Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, June 25, 2025
WMM presents Suzannah Johannes + Marmoppes + Keelon Vann
Mark spins more New & MidCoastal Releases from: The Royal Chief, Suzannah Johannes, Marmoppes, Keelon Vann, Tre’ Mutava, Religion of Heartbreak, Chad Brothers, David Byrne & Ghost Train Orchestra, Mavis Staples, and Wednesday.
At 10:30 we’ll talk with Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio with Josh Adams and David Wetzel. Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas. More info at: http://www.suzannahjohannes.com.
At 11:00am members of the Kansas City band Marmoppes return to Wednesday MidDay Medley to share new music and perform LIVE in our 90.1 FM Studios. Marmoppes include: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. Originally formed on Groundhog Day, since the fall of 2023 Marmoppes have released five singles: “Cerulean Blue Truffle Pig” (Sept. 5, 2023), “Butterfly” (March 17, 2024), “Yr Chemical” (April 28, 2024), “Gyatt Time” (Sept. 20, 2024), “Nos” (March 23, 2025) Marmoppes will premier their brand new single on Wednesday MidDay Medley. More info at: https://linktr.ee/marmoppes
At 11:30 Mark talks with Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Born on August 28, 1998, to Juanita Moten and the late Kwasi Vann, Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Musiq Soulchild, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Upon picking up the guitar, Vann expanded his musical world. Teaching himself to play, he discovered Blues and Rock N’ Roll, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A graduate of Piper High School and former NCAA Division II College Footbal Athlete at William Jewell College, Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum. Balancing athletics, academics, and music has never been easy, but through it all, Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.”
On your local radio dial 90.1 FM or STREAMING LIVE at: kkfi.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, June 18, 2025
WMM presents Chris Garibaldi & Mark Henning on James Grauerholz – Life’s Too Good To Keep + Lonnie Fisher + Sisterbot & Hadiza. – Solstice at Sunset
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
Hadiza. – “Reactions!” from: SHADOW WEIGHT / Hadiza. / November 22, 2019 [Hadiza also plays in the band Collidescope and Arquesta Del SoulSol // “Hadiza released her acclaimed album SHADOW WEIGHT on November 22, 2019. It was part of WMM’s 119 Best Recordings of 2019. Hadiza released her EP GONE on December 29, 2018 with Madi Monroe on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a sKansas City based singer-songwriter. Previously based in her hometown of Iowa City, she has spent the 2018 slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform. Collidescope released their new 7-track album, DEEP TAPE, on December 31, 2020. Collidescope is essentially a duo that includes: Hadiza. on vocals, beats, & synthesizers; and Madison Monroe on guitar, bass, beats, synthesizers, mixing and vocals. DEEP TAPE includes Victoria Falls Stillwater on addition sound production and vocals, and was mixed and mastered by J.Ashley Miller aka Jametatone. DEEP TAPE is a follow up the the band’s debut EP Systemic released December 16, 2017. Hadiza also is part of the band Arquesta Del SolSoul. More info at: http://www.hadizaisnothere.bandcamp.com or http://www.acollidescope.bandcamp.com]
[Hadiza plays Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest, KCMO, Sat. June 21.]
Sisterbot – “Approval (feat. Just Angel)” from: Truth House / Sisterbot / July 10, 2021 [Sisterbot is a performing artist dedicated to breaking genre boundaries, creating cosmic musical and theatrical experiences. The 9-piece Sisterbot Band is a “punk pop chamber orchestra” complete with electric guitar, drums, piano, strings and horn. “Truth House (2021) is a concept album written over the span of three years, encapsulating a chapter of my life that I spent in a house alone, dealing with the aftermath of trauma and rebirth.”- Sisterbot (Adee Dancy). Written by Sisterbot. Produced by Jametatone and Sisterbot. Engineered, Mixed, Mastered by Jametatone, except “Approval” which was Produced, Engineered, & Mixed by Andrew Bonci Jr. at Magnolia Tree Studios, with AJ Bonci on guitar, Just Angel and Sisterbot on vocals. Cover Art by Mazzy Mann. Adee Rocket Dancy released the single “Hello Moon (feat. The Swallowtails)” on April 26, 2021. (This song is also on the Sisterbot album.) Produced by Jametatone & Adee Rocket Dancy. Adee Rocket Dancy on piano & vocals & cello; Rachel Lovelace on bassoon; Mikala Petillo on guitar & background vocals, Mixing and Mastering by Jametatone, (J. Ashley Miller). Adee Rocket Dancy writes, “This is a song about my life-long love for the moon, featuring The Swallowtails (Rachel Lovelace & Miki P). Adee chose the date April 26, 2021, as their release date, to honor the full moon called “The Pink Moon.” More info at: Sisterbot.bandcamp.com]
[Sisterbot plays Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest Avenue, KCMO, Saturday, June 21.]
10:11 – Interview with Adee Dancy, and Hadiza.
Adee Dancy(Sisterbot), is a performing artist born and raised in the KC area. Adee is a student of many teachers and disciplines, attempting to amalgamate all they have learned and loved, into their artistic life. Adorning many different hats, Adee has stepped into a multitude of roles in their career such as professional cellist, music director, vocalist, composer, actor, and more. With dynamic string writing and theatrical rock at the helm of their work, Adee captains a project and alter-ego called Sisterbot, that fuses their multiple disciplines. Adee feels extremely lucky to have music, art, & theater as means of expression and livelihood! Adee has collaborated with many groups including Owen Cox Dance Group, No Divide KC, and The Swallowtails. More info at http://sisterbotmusic.com
Adee Dancy (Sisterbot), (They/Them) thanks for being with us on WMM.
Hadiza. shuffles between multiple hats in their work. They are most known as 1/2 of experimental queer duo Collidescope, w/ best friend & roommate Madison Mclaughlin. The two (with the help of some awesome friends) are getting ready to release their final recording project DEEP TAPE 2 before a hiatus. Hadiza is also working on their second solo album supported by Arts KC, titled Diaspora Gothic, to be released in the fall of 2025. This year, Arts KC also supported Hadiza’s pursuits to build artistic connections in their home country, Ghana. Hadiza spent January connecting and collaborating in practice and performance as a resident at Crazinist Artist Studio for the Perfocraze International Artist Residency in Kumasi, Ghana. pIAR was founded and is led by Va-Bene Elikem Fiatsi a Ghanaian woman activist and performance artist of trans experience.
Hadiza (They/Them), thanks for being with us on WMM.
Adee, Hadiza. are here to share details about Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest, KCMO, Sat, June 21, 2:00pm to midnight. This all-ages garden festival returns with immersive garden activities, wellness offerings, and a lineup featuring 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, and Coloratura, with performances running from 3 to 11:00 pm. Guests can enjoy 10-minute yoga flows with Charenee from New Moon Wellness, explore the grounds with a garden passport scavenger hunt, bundle fresh herbs, collect a DIY snack directly from the garden, look to the sky with telescope time and stargazing.
The community-powered celebration, now Mini-Festival, Solstice at Sunset is back at Manheim Gardens on Sat, June 21, 2025, 2pm to midnight, and it’s free to attend. . After an inspiring inaugural run last summer hosted by the KC Queertet, Sisterbot, Hadiza., and Christina Silvius, this all-ages garden festival returns with a full lineup of live music, immersive garden activities, and wellness offerings, all set in one of Kansas City’s most vibrant green spaces: Manheim Gardens, located at 4229 Forest Ave, KCMO. . This year’s lineup features 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, and Coloratura, with performances running from 3-11pm. Guests can enjoy 10-minute yoga flows with Charenee from New Moon Wellness, explore the grounds with a garden passport scavenger hunt, bundle fresh herbs, collect a DIY snack directly from the garden, look to the sky with telescope time and stargazing once the sun sets, and more. . Festival highlights include: *Live music from local artists *Garden-to-table activities like snack foraging and herb workshops *Yoga, health station, and chill zones for relaxation and restoration *Zine library, donation and merch stations, and more *Telescope stargazing after dark
Special thanks to Zan Bondi and all of the Manheim Garden volunteers for their time, efforts, and collaboration.
One of the man organizers of this event is Zan Bondi is a food pantry farmer, artist and mystic. Zan is the programming director and founder of Wednesday Potlucks for World Peace at Manheim Gardens – which happens every Wednesday from 6:30-830pm, May-October, where folks harvest greens for the community + local food pantry and share dinner. They’ve spent over a decade dedicated to food sovereignty and helping folk deindustrialize their homes, hearts and minds. Come to the garden and let’s grow together!
Audience need only to bring curiosity, a water bottle, and something to sit on. .
Beautiful show poster made by the amazing Claire Monroe at Oddities Prints.
Adee Rocket Dancy writes, “Three years ago, I wrote a song called “You Won’t Play Me.” I had been cleaning my apartment when I found an old pile of letters that brought back difficult memories… they were from someone who had spun many webs of lies and manipulations to gain my attention and affection. I hadn’t realized the extent of this mind-molding until my mid-20’s, after nearly a decade of experiences with this person. Holding the letters in my hand, I felt anger, embarrassment, protective of my younger self, but also, freedom. The knowledge that this person had no hold over me today, or ever again, gave me a sense of triumph. In a rush of catharsis, I ripped up all of the letters, tossing them into the air with relief. Immediately, this song came to me. I sat down at the keyboard, and out it poured. // More info at: sisterbotmusic.com // Sisterbot.bandcamp.com
Sisterbot is a performing artist and composer dedicated to breaking genre and disciplinary boundaries in order to create musical and theatrical experiences. Each piece is episodic, cathartic, and gives an internal look into the beauty and the bizarre of the human experience through epic theatrical and musical storytelling. The 7-to-14-piece Sisterbot Ensemble is described as a “punk pop chamber orchestra,” with a full rock rhythm section and the addition of strings and background vocals. Sisterbot connects and communicates about love, community, gratitude, queerness, the preciousness of life, the preservation of our planet, and our place in this vast universe.
Adee Dancy / Sisterbot told Voyage magazine: As a kid, I was mesmerized by outer space. I was sure that I was going to be an astronaut, so much so that I begged my mom to let me go to Space Camp 6 times (the one from all the commercials in Huntsville, Alabama). At the same time that my space obsession began, I also started playing the cello, which I frequently refer to as my first love (besides my amazing parents and sisters!). My love for music was very deeply rooted, with a very musical mom who always played piano, and guitar, and sang harmonies with me, a dad with an ear for hit melodies and great albums, and a stepdad with mega rock guitar skills. And of course, I had some of the greatest and most supportive music educators I could ask for.
Fast-forward to high school- I was still on the path of becoming something within the field of astronomy, engineering, robotics, or science in general. But then, my world turned upside down when I got the chance to see the world-renowned cellist, Yo-Yo Ma, in concert with the Kansas City Symphony at the brand new, state-of-the-art Kauffman Center for the Performing Arts. It was an experience that I truly will never forget. I remember being so completely engaged and involved in the performance, watching Yo-Yo Ma play the Dvorâk Cello Concerto. I had a truly out-of-body experience for the first and only time in my life, and I awakened in the middle of the piece with tears streaming down my face and the resounding, undeniable calling in my mind and heart: I have to pursue music!
From that moment forward, I changed my entire career path, switched all of my engineering classes to music classes, and went on to pursue music in college. I have a background in both classical cello and classical voice, with a degree in cello and an enthusiasm/private study of the other. I realized towards the end of my Bachelor’s degree that classical music was a love of mine, but not an avenue I wanted to truly pursue. My first few years of college were extremely difficult, with an unforgiving private teacher, being in the closet, experiencing the death of a person I loved, and a general feeling of inadequacy as a classical cellist. I realized through music directing my first musical that I had a passion for theater and popular music, and it brought me to write my own music!
Adee officially began their own musical project, which was originally called “Adee Rocket Dancy.” Adee picked the name in tribute to childhood dreams of astronomy and rocket science that have always been fascinating and mesmerizing to them. Adee knew that they wanted to incorporate those themes into their musical journey. Adee released 3 singles under that name until realizing at a coffee shop with bandmates that “Sisterbot” had a great ring to it. It was originally a joke that we laughed really hard about, but then it stuck! Two weeks before, “Truth House” came out, Adee, their mom, and stepdad, were finalizing album artwork, and decided at that moment to make the change.
Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest, KCMO, Sat, June 21, 2:00pm to midnight. This all-ages garden festival has immersive garden activities, wellness offerings, and a lineup fof 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, & Coloratura, with performances running from 3 to 11:00 pm.
10:28
Collidescope – “Dodo Bird” from: FunHouse / Collidescope / October 13, 2022 [Collidescope includes: Hadiza. on vocals, beats, & synthesizers; and Madison Monroe on guitar, bass, beats, synthesizers, mixing & vocals. On December 31, 2020 Collidescope released their 7-track album DEEP TAPE. DEEP TAPE includes Victoria Falls Stillwater on addition sound production and vocals, and was mixed and mastered by J.Ashley Miller. DEEP TAPE is a follow up the band’s debut EP SYSTEMIC released December 16, 2017. Hadiza also released her solo album SHADOW WEIGHT on Nov. 22, 2019. Collidescope are getting ready to release their final recording project DEEP TAPE 2 before a hiatus. Hadiza is also working on their second solo album supported by Arts KC, titled Diaspora Gothic, to be released in the fall of 2025. More info at: http://www.hadizaisnothere.bandcamp.com or http://www.acollidescope.bandcamp.com ]
10:33 – Underwriting
Lonnie Fisher – “Hear My Voice” from: “Hear My Voice” – Single / Lonnie Fisher / April 18, 2025 [Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]
10:39 – Interview with Lonnie Fisher
“Hear My Voice” is one of several new singles from the prolific Kansas City musical riock and roller – Lonnie Fisher who studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher & The Funeral released the album, HAUNTED on October 22, 2021. He released his solo album FAMOUS GIRL on January 19, 2022; BEAUTIFUL STAR on February 9, 2023; the EP, SEEDS on July 28, 2023, and the album FLOATING PALACE, on August 9, 2024. Info at: http://www.lonniefisher.bandcamp.com.
Lonnie Fisher Thank you for being with us on WMM.
6/5: Lansing Correctional Facility experience in a room without phones. It was glorious!
Lonnie: On the night of June 5, my band and I experienced a unique enthusiasm and appreciation from the residents of Lansing Correctional Facility that went far beyond a traditional gig, in an extremely unorthodox setting. We had a soulful connection with this amazing community and experienced the creation of music together, the way humans are supposed to. It was another reminder of shows of yore when cell phones weren’t so distracting and the audience was just as much a part of the show as the musicians. We will be forever grateful for the experience and can’t wait to do it again!
6/21: Upcoming art and music show, featuring artist Mark Freeman at Discourse Brewery OPKS (4-8pm parking lot tent show, food truck, free, family-friendly)
2 new tunes will be released July 10 (Lonnie’s Birthday)
Zero One Zero (it is not officially released on any platform though). Recorded and played last year with Ed Rose, of the famed Black Lodge Studios, at the cool recording studio in Lawrence Public Library. The other song is called Get Away, recorded at Weights and Measures, with guest vocals from Steve Tulipana (Season to Risk).
Lonnie Fisher plays Replay Lounge in Lawrence on July 5. Lonnie Fisher plays Hillsiders in KCK on July 23. Lonnie Fisher plays The Bottleneck in Lawrence on August 1.
Lonnie Fisher continued to go to his new local recording home at Weights and Measures Soundlab, where he has been remastering old and creating new songs with Duane Trower like a madman since before the pandemic. Lonnie released some newly recorded and remastered solo tracks in 2022’s Famous Girl, 2023’s Seeds EP and the album John Brown Karmageddon. His most recent songs written in the last 5 years can be found on 2023’s Beautiful Star, 2024’s Floating Palace, and his upcoming album The Onion’s Tale this fall. He’s already in the studio, working on 2026’s album.
We’d really like for people to be on our old fashioned email newsletter to learn more about who we’re playing with and lots more details. We are very skittish about social media nowadays. thelonniefisher.com
We’re introducing The Fisher Flea to shows.We decided to expand our merch table to homemade goods, cool quirky items, books, as well as the standard merch. The sourdough bread, cinnamon rolls, and jarred sauces are a hit!
10:46
Lonnie Fisher – ” Zero One Zero with Tara Fisher” (LIVE) from: “Zero One Zero” – Single / Lonnie Fisher / July 10, 2025 [Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]
10:50 – More Interview with Lonnie Fisher
Lonnie Fisher is a native Kansan, playing a unique 5-string guitar with no G string and a voice that some call reminiscent of David Bowie or Roy Orbison. Lonnie moved to Lawrence, Kansas from the western part of the state in the 1990’s, as the college town found its place on the national music scene. The project he started there, Sturgeon Mill, played live venues all around the West and Midwest, with the song “Kill Yourself or I Will” charting in European countries. After Sturgeon Mill broke up in the 2000’s, he began experimenting with solo work at Black Lodge Studios in Eudora, Kansas with Ed Rose. A few projects came and went, but nothing really stuck until his band, Lonnie Fisher & the Funeral. He also found his love of cooking during this time and worked his way up to dinner chef at Wheatfield’s in Lawrence.
Tragedy struck in about 2010 when Lonnie lost his father and the love of his life over a very short period of time. He grieved, got lost in alcohol addiction, and then had a stroke. In 2015, he moved to the Kansas City area. With that move, he evolved Lonnie Fisher & The Funeral with some new local members. Tragedy struck again in 2017 when he had a second stroke. This set him back more than the first as he had to quit his kitchen job because the stroke affected his memory and how he processes information. He eventually learned to live life without alcohol and relearned how to play and sing. With some other health issues on the horizon, he decided that he would focus more on recording and disbanded Lonnie Fisher & The Funeral.
He continued to go to his new local recording home at Weights and Measures Soundlab, where he has been remastering old and creating new songs with Duane Trower like a madman since before the pandemic. Lonnie released some newly recorded and remastered solo tracks in 2022’s Famous Girl, 2023’s Seeds EP and the album John Brown Karmageddon. His most recent songs written in the last 5 years can be found on 2023’s Beautiful Star, 2024’s Floating Palace, and his upcoming album The Onion’s Tale this fall. He’s already in the studio, working on 2026’s album.
Lonnie: “I’m so grateful to be back, and I have so many people to thank for their kindness and support. Most importantly, my wife Tara, who was with me through all the dark moments, deserves real credit for my being alive.”
Sheri at The Brick in KCMO, Steve Tulipana at Record Bar KCMO, Duane Trower Weights and Measures Soundlab KCMO, Lawrence venues The Replay Lounge, Bottleneck, Gaslight Gardens, Northside Social, all of these people and places gave me a second chance to resurrect my career. I love them very much.
Life is truly a gift. Work hard. Play harder. Take care of your body and mental health. When everything is working together in harmony, there’s nothing you can’t do.
Lonnie Fisher – “Mediocre White Man (feat. Tara Fisher)” from: “Mediocre White Man (feat. Tara Fisher)” – Single / Lonnie Fisher / April 18, 2025 [Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]
11:00 – Station ID – Life’s Too Good To Keep – Side A – Act One
James Grauerholz – “Be That Way” from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024 [Written in 1993. Recorded by Brad Koehler, at Hairball IV Studio, Lawrence, Kansas. / James Grauerholz writes: “I wrote this for Matt Schepis, who was my boyfriend in 1993. He is now almost fifty and we’re good friends. Other players: Mark Henning of Zoom, guitar fills and vocal; Scott Lovern of the Lonesome Wranglers on keyboards; Bill Belzer of Mongol Beach Party on drums; Darren Welch of Dracomagnet on bass guitar. For this one session we were Draco Zoom Mongol Ramblers. The song was first released on Tim/Ker records out of Portland, Oregon on the “Cough It Up: The Hairball Story” compilation.” // Mark Henning writes in the album’s liner notes: To anyone in the Art, Literary & Music world, James has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James has handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. // James set out to be a singer-songwriter before fate led to his calling with William S. Burroughs and despite the demands of his literary responsibilities, he continued to write music as a creative outlet. Over the years James witnessed and has been an important figure in many extraordinary musical eras. He was referred to as the ‘Zelig of Punk Rock’, having been part of a small coterie who helped kick-start the CBGBs scene in NYC from 1974 through the end of the decade. If you haven’t read the book ‘Please Kill Me’ by Legs McNeil and Gillian McCain, do yourself a favor and pick it up. James’ stories are among the best in it. His ‘mates’ during that time were the likes of Lester Bangs, Howard Brookner, Robert Palmer and Robert Quine -to name only a few. // The Zelig comparison is dead accurate, but it goes far beyond Punk Rock. James was there for the Midwestern Country-Rock explosion of the early 1970s. The legendary oral history ‘Cows Are Freaky When They Look At You’ paints a hilariously warped picture of the people in James orbit during those K.C./Lawrence years prior to him moving to NYC. He was there for the AOR singer-songwriter movement of the late 1970s, mixing his songs with Boz Skaggs in San Francisco. He was at the Hacienda in Manchester when Factory Records ruled the scene and where New Order, The Smiths and The Fall took the world by storm. He was around when New Wave and Hardcore emerged AND he was a steadfast contributor to the evolution of underground music of the early 1990s. In Lawrence, KS where James has lived since the early 1980s, and where Zoom and Lotuspool Records evolved, James lent his opinions, his studio, his gear, his chops and his time, unselfishly on innumerable occasions to help fledgling bands get a leg up. // Through all of these eras, James’ voice as a songwriter has held its own piece of real estate. Each of the twenty-two tracks represented on this double album bear a style that is distinctly his own, both lyrically and compositionally. It is worth adding that James is one hell of an accomplished guitar player too. Assembling this collection was no easy task, despite James’ impeccable documentation of his own catalog. Tapes were baked, no stone was left unturned and several ‘new’ discoveries were made that hadn’t made their way into the master list. // What you have here is a collection of songs that span thirty years, or as James so aptly puts it ‘My Life In Four Acts’ -with each side of the two LPs representing an Act. Though much of the material could easily be considered Great American Songbook in style (hooks everywhere, turns of phrase that remain stuck in your head, broad themes of love, loss & loneliness…), there is also a deeply personal and distinctly Queer element to the songs. One must not forget that back in the 1970s hardly anyone was doing this. In fact, James may have created his very own lane. There were Queer outsider artists like Tom Wilson doing more ‘camp’ numbers, but NO ONE was doing pop-type radio songs represented here. Some of the songs could even qualify as a new genre: Gay Yacht Rock. One must also wonder whether, despite the appeal factor, maybe James just wanted to keep the songs for himself as a log of his own personal journey? // You, the listener can decide for yourself. We hope you enjoy these four acts as much as we did while assembling them. For me they just keep getting better the more I listen.” – Mark Henning (Zoom, National Trust, Voice of Action)]
11:03 – Interview with Chris Garibaldi & Mark Henning
Mark Henning was born on South Side of Chicago in 1970 into a musical family. His Grandfather was a Music Educator and Big Band Leader of the Leo Henning Orchestra. Mark was initiated into his music and started playing guitar at the age of 8 and then saxophone and electric guitar and started his first band The Locals. Mark met Chris Garibaldi when he moved to his neighborhood. In high school Mark discovered the underground music in Chicago, and played basement Hardcore shows. Mark went to University Of Kansas in 1988 where he majored in Advertising and got my undergrad B.S.J. from the William Allen White School Of Journalism. With Chris Cosgrove and Steve Tubbart Jeremy Sidener the band Zoom was created. Mark met James Grauerholz and William Burroughs in 1992. They were label-mates on T/K Records out of Portland but all lived in Lawrence. Mark played and recorded with James. Mark moved back to Chicago in 1995, ad started playing in The National Trust, recording two albums on Thrill Jockey. Mark worked at Reckless Records in Chicago from 1996-2000k and also Dusty Groove Records. Mark started a successful D.J. night at Danny’s in Chicago that continued for 20 years until 2017. Mark moved to Brooklyn in 2000 Managed Dubway recording Studios in Manhattan, worked and lived in New Orleans and eventually moved back to Chicago in 2006 to focus on music with the National Trust. Mark toured Europe, bought a bungalow on the West Side, worked for a Commercial Photography House, had a son name Leo in 2008. Mark continues to write. He put out a 45” with Fred Schneider and Elvira on Jack White’s Third Man label in 2013-14. Started a three piece called VoA and released an album on Lotuspool in 2018. On 2019 he started work on the James Grauerholz Album until it was released in November of 2024.
Mark Henning thanks for being with us on Wednesday MidDay Medley
Chris Garibaldi is the co-founder of Lotuspool Records. He also is lead singer, guitarist and occasional trombonist for the band Suneaters who released their 7th album, the 13 track album, Suneaters IV: Absinthe Makes The Heart Grow Fingers, on September 23, 2022. Lotuspool Records, was born in 1992. Chris writes “We started the label when we were very young, and the bands that were on it were very young, too,” he tells me. “Back then, you could put out an indie record and get a lot of attention and press. At that time, there was a lot of support for indie music. Around 2000, Lotuspool went on an unofficial hiatus. The label was never inactive, but Garibaldi spent most of 2000s living in Los Angeles. In 2011, a Garibaldi relocated to Parkville, he and Scott Hartley — bassist in the Suneaters — brought a new vision for Lotuspool Records. He label has been the moe for releases for Heidi Lynne Gluck, The Bump Band, Bully Pulpit, The Whips, Poster Children, Zoom, Voice of Action, June Henry, Hollow Body, Chris Cardwel, and many others This year the label is celebrating 33 years!
Chris Garibaldi, thanks for being with us on Wednesday MidDay Medley
Chris Garibaldi and Mark Henning join us to share details about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Grauerholz has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. More info at: http://www.lotuspool.com
Lotus Pool Records presents…James Grauerholz Life’s Too Good To Keep
“Be That Way”– Written in 1993. Recorded by Brad Koehler, at Hairball IV Studio, Lawrence, Kansas. / James Grauerholz writes: “I wrote this for Matt Schepis, who was my boyfriend in 1993. He is now almost fifty and we’re good friends. Other players: Mark Henning of Zoom, guitar fills and vocal; Scott Lovern of the Lonesome Wranglers on keyboards; Bill Belzer of Mongol Beach Party on drums; Darren Welch of Dracomagnet on bass guitar. For this one session we were Draco Zoom Mongol Ramblers. The song was first released on Tim/Ker records out of Portland, Oregon on the “Cough It Up: The Hairball Story” compilation.”
James Grauerholz was born December 14, 1953, in Coffeyville, Kansas, and attended the University of Kansas for a year before dropping out and traveling to New York City. By his own admission, he was fascinated with Beat Generation literature and authors.
Grauerholz became acquainted with Burroughs in the 1970s while befriending Allen Ginsberg in New York City. Ginsberg recommended Grauerholz to Burroughs as a possible assistant and their working relationship began in this simple manner, yet grew to be a major factor in the popularization of Burroughs and his works. Grauerholz became Burroughs’s friend and business manager until the author’s death in 1997.
Grauerholz helped edit a trilogy of novels: Cities of the Red Night (1981), The Place of Dead Roads (1985) and The Western Lands (1987). He acted as Burroughs’s business manager, spearheading reading tours in the 1980s and 1990s, and wrote editorial copy for Interzone, a compilation of stories. He quit working for Burroughs and returned to Kansas in the early 1980s, and this quickly led Burroughs to relocate to the Midwestern university town of Lawrence, Kansas, to work more closely with Grauerholz again. Up until Burroughs’s death in 1997, Grauerholz supported him, getting him reading engagements, commercial advertisements (Nike shoes), and parts in films (Drugstore Cowboy), as well as recording Burroughs’s readings. He looked after Burroughs’s physical needs as well, taking him to a methadone clinic in Kansas City weekly, as well as providing him with companionship and acting as a kind of social secretary to the many people that came to Kansas to meet Burroughs.
Grauerholz wrote biographical sketches for a Burroughs reader, Word Virus, and edited a posthumous release of Burroughs’ diaries, Last Words: The Final Journals of William S. Burroughs. Grauerholz worked on a full-length biography on Burroughs, but reportedly handed his writings and other material in the project to Barry Miles in March 2010.[1] The book, Call Me Burroughs: A Life, was published in 2014, with Miles as the sole credited author.
Works as editor or co-editor of William Burroughs • Cities of the Red Night, 1981 • The Place of Dead Roads, 1985 • The Western Lands, 1987 • My Education: A Book of Dreams, 1995 • Interzone, 1985 • Last Words: The Final Journals of William S. Burroughs, 2000
Audio productions: Naked Lunch (Warner, 1995), and Let Me Hang You (Khannibalism, 2016) both recordings produced by Grauerholz and Hal Wilner with music by Wayne Horvitz, Bill Frisell and Eyvind Kang
Works as author Include: Grauerholz, James and Ira Silverberg. (2000) Word Virus: The William S. Burroughs Reader. Grove Press. (Editor and author of biographical sketches preceding each chapter). AND Grauerholz, James. The Death of Joan Vollmer Burroughs: What Really Happened?. American Studies Department, University of Kansas. Online.
Mark Henning first met James in 1992 when his band Zoom was being courted by Tim Kerr Records of Portland, Oregon. Zoom had been introduced to the label through Greg Sage of Wipers fame, who was Producing what would be our final record, Helium Octipede.
Coincidentally James and William Burroughs were both signed to Tim Kerr Records and we all happened to live in Lawrence, KS. James and I met up at a Mexican restaurant near 19th & Mass St. and discussed the music biz over enchiladas. James was incredibly supportive of our move to join the label, gave me a boatload of wise advice and a long friendship ensued.
To anyone in the Art, Literary & Music world, James has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James has handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion.
James Grauerholz was referred to as the ‘Zelig of Punk Rock’
James set out to be a singer-songwriter before fate led to his calling with William S. Burroughs and despite the demands of his literary responsibilities, he continued to write music as a creative outlet. Over the years James witnessed and has been an important figure in many extraordinary musical eras. He was referred to as the ‘Zelig of Punk Rock’, having been part of a small coterie who helped kick-start the CBGBs scene in NYC from 1974 through the end of the decade. If you haven’t read the book ‘Please Kill Me’ by Legs McNeil and Gillian McCain, do yourself a favor and pick it up. James’ stories are among the best in it. His ‘mates’ during that time were the likes of Lester Bangs, Howard Brookner, Robert Palmer and Robert Quine -to name only a few.
11:15 – Life’s Too Good To Keep – Side A – Act One
James Grauerholz – “Rainy Kansas City” from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024 [Written in 1973. Recorded by James Grauerholz, by myself in my bachelor apartment in Kansas City , Missouri, next door to the Associated photography Building where I worked then at 3716 Main Street, Kansas City.]
11:18 – More Interview with Chris Garibaldi & Mark Henning
We are talking with Chris Garibaldi and Mark Henning about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Released November 1, 2024. More info at: http://www.lotuspool.com
“Rainy Kansas City” – Written in 1973. Recorded by James Grauerholz, by myself in my bachelor apartment in Kansas City , Missouri, next door to the Associated photography Building where I worked then at 3716 Main Street, Kansas City. James writes: “I was thinking of my many fears about moving to New York City – which I nevertheless did soon afterward.]
The Zelig comparison is dead accurate, but it goes far beyond Punk Rock. James was there for the Midwestern Country-Rock explosion of the early 1970s. The legendary oral history ‘Cows Are Freaky When They Look At You’ paints a hilariously warped picture of the people in James orbit during those K.C./Lawrence years prior to him moving to NYC. He was there for the AOR singer-songwriter movement of the late 1970s, mixing his songs with Boz Skaggs in San Francisco. He was at the Hacienda in Manchester when Factory Records ruled the scene and where New Order, The Smiths and The Fall took the world by storm. He was around when New Wave and Hardcore emerged AND he was a steadfast contributor to the evolution of underground music of the early 1990s.
In Lawrence, KS where James has lived since the early 1980s, and where Zoom and Lotuspool Records evolved, James lent his opinions, his studio, his gear, his chops and his time, unselfishly on innumerable occasions to help fledgling bands get a leg up.
11:28 – Underwriting
11:30 – Life’s Too Good To Keep – Side B – Act 2
James Grauerholz – “New York City Lullabye” from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024 [Written in 1974. Recorded by James Grauerholz on stereo cassette tape in April 1974 while William slept – late one night at 452 Broadway, New York City.. / James Grauerholz writes: “William S. Burroughs, my father and lover for 23 years until his death on August 2, 1997. He had been my favorite writer since 1966, and when I finally met William, I immediately decided ‘Life’s to good to keep.’”]
11:33 – More Interview with Chris Garibaldi & Mark Henning
11:33 – More Interview with Chris Garibaldi & Mark Henning
We are talking with Chris Garibaldi and Mark Henning about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Released Noveber 1, 2024. More info at: http://www.lotuspool.com
“New York City Lullabye “ – Written in 1974. Recorded by James Grauerholz on stereo cassette tape in April 1974 while William slept – late one night at 452 Broadway, New York City. / James Grauerholz writes: “William S. Burroughs, my father and lover for 23 years until his death on August 2, 1997. He had been my favorite writer since 1966, and when I finally met William, I immediately decided ‘Life’s to good to keep.’”
Single Release Dates: 10/4/24: Be That Way 10/11/24: New York City Lullabye 10/18/24: Heaven’s Radio 10/25/24: The Intersection Of You And Me
Grauerholz has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs.
What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. More info at: http://www.lotuspool.com
Through all of these eras, James’ voice as a songwriter has held its own piece of real estate. Each of the twenty-two tracks represented on this double album bear a style that is distinctly his own, both lyrically and compositionally. It is worth adding that James is one hell of an accomplished guitar player too. Assembling this collection was no easy task, despite James’ impeccable documentation of his own catalog. Tapes were baked, no stone was left unturned and several ‘new’ discoveries were made that hadn’t made their way into the master list.
11:40 – Life’s Too Good To Keep – Side C – Act 3
James Grauerholz – “Heaven’s Radio” from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024 [Written in 1985. Recorded by James Grauerholz live to four-track cassette at 215 Illinois Street In Lawrence Kansas that summer. Written for Neil Cadger whom I met in 1978 in San Francisco and visited in Canada (Calgary, Ottawa, Toronto and in Paris in 1981. We are still good friends.”]
11:45 – More Interview with Chris Garibaldi & Mark Henning
We are talking with Chris Garibaldi and Mark Henning about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Released Noveber 1, 2024. More info at: http://www.lotuspool.com
“Heaven’s Radio” – Written in 1985. Recorded by James Grauerholz live to four-track cassette at 215 Illinois Street In Lawrence Kansas that summer. Written for Neil Cadger whom I met in 1978 in San Francisco and visited in Canada (Calgary, Ottawa, Toronto and in Paris in 1981. We are still good friends.”]
What you have here is a collection of songs that span thirty years, or as James so aptly puts it ‘My Life In Four Acts’ -with each side of the two LPs representing an Act. Though much of the material could easily be considered Great American Songbook in style (hooks everywhere, turns of phrase that remain stuck in your head, broad themes of love, loss & loneliness…), there is also a deeply personal and distinctly Queer element to the songs. One must not forget that back in the 1970s hardly anyone was doing this. In fact, James may have created his very own lane. There were Queer outsider artists like Tom Wilson doing more ‘camp’ numbers, but NO ONE was doing pop-type radio songs represented here. Some of the songs could even qualify as a new genre: Gay Yacht Rock. One must also wonder whether, despite the appeal factor, maybe James just wanted to keep the songs for himself as a log of his own personal journey?
You, the listener can decide for yourself. We hope you enjoy these four acts as much as we did while assembling them. For me they just keep getting better the more I listen.
Mark Henning (Zoom, National Trust, Voice of Action)
Chris: “One of the mistakes we made as kids running the label was that we made a lot of short-term decisions,” Garibaldi says. “We didn’t have foresight. We were too concerned about paychecks and debt. And now it’s like, ‘Let’s take the thing that we do well, which is to foster interesting music, and not worry about the little things.’ Let’s see if we might be able to figure out something that might make the music bigger. That’s the goal.”
“The Intersection Of You And Me” – Recorded by Ed Rose at Hairball IV Studios. Tom Johnson and Chuck Mahoney remixed in 2004. For “Psrk” a Colorado boy with whomI’m really glad to have been friends. Also for Mikal Elder, an Air Force Academy student whom I met in Pueblo, Mexico, in 2000 at an American Studies scholarly conference at the Universidad do las Americas/Puébla, where he presented a paper on Ernest Hemingway and William S Burroughs. My friend Mikal is a professional cargo pilot today.
Chris Garibaldi and Mark Henning, thanks for being with us on WMM
The new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz was released November 1, 2024 More info at: http://www.lotuspool.com
For WMM, I’m Mark Manning. Thanks for listening.
