
    [White Roses, My God is the upcoming second solo album by former Low guitarist/vocalist Alan Sparhawk, set for release on September 27, 2024, by Sub Pop. It is Sparhawk’s first album since the death of his wife and bandmate, Mimi Parker, and the subsequent end of their band. Sparhawk began recording for the album in late 2023. // White Roses, My God is Sparhawk’s first album since his wife and Low bandmate Mimi Parker died of ovarian cancer in 2022, and the subsequent retirement of the band. Encouraged by his friend, Lambchop’s Kurt Wagner, Sparhawk returned to live performances. He played shows with his and Parker’s daughter Hollis, opened for Lambchop and Godspeed You! Black Emperor, and played a solo set at Utrecht music festival Le Guess Who? 2023. Low had cancelled their headling set at the 2022 edition of Le Guess Who? due to Parker’s health, and she died a week before the festival. // Sparhawk also started recording around the same time, and started two new groups: punk funk band Derecho Rhythm Section, and funky electronic duo Damien with his and Parker’s son Cyrus. A second solo album, a collaborative project with Duluth, Minnesota, folk band Trampled by Turtles, began during that time. // Sparhawk first mentioned White Roses, My God in an interview with The New Yorker’s Justin Taylor, published April 11, 2024. At the time, he said the album would be released in late 2024. Sparhawk later shared on Low’s Twitter account that the album would be released by Sub Pop in “late September”, and that its first song would be released in July. // The album was officially announced on July 16, with a release date set for September 27 by Sub Pop. The lead single, “Can U Hear”, was released the same day, accompanied by a music video directed by Rick Alverson. The song is electronic and “near-industrial”. // The second single, “Get Still”, was released on August 20, accompanied by a music video directed by Ingrid Weise. Like “Can U Hear”, “Get Still” consists of electronic instrumentation, with Sparhawk’s “voice so heavily Auto-Tuned that it no longer sounds recognizably human.” // When asked on Twitter about the album name’s significance, Sparhawk said “Mim loved roses, and sometimes I think she is God.” // The album was recorded at 20 Below Studios in Duluth, Minnesota. Sparhawk produced and recorded along with Nat Harvie, who also mixed the album, and Heba Kadry mastered it. On these recordings, Sparhawk said he “was messing with this rigid stuff. There were moments where it would quickly become very visceral, very spontaneous. You’ve created the structure for it to happen and come through you, but you’re trusting the universe about what is going to come in.” Those recordings included him experimenting with improvising guitar and pitch-shifted vocals over a preset synthesizer clocked to a drum machine. // Stylistically, White Roses, My God follows Low’s last two albums, 2018’s Double Negative and 2021’s Hey What, in applying layers of distortion over otherwise-straightforward songwriting. Going further down that route, Sparhawk included synthesizers, drum machines, dance beats, and pitch-shifted vocals. All of the album’s vocals were recorded with a vocoder. Influences included Prince’s alter ego Camille and Neil Young’s album Trans. // All tracks are written by Alan Sparhawk.]

10:24 – Underwriting

PJ Morton
  1. PJ Morton – “All The Dreamers (feat. Aṣa & Ndabo Zulu)”
    from: Cape Town to Cairo / Morton Records / June 14, 2024
    [P.J. Morton (born Paul Sylvester Morton Jr.; March 29, 1981) is an American musician, singer, songwriter and record producer. Since 2012, he has been the keyboardist for the pop band Maroon 5. Morton originally joined the band as a touring member in 2010 and became an official member in 2012 after Jesse Carmichael went on a short hiatus (he returned to the lineup playing guitar in 2014). // Morton released his debut solo EP, Following My First Mind, in March 2012, through the record label Young Money. Adam Levine and James Valentine were featured on the lead single, “Heavy”. In May 2013, Morton released his first major-label debut album, New Orleans. In 2016, he released his mixtape Bounce & Soul Vol. 1 in March and the Sticking to My Guns EP in July. On April 14, 2017, Morton released his first self-released studio album Gumbo, earning Morton two Grammy Award nominations for Best R&B Album and Best R&B Song at the 60th Annual Grammy Awards. // In April 2019, Morton said he would begin a project to restore the New Orleans home of jazz pioneer Buddy Bolden and create a museum and community space at the site. Bolden’s former home has been owned by Morton’s father’s church for more than a decade, and had been cited for demolition by neglect. // Morton was born in New Orleans, Louisiana. His father is Canadian-born American gospel singer and Founder of the Full Gospel Baptist Church Fellowship, Bishop Paul S. Morton. His mother is Dr. Debra Brown Morton, pastor of Greater St. Stephen Full Gospel Baptist Church. // Morton graduated St. Augustine High School and majored in marketing at Morehouse College, graduating in 2003. // In 2010, Morton’s friend and Maroon 5’s musical director Adam Blackstone asked him to audition for a position in the band as a touring keyboardist and backing vocalist. Morton was the first to audition and left an indelible mark on the group.[6] Since then, he has played with Maroon 5 in concerts and other live performances. From 2012 to 2014 Morton filled-in for the band’s keyboardist, Jesse Carmichael, who was on an indefinite hiatus from performing with the group, as stated on their official website in March 2012. In 2012, he joined the band as a full-time member, contributing his vocal and keyboard parts on Maroon 5’s fourth studio album, Overexposed, and continuing to do so during the processes of recording the band’s albums, V (2014), Red Pill Blues (2017), and Jordi (2021). // Morton’s solo work won the attention of Mack Maine, who signed him to his production company, Soothe Your Soul, and Young Money Entertainment in 2011. The Following My First Mind (EP) was released on March 27, 2012. // On May 14, 2013, Morton released his major-label debut studio album with Young Money Records, titled New Orleans. The album’s lead single, “Only One”, which features Stevie Wonder, was nominated for the Best R&B Song at the 56th Annual Grammy Awards in 2014. // In 2016, Morton moved to New Orleans and opened a record label called Morton Records which he envisioned as “the New Orleans Motown”. Same year, Morton started working on Gumbo. About the album’s title he said “I named it Gumbo because the actual dish is a bunch of things mixed in together to make [something] beautiful. I wanted to grow as a songwriter and talk about more things … about where we are in the world today, the tension, how divided we are as a country. It kind of felt like I was dumping a bunch of subject matter together and I made it in New Orleans so that sounded like gumbo to me.” As a first step, on March 25, 2016, Morton released Bounce & Soul Vol. 1, a mixtape which includes re-imagined versions of his best songs in New Orleans’ bounce style.On July 1, 2016, Morton released the Sticking to My Guns EP, featuring the single of the same name. The EP, besides including alternative versions of “First Began” and “Sticking to My Guns”, also contains “Say So”, a song that was later cut from the final tracklist of the album. On November 15, 2016, Morton released “You Should Be Ashamed”, a Stevie Wonder-esque socially conscious song that was later replaced by “Religion”. On March 13, 2017, Morton announced on his Instagram page April 14, 2017 as the release date of Gumbo. // Gumbo did not manage to enter on the US Billboard 200 chart but received positive reviews from most music critics, who complimented Morton’s style and praised him for his singing and songwriting. The album earned Morton two Grammy nominations for Best R&B Album and Best R&B Song at the 60th Annual Grammy Awards. On February 14, 2019, Morton collaborated with singer JoJo on the song “Say So”, which served as the lead single for his sixth album Paul. // In 2020, Morton recorded his live album, The Piano Album. It features songs from Gumbo and Paul. On August 28, 2020, Morton released his long awaited gospel album Gospel According To PJ: From The Songbook of PJ Morton. The album features The Clark Sisters, Comissioned, Zacardi Cortez, Darrel Walls, and others. It also features remade versions of So In Love by Amber Bullock, Over and Over by Trinitee 5:7, and Let Go by Dwayne Woods. A documentary was released talking about how he was pressured to make Gospel music, the process of each song, and his father. Don’t Let Go from his previous album Paul was included featuring Kim Burrell. Do You Believe feat. Yolanda Adams was included from “Christmas With PJ Morton.” // Watch the Sun was released in mid 2022. The album blends elements of R&B, soul, and gospel, featuring collaborations with artists such as Stevie Wonder, Nas, JoJo , and Alex Isley. Known for its themes of hope and personal resilience, the album was praised for its emotional depth and musicality. // In 2023, Morton released Watch the Sun Live: The Mansion Sessions, a live album featuring stripped-down, intimate performances of songs from the original album, showcasing Morton’s vocal and instrumental prowess in a more acoustic setting. // Cape Town to Cairo is the seventh studio album by American musician PJ Morton, released in 2024 via Morton Records and EMPIRE. The album was conceived and recorded during a 30-day journey across Africa, with stops in cities such as Cape Town, Lagos, Accra, Cairo, and Johannesburg. Morton undertook the project without any pre-written material, seeking to capture the essence of his experiences in real-time. The album draws on various genres, including R&B, soul, gospel, jazz, and pop, all influenced by African musical traditions and rhythms, which Morton encountered throughout his travels. // The album features collaborations with several notable African artists, including Fireboy DML, Made Kuti, Aṣa, Ndabo Zulu, and the Soweto Spiritual Singers. Songs like “Simunye (We Are One)” emphasize African unity, while tracks like “Count On Me,” featuring Fireboy DML, explore themes of friendship and global togetherness. The project has been compared to Paul Simon’s Graceland (album) in its ambition and scope, but Morton’s direct immersion in African culture during the album’s creation sets it apart. // Morton has described Cape Town to Cairo as an exploration of the African diaspora through music, combining influences from the continent with his roots in New Orleans soul and gospel. The album was recorded with local musicians and producers such as P.Priime and The Cavemen (band), and its themes range from personal lineage and gratitude to broader messages of unity and identity. // After winning Grammy Awards for his songwriting and production on India.Arie’s Interested, Morton won Dove and Stellar Awards in 2008. // Morton was also noticed by AR Rahman, composer for Slumdog Millionaire, who asked Morton to contribute “Sajna” to the soundtrack and movie for the Vince Vaughn comedy Couples Retreat. Morton has also produced and written for musicians such as Jermaine Dupri, LL Cool J, Jagged Edge, Monica, India.Arie, gospel musicians Fred Hammond, Men of Standard, Brian Courtney Wilson, and Heather Headley. In 2009, he published a book entitled ‘ Why Can’t I Sing About Love? // Morton who wrote a song called “Battle Field” by Chinese singer Jane Zhang from the 2016 film The Great Wall. // in October 2023, Morton was featured in Portuguese singer Barbara Bandeira’s debut studio album Finda on the track Ego. // Morton wrote the song “Special Spice” for the theme park attraction Tiana’s Bayou Adventure, which is inspired by Disney’s 2009 film The Princess and the Frog. // He married his wife Kortni Morton on December 25, 2008. They grew up attending the same church and began dating as adults. They have three children;Jakai (aged 19), Paul III “P3” (aged 13) and Peyton (aged 11).]
  1. Yannis & The Yaw – “Rain Can’t Reach Us (feat. Tony Allen)”
    from: Lagos Paris London (feat. Tony Allen) – EP / Transgressive Records / August 30, 2024
    [In 2016, Foals frontman Yannis Philippakis was offered the opportunity of alifetime: a two-day session working with the great drummer Tony Allen, who he admired intensely for his influential, multi-genre work with the likes of Fela Kuti, Sébastien Tellier and Jeff Mills. The result is the five-track EP, ‘Lagos Paris London’, out 30th August 2024 via Transgressive. More information at: http://www.yannisandtheyaw.com.] 
  1. Lettuce – “4 on 6 (Live)”
    from: Live in Tokyo / Lettuce Records / January 4, 2004/2005 / Reissued 2024
    [Lettuce is a funk band originating from Boston, Massachusetts in 1992. Its members include guitarist Adam “Shmeeans” Smirnoff, Nigel Hall (keyboards, Hammond B-3 organ, piano, vocals), Adam Deitch (drums/percussion), Erick “Jesus” Coomes (bass), Ryan Zoidis (saxophone) and Eric “Benny” Bloom (trumpet). // Lettuce began in the summer of 1992, when all of its members attended a music program at Berklee College of Music in Boston, Massachusetts as teenagers. Brought together by the influence of various funk bands including Herbie Hancock, Earth, Wind and Fire, and Tower of Power, the band jammed throughout that summer before going their separate ways. // In the fall of 1994, the band reconvened as undergrads at Berklee and attempted to play at various Boston jazz clubs, walking in and asking the club owners and other musicians if they would “let us play”, giving birth to the name Lettuce. Michael Butler played keyboards with the band early on and then Jeff Bhasker took on the role. When he left, Neal Evans joined. // Mainly from word of mouth, Lettuce developed strong followings in New York City, San Francisco, Chicago, and Tokyo. They released their first CD, Outta Here, in 2002, followed by their Live in Tokyo album recorded at the Blue Note in 2003. // In 2008, Lettuce released their second album, entitled Rage!. Drawing heavily from many of the leaders of the 1970s funk movement, Rage! features covers of Curtis Mayfield’s “Move on Up” and Charles Wright & the Watts 103rd Street Rhythm Band’s “Express Yourself”. // In 2011, Lettuce played on the Royal Family Ball tour with their brother band, Soulive, and was accompanied at select shows by Rashawn Ross of the Dave Matthews Band. During this tour, they began playing new songs that would be featured on the band’s next album, Fly!, in 2012. // Many of Lettuce’s members have had success in other areas of the music industry. Krasno and Evans are members of the jazz/organ trio Soulive. Zoidis is a former and founding member of the Rustic Overtones. Coomes is a session bass player and has toured with Britney Spears and The Game. Deitch is a producer who also plays with Break Science, and he has worked with John Scofield and Wyclef Jean. Smirnoff has toured with Lady Gaga and Robert Randolph & the Family Band. In addition to playing with Lettuce, Ross has been a full-time member of the Dave Matthews Band since 2010. // Lettuce played with the Soul Rebels Brass Band on Jam Cruise 2013. The band’s album Crush was released in November 2015 and reached number one on the U.S. Jazz Albums chart. // In 2020, Lettuce’s album Elevate was nominated for a Grammy for Instrumental Album of the Year.]
  1. Floating Points – “Del Oro”
    from: Cascade / Ninja Tunes / September 13, 2024
    [Samuel Shepherd, known professionally as Floating Points, is a British electronic music producer, DJ, and musician. He is the founder of Pluto Records, co-founder of Eglo Records and leader of a 16-piece group called Floating Points Ensemble. He took over the 6 Music Artist in Residence radio slot on July 15, 2024. // Raised in Manchester, England, Shepherd studied piano at Chetham’s School of Music before receiving a PhD in neuroscience and epigenetics at University College London. He also worked as a DJ at Plastic People, a London club, in the late 2000s. // In late 2008, Shepherd and Alexander Nut launched the Eglo record label. Eglo Records had released music by Floating Points, Fatima, Funkineven, Steve Spacek, Dego & Kaidi, Shafiq Husayn, K15, Mizz Beats, Natalie Slade, Destiny71z, Shy One, Henry Wu, Chunky and others. // In 2010, Shepherd performed with a 16-piece live incarnation of Floating Points, entitled the Floating Points Ensemble. The group won an award for “Best BBC Radio 1 Maida Vale Session”. // In 2015, Shepherd founded Pluto records. He released projects such as Eleania, Kuiper, Crush, and Reflections: Mojave Desert from the label. // Shepherd’s musical influences include Claude Debussy, Olivier Messiaen, and Bill Evans. He began releasing work under the Floating Points moniker in 2008, and in 2017 toured with The xx. // He has also remixed musicians such as Thundercat, Caribou, Basement Jaxx, Skepta & Headie One. // Shepherd’s first release was the Vacuum EP in 2008 on Eglo Records. Over the next few years, he would continuously release EPs and singles on Eglo, but also other labels such as Planet Mu. Notable releases included 2011’s Shadows EP and 2014’s “King Bromeliad” / “Montparnasse”. // On November 6, 2015, Shepherd released the first Floating Points album – Elaenia. Around its release, Shepherd launched an 11-piece live show and immediately sold-out a string of global live dates including headline shows at Islington Assembly Hall and two dates at Electric Brixton in London. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, Elaenia received an average score of 85, based on 20 reviews, indicating “universal acclaim”. Hamill Industries and Floating Points created the exhibition ‘Future Shocks’ at 180, The Strand in London in collaboration with FACT. The exhibition featured an installation by Hamill called “Vortex”. // In 2017, Shepherd released Reflections: Mojave Desert. The album recording was accompanied by a short film produced by long-time collaborator Anna Diaz Ortuño of Hamill Industries. The album was recorded in August 2016 in the Mojave Desert when Shepherd and his band were rehearsing for their upcoming US tour. Floating Points explained: “Whilst we were out playing and exploring the area around us—the sound reflecting from the rocks, the sound of the wind between them, complete stillness at night and packs of roaming coyotes in the distance—it became apparent that we could use this as its own unique recording environment.” // On 29 March 2019, Shepherd contributed a DJ mix to the Late Night Tales series. // On October 18, 2019, Shepherd released the album Crush. It received positive reception upon release. At Metacritic, which assigns a normalized rating out of 100 to reviews from music publications, the album received an average score of 81 based on 16 reviews, indicating “universal acclaim”. Shepherd embarked on a tour following the album’s release, selling out shows at Printworks, Elysee Montmartre, and Funkhaus. // During lockdown, Shepherd collaborated with KDV Dance Ensemble and Boiler Room to host an interactive live stream on Zoom. He was Interviewed by New York Times. // On March 26, 2021, Shepherd released a collaborative album with Pharoah Sanders and the London Symphony Orchestra, entitled Promises. It was nominated for the Mercury Prize 2021 and reached #6 in the Official UK Albums Chart and #1 in the Official UK Vinyl Albums Chart. The album was released on New York label Luaka Bop. Sanders was impressed by Elaenia and befriended Shepherd, who was 40 years younger than him. Sanders proposed that they produce a collaborative album. Shepherd composed the music and played both electronic and non-electronic instruments. // After Sanders’ death in 2022, Shepherd put together a one-time live performance of the album at the Hollywood Bowl, conducted by Miguel Atwood-Ferguson with an ensemble cast including Sam Shepherd, Kieran Hebden, Dan Snaith, Shabaka Hutchings, Kara Lis Coverdale, Hinako Omori. The Independent reviewed the performance, calling it “A near perfect body of music paired with a beautiful tribute” and gave it 4/5 stars. // In 2022, Shepherd released the singles Vocoder, Grammar, Promises, Birth4000, and Someone Close. In 2023, Shepherd released Birth4000. // He collaborated as a producer for Japanese American singer-songwriter Hikaru Utada album Bad Mode, working on the songs Bad Mode, Kibunja Naino (Not In The Mood) and Somewhere Near Marseilles. // Shepherd composed an original score for Mere Mortals for the San Francisco Ballet which premiered on January 26, 2024. The ballet, featuring choreography from Aszure Barton, contextualised the ancient parable of Pandora’s Box in AI. Shepherd worked with long-time creative collaborators Hamill Industries. The initial run of shows sold out. A second run is planned for April 2024.]

Floating Points Discography:
Elaenia (2015)
Reflections – Mojave Desert (2017)
Crush (2019)
Promises (with Pharoah Sanders & the London Symphony Orchestra) (2021)
Cascade (2024)

  1. Molchat Doma – “Сон / Son”
    from: Belaya Polosa / Sacred Bones / September 6, 2024
    [Molchat Doma (Russian: Молчат Дома, lit. ’Houses Are Silent’, pronounced [mɐlˈt͡ɕat dɐˈma]) is a Belarusian post-punk band from Minsk, formed in 2017. Their current lineup consists of Egor Shkutko (vocals), Roman Komogortsev (guitar, synthesizer, drum machine), and Pavel Kozlov (bass guitar, synthesizer). Their style has been described as post-punk, new wave, synth-pop, and cold wave. // They self-released their first album, S krysh nashikh domov (С крыш наших домов, ‘From The Roofs of Our Houses’) in 2017 and later released their second album, Etazhi (Этажи, ‘Floors’) in 2018, through German independent label Detriti Records. After gaining popularity worldwide, they signed to American independent label Sacred Bones Records in 2020, who reissued their albums, marking their first releases in North America. Their third studio album, Monument (Монумент), was released on November 13, 2020 and their fourth studio album, Belaya Polosa (белая полоса) was released on September 6, 2024. // Molchat Doma formed in Minsk, Belarus, and began releasing music in 2017. They self-released their debut studio album, S krysh nashikh domov (Russian: С крыш наших домов, ‘From The Roofs of Our Houses’), on April 24, 2017. In July 2017, they released the song Kommersanty (Коммерсанты, ‘Businessmen’) as a single. Later that year, S krysh nashikh domov received a re-release through German independent label Detriti Records. The following year, the band released their second album, Etazhi (Этажи, ‘Floors’), which included Kommersanty, on 7 September 2018, also through Detriti. The label released the album both digitally and on vinyl. // Over time, the band’s first two albums gained popularity through YouTube and Bandcamp. Their music was uploaded to YouTube unofficially by a user named “Harakiri Diat”, who also uploaded music by other bands with similar sounds. By the end of 2019, Etazhi had gained roughly two million listeners through their upload of the album.[8] The band were not initially as popular in their home country of Belarus as they were in the rest of Europe; they had played sold-out shows across the continent but never in Belarus. They have stated, however, that they have no interest in performing a sold-out show at Minsk-Arena. Later that year in September, the band released two singles. The first was called Zvezdy (Звезды, ‘Stars’) and the second was a collaboration with Russian post-punk band Ploho, called Po krayu ostrova (По краю острова, ‘Along the Edge of the Island’). // In January 2020, Molchat Doma signed with American independent label Sacred Bones Records, who later reissued their first two albums on vinyl in North America. During the first half of 2020, the band gained popularity through the online video platform TikTok, specifically their song Sudno (Boris Ryzhy) (Russian: Судно (Борис Рыжий), ‘Bedpan (Boris Ryzhy)’), from Etazhi; the song had been used as the soundtrack to numerous videos created on the platform. Some notable videos that used the song include one made by a user based in San Francisco, California, who compiled several clips of his native country of Russia, adding that he misses being there, as well as a “challenge” that involves a fast photo compilation of the video creator trying on as many clothes in their wardrobe as possible within a time limit. The song’s popularity during this time resulted in it reaching No. 2 on the Spotify worldwide Viral 50 chart. // Molchat Doma had planned to tour in North America for the first time, alongside American singer-songwriter Chrysta Bell, but the original tour dates were canceled once the COVID-19 pandemic had impacted the continent. The band contributed to a Black Sabbath tribute album, along with other signees of Sacred Bones, titled What Is This That Stands Before Me?. They covered their song “Heaven and Hell” (Russian: Небеса и ад), with a dark wave sound and Russian lyrics, for the album. The album was released in May 2020, and their “Heaven and Hell” cover was released as a standalone single on digital platforms later that month. // On September 15, 2020, Molchat Doma announced their first album through Sacred Bones, titled Monument, and its release date of 13 November. Alongside the announcement was the release of the album’s lead single, “Ne smeshno” (Не смешно, ‘Not Funny’). // The first Russian-speaking artist at the Coachella festival in Indio, California in April 16 and 23, 2022. // In May 20, 2023, the band performed at the Cruel World Festival in Pasadena, California. // In November 18, 2023, the band performed at the Darker Waves Festival in Huntington Beach, California with Tears for Fears, New Order, The Human League, Echo & the Bunnymen and others. // In June 11, 2024, the band announced their second album through Sacred Bones, titled Belaya Polosa (White Stripe) they also premiered the first single, Son (Dream), with an accompanying music video directed by Bryan M. Ferguson. On 16th July, 2024, the second single from the album was released – Ty Zhe Ne Znaesh Kto Ya (You Don’t Know Who I Am), followed by the third single Belaya Polosa on 7th August. // Members: Egor Shkutko (Belarusian: Yahor Shkutko) – vocals; Roman Komogortsev (Raman Kamahortsau) – guitar, synthesizer, drum machine; Pavel Kozlov (Pavel Kazlou) – bass guitar, synthesizer.]

11:00 – Station ID

  1. Hermanos Gutiérrez – “Low Sun”
    from: Sonido Cósmico / Easy Eye Sound / June 16, 2024
    [6th album from Latin instrumental band formed in 2015 in Zürich by Ecuadorian-Swiss brothers Alejandro Gutiérrez (guitar and lap steel) and Estevan Gutiérrez (guitar and percussion). In 2022, the US label Easy Eye Sound released the band’s fifth album, El Bueno y el Malo. // Alejandro& Estevan Gutiérrez, two of four siblings, were raised by an Ecuadorian mother and a Swiss father in Switzerland, and often visited family in Playas, Ecuador. Around age nine, Estevan learned to play classical guitar in Latin styles such as milonga and salsa, and as a surfer was later inspired by surf rocker Jack Johnson. Alejandro, who is eight years younger, taught himself guitar by watching tutorial videos on YouTube. The Hermanos Gutiérrez band traces its origins to a jam session in Alejandro’s apartment in Zürich during a visit from Estevan in 2015. // The band’s first three albums (8 Años, El Camino de mi Alma, and Hoy Como Ayer) drew broadly from the world of Latin music. A visit to Mexico and the Southwest US in February 2020 inspired their fourth album, Hijos del Sol, which incorporated more Western sounds. An eight-minute music video for the title track came out in advance of the album’s release on September 25, 2020. // El Bueno y el Malo, the band’s first non-indie project, was recorded in Nashville in collaboration with Dan Auerbach of the Black Keys and released by his label Easy Eye Sound on October 28, 2022. The album (and its title) were inspired by Ennio Morricone’s The Good, the Bad & the Ugly soundtrack. The album was critically acclaimed and has been described as mentally transporting listeners to Spaghetti Western landscapes. Songs from El Bueno y el Malo comprised Hermanos Gutiérrez’s set list in an NPR Tiny Desk Concert in January 2023. That year, Auerbach was nominated for the Grammy Award for Non-Classical Producer of the Year in part for his work with Hermanos Gutiérrez.]
  1. Hermanos Gutiérrez – “Sonido Cósmico”
    from: Sonido Cósmico / Easy Eye Sound / June 16, 2024
    [Hermanos Gutiérrez is a two-piece band formed of the brothers Alejandro and Estevan Gutiérrez. // More info at: http://www.hermanosgutierrez.ch.] 
  1. Etran de L’AÏr – “Imouha”
    from: 100% Sahara Guitar / Sahel Sounds / September 13, 2024
    [Etran de L’Aïr is a Nigerien rock band from Agadez, Niger. The band is currently signed to Sahel Sounds. The group has released two albums, No. ] in 2018 and Agadez in 2022. The groups’ first album, No. 1, was named the number one album of the year by Amanda Petrusich of The New Yorker. Both albums by the band have received positive reviews. Discography: No. 1 (2018, Sahel Sounds) // Agadez (2022, Sahel Sounds) ]
  1. The Lijadu Sisters – “Come On Home” 
    from: Horizon Unlimited – EP / Afrodisia / 1979 [Reissued on Numero 2023]   
    [Kehinde Lijadu (22 October 1948 – 9 November 2019) and Taiwo Lijadu (born 22 October 1948) were identical twin sisters from Nigeria who performed as the Lijadu Sisters from the mid-1960s to the 1980s. They achieved success in Nigeria, and also had a more modest success in the United States and Europe. Described as an influential dynamic who mixed Afrobeat sounds with jazz and disco, the sisters retired from the music scene in the late 1980s, reforming and performing sporadically during the 2010s up until Kehinde’s death in 2019. They were the cousins of the popular Nigerian musician Fela Kuti. B// The twins grew up in the Nigerian city of Ibadan, and were inspired musically by various artists including Aretha Franklin, Victor Olaiya and Miriam Makeba. They had guidance from music producer Lemmy Jackson who is credited with helping them with their early successes. Their music was a mix of Jazz, Afrobeat, Reggae and Waka. Sometimes they sang in English and other times in African languages[which?]. One of their first songs was arranged with assistance from jazz saxophone player Orlando Julius. They released their first album Iya Mi Jowo in 1969 after winning a record contract with Decca Records. They worked with the late Biddy Wright on their third album Danger (1976). American rapper Nas sampled “Life’s Gone Down Low”, a track in the Danger album, as “Life’s Gone Low” on his 2006 Mixtape without crediting the duo. The Lijadu Sisters recorded Sunshine in 1978 and Horizon Unlimited in 1979. // The sisters were top stars in Nigeria during the 1970s and 1980s. During these years, they branched out to America and Europe and found modest success. They performed with drummer Ginger Baker’s band Salt at the 1972 Munich Olympic Games in Munich at the World Music Festival. The New York Times reported that the sisters were “smiling free spirits” who mixed “sisterly banter and flirtatiousness” in their performances which featured positive messages such as the benefit of returning home. Their reggae number Reincarnation insisted that if reincarnation was a reality, then they would like to be reincarnated again into the home where they grew up. Some of their song lyrics were politically themed. Their harmonies were described as “ethereal”. // In 1984 Shanachie Records released Double Trouble in the US which was a compilation of their previously recorded material from their albums Horizon Unlimited and Danger. Their song “Orere Elejigbo” was included on a double CD entitled Nigeria 70, Africa 100, and was added to the Roots & Wings playlist in 1997. // During the 1980s, the sisters moved to Brooklyn, New York. They performed in various venues including the lower Manhattan club Wetlands and in Harlem with King Sunny Adé’s African Beats as their backing band. They performed with the Philadelphia-based band Philly Gumbo. They were featured in the music documentary Konkombé by English director Jeremy Marre, and their music was featured in the Nigerian installment of the 14-episode world music series entitled Beats of the Heart which aired on PBS during the late 1980s. // On 1 April 2014, they appeared live at an all-star tribute, the Atomic! Bomb Band, for reclusive Nigerian musician William Onyeabor at the Barbican Centre in London. They sang some of their own tracks including “Danger”, as well as providing backing and lead vocals on William Onyeabor material.They also performed with the Atomic! Bomb Band on The Tonight Show Starring Jimmy Fallon and on tour dates in New York, San Francisco and Los Angeles in May 2014. //
    On 9 November 2019, Kehinde suffered a stroke and died on the same day, at the age of 71.]
  1. Joan As Police Woman – “Lemons, Limes and Orchids”
    from: Lemons, Limes and Orchids / Play It Again Sam / September 20, 2024
    [Lemons, Limes and Orchids is the 12th studio album by an unorthodox but consistently rewarding singer-songwriter. Its songs have a supple groove and probing feel as though circling an idea or scenario. Joan Wasser, aka Joan as Police Woman, sings with nuanced changes in emphasis, one moment pressing, the next softly languorous. The combination of rhythmic depth and vocal sophistication recalls the vaunted spirit of one of her musical inspirations, Joni Mitchell. Wasser has been operating as Joan as Police Woman since 2004. Her curious stage name derives from one of the first television cop shows with a female lead. Police Woman was a 1970s procedural drama with Angie Dickinson as an officer who goes undercover to solve crimes, posing as a nurse, airline stewardess and so on. Wasser became Joan as Police Woman after a friend compared her look to Dickinson’s character. But there is a further affinity. Like the undercover TV crimebuster, she has appeared in many different guises during her career. Raised in Connecticut, she trained as a classical violinist but wanted to perform new music rather than repertoire. She played in punk and alt-rock bands, trying to make her violin as loud as possible, before joining Antony and the Johnsons in 1999. She has done session work for Elton John and the Scissor Sisters among others, toured in Lou Reed’s backing band and played keyboards for Iggy Pop. Her last album, 2021’s The Solution Is Restless, was a collaboration involving Afrobeat pioneer Tony Allen (who died the year before its release). “I was ready to make an album that truly featured my voice,” she says of her new songs. Her vocals start up almost immediately in most of the 12 tracks. “Back Again” is a plea to an absent lover to return, done with subtly soulful intensity. “With Hope in My Breath” finds her switching to a breathier type of singing for an entrancing ode about infatuation.  The basslines that give the music its swing are played by fellow singer-songwriter Meshell Ndegeocello. Drums, piano, synths and guitars are the other main instruments. Love and pain are the lyrical poles. The songwriting quality is high throughout, but the title track stands out. It is an achingly drawn-out number with cryptic lyrics about trying to make one’s way in a dangerous world. Precise meaning is elusive, but the song’s power is unmistakable.]
  1. Julia Holter – “Something in the Room She Moves”
    from: Something in the Room She Moves / Domino Records / March 22, 2024
    [Julia Shammas Holter (born December 18, 1984) is an American singer-songwriter, record producer, composer, artist, and academic, based in Los Angeles. Her work has received critical acclaim and incorporates elements of Art pop, Chamber pop, baroque pop and Ambient music. Following three independent album productions, Holter released Tragedy as her first official studio album in 2011. Ekstasis followed in 2012. After signing with Domino Records in 2013, she released the albums Loud City Song (2013), Have You in My Wilderness (2015), the live-in-the-studio album In the Same Room (2017) and the double album Aviary (2018). // Holter composed the score for the 2020 film Never Rarely Sometimes Always and released Behind the Wallpaper (2023) in collaboration with Spektral Quartet and Alex Temple. Her most recent studio album is Something in the Room She Moves, released in 2024. // Holter has also collaborated with other musicians, including Nite Jewel, Laurel Halo, Ariel Pink, Ducktails, Linda Perhacs, Michael Pisaro, and Jean-Michel Jarre. // Holter was born in Milwaukee, Wisconsin. At age six her family moved to Los Angeles, where she later attended the Alexander Hamilton High School. She studied music at University of Michigan for four years, graduating with a degree in composition. After seeing Michael Pisaro perform an avant-garde composition in Michigan, she was inspired to study with him at CalArts, where she graduated from another composition program.Holter contributed songs to multiple compilation albums in 2008. In 2010, she began playing with Linda Perhacs’ band and released a CD-R titled Celebration and a collection of live recordings. // Following three independently produced albums – Phaedra Runs to Russia (2007), Cookbook (2008), and Celebration (2010), Holter’s official debut album, Tragedy, was released in August 2011 on Leaving Records. Inspired by Euripides’ Greek play Hippolytus, the album received generally favorable reviews and was named one of NPR’s “Best Outer Sound Albums of 2011”. // Holter released her second album, Ekstasis, in March 2012 on the RVNG Intl. label. The album drew comparisons to works by such artists as Laurie Anderson, Julianna Barwick, Kate Bush, Joanna Newsom, Grouper, and Stereolab, and received many positive reviews. Holter spent three years making the album, whose title comes from the Greek word meaning “outside of oneself.” The music video for album track “Moni Mon Amie”, directed by Yelena Zhelezov, was also released in March. // In addition to collaborating with other California-based musicians like Nite Jewel (Ramona Gonzalez), Holter released her third album, Loud City Song, in August 2013 on Domino Records. It was universally acclaimed by critics and Unlike her preceding albums, which were recorded mostly alone in her bedroom, Holter recorded Loud City Song with an ensemble of musicians. // In 2015, Holter released the album Have You in My Wilderness, which was acclaimed by critics and became her most successful charting release to date. She also contributed to Ducktails’ fifth studio album, St. Catherine, with her bandmates Chris Votek and Andrew Tholl. // Holter collaborated with Jean-Michel Jarre on a song for the second part of the Electronica double album, released on July 18, 2016. // In November 2016, she curated her own program during the tenth-anniversary edition of Le Guess Who? Festival in Utrecht. This program included performances by Laurel Halo, Josephine Foster, Maya Dunietz, Jessica Moss and other artists. // In September 2017, she performed a world premier of her scoring of the 1928 silent French film The Passion of Joan of Arc on September 29 at the FIGat7th in downtown Los Angeles. // In September 2018, Holter announced her fifth commercially released album, Aviary, and released the lead single “I Shall Love 2”. She followed it with another single, “Words I Heard”, before the album’s release on October 26. The record was praised for its scope and ambition and appeared on multiple year end lists for the best albums of 2018. // In 2021, Holter was appointed the Johnston-Fix Professor of the Practice in Songwriting; Visiting Assistant Professor at Occidental College in Los Angeles. // On January 9, 2024, Holter announced her sixth studio album, Something in the Room She Moves, which was released to critical acclaim on March 22 by Domino.In June 2024, Holter appeared throughout her partner and longtime bandmate Tashi Wada’s studio album, What Is Not Strange?. // The Guardian wrote that “Holter’s vocal register […] faintly recalls Siouxsie Sioux or Nico”.[19] Under the Radar similarly compared her to other female artists saying; “Holter is Siouxsie Sioux meets Kate Bush, with a matchstick intensity, relighting her own wick by the conversation in her voice, her diaphragm shifting between instruments”. // Holter was previously in a relationship with former Real Estate guitarist and Ducktails frontman Matt Mondanile. In 2015, she contributed to his Ducktails album, St. Catherine. In the wake of sexual misconduct allegations against Mondanile, Holter divulged that Mondanile was “emotionally abusive to the point where I had to have a lawyer intervene and was afraid for my life.” // Holter is married to musician Tashi Wada, son of the sound artist Yoshi Wada. They have been in a relationship since 2015, and they have a daughter together who was born during the COVID-19 pandemic Holter and Wada first met in 2007 when they both played in a harmonium ensemble organized by their friend James. Holter collaborated with Wada on his 2024 studio album, What Is Not Strange?.]

Marion Merritt thank you for being out Guest Producer on WMM

With partner Ann Stewart, Marion is the proprietor of Records With Merritt, a minority owned business at 1614 Westport Rd. in KC. More info at: http://www.recordswithmerritt.com.

11:34 – Underwriting

10:36 – Interview with Jessica Dressler & Jen Frank Klenke of “Rennie”

Jessica Dressler is a Kansas City native who has performed in countless theatrical productions over the last 25 years, and is best known for her groundbreaking work with Late Night Theatre, which she co-produces with Ron Megee. Most notably, she is known for her character, Dirty Dorothy, the drag show hostess extraordinaire. The concept Dressler portrays is that of Dorothy coming back to Oz with a new, redefined perspective, one that’s perhaps not so “small and meek.” Dressler’s fascination with Judy Garland has led her to create multiple shows and performances giving audiences her uncanny, and memorable vocal and acting interpretations of Judy. Jessica has also been involved in decades of charitable work and has been working in real estate.

Jen Frank Klenke is a wife, a mother of two, a published behavior analyst and comedy writer, and she has dabbled in the Kansas City theater and national stand-up comedy scenes. In 2021, she turned her attention to a writing partnership with Jessica Dressler. Together, they created Rennie and a number of other scripts and treatments. They are the co-writers, co-producers, and co-directors of this magnificent film, in which Jen earned a part on screen as The Nursemaid.

Jessica Dressler & Jen Frank Klenke join us live in our 90.1 FM Studios to share details about their new film “Rennie” making its world premiere at The Folly Theater, October 11 and 12th. This voyeuristic look into a small town’s Renaissance Festival delves into the lives of a motley crew of characters and what brings them back to their comfortless corsets, ballsack hugging codpiece tights, and sweltering animal pelts year after year. Through the twists and turns of personal exploration, our heroes and heroines use this time together to fulfill the most basic desire in life: to love, be loved, and belong as one’s true self. Our beloved Rennies reveal that in a place centered around pretending to be something that you are not, everyone discovers who they are. “Rennie” will have its World Premiere at The Folly Theater on Friday, October 11, and Saturday, October 12, 2024 at The Folly Theater 300 W 12th St. Kansas City, MO. More info at http://www.follytheater.org

Jessica Dressler & Jen Frank Klenke thanks for being with us on WMM

“Rennie”–Feature Film Premiere, Kansas City
October 11th and 12th, 2024 at The Folly Theatre 300 West 12th Street, KCMO
http://www.follytheater.org

Kansas City: it’s time for a Red Carpet Full Feature Film Premiere! This incredibly heartfelt comedy was filmed locally in 2023 by an all local film crew with all local talent–it is 100% homegrown KC proud!

A powerhouse of female creatives:
Written/Produced/Directed by Jessica Dressler and Jen Frank Klenke,
Supervising Producer Marie Gough,
Director of Photography Johanna Brooks,
and a nearly all female executive producers group.

The producers were so extremely happy to utilize the incredible talent within not only the acting community of Kansas City–MY GOD WE HAVE TALENT HERE–but also the tremendous talent KC has within the local Film Community–Kansas City is the next big film market about to break!

The event:

7:00pm red carpet arrivals begin.

7:15-7:45 The Jolly Rogers, local and widespread Renaissance Festival famed pirate band, will be gracing the stage and also be piped throughout the building. Photo ops set up throughout the lobby to immortalize the
evening.

8:00 pm KC Premiere screening of “Rennie”!

Dress Code: Black Tie, Renaissance Fest Costume, or fuse them in RenFest Couture!

“Rennie” is a feature film by Jessica Dressler and Jen Frank Klenke: This voyeuristic look into a small town’s Renaissance Festival delves into the lives of a motley crew of characters and what brings them back to their comfortless corsets, ballsack hugging codpiece tights, and sweltering animal pelts year after year. Through the twists and turns of personal exploration, our heroes and heroines use this time together to fulfill the most basic
desire in life: to love, be loved, and belong as one?s true self. Our beloved Rennies reveal that in a place centered around pretending to be something that you are not, everyone discovers who they are.

Quotes:
“We’re so appreciative of the choice to film Rennie in Kansas City. Independent films are the heartbeat of a dynamic film industry, and seeing “Rennie” come to fruition here in KC is a real testament to the talent and creativity that drives our growing film community. We can’t wait to see the product of all the hard work put forth by our impressive local talent, both in front of and behind the camera.”

  • Rachel Kephart, KC Film Office Director, Office of Mayor Quinton Lucas

“Rennie” is a Kansas City film through and through (script, crew, cast) with themes that will engage audiences across the nation. Filmmakers Jen Frank Klenke and Jessica Dressler galvanized resources in Kansas City to put together a film that I believe can become an indie darling. They met with me when I was the Kansas City Film Commissioner and allowed me to bring Kansas City’s Mayor Pro Team Ryna Parks Shaw to set during production. We were impressed by the diverse crew, a female DP (Johanna Brooks) and the hilarious cast. I can’t wait to see it in full at the upcoming premiere.”