11:54 – Life’s Too Good To Keep – Side D – Act 4
James Grauerholz – “The Intersection Of You And Me” from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024 [Recorded by Ed Rose at Hairball IV Studios. Tom Johnson and Chuck Mahoney remixed in 2004. For “Psrk” a Colorado boy with whom I’m really glad to have been friends. Also for Mikal Elder, an Air Force Academy student whom I met in Pueblo, Mexico, in 2000 at an American Studies scholarly conference at the Universidad do las Americas/Puébla, where he presented a paper on Ernest Hemingway and William S Burroughs. My friend Mikal is a professional cargo pilot today.]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
Next week, on Wednesday, June 25 We talk with Lawrence Kansas based singer songwriter Suzanne Johannes about her new album Hanz Bronze Boulevard to be released on August 29, 2025. // at 11:00 member of the band Marmoppes return to Wednesday MidDay Medley ot share music and news. // And at 11:30 We talk with musician and guitarist Keelon Vann about his new album THIRD EYE.
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, June 4, 2025
WMM Serves Music of Boulevardia + Chris Haghirian + KC Music Industry Commission
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
Tech N9ne – “This I Know (feat. Kevin Church Johnson) (radio edit)” from: 5816 Forest / Strange Music / June 27, 2025 [New single from upcoming 27th studio album. Aaron Dontez Yates was born November 8, 1971. He is better known by his stage name Tech N9ne (pronounced “tech nine”), is an American rapper and singer. In 1999, he and business partner Travis O’Guin founded the record label Strange Music. He has sold over two million albums and his music has been featured in film, television, and interactive media. In 2009, he won the Left Field Woodie award at the mtvU Woodie Awards. // His stage name originated from the TEC-9 semi-automatic handgun, a name given to him by rapper Black Walt due to his fast-rhyming chopper style. Yates later applied a deeper meaning to the name, stating that it stands for the complete technique of rhyme, with “tech” meaning technique and “nine” representing the number of completion. // Yates was born and raised in Kansas City, Missouri. He began rapping at a very early age, and would rap the letters of his name in order to remember how to spell it. His father Carlton Cook was estranged from the family and his mother suffered from epilepsy and lupus when he was a child, which emotionally affected him and inspired him to “search for God”. He would explore abandoned buildings with his best friend, hoping to catch a ghost on film. He attended Southwest High School in Kansas City. // Early in his career, Yates was a member of a group formed in 1991 called Black Mafia. He saw glimpses of success in the group 57th Street Rogue Dog Villians with their single “Let’s Get Fucked Up”. As a member of the group Nnutthowze, Aaron Yates signed with Perspective Records in 1993. However, the group disbanded soon after being released from the label. Yates signed with Qwest Records briefly before moving to JCOR Records. // In 1997, Yates joined the group the Regime, which was formed by rapper Yukmouth. The following year, he was featured on the soundtrack for the film Gang Related. Yates appeared on the song “The Anthem” by Sway & King Tech in 1999, which also featured artists RZA, Eminem, Xzibit, Pharoahe Monch, Jayo Felony, Chino XL, KRS-One, and Kool G. Rap. Later that year, he and business partner Travis O’Guin founded the record label Strange Music. // In 2001, Yates released the studio album Anghellic on JCOR Records.[9] After disputes arose about the promotion of the album, Yates and his label severed ties with the JCOR with a deal that allowed them to retain the rights to the album. The next year, he released Absolute Power, under a 50–50 joint venture between Strange Music and M.S.C. Music & Entertainment (which was founded by former Priority Records head Mark Cerami). The album debuted number 79 on the Billboard 200. The album’s sales are said to have tripled following a campaign, going by the name of “F.T.I.” was started by the rapper and his label. The campaign, which asked music listeners to legally download the album free through the artist’s own website was in response to the anti-downloading campaign by the RIAA. // In 2006, Yates released the album Everready (The Religion). The following year, he released Misery Loves Kompany. Yates announced that the album was the first in a series of “Tech N9ne Collabos” albums that feature a wide range of guest appearances. // The following year, Yates released the album Killer. That September, he exceeded one million album sales over his entire catalog. Yates remarked of the accomplishment that, “It just reminded me of all the work we’d done in the past, up until now […] I don’t think it’s sunken in yet. I’ve been celebrating for the last two days because that’s a hell of an accomplishment. I’ve been planning success all my life. I’m not even a bit surprised, I’m happy about it. That just means I was right.” Yates released his second Collabos album, Sickology 101, in April 2009. // Yates later performed at the Rock The Bells 2009 Festival and the tenth annual Gathering of the Juggalos. That October, he released K.O.D., an acronym for King of Darkness. The album featured a dark overtone, as Yates was dealing with the illness of his mother. An EP of new songs over unused beats from the K.O.D. album was released in 2010 as The Lost Scripts of K.O.D.. Later that year, Yates released his third Collabos album, The Gates Mixed Plate. In October, he released his second EP Seepage. On December 23, he released his first mixtape Bad Season.which was later released in retail CD form with a modified track list and without DJ Scream. On June 7, 2011, Yates released All 6’s and 7’s. The album features several hip-hop artists as well as rock artists including B.o.B, E-40, Snoop Dogg, Hopsin, T-Pain, Jay Rock, Mint Condition, Busta Rhymes, Twista, Lil Wayne, Yelawolf and Deftones and many others. // In 2011, Yates told 411mania.com that after All 6’s And 7’s he planned on releasing his fourth album in the Collabos series titled Welcome to Strangeland, featuring guest appearances from everyone on Strange Music, followed by the long-awaited K.A.B.O.S.H. and 816 Boyz albums. Then, in July 2011, Yates said in a blog post that Rick Ross has agreed to do a song with him for the K.A.B.O.S.H. album and that he is also hoping to have a collaboration with Jay-Z on that album. In the same blog post, he said that the K.A.B.O.S.H. album will be a rock album. In another blog post several weeks later, he confirmed that he will begin work on the album after completing Welcome to Strangeland. Following his tour, he announced that he was about to begin work on Welcome to Strangeland and Klusterfuk, confirming producers for both projects. ¡Mayday! is to entirely produce Klusterfuk. He said he will then begin work on the K.A.B.O.S.H. album. // Tech N9ne is featured on Lil Wayne’s ninth studio album Tha Carter IV on the song “Interlude”. The track features a verse from Tech and Andre 3000. During a radio interview with Funkmaster Flex in August 2010, Wayne stated that he and Tech N9ne formed a “brotherhood” when Yates visited him in jail. In a later interview, Tech N9ne claimed that he thinks the song will “awaken a lot of other people that wouldn’t usually look [his] way” and “teach all the new fans how to become technicians”. // In an interview with “Underground TV” posted on Tech N9ne’s blog, Tech N9ne spoke about his 2012 plans, confirming the release of Klusterfuk, the K.A.B.O.S.H. album, and an untitled solo album to be released in 2012. He was featured on the song “Edge of Destruction” (which also features Twista) that appears on Machine Gun Kelly’s first studio album “Lace Up”. // On September 18, Tech N9ne released an EP titled “E.B.A.H.” (Evil Brain Angel Heart). On October 30, Tech N9ne released an EP titled Boiling Point. He announced his thirteenth studio album would be titled Something Else and would be released on June 25, 2013. The first song released from the album would be “B.I.T.C.H.”, an acronym for Breaking In To Colored Houses, which features rapper/singer T-Pain. The album would end up being released on July 30, 2013, to universal critical acclaim. The album, which is broken up into three portions — Earth, Water & Fire, features guest appearances from B.o.B, Big K.R.I.T., Cee Lo Green, the Doors, Game, Kendrick Lamar, Serj Tankian, T-Pain, Trae tha Truth, Snow Tha Product, and Wiz Khalifa, among others including several artists from Tech N9ne’s Strange Music imprint. The album was supported by two singles, “So Dope (They Wanna)” and “Fragile”. // Tech N9ne announced a new “Independent Grind” tour in January 2014, which included Freddie Gibbs, Krizz Kaliko, and Jarren Benton. The tour dates were announced on January 30, 2014, and the tour ran from April 9 until June 28, wrapping up in Kansas City. Also in 2014, Yates released Strangeulation, the fifth album in his Collabos series and fourteenth album overall. // In April 2015, Yates confirmed that Eminem will be featured on a song titled “Speedom (Worldwide Choppers 2)”. The song was released on April 20, 2015, as a single supporting his then-upcoming album, Special Effects, which was released on May 4 of the same year. The rapper says Eminem collaborated on the track, free of charge, in exchange for Yates to guest on a track of his for an unknown project. Yates says he was “flabbergasted” that Eminem respected his music so much. // On May 4, 2015, Tech N9ne released Special Effects to critical and commercial acclaim. The album features guest appearances from Corey Taylor, B.o.B, Lil Wayne, 2 Chainz, T.I., Kottonmouth Kings, Hopsin, Captain Chronic, E-40, Yo Gotti, Audio Push and Eminem along with fellow Strange Music artists Krizz Kaliko, Big Scoob and Ces Cru. // In addition, a Special Effects tour began in early April 2015. Tech is joined on tour by Murs, Chris Webby, Krizz Kaliko, Zuse, and King 810. // On November 20, 2015, Tech N9ne released Strangeulation Vol. II, the sixth album in his Collabos series and 16th album overall. The album features the entire roster of Strange Music at the time along with JL, Ryan Bradley, and Tyler Lyon. In spring 2016, Tech N9ne went on tour with fellow Strange members for another Independent Powerhouse Tour. // In December 2016, Tech N9ne released his 17th album, The Storm, the followup to his 1999 debut album The Calm Before The Storm. // In January 2017, Tech N9ne announced his seventh Collabos album titled Dominion, released April 7, and stated plans to release a second album in his Collabos series the same year. In March, Tech began the Strictly Strange ’17 tour with fellow Strange Music artists. The same month, Tech announced on radio station GoMN plans to release his next solo album, Planet, in 2018. On June 20, 2017, Tech earned his first platinum record in 18 years for “Caribou Lou”. Tech N9ne released the eighth Collabos album, Strange Reign, on October 13, 2017, marking it the second album release that year. // On March 2, 2018, Tech N9ne released Planet, making this his 20th studio album. On April 19, 2019, Tech N9ne released N9na, making this his 21st studio album. Nearly a year later, on April 10, 2020, his 22nd album, Enterfear was released. On July 29, 2020, he was featured on “CMFT Must Be Stopped”, a single by Slipknot vocalist Corey Taylor. On October 23, 2020, Tech N9ne released a new project titled Fear Exodus. // On October 8, 2021, Tech N9ne released an album titled “Asin9ne”. The album features guest appearances from Lil Wayne, Mumu Fresh, Snow Tha Product, Russ, E-40, X-Raided, as well as wrestler turned actor Dwayne Johnson. // Tech N9ne features on fellow Kansas City area musician Samantha Fish’s 2021 album Faster, rapping on the song “Loud”. // On May 3, 2022, at Red Rocks Amphitheatre, Tech N9ne announced his then-upcoming album Bliss, performing a song off the album titled “They Know Meh” featuring fellow Kansas City-based rapper, The Popper. // Bliss was released on July 28, 2023, after being delayed from a July 14 release. The album contains guest appearances from Conway the Machine, Joyner Lucas, X-Raided, Kim Dracula, RMR, Qveen Herby and Durand Bernarr. // On May 7, 2024, Yates was unveiled as featured artist on the Falling in Reverse track “Ronald” from their 2024 album Popular Monster. He stars in the official music video portraying a God like entity, who contrasts against the demonic final boss portrayed by Alex Terrible lead singer of the Russian heavy metal group Slaughter to Prevail. Yates will also be supporting the group on their Popular MonsTOUR II: World Domination tour, in Europe and North America. // Yates is known for his dynamic rhyme schemes[citation needed] and speed rap abilities known as the Chopper style. Soren Baker of VH1 states that Yates’ techniques “showcase his wide-ranging, mind-blowing flows”. Baker characterizes Yates’ earlier work as “apocalyptic music, which discussed abortion and infidelity as much as his rapping prowess”. Allmusic reviewer Jason Birchmeier calls his style “bizarre hardcore rap”. Yates stated that he purposely creates flow patterns in order to sound like a percussion while he raps.[50] After hearing an instrumental he would come up with different kinds of patterns and then “fill in” the actual lyrics. // Yates says that he is influenced by old school hip hop, and specifically cites N.W.A, Public Enemy, Boogie Down Productions, Eric B. & Rakim, Schoolly D, and Just-Ice. He is also interested in other genres of music, and lists The Doors, Jim Morrison, Led Zeppelin, Elton John, AC/DC, Metallica, Floetry, Outkast, CeeLo Green, and Gnarls Barkley as influences. He has remarked generally that “I love beautiful music, beautiful music no matter what type”. // Although Tech N9ne mostly collaborates with rappers from his record label Strange Music such as Krizz Kaliko, Kutt Calhoun, Big Scoob, Brotha Lynch Hung, and Stevie Stone as well as underground rappers from his hometown Kansas City, he has also worked with known rappers such as E-40, Ice Cube, Three 6 Mafia, Lil Wayne, Twista, Eminem, Busta Rhymes, Snoop Dogg, Kendrick Lamar, Machine Gun Kelly, Yelawolf, Scarface, Yo Gotti, T-Pain, Wiz Khalifa, Paul Wall, B.o.B, André 3000, T.I., and 2 Chainz. // Tech N9ne has also worked with rock and metal musicians such as Serj Tankian of System of a Down, Corey Taylor of Slipknot, Chino Moreno and Stephen Carpenter of Deftones, Jonathan Davis of Korn, Five Finger Death Punch, and Falling in Reverse. //Yates’ songs have appeared in the films Born 2 Race, Gang Related, Alpha Dog, Our Heroes: The 25 Best Black Sports Movies (Ever), and The Life of Lucky Cucumber. Yates was originally set to score the entire film Alpha Dog, but the studio decided to replace some of his music with more commercially known songs. In 2009, his song “Let’s Go” was used in an online promotional short film for AXE body spray. Yates also appears as an actor in the films Vengeance and Night of the Living Dead: Origins 3D. Yates starred in the musical Alleluia: The Devil’s Carnival, which had a limited theater release July 2015. On November 25, 2015, Tech released “Shine”, a song for the Jaco Pastorius documentary, Jaco. //Several of Yates’ songs are featured in the video games Madden NFL 2006, The Crew, EA Sports MMA, 25 To Life, WWE 2K18, EA Sports UFC 3, and Midnight Club: Los Angeles, in the latter of which Yates is an unlockable character. In 2009, Yates and label mate Krizz Kaliko appeared in a promotional video for the Fight Night Round 4 video game. // Yates’ music has appeared on the television shows Dark Angel, I’m From Rolling Stone, My Super Sweet 16, The Hills, Spike Guys’ Choice Awards, and Warren The Ape. In 2008, his song “Earthquake” was featured on an episode of MTV’s America’s Best Dance Crew in which the crew had to visually convey the title of the song in their performance. On the Aug. 15, 2009 Strikeforce event, Strikeforce: Carano vs. Cyborg, MMA fighter Gilbert Melendez entered the arena to Tech N9ne’s 2006 song “The Beast” for his bout with Mitsuhiro Ishida. His song “Riot Maker” was used as the official theme song for Total Nonstop Action Wrestling’s 2010 Hardcore Justice pay-per-view. Yates also appeared on the 2011 BET Hip Hop Awards in the BET Cypher with B.o.B, Machine Gun Kelly, Kendrick Lamar, and Big K.R.I.T. In 2012, Tech N9ne appeared on the MTV game show Hip Hop Squares for three episodes. In 2013, Tech N9ne’s song “Demons” appeared in the pilot episode of Ironside. On June 24, 2014, Tech N9ne appeared on Jimmy Kimmel Live! to perform “Fragile”, “He’s A Mental Giant”, and “Stamina”. In late 2014, Yates appeared on Wild n Out as captain of the Black Team. // In May 2015, “Give It All” from the album Special Effects was used during Inside the NBA’s “Tip-Off” for Game 4 of the Eastern Conference Finals. // In May 2018, it was announced that Yates had teamed with Boulevard Brewing Company, a brewery based in his hometown of Kansas City, to create a new beer. The beer was released on June 18 in the Kansas City, Wichita, Denver, and Oklahoma City markets. The beer is named Bou Lou as reference to his song “Caribou Lou”, which is also a cocktail with overproof rum (The song specifically mentions Bacardi 151, which has been discontinued), Malibu, and pineapple juice . The beer is a wheat beer with pineapple and coconut flavors. On July 9, Bou Lou went on sale in the St. Louis market. // Yates was married in 1995, but separated in 2005. Yates filed for a divorce in 2015 and it was finalized in November 2017, 12 years after they were initially separated. On October 23, 2024, he married his longtime girlfriend Kristen, with whom he has two daughters, as seen from their social media accounts. Yates is an avid supporter of Kansas City culture and the metro area’s pro sports teams, including the KC Chiefs, KC Royals, and Sporting Kansas City. Before the Chiefs played in the 2019 AFC Championship game, he released a song titled “Red Kingdom”. In 2025, Yates was announced as one of the remixers for the 2026 FIFA World Cup theme, representing Kansas City.]
Discography – Studio albums The Calm Before the Storm (1999) The Worst (2000) Anghellic (2001) Absolute Power (2002) Everready (The Religion) (2006) Killer (2008) K.O.D. (2009) All 6’s and 7’s (2011) Something Else (2013) Special Effects (2015) The Storm (2016) Planet (2018) N9na (2019) Enterfear (2020) Asin9ne (2021) Bliss (2023) 5816 Forest (2025) Discography – Collabos series Misery Loves Kompany (2007) Sickology 101 (2009) The Gates Mixed Plate (2010) Welcome to Strangeland (2011) Strangeulation (2014) Strangeulation Vol. II (2015) Dominion (2017) Strange Reign (2017) COSM (2024)
[Tech N9ne plays Boulevardia on Saturday, June 14, 9:30 to 11:00pm on The MAIN STAGE]
10:04 – Interview with Chris Haghirian
Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Today we are serving music from the 10th annual Boulevardia Fest including: The Greeting Committee, Honestav, The Freedom Affair, Katy Guillen and The Drive, Kat King, Lorna Kay, The Creepy Jingles, Jamogi, Little Miss Dynamite, Flora From Kansas, Shay Lyriq, Dalima Kapten, TheBabeGabe, Paris Williams, Jackie Myers, Malek Azrael, and The Soul Activators. We started the show with Tech N9ne.
At 11:30 Meighan Peifer & James D. McGee, Creative Director of KC’s Mutual Musicians Foundation share details about The Kansas City Music Industry Commission formed in 2024 with the mission to strengthen the local music ecosystem by supporting musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and content creators. By collaborating with city government, private entities, and KC music industry.
But first, joining us for our first 90-minutes is our friend and special guest, Chris Haghirian host & Producer of Eight One Sixty, heard Tuesday nights at 6:00 PM, on 90.9 The Bridge. Chris studied Journalism / Advertising at The University of Kansas. Chris also studied Photography at Kansas City Art Institute. Chris worked for The KC Star for over 20 years Chris was co-founder of the Middle of The Map Fest. Chris works for Spray KC. Chris organizes multiple concert series, and music stages for Plaza Art Fair & Boulvardia.
Chris Haghirian joins us to share details about Boulevardia, Saturday, June 14, at Crown Center, 2396 Grand Boulevard, encompassing Crown Center & Washington Square Park with 33 national, regional & local acts, 14 DJs, 5 music stages, with nearly 50 Brewing Companies, dozens and dozens of Restaurants & Food Trucks, Multiple merchants in the Makers Market, The Silent Disco, Yard Games, Canna Village, Monster Teeter-Totter, The Swifty Experience, and more. Info at: http://www.boulevardia.com
Chris Haghirian thanks for being with us on WMM
BOULEVARDIA SCHEDULE – SATURDAY, JUNE 14
MAIN STAGE 12:00 PM 1:00 PM Big Luke and the Soul Disciples 1:30 PM 2:10 PM Jackie Myers 2:40 PM 3:20 PM Jessica Paige 3:50 PM 4:30 PM The Phantastics 5:00 PM 6:00 PM The Zeros 6:30 PM 7:30 PM The Greeting Committee 8:00 PM 9:00 PM honestav 9:30 PM 11:00 PM Tech N9ne
FOUNTAIN STAGE- ELEVATE (Fountain Stage) 12:10 PM 12:50 PM The Soul Activators 1:20 PM 2:00 PM Talya Groves 2:30 PM 3:10 PM Land Lion 3:40 PM 4:20 PM Jamogi and The Jammers 4:50 PM 5:30 PM Daisy Buckët Drag Show 6:00 PM 6:40 PM Kat King 7:10 PM 7:50 PM Back Alley Brass Band 8:20 PM 9:00 PM Hembree
PARK STAGE – ILLICIT STAGE (Park Stage) 12:30 PM 1:10 PM Little Miss Dynamite 1:40 PM 2:20 PM Timbers 2:50 PM 3:30 PM David Luther 4:00 PM 4:40 PM Chalis O’Neal 5:10 PM 5:50 PM Lucas Parker 6:20 PM 7:00 PM Lorna Kay 7:30 PM 8:10 PM Katy Guillen and the Drive 8:40 PM 9:30 PM The Freedom Affair
HOLLADAY HILL STAGE 12:50 PM 1:20 PM Dalima Kapten 2:00 PM 2:30 PM Shay Lyriq 3:10 PM 3:40 PM Flora From Kansas 4:20 PM 4:50 PM Lauren Lovelle 5:30 PM 6:00 PM Paris Williams 6:40 PM 7:10 PM The Creepy Jingles 7:50 PM 8:20 PM Malek Azrael and The Vibez 9:00 PM 9:40 PM TheBabeGabe
SILENT DISCO 1:00 PM DJ Dawna – Taylor dance party 1:00 PM Lana Luxx – Taylor dance party 3:00 PM DJ Daz One 3:00 PM DJ Diehard 3:00 PM Tiberias 5:00 PM DJ Hike 5:00 PM DJ EJ 5:00 PM DJ Nana G 7:00 PM DJ Skittlez 7:00 PM DJ ON 10 7:00 PM FK Menace 9:00 PM DJ Joe + DJ Ice Kole 9:00 PM DJ NE$$ 9:00 PM Sheppa
10:09
The Greeting Committee – “Can I Leave Me Too?” from: Dandelion / Harvest Records / September 24, 2021 [Formed in KC in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, a& Pierce Turcotte. This EP is a follow up to their Oct. 17, 2019 EP, I’m Afraid I’m Not Angry, and their October 26, 2018, full length vinyl release “This Is It.” The band has previously released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.The Greeting Committee released their single “Ada” on August 27, 2021, through Harvest Records / UMG Recordings. “Ada” is a queer narrative inspired by lived experience of a dear friend. i knew this wasn’t my story to tell, but instead the story of someone i fiercely admire. to our garden, you are loved. you are loved. You can listen to “Ada” at: thegcband.lnk.to/ada.]
[The Greeting Committee plays Boulevardia, Sat., June 14, at 6:30 to 7:30pm on The MAIN STAGE]
Honestav – “Hurts To Fall In Love (Radio Edit)” from: hara-kiri (Deluxe) / Rebel Music / May 16, 2025 [honestav is Av Freeman: a determined, kindred soul who, in the face of unimaginable odds and loss, found himself a breakout hit with 2024’s “I’d Rather Overdose” and a ticket out of rural Missouri. // Growing up the youngest of four brothers and a sister, he caught the music bug early: “They all wanted to be rockstars,” Av says. “I was a little kid going and watching my sixteen-year-old brother play screamo shows in bowling alleys and pizza joints. I was hooked. I wanted it bad.” // He split his time between his parents, spending half the month with his mother and half with his dad. “My mom was the worst tweaker ever,” he explains. “She lived in the hood and got arrested multiple times selling meth.” Life with his father was relatively stable, but still not comfortable. “There was no A.C. and no food,” Av says, “but I was going to school and playing sports. Half the month, I was the quarterback, and the other half, I was running around with no socks, smoking cigarettes with the worst kids.”// From the start, Av’s music was a response to tragedy; at age fifteen, Av found his brother dead from suicide. Amid this grief, Av adopted a tough-guy rap persona. He recorded music obsessively, releasing a song a week for over a hundred weeks in a row. “Literally for two years,” he says. “Sometimes I’d drop even more. I’d record four songs in a night and post two of them.” These years of experimentation reveal themselves in Av’s blend of folk and hip-hop, which sees scratchy verses layered over sensitive acoustic guitars. // After graduating high school, Av paid his bills selling weed. “I thought that’s how I was going to live,” he says. “I’d just be a dude that sells weed. I didn’t even think about the rockstar thing.” Then he got hired as a mover. He held that job for four years. “It was a grind, and I stayed up in the studio every night,” he remembers. “I’d go to work at 6:30 AM after being up until 4 AM recording music. It was draining.” // When Av started making jokes on TikTok, he believed he had finally found his way out. The social media platform paid for views, and his videos reached millions and millions of viewers. “At first I thought, ‘I’m about to get rich.’ I quit my job and shit. But I started spending all my money on studio time. I made enough to afford an apartment, but I was living out of my truck.” // But in January of 2024, tragedy struck again. Av’s father committed suicide. On the truck ride home, Av, through tears, wrote a new song documenting his emotions. Rushing to the studio, Av cut the track and uploaded it as had become routine. Almost overnight, “I’d Rather Overdose” exploded, cracking multiple Billboard charts and amassing over 70 million streams globally. The subsequent remix featuring MOD SUN, teased through an open verse challenge on TikTok, peaked at #21 on Alternative Radio. // “When my dad died, music turned into therapy for me,” Av says. “I’m not making songs to be cool anymore—this is what I gotta do to get through the day. I’m lucky that people hear it.” Now, following a bidding war between every major label, Av is on track to purchase his first home. Building on the success of “I’d Rather Overdose,” honestav released his debut EP, “hara-kiri,” on November 9th, which peaked at #10 on Apple Music’s Alternative Charts and garnered over 110 million streams across all platforms. The EP included the lead single, “Hurts To Fall in Love,” which received significant radio airplay success. // In 2024, honestav expanded his reach by embarking on a highly successful tour alongside MOD SUN and lovelytheband. His electrifying live performances led to sold-out shows in his hometown of Springfield, Missouri, as well as major cities like NYC and LA. These achievements underscore his growing fanbase and the widespread appeal of his music. Following the momentum of his debut EP and successful tours, honestav is excited to announce future projects, including his debut solo Midwest “No License Tour” slated for 2025, which promises to bring his heartfelt performances to even more fans across the region. // honestav belts rhymes about partying and drug addiction, self-loathing and suicide, stifling emotions and trying to open up. “When my brother killed himself, I turned into a punk ass sixteen-year-old,” he says. “When my dad did it, it hit different. It took a different spin. I’m a grown ass man now. If I wasn’t making these songs, I don’t think I’d be alive.” // Still, Av is shocked that this intimacy and introspection connected with such a wide audience. “It seems like people actually started to relate more when I stopped making music for everyone else,” he says. “That’s when they really started listening.” Despite his deep roots in the country, honestav has faced pressures from industry executives and even other artists to lean into familiar tropes of country music. However, Av has a strong sense of identity and remains true to his unique sound. “I grew up in the country, but I wasn’t farming,” he clarifies. “I’m from that, but I’m not that. My homies were farming, but I was riding dirt bikes and busting out windows.” // With the success he’s found by trusting his instincts, Av is determined to keep his music close to his heart, blending his background with his alternative influences to create something truly authentic. His authentic voice and unwavering dedication continue to inspire and connect with listeners around the world.]
[Honestav plays Boulevardia, Saturday, June 14, at 8:00 to 9:00pm on The MAIN STAGE]
The Freedom Affair – “If You Don’t Want Me” from: “If You Don’t Want Me” – Single / Sunflower Soul Records / May 15, 2024 [The Freedom Affair is a 9 piece soul juggernaut from Kansas City, MO. The band formed in 2017 with a vision to write original soul music inspired by the traditions of the genre’s past with a universal message looking toward the future. Their new single “If You Don’t Want Me” features: Shon Ruffin on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, Brett Jackson on tenor Sax, Pat Conway on congas, and Nick Howell on tambourine. Written, Recorded & Mixed by Chris Hazelton. Mastered by JJ Golden // With their debut album FREEDOM IS LOVE, The Freedom Affair has received critical acclaim and have established themselves as a force in the soul music scene across the states and abroad. Keep your eyes and ears open for their songs and album art featured in the series Bel-Air, an Apple commercial, a Netflix series, etc… This band is just getting started. // The Freedom Affair’s live shows have proven to be soul-stirring, transformative events moving audiences both physically and emotionally to joy. // The Freedom Affair released their debut album Freedom Is Love on September 25, 2020. from The album explores themes of love, heartache, empower-ment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording techno-logies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. For the debut record The Freedom Affair was: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns] [The Freedom Affair played The 20th Annual Crossroads Music Fest Saturday,]
[The Freedom Affair play Boulevardia, Sat, June 14, 8:40 to 9:30 PM on Park Stage – ILLICIT Stage.]
Katy Guillen & The Drive – “Back To Normal” from: Dream Girl – EP / Katy Guillen Music / March 20, 2020 [“Flight Attendant delivers an experience,” – Rolling Stone Magazine. Flight Attendant belongs to that breed of rock bands made in Nashville, USA; where their sound is nothing less than a sonic unicorn. Blending sounds of grunge with power-pop hooks, viola and light synth textures, they have begun to create a hypnotic sound and energy all of their own. Glide Magazine says that Lead Singer Karalyne, “Commands your attention like Freddie Mercury working the crowd in an arena.” Flight Attendant band has been compared to Haim and Fleetwood Mac, or as TurnuptheVolume puts it, “Think Warpaint having a dance with Best Coast,” – This “Nashville based eclectic-indie band….is ready for take off”, Velvet Thunder]
[Katy Guillen & The Drive play Boulevardia, Sat, June 14, 7:30 – 8:10pm Park Stage – ILLICIT Stage.]
Kat King – “Somersaults” from: “Somersaults”- Single / Kat King / May 2, 2025 [Kat King eleased the single “I Might Like It” throough Manor Records on February 28, 2025 / / Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. Produced by Isaac Flynn of Hembree. Kat King released the EP Domestic Bliss on April 5, 2024. Domestic Bliss was in the Top 25 of WMM’s 129 Best Recordings of 2024. // On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. // Kat King’s career started as far back as 2nd grade in small town Kansas. As a solo singer-songwriter act, she produced one 13-song album and three EP’s. Now based in Kansas City, Kat King graduated into a 5-piece indie-pop rock group who are gearing up for the release of their second EP together. Their infectious energy has landed them on some of KC’s biggest stages.]
[Kat King play Boulevardia, Saturday, June 14, at 6;00 to 6:40pm on the FOUNTAIN Stage.]
10:29 – Underwriting
Lorna Kay – “What Ever Happened” from: “What Ever Happened” – Single / Independent / October 18, 2024 [Lauren Krum solo project with Mike Stover. Follow up single to “Havin’ A Ball” released July 12, 2024. Lauren Krum is known for her work as lead singer of The Grisly Hand who had their last show on May 11, 2024 at The Ship. The band first started playing live in 2009. When The Grisly Hand released their debut album Safe House, the entire band (at that time: Lauren Krum, Jimmy Fitzner, Johnny Nichols, Chas Snyder, Mike Tuley. Ben Summers & Kian Byrne) climbed into our studios and performed live on our Nov. 10, 2010 show. // Jimmy Fitzner, Johnny Nichols, Chas Snyder were in a band called Left Behind. Lauren had played with them at The Brick, before laving Kansas City to go to Columbia College in Chicago. N Chicago Lauren created the group The Strumpettes a soul-inspired group featuring four female singers and a four-piece band. When the Strumpettes dismantled in 2008 and her life in Chicago started to fall apart, Krum decided to move back to Kansas City. She immediately began singing with From Before. // Within a few months, Krum, Fitzner, Nichols and Snyder were performing as a new group. They had brought on Andy Davis to play mandolin. Krum had found the name “the Grisly Hand” iafter coming across it in the poem “Webster Ford” from Edgar Lee Masters’ Spoon River Anthology. The most Current grouping of The Grisly Hand was Jimmy Fitzner, Lauren Krum, Ben Summers, Mike Stover, Johnny Nichols and Kian Byrne. / A super group of sorts several members have also been involved in other projects. Lauren has played and recorded with Ruddy Swain (w/ David Regnier), Lorna Kay, and Lorna Kay’s Country Club, as well as being a DJ.]
[Lorna K play Boulevardia, Sat, June 14, 6:20 to 7:00pm on Park Stage – ILLICIT Stage.]
The Creepy Jingles – “Love Like You” from: “Love Like You” – Single / High Dive Records / July 14, 2024 [This is the third of several new singles being released by The Creepy Jingles this year. The band released “Repeat After Me” on April 19, 2024. The band released “When Things Go Wrong” on February 23, 2024. The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. // Song (lyrics/melody/chords) written by Jocelyn Olivia Nixon. Mixed and Recorded by Paul Malinowski and recorded at Massive Sound Studios in Shawnee, Kansas. Mastered by Zack Hames. Jocelyn Nixon on lead vocals & rhythm guitar, Will Van Doorn on lead guitar & backing vocals, Andrew Woody on bass & backing vocals, Nick Robertson on drums & bait. // The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. ] The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019.]
[The Creepy Jingles play Boulevardia, Sat, June 14, 6:40 to 7:10pm on HOLLIDAY HILL Stage.]
Jamogi – “Go Big Or Go Home” from: “Go Big Or Go Home” – Single / Jam Tunes / August 30, 2024 [Jamogi released the EP Jamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live)” – through Jam Tunes on April 11, 2025. // Jamogi released the single “Do It To Me” on March 28, 2025. // Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire.]
[Jamogi & The Jammers play Boulevardia, Sat, June 14, 3:40 – 4:20pm FOUNTAIN – ELEVATE Stage.]
Little Miss Dynamite– “Not Goodbye” from: Grow Up / Rural Grit Records / May 3, 2024 [Little Miss Dynamite is a four piece string band with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. Engineered and Mixed by Clarke Wyatt, Gnomes and Goats Studio.More info at: http://www.bethwattsnelson.com]]
[Little Miss Dynamite plays Boulevardia, Sat, June 14, at 12:30–1:10pm – ILLICIT Stage (Park Stage.)]
Flora From Kansas – “The Ghost is Me” from: Homesick – EP / Melodic / March 14, 2025 [17 year old Flora Kay A.K.A. Flora From Kansas has already been writing music for 5 years, picking up the guitar in lockdown. “My dad and I often took long walks to a nearby gas station, where we had conversations about how life was going. It was then that we started discussing the idea of creating music together just for the fun of it.”, Flora describes. On a rich diet of Girl In Red, Faye Webster & Alex G, Flora began learning on Garageband before upgrading to Logic for her self-productions. ]
[Flora From Kansas playsBoulevardia, Saturday, June 14, at 3:10–3:40pm – HOLLIDAY Stage.]
TheBabeGabe X The Human – “FUTURISTIC LOVERS” from: HONEYPOP / Seven Rings Media / March 5, 2025 [Production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on Sept. 20, 2024 through Dirty Hit Records and immediately followed with an 8-track 7th studio album HEAVEN ON URF, on Oct. 25, 2024 on Dirty Hit Records. Music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On Oct. 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. KC is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.” Deiondre added, “The music scene here is getting cool now, there’s a lot of jazz musicians that go to school for music here too but you can find people from different scenes all over if around the city.” Ty wrote, “The KC scene is great, the community here is so supportive and genuine. This is a really prideful city here and I think they’re finally getting the musicians they deserve.”]
[TheBabeGabe plays Boulevardia, Saturday, June 14, at 9:00 to 9:40 on the HOLLADAY HILL Stage.]
11:00 – Station ID
Shay Lyriq – “Back By Demand (feat. The Big Chief)” from: “Back By Demand (feat. The Big Chief)” – Single / Shay Lyriq / December 10, 2024 [Shay Lyriq is a soulful and genre-blending artist known for their captivating blend of R&B, hip-hop, and alternative influences. With powerful vocals, poetic lyricism, and a raw, honest approach to storytelling, Shay Lyriq creates music that resonates deeply with listeners. Their sound is an exploration of emotional depth, fusing smooth melodies with hard-hitting beats to craft a sound that is both introspective and universally relatable. // Shay Lyriq’s music spans themes of love, struggle, self-discovery, and empowerment, offering a voice that connects with people on a personal level. With each track, they push boundaries and continue to evolve, carving out a unique space in the music scene. Whether in the studio or performing live, Shay Lyriq delivers an unforgettable experience, blending vulnerability with strength in every note.]
[Shay Lyriq plays Boulevardia, Saturday, June 14, at 2:00 to 2:30pm on the HOLLADAY HILL Stage.]
Paris Williams & The Human – “Alien Luv (feat. Saving Mils Lemon)” (radio edit) from: A Paris Williams Joint / Bitter Sweet Sound / November 19, 2024 [Paris Williams is a 26-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school. Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarparis]
[Paris Williams plays Boulevardia on Sat, June 14 at 5:30 – 6:00pm on HOLLADAY HILL Stage.]
Dalima Kapten – “Feel the Beat, Bud” from: “Feel the Beat, Bud’ – Single / Dalima Kapten / September 27, 2024 [Dalilma Kapten (she/her) released the single “Scrappy Rose” also on September 27, 2024.// Dalima Kapten (she/her) is currently working on her debut album. She is a second-generation Kenyan-American pursuing a Master of Arts in Music Technology at the University of Central Missouri. She holds a Bachelor of Arts in Architectural Studies, Theater Minor, and a specialization in Architectural Acoustics from the University of Kansas. // As a theater performer and artist, Dalima is deeply moved by a passion for storytelling and worked at Music Theater Heritage as the Manager of Artistic Operations. Additionally, she presented her self-published chapbook “Native Anomaly” for Columbia University’s HOME: Symposium.]
[Dalima Kapten plays Boulevardia, Sat, June 14 at 12:50 – 1:20pm on HOLLADAY HILL Stage.]
Jackie Myers – “Brown Dirt Shuffle” from: What About The Butterfly / Jackie Myers / April 18, 2025 [In his online stte The Plastic Sax Bill Brownlee writes: “Witnessing the transformation of Jackie Myers from a peripheral figure on Kansas City’s jazz scene to one of the region’s most compelling artists has been extraordinarily gratifying. Quietly upping her game in incremental steps, Myers’ resolute work in recent years is reaping dividends. // On any given night, Myers applies her talents in a variety of contexts in Kansas City cafés, restaurants and barrooms. The variety of sounds- pop, rock, blues and, yes, jazz- coalesce on What About the Butterfly. The new album marks the culmination of a remarkable metamorphosis. // Not only is What About the Butterfly superior to Myers’ previous recordings, the album makes most jazz-rooted efforts seem unimaginative and simplistic. Her ambitions extend well beyond conventional Kansas City jazz. // Support from elite collaborators including Bobby Watson helps the album compare favorably to the arty pop of Laura Nyro, the contemporary soul of Cory Henry and the fastidiousness of Jacob Collier. Rarely has Kansas City been the setting for a more pleasing musical glow-up. ” – Read more at http://www.plasticsax.com // Jackie Myers is a jazz pianist, composer, and singer. She is a transplant from Austin Texas, where she performed in the indie touring circuit for almost a decade. She has been playing in Kansas City since December of 2017 with shows that feature a mix of jazz standards and original compositions. Since then she has held residencies at several notable jazz venues in Kansas City, including but not limited to, Corvino Supper Club, Chaz on the Plaza, and Green Lady Lounge. She also held the position of Music Director and piano player for the nationally syndicated radio show – 12th Street Jump – taped live in Kansas City until 2020, when the show ended. // During the pandemic, Jackie was able to continue performing through live streaming from her home and she produced a series of 9 concerts called “Kansas City Drive-ins” that featured artists including Bobby Watson, The Kansas City Jazz Orchestra, Eddie Moore, and Beau Bledsoe. The series was well attended and brought jazz back to its audience in a time when the venues could not host. Myers boasts a catalog of 7 albums and is currently working on her 8th. At her live shows, audiences are treated to Myers’ innovative and fluid keyboard work, punctuated by her bluesy vocals. At other times, Myers’ shows feature a purely instrumental dose. Performing as part of a duo, trio, quartet, or quintet, Myers is typically joined by some of the best musicians offered by a locale, typically combining a crisp rhythm section with top artists on horns or guitar. In 2018, Myers added Hammond organ to her repertoire, adding to the diversity of her performances. She currently plays the Hammond B3 for one of Kansas City’s most decorated Blues Artists – Nick Schnebelen. // As for Myers’ vocals, Louisiana musical writer Dominick Cross said about an earlier recording: “My initial reaction to the recording was that in some ways its Michelle Shocked meets Amy Winehouse. And several listens later, I’d say the same thing with more emphasis on Winehouse.” Bill Brownlee, jazz critic for The Plastic Sax and several other Kansas City publications said, “Her vocals on Ain’t No Sunshine and Stars Fall on Alabama demonstrated that Myers … brings a singular talent to the scene.” Myers debuted her first straight ahead jazz album in 2018 – The Instrumental One, which was recorded live at the prestigious Green Lady Lounge in Kansas City. Made up of eight tracks, including six original compositions, Jackie’s keyboard stylings groove what one critic called “jazz from a solid R&B point of view.” Critics compared The Instrumental One to works by Ahmad Jamal and Les McCann. Kansas City’s Roger Atkinson wrote: “I still like that soul-jazz genre . . . plus, Jackie Myers has a new fan: me.” Myers has also done some impressive work in musical production. In 2017, she produced the musical production Silent Films Out Loud: A Tribute to Buster Keaton. This event featured a nine-piece ensemble playing newly-written compositions to four Buster Keaton silent film classics, including a score by Myers to Buster Keaton’s 1922 Cops. This event, sponsored in part by the City of Austin Economic Development Department, filled Austin’s premier theater – The Stateside at the Paramount. Lastly, she has recently plied her craft with local production startup – FMK Music as a producer and composer for the group. Jackie holds a certificate in music from Berklee School of Music, a BA in music from Grinnell College, and a Master of Arts in Music with a jazz concentration from UMKC. ]
[Jackie Myers plays Boulevardia, Saturday, June 14, at 1:20 to 2:10pm on The MAIN STAGE]
Malek Azrael – “22 (Radio Edit)” from: Feels Like EP / Malek Azrael / March 1, 2025\ [On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]
[Malek Azrael plays Boulevardia on Sat, June 14 at 7:50 – 8:20pm on HOLLADAY HILL Stage.]
The Soul Activators – “Sunset” from: “Sunset” – Single / The Soul Activators / 2025 [The Soul Activators released their single “I’m Gone Mr. Wrong” on April 7, 2025. The Soul Activators are a 7-piece band from Kansas City that blends funk guitars, soulful vocals, and Latin-based percussion into a unique new sound. We are a multi-racial, multi-gendered, intergenerational band that reflects our nation. We sing a message of hope and freedom to activate our country into a people-powered movement.]
[The Soul Activators play Boulevardia, Sat, June 14 at 12:10 to 12:50pm FOUNTAIN ELEVATE Stage.]
11:30 – Underwriting
11:32 – Interview with Meighan Peifer and James D. McGee Sr.
Meighan Peifer was born on the East Coast and raised in St. Louis. Her dad was in the Air Force and then worked for Boeing. Her family traveled a lot a kids. Meighan’s mom was Canadian and she is a Canadian citizen. Meighan has been to 49 states and 3 continents. Meighan attended public and private school in St. Peters and O’Fallon, Missouri. She went to Drake University for undergrad in Special Education and Elementary Ed. Meighan obtained a Master’s in Education from the University of Kansas. Meighan moved to Kansas City in 1984 from Des Moines, Iowa. She has taught for 33 years for public schools in Wyandotte and Johnson County. And has operated the Federal Child Care center in KC MO for 26 years. Meighan has an Entertainment and Event Scheduling company as well. Meighan has been volunteering at KKFI for 4 years. Meighan is the host of slAp trAcks airing Tuesdays, 10:00 to Noon on KKFI 90.1 FM playing new flow of Hip Hop and R & B music from all over the local streets and the world. // Meighan is also the host of Rhythm and Seoul Radio airing on 1st and 3rd Wednesdays of each month on Hallyu Wednesdays on KKFI 90.1 FM playing the best in K-Pop. At KKFI Meighan also serves on KKFI’s finance committee, as Active Member Chair, and on KKFI’s Board of Directors.
James D. McGee Sr., is a veteran of the entertainment industry. Skilled in Management, Performing Arts, Marketing Strategy, Radio Programming, and Radio Broadcasting. He received his Bachelor of Arts (BA) focused in Psychology, Religious Studies from University of Central Missouri. McGee, moved to Kansas City from East Palo Alto in 1989. His uncle is legendary drummer James Gadson. McGee has spent decades embedding himself in Kansas City’s cultural landscape. James founded KOJH 100.5 LPFM, a radio station broadcasting from 18th & Vine to the world. McGee also co-founded “18th & Vine Lives,” which is a social concierge service to support and promote businesses and organizations in the Jazz District. McGee’s career spans crucial roles in Kansas City’s jazz community. During his time as a senior manager at the American Jazz Museum, he helped the institution navigate through pandemic challenges while expanding its reach. McGee produced the annual Charlie Parker “In the Yard” celebration showing his ability to honor jazz traditions while creating contemporary cultural connections. James D. McGee Sr, was just recently named the new Creative Director of Kansas City’s Mutual Musicians Foundation Internatinal. As creative director, McGee will seek to strengthen MMF’s role as a living museum while expanding youth and senior programs. His immediate projects include screening a director’s cut of “Last of the Blue Devils: The Kansas City Jazz Story” and organizing the 2025 International Jazz Day celebration.
Meighan Peifer and James D. McGee Thanks for being with us on WMM.
Meighan Peifer and James D. McGee join us to discuss The Kansas City Music Industry Commission formed in 2024 as a joint venture between Black Vine Worldwide Media Group, LLC and Black & White Enterprises, LLC. This initiative aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry. The commission’s mission is to strengthen the local music ecosystem by supporting musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and content creators. By collaborating with city government, private entities, and surrounding the Kansas City music industry
The Kansas City Music Commission is a 2024 joint venture between Black Vine Worldwide Media Group, LLC (“Black Vine”) and Black & White Enterprises, LLC (“Black & White”). This initiative aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry.
The Commission’s mission is to strengthen the local music ecosystem by supporting musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and content creators. By collaborating with city government, private entities, and surrounding municipalities, the Kansas City Music Commission will ensure the elevation of all sectors of the Kansas City music industry.
A core focus of the Kansas City Music Commission will be developing programming and concepts to showcase Kansas City’s musical talent during the 2026 FIFA World Cup. This high-profile global event presents a unique opportunity to demonstrate Kansas City’s vibrant music culture to an international audience.
The Commission will develop events designed to inform and engage the community
About the Mutual Musicians Foundation –
The Mutual Musicians Foundation stands as one of KC’s most enduring musical institutions. Founded in 1917 as Local 627 of the American Federation of Musicians, it served as both a union hall and sanctuary for Black musicians. In two years the Mutual Musicians Foundation will celebrate its 110th anniversary. McGee’s appointment marks the beginning of a new era focused on cultural preservation, global innovation and community engagement.
Its building at 1823 Highland Avenue, designated a National Historic Landmark in 1981, continues to host weekend jam sessions where established artists mentor the next gen.
The MMF is the only establishment in Missouri legally allowed to serve patrons until 6 a.m. on weekends, a privilege earned through its historic role in Kansas City jazz. This tradition began when musicians, after finishing their regular club gigs, would gather at the foundation to jam until dawn. Legends like Count Basie, Charlie Parker, and Jay McShann made these sessions part of the city’s musical fabric.
Kansas City hip-hop artist Tech N9ne is again making his mark on the global stage as he unveils the official Sonic ID for the 2026 FIFA World Cup games in Kansas City.
The collaboration between popular artists like Tech and FIFA will be the first time in the tournaments history to feature a city host-specific Sonic ID. The concept behind the short audio clip was designed to highlight the unique cultural sounds of each of the 16 host cities spanning from Canada, Mexico and the United States.
“The project brings together some of the most talented and influential producers from across the host cities, each contributing their unique sound to create a sonic tapestry that reflects the spirit of their hometowns,” KC2026, which is responsible for FIFA World Cup 26 planning in KC, said in a release announcing today’s Kansas City Sonic ID launch. Tech N9ne, whose real name is Aaron Yates, is a Kansas City native and co-founder of the independent record label Strange Music and the the sole artist to contribute a track with lyrics for the KC Sonic ID release.
The track, entitled “Kansas City Theme x FIFA World Cup 26,” is yet another example of Tech N9ne using his musical prowess and iconic hip-hop sound to create a buzz around the city. Kansas City is quite familiar with Tech’s hit song ‘Red Kingdom’ which quickly became the KC Chief’s team anthem, often played at Arrowhead Stadium. That high energy anthem has been performed live during games and Super Bowl rallies since 2019.
“I was so honored to be the one who KC2026 called on to do the Kansas City remix,” Tech N9ne was quoted saying in the release. “The message I’d like for people to take away from this Sonic ID is that togetherness is power, and with that, we can work our way to victory.”
Meighan Peifer and James D. McGee Thanks for being with us on WMM.
The Kansas City Music Commission aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry.
11:48
Tech N9ne – “Kansas City Theme (FIFA World Cup 26™️)” from: The Official FIFA World Cup 26™️ Host City Themes / FIFA / March 16, 2025 [The collaboration between popular artists like Tech and FIFA will be the first time in the tournaments history to feature a city host-specific Sonic ID. The concept was designed to highlight the cultural sounds of each of the 16 host cities spanning from Canada, Mexico and the US. KC Native Tech N9ne is the sole artist to contribute a track with lyrics for the KC Sonic ID release. // “Kansas City Theme x FIFA World Cup 26,” is yet another example of Tech N9ne using his iconic hip-hop sound to create a buzz. Kansas City is familiar with Tech’s song ‘Red Kingdom’ which became the KC Chief’s team anthem, often played at Arrowhead Stadium. That high energy anthem has been performed live during games and Super Bowl rallies since 2019.]
[Tech N9ne plays Boulevardia on Saturday, June 14, 9:30 to 11:00pm on The MAIN STAGE]
Land Lion – “Townie Song” from: “Townie Song” – Single / Land Lion / July 25, 2024 [Land Lion make happy songs about sad things. This KC-based indie rock collective led by Ben Wendt and backed by a revolving all-star supporting cast of musicians draws inspiration from Bright Eyes, Arcade Fire, and Bruce Springsteen. Land Lion are: Ben Wendt on Vocals, Acoustic Guitar; Matt Jack on Drums; Iggy Chamon on Bass; Carlos Chamon on Keys; Grant Paker on Electric Guitar; Parker Mason on Electric Guitar; Michael Cervantes on Trumpet; Kirsten Krier on Trombone; Caitlyn Jacobs on Saxaphone; Schuyler Minor on Vocals & Percussion. // Land Lion is a dynamic project blending indie rock, folk, and Americana, known for its heartfelt lyrics and vibrant instrumentation. Fronted by Ben Wendt, a skilled singer-songwriter & guitarist, the band’s sound captures a raw, emotional energy while drawing inspiration from both contemporary and classic influences. With Wendt’s rich vocals at the helm, Land Lion crafts songs that evoke both introspection and celebration, inviting listeners into a world of personal storytelling and wide-reaching soundscapes. Their music effortlessly weaves intricate melodies and powerful rhythms, with Wendt’s acoustic and electric guitar work providing the backbone to each track, accompanied by an amazing horn section. The band has garnered attention for their live performances and powerful compositions, building a loyal fan base along the way. Land Lion continues to evolve, pushing the boundaries of their sound while staying true to the authentic, emotional core that defines their music.]
[Land Lion plays Boulevardia on Saturday, June 14, at 2:30 – 3:10 on the FOUNTAIN Stage Elevate]
[Land Lion play MidCoast LIVE Friday, June 6, at 12:00 Noon, on 90.1 FM KKFI.]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
Next week, on Wednesday, June 11 we welcome back to the show The Man of 1001 Faces Michael McQuary who will be performing his one-man show on Sunday, June 15, at 2:00pm at Englewood Arts Center, 10901 East Winner Road, Independence, Missouri, AND we’ll bring you a very special interview with Michael’s friend from New York City – stage, screen and recording artist – Joey Arias who will share stories about his work and friendships with The Groundlings,Klaus Nomi, David Bowie, Laraine Newman of Saturday Night Live, Andy Warhol, The Mudd Club, Ann Magnuson,Paul Reubens, Lady Bunny, Elvira, Cirque du Solei, Burt Bacharach, and More!
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, June 4, 2025
WMM Serves Music of Boulevardia + Chris Haghirian + KC Music Industry Commission
WMM spins music of the bands & artists playing Boulevardia 10. We’ll feature: Tech N9ne, The Greeting Committee, honestav, The Freedom Affair, Katy Guillen and The Drive, Kat King, Lorna Kay, The Creepy Jingles, Jamogi, Little Miss Dynamite, Flora From Kansas, TheBabeGabe, Shay Lyriq, Paris Williams, Dalima Kapten, Jackie Myers, Malek Azrael, and The Soul Activators. We’ll survey the music of Boulevardia 10, happening on Saturday, June 14, with 5 stages and over 45 bands/artists, celebrating Kansas City with the biggest urban street festival at Crown Center, 2396 Grand Boulevard, KCMO. To learn more about the Live Music, Silent Disco, Food Trucks, Beers & Seltzers, Yard Games, Maker’s Market, Canna Village, Monster Teeter-Totter, The Swifty Experience, and more, you can go to: http://www.boulevardia.com
At 10:00 Chris Haghirian joins us for the first 90 minutes of our show to share details about Boulevardia 10. Chris Haghirian is Host & Producer of Eight One Sixty, heard Tuesday nights at 6:00 PM, on 90.9 The Bridge. Chris studied Journalism / Advertising at The University of Kansas. Chris also studied Photography at Kansas City Art Institute. Chris worked for The Kansas City Star for over 20 years. Chris was co-founder of the Middle of The Map Fest. Chris works for Spray KC. Chris organizes multiple concert series throughout the metro, and music stages for Plaza Art Fair, as well as Boulvardia.
At 11:30 Mark talks with Meighan Peifer who taught for 33 years in public schools in Wyandotte and Johnson County and has operated the Federal Child Care Center in KCMO for 26 years. We also talk with James D. McGee Sr, Creative Director of Kansas City’s Mutual Musicians Foundation. Meighan and James will discuss The Kansas City Music Industry Commission formed in 2024 as a joint venture between Black Vine Worldwide Media Group, LLC and Black & White Enterprises, LLC. This initiative aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry. The commission’s mission is to strengthen the local music ecosystem by supporting musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and content creators. By collaborating with city government, private entities, and surrounding the Kansas City music industry.
On your local radio dial 90.1 FM or STREAMING LIVE at: kkfi.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, May 7, 2025
Shaun Crowley & Music of Manor Fest 7
I’m Mark Manning. Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31. Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them.
Manor Fest 7 includes: Making Movies, Calvin Arsenia, Shy Boys, Supermoto, True Lions, Fullbloods, Fritz & Sons, Pale Tongue, Paris Williams, Scabb, Daniel Gum, MC Rue + MIKEY, Eggs On Mars, Kirstie Lynn, Brian Bulger, The Matchsellers, They’re Theirs, Blanky, The Swallowtails, The Creepy Jingles, Jolson & The Fear of Snakes, Stephonne, Malek Azrael & The Vibez, TIDAL. WAV, Rebel Song Academy, Liney Blu, Joel Vs. Joel, Field Daze, 2W33DY, Alber, Teri Quinn, Kadesh Flow, THIMASTR, CS Luxem, Danielle Ate The Sandwich, Big Fat Cow, Lauren Lovelle & The Midnight Spliffs, LyMerrick, Jack Summers, Natalie Prauser, Cat Fight, Midwestern, Dalima Kapten, Wills Van Doorn, Saving Miles Lemon, Pure XTC, Jamogi & The Jammers, DJ Dom Chronicles, Shay Lyriq, Lava Dreams, Highway Demon, Frankie Shorez & Mercury Fire, Apricot Glow, Nina Cherry, Eddie Moore, Gracie Caggiano, Mosaic, and DJ Sammy Sheets. For more information you can visit: http://www.manorrecords.com
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
Danielle Ate the Sandwich – “Fumbling” from: Fumbling / Danielle Ate The Sandwich / March 21, 2025 [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
[Danielle Ate The Sandwich plays Night One of Manor Fest 7 Wednesday, May 21 at 7:00pm at Manor Records 5540 Troost Ave., KCMO with MC Rue + Mikey, and Eggs on Mars.]
10:04 – Interview with Shaun Crowley
Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is the Founder & Executive Director of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. We first met Shaun over 15 years ago as part of the band Rev Gusto, originally formed in high school with friends at Saint James Academy.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31. Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them.
Shaun Crowley thanks for being with us on Wednesday MidDay Medley
As reported by Julie Denesha for KCUR.com published April 5, 2024:
Crowley started the nonprofit in 2017, with concerts first in a rented house in Shawnee, then moving to a cafe in Strawberry Hill and later a basement space in the West Bottoms. On Troost, he’s doubled the retail space where he will sell used records. This time, Crowley thinks he has the right business model.
Crowley plans to man the record store Wednesday through Saturday, and on Monday and Tuesday when the store is closed, he’ll teach guitar and bass to students of all ages and skill levels. He already has another musician lined up to teach piano and ukulele.
The storefront will also serve as a concert venue for the artists Manor Records supports. The store will bring back free events from its last space — Songbird Sessions every Thursday, a songwriter open mic and a masterclass educational series.
Crowley started playing in the KC when he was 17 in band Rev Gusto and Momma’s Boy. He said he’s eager to share the lessons he’s learned with young musicians just starting out.
The new space will also serve as home base for preparations for the foundation’s biggest fundraiser of the year. Manor Fest is a multi-day music festival held in Kansas City that goes back to the group’s early days in a Shawnee basement. The foundation’s mission is to provide resources and support to local musicians, and Manor Fest is now a cornerstone of their fundraising efforts.
Manor Records Board Khrystal Johnson – President Danielle Krakenberg – Secretary Tyler Fowler – Board Treasurer Talon Ice – Board Member Droo Long – Board Member
Record Label Operations Team Shaun Crowley – Founder & Executive Director Skylar Rochelle – Record Label Lead Kayla Jarrett – Record Lavel Team Member
Manor Fest is a local music fundraiser festival curated and ran by Manor Records.All profits from this fundraiser event to help us with our non-profit mission of releasing local artists’ music on physical platforms through our “Manor Records Fund”.
Manor Records all started in a basement of “The Shawnee Manor,” a DIY venue located in Shawnee, KS. From Glass Animals to Shy Boys, the underground venue hosted numerous local acts, and some national touring acts. Founder Shaun Crowley created the first Manor Fest with 10 bands in one night, then grew to a two night event featuring 20 local bands. After years passed and a community was built, it was time for the boys to move out of the deteriorating house.
In October of 2017, Shaun and company officially launched Manor Records. A DIY record label based on the foundation of their infamous Shawnee Manor. Manor Records is a label that takes no profits from their artists, is hands-on, and self-run, with intentions of good music from good people. They began by hosting showcases featuring local and regional bands in addition to putting out cassette releases.
Alongside the festival, Manor Records has been actively providing booking, tour management, cassette releases, blog premieres/reviews, marketing and promotion services for indie acts all over the Mid-west area.
Manor Fest is a local music fundraiser festival curated and ran by Manor Records.All profits from this fundraiser event to help us with our non-profit mission of releasing local artists’ music on physical platforms through our “Manor Records Fund”.
Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31. Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them.
Manor Fest 7 includes: Making Movies, Calvin Arsenia, Shy Boys, Supermoto, True Lions, Fullbloods, Fritz & Sons, Pale Tongue, Paris Williams, Scabb, Daniel Gum, MC Rue + MIKEY, Eggs On Mars, Kirstie Lynn, Brian Bulger, The Matchsellers, They’re Theirs, Blanky, The Swallowtails, The Creepy Jingles, Jolson & The Fear of Snakes, Stephonne, Malek Azrael & The Vibez, TIDAL. WAV, Rebel Song Academy, Liney Blu, Joel Vs. Joel, Field Daze, 2W33DY, Alber, Teri Quinn, Kadesh Flow, THIMASTR, CS Luxem, Danielle Ate The Sandwich, Big Fat Cow, Lauren Lovelle & The Midnight Spliffs, LyMerrick, Jack Summers, Natalie Prauser, Cat Fight, Midwestern, Dalima Kapten, Wills Van Doorn, Saving Miles Lemon, Pure XTC, Jamogi & The Jammers, DJ Dom Chronicles, Shay Lyriq, Lava Dreams, Highway Demon, Frankie Shorez & Mercury Fire, Apricot Glow, Nina Cherry, Eddie Moore, Gracie Caggiano, Mosaic, and DJ Sammy Sheets. For more information you can visit: http://www.manorrecords.com
Venue One : Manor Records, 5540 Troost Ave., KCMO (7-10 PM) all ages
Danielle Ate The Sandwich
MC Rue + Mikey
Eggs on Mars
Night Two : Thursday 5/22 – Westside
Venue One : Fetch, 1659 Summit St. KCMO (5-7 PM) all ages
Big Fat Cow
Stephonne
Lauren Lovelle & The Midnight Spliffs
Venue Two : Greenwood Social Hall, 1750 Belleview Ave, KCMO, (7-10 PM) *21+
Brian Bulger
The Swallowtails
Calvin Arsenia
10:11
Stephonne – “1 Think It’s Gonna Be Alright” from: “1 Think It’s Gonna Be Alright” – Single / Glory Blue Music / April, 2025 [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Recorded, mixed and mastered at Westend Recording Studios, Kansas City. Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. More info at: http://www.stephonne.com]
[Stephonne plays Night Two of Manor Fest 7 on Thursday, May 22 at 5:00pm at Fetch, 1659 Summit St. KCMO with Big Fat Cow, and Lauren Lovelle & The Midnight Spliffs. All ages.]
Calvin Arsenia – “Is That What You Like” from: Paradise / Calvin Arsenia / June 23, 2023 [Paradise is Calvin Arsenia’s 14 track album. Available through http://www.calvinarsenia.com // A new turning point as a songwriter. His most biographical album yet, with songs about Black Lives Matter, Racism, The Police, being on probation, gay love. The album contains collaborations with Cheery, Kadesh Flow and Jametatone. Calvin Arsenia one of our most frequent guests, who first appeared on WMM on July 25, 2012. KC Magazine has hailed Calvin as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.’ Born in Orlando, Florida, Calvin’s creative journey began when he moved to Olathe, Kansas, teaching himself the guitar, piano, banjo. He learned his signature instrument, the harp, at the age of 20. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer where at 24 he released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. On February 14, 2017 Calvin released his critically acclaimed full length debut, Catastrophe, with a live show at recordBar in November 2016 that involved a company of 50 people, dancers, stilt walkers. After signing to Center Cut Records, Calvin released the albums: Cantaloupe in 2018, with a sold out gigantic spectical at The Gem Theatre on Saturday, September 15, 2018. He then released, L.A. Sessions in 2019, and the EP HONEY DEW, and the EP Goddess with Quixotic, the Holiday album, ALL IS CALM. In 2020 Calvin collaborated with Mike Dillon on the Soundtrack to “Summer in Hindsight,” a feature-length film created by The West 18th Street Fashion Show that starred Calvin as an actor. Calvin is also the co-creator of the podcast “We Were Christian Kids” created with childhood friend Justin Randall who is a stand up comedian working in New York City and now Los Angeles. Calvin is also the published author of VERY GOOD BOY DOES FINE, a collection of Poetry & Prose published on October 5, 2021, by Andrews McMeel Universal. Calvin was voted KC’s Best Musician in The Pitch 2018, 2019, 2020, 2021, and 2022. He has been featured in Billboard, NPR.org. Charlotte Street Foundation announced that the recipients of the 2022 Generative Performing Artist Awards are The Black Creatures and Calvin Arsenia Scott.] [Calvin Arsenia played a PARADISE Album Release Party, Friday, June 23, and Saturday, June 24, at 7:00 PM at The Emerald, 1715 West 9th Street, KCMO, WEST BOTTOMS. More info at http://www.calvinarsenia.com][Calvin Arsenia was our guest on WMM on Jan. 18, 2023, June 21, 2023, and our 1000th Show on June 28, 2923.]
[Calvin Arsenia plays Night Two of Manor Fest 7 on Thursday, May 22 at 7:00pm at Greenwood Social Club, 1759 Belleview Ave, 2nd Floor, KCMO with Brian Bulger, and The Swallowtails]
10:17 – More Interview with Shaun Crowley
Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City.
Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads
Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.
Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them. More information at; http://www.manorrecords.com
Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is the co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. We first met Shaun as part of the band Rev Gusto, originally formed in high school with friends at Saint James Academy.
Shaun Crowley thanks for being with us on Wednesday MidDay Medley
Venue One : Flagship Books, 600 Ohio Ave., KCK (5-7 PM) all ages
CS Luxem
Gracie Caggiano
Joel Vs. Joel
Venue Two : Hillsiders, 403 N. 5th, KCK (7-10 PM) *21+
Kirstie Lynn
Grady Drugg
True Lions
Venue Three : The Easy Inn 322 6th St. KCK (10-12 AM) *21+
Liney Blu
Scabb
Saving Miles Lemon
10:22
CS Luxem – “Symptoms” from: Symptoms / Whatever Forever / February 17, 2018 [Debut length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. The album was recorded over a span of three months above a garage full of Model T’s in northwest Lawrence, KS. The songs were written between 2005-2017 and have been revised throughout these years with different collaborators. Engineer Joel Martin “sculpted” sounds as CS Luxem has always heard them in his head. CS Luxem has been most places. He and his music are light even at their heaviest and heady even at their lightest. And it’s contagious! His distinct vocals and exuberant rhythms are the core of his sound. Whether it be his polished pop jewels or his deep tidal pools of synthesized noise, CS Luxem entrances and invigorates the spirit. Instrumentation ranges from solo vocals with acoustic guitar, to a looping and effects station with electric guitar, to a full rock band with synthesizer, bass and drums. The versatility empowers this performer to vibe as the ambient canvas of an upscale function, as the hope-bearing minstrel at a retirement home, as the dive bar ultra party, and definitely as the scenester’s favorite house show act. Info at http://www.csluxem.bandcamp.com]
[CC Luxem plays Night Three of Manor Fest 7 on Fri, May 23 at 5:00pm at Flagship Books, 600 Ohio Ave., KCK in Strawberry Hill with Gracie Caggiano, and Joel Vs. Joel.]
Kirstie Lynn & Galen Clark – “Soft Landing” from: Kirstie Lynn & Galen Clark / Lost River Sound / August 9, 2024 [Kirstie Lynn & Galen Clark released Cindergarden (A Sides) on May 22, 2022. They released Cindergarden (B Sidesd) on June 21, 2023. Kirstie Lynn is a classically trained soprano with a passion for songwriting, always looking to marry poetry and melody. Though Kirstie’s voice has been compared to that of Joni Mitchell and Joan Baez, her sound is uniquely her own. Kirstie Lynn is a folk singer-songwriter originally from the fingerlakes region of upstate, NY. She began her professional music studies at the age of 15, and has since received both a Bachelor’s degree from Shenandoah University and a Master’s degree from Carnegie Mellon University in voice and opera performance. Her vocal training lends her the freedom to paint her nature inspired lyrics with a wide range and a beautiful and effortless sound. Kirstie Lynn is one half of the duo Kirstie Lynn and Galen Clark. // Galen Clark introduces an alternative perspective and approach to music that contains multitudes. Migratory melodies, multi-instrumental fluency, and mysterious texture all outline the stylings of the newly transplanted Cuyahoga Valley songwriter, producer, and musician. // Born into an Air Force family, Clark grew up in many places with family anchors in Vermont and Colorado. At the age of 9 following many failed piano lessons, Clark’s grandparents gifted him a Harmony parlor guitar from a Shelburne flea market, starting a journey that would span almost 2 decades of stylistic development, a plethora of ephemeral bands, a degree in music production and recording technology, and a refined take on songwriting. Sharing songs spanning the stoic mountains of Idaho’s lost river range to the ancient hum of the Shenandoah Valley, Galen draws upon energy strewn between varied time and place, a broader quest for belonging, and rejuvenation beyond the front door. Clark’s previous records, Providence (2018) and The Well (2020) offer a contemplative portrait of moods in natural ambiguity, collective consciousness, and introspection. His most recent collaboration with Kansas City – based artist, Kirstie Lynn is a reckoning that is to be heard live and will transport you elsewhere if not in mind than in spirit.][Kirstie Lynn & Galen Clark joined us live on WMM on June 21. // Kirstie Lynn played IN THE ROUND with Calvin Arsenia, Julia Othmer, and Christena Graves at The Bauer, 115 West 18th St., in KCMO’s West Crossroads, Oct. 17, 2025.]
[Kirstie Lynn plays Night Three of Manor Fest 7 on Fri, May 23 at 7:00pm at Hillsiders, 403 N. 5th, KCK *21+with Grady Drugg, and True Lions.]
Saving Miles Lemon – “Hidden Inventory ” – Single from: “Hidden Inventory” – Single / Saving Miles Lemon / May 2, 2025 [Performed by: Saving Miles Lemon. Written by: Miguel Silva-Leon. Produced by: Saving Miles Lemon. One of three new singles released in the last few months from Saving Miles Lemon. Saving Miles Lemon released “The Line” on March 28, 2025. // Saving Miles Lemon released “In The Night” on January 16. 2025// Saving Miles Lemom released the 13-track full-length album LOVELY/ on October 6, 2023. Saving Miles Lemon is the psychedelic-pop project of Miguel Silva-Leon. Formed in 2019 with the goal of releasing an album by the end of the year, the project has transformed into a full-blown musical odyssey for Miguel (who likes to go by Mig) to explore new sounds. It’s hard to define what genre Saving Miles Lemon fits into as they like to let the music go where it wants to go. From smooth dance pop, to blown-out stoner rock, Mig likes to keep things interesting and never stay with one sound for too long. // Having grown up learning to play the piano at the age of 7, Miguel found themselves picking up new instruments frequently from the clarinet, saxophone, and oboe to guitar/bass and drums. Just as with their instruments, Mig began practicing their production skills in high school with small bedroom projects and hardcore bands. In a way, nothing has changed, as all of Saving Miles Lemon’s music is recorded and produced entirely by Mig in their bedroom studio to this day. // Their live members include Jacob Frisbee (bass), James Wiltfang (keys), and Zeke Bockleman (drums). // As a live act, the band began performing in 2021 and quickly took over the DIY scene in Kansas City before moving on to the bar/venue scene with sold-out shows at The Rino (KCMO) and The Bottleneck (LFK). They’ve opened for national and international touring bands such as Cub Sport at The Encore at Uptown Theatre (KCMO). // Saving Miles Lemon has released two full-length LPs and a handful of singles.]
[Saving Miles Lemon plays Night Three of Manor Fest 7 on Fri, May 23 at 10:00pm The Easy Inn 322 6th St. KCK*21+ with Liney Blu, and Scabb.]
10:32 – Underwriting
10:34 – More Interview with Shaun Crowley
Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City.
Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads
Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.
Venue Two : Hickory Union Moto, 10 S. James St, KCMO (5-7 PM) *21+
Daniel Gum
The Creepy Jingles
Jolson & The Fear of Snakes
Venue Three : Black Box, 1060 Union Ave, KCMO (7-10 PM) all ages
Rebel Song Academy
Fritz & Sons
Making Movies
Venue Four : The Ship, 1221 Union Ave. KCMO (10 PM – 12 AM) *21+
Tidal.wav
Jamogi & The Jammers
DJ Dom Chronicles
10:38
The Matchsellers – “I Can’t Believe Were Still In Love” from: “I Can’t Believe We’re Still In Love” – Single / The Matchsellers / February 14, 2025 [Julie Bates is a classically trained violinist from Kansas City. Andrew Morris is a Chicago blues guitarist from Warsaw, Indiana. They met in Leipzig, Germany. During their year of living in the former East Germany, the pair began reanalyzing the songs of their homeland, and developed a tight yet gritty bluegrass style. In the summer of 2013 they left their jobs to hit the road and haven’t looked back. // In the band’s most recent iteration, mandolinist Brian McCarty brings an invaluable lifetime of experience in the Bluegrass tradition, while Brandon Day thrills audiences with his intricate bass solos. // On May 3, 2024 he Matchsellers released LIVE AT THE WAREHOUSE. // On October 28, 2022 The Matchsellers released The Wishful Thinker’s Hall of Game // On February 12, 2016 they released their album, SONGS WE MADE UP, one of Wednesday MidDay Medley’s 116 Best Recordings of 2016.. In late 2014 they released their debut full length recording, “Kosciusko County,” one of Wednesday MidDay Medley’s 115 Best Recordings of 2015. The Matchsellers have toured 3 European countries and 25 US States, performing 180 shows a year, including last year for the KC Fringe Festival, Bluegrass Bazaar in Flint, Michigan, Norman Music Festival in Norman, OK, and a 1st place win at the Eddie Owen Presents songwriting competition in Atlanta, GA.]