  • Stephanie Shannon, Kansas City Film Commissioner 2014-2024:

Directed by Jessica Dressler and Jen Frank Klenke

Written by Jessica Dressler and Jen Frank Klenke

Cast

Brett Alexander … Guard I / Fred
Adalmer Omar Gonzalez Anavisca … Goth Dancer
Chioma Anyanwu … Katy Cathie
Alex Arthur … Knighting Child
Wesley Arthur … Knighting Child
Imran Bangash … Matthew Montegue
Nadine Beech … Zipline Rider
Damian Blake … Sir Froderick Foulfeather
Andrea Boswell Burns … Saffy
Lizzie Boyce … Parade Queen II
Elijah Brattin … Romeo
Emily Brattin … Aramis
Johanna Brooks … Camera Operator
Alec Calonge … Goth Dancer
Alex Chang … Piercer
Luis Omar Chavez … Goth Dancer
Annie Cherry … Sapphire
Marusa Clark … Preschool Child
John Cleary … Sir Lancelot
Arthur Phog Clifford … Pete / Suitor
Robert Coppage … Little Jon
Jeff Cox … Festival Dad
Rick Daniels … Jack
Vanessa A. Davis … Murderous Mary O’Malley
Rory Decker … Milkmaid Extra
Amber Dickinson … Missy Montegue
Jack Dolan … Mark Montague
Michael Donaldson … City Councilman
Ed Doris II … Mayor Dan Doris
Francis Doris … Knighting Child
Carryl Dressler … Leather Shop Patron
Jessica Dressler … Bonnie Rome
Greg Edson … Leatherworker
Zoe English … Goth Dancer
Mitch Etter … Potter
Sean Foree … Jolly Roger
Katie Gilchrist … Boom Mic Operator
Jake Gillespie … Robin Hood
Brianna Gray … Mistress Fonn
Wolfe Grossheim … Porthos
Russell Lee Gummelt … Jousting Team
Shelly Gunerson … Barbarian Mom with Camera
Luke Gygax … Luke Gygax
Kurt Hanover … Jolly Roger
McCandlys Harrison … Luke Montague
Dylan Hart … Kyle / Shakespeare
Dalton Homolka … Caliban
George Hunt … Jolly Roger
Maggie Hutchison … Juliet
Casey Jane … Carla Beech
Jack Kapple … Food Vendor Tom
Christina Keller … Jousting Team
Dean Kinsey … Clothing Shop Worker
James Klenke … ‘Sir’ James
Jen Frank Klenke … Nursemaid
Susan Klenke … Face Paint Mom
Tierney Klenke … Girl with Face Paint
Cliff Lawson … Jolly Roger
Josephine Lenati … Goth Dancer
Benjamin Leroy … Child with Mermaid
Olivia Lero … Child with Mermaid
Lana Luxx … Influencer
Valerie Mackey … Francesca the Milkmaid
Nellie Maple … Slurrmaid Cipriana
Medlock … Kid Wanting Treasure
Ron Megee … Martin Rome
Dean Mehling … Athos
Mary Jean Miller … Mistress Foxglove
Josh Moncure … Guard II
Midwest Mythicals … Maypole Faeries
Jacie Nagel … Knighting Child
Hunter Nelson … Food Vendor Jon
Equus Nobilis … Jousting Company
Mandy Ortiz … Maid Marian
Tristan Pomerance … Turkey Leg Gawker
Christopher Preyer … Jouster for the Danes
Victoria Renard … Mistress Vanadis
Anastasia Rendina … Faery
Raquel Rowenhorst … Mistress Vulpine
Cassandra Schimpf … Parade Queen I
Felix Shewmaker … Smiling child
Amberle Smith … Leather Shop Clerk
Sebastian Roldan Smith … Anus Girl Superfan
Mark Stahl … Jolly Roger
Anna Stephens … Jousting Team
Alyssa Stoeckel … Preschool Child
Riley Stoeckel … Preschool Child
Victoria Strafuss … Lisa / Madame Ambrosia
Lauren Taylor … Iris
Brittany Tilander … Slurrmaid Odeta
T’ger Togg … Shop owner
Karen Troeh … Harpist / Mary Queen of Scots
Jessi Troester … Jousting Team
Justin Volker … Bar Patron
Camryn Warner … Genevieve Minola / Queen Elizabeth I
Vivienne Watson … Preschool Child
Wynne Watson … Knighting Child
Christopher Wise … Milkmaid Extra
Cathy Yoakum Wise … Milkmaid Extra

Produced by
Suzanne Frye Doris … associate producer
Jessica Dressler … producer
Marie Gough … supervising producer
Eric Keith … executive producer
Jen Frank Klenke … producer
Jor-El Washington … line producer

Music by Jolly Rogers

Cinematography by Johanna Brooks

Editing by Isabella Vizetta

Costume Design by
Jon Fulton Adams
Chadwick Brooks
Robin Murphy
Angel Skorupan

Production Management by Sebastian Roldan Smith … unit production manager

Art Department Carryl Dressler … craft services supervisor

Sound Department
Isaiah Amos … sound
Zachary Terrell … sound
Jessie Evan Sakkie Van Der Vyver … sound
Larissa Van Der Vyver … sound
Jor-El Washington … sound

Camera and Electrical Department
Blake Betts … second assistant camera
Johanna Brooks … camera operator
DeVonte Brown … first assistant camera
Benjamin Burton … camera operator
Jeff Cox … DIT
Everett Farrow … grip
Wyatt Farrow … gaffer
Estelle Hansen … grip
Kaci Kimie … still photographer
Bryce Kuegler … second assistant camera
Collin Martin … camera operator
Joey Moreno … first assistant camera
Max Moynihan … camera operator
Craig Richard … second assistant camera
Eric J. Warren … second assistant camera
Molly Whiting … still photographer
Carter Wilch … second assistant camera

Casting Department by Johanna Brooks … casting

Costume and Wardrobe Department
Bridgette Cook … costume supplier
Jay Coombes … costume supplier
Shawnasea Holst … costume supplier
David Levin … costume supplier
Jamie Levin … costume supplier
Kyr Levin … costume supplier
Robin Murphy … costume supplier
Courtney Cave Perry … costume supplier
Mark Swezey … costume supplier
T’ger Togg … costume supplier

Location Management Cammy Whalen … location manager

Script and Continuity Department
Jean-Jacques Corbier … script supervisor
Suzanne Frye Doris … script supervisor
Christy Ray Henry … script supervisor

Additional Crew
Nadine Beech … production assistant
Joel Brown … production assistant
John Cleary … Stunts and Fight Coordinator
Ryland Cummings … production assistant
Cris Grigs … production assistant
Susan Klenke … production assistant
Robin Murphy … Props
Betty Welch … production assistant

“Rennie” Thanks to: Anne Alexiou, Matt Alexiou, Misti Bernard, Shelley Binkley, Leann Brock, George Brunson, Peggy Darrow, Greg Edson, Diane Klenke, Kathleen Kunkler, Brenda Lowe, Tim Lowe, Teri Miller, Kelly Nagel, Holly Post, Bill Reisler, Vicki Reisler, Jack Rinkes , Jennifer Smith, E.K. Unruh, Hailee Bland Walsh, Lee Warren, Lori Warren

Jessica Dressler & Jen Frank Klenke thanks for being with us on WMM

“Rennie” will have its World Premiere at The Folly Theater on Friday, October 11, and Saturday, October 12, 2024 at The Folly Theater 300 W 12th St. Kansas City, MO. More info at http://www.follytheater.org

For Marion Merritt, Jessica Dressler & Jen Frank Klenke, WMM, I’m Mark Manning. Thanks for listening!

11:53

  1. The Freedom Affair – “Ain’t Gonna Cry No More”
    from: “Ain’t Gonna Cry No More” – Single / Sunflower Soul Records / September 18, 2024
    [The follow up single to “Love is Love” released June 26, 2024. Before that they released, “If You Don’t Want Me” on May 15, 2024. The Freedom Affair is a 9 piece soul juggernaut from Kansas City, MO. The band formed in 2017 with a vision to write original soul music inspired by the traditions of the genre’s past with a universal message looking toward the future. Their new single “Iain’t Gonna Cry No More” features: Shon Ruffin on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, Brett Jackson on tenor Sax. Recorded by Chris Hazelton. Mixed by Cole Bales. Mastered by JJ Golden // With their debut album FREEDOM IS LOVE, The Freedom Affair has received critical acclaim and have established themselves as a force in the soul music scene across the states and abroad. Keep your eyes and ears open for their songs and album art featured in the series Bel-Air, an Apple commercial, a Netflix series, etc… This band is just getting started. // The Freedom Affair’s live shows have proven to be soul-stirring, transformative events moving audiences both physically and emotionally to joy. // The Freedom Affair released their debut album Freedom Is Love on September 25, 2020. from The album explores themes of love, heartache, empower-ment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording techno-logies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. For the debut record The Freedom Affair was: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on October 2, we talk with special guest Adria Patterson who is a swimmer, a life guard, and a certified instructor teaching adults how to swim, helping people overcome their fear of water and end generational cycles of aquaphobia. (fear of water). More information at PCSwimming.com. // At 11:00am we’ll talk with Alex Kimball Williams a Lawrence, Kansas based musician, scientist, researcher, speaker, activist, teacher. Alex Kimball Williams identifies and celebrates her Native Alaskan / Black / Portuguese origins, with the motto: “Music is Medicine,” and released her album Red & Black on June 19, 2023. It was #5 on WMM’s 120 Best Recordings of 2023. // AND at 11:30 we welcome back to the show, our friend IVORY BLUE.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1062

WMM Playlist from September 18, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 18, 2024

Lori Raye Erickson + Brenton Cook, Mark Ronning, & Nathan Reusch of Outer Reaches Fest

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Jamie xx – “Dafodil (ft. Kelsey Lu, John Glacier, Panda Bear)”
    from: In Waves / Young / September 20, 2024
    [5th single, released August 29, 2024 from In Waves is the upcoming second studio album by English producer Jamie xx. It was preceded by the singles “Baddy on the Floor” featuring Honey Dijon and “Treat Each Other Right”, and will be his first album in nine years, following In Colour (2015). The album will also include collaborations with Jamie xx’s xx bandmates Romy and Oliver Sim, Kelsey Lu, John Glacier, Panda Bear, Robyn, the Avalanches, and Oona Doherty. An additional collaboration with Erykah Badu will feature on the deluxe vinyl. // The album was recorded over a period of four years. In a statement, Jamie xx likened his experiences since releasing his previous album to “waves that we have all experienced together and alone”, and said that he wanted to “make something fun, joyful and introspective all at once” as “the best moments on a dance floor are usually that” for him. From 2022 to early 2024, Jamie xx released the standalone singles “Let’s Do It Again”, “Kill Dem”, and “It’s So Good”, which are included on the deluxe vinyl edition of the album. // James Thomas Smith (born 28 October 1988), known professionally as Jamie xx, is an English musician, DJ, record producer, and remixer. He is known for both his solo work and as a member of the indie pop band the xx. // He has been described as a “driving force” behind the xx,[2] contributing to the group’s significant commercial and critical success. As a solo artist, he has been recognised with a 2015 Mercury Prize nomination, and a 2016 Grammy Award for Best Dance/Electronic Album nomination for In Colour. // Smith was born in London on 28 October 1988. His musical career began in 2006 when he joined the xx accompanying old schoolmates Romy Madley Croft, Oliver Sim, and Baria Qureshi of the Elliott School in London, notable for alumni including Hot Chip, Burial, and Four Tet. He first used the stage name Jamie xx in July 2009 in a promotional mix for the band’s debut album xx released on the FACT magazine mix series. The mixtape was compiled by Jamie Smith and featured, amongst others, four tracks credited to Jamie xx – one self-production and three remixes. The xx album went on to become platinum in the UK. Afterward, Jamie Smith went on to do more remix work for artists like Florence + The Machine, Adele, Jack Peñate and Glasser. // In late 2010, a Jamie xx remix of the song “NY Is Killing Me” from Gil Scott-Heron’s last album I’m New Here aired on radio stations across the UK and Europe. The remix of “I’ll Take Care of U” followed in January 2011. Both singles drew the attention of the general public and the critics. They set the way for a 13-track remix album entitled We’re New Here, produced entirely by Jamie xx and credited to “Gil Scott-Heron and Jamie xx”. The album was released on February 21, 2011 on the XL Recordings label, but a full-album preview could be streamed on the website of The Guardian as early as 14 February. We’re New Here received critical acclaim and was named “a cohesive, considered masterpiece in its own right” by BBC’s Ele Beattie. // On June 6, 2011, the two-track self-produced single “Far Nearer / Beat For” was released. The song “Far Nearer” was selected Best New Track by Pitchfork, and the double A-side single charted at number 128 on the UK Singles Chart. Later the same year, Smith produced the title track off Drake’s second album, Take Care, which features Rihanna. In addition, Smith helped create several reworks for Radiohead’s song “Bloom” which were released on a remix album entitled TKOL RMX 1234567. He also co-produced the song “When It’s All Over” with Alicia Keys on her Girl on Fire album. In 2014, he announced an upcoming collaboration with John Talabot on Tim Sweeney’s Beats in Space online radio show. In 2014, he released the singles “Girl/Sleep Sound” and “All Under One Roof Raving”. // On 27 March 2015, he released two singles: “Loud Places”, featuring the xx’s Romy Madley Croft, and “Gosh”. On the same day he also announced that his debut album, In Colour, would be out on 1 June 2015. Ahead of its release, In Colour was streamed on iTunes as a preview with album-spanning visuals that ‘reacted’ to each sound.[14] It was ultimately released on 29 May 2015 to widespread critical acclaim, debuting at number three on the UK Albums Chart and receiving nominations for the 2015 Mercury Prize and for Best Dance/Electronic Album at the 58th Grammy Awards. // Jamie xx composed the score for a ballet, Tree of Codes, commissioned by Manchester International Festival for its 2015 edition. Based on a novel of the same name by Jonathan Safran Foer, the ballet was choreographed by Wayne McGregor and had a set created by Olafur Eliasson. // In 2020, he released his first single in five years, “Idontknow”, which received positive to lukewarm reception from critics. He was credited on Tyler, the Creator’s 2021 album Call Me If You Get Lost as a co-producer on the track “RISE!”. // Jamie xx has worked on each of his The xx bandmates’ respective solo albums: he produced Oliver Sim’s Hideous Bastard (2022), and co-produced Romy’s Mid Air (2023).]
  1. Stephonne – “1”
    from: “1” – Single / Stephonne / August 21, 2024
    [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Trombone – Trevor Turla. Recorded, mixed and mastered at Westend Recording Studios, Kansas City. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist – Stephonne Singleton keeps very busy, organizing Tribute Shows, working as a Resident Artist at Charlottee Street studios, playing Music Festivals, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, The Black Box, The Folly Theatre, collaborating with The Black Creatures, Calvin Arsenia, Miki P, Jass, Eboni Fondren, putting out EPs, and singles. Stephonne released his EP SIS: Side B on June 24, 2022 it was in the TOP TEN of WMM’s 120 Best Recordings of 2022. Stephonne was a featured performer at the 23rd Annual West 18th Street Fashion Show on Friday, June 2, 2023, and also in the 24th annual West 18th Street Fashion Show.]
  1. Run With It – “Ghost Like You”
    from: “Ghost Like You” – Single / Run With It / September 30, 2024
    [Run With it were last on WMM seven years ago on March 22, 2017 when the band was aa three piece with Miguel Caraballo on lead vocals & guitar, Ben Byard on bass & vocals, and Daniel Cole on Drums. They joined us to promote ther nre EP How To Start A Fire release March 24,2017. // The power trio were known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. The band was always touring. How To Start A Fire, was recorded with producer Josh Gleave. The band put together 60 songs before going into the studio last year. We sifted through them with producer Josh Gleave and found the 6 best songs that you ended up recording. // Run With It are influenced by The Black Keys, Maroon 5, Bill Withers, and more. With backgrounds in gritty rock, groovy soul, stylish R&B. // Miguel Carabello was born June 11, 1980 originally from Junction City, Kansas, Married. Ben Byard grew up in El Dorado Kansas, plays in David George and A Crooked Mile. Daniel Cole was born April 8, 1991 and graduated from Lee’s Summit West HS in 2009. // More information at: http://www.runwithitband.com]

[Run With It play Blue Springs Fall Fun Festival , Friday, September 20, at 9:00pm.]
[Run With It play Plaza Art Fair, Saturday, Sept 21, at 5:15 on the Local Music Stage]
[Run With It play Camp Leavenworth, Saturday, September 21]

  1. Samara Joy – “You Stepped Out Of A Dream”
    from: Portrait / Verve / October 11, 2024
    [First songle form Samara’s new album.Samara Joy’s Grammy Winning Linger Awhile was released September 16, 2022 and was part of WMM’s 120 Best Recordings of 2022. // Samara Joy McLendon, is known professionally as Samara Joy. She is an American jazz singer. She won the Sarah Vaughan International Jazz Vocal Competition in 2019 and was named Best New Artist by Jazz Times for 2021. // A native of the Castle Hill section of the Bronx, Joy was born in 1999 into a musical family. Her paternal grandparents, Elder Goldwire and Ruth McLendon, were founders of Philadelphia gospel group The Savettes. Her father, a bass player who has toured with gospel singer/songwriter/producer Andraé Crouch, introduced her to gospel greats like The Clark Sisters, and soul and Motown were also a big presence in her home. // At Fordham High School for the Arts she performed with the jazz band, and won Best Vocalist at Fordham University’s “Essentially Ellington” competition at Lincoln Center. But she first encountered jazz in a meaningful way when she enrolled in the jazz program at SUNY’s Purchase College as a voice major, and was named an Ella Fitzgerald Scholar. Friends there introduced her to the great jazz vocalists like Sarah Vaughan and Fitzgerald and instrumentalists like Kenny Washington, Jon Faddis (with whom she studied)[16] and Ingrid Jensen. While she was still in college, before the release of her first album, film director Regina King called her “a young woman who seems like Sarah Vaughan and Ella Fitzgerald are both living in her body.” // In 2019, as Samara McLendon, she won the Sarah Vaughan International Jazz Vocal Competition. // Working with producer and eventual manager Matt Pierson, she recorded her self-titled debut album while still in college, graduating magna cum laude in 2021. Samara Joy was released on July 9, 2021 with Whirlwind Records. // On February 15, 2022 she performed on Today with guitarist Pasquale Grasso and performed again on Today in September 2022.// She released a number of viral video performances, including one that had been viewed over 1.5 million times as of October 2020. These videos had as of November 2022 gaineduding a series of sold-out conc and other festivals, as well as in Europe. // In February 2021 she was featured in Women of Color on Broadway, Inc.’s music video of “Summertime” from Porgy and Bess and on jazz pianist Julius Rodriguez’s album Let Sound Tell All. // Jazz Times named her Best New Artist for 2021. // On June 15, 2022 she was featured at Carnegie Hall’s 16th Annual Notable Occasion. and appeared at the Newport Jazz Festival. On September 16, 2022 she released her second album, Linger Awhile, on Verve Records. The album features drummer Kenny Washington, guitarist Pasquale Grasso, pianist Ben Paterson, and bassist David Wong. // She earned two Grammy Award nominations in 2022, for Best New Artist and Best Jazz Vocal Album for Linger Awhile. Her bookings for winter 2022 include singing with the Jazz at Lincoln Center Orchestra on its winter 2022 Big Band Holidays tour.]
  1. Joy Oladokun – “I’d Miss The Birds”
    from: Observations From A Crowded Room / Amigo Records – Verve Forecast / Oct. 18, 2023
    [Last year, Joy Iladokun released Proof of Life her the fourth studio album and second major label album on April 28, 2024by American singer-songwriter Joy Oladokun. The album has been supported by five singles released throughout 2022 and 2023. The album features guest appearances from Mt. Joy, Manchester Orchestra, Chris Stapleton, Maxo Kream, and Noah Kahan. In a press release about the album, Oladokun said that she intended for the songs on Proof of Life to be “helpful anthems” and to resonate with “anybody who feels normal and needs a little musical boost to get through the day”. The album has been supported by five singles, two of which were released before the album was announced. The first single, “Keeping the Light On”, was released on January 21, 2022. The second single, “Sweet Symphony” (featuring Chris Stapleton), was released on September 23, 2022. Of the song, Oladokun said that the song was about “the vulnerability, the fear, and the ups and downs that come from loving someone.” The third single, “Changes”, was released on February 17, 2023, simultaneously with the album announcement. The fourth single, “We’re All Gonna Die” (with Noah Kahan), was released on March 17, 2023. The fifth and final single, “Taking Things for Granted”, was released on April 21, 2023. // Joy Oladokun was born April 6, 1992, she is an American singer-songwriter. Oladokun’s music spans the genres of folk, R&B, rock, and pop and is influenced by her identity as a queer woman of color. Oladokun grew up in Casa Grande, Arizona, listening to country and folk music, as well as Bob Marley and Lauryn Hill. Both of her parents are Nigerian immigrants to the United States. Her family regularly attended a Christian church, where Oladokun was chosen to lead worship. Later, Oladokun left the church because it limited her creativity. // When Oladokun was 10, a video of Tracy Chapman inspired her to learn guitar.// After college, at a friend’s suggestion, Oladokun moved to Los Angeles to pursue her music career. She later moved to East Nashville, where she signed with Prescription Songs. She has released three studio albums. In 2015, Joy Oladokun self-released her debut EP Cathedrals. Her debut studio album, Carry Me was funded by Kickstarter and released on April 29, 2016 through Well Records. // Oladokun released the single “Sunday” in 2019, saying “‘Sunday’ is the song that 12-year-old Joy, seated in the back of church youth group, needed to hear. She needed to hear that you can be queer and happy. Queer and healthy. Queer and holy. She needed to see married women kissing and playing with their kids.” The music video highlights people in LGBTQ relation-ships and has a predominantly queer cast. // Oladokun’s song “Mercy” follows in the same theme, describing her experience as a Black person in the United States, while the single “I See America” criticizes systemic racism. NPR listed “I See America” on its 100 Best Songs of 2020. // On July 17, 2020, Oladokun released her second studio album, In Defense of My Own Happiness (Vol. 1) hite Boy Records. Billboard described the album as a “stunningly emotional collection.” Mitch Mosk, editor-in-chief of Atwood Mag., called it a “a sweeping, soaring, and stunning sophomore record oozing heart and soul.” // In 2021, Oladokun received a grant from YouTube’s “#YouTubeBlack Voices Fund”. The same year she signed with Amigo Records, Verve Forecast Records, & Republics. Info: http://www.joyoladokun.com] [Oladokun played The Truman on Sept. 12, 2024]
  1. Lucy Gray Hamilton – “Sixteen and Happy”
    from: “Sixteen and Happy” – Single / Lucy Gray / May 24, 2024
    [Music & Lyrics by Lucy Gray Hamilton. Guitar, Vocals, Violin by Lucy Gray Hamilton. Percussion & Upright Bass by Gregory Gagnon. Produced by Gregory Gagnon- ShapeNote Studios & Robert Rebeck- Westend Recording Studios (Kansas City, MO). Original photo by Tara Duckworth Photography. This recording was made possible by the Heartland Song Network and Gregory Gagnon of ShapeNote Studios. // ‘sixteen & happy” for me is a lot of things. It’s being sad on your birthday. It’s how crushing it can be when someone you were once so close with isn’t around anymore. It reveals how hard it is to acknowledge true feelings and how it can take time to express them. My deepest gratitude to Heartland Song Network and Greg Gagnon at ShapeNote Studios for making this recording possible!” – Lucy Gray // SONGWRITER, COMPOSER, MULTI-INSTRUMENTALIST – Lucy Gray grew up performing on festival stages from the young age of 7 while studying classical & fiddle style violin. By the age of 9 she was performing her own original songs leading her to 4 awards for songwriting & composition, invitations to speak at events, repeated radio spins, tv appearances & most recently a grant to record her latest single! ]

10:29 – Underwriting

11:00 – Interview with Lori Raye Erickson

Lori Raye Erickson was born and raised in Des Moines, Iowa. She is a multidisciplinary artist. She spent her formative years studying at the Des Moines Art Center and then earned her BFA from the Kansas City Art Institute in 1989. After earning her BFA Lori Raye stayed in Kansas City and worked at Hallmark Cards for six years, before becoming a self-employed artist. She has also worked in property management while continuing to create works of art shown throughout the US. Since the 1992 Lori Raye Erickson has produced art in over 70 exhibitions and shows. Erickson’s work can be found in various collections around the world.

Lisa Raye Erickson has been the recipient of numerous awards including the 2002 Charlotte Street Visual Artist Award. In 2009 Kansas City Avenue of the Arts Award. In 2019 she received the Residency Award from Studios Inc. Lori Raye also won the Liquitex Award of Excellence, among many others.

Erickson addresses the political, cultural and economic landscapes through humor. Mediums such as painting, drawing, installation, and sculpture are a part of her repertoire and she allows her message to manifest freely within the artwork. Erickson states that “to be a part of something so lasting and encouraging of mid-career artists in Kansas City is just incredible. I look forward to being productive in the space, producing larger works as well as multiple pieces simultaneously. I intend to utilize this opportunity to tighten my career focus and build a portfolio that creates new opportunities previously unavailable to me.”

Lori Raye Erickson’s new show is called, “Just close your eyes and hold your breath and everything will turn real pretty” running through October 25, 2024 at Leedy-Voulkos Art Center, 2012 Baltimore, KCMO. Lori Raye Erickson will give an Artist Talk, Saturday, October 5 at 1:00pm at Leedy-Voulkos Art Center followed by spoken word performances by cwoods and Jose Faus. Lori Raye Erickson’s work is currently exhibiting in the front gallery space. More info at: http://www.leedy-voulkos.com or https://www.lorirayeerickson.com

Lori Raye Erickson, Thanks for being with us today on WMM

Lori Raye writes: “Just close your eyes and hold your breath and everything will turn real pretty” is a quote from Close Encounters. I feel it reflects the bizarre world we’re living in currently. Sometimes we need to alter our state of mind to face the reality of the world. I tend to accomplish that through art. This work is a reflection of the lightness & darkness that surrounds us. The effects of religious wars, political violence and social media has taken a toll on the fundamental goodness intended for our species. Although optimism tends to hold strong, I can’t help but wonder what we’re heading into while the darkness continues to fight for control.

Artist Statement

My artwork tends to reflect our current state in the world. Religion, social issues, politics as well as humor play an enormous role in my approach. No expectations. Look, close your eyes, feel or don’t.

“Just close your eyes and hold your breath and everything will turn real pretty” running through October 25, 2024 at Leedy-Voulkos Art Center, 2012 Baltimore, KCMO.

Lori Raye Erickson will give an Artist Talk, Saturday, October 5 at 1:00pm at Leedy-Voulkos Art Center followed by spoken word performances by cwoods and Jose Faus.

Lori Raye Erickson’s work is currently exhibiting in the front gallery space.

Lori Raye Erickson’s work plays with v]culture and politics. She is influenced by her Art heroes and influences: Kieth Haring and Any Warhol and others. Lori Raye Erickson has watched the Kansas City Art Community Grow at Kansas City Art Institute. She watch The Crossroads grow and change. She has produce art for Wonderwall, Blue Gallery, Avenue of the Arts, Leedy-Voulkous, Byron Cohen Gallery, The Late Show. Charlotte Street, and so many others.

Lori Raye Erickson wanted to share with our listeners an event sponsored by her church, Guns to Gardens Safe Surrender, Saturday, October 12, 2024, 10:00am to 2:00pm at Central Presbyterian Church, 3501 Campbell St, Kansas City, MO. // Central Presbyterian Church, is hosting a volunteer safe surrender and dismantling event on Saturday, October 12 where folks can get rid of unwanted firearms without putting them back onto the street. This is not a buy back. Anyone can anonymously surrender their unwanted guns, which will be dismantled on-site, melted down, and fashioned into garden tools (or jewelry, artwork, etc.). A gift card for a grocery store will be offered as a token of appreciation for each surrendered firearm.

Lori Raye Erickson, Thanks for being with us today on WMM

Lori Raye Erickson’s new show is called, “Just close your eyes and hold your breath and everything will turn real pretty” running through October 25, 2024 at Leedy-Voulkos Art Center, 2012 Baltimore, KCMO. Lori Raye Erickson will give an Artist Talk, Saturday, October 5 at 1:00pm at Leedy-Voulkos Art Center followed by spoken word performances by cwoods and Jose Faus. Lori Raye Erickson’s work is currently exhibiting in the front gallery space. More info at: http://www.leedy-voulkos.com or https://www.lorirayeerickson.com

10:50

Outer Reaches Fest 2024. Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, in the the downstairs showcase with electronic artists:, Hautlle, Bobcat Attack, Whelmed, and John Wyss, presented by KC Synthesizer Collective.

  1. John Wyss – “tick”
    from: “tick” – Single / John Wyss / September 18, 2024
    [John Wyss is an electronic experimental musician from Kansas City. He released the 6 track EP Dissonant Discover*ies on August 8, 2022. The Ep contains tracks recorded from 08/21 – 08/22. Recorded, Mixed, and Mastered by John Wyss.John wrote: “recorded improvisations that grew into… something more: mostly organically, some required a little extra cultivation.” M ore info at: http://www.johnwyss.bandcamp.com]

[John Wyss plays Outer Reaches Fest 2024. Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, in the the downstairs showcase with electronic artists: Hautlle, Bobcat Attack, and Whelmed, presented by KC Synthesizer Collective.]

  1. Hautlle – “Haze”
    from: “Haze” – Single / Hautlle / May 24, 2024
    [Hautlle released Homemade Recordings of Handmade Dreams through Virtual Urban Records on Oct. 20, 2019. // Hautlle lands a glimmering solo ep for VUR with this personal offering of organic recordings. HROHD contains an aleatoric ep crystalized from expertly sequenced homebrew hardware. Twisted up, broken-locked into moments of agony then released upwards into ominous joy. Pixellate with us as we rotate the handle on this 4 dimensional decomposition of reality. // Bastl Kastle Sonic Potions LXR drum synth, 2x Mutable Instrument Shruthi: 1 w/ a ladder filter + 1 w/ the SMR4 mkII filter, and a growing collection of DIY eurorack modules that was <6Ux104hp at the time and mostly open source Mutable Instruments. // Music and Artwork by Justin Corban.]

[Hautlle plays Outer Reaches Fest 2024. Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, in the the downstairs showcase with electronic artists:, Bobcat Attack, Whelmed, and John Wyss, presented by KC Synthesizer Collective.]

11:00 – Station ID

11:00 – Interview with Brenton Cook, Nathan Reusch, Mark Ronning

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, At his college radio station io Rolla KMNR, Brenton served as a disc jockey, business manager, and assistant music director, where he forged his love for independent music. After four years of volunteering for Midwest Music Foundation and coordinating three volumes of music compilations of regional artists, Brenton learned the hands-on know-how to produce, release, and promote independent music. He formed the Kansas City independent music label, Haymaker Records in January 2014. Haymaker Records chose to focus on boundary-pushing artists and provide promotion and a home for music that might be overlooked by traditional radio. Jorge Arana Trio became the first band signed in July 2014. Since that first release, the label has released a total of 24 recordings from 10 different artists including Be/Non, Freight Train Rabbit Killer, Schwervon!, Monta At Odds, HMPH!, and Sie Lieben Maschinen. 14 releases have made their way onto vinyl, including two compilations of artists from KC, as well as acts from Arkansas to Norway. Several year ago, Brenton joined forces with Dedric Moore to help produce the Outer Reaches Fest. More information at: http://www.haymakerrecords.net

Brenton Cook, Thanks for being with us today on WMM

Nathan Reusch is co-founder of The Record Machine an area music label that is celebrating 21 years! Nathan Reusch grew up in KC hanging out at Recycled Sounds with Anne Winter & Billy Smith. Reusch first started making electronic music under the name Bobcat Attack influenced by emo/punk in the early 2000s, opening for acts like Taking Back Sunday, Mewihoutyou, Coheed and Cambria, to more fitting artists like Joy Electric, Atom & His Package, Casiotone for the Painfully Alone and Yacht. In 2003, he started his indie label, The Record Machine, and in 2011, he founded KC’s Middle of the Map Fest; his time and focus on making his music came to a halt. Under Nathan’s leadership The Record Machine has been the label for Static Phantoms, Monta, Various Blonde, Cowboy Indian Bear, LaGuerre, The Philistines, and Black Light Animals and many more. Nathan is also a DJ The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renewed his interest in making music. After a few months of waywardly trying to figure out patches and midi cables, he joined KC’s Synth Collective and found a group of similarly-minded electronic musicians. The debut track, Pallas, will be the inaugural release on Les Bon Bons Electriques imprint. This collaboration between fellow electronic musician and collaborator Mark Ronning (Mr. Golden Sun/Pool Culure) and Reusch’s label, The Record Machine,

Nathan Reusch thanks for being with us on WMM.

Mark Ronning is a musician who specializes in the synthesizer, playing Rhodes and synth in the electrofolk band Mr. Golden Sun and synth in the electronic dreampop four-piece Pool Culture. Mr. Golden Sun is wrapping up their first full length record, and Pool Culture is going into the studio this October and November to work on their first full band releases. Additionally, Mark plays the modular synthesizer and participates in KC Synth Collective, coordinates electronic performance events for his pop-up show Les Bonbons Electriques, and helps out with Outer Reaches. In collaboration with Nathan Reusch, Mark is also starting a record label called Les Bonbons Electriques, which is an imprint of The Record Machine, which will focus on artistry, experimentation, and electronic music.

Mark Ronning, Thanks for being with us today on WMM

Brenton, Mark, Nathan, are here to share details about the 3 nights of Outer Reaches Fest

Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, presents two floors: Upstairs features psychedelic rock groups The Moose, Captain Howdy & The Sunset Serenaders, Pool Culture and Saving Miles Lemon; the downstairs showcase will feature electronic artists: Hautlle, Bobcat Attack, Whelmed, and John Wyss presented by KC Synthesizer Collective.

Night 2, Saturday, September 21 at recordBar, 1520 Grand Blvd, presents experimental music ensemble Negativland with live cinema artist SUE-C handling the visuals, AND Athens, Georgia’s Pylon Reenactment Society.

Night 3, Sunday, September 22 at Charlotte Street, 3333 Wyoming St. in KCMO is a viewing of the film Stand By for Failure: A Documentary About Negativland, directed by Ryan Worsley. The event is presented by the KC Underground Film Festival. More info at: http://www.outerreachesfest.com

Outer Reaches is a music festival based in Kansas City that showcases ‘out there’, left-of-center artists pushing boundaries in their respective genre. Regional acts as well as national and international touring acts are a part of the festival’s spirit, celebrating the variety of freethinking music around the globe.

Originally called KC Psych Fest, Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands: ReVisEr, Religion of Heartbreak, Monta At Odds, Mysterious Clouds, and Gemini Revolution.

The Record Machine is the collective sum of individuals, life experiences, knowledge, self-expression, and talent; our artists represent a significant part of not only our culture but our company’s reputation and achievements. We embrace and encourage our artist’s differences in race, ethnicity, gender identity or expression, religion, sexual orientation, and other characteristics that make our community unique.

Les Bons Bons Electriques is a series of immersive musical and visual electronic synthesis, Les Bons Bons Electriques was created to celebrate KC’s electronic artists. This is a hat-tip to mashing, breaking, bending, oscillating, and filtering sound and video. More info at: https://www.instagram.com/bonsbonselectriques/

11:07

  1. Bobcat Attack – “Pallas”
    from: “Pallas” – Single / The Record Machine – Les Bon Bons Electriques / September 18, 2024
    [Bobcat Attack is the alter ego of electronic musician Nathan Reusch. Reusch has a passion for blending dub, techno, and ambient electronica into his own improvised vision. His compositions, crafted with synthesizers, drum machines, and modular synths, create a pulsing soundscape that is both intimate and lush, setting him apart in the electronic music scene. // Reusch first started making electronic music influenced by emo/punk in the early 2000s, opening for acts like Taking Back Sunday, Mewihoutyou, Coheed and Cambria, to more fitting artists like Joy Electric, Atom & His Package, Casiotone for the Painfully Alone and Yacht. In 2003, he started his indie label, The Record Machine, and in 2011, he founded KC’s Middle of the Map Fest; his time and focus on making his music came to a halt. The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renewed his interest in making music. After a few months of waywardly trying to figure out patches and midi cables, he joined KC’s Synth Collective and found a group of similarly-minded electronic musicians. // After a year of playing and organizing shows with the KC Synth Collective, he is regaining his footing; Reusch is ready to release his first new material in nearly two decades. Bobcat Attack bridges the gap between ambient, dub-techno, and house music. The result is a rich textural environment of blooming melodies, entrancing techno beats, and ambient soundscapes that immerses the listener in a vibrant, flooding forest of electronica. His arrangements are patient and complete, and there’s always a discovery bubbling underneath the surface. // The debut track, Pallas, will be the inaugural release on Les Bon Bons Electriques imprint. This collaboration between fellow electronic musician and collaborator Mark Ronning (Mr. Golden Sun/Pool Culure) and Reusch’s label, The Record Machine,]

[Bobcat Attack plays Outer Reaches Fest, on Friday, September 20 at miniBar, 3810 Broadway Blvd, downstairs with electronic artists: Hautlle, Whelmed, and John Wyss presented by KC Synthesizer Collective. More info at: http://www.outerreachesfest.com]

  1. Pool Culture – “brighter lighter”
    from: “brighter light” – Single / Pool Culture / April 20, 2018
    [music and lyrics and production by mark ronning. all instruments and vocals by mark ronning. mixed by reid kruger at waterbury recording. // Mark Ronning is a musician who specializes in the synthesizer, playing Rhodes and synth in the electrofolk band Mr. Golden Sun and synth in the electronic dreampop four-piece Pool Culture. Mr. Golden Sun is wrapping up their first full length record, and Pool Culture is going into the studio this October and November to work on their first full band releases. Additionally, Mark plays the modular synthesizer and participates in KC Synth Collective, coordinates electronic performance events for his pop-up show Les Bonbons Electriques, and helps out with Outer Reaches. In collaboration with Nathan Reusch, Mark is also starting a record label called Les Bonbons Electriques, which is an imprint of The Record Machine, which will focus on artistry, experimentation, and electronic music. ]

[Pool Culture plays Outer Reaches Fest, on Friday, September 20 at miniBar, 3810 Broadway Blvd, Upstairs features psychedelic rock groups The Moose, Captain Howdy & The Sunset Serenaders, and Saving Miles Lemon.]

11:17 – Underwriting

11:19 – More Interview with Brenton Cook, Mark Ronning, & Nathan Reusch

We are talking with Brenton Cook, Mark Ronning, & Nathan Reusch about Outer Reaches Fest.

Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, presents two floors: Upstairs features psychedelic rock groups The Moose, Captain Howdy & The Sunset Serenaders, Pool Culture and Saving Miles Lemon; the downstairs showcase will feature electronic artists: Hautlle, Bobcat Attack, Whelmed, and John Wyss presented by KC Synthesizer Collective.

Night 2, Saturday, September 21 at recordBar, 1520 Grand Blvd, presents experimental music ensemble Negativland with live cinema artist SUE-C handling the visuals, AND Athens, Georgia’s Pylon Reenactment Society.

Night 3, Sunday, September 22 at Charlotte Street, 3333 Wyoming St. in KCMO is a viewing of the film Stand By for Failure: A Documentary About Negativland, directed by Ryan Worsley. The event is presented by the KC Underground Film Festival. More info at: http://www.outerreachesfest.com

Brenton Cook, Mark Ronning, & Nathan Reusch Thank you for being with us on WMM.

The organizers of Outer Reaches, an annual live music festival operating since 2012, have announced the official date for the 2024 events. Friday September 20 at miniBar (3810 Broadway Blvd), Saturday September 21 at recordBar (1520 Grand Blvd), and Sunday September 22 at Charlotte Street (3333 Wyoming St.) in KCMO will mark the date and location for the festivities of Outer Reaches 2024.

Outer Reaches is a music festival based in Kansas City that showcases ‘out there’, left-of-center artists pushing boundaries in their respective genre. Regional acts as well as national and international touring acts are a part of the festival’s spirit, celebrating the variety of freethinking music around the globe. The marquee Saturday September 21 show at recordBar features performances by two legendary groups with their origins in the late 1970s. Experimental music ensemble Negativland headline the night, joined by live cinema artist SUE-C handling the visuals. Negativland’s self-titled sound collage debut was released out of California’s Bay Area in 1980 and over the next four decades the group have been steadily releasing uncommon concept albums combining original music with things taken from corporately owned mass culture, along the way challenging convention (and American copyright laws). Athens, Georgia’s Pylon Reenactment Society feature members of legendary 1980s post-punk jangle pop group Pylon and pop rock group Casper & The Cookies. The group tours in support of their critically acclaimed new album Magnet Factory, while also performing classic Pylon tracks.

The Friday September 20 show at miniBar presents two floors of experimental, synthesized, and psychedelic music, lights, and art. Upstairs features psychedelic rock groups The Moose and Captain Howdy & The Sunset Serenaders, electronic shoegaze four-piece Pool Culture and psychedelic pop group Saving Miles Lemon. Kansas City Synthesizer Collective presents the downstairs showcase with featured electronic artists Hautlle, Bobcat Attack, Whelmed, and John Wyss.

The Sunday September 21 show at Charlotte Street is a free viewing of the music film Stand By for Failure: A Documentary About Negativland, directed by Ryan Worsley. The event is presented by the KC Underground Film Festival and is a companion to the Saturday night Negativland show at recordBar.

Outer Reaches 2024 is a partnership between the festival and Midwest Music Foundation. Midwest Music Foundation (MMF), a nonprofit organization founded in 2008, provides health care assistance, education, and resources to the Kansas City music community. Sponsors for this year’s fest include BesaMe Wellness, Charlotte Street, Kansas City Synthesizer Collective, Records with Merritt, It’s a Beautiful Day, recordBar / miniBar, Kosmic City, Haymaker Records, The Record Machine, and Print Time.

For more info visit http://www.outerreachesfest.com. Full three-day ticket is available Single day ticket for the Saturday recordBar show is available here. The wait list for the free Sunday film viewing is available here. The Facebook event is available here. Follow the Outer Reaches website or Facebook page for updates on Outer Reaches 2024.

11:26

  1. The Moose – “Ultraviolet”
    from: Spature / Desert Animal Records / April 22, 2021
    [The Moose followed the release of 26-track double album Spature with the 11-track album Renaissance released September 22, 2022 from The Moose. On August 21, 2022 The Moose released the single “Macrowave”. SPATURE was one of WMM’s 120 Best Recordings of 2021. The album contained music and lyrics all composed by The Moose. The album was engineered, mixed, and mastered by members Emma Klein and Jake Hilger. SPATURE is a sonic amalgamation of sunny peaks and dark chasms. Join The Moose as they experiment with the fantastical worlds of space and nature. From ‘Lava’ to ‘Mother Tree’, there is a song on this double LP for everyone.The Moose is a psychedelic rock/pop alternative band from Lee’s Summit / Kansas City, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on Dec. 21, 2018. The Moose joined us LIVE on WMM on July 10, 2019. The Moose also recently released SONGS OF SPATURE – LIVE FROM MYCO PLANET MUSHROOM FARM April 2022. The Moose played Outer Reaches Festival on Sat, October 15 at 7:00 PM at recordBar, 1520 Grand Blvd. KCMO, with Cheer-Accident, Season to Risk, Peculiar Pretzelman, The Black Mariah Theater, She Speaks in Tongues; Jacob E.chord and experimental dance project Composition of Dance. More info at: http://www.musicofthemoose.com ]

[The Moose plays Outer Reaches Fest, on Friday, September 20 at miniBar, 3810 Broadway Blvd, Upstairs features psychedelic rock groups, Captain Howdy & The Sunset Serenaders, Pool Culture and Saving Miles Lemon.]