[The Matchsellers plays Night Four of Manor Fest 7 on Saturday, May 24 at 3:00pm at Stockyards, 1600 Genessee St, KCMO with Jack Summers, and Natalie Prauser (*21+ ).]
Jocelyn Nixon – “YOU AIN’T RIGHT! YOU MUST BE WRONG!” from: “YOU AIN’T RIGHT! YOU MUST BE WRONG!”-Single / Supe Brill Records / May 2, 2025 [Jocelyn Olivia Nixon is lead singer of the band The Creepy Jungles. Jocelyn told Nick Spacek of The Pitch, “that the songs she presents to her bandmates in The Jingles’ songs are poppier stuff, typically, while solo songs are more folky, mellow, weird, and lyrical. Solo work also gives her the opportunity to work with others outside the group. As Nixon explains, “It’s basically a tongue-in-cheek song making fun of hard right conservatives and social cliques who think only their way is ‘right.’” She said, “I felt like I needed something where I can be a bit more vulnerable and naked, I suppose,” the musician says. “I think because Jingles do rock n roll pop songs well, I think I’m kinda boxed in as an artist and singer. This is my way of saying I have many sides to myself as an individual and as an artist, and I can forge my own path and defy expectations.” Jocelyn Nixon’s next single, “Real Deal,” is due later this summer . // The Creepy Jingles released a series of 4 new singles in 2024 including “When Things Go Wrong” on February 23, 2024. // The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. ]
[The Creepy Jingles play Night Four of Manor Fest 7 on Saturday, May 24 at 5:00pm at Hickory Union Moto, 10 S. James St, KCMO with Daniel Gum, and Jolson & The Fear of Snakes(*21+)]
[The Creepy Jingles play Boulevardia on Saturday, June 14]
[The Creepy Jingles play Replay Lounge on Saturday, June 21.]
Making Movies – “Pendulum Swing – En Vivo” from: Baúl de las Movies: Rocky Mountain Folks Festival 2024 (En Vivo)/ 3/2 Recordings/ 4/25/25] [Making Movies is a KC based 4-piece band and made up of: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Duncan Burnett on drums. The band draws their influences from the origins of their families: Santiago, Panama, and KC Missouri, and Guadalajara, Mexico. // Captured during their 2024 magnetic set at the Rocky Mountain Folks Festival in Lyons, Colorado, the EP offers a raw and electrifying glimpse into the band’s dynamic live energy and genre-blending spirit. / The 5-track collection includes a standout performance of “Nadie Sabe (rock’n’roll),” a powerful anthem that nods to the band’s rock roots while giving fans an early taste of their highly anticipated full-length album due out later this year. / Marking Making Movies’ first major U.S. festival appearance, the performance at Rocky Mountain Folks Festival was a milestone moment in the band’s journey—and one they’ll never forget. / “I love that we have a record of that wild and special day,” says Enrique Chi of Making Movies. “The mid-set downpour turned into a blessing—though we had to pause the show, when we returned, dancing in the rain was a pure expression of joy. We are grateful that those folks opened up their space and hearts to us, giving us the opportunity to road test some new songs and prepare for the next chapter for Making Movies.” / The Baúl de las Movies series is a nod to the band’s ongoing effort to open up their archives and share treasured recordings from the road. This latest installment captures the spontaneity and soul of a band known for merging Latin rhythms with psychedelic rock, folk storytelling, and political urgency. / Making Movies continues to carve a unique space in the music landscape, building bridges across cultures and generations. With this release, they invite listeners into the vibrant world they’ve created—live, unfiltered, and alive with possibility. // Last year Making Movies released Baúl De Las Movies (En Vivo En Folly Theater 2023) /=through 3/2 Recordings on September. 27, 2024, Produced by Ben Yonas, McKenzi Webster, Executive Producer Javier E. Carrizo, Production Assistant Nora Gibbons, Recording & Mixing Engineer Ben Yonas, Recording Engineer Paul Malinowski, Mastering Engineer, Dave Greenberg/Sonopod, Assistant Sound Engineers Josh Gomez, Ricky Menendez. Asdru Sierra on trumpet; Ryan Heinlein, Trevor Turla on trombone. // “Baúl De Las Movies: Folly Theater 2023” was also filmed. Directed by William J. Stribling. // Directors of Photography Adam Baron-Bloch, Alex Gallitano. // Camera Operators Cole Blaise, Nora Gibbons, Esai Saenz. // Production Designer Aisa Palomares. // Edited by Raymond Fraser. // Colorist Tam Le // DI Coordinator John Daniels-Riveros. // DI Services Provided by Sodalite Color // Stream “Baúl De Las Movies: Folly Theater 2023” – https://ffm.to/follyliveep.OYD. // Latin Grammy nominated band Making Movies released their special EP EN LA SALA containing 8 of the songs recorded LIVE, on January 12, 2024. // Before that they released their single “Medicina”. // Making Movies released XOPA through Cosmica Artists on June 17, 2022. XOPA and was recorded in Memphis, produced by Ben Yonas. More info at: http://www.makingmovies.world. Making Movies released the 5-song EP, EN VIVO (SIN APLAUSO) on February 4, 2022. Making Movies released the 6-track EP BORING BITS, on May 7, 2021. On February 5, the band released the 7-song, La Cuarentena EP which included a brand new version of the first Making Movies song, “La Marcha” and the lullaby “Could You?” (both mixed by Jim Eno of Spoon and tracked at Memphis Magnetic studio), and the love ballad “Una Vida.” The EP also includes covers of Talking Heads and Tears for Fears, plus bonus live acoustic tracks. The EP was available on BandCamp for only three days Feb. 5 through Feb. 7, 2021. // Making Movies released their single “Could You” on January 12, 2021. About “Could You” lead singer Enrique Javier Chi wrote, “I was thinking about what to share for “Could You?” and I just go back to the fact that Memphis is a profound place… it is a place where you can feel what America truly is and where it comes from. I think you see and feel the reality that so much of this nation was built from exploiting people. You can see that our pop culture is driven by the Black community and yet that community is still the most oppressed in the nation. Things are still so messed up. // Memphis is the place where Elvis started singing black music with a country twang and where Martin Luther King Jr. was shot. It’s a beautiful place, it’s a charming place, it feels at times downtrodden and it’s a place that reminds
[Making Movies play Night Four of Manor Fest 7 on Saturday, May 24 at 7:00pm at Black Box, 1060 Union Ave, KCMO with Rebel Song Academy, and Fritz & Sons, (all ages).]
Jamogi – “Hot Block (Flew The Coop Live)” from: Kamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live)” – Single / Jam Tunes / April 11, 2025 [Jamogi released the siongle “Do It To Me” on March 28, 2025. // Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023. Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire.]
[Jamogi and The Jammers play Night Four of Manor Fest 7 on Saturday, May 24 at 10:00pm at The Ship 1221 Union Ave. KCMO in the West Bottoms with Tidal.wav, and DJ Dom Chronicles]
10:52 – More Interview with Shaun Crowley
Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.
Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads
Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them. More information at; http://www.manorrecords.com
Venue One : PH Coffee, 2200 Lexington Ave,, KCMO (5-7 PM) all ages
Dalima Kapten
Wills Van Doorn
Teri Quinn
Venue Two : J. Rieger & Co. 2700 Guinotte Ave, KCMO (7-10 PM) all ages
Mosiac
THIMASTR
Fullbloods
10:56
They’re Theirs – “Midland Empire” from: “Midland Empire” – Single / Chase The Horseman / February 18, 2025 [As a live band They’re Theirs consists of Chase Horseman on vocals and guitars, Sky Cowdry on bass and Ian Dobyns on drums. // “Midland Empire” was produced by They’re Theirs, engineered by Ian Dobyns, mixed by Ian Dobyns Chase Horseman and Sky Cowdry. Mastered by Justin Perkins/Mystery Room Mastering. Recorded at Element Recording. // Chase The Horseman released the single “Silver Liner” on October 25, 2024. Drums and additional engineering by Ian Dobyns, Additional vocals by Heidi Gluck. Mastered by Anthony Puglisi. Written, produced, performed and mixed by Chase Horseman at Element Recording. // Chase Horseman has composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, The Roseline, Nan Turner and more. Chase The Horseman film composer, band leader, multi-instrumentalist, audio engineer, & producer. // On April 2, 2024 Chase released the 22 track Original Sound Track for Headcount, a feature film from the Burghart Brothers, produced by Continuance Pictures, Method Media, and Shout Factory. Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” // In February 2020 Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. Chase played Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals all performed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos. // On May 1, 2020. // Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowley on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of the Chase Horseman single were be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. // Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018. // More info at: http://www.chasethehorseman.bandcamp.com.]
[They’re Theirs play Night Five of Manor Fest 7 on Wednesday, May 28 at 7:00pm at Farewell, 6523 Stadium Drive, KCMO with Cat Fight, and Midwestern (*21+)]
11:00 – Station ID
Dalima Kapten – “Feel the Beat, Bud” from: “Feel the Beat, Bud’ – Single / Dalima Kapten / September 27, 2024 [Dalilma Kapten (she/her) released the single “Scrappy Rose” also on September 27, 2024.// Dalima Kapten (she/her) is currently working on her debut album. She is a second-generation Kenyan-American pursuing a Master of Arts in Music Technology at the University of Central Missouri. She holds a Bachelor of Arts in Architectural Studies, Theater Minor, and a specialization in Architectural Acoustics from the University of Kansas. // As a theater performer and artist, Dalima is deeply moved by a passion for storytelling and worked at Music Theater Heritage as the Manager of Artistic Operations. Additionally, she presented her self-published chapbook “Native Anomaly” for Columbia University’s HOME: Symposium.]
[Dalima Kapten play Night Six of Manor Fest 7 on Thursday, May 29 at 5:00 at PH Coffee, 2200 Lexington Ave,, KCMO with Wills Van Doorn, and Teri Quinn] (all ages).]
[Fullbloods play Night Six of Manor Fest 7 on Thursday, May 29 at 7:00 at J. Rieger & Co. 2700 Guinotte Ave, KCMO with Mosiac, and THIMASTR (All ages).]
11:06 – More Interview with Shaun Crowley
Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.
Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads
WEEKEND TWO – May 28, 29, 30, & 31
Night Seven: Friday May 30 Longfellow + 18th & Vine Jazz District
Venue One: Sister Anne’s 901 E. 31st KCMO(5-7 PM) all ages
Blanky – “Oh Frail Memory” from: “Oh Frail Memory” / Blanky Records / April 8, 2025 [Blanky embodies the languor left of a perfect day gone past. The always evolving musical project has thus far successfully mirrored the tumultuous transition of an agnostic adolescence to a freeing acceptance of life’s unapologetic inhumanity. The result is a dark happiness; simultaneously baffling and enticing. Incubated in a Black Mountain basement and left in the fields ’til full maturity. Blanky has settled in Lawrence, KS by way of Asheville, North Carolina. Southern origins and midwestern sentimentality are bound together in the timeless mindscape provoked by the broad assortment of compositions and styles performed and produced by the band. The ongoing experimentations of Blanky are a testament to their commitment to combining the culture of sharing and adaptation of 60’s folk and the do-it-yourself ethos of contemporary underground music. Blanky’s poignantly devitalized interpretations of rock’n’roll sound both new and familiar. The sense of desolation induced by their work is all so appropriate for an era marked by post-fact disenfranchisement. Recorded in 2019 at El Rancho Morbido in Black Mountain, NC, and Lakehouse Sudios in Asbury Park, NJ. Engineered by Nick Semanchik & Anthony Cunard. Mixed by Anthony Cunard and Kevin Drew. Anthony Cunard on guitar & vocals, Santo Rizzolo on drums, Joseph Makoviecki on bass, Edward Madill on pedal steel.// The band released their 10 song debut album Baby Blue on May 5, 2018. Baby Blue was also recorded by Blanky at The Morbid Ranch in Black Mountain, NC during Sept. and October of 2017. All music and lyrics were written by Micala Smith and Anthony Cunard. With Max Smith on vocals/ Guitar/ Sax/ Organ, and Anthony Cunard on vocals/ Guitar/ Organ/ Drums. Album Artwork was made by Max Smith and Anthony Cunard.]
[Blanky plays Night Seven of Manor Fest 7 on Friday, May 30 at 5:00 at Sister Anne’s 901 E. 31st KCMO Simul Astra, and Pure XTC. (All ages)]
Malek Azrael – “SELF!SH (feat. SISTERBOT)” from: Feels Like EP / Malek Azrael / March 1, 2025\ [On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]
[Malek Azrael play Night Seven of Manor Fest 7 on Friday, May 30 at 7:00 at Ruby Jean’s Juicery 3000 Troost Ave, KCMO with Shay Lyriq, and Supermoto (All ages)]
Eddie Moore – “In The Kitchen” from: What Makes Us / Eddie Moore Music / March 25, 2024 [“In the Kitchen” features: Eddie Moore on piano, Bass, & Rhoades; Jaylen Ward on drums; Ben Tervort on bass, Isaiah Petrie on vibes. Written & Produced by Eddie Moore(Emoremyz BMI). Executive Producer – Eddie Moore, Co-Producer- Dan Israel. Mixed By- Eddie Moore. Mastered By Crayge Lindesay. Recorded at First Run Studios engineered by Dan Israel // When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Moore reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression. // On March 5, 2024 Eddie Moore released the EP Aperture (Live Piano Works) through Eddie Moore Music. // On April 20, 2023 Eddie Moore released the single “Tsunami” Recorded & produced at Moore’s Tribe Studios, the song features Jaylen Ward on drums. Mixed & mastered by veteran KC savant Craige Lindsay. // Eddie Moore released his critically acclaimed album INTUITION on Oct. 28, 2022. Written & Produced by Eddie Moore. Recorded at Tribe Studios. Featuring Tim Ogutu on guitar. Mix & Mastered by Rick Carson at Make Believe Studios. Album Art by Brandon Wilson. // Eddie Moore released the single, “Love Song” (with Joel Castillo & Bree Cummings) on Oct. 22, 2021. // We The People released the single, “Single Double” on June 10, 2021. Written & Produced By Eddie Moore on keyboards, key bass, & programming; Zach Morrow on drums; and Jason Emmond on bass. // Eddie Moore’s band We The People released their album MISUNDERSTOOD on Sept. 25, 2020. // Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to KC to study under Bobby Watson at the University of Missouri-KC where he received a M.A in Jazz Studies. He was 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”. Moore has shared the stage and recordings with Bobby Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band. Eddie Moore joined WMM on Sept. 23, 2020 and Nov. 23, 2022. More info at http://www.eddiemooremusic.com]
[The Eddie Moore plays Night Seven of Manor Fest 7 on Friday, May 30 at 10:00pm at Vine Street Brewing, 2010 Vine, KCMO with Nina Cherry, and Kadesh Flow. (*21+)]
11:24 – Underwriting
11:26 – Interview with Shaun Crowley
Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.
Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads
WEEKEND TWO – May 28, 29, 30, & 31
Night Eight: Saturday May 31 – Crossroads
Venue One: Made Mobb, 221 Southwest Blvd, KCMO (3-5 PM) all ages
Alber
LyMerrick
Field Daze
Venue Two: Le Lounge, 130 W. 18th St., KCMO (5-7 PM) *21+
Venue Four: Stray Cat Film Center, 1662 Broadway Blvd, KCMO (10 PM – 12 AM) *21+
2w33dy
Pale Tongue
DJ Sammy Sheets
11:32
LyMerrick – “Crash Landed” from: “Ephemeral” – Single / LyMerrick / October 1, 2024 [LyMerrick is a solo artist and lead singer of Supermoto. LyMerrick released “Lost and Sedated” on March 26, 2024; “Runaway” on August 24, 2020; “Look at You (feat. Sleepwvlker) on May 13, 2020; “Early Days” on March 7, 2020; “Reminiscing to the Future” on April 5, 2019; “Lay Me Down” on February 8, 2018; “Moves (feat. Latenitee)” on January 31, 2019; “First Thing (feat. Latenitee)”; “Queen” on December 15, 2018; “Baggage” on December 9, 2018; “Pipe Down” on September 5, 2018; “Not Another Love Somg” on June 27, 2018; and “Not Good Enough” on May 17, 2018. // LyMerrick is also lead singer of Supermoto who released ther self titled deut album, Supermoto /through Manor Records on September 30, 2024. Hailing from Kansas City, this 5-piece group started meeting in the pre covid winter of 2020. April of 2021 they released their first two songs “Moonlight” & “Polarized” which led to a run of energetic & successful live performances – all the while building up many catchy originals drawing on their inspirations of jazz, funk, r&b, city pop and disco. ]
[LyMerrick plays Night Eight of Manor Fest 7 on Saturday, May 31 at 3:00pm at Made Mobb, 221 Southwest Blvd, KCMO with Alber, and Field Daze (*21+).]
Frankie Shorez – “Wanna Be Bad” from: “Wanna Be Bad” – Single / Mercy Fire LLC / January 3, 2024 [Frankie B. Shorez is a 22 year old singer, Songwriter, Model, actress, and clothing designer and Small Business owner from Kansas city MO. From Rags to Riches chasing the dream. // Earlier this year Frankie Shorez & Mercy Fire played ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, and Stephonne.]
[Frankie Shorez & Mercury Fire play Night Eight of Manor Fest 7 on Saturday, May 31 at 3:00pm at Le Lounge, 130 W. 18th St., KCMO with Lava Dreams, and Apricot Glow( *21+).]
Paris Williams & The Human – “Alien Luv (feat. Saving Mils Lemon)” (radio edit) from: A Paris Williams Joint / Bitter Sweet Sound / November 19, 2024 [Paris Williams is a 26-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school. Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarparis]
[Paris Williams play Night Eight of Manor Fest 7 on Saturday, May 31 at 3:00pm at Tree Room, 1820 Megee St., KCMO with Highway Demon, and Shy Boys (*21+)]
Shy Boys – “In Gloves” from: Talk Loud / Polyvinyl Record Co. / September 25, 2020 [3rd album from the KC band Shy Boys. New music follow up to the Dim The Light / Brick By Brick, singles released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records.]
[Shy Boys play Night Eight of Manor Fest 7 on Saturday, May 31 at 3:00pm at Tree Room, 1820 Megee St., KCMO with Highway Demon, and Paris Williams (*21+)]
Shy Boys / The ACBs / Ghosty / The I’ms / Fullbloods / Koney – Discography
The ACB’s / The ACB’s / July 10, 2007 [Debut from KC based 4-piece with Konnor Ervin on lead vocals, Bryan McGuire on bass, Matt Saladino on guitar, Corey Egan on drums & vocals. Written by, and arranged by Konnor Ervin. Produced by Tim Suttle. Recorded & mixed at Underdog Studio in Desoto, KS. Mastered at Euphonic Masters in Memphis, TN.]
The Abracadabras – Be Still, Be Cool / The Abracadabras / January 1, 2008 [5-piece KC band formed in the spring of 2007, with Jocelyn Olivia (John) Nixon on keyboards & vocals, Travis Mckenzie on lead guitar, Bobby (Wayne Hutcherson) Topaz on guitar & vocals, Collin Rausch on bass & vocals, and Kyle Rausch on drums & vocals.]
The ACBs – Stona Rosa / The ACBs / January 1, 2011 [After half of the band left to move to LA, Konnor Ervin and Bryan McGuire got help from: Andrew Connor of Ghosty, and Beau Bruns of Cowboy Indian Bear. All songs written by, and arranged, lead vocals & guitar by Konnor Ervin. Mike Nolte on bass, Bryan McGuire on bass & vocals, Andrew Connor on guitar & vocals, Beau Brus on drums. Kyle Rausch on vocals. Produced by Mike Nolte. Mastered by Roger Seibel Recorded at More Famouser Studios. Mixed at More Famouser Studios. Mastered at SAE Mastering.]
The I’ms – Second MIXES / Independent / 2011 [Collin Rausch and Kyle Rausch. Kyle Rausch also plays with The ACB’s. In 2011 on WMM we started playing songs from The I’ms, a duo made of up Collin and Kyle, who posted 6 of their self recorded songs on their facebook page. We included this informal release in our Top Ten of The 111 Best Recordings of 2011. 3 of the songs from The I’ms ended up being rerecorded for Shy Boys.]
Ghosty – GHOSTY / More Famouser Records – High Dive Records / April 17, 2012 [3rd full length release from Lawrence and KC area band. Ghosty is Andrew Connor, Mike Nolte an Bill Belzer who recorded their new album themselves over the last couple of years with help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, and Dan Talmadge. The new release was pressed on vinyl and available on LP and digital download. More info at ghostysounds.com.]
The ACBs – Little Leaves / High Dive Records / March 5, 2013. [Konnor Ervin on lead vocals, & guitar; Bryan McGuire on bass, Andrew Connor on guitar; Kyle Rausch on drums. Their songs have been featured on MTV’s The Inbetweeners, and Daytrotter. The title “Little Leaves” is a nod to Konnor Ervin’s landscaping day job. The lead single, “Ocean” was released as a free download in late 2012, prompting Popmatters to declare the ACBs as one of its “Best Hopes to Break Out in 2013.”]
Shy Boys – Shy Boys / High Dive Records / January 17, 2014 [Debut release. Brothers Collin Rausch, Kyle Rausch, and friend and roommate Konnor Ervin, are members of this KC based trio. Collin and Kyle’s father was a High School band director and music teacher. Konnor Ervin is the lead singer and songwriter of The ACBs, where Kyle also plays drums. The 10 song release had two singles premiered by Stereogum. “Keeps Me On My Toes” was a song Collin wrote in 15 minutes while his girlfriend was in the shower. The album was recorded at West End Studio, over two-weekends.]
Shy Boys – “Life is Peachy” – Single Release / High Dive Records / July 15, 2014 [Stereogum has premiered the band’s new song, “Life Is Peachy”, the A-side to their new 45 rpm, 7″ single coming from High Dive Records. Brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin, are members of the Kansas City based band, Shy Boys. ]
Fullbloods – Mild West / High Dive Records / February 26, 2016 [Second full length release from Fullbloods: Ross Brown; Jared Tomasino; David Seume; and Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).]
Shy Boys – Bell House / Polyvinyl Record Co. / August 3, 2018 [Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com
Shy Boys – Dim The Light / Brick By Brick – Singles / Polyvinyl Record Co. / Feb. 15, 2019 [Single release follow up to band’s 2nd album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]
Fullbloods – Soft and Virtual Touch / High Dive Records / April 3, 2020 [3rd full-length. All songs written, performed, recorded, mixed by Ross Brown in KCMO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, & 9, sang on 9. Bill Pollock Played drums on 3 & 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 & 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More info at: http://www.fullbloods.com.]
Shy Boys – Talk Loud / Polyvinyl Record Co. / September 25, 2020 [3rd album from the KC band Shy Boys. New music follow up to the Dim The Light / Brick By Brick, singles released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records.]
Koney – Koney / High Dive Records / October 9, 2020
[from Lucas Wetzel’s Pitch Feature: “To bring the songs to life, Konnor enlisted brothers Collin and Kyle Rausch, his roommates in their ramshackle West Plaza house/practice space and his bandmates in chamber pop group Shy Boys. Ross Brown (of Fullbloods) played synthesizer and helped run sound, and multi-instrumentalist Kyle Little contributed on guitar. Fritz Hutchison and Andrew Connor also contributed on several tracks. Recording engineer Mike Nolte flew in from Portland to run the controls at Westend Recordings, and the group set up camp in the studio over a long snowy weekend in 2015.” ]
11:45 – More Interview with Shaun Crowley
Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City.
Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads
Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.
Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them. More information at; http://www.manorrecords.com
Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is the co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. We first met Shaun as part of the band Rev Gusto, originally formed in high school with friends at Saint James Academy.
Shaun Crowley thanks for being with us on Wednesday MidDay Medley
Venue Four: Stray Cat Film Center, 1662 Broadway Blvd, KCMO (10 PM – 12 AM) *21+
2w33dy
Pale Tongue
DJ Sammy Sheets
11:54
23. 2W33DY – “Why You So Mean” from: Why You So Mean / 2W33DY / February 7, 2025 [Lead Guitar: Diyana; Drums and Pedal Steel: Bradford; Bass: Kennedy; Guitar and Vox: Kenia. // Recorded with Caufield Schnug. The band writes, “We recorded these tracks in Lawrence, KS with Caufield Shnug and his cozy studio. From there I took a lot of deliberating and experimenting with mixing and mastering. We ran each track through Brad’s tried and true marantz 8-Track and from there mixing and mastering was a team effort.” They go on to say, “We are excited to bring you more new music as we continue on our journey as the “most dangerous band in KC”.]
[2W33DY play Night Eight of Manor Fest 7 on Saturday, May 31 at 10:00pm at Stray Cat Film Center, 1662 Broadway Blvd, KCMO with Pale Tongue, and DJ Sammy Sheets. (*21+)]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
NEXT WEEK, Wednesday, May 14 – Paul Jesse returns with new music. PLUS, at 11:00am, Stephonne and Rachel Christia of KC Folk Fest join us to talk about this year’a festival on Saturday, May 7 in Washington Square Park. AND at 11:30 Jen Kiper and Alex Wong share details about Alex Wong + NAAAP KC present PERMISSION Saturday, May 17, 6:00 to 10:00pm, at Vivilore, 10815 East Winner Road Independence, MO. A first-of-its-kind listening and tasting performance pairing music with a Chinese-inspired dish that shares a common emotion.
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, April 9, 2025
WMM presents Til Willis, Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra, Kevin King & Zo E. Schmidt
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
REVISER – “CELESTINE” from: “CELESTINE” – Single / TEVISER / February 28, 2025 Calling to mind classic 80’s bands such as Sisters of Mercy, The Cure, and Killing Joke, REVISER sounds complimentary to such contemporaries as Actors, Soft Kill, and Drab Majesty. REVISER collects and redirects its familiar influences into something both familiar and foreign, a sound that is dark, deep, and danceable. Dedric Moore on keyboards and Krysztof Nemeth on vocals and baritone guitar, with newest member Breaka Dawn (of The Bad Ideas) singing with Krysztof. This is the 4th single form REVISER who released “DARKSIDERS” on October 18, 2024, and “ASSASINS” and “BURN IT OUT” on March 15, 2024. REVISOR is a continuation of the musical collaboration from Static Phantoms, Religion of Heartbreak (with Mikal Shapiro) and Monta At Odds.
Eddie Moore – “In The Kitchen” from: What Makes Us / Eddie Moore Music / March 25, 2024 [“In the Kitchen” features: Eddie Moore on piano, Bass, & Rhoades; Jaylen Ward on drums; Ben Tervort on bass, Isaiah Petrie on vibes. Written & Produced by Eddie Moore(Emoremyz BMI). Executive Producer – Eddie Moore, Co-Producer- Dan Israel. Mixed By- Eddie Moore. Mastered By Crayge Lindesay. Recorded at First Run Studios engineered by Dan Israel // When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Moore reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression. // On March 5, 2024 Eddie Moore released the EP Aperture (Live Piano Works) through Eddie Moore Music. // On April 20, 2023 Eddie Moore released the single “Tsunami” Recorded & produced at Moore’s Tribe Studios, the song features Jaylen Ward on drums. Mixed & mastered by veteran KC savant Crayge Lindesay. // Eddie Moore released his critically acclaimed album INTUITION on Oct. 28, 2022. Written & Produced by Eddie Moore. Recorded at Tribe Studios. Featuring Tim Ogutu on guitar. Mix & Mastered by Rick Carson at Make Believe Studios. Album Art by Brandon Wilson. // Eddie Moore released the single, “Love Song” (with Joel Castillo & Bree Cummings) on Oct. 22, 2021. // We The People released the single, “Single Double” on June 10, 2021. Written & Produced By Eddie Moore on keyboards, key bass, & programming; Zach Morrow on drums; and Jason Emmond on bass. // Eddie Moore’s band We The People released their album MISUNDERSTOOD on Sept. 25, 2020. // Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to KC to study under Bobby Watson at the University of Missouri-KC where he received a M.A in Jazz Studies. He was 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”. Moore has shared the stage and recordings with Bobby Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band. Eddie Moore joined WMM on Sept. 23, 2020 and Nov. 23, 2022. More info at http://www.eddiemooremusic.com]
[The Eddie Moore Trio plays The Majestic, 931 Broadway, KCMO, Thursday, April 10, at 6:00pm]
Ivory Blue – “Heartbeat” from: “Heartbeat” – Single / IVORY BLUE / March 28, 2025 [For “HEARTBEAT” IVORY writes, “is about letting things be when there seems to be no way to change the outcome of something that happened in our life. Sometimes, things happen without an apparent reason. Other times it’s a blessing in disguise and time will tell if it was worth the pain we felt going through it.” // IVORY BLUE released the single “Rhythm of the Radio” on January 31, 2025 // IVORY BLUE released the single “Exiled” on November 29, 2024. IVORY BLUE released the single “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and stations around the world. // On Oct. 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from Sept. 22, 2023, ”The Best of Life” from Aug. 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on Feb. 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to Earth, Boulevardia, Crossroads Music Festival, The Middle of the Map Fest, The Westport Roots Festival, the KCPT Screening of “Real Boy” at KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. More info at: http://www.ivorybluemusic.com]
[My Oh My play an Album Release Matinee Show on Friday, April 11, at 6:00pm at The Ship 1221 Union Ave. KCMO in the West Bottoms.]
Kansas City, MO USA – August 04, 2024: easterday at recordBar
the easterday band – “Smothered (Live)” from: live recordings of Scott Easterday: 35 Years / Recorded August 4, 2024 / Unreleased [Scott Easterday: 35 Years – celebrating Scott’s 35 years as a singer, songwriter and performer, from Sunday, August 4, at the recordBar, 1520 Grand, KCMO. This retrospective concert featured 11 other musicians who have performed with Scott over the years. There were 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featured in the show were Mark Accuff, Elaine McMilian, Jon Niccum of the original Easterday band with Richard Alwyn. Also in the show were Marco Pascolini, Richard Burgess, and Sam Platt of (the latter day) Expassionates. And also in the also were: Kyle Dahlquist, Bryan Hicks, Nate Hofer, and Matt Richey. // Originally released on the album: Easterday 1993-1995 from Scott Easterday in 2004. The easterday band featuring Scott Easterday on lead vocals and guitar, Elaine McMilian on vocals, Jon Niccum on bass and Mark Acuff on drums. The band was active from 1993-1995. The album was recorded at Red House Studios by Ed Rose and released in 2004. They have had a couple reunions since then and are taking advantage of this occasion to have another. Mark plays drums in Promise Breakers. Jon was the creator of The Worst Gig [worstgig.com] and Elaine just published her first book of poetry, Copper and Other Precious Metals. ]
[Easterday play The Black Box 1060 Union Ave. KCMO in West Bottoms on Fri, April 11, at 6:30pm]
Krystle Warren & The Faculty – “Empty Chairs” from: Extended Play / Parlour Door Music / November 1, 2024 [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations // // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs were recorded with everyone in the same room (Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up Extended Play are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play, they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]
10:29 – Underwriting
Til Willis & Erratic Cowboy – “Lost” from: “Lost” – Single / Til Willis / February 27, 2025 [3rd single from the upcoming album, Glass Cactus. Written by Til Willis Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. Steve Faceman on backup vocals. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]
[Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]
10:35 – Interview with Til Willis
Til Willis was born in the heat of 1980, has been making music for a long time. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. Til Willis joins us to share details about his band Til Willis & Erratic Cowboy and their new album Glass Cactus. Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.
Til Willis Thanks for being with us on Wednesday MidDay Medley
The last album from Til Willis & Erratic Cowboy was Grinding of The Stars, released Nov. 4, 2022 tand recorded in a 122 year old barn. With Til Willis on guitars & vocals; Eric Binkley on bass, and Austin Sinkler on drums/ Recorded/Mixed/Produced by Til Willis. Mastered by John Hruska.
Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas.
Til Willis & Erratic Cowboy is: Til Willis on vocals & guitar Bradley McKellip on guitar & backup vocals Eric Binkley on bass Austin Sinkler on drums.
With Steve Faceman on backup vocals for “Lost. With Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law With Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday
10:43
Til Willis & Erratic Cowboy – “Ten Miles of Days” from: Glass Cactus / Til Willis / March 27, 2025 [Til Willis on vocals, guitar, percussion, mixing, & production; Bradley McKellip om guitars & lap steel; Eric Binkley on bass, and Austin Sinkler on grums with Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday; Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law; and Steve Faceman on backup vocals on Lost. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy.]
[Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]
10:46 – More Interview with Til Willis
Til Willis began performing in 1992, at the remarkable age of just twelve. Since then, he’s produced an expansive catalog of music, including fifteen studio albums, two live albums, and five EPs. Til’s bandmates, known as Erratic Cowboy, both compliment and enhance Til’s well-seasoned songwriting, and have added their own dynamic energy to his albums and live shows since 2012.
Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.
Til Willis Thanks for being with us on Wednesday MidDay Medley
Til has headlined his own shows, and opened for such notable acts as Jesse Robinson, The Subdudes, Mel Melton and the Wicked Mojos, Fainting Goats, and Pete Seeger.
Glass Cactus was recorded in The Barn in Tecumseh, KS. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence. Cover art by David Huddleston
Til and the boys perform frequently at favorite venues: recordbar and The Brick in KC, and Replay Lounge, Kaw Valley Public House and The Bottleneck in Lawrence.
There are people who write songs, and then there are songwriters… people who write simply because they have no other choice, poets in denim who wonder if they’re poetic at all. It’s talk of fire, and the breath of storms passed that stirs the echoes of longing to express one’s self…Til Willis came along after the birth of rock and roll, but before the setting of the sun in the home state of Elvis. A state that as John Magnie says, “Eats the roots of American music.” And, out of this climate Til strode with the confident swagger of a man possessed with the desire to be a songwriter.
Growing up on rock & roll made during a time when “rock & roll” mattered, and it wasn’t about fashion & packaging, Til strives to deliver substance in his own orchard of sound.
A listen to any of his albums, The Thought I Had, Shadow of the Future, Lovesick, Crimson Wind, or Cindershine confirms this level of commitment. It’s not bubblegum pop, or mindless distortion. This is American Rock, and Til has brought it to life on stages from Mississippi to California, Colorado to Oklahoma.
He has composed scores for plays by playwright Steve Goode, and student films made at the University of Colorado. He has produced albums for artists like Drew Fowler, in addition to producing all of his own recordings.
In short Til Willis is an energetic young singer/songwriter with a voice that thunders, and a musical passion and vision that screams the haunted howl of hellhounds down a dusty road. Rock and Roll is freedom, and Til exercises his daily.
CEO at Til Willis & Erratic Cowboy Studied at Colorado State University Lives in Lawrence, Kansas // From Ouray, Colorado Married to Stephanie Willism, Daughter: Mahalia, Dog: Twyla
Til Willis Thanks for being with us on Wednesday MidDay Medley
Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.
10:45
Til Willis & Erratic Cowboy – “Horizon Before Us to Love” from: Glass Cactus / Til Willis / March 27, 2025 [Til Willis on vocals, guitar, percussion, mixing, & production; Bradley McKellip om guitars & lap steel; Eric Binkley on bass, and Austin Sinkler on grums with Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday; Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law; and Steve Faceman on backup vocals on Lost. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]
[Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]
11:00 – Station ID
11:00 – Interview with Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, and Chico Sierra
Heather Pontonio – Arts & Science Council (Rep= Ashley)
Heather Pontonio has a master’s degree in Public Administration from New York University and a bachelor’s degree in Arts Administration from the State University of New York at Fredonia. She serves on the board of VIA Collaborative Arts and Research Advisory Board for the Strategic National Arts Alumni Project (SNAAP).
Heather is the Senior Program Director at the Emily Hall Tremaine Foundation where she is responsible for national strategy and administration of the Art Program portfolio focused on professional practices for both artists and curators. In her 13 years at the Foundation, she has expanded the curatorial portfolio from a single program (the Emily Hall Tremaine Exhibition Award) to a suite of programs that support dozens of curators and been instrumental in the launch of Artists Thrive, a national tool to assess and improve conditions for artists across the country.
Heather joins us to share details about the ARTISTS THRIVE 2025 Summitin Kansas City, on May 6-8. The 2025 summit venue has been provided with generous support from the Ewing Marion Kauffman Foundation, with lead local partner Mid-America Arts Alliance and Charlotte Street Foundation. Artists, arts leaders, educators, and funders can expand their creative circle. This unique event offers a powerful networking hub, connecting art communities with passionate colleagues from across the country. For more information on the 2025 Artists Thrive Summit you can visit: http://www.artiststhrive.org
Heather Thanks for being with us on the radio.
Emily Hall Tremaine Foundation is based in New Haven, Connecticut, but you are calling us from Montana, through your work for the foundation you travel all over the country.
2025 Artists Thrive Summit May 6-8 Ewing Marion Kauffman Foundation
Mid-America Arts Alliance and Charlotte Street Foundation
Also Joining us in the conversation is José Faus – writer, performer, visual artist, and independent teacher/mentor with an interest in the role of artists as creative catalysts for community building. He is a co-founder of the Latino Writers Collective. His writings have appeared in many anthologies and journals. His chapbook, This Town Like That was released by Spartan Press. The Life and Times of Jose Calderon was published by West 39 Press. His children’s book, Possum Trot was published by La Resistencia Press. More info at: http://www.artistinc.art/facilitator/jose-faus/
José Faus Thanks for being with us on the radio.
Also joining us is Elizabeth Bettendorf Bowman (she/her) is a theatre artist dedicated to making the arts truly accessible. Since graduating from Northwest Missouri State University in 2012, she has made KC her home and has worked at several area not-for-profit companies. She received her Master of Arts in Theatre from the University of Missouri-KC and is a faculty member at Benedictine College where she teaches theatre courses. She has also taught for KCK Community College at the Fort Leavenworth correctional facilities. // As a director & administrator, Elizabeth has worked at such companies as the Kansas City Repertory Theatre, Coterie Theatre, Metropolitan Ensemble Theatre, and KC Fringe. Through her work in theatre education & outreach, Elizabeth was inspired to create a theatre which reaches all corners of the diverse KC community. By producing free professional theatre, Elizabeth hopes to foster the creativity of our citizens and explore the truly global nature of the KC region. http://www.kcpublictheatre.org
Elizabeth Bettendorf Bowman Thanks for being with us on the radio.
Also joining us is visual artist and muralist Chico Sierra, originally from El Paso Texax. Having relocated from his familial homeland, Chico attempts to connect the dots of his cultural history and create new stories based around humanism, class structures and social justice. Influenced by his interests in spiritual iconography he is attempting to create new narratives using symbolism that has been previously clouded by colonialism and more recently appropriated by euro-centric new age spiritualism. Chico’s work has been shown at the Nerman Museum of Contemporary Art, The Nelson Atkins Museum of Art, the Nelson Atkins Museum Day of the Dead exhibit, Mattie Rhodes, Union Station, and InterUrban ArtHouse. More info at: http://www.chicosierra.com
Chico Sierra, Thanks for being with us on the radio.
Chris Dahlquist, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra are part of a Plenary Session: Lay of the Land: An Overview of the Arts in KC – Tuesday, May 6, 5-6pm. This session is designed to ground all Summit attendees into the Kansas City art scene.
Chris Dahlquist will cover Historic KC: 18th and Vine // Hallmark // Walt Disney – Laugh-O-Gram // Union Station // Downtown Airport // Nelson-Atkins // Folly Theatre // Midland Theatre …and bring it into the Contemporary: Charlotte St Foundation // Belger Crane Yard // Zhou B Art Center // Crossroads // Kaufman Performing Arts Center
Elizabeth Bowman of KC Public Theatre will cover the: Spencer Theatre on UMKC’s Campus // Copaken Stage (Power & Light district) // Unicorn Theatre // Coterie Theatre // Musical Theatre Heritage in Crown Center // The Black Box // Just Off Broadway // The Arts Asylum // White Theatre // City Stage in Union Station // Warwick Theater // The Gem Theatre // Quality Hill Playhouse // Johnson County Arts and Heritage Center // Martin City Melodrama // The New Theatre // Stern Black Box Theatre at Charlotte Street Found
Artist-Thrive will include tours and interactive experiences include InterUrban ArtHouse in Overland Park, Englewood Arts Center in Independence, Charlotte Street in Kansas City, and the Nerman Museum of Contemporary Art at Johnson County Community College.
Learning Journeys: Airport InterUrban Arts Englewood Arts Nerman Museum at Johnson County Community College in Overland Park Charlotte Street (also dinner on Wed)
Other locations Main hotel: Kansas City Marriott Country Club Plaza Dinner Tuesday: Crossroads – Jack Stack and Lidia’s Dinner Thursday: Food truck event at Oppenstein Brothers Memorial Park, 1123 Walnut St, Kansas City, MO 64106
Partners Mid-America Arts Alliance Arts KC Kauffman Foundation Conference Center KCAI Belger Arts
Artists, arts leaders, educators, and funders from across the United States are invited to expand their creative circle at the annual 2025 Artists Thrive Summit in Kansas City, Missouri, May 6–8, 2025.
This event offers a powerful networking hub to help connect attendees with passionate colleagues from across the region and country. As part of the Summit, Artists Thrive has partnered with Kansas City organizations to craft regional experiences, including tours to cultural venues embedded in the community.
Attendees will spark collaborations, share best practices, and find inspiration alongside a diverse group of individuals who share a similar dedication to the arts. The Summit’s flexible format ensures everyone—introverts, extroverts, seasoned professionals, or those new to the field—can make lasting connections.
Artists Thrive aims to raise the value of artists in every community. Artists Thrive is a growing initiative offering activities, practices, language, visions and values of what it means to succeed and thrive as an artist – and what it means to have a thriving arts sector and, eventually, thriving communities. It is a set of interconnected and holistic resources that can guide us in improving our performance and, ultimately, the conditions in which artists can thrive. Artists Thrive is funded by the Emily Hall Tremaine Foundation.
Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra thanks or being on WMM
ARTISTS THRIVE 2025 Summit in Kansas City, on May 6-8. The 2025 summit venue has been provided with generous support from the Ewing Marion Kauffman Foundation, with lead local partner Mid-America Arts Alliance and Charlotte Street Foundation. Artists, arts leaders, educators, and funders can expand their creative circle. This unique event offers a powerful networking hub, connecting art communities with passionate colleagues from across the country. For more information on the 2025 Artists Thrive Summit you can visit: http://www.artiststhrive.org
11:25
Helen Gillet – Vautour” from: Helkiase / Helen Gillet / July 6, 2018 [Originally from Leuven, Belgium and now based in New Orleans, Louisiana. Globe Trotting, multi-faceted, jazz-based cellist, singer, composer and improviser Helen Gillet is a “mixed bag” of musical influence. Downbeat Magazine recently nominated her a Rising Star in the 61st Annual Critic’s Poll. She believes music to be an expression of the honest human condition; performing an eclectic mix of French pop, Avant Garde Jazz, North Indian, Folk and Classical styles. Helen Gillet’s 2018 solo album is Inspired by Helkiase, a cure-all medicine invented by the nuns of Notre Dame à la Rose hospital in Lessines, Belgium. (The hospital was one of Europe’s longest continually operating hospitals founded in XIII’s century). Gillet’s latest music deals with the more recent personal layers of complicated grief and finding new strength, sense of humor and inspiration. This recording captures the current spirit of Gillet’s live performance and features her newest original songs “Slow Drag Pavageau” written about legendary dancer and New Orleans bassist Alcide Pavageau, as well as “You Found Me,” “Skin,” and “Vautour,”song inspired by Israeili composer and artist Naama Tsabar. All songs are performed by Helen Gillet using a Boss RC50 Loop station and mainly cello and voice. Tracks 7 “Tonnerre” and 4 “Helkiase” use a Moog Sub Fatty synthesizer and vinyl scratching of a famous 1940 General de Gaulle speech. Live studio sessions and evening concerts recorded by Andrew “Goat” Gilchrist at the House of 1Hz on March 8th and 9th 2018 in New Orleans, LA. Mastered by Bruce Barielle.]
[Owen / Cox Dance Group presents SKIN with Helen Gillet on Saturday, April 12, at 8:00pm at The Folly Theater, 300 West 12th Street, KCMO. -Critically acclaimed collaboration with New Orleans-based cellist, vocalist, live looping artist and composer Helen Gillet. Skin features original music by Gillet and choreography by Jennifer Owen, performed live by Gillet, Brad Cox, and the captivating dancers of Owen/Cox Dance Group. Skin will be performed live for one night only]
[“Skin”originally made its World premiered April 1 and 2, April 3 at 2:00 PM, at City Stage Theatre, Union Station,KCMO choreography by Jennifer Owen and musician Brad Cox in collaboration with New Orleans-based cellist Helen Gillet. Owen/Cox Dance Group is a 501(c)3 not for profit corporation. More info at: http://www.owencoxdance.org]
Anaǐs Mitchell – “Flowers (Eurydice’s Song)” from: Hadestown / Righteous Babe Records / March 9, 2018 [Hadestown is the fourth studio album by American folk singer-songwriter Anaïs Mitchell, and was released by Righteous Babe Records on March 9, 2010. The concept album, which became the basis for the stage musical of the same name, follows a variation on the ancient Greek myth of Orpheus and Eurydice, where Orpheus must embark on a quest to rescue his wife Eurydice from the underworld. It has been advertised as a “folk opera”. Several of the songs feature singers other than Mitchell, including Justin Vernon, Ani DiFranco, Greg Brown, Ben Knox Miller, and The Haden Triplets (Tanya, Petra and Rachel Haden). The album was nominated for a Grammy Award for Best Recording Package in the 53rd Annual Grammy Awards. // Between 2006 and 2007, Mitchell staged performances of Hadestown, a musical based on the Greek myth of Orpheus and Eurydice. Unsure what lay ahead for the stage musical, she decided to turn it into a concept album. Raising a few thousand dollars by emailing her fan base and asking them to pitch in for shirts and other merchandise, Mitchell worked on the album for over a year. // The album features orchestral arrangements by Michael Chorney, who had worked with Mitchell’s recordings since her album Hymns for the Exiled in 2004. //Within the narrative of the album, the part of Orpheus is played by Vernon; Persephone by DiFranco; Hades by Greg Brown; The Fates by Tanya, Petra and Rachel Haden; Hermes by Ben Knox Miller; and Eurydice by Mitchell. While most of the recording was produced by Todd Sickafoose at Brooklyn Recording Studio in New York City, the lead vocals were often produced elsewhere in the United States. The album encompasses a variety of American roots music forms, including folk, indie folk, country, blues, ragtime, gospel, rock, swing, and avant-garde. // Anaïs Mitchell was born March 26, 1981. She is an American singer-songwriter, musician, and playwright. Mitchell has released eight studio albums, including Hadestown (2010), Young Man in America (2012), Child Ballads (2013), and Anaïs Mitchell (2022). // She developed her album Hadestown into a stage musical (together with director Rachel Chavkin), which received its US debut at New York Theatre Workshop in summer 2016, and its Canadian debut at the Citadel Theatre, Edmonton the following year. The show opened at London’s National Theatre in November 2018 and then on Broadway on April 17, 2019, at the Walter Kerr Theatre. The Broadway production of Hadestown won eight Tony Awards in 2019 including the Tony Award for Best Musical. Mitchell received the Tony Award for Best Original Score; she was also nominated for Best Book of a Musical. The Broadway cast album of the show took home the Grammy Award for Best Musical Theater Album in 2020. Mitchell’s first book, Working on a Song: The Lyrics of Hadestown, was published by Plume Books on October 6, 2020. Mitchell was included in Time’s 100 Most Influential People of 2020. // Mitchell is a member of the band Bonny Light Horseman, whose self-titled debut was released in 2020. The band’s second album, “Golden Rolling Holy”, was released in 2022, followed by “Keep Me on Your Mind/See You Free” in 2024. // Mitchell’s father, a novelist and college professor, named her after author Anaïs Nin. She grew up on Treleven farm in Addison County, Vermont and graduated from Mount Abraham Union High School. She was raised Quaker. Her mother was Deputy Secretary of Vermont’s Agency of Human Services. After traveling to the Middle East, Europe and Latin America as a child, she attended Middlebury College, where she majored in political science and graduated in 2004.]
[The Broadway National Tour of Hadestown plays The Lied Center, 1600 Stewart Drive, Lawrence Kansas, this Monday, April 14 at 7:30pm]
11:32 – Underwriting
11:33 – Interview with Kevin King & Zo E. Schmidt – Whim Productions
Kevin King is originally from Topeka, Kansas. He studied at The University of Kansas, In 2011 Kevin founded Whim Productions where he serves as Producing Artistic Director of Whim Productions. He is a queer playwright based in KCMO and is a playwright-in-residence at the Midwest Dramatists Center, former playwright-in-residence in the Charlotte Street FoundationStudio Residency program, and a member of the Dramatists Guild. His short play The Swallows was selected for the 2019 William Inge Theater Festival New Play Lab.
King’s work has also appeared in the Kansas City Fringe Festival, Alphabet Soup: Theater from Queer Voices (Whim Productions, 2015, 2016, 2018, 2019,2020), The Barn Players’ 6×10 Short Play festival (2018, 2019), Midwest Dramatists Conference (2018, 2019), One-Minute Play Festival (2016), Fishtank Theater’s 12 Plays of Christmas (2014), and other festivals. His work ranges from campy to slice-of-life realism, portrayed through a quirky, queer lens. Kevin also works as an intimacy coach.
Kevin King joins us to share details about Whim Production’s annual flagship event, Alphabet Soup: Theater from Queer Voices an evening of six short plays written by Kansas City-area LGBTQ writers. Running through April 13, 2025, at Whim Space, 415 Prospect Ave, KCMO, in historic Pendleton Heights. For info visit: http://www.whimproductions.org.
Kevin King and Zo E. Schmidt welcome to Wednesday MidDay Medley
Whim Productions’ Alphabet Soup: Theater from Queer Voices returns to Whim Space from April 4-13. Alphabet Soup, Whim’s annual flagship production, is an evening of six short plays written by Kansas City-area LGBTQ writers.
Alphabet Soup debuted in 2015 as part of the Kansas City Fringe Festival and now returns for its ninth iteration.
“We’re so excited to bring back Alphabet Soup for a 9th year!” said Kevin King, Whim’s producing artistic director. “The six plays we’re presenting are a great mix of over-the-top narratives and very grounded drama. We can’t wait to share these with audiences!”
The selected playwrights participate in private workshops facilitated by Kevin King, Whim’s Producing Artistic Director. This allows the plays to develop and builds a community among the writers. The workshops have given production opportunities to people who had never had a production before. In fact, some of the selected playwrights had never written a play prior to being involved in Soup.
This year’s short plays are:
The High Who Spied Me by John Adams (he/him): A top-secret agent is sent to America to retrieve a stolen nuclear missile — but finds something even more explosive.
Pride and Precipice by Camilo Fontecilla (he/him): A mountain hike tests all the limits of Willow and Bree’s relationship.
Futureproof by Courtney Honors (they/her): Only hours after meeting, two women — one a serial monogamist and the other a doomsday prepper — rush into a relationship and try to make it work despite the looming threat of an armageddon.
The Space Where We Met by Kevin King (he/him): On the eve of their 10-year high school reunion, Charlie and Melissa have surprising realizations about each other. Turns out, ten years can change everything, including what you think you know.
Oversteeped Tea by B. Michael McFarland (he/him): What are the consequences of our actions? An estranged brother and sister find out over afternoon tea.
All the Stars in Cygnus by Zo E. Schmidt (they/them): Love and mortality collide in this poignant farewell as Val grapples with Kitty’s refusal to embrace eternity.
All plays are presented at every performance.
Alphabet Soup isn’t just a presentation of plays. Built into it is a script development process that builds the skills of the participating playwrights and strengthens the selected plays. King said that the workshops have paid dividends, both for Whim and the playwrights. Several plays that were developed in Alphabet Soup have been presented across the country. This summer, Kevin King & John Adams will present plays developed by Alphabet Soup at the Valdez Theatre Conference. David Whitner’s play “Tickle Monster, ” from the 2024 festival, will be published by Smith & Kraus in an anthology.
Doors open 30 min. before show. There is no admission 10 minutes after show starts.
Whim Productions is dedicated to creating challenging and evocative queer theater. Our mission is to produce works written by LGBTQ+ writers with narratives that center queer characters. We are committed to sharing the diversity of queer lives with Kansas City audiences and providing a platform for LGBTQ+ theater artists to tell their own stories. Queer Theater. Whimsical Edge.
Producing Artistic Director 𝗞𝗲𝘃𝗶𝗻 𝗞𝗶𝗻𝗴 founded Whim Productions in 2011 and has directed, written, & choreographed intimacy in many of our productions. He’s currently tackling the sound design and intimacy choreography for the world premiere of Kissing in the Grocery Store! Kevin’s passion for creating safe, evocative, and inclusive theatre shines in this production.
Kevin King and Zo E. Schmidt thank you for being with us on Wednesday MidDay Medley
Whim Production’s annual flagship event, Alphabet Soup: Theater from Queer Voices an evening of six short plays written by Kansas City-area LGBTQ writers. Running through April 13, 2025, at Whim Space, 415 Prospect Ave, KCMO, in historic Pendleton Heights. For info visit: http://www.whimproductions.org.
For WMM, I’m Mark Manning. Thanks for listening!
11:53
Jamogi – “DO IT TO ME” from: “DO IT TO ME” – Single / Jam Tunes / March 28, 2025 [Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire.]
[Jamogi and The Jammers play The Ship 1221 Union Ave. KCMO in the West Bottoms on Friday, April 11, at 8:00pm for the Flew The Coop Sessions Fundraiser.]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
NEXT WEEK, on April 16 – Jaclyn Danger shares details about The Love Note April 18 at Strand Theatre on Troost. AND Zach Phillips returns w/ LIVE music from Lone Stranger.
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
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This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, March 26, 2025
WMM presents: Stephonne + Danielle Ate The Sandwich + The Fur and The Fang
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
Debbie Friday – “1/17” from: “1/17′ / Sub Pop Records / March 20, 2025 [Debby Friday is sharing “1/17”, an anthemic and salacious new dance pop single for 2025, available now worldwide from Sub Pop and in Canada from Royal Mountain Records. // Written and produced during a whirlwind European tour, “1/17” marks an exciting evolution for Debby Friday as she unveils a softer, more playful side of her artistry. Featuring hypnotic vocals and cheeky lyrics with nods to ancient Greece and nude selfies, the track exudes charm and lightness. With threads of experimental dance-pop woven seamlessly throughout, “1/17” is a refreshing addition to Debby Friday’s sonic world and a promising kickoff to her new era. // “1/17” was produced by Friday and Darcy Baylis, mixed by Alex Gamble, with assistance by Taylor Finnigan, and mastered by Levi Seitz. // Its soaring and singular shot official video is directed by Friday and frequent collaborator Kevan Funk (“WHAT A MAN,” “SO HARD TO TELL”), and filmed at Toronto’s historic Massey Hall. // Friday says of the visual, “It’s based on an amalgamation of two experiences that I had. The first was when I won the Polaris Prize at Massey Hall, which felt like a peak moment in my career. The second was when, nine months later, I played a festival show to absolutely no one in the audience. I’ve spent the past year detaching myself from the highs and lows of this business and trying to see everything as a sign. Of what? I don’t know. But I’m sure in the end, it’ll all mean something.”]
Billie Marten – “Feeling” from: Dog Eared / Fiction Records / July 18, 2025 [New Single from Billie Marten’s 5th LP DOG EARED. Dog Eared is a warm, rich and textured record that bristles with confidence and self-belief, with Billie already approaching the prolificacy of a “lifer” with so much life left to live. It’s a left turn from her previous recordings, albeit a subtle one, taken with a deftness of touch. A musician embracing change, while staying true to her core self. There’s a certain strength of conviction here that finds its voice more prominently in the extensive pool of her acclaimed American contemporaries, of which she now surely stands shoulder to shoulder with. With Dog Eared, Billie calmly posits herself at the top of the tree of not just British contemporary folk artists, but with British songwriters at large. // Of the record’s opening number, “Feeling”, Billie explains: “I’ve discovered that I have a really particular long-term memory: I have specific sensory recollections from when I was two onwards, that I can recall easily now. One of these is marking out roads in my grandmother’s patterned carpet, for my Dad’s old 1950/60s toy cars to drive on. I used to trace patterns in everything: fabric seats at the dentist, carpets, wallpaper and walls, raindrops on car windows. Everything had a pattern to be noticed.” // “Another strong memory is the feeling of big, warm hands when you’re a child and how comforting and safe that feels. The notion of age being so far away from you, but you know it’s a future inevitability, and that you’re on your way there. The inarticulateness of that ‘feeling’ you can’t describe yet, but you’re aware of a push in the world that you don’t yet understand.” ”Feeling” is really set alight by Núria Graham’s guitar part, the one you hear from the outset. It sparks the album info life and really sets a benchmark in terms of rhythm. This is an album of rhythmic focus.”]
Yukimi – “Peace Reign (Radio Edit)” from: For You / Ninja Tune / March 28, 2025 [Debut Solo Album from Yukimi, the celebrated vocalist and co-founder of Grammy-nominated band Little Dragon, shares her new single “Peace Reign.” A hopeful song about believing and striving for a peaceful world, the song starts with a sweet message from Yukimi’s son, “you have to believe it for it to come true, it’s right in front of you.” This is the latest offering from her debut album For You due March 28th via Ninja Tune. “Peace Reign is about not giving up on the dream that this world can be a peaceful place. Believing in hope and a brighter future for the generations to come,” says Yukimi. Her debut solo album sees her step away from a band formation to create some of her most beautiful and intimate work to date: both intensely personal and brilliantly relatable. On For You, Yukimi elegantly entwines musical styles from jazz, soul and electronic pop to hip hop, roots and psychedelia, but the themes of her solo songs dig deeper than ever, across love, loss, feminine energy and innate resilience. // For You will include previously released singles “Stream of Consciousness” featuring British singer-songwriter Lianne La Havas. The collaboration marks Yukimi’s first time writing and creating music with another woman, which allowed her to fully delve into her feminine energy; “Sad Makeup,” which was written “about those days when you try to push down and control a sad feeling” says Yukimi; “Winter Is Not Dead,” inspired by those long, dark winters in Scandinavia; and the self-empowering debut single “Break Me Down” which was also in collaboration with Lianne La Havas and Little Dragon bandmate and long-time friend Erik Bodin.//Reflecting on For You, Yukimi shares: “I want this music to really be a force to connect people to each other, and step away from the madness of everything on the planet right now. And I’m excited about embarking on that journey on my own – the expression really feels pure.” // To celebrate the album’s release, Yukimi will embark on a full North American tour beginning in April, making stops in major cities including New York, Toronto, Chicago, Portland, San Francisco, and Los Angeles. Full tour details and ticket information can be found at https://yukimi-music.com/. // Renowned for her distinct and graceful voice, Yukimi has captivated audiences since co-founding Little Dragon in 1996. With the band, she has performed on some of the world’s biggest stages, from Coachella and Glastonbury to NPR’s Tiny Desk—while collaborating with an impressive roster of artists, including Mac Miller, Kali Uchis, Gorillaz, JID, KAYTRANADA, Flume, and De La Soul. Her ability to transcend genres and craft deeply moving music has cemented her status as one of the most compelling voices in contemporary music.]
The Faint – “Desperate Guys” from: Wet from Birth / Saddle Creek / September 14, 2004. [Wet from Birth is the fourth studio album by The Faint, formed in Omaha, Nebraska, the band consists of Todd Fink, Graham Ulicny, Dapose and Clark Baechle. The Faint was originally known as Norman Bailer and included Conor Oberst (of Bright Eyes, with whom The Faint toured in 2005). He quit shortly after the band was formed, though the Faint continued to share a spot with Bright Eyes on Saddle Creek Records. // The band originally consisted of Clark Baechle, Todd Fink (formerly Todd Baechle), and Joel Petersen. Growing up, Fink, Petersen, and Baechle skateboarded in their free time, until Fink developed knee problems, which shifted their hobbies towards making music. They signed to Saddle Creek Records and released a few singles, but were unable to establish widespread sales. After adding Matt Bowen, the Faint released Media. At the end of 1998, Jacob Thiele joined the band, and shortly thereafter, Matt Bowen was replaced by Ethan Jones. They toured the U.S., playing what would become the songs that would comprise the next album, Blank-Wave Arcade, which had a more dance and techno-influenced sound and was an underground hit. Before recording the album, however, Jones left the band and was replaced on bass guitar by Joel Petersen, who played both bass and guitar on the album. Partway through the creation of Danse Macabre, the Faint added Dapose, a death metal guitarist formerly of LEAD. Their next album, recorded with Mike Mogis and released in 2004, was called Wet from Birth. Conor Oberst claimed in an August 2020 interview with Pitchfork Magazine that The Faint were offered a major label record deal, but turned it down out of loyalty and commitment to Saddle Creek, which at the time was still a collaborative project between members of The Faint, Cursive and Bright Eyes. // In May 2008, the Faint announced that they had split from Saddle Creek, and that their fifth studio album would be self-released under their own label, blank.wav. The album, entitled Fasciinatiion, was released on August 5, 2008, in the U.S. The first single from the album was “The Geeks Were Right”, which was released on Boys Noize Records. It was also announced that the band would tour North America with British electronic group Ladytron during the spring. // Since the release of Fasciinatiion, two of the band members, Clark Baechle and Todd Fink have been quietly, with little advertising, performing under the name Depressed Buttons, playing remixes of other artists, and DJing for various small clubs and venues. // The band performed an original song “Teach Me Teacher” on the children’s show Yo Gabba Gabba! in the third-season episode “School”, which originally aired September 19, 2010. // On October 30, 2012, Saddle Creek Records released a deluxe edition of Danse Macabre with the original album remastered, bonus and unreleased tracks, and a DVD of archival footage, live projections from that era’s tour dates, and live footage. The band announced that it would play Danse Macabre in its entirety along with fan favorites during a tour of 24 cities across North America. // In 2016, Graham Ulicny (of Reptar) replaced Jacob Thiele on keyboards. Thiele died on February 13, 2020.]
[The Faint play The Warehouse on Broadway, 3951 Broadway Boulevard, KCMO on Friday, March 28 at 8:00pm with special guests Plack Blague]
Honeybee – “i wish i knew you then” from: “i wish i knew you then” – Single / Honeybee / March 28, 2025 [New honeybee single from their upcoming EP “midtown girl”, to be released on June 6, 2025. // The track was written by the songwriter and lead singer, Makayla Scott, who wrote to us, “i wish i knew you then is inspired by all the stories Al (honeybee bass player and Mak’s partner) has told me about their life prior to us getting to know each other. Sometimes when we are reminiscing and giggling about the past, I get hit with a big wave of fomo – sad i’ve missed out on so much. but they always say that the timing of our relationship is perfect and that they’re glad we met when we did. Still, I would have LOVED to hang with kid AL and play horses or dogs or any of the 2000s era Madden games!” // Honeybee released their EP Saturn Return on March 29, 2024 part of WMM’s 120 Best recordings of 2024. // Honeybee started as the solo project of Singer/Songwriter Makayla Scott and now include 3 or 4 of her friends umping in… Honeybee released the songle “I Know What Love is” on January 27, 2023. Makayla Scott also played with the band Blue False Indigo Makayla Scott studied music at Drury University graduating in 2017. Honeybee played Manor Fest 6 at 6:30 PM at Arizona Trading CO. 1722 Oak Street KCMO with The Highwater, and Jass.]
David Luther – “Wrecking Bay” from: “Wrecking Bay”- Single / David Luther / March 28, 2025 [David Luther released the first single “Smile About Something” on January 21, 2025. David Luther released the 2d single, “If Love Just Ain’t Enough (feat. Garrison Starr) on February 28, 2025. all singles off of David’s upcoming album EWHO YOU ARE expected April 25, 2025. // David Luther Broxterman recorded his first self-titled EP in 2009 with Nashville producer Neilson Hubbard. The EP featured backing vocals from Americana artist Garrison Starr. This experience was the catalyst that would send him on his path to a music career, gigging part-time to begin with while working full-time as a social worker. // In 2020, during the heart of COVID-19, David knew it was time to embrace becoming a full-time musician.. Stepping away from social work and side jobs, especially as a single father of two boys, was a faith move then. During this time, David collaborated with David George and Pat Tomek on his EP Take Me Home, which was released in 2022. The EP included the anthem Home To Kansas City and World’s Gonna Change, a song co-written by David, Brandon Mashburn, and Academy Award and Golden Globe-winning songwriter Tom Whitlock. George and Tomek’s dedication and artistry to the project, along with the exceptional musicians and singers, inspired David. Shortly after, David worked with his sister Anna Taylor and producer Brandon Mashburn on the single I Will, released in 2023, a song to draw attention to things that unite rather than divide us. // In July 2024, David again joined Neilson Hubbard, studio musician Juan Solórzano, and engineer Dylan Alldridge in their East Nashville studio to record a new full-length Americana album. The album, Who You Are, features partner Kelly Dougherty on several songs and Garrison Starr on If Love Just Ain’t Enough. The songs on the LP are a journey of David’s songwriting, many coming from painful places in the past and leading up to the last song he finished the night before the last days of recording, the title track. // David is grateful for the people in his family and community who have come alongside him, often carrying him and sometimes dragging or chasing him down his path. He says he can’t imagine how he’d still be doing this without their ongoing help and encouragement, especially that of his partner and manager, Kelly Dougherty. “I had no idea what I was getting myself into, but there’s no going back.”]
Krystle Warren & The Faculty – “Truly Great Thing” from: Extended Play / Parlour Door Music / November 1, 2024 [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations // // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs were recorded with everyone in the same room (Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up Extended Play are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play, they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]
10:29 – Underwriting
10:31 – Interview with Stephonne
Stephonne is in the house. Joining us today to debut his new single “It’s Gonna Be Alright.” Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. More info at: http://www.stephonne.com
Stephonne Thanks for being with us on Wednesday MidDay Medley
Welcome back to the show. We are nearly three months into the year and Stephonne has already produced another epic tribute show, this time to Mary J. Blige at the Fifth Floor in the historic West Bottoms. Stephonne was also one of the featured artists at the Rock is Black concert at the Zhou B Art Center in the heart of the 18th & Vine Arts & Cultural District.
Both of these events were very important to Stephonne as a performer, but also in the community building work that Stephonne does.
Stephonne is a multifaceted performer, actor, drag performer, singer-songwriter, model. Stephonne has been a big part of the Wednesday MidDay Medley, as one of our most frequent guests, and someone we call on when we’re celebrating anniversary shows. We have loved watching Stephonne’s journey as a musical performer. This has been a journey of discovery of self.
Part of Stephonne’s most recent work is being on the board of Kansas City Folk Festival.
KC Folk Fest Fundraisers: Pickball – Saturday, April 19, at 10:00am, in Gillham Park, sign up by April 11, 2025 FolkyOkie Karaoke, April 23 , at 7:00p at The Ship 1221 Union, KCMO West Bottoms Rural Grit Happy Hour, Monday, May 5, at 6:00pm at The Brick, 727 McGee, KCMO
Kansas City Folk Festival is Saturday May 17, 12:00pm to 8:00pm with Sunny War, Nokisee Fields, Jamogi and The Jammers, Stranded in The City, Rural Grit Happy Hour, Dalima Kapten, Gracie Caggiano, Wim Frederick, Pheenix Leeor, Mitxi Mckee, KC Queertet, No Divide KC Spotlight, KC Fringe Showcase, KC Young Audiences, Heartland Song Network, Poetry, Craft Market, Food Trucks, and more, More infoat: http://www.kcfolkfest.org
Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show
10:40
Stephonne – “1 Think It’s Gonna Be Alright” from: “1 Think It’s Gonna Be Alright” – Single / Stephonne / March 28, 2025 [Co written by Stephonne Singleton with Shawn M Stewart.]
10:43 – More Interview with Stephonne
Stephonne is in the house. Joining us today to debuts his brand new single “It’s Gonna Be Alright.”
Stephonne Thanks for being with us on Wednesday MidDay Medley
Along with your work with KC Folk Fest, you have also worked with Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show.
Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows.
Each Charlotte Street Generative Performing Artist Award receives an unrestricted cash grant of $10,000, recognition by Charlotte Street at the time of the award announcement and throughout 2023. The 2023 Charlotte Street Generative Performing Artist Awards recognize two exceptional artists in the fields of dance, theatre, music, opera, sound art, performance art, multimedia performance, spoken word, puppetry or hybrid performance-based forms. Along with Stephonne Singleton and Tiara Nicole was the other recipients of the 2023 Generative Performing Artist Awards. Since 1997, 29 performing artists and 106 visual artists in the Kansas City region have received this highly regarded award.
All of the 2023 Charlotte Street Award Fellows were selected through competitive processes beginning with open calls for applications from artists based in the five-county Kansas City Metro Area. Artist selections were made by a panel of jurors consisting of renowned and qualified arts professionals. Jurors participated in interviews, presentations, and studio visits, resulting in the selection of 10 finalists for the Generative Performing Artists Awards and 12 finalists for the Visual Artist Awards.
Stephonne’s Statement:
“As a generative performance artist and musician, my music is a result of radical and unconditional love that I have for my life and human connection. That love persists, despite living in a world that relishes my artistic contributions but not the color of my skin nor my queerness. It is within this relentless predicament that I find myself, my melodies, and my lyrics. I share my struggles, triumphs, and journey to self-love through performance. I create music and live experiences that break through the boxes of race, gender, social status and genre so that others may see their reflection in my art. All of my musical influences come together to create something inimitable but familiar. Music has always understood me and It is through music that I continue to define and understand myself. I want my audience to feel accepted and understood by my art, to feel seen – and then to better understand themselves and those around them.”
Stephonne Thanks for being with us on Wednesday MidDay Medley More info at: http://www.stephonne.com
10:53
Stephonne – “1” from: “1” – Single / Stephonne / August 21, 2024 [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Trombone – Trevor Turla. Recorded, mixed and mastered at Westend Recording Studios, Kansas City. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist – Stephonne Singleton keeps very busy, organizing Tribute Shows, working as a Resident Artist at Charlottee Street studios, playing Music Festivals, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, The Black Box, The Folly Theatre, collaborating with The Black Creatures, Calvin Arsenia, Miki P, Jass, Eboni Fondren, putting out EPs, and singles. Stephonne released his EP SIS: Side B on June 24, 2022 it was in the TOP TEN of WMM’s 120 Best Recordings of 2022. Stephonne was a featured performer at the 23rd Annual West 18th Street Fashion Show on Friday, June 2, 2023, and also in the 24th annual West 18th Street Fashion Show.]
Julien Baker & TORRES – “Sugar in the Tank” from: “Sugar in the Tank”- Single / Matador Records / December 13, 2024 [This was the first single from Julien Baker and TORRES upcoming 12-track album SEND A PRAYER MY WAY to be released April 18, 2025. // After playing “Sugar in the Tank” on The Tonight Show Starring Jimmy Fallon, Julien Baker & TORRES closed out 2024 with the release of their critically acclaimed debut single “Sugar in the Tank” via Matador Records. Since then, they have also shared the official video for the track which was shot in collaboration with the queer country dance party Stud Country. // Formed by their shared experiences of growing up queer in the south, “Sugar in the Tank,” which is now #3 greatest gainer, and #30* at AAA, not only reflects Julien Baker & TORRES’ love of country music, but joyfully reclaims the genre’s traditions and iconography which until only recently felt exclusionary. The single is a beautiful duet that is authentically country as it is a celebration of the songwriter’s roots. // “Sugar in the Tank,” is a stunning duet—a heartfelt celebration of identity and belonging, steeped in the timeless essence of country music. // “Straightforward country — guitar strumming, banjo picking, pedal steel guitar — perfectly suits the all-out declarations of love in “Sugar in the Tank.” -The New York Times // “the pair’s voices fit together like puzzle pieces, making ‘Sugar in the Tank’ a must-listen for any country music fan out there.” Billboard]
11:00 – Station ID
Danielle Ate the Sandwich – “Fumbling” from: Fumbling / Danielle Ate The Sandwich / March 21, 2025 [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
[Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini. Info at: http://www.greenwoodsocialhall.com]
11:04 – Interview with Danielle Anderson
Danielle Anderson performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle Anderson jois us to talk about her new album FUMBLING from Danielle Ate The Sandwich, released March 21, 2025. Danielle has released over 300 YouTube videos, conducts an annual community songwriting project called the 24 Hour Album, and has released 8 full length albums of original music. She has opened for Mumford and Sons, Jake Shimabukuro, and had the opportunity to write the soundtrack to the Emmy nominated HBO documentary, “Packed in a Trunk: The Lost Art of Edith Lake Wilkinson.” In 2023, Danielle was awarded a 2-year studio residency at the Charlotte Street Foundation, and was the recipient of an Inspiration Grant from ArtsKC in 2024. Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO. Info at: http://www.greenwoodsocialhall.com
Danielle Anderson, thank you for being with us on WMM.