  1. Saving Miles Lemon – “Lovely”
    from: Lovely / Saving Miles Lemon / October 6, 2023
    [13-track full-length album from Saving Miles Lemon is the psychedelic-pop project of Miguel Silva-Leon. Formed in 2019 with the goal of releasing an album by the end of the year, the project has transformed into a full-blown musical odyssey for Miguel (who likes to go by Mig) to explore new sounds. It’s hard to define what genre Saving Miles Lemon fits into as they like to let the music go where it wants to go. From smooth dance pop, to blown-out stoner rock, Mig likes to keep things interesting and never stay with one sound for too long.​ // Having grown up learning to play the piano at the age of 7, Miguel found themselves picking up new instruments frequently from the clarinet, saxophone, and oboe to guitar/bass and drums. Just as with their instruments, Mig began practicing their production skills in high school with small bedroom projects and hardcore bands. In a way, nothing has changed, as all of Saving Miles Lemon’s music is recorded and produced entirely by Mig in their bedroom studio to this day. // Their live members include Jacob Frisbee (bass), James Wiltfang (keys), and Zeke Bockleman (drums). // As a live act, the band began performing in 2021 and quickly took over the DIY scene in Kansas City before moving on to the bar/venue scene with sold-out shows at The Rino (KCMO) and The Bottleneck (LFK). They’ve opened for national and international touring bands such as Cub Sport at The Encore at Uptown Theatre (KCMO). // Saving Miles Lemon has released two full-length LPs and a handful of singles. A third album is set to release in 2023.]

[Saving Miles Lemon plays Outer Reaches Fest, on Friday, September 20 at miniBar, 3810 Broadway Blvd, Upstairs features psychedelic rock groups, Captain Howdy & The Sunset Serenaders, Pool Culture and The Moose.]

  1. Captain Howdy & The Sunset Serenaders – “Take it Back”
    from: Howdy Reigns / Captain Howdy & The Sunset Serenaders / August 2, 2024
    [Psychedelia from Lawrence, Kansas with James Barnett, Jon Chappell, and Keller Welton]i

[Captain Howdy & The Sunset Serenaders plays Outer Reaches Fest, on Friday, September 20 at miniBar, 3810 Broadway Blvd, Upstairs features psychedelic rock groups, Saving Miles Lemon, Pool Culture and The Moose.]

11:36 – More Interview with Brenton Cook, Mark Ronning, & Nathan Reusch

We are talking with Brenton Cook, Mark Ronning, & Nathan Reusch about Outer Reaches Fest.

Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, presents two floors: Upstairs features psychedelic rock groups The Moose, Captain Howdy & The Sunset Serenaders, Pool Culture and Saving Miles Lemon; the downstairs showcase will feature electronic artists: Hautlle, Bobcat Attack, Whelmed, and John Wyss presented by KC Synthesizer Collective.

Night 2, Saturday, September 21 at recordBar, 1520 Grand Blvd, presents experimental music ensemble Negativland with live cinema artist SUE-C handling the visuals, AND Athens, Georgia’s Pylon Reenactment Society.

Night 3, Sunday, September 22 at Charlotte Street, 3333 Wyoming St. in KCMO is a viewing of the film Stand By for Failure: A Documentary About Negativland, directed by Ryan Worsley. The event is presented by the KC Underground Film Festival. More info at: http://www.outerreachesfest.com

Brenton Cook, Mark Ronning, & Nathan Reusch Thank you for being with us on WMM.

Outer Reaches is a music festival based in Kansas City that showcases ‘out there’, left-of-center artists pushing boundaries in their respective genre. Regional acts as well as national and international touring acts are a part of the festival’s spirit, celebrating the variety of freethinking music around the globe.

Originally called KC Psych Fest Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012.

Brenton, Mark, Nathan, are here to share details about the 3 nights of Outer Reaches Fest

The Record Machine started as a homegrown, pioneering independent record label and expanded to events in Kansas City, MO. We initially established the label to promote and release music from our hometown, but as time went on, we began releasing records from all across the country. We aim to work with a diverse group of hardworking, dedicated, and stand out on their own accord. Our catalog is an eclectic mix; we are proud that we don’t fit into any single genre and a unifying, uplifting quality to our releases. We hope to nurture musicians and connect them with a broader audience. Tim Finn of The Kansas City Star remarked about The Record Machine’s output “[They] have assembled a stable of diverse artists who are making music that deserves national attention.”

11:42

  1. Negativland – “Content”
    from: The World Will Decide / Seeland / November 13, 2020
    [The World Will Decide is the 14th studio album by Negativland.// The release is part of a pair with 2019’s True False and was promoted by the band with a Chrome browser extension. A deluxe limited edition of the album includes a screen print, bumper sticker, and digital download of No Brain, a live album recorded on the band’s 2019 tour. // Negativland: Ian Allen – composition, performance, production, recording, mixing, editing / Peter Conheim – composition, performance, production, recording, mixing, editing / Mark Hosler – composition, performance, production, recording, mixing, editing / Don Joyce – composition, performance, production, recording, mixing, editing / Jon Leidecker – composition, performance, production, recording, mixing, and editing / Richard Lyons – composition, performance, production, recording, mixing, editing – David Wills – composition, vocals, performance, production, recording, mixing, editing // Negativland is an American experimental music band that originated in the San Francisco Bay Area in the late 1970s. The core of the band consists of Mark Hosler, David Wills (aka “The Weatherman”), Peter Conheim and Jon Leidecker (aka “Wobbly”). Negativland has released a number of albums ranging from pure sound collage to more musical expositions. These have mostly been released on their own label, Seeland Records. In the late 1980s and early 1990s, they produced several recordings for SST Records, most notably Escape from Noise, Helter Stupid and U2. Negativland were sued by the band U2’s record label, Island Records, and by SST Records, which brought them widespread publicity and notoriety. The band is also part of the Church of the SubGenius parody religion. Negativland coined the term culture jamming in 1984. Don Joyce added it to the album JamCon ’84 in the form of “culture jammer”. The band took their name from a Neu! Track, with their record label Seeland Records also being named after another Neu! Track. // Negativland started in Concord, California, in 1979 around the core founding members of Hosler and Richard Lyons (who were in high school at the time). The band released its eponymous debut in 1980. A number of releases followed in the early 1980s, but it wasn’t until after the release of their breakthrough sample and cut-up sonic barrage Escape from Noise in 1987 that Negativland gained wider attention. Vinyl copies of the album came with “CAR BOMB” bumper stickers, in reference to the album’s song “Car Bomb”. // Following the somewhat unexpected success of the album, Negativland faced the prospect of being prompted to tour, which they had an inept budget for; to prevent this, they made the decision to craft a hoax press release that claimed that Negativland were prevented from touring by law enforcement, citing “Federal Authority Dick Jordan”, because the song “Christianity Is Stupid” from Escape from Noise had supposedly inspired the then widely covered case of 16-year-old mass murderer David Brom killing his family. To deliberately cause tension with the media, the press release went on to vigorously deny the purported connection between Negativland and the murders. The claim that Brom’s crimes were inspired by Negativland was disseminated and discussed, generally skeptically, in local media as well as the Village Voice, with at least one Bay Area television station apparently believing the claims of the press release to be factual. The incident became the conceptual foundation for Negativland’s next release, Helter Stupid, which featured a cover photo of TV news anchorman Dave McElhatton delivering the Brom murder story, with the album prominently sampling news coverage of the hoax. // Negativland’s next project was the U2 EP, with samples from American Top 40 host Casey Kasem. In 1991, Negativland released a single with the title “U2” displayed in very large type on the front of the packaging and “Negativland” in a smaller typeface. An image of the Lockheed U-2 spy plane was also on the single cover. // The songs within were parodies of the group U2’s well-known 1987 song “I Still Haven’t Found What I’m Looking For”, including kazoos and extensive sampling of the original song. The song “The Letter U And The Numeral 2” features a musical backing to an extended profane rant from well-known disc jockey Casey Kasem, lapsing out of his more polished and professional tone during a frustrating rehearsal that had gone out to many stations as raw feed and was taped by several engineers, who had been passing it around for a number of years. One of Kasem’s milder comments was “These guys are from England and who gives a shit?” (U2 was actually formed in Ireland. Moments earlier he had read from his script, “the Irish band from Dublin”.) // U2’s label Island Records quickly sued Negativland, stating that placing the word “U2” on the cover violated trademark law, as did the song itself. Island Records also contended that the single was an attempt to deliberately confuse U2 fans, awaiting the impending release of Achtung Baby, into purchasing what they believed was a new U2 album called Negativland. // In June 1992, R. U. Sirius, publisher of the magazine Mondo 2000, came up with an idea. Publicists from U2 had contacted him regarding the possibility of interviewing Dave “The Edge” Evans, hoping to promote U2’s impending multimillion-dollar Zoo TV Tour, which featured found sounds and live sampling from mass media outlets (things for which Negativland had been known for some time). Sirius, unbeknownst to Edge, decided to have his friends Joyce and Hosler of Negativland conduct the interview. Joyce and Hosler, fresh from Island’s lawsuit, peppered the Edge with questions regarding his ideas about the use of sampling in their new tour, and the legality of using copyrighted material without permission. Midway through the interview, Joyce and Hosler revealed their identities as members of Negativland. An embarrassed Edge reported that U2 were bothered by the sledgehammer legal approach Island Records took in their lawsuit, and furthermore that much of the legal wrangling took place without U2’s knowledge: “by the time we [U2] realized what was going on it was kinda too late, and we actually did approach the record company on your [Negativland’s] behalf and said, ‘Look, c’mon, this is just, this is very heavy…'” Island Records reported to Negativland that U2 never authorized samples of their material; Evans’ response was, “that’s complete bollocks, there’s like, there’s at least six records out there that are direct samples from our stuff.” // In August 2007, Joyce provided an audio cassette copy of the Mondo 2000 interview with Evans to the U2 fan website U2Interview.com. // The “U2” single (along with other related material) was re-released in 2001 on a “bootleg” album entitled These Guys Are from England and Who Gives a Shit, released on “Seelard Records” (a parody of Negativland’s record label Seeland Records). Negativland may have themselves been responsible for the re-release; although the Negativland website refers to this release as a bootleg, it is available from major retailers like Best Buy, Amazon, and Tower Records, as well as Negativland’s own mail-order business. // Negativland are interested in intellectual property rights and argue that their use of U2’s and others’ material falls under the fair use clause. In 1995, they released a book, with accompanying CD, called Fair Use: The Story of the Letter U and the Numeral 2, about the whole U2 incident (from Island Records first suing Negativland for the release to Negativland gaining back control of their work four years later). The book ends with a large appendix of essays about fair use and copyright by Negativland and others, telling the story with newspaper clippings, court papers, faxes, press releases and other documents arranged in chronological order. // The Negativland-Island lawsuit was followed by another one brought on between Negativland and SST, which served to sever all remaining ties the two had. To get back at Negativland (while wryly circumventing their name), SST founder Greg Ginn later released the Negativ(e)land: Live on Tour album on SST. // Negativland were the main subjects of Craig Baldwin’s documentary Sonic Outlaws, detailing the use of culture jamming to subvert the messages of more traditional media outlets. They also made an appearance in Brett Gaylor’s 2009 copyright issue documentary, RiP!: A Remix Manifesto. // In 1999 Negativland collaborated with UK anarchist band Chumbawamba to produce the EP The ABCs of Anarchism, which is largely based around the writings of Alexander Berkman and cut-up versions of Chumbawamba’s hit song “Tubthumping”, the theme tune to the children’s program Teletubbies and the Sex Pistols’ “Anarchy in the UK”. // In 2003, members of Negativland contributed their efforts to Creative Commons, a non-profit organization devoted to expanding the range of creative works available for others to legally build upon and share by providing alternative copyright licenses. In September 2002, Negativland spoofed Clear Channel radio stations in an audio track broadcast by pirate radio broadcasters jamming a Seattle Clear Channel station while the National Association of Broadcasters met in the city. // Former member Don Joyce long hosted a weekly radio show called Over the Edge most Thursdays at midnight on KPFA. Recordings of some noteworthy episodes of the show have been released by Seeland in its Over the Edge series. // In September 2005, to celebrate the 25th anniversary of the band, Negativland curated an art exhibit in Manhattan’s Gigantic Artspace gallery, formerly located at 59 Franklin Street. The exhibit, Negativlandland, included a number of pieces of artwork from and inspired by Negativland recordings, video projection of music videos created by the band and others, and some artwork created specifically for the show, such as an animatronic Abraham Lincoln figure (inspired by the band’s Lincoln cut-up piece God Bull) and a hands-on exhibit featuring the Booper, the audio-processing unit that band member David Wills (a.k.a. The Weatherman) assembled out of old radio parts. The show appeared in Minneapolis on May 12, 2006, at Creative Electric Studios. // Former band member Ian Allen died on January 17, 2015, due to complications from heart valve surgery. He was 56 years old. On July 22, 2015, Don Joyce, group member and host of Over The Edge, died of heart failure at the age of 71. On April 19, 2016, Richard Lyons died from complications of nodular melanoma following his 57th birthday party in a nursing facility. // The band’s album, Over the Edge Vol. 9: The Chopping Channel, was released on October 21, 2016. Select copies of the album include a bag containing two grams of Don Joyce’s cremated remains. In 2019, True False was released. // The album The World Will Decide was released on November 13, 2020, and features contributions from Allen, Joyce, and Lyons. // Rivers Cuomo of Weezer wrote a song titled “Negativland” about the band in 1993. The song was eventually released in 2011 on Cuomo’s solo album Alone III: The Pinkerton Years. // Artists such as Girl Talk have cited Negativland as an influence. Fatboy Slim sampled a Negativland song that, according to Hosler, itself sampled a Christian children’s album from the 1960s in an unauthorized fashion. Vice writer Peter Holslin wrote in 2014, “These days, what Negativland does is pretty much di rigueur in Internet meme culture—collage, mashups, reappropriation, recontextualization. But these guys were doing this stuff long before the age of YouTube and Tumblr, decades before it was cool.”

Negativland Discography

Negativland (1980)
Points (1981)
A Big 10-8 Place (1983)
Escape from Noise (1987)
Helter Stupid (1989)
Free (1993)
Fair Use: The Story of the Letter U and the Numeral 2 (1995)
Dispepsi (1997)
Deathsentences of the Polished and Structurally Weak (2002)
No Business (2005)
Thigmotactic (2008)
It’s All in Your Head (2014)
True False (2019)
The World Will Decide (2020)

[Negativland play Outer Reaches Fest Day 2 – Saturday, September 21 at recordBar, 1520 Grand Blvd, with live cinema artist SUE-C handling the visuals, AND Athens, Georgia’s Pylon Reenactment Society.]

  1. Pylon Reenactment Society – “Flowers Everywhere”
    from: Magnet Factory / Strolling Bones Records / February 9, 2024
    [They say people change their cell structure every seven years, so I’ve totally regenerated several times since we started Pylon forty years ago,” says Vanessa Briscoe Hay, frontwoman for that iconic Athens band and now frontwoman for Pylon Reenactment Society. “Over the course of your life, you’re going to learn new things. Your mind is going to change and expand. I’m a lot older now, and I can’t be something I’m not anymore. Pylon is our guiding star, but we’re not Pylon. We’re Pylon Reenactment Society.” // It’s easier to explain what Pylon Reenactment Society isn’t than what it actually is. It’s not a continuation or a reunion, because Vanessa is the only member in both groups. It’s neither a tribute act nor a cover band, although they do perform Pylon songs. Instead, this new band draws inspiration from that old band, taps into its motivating principles. // Pylon Reenactment Society’s Magnet Factory organically grew out of jams and writing sessions over several years. As the album took shape, the lyrics peeled away at the layers of time and shared spaces that make up a life. A pair of unrecorded songs by Pylon were brought in to round out this collective unspoken theme. All the music was recorded by the current four members of the band (Vanessa Briscoe Hay, Jason NeSmith, Kay Stanton, Gregory Sanders) with a stellar vocal duet with the incomparable Kate Pierson of The B-52’s. // Vanessa Briscoe Hay – Vocals; Jason Nesmith – Guitar; Kay Stanton – Bass; Gregory Sanders – Drums // All Songs Published by Angel From Nowhere Music (BMI) Administered by Strolling Bones Publishing (BMI) © ℗ 2024 except “3 X 3” and “Heaven (In Your Eyes)” © ℗ by Pylon Two Music (BMI) C/O BMG Bumblebee (BMI) Administered by BMG Rights Management (US) LLC 2024 // Written and Performed by Pylon Reenactment Society (Vanessa Briscoe Hay / Matthew Jason Nesmith / Gregory Rush Sanders / Kay Suzanne Stanton) // Additional Writers On “Educate Me” / “Flowers Everywhere” / “Messenger” / “No Worries” / “Compression,” “I’ll Let You Know” (Damon Cordele Denton / Joseph Aloysius Rowe III) // “ Additional Writer On “Fix It” / “Boom Boom” (Joseph Aloysius Rowe III) // “3 X 3” / “Heaven (In Your Eyes)” Written by Pylon (Randall Eugene Bewley / Curtis Hudgins Crowe / Vanessa Briscoe Hay / Michael Scott Lachowski) // Produced by Jason Nesmith and Vanessa Briscoe Hay / Recorded and engineered by David Barbe at Chase Park Transduction Studios, Athens, GA / Recorded and Engineered by Tom Ashton at Subvon Studio, Winterville, GA. Mixed by David Barbe, except “I’ll Let You Know” by Andy Lemaster at Chase Park Transduction Studios. Additional Recording: Jason Nesmith at Bel*Air Studio, Athens, GA; John Valesio at Orange Door Studio, Woodstock, NY; Andy Lemaster at Chase Park Transduction Studios. Mastered by Jason Nesmith at Chase Park Transduction Studios. Acetate cut by Bob Weston at Chicago Mastering Service // Executive produced by George Fontaine, Sr. for Strolling Bones Records / Project Supervision / Label Management by Leigh Rixey. Legal for Pylon Reenactment Society by The Seay Firm, LLC. Layout by Michael Lachowski. Graphics by Michael Lachowski. Photography by Christy Bush. Promotion by Brady Brock. Booking by Inland Empire Touring

[Pylon Reenactment Society play Outer Reaches Fest Day 2 – Saturday, September 21 at recordBar, 1520 Grand Blvd, with Negativland and live cinema artist SUE-C handling the visuals.]

11:49 – More Interview with Brenton Cook, Mark Ronning, & Nathan Reusch

We are talking with Brenton Cook, Mark Ronning, & Nathan Reusch about Outer Reaches Fest.

Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, presents two floors: Upstairs features psychedelic rock groups The Moose, Captain Howdy & The Sunset Serenaders, Pool Culture and Saving Miles Lemon; the downstairs showcase will feature electronic artists: Hautlle, Bobcat Attack, Whelmed, and John Wyss presented by KC Synthesizer Collective.

Night 2, Saturday, September 21 at recordBar, 1520 Grand Blvd, presents experimental music ensemble Negativland with live cinema artist SUE-C handling the visuals, AND Athens, Georgia’s Pylon Reenactment Society.

Night 3, Sunday, September 22 at Charlotte Street, 3333 Wyoming St. in KCMO is a viewing of the film Stand By for Failure: A Documentary About Negativland, directed by Ryan Worsley. The event is presented by the KC Underground Film Festival. More info at: http://www.outerreachesfest.com

Brenton Cook, Mark Ronning, & Nathan Reusch Thank you for being with us on WMM.

Outer Reaches is a music festival based in Kansas City that showcases ‘out there’, left-of-center artists pushing boundaries in their respective genre. Regional acts as well as national and international touring acts are a part of the festival’s spirit, celebrating the variety of freethinking music around the globe.

More info at: http://www.outerreachesfest.com.

Thank you all for listening

11:54

  1. Negativland – “I Love Bees”
    from: Speech Free: Recorded Music for / Seeland / December 23, 2022
    [Long known for creating records, CDs, video, fine art, books, radio and live performance using appropriated sounds, images, objects, and text, what does a Negativland album sound like when it’s missing all of those voice samples? It sounds like: Speech Free. // An entertaining yet archival release of Library Music for your use and reuse, this new album by Negativland has had every last trace of semantic meaning carefully removed from the mix. But what does the word ‘semantic’ really mean? It means that Speech Free is a complete reimagining of the 28 tracks of music that were hiding in plain sight directly beneath all of that hopelessly outdated Cultural Jamming on our last two or three releases (which only exist for those who were looking for them — and looking fairly often). // Entirely composed and performed by the group with an all star cast of guest musicians, these productions explode out of even the tiniest of speakers as some of Negativland’s most listenable barrages of pure ear candy yet — all we had to do was remove all of that annoying language that makes Negativland records so distractingly difficult to leave on while doomscrolling. // s our marketing research suggests, these catchy tunes can work well for you as both new jingles and musical beds, perfectly suited for voiceovers discussing anything from commercial products to political campaigns. Most target audiences regularly indicate a preference for moderately subversive content and confusion, and you’ll find that this release provides that target with precisely the right amount of each. No one will know what the original critical texts on these tracks once were — though those messages remain, and might even be amplified, once replaced with new sales pitches of your own design. Because every second of Usable Music™ on this record has been precisely designed and personally guaranteed, by everyone still here in Negativland, to be: Speech Free. // Download comes with 22 page PDF containing album packaging and complete list of all verbal samples which were removed and are no longer present in the audible music. // Physical editions available here:  negativland.com/negativland-studio-releases. // Composed, played, recorded, mixed, edited and remixed by Negativland. // Prairie Prince: drums on Is It Or Isn’t It, Live At Sea, More Than One Answer, No Excuse, No Wonder / Nava Dunkleman: percussion on Live At Sea, Believe What You Can, A Portal Of Sorts / Ava Mendoza: guitar on Building and Raising, No Excuse / M.C. Schmidt: prepared piano on Nothing Is Destroyed, They’re The One, plastic oil barrel on No Excuse, baking tin on Every Song Ever Create // Thomas Dimuzio: electronics on Participate, electromagnetic cell phone recording on No Wonder / Steev Hise: guitar noise on More Than One Answer / Drew Daniel: sequencing on A Big Mistake, They’re The One // Star St. Germain, Jackie Gratz, Kris Force: strings on A Big Mistake / Jem Doulton: percussion on Every Song Ever Created / Erich Hubner: bass on No Wonder / Stella, Beatrice, Méabh de Siún, Vivian, Aasha, Neela, Ruby, Dee Dee, Savanna: the Don’t Trust Your Memory Animal Chorus. // Cover design: Shawn Wolfe and Negativland. Pug finders: Matthew Hansen-Weller and Dan Lynch/ Mastering: Thomas Dimzuio. To license entire tracks as is for film, radio, internet or television, please contact: info@negativland.com // For fragmentary and transformative reuse of this music, as always, feel free / N© and N℗ 2022 by Negativland and Seeland MediaMedia’]

[Negativland play Outer Reaches Fest Day 2 – Saturday, September 21 at recordBar, 1520 Grand Blvd, with live cinema artist SUE-C handling the visuals, AND Athens, Georgia’s Pylon Reenactment Society.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, September 25 – we will be joined by our Special Guest Producer Marion Merritt who will be playing tracks from PJ Morton, SUUNS, Osses, Hermanos Gutierrez, Molchat Doma, Floating Points, Etran De L’Air, Joan As Policewoman, Lijado Sisters, Thee Marlos, Alan Sparhawk, My Brightest Diamond, Washed Out, Moby, Chico Freeman, Lettuce and more.

Also next week we will talk with Jessica Dressler aka Dirty Dorothy about her new film “Rennie” making its world premiere at The Folly Theater, October 11th and 12th. More info at http://www.follytheater.org

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1061

WMM Playlist from July 24, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 24, 2024

Scott Easterday: 35 Years + Big Fat Cow + Just Angel + Owen/Cox Dance Group’s Creative Intersection

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Kat King – “Living Room”
    from: Domestic Bliss / Manor Records / April 5, 2024
    [Kat writes: “Living Room formed out of a guitar melody that Derek sent me in a voice recording. It was in the early stages of living with a partner for the first time where you have to figure out how to navigate your independence while cohabitating because you realize the joy in having someone to leave early with or to just stay home with. There was an evening when she was out of town and I was sitting in our living room having a crisis because I was feeling the heaviness of the injustices in the world and I didn’t want to leave the house but I also didn’t want to be home alone. These were feelings I’d navigated before as a single person but it was hitting in such a different way. As someone who had always operated from a state of FOMO, it felt so out of character to choose staying home instead of going to find something to do. It’s silly but in that moment it felt like I wasn’t the same person that I was before living together, so naturally I grabbed my guitar to try and work through that feeling. I knew I wanted to revisit that guitar recording Derek sent me because of its nostalgic sound and I ended up writing the entire song that evening. When I showed the band we restructured the song, jumping right into the chorus instead of the classic verse/chorus/verse/chorus structure it was initially. John also wrote this beautiful melodic bass line that acts as a counter melody throughout which I think gives it such an interesting instrumental story arc. Living Room is the acceptance of enjoying simple home pleasures while recognizing home as a sanctuary from the outside world.” // Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. Kat King has been creating music since the 2nd grade. She’s produced a 13-song album and 3 EP’s, the 1st one released at 14.] [Kat King joined us NEXT on WMM on March 13.]

[Kat King plays The Brick, 1727 Ncgee St. KCMO on Saturday, July 27 at 7:00pm with ThiMastr, and Teri Quinn & The Coyotes]

  1. Leah Sproul – “Devil Woman”
    from: “Devil Woman” – Single / Leah Sproul / June 28, 2024
    [This is first single off Leah Sproul’s upcoming solo album, WILD HEART QUEEN. // Coming from a family of European opera stars, suburban church organists, flower child Reggae guitarists, and breezy Western campfire pickers, Leah was bound to have an eclectic sound and set of influences. She has a voracious interest in music of all genres, having earned a doctorate in music composition from UMKC conservatory. But her mother tongue, the voice where she’s at her most vulnerable and honest, is that of the achy-breaky, belting balladeer. It’s found in country, folk, and those genres that give equal weight to words and music. It’s in the storytelling where some of the deepest human connections are forged. // Leah Sproul is also part of the KC 4-piece band Cowtown Country Club. More info at: http://www.leahsproul.com]

[Leah Sproul plays an album release party at The Ship, 1228 Union ave, KCMO, WEST BOTTOMS on Tuesday, July 30, at 7:00pm, with Cowtown Country Club – POSTPONED]

10:11 – Interview with Cameron Thomas

Cameron Thomas began his dance training in his hometown of Rochester, NY. In 2013, he began performing regularly with the Rochester City Ballet. In 2015, Cameron received a full scholarship to attend the Jacqueline Kennedy Onassis School at American Ballet Theatre. He then joined Kansas City Ballet II for the 2016-2017 season and was promoted to the company the following season. Now in his eighth season with Kansas City Ballet, Cameron has performed soloist and principal roles in Jiri Kylian’s Petit Mort, Alexander Ekman’s Cacti, Mark Morris’ Sandpaper Ballet, William Forsythe’s In the Middle, Somewhat Elevated, Septime Webre’s The Wizard of Oz, Michael Pink’s Dracula, Lila York’s Celts, Val Caniparoli’s Lady of the Camellias, and Devon Carney’s Cinderella, Giselle, Swan Lake and The Nutcracker. In October of 2023, Cameron performed in the North American premiere of Val Caniparoli’s Jekyll and Hyde as Mr. Hyde. As a choreographer, Cameron has created work for Kansas City Ballet, Kansas City Ballet II, Youth American Grand Prix, and Creative Intersections.

In addition to being a dancer, Cameron is a ballet pianist and has accompanied for the Kansas City Ballet School, Oklahoma City Ballet School, Williams Henry Contemporary Dance, and the Worldwide Ballet Zoom classes.

Cameron joins us to share details about Owen/Cox Dance Group’s 5th Annual Creative Intersections, August 9 & 10, 2024, at 7:00pm, at the Hyde Park Butterfly Garden and Labyrinth, 3700 Gillham Rd. KCMO.

Cameron Thomas, thank you for being with us on WMM.

During the COVID-19 pandemic, Cameron co-founded Creative Intersections, an outdoor performance project, with James Kirby Rogers to bring live dance back in a time when theaters were shut down. Creative Intersections partnered with Owen Cox Dance Group to present outdoor programs directed by Cameron every summer, 2020-2024.

This annual outdoor performance is directed by Cameron Thomas, and features new works by Julia Gundzik, Elaine Kimble, Kristopher Estes-Brown, Olivia Emert, Christopher Ruud, and Jennifer Owen.

Dancers include Isaac Allen, Allison Barreto, Alexis Borth, Amelia Meisner, Naomi Tanioka, Georgia Fuller, Sarah McGuyer, Elliott Rogers, Cameron Thomas, Max Nelson and Gillian Yoder.

More information at: http://www.owencoxdance.org

About the Owen/Cox Dance Group – Owen/Cox Dance Group’s mission is to create new music and dance collaborations, to present high-quality con-temporary dance performances with live music, and to engage as wide an audience as possible through afforda-ble live performance, education and outreach programs. owencoxdance.org

Cameron Thomas, thank you for being with us on WMM.

Cameron joins us to share details about Owen/Cox Dance Group’s 5th Annual Creative Intersections, August 9 & 10, 2024, at 7:00pm, at the Hyde Park Butterfly Garden and Labyrinth, 3700 Gillham Rd. KCMO. More information at: http://www.owencoxdance.org

10:25

The Sluts photo by Photo by John Clayton
  1. The Sluts – “Starting Again”
    from: “Starting Again” – Single / Ther Sluts / Julu 19, 2024
    [Lawrence, KS garage rockers, The Sluts, have just released their new single, “Starting Again” .“Starting Again” is a dark, personal exploration into physical addiction. It dives into the realization that your biggest weakness is showing itself again but you kind of like it. This ominous track turns a corner for The Sluts sonically as it is the first song to feature bass guitar as well as other complex production elements. This long awaited release is the first offering from The Sluts since 2020’s Enjoy The Show. // Produced by Joel Nanos at Element Recording and Mastering Studios in Kansas City, KS, “Starting Again” will be ready for radio and available on all streaming platforms July 20, 2024. // The Sluts are a two-pieice garage rock band based out of Lawrence, KS. Formed in 2011, the duo have been raising eyebrows with their cheeky name and driving crowds wild for over a decade. Their hard hitting, high energy live shows made them a staple of the rock scene in the Kansas City area. The band has opened for acts such as The Offspring, Broncho, Fidlar, Bass Drum of Death, Radkey, The Toadies, and Local H.]

10:28 – Underwriting

  1. Big Fat Cow – “Patty”
    from: Behold The Soil! / Big Fat Cow / August 1, 2024
    [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas. More information at http://www.bigfatcowband.com]

10:34 – Interview with Noah Cassity & Kole Waters of Big Fat Cow

The KC based band, Big Fat Cow is set to release their debut EP, BEHOLD THE SOIL! on August 1, 2024. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas. More information at http://www.bigfatcowband.com

Joining us live on the show is Noah Cassity who is the lead vocalist & plays guitar, and Kole Waters who plays guitar & provides vocals and recording and mastering.

Noah Cassity and Kole Waters thanks for being with us on Wednesday MidDay Medley

Big Fat Cow is a post-country band delivering cowpoke fuzz since 2022.

Big Fat Cow’s first endeavor was a folk album (Glutton for Punishment) written and recorded by Noah Cassity and mastered and digitized by Kole Waters. Wanting to perform the songs live, Noah recruited the help of Kole on lead guitar alongside childhood friend Alex May to play the bass. Kole was able to bring in Matt Chipman to play drums and finish out the band.

Noah Cassity – lead vocals & guitar
Kole Waters – guitar & vocals
Alex May – bass guitar & vocals
Matt Chipman – drums

Meeting for the first time in KA studios, the newly formed quartet ripped into Noah’s folk songs, turning them into the rock, indie, americana and country inspired pieces that you know today. Each member of the band took and ran with the folk songs that Noah recorded and made it their own, pulling in inspirations from each of their unique musical backgrounds.

Big Fat Cow has made themselves a household name in the Kansas City music scene, leaving an impression on everyone who comes out to see them play. With songs you can dance to and songs that will make you cry in the basement of a DIY show, Big Fat Cow is sure to leave their mark.

“A band this good shouldn’t get saddled with a name this bad … you’re just going to have to tell your friends that you’re going to see Big Fat Cow, and wince while you do it. – Too Much Rock

10:42

  1. Big Fat Cow – “Arbor Day”
    from: Behold The Soil! / Big Fat Cow / August 1, 2024
    [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas. More information at http://www.bigfatcowband.com]

10:49 – More Interview with Noah Cassity & Kole Waters of Big Fat Cow

The KC based band, Big Fat Cow is set to release their debut EP, BEHOLD THE SOIL! on August 1, 2024. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas. More information at http://www.bigfatcowband.com

Joining us live on the show is Noah Cassity who is the lead vocalist & plays guitar, and Kole Waters who plays guitar & provides vocals and recording and mastering.

Noah Cassity and Kole Waters thanks for being with us on Wednesday MidDay Medley

Big Fat Cow is a post-country band delivering cowpoke fuzz since 2022.

Noah Cassity – lead vocals & guitar
Kole Waters – guitar & vocals
Alex May – bass guitar & vocals
Matt Chipman – drums

Recent Shows:
April 19 – Replay Lounge in Lawrence Kansas
May 4 – KC Bier Co
June 1 – Location TBA
June 9 – Turnsol Books and Coffee KC
August 3 – BLVD Tavern KC

http://www.bigfatcowband.com

Big Fat Cow’s (KCMO) debut EP Behold the Soil! is releasing on August 1, 2024

Big Fat Cow believes you’ll enjoy the cattle’s broadly appealing, yet super unique brand of post-country, a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling.

The band’s story is a good one even if it’s still early days. Their sound resonates! They’re skyrocketing up the mindshare of Kansas City’s scene and are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas.

Noah Cassity and Kole Waters thanks for being with us on Wednesday MidDay Medley

For more on Big Fat Cow, please visit https://bigfatcowband.com and/or follow https://www.instagram.com/bigfatcowband/.

10:56

  1. Big Fat Cow – “Cat Call”
    from: Behold The Soil! / Big Fat Cow / August 1, 2024
    [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas. More information at http://www.bigfatcowband.com]

11:00 – Station ID

  1. Expassionates – “Among Friends”
    from: Verse, Chorus, Bridge / Scott Easterday / 1998
    [Scott Easterday on vocals, guitar, keyboard; Bryan R. Hicks on acoustic bass; Ryan Bennett on drums, Marco Pascolini on Electric 7 acoustic guitar; Nate Hofer on pedal steel guitar; Richard Alwyn on harmonica; Mark Southerland on tenor saxophone; Jazzbo (Bill Hargrave) on trumpet. Produced by Scott Easterday. Engineered by Chad Meise. Recorded at El Torreon, aka The Cowtown Mallroon, 31st and Gillam, KCMO, July 1998, 102 degrees. Mixed at Nove Coast. Mastered by Lynn Allred at barry Music (KCMO) on Halloween Day.]

[Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com]

11:03 – Interview with Scott Easterday, Elaine McMilian, and Kyle Dahlquist

Scott Easterday is a musician, singer, and composer. He has been playing for 35 as a musician in the Kansas City scene, playing bass in the Mongol Beach Party, playing guitar singing and songwriting for his mid 1990s band Easterday, performing for several years as a member of Howard Iceberg and The Titanics, and as the founder and lead singer for the Expassionates. Scott has written reviews and interviews about local performing artists for KC Metropolis, and has volunteered and served as a Board Member and treasurer of Midwest Music Foundation. Worked as a Cataloging Assistant specializing in Western Languages at the Nelson-Atkins Museum of Art–Spencer Art Reference Library.

Writer and musician Elaine McMilian graduating from the University of Missouri-Kansas City in 1991 with a Creative Writing degree. Elaine McMilian has performed in and around KC for over 30 years as a solo artist and in the bands: Swingin’ 6, Easterday, Bonnys’ McGill, Toy Box, Sugar Plums, and The Brannock Device, singing American ballads, folk, alternative, rock and punk. She has collaborated and recorded with many of Kansas City’s very best song writers and musicians including: Erin McGrane, Jason Beers, Marco Pascolini, Scott Easterday, Christian Hankel and Howard Iceberg. This year Elaine released her first book of poetry, Copper and Other Precious Metals. Read more of Elaine’s writing at elainemcmilian.substack.com.

Kyle Dahlquist is a keyboardist, guitarist, he also plays accordion, and trombone and sings. He was a member of Mongol Beach Party bandmate with Scott. He learned to play accordian when he joined Alacartoona. He plays with The Band That Fell to Earth KC – the David Bowie Tribute band, and Men of Men a super group that thrills audiences with every concert they play, Kyle has also played with Amy Farrand and The Like, and many other bands.

Scott, Elaine and Kyle are here to share details about Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years.

Scott Easterday, Elaine McMilian and Kyle dahlquist Thanks for being with us on Wednesday MidDay Medley

Scott Easterday: 35 Years. August 4, recordBar
Scott Easterday is celebrating 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar at 7 PM

There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com

This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 acts for the evening that will include songs from the bands Expassionates, the easterday band, The Roosevelts and one from Mongol Beach Party.

The first band will perform some songs from Scott’s first CD album from 1998, Expassionates:Verse, Chorus, Bridge.

The band has Matt Richey on drums who recently performed at the Grizly Hand Farewell Jubilee and also drums for Mikal Shapiro’s The Musical.

Bryan Hicks on bass who can be seen at The Quality Hill Playhouse and in jazz clubs all over town.

Nate Hofer on pedal steel, also an award winning photographer, will start the show with experimental-ambient music like that on his 2024 EP, Decommissioned.

Kayle Dahlquist on keyboard, guitar, accordion, trombone and vocals, is one man from Men of Men and was a Mongol Beach Party bandmate with Scott.

Richard Alwyn is on harmonica, guitar and vocals and will also be featured later in the next act.

The original recording of Verse, Chorus, Bridge was done at the El Torreon Ballroom (also known as the Cowtown Ballroom) and at the studio of recording engineer Chad Miese in 1998.

Scott began his professional music career playing bass with The Mongol Beach Party in 1989 and this group will resurrect one of Scott’s songs from that period.

II
The second act of the evening is the easterday band featuring Elaine McMilian on vocals, Jon Niccum on bass and Mark Acuff on drums.

They will perform songs from their CD easterday: 1993-1995, indicating the years they were active, recorded at Red House Studios by Ed Rose and released in 2004. They have had a couple reunions since then and are taking advantage of this occasion to have another.

Mark plays drums in Promise Breakers. Jon was the creator of The Worst Gig [worstgig.com] and Elaine just published her first book of poetry, Copper and Other Precious Metals.

This group will also be joined by Richard Alwyn for a couple songs from the time predating the easterday band when he and Scott had a band together called The Roosevelts. One of those songs, Cyclone, was on Scott’s first ever demo cassette from 1992 recorded at Westend Recording Studios by Bart Biechele. Cyclone was on the easterday band’s debut cassette Sucker from 1991 and enjoyed some local chart time on Lawerence’s The Lazer, 105.9 FM.

Richard Alwyn’s band in the 90s was Big Red Fish. Scott joined the band and they later reformed The Roosevelts together. Richard moved to Raleigh, NC where he founded The Love Hangover, an annual music showcase of love songs held on the day after Valentine’s Day in 5 cities. Scott was the Kansas City Chapter host of The Love Hangover from 1989 until 2022 when he handed it over to Steve Tulipana at the recordBar. Richard eventually moved to Brooklyn, NY, set up The Love Hangover there, and has been there for 20 years. During that time he has written and performed with the bands King Canutes, The Winter Drinks and Gramercy Arms.

11:13

  1. the easterday band – “Smothered”
    from: Easterday 1993-1995 / Scott Easterday / 2004
    [the easterday band featuring Scott Easterday on lead vocals and guitar, Elaine McMilian on vocals, Jon Niccum on bass and Mark Acuff on drums. The band was active from 1993-1995. The album was recorded at Red House Studios by Ed Rose and released in 2004. They have had a couple reunions since then and are taking advantage of this occasion to have another. Mark plays drums in Promise Breakers. Jon was the creator of The Worst Gig [worstgig.com] and Elaine just published her first book of poetry, Copper and Other Precious Metals. ] [Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com]

11:16 – More Interview with Scott Easterday, Elaine McMilian, and Kyle Dahlquist

Scott, Elaine and Kyle are here to share details about Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years.

Scott Easterday, Elaine McMilian and Kyle dahlquist Thanks for being with us on Wednesday MidDay Medley

Scott Easterday: 35 Years. August 4, recordBar
Scott Easterday is celebrating 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar at 7 PM

There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com

III
THe final act of the night are Exapassionates. Scott and guitarist Marco Pascolini played duo shows after the recording Verse, Chorus, Bridge until they added the happy bass player Richard Burgess and drummer Sam Platt in 2006. The Happy Bass Player is a book of lessons on happiness written by Richard. Sam holds court on weekends in various ensembles at the Green Lady Lounge, the Orion Room and Black Dolphin.

They will be performing songs from the second Expassionates CD album Landscapes, released in 2008, recorded by Sam Platt and Chad Miese. They will also throw in a new song.

The performance will begin at 7 PM (doors at 6) and is $15, Sunday, August 4 at the recordBar, 1520 Grand, advance tickets available at therecordbar.com.

Wesite: https://scotteasterday.com/
Expassionates: (please scroll down to “History” for a history of the Expassionates)
https://scotteasterday.com/expassionates/

Expassionates facebook https://m.facebook.com/p/Expassionates-100063840528130/
easterday band facebook https://www.facebook.com/people/Easterday/100060582655334/

Scott’s chronological band timeline:

1989-1990 Mongol Beach Party
1990-1991 The Roosevelts
!991-1993 easterday CD easterday 1991-1993
1998 Expassionates recording project CD Verse, Chorus Bridge
2006-present Expassionates CD Landscapes

Scott Easterday: 35 Years on Sunday, August 4, at 7:00pm at recordBar, 1520 Grand Boulevard, KCMO

Scott Easterday is celebrating 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar at 7 PM, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. Doors at 6, Music at 7

Scott Easterday, Elaine McMilian and Kyle dahlquist Thanks for being with us on Wednesday MidDay Medley

Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com

11:25

  1. Expassionates – “Movin’ On”
    from: Landscapes / Scott Easterday / September 9, 2008
    [Scott Easterday vocal and guitar, Marco Pascolini guitar, Richard Burgess bass, Sam Platt drums. // Recorded at Oddio Hut, Kansas City, MO. // Audio Sam Platt, Chad Meise, Jason Hall, Matt Hartnett. // Mixed at Theta Rhythm, Mastered by Matt Hartnett // All songs words and music by Scott Easterday, Gone to Kansas is based on a song by Thomas P Westendorf (1881).]

[Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com]

11:28 – Underwriting

  1. Just Angel – “Intent”
    from: Just Angel: Pt. 2 {EP] / Just Angel / December
    [Just Angel is a Kansas City based, singer, musician, songwriter, dancer. and creative artist. She recently contributed vocals to the recent Sisterbot record. More info at: /distrokid.com/hyperfollow/justangel/just-angel–pt-1: Just Angel: Pt. 2 is a followup to Just Angle Pt.1 – EP released on December 24, 2020 More info at: https://linktr.ee/JustAngel_TigerLilyStar%5D

[Just Angel and The Wades play Greenwood Social Hall, 1750 Belleview Ave., KCMO, on Friday, August 9 at 7:00pm. More information at: http://www.greenwoodsocialhall.com]

11:34 – Interview with Just Angel

You just heard the voice of Singer, musician, songwriter, dancer, and creative artist, Just Angel. Her powerful voice has been called, “Passionate … Soulful… and Inspiring.” Her music finds its home in Rock, Jazz, and Alternative, and she has found a way to incorporate those genres within her love with Soul and R&B. Just Angel has performed with My Brothers & Sisters. Just Angel and her band, The Wades can be found rocking stages with her original songs from her recordings and eclectic takes on popular music. She released her debut EP, JUST ANGEL, PART 1 on December 24, 2020. She released her follow up EP, JUST ANGEL, PART 2 on December 25, 2021. She also contributed vocals to the amazing Sisterbot record.

Just Angel and The Wades play Greenwood Social Hall, 1750 Belleview Ave., KCMO, on Friday, August 9 at 7:00pm. More information at: http://www.greenwoodsocialhall.com

Just Angel, Thank you for being with us on Wednesday MidDay Medley

Also with us is Arick “T.A. RELL” Ridgell who is a songwriter/producer/artist based out of Kansas City, MO. The 33 year old musician has been writing and producing music since the age of 18. While he picked up the itch to make music later than most, his heavy arsenal of musical influences are what have elevated his quality of work. T.A.’s influences range from the late great Ray Charles, gospel Icon John P. Kee, Brandy, to the current groundbreakers like PJ Morton and Jon Bellion. T.A. tries not to trap himself in the box on genres but tries to use his love for all music to unlock the hearts and souls of listeners around the world. Join him on the journey of putting real music and lyrics in the atmosphere..

Just Angel produced the 4 song EP, JUST ANGEL PT.1 in 3 days in 2020,

She then produced a second 4-song EP, JUST ANGEL PT. 2 in 24 hours in 2021.

Just Angel has a birthday on December 24

Producer & Musician T.A. Rell helped birth into fruition the Just Angel EP releases with the 5 month hiatus between recordings

Just Angel was a member of the band: My Brothers & Sisters with Jamie Searle

More info at: https://linktr.ee/JustAngel_TigerLilyStar

Just Angel collaborated with Sisterbot aka Adee Dancey on the track “Approval.”

With Adee Dancy Just Angel has a band called Neo Emo Soul.

11:47

  1. Just Angel – “I.B.H.D.” (LIVE)
Originally from: Just Angel: Pt. 1 {EP] / T.A.P. OUT Music / December 24, 2020
    [Just Angel is a Kansas City based, singer, musician, songwriter, dancer. and creative artist. She recently contributed vocals to the recent Sisterbot record. More info at: /distrokid.com/hyperfollow/justangel/just-angel–pt-1: Just Angel: Pt. 2 is a followup to Just Angle Pt.1 – EP released on December 24, 2020 More info at: https://linktr.ee/JustAngel_TigerLilyStar%5D

[Just Angel and The Wades play Greenwood Social Hall, 1750 Belleview Ave., KCMO, on Friday, August 9 at 7:00pm. More information at: http://www.greenwoodsocialhall.com]

11:52 – More Interview with Just Angel and T.A. Rell

We are talking with Just Angel who with her band, The Wades can be found rocking stages with her original songs from her recordings and eclectic takes on popular music. She released her debut EP, JUST ANGEL, PART 1 on December 24, 2020. She released her follow up EP, JUST ANGEL, PART 2 on December 25, 2021.

Joining us is Just Angel’s collaborator and friend T.A. Rell.

Just Angel and The Wades play Greenwood Social Hall, 1750 Belleview Ave., KCMO, on Friday, August 9 at 7:00pm. More information at: http://www.greenwoodsocialhall.com

Just Angel and T.A. Rell Thank you for being with us on Wednesday MidDay Medley

11:53

  1. Sisterbot – “Approval (feat. Just Angel)”
    from: Truth House / Sisterbot / July 10, 2021
    [Sisterbot is a performing artist dedicated to breaking genre boundaries, creating cosmic musical and theatrical experiences. The 9-piece Sisterbot Band is a “punk pop chamber orchestra” complete with electric guitar, drums, piano, strings and horn. “Truth House (2021) is a concept album written over the span of three years, encapsulating a chapter of my life that I spent in a house alone, dealing with the aftermath of trauma and rebirth.”- Sisterbot (Adee Dancy). Written by Sisterbot. Produced by Jametatone and Sisterbot. Engineered, Mixed, Mastered by Jametatone, except “Approval” which was Produced, Engineered, & Mixed by Andrew Bonci Jr. at Magnolia Tree Studios, with AJ Bonci on guitar, Just Angel and Sisterbot on vocals. Cover Art by Mazzy Mann. Adee Rocket Dancy released the single “Hello Moon (feat. The Swallowtails)” on April 26, 2021. (This song is alon on the Sisterbot album.) Produced by Jametatone & Adee Rocket Dancy. Adee Rocket Dancy on piano & vocals & cello; Rachel Lovelace on bassoon; Mikala Petillo on guitar & background vocals, Mixing and Mastering by Jametatone, (J. Asley Miller). Adee Rocket Dancy writes, “This is a song about my life-long love for the moon, featuring The Swallowtails (Rachel Lovelace and Miki P). Adee chose the date April 26, 2021, as their release date, to honor the full moon called “The Pink Moon.” More info at: Sisterbot.bandcamp.com]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

The Sluts photo by Photo by John Clayton

Wednesday MidDay Medley in on the web:
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https://www.soundcloud.com/wednesdaymiddaymedley
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Show #1056

WMM Playlist from July 17, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 17, 2024

Favorite Releases of 2024…so far (Part 1 of 3) + SOUND MANDALA + Epitome + Marion Merritt & Betse Ellis

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Leyla McCalla – “Scaled To Survive”
    from: Sun Without The Heat / Anti – Records / April 12, 2024
    [Leyla McCalla on vocals, cello, banjo, guitars; Shawn Myers on percussion, drums; Nahum Zdybel on guitars; Pete Olynciw on electric bass, piano; Maryam Qudus on synthesizers, organs, backing vocals; Louis Michot on fiddle on “Tower”. Recorded and Produced by Maryam Qudus at Dockside Studios, June 20-29, 2023. Assisted by Justin Tocket. Mixed by Maryam Qudus at Best House. Mastered by Heba Kadry, NYC. All songs written by Leyla McCalla (Makala Music (BMI)) except “Love We Had” music by Ali Mohammed Birra, arrangement and lyrics by Leyla McCalla (Makala Music (BMI)) // On May 6, 2022 Leyla McCalla released Breaking the Thermometer on Anti- Records. // Leyla Sarah McCalla was born October 3, 1985. She is a classical and folk musician. She has been a cellist with the Grammy-winning string band Carolina Chocolate Drops but left that group to focus on her solo career. Both of McCalla’s parents were born in Haiti. Her father Jocelyn McCalla was the Executive Director of the New York-based National Coalition for Haitian Rights from 1988 to 2006 and is credited as translator on Vari-Colored Songs. Her mother Régine Dupuy arrived in the United States at age 5, is the daughter of Ben Dupuy who ran Haiti Progrès, a New York based Haitian socialist newspaper. McCalla’s mother went on to found Dwa Fanm, an anti-domestic violence human rights organization. McCalla was born in New York City and raised in New Jersey. She lived in Accra, Ghana for two years as a teen. After a year at Smith College, she transferred to New York University to study cello performance and chamber music. She then moved to New Orleans where she played music on the streets. We first played Leyla McCalla in 2016 the same year we saw her live at Folk Alliance International and the same year she released her critically acclaimed album Vari-Colored Songs on Music Maker Recordings on February 4, 2014. The album is a tribute to Langston Hughes which includes adaptations of his poems, Haitian folk songs sung in Haitian Creole and original compositions. McCalla says the first song she wrote for the album was Heart of Gold because it provided “a window into Hughes’ thinking”.McCalla chose to dedicate this work to Hughes because she says “reading his work made me want to be an artist.” McCalla started working on the album 5 years prior to its release. Commentators have noted the influence of Louisiana musical traditions such as old Cajun fiddle melodies and trad-jazz banjo on the album. Members of the Carolina Chocolate Drops appear on the album. Along with her solo work Leyla McCalla was part of Songs of Our Native Daughters is the debut Americana/folk album by four North American singer-songwriters collaborating as Our Native Daughters. The group includes Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, and Allison Russell. The album was released on the Smithsonian Folkways label in early 2019. Songs of Our Native Daughters addresses American historical issues that have influenced the identity of black women, including slavery, racism, and sexism. The album features 13 songs, 11 of them written by the group’s members. It also includes a cover of a 1970s Bob Marley classic and a song that draws its lyrics from two poems.]
  1. Valerie June —“Big Dream”
    from: My Black Country: The Songs of Alice Randall / Oh Boy Records / April 12, 2024
    [“Growing up, we all have dreams and wishes. Alice Randall’s lyrics capture the magic of our personal dreams. In the simplest way, she invites listeners to remember the power of collective dreaming. If God can be a woman in a patriarchal society, then there are no limits to what can be achieved. Balance is restored through the sacred art of dreaming, and each dream big or small helps to shape our world. I am a dreamer. Everyone on this record is a dreamer. Together we are breaking boundaries just as so many who’ve come before have done for us.” – Valerie June // On March 12, 2021 Valerie June released her 5th full length album The Moon And Stars on June Tunes – Concord records, co-produced by Jack Splash and Valerie June. // Valerie June Hockett was born January 10, 1982), known as Valerie June, is an American singer, songwriter, and multi-instrumentalist from Memphis, Tennessee, United States. Her sound encompasses a mixture of folk, blues, gospel, soul, country, Appalachian and bluegrass. She is signed to Concord Music Group worldwide. // Born in Jackson, Tennessee on January 10, 1982, June is the oldest of five children. As a child growing up in Humboldt, June was exposed to gospel music at her local church and R&B and soul music via her father, Emerson Hockett. As a teenager, her first job was with her father, owner of Hockett Construction in West Tennessee, and a part-time promoter for gospel singers and Prince, K-Ci & JoJo, and Bobby Womack. She helped by hanging posters in town. Her father died in late 2016. // June relocated to Memphis in 2000 and began recording and performing at the age of 19, initially with her then-husband Michael Joyner, in the duo Bella Sun. After her marriage ended, she began working as a solo artist, combining blues, gospel and Appalachian folk in a style that she describes as “organic moonshine roots music”, and learning guitar, banjo, and lap-steel guitar. She became associated with the Memphis-based Broken String Collective. // In 2009 she was a featured artist on MTV’s online series $5 Cover (following the lives of Memphis musicians attempting to make ends meet), and in 2010 she recorded the EP Valerie June and the Tennessee Express, a collaboration with Old Crow Medicine Show. // In 2011 she was honored by the Memphis and Shelby County Music Commission at the Emissaries of Memphis Music event. She raised funds to record an album with producer Craig Street via Kickstarter.com, raising $15,000 in 60 days. Later that year she relocated from Memphis to Williamsburg, Brooklyn. Shortly after, record producer Kevin Augunas introduced June to Dan Auerbach of The Black Keys, which led to the recording of June’s album Pushin’ Against a Stone in July 2011, which was co-written and produced by Dan Auerbach and Kevin Augunas. // In 2012, June performed with producer John Forté on a collaboration called Water Suites (on the hip-hop-blues song “Give Me Water”), and with Meshell Ndegeocello on the song “Be My Husband”. She contributed The Wandering’s 2012 album Go on Now, You Can’t Stay Here: Mississippi Folk Music Volume III. In 2012 she performed in the UK for the first time, playing at Bestival and appearing on Later… with Jools Holland. // She has received substantial radio play in Europe on BBC Radio 6, including a feature on Cerys on 6 with Cerys Matthews. Mary Anne Hobbs of XFM has said of June: “This woman has already touched my heart, she really, really has.” // In February 2013, June was invited to support Jake Bugg on the UK leg of his tour. In March 2013, June performed two nights at South By Southwest. The first performance was on March 14 as part of the Heartbreaker Banquet. On March 16, June performed again, this time as part of The Revival Tour. Rolling Stone June’s second album, The Order of Time one of the 50 Best Albums of 2017, citing “her handsomely idiosyncratic brand of Americana, steeped deep in electric blues and old-time folk, gilded in country twang and gospel yearning….a blend of spacey hippie soul, blues and folk with June’s pinched, modern-Appalachian voice at the center”. More info at: http://www.valeriejune.com]

10:06 – Intro / Pledge Break #1 – [8 minutes]

Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Today we feature WMM’s Favorite Releases of 2024…So Far (Part 1 of 3) from The Freedom Affair, ALBER, Little Miss Dynamite, Zee Underscore, Monta At Odds, Daniel Gum, RxGhost, The Creepy Jingles, St. George & The Dragons, Eddie Moore, Miss Boating, Epitome, and musicbyskippy. We started the show with Leyla McCalla and Valerie June.

We take break to encourage YOU to support 90.1 FM KKFI. To help me, is my friend…

Betse Ellis. Originally from Fayetteville, Arkansas, Betse received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was a founding member of the acclaimed internationally known band, The Wilders. Betse has released two solo records, and records and performs with the band Little Miss Dynamite, and The Starhaven Rounders and with her husband, multi-instrumentalist Clarke Wyatt, as Betse & Clarke.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt is our most frequent contributor to WMM, sharing sonic discoveries and information from her musically-encyclopedic-brain. Marion Merritt has an empathic ability to know what music you’re seeking. She grew up in Los Angeles and St. Louis and went to college in Columbia, MO. She studied art & musical engineering, and is a avid lover of classic films. She saw Talking Heads on their 1st tour at One Block West in 1978. Marion also writes about new releases as a contributor The Pitch. With partner Ann Stewart, Marion is the proprietor of Records With Merritt, a minority owned business at 1614 Westport Rd. in KC. More info at: http://www.recordswithmerritt.com.

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

10:14

  1. Monta – “Forget About You”
    from: “Forget About You” – Single / The Record Machine / April 12, 2024
    [From their bandcamp page: “Nouveau post-punk troubadours Monta at Odds have minimized to a tight, feisty trio for their latest single, “Forget About You.” With Mikal on vocals, Krysztof wielding the baritone guitar, and founding member Dedric polymathing on all other sonics, Monta unleash a determined and danceable mixture of eras past and present to match this raw but crisp sound. “Forget About You” is a dark-natured opus about resisting attraction, especially when the bound proves hazardous. Mikal pleads in desperation against the “bite” while a relentless, driving rhythm and entwined guitar and bass riffs explore the inevitable consequences. The tune answers its own call as it produces a mesmeric swirl one gets lost in — forgetting life’s dangers, even if just for the song’s moment, is entirely possible.” // Monta released their EP Crystal Momentum on March 24, 2023. The band released the single “Looking Back” on February 27, 2023, and “Everybody’s Baby” on January 27, 2023. Monta’s latest, the Crystal Momentum EP, hones the Kansas City band’s mastery of electrified dreamworld post-punk, presenting four spacious songs to accompany out-of-body explorations. Monta’s core players — Mikal Shapiro on vocals, Krysztof Nemeth and Lucas Behrens on guitars, Dedric Moore on electronics, Matthew Heinrich on drums, and Teri Quinn with additional vocals — accompany their visions with a groovy flow that rings with subtle tensions, introspective instrumentation, and chorus-fed uplifts. // Found within are “Everybody’s Baby,” an otherworldly adoration of unnamed strangers set to transfixing melodies and a snake-like groove; the buoyant “Looking Back,” which shines a danceable, sonic brightness through a haze of ecstatic reminiscence; the inspired “Perimeter Dancer,” an ode to those who fight for the cause, accompanied by a punky disco beat and a chorus that launches the song upward to a mirror-ball-lit sky. And then there’s “Luna Lost In Your Gaze,” a righteous desert sleepwalk of a tune that recalls the spaghetti western tones of Monta’s past while remaining on the current trajectory. // With the Crystal Momentum EP, Monta grabs the moment, further defining the distinctive mix of synth-pop and dark psychedelia that’s become the band’s trademark. Take a leap and fall into their world. // Monta means “to climb higher.” Through lineup changes and scenes ebbing and flowing, this band continues that climb. Founded by brothers Dedric and Delaney Moore, Monta (originally Monta At Odds) has grown into its own community with a rotating cast of musicians and characters. More Information at: kosmiccity.com / therecordmachine.co] [Monta played 20 Years of The Record Machine featuring The Noice FM, Black Light Animals Soultru and Pala Zolo, on Saturday, November 11, 2023, at 6:00 PM to 1:00 AM at recordBar, 1520 Grand Blvd] [Dedric Moore joined us on WMM on October 4, 2023]
  1. ALBER – “Caldo”
    from: Lento / Locale Records / April 12, 2024
    [Alberto Racanati is a genre-bending musician originally from Bari, Italy, now established in Kansas City. His musical journey started at age 11 when he learned to play his first notes on the trumpet. At age 14 Alberto enrolled in the Bari Conservatory to pursue his performance degree in the academy, while living a parallel musical existence in the rich musical underground in Southern Italy, playing drums and trumpet in a plethora of bands across all genres. His musical studies then took him to the National Music Academy in Gdansk, Poland, where he lived from 2011 to 2014, discovering the multicultural nature of the arts. In 2014 Alberto moved to the United States to work as a Graduate Assistant at Western Illinois University in Macomb, Illinois. In 2016 Alberto continued on to Kansas City to pursue a Doctoral Degree at the University of Missouri-Kansas City, where he became enamored with the local music scene. 2018 saw the start of Alberto’s journey with electronic music, writing material for trumpet and electronics. This is where the project Alber starts, especially using social media as an interactive, open sketchbook for his sonic excursions. Alberto’s first self-titled album was released in 2020, followed by significant live performing presence in 2021 in Kansas and Missouri. His second album Journey, was then released in 2021. At the same time, Alberto ramped up his touring of the Midwest region and collaboration with a variety of other artists. Most recently in 2023 Alberto was awarded the ArtsKC Inspiration Grant for his multimedia installation “Born at Sea”, a project centered on the idyllic sea scenery of his hometown, debuting in 2024. Additionally he became one of the Charlotte Street Foundation Studio Residents, a program that features some of the most brilliant up and coming artists in the Kansas City region. Still in 2023, Alberto toured the East Coast of the US and his native Italy, in a much welcome reconnection with his musical roots. Currently, Alberto is about to release his third full length album Lento and finalizing his upcoming 2024 tours to the East Coast and Southern Italy.]

[Alber & Isaiah Petrie play The Ship, 1217 Union Ave, KCMO West Bottoms. Thurs, July 18, 8:00pm.]

  1. RxGhost – “Over and Over The Same Things”
    from: Scaffolding / Celery Wolf / April 11, 2024
    [RxGhost is: Josh Thomas on vocals & guitar, Justin Brooks on drums, James Capps on guitar, Chris Smead on bass, and Jeremiah James Gonzales. Scaffolding was produced by RxGhost, recorded and mixed by Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering. Music by RxGhost and Lyrics by Josh Thomas. More info at: rxghost.bandcamp.com]

[RxGhost play miniBar, 3810 Broadway, KCMO Saturday, July 20 ay 8:00pm w/ The Sluts, and LYXE.]

10:26 – Pledge Break #2

Our WMM Summer Fund Drive Team: Marion Merritt and Betse Ellis

Today on WMM we are celebrating our Favorite New & MidCoastal musical releases with two incredible Guest Hosts who help keep Community Radio alive and on the air. 90.1 FM KKFI’s non-profit organization and governing body is the MidCoast Radio Project. MidCoastal is where we are, on the coasts of the Missouri and Kansas Rivers with a music community that spans the Kansas City Metro region and west to Lawrence and Topeka and south to Olathe and east to Columbia and North to St Joseph. Not necessarily the reach of our 100,000 watt signal but definitely the reach of our community.

WMM and KKFI are committed to featuring artists under-represented in other media, and that includes the music community that lives within Kansas City and Lawrence and the area radiance of our 100 watt signal. The story of Kansas City’s Arts and Music Community is our primary objective on WMM, where for almost 20 years we have shined a light on this music and the artists who create it, and that story also include the music labels who help get this music out into the community and beyond Kansas City. That story also includes the recording studios where this music is engineered and mastered.

Wednesday MidDay Medley 90.1 FM was the first radio show and first radio station to ever play many if these amazing musical artists. WMM was the first to play the recordings of: Calvin Arsenia, and Madisen Ward and the Mama Bear, and Krystle Warren, and The Black Creatures and KD Kuro, The Shy Boys, Zava, The Salvation Choir. We were the first to interview these artists live on the radio and bring their music to a wider audience.

10:34 – Underwriting

  1. Little Miss Dynamite– “Ordinary Blue”
    from: Grow Up / Rural Grit Records / May 3, 2024
    [Little Miss Dynamite is a four piece string band with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. Engineered and Mixed by Clarke Wyatt, Gnomes and Goats Studio.More info at: http://www.bethwattsnelson.com]
  1. The Freedom Affair – “If You Don’t Want Me”
    from: “If You Don’t Want Me” – Single / Sunflower Soul Records / May 15, 2024
    [The Freedom Affair is a 9 piece soul juggernaut from Kansas City, MO. The band formed in 2017 with a vision to write original soul music inspired by the traditions of the genre’s past with a universal message looking toward the future. Their new single “If You Don’t Want Me” features: Shon Ruffin on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, Brett Jackson on tenor Sax, Pat Conway on congas, and Nick Howell on tambourine. Written, Recorded & Mixed by Chris Hazelton. Mastered by JJ Golden // With their debut album FREEDOM IS LOVE, The Freedom Affair has received critical acclaim and have established themselves as a force in the soul music scene across the states and abroad. Keep your eyes and ears open for their songs and album art featured in the series Bel-Air, an Apple commercial, a Netflix series, etc… This band is just getting started. // The Freedom Affair’s live shows have proven to be soul-stirring, transformative events moving audiences both physically and emotionally to joy. // The Freedom Affair released their debut album Freedom Is Love on September 25, 2020. from The album explores themes of love, heartache, empower-ment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording techno-logies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. For the debut record The Freedom Affair was: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

[The Freedom Affair play The 20th Annual Crossroads Music Fest Saturday, August 24 in the Hitoric West Bottoms with Shy Boys, Back Alley Brass Band, The Salvation Choir, Flare Tha Rebel, Danny McGaw, KC marching falcons, AND Sunday, August 25 at The Folly Theatre with The Grand Marquis, Slim Hansen & The Poor Choices, Victor & Penny, Trevor Turla, Sammy Nicolier, Damien Gunn Band]

  1. Zee Underscore – “What More Do You Want”
    from: The Zee Underscore Experience – EP / Underscore Form / June 15, 2024
    [Zee Underscore studied at The School for Creative and Performing Arts (SCPA) in Cincinnati, Ohio, where her confidence and talent flourished, sparking a deep passion for music creation and supporting artists of diverse backgrounds. Zee completed a five-year electrical engineering program at The University of Cincinnati, and her work in electrical engineering led her to Kansas City. Zee is co-founder of ZNTL Enterprises. Zee embodies the spirit of dreaming without limits, juggling roles as a singer, songwriter, recording artist, emcee, event coordinator, entrepreneur, and mentor while also working full time as an electrical engineer. Last year Zee Underscore released one of our favorite singles, “In The Way (feat. Amadi Luv)”. More info at: http://www.linktr.ee/Zeebee.notes%5D
  1. Daniel Gum – “Don’t I Know”
    from: Sophia – Don’t I Know – Single / Manor Records / January 24, 2024
    [Daniel Gum is a singer-songwriter based out of Kansas City, KS who has been active since 2017. Daniel Gum released the single “Julia” on December 9, 2022. Daniel Gum released the single “Wolverine (ft. Rachel Cion)” on September 19, 2921. Daniel Gu, released the electronic pop EP, I’M NOT DEAD in 2017 and an acoustic EP, MOON in 2018. In addition to working on his own solo project, Daniel has been working with other local groups—playing bass and engineering for his band Pillow (a post-punk/shoegaze group) and playing drums behind singer-songwriter Chloe Jacobson, also doing some recording for her. Channeling the likes of Elliott Smith & Andy Shauf, he co-produced his new record THIRTEEN with Mike Crawford, playing almost everything you hear on the album and mixing it himself. Signing to Manor Records in the spring of 2020, he officially released THIRTEEN on cassette & CD on October 30, 2020. All songs written, performed, and.mastered by Mike Nolte at Eureka Mastering. Daniel Gum is a 24 year old singer-songwriter . Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EPI’M NOT DEAD on October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming. The first single from Daniel Gum’s album, Thirteen “Ruin Your Life” was released on September 4, The second single, “In The Worst Ways” was released September 28, 2020. ] [On our July 22, 2020, WMM show we played Daniel Gum’s track, “Tired Saint” from French Exit Records – Black Lives Matter Compilation, released July 6, 2020. French Exit Records was launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. Daniel Gum joined us on WMM on November 11, 2020.]

10:46 – Pledge Break #3

Our WMM Summer Fund Drive Team: Marion Merritt & Betse Ellis

On May 15, 2024 – Wednesday MidDay Medley celebrated 20 Years on the radio! , with LIVE performances in our 90.1 FM Studios from: Calvin Arsenia, IVORY BLUE, Stephonne, Julia Othmer, Kasey Rausch and guests Marion Merritt, Maria Vasques Boyd, Nico Gray, and Necia Gamby..

As of this week we have done 1055 weeks equaled 2210 hours of radio, 16,000 hours of preparation, over 3000 Interviews, 2500 guests, and over 20,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music scene, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.

WMM has presented new formats in radio, with our “A Story In A Song” series, and our special shows featuring: Apocalypse Meow, Crossroads Music Fest, Folk Alliance, Manor Fest, International, The Outer Reaches Festival, Boulevardia. KC Fringe Festival, Owen Cox Dance Group, Bach Aria Soloists, KC Pride, and our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, LGBTQIA Themes, Black Lives Matter and inteviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin. Plus, our annual 4-week special: WMM’s 120 Best Recordings of the Year.

To say this radio show has been inspired by the KC music community, is an understatement. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists we’ve met while doing this show. We are inspired by the Fearless Women who created radio on 90.1 FM long before us: our friend April Fletcher who plays bass professionally in Los Angeles, and hosted Mix Well Before Serving on 90.1 in 1988 on KKFI’s first year of broadcast, and last year returned after 35 years to host and produce WMM. And our friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. At Anne’s funeral we realized that we are connected to hundreds of other people who Anne had touched with her gentle, wise, guidance and had nudged into taking a job, going out on a stage, organizing an event, doing a radio show. We were all connected, she had loved us all and supported us, and some of us made a pact to do just a little bit of what Anne did, if we all did a little we could continue her work to help build our community, that is how we keep Anne alive in our heart. And through collaboration, and shining a light, like Abigail Hope Henderson, who we lost in 2013, but not before she ignited a movement to create the Midwest Music Foundation supporting heath care needs and mental health care for the music community. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the stories & music & voice of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers. We celebrate 1035 weeks of WMM, the show that has brought us together, at this time, on this frequency, in these community airwaves. Thanks for listening.

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

10:55

  1. The Creepy Jingles – “Repeat After Me”
    from: “Repeat After Me” – Single / High Dive Records / April 19, 2024
    [This is the second of several new singles being released by The Creepy Jingles this year. The band released “When Things Go Wrong” on February 23, 2024. The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. // Song (lyrics/melody/chords) written by Jocelyn Olivia Nixon. Guitar solo by Wills van Doorn. Recorded and Mixed by Paul Malinowski. Mastered by Zack Hames. Vocals & Piano: Jocelyn Olivia Nixon, Guitars: Wills Van Doorn, Bass: Andrew Woody, and Drums: Nick Robertson. // The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. ] The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019.]
  1. St. George & The Dragons – “Leave It All Up To You”
    from: “Leave It All Up To You” – Single / St. George & The Dragons / June 21, 2024
    [A band’s lifespan is on the average two years. But after two years, St. George & The Dragons is just getting started. After four years of writing, rehearsing, and recording, St. George & The Dragons are releasing their debut album – King Of Kansas City, a ten-song album of pure rock and roll influenced by late 70s rock like the Stones and Tom Petty. // The album’s theme comes from a time when Rock ‘n’ Roll ruled the airwaves. It’s about letting go and raising your hand high into the air with your middle finger out to the world as you move on to the next big thing in your life. // Their first single “Leave It All Up To You” will be available on all streaming services June 21! The full-length album will be out August 30 with the vinyl release in September on Grand Central Bell Records. // Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. They found it easy to work together and had similar tastes which led them to produced and engineer an album for Kansas City artist David Luther. In the studio with Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys. // George, Tomek, and Kesler hit it off and started working on material of their own, eventually bringing in guitarist Mike Greene (The Front/Bakers Pink) and vocalist/guitarist Skeet Hanks (Beatin’ Path) to round out the sound. Greene was the lead guitarist in the Front, a band known for their searing guitar and power rock sound. Hanks, from New Orleans fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies. // Influenced by the works of The Stones, Tom Petty & The Heartbreakers, The Beatles, and many other classic rock bands from the 70s and the 80s, St. George & The Dragons came together during the Global Pandemic, giving them time to develop their sound. George, Greene, Hanks, Kesler, and Tomek have all had their share of greatness, from the collective albums they’ve released on major and indie labels to sharing the stage with legends like Paul McCartney, The Replacements, Soul Asylum, Doobie Brothers, The Black Crowes, Derek Trucks Band, Lumineers, Aerosmith, Smithereens, Mother Love Bone, and a list that could fill up a book! // St. George & The Dragons will be following up their release with shows around the Kansas City area later this summer and fall. More information at: http://www.stgeorgeandthedragonsband.com]

[St. George & The Dragons play the Nelson Atkins Museum of Art “Lawn Party” Kansas City, MO Sunday, July 21.]

11:00 – Station ID

11:00 – Interview with Tom Mardikes

Tom Mardikes, Professor of Sound Design at UMKC’s Conservatory. Tom has worked on over 250 professional productions as Sound Designer for KC Repertory Theatre, the Repertory Theatre of St. Louis, Heart of America Shakespeare Festival, and many others nationally. Mardikes has been head of graduate sound design training since 1986 and chair of UMKC Theatre since 2001. He co-founded Kansas City Actors Theatre in 2004, an artist-led, artist-driven professional theatre company performing in Kansas City’s Union Station. Tom shares details about SOUND MANDALA an immersive audio system that distributes sound to dozens of independent loudspeakers and moves sounds through space in ways never heard before. Sound Mandala premieres at The 20 annual KC Fringe Festival, in the Olsen Performing Arts Center at UMKC, 4949 Cherry St, KCMO., with 36 continual performances Friday, July 19 at 6:00pm, through Saturday, July 29 at 10:30pm. More info at http://www.soundmandala.org or http://www.kcfringe.org

Tom Mardikes, Thank you for being with us on Wednesday MidDay Medley

Mr. Tom Mardikes is a Professor of Sound Design at UMKC’s Conservatory. He has worked on over 250 professional productions nationwide as Sound Designer for Kansas City Repertory Theatre (formerly Missouri Rep), the Repertory Theatre of St. Louis, the Dallas Theatre Center, Syracuse Stage, Coconut Grove, the Roundabout, Buffalo Studio Arena, the Alley Theatre, Great Lakes Theatre Festival, Heart of America Shakespeare Festival, Idaho Shakespeare Festival, and Shakespeare Santa Cruz.

He has directed several stage productions including Taking Sides (2008) for Kansas City Actors Theatre, Nadya (2008), Burnt by the Sun (2013) and Playboy of the Western World (2014) for UMKC Theatre.

Mardikes has been head of graduate sound design training since 1986 and chair of UMKC Theatre since 2001. He has long been active in the United States Institute for Theater Technology, first as a Sound Vice Commissioner for Education and then as Sound Commissioner from 1998-2000.

He was one of five professional sound designers who helped facilitate the organization of sound designers into the United Scenic Artists Local 829 that has led to the official recognition of sound design by LORT and professional theatres nationwide. He was one of two featured sound designers in the USA Exhibit for the 2003 Prague Quadrennial and served as co-Curator of Sound for the American Exhibit for PQ2007.

He co-founded Kansas City Actors Theatre in 2004, an artist-led, artist-driven professional theatre company performing in Kansas City’s Union Station. In 2011, he led a group of eight member schools to create the National Design Portfolio Review where graduating M.F.A. designers are introduced to the New York theatre profession.

The Sound Mandala is an immersive audio system that distributes sound to dozens of independent loudspeakers and moves sounds through space in ways never heard before. The show will consist of music mixed from the original multi-track sound recordings that are mixed across the many loudspeakers and featuring sounds programmed to move about the space.

Program content will feature pop, rock, jazz and Celtic tracks, and featuring several short scenes with voiced actors and sound effect collages.

The Sound Mandala is a new way of listening to recorded sounds, in a room full of loudspeakers arranged in a matrix allowing for a wide variety of sound distribution and motion. In the auditory domain, the Sound Mandala imitates the visual trick of film motion by placing dozens of loudspeakers into a space organized into a matrix of lines and rows, then dividing, or spreading a sound along these lines and rows to create a sinuous ‘motion’ of sound. This summer the Sound Mandala will present a show on the KC Fringe Festival featuring an 80-loudspeaker channel system in a black box theatre seating 40 people. We refer to the Sound Mandala as a ‘Mecca-concept’—-you must go there to have the experience. As this invention becomes commercialized and we experiment with visual images, this Mecca-concept will be a decided advantage to a film presenter—an advantage movie theatres do not enjoy today. The Sound Mandala experience cannot be duplicated in the home or in a car.

Cast/Crew:
Tom Mardikes
Jon Robertson
Thomas Newby
Gianna Agostino
Daisy Melton
Paul Vedros
Sam Toskin

11:10

  1. musicbyskippy – “Gotta Catch My Breath Take 81”
    Originally released as a single / Almost Peanut Butter / July 15, 2023
    [Musicians: musicbyskippy. Composer: Luke “Skippy” Harbur. Arranger: Luke “Skippy” Harbur. Studio: Get Wild Studios. Production Dates: May 2023 to June 2023. Producer: Luke “Skippy” Harbur. Mixing Engineer: Luke “Skippy” Harbur. Mastering Engineer: Luke “Skippy” // Publisher/Label: LSH Productions, LLC.]

Part of: Sound Mandala / UMKC Sound Design Department
[The Sound Mandala is an immersive audio system that distributes sound to dozens of independent loudspeakers and moves sounds through space in ways never heard before. The show will consist of music mixed from the original multi-track sound recordings that are mixed across the many loudspeakers and featuring sounds programmed to move about the space. // Program content will feature pop, rock, jazz and Celtic tracks, and featuring several short scenes with voiced actors and sound effect collages. // The Sound Mandala is a new way of listening to recorded sounds, in a room full of loudspeakers arranged in a matrix allowing for a wide variety of sound distribution and motion. In the auditory domain, the Sound Mandala imitates the visual trick of film motion by placing dozens of loudspeakers into a space organized into a matrix of lines and rows, then dividing, or spreading a sound along these lines and rows to create a sinuous ‘motion’ of sound. This summer the Sound Mandala will present a show on the KC Fringe Festival featuring an 80-loudspeaker channel system in a black box theatre seating 40 people. We refer to the Sound Mandala as a ‘Mecca-concept’—-you must go there to have the experience. As this invention becomes commercialized and we experiment with visual images, this Mecca-concept will be a decided advantage to a film presenter—an advantage movie theatres do not enjoy today. The Sound Mandala experience cannot be duplicated in the home or in a car. // Cast/Crew: Tom Mardikes. Jon Robertson, Thomas Newby, Gianna Agostino, Daisy Melton, Paul Vedros, and Sam Toskin.]

Tom Mardikes, Thank you for being with us on Wednesday MidDay Medley

Sound Mandala premieres at The 20 annual KC Fringe Festival, in the Olsen Performing Arts Center at UMKC, 4949 Cherry St, KCMO., with 36 continual performances Friday, July 19 at 6:00pm, through Saturday, July 29 at 10:30pm. More info at http://www.soundmandala.org or http://www.kcfringe.org

11:13 – Pledge Break #4

This is WMM’s Summer Fund Drive Show with Marion Merritt & Betse Ellis.

90.1 offers 100 different radio programs. 85 of these programs are locally, produced, hosted, engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 64 local music shows and 21 locally produced News, Public Affairs, Arts & Talk shows.

There are 140 hours each week of locally produced handcrafted programs.

You will not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting.

Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental.

With all of this, you hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, broadcast live from our non-commercial, midtown studios, at 39th & Main, in the center of our metro, across two states, a collective of communities, and thousands of listeners. What is this worth to you?

11:20 – Underwriting

  1. Epitome – “Way Up (Radio Edit) feat. Ayron Alexander)”
    from: “Way Up” – Single / Syke Brand Music / July 12, 2024
    [Kansas City based rapper Glenn Robinson who is known as Epitome. Epitome released his newest 10 track album, BOUJIE TYPE BEAT on February 19, 2024. Since then has released the new single, “Way Up (feat. Ayron Alexander)” on July 12, 2024. A protest of sorts, “WAY UP” is also a celebration of life and all its struggles. The raucous anthem delves into E’s mantra of “once you reach the bottom, the only way is UP!” Featuring the silky, smooth sounds of Ayron Alexander, the layered vocals transform this gritty griot into an alternative pop confection. Since 2016, Epitome has released 3 albums, 4 EPs. and nearly 20 singles, collaborating with artists including: The Royal Chief, Domineko, Regina Del Carmen, Amira Wang, VCMN, Scotty Wu, Lex Lingo and others.]

11:24 – Interview with Glenn Robinson aka Epitome and Ayron Alexander

Kansas City based rapper Glenn Robinson who is known as Epitome. Epitome released his newest 10 track album, BOUJIE TYPE BEAT on February 19, 2024. Since then has released the new single, “Way Up (feat. Ayron Alexander)” on July 12, 2024. A protest of sorts, “WAY UP” is also a celebration of life and all its struggles. The raucous anthem delves into E’s mantra of “once you reach the bottom, the only way is UP!” Featuring the silky, smooth sounds of Ayron Alexander, the layered vocals transform this gritty griot into an alternative pop confection. Since 2016, Epitome has released 3 albums, 4 EPs. and nearly 20 singles, collaborating with artists including: The Royal Chief, Domineko, Regina Del Carmen, Amira Wang, VCMN, Scotty Wu, Lex Lingo and others. More info at: soundcloud.com/theepitomekc thanks for being with us on WMM.

Glenn Robinson who is known as Epitome thanks for being with us on WMM.

Glenn Robinson writes: Kansas City was never the easiest place to be different.we get in the habits of doing what it takes to survive regardless of the consequences. Raised in parade park we weren’t in the best area and still grew to become some who can inspire others thru creative means.

Boujie Type Beat was the discovery of a new sound that helped propel Epitome to be comfy with himself and make his truest sound. From the trap with love was stylistically the most diverse album just because of the production style pushed him to a new threshold.

For Epitome his album, NNTT was when he felt like he discovered what he sounds like. His biggest record “big bawdy” is on there.

Epitome has been played on Hot 103 jamz

Epitome has had over 10,000 streams and for his album NNTT on Spotify it’s over 10,000 as well.

As for the inspiration for “Way Up” – “Way up” was inspired by a phrase you can’t get any lower than this, only way is up. Then parade park that he has been living on his whole life. They are currently being displaced from their units and the balloons represent them rising to the top.

As for the inspiration for his latest album? Glenn wanted to show a more personal side of his music. Wanted people to appreciate the women in his life as well. They are the reason he can push through, so this project is dedicated to them. They helped him reach expose a side of himself that has never been seen in his music.

Album release 9/6/2024

Glenn Robinson who is known as Epitome thanks for being with us on WMM.

Epitome plays Nimble Cafe, The Mecca, on July 25\, and Titties & Tequila ay Lemonade Park on August 31.

Epitomes new album will be released on September 6, 2024.

11:38

  1. Epitome – “What We Are (Radio Edit)”
    from: “What We Are” – Single / Syke Brand Music / July, 2024
    [Kansas City based rapper Glenn Robinson who is known as Epitome. Epitome released his newest 10 track album, BOUJIE TYPE BEAT on February 19, 2024. Since then has released the new single, “Way Up (feat. Ayron Alexander)” on July 12, 2024. A protest of sorts, “WAY UP” is also a celebration of life and all its struggles. The raucous anthem delves into E’s mantra of “once you reach the bottom, the only way is UP!” Featuring the silky, smooth sounds of Ayron Alexander, the layered vocals transform this gritty griot into an alternative pop confection. Since 2016, Epitome has released 3 albums, 4 EPs. and nearly 20 singles, collaborating with artists including: The Royal Chief, Domineko, Regina Del Carmen, Amira Wang, VCMN, Scotty Wu, Lex Lingo and others.]

11:40 – Pledge Break #5

This is WMM’s Summer Fund Drive Show with Marion Merritt, & Betse Ellis.

Wednesday MidDay Medley offers loads and loads of information about what is going on in the community. Not only does this show interview 150 guest each year, not only do we play nearly 900 different songs with more than half of those being locally produced, but we also shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

KC Repertory Theatre, Outer Reaches Fest, Owen/Cox Dance Group, No Divide KC, The Folly Theatre, The Kinsey Sicks, recordBar, Lawrence Arts Center, Manor Records, The Rino, KC Blues Society, Records With Merritt, Kansas City Star, Lawrence Music Alliance, MixMaster Music Conference, Midwest Music Foundation, KC Gift, Briarfest, Warwick Theatre, The Record Machine, Synergy Systems, Lemonade Park, Crossroads Music Festival, The Ship, The Black Box Theatre, Amplify Lawrence, Quindaro Ruins, Music Writing of Dave Marsh, Innovation Festival, Queer Narratives Fest, Art in the Loop, The documentary film: NO PLACE LIKE HOME: THE STRUGGLE AGAINST HATE IN KANSAS, KC Fringe Festival, Make Music Day, Boulevardia, Arts in The Park, UMKC Conservatory of Music, The Emerald, The Crossroads Hotel, High Dive Records, Greenwood Social Hall, KC Folk Fest, Manor Fest, One Voice Radio, KC Farm School at Gibbs Road, Center Cut Records, KKFI Band Auction, Charlotte Street Foundation, Women’s History Month!, KC Punk Shindig!, Sweet Honey in The Rock, University of Missouri at Columbia, Lawrence Public Library, I Heart Local Music, Black History Month, Mr. Furious Records, Bach Aria Soloists, Folk Alliance International, Martin Luther King Jr., Tribute to David Bowie, Tribute to Iris DeMent

11:47

  1. Miss Boating – “Crew Cut Baby”
    from: Jewel In The Trash / High Dive Records / June 29, 2024
    [Miss Boating who’ve recently signed with High Dive Records to release their debut album, JEWEL IN THE TRASH. Miss Boating is a KC based, five-piece with multi-instrumentalist & lead singer Charlie Coleborne, drummer Bill Belzer, Aaron Jones on trombone, Tom Gillespie on Saxophone, and Bryan McGuire on bass. (Phil Dickey played bass on the album.) Charlie and Bill met in the late 1980s. In the beginning they were called The Sympathetic Fringe, and then The Sleazebeats. In recent years Charlie & Bill added Aaron, Tim and Bryan. Described by one local radio host as “the perfect house band for a John Waters After Party.” One of their songs is about a friend’s mom’s dynamic relationship with prescription medication. Another is a tribute to the late Evan Jolly, their former bassist. All of the songs are written by Charlie Colborne through his blue/gay eyes. These songs have a fine patina of ditch weed, filthy humor, cigarette smoke, gay drama, Bee Gee’s inflected new wave, queer music hall schmaltz, odd stiff naive sambas, and box wine. More info at: http://www.highdivekc.com // From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. // On January 1, 2020 Miss Boating released The Vhargon Sidestep with: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

11:49 – Pledge Break #6

This is WMM’s Summer Fund Drive Show with Marion Merritt, & Betse Ellis.

KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100,000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my interesting friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Please help keep this part of our public airwaves alive for our community to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio,” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

For WMM, Tom Mardikes, Epitome, Marion Merritt, and Betse Ellis, and to everyone who donated… I’m Mark Manning. Thanks for listening!

11:56

  1. Eddie Moore – “Freewheel”
    from: Aperture (Live Piano Works) / Eddie Moore Music / March 5, 2024
    [All songs written by Eddie Moore. Recorded by Eddie Moore and Jaylen Ward. Mixed by Eddie Moore. Mastered by Crayge Lindesay. Album art by Jeremy Ian Thomas. This project presents snapshots into the life of Eddie Moore. The fun times riding bikes, getting lost in the woods, and spending time with loved ones. As a special solo sharing, it only felt right to capture the velvet soothing energy live on stage at Corvino’s, where experimentation and vulnerability are encouraged. // Special thanks to the Corvinos and the staff for letting me sneak in during the “off hours” and post up for a few hours in a blizzard. // When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Moore reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression. // On April 20, 2023 Eddie Moore released the single “Tuunami” Recorded & produced at Moore’s Tribe Studios, this song features Jaylen Ward on drums. Mixed & mastered by veteran KC savant Crayge Lindesay. // Eddie Moore released his critically acclaimed album INTUITION on October 28, 2022. Written & Produced by Eddie Moore. Recorded at Tribe Studios. Featuring Tim Ogutu on guitar. Mix & Mastered by Rick Carson at Make Believe Studios. Album Art by Brandon Wilson. // Eddie Moore released the single, “Love Song” (with Joel Castillo and Bree Cummings) on October 22, 2021. // Eddie Moore released “We Chillin’” on April 9, 2021. // Eddie Moore’s band We The People released their album MISUNDERSTOOD on September 25, 2020. // Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to Kansas City to study under Bobby Watson at the University of Missouri-Kansas City where he received a M.A in Jazz Studies. 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”. Moore’ has shared the stage and recordings with Bobby Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band. We The People released the single, “Single Double” on June 10, 2021. Written & Produced By Eddie Moore with Moore on keyboards, key bass, & programming; Zach Morrow on drums; and Jason Emmond on bass. Recorded at Tribe Studios. Mixed by Rick Carson at Make Believe Studios. Eddie Moore joined WMM on Sept. 23, 2020 and Nov. 23, 2022. More info at http://www.eddiemooremusic.com]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on July 24 we continue with part 2 of WMM’s Favorite Releases of 2024…So Far. Plus Scott Easterday joins us to share details about: Scott Easterday: 35 Years – celebrating 35 years as a singer, songwriter and performer, Sunday, August 4, at 7:00pm, at recordBar, 1520 Grand Boulevard, KCMO with Ezpassioantes and The Easterday Band.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1055

WMM Playlist from July 10, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 10, 2024

The Baseball Project + Danielle Ate the Sandwich + MusicbySkippy + Lone Stranger

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]

We start by reporting the sad news that Genetter Bradley, a Kansas City gospel icon and friend to so many, has passed. She was one of the finest gospel singers in the nation, a lead singer for the Kansas City Melody-Aires at The Apollo and on their classic 1967 album, Softly The Night Is Falling. She founded the Kansas City Gospel Music Seminar in 1982, and formed her own group, The Genetter Bradley Singers, which recorded the hit single “Right Direction,” for Spire Records. She was a gospel ambassador for Kansas City and featured in the critically acclaimed film documentary, “I’m So Glad: Kansas City And The Roots of Black Gospel Music — The Untold Story,” narrated by Isaac S. Cates.

We’ve feature this documentary on two of our WMM shows this year and there will be a special showing of the documentary “I’m So Glad,” at the Dunbar Theater, 1007 N Cleveland Ave, Wichita, Kansas, on Saturday, July 27, at 7:30 PM.

  1. Genetter Bradley and the Melody-Aires – “I’m So Glad”
    from: Softly The Night is Falling / 1967
    [Sister Genetter Bradley’s life activities include but are not limited to: She toured with such groups as the Staple Singers, The Caravans and many more. Sang and helped “The Kansas City Melody-Aires land their first recording contract with Simco Records and then Peacock Records. She performed at the Famed Apollo Theatre in New Your City in 1966. In 1974 she was introduced to Recom Records by Shirley Caesar and recorded her first Album titled “Moving in the Right Direction” with her own group “Genetter Bradley and the Bradley Singers”. Lead singer with the “Wings of Grace” in 1982.]

[For more than 10 years, Electric Prairie Productions, with Paul Wenske as writer and director, his wife Nancy Meis as producer, and their son Chris Wenske as videographer and lead editor, have gone to historically Black churches to film amazing gospel music for their new documentary film, “I’m So Glad.” The film that explores the untold story of Black Gospel Music in Kansas City and the roots of Black Gospel Music narrated by internationally recognized gospel music conductor Isaac S. Cates.]

  1. Danielle Ate the Sandwich – “The Terrible Dinner Guest”
    from: The Terrible Dinner Guest / Danielle Ate The Sandwich / September 9, 2016
    [Danielle Anderson on vocals, ukulele, guitar, keyboards, & Rhodes; Skye Zentz on vocals, glockenspiel, & keyboards; Ian Randall Thornton on upright bass & vocals; Jacki Paolella on electric bass; John DiGiorgio on drums; Zach Jones on electric guitar; Mothy on trumpet. Fawn Street Tabernacle Choir featured in Bad Habit: Chris Nickel, Kai B. White, Joseph Brockman, Jeff Flora, Ian Randall Thornton, Charles “Chuck” Abadam // The Terrible Dinner Guest is Danielle Ate the Sandwich’s 6th full length album, recorded in Norfolk, VA at TAPTAP Recordings and Clay Garden Studios. All Songs Written by: Danielle Anderson, Danielle Ate the Sandwich/BMI. Produced by: Skye Zentz, Jacki Paolella, Danielle Anderson. Arranged by: Danielle Anderson, Skye Zentz, Jacki Paolella. Engineered by: Jacki Paolella. Mixed by: Jacki Paolella. Mastered by: Adam Boose of Cauliflower Audio. Music. Contractor: Skye Zentz. Recorded in Norfolk, VA at TAPTAP Recordings and Clay Garden Studios. Art Direction: Ryan Anthony Martin. Photography by: Cooper James.]

[Danielle Anderson’s one woman comedy cabaret, ‘The Greatest Garage Sale Ever,’ will premiere at the KC Fringe Festival, with five performances Saturday, July 20 through Saturday, July 27 at The Bird Comedy Theater, 103 West 19th, KCMO. More info at: http://www.kcfringe.org and http://www.danielleatethesandwich.com]

10:10 – Interview with Danielle Anderson

Danielle Anderson performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle grew a fanbase with her DIY videos on Youtube and by touring the US extensively from 2009-2018. Danielle has released 7 albums of original music, over 200 YouTube videos, and conducts an annual 24 Hour Album project, writing and producing new songs with the help of her patrons in only 24 hours. She is recording her 8th album in Kansas City, KS, with Fritz Hutchison and Al Hawkins of True Lions. The album received an Inspiration Grant from ArtsKC. Her most recent project, ‘The Greatest Garage Sale Ever,’ is a one woman comedy cabaret, using humor, music, and songs to challenge the labels we give each other, and our ability to change. The show will premiere at the KC Fringe Festival, with five performances taking place Saturday, July 20 through Saturday, July 27 The Bird Comedy Theater, 103 West 19th, KCMO. More info at: http://www.kcfringe.org and http://www.danielleatethesandwich.com

Danielle Anderson, thank you for being with us on WMM.

We just heard the song “The Terrible Dinner Guest” from your beautiful 2016 album of the same name. You recorded the album on Norfolk Virginia, you are originally from Colorado? And from 2009 through 2018 you were on the road, touring and performing all over the country.

I remember I first met you through Erin McGrane and Jeff Freling aka Victor & Penny who met you out there on the road.

Since then Danielle ended up making her base Kansas City and quickly became involved in Folk Alliance, The Heartland Song Network, Arts and Support organizations, and improv.

She is recording her 8th album in Kansas City, KS, with Fritz Hutchison and Al Hawkins of True Lions. The album received an Inspiration Grant from ArtsKC. Her most recent project, THE GREATEST GARAGE SALE EVER is a one woman comedy cabaret featuring original characters and songs by Danielle Anderson of the folk music sensation Danielle Ate the Sandwich. This KC Fringe debut features bizarre yet endearing characters celebrating the power of nostalgia to remind us who we are, what we love, and what we’ve lost. Audience members are invited to examine the not-so-pleasant parts of being human through silliness and song, as we challenge our ability to change.

The show will premiere at the KC Fringe Festival, with five performances taking place Saturday, July 20 thru Sat., July 27 The Bird Comedy Theater, 103 West 19th, KCMO.

Saturday, July 20th at 9:00pm (1 of 5)
Sunday, July 21st at 7:30pm (2 of 5)
Tuesday, July 23rd at 9:00pm (3 of 5)
Thursday, July 25th at 6:00pm (4 of 5)
Saturday, July 27th at 1:30pm (5 of 5)

More info at: http://www.kcfringe.org and http://www.danielleatethesandwich.com
http://www.greatestgaragesaleever.com

On February 23, 2024, Danielle Ate The Sandwich released the single, “Turtle by Jer” – Written by Jerry “Jer” Slougherman and Danielle Anderson. Performed by Jer. Mixed by David Bashford

On January 14, 2024 Danielle Ate The Sandwich released the 6-track release, “2024 (The 24 Hour Album)”.

We most recently, on the radio show, featured your recording “Over Again (24 Hour Album)” released February 26, 2023. The 6 songs on this album were written and recorded in 24 hours on February 25th-26th, 2023, during Danielle Ate the Sandwich’s 8th annual 24 Hour Album. This project challenges the artist to write, record, produce, and release a new album in just twenty four hours, live streaming the process to her fans. Patrons of Danielle Ate the Sandwich tuned in from all across the world to suggest ideas and offer support with Danielle during live streams held throughout the 24 hours. Life is short! Stay up all night and make stuff!

On February 20, 2022 Danielle Ate The Sandwich released the 7-track release, “Continued Curfew (24 Hour Album 2022)”.

Danielle Ate The Sandwich released the 7-song album, 24 HOUR ALBUM (2021), on April 25, 2021. The 7 songs on this album were written and recorded in 24 hours on April 24th-25th, 2021, during Danielle Ate the Sandwich’s 6th annual 24 Hour Album.

On May 28, 2021 Danielle Ate the Sandwich released, It’s Not a Burden (Original Songs from the Documentary Film) on Youngest Daughter Records. It’s Not A Burden is a powerful and brilliant film about the joys and pain of raising elderly parents. The songs are produced by Joanna Katcher.

Danielle Ate The Sandwich released the single, “A Weight, A Wall” on June 1, 2021.

Danielle Ate The Sandwich released the single, “Goodbye to You” on August 22, 2021. More info at: http://www.danielleatethesandwich.com.]

Danielle Anderson, thank you for being with us on WMM.

Danielle Anderson’s one woman comedy cabaret, ‘The Greatest Garage Sale Ever,’ will premiere at the KC Fringe Festival, with five performances Saturday, July 20 through Saturday, July 27 at The Bird Comedy Theater, 103 West 19th, KCMO. More info at: http://www.kcfringe.org and http://www.danielleatethesandwich.com

10:29

  1. Danielle Ate the Sandwich – “Long Haul (True Love)”
    from: The Terrible Dinner Guest / Danielle Ate The Sandwich / September 9, 2016
    [Danielle Anderson on vocals, ukulele, guitar, keyboards, & Rhodes; Skye Zentz on vocals, glockenspiel, & keyboards; Ian Randall Thornton on upright bass & vocals; Jacki Paolella on electric bass; John DiGiorgio on drums; Zach Jones on electric guitar; Mothy on trumpet. Fawn Street Tabernacle Choir featured in Bad Habit: Chris Nickel, Kai B. White, Joseph Brockman, Jeff Flora, Ian Randall Thornton, Charles “Chuck” Abadam // The Terrible Dinner Guest is Danielle Ate the Sandwich’s 6th full length album, recorded in Norfolk, VA at TAPTAP Recordings and Clay Garden Studios. All Songs Written by: Danielle Anderson, Danielle Ate the Sandwich/BMI. Produced by: Skye Zentz, Jacki Paolella, Danielle Anderson. Arranged by: Danielle Anderson, Skye Zentz, Jacki Paolella. Engineered by: Jacki Paolella. Mixed by: Jacki Paolella. Mastered by: Adam Boose of Cauliflower Audio. Music. Contractor: Skye Zentz. Recorded in Norfolk, VA at TAPTAP Recordings and Clay Garden Studios. Art Direction: Ryan Anthony Martin. Photography by: Cooper James.]

[Danielle Anderson’s one woman comedy cabaret, ‘The Greatest Garage Sale Ever,’ will premiere at the KC Fringe Festival, with five performances Saturday, July 20 through Saturday, July 27 at The Bird Comedy Theater, 103 West 19th, KCMO. More info at: http://www.kcfringe.org and http://www.danielleatethesandwich.com]

10:33 – Underwriting

10:35 – Interview with Luke Harbur

Luke “Skippy” Harbur, a Kansas City based performer, producer, and beatboxing specialist. Luke “Skippy” Harbur is a vivacious artist known for his cross-pollinated brand of alternative music mixing hip hop, Broadway, EDM, and singer-songwriter influences. His project musicbyskippy connects multigenerational audiences through different show experiences, living among music, theater, and poetry to combat isolation and celebrate identity. Attend live comedy or musicals, and you get the idea. Since 2022 he’s released over 50 songs and sold almost 1,000 tickets to 8 original shows. He also hosts lectures about his arts business failures and successes, sharing artist income strategies to fight gatekeeping culture and foster community building.

musicbyskippy presents a WE PRESS PLAY RELEASE 2, Album Release & Dance Party, Friday, July 12, 8:00pm at Westport Bowery, 817 Westport Rd., KCMO. More info at: http://www.musicbyskippy.com

Luke “Skippy” Harbur will co-host with Audrey Crabtree the KC Fringe Festival Flash Preview, Thursday, July 18, at 7:30pm at The Arts Asylum, at 824 East Meyer Blvd, KCMO – Kick off the live Festival as Fringe artists from 53 shows tease you with one minute scenes from their productions.

Luke M. Harbur Thanks for being with us on Wednesday MidDay Medley.

“We Press Play Release 2” is the third album from musicbyskippy, Luke “Skippy” Harbur’s music project. Returning to electronic dance music roots featured in “we press play” (2022), this music focuses on dance beats, encouraging movement to run wild in listeners and audiences alike.

Live show experiences are immersive, with musicbyskippy wearing a custom-made helmet, performing artists popping up in the crowd, and some unreleased songs that can only be heard in-person. Album and show influences include KAYTRANADA, Stromae, & Glass Animals.

Album: We Press Play Release 2 / Released May 11, 2024
Musicians: musicbyskippy / Composer: Luke “Skippy” Harbur
Arranger: Luke “Skippy” Harbur
Genre: Dance/Electronic
Studio: Get Wild Studios / Production Dates: January 2021 to May 2022
Producer: Luke “Skippy” Harbur / Mixing Engineer: Luke “Skippy” Harbur
Mastering Engineer: Luke “Skippy” Harbur
Label/Publisher: Almost Peanut Butter / Publisher/Label: LSH Productions, LLC

10:44 – musicbyskippy LIVE

  1. musicbyskippy – “Gotta Catch My Breath Take 81” (LIVE) 
 Originally released as a single / Almost Peanut Butter / July 15, 2023
    [Musicians: musicbyskippy. Composer: Luke “Skippy” Harbur. Arranger: Luke “Skippy” Harbur. Studio: Get Wild Studios. Production Dates: May 2023 to June 2023. Producer: Luke “Skippy” Harbur. Mixing Engineer: Luke “Skippy” Harbur. Mastering Engineer: Luke “Skippy” // Publisher/Label: LSH Productions, LLC. More info at http://www.musicbyskippy.com]

10:46 – More interview with Luke Skippy Harbur

Luke “Skippy” Harbur, a Kansas City based performer, producer, and beatboxing specialist. Luke “Skippy” Harbur is a vivacious artist known for his cross-pollinated brand of alternative music mixing hip hop, Broadway, EDM, and singer-songwriter influences. His project musicbyskippy connects multigenerational audiences through different show experiences, living among music, theater, and poetry to combat isolation and celebrate identity. Attend live comedy or musicals, and you get the idea. Since 2022 he’s released over 50 songs and sold almost 1,000 tickets to 8 original shows. He also hosts lectures about his arts business failures and successes, sharing artist income strategies to fight gatekeeping culture and foster community building.

musicbyskippy presents a WE PRESS PLAY RELEASE 2, Album Release & Dance Party, Friday, July 12, 8:00pm at Westport Bowery, 817 Westport Rd., KCMO. More info at: http://www.musicbyskippy.com

Luke “Skippy” Harbur will co-host with Audrey Crabtree the KC Fringe Festival Flash Preview, Thursday, July 18, at 7:30pm at The Arts Asylum, at 824 East Meyer Blvd, KCVMO – Kick off the live Festival as Fringe artists from 53 shows tease you with one minute scenes from their productions.

Luke M. Harbur Thanks for being with us on Wednesday MidDay Medley.

“We Press Play Release 2” is the third album from musicbyskippy, Luke “Skippy” Harbur’s music project. Returning to electronic dance music roots featured in “we press play” (2022), this music focuses on dance beats, encouraging movement to run wild in listeners and audiences alike.

Live show experiences are immersive, with musicbyskippy wearing a custom-made helmet, performing artists popping up in the crowd, and some unreleased songs that can only be heard in-person. Album and show influences include KAYTRANADA, Stromae, & Glass Animals. Released May 11, 2024

musicbyskippy is the solo musical project by Luke Harbur. Known for being a vocal per-cussionist, his discography spans multiple genres of pop, hip hop, EDM, and singer / song-writer. Harbur’s passion for musicbyskippy originates with his receiving a life-saving liver transplant at the age of 11 months, giving him a second chance to live life to the fullest. Through his experimental, authentic approach, he hopes his audiences will gravitate to music and a live experience that they will love. More info at: http://www.musicbyskippy.com

In 2023 musicbyskippy released THESE SONGS ARE EMOTION. In 2022 musicbyskippy released the 12-track debut album, MY DYING WISH on Feb. 18, the single “Get Wild” on June 3, the 12-track instrumental/electronic album WE PRESS PLAY, on June 17, and the 5-track EP, YOU CAN SING on Nov. 20, plus an original play and multiple projects and performances.

musicby-skippy is Luke Harbur’s entertainment project.

The Overland Park, Kansas native mixes beatboxing, singing, beat production, rapping, & keyboard playing to entertain all-age audiences.

After graduating from Ithaca College in 2018, he moved near home to Kansas City, Missouri, becoming a featured performer for musicians, festivals, corporate & non-profit events, and performance groups.

His music passion roots in receiving a life-saving liver transplant at the age of 11 months old. His debut album, my dying wish, was released on all music streaming and purchasing platforms. More info at http://www.musicbyskippy.com

Musicbyskippy – Discography

musicbyskippy – These Songs Are Emotions / LSH Productions / April 22, 2023
musicbyskippy – MY DYING WISH / 12-track debut Album / Feb. 18, 2022
musicbyskippy – “Get Wild” / Single / June 3, 2022
musicbyskippy – WE PRESS PLAY / 12-track instrumental album / June 17, 2022
musicbyskippy – YOU CAN SING / 5-track EP / Nov. 20, 2022
musicbyskippy – THESE SONGS ARE EMOTIONS / 5-track EP / April 22, 2023

Luke was born and raised in Overland Park Kansas and went to Olathe East High School but let Olathe East to go to school in Winston Salem, North Carolina, at a Performing Arts School where you studied Acting and Theatre.

Luke then went to Ithica College to study Journalism and eventually got a job as a Production Assistant at the Kansas City Star,

Luke performs regularly with Quixotic and also is a frequent performer at Missy B’s

Luke M. Harbur mixes beatboxing, singing, beat production, rapping, and keyboard playing to entertain all-age audiences in clubs, theaters, festivals.

Luke M. Harbur works in Music Videography, Social Media Management, and graphic Design.

musicbyskippy is Luke “Skippy” Harbur’s entertainment project. The Overland Park, Kansas native mixes beatboxing, singing, beat production, rapping, & keyboard playing to entertain all-age audiences. After graduating from Ithaca College in 2018, he moved near home to Kansas City, Missouri, becoming a featured performer for musicians, festivals, corporate & non-profit events, and performance groups.

His music passion roots in receiving a life-saving liver transplant at the age of 11 months old. His debut album, my dying wish, is now on all music streaming and purchasing platforms. He hopes you learn something new and experience songs you love.

Luke “Skippy” Harbur’s CV/Resume

Organizations & artists featuring musicbyskippy

Boulevardia (2022) | Kansas City, Missouri
Missie B’s (2021 & 2022) | Kansas City, Missouri
Cafe Cà Phê (2021) | Kansas City, Missouri & North Kansas City, Missouri
No Divide KC (2021) | Kansas City, Missouri
Jukeboxx Media, gig for T-Mobile (2021) | Kansas City, Missouri
Paradise Garden Club (2021) | Kansas City, Missouri
Fishtank Theatre (2021) | Kansas City, Missouri
Jesse Powers (2021) | Kansas City, Missouri
Calvin Arsenia (2019, 2020, & 2021) | Kansas City, Missouri
Quixotic (2019, 2020, & 2021, 2022) | Kansas City, Missouri
Ithaca College Choral Program (2018) | Ithaca, New York
University of North Carolina School of the Arts (2018) | Winston-Salem, North Carolina
NATS Mid-Atlantic Region (2018) | Lynchburg, Virginia
The Heartland Men’s Chorus (2017) | Kansas City, Missouri
Ithacappella (2015, 2016, 2017, & 2018) | Ithaca, New York

musicbyskippy is the entertainment project of Overland Park, Kansas native Luke “Skippy” Harbur. He’s developed skills in beatboxing, singing, beat production, rapping, & keyboard playing in hopes to express his core vision: everyone has an inner artist and should be able to express their full, authentic self.

His parent’s and grandparent’s own journeys in music fostered his artistic upbringing. His involvement in music programs since age 5 eventually lead him to move to Winston-Salem, North Carolina and finish high school at the University of North Carolina School of the Arts’ High School Drama Program. Although he was offered Acting scholarships to SUNY Purchase and Webster University, he attended Ithaca College in Ithaca, New York on academic scholarship and graduated in 2018 with a Bachelor of Arts in Journalism. Outside collegiate academics he served as a vocal percussionist, ensemble member, and soloist for Ithacappella, Ithaca College’s all-male a cappella group. Once a year the group traveled across America’s northeastern coast for a winter singing tour, creating collabor-ations with the PS 22 Chorus in Staten Island, New York and singing the national anthem for NHL’s New York Rangers and NBA’s New York Knicks at Madison Square Garden.

Since moving to Kansas City, Missouri in 2019, he’s started finding his audience: Quixotic, Missie B’s, and Cafe Cà Phê have become some of his core, consistent collaborators, and in 2021 he started releasing his first batch of public music projects. His first was SKIPPY Sessions Volume 1, a collection of 8 short music compositions combining his beatboxing skills with other artistic disciplines practiced by other Kansas City-based artists. The second music project was “Rant,” his debut single from his debut album, my dying wish, which released on all music streaming and purchasing platforms on February 18th, 2022.

Each opportunity to perform and collaborate with others is rooted in a deeper story. In 1996, at 5 months old, he was diagnosed with biliary atresia, a rare liver disease. 6 months later he received a life-saving liver transplant from an 8-year-old boy named Aaron Drake, who passed away while on a camping trip at The Lake of the Ozarks, Missouri. But through this tragedy came hope, giving Luke “Skippy” Harbur a second chance to inspire others. From his music, he hopes you learn something new and experience songs you love.

10:56

Luke M. Harbur Thanks for being with us on Wednesday MidDay Medley.

musicbyskippy presents a WE PRESS PLAY RELEASE 2, Album Release & Dance Party, Friday, July 12, 8:00pm at Westport Bowery, 817 Westport Rd., KCMO. More info at: http://www.musicbyskippy.com

Luke “Skippy” Harbur will co-host with Audrey Crabtree the KC Fringe Festival Flash Preview, Thursday, July 18, at 7:30pm at The Arts Asylum, at 824 East Meyer Blvd, KCMO – Kick off the live Festival as Fringe artists from 53 shows tease you with one minute scenes from their productions.

10:57

  1. musicbyskippy – “Looking Back”
    from: We Press Play Release 2 / LSH Productions / May 11, 2024
    [“We Press Play Release 2” is the third album from musicbyskippy, Luke “Skippy” Harbur’s music project. Returning to electronic dance music roots featured in “we press play” (2022), this music focuses on dance beats, encouraging movement to run wild in listeners and audiences alike. Live show experiences are immersive, with musicbyskippy wearing a custom-made helmet, performing artists popping up in the crowd, and some unreleased songs that can only be heard in-person. Album and show influences include KAYTRANADA, Stromae, & Glass Animals. // Musicians: musicbyskippy. Composer: Luke “Skippy” Harbur. Arranger: Luke “Skippy” Harbur. Genre: Dance/Electronic. Studio: Get Wild Studios. Production Dates: January 2021 to May 2022. Producer: Luke “Skippy” Harbur. Mixing Engineer: Luke “Skippy” Harbur. Mastering Engineer: Luke “Skippy” Harbur. Label/Publisher: Almost Peanut Butter. Publisher/Label: LSH Productions, LLC. More info at http://www.musicbyskippy.com]

11:00 – Station ID

11:00 – Interview with Lone Stranger (Zachary S. Phillips)

Lone Stranger is the musical project of Zachary S. Phillips known for his longtime work in the bands, Gadjits and Architects where he played bass guitar and toured all over the country with his brothers Brandon, and Adam. For the Lone Stranger Zach works on mixing, mastering, and manufacturing his own solo music, playing almost all of the instruments himself, mixing genres of Ska, Reggae and hip hop.

Zachary Phillips thanks for being with us on WMM.

Lone Stranger has been writing many new songs.

11:05 – Lone Stranger LIVE

  1. Lone Stranger – “DR V. W. Bikales ” (LIVE)
    Lone Stranger (Zachary Phillips) on Vocals and Adam Phillips on percussion

11:09 – More Interview with Lone Stranger

The Lone Stranger is the new musical project of Zachary S. Phillips.

With Lone Stranger Zach plays almost all the music, and wrote, arranged, engineered, produced and performed every note. The music contains Ska, Reggae and a bit of Hip Hop.

In 2022 Zachary played live on WMM on October 26, 2022.

Zachary Phillips thanks for being with us on WMM.

11:13 – Lone Stranger LIVE

  1. The Lone Stranger – “9 Years Ahead of my Time” (LIVE)
    Lone Stranger (Zachary Phillips) on Vocals and Adam Phillips on percussion

11:18 – More Interview with Lone Stranger

Lone Stranger is the new musical project of Zachary S. Phillips. Zach played 99% of all the music, and wrote, arranged, engineered, produced and performed every note. The music contains Ska, Reggae and a bit of Hip Hop.

Zachary Phillips thanks for being with us on WMM.

11:22 – Lone Stranger LIVE

  1. Lone Stranger – “Its Nice to Meet ya” (LIVE)
    Lone Stranger (Zachary Phillips) on Vocals and Adam Phillips on percussion

11:25 – More Interview with Lone Stranger

History: The Gadjits were a ska and rock and roll band from Kansas City, Missouri. Their sound was influenced by The Clash, The Who, AC/DC, Elvis Costello, The Stooges, and The Rolling Stones.

Brandon, Zach, and Adam Phillips come from an artistic family, their father was a jazz musician and their mother an art teacher. The brothers started by playing AC/DC covers, but moved on to original songs and a broader range of influences. The group was formed in 1991 when 14-year-old Brandon led his younger brothers Zach and Adam into a seedy bar in Kansas City to play their first gig to the small crowd of locals.

The band released the debut album, Da Gravy on Yo’ Grits, on their own JoCo Ska label. They went on to perform support slots for the Skatalites, Rancid (band) and Let’s Go Bowling. Heidi Blobaum joined on keyboards, replaced a year later by Hillary Allen.

At Ease was released in 1998 on Epitaph Records attracting attention from Tim Armstrong of Rancid (band). The Gadjits appeared on the Vans Warped Tour later that summer.

Wish We Never Met was released in 1999 on Hellcat Records.

Today Is My Day was released in 2002 on Thick Records. Featuring Brandon Phillips (vocals, guitar); Zach Phillips (vocals, bass); Mike Alexander (guitar); Hilary Allen (Fender Rhodes piano, Hammond B-3 organ); Adam Phillips (drums).

In June 2004 The Gadjits ceased to exist and a new band, The Architects, was formed.
Gadjits Discography

Full-length albums

  • Da Gravy On Yo Grits (JoCo Ska, 1997)
  • At Ease (Hellcat Records, 1999)
  • Wish We Never Met (Hellcat Records, 2001)
  • Today Is My Day (Thick Records, 2002)
  • Our Time To…” (RCA Records, 2003) (left unreleased after RCA dropped the band)

Singles, EPs and split releases
Yes I Are (VMS Records, 2001)
Someday Driver (Thick Records, 2001)

Compilation appearances
‘Gangster Girl’ & ‘Sassy’ on ‘Skank For Brains – Saturday Matinee’ comp (Beach Records)
‘Beautiful Girl’ on the ‘Give ‘Em The Boot’ compilation (Hellcat Records, 1997)
‘Bad Gadjit’ on the ‘Give ‘Em The Boot Vol. II’ compilation (Hellcat Records, 1999)
‘One Stones Throw (From A Riot)’ on ‘Give ‘Em The Boot Vol. III’ (Hellcat Records, 2002)


The Architects are an American rock band from Kansas City, Missouri. The band was formed by previous members of the punk and ska band The Gadjits, brothers Brandon, Adam, and Zach Phillips, and Mike Alexander.

In June 2004 the Gadjits ceased to exist as a band and a new band, Architects, was formed. The brothers added Gadjits guitarist Mike Alexander, and this lineup recorded the band’s debut album, Keys to the Building, released on the Anodyne label in 2004. Revenge followed in 2006, described by Allmusic as ” a solid rock offering with enough soul and punk urgency to keep things interesting from start to finish”, and Vice in 2008. Keenan Nichols had replaced Alexander in Oct. 2007. They signed to Frank Iero’s Skeleton Crew.

In 2013 they started releasing the Border Wars graphic novel/EP series, on which they worked with illustrator Mallory Dorn.

Musical style and influences: The Tucson Weekly described the band’s music as “a dynamic, explosive combination of traditional punk, maximum R&B, Midwestern alternative rock, blues-based metal and pop melodies”. They were described as “dirty rock & roll tinged with Southern heart and gritty, passionate attitude” by Allmusic. Their influences include AC/DC, Bruce Springsteen, and Meat Loaf.

Band Members
Brandon Phillips – lead vocals/rhythm guitar (2004–present)
Adam Phillips – drums (2004–present)
Zach Phillips – bass guitar/backing vocals (2004–present)
Mike Alexander – guitar (2004–2007)
Keenan Nichols – lead guitar/backing vocals (2007-2014)[11]
Adrianne Verhoven – keyboards (2004,2009-2010)

The Architects Discography

Albums
Keys to the Building (October 2004), Anodyne
Revenge (March 2006), Anodyne
Vice (May 2008), Anodyne
The Hard Way (June 2009), Skeleton Crew
Live in Los Angeles (October 2012), Skeleton Crew
Border Wars Episodes I & II (2017), Gran Cala Vera/Wolffang Funk

EPs
Border Wars Ep 1 (April 25, 2014)
Border Wars Ep 2 (September 9, 2013

Compilation appearances
“Promises” included on First Blood (2007), OxBlood

“There was a certain style of songwriting and performance that I had always wanted to do but had never taken the plunge.” Says Brandon Phillips, central figure in Kansas City, Missouri’s brand new pop-soul group, Brandon Phillips and The Condition. In response to that unscratched artistic itch, Phillips began writing and recording in 2015 with the help of his brothers Zach Phillips (The Architects, The Gadjits) and Adam Phillips (The Gadjits, The Architects, Radar State) and enlisting the help of various KC area musicians to flesh out a sound that was equal parts Get Happy-era Elvis Costello and early Motown.

In 2016, the first, official lineup of BP+C came together and started rehearsing for their first batch of shows. The pedigree of the lineup then, now and always – including members of bands like The Architects, Rachel Mallin and The Wild Type, The Roseline, The Gadjits, Hi Lux and Madisen Ward and the Mama Bear.

Brandon Phillips also created electronic project Memsa Deathsquad and Other Americans

Lone Stranger is the new musical project of Zachary S. Phillips known for his longtime work in the bands, Gadjits and Architects

Zachary Phillips thanks for being with us on WMM.

11:28 – Underwriting

  1. The Baseball Project – “Erasable Man”
    from: Grand Salami Time / Omnivore / June 30, 2023
    [Grand Salami Time! is the fourth full-length studio album by American rock supergroup the Baseball Project, released by Omnivore Recordings on June 30, 2023. The album was produced by Mitch Easter, who began working with R.E.M. at the beginning of their careers; the Baseball Project features two of their former members. It also marks their first album under Omnivore, as they had previously been signed to Yep Roc. // At the urging of drummer Linda Pitmon, the band recorded this album with Mitch Easter, who had previously produced R.E.M.’s first single and co-produced that band’s debut EP, debut full-length, and sophomore full-length. The sessions lasted 10 days and the songs were recorded live-to-tape in Easter’s studio The album was preceded by singles “The Voice of Baseball” and “Journeyman”. The band also announced a brief tour of the United States supporting Jason Isbell & The 400 Unit. The album is titled after a line that Seattle Mariners announcer Dave Niehaus would say when a grand slam was hit. // In American Songwriter, Lee Zimmerman rated this album 4 out of 5 stars, calling it “a joyful and jubilant example of the late ‘70s and early ‘80s power pop”.Steven Wine of the Associated Press praised the clever lyrics and writes that “topics are paired with garage rock that gives [guitarist Peter] Buck a chance to serve up some delightful guitar squall”. BrooklynVegan’s Bill Pearis recommends the album to baseball fans and non-fans alike, noting that the former will get more enjoyment out of the music. Writing it for Glide Magazine, Jim Hynes calls this album “so much fun” and tells listeners that it’s “pure joy putting the album on and following the lyrics in the jacket”. In The Mercury News, Jim Harrington the band has “passion [that] leads to an abundance of ideas for song topics” and after multiple albums, they are “still going strong, finding plenty of musical inspiration in a seemingly endless supply of decades-old stories and modern-day tales about the game”. Mario Naves of The New York Sun favorably compares this to the band’s last album, 3rd and calls it “unstoppable”. Frank Valish of Under the Radar rated this work a 7 out of 10, writing that the live in-studio recording method “lends a certain energy to the proceedings” and characterizes the album as “a bunch of musical heroes having fun together and celebrating music, each other, and America’s favorite pastime to boot”. // Additional personnel: Steve Berlin on baritone saxophone on “Erasable Man” // Mitch Easter – guitar on “Journeyman”, recording, mixing, production // and Stephen McCarthy – lap steel guitar.]

[The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, TONIGHT, July 10, 8:00pm. More info at: http://www.therecordbar.com]

11:34 – Interview with Scott McCaughey of The Baseball Project

Nine years after their last album, the supergroup The Baseball Project released their 4th album GRAND SALAMI TIME on June 30, 2023, on their new label Omnivore Records. Joining us in our 90.1 FM Studios is veteran Rock God – Scott McCaughey who is also the leader of the Seattle and Portland-based bands The Young Fresh Fellows and The Minus 5. He was also an auxiliary member of the American rock band R.E.M. from 1994 until the band’s break-up in 2011, contributing to the studio albums New Adventures in Hi-Fi, Up, Reveal, Around the Sun, Accelerate and Collapse into Now.

The Baseball Project was formed in 2007, the performers came together from discussions between McCaughey and Steve Wynn at R.E.M.’s March 21, 2007 induction into the Rock and Roll Hall of Fame. They invited Peter Buck to play bass guitar and Linda Pitmon (of filthy Friends) on drums and recorded their first album later that year.

To add to the story, between The Baseball Projects 3rd album and there latest release, Grand Salami Time, McCaughey suffered a stroke on November 16, 2017, that nearly killed him and wiped his musical catalog from his memory — decades of albums and songs written and recorded with the Minus 5, Young Fresh Fellows, R.E.M., Baseball Project, and many more, all disappeared. But instead of wallowing in misery, McCaughey channeled his omni-positive spirit and began to write down whatever incoherent thoughts crossed his mind. He turned those stream-of-consciousness notebook pages into his 13th full-length Minus 5 release, Stroke Manor. McCaughey recovered substantially from his stroke in 2018, and began playing a series of well received shows at venues in Portland. And Since then has release several records, and as you just heard on the song we just played: “Eraseable Man” he sounds as great s ever.

The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com

Scott McCaughey thanks for being with us on WMM on 90.1 FM – KKFI Kansas City Community Radio

The Baseball Project is: Peter Buck, Mike Mills, Scott McCaughey, Steve Wynn. Linda Pitmon.

Buck and McCaughey have previously played together in Robyn Hitchcock and The Venus 3, The Minus 5, R.E.M., and Tuatara.

Wynn is the former leader of The Dream Syndicate.

Pitmon also plays with Buck and McCaughey in Filthy Friends (with Kurt Bloch and Corin Tucker) and their project with Luke Haines (of the Auteurs).

On June 30, 2023 the band released their fourth album, Grand Salami Time, recorded with early R.E.M. collaborator Mitch Easter at his Fidelitorium Recordings studio in Kernersville, N.C., and released on Omnivore Recordings.

The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com

The Baseball Project – Website: http://www.baseballproject.net

Peter Buck – guitar, production
Scott McCaughey – guitar, keyboards, lead vocals, backing vocals, production
Mike Mills – bass guitar, backing vocals, lead vocals on “Stuff”, production
Linda Pitmon – drums, percussion, backing vocals, production
Steve Wynn – guitar, lead vocals, backing vocals, production

At the urging of drummer Linda Pitmon, the band recorded this album with Mitch Easter, who had previously produced R.E.M.’s first single and co-produced that band’s debut EP, debut full-length, and sophomore full-length. The sessions lasted 10 days and the songs were recorded live-to-tape in Easter’s studio The album was preceded by singles “The Voice of Baseball” and “Journeyman”.

Their first album under Omnivore, as they had previously been signed to Yep Roc.

Additional personnel: Steve Berlin on baritone saxophone on “Erasable Man” // Mitch Easter – guitar on “Journeyman”, recording, mixing, production // and Stephen McCarthy – lap steel guitar.]

Grand Salami Time! is the fourth full-length studio album – Track listing

“Grand Salami Time” (Peter Buck and Scott McCaughey) – 3:22
“The Yips” (Steve Wynn)[16] – 3:31
“Screwball” (McCaughey) – 3:44
“Uncle Charlie” (Buck and Wynn)[16] – 3:26
“Journeyman” (Buck and Wynn) – 4:07
“Erasable Man” (McCaughey) – 4:06
“New Oh in Town” (McCaughey) – 2:55
“Disco Demolition” (Wynn) – 3:28
“Stuff” (Mike Mills) – 5:21
“The All or Nothings” (Buck and McCaughey) – 2:57
“That’s Living” (Wynn) – 3:28
“64 and 64” (McCaughey) – 4:39
“Having Fun” (Wynn) – 3:30
“Fantasy Baseball Widow” (Wynn) – 2:20
“The Voice of Baseball” (Buck and McCaughey) – 3:02

From: http://www./omnivorerecordings.com

4th release featuring Scott McCaughey (The Minus 5/Young Fresh Fellows), Steve Wynn (The Dream Syndicate), Peter Buck & Mike Mills (R.E.M.) Linda Pitmon (Filthy Friends).

In 2008 they busted out of the box and easily reached first with their Frozen Ropes And Dying Quails. The Baseball Project was on base and immediately posed a threat to go further.

In 2011, they moved on to second with some wildness aptly called High And Inside. They were halfway home.

Three years later in 2014, the quintet of Big Stars moved on down the line to the aptly titled 3rd, an epic double dip delight of craftsmanship and savvy.

And there they stayed. For 9 long year but The Baseball Project finally came home, scoring big and touching ’em all with their fourth album Grand Salami Time. The scoreboard is lighting up and the fireworks are illuminating the sky.

Speaking of reaching home, this album is a homecoming of sorts, as the band recorded and produced the album with none other than the legendary Mitch Easter. BBP members Peter Buck and Mike Mills’ made their first albums with Mitch back in the early ’80s with a swingin’ little combo called R.E.M.

Scott McCaughey and Steve Wynn kept busy themselves, busting out new tunes with the Minus 5/Young Fresh Fellows (Scott) and The Dream Syndicate (Steve), while stockpiling a passel of penned poetics about the national pastime, many co-written with Peter. Mike adds a new classic of his own about doctored baseballs called “Stuff.”

Linda Pitmon, who along with Peter and Scott has been part of a steady rhythmic nucleus, bashing out epic rock platters with Filthy Friends, (Alejandro Escovedo, Luke Haines & Peter Buck), is back driving the ship from behind her mighty drum machine.

Wynn points out, “this is our only band that plays stadiums”—true story as The Baseball Project has performed full sets along with the National Anthem and “Take Me Out To The Ball Game” at major league parks in Boston, Chicago, Milwaukee, Denver, Minneapolis, Philadelphia and more minor league and spring training fields, as well as having thrown out some exceptional first pitches (nothing but strikes!) as well.