We just heard the title track from Danielle’s 8th full length album Fumbling.
Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews.
Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell.
Danielle Ate The Sandwich’s 8th album received an Inspiration Grant from ArtsKC.
11:12
Danielle Ate the Sandwich – “It’s Not Jupiter” from: Fumbling / Danielle Ate The Sandwich / March 21, 2025 [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
[Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini.. Info at: http://www.greenwoodsocialhall.com]
11:16 – More Interview with Danielle Anderson
Danielle Anderson performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle Anderson jois us to talk about her new album FUMBLING from Danielle Ate The Sandwich, released March 21, 2025. Danielle has released over 300 YouTube videos, conducts an annual community songwriting project called the 24 Hour Album, and has released 8 full length albums of original music. She has opened for Mumford and Sons, Jake Shimabukuro, and had the opportunity to write the soundtrack to the Emmy nominated HBO documentary, “Packed in a Trunk: The Lost Art of Edith Lake Wilkinson.” In 2023, Danielle was awarded a 2-year studio residency at the Charlotte Street Foundation, and was the recipient of an Inspiration Grant from ArtsKC in 2024. Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO. Info at: http://www.greenwoodsocialhall.com
Danielle Anderson, thank you for being with us on WMM.
We just heard another track from Danielle’s 8th full length album Fumbling.
Danielle had the honor of working with IX Film Productions to create a new music video for the title track of the new album, Fumbling. The result is a beautiful one shot video that takes Danielle through the chaos of life, growing up, making choices, and fumbling through it all.
The video was filmed in Kansas City, MO, by Patrick Poe & Lolo Loren, with production design by Amber Joy. The video features lots of amazing local talent!
Starring: Ellie DeShon – Mom Thomas Smith – Dad Amber Joy – Sister Jerry Mañan – Friend/Groom Tiffany Michelle – Friend Stephanie Stevens – Friend Forest Kinsey – Priest/Partygoer Gideon Madison – Partygoer Ace Lovelace – Partygoer Lily Gojcevic – Partygoer Mykah Mleek – Partygoer Mason Vietti – Partygoer Liam Chewning – First AC Isabelle Torri – Hair & Makeup Bob Colladay – Car
Danielle on Fumbling Tour Dates around the US!
FUMBLING TOUR DATES March 29th | Kansas City, MO April 12th | Warrensburg, MO May 31st | Lawrence, KS May 10th | Denver, CO June 12th | Littleton, CO June 15th | Fort Collins, CO
WEST COAST FUMBLING TOUR September 11th | Reno, NV September 12th | Roseville, CA September 13th | North Bay, CA September 14th | Sunnyvale, CA September 20th | Los Angeles, CA September 22nd | Sun City, AZ September 23rd | Phoenix, CA
Last summer at the KC Fringe Festival, Danielle presented THE GREATEST GARAGE SALE EVER a one woman comedy cabaret featuring original characters and songs by Danielle Anderson with five performances July 20 thru Sat., July 27 The Bird Comedy Theater, 103 West 19th, KCMO.
On February 23, 2024, Danielle Ate The Sandwich released the single, “Turtle by Jer” – Written by Jerry “Jer” Slougherman and Danielle Anderson. Performed by Jer. Mixed by David Bashford
On January 14, 2024 Danielle Ate The Sandwich released the 6-track release, “2024 (The 24 Hour Album)”.
On February 20, 2022 Danielle Ate The Sandwich released the 7-track release, “Continued Curfew (24 Hour Album 2022)”.
Danielle Ate The Sandwich released the 7-song album, 24 HOUR ALBUM (2021), on April 25, 2021. The 7 songs on this album were written and recorded in 24 hours on April 24th-25th, 2021, during Danielle Ate the Sandwich’s 6th annual 24 Hour Album.
On May 28, 2021 Danielle Ate the Sandwich released, It’s Not a Burden (Original Songs from the Documentary Film) on Youngest Daughter Records. It’s Not A Burden is a powerful and brilliant film about the joys and pain of raising elderly parents. The songs are produced by Joanna Katcher.
Danielle Ate The Sandwich released the single, “A Weight, A Wall” on June 1, 2021. Danielle Ate The Sandwich released the single, “Goodbye to You” on August 22, 2021. Danielle Anderson, thank you for being with us on WMM.
11:25
Danielle Ate the Sandwich – “Not Easy To Do” from: Fumbling / Danielle Ate The Sandwich / March 21, 2025 [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
[Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini.. Info at: http://www.greenwoodsocialhall.com]
11:28 – Underwriting
The Fur and the Fang – “Mr Lorry” from: EP 4 /The Fur and the Fang / December 17, 2024 [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]
[The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]
11:33 – Interview with Zach Hodson, Valerie Schurman and Joe Frogge
Joining us in our 90.1 FM Studios is KC music veteran Zach Hodson, formally of the critically acclaimed Dolls On Fire. Zach’s new band is The Fur and The Fang where Zach on sings, plays guitars, keys & percussion; also joining us in the conversation is: Valerie Schurman who sings, plays kazoo & percussion; and Joe Frogge who sings and plays ukulele. Seann McAnally on vocals & bass is also in the band. The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.” The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. More info at: http://www.thefurandthefang.bandcamp.com
The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com
Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM
The Fur and The Fang is: Zach Hodson on sings, plays guitars, keys & percussion; Valerie Schurman who sings, plays kazoo & percussion; Joe Frogge who sings and plays ukulele. Seann McAnally on vocals & bass is also in the band.
The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.”
The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson.
11:41
The Fur and the Fang – “Bad Gospel” from: EP 4 /The Fur and the Fang / December 17, 2024 [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]
[The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]
11:44 – More Interview with Zach Hodson, Valerie Schurman and Joe Frogge
Joining us in our 90.1 FM Studios is KC music veteran Zach Hodson, formally of the critically acclaimed Dolls On Fire. Zach’s new band is The Fur and The Fang where Zach on sings, plays guitars, keys & percussion; also joining us in the conversation is: Valerie Schurman who sings, plays kazoo & percussion; and Joe Frogge who sings and plays ukulele. Seann McAnally on vocals & bass is also in the band. The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.” The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson.
The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com
Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM
The Fur and the Fang Discography The Fur and the Fang released the 4-track EP, EP3 on December 17, 2024 The Fur and the Fang released the 5-track EP, EP3 on July 23, 2024 The Fur and the Fang released the 4-track EP, EP2 on August 25, 2023 The Fur and the Fang released the 4-track EP, EP1 on February 28, 2023 The Fur and the Fang released the 6-track EP, A Furry Fangy Holiday 2023 Dec 20, 2023
The Fur and the Fang released the single, “The Horrors We Don’t Know” on Oct 31, 2023.
Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM
The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com
11:54
The Fur and the Fang – “I Could Never Tell A Lie” from: EP 4 /The Fur and the Fang / December 17, 2024 [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]
[The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
NEXT WEEK, on April 2 – Fallestine “Fally” Afani of I Heart Local Music and the Lawrence Music Alliance joins us as Guest Producer for SPOTLIGHT ON PALESTINIAN ARTISTS a special presentation for Arab American Heritage Month featuring music from Saint Levant, Elyanna, DAM, and More!
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, March 12, 2025
WMM presents: The Extemporaneous Music & Arts Society + SEYKO + Tribute To Danny Cox
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
Julien Baker & Calvin Lauber –“Get Me Away From Here, I’m Dying (feat. SOAK, Quinn Christopherson)” from: TRAИƧA / Red Hot / November 22, 2024 [One of the most ambitious projects ever undertaken by the storied activist and music production non-profit Red Hot, TRAИƧA is a spiritual journey across eight chapters and 46 songs with over 100 artists contributing. The album spotlights the gifts of many of the most daring, imaginative trans and non-binary artists working today. // Dust Reid, who led production on Red Hot’s 2014 tribute to Arthur Russell, and Massima Bell, an artist and activist based in Los Angeles, began tracing the contours of what would become TRAИƧA together in 2021. The two producers originally met at a video shoot in upstate New York, and immediately bonded over their shared love of Beverly Glenn-Copeland’s music, as well as a common devotional connection to nature. // The passing of SOPHIE, the pathbreaking electronic producer who died in January 2021, galvanized the producers and focused their work. “We started talking about all the gifts that trans artists have been giving to the world, and wanted to create a Red Hot project that centered and celebrated those gifts,” says Reid. “We hoped to create a narrative that positions trans and non-binary people as leaders in our society insofar as the deep inner work they do to affirm who they are in our current climate. We felt this is something everybody should do. Whether you identify as trans or non-binary or otherwise, if you took the time to explore your gender, get in touch with the feeling side of yourself, maybe we would have a future oriented around values of community, collaboration, care, and healing.” // Bell and Reid began conceiving of the album as a spiritual journey in eight chapters, a mirror of the original eight-stripe rainbow pride flag. The narrative begins at the earliest awareness of consciousness; moves through awakening, trauma, and grief; and arrives at liberation and continual reinvention. “One thing trans people do all the time is turn grief into possibility,” says Bell. “Living under the ongoing Western binary system, trans people reveal maps of possibility for everyone. It’s something that we can all learn from – expanding the possibility of human life.” Each chapter begins with a “chapter track,” kicking off a collection of songs that speak to that chapter’s theme. // As the producers began inviting musicians to contribute to TRAИƧA, the political climate in the United States and across the world started to foment an acute reactionary streak. Legislation denying trans people the hard-won right to medically transition proliferated across the country. Book bans rained down on libraries, stamping shut crucial apertures into trans and queer lives. The necessity of TRAИƧA’s presence in the world started to crystallize. // “The stakes have never been higher,” notes Bell. “We’re seeing a rise in anti-trans hate and vitriol that is particularly being spewed in the United States. I am a trans person from Iowa, one of the states that signed into law a bill that prohibits access to gender-affirming care. It is clearly, materially, a terrifying time.” // TRAИƧA FEATURED ARTISTS:Adrianne Lenker * Ahya Simone * Alan Sparhawk (Low) * Allison Russell * Am Taylor * Anajah * Ana Roxanne * André 3000 * Anjimile * Arthur Baker * Asher White * AV María * Babehoven * Bartees Strange * Belina Rose * Benét * Beverly Glenn-Copeland * Bill Callahan * Blake Mills * Bloomsday * Calvin Lauber * Caroline Rose * Cassandra Croft * Cassandra Jenkins * Christian Lee Hutson * claire rousay * Clairo * CLARITY * Cole Pulice * Dave Longstreth * Devendra Banhart * Eileen Myles * Eli Winter * Elizabeth Glenn-Copeland * Ezra Furman * Faye Webster * Fleet Foxes * Frankie Cosmos * Gary Gunn * Gia Margaret * Green-House * Grouper * Hand Habits * Heart Shaped * Helado Negro * Hunter Schafer * Jamal Shakeri * Jay Dee Daugherty * Jayne County * Jeff Tweedy * Jlin * Joy Guidry * Julianna Barwick * Julie Byrne * Julien Baker * Kara Jackson * Kathi Wilcox * KB Brookins * Kelela * Laraaji * Laura Jane Grace * Lauren Auder * Lee Ranaldo * Lightning Bug * Lomelda * Lucy Liyou * Lynn Avery * Lyra Pramuk * L’Rain * Mary Lattimore * MIZU * Moor Mother * More Eaze * Moses Sumney * Nico Georis * Niecy Blues * Nina Keith * Nsámbu Za Suékama * NYC Trans Oral History Project * Pepper MaShay * Perfume Genius * Pharoah Sanders * Quinn Christopherson * Rachika Nayar * Sade Adu * Sam Smith * Sharon Van Etten * SKY * SOAK * Soft Rōnin * Sparkle Division * Taryn Blake Miller * Teddy Geiger * Time Wharp * Wendy & Lisa of the Revolution * Yaeji * Yaya Bey // Julien Rose Baker was born September 29, 1995. She is an American indie rock singer and guitarist. Her music is noted for its moody quality and confessional lyrical style, as well as frank explorations of topics including Christianity, addiction, mental illness, and human nature. She has received six Grammy Award nominations and three wins as a member of Boygenius. // Born and raised in suburban Memphis, Tennessee, Baker released her debut album Sprained Ankle (2015) while she was a student at Middle Tennessee State University. The album received critical acclaim and appeared on several 2015 year-end lists. Baker subsequently signed to Matador Records and released her second studio album Turn Out the Lights in 2017, to further critical success. Her third album, Little Oblivions (2021), embraced a more full-band sound and became Baker’s first top 40 album on the Billboard 200 chart. // In addition to her solo work, Baker is a member of the indie supergroup Boygenius, alongside Phoebe Bridgers and Lucy Dacus. The group’s debut eponymous EP was released in October 2018. Boygenius announced their reunion in January 2023, and their debut studio album The Record was released in March. Their newest release, titled The Rest, was released in October 2023. Baker is also in a country duo with Torres, debuting together in 2024.]
10:07
On Friday, March 7, 2025 we lost a living legend in Kansas City.
Danny Cox recorded albums for Casablanca Records, ABC Dunhill and MGM. Many of these albums were recorded here in Kansas City through Good Karma Productions run by Vanguard Coffee House owner Stan Plesser who managed Cox’s career along with Brewer & Shipley, and The Ozark Mountain Daredevils.
Danny Cox was born in July 18, 1943 in Cincinnati, Ohio to Bessy and Daniel Cox. He was the seventh of eight children. In 1963 a 20 year old Danny visited Kansas City while on a tour and was denied entry to the Muehlebach Hotel, because he was Black and Kansas City was segregated, this was one year before the passage of the Civil Rights Act of 1964 banned racial discrimination in public places. Back in 1963 Danny was accepted across the river at a Holiday Inn in Kansas City, Kansas. Danny has said “”Oh my god, just how different it was just a couple of miles away,” Cox said in an interview with KCUR 89.3, “The difference was so apparent.” Danny would eventually make his home in Kansas City, Kansas.
Danny moved to Kansas City in 1967, where he continued his over 6 decade long career. Danny Cox was a singer, songwriter, actor, playwright, jingles writer and father of 10 children, and grandfather. He wrote the jingle “The Grass Pad’s High on Grass.” He performed and acted on multiple stages in Kansas City, The Vanguard, The Cowtown Ballroom, The Kansas City Repertory Theatre, Theatre for Young America. He sold out Carnegie Hall four times, toured the world. When Danny performed live he elevated the stage and electrified the room with his spirit and voice.
He was such a power house of a human. He was so many things. He always stood for justice and equality and being a good human. His beautiful family is a testament to his character and love. When you find his music it will move you. Look for his earlier work, it stands the test of time and was always crossing over multiple genres.
I was able to introduce Danny Cox a few years ago at the Crossroads Music Festival where along with a band of KC veteran musicians his children and grandchildren were performing with him. I had worked with his grandchildren at Quindaro Elementary with the KCK Organic Teaching Gardens. I was able to witness the love of this family, and the harmony they created. Danny Cox’s work and art and love will live on forever.
10:10
Danny Cox – “It’s You” from: Danny Cox / Dunhill Records / August 15, 1971 [In 2021 Danny Cox digitally released YOUNG AND HOT (LIVE AT COWTOWN BALLROOM) EP on July 27, 2021. Danny Cox was born in 1942 in Cincinnati, Ohio. He is a folk singer and songwriter best known for his 1974 LP album Feel So Good. Danny Cox moved to Kansas City, Kansas in 1967. As a youth, he sang in a church choir together with Rudolph Iseley, and in the 1960s he started his professional career performing on a Hootennany Folk Tour. Cox has recorded albums for ABC Dunhill, Casablanca, MGM and others. He also partnered a company called Good Karma Productions, run by the KC based Vanguard Coffee House owner Stan Plesser, who managed the acts of Brewer & Shipley, and The Ozark Mountain Daredevils.]
Danny Cox – “Electric Blanket Mama” from: Danny Cox / Dunhill Records / August 15, 1971
Danny Cox – “We Can Build It on a Mountain” from: Feel So Good / Casablanca Records / 1974 [Recorded at Bell Sound Studios, New York, January-March, 1974. In 2021 Danny Cox digitally released YOUNG AND HOT (LIVE AT COWTOWN BALLROOM) EP on July 27, 2021. Danny Cox was born in 1942 in Cincinnati, Ohio. He is a folk singer and songwriter best known for his 1974 LP album Feel So Good. Danny Cox moved to Kansas City, Kansas in 1967. As a youth, he sang in a church choir together with Rudolph Iseley, and in the 1960s he started his professional career performing on a Hootennany Folk Tour. Cox has recorded albums for ABC Dunhill, Casablanca, MGM and others. He also partnered a company called Good Karma Productions, run by the KC based Vanguard Coffee House owner Stan Plesser, who managed the acts of Brewer & Shipley, and The Ozark Mountain Daredevils.]
Danny Cox Discography: Live at 7 Cities (1963) Sunny (1968) Birth Announcement (1969) Live at the Family Dog (1970) Danny Cox (ABC Dunhill Records) (1971) Feel So Good (Casablanca Records) (1974) Troost Avenue Blues (3-track EP) (2006) Bring Our Loved Ones Back (one track) (2007) Sack of Trout (Single) (2015) Vandalism in Eb Minor (Coin Heaven) (Single) (2015) Kansas City – Where I Belong (Recorded at Pilgrim Chapel) (2012) Time Is What I Need (Single) (2020) Young and Hot (Live at Cowtown Ballroom) (5-track EP) (July 27, 2021) Big John Buck O’Neil (Single) (December 7, 2021)
10:20
Galactic and Irma Thomas – “Where I Belong” from: Audience With The Queen / Tchoup-Zilla Records / Expected April 11, 2025 [New Orleans’ one and only Galactic has joined forces with the legendary Soul Queen of New Orleans, GRAMMY® Award-winning singer Irma Thomas, for an all-new collaborative album. Audience With The Queen that arrives Friday, April 11 on Galactic’s own Tchuop-Zilla Records. // Audience With The Queen marks a landmark departure from Galactic’s 10 previous studio LPs, most of which revolved around the band’s core instrumentalists – Ben Ellman (saxophones, harmonica), Robert Mercurio (bass), Stanton Moore (drums), Jeff Raines (guitar) and Rich Vogel (keyboards) – accompanied by a mix of different vocalists. Here, the 84-year-old Thomas retains the spotlight across eight brand new songs written specifically for her famously warm, blues-drenched voice. Audience With The Queen is heralded by the new single, “Where I Belong.”// Known as the “Soul Queen of New Orleans,” Irma Thomas is a pillar of American R&B and blues history, known for her soulful voice and distinctive southern twang. She immediately made a splash with her 1959 Billboard-charting debut single, “Don’t Mess With My Man,” which she followed with a string of unforgettable hits recorded with producer Allen Toussaint including “It’s Raining” and 1964’s top 20 pop hit, “Wish Someone Would Care,” a slow-burning, self-penned soul ballad based upon her life as a 17-year-old mother of three children. Recorded the same year, Thomas’ “Time Is On My Side” inspired The Rolling Stones to record an almost note-for-note rendition that proved their first top 10 single in the US. Though Thomas’ influence was firmly entrenched in New Orleans and around the globe for over five decades, she received her first-ever GRAMMY® Award in 2007 honoring her 18th studio album, the moving post-Katrina reflection After the Rain. Among her many other honors and accolades include two Blues Music Awards for “Soul Blues Female Artist,” the Americana Honors & Awards’ 2018 “Lifetime Achievement Award For Performance, and induction into the Louisiana Music Hall of Fame. // Galactic has proven an equally essential cornerstone of New Orleans’ dynamic music landscape over their own past three decades. The always adventurous group has evolved continuously since first together in the 1990s as a late-night funk outfit steeped in the unique sounds of their beloved city, thanks in part to their penchant for collaborating with a wildly diverse array of guest artists. While those experiences have afforded a steady stream of musical perspectives and ideas, other elements of their work – like their role as stewards of the historic New Orleans music venue Tipitina’s – have only served to deepen Galactic’s inextricable relationship with their city and its music community, providing an even richer foundation for their ongoing explorations of new creative terrain.]
Abraham Alexander, Adrian Quesada–”Like a Bird (Sing Sing Original Soundtrack)” from: “Like a Bird (Sing Sing Original Soundtrack)” – Single / A24 Music / August 23, 2024 [Nominated for an Oscar for Best Original Song, “Like a Bird” bursts with heart. The track is a collaboration between Grammy winning artist Adrian Quesada (Black Pumas) and Abraham Alexander, a multi-talented star on the rise who has recently opened for Leon Bridges, The Lumineers, and Mavis Staples. Honeyed vocals glide over a soulful instrumentation that’s packed with energy. Punctuated with heavenly backing vocals and a killer guitar outro, the track is exhilarating. “Like a Bird” shines in A24’s highly acclaimed Oscar-nominated film Sing Sing, which starred Colman Domingo. // Abraham Alexander’s debut album SEA/SONS was releaased April 14, 2023. and was in the Top 20 of WMM’s 120 Best Recordings of 2023. Born in Greece to parents of Nigerian descent, Alexander moved to Texas with his family at age 11 to escape the racial tensions they faced in his birthplace. Shortly after moving to the states, his birth mother was killed in a car accident with a drunk driver, leading Alexander to be adopted later in his teens. He found solace in sports as a soccer prodigy and later, following a torn ACL that ended his playing career, in music once a friend handed Alexander a guitar and he unexpectedly found songs pouring out of him. // The 11 tracks on SEA/SONS touch on themes of loss, redemption, longing, anguish and joy. And while his lyrics speak to pain, trauma and life-changing loss, he instills his music with a joyful passion and irrepressible spirit, ultimately giving way to songs that radiate undeniable hope.]
10:28 – Underwriting
They’re Theirs – “Midland Empire” from: “Midland Empire” – Single / Chase The Horseman / February 18, 2025 [As a live band They’re Theirs consists of Chase Horseman on vocals and guitars, Sky Cowdry on bass and Ian Dobyns on drums. // “Midland Empire” was produced by They’re Theirs, engineered by Ian Dobyns, mixed by Ian Dobyns Chase Horseman and Sky Cowdry. Mastered by Justin Perkins/Mystery Room Mastering. Recorded at Element Recording. // Chase The Horseman released the single “Silver Liner” on October 25, 2024. Drums and additional engineering by Ian Dobyns, Additional vocals by Heidi Gluck. Mastered by Anthony Puglisi. Written, produced, performed and mixed by Chase Horseman at Element Recording. // Chase Horseman has composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, The Roseline, Nan Turner and more. Chase The Horseman film composer, band leader, multi-instrumentalist, audio engineer, & producer. // On April 2, 2024 Chase released the 22 track Original Sound Track for Headcount, a feature film from the Burghart Brothers, produced by Continuance Pictures, Method Media, and Shout Factory. Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” // In February 2020 Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. Chase played Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals all performed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos. // On May 1, 2020. // Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowley on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of the Chase Horseman single were be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. // Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018. // More info at: http://www.chasethehorseman.bandcamp.com.]
Perfume Genius – “It’s A Mirror” from: Glory / Matador / March 28, 2025 [Glory was produced by Blake Mills and marks the 7th studio album in his immaculate body of work. It’s a Mirror,” is the first single and its companion music video is directed by Cody Critchloe. The two artists first collaborated on the music video for Perfume Genius’ groundbreaking “Queen,” and Critchloe has also directed videos for artists such as Robyn, Kyle Minoque, Yeah Yeah Yeah’s, Yves Tumor and more. // Perfume Genius, the stage name for Seattle-based solo artist Mike Hadreas who was born in Des Moines, Iowa, moving to the suburbs of Seattle, Washington at the age of 7. Hadreas studied painting in school and took piano lessons as a child. His mother was a special education teacher, and is now an assistant principal at a middle school. His parents divorced when he was a teenager. Growing up, Hadreas was the only openly gay student at his school, and he received death threats which were not addressed by the administration. He dropped out of high school during his senior year. Two years after dropping out, he was attacked by several young men in his neighborhood. He moved to Williamsburg, Brooklyn and worked as a doorman for a club in the East Village. In 2005, Hadreas returned home to Seattle and began recording music. In 2008, Hadreas set up a MySpace page under the name Perfume Genius, and thus began his music career. Hadreas’s music explores topics including sexuality, his personal struggle with Crohn’s disease, domestic abuse, and the dangers faced by gay men in contemporary society. In an interview with Jia Tolentino, Mike Hadreas described the album as influenced by his work with choreographer Kate Wallich on a 2019 dance piece titled “The Sun Still Burns Here”. Hadreas composed numerous songs for the performance, with two singles, “Eye in the Wall” and “Pop Song” resulting, though neither was included on Set My Heart on Fire Immediately. Of the experience, Hadreas explained that the themes of embodiment in his prior music were complicated as dance felt “rebellious against [his] body.” He explained that dancing “blew up this separation between [his] work and the world,” resulting in changes to his songwriting, with songs now telling stories grounded in real-life settings and about real people. He cited Townes Van Zandt, Enya, and Cocteau Twins as influences on the new album]
Til Willis & Erratic Cowboy – “Lost” from: “Lost” – Single / Til Willis / February 27, 2025 [3rd single from the upcoming album, Glass Cactus. Written by Til Willis Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. Steve Faceman on backup vocals. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]
[Til Willis plays Gaslight Gardens 317 North 2nd Street, Lawrence, KS on Sat., March 22 at 7:00pm.]
Angie Fights Crime – “Weight of The World” from: Savior of The World / Angie Fights Crime / March 1, 2025 [Angie Fights Crime is the brainchild of Brent Kinder, a musician, poet, songwriter of unlimited passion and a desire to create music and share it with the world. Angie Fights Crime often features collaborations with musicians from around the world. Savior of The World features Daniel Jordan on vocals, and Keith Howell on drums. Artwork by Tyson Schroeder, and J. Irvine. Mixing and mastering by Robert Rebeck. Brent Kinder is also in the band sMallWaves where he plays bass. With 48 albums, and 452 tracks, Angie Fights Crime is the musical project of one guy who couldn’t stop writing songs. Part I 1995-2015 (The Alphabet Series) Part II 2016 – ? (The Greyscale Series). More information at: https://alonetone.com/angiefightscrime.%5D
She Said – “Wish You Well” from: What! / She Said / May 10, 2025 [Jennie Ferguson on vocals & guitar, Scott Mize on guitar, Doug Hitchcock on drums, Matt Kesler, on bass. Matt Kesler & Scott Mize used to be in a band called Sylvan Grove. Jennie Ferguson & Scott Mize used to play in Shotgun Solution. This was after the time of Jennie’s all-girl psych/pop band PMS. Doug Hitchcock has played with Matt Kesler in the Midtown Jazz Quartet. Doug has played with Freedie Johston, and the band Near Death Experience. Matt Kesler also plays in the famous bands The Pedajets and The Doo Dads.]
[She Said will appear LIVE on WMM here on 90.1 FM KKFI on Wed., April 30, 2025. ]
[She Said play a Record Release Party at recordBar, 1520 Grand Boulevard, KCMO, Saturday, May 10, at 6:00 pm, doors at 5:30 pm.]
Kat King – “I Might Like It” from: I Might Like It – Single / Manor Records / February 28, 2025 [Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. Produced by Isaac Flynn of Hembree. Kat King released the EP Domestic Bliss on April 5, 2024. Domestic Bliss was in the Top 25 of WMM’s 129 Best Recordings of 2024. // On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. // Kat King’s career started as far back as 2nd grade in small town Kansas. As a solo singer-songwriter act, she produced one 13-song album and three EP’s. Now based in Kansas City, Kat King graduated into a 5-piece indie-pop rock group who are gearing up for the release of their second EP together. Their infectious energy has landed them on some of KC’s biggest stages.]
Yuno – “Blest” from: Blest / Sub Pop Records / May 16, 2025 [Debut album from Yuno. All songs on Blest were written & performed by Yuno, co-produced by Yuno and Frank Corr, who also contributed keyboards, drums, & guitar throughout the record, with additional production and instrumentation by Patrick Wimberly (“True,” “Massive”) at The CRC in Brooklyn, and Nick Sanborn at Betty’s in Durham, NC (“True”). Blest was mixed by Steve Vealey and mastered by Joe La Porta. // Yuno was born in New York to Jamaican parents from the U.K., and grew up in the coastal Southern city of Jacksonville, Florida. Raised on a sonic diet of reggae and hip-hop records — his father’s copy of 50 Cent’s Get Rich or Die Tryin’ was on regular rotation in the family car throughout the 2000s — Yuno’s musical tastes began to diverge after his grandfather gifted him a skateboard that he found in a garbage can. Eventually, and unexpectedly, Yuno’s new hobby would dovetail with a future career in music. // “The first time I ever got on a skateboard, I broke my foot,” he recalls. It was while he was on the mend that he fully immersed himself in video games like Dave Mirra Freestyle BMX and Tony Hawk’s Pro Skater, famous gateways for many young punks of the millennial generation. As he studied skate videos to build on his athletic technique, he also cultivated a sixth sense as a composer and overall curator of vibes. “I’m always visualizing things when I’m making music and that helps me complete the full picture,” says Yuno. “To this day I’m like, ‘What does it need to make it fit in a skate video?'” // Having taught himself the bass and guitar at home, his early material began as impressions of harder bands like HIM, Rancid, and AFI; later, he would embrace anti-folk heroes like the Moldy Peaches and Daniel Johnston. With the advent of the social media predecessor Myspace, Yuno began discovering more eclectic local Jacksonville acts, like indie-pop darlings Black Kids — who offered a more diverse look and eclectic sound for the Bold City, which had then been defined by white radio rockers like Limp Bizkit, Yellowcard, and Red Jumpsuit Apparatus. “Seeing Black Kids’ success showed me more of what I could do,” says Yuno. // In time, Yuno taught himself to produce on his laptop, and filled his childhood bedroom with instruments to cultivate a more full-bodied sound, in which he married crunching pop-punk riffs with glimmers of synth strings Yuno uploaded his ballads of teenage longing to Soundcloud, where they began to catch fire within the indie blogosphere — and by 2014, caught the attention of Shabazz Palaces emcee and Sub Pop A&R representative Ishmael Butler. At that time, Yuno had never performed a live show, and could count the number of concerts he’d been to on one hand. // “He DMed me for new music, but I didn’t have anything to bring him,” recalls Yuno. “A year or so later, he came back and asked, ”Do you mind if I share your music with Sub Pop?’ Apparently, they liked it, and I flew out to Seattle to meet everybody.” // That visit resulted in a record deal with Sub Pop and eventually, his 2018 debut EP, Moodie. The record’s evocative, yearning hooks and cinematic ambience made a suitable soundtrack for film and TV. His surfy pop track “Sunlight,” a summer sketch he revitalized from 2012, was featured in an episode of the Netflix series Atypical; and the gossamer melancholy of “Fall in Love” made for a haunting needle drop in comedian Ramy Youssef’s HBO special, Feelings. // By this time, Yuno had moved back to his birthplace of New York City and settled in Bushwick — just before the Covid-19 pandemic had threatened to stall his music career, along with the world. Sequestered at home once more, like the monastic days of his youth, Yuno began piecing together his foundation for Blest. “For the first time in my life, I was social, going to shows, and meeting new people,” says Yuno. “Then I had to kind of go back and revert to just being in my bedroom all day. It was strange, but I was used to it!” // As the pandemic eased, Yuno welcomed collaborators like Nick Sanborn of Sylvan Esso and Patrick Wimberly of Chairlift, the latter who lends his sparkle to the fuzz-rock saunter of Blest track, “Massive” — “The bane of staying young is gettin’ older,” sings Yuno, speaking to the all-too precious resource that is time. Co-producer Frank Corr, the NYC artist who performs as Morning Silk, introduced an array of vintage synthesizers to the musician. //Yuno’s superpower lies in the way he mines a multitude of genres for their pop potential and surfaces with a tapestry that feels novel and fresh. Take, for instance, “Blest,” the immediate, blissful, and bright title track, which is inspired by Rich Harrison-breakbeats and Neptunes-esque jangle. Or the breezy single, “True,” which he began writing at producer Sanborn’s Betty’s in Durham, NC, Yuno moderates a lover’s quarrel with slick, trap percussions. Amid the breakbeated dream-rock of “Gimme Ocean,” he introduces his guitar solo with a searing emo scream, run through an EarthQuaker Devices pedal. Don’t let his sanguine aura or his sherbet pink wardrobe fool you; he can shred as hard as he wants to when he wants to.
11:00 – Station ID
Krista Kopper, Seth Davis, Evan Verploegh, Benjamin Baker, Aaron Osborne from: EMAS @ MiniBar May 5. 2024 / EMAS / May 5. 2024 [Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in Kansas City through performances, a record label, and multidisciplinary collaborations.] [EMAS is presenting a concert series at MiniBar, 3810 Broadway Boulevard, KCMO that highlights local & touring improvising & experimental music artists. The series continues with additional concerts on May 4, July 6, Sept. 7, and Nov. 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. Info at http://www.emaskansascity.com]
11:04 – Interview with Seth Davis, Evan Verploegh, Shanté Clair and Benjamin Baker
Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in Kansas City through performances, a record label, and multidisciplinary collaborations. EMAS is presenting a new concert series at MiniBar, 3810 Broadway Boulevard, KCMO that will highlight local and touring improvising and experimental music artists. The series continues with additional concerts on May 4, July 6, September 7, and November 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More info at http://www.emaskansascity.com
Members of Extemporaneous Music & Arts Society join us. Seth Davis (founder), Evan Verploegh (co-founder), Shanté Clair, Benjamin Baker thanks for being with us on WMM.
Seth Andrew Davis is a performer, composer, improviser, technologist, scholar and educator from the Kansas City area. Davis graduated from the University of Missouri-Kansas City Conservatory of Music and Dance in Kansas City, Mo. in 2019 with a BM in Music Composition. Davis has studied with Jim Mobberley, Paul Rudy, Zhou Long, Chen Yi, Mara Gibson and Michael Miller. In 2023, Davis graduated with an MA in Music with an emphasis in Music Technology from the University of Central Missouri where he studied with Jeff Kaiser. // Davis is involved in the improvised music/free improvisation, experimental, and electronic music scenes in Kansas City. Davis’ music runs the gamut of compositions for orchestral and chamber ensembles, performances with free-jazz/free improvised music ensembles and large groups, solo performance, collaborations with dancers and video artists, and the design and collaboration of autonomous and interactive artificial life agents and 3D environments.
Seth Davis has performed and has had his music performed in the United States, the United Kingdom, Ireland, Malaysia, Mexico and Indonesia. Davis has had his work performed at various conferences and festivals including the New York City Electro-Acoustic Music Festival, KC Performing Media Festival, Kansas City Contemporary Music Festival, NASA Regional IV Conference, Electronic Music Midwest, Exchange of Midwest Collegiate Composers, the International Navy Saxophone Symposium, National Flute Association Convention, Making Moves Dance Festival, MoxSonic, Experiments in Electronic Sound at CalArts, Omaha NoiseFest, New Interfaces For Musical Expression (NIME), SPLICE Festival, & the International Computer Music Conference (ICMC).
Davis has had pieces performed by the Mnemosyne Quartet, Project C4, Dionysus, Second Nature Ensemble, Chi Him Chik, Sputter Box, Apply Triangle, loadbang, EMAS, No Treble Low String Trio, UCM New Technologies Ensemble, newEar Contemporary Chamber Ensemble, & the Symbiotique Nonet and has either performed, recorded and/or collaborated with Alexander Adams, Ishmael Ali, Ben Baker, Ben Baker Billington, T.J. Borden, Lucas Brode, Claire De Brunner, Bob Bucko Jr, Lisa Cameron, Kevin Cheli, Craig Chin, Dan Clucas, Brennan Connors, Brandon Cooper, Alex Cunningham, Tim Daisy, Alvaro Domene, Michael Eaton, Douglas R. Ewart, Sandy Ewen, Kelley Gant, Vinny Golia, Enrique Haneine, Lathan Hardy, Jakob Heinemann, Zachary Hickerson, Zoots Houston, Kyle Hutchins, Molly Jones, Max Johnson, Jeff Kaiser, Reid Karris, Krista Kopper, Max Kutner, Tom Law, Scott R. Looney, Thollem McDonas, Adam Minkoff, Federico Musso, Spencer Perkins, Kyle Quass, Alberto Racanati, Aoki Satoru, Adam Shead, Patrick Shiroishi, Damon Smith, Mike Stover, Scott Dean Taylor, Evan Verploegh, Eli Wallace, Weasel Walter, Alex Williams, Drew Williams, David James Witter, & Will Yager. Davis has performed with groups such as newEar Contemporary Chamber Ensemble, Mnemosyne Quartet, Project C4, & the UMKC IMP Ensemble. Davis’s music has been featured and released on labels such as EMAS Records, Lurker Bias, Neuma Records, Mother Brain Records, Personal Archives, Ramble Records, and Relay Recordings.