It’s all part of an unusual arc and fun story of a band whose first gig was an appearance on Late Night With David Letterman followed by a festival in a medieval Spanish city. For a quintet that has seemingly done everything over the years with their other bands, The Baseball Project always offers new and uncharted experiences.

The album was recorded at Mitch Easter’s fabled Fidelitorium Studios in Kernersville, North Carolina, with the entire band performing live together in the same room, a joyous experience that seemed impossible to imagine only one year before. Mitch adds guitar on a few tracks and the record also features appearances by Stephen McCarthy (The Long Ryders) and Steve Berlin (Los Lobos).

In the meantime, the band will be out on the road throughout—when else?—the upcoming baseball season. And we all know they’ll find their way home. Get out the rye bread and mustard, Grandma, it’s Grand Salami Time!

Grand Salami Time is the home run music fans have been waiting for. Packaging features stories behind the songs from band members, and makes Grand Salami Time more than a game—it makes your season!

11:42

  1. The Baseball Project – “Journeyman”
    from: Grand Salami Time / Omnivore / June 30, 2023
    [Grand Salami Time! is the fourth full-length studio album by American rock supergroup the Baseball Project, released by Omnivore Recordings on June 30, 2023. The album was produced by Mitch Easter, who began working with R.E.M. at the beginning of their careers; the Baseball Project features two of their former members. It also marks their first album under Omnivore, as they had previously been signed to Yep Roc. // At the urging of drummer Linda Pitmon, the band recorded this album with Mitch Easter, who had previously produced R.E.M.’s first single and co-produced that band’s debut EP, debut full-length, and sophomore full-length. The sessions lasted 10 days and the songs were recorded live-to-tape in Easter’s studio The album was preceded by singles “The Voice of Baseball” and “Journeyman”. The band also announced a brief tour of the United States supporting Jason Isbell & The 400 Unit. The album is titled after a line that Seattle Mariners announcer Dave Niehaus would say when a grand slam was hit. // In American Songwriter, Lee Zimmerman rated this album 4 out of 5 stars, calling it “a joyful and jubilant example of the late ‘70s and early ‘80s power pop”.Steven Wine of the Associated Press praised the clever lyrics and writes that “topics are paired with garage rock that gives [guitarist Peter] Buck a chance to serve up some delightful guitar squall”. BrooklynVegan’s Bill Pearis recommends the album to baseball fans and non-fans alike, noting that the former will get more enjoyment out of the music. Writing it for Glide Magazine, Jim Hynes calls this album “so much fun” and tells listeners that it’s “pure joy putting the album on and following the lyrics in the jacket”. In The Mercury News, Jim Harrington the band has “passion [that] leads to an abundance of ideas for song topics” and after multiple albums, they are “still going strong, finding plenty of musical inspiration in a seemingly endless supply of decades-old stories and modern-day tales about the game”. Mario Naves of The New York Sun favorably compares this to the band’s last album, 3rd and calls it “unstoppable”. Frank Valish of Under the Radar rated this work a 7 out of 10, writing that the live in-studio recording method “lends a certain energy to the proceedings” and characterizes the album as “a bunch of musical heroes having fun together and celebrating music, each other, and America’s favorite pastime to boot”. // Additional personnel: Steve Berlin on baritone saxophone on “Erasable Man” // Mitch Easter – guitar on “Journeyman”, recording, mixing, production // and Stephen McCarthy – lap steel guitar.]

[The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com]

11:46 – More Interview with Scott McCaughey of The Baseball Project

Scott McCaughey plays with the supergroup, The Baseball Project. Scott McCaughey is also the leader of the Seattle and Portland-based bands The Young Fresh Fellows and The Minus 5. He was also an auxiliary member of the American rock band R.E.M. from 1994 until the band’s break-up in 2011, contributing to the studio albums New Adventures in Hi-Fi, Up, Reveal, Around the Sun, Accelerate and Collapse into Now.

The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com

Scott McCaughey thanks for being with us on WMM on 90.1 FM – KKFI Kansas City Community Radio

The Baseball Project is: Peter Buck, Mike Mills, Scott McCaughey, Steve Wynn and Linda Pitmon. Formed in 2007, the performers came together from discussions between McCaughey and Wynn at R.E.M.’s March 21, 2007 induction into the Rock and Roll Hall of Fame.

They invited Buck to play bass guitar and Pitmon on drums and recorded their first album later that year. Buck and McCaughey have previously played together in Robyn Hitchcock and The Venus 3, The Minus 5, R.E.M., and Tuatara. Wynn is the former leader of The Dream Syndicate. Pitmon also plays with Buck and McCaughey in Filthy Friends (with Kurt Bloch and Corin Tucker) and their project with Luke Haines (of the Auteurs). On June 30, 2023 the band released their fourth album, Grand Salami Time, recorded with early R.E.M. collaborator Mitch Easter at his Fidelitorium Recordings studio in Kernersville, N.C., and released on Omnivore Recordings. The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com

Scott Lewis McCaughey is an American singer, guitarist and songwriter and the leader of the Seattle and Portland-based bands The Young Fresh Fellows and The Minus 5. He was also an auxiliary member of the American rock band R.E.M. from 1994 until the band’s break-up in 2011, contributing to the studio albums New Adventures in Hi-Fi, Up, Reveal, Around the Sun, Accelerate and Collapse into Now.

McCaughey started his career with the indie rock band Young Fresh Fellows. Beginning in January 1980, he was also a writer for the Seattle music magazine The Rocket.

From 1994 until 2011, McCaughey worked with R.E.M. both on stage and in the studio. “When R.E.M. came to Seattle to work on Automatic for the People, Peter [Buck] called me up. He probably didn’t know anybody else in town. We’d go out to eat or have drinks pretty regularly while he was here. And then he ended up moving out here. Once he was here, we started playing together a lot, doing all The Minus 5 stuff.” It was McCaughey who introduced Buck to his future wife, Stephanie. Buck invited McCaughey to join R.E.M. on their 1995 Monster tour, initially as a second guitarist. “[Peter] said, ‘I wouldn’t ask you if the Fellows were playing a lot.’ But the Fellows were not really doing anything; we’d kind of brought it down to a crawl. I told him, ‘Sure, I’d like to try.’ I had to audition because I didn’t know the rest of the guys as well as Peter.”

McCaughey remained with R.E.M. in various capacities until the band’s dissolution. He contributed to the studio albums New Adventures in Hi-Fi, Up, Reveal, Around the Sun, Accelerate and Collapse into Now. Additionally, he has received credits for his work on the live albums R.E.M. Live and Live at The Olympia album as well as their 2003 greatest hits collection, In Time. When working with R.E.M., McCaughey played guitar, bass guitar, keyboards, and sang backing vocals.

The Minus 5 and Tuatara
R.E.M. members and side musicians formed The Minus 5 and Tuatara in the mid-1990s.

Moween
In June 2003, McCaughey recorded a song with Moween (Peter Schoemaker/Bram van den Berg) at the IDQ studio in Utrecht, titled “Move On.”

The Baseball Project
In 2008, McCaughey formed the side band The Baseball Project with Buck, Steve Wynn and Linda Pitmon. Their first album, Volume 1: Frozen Ropes and Dying Quails was released later that year and their first ever public appearance was on the Late Night With David Letterman show. Since then, Mike Mills has joined the team and they’ve recorded Volume 2: High and Inside, Volume 3: 3rd, and Volume 4: Grand Salami Time (release date June 30, 2023 on Omnivore Records).

The Venus Three
He is also bassist for Robyn Hitchcock’s touring band The Venus 3, which has included Bill Rieflin (drums) and Peter Buck (guitar).

Tuatara
McCaughey also plays in Tuatara, an instrumental group which features Peter Buck.

The No Ones
McCaughey is a member of The No Ones, a jangle pop supergroup. Other members include Peter Buck, Frode Strømstad, and Arne Kjelsrud Mathisen (from I Was A King). Their debut EP The Sun Station (Coastal Town Recordings) also features guest appearances by Steve Wynn and Patterson Hood.

McCaughey suffered a stroke on November 16, 2017. Two benefit concerts were held in January 2018, to raise money for his medical bills. Artists included Peter Buck, Mike Mills, Bill Berry, Alejandro Escovedo, M Ward, James Mercer, Corin Tucker, the Dharma Bums, the Decemberists, and Patterson Hood. McCaughey recovered substantially from his stroke in 2018, and began playing a series of well received shows at venues in Portland, Oregon, where he lives.

Solo releases
1989: My Chartreuse Opinion (PopLlama)
2015: Spain Capers (Rock & Roll Inc. / Book) as Scott the Hoople
2020: Sad Box and Other Hits as Scott the Hoople

From: YepRoc.com

Less than three days after a doctor predicted he would never play music again, Scott McCaughey began writing his next album — while still in the ICU, unable to speak coherently, his right side just waking from paralyzation.

In November 2017, the Northwest underground stalwart suffered a stroke that nearly killed him and wiped his musical catalog from his memory — decades of albums and songs written and recorded with the Minus 5, Young Fresh Fellows, R.E.M., Baseball Project, and many more, all disappeared. But instead of wallowing in misery, McCaughey channeled his omni-positive spirit and began to write down whatever incoherent thoughts crossed his mind. He turned those stream-of-consciousness notebook pages into his 13th full-length Minus 5 release, Stroke Manor.

“The lyrics are the reason for the album,” McCaughey said. “They’re frustrating and frustrated — they’re me trying to communicate something, to find out if I could communicate, if I could still even hold a pen and get it to physically move. The words are crucial to it though they’re not going to speak to everyone. But I had to try.”
Stroke Manor is a capsule of weeks in a hospital bed and the time-release recovery that creeps through in several songs. The influence is found in everything from misheard sentences and made-up words (“Pink Bag For Rip Torn” and “Plascent Folk,” respectively), to Turner Classic Movies (“Beacon From RKO,” “Scar Crow,” Goodbye Braverman”), hospital pain index cards (“Top Venom”), and the Beatles playlist Peter Buck made to help spark McCaughey’s musical memory (“Beatles Forever”). The results are often head-scratching, tongue-tying spats of confusion, but when the decision was eventually made to put them to music, McCaughey changed only the occasional word for flow, singing the words directly from his hospital notebook.

“The lyrics tapped into a different place for the music to come from,” he said. “I suppose I used the same old chords but everything sounded new and mysterious to me.” He used new voices, the dreaded autotune, and other voice-altering effects because he felt like he was singing as new characters. But the feelings were all his somehow. “I felt like I was a weird other person when I wrote those words, so it felt really right to me to let it be this guy who was coming from outer space.”

McCaughey recorded the album in his oft-frigid Portland basement, i.e. the “Dungeon.” Joe Adragna sent in rapid-turn-around drums (and often more) from his home studio outside New Orleans. Peter Buck was there to conjure up guitar lines, like a 1968 George Harrison. Jeff Tweedy, Corin Tucker, Jenny Conlee, John Moen, Steve Wynn, Linda Pitmon, Dave Depper & Alia Farah all dropped by to contribute, like good friends will do.

“I think this record captures the feeling, the moment, somehow,” McCaughey said. “I took something that I didn’t really know I was doing at the time and took it the full distance, not knowing whether it would work or not — but I feel like it really did work. I’m not saying I wish it hadn’t happened,” he said while laughing, “but at least I got something out of it. It’s a weird thing. But it’s my experience.”

Peter Buck, Mike Mills, Scott McCaughey, Steve Wynn and Linda Pitmon thanks for being with us on WMM on 90.1 FM – KKFI Kansas City Community Radio

The Baseball Project is a supergroup composed of Peter Buck, Mike Mills, Scott McCaughey, Steve Wynn and Linda Pitmon formed in 2007. The performers came together from discussions between McCaughey and Wynn at R.E.M.’s March 21, 2007 induction into the Rock and Roll Hall of Fame at the Waldorf-Astoria Hotel in New York City. They invited Buck to play bass guitar and Pitmon on drums and recorded their first album, Volume 1: Frozen Ropes and Dying Quails later that year. Their first public appearance was on The Late Show with David Letterman in June of 2008, preceding the release of any recorded material.

Buck and McCaughey have previously played together in Robyn Hitchcock and The Venus 3, The Minus 5, R.E.M., and Tuatara. Wynn is the former leader of The Dream Syndicate as well as Gutterball and has played with Pitmon in Steve Wynn & the Miracle 3. Pitmon also plays with Buck and McCaughey in Filthy Friends (with Kurt Bloch and Corin Tucker) and their project with Luke Haines (of the Auteurs).

The band also recorded a ‘real time’ commentary on the 2010 baseball season for ESPN.com: one song every month made available as a free download. The collection was released in 2011 as The Broadside Ballads and also includes a few unreleased extra tracks from Volume 1: Frozen Ropes and Dying Quails and Volume 2: High and Inside.

The second album from The Baseball Project, Volume 2: High and Inside, was released on March 1, 2011, on Yep Roc Records. The band followed the record’s release with a tour covering the U.S. and appearances at spring training games in Arizona’s Cactus League. Mike Mills begins touring regularly with the band in 2012, taking over bass duties from Peter Buck. Buck moves over to his signature 12-string guitar role around this time.

Their third album, 3rd, includes Mike Mills playing bass on all tracks for the first time on a Baseball Project recording, and was released in 2014. Not long after that the band played a special show in Cooperstown, New York, at the Baseball Hall of Fame. In 2019 they played a 3-day residency at the Rock and Roll Hall of Fame in Cleveland as a part of the All-Star Game festivities in the city.

Their fourth album, Grand Salami Time, was recorded with early R.E.M. collaborator Mitch Easter at his Fidelitorium Recordings studio in Kernersville, N.C., and was released on June 30, 2023, on Omnivore Recordings. Special guests on release include Stephen McCarthy of the Long Ryders and the Jayhawks and Steve Berlin of Los Lobos.

Discography
Volume 1: Frozen Ropes and Dying Quails (Yep Roc, 2008)
Volume 2: High and Inside (Yep Roc, 2011)
3rd (Yep Roc, 2014)
Grand Salami Time (June 30, 2023 – Omnivore Recordings)

EPs and singles
The Homerun EP (Yep Roc, 2009, collaboration with Reckless Kelly, Todd Snider, and The Young Fresh Fellows)
“El Hombre” (Euclid Records single, 2012)

The Baseball Project

Peter Buck – guitar, production
Scott McCaughey – guitar, keyboards, lead vocals, backing vocals, production
Mike Mills – bass guitar, backing vocals, lead vocals on “Stuff”, production
Linda Pitmon – drums, percussion, backing vocals, production
Steve Wynn – guitar, lead vocals, backing vocals, production

Scott McCaughey thanks for being with us on WMM on 90.1 FM – KKFI Kansas City Community Radio

The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More

11:54

  1. The Baseball Project – “Grand Salami Time”
    from: Grand Salami Time / Omnivore / June 30, 2023
    [Grand Salami Time! is the fourth full-length studio album by American rock supergroup the Baseball Project, released by Omnivore Recordings on June 30, 2023. The album was produced by Mitch Easter, who began working with R.E.M. at the beginning of their careers; the Baseball Project features two of their former members. It also marks their first album under Omnivore, as they had previously been signed to Yep Roc. // At the urging of drummer Linda Pitmon, the band recorded this album with Mitch Easter, who had previously produced R.E.M.’s first single and co-produced that band’s debut EP, debut full-length, and sophomore full-length. The sessions lasted 10 days and the songs were recorded live-to-tape in Easter’s studio The album was preceded by singles “The Voice of Baseball” and “Journeyman”. The band also announced a brief tour of the United States supporting Jason Isbell & The 400 Unit. The album is titled after a line that Seattle Mariners announcer Dave Niehaus would say when a grand slam was hit. // In American Songwriter, Lee Zimmerman rated this album 4 out of 5 stars, calling it “a joyful and jubilant example of the late ‘70s and early ‘80s power pop”.Steven Wine of the Associated Press praised the clever lyrics and writes that “topics are paired with garage rock that gives [guitarist Peter] Buck a chance to serve up some delightful guitar squall”. BrooklynVegan’s Bill Pearis recommends the album to baseball fans and non-fans alike, noting that the former will get more enjoyment out of the music. Writing it for Glide Magazine, Jim Hynes calls this album “so much fun” and tells listeners that it’s “pure joy putting the album on and following the lyrics in the jacket”. In The Mercury News, Jim Harrington the band has “passion [that] leads to an abundance of ideas for song topics” and after multiple albums, they are “still going strong, finding plenty of musical inspiration in a seemingly endless supply of decades-old stories and modern-day tales about the game”. Mario Naves of The New York Sun favorably compares this to the band’s last album, 3rd and calls it “unstoppable”. Frank Valish of Under the Radar rated this work a 7 out of 10, writing that the live in-studio recording method “lends a certain energy to the proceedings” and characterizes the album as “a bunch of musical heroes having fun together and celebrating music, each other, and America’s favorite pastime to boot”. // Additional personnel: Steve Berlin on baritone saxophone on “Erasable Man” // Mitch Easter – guitar on “Journeyman”, recording, mixing, production // and Stephen McCarthy – lap steel guitar.]

[The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on July 17 we welcome Hip Hop artists The Epitome (Glenn Robinson) and Betse Ellis and Marion Merritt return to co-host WMM for our Summer Fund Drive Show.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1054

WMM presents: The Baseball Project + Danielle Ate the Sandwich + MusicbySkippy + Lone Stranger

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 10, 2024

WMM presents: The Baseball Project + Danielle Ate the Sandwich + MusicbySkippy + Lone Stranger

At 10:10, Mark welcomes Danielle Anderson who performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle grew a fanbase with her DIY videos on Youtube and by touring the US extensively from 2009-2018. Danielle has released 7 albums of original music, over 200 YouTube videos, and conducts an annual 24 Hour Album project, writing and producing new songs with the help of her patrons in only 24 hours. She is recording her 8th album in Kansas City, KS, with Fritz Hutchison and Al Hawkins of True Lions. The album received an Inspiration Grant from ArtsKC. Her most recent project, ‘The Greatest Garage Sale Ever,’ is a one woman comedy cabaret, using humor, music, and songs to challenge the labels we give each other, and our ability to change. The show will premiere at the KC Fringe Festival, with five performances taking place Saturday, July 20 through Saturday, July 27 The Bird Comedy Theater, 103 West 19th, KCMO. More info at: http://www.kcfringe.org and http://www.danielleatethesandwich.com

At 10:35 Mark talks with Luke “Skippy” Harbur, a Kansas City based performer, producer, and beatboxing specialist. Luke “Skippy” Harbur is a vivacious artist known for his cross-pollinated brand of alternative music mixing hip hop, Broadway, EDM, and singer-songwriter influences. His project musicbyskippy connects multigenerational audiences through different show experiences, living among music, theater, and poetry to combat isolation and celebrate identity. Attend live comedy or musicals, and you get the idea. Since 2022 he’s released over 50 songs and sold almost 1,000 tickets to 8 original shows. He also hosts lectures about his arts business failures and successes, sharing artist income strategies to fight gatekeeping culture and foster community building. musicbyskippy presents a WE PRESS PLAY RELEASE 2, Album Release & Dance Party, Friday, July 12, 8:00pm at Westport Bowery, 817 Westport Rd., KCMO. More info at: http://www.musicbyskippy.com

At 11:00 we welcome Zachary Phillips who performs as Lone Stranger. Zach joins us to play LIVE in our 90.1 FM Studios. Zachary Phillips is a veteran of the Kansas City music community where he has been bass player and an influential part of the bands: The Gadjits and Architects with his brothers Brandon Phillips and Adam Phillips. As Lone Stranger, Zach has been working on mixing, mastering, and manufacturing his own solo music, playing almost all of the instruments himself, mixing genres of Ska, Reggae and hip hop. Zach is owner and CEO of Golden Triangle Productions. More information at: youtube.com/@zacharyphillips5224

At 11:30 Mark welcomes members of the supergroup, The Baseball Project composed of: Peter Buck, Mike Mills, Scott McCaughey, Steve Wynn and Linda Pitmon. Formed in 2007, the performers came together from discussions between McCaughey and Wynn at R.E.M.’s March 21, 2007 induction into the Rock and Roll Hall of Fame. They invited Buck to play bass guitar and Pitmon on drums and recorded their first album later that year. Buck and McCaughey have previously played together in Robyn Hitchcock and The Venus 3, The Minus 5, R.E.M., and Tuatara. Wynn is the former leader of The Dream Syndicate. Pitmon also plays with Buck and McCaughey in Filthy Friends (with Kurt Bloch and Corin Tucker) and their project with Luke Haines (of the Auteurs). On June 30, 2023 the band released their fourth album, Grand Salami Time, recorded with early R.E.M. collaborator Mitch Easter at his Fidelitorium Recordings studio in Kernersville, N.C., and released on Omnivore Recordings. The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1054

WMM presents: Zee Underscore + Miss Boating + The Talking Trees

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 26, 2024

WMM welcomes Zee Underscore + Miss Boating + The Talking Trees

Mark spins more New & MidCoastal Releases from: Foxlin, Charlotte Bumgarner, Draper Family Band, St. George & The Dragons, The Freedom Affair, Eddie Moore, Zee Underscore, Keo & Them, Miss Boating, The Talking Trees, Kaia Kater with Aoife O’Donovan, and Makaya McCraven.

At 10:30am Zee Underscore shares music from her debut EP, THE ZEE UNDERSCORE EXPERIENCE released on June 15, 2024. Zee Underscore studied at The School for Creative and Performing Arts (SCPA) in Cincinnati, Ohio, where her confidence and talent flourished, sparking a deep passion for music creation and supporting artists of diverse backgrounds. Zee completed a five-year electrical engineering program at The University of Cincinnati, and her work in electrical engineering led her to Kansas City. Zee is co-founder of ZNTL Enterprises. Zee embodies the spirit of dreaming without limits, juggling roles as a singer, songwriter, recording artist, emcee, event coordinator, entrepreneur, and mentor while also working full time as an electrical engineer. Last year Zee Underscore released one of our favorite singles, “In The Way (feat. Amadi Luv)”. More info at: http://www.linktr.ee/Zeebee.notes

At 11:00am Mark talks with Charlie Colborne & Bill Belzer of Miss Boating who’ve recently signed with High Dive Records to release their debut album, JEWEL IN THE TRASH. Miss Boating play an Album Release Show, Saturday, June 29 at 6:00pm at The Ship, 1221 Union Avenue, KCMO. Miss Boating is a KC based, five-piece with multi-instrumentalist & lead singer Charlie Coleborne, drummer Bill Belzer, Aaron Jones on trombone, Tom Gillespie on Saxophone, and Bryan McGuire on bass. (Phil Dickey played bass on the album.) Charlie and Bill met in the late 1980s. In the beginning they were called The Sympathetic Fringe, and then The Sleazebeats. In recent years Charlie & Bill added Aaron, Tim and Bryan. Described by one local radio host as “the perfect house band for a John Waters After Party.” One of their songs is about a friend’s mom’s dynamic relationship with prescription medication. Another is a tribute to the late Evan Jolly, their former bassist. All of the songs are written by Charlie Colborne through his blue/gay eyes. These songs have a fine patina of ditch weed, filthy humor, cigarette smoke, gay drama, Bee Gee’s inflected new wave, queer music hall schmaltz, odd stiff naive sambas, and box wine. More info at: http://www.highdivekc.com

At 11:30 Tommy Capps, Dirk Liebert, and Graham Stone of the Kansas City based band The Talking Trees join us LIVE in our 90.1 FM Studios. The Talking Trees is a post-rock trio based in Kansas City. They released their 4-song EP, ALIENS on March 1, 2024. That was preceded by the 5-song EP, ARE YOU OK? released October 1, 2022, and the 5-song EP, ONCE I WAS BORN on April 22, 2022, multiple single released in 2020 through 2022, and their debut EP, THE TALKING TREES on August 19, 2019. The band is currently in the studio working on the newest album. More info at: https://thetalkingtreesmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1052

WMM PLAYLIST from June 19, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 19, 2024

WMM welcomes Minor Gold + Aaron Rhodes + Nicolette Paige + Scott Hrabko + Juneteenth Tribute

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]

Today, June 29th is Juneteenth. Juneteenth marks the celebration of the dismantling of slavery in the United States. On June 19, 1865, slaves in Texas were informed of their freedom by Union soldiers led by Major General Gordon Grange. This was two years after the passage of the Emancipation Proclamation Act in 1863 and two months after the Confederacy surrendered on April 9, 1865 ending the Civil War. At the time, around 4 million people were enslaved domestically.

After that, each region celebrated the end of slavery on different days, but the celebrations that started in Galveston, Texas, began to grow year after year. Over 100 years later, Texas would become the first state to declare June 19 a state holiday in 1980. In 2021, Juneteenth became a federal holiday.

Black spirituals such as “Go Down Moses,” “Many Thousands Gone,” and others were sung at the first Jubilee in 1866, with a fireworks display on par with Fourth of July celebrations. For African Americans, this is their independence day.

The spirit of Juneteenth honors the history of those who were enslaved and the continued struggle for freedom from oppression that many Black Americans continue to face. Songs sung by slaves were an act of protest and a way to transcend the realities of the horrors they faced. So to honor the day, we highlight a few songs that both celebrate and uplift this history.

10:02

  1. Curtis Mayfield – “Power To The People (Demo)”
    from: Curtis / Curtom-Buddah / September, 1970 [Curtis is the debut studio album by American soul musician Curtis Mayfield. Produced by Mayfield, it was released on his own label Curtom Records. The musical styles of Curtis moved further away from the pop-soul sounds of Mayfield’s previous group The Impressions and featured more of a funk and psychedelic-influenced sound. The album’s subject matter incorporates political and social concerns of the time. The Expanded Edition contained 17 tracks, with several bonus tracks including “Power To The People (Demo)”. Curtis Mayfield, born in Chicago, June 3, 1942. One of the most influential musicians behind soul & politically conscious African-American music. Mayfield started his musical career in a gospel choir. Moving to the North Side of Chicago he met Jerry Butler in 1956 at the age of 14, and joined vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for The Impressions, which displayed his more politically charged songwriting. After leaving The Impressions in 1970, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album, New World Order, in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a 2-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes, Dec 26, 1999, at 57.]
  1. Krystle Warren – “Nae-Nae and Ruthie”
    from: Three The Hard Way / Parlour Door Music / August 18, 2017
    [Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. The artist who Rufus Wainwrights calls “one of the greatest living singers” sings and plays all instruments on the album, combining elements of folk, blues and soul in a stirring set. Songs on the album are inspired by the civil rights movement. The song “Red Clay” was inspired by the domestic terrorism and racist massacre and destruction of the Greenwood neighborhood in Tulsa, Oklahoma, on May 31, 1921, that was one of the worst acts of domestic terrorism in the history of the United States, in which more than 35 square blocks were destroyed by a wave of racial terrorism, fire bombs dropped for airplane, and sniper fire from shot guns of those trying to escape that left hundreds of Black residents dead, and more than 1,000 houses burned and destroyed. // In 2016 in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

10:08

Thanks for tuning into WMM on 90.1 FM KKFI – Kansas City Community Radio. I’m Mark Manning. Today, we spin More New & MidCoastal Releases from: Nicolette Paige, Burning Bush, Erin Eades, Scott Hrabko, The Blast Monkeys, The Bad Ideas, The Utilitarians, Minor Gold, Cat Power, and The Flaming Lips.

We started the show with music from Curtis Mayfield & Krystle Warren in honor of Juneteenth the celebration of the dismantling of slavery in the United States.

At 10:10 Dan Parsons of the Australian duo Minor Gold joins us to talk about their concert TONIGHT at Waldo Pizza, as part of The Waldo Folk series.

At 10:30am we’ll talk with Aaron Rhodes and Ethan Payton, of the band Burning Bush.also talk with aaron about Shuttlecock Music Magazine and shows at Farewell and Howdy, including Summer Kamp IV, happening Saturday, Night with The Bad Ideas, The Uncouth, Reacharounds, The Utilitarians, Violet Approach, and DJ Pez!

At 11:00am Nicolette Paige Davis shares details about the Kansas City Urban Farm Co-Op – Summer Solstice & Power To The People Celebration on Saturday, June 22, at 10:00am.

At 11:30 Scott Hrabko is back with more music from his new musical project, “Other Cats, Other Bags Volume III.” It’s a multi-volume project culled from recording sessions Scott did at home with multiple musicians from the KC music community.

10:09

  1. Minor Gold – “Tumbleweed”
    from: Minor Gold / Minor Gold / August 11, 2023
    [Minor Gold are the new Australian based, Americana duo featuring ARIA nominated artists Tracy McNeil (CAN) & Dan Parsons (AUS). Some may call it a ‘Trans-Pacific alchemy’ – the moment when Australian and Canadian songwriters Dan Parsons and Tracy McNeil wrote their first song together in 2020. At a time when the rest of the world came to a stop, the magic of Minor Gold had just begun. // Until then, both artists had been at the helm of their respective solo careers. This new side road was too enticing not to explore, and with plenty of time on their hands, seeking refuge on the Parsons’ sub-tropical Queensland homestead, they got to work. // Their debut album released Aug 11, 2023 echoes 70’s cosmic Americana/Folk with an easy charm and potent honesty, but it is the indeterminate perfection of how these two artists’ voices lock in together that hit right where the emotions live inside us. With dynamics ranging from the intense restraint of campfire intimacy through to open throttle abandon, Minor Gold move you – weaving masterful harmonies and deft guitar playing around unforgettable, stripped back performances. ]

[Minor Gold play TONIGHT Wednesday Night, June 19, at 7:00pm at Waldo Pizza, 7433 Broadway, KCMO as part of The Waldo Folk series]

10:12 – Interview with Dan Parsons of Minor Gold

Dan Parsons of the Australian duo Minor Gold (with Tracy McNeil) join us to talk about when the band wrote their first song together in 2020, seeking refuge on the Parsons’ sub-tropical Queensland homestead, they got to work. At a time when the rest of the world came to a stop, the magic of Minor Gold had just begun. Until then, both artists had been at the helm of their respective solo careers. Their debut album Minor Gold was released August 11, 2023, has been called, “a sunbathed slice of ’70s Americana pop.” Minor Gold perform in concert Wednesday Night, June 19, at 7:00pm at Waldo Pizza, 7433 Broadway, KCMO as part of The Waldo Folk series. More information at: http://www.minorgoldmusic.com

Dan Parsons thank you so much for being with us on WMM

Minor Gold are the new Australian based, Americana duo featuring ARIA nominated artists Tracy McNeil (CAN) & Dan Parsons (AUS).

Some may call it a ‘Trans-Pacific alchemy’ – the moment when Australian and Canadian songwriters Dan Parsons and Tracy McNeil wrote their first song together in 2020.

At a time when the rest of the world came to a stop, the magic of Minor Gold had just begun. // Until then, both artists had been at the helm of their respective solo careers.

This new side road was too enticing not to explore, and with plenty of time on their hands, seeking refuge on the Parsons’ sub-tropical Queensland homestead, they got to work.

Minor Gold perform in concert Wednesday Night, June 19, at 7:00pm at Waldo Pizza, 7433 Broadway, KCMO as part of The Waldo Folk series. More information at: http://www.minorgoldmusic.com

Their debut album released Aug 11, 2023 echoes 70’s cosmic Americana/Folk with an easy charm and potent honesty, but it is the indeterminate perfection of how these two artists’ voices lock in together that hit right where the emotions live inside us. With dynamics ranging from the intense restraint of campfire intimacy through to open throttle abandon, Minor Gold move you – weaving masterful harmonies and deft guitar playing around unforgettable, stripped back performances.

“…cleverly not over-stuffed with instrumentation…if you like Tom
Petty, Crosby Still and Nash, Nick Drake and Bruce Springteen than I
think you will like what they are doing” – ABC Radio Sydney

“Minor Gold are a breath of fresh air, standing on the merits of their
songwriting and chemistry to deliver a beautifully refreshing
collection of songs that further solidifies the importance of never
missing an opening act.” – American Blues Scene

Minor Gold perform in concert Wednesday Night, June 19, at 7:00pm at Waldo Pizza, 7433 Broadway, KCMO as part of The Waldo Folk series. More information at: http://www.minorgoldmusic.com

10:24

  1. Minor Gold – “Way With Words”
    from: Minor Gold / Minor Gold / August 11, 2023
    [Minor Gold are the new Australian based, Americana duo featuring ARIA nominated artists Tracy McNeil (CAN) & Dan Parsons (AUS). Some may call it a ‘Trans-Pacific alchemy’ – the moment when Australian and Canadian songwriters Dan Parsons and Tracy McNeil wrote their first song together in 2020. At a time when the rest of the world came to a stop, the magic of Minor Gold had just begun. // Until then, both artists had been at the helm of their respective solo careers. This new side road was too enticing not to explore, and with plenty of time on their hands, seeking refuge on the Parsons’ sub-tropical Queensland homestead, they got to work. // Their debut album released Aug 11, 2023 echoes 70’s cosmic Americana/Folk with an easy charm and potent honesty, but it is the indeterminate perfection of how these two artists’ voices lock in together that hit right where the emotions live inside us. With dynamics ranging from the intense restraint of campfire intimacy through to open throttle abandon, Minor Gold move you – weaving masterful harmonies and deft guitar playing around unforgettable, stripped back performances. ]

[Minor Gold play TONIGHT Wednesday Night, June 19, at 7:00pm at Waldo Pizza, 7433 Broadway, KCMO as part of The Waldo Folk series]

  1. The Flaming Lips – “Do You Realize??”
    from: Yoshimi Battles The Pink Robots / Warner Brothers / July 16, 2002
    [10th studio album by American rock band the Flaming Lips. The album saw the band pursue a more electronic direction than previous efforts, incorporating acoustic guitars and rhythms influenced by hip hop and top 40 music. The album was well-received critically and commercially, helping the band break into popularity, and was adapted into a musical in 2012. In 2022, the band announced a 20th anniversary box set version of the album and that they would perform the album in full twice in early 2023. // The lyrics of Yoshimi Battles the Pink Robots concern a diverse array of subject matter, mostly melancholyponderings about love, mortality, artificial emotion, pacifism, and deception, while telling the story of Yoshimi’s battle. The title character is inspired by Boredoms/OOIOO member Yoshimi P-We, following a comment in the Flaming Lips studio that her machine-sound abstract singing sounds like she is battling monsters—Coyne added ‘pink’. P-We also performs on the album. Some listeners consider Yoshimi Battles the Pink Robots to be a concept album; however, the story is debated, as it is only directly apparent in the first four tracks. Despite the story-type title and science fiction themes, Flaming Lips frontman Wayne Coyne has made it clear that Yoshimi is not intended to be a concept album. // The vocal melody of track one, “Fight Test”, echoes Cat Stevens’s “Father and Son”. Stevens, now Yusuf Islam, is receiving royalties following a relatively uncontentious settlement. Coyne has claimed that he was unaware of the songs’ similarities until producer Dave Fridmann pointed them out. This claim, however, is contradicted by his statement to Rolling Stone magazine: “I know ‘Father and Son’ and I knew there would be a little bit of comparison. ‘Fight Test’ is not a reference necessarily to the ideas of ‘Father and Son’, but definitely a reference to the cadence, the melody, and chord progression. I think it’s such a great arrangement of chords and melody”. The final track, “Approaching Pavonis Mons by Balloon (Utopia Planitia)”, won a 2002 Grammy Award for Best Rock Instrumental Performance. The Flaming Lips also won the same award for “The Wizard Turns On…”, taken from At War with the Mystics, in 2006.]

[The Flaming Lips play The Uptown Theater, 3700 Broadway, KCMO, Sunday, June 23, 2024 at 8:00pm]

10:30 – Underwriting

  1. The Blast Monkees — “Sodie Pop”
    from: Summer Camp / The Blast Monkees / July 18, 2022
    [The Blast Monkeys started out as two dudes making music out of Tonganoxie, Kansas. Formed in 2017 by high school best friends, Scott Vick & Kyle Chambers, they have sine become a three-piece band, They plan to make music their career by any means. Their songs fuse high-energy drums and catchy guitar riffs with goofy jokes and a “passionate” stage presence that is sure to win over any crowd. For more info: http://www.theblastmokeys.com. and http://www.theblactmonkees.bandcamp.com

The Blast Monkeys Discography
MONKEY BUSINESS (9-track album) April 20, 2024
“I Probably Peaked in High School” (Single) March 29, 2024
“The Doctor Said I’m Not Crazy Anymore” (Single) / June 23, 2023
“Mr. Nice Guy” (Single) / May 22, 2023
Summer Camp (9-track Album) / July 18, 2022
“Capo 2.0” (Single) / February 16, 2022
Big Things, Small Places (4-track EP) / August 21, 2021
Washed Out (3-track EP) / December 16, 2019
Moon Juice (5-track EP) / March 25, 2019

[The Blast Monkeys play Farewell KCMO 6515 Stadium Dr, Kansas City, MOTONIGHT, Wednesday, June 19 with Blair Gun, Lake Love, and God’s Computer.]

[The Blast Monkeys play recordbar, 1520 Grand, blvd., Monday, June 24, at 7:00pm with Lost Stars and City Hall.]

  1. Burning Bush – “Burning Bush”
    from: Demo 2024 / Burning Bush / May 8, 2024
    [Aaron Rhodes on vocals; Harrison Hawkins on guitar; Daniel Evans on bass; Ethan Payton on drums. Recording, mixing, mastering by Alex Tunks. All songs written by Burning Bush. Instrumentals recorded on January 14, 2024 at The Space in Kansas City, Missouri. Vocals recorded on February 10, 2024 at Alex’s place in Kansas City, Missouri.

10:36 – Interview with Aaron Rhodes and Ethan Payton

Aaron Rhodes, is founder and Editor in Chief of Shuttlecock Music Magazine, and Talent Buyer & Marketer at Farewell. Aaron Rhodes joins us to share details about his new band Burning Bush and their debut 6-song EP, DEMO 2024 that was released May 8, 2024. Aaron also shares details about Farewell and Howdy, and Summer Kamp IV, Saturday, June 22, 2024, where The Bad Ideas will be hosting in honor of Britt Adair with The Uncouth, Reacharounds, The Utilitarians, Violet Approach, and DJ Pez! The show will start at Farewell, 6515 Stadium Dr, Kansas City, MO and alternate between the two venues. More information at: http://www.shuttlecockmusic.com

Aaron Rhodes and Ethan Payton, thanks for being with us on Wednesday MidDay Medley

Shuttlecock Music Magazine started as a blog nine years ago, just after Aaron graduated

Talent Buyer & Marketer at Farewell KCMO, 6515 Stadium Dr, Kansas City, MO

Aaron Rhodes formerly was a music writer for The Pitch and a freelance contributing writer for http://www.Bridge909.org

Aaron is also content manager at http://www.Do816.com.

Aaron was also a co-host of the music blog, “In My Head Ache” with Bill Brownlee.

Burning Bush
Aaron Rhodes on vocals
Harrison Hawkins on guitar
Daniel Evans on bass
Ethan Payton on drums.

10:43

  1. Burning Bush – “The Golem”
    frrom: Demo 2024 / Burning Bush / May 8, 2024
    [Aaron Rhodes on vocals; Harrison Hawkins on guitar; Daniel Evans on bass; Ethan Payton on drums. Recording, mixing, mastering by Alex Tunks. All songs written by Burning Bush. Instrumentals recorded on January 14, 2024 at The Space in Kansas City, Missouri. Vocals recorded on February 10, 2024 at Alex’s place in Kansas City, Missouri.]

10:44 – More Interview with Aaron Rhodes and Ethan Payton

Aaron Rhodes, is founder and Editor in Chief of Shuttlecock Music Magazine, and Talent Buyer & Marketer at Farewell KCMO, 6515 Stadium Dr, Kansas City, MO

Aaron Rhodes joins us to share details about his new band Burning Bush and their debut 6-song EP, DEMO 2024 that was released May 8, 2024.

Farewell and Howdy, and Summer Kamp IV, Saturday, June 22, 2024, where The Bad Ideas will be hosting in honor of Britt Adair with The Uncouth, Reacharounds, The Utilitarians, Violet Approach, and DJ Pez! The show will start at Farewell, 6515 Stadium Dr, Kansas City, MO and alternate between the two venues. More information at: http://www.shuttlecockmusic.com

Aaron Rhodes and Ethan Payton, thanks for being with us on Wednesday MidDay Medley

10:51

  1. Burning Bush – “Golden Calf”
    from: Demo 2024 / Burning Bush / May 8, 2024
    [Aaron Rhodes on vocal; Harrison Hawkns on guitar; Daniel Evans on bass; Ethan Payton on drums. Recording, mixing, mastering by Alex Tunks. All songs written by Burning Bush. Instrumentals recorded on January 14, 2024 at The Space in Kansas City, Missouri. Vocals recorded on February 10, 2024 at Alex’s place in Kansas City, Missouri.

10:44 – More Interview with Aaron Rhodes and Ethan Payton

Aaron Rhodes, is founder and Editor in Chief of Shuttlecock Music Magazine, and Talent Buyer & Marketer at Farewell KCMO. Aaron Rhodes joins us to share details about his new band Burning Bush and their debut 6-song EP, DEMO 2024 that was released May 8, 2024.

Aaron also shares details about Farewell KCMO and Howdy.

Once of the big events coming up is Summer Kamp IV, Saturday, June 22, 2024, where The Bad Ideas will be hosting in honor of Britt Adair with The Uncouth, Reacharounds, The Utilitarians, Violet Approach, and DJ Pez! The show will start at Farewell, 6515 Stadium Dr, Kansas City, MO and alternate between the two venues. More information at: http://www.shuttlecockmusic.com

Aaron Rhodes, thanks for being with us on Wednesday MidDay Medley

Summer Kamp as a music fest Britt Adair was passionate about and organized.

Chris Meck and Britt Adair on the April 6, 2016 Wednesday MidDay Medley on KKFI 90.1 FM.

In Memory of Britt Adair

Last year in May, 2023 the Kansas City Music Community was shaken up horribly by the news that our friend Britt Adair had died.

Britt Adair was founder and lead guitarist for the band The Bad Idea’s. Britt was part of the family at Josey Records. She was an artist and filmmaker and huge nurturer of Kansas City Punk Music Scene. She has organized bands and shows for in-stores, festivals, and tours. For several years Britt organized the Summer Kamp Fest bringing nationally touring punk bands to town to play with bands from KC’s diverse punk community.

Britt’s brother Dane Downing reported on Facebook on Tuesday morning, May 2, 2023 that his sister Britt Adair had passed away the night before, on Monday, May 1 at 4:59 PM. “She went to the hospital not feeling well and things took a downward turn very quickly. The doctors believe she had a pulmonary embolism. Right now there’s more questions than answers. Dane continues, Please keep my mom and dad in your thoughts as this was totally out of the blue and devastating for them. We love you Britt, you’ll always be my little pest!”

He went on to say, “Britt was a kind soul and always shared her love to anyone she met. Say something nice to someone today, give them a hug, a smile, tell them a joke. She would like that.”

I first met Britt Adair when she was doing video documentary work for Charlotte Street down in their offices near La Esquina Gallery, 16-17 years ago. I was telling stories of doing performance art in the late 1980s and early 1990s, and of all the protests, and gay bashings, and she was quietly, and empathically capturing it all on camera. That’s when we became friends.

I followed her beautiful artistic endeavors in working to build a stronger punk community in Kansas City and make connections with punk communities all across the country. She was so passionate about The Center of The City Fest, and of working to find a home for punk music on a regular basis.

How could anyone not love The Bad Ideas? With the multi talented Don Dawn, Britt and company proved themselves on many stages and on vinyl and on multiple recordings to be one of KC’s best ever punk bands.

Watching Britt work bartending gigs, and record stores gigs, and film work, with a humor, and kindness, and honesty that represented her artistic heart of gold. With Christian she made a home and fostered an incredible record store, Josey Records Kansas City.

Britt was on the Wednesday MidDay Medley radio show many times, to talk about her band, music festivals, Record Store Day, benefit shows.

Britt possessed that Kansas City spirit of creating venue for others. She was just as passionate about shining a light on other bands and artists as she was on her own work. We are all so lucky to have known her. She lived true to her moral code of ethics of humanity, care for our planet, and the animals, and fairness for all. She was a true punk musician who are steadfastly writing protest music and fighting for equality of workers, women and queer people.

I will keep Britt alive in my heart by working to get a weekly punk music show reestablished at KKFI.

My sincere condolences go out Britt’s husband and our friend Christian LaBeau, Britt’s beautiful Mom, and her Dad, and Brother and family, and Dawn Yoder and bandmates from The Bad Ideas, and Josey Records co-workers, and everyone she touched with her beautiful spirit. Britt Adair is a shining star.

Britt was last on our show as a Guest Producer on March 6, 2019. Britt’s band The Bad Ideas were getting set to release their album “Happiness” at the end of the month and The Bad Ideas were playing The Bottleneck in Lawrence, later that month.

10:55:30

  1. The Bad Ideas – “Nightmare”
    from: Happiness / The Bad Ideas / March 30, 2019
    [The Bad Ideas are: Britt Adair on guitar, Breaka Dawn on vocals, Matt Roberts on bass, and Way Jillis on drums. The Bad Ideas is an American punk band from Kansas City, Missouri formed in August 2011. They’ve written all original songs and are influenced by post-hardcore, punk, and early 80’s punk. Their EP, Worse Thoughts, was recorded on January 22, 2012 and released March, 2012. Their first self-produced full length, Lesson #1 was released March 8, 2013. The Bad Ideas also released a 7″ split with Red Kate on March 31, 2014. Their most recent release is a full length cassette, “Leave Me Alone.” Released in June 6, 2015.]

[The Band Ideas host Summer Kamp IV, Sat, June 22, 2024, with The Utilitarians, The Uncouth, Reacharounds, Violet Approach, DJ Pez! The show will start at Farewell, 6515 Stadium Dr, KCMO]

  1. The Utilitarians – “Gosh Golly”
    from: “Gosh Golly” / The Utilitarians / March 30, 2023
    [A transitional track that goes back in Theresa Scott’s catalog but serves as a foundation for The Utilitarians, recorded at Massive Sound. Credits: Theresa Scott / Robert Wagner. The Utilitarians have tricks up their sleeves, they rip & shred, but they cool it didn’t go to their head, they treat their fans with respect and in this rocking form of art this is the “Band with a Heart.” Stars all in their own rights, this 4 piece outfit has the charm of each member being legendary in the KC Underground Community. Patrick Sumner Bent Edge KC]

[The Utilitarians play Summer Kamp IV, Sat, June 22, 2024, with The Bad Ideas, The Uncouth, Reacharounds, Violet Approach, DJ Pez! The show will start at Farewell, 6515 Stadium Dr, KCMO]

11:00 – Station ID

Made with Square InstaPic
  1. Nicolette Paige – “Vanishing Cars”
    from: The Other Side / Nicolette Paige / October 19, 2012
    [“Nicolette Paige is not your typical singer-songwriter. She is a true visionary, blending her melodic talent and heartfelt lyrics with her deep-rooted passion for healing. With a voice that effortlessly carries emotions, Nicolette shares soulful music that is inspired by her own life experiences. But Nicolette’s artistry extends far beyond the stage. As the owner and founder of Soul Child Awakenings, she is also a renowned healer. By combining her musical talents with her healing practices, Nicolette has created a unique and powerful way to touch the lives of others. She brings her gifts to schools, hospitals, and elderly care centers, providing participants with hand-held instruments and integrating indigenous healing practices into her sessions. Having professionally performed for over a decade, Nicolette has dedicated the last three years to incorporating her healing services into her music. The result is a transformative experience that leaves audiences moved, uplifted, and healed. Looking to the future, Nicolette plans to continue captivating audiences through her mesmerizing performances while working with the youth and elderly, using her healing practices to bring solace and positivity into their lives. Nicolette Paige is not just a singer-songwriter; she is a force to be reckoned with, a source of inspiration, and a healer all wrapped up in one incredible package.”// Nicolette Paige, who released her debut album, NICOLETTE PAIGE on May 2, 2008, and her 11-song album, THE OTHER SIDE on October 19, 2012. Those were followed by five singles. Nicolette is the owner and founder of Soul Child Awakenings, where she combines her musical talents with her healing practices. She brings her gifts to schools, hospitals, and elderly care centers, providing participants with hand-held instruments and integrating indigenous healing practices into her sessions. More info at: http://www.SoulChildAwakenings.com]

11:03 – Interview with Nicolette Paige

Nicolette Paige released her debut album, NICOLETTE PAIGE on May 2, 2008, and her 11-song album, THE OTHER SIDE on October 19, 2012. Those were followed by five singles. Nicolette is the owner and founder of Soul Child Awakenings, where she combines her musical talents with her healing practices. She brings her gifts to schools, hospitals, and elderly care centers, providing participants with hand-held instruments and integrating indigenous healing practices into her sessions. Nicolette Paige hosts Soul Child Radio every Thursday, 12:00 Noon to 2:00pm here on 90.1 FM KKFI – Kansas City Community Radio. More info at: http://www.SoulChildAwakenings.com

Nicolette joins us to share details about the Kansas City Urban Farm Co-Op – Summer Solstice & Power To The People Celebration on Saturday, June 22, 10:00am to 10:00pm, at 5051 East Gregory Blvd, KCMO. This is a fundraiser with donations accepted at the door! This celebration will host a variety of activities with featured artists including: Jenna Bodensteiner opening the day with a Rhythm & Rootz ceremonial dance; Xion Sound Waves (a healing sound choir); Kansas City Rumba; Nicolette Paige; DJ Simba; Live paintings by Feliz Kehinde; Open Sessions poetry jam hosted by Breasia; and MORE! There will also be a FREE PRODUCE giveaway, free workshops, KC Vendors, an exotic petting zoo, henna by Madison Skye, and authentic Jamaican cuisine by Neptis Reggae! The Kansas City Urban Farm Co-Op is the largest Black owned orchard in Kansas City. More information at: http://www.KCUFC.org

Nicolette Paige thank you for being our guest on WMM

Nicolette Paige grew up in Kansas City, Kansas

Kansas City Urban Farm Co-Op – Summer Solstice & Power To The People Celebration on Saturday, June 22, 10:00am to 10:00pm, at 5051 East Gregory Blvd, KCMO.

This is a fundraiser with donations accepted at the door! This celebration will host a variety of activities with featured artists including: Jenna Bodensteiner opening the day with a Rhythm & Rootz ceremonial dance; Xion Sound Waves (a healing sound choir); Kansas City Rumba; Nicolette Paige; DJ Simba; Live paintings by Feliz Kehinde; Open Sessions poetry jam hosted by Breasia; and MORE!

There will also be a FREE PRODUCE giveaway, free workshops, KC Vendors, an exotic petting zoo, henna by Madison Skye, and authentic Jamaican cuisine by Neptis Reggae! The Kansas City Urban Farm Co-Op is the largest Black owned orchard in Kansas City. More information at: http://www.KCUFC.org

“Nicolette Paige is not your typical singer-songwriter. She is a true visionary, blending her melodic talent and heartfelt lyrics with her deep-rooted passion for healing. With a voice that effortlessly carries emotions, Nicolette shares soulful music that is inspired by her own life experiences.

But Nicolette’s artistry extends far beyond the stage. As the owner and founder of Soul Child Awakenings, she is also a renowned healer. By combining her musical talents with her healing practices, Nicolette has created a unique and powerful way to touch the lives of others. She brings her gifts to schools, hospitals, and elderly care centers, providing participants with hand-held instruments and integrating indigenous healing practices into her sessions.

Having professionally performed for over a decade, Nicolette has dedicated the last three years to incorporating her healing services into her music. The result is a transformative experience that leaves audiences moved, uplifted, and healed.

Looking to the future, Nicolette plans to continue captivating audiences through her mesmerizing performances while working with the youth and elderly, using her healing practices to bring solace and positivity into their lives. Nicolette Paige is not just a singer-songwriter; she is a force to be reckoned with, a source of inspiration, and a healer all wrapped up in one incredible package.”

Also note – I have 2 albums and have released 3 singles in the past several years. I plan to put out more music when the time aligns.

Nicolette works at an elderly care center called Margaret’s Place and bring my music and healing services into their space. It’s quite a unique experience every time.

Nicolette Paige is Owner and Founder at Beelicious KC

Manager & Urban Farmer at Kansas City Urban Farm Co-Op

Owner and Founder, Priestess at Soul Child Awakenings

Singer-Songwriter at Nicolette Paige

From Kansas City, Kansas // Married to Darrian Davis

My name is Nicolette Paige, owner and founder of Soul Child Awakenings. Soul Child Awakenings is a holistic healing business, practice, and way of life for the mind, body, and soul. Soul Child Awakenings focuses on empowering clients spiritually, physically, mentally, emotionally, and even financially by assisting them on their journey to self-mastery through indigenous spiritual practices, the use of earth medicines, and the scientific teachings of how these practices work. Soul Child Awakenings began its development in 2008, when I professionally started offering tarot readings and began my studies on African Spiritual Sciences. Since I was a child, I have always had the spiritual gift of healing and communicating with the spirit realm. Through all of my services I utilize these gifts to help guide others in discovering their own personal power and finding healing, peace, and purpose in their life. There are several core spiritual practices I often incorporate into my services: Curanderismo, Rastafari, Hoodoo, Vodou, and the religious practices of Ifa. In 2020 I was initiated into the Ifa religion, a way of life where other religions such as Vodou, Lucumi, and Candomble originate from. When I was initiated, I was given my spiritual name, ”Larada Didan Imoleina Aye Balewa”, meaning, “She Whose Healing Shines Light On The World”. Although I am initiated into Ifa and am influenced by other indigenous spiritual practices, the path I walk is led by the wisdom of my ancestors and the light and love that resides in my soul.

“Soul Child Awakenings”, comes from a few profound revelations in my life. Throughout my teenage years I always knew I was a soul living a human experience that had the ability to tap into infinite knowledge and wisdom; I knew that learning new things would be an everlasting journey. I always believed in a higher power, and felt my soul was an extension or child of this higher power. To show my gratitude for this knowing, I began referring to myself as “Soul Child” & even got the name tattooed on my neck. “Awakenings”, comes from the many awakenings one can experience in their life. One of the most important awakenings I believe one must have to attain true happiness is the awakening of their inner child, or what I like to call, their inner soul child. Awakening our inner soul child helps us to heal wounds and learn from our past, it helps us to remember the simple joys in life that many forget as adults, and most importantly, it helps us to live purposefully.

Nicolette Paige thank you for being our guest on WMM

Kansas City Urban Farm Co-Op – Summer Solstice & Power To The People Celebration on Saturday, June 22, 10:00am to 10:00pm, at 5051 East Gregory Blvd, KCMO.
This celebration will host a variety of activities with featured artists including: Jenna Bodensteiner opening the day with a Rhythm & Rootz ceremonial dance; Xion Sound Waves (a healing sound choir); Kansas City Rumba; Nicolette Paige; DJ Simba; Live paintings by Feliz Kehinde; Open Sessions poetry jam hosted by Breasia; and MORE! There will also be a FREE PRODUCE giveaway, free workshops, KC Vendors, an exotic petting zoo, henna by Madison Skye, and authentic Jamaican cuisine by Neptis Reggae! The Kansas City Urban Farm Co-Op is the largest Black owned orchard in Kansas City. More information at: http://www.KCUFC.org

11:19

  1. Nicolette Paige – “Other Side”
    from: The Other Side / Nicolette Paige / October 19, 2012
    [“Nicolette Paige is not your typical singer-songwriter. She is a true visionary, blending her melodic talent and heartfelt lyrics with her deep-rooted passion for healing. With a voice that effortlessly carries emotions, Nicolette shares soulful music that is inspired by her own life experiences. But Nicolette’s artistry extends far beyond the stage. As the owner and founder of Soul Child Awakenings, she is also a renowned healer. By combining her musical talents with her healing practices, Nicolette has created a unique and powerful way to touch the lives of others. She brings her gifts to schools, hospitals, and elderly care centers, providing participants with hand-held instruments and integrating indigenous healing practices into her sessions. Having professionally performed for over a decade, Nicolette has dedicated the last three years to incorporating her healing services into her music. The result is a transformative experience that leaves audiences moved, uplifted, and healed. Looking to the future, Nicolette plans to continue captivating audiences through her mesmerizing performances while working with the youth and elderly, using her healing practices to bring solace and positivity into their lives. Nicolette Paige is not just a singer-songwriter; she is a force to be reckoned with, a source of inspiration, and a healer all wrapped up in one incredible package.”// Nicolette Paige, who released her debut album, NICOLETTE PAIGE on May 2, 2008, and her 11-song album, THE OTHER SIDE on October 19, 2012. Those were followed by five singles. Nicolette is the owner and founder of Soul Child Awakenings, where she combines her musical talents with her healing practices. She brings her gifts to schools, hospitals, and elderly care centers, providing participants with hand-held instruments and integrating indigenous healing practices into her sessions. More info at: http://www.SoulChildAwakenings.com]
  1. Erin Eades – “The Lesser of Two Evils”
    from: “The Lesser of Two Evils” – Single / Erin Eades / January 26, 2024
    [Erin Eades is an Americana singer-songwriter and solo acoustic performer from Kansas City, drawing influence from indie rock, alternative, and country music. Through her music, she weaves a narrative of resilience and transformation, inviting listeners to embrace the bittersweet complexities of the human experience. Erin frequently performs in Missouri and Kansas, and plans to release her sophomore effort, a full studio project, in 2024. More info at: http://www.erineadesmusic.com]

[Erin Eades will play ULAH Live Sessions presents by You Found Music, Thursday, June 20, at ULAH, 4707 Rainbow Blvd., Westwood, KS. More info at: http://www.ulahkc.com]

  1. Cat Power – “The Greatest”
    from: The Greatest / Matador / January 20, 2006
    [The Greatest is the seventh studio album by Cat Power, the stage name and eponymous band of American singer-songwriter Chan Marshall. All tracks on the album were written by Marshall, making it her first album not to include any cover songs. The Memphis Rhythm Band includes Roy Brewer, Teenie Hodges, Steve Potts, Dave Smith, Rick Steff, Doug Easley, Jim Spake, Scott Thompson and Susan Marshall. String arrangements were contributed by Harlan T. Bobo and Jonathan Kirkscey. // The Greatest debuted at #34 on the Billboard 200, her highest charting album at the time. It also won the 2006 Shortlist Music Prize, making Marshall the first woman to win the honor. It was also named the 6th best album of 2006 by Rolling Stone, as well as the 26th best album of the decade. // Charlyn Marie “Chan” Marshall was born January 21, 1972) better known by her stage name Cat Power, is an American singer-songwriter. Cat Power was originally the name of her first band, but has become her stage name as a solo artist. // Born in Atlanta, Marshall was raised throughout the southern United States and began performing in local bands in Atlanta in the early 1990s. After opening for Liz Phair in 1993, she worked with Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, with whom she recorded her first two albums, Dear Sir (1995) and Myra Lee (1996), on the same day in 1994. In 1996, she signed with Matador Records, and released a third album of new material with Shelley and Foljahn, What Would the Community Think. Following this, she released the critically acclaimed Moon Pix (1998), recorded with members of Dirty Three, and The Covers Record (2000), a collection of sparsely arranged cover songs. // After a brief hiatus she released You Are Free (2003), featuring guest musicians Dave Grohl and Eddie Vedder, followed by the soul-influenced The Greatest (2006), recorded with numerous Memphis studio musicians. A second album of cover tracks, Jukebox, was released in 2008. In 2012 she released the self-produced Sun, which debuted at number 10 on the Billboard 200, the highest-charting album of her career to date. // Critics have noted the constant evolution of Cat Power’s sound, with a mix of punk, folk and blues on her earliest albums, and elements of soul and other genres more prevalent in her later material. // Charlyn Marie Marshall was born January 21, 1972, in Atlanta, Georgia, the second child of Charlie Marshall, a blues musician and pianist, and Myra Lee Marshall (née Russell). She has one older sister, Miranda (“Mandy”). Her maternal grandfather was of Native American ancestry. Her parents divorced in 1979 and remarried shortly thereafter. Her mother remarried and had a son, Lenny, and the family traveled around often because of her stepfather’s profession. // Marshall attended ten different schools throughout the Southern U.S. in Greensboro; Bartlett and Memphis and throughout Georgia and South Carolina. At times she was left in the care of her grandmother. She was not allowed to buy records when she was growing up, but she listened to her stepfather’s record collection, which included artists Otis Redding, Creedence Clearwater Revival and The Rolling Stones, as well as her parents’ records, which included Black Flag, Sister Sledge, and Barry White. In sixth grade, she adopted the nickname Chan (pronounced “Shawn”), which she would later use professionally. When she was 13, she listened to the Smiths, the Cure and Siouxsie and the Banshees. She had to save up to buy cassettes and the first one she got was a record by the Misfits. As a high schooler in Atlanta, she saw shows by punk bands including a Cramps show at which the Flat Duo Jets opened She has referenced multiple times the influence of Dex Romweber from the Flat Duo Jets, and she bought her first guitar because it looked like his black and white Silvertone. At age 16, Marshall dropped out of high school and became estranged from her mother, having no further contact with her until she was 24. // Religion was a large part of Marshall’s upbringing; her father was a Jehovah’s Witness, though she attended Southern Baptist churches with her grandmother, where she began singing while learning hymns.]

[Cat Power plays Starlight Theatre Monday, June 24 with The Pixies and Modest Mouse.]

11:29 – Underwriting

  1. Scott Hrabko & The Rabbits – “And The Four Horses You Rode In On”
    from: Other Cats, Other Bags, Vol III / Scott Hrabko / May 27, 2024
    [On March 19, 2024 Scott Hrabko released Other Cats, Other Bags – Volume 1 a 4 – track EP. On April 19, 2024 Scott Hrabko released Other Cats, Other Bags – Volume 1I. Both are part of Multi-Volume Project containing recordings that grew from sessions Scott did at home with a few longtime Rabbits and some new friends from the Kansas City Music Community. // On July 1, 2022 Scott Hrabko and The Rabitts released The Wonderful World Of Scott Hrabko & the Rabbits. This recording was #12 on WMM’s 120 Best Recordings of 2022. These two sprawling discs contain song-craft reminiscent of everything from classic ‘60s adult pop to nostalgia-free Americana to cut ’n’ paste hip hop-inspired grooves — and some wild detours between. “But it’s all me.” – Hrabko. The Rabbits, this time around: Jason Beers on Bass, Organ, Piano, Banjo, Harmonica, Slide Guitar; Clarke Wyatt on Drums; Matt Hopper on Lead Guitar; Chris DeVictor on Upright Bass; Chris Hudson on Nylon String Guitar, Mandolin, Lead Guitar; Mike Lindsey on Bass; Tim Higgins on Drums, Percussion; Gary Paredes on Slide Guitar, Wah Wah Guitar; Chad Brothers on Lead Acoustic, and Havilah Bruders on Vocals, with Scott Hrabko on Voices, Guitars, Bass, Keyboards, Drums, Percussion, Banjo, Static Outbursts, Ghosts Knob Twiddling and Digital Chicanery. This 2-CD, 22-song release, THE WONDERFUL WORLD OF SCOTT HRABKO & THE RABBITS on July 1, 2022. The double album was recorded at Hrabko’s home studio in a time of a global pandemic and social unrest. Mike Warren writes in No Depression Magazine, “Hrabko’s rootsy songs are filled with trap doors, hidden nooks, and secret passageways. They’re like those dreams within comfortably familiar houses that suddenly have brand new rooms.” Scott Hrabko & The Rabbits have released six singles and released the albums and EPs: LAST DANCE (EP) in 2020, SMASH HITS FROM A PARALLEL UNIVERSE (EP) in 2019, SUMMER in 2017, and BISCUITS AND GRAVITY in 2015. Scott Hrabko’s 2013 critically acclaimed solo release, GONE PLACES was said to be 30 years in the making. Scott Hrabko has played with The Original Sinners, as well as the 1980s bands: The Splinters, and The Andersons. In the early 1990s Scott performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg. More info at: http://www.scotthrabko.com]

11:35 – Interview with Scott Hrabko

On July 1, 2022 Scott Hrabko and The Rabbits released, The Wonderful World Of Scott Hrabko & the Rabbits. This recording was #12 on WMM’s 120 Best Recordings of 2022. Then, earlier this year, On March 19, 2024 Scott Hrabko released Other Cats, Other Bags – Volume 1 a 4 – track EP. Scott followed that with Other Cats, Other Bags – Volume II released April 19, 2024. And now Scott Hrabko is back with more music from his new musical project, “Other Cats, Other Bags Volume III,” released on May 27, 2024. It’s a multi-volume project culled from recording sessions Scott did at home with a few longtime Rabbits (his backing band mates) and some new friends from the KC music community, that Scott has been wanting to record with for some time. Each volume features cover art from artists Scott knows and loves. Scott Hrabko is an independent singer-songwriter who has followed his own mercurial muse since the town’s late 1980s indie rock scene. Info at: http://www.scotthrabko.bandcamp.com // http://www.scotthrabko.com

Scott Hrabko, Thanks for being with us on Wednesday MidDay Medley

“Hrabko’s rootsy songs are filled with trap doors, hidden nooks, and secret passageways. They’re like those dreams within comfortably familiar houses that suddenly have brand new rooms.” Mike Warren – No Depression. More info at: http://www.scotthrabko.bandcamp.com and http://www.scotthrabko.com

Now Scott is back to share more music from his new musical project, “Other Cats, Other Bags. Volume III,” released on May 27, 2024and 4 more songs culled from recording sessions Scott did at home with a few longtime Rabbits (his backing band mates) and some new friends from the KC music community, that Scott has been wanting to record with for some time. Each volume features cover art from artists Scott knows and loves who are still going strong. Scott Hrabko is an independent singer-songwriter who has followed his own mercurial muse since the town’s late 1980s indie rock scene. More info at: http://www.scotthrabko.bandcamp.com and http://www.scotthrabko.com

Other Cats, Other Bags – Vol III by Scott Hrabko & The Rabbits (released May 27, 2024)

  1. On Account Of Darkness 04:32
  2. Dust Waltz 04:39
  3. Dark Hwy 05:02
  4. And The Four Horses You Rode In On 04:33

Credits: Jason Beers: Slide Guitar, Harmonica, Saw, Bass
SH: Voices, Guitars, Bass, Keyboards, Percussion, Ghosts

All songs © 2024, Scott Hrabko (ASCAP)

Recorded and mixed by Scott Hrabko, KCMO
Mastered by Mike Nolte at Eureka Mastering, Portland, OR

Art:
Cover – Rachel Burch Williams
http://www.instagram.com/rachel_burch_williams/?hl=en

On Account Of Darkness – SH

Dust Waltz – Original Art -Sam Hrabko
http://www.inprnt.com/profile/hrab/
Montage – SH

And The Four Horses You Rode In On – SH


Other Cats, Other Bags – Vol II by Scott Hrabko & The Rabbits

  1. Wayfaring Muse 04:15
  2. In The Sky 06:03
  3. Everything 05:15
  4. About Time 04:16

Other Cats, Other Bags Vol II – Second in a Multi-Volume project

These recordings grew from sessions I did at home with a few longtime Rabbits and some new friends from our KC music scene I’ve been wanting to record with for some time.

Volume II collaborators: Jason Beers, Hank Tilbury, David Randall, Chris Hudson

The covers of each EP in this series, as well as most of the individual tracks are by artists I know and love.

released April 19, 2024

Jason Beers: Bass Guitar (1-3), Keyboards (3)
Dave Randall: Piano (1-2)
Hank Tilbury: Bongos, Talkative Shakers, Spatulas, Water Bowl, Tomato Can (1-2)
Chris Hudson: Nylon String Guitar (1-2) Spectral Guitar (3)
SH: Vocals, Guitars, Percussion, Drums (3-4), Piano (4)

All songs © 2024, Scott Hrabko (ASCAP)

Recorded and mixed by Scott Hrabko, KCMO. Additional recording by Chad Bryan
Mastered by Mike Nolte at Eureka Mastering, Portland, OR

Art:
Cover: Hank Tilbury – http://www.hanktilbury.com

Wayfaring Muse: Kevin Paulsen – http://www.instagram.com/kmartinpaulsen/?hl=en

In The Sky: Cayse Cheatham – tatibell298.wixsite.com/cayse

Everything: Diane Christiansen – http://www.christiansenstudio.com

About Time: Val Hodges Tankard
Design: SH


Other Cats, Other Bags – Volume I by Scott Hrabko & The Rabbits

  1. Junk Drawer 02:57
  2. Dark Highway 03:58
  3. Only A Dream 05:41
  4. Brand New Day 03:30

Other Cats, Other Bags Vol I
First in a Multi-Volume project

These recordings grew from sessions I did at home with a few longtime Rabbits and some new friends from our KC music scene I’ve been wanting to record with for some time.

Volume I features steadfast stalwarts Jason Beers and Tim Higgins, as well as Kansas City folks, Betse Ellis, Brett Hodges, Brandon Day, Beth Watts Nelson and Kristin Hamilton.

The covers of each EP in this series, as well as most of the individual tracks are by artists I know and love.

released March 19, 2024

Jason Beers: Bass Guitar (1-2), Piano (1)

Brandon Day: Upright Bass (3-4), Fiddle (1,4)
Lead Guitar (1,4), Backing Vocals (3)

Betse Ellis: Fiddle (2), Backing Vocals (2)

Kristin Hamilton: Backing Vocals (3)

Tim Higgins: Congas (1), Drums (2)

Brett Hodges: Lead Guitar (2), Backing Vocals (2)

Beth Watts-Nelson: Backing Vocals (3)

SH: Vocals, Guitars, Percussion, Drums (3-4)

All songs © 2024, Scott Hrabko (ASCAP)

Recorded and mixed by Scott Hrabko, KCMO
Mastered by Mike Nolte at Eureka Mastering, Portland, OR

Art:

Cover -Sam Hrabko
Junk Drawer – Sam Hrabko
http://www.inprnt.com/profile/hrab/

Dark Highway – Hank Tilbury
http://www.hanktilbury.com

Only A Dream – Joanna Kane
http://www.greyladygallery.com/joanna-kane

Brand New Day – Judi Bauer & Mimi Krebotchnik

In The Sky (Lyrics)
… And The Four Horses You Rode In On

Heavy thickets of graveyard spiel
Chapters torn out in advance
Scattered to the wind
For a drunken, little dance

Dirty murmurs overheard overhead
Where the rat landlord revolves
Coming back from the dead
To an onslaught of applause

Spirit of ruin, deep in the ground
Termites determined to bring the house down

You’re nobody’s child

To the shuffling tongues
The plague arithmetic
The blithering dipshit Of the apocalypse

(Ain’t going out like that)

~ Los Estados Destrozado (2x)

Blinking back the tears
Bleeding out applause
In a heckling hall of mirrors
Too fallen for words
Too wrecked to feel the phone
Where the shadows perform
Crying, “Look at me, look at me, look at me!
I will die if you look away
I will die unsignified
King yesterday”

Music and lyrics © 2024, Scott Hrabko (ASCAP)

Dust Waltz

Cocaine contrails hauling ass east
Two bars of Stardust (I sing of thee)
Country folk behaving most peculiarly
Keep your head down, honey
And stay upwind of the beast

Talkative dust on a wandering quest
Trying to tell me the sun comes up in the west

Now all of your preconceived babies
Have grown up to be
Inflatable darlings
Of an undead confederacy
Soldiers on leave of their senses
Drunk on cruelty
King after king after king after king
Thrown free to a ditch full of weeds

A hillbilly sorcerer they all said they saw
One more violation of a natural law
Losing streaks across the sky
Southbound blood on a bullwhip tide
Nobody’s future to wager away
No dust to kick up in the cockfight
Between the states

From the dust of what’s done
To the ashes to be
Just don’t try to tell me
The sun goes down in the east

Music and lyrics © 2024, Scott Hrabko (ASCAP)

Scott Hrabko, Thanks for being with us on Wednesday MidDay Medley

More info at: http://www.scotthrabko.bandcamp.com http://www.scotthrabko.com

For WMM, I’m Mark Manning. Thanks for listening!

11:52:45

  1. Scott Hrabko & The Rabbits – “Dust Waltz”
    from: Other Cats, Other Bags, Vol III / Scott Hrabko / May 27, 2024
    [On March 19, 2024 Scott Hrabko released Other Cats, Other Bags – Volume 1 a 4 – track EP. On April 19, 2024 Scott Hrabko released Other Cats, Other Bags – Volume 1I. Both are part of Multi-Volume Project containing recordings that grew from sessions Scott did at home with a few longtime Rabbits and some new friends from the Kansas City Music Community. // On July 1, 2022 Scott Hrabko and The Rabitts released The Wonderful World Of Scott Hrabko & the Rabbits. This recording was #12 on WMM’s 120 Best Recordings of 2022. These two sprawling discs contain song-craft reminiscent of everything from classic ‘60s adult pop to nostalgia-free Americana to cut ’n’ paste hip hop-inspired grooves — and some wild detours between. “But it’s all me.” – Hrabko. The Rabbits, this time around: Jason Beers on Bass, Organ, Piano, Banjo, Harmonica, Slide Guitar; Clarke Wyatt on Drums; Matt Hopper on Lead Guitar; Chris DeVictor on Upright Bass; Chris Hudson on Nylon String Guitar, Mandolin, Lead Guitar; Mike Lindsey on Bass; Tim Higgins on Drums, Percussion; Gary Paredes on Slide Guitar, Wah Wah Guitar; Chad Brothers on Lead Acoustic, and Havilah Bruders on Vocals, with Scott Hrabko on Voices, Guitars, Bass, Keyboards, Drums, Percussion, Banjo, Static Outbursts, Ghosts Knob Twiddling and Digital Chicanery. This 2-CD, 22-song release, THE WONDERFUL WORLD OF SCOTT HRABKO & THE RABBITS on July 1, 2022. The double album was recorded at Hrabko’s home studio in a time of a global pandemic and social unrest. Mike Warren writes in No Depression Magazine, “Hrabko’s rootsy songs are filled with trap doors, hidden nooks, and secret passageways. They’re like those dreams within comfortably familiar houses that suddenly have brand new rooms.” Scott Hrabko & The Rabbits have released six singles and released the albums and EPs: LAST DANCE (EP) in 2020, SMASH HITS FROM A PARALLEL UNIVERSE (EP) in 2019, SUMMER in 2017, and BISCUITS AND GRAVITY in 2015. Scott Hrabko’s 2013 critically acclaimed solo release, GONE PLACES was said to be 30 years in the making. Scott Hrabko has played with The Original Sinners, as well as the 1980s bands: The Splinters, and The Andersons. In the early 1990s Scott performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg. More info at: http://www.scotthrabko.com]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, June 26 we welcome Zee Underscore // At 11:00 am we welcome our good friend Charlie Colborne and members of the band Miss Boating who have recently been signed to Hive Dive Records and have a new album coming out called, JEWEL IN THE TRASH. Miss Boating play a JEWEL IN THE TRASH Album Release Show, with The Fullbloods, Saturday, January 29 at 6:00pm at The Ship, 1221 Union Avenue, KCMO WEST BOTTOMS // also next week Tommy Lee Capps and members of the band Talking Trees join us LIVE in our 90.1 FM Studios.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1051

WMM Playlist from June 12, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 12, 2024

WMM Serves Music of Boulevardia + Chris Haghirian + Krystle Warren

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
  1. Friendly Thieves – “Get it Yourself”
    from: “Get it Yourself” – Single / Friendly Thieves / June 7, 2024
    [New single from five-piece alt-funk band, Friendly Thieves who are: Sam Wells on lead vocals, Jamae Breeze on lead guitar, Sam Millard on bass, John Goss on drums, and Ben Baker on saxophone. // Friendly Thieves released their debut album Til Death on October 31, 2023. // From Michelle Bacon’s piece in http://www.bridge909.org: Friendly Thieves describes themselves as if “Alabama Shakes and Young The Giant had a Vulfpeck-inspired love child,” and well, that’s pretty spot on. Their single captures that intersection of vibrant indie-rock energy and exceptional musicianship, with an intriguing funk aroma. // The bands show at ULAH is their only KC show so far this year before the ban sets off on tour to Austin, Chicago, Denver, and Nashville. // Sam Wells released her debut EP, FOR THE DEFLATED on French Exit Records on December 31, 2020. Sam Wells is a Kansas City, based singer songwriter who has shared stages with Betsy Phillips, Kelly Hunt, Andrew Ryan, The Zack Pietrini Band, and The Phantastics. She was featured as a composer and performer in the Kansas City Repertory Theater production of “Ghost Light” performed on the lawn of The Nelson Atkin Museum of Art in October, 2020. Sam has also performed in Troostival (2020), Kansas City Porchfest (2019) and Jamdemic. In 2019, Wells released her debut single “Lesson Learned.” In early 2020 Wells released her second single “Sugar” producer and engineered by Riley Corbin at the Lawrence Kansas Public Library recording studio. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between. Originally from Phoenix, Arizona, Sam Wells has lived in Lawrence, but now calls KC home. Sam Wells also contributed to The Black Lives Matter Compilation from French Exit Records that featured tracks from 22 acts from the area, and was released on July 6, 2020. Sam contributed the song, “Dear Black People”. On WMM we featured tracks from: Blackstarkids, Daniel Gum, Crystal Rose, UpKeep, Bream, Heavy Surface, Palace Intrigue, Self Harmony, and Sam Wells. All proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. French Exit Records launched in 2018, and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. ]

[Friendly Thieves play at Boulevardia Friday, June 14, at 5:05 on the Visit Missouri Stage.]

10:04 – Intro / Interview with Chris Haghirian

Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Today on WMM we are serving up music from the 9th annual Boulevardia Festival including: The Roseline, Kemet Coleman, Friendly Thieves, Supermassive Black Holes,Laura Noble, Bears and Company, Flight Attendant, Milky Chance, Kate Cosentino, Good Morning Kevin featuring Mura Masa & Big Freedia, Back Alley Brass Band, Paul Cauthen, Stik Figa, Thundercat, Ultimate Fakebook, and Krystle Warren!

At 11:00 am, Krystle Warren joins us for our second hour. Krystle Warren will perform LIVE from the 90.1 FM Studios. Krystle Warren is one of our most played artists and most frequent guests. Now based in France, Krystle Warren is back in Kansas City to play Boulevardia, Saturday, June 15 at 8:45pm on the Elevate Stage, at Crown Center. Krystle Warren will also play the Percheron Rooftop Series tomorrow night on Thursday, Jun 13, 2024, at 7:00 PM on the rooftop of the Crossroads Hotel.

Joining us for the entire show is our special guest, Chris Haghirian host & Producer of Eight One Sixty, heard Tuesday nights at 6:00 PM, on 90.9 The Bridge. Chris worked for The Kansas City Star for over 20 years. Chris studied Journalism / Advertising at The University of Kansas. Chris also studied Photography at Kansas City Art Institute. Chris works for Spray KC. Chris organizes multiple concert series throughout the metro, and music stages for Plaza Art Fair, Innovation Fest, and The Middle of The Map Fest.

Chris Haghirian joins us to share details about Boulevardia, Friday, June 14, & Saturday, June 15, at Crown Center, 2396 Grand Boulevard, with over 70 national, regional & local acts, 23 DJs, 5 music stages, with nearly 50 Brewing Companies, dozens and dozens of Restaurants & Food Trucks, Multiple merchants in the Makers Market, plus a Skating Party, The Silent Disco, and various VIP Experiences.

Boulevardia has become one of the city’s largest showcases of local music with over 60 local performers included in this year’s lineup. Musical performances cross over genres and showcase the rich talent KC has to offer. The 2-day street festival is near the intersection of Pershing & Grand Boulevard, encompassing Crown Center & Washington Square Park. The event features a craft beer & food sampling experience & music, all in a unique urban setting. More info at: http://www.boulevardia.com

Chris Haghirian thanks for being with us on WMM

Bnoulevardia – Friday, June 14

VISIT MISSOURI STAGE
5:05pm – Friendly Thieves
6:25pm – Pom Pom Squad
7:50pm – Hanson
9:30pm – Milky Chance

ELEVATE STAGE
5:00pm – Bobby Watson
6:15pm – Laura Noble
7:30pm – Jass
8:45pm – Bears and Company
10:00pm – Ha Ha Tonka

PROPAGANDA3 PARK STAGE
4:20pm – Dames of The Dead
5:30pm – Infinity
6:40pm – WEDA Skirts
7:50pm – Flat Susan
9:00pm – The Roseline
10:10pm – Starhaven Rounders

HOLLADAY HILL STAGE
5:45pm – Lava Dreams
7:00pm – Kadesh Flow
8:15pm – LYXE
9:30pm – Flight Attendant

MONSTER ENERGY SILENT DISCO
5:00pm – Zimmerman
5:00pm – Sana
5:00pm – DJ EJ
7:00pm – Twinnflame
7:00pm – Dewey
7:00pm – SHEPPA
7:00pm – Jingram
7:00pm – DJ ON10
9:00pm – DJ P (Daniel James Phillips)
9:00pm – Dom Chronicles
9:00pm – DJ Joe & Ice Kole

10:09

  1. Laura Noble – “Touch The Sky”
    from: “Touch The Sky” – Single / Noble Nation Records / March 22, 2020
    [Kansas City based Dominican Republic singer Laura Noble has had the opportunity to perform cover and original songs in major cities including Queens & Manhattan, NY, Minneapolis, MN, Denver, CO, Fort Myers, FL, Denver, CO, Atlanta, GA, Baltimore, MD and others. She’s been performing with live bands for 10+ years at festivals, high budget weddings, and corporate events. She has done the National Anthem and God Bless America at major sporting games and events like the KC Royals, Sporting KC and MMA fight tournaments..]

[Laura Noble plays Boulevardia, Friday, June 14, at 6:15 PM on Elevate Stage]

  1. Bears And Company – “After The Quake”
    from: South of The Mountain / Bears and Company / April 28, 2013
    [Bears and Company were formed in June 2011. Bears and Company is a progressive/indie rock band out of Kansas City, Missouri. Each member comes from different musical backgrounds and collectively they craft a unique taste for those with open mouths. They are a band that share a story worth listening to, and paint a constant raging tone to illustrate such. This quintuplet is a band that gets in your face and will have you screaming every word in company. They create sound for honest connection, and work restlessly to break any and all resistance. The Bears started when songwriters, Alexander McClain (Guitar/Vocals) and Logan Tyler (Vocals/Bass) got together in the winter of their first and last year of college and began working on the songs and ideas of Bears and Company. Not long after McClain’s long time friend and past bandmate, Allan Latini (Drums) joined the band out of great desire to be a part of a hard hitting project. As a Trio the band played multiple shows, wrote, and recorded an unreleased E.P. and in time decided that it was time to step up their song direction and guitar section. Zach Knoll (Guitar) became the missing piece of the puzzle after a couple sessions. Charisma came completely natural for the four piece and things took off immediately. They began writing their debut full length record, South of the Mountain, in the fall of 2011 and returned to the studio to record with producer Aaron Crawford (The Beautiful Bodies, We Are Voices, Flee the Seen, Now Now Sleepyhead) in the fall of 2012.]

[BEARS AND COMPANY play Boulevardia, Friday, June 14, at 8:45 PM on Elevate Stage]

  1. The Roseline – “Aloneness”
    from: Keystone of the Heart / RPH Records / February 2, 2024
    [Keystone of the Heart is the eighth album from the Lawrence, Kansas based band. The Roseline features: Colin Halliburton on lead vocals, Bradley McKellip on guitar, Heidi Gluck on Keyboards & backing vocals, Colin Jones on bass, Jim Piller on drums, and Chase Horseman on Mellotron. Engineered, produced, and mixed by Joel Nanos at Element Recording Studios in Kansas City, KS Mastered by Carl Saff at Saff Mastering in Chicago, IL. // Keystone of the Heart, is arguably their most distilled, elegant, and emotionally resonant album of their career. Halliburton describes it as “a protest record which protests the dissolution of a marriage, the slog of existence in late stage capitalism, and grotesque hatred and violence.” While this certainly sounds clunky and heavy-handed, Halliburton knows when to inject some levity and humor. Songs which appear dour and grim in the early verses always seem to find some hope and light by their end. Keystone of the Heart offers pure aural aloe for troubled times. // The Roseline played an Album Release Show at The Bottleneck con February 2, 2024 with Suzannah Johannes and Empty Moon. The band will be traveling back to Scandinavia in March.// The Roseline’s 7th album CONSTANCY was released November 5, 2021, was #1 on WMM’s 120 Best Recordings of 2021. // The Roseline are a Lawrence, KS, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The Roseline released their 6th album GOOD / GRIEF on April 3, 2020. The Roseline released BLOOD on September 29, 2017; and TOWNIE on June 19, 2015. The band has toured the US and parts of Europe. Halliburton has completed two European solo tours thus far, taking him through Poland, Germany, Belgium, and The Netherlands. // . The Roseline founder and principal songwriter, Colin Halliburton, began the project as an acoustic folk trio. It has since evolved into the five-piece heartland rock band of its current form. // Kind foreign press and high charting on the Euro Americana Chart (“Lust for Luster,” “Blood,” “GOOD/GRIEF” and “Constancy” all charted in the top 10) led to a deal in the Benelux with Dutch label King Forward Records. The band also released “Vast as Sky” in 2012 with the Bay Area label Ninth Street Opus (home to Sarah Lee Guthrie and Carrie Rodriguez). Aside from those, the project has largely been a truly DIY, independent venture. // The Roseline has had the good fortune of landing placements in indie movies and major network television shows such as ABC’s “Nashville” and “Resurrection,” as well as USA’s “Queen of the South,” Netflix’s “Virgin River” and MTV’s “Teen Mom.” The band’s work has been featured on NPR, “Pop Matters,” “American Songwriter,” “The Bluegrass Situation” and “No Depression,” among others. Colin Halliburton joined us on WMM on March 25, 2020. More info at: https://roselinemusic.com/%5D

[The Roseline play Boulevardia, Friday, June 14, at 9:00 PM on Propaganda 3 Park Stage.]