Davis’ composition & performance style has been described as “brutalist maximalism” , a “workmanlike Renaissance Soundman” (KC Studio Magazine). Davis’ playing has been described as “moving from bubbling liquid mercury and emotive string speculation to surgical-edged metallics and everything in between” (Brad Rose, Foxy Digitalis) and has been called a “master of pedals/effects” (Bruce Lee Gallanter, Downtown Music Gallery). Davis’ music has been described as “confrontational” (Bill Brownlee, There Stands The Glass), “engaging…thoughtfully composed” (Aaron Grant, DiaKCritcal), “fascinating and foreboding, eerie music that challenges and rewards with repeated listens’ ‘ (Bryan Voell, Listen Local) & “futuristic bubbling soundscapes that teem with sonic life” (Brad Rose, Foxy Digitalis). Davis was featured as an “Artist to Watch” by KC Studio in 2023 and along with Evan Verploegh as 2022’s “Plastic Sax” blog’s “People Of The Year.”
As an artist, Davis works closely with performers and collaborators to create pieces, installations, and works that are unique to that partnership. Davis is an avid collaborator, having worked with choreographers, video artists, animators, playwrights etc. Davis’s artistic influences run the gamut from popular music, free-jazz, hip-hop, electronic music, film, literature, visual art, contemporary culture and from this Davis wishes to blur the lines between genres, composer and performer, and various artistic mediums. Davis is also a co-founder of Second Nature, a free jazz/new music/math-rock ensemble, was the guitarist in the new music ensemble Project C4 (2018-2020), and is a founding member of EMAS: Extemporaneous Music & Arts Society. Davis is also an active concert organizer in the Kansas City music scene as the Vice President of KcEMA (KC Electronic Music Alliance) and as Production Coordinator of newEar Contemporary Chamber Ensemble. In 2020, Davis co-founded Mother Brain Records with saxophonist & composer Michael Eaton. Mother Brain Records is a Midwest based label focused on releasing the works of artists in the experimental & improvised music scenes. From 2019-2022, Davis was an artist resident with Charlotte Street Foundation. In 2021, Davis co-founded EMAS with Evan Verploegh. EMAS is an improvised music & arts collective based in Kansas City that is dedicated to advancing creative work in Kansas City. Davis currently is an adjunct instructor at the University of Central Missouri teaching Applied Music Technology and the KC Art Institute teaching music technology courses.
Evan Verploegh (he/him) is a drummer based in Kansas City, Missouri, after relocating from Wisconsin in late 2019. He serves as co-founder of the Extemporaneous Music and Arts Society. EMAS is a collective group dedicated to advancing improvised and experimental artistic work in Kansas City. In 2022, he was awarded a studio residency at Charlotte Street Foundation. Committed to improvisation as an artform, Evan draws from influences of free jazz, contemporary classical, and experimental rock. Evan also serves as an active organizer of live music and arts events.
Benjamin Baker is a composer and performer currently based out of Kansas City. Benjamin’s music comes from a place at the intersection of spontaneous improvisation and traditional storytelling structure with works written for a variety of concert ensembles and popular music groups, drawing influence from a multitude of traditions, genres, and styles. As a performer, Benjamin appears on multiple freelance recording works including projects with the Extemporaneous Music and Arts Society of Kansas City, the band Friendly Thieves, and he is the co-founder of the recording and performance collective II-WANDS. Notable awards Benjamin has recently received include the 2022 ASCAP Morton Gould Young Composer Award for his piece PRIMORDIAL (2019) for alto saxophone and live electronics, as well as attending the Visby International Centre for Composers in 2024 as a composer-in-residence. Benjamin received his B.M. in Composition from Ohio University in 2020 and his M.M. in Composition from the University of Missouri-Kansas City in 2023. More info at: http://www.benjamintbaker.com
Shanté Clair (she/her) is a singer/songwriter and experimental musician who builds prismatic soundscapes through looping and layering effects.
Originally from Chicago and now based in KC, Shanté started her music career on acoustic guitar. After a long stint with experimental band Shiny Jets, she’s now a core member of the Extemporaneous Music & Arts Society (EMAS).
Since playing with EMAS, she has expanded to playing glockenspiel, semi-modular synthesizers, peacock harp (Taishōgoto), and a variety of unconventional objects. Influenced by Stevie Wonder to Captain Beefheart, Shanté works in sonic contrasts, oscillating between shimmering atmospheric tones and stark, punctuated distortion. By day, Shanté works as a visual designer and enjoys making mixed media art including painting and digital collage.
EMAS is presenting a new concert series at MiniBar, 3810 Broadway Boulevard, KCMO that will highlight local and touring improvising and experimental music artists. The series continues with additional concerts on May 4, July 6, September 7, and November 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More info at http://www.emaskansascity.com
11:13
Krista Kopper, Evan Verploegh, Aaron Osborne, Seth Davis – “2” rom: EMAS @ Farewell Nov. 11, 2024 / EMAS / Nov. 11, 2024 [Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in KC through performances, a record label, and multidisciplinary collaborations.] [EMAS is presenting a concert series at MiniBar, 3810 Broadway Boulevard, KCMO that highlights local & touring improvising & experimental music artists. The series continues with additional concerts on May 4, July 6, Sept. 7, and Nov. 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More at http://www.emaskansascity.com]
11:16 – More Interview with Seth Davis, Evan Verploegh, Shanté Clair and Benjamin Baker
Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in Kansas City through performances, a record label, and multidisciplinary collaborations. EMAS is presenting a new concert series at MiniBar, 3810 Broadway Boulevard, KCMO that will highlight local and touring improvising and experimental music artists. The series continues with additional concerts on May 4, July 6, September 7, and November 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More info at http://www.emaskansascity.com
Members of Extemporaneous Music & Arts Society join us. Seth Davis (founder), Evan Verploegh (co-founder), Shanté Clair, Benjamin Baker thanks for being with us on WMM.
Krista Kopper is a fanatic of modern and contemporary music. She has traveled the country playing musicals as well as commissioning, performing, and recording works for the double bass written by some of the most influential modern composers. An avid improviser, she enjoys exploring the infinite variety of sounds that a double bass can produce. To that end, she is an active member of the Extemporaneous Music and Arts Society, an improvised arts collective in Kansas City.
She has a masters degree in double bass performance from The Hartt School where she studied with Robert Black. Some of her career highlights include performing Gubaidulina’s “Concerto for Bassoon and Low Strings” with Ensemble Mise-En at the New York University Library, performing Ustvolskaya’s Composition No. 2 “Dies Irae” with Robert Black and friends at the Jewish Museum in NYC, doing a run of “A Chorus Line” and “Spamalot” at the Palace Theatre in Manchester, NH, teaching at a music summer camp in Cazadero, CA, doing a run of “9 to 5” at Creede Repertory Theatre in Creede, CO, and performing with newEar Contemporary Music Ensemble in KCMO.
Krista was also the creator and host of The Backstage Creative, a podcast that focused on the people who work behind the scenes of theater. Two years ago she started a concert series called The Only Series which highlights 20th century composers. She recently released a solo improvised album called “Blessed Are Those Who Mourn” which is based off of women who have been murdered while running. She is currently working on a book about Robert Black while she freelances in the KCarea. In her spare time she also trains for ultramarathons.
Aaron Osborne is a multi-instrumentalist from KC. He uses electric upright bass; bowed gongs; electronics & auxiliary percussion to create multi-layered, improvised compositions.
Brooke Knoll is a harpist, radio professional, and digital marketer based in Kansas City, Missouri and currently residing in Dublin, Ireland. Brooke is a graduate of the University of Minnesota – Twin Cities, receiving a B.S.B. with majors in Entrepreneurship, Public Non-Profit Management, and Harp. She is currently pursuing an M.A. in Cultural Policy and Arts Management from University College Dublin in Dublin, Ireland. She has studied harp with Kathy Kienzle, Phala Tracy, and Nikki Lemire.
A student of classical harp as well as the Suzuki method, Brooke has experience performing in orchestral and solo settings. A lifelong learner, she seeks to find ways in which the harp can break convention and elicit new emotions from listeners while also employing traditional sonorities. She has previously played with the Roseville String Ensemble and Topeka Symphony. She currently performs as part of the Extemporaneous Music and Arts Society as an improviser and collaborator of contemporary music and teaches lessons to students of all ages.
Brooke got her start in public radio at the University of Minnesota’s radio station, Radio K, where she hosted “Rock Me, Amadeus,” a show dedicated to making classical music accessible and approachable. From there, she joined YourClassical MPR as a digital producer and board operator before finding her way to Kansas City as digital audience specialist and on-air host at 91.9 Classical KC, where she worked until 2024.
As an arts administrator, Brooke has previously worked with the Minnesota Fringe Festival, Saint Paul Chamber Orchestra, Cuban American Youth Orchestra, and Minnesota Orchestra.
Seth Davis (founder), Evan Verploegh (co-founder), Shanté Clair, Benjamin Baker thanks for being with us on WMM.
EMAS is presenting a new concert series at MiniBar, 3810 Broadway Boulevard, KCMO that will highlight local and touring improvising and experimental music artists. The series continues with additional concerts on May 4, July 6, September 7, and November 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More info at http://www.emaskansascity.com
11:25
Shanté Clair, Aaron Osborne – “3” from: EMAS @ Fifth Floor December 21, 2024 / EMAS / December 21, 2024 [Extemporaneous Music and Arts Society was founded in 2021 and is a free improvisation / contemporary music and arts collective & ensemble based in Kansas City. The mission of the group is to help grow and facilitate an improvised/experimental arts scene in KC through performances, a record label, and multidisciplinary collaborations.]
[EMAS is presenting a concert series at MiniBar, 3810 Broadway Boulevard, KCMO that highlights local & touring improvising & experimental music artists. The series continues with additional concerts on May 4, July 6, Sept. 7, and Nov. 2. This series serves as an opportunity to support artists who have committed to underground art and bold exploration in their craft. More at http://www.emaskansascity.com]
11:28 – Underwriting
SEYKO – “Anybody High” from: “Anybody High” – Single / Groove King Records – Fat Beats / December 1, 2023 [Produced by Colby Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair. // Seyko released the single “What I Want” on June 23, 2023. //From http://www.seykomusic.com: Seyko has always found music to be a reflection of her innermost thoughts and feelings, a way of self-expression but even deeper than that. Music was always a life-giving, constant companion from the happiest moments to the darkest days. Music continues to be Seyko’s way of communicating with the world around her. // Seyko developed her musical talent during her formative years through church and school choirs, friendships that evolved into singing groups, and professional training through voice lessons and songwriting. Opportunities presented themselves, but Seyko also created opportunities for herself as she chased her dream to create and perform her own music. // The Freedom Affair and SUNU, two Kansas City bands Seyko performs and writes with, have solidified her place in the music scene and provide a solid foundation for beginning her solo career. Seyko’s singing and songwriting career has spanned twenty years, and it shows! Her creative growth has led to her being a well-respected artist in Kansas City, allowing her to participate in recording projects for fellow musicians and even singing background vocals for Michael Bublé at a live concert in 2022.]
11:34 – Interview with SEYKO
KC vocalist SEYKO developed her powerful vocal talent during her formative years through church and school choir. Seyko’s singing and songwriting career has spanned twenty years. Seyko performs and writes music for the bands The Freedom Affair and SUNU, two bands that have solidified her place in the music community. Her creative growth has led to her solo recordings collaborating with members of the bands Black Light Animals and The Freedom Affair. Seyko also participates in recording projects for fellow musicians and singing background vocals for The Band That Fell To Earth and with Michael Bublé at a live concert in 2022. The Freedom Affair have a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025.
Seyko plays the Black Light Animals, LAST CALL FOR LOVE SONGS – Album Release Show on March 29 at The Ship
SUNU play The Ship, 1228 Union Ave, KCMO on Saturday, April 6 at 6:00pm.
The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.
Seyko, Thanks for being with us on Wednesday MidDay Medley
“Anybody High” was released though Groove King Records – Fat Beats, on Dec. 1, 2023 and was Produced by Colby Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair. // Seyko released the single “What I Want” on June 23, 2023. // From http://www.seykomusic.com: Seyko has always found music to be a reflection of her innermost thoughts and feelings, a way of self-expression but even deeper than that. Music was always a life-giving, constant companion from the happiest moments to the darkest days. Music continues to be Seyko’s way of communicating with the world around her. // Seyko developed her musical talent during her formative years through church and school choirs, friendships that evolved into singing groups, and professional training through voice lessons and songwriting. Opportunities presented themselves, but Seyko also created opportunities for herself as she chased her dream to create and perform her own music.
The Freedom Affair has a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025.
Shon Ruffin – Vocals Paula Saunders – Vocals Seyko Groves – Vocals Cole Bales – Guitar Branden Moser – Bass, Acoustic Guitar (Track 4) Chris Hazelton – Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals Dave Brick – Drums Pete Carroll – Trumpet and Flugelhorn Brett Jackson – Tenor Sax, Baritone Sax, Tambourine
Recorded at Royal Studios in Memphis, TN Recording Engineer: Boo Mitchell Tape Operator: Wesley Graham Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair Mixed by: Vince Chiarito Mastered by: JJ Golden at Golden Mastering Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales Design and Layout: Tracy Lenihan
From The Freedom Affair Bandcamp page:
The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness.
A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio.
The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse.
Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.
11:41
The Freedom Affair – “Get My Share” from: The Freedom Affair / Sunflower Soul Records / May 9, 2025 [Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar=, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]
[The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.]
11:45 – More Interview with Seyko
We are talking with KC vocalist SEYKO who developed her powerful vocal talent during her formative years through church and school choir. Seyko’s singing and songwriting career has spanned twenty years. Seyko performs and writes music for the bands The Freedom Affair and SUNU, two bands that have solidified her place in the music community. Her creative growth has led to her solo recordings collaborating with members of the bands Black Light Animals and The Freedom Affair. Seyko also participates in recording projects for fellow musicians and singing background vocals for The Band That Fell To Earth and with Michael Bublé at a live concert in 2022. The Freedom Affair have a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025.
Seyko plays the Black Light Animals, LAST CALL FOR LOVE SONGS – Album Release Show on March 29 at The Ship
SUNU play The Ship, 1228 Union Ave, KCMO on Saturday, April 6 at 6:00pm.
The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.
Seyko, Thanks for being with us on Wednesday MidDay Medley
Seyko also participates in recording projects for fellow musicians and singing background vocals for The Band That Fell To Earth and with Michael Bublé at a live concert in 2022
SEYKO who developed her powerful vocal talent during her formative years through church and school choir. Seyko’s singing and songwriting career has spanned twenty years. Seyko performs and writes music for the bands The Freedom Affair and SUNU, two bands that have solidified her place in the music community.
SUNU was formed in 2007 in Lawrence, Kansas this 8 member ensemble mixes Afrobeat, Jazz, Funk, New Orleans street beats and West African dance drumming to create a tasty brew of shake-your-booty music. With a trio of powerhouse horns, three percussionists and a driving rhythm section they create a potent stew of pure soul that has led them to share the stage with legendary groups like George Clinton and Parliament Funkadelic, The Dirty Dozen Brass Band, and both Femi and Seun Kuti.
PERSONEL: Rev. Aaron Morris – Trumpet, Vocals Dan Pem – Tenor Saxophone Chris Leopold – Trombone Michael Hamm – Guitar Chris Shaw – Bass Dylan Bassett – Percussion Taylor Babb – Percussion Alex Thiessen – Percussion
SUNU’s 2015 single “Food, Inc.” b/w “Liberation” was Recorded, mixed, & produced by Chris Hazelton and Mastered by Adam Boose at Cauliflower Audio
For WMM, and Seyko, I’m Mark Manning. Thanks for listening!
11:53
SEYKO – “What I Want” from: “What I Want” – Single / Groove King Records – Fat Beats / June 23, 2023 [Produced by Colby Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair. // From http://www.seykomusic.com: Seyko has always found music to be a reflection of her innermost thoughts and feelings, a way of self-expression but even deeper than that. Music was always a life-giving, constant companion from the happiest moments to the darkest days. Music continues to be Seyko’s way of communicating with the world around her. // Seyko developed her musical talent during her formative years through church and school choirs, friendships that evolved into singing groups, and professional training through voice lessons and songwriting. Opportunities presented themselves, but Seyko also created opportunities for herself as she chased her dream to create and perform her own music. // The Freedom Affair and Sunu, two Kansas City bands Seyko performs and writes with, have solidified her place in the music scene and provide a solid foundation for beginning her solo career. Seyko’s singing and songwriting career has spanned twenty years, and it shows! Her creative growth has led to her being a well-respected artist in Kansas City, allowing her to participate in recording projects for fellow musicians and even singing background vocals for Michael Bublé at a live concert in 2022.]
[Seyko plays the Black Light Animals, LAST CALL FOR LOVE SONGS – Album Release Show on March 29 at The Ship]
[The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.]
[SUNU play The Ship, 1228 Union Ave, KCMO on Saturday, April 6 at 6:00pm.]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
NEXT WEEK, on March 19 – Zach Phillips returns with new music from The Lone Stranger. Also we’ll chat with Cole Bales and Cody Calhoun of Black Light Animals about their new album, LAST CALL FOR LOVE SONGS and their Album Release Show March 29 at The Ship. And Noah Cassity and members of Big Fat Cow will be with us.
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, March 5, 2025
WMM presents: RADIO-TRANS-MISSION
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
Electric Orchids – “Transmission (2021)” from: Plastic Heart (2021 Remix) / Electric Orchids/ May 13, 2021 [Electric Orchids originally released their first full-length L.P. album, Plastic Heart on May 13, 2016. All Songs 2016 by Electric Orchids, All Rights Reserved. Produced by Electric Orchids. Recorded, mixed and engineered by Matt Mitchell at Mitcholm Castle. Co Produced by John Granger. Additional sounds courtesy of Sven’s Space Place used with permission. http://www.svengrahn.pp.se // Mastered at Landr.com // Cover art by Val Engholm. // The band remixed Plastic Heart for a special release on May 13, 2021. //Electric Orchids is an Indie-Pop band from Kansas City, Mo. // Electric Orchids are: Marc Thomas on drums, Chris Hutchings on bass, Val Engholm on vocals & keyboards. and Matt Mitchell on Guitar.]
Hot Chip – “Transmission” from: War Child Presents Heroes / Astralwerks / February 16, 2009 [War Child Presents Heroes is a 2009 charity album devoted to the War Child charity’s aid efforts in war-stricken areas, such as Iraq, Uganda, Afghanistan and the Democratic Republic of Congo. With a theme of “placing faith in the next generation,” the concept of the album is to have music legends select a track from their own canon and nominate an artist from the next generation to create a modern reworking of that song. // The album was recorded over six months in London, Manchester, Paris, Berlin, New York, and Los Angeles, and mastered at Abbey Road Studios in North London. Previous War Child charity albums include The Help Album (1995), 1 Love (2002), Hope (2003) and Help: A Day in the Life (2005). // Hot Chip is an English synthpop band formed in London in 2000. The group consists of multi-instrumentalists Alexis Taylor, Joe Goddard, Al Doyle, Owen Clarke, and Felix Martin. They are occasionally joined by former member Rob Smoughton for live performances and studio recordings. The group primarily produces music in the synth-pop and alternative dance genres, drawing influences from house and disco. // Hot Chip began as a bedroom recording project for Taylor and Goddard, who met while students at Elliott School, Putney; their earliest lineup included Smoughton as their drummer. After completing two EPs, Mexico (2001) and San Frandisco (2002), the group released their debut album, Coming on Strong (2004) and added Doyle, Clarke, and Martin to their lineup. The band’s second album, The Warning (2006), was nominated for the Mercury Prize. Their follow-up, Made in the Dark (2008), included the single “Ready for the Floor”, which was nominated for the Grammy Award for Best Dance Recording. The band have subsequently released the albums One Life Stand (2010), In Our Heads (2012), Why Make Sense? (2015), A Bath Full of Ecstasy (2019), and Freakout/Release (2022). // Outside of Hot Chip, the band members, individually and in partnership with each other, are active in other musical acts and occasionally perform DJ sets. // “Transmission” is a song by English post-punk band Joy Division. Originally recorded in 1978 for the band’s aborted self-titled album, it was later re-recorded the following year at a faster tempo and released by record label Factory as the band’s debut single. // “Transmission” was released on 7″ vinyl on November 16, 1979 by record label Factory. It was re-released as a 12″ single with a different sleeve on 20 February 1981. The single charted twice in New Zealand, debuting at number 2 in September 1981 and re-appearing again at number 24 in July 1984. // The song was performed once by the band on television, for the BBC Something Else programme. Twenty seconds of the song is shown in the movie Control (2007), directed by Anton Corbijn, a film based on the biography of Ian’s wife, Deborah Curtis’s Touching from a Distance. // Greil Marcus has a chapter on this song in his book The History of Rock ‘n’ Roll in Ten Songs. According to Marcus, “‘Transmission’ is not an argument. It’s a dramatization of the realization that the act of listening to the radio is a suicidal gesture. It will kill your mind. It will rob your soul.” Marcus also quotes the band’s bassist Peter Hook about the importance of this song: “We were doing a soundcheck at the Mayflower, in May, and we played ‘Transmission’: people had been moving around, and they all stopped to listen. I realized that was our first great song.” // In May 2007, NME magazine placed “Transmission” at number 20 in its list of the 50 “Greatest Indie Anthems Ever”, one place below “Love Will Tear Us Apart”. In 2016, Pitchfork placed “Transmission” at number 10 in its list of “The 200 Best Songs of the 1970s”.]
Transgender Flag
10:06 – Intro / Pledge Break #1
Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Today we present RADIO-TRANS-MISSION a special show in honor of the fierce courage of our Trans, Non-Binary, & Queer artist friends we’ve regularly featured on this show. We’ll spin music from: Ivory Blue, Cassie Taylor, Cuee, MellowPhobia, Chase Horseman, The Creepy Jingles, June Henry, The Black Creatures, Eve Sheldon, Collidescope, Babydoll, Ingrid Ingram, Shamir, Flamy Grant, Laura Jane Grace, Moses Sumney, Lyra Pramuk, Sam Smith, John Cameron Mitchell, and we started the show with Electric Orchids and Hot Chip.
PLUS, we’ll play more tracks from the non-profit Red Hot Organization‘s new release: TRAИƧA, (that we’ve been featuring this season). TRAИƧA is a spiritual journey across 8 chapters and 46 songs w/ over 100 artists contributing & collaborating with this incredible collection. This 6-LP Box Set spotlights many of the most daring, imaginative trans & non-binary artists working in music today. Many of the artists in this collective we have been featuring on WMM since our inception as a radio show. More info at: https://redhot.org/
We’re living in an age when an entire Political Party, a President, his entire cabinet, the U.S. Congress & Senate, The Supreme Court, Kansas & Missouri State governments are eliminating equality, civil rights, jobs, healthcare, & legal protections for our Transgender, Non-Binary & Queer friends. The recent Presidential election brought out cruel campaigns on every level, that blanketed our media with venomous bigotry, manufactured misinformation and lies, while commercial television & radio profited from the hate.
90.1 FM is non-commercial. We are Community Radio. We are different! It is our mission to give evidence of the humanity that is put at risk by these irresponsible campaigns of hate. Throughout WMM’s 20 year history we’ve been the first to present recordings, live performances and interviews with Ivory Blue, Mitzi McKee, Jocelyn Olivia Nixon, Tillie Hall, Chase Horseman, Cuee, Ingrid Ingram, The Black Creatures, Collidescope, Flamy Grant, Remy Styrk, Calvin Arsenia, Stephonne, Al Hawkins, Kat King and many others.
We bring you this special show as part of our KKFI Winter Fund Drive. And this is where YOU can be involved! We’ll take a few short breaks each hour, to encourage YOU to call us at 888-931-0901 or http://www.kkfi.org to make a donation in support 90.1 FM KKFI. Joining me in the studio, we have some very special co-hosts:
Betse Ellis. Originally from Fayetteville, Arkansas, Betse received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. For over 40 years she has been playing the violin and fiddle professionally and also working as a teacher of music. Betse was a founding member of the acclaimed internationally known band, The Wilders. Betse has released two acclaimed solo records, and records & performs with the band Little Miss Dynamite, and The Starhaven Rounders and with her husband, multi-instrumentalist Clarke Wyatt, as the internationally known, Betse & Clarke.
Betse Ellis, Thanks for being with us on Wednesday MidDay Medley
Also with us is Rachel Christia a Kansas City born tech-girl, afro-futurist, vocalist, actress and landlocked mermaid. She has performed with notable MidCoast bands such as Hearts of Darkness; an eclectic collective influenced by 70s afrobeat, and the Denver based powerhouse Pink Hawks; pulling funky polyrhythms from West Africa and South America. More recently, she enjoys collaborating with her favorite Kansas Music legends or concocting fully improvised audience led musicals with The Maestro’s – Kansas City. She is perfectly aligned as a Kansas City Folk Fest Board member as her primary directive is to build community by lovingly blurring the lines between art and activism.
Rachel Christia, Thanks for being with us on Wednesday MidDay Medley
Also with us is Mikal Shapiro the creator and co-host and producer of Siren Song, Saturdays at 11:00 AM on 90.1 FM KKFI Kansas City Community Radio. Mikal is also the co-founder of River Trade Radio on 90.1 FM. Mikal Shapiro is the coordinator of the annual Kansas City Folk Fest. They are also founder of State City Films creating documentary and experimental filmmaking practices. A third generation storyteller, they draw inspiration from their travels, love life, and the state of the Union. Mikal studied Film History, Film, & Writing at Sarah Lawrence College in Bronxville, New York. They received their MFA in Film/Video/New Media/Animation from The School of the Art Institute of Chicago in 2012. Artist, filmmaker, puppeteer, ring-leader, Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. They have toured extensively across the United States and have recorded 5 critically acclaimed albums. Mikal records and performs with their band The Musical. They also perform with Shapiro Brothers, and Monta At Odds.
Mikal Shapiro’s The Musical plays a Dinner Matinee on Friday. March 7 , at 7:00 to 9:00 PM, at The Ship, 1221 Union Avenue, KCMO.
Mikal Shapiro, Thanks for being with us on Wednesday MidDay Medley
90.1 FM KKFI Kansas City Community Radio is Non-Commercial, and that means that three times a year, we interrupt our regular programming, to ask our listeners, to help us continue our unique, 24-7 programming. For 37 years 90.1 FM KKFI has been on the air. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We are a non-profit, with a dedicated paid staff of four incredible individuals, and hundreds of volunteers, who donate thousands of hours every year, producing radio shows, training new hosts & producers, developing new radio shows, serving our vast community landscape with music and news, information and stories that reflect the many communities we serve.
90.1 FM KKFI is “Radio Powered By Diversity” For 37 Years our Kansas City Area Community Speaks Through our Airwaves and this Program.
In 2024 on WMM we conducted over 119 interviews with 152 special guests: Michelle Bacon, Adee Dancy, Lonnie Fisher, Tara Fisher, Katie Gilchrist, Erin Keller, Mitzi McKee, Katie Gilchrist, Rod Parks, Jennifer Roe, Janice Woolery, David Luther, Kelly Dougherty, Buck Moon, James Carter, Julia Othmer, James T. Lundie, Flamy Grant, Malek Azrael, Alisön Hawkins, Fritz Hutchison, Betse Ellis, Trecen Peeler, Carlos Nunez, Joelle St. Pierre, Kat King, Elaine McMilian, DJ Thundercutz, Jasmine Majors, Nico Gray, Sarah Bradshaw, Michael Byars, Chris Haghirian, Manuel Abarca, Kim Stanton, Kris Bruders, Paul Wenske, Nancy Meis, Chris Wenske, Isaac S. Cates, Claire Adams, ALBER, Rick Truman, Sondra Freeman, Mara Williams, JM Banks, Jen Owen, Brad Cox, D. Rashaan Gilmore, Anson The Ornery, Shaun Crowley, Chris Kinsley, Sid Sowder, Josh Thomas, Justin Brooks, James Capps, Chris Smead, Jeremiah James Gonzales, Scott Hrabko, Beth Watts Nelson, Jocelyn Olivia Nixon, Lauren Krum, Mike Stover, Brenton Cook, Mikal Shapiro, Stephonne, Chad Brothers, Calvin Arsenia, Ivory Blue, Klaartje Van Lue, Kasey Rausch, Maria Vasquez Boyd, Necia Gamby, Clarke Wyatt, Danny Santell, Miki P., Rachel Lovelace, Peregrine Honig, Izzy Vivas, Krystle Warren, Ashlee Fairchild Jones, Jean Fabien Dijoud, Dan Parsons, Aaron Rhodes, Ethan Payton, Nicolette Paige, Zee Underscore, Charlie Colborne, Bill Belzer, Tommy Capps, Dirk Liebert, Graham Stone, Audrey Crabtree, MusicbySkippy, Lone Stranger, Adam Phillips, Danielle Ate the Sandwich, Scott McCaughey, Kristina King, Lincoln Dreher, Tom Mardikes, Glenn Robinson, Ayron Alexander, Noah Cassidy, Kole Waters, Cameron Thomas, Scott Easterday, Kyle Dahlquist, Bill Sundahl, Bryan Redmond, Ryan Wurtz, Nick Carswell, Fally Afani, Lava Dreams, Hillary Watts, Chuck Whittington, Just Angel, T.A. Rell, Duff Thompson, Josh Mobley, David George, Tucker Slough, Nathan Reusch, Mark Ronning, Lori Raye Erickson, Jessica Dressler, Jen Frank Klenke, Adria Patterson, Alex Kimball Williams, Michael McQuary, Paris Williams, Jesse Kates, Christina Graves, Brandon Graves, Sandra Draper, Beth Barden, Rachel Christia, Miguel Carabello, Daniel Cole, Paul Seiz, Scott Heidemann, Ken Petti, Sondra Freeman, Destiny Atkinson, Kate Hall, Damron Russell Armstrong, Brock Wilbur, Nick Spacek, Bill Brownlee, Rachel Ytyurralde
10:15
Ivory Blue – “Rhythm of the Radio” from: “Rhythm of the Radio” – Single / IVORY BLUE / January 31, 2025 [Written and dedicated to RADIO STATIONS, DJs all over the world. What IVORY says about this song: “I really wanted a song to express how scared I was for the future. But I also wanted a positive message to lift myself up. I realized in the process of writing it that this song was getting me through my emotions and I felt that all music really does just that. It helps us in our darkest times. This song is officially dedicated to all the radio stations that continually change people’s lives through the power of music and to the artists that continue to write out their deepest personal experiences through their own ideas. Let’s make the future a unifying happy place for all!” // IVORY BLUE released the single “Exiled” on November 29, 2024. IVORY BLUE released the single “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their second full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and other radio stations around the world. For STARLIT LOVE CHILD, IVORY BLUE served as songwriter, producer, & vocalist. // On October 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from September 22, 2023, ”The Best of Life” from August 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on February 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. Nick Poortman served in mixing, with Kurt Festge who also served in mixing & Mastering. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017. In 2017 Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to earth, Boulevardia, Crossroads Music Festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. More info at: http://www.ivorybluemusic.com]
Cassie Taylor – “DEADNAME (Find You) (feat. Cuee & Dante Foley)” from: DEADNAME (Find You) (feat. Cuee & Dante Foley) – Single / Former Child / 6-6-2024 [“Taylor’s new song “DEADNAME (Find You)” tells the story of a trans man coming into his own and finding love. // The story was inspired by people in Taylor’s life that transitioned during the pandemic as well as the artist coming to terms with her own queer identity. // The single works as an anthem of acceptance and a musical form of resistance. \ Cassie Taylor told Luis Xavier De Pena of Watermark online, “For people to have the ability to show up as themselves, I think it’s going to make the fight more sustainable,” Taylor says. “I think to be queer and to lean into joy is a protest.” // It took over two years from concept to execution between issues with label managers not wanting to release a song about trans issues to finding an authentic voice on the record. Releasing the song was no easy feat but the hard work paid off. // Taylor says the single has received overwhelmingly positive support since it release. For Taylor, it’s important to normalize the discussions around transitioning and gender-affirming practices as almost everyone is prone to do the latter. // “I don’t think that there’s a single celebrity, model, human being on Earth that isn’t participating in something to affirm their gender. I think that the thing that catches people up, especially in the conversation about trans rights and inclusivity, is that we’re all doing that,” Taylor says. // Taylor has recently been back in the studio recording new music that speaks on LGBTQ+ topics. The artist says fans can expect new music to drop sometime this summer. // Cassie Taylor was born in 1986 in Boulder, Colorado. They are an American singer-songwriter and blues musician. She started her career in the early 2000s touring as a bassist for her father Otis Taylor, a trance blues musician. Taylor released a positively received solo album, Out of my Mind, in 2013, which infused traditional Delta blues with genres as diverse as electronica, indie rock, and psychedelia. Based in Kansas City, Missouri as of 2013, they are also a model and fashion designer. // Cassie Taylor was raised by her parents Carol Ellen Bjork and blues musician Otis Taylor. They have one younger sister. Despite being born during a period when her father was on hiatus from the music industry, he did expose her to blues music and teach her piano when she was young. She only became aware of his previous career around age 8 or 9. At around age 12, Taylor began playing electric bass, impressing her father with a rendition of “Hey Joe.” // When Taylor was 16, their father asked them to tour as the bassist in his band. Since his usual bassist Kenny Passarelli had a conflicting schedule, she joined his summer tour, playing for twenty dollars per gig. According to Taylor, her father didn’t build her up as a prodigy, but rather “I think I was just cheap child labor. Plus, he knew I wasn’t going to get drunk on the road or go missing. Some people have the fear of God in them. I had the fear of Otis.” // Cassie toured multiple countries with the band, picking up vocals and keyboards as well and went on to appear in eight of his albums, SSWD including lending bass and vocals to his 2007 album Definition of a Circle. Taylor was also on the board of directors for the Blues Foundation. // By 2009, Taylor quit the band to work on her own demo recordings. Frustrated with the process, she moved to Memphis with her then-boyfriend and stepped back from music. They began working in retail, started studying fashion design, and began a modeling career. She later started her own company, Moorhead Apparel, with a focus on men’s clothing. Taylor has made appearances in a number of studio and student films. They now also work as a photographer and videographer. // In June 2023, Taylor met drag queen Trixie Mattel backstage during a performance of Mattel’s in Kansas City. After Taylor posted photos with Mattel in a Playboy jacket on Instagram, they were scouted by Playboy and became a Playboy Bunny for Playboy’s online platform, Centerfold. // Taylor rededicated herself to music in 2010, beginning to work on her debut solo album, Blue, where she wrote all the tracks. Released in 2011, The New Yorker called it a “solid collection of original songs, with occasional nods to her father’s trance blues.” // During this time she formed the trio Girls With Guitars with musicians Dani Wilde and Samantha Fish. They released an eponymous album in 2011, afterwards beginning to tour. While she mostly writes her own material, Taylor has also reworked songs by artists as diverse as Nine Inch Nails and Muddy Waters. // By 2012, Taylor had moved to Kansas City, Missouri and started and started mixing tracks for her second album. Originally financed through the proceeds of her husband selling his car, she was signed by Yellow Dog Records during the production process. Most of the recording took place at Immersive Studios in Boulder, where she had previously worked. // Taylor wrote, arranged, produced, and sang all tracks, also providing bass guitar, piano, Hammond organ, and theremin. The band she formed for the album and live performances includes Larry Thompson on drums and Steve Mignano on guitar, as well as Jon Gray on trumpet. The 12-track album, Out of my Mind, was released on May 7, 2013. // A music video for the first track, “That’s My Man,” was shot in Memphis early in 2013. About the video, which she dedicated to friends in the modeling industry who were LGBTQ, “In the video there are four different ‘males.’ There are the muscle cars, which represent the personification of the traditional male, a man, a transgendered (female to male), and a drag queen. All of them represent different forms of male, whether it be mental, physical or spiritual.” // Reviews were positive, earning sound comparisons to Diana Ross and the Supremes, Janis Joplin, and Gladys Knight, with one review calling the album a “mesmerizing, nuanced, and imaginatively arranged collection of blues-inflected originals.” Also, “Her writing is both intelligent and moving, with exceptionally strong melodies and challenging rhythms, and her production is vivid and adventuresome.” “Taylor’s original compositions here all have to do with heartbreak, but she expresses her pain so exquisitely that it’s a pleasure for the listener to bear.” About her vocals, Premier Guitar wrote “Taylor floats through her melodies with a relaxed, sassy vibe and none of the melismatic tinsel that plagues many contemporary female singers.” // Out of my Mind merges traditional Delta blues with electronica, indie rock, psychedelia, and other modern genres. According to Taylor, “I use a lot of different influences …from West African psychedelic rock, to classic rock, to industrial metal.” About combining genres, “For me, the blues is the root of all American music, and I love each individual genre of American music. It would be dishonest to not use all of the things that I’ve been exposed to because I love them so much.” // Taylor was married to Chuck Haren in late 2012 until their divorce in June 2023. // Taylor came out as bisexual and ambiamorous in June 2022.]