  1. Flight Attendant – “Therapy Couch (Radio Edit)”
    from: “Therapy Couch (Radio Edit)” / Flight Attendant / June 23, 2023
    [“Flight Attendant delivers an experience,” – Rolling Stone Magazine. Flight Attendant belongs to that breed of rock bands made in Nashville, USA; where their sound is nothing less than a sonic unicorn. Blending sounds of grunge with power-pop hooks, viola and light synth textures, they have begun to create a hypnotic sound and energy all of their own. Glide Magazine says that Lead Singer Karalyne, “Commands your attention like Freddie Mercury working the crowd in an arena.” Flight Attendant band has been compared to Haim and Fleetwood Mac, or as TurnuptheVolume puts it, “Think Warpaint having a dance with Best Coast,” – This “Nashville based eclectic-indie band….is ready for take off”, Velvet Thunder]

[Flight Attendant play Boulevardia, Friday, June 14, at 9:30 PM on Holladay Hill Stage.]

. Milky Chance – “Living in a Haze (feat. The Beaches) (clean edit)”
from: “Living in a Haze (feat. The Beaches)”- Single / Muggelig Records GnbH / Mar. 29, 2024
[They won’t tell you this, but Milky Chance — the unassuming German duo of childhood friends Clemens Rehbein and Phillipp Dausch — are one of the biggest bands in the world. As they get ready to share the idiosyncratic and inventive pop songs that populate their new album Living In A Haze, they proudly boast over 10 million monthly Spotify listeners, an enviable touring resume (including festivals like Coachella, Reading & Leeds, and Lollapalooza), an upcoming schedule of 2023 dates that represent their biggest headline shows of their career, and a global audience stretching from the US and Mexico to the EU, Australia, and beyond. Over the course of their decade-plus as a band, they’ve proven themselves to be an elusive entity: the rare organism that has evolved to survive and thrive in an increasingly precarious music industry. In an era where there’s no shortage of hucksters offering shaky advice to burgeoning musicians, Milky Chance are resistant to offering any kind of careerist insight on longevity. Instead, Rehbein offers a more straightforward philosophical suggestion: “The best thing we ever did for ourselves, artistically, was maintain a real sense of naivety. Maybe it’s because we met so young but playing music together feels just like that: Playing. Whatever we’re doing, we try to let a childlike intuition, serendipity, and sense of discovery lead the way.” Right as the band started, their runaway hit “Stolen Dance” — which just surpassed over 1 billion streams on Spotify — gifted Rehbein and Dausch with a platform far beyond what the duo could have imagined when they first recorded the track on a minimal home setup. But that kind of success breeds pressure from all sorts of stakeholders to recreate a once-in-a-lifetime moment. Not that Milky Chance let that get to them. “While we were vaguely aware that there were expectations to follow-up the success of that first album,” says Dausch, “we were largely able to ignore it. Probably because we were so young and things like playing festivals or going into the studio were still so new and exciting. Most of the other noise passed us by.” While they’re justifiably proud of their studio work following “Stolen Dance” — their 2014 debut Sadnecessary broke them as a global streaming and touring act, while 2017’s Blossom and 2019’s Mind The Moon found them building outwards from an established identity and taking advantage of new resources to collaborate with heroes like Jack Johnson and Ladysmith Black Mambazo — their recent decision to go independent has given Milky Chance a new lease on life. They’ve been able to experiment with their release approach, sharing two versions of their travel-inspired Trip Tapes, official collections of remixes, demos, and covers that originally featured as part of the soundtrack to their viral Road Tripping Radio series. They’ve also been able to further promote ecological sustainability, whether through their Milky Change initiative, which plants trees to offset the carbon footprint of touring, or through implementing more sustainable practices into how they source their merch. However, their new sense of freedom is best exemplified by the freewheeling exploratory verve that runs through Living In A Haze. For some acts, being unleashed artistically might mean endless run-times, dense noise collages, or a more hostile approach to their audience. But Milky Chance’s version of experimentalism is writing the tightest, most groove-forward pop song imaginable — and then going back and distorting each sound into its wildest, most unrecognizable iteration. Take album opener and lead single “Living In A Haze,” an economical haymaker of a track: Its “don’t bore us get to the chorus” structure unfolds with an enigmatic but intuitive logic, going from elegiac triplet guitar figure to a tight, post-Strokes rhythmic feel that provides the ideal musical metaphor to accompany Rehbein’s dreamy delivery. “I wish I was a disco boy,” he sings as the song’s tension finally uncoils with a percussive momentum that beckons listeners to join in. “I should be dancing the pain away.” Milky Chance have gotten so good at recording breezy off-kilter pop songs that, like two basketball players dramatically upping the stakes in a game of HORSE, they are now challenging themselves to do it in as bizarre a way as possible. On Living In A Haze, it sounds better than anything they’ve ever done. Operating from an eclectic moodboard of influences — which, in brief, includes: reggae-pop alchemists like Bob Marley, The Police, and Sublime; a vast array of global pop icons including Burna Boy, Stromae, and Rosalía; the emotive deep house of Fred again…; and the moody, neon-streaked Euphoria soundtrack — Milky Chance pack every song on Living In A Haze with delectable noises and the freight train hooks that have become their signature. Afrobeat rhythms power both “Flicker In The Dark” and “Feeling For You” — on the first providing a canvas on which to liberally splatter earthy acoustic textures and a cartoonishly colorful guitar solo, on the second lending a swiveling counterpoint to Rehbein’s narcotized vocal. The impish and irresistible “Colorado” — which makes a reprise here after a 2021 single release — is a labyrinth of twisting guitar riffs, echoing vocal ad-libs, and funhouse synth fanfares that still demands repeat listens. And “Better Off” is 80s pastiche constructed with both reverence and glee, its goth bassline and new wave keyboards showing that Milky Chance learned all the right lessons when they covered The Weeknd and Soft Cell as part of their Trip Tape series. Recorded at Jazzanova Recording Studios in Berlin with an array of collaborators — including production help from DECCO, Jonas Holle, Tobias Kuhn, Dennis Neuer, and guests including Malian artist Fatoumata Diawara and Canadian singer Charlotte Cardin — Living In A Haze ultimately works because it applies the band’s endless musical curiosity to the propulsive logic of the best club music. “In order to really connect with an audience, particularly in a live setting, music needs a sense of physicality and movement,“ says Rehbein. Milky Chance find unique ways to put this edict into practice, whether it’s the seamless synthesis of Laurel Canyon-steeped folk pop and deep house on “Synchronize” or the refreshingly subtle contours of “Like A Clown’s” poolside filter disco. On “History Of Yesterday,” they marry a UKG shuffle with sunny atmospherics and cascades of reverberating piano that culminate in perhaps the band’s breeziest chorus to date. However, all the studio ingenuity in the world doesn’t take you very far if it’s used on a lackluster song. Luckily, Living In The Haze provides an abundance of proof that Milky Chance are dedicated to mastering their songcraft. Want a compact pop gem packed with yearning and melodic sophistication? They’ve got “Purple Tiger” and its delightful call-and-response chorus. What about a singalong-igniting, lighters-aloft love song? They’ve got the undeniable strummer “Favorite Song.” What about something ambitious that points to heretofore unseen artistic avenues for the band’s future? There’s the sparse, delicately unfolding album closer “Frequency Of Love,” whose sub-bass textures and auto-tune choirs end things with an emotional flourish and teases the promise of Milky Chance songs to come. There’s a creative restlessness that permeates Living In A Haze. Milky Chance seem eager to avoid repeating themselves, lest they become stuck in their ways and lose the joyous spark that drew them together as teenaged music students. Over the past decade, that intrepid spirit has served Milky Chance well. Living In A Haze is not the culmination or endpoint of the band’s musical journey, but another chapter in it — one that vibrates with possibility and passion. It’s a thrilling juncture for band and listener alike.

[Milky Chance play Boulevardia, Friday, June 14, at 9:30 PM on the Visit Missouri Stage.]

10:28 – Underwriting

Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Today on WMM we are serving up music from the 9th annual Boulevardia Festival.

Chris Haghirian joins us to share details about Boulevardia, Friday, June 14, & Saturday, June 15, at Crown Center, 2396 Grand Boulevard, with over 70 national, regional & local acts, 23 DJs, 5 music stages, with nearly 50 Brewing Companies, dozens and dozens of Restaurants & Food Trucks, Multiple merchants in the Makers Market, plus a Skating Party, The Silent Disco, and various VIP Experiences.

Boulevardia has become one of the city’s largest showcases of local music with over 60 local performers included in this year’s lineup. Musical performances cross over several genres and showcase the rich talent KC has to offer. The two-day urban street festival is near the intersection of Pershing and Grand Boulevard, encompassing Crown Center and Washington Square Park. The event features a craft beer and food sampling experience and music, as well as interactive activities, entertainment, and shopping, all in a unique urban setting. More info at: http://www.boulevardia.com

Chris Haghirian thanks for being with us on WMM

Boulevard – Saturday, June 15

VISIT MISSOURI STAGE
1:05pm – Selekto Show
2:25pm – The Phantatics
3:45pm – Kate Cosentino
5:05pm – Post Sex Nachos
6:25pm – Big Freedia
7:25pm – Sass-A-Brass
8:05pm – Paul Cauthen
9:45pm – Thundercat

ELEVATE STAGE
1:15pm – Tiki Brawlers
2:30pm – Danny Santell
3:45pm – Stranded In The City
5:00pm – Zee Underscore
6:15pm – The Whips
7:30pm – Black Alley Brass Band
8:45pm – Krystle Warren
10:00pm Ultimate Fakebook

PROPAGANDA3 PARK STAGE
2:00pm – Supermassive Black Holes
3:10pm – The Swallowtails
4:20pm – The Cowardly Lions
5:30pm – Kirstie Lynn & Galen Clark
6:40pm – Marty Bush
7:50pm – The MGDs
9:00pm – OLE 60
10:10pm – The Burney Sisters

HOLLADAY HILL STAGE
2:00pm – Jamogi
3:15pm – Asia Tsion
4:30pm – IVORY BLUE
5:45pm – Love, Mae C.
7:00pm – Broderick Jones
8:15pm – Stik Figa
8:15pm – Leonard Dstroy
9:30pm – Mary and The Matrix

MONSTER ENERGY SILENT DISCO
1:00pm – BLVDIA Skate Party
3:00pm – SIRQUEEN
3:00pm – Kay Fan
3:00pm – DJ Missy E
3:00pm – DJ Diehard
5:00pm – DJ MOHEAT
5:00pm – TIBERIAS
5:00pm – Yung Maple
7:00pm – DJ EJ
7:00pm – DJ ON10
7:00pm – DJ Dawna
7:00pm – Lana Luxx
9:00pm – DJ Joe & Ice Kole
9:00pm – ASSJAMZ
9:00pm – DJ NE$$

10:34

  1. Supermassive Black Holes – “Wiser”
    from: Stop Safely Now / Supermassive Black Holes / October 27, 2023
    [Recorded, engineered, mixed & mastered by Duane Trower at Weights & Measures Soundlab. Supermassive Black Holes are: Alexis Barclay on bass guitar & vocals; John Johnson on electric, acoustic guitar, synthesizer, kazoo & vocals; Matt Davis on drums, piano & vocals; and Chad Brothers on electric & acoustic guitar & vocals. Song written by Chad Brothers. Supermassive Black Holes were formed in 2010 during the legendary Monday jam nights at Crosstown Station. Supermassive Black Holes are a genre-bending psychedelic rock band from KC known for their mesmerizing live performances. Fresh off the release of their new album “Stop Safely Now”, these musical stalwarts are eager to share their latest songs and sounds with lovers of psychedelic and progressive rock music. Their unique chemistry, honed over 13 years of collaboration, pushes the boundaries of sonic expression, creating a listening experience that captivates audiences. They’ve been described as a stoner rock lounge act or punk rock jam band. Their musical style is rich with electric guitar, rock-steady bass and powerful drums, and draws comparisons to bands like My Morning Jacket, Ween, Guided by Voices, and The Stone Roses. ]

[Supermassive Black Holes play Boulevardia, Sat, June 15, 2:00 PM on Propaganda 3 Park Stage.]

  1. Kemet Coleman – “Android (feat. FlareThaRebel & Kadesh Flow)”
    from: “Android (feat. FlareThaRebel & Kadesh Flow)”– Single / Kemet Creative / April 26, 2024
    [Kemet Coleman is a Kansas City based musicians and is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet is known for his unprecedented collaborations with UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A UMKC alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. In 2020 Coleman contributed his song, “The Virus” to the compilation, Kansas City Syzygy, music created by over 25 KC-based musicians in the middle of the map of a pandemic. All proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone has a safe, accessible, affordable home. Kemet Coleman released, BLACK IS BEAUTIFUL on Aug. 1, 2020. Kenet Coleman released the single “Eyes On The Sr\treet” on May 21, 2021.] [The Phantastics released their single “All That Fine”on May 6, 2022. The Pjhantastics are an 8 member band from KC formed in December of 2010. Kemet the Phantom on lead vocals; Leigh Gibbs on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, DJ Mitchell on saxophone; Ryan Jamaal Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the KC Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz & Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic. On Oct. 18, 2019 The Phantastics released LIVE AT THE PLAZA ART FAIR. On Aug. 24, 2018 The Phantastics released the EP, LIFE OF THE PARTY. On Dec. 14, 2013 The Phantastics released their debut album THE CLOSER. Info at: http://www.thephantastics.com]

[The Phantastics play Boulevardia, Saturday, June 15, 2:25 PM on the Visit Missouri Stage.]

  1. Kate Cosentino – “Swim”
    from: “Swim” – Single / Kate Cosentino / February 3, 2024
    [One oif six new singles Kate Cosentino has released so far this year. Kare Costentino Well-versed in the art of puns and guitar-shredding, Kate Cosentino’s music is something of jazzy sleekness atop the lyrical precision of witty slam poetry. Whether you saw her rock the stage as a part of Niall Horan’s team for Season 23 of The Voice or saw one of her many goofy social media posts, Cosentino’s fun-loving personality, unique sense of style, and witty songwriting shine through in everything she does everything she does.]

[Kate Cosentino plays Boulevardia, Saturday, June 15, 3:45 PM on the Visit Missouri Stage.]

  1. Good Morning Kevin – “Wiggle it (feat. Mura Masa & Bid Freedia)”
    from: “Wiggle it (feat. Mura Masa & Bid Freedia)” / Good Morning Kevin / February 2, 2024
    [New Short Form Series ‘Good Morning Kevin’ Launched on Social Media by ex-Pixar Animator, Andrew Gordon and his new company The Other Studio. Created by Pixar veteran Andrew Gordon, he rewrites the social media script with new characters destined for the big screen. Gordon is renowned for animated personalities like Monsters Inc.‘s Mike Wazowski, moving forward with Good Morning Kevin. His latest venture embraces social media with an animated bear that is launched into outer space by Pete Plainer, the CEO of Kadabra and forced to create viral content through interactive missions. // Big Freedia released the album Central City on June 23, 2023. Raised on Josephine Street in uptown New Orleans, Big Freedia, born Freddie Ross, was raised by his mother, a hairdresser, and stepfather, a truck driver for Coca-Cola. When Freddie was 15, the family moved to a more upscale neighborhood in New Orleans. Freddie—along with his brother Adam and sister Crystal Ross—were immersed in music at home by their mother, who often sang along to her Gladys Knight and Patty LaBelle records around the house. But it was the Baptist church choir where a young Freddie flourished. ”My mother made sure I never missed practice,” recalls Freedia. It’s no wonder that by the time he was 18, Freedia moved from member to director of the choir. Big Freedia is known as the Queen of Bounce, at the forefront of the Bounce rap movement (a subgenre of hip-hop born out of New Orleans and known for its call and response style and lightening speed booty-shaking dance). Though gay and proud, Big Freedia asserts that her (Freedia is a he but uses the feminine pronoun for her stage persona) sexuality has little to do with her music and rejects the term Sissy Bounce (the queer brand of Bounce). “All Bounce is Bounce,” he insists. “There’s no need to separate it out. All types of people—gay, straight, rich, poor, black, white come to my shows. People just wanna get out and shake their azzzz and have a good time!” And therein lies the beauty of Big Freedia: She can rock a pair of dangling gold earrings and light up a blunt and chop it up with the hardest rapper around. She’s not a gay artist, but rather an artist who happens to be gay. Big Freedia has gone from a local New Orleans phenomenon to a national one after appearing on the HBO series ‘Treme’ [as herself] and in 2010, she released her debut EP on Scion A/V Presents: Big Freedia, produced by NOLA producer BlaqNmilD. The EP featured notables “Excuse” and “Almost Famous; other fan-favorites include “Gin in my System” “Azz Everwhere” and “Y’all Get Back Now.” Shefollowed that up by releasing “Nah Who Mad” and “Booty Whop,” and she was featured on Spank Rock’s “Everything is Boring and Everyone is a Fucking Liar” LP, on the track “Nasty.” She was also featured on “Peanut Butter” with RuPaul. Freedia made her network television network debut on Jimmy Kimmel Live! She appeared on “Last Call with Carson Daly,” FADERTV, PITCHFORK TV and has been lauded in press outlets such as The New Yorker, The New York Times, The Fader, RollingStone.com, SPIN, OffBeat, Chicago Tribune.]

[Big Freedia plays Boulevardia, Saturday, June 15, at 6:25 PM on the Visit Missouri Stage.]

  1. Back Alley Brass Band – “Second Line”
    from: Last Chance To Dance – EP / Back Alley Brass Band / April 19, 2024
    [The Back Alley Brass Band released their debut full-length studio album Back Alley Brass Band on March 25, 2022. The Back Alley Brass Band is a Kansas City take on a funky brass band. The 10-piece band is a hard hitting music power house that starts a party wherever they play. 
Trumpets: Justin Crossman, Tom Lawlor Saxes: Eric Rothmier, Alex Toepfer Bones: Matt Hubbell, Matt Fillingham, Chacko Finn Sousa: Patrick Yeh Drums: Daniel McDill Aux Percussion: Jeremey ReynoldsMore information at: http://www.backalleybrass.com ]

[The Back Alley Brass Band plays Boulevardia, Saturday, June 15, at 7:30 PM on the Elevate Stage.]

  1. Paul Cauthen – “25 Tequilas”
    from: “25 Tequilas” – Single / Velvet Rose Records / September 15, 2023
    [Paul Cauthen is a true force of nature. His ability to captivate audiences with his soulful sound and larger-than-life personality has become lore amongst those that have witnessed it. Also doesn’t hurt to have a generational set of pipes to top it all off. Hailing from East Texas, Cauthen embodies the spirit of the Lone Star State, earning a reputation for doing things his own way. Born into a family of preachers, Cauthen’s upbringing heavily influences his deep-rooted connection to music. With a voice that resonates with raw emotion, he aims to transport listeners, inviting them on a journey through love, heartbreak, and the pursuit of personal freedom. Cauthen’s journey has been one of resilience, perseverance and sheer independence. Turning down major label deals at various points in his career, Cauthen has valued forging his own path and betting on himself over all else. With multiple releases this year including the genre bending Hometeam and raucous Wild Man, Cauthen has continued to explore new sonic territory fearlessly, while unapologetically defying expectations and creating music that resists categorization. As he embarks on the This Road I’m On Tour, his biggest headline tour to date, Cauthen brings his long time live band, the Hot Grease Fire, and a collection of hits and new tracks begging to be played for his hungry audiences. He also brings his trademark dance moves, so make sure you’re ready to get down if you come to a Paul Cauthen show.]

[Paul Cauthen plays Boulevardia Saturday, June 15, at 8:05 on the Visit Missouri Stage.]

  1. Stik Figa – “uknowhut (ft. The Expert & Blu) (radio edit)”
    from: “uknowhut” – Single / Rucksack Records / April 12, 2023
    [ On October 6, 2023 Stik Figa released “Say Dat!” as the lead single from the upcoming project with Leonard Dstroy with songs written by Stik Figa. and produced by Leonard Dstroy. // on August 25, 2023 Stik Figa released the 5-track EP THE FORGOTTEN. // On March 15, 2024 Stik Figa released to 7-track EP, SOIL SONGS.// Stik Figa is rapper from Topeka, KS who cut his teeth on the Kansas City rap scene for close to a decade. Making a name for himself as a charismatic performer and premier lyricist in the region, releasing 9 solo albums and multiple collaborations // Later partnering with notable independent hip-hop label Mello Music Group releasing collaboration with L’Orange, “The City Under the City” and straight forward hip-hop album Central Standard Time. More info at: http://www.stikfiga785.bandcamp.com]

[Stik Figa plays Boulevardia Saturday, June 15, at 8:15 on the Holladay Hill Stage.]

11:00 – Station ID

  1. Krystle Warren – “Born In The Fall”
    from: A Time to Keep Love Songs EP / Parlour Door Music / August 12, 2011
    [Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren plays Percheron Rooftop Series on Thursday, Jun 13, 2024, at 7:00 PM.]

[Krystle Warren plays Boulevardia, Sat, June 15 at 8:45pm on the Elevate Stage, at Crown Center.]

11:03 – Interview with Krystle Warren (and Chris Haghirian)

Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Today on WMM we are serving up music from the 9th annual Boulevardia Festival.

Chris Haghirian is with us to share details about Boulevardia, Friday, June 14, & Saturday, June 15, at Crown Center and Washington Square, with over 70 national, regional & local acts, 23 DJs, 5 music stages.

Chris Haghirian, thanks for being with us on Wednesday MidDay Medley

And we are so excited to welcome back to the show, KC born and internationally known singer songwriter Krystle Warren who is back in KC from her home in France. Krystle is one of our most played artists of all time on the radio show. Krystle is also one of our most frequent guests.

Krystle Warren began performing in her native KC at the age of 16. Krystle graduated from Paseo Arts Academy and in 2001 began her musical career collaborating with area jazz and pop musicians. After moving to New York City in 2003 she started busking on the streets and later formed her regular band, The Faculty. After an independent EP DIARY, recorded late night at Electric Lady Studio, Krystle Warren and The Faculty recorded their debut album CIRCLES. Because Music bought CIRCLES and Krystle was signed to the Paris based music label who sent her a one-way ticket. Krystle Warren & The Faculty released the album CIRCLES in 2009. Their epic sophomore release, LOVE SONGS… followed in 2011, and contained twenty-four songs about love and was recorded in New York City over the span of two weeks, with close to thirty musicians. Around this time, Krystle joined forces with one of her musical idols, Rufus Wainwright, on his world tour as opener and bandmate. Krystle Warren then released her solo album THREE THE HARD WAY, in 2017 where Krystle played every instrument. On May 31, 2019 Krystle Warren & The Faculty released heir single “Rising” written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When her band’s full length album was put on hold, Krystle released the 4-song EP THE CREW on September 15, 2020. Krustle released the single “Macca” on May 22, 2023, and the single “La Dolce Vita” on March 1, 2024. Her band The Faculty is getting set to release their album, EXTENDED PLAY.

Krystle Warren plays Percheron Rooftop Series on Thursday, Jun 13, 2024, at 7:00 PM. Krystle Warren plays Boulevardia, Saturday, June 15 at 8:45pm on the Elevate Stage, at Crown Center. Krystle will be sharing glimpses of Extended Play, Krystle Warren & The Faculty’s upcoming album release. More info at: http://www.krystlewarren.com

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

Joining Krystle is Jean Fabien Dijoud also known as “Jeff.”

Welcome home!

Last Summer, Krystle Warren & Solomon Dorsey headlined the KC Folk Fest 2023 on Saturday, May 20, in Washington Square Park, Kansas City, MO.

Krystle has brought along her friend Jeff from France

Earlier this year Krystle Warren & The Faculty released the 6:16 minute single “LA DOLCE VITA” on March 1, 2024.

Krystle Warren’s song, “Macca” was recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY.

Krystle says that the song, “became equal parts: a love letter to (Paul McCartney) and a note of encouragement to me. Which is a wonderful thing if you think about it.”

Following their double album LOVE SONGS (2012) “Macca” was recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY.”Macca” arrived unexpectedly.

“A Pal contacted me to help work on the music for an advertisement he was piecing together. My job was to find a melody and put words to it, so I set up my mic and started trying out ideas. And then POW! ‘ ‘Hang then upon the moon…’ – it sounded so distinctly Paul. Immediately I worried that the client would accept my buddy’s submission; thankfully, they didn’t.”

The “Paul” Krystle is referring to is Paul McCartney.

“He is such a huge inspiration for me. As a songwriter – my love of melody, the little quirks that come out lyrically – that’s all thanks to him. And singing that chorus — it evoked for me those gorgeous ballads he composed in the 80s – ‘Wanderlust,” ‘Tug of War’…There’s a bit of Wings there as well, I think, with a nod to ‘I’m Carrying.’

“What’s wild to me is that, though I decided. ‘This is for Paul,’ it became equal parts: a love letter to him, and a note of encouragement to me. Which is a wonderful thing when you think about it: Paul’s music so often encourages us to keep going, keep trying, and in using his language (so to speak), unwittingly, he was giving me strength.”

11:13

  1. Krystle Warren (on vocals) & Jean Fabien Dijoud (on guitar) – “Macca” (LIVE)
    [The single “Macca” was released on May 22, 2023.]

Krystle Warren plays Percheron Rooftop Series on Thursday, Jun 13, 2024, at 7:00 PM.

Krystle Warren plays Boulevardia, Saturday, June 15 at 8:45pm on the Elevate Stage, at Crown Center.

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

Also with us Chris Haghirian joins us to share details about Boulevardia, Friday, June 14, & Saturday, June 15, at Crown Center, 2396 Grand Boulevard, with over 70 national, regional & local acts, 23 DJs, 5 music stages.

Chris Haghirian, thanks for being with us on Wednesday MidDay Medley

Krystle Warren & The Faculty Discography

Krystle Warren & The Faculty has released the EP “Diary” on May 1, 2007

Krystle Warren released “The Up Series – EP” on November 10, 2008

Krystle Warren releases the 13-song Album CIRCLES on March 13, 2009

Krystle Warren & The Faculty released “A Time To Keep – Love Songs EP”, Aug. 12, 2011

Krystle Warren & The Faculty released the double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 as “Love Songs: A Time to Embrace,” and “Love Songs: A Time to Refrain from Embracing. ” And released on separate digital and CD albums in the United States as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015

Krystle Warren released the album THREE THE HARDWAY on August 18, 2017

Krystle Warren & The Faculty released the single “Rising” on May 31, 2019

Krystle Warren & The Crew released the 4-song EP, THE CREW on September 15, 2020

Krystle Warren & The Faculty released the single “Macca”on May 22, 2023

Krystle Warren & The Faculty released the single “LA DOLCE VITA” on March 1, 2024

More info at: http://www.krystlewarren.com

From Diary EP to Extended Play A Truncated History of Krystle Warren & The Faculty
From http://www.krystalwarren.com written by Phil Anderson:

Krystle Krystle Warren met Solomon Dorsey some weekend at a high school debate competition in KC. After she had trounced Solomon’s debate partner, the two ended up in an open classroom where they began playing music—Krystle had brought her guitar and was practicing chords, and Solomon, then an accomplished violinist, cellist, bassist, and singer likely had some sort of instrument on him, and even if he didn’t he had his voice.

Due to some specific details we’re not going to get into, Krystle was already living on her own; she was eighteen and he was seventeen. But she had a friend who had an apartment near hers, and this friend was having a party. “Wanna go?” she asked Solomon. And, as Solomon puts it, he has seen or spoken to Krystle every single day of his life since.

So when Solomon decided to attend the jazz program at New School in New York, he asked Krystle, “Wanna go?” And a few months after he moved, Krystle showed up. On her first night in the city, Solomon introduced her to Zach Djanikian, a saxophonist he’d become fast friends with at school. They lived in the same dorm, and Zach and Solomon took Krystle to a practice room in the basement and the three of them played musical games. According to Zach, “We’d sing as many melodies as we could over four open strings of the upright bass, plucked successively. ‘Norwegian Wood’ and the theme to ​Family Matters​ were a couple favorites.”

This led to busking as a trio, and each of them was hustling for gigs. An Italian restaurant that featured live music gave Krystle a regular night, and she often had Solomon and Zach play with her. Zach’s friend from Philadelphia, Ben Kane, would come to these nights, and he brought Mike Riddleberger.

In Philly, Zach was in a band called The Brakes, and Ben Kane was producing an album for Zach’s band in a windowless apartment that he shared with Riddleberger. Kane and Riddleberger had become friends a year earlier at NYU, bonding over their love of D’Angelo’s album ​Voodoo​. Riddleberger says that even though he saw Krystle perform, he didn’t speak to her until after she saw him play with his band, Quintus. Zach had brought her, and she approached him after the show to play in a band she was starting.

The Faculty was formed with Krystle, Solomon, Zach, Riddleberger, and Dave Moore, a keyboardist from Kansas who was at New School, too. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at ElectricLady Studios and was sneaking them in at odd hours, Krystle turned those songs into an EP called DIARY.

And it was a diary. The songs were about her daily experiences in this new place and with these new people. “I’ve Seen Days” has a title that implies a reflection, but it’s about how the world is new to her, how she’s “a frightened child” in a new city. “The New Astrologer” is about a new and exciting love, one that remains a good friend of hers. “A Song For Holly” is a letter to family explaining her new quotidien life (“your big sister / out in New York on some subway / your big sister, out trying to get paid”). And “Central Park” is a document of a night she had in Central Park with Zach and his boyfriend (now husband) Jesse, and how she is coming to embrace this new city, these new people, and this new chapter of her life.

If DIARY, the Faculty’s first recordings, is Krystle’s “Songs of Innocence,” then EXTENDED PLAY, the Faculty’s latest, is Krystle’s “Songs of Experience.”

Diary led to CIRCLES, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, and Krystle had her next move. She stayed in France even when her relationship with Because ended because she found Vanessa, and Vanessa was worth staying in France for. But Krystle still recorded ​LOVE SONGS in New York, a double album that invokes a Blakean duality with its two subtitles, “A Time to Refrain from Embracing” and “A Time You May Embrace.” LOVE SONGS was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys in the Faculty.

The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in NYC and Zach in Woodstock. Solomon and Jonathan in LA. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Policewoman, Jose James, Emily King, Janet Jackson, Ron Sexsmith, The Dixie Chicks, Amy Helm, Stevie Wonder, Taylor Swift, Rufus Wainwright, Kylie Minogue, Sara Bareilles, Natalie Merchant, Kesha, Bleachers, Emylou Harris, Amos Lee, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, Jenny Lewis, that’s less than the half of it.

So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while DIARY and CIRCLES and LOVE SONGS were recorded with everyone in the same room (THREE THE HARDWAY was just Krystle & Kane together), EXTENDED PLAY was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs.

And Krystle is writing with a close emotional connection to the distant past. The songs that make up Extended Play are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in ​EXTENDED PLAY and a forlornness. These songs are filled with references, musical and otherwise, to those who have inspired Krystle over the years, from Les Mis​ (specifically the song adopted by ACT UP) to Gregory Djanikian, Zach’s poet father, and Audre Lord.

Krystle describes “When I Look Back,” the last song of ​Extended Play​, as “an apology to my teenage self.” Seventeen years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”

But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says,

“I’m going on to something else, the shape of which I have no idea. ‘Only thing I know, is it’s going to be quite different. What I leave behind has a life of its own. I’ve said this about poetry… Well in a sense, I’m saying it about the very artifact of who I have been.”

Krystle Warren & The Faculty still have more to come. They have built seventeen years of memories, experiences, recordings, and shows, and with the release of ​Extended Play​, they continue to show a commitment to growing as musicians together, even if apart.

Written by Phil Anderson

Krystle Warren and 90.1 FM KKFI

Krystle Warren has been a LIVE guest on Wednesday MidDay Medley 18 times.

Mark first interviewed Krystle Warren for The Tenth Voice, back 2002. Mark first interviewed Krystle Warren for The Tenth Voice, back 2002. Mark waited several hours, during a winter snow storm, at a huge party, where Krystle played with her band including her longtime friend Solomon Dorsey on bass, in a packed, smoke filled apartment near Community Christian Church across the hall from where Solomon lived, to be given a 2 song demo CD, that contained Krystle’s first recorded music, including a song called “Chanel #5.” Krystle has since gone on to be known all over the world, but still maintains contact with her hometown of Kansas City.

Krystle was on WMM on June 29, 2016 as “Guest Producer” to share inspirations for her new record, THREE THE HARD WAY playing early gospel recordings, that crossed over into Jazz from: Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Krystle’s critically acclaimed album, Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017. Wednesday MidDay Medley was the first to play tracks from Krystle’s album, before it was released. Krystle came on the show months before the release, to share music that was the inspiration for the recording. Released on Parlour Door Music, on August 18, 2017 and Produced by Krystle Warren and Ben Kane. Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. In 2015 in Krystle Warren premiered new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the Wednesday MidDay Medley radio show in 2016 Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from: Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones.
Krystle was on the show on Oct. 16, 2019 with Brad Cox when she was in KC to present LoveSongs with Owen/Cox Dance Group at Oct 19 & 20, 2019 at Polsky Theatre at JCCC.

We talked with Krystle on September 23, 2020 about The Crew EP where Krystle and friends recorded unique versions of four classic songs with the hope of encouraging the rallying cries of the moment: the movement of the people. Warren embarked on the project after her newest album, with her band The Faculty, was stalled due to COVID-19

On May 24, 2023 Krystle Warren was our Guest Producer playing music that inspired the single, “Macca” from Krystle Warren & The Faculty. Krystle will played tracks from Paul McCartney, Chet Atkins, and Stevie Wonder..

11:26

  1. Krystle Warren – “Sunbeams”
    from: A Time to Keep Love Songs EP / Parlour Door Music / August 12, 2011
    [Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren plays Percheron Rooftop Series on Thursday, Jun 13, 2024, at 7:00 PM.]
[Krystle Warren plays Boulevardia, Sat, June 15 at 8:45pm on the Elevate Stage, at Crown Center.]

11:30 – Underwriting

11:32 – Interview with Krystle Warren (and Chris Haghirian)

Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Today on WMM we are serving up music from the 9th annual Boulevardia Festival.

Chris Haghirian is with us to share details about Boulevardia, Friday & Saturday, June 14, & 15, with over 70 national, regional & local acts, 23 DJs, 5 music stages.

Chris Haghirian, thanks for being with us on Wednesday MidDay Medley

Also with us is Krystle Warren, in KC from France with Jean Fabien Dijoud aka”Jeff.”

Krystle Warren plays Percheron Rooftop Series on Thursday, Jun 13, 2024, at 7:00 PM.

Krystle Warren plays Boulevardia, Sat June 15 at 8:45pm on the Elevate Stage.

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

Boulevard – Saturday, June 15

VISIT MISSOURI STAGE
1:05pm – Selekto Show
2:25pm – The Phantatics
3:45pm – Kate Cosentino
5:05pm – Post Sex Nachos
6:25pm – Big Freedia
7:25pm – Sass-A-Brass
8:05pm – Paul Cauthen
9:45pm – Thundercat

ELEVATE STAGE
1:15pm – Tiki Brawlers
2:30pm – Danny Santell
3:45pm – Stranded In The City
5:00pm – Zee Underscore
6:15pm – The Whips
7:30pm – Black Alley Brass Band
8:45pm – Krystle Warren
10:00pm Ultimate Fakebook

PROPAGANDA3 PARK STAGE
2:00pm – Supermassive Black Holes
3:10pm – The Swallowtails
4:20pm – The Cowardly Lions
5:30pm – Kirstie Lynn & Galen Clark
6:40pm – Marty Bush
7:50pm – The MGDs
9:00pm – OLE 60
10:10pm – The Burney Sisters

HOLLADAY HILL STAGE
2:00pm – Jamogi
3:15pm – Asia Tsion
4:30pm – IVORY BLUE
5:45pm – Love, Mae C.
7:00pm – Broderick Jones
8:15pm – Stik Figa
8:15pm – Leonard Dstroy
9:30pm – Mary and The Matrix

MONSTER ENERGY SILENT DISCO
1:00pm – BLVDIA Skate Party
3:00pm – SIRQUEEN
3:00pm – Kay Fan
3:00pm – DJ Missy E
3:00pm – DJ Diehard
5:00pm – DJ MOHEAT
5:00pm – TIBERIAS
5:00pm – Yung Maple
7:00pm – DJ EJ
7:00pm – DJ ON10
7:00pm – DJ Dawna
7:00pm – Lana Luxx
9:00pm – DJ Joe & Ice Kole
9:00pm – ASSJAMZ
9:00pm – DJ NE$$

11:41

  1. Thundercat – “Them Changes”
    rom: Drunk / Brainfeeder / February 24, 2017
    [Stephen Lee Bruner (born October 19, 1984), better known by his stage name Thundercat, is an American musician, singer, record producer, and songwriter from Los Angeles. First coming to prominence as a member of crossover thrash band Suicidal Tendencies, he has since released four solo studio albums and is noted for his work with producer Flying Lotus and his appearances on Kendrick Lamar’s 2015 album To Pimp a Butterfly. In 2016, Thundercat won a Grammy for Best Rap/Sung Performance for his work on the track “These Walls” from To Pimp a Butterfly. In 2020, Thundercat released his fourth studio album, It Is What It Is, which earned him a Grammy Award for Best Progressive R&B Album. // Raised in Compton and other parts of Los Angeles, Bruner was born into a family of musicians, including his father Ronald Bruner Sr., a drummer, and his mother Pam, a flautist and percussionist. His father played drums for The Temptations, The Supremes, and Gladys Knight, amongst others. After Bruner Sr. got sober from cocaine, the children would watch him play gigs at the Crenshaw Christian Center. Bruner attended Locke High School, playing in the school’s jazz band. His teacher, Reggie Andrews, produced and co-wrote the Dazz Band’s 1982 single “Let It Whip” and collaborated with Rick James. Andrews re-introduced Bruner to Kamasi Washington; the two had originally met as children, through their fathers’ membership in a gospel fusion band. The reunited duo would sneak into jazz concerts, driving around in a worn-down 1982 Ford Mustang to do so. They would later get to play the same venues as the performers they watched. They also did sessions with Bruner’s cousin Terrace Martin in Washington’s father’s garage during this time. // Bruner began playing the bass at an early age, listening to bass players such as Stanley Clarke and Marcus Miller for inspiration. By the age of 15, he had a minor hit in Germany as a member of the boy band No Curfew. A year later, he joined his brother Ronald Jr. as a member of the Los Angeles crossover thrash band Suicidal Tendencies, replacing former bass player Josh Paul. Bruner’s earliest studio album appearances include playing electric bass on Kamasi Washington’s Live at 5th Street Dick’s and The Proclamation. // Erykah Badu was credited with helping Bruner find his stage presence and identity as Thundercat. Around this time, Bruner would play in live bands for Raphael Saadiq and Snoop Dogg, and both would make quips about his playing style. Bruner credited Flying Lotus with pushing him to start singing and making his own projects. // In 2020, Rolling Stone ranked him as one of the greatest bass players of all time. // In 2004, Bruner collaborated with Kamasi Washington, as well as Cameron Graves and Ronald Jr., under the name The Young Jazz Giants. The group later united with Terrace Martin and five other Los Angeles jazz musicians to form the West Coast Get Down collective, with whom they recorded several albums. // Along with his band duties, Bruner is also a session musician, acclaimed for his work on Erykah Badu’s New Amerykah (2008) and fellow Brainfeeder artist Flying Lotus’ Cosmogramma (2010), Until the Quiet Comes (2012), and You’re Dead! (2014). // Bruner was a major contributor to Kendrick Lamar’s critically acclaimed album To Pimp a Butterfly in 2015, and has been described as being “at the creative epicenter” of the project. Longtime Thundercat collaborators Flying Lotus, Kamasi Washington, and Terrace Martin were also major contributors to the album. // Bruner was a frequent collaborator on Mac Miller’s tracks. On August 6, 2018, Bruner played bass during Miller’s Tiny Desk Concert, during which the two played their collaborative track, “What’s the Use?” In 2022, he collaborated with virtual band Gorillaz on their single “Cracker Island”, the first single and title track for their album of the same name. The song was released on April 30, 2022.]

[Thundercat plays this year’s Boulevardia, Saturday, June 15 at 9:45 PM on the Visit Missouri Stage.]

11:44 – More Interview with Krystle Warren (and Chris Haghirian)

Thanks for tuning into WMM on 90.1 FM KKFI. 
I’m Mark Manning. Today on WMM we are serving up music from the 9th annual Boulevardia Festival.

Chris Haghirian is with us to share details about Boulevardia, Friday, June 14, & Saturday, June 15, at Crown Center and Washington Square, with over 70 national, regional & local acts, 23 DJs, 5 music stages.

Also with us is our friend Krystle Warren, back home in in KC from her home in France with Jean Fabien Dijoud aka Jeff.

Krystle Warren plays Percheron Rooftop Series on Thursday, Jun 13, 2024, at 7:00 PM.

Krystle Warren plays Boulevardia, Saturday, June 15 at 8:45pm on the Elevate Stage, at Crown Center.

Chris Haghirian and Krystle Warren Jean Fabien Dijoudthank you for being or special guests

For WMM, I’m Mark Manning. Thanks for listening!

11:53

19. Ultimate Fakebook – “Tell Me What You Want”
from: This Will Be Laughing Week / Sony Music / July 18, 2000
[If rock and roll is dead, somebody forgot to tell Ultimate Fakebook. Not rap-metal or dance-pop or alt-country, but rock and roll: that musical vehicle for the uniquely American sense of freedom; that now middle-aged but still transcendent form with the power to bring to life a dream, a personality, even an entire world view in the space of a three-minute song. Bill McShane, Eric Melin, and Nick Colby – the three members of Manhattan, KS trio Ultimate Fakebook – remember when music could lift you up rather than just beat you senseless. They grew up in Middle America as fans of musicians who seemed more or less just like them, not polished products of some distant entertainment factory. In their good-natured and unassuming way, Ultimate Fakebook are on a mission: to bring back the warmth, humor, compassion, and exhilarating energy of great rock and roll.]

[Ultimate Fakebook plays Boulevardia on Saturday, June 15, at 10:00 PM on the Elevate Stage]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

For WMM, I’m Mark Manning. Thanks for listening!

Next week on Wednesday, June 19 we welcome Tracy McNeil and Dan Parsons of the Australian duo Minor Gold who talk with us Live about their show Wednesday Night, June 19, at 7:00pm at Waldo Pizza, 7433 Broadway, KCMO as part of The Waldo Folk series. // Also next week journalist, club promoter and punk rock band member Aaron Rhodes joins us to share details about his new band and about what is going on at Farewell KC and Howdy, two East KC clubs Aaron helps keep going. // Nicolette Paige joins us to talk about her cooperative Farm, // and Scott Hrabko is back with more music for his new EP series..

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
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http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
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Show #1050