Cuee – “Proud Boi” from: “Proud Boi” – Single / Cuee / June 1, 2023 [Cuee released the (3-song Single) “With Love” including the track “See You Tonight” on February 14, 2023. Before that Cuee released the (3-song Single) “Coming Out” on June 24, 2022. // Lawrence/Chicago based hip-hop artist Cuee is a rapper with a Master’s Degree. Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a graduate of Artist Inc. Originally from Chicago, Illinois, Cuee has wowed audiences with exciting live performances. And since 2017 Cue has released several critically acclaimed albums, an EP, multiple singles. We last talked with Cuee on March 3, 2021 and on May 5, 2021 and before that, on August 12, 2020, when he released the single “Who’s Back.” and before that on May 29, 2019. Cuee released the single: “Ain’t Goin Backon May 7, 2021, “Gravity (Feat: Lindsey Alderman)” on April 29, 2021 and part of GOSPEL the album. In 2020 Cuee’ track, “Shook” landed on an official Spotify playlist dedicated to transgender, non-binary and gender-fluid musicians across the globe including Kim Petras and Lex Allen. Spotify sent out a note said, “Hey Cuee you hit a high note this month.” Cuee said he didn’t even know what that meant, and he looked up to discover he had over 24,000 listener during the month of June on Spotify. I was trying to figure out what happened. I did a little research, I logged onto my instagram account, I was starting to get a flood of followers. I was just tracing it back and I landed on a Spotify playlist, it was an editorial playlist so he couldn’t find out who put him on there. “Someone found me.” Cuee made three trips home to Chicago to record the record. For the new album GOSPEL Cuee explained that this term can have biblical connections but it also means ‘the truth.” The video for “Ain’t Going Back” takes place in a church, and is a declaration of freedom, and identity, while also paying respect. Cuee talked us about how the track was created in the studio and translating the song into a video that was shot in a church. Last time we talked with Cuee he shared his thoughts about ‘”Queerness in a church,” Cuee said, “you know, is very…different, I mean I wanted to bring that into that space, and freedom into that space, allow that space to be seen and heard by other people who traditionally wont take up that space.” Along with getting his Master’s Degree, Cuee has released around 30 different musical tracks, legally changed his name, and has transitioned physically and vocally. The song “Ain’t Going Back” features Cuee’s friend Joel Leoj who is originally from Florida, but after moving to Chicago, became friends with Cuee in school, and recently moved to Lawrence to make music and collaborate on recordings with Cuee. Cuee explained that they have known each other since high school, that they “started a Hip Hop culture club in our high school, to bring music, kinda having a place to chill after school, write music together as a community. That’s how we started.” “I moved out here to Kansas, to go to school, he stayed back in Miami, and then we kind of connected back, maybe about two years ago, and hit it off really strong. We decided we wanted to pursue this music thing together. We decided let’s just do this. So he said he was going to move to Lawrence. I didn’t believe him at first, until he showed up on my doorstep, and I was like, Wow, you are here, let’s do this.” Joel Leoj released the album, JOEY IN WONDERLAND on January 31, 2021. Cuee is a featured guest emcee on the tracks “Eden” and “No Debate.” More info at: http://www.officialcuee.com]
MellowPhobia – “Finding It Hard” from: The Act of Loving In Return / Jackal And Hide Records / May 15, 2024 [Based in Kansas City, Kansas, MellowPhobia is an alt-rock band that brings a lively and dynamic sound to the music scene. Originally from Pittsburgh, Pennsylvania, the band relocated and recorded their debut EP, “Is This Seat Taken?” released in 2021. Their single, “Jackal” later gained attention, leading to performances at festivals and indie venues. Notable highlights include sharing stages with national touring acts such as The Greeting Committee, the Regrettes, The Velveteers, Colony House, and more. By 2024, “Jackal” had surpassed 40,000 streams and the band continues to grow its fan base. Looking ahead, MellowPhobia is gearing up for new releases, each contributing to their evolving sound. // From I Heart Local Muaic., May 15, 2024 written by Fally Afani: “ It’s been a while since we’ve had a really well-produced local indie album come our way, but MellowPhobia continues to check all our boxes. // The Act of Loving in Return is a masterclass in youthful angst. It kicks off with the frustration-laden “Finding It Hard,” setting the tone right away for the album with angsty lyrics over guitar tantrums. From there, the band continues to share their dissatisfactions with us, all while treating their listeners to fantastically-written melodies. We’ve noticed that their bridges are always a moment for quiet reflection before diving back into their noisy airing of grievances. We love it. The frontperson certainly has the vocals for this mood. // We’ve said before that this is a great band live. However, they’ve been garnering a lot of attention online for their recorded work as well. The single “Jackal” is a popular one at shows, but it’s racked up thousands of streams on Spotify. There’s a great vintage vibe for songs like “Scholars” and “Therapy.” “Los Angeles” breaks our hearts, and closer “Breaker Waves” is absolutely stunning. // MellowPhobia is great therapy for today’s young fans. Their live sets are already a blast, but The Act of Loving in Return seals the deal with solid indie rock songwriting. The sheer innocence of it all is enough to leave us emotionally wrecked. We hear these songs and just want to hug them (or shake them) and say “You have your whole lives ahead of you! It’s going to be ok!” If nothing else, this is a perfect Summer album released at just the right time. // MellowPhobia played Lawrence Pride on June 1, 2024.]
Timothy Finn in KC Star named WMM “The Best Place to Hear Local Music on the Radio.” and the Best Place to hear area musicians talk about their music.
Last year on May 15, 2024 – WMM celebrated 20 Years on the radio w/ LIVE performances from: Calvin Arsenia, IVORY BLUE, Stephonne, Julia Othmer, Kasey Rausch and guests Marion Merritt, Maria Vasques Boyd, Nico Gray, and Necia Gamby.
As of this week WMM has done 1085 weeks equaled 2170 hours of radio, 14,105 hours of preparation, over 2800 Interviews, 2500 guests, and over 20,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music community, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.
WMM has presented new formats in radio, with our “A Story In A Song” series, our shows featuring: Apocalypse Meow, Juneteenth, Power to The People Fest, Crossroads Music Fest, Folk Alliance International, Manor Fest, The Outer Reaches Festival, Boulevardia. KC Fringe Festival, Waldo Folk Series, Shuttlecock Music, The Folly Theatre, Owen Cox Dance Group, Bach Aria Soloists, KC Pride, our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, LGBTQIA Themes, Black Lives Matter and interviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin, Regina Spektor, Holly Near, Sam Harris, Sweet Honey in The Rock, Regina Carter, our annual 4-week special: WMM’s 120 Best Recordings of the Year.
To say this WMM has been inspired by the KC music community, is an understatement. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists we’ve met while doing this show.
We are inspired by the Fearless Women who created radio on 90.1 FM long before us: our friend April Fletcher who plays bass professionally in Los Angeles, and hosted Mix Well Before Serving on 90.1 in 1988 on KKFI’s first year of broadcast, and last year returned after 35 years to host and produce WMM.
And our friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. At Anne’s funeral we realized that we are connected to hundreds of other people who Anne had touched with her gentle, wise, guidance and had nudged into taking a job, going out on a stage, organizing an event, doing a radio show. We were all connected, she had loved us all and supported us, and some of us made a pact to do just a little bit of what Anne did, if we all did a little we could continue her work to help build our community, that is how we keep Anne alive in our heart.
And through collaboration, and shining a light, like Abigail Hope Henderson, who we lost in 2013, but not before she ignited a movement to create the Midwest Music Foundation supporting heath care needs and mental health care for the music community. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the stories & music & voice of our community.
Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers.
We celebrate 1085 weeks of WMM, the show that has brought us together, at this time, on this frequency, in these community airwaves. Thanks for listening.
Donating to 90.1 FM KKFI is investing in your community.
KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.
KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.
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Chase The Horseman – “Silver Liner” from: “Silver Liner” – Single / Chase The Horseman / October 25, 2024 [Silver Liner drums and additional engineering by Ian Dobyns, Additional vocals by Heidi Gluck. Mastered by Anthony Puglisi. Written, produced, performed and mixed by Chase Horseman at Element Recording. // Chase Horseman has composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, Nan Turner and more. Chase The Horseman film composer, band leader, multi-instrumentalist, audio engineer, & producer. They have composed music for over 40 films and as producer collaborated with Teri Quinn, Heidi Lynne Gluck, KD Kuro, and Nan Turner. On April 2, 2024 Chase released the 22 track Original Sound Track for Headcount, a feature film fro the Burghart Brothers, priduced by Continuance Pictures, Methoid Media, and Shout Factory. Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” In February 2020 Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O Chase played Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals pall erformed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. On May 1 Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowlly on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of this single will be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. http://www.chasethehorseman.bandcamp.com. They have composed music for over 40 films and as musician has collaborated Teri Quinn, Heidi Lynne Gluck, KD Kuro, and Nan Turner. Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]
The Creepy Jingles – “Love Like You” from: “Love Like You” – Single / High Dive Records / July 14, 2024 [The was #1 in WMM’s 50 Favorite Singles of 2024. This was the third of four new singles released by The Creepy Jingles in 2024. The band released “Repeat After Me” on April 19, 2024. The band released “When Things Go Wrong” on February 23, 2024. The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. // Song (lyrics/melody/chords) written by Jocelyn Olivia Nixon. Mixed and Recorded by Paul Malinowski and recorded at Massive Sound Studios in Shawnee, Kansas. Mastered by Zack Hames. Jocelyn Nixon on lead vocals & rhythm guitar, Will Van Doorn on lead guitar & backing vocals, Andrew Woody on bass & backing vocals, Nick Robertson on drums & bait. // The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The Creepy Jingles played Apocalypse Meow 17 on Saturday, November 2nd at recordBar,]
Moses Sumney + Lyra Pramuk + Sam Smith – “You Make Me Feel (Mighty Real)” rom: TRAИƧA / Red Hot / November 22, 2024 [One of the most ambitious projects ever undertaken by the storied activist and music production non-profit Red Hot, TRAИƧA is a spiritual journey across eight chapters and 46 songs with over 100 artists contributing. The album spotlights the gifts of many of the most daring, imaginative trans and non-binary artists working today. // Dust Reid, who led production on Red Hot’s 2014 tribute to Arthur Russell, and Massima Bell, an artist and activist based in Los Angeles, began tracing the contours of what would become TRAИƧA together in 2021. The two producers originally met at a video shoot in upstate New York, and immediately bonded over their shared love of Beverly Glenn-Copeland’s music, as well as a common devotional connection to nature. // The passing of SOPHIE, the pathbreaking electronic producer who died in January 2021, galvanized the producers and focused their work. “We started talking about all the gifts that trans artists have been giving to the world, and wanted to create a Red Hot project that centered and celebrated those gifts,” says Reid. “We hoped to create a narrative that positions trans and non-binary people as leaders in our society insofar as the deep inner work they do to affirm who they are in our current climate. We felt this is something everybody should do. Whether you identify as trans or non-binary or otherwise, if you took the time to explore your gender, get in touch with the feeling side of yourself, maybe we would have a future oriented around values of community, collaboration, care, and healing.” // Bell and Reid began conceiving of the album as a spiritual journey in eight chapters, a mirror of the original eight-stripe rainbow pride flag. The narrative begins at the earliest awareness of consciousness; moves through awakening, trauma, and grief; and arrives at liberation and continual reinvention. “One thing trans people do all the time is turn grief into possibility,” says Bell. “Living under the ongoing Western binary system, trans people reveal maps of possibility for everyone. It’s something that we can all learn from – expanding the possibility of human life.” Each chapter begins with a “chapter track,” kicking off a collection of songs that speak to that chapter’s theme. // As the producers began inviting musicians to contribute to TRAИƧA, the political climate in the United States and across the world started to foment an acute reactionary streak. Legislation denying trans people the hard-won right to medically transition proliferated across the country. Book bans rained down on libraries, stamping shut crucial apertures into trans and queer lives. The necessity of TRAИƧA’s presence in the world started to crystallize. // “The stakes have never been higher,” notes Bell. “We’re seeing a rise in anti-trans hate and vitriol that is particularly being spewed in the United States. I am a trans person from Iowa, one of the states that signed into law a bill that prohibits access to gender-affirming care. It is clearly, materially, a terrifying time.” // TRAИƧA FEATURED ARTISTS:Adrianne Lenker * Ahya Simone * Alan Sparhawk (Low) * Allison Russell * Am Taylor * Anajah * Ana Roxanne * André 3000 * Anjimile * Arthur Baker * Asher White * AV María * Babehoven * Bartees Strange * Belina Rose * Benét * Beverly Glenn-Copeland * Bill Callahan * Blake Mills * Bloomsday * Calvin Lauber * Caroline Rose * Cassandra Croft * Cassandra Jenkins * Christian Lee Hutson * claire rousay * Clairo * CLARITY * Cole Pulice * Dave Longstreth * Devendra Banhart * Eileen Myles * Eli Winter * Elizabeth Glenn-Copeland * Ezra Furman * Faye Webster * Fleet Foxes * Frankie Cosmos * Gary Gunn * Gia Margaret * Green-House * Grouper * Hand Habits * Heart Shaped * Helado Negro * Hunter Schafer * Jamal Shakeri * Jay Dee Daugherty * Jayne County * Jeff Tweedy * Jlin * Joy Guidry * Julianna Barwick * Julie Byrne * Julien Baker * Kara Jackson * Kathi Wilcox * KB Brookins * Kelela * Laraaji * Laura Jane Grace * Lauren Auder * Lee Ranaldo * Lightning Bug * Lomelda * Lucy Liyou * Lynn Avery * Lyra Pramuk * L’Rain * Mary Lattimore * MIZU * Moor Mother * More Eaze * Moses Sumney * Nico Georis * Niecy Blues * Nina Keith * Nsámbu Za Suékama * NYC Trans Oral History Project * Pepper MaShay * Perfume Genius * Pharoah Sanders * Quinn Christopherson * Rachika Nayar * Sade Adu * Sam Smith * Sharon Van Etten * SKY * SOAK * Soft Rōnin * Sparkle Division * Taryn Blake Miller * Teddy Geiger * Time Wharp * Wendy & Lisa of the Revolution * Yaeji * Yaya Bey // Moses Sumney was born May 19, 1992 and is an American singer-songwriter. His self-recorded EP, Mid-City Island, was released in 2014. He released another five-song EP in 2016, titled Lamentations. His first full-length album, Aromanticism, was released in September 2017. His second studio album, Græ, was released in 2020. Sumney has performed as an opening act for James Blake, Solange Knowles, and Sufjan Stevens. // Born in California, Sumney was raised by pastor parents, and moved with his family back to Ghana at the age of 10. He described his childhood as “Americanized” by this age and had difficulty adjusting to the culture of Ghana, especially the rural nature of his new environment. There he grew up on a goat farm in Accra and commuted by public bus to school. His family returned to Southern California when Sumney was 16, settling in Riverside. // He did not learn to play any instruments until he was older, writing a cappella music for years instead. Sumney did not perform his musical compositions publicly until he was 20. // After high school, he moved to Los Angeles in 2010 to attend the University of California, Los Angeles. He majored in creative writing and studied poetry, which helped him improve his songwriting. // Lyra Pramuk fuses classical vocalism, pop sensibilities, performance practices and contemporary club culture in what can best be described as futurist folk music. // Lyra Pramuk released her debut album, Fountain through Bedroom Community on March 20, 2020. It was part of WMM’s 120 Best recordings of 2020. Lyra Pramuk’s debut explores a post-human, non-binary understanding of life. Lyra fuses classical training, pop sensibilities, performance practices and contemporary club culture in what may best be described as futurist folk music. The American opera-trained vocalist and electronic musician releases her album via Iceland’s Bedroom Community label. Created entirely from her own voice, although often shaped and structured by electronics, Fountain is an emotional, sensual, and devotional journey. The title is derived from her family name, Pramuk, which translates from Czech as ‘well spring’ or ‘fountain.’ Often wordless, these songs evoke a new wholeness sustained by the ritual force of drowning, immersion, cleansing, and bathing – also referred to in the album artwork by acclaimed visual artist Donna Huanca. Fountain plays with the perception of music, rhythms, speech, body, and the relation between technology and humanity, exploring a post-human, non-binary understanding of life and the fragile ecosystems it depends on. The work documents a healing that is still in process, and a full circle-moment that reunited Lyra with her sound engineer twin brother, Ben, for the final mix, which they completed in tandem. As a vocal activist and member of the queer community, Lyra moved to Berlin in 2013, following her degree at the Eastman School of Music in New York. Since then, she has also been awarded residencies at Elektronmusikstudion EMS Stockholm, Open Port Club Residency in Tokyo and Sapporo, and Future Music Lab of the Atlantic Music Festival in Maine. Her interests also encompass writing, poetry, and fashion, where she is sometimes called upon as a model. As a performance artist, she has collaborated extensively with Donna Huanca and at events such as Glasgow International and the Rochester Fringe Festival. Music composed and produced by Lyra Pramuk. Vocals recorded by Lyra Pramuk and Ben Pramuk in Berlin and at EMS Elektronmusikstudion in Stockholm. Mixed by Ben Pramuk in Berlin. Mastered by Valgeir Sigurðsson and Francesco Fabris at Greenhouse Studios. // Samuel Frederick Smith was born May 19, 1992. Sam is an English singer and songwriter. In 2012, they[a] rose to prominence when they featured on Disclosure’s breakthrough single “Latch”, which peaked at number eleven on the UK Singles Chart. The following year, they featured on Naughty Boy’s single “La La La”, which became a number one single in the UK. // Smith’s debut studio album, In the Lonely Hour (2014), was released through Capitol Records UK and debuted at number one on the UK Albums Chart. The album’s lead single, “Lay Me Down”, was released prior to “La La La”. The album’s second single, “Money on My Mind”, became their second number one single in the UK. Its third single, “Stay with Me”, was internationally successful, reaching number one in the UK and number two on the US Billboard Hot 100, while subsequent singles “I’m Not the Only One” and “Like I Can” reached the top ten in the UK. The album won four awards at the 57th Annual Grammy Awards, including Best Pop Vocal Album, Best New Artist, Record of the Year, Song of the Year, and nominations for Album of the Year and Best Pop Solo Performance. // Smith’s song “Writing’s on the Wall” served as the theme for the James Bond film Spectre (2015), and won Smith a Golden Globe Award and an Academy Award for Best Original Song. Smith’s second studio album, The Thrill of It All (2017), debuted atop the UK and US album charts. The album’s lead single, “Too Good at Goodbyes”, reached number one in the UK and Australia and number four in the US. Following the 2018 single “Promises” (with Calvin Harris), which peaked at number one in the UK, Smith released “Dancing with a Stranger” (with Normani) in 2019, which peaked within the top ten in the UK and the US, also receiving a nomination for Song of the Year at the 2020 Brit Awards. The singles, along with “How Do You Sleep?”, would precede the release of their third studio album, Love Goes (2020). In 2022, Smith’s single “Unholy” (with Kim Petras), would become their first number one single in the US and won the Grammy Award for Best Pop Duo/Group Performance. The song would precede their fourth album, Gloria (2023). // Smith’s numerous accolades include five Grammy Awards, three Brit Awards, three Billboard Music Awards, and an American Music Award, as well as a Golden Globe and an Academy Award. On the UK Albums Chart, In the Lonely Hour was the best-selling debut album of the 2010s and the sixth best-selling album of the decade, while collectively Smith’s albums spent the fourth-most weeks at number one in the 2010s, behind Ed Sheeran, Adele and Eminem. Smith is the first openly non-binary musician to both release a song that reached No. 1 on the Billboard Hot 100 and to win a Grammy Award. // “You Make Me Feel (Mighty Real)” is a song by American disco/R&B singer Sylvester. It was written by James Wirrick and Sylvester, and released by Fantasy Records as the second single from the singer’s fourth album, Step II (1978). The song was already a largely popular dance club hit in late 1978, as the B-side of his previous single “Dance (Disco Heat)”, before it was officially being released in December. It rose to the number one position on the US Billboard Dance Club Songs chart. Music critic Robert Christgau has said the song is “one of those surges of sustained, stylized energy that is disco’s great gift to pop music”. // In 2019, the song was selected by the Library of Congress for preservation in the National Recording Registry for being “culturally, historically, or aesthetically significant”. In 2023, Billboard ranked it among the “500 Best Pop Songs of All Time”. // The song was originally recorded as a mid-tempo piano-driven gospel song; however, after producer Patrick Cowley saw a rehearsal of the song at San Francisco’s City Club, he offered to remix the song. The result was one of the pioneering disco records using some electronic instrumentation and effects, following closely on “I Feel Love” by Donna Summer which heavily used electronic instrumentation ahead of its time. These 1970s songs using electronic instrumentation would have an influence on 1980s and 1990s dance music, which in turn, would have an influence on dance music in the next century. // The song was Sylvester’s first top 10 hit in the United Kingdom, where it peaked at No. 8 on the UK Singles Chart in October 1978. In Sylvester’s home country, the single was his second top 40 hit, peaking at No. 36 on the Billboard Hot 100 chart in February 1979. The song also reached No. 20 on the Billboard Hot Soul Singles chart. A 12″ single was released in 1978, with “Dance (Disco Heat)” as the A-side and “You Make Me Feel (Mighty Real)” as the B-side, and these two extended dance mixes proved to be very popular in dance clubs at the time. The two songs held down the top spot on the Billboard Dance/Disco chart for six weeks in August and September 1978. These two songs helped to establish Sylvester’s career as a noted disco and dance music performer, both in the US and abroad. // Sylvester James Jr. (September 6, 1947 – December 16, 1988), known simply as Sylvester, was an American singer-songwriter. Primarily active in the genres of disco, rhythm and blues, and soul, he was known for his flamboyant and androgynous appearance, falsetto singing voice, and hit disco singles in the late 1970s and 1980s. // Born in Watts, Los Angeles, to a middle-class African-American family, Sylvester developed a love of singing through the gospel choir of his Pentecostal church. Leaving the church after the congregation expressed disapproval of his homosexuality, he found friendship among a group of Black cross-dressers and transgender women who called themselves the Disquotays. Moving to San Francisco in 1970 at the age of 22, Sylvester embraced the counterculture and joined the avant-garde drag troupe the Cockettes, producing solo segments of their shows, which were heavily influenced by female blues and jazz singers such as Billie Holiday and Josephine Baker. During the Cockettes’ critically panned tour of New York City, Sylvester left them to pursue his career elsewhere. He came to front Sylvester and his Hot Band, a rock act that released two commercially unsuccessful albums on Blue Thumb Records in 1973 before disbanding. // Focusing on a solo career, Sylvester signed a recording contract with Harvey Fuqua of Fantasy Records and obtained three new backing singers in the form of Martha Wash and Izora Rhodes – the “Two Tons O’ Fun” – as well as Jeanie Tracy. His first solo album, Sylvester (1977), was a moderate success. This was followed with the acclaimed disco album Step II (1978), which spawned the singles “You Make Me Feel (Mighty Real)” and “Dance (Disco Heat)”, both of which were hits in the US and Europe. Distancing himself from the disco genre, he recorded four more albums – including a live album – with Fantasy Records. After leaving this label, he signed to Megatone Records, the dance-oriented company founded by friend and collaborator Patrick Cowley, where he recorded four more albums, including the Cowley penned hit Hi-NRG track “Do Ya Wanna Funk”. Sylvester was an activist who campaigned against the spread of HIV/AIDS. He died from complications arising from the virus in 1988, leaving all future royalties from his work to San Francisco-based HIV/AIDS charities. // During the late 1970s, Sylvester gained the nickname of the “Queen of Disco” and during his life he attained particular recognition in San Francisco, where he was awarded the key to the city. In 2005, he was posthumously inducted into the Dance Music Hall of Fame, while his life has been recorded in a biography and made the subject of both a documentary and a musical. // During the late 1970s, Sylvester gained the moniker of the “Queen of Disco”, a term that continued to be given to the singer into the 21st century. The English journalist Stephen Brogan later described him as “a star who shined brightly. He only happened once. He was a radical and a visionary in terms of queerness, music and race.” Reynaldo Anderson of Harris-Stowe State University described Sylvester’s influence upon disco and subsequent electronic dance music as “incalculable”. He added that Sylvester’s songs “Dance (Disco Heat)”, “You Make Me Feel (Mighty Real)”, and “Do You Wanna Funk” represented “anthems of disco aficionados for a generation”, while also expressing the view that Sylvester himself “personified the excesses of the 1970s and the experimentation that characterized [the decade’s] changing social norms” within the United States. // Sylvester has been described as having a “flamboyant and colourful” public persona, wearing both male and female gendered clothes as part of his attire, with his biographer Joshua Gamson opining that for Sylvester, “gender was an everyday choice”. Sylvester described his public persona as “an extension of me, the real me”. Sylvester’s friend and publicist Sharon Davis described him as “a quiet, often thoughtful, caring guy, who put others before himself, and was generous to a fault, having little regard for money. His policy was you only live once, so enjoy!” She also noted that he could be “unpredictable”, being “stubborn as a mule” and “always speak[ing] his mind”. Sylvester was considered to be a prima donna by members of the Hot Band and could be temperamental and difficult with those with whom he worked. He found it difficult saving the money that he earned, instead spending it as soon as he obtained it, both on himself and on his lovers, friends, and family. // Sylvester was openly gay, with Gamson noting that he tended to enter into relationships with men who were “white, self-doubting and effeminate”. In 1978, he entered into a relationship with a young white model named John Maley; Sylvester later devoted the song “Can’t Forget the Love” from his Too Hot to Sleep album to his young lover. Maley ended the relationship to move to Los Angeles, later recollecting that Sylvester “was a lovely man, and I owe him a lot”. In 1981, Sylvester entered into a relationship with a slim brunette from Deep River, Connecticut, named Michael Rayner, but unlike his predecessors, he did not move into Sylvester’s house. Their partnership ended when Rayner admitted that he had not fallen completely in love with Sylvester. Sylvester’s next major relationship was with Tom Daniels, a hairdresser whom he met in 1982, but their romance ended after six months when Daniels discovered that Sylvester had been having sex with other men while on tour. The singer’s final partner, the architect Rick Cranmer, was a six-foot two blond, and the duo moved into a house together in the hills. Cranmer died of AIDS-related complications in 1987, the year before Sylvester succumbed to the virus. // In 1985, Sylvester’s boyfriend, Rick Cranmer, became aware that he had become infected with HIV. With no known medical cure, his health deteriorated rapidly and he died September 7, 1987. Sylvester was devastated, and although recognizing that he too was probably infected, he refused to have his blood tested, only noticing the virus’ first symptoms when he developed a persistent cough. Beginning work on an album that would remain unfinished, he moved into a new apartment on Collingwood Street in the Castro, and tried his best to continue performing in the Bay Area, even though he became too ill to undertake a full tour. Eventually diagnosed with AIDS, he was hospitalized for sinus surgery in late 1987, and upon returning to his apartment, he began to be cared for by his mother and Tracy, before being hospitalized again in May 1988, this time with pneumocystis pneumonia. Returning to his flat, he gave away many of his treasured possessions and wrote his will. // Having lost a lot of weight and unable to walk easily, he attended the Castro’s 1988 Gay Freedom Parade in a wheelchair, being pushed along by McKenna in front of the People with AIDS banner; along Market Street, assembled crowds shouted out his name as he passed. The subsequent 1988 Castro Street Fair was named “A Tribute to Sylvester”, and although he was too ill to attend, crowds chanted his name to such an extent that he was able to hear them from his bedroom. He appeared at the Dreamland nightclub (now The Vendry), watching the dancers from the second floor balcony, and DJ Steve Fabus put together an impromptu set of Sylvester songs. When he waved weakly goodbye, the dance floor erupted in stomping and shouting “We love you!” He continued to give interviews to the media, being open about the fact that he was dying of AIDS, and sought in particular to highlight the impact that the disease was having in the African-American community. In an interview with the NME, he stated, “I don’t believe that AIDS is the wrath of God. People have a tendency to blame everything on God.” // For Thanksgiving 1988, his family spent the holiday with him, although he had developed neuropathy and was increasingly bed-ridden and reliant on morphine. He died in his bed on December 16, 1988, at the age of 41. Sylvester had planned his own funeral, insisting that he be dressed in a red kimono and placed in an open-top coffin for the mourners to see, with his friend Yvette Flunder doing his corpse’s makeup. He wanted Tracy to sing at his funeral, accompanied by choirs and many flowers. The whole affair took place in his church, the Love Center, with a sermon being provided by Rev. Walter Hawkins. The event was packed, with standing room only, and the coffin was subsequently taken and buried at his family’s plot in Inglewood Park Cemetery. An album titled Immortal was posthumously released; it contained Sylvester’s final studio recordings and was compiled by Marty Blecman.]
10:48 – Pledge Break #3
Our WMM Winter Fund Drive Team: Betse Ellis, Rachel Christia, and Mikal Shapiro
Today on WMM we present RADIO-TRANS-MISSION a special show in honor of the fierce courage of our Trans, Non-Binary, & Queer MidCoastal Artists we’ve regularly featured on the show. 90.1 FM KKFI’s non-profit organization and governing body is the MidCoast Radio Project. The MidCoast is where we are, on the coasts of the Missouri and Kansas Rivers with a music community that spans the Kansas City Metro region and west to Lawrence and Topeka and south to Olathe and east to Columbia and North to St Joseph. The reach of our community extends beyond the 40 mile reach of our 100,000 watt signal.
WMM and KKFI are committed to featuring artists under-represented in other media, and that includes the music community that lives within the radiance of our 100 watt signal. The story of KC’s Arts & Music Community is a primary focus on WMM, where for 20 years we’ve shined a light on the artists, the labels, recording studios, and music venues.
Wednesday MidDay Medley 90.1 FM was the first radio show to ever play the recordings of: The Black Creatures, Ivory Blue, Cuee, MellowPhobia, Chase Horseman, The Creepy Jingles, June Henry, Eve Sheldon, Remy Styrk, Collidescope, Babydoll, Ingrid Ingram, Shamir, Flamy Grant, Calvin Arsenia, Madisen Ward and the Mama Bear, Krystle Warren, KD Kuro, The Shy Boys, The Salvation Choir. We were the first to interview many of these artists live on the radio and bring their music to a wider audience.
We’re living in an age when an entire Political Party, a President, his entire cabinet, the U.S. Congress & Senate, The Supreme Court, Kansas & Missouri State governments are eliminating equality, civil rights, jobs, healthcare, & legal protections for our Transgender, Non-Binary & Queer friends. The recent election brought out cruel campaigns that blanketed our mainstream media with venomous bigotry, misinformation and lies, while commercial television & radio profited from the hate.
90.1 FM is non-commercial. We are Community Radio. We are different! It is our mission to give evidence of the humanity that is put at risk by these irresponsible campaigns of hate. Throughout WMM’s 20 year history we’ve been the first to present recordings, live performances and interviews with Ivory Blue, Mitzi McKee, Jocelyn Olivia Nixon, Tillie Hall, Chase Horseman, Cuee, Ingrid Ingram, The Black Creatures, Collidescope.
On Feb. 21, 2024 we interviewed Flamy Grant LIVE in our 90.1 FM Studios. Flamy Grant also played live. In 2023 Flamy released BIBLE BELT BABY, the world’s first contemporary Christian music album recorded by a drag performer. Flamy Grant’s single “Good Day” was released September 6, 2023 and is the first song by a drag performer to reach #1 on the iTunes Christian charts. It also debuted at #20 on Billboard’s Christian digital sales chart. // Last year Flamy Grant released her second album, CHURCH which climbed onto the iTunes Country chart and was part of WMM’s 120 Best Recordings of 2024.
One of my favorite tracks from Flamy Grant is “Fortune Teller.”
The great design of our world is built on a solid foundation diversity, a vast spectrum, a balance of living creatures, in a beautiful chaos of birth and death and new life from ashes
As a Queer human this song reminds me that Queer, Gay, Lesbian, Non-Binary, Transgender, Bisexual, humans were raised in a world where they had to develop an extra sensitivity simply to survive.
The ability to immediately read a room full of strangers.
Finding safety in public places, community centers, schools, churches, taverns, grocery stores. If you didn’t read the room correctly you could be hurt, or even killed. This extra sensitivity, developed through difficult circumstances is actually a gift, and we Queer people are willing to share it with everyone… if you let us.
10:57
Flamy Grant – “Fortune Teller” from: “Fortune Teller” – Single / Glam & Glory Records / October 24, 2023 [Produced by Ben Grace. Sound engineer and electric guitars by Daniel Shearin. // Flamy Grant is winner of 2023 Kerrville New Folk Competition; and the 2023 San Diego Music Award nominee for Best Pop Album for BIBLE BELT BABY, the world’s first contemporary Christian music record by a drag performer. With influences from gospel, blues, folk & rock, hines light on queerness, faith, and overcoming spiritual trauma so often endured by LGBTQ+ people and others who grow up in conservative religious spaces. // Flamy’s iconic roots-rock sound is influenced by singer/songwriters like Natalie Merchant, Tracy Chapman, Over the Rhine, and Amy Grant. Her art shines a spotlight on the queer spiritual journey, telling stories of resilience and recovery from religious trauma. With a bold lip, a big lash, and a blistering voice, Flamy is here to rewrite the rules when it comes to faith-based entertainment, demanding a reckoning for an industry that for too long has silenced and shut out its LGBTQ+ artists and fans. // Flamy’s single “Good Day” released 9/6/23 is the first song by a drag performer to reach #1 on the iTunes Christian charts. It also debuted at #20 on Billboard’s Christian digital chart. Flamy Grant played an Official Showcase the 2024 Folk Alliance Intern. Feb 22.]
Fortune Teller (Lyrics)
I’m a medium, I’m a fortune teller I know every word you’re gonna say I’m a headstrong, lifelong city dweller I can take you where you’re going by the fastest way It’s gonna be okay
I traveled time, I’m here from the future I can show you how this all turns out I can save you with the data in my computer We can flourish in the flood and avoid the drought Yeah, we’re gonna make it out
You feel it in your bones But your head is moving slow
I’m a scientist, I got a method and a measure For observable, reliable, repeatable fact I’m a decorated educator in the field of pleasure I’ve learned a lot of lessons I can reenact Yeah, I been keeping track
You sense that I am true But your heart is split in two
I’m a prophetess, singing my story A dressed-up, effervescent, ethical fraud But this world ain’t ready for an allegory, no We’re still waiting on a literal god I just smile and nod
You have intuition And it’s telling you the story isn’t done
11:00 – Station ID
June Henry – “sega dreamcast” from: The Exhumation of Princess Pavement / June Henry Nation / ]=February 14, 2024 [June Henry is a 20-year-old is a Lawrence KS. Based, freak folk singer-songwriter and multi-instrumentalist.. Her music explores themes of mental illness, queerness, and growing up. // Prior to her official debut, Henry had collected her music in a Google Drive folder, shared only with a small group of friends. Bedridden in 2022, she was convinced to release this music in her first official album Class Pet. // It’s not really something I know how to do, as much as something I have to do to stop myself from exploding,“ from June Henry’s Spotify bio. // Since her debut, she hasn’t gone more than a couple months between releases- creating a niche audience and some of her most popular songs, such as Void-Adjacent and Excoriation. // In 2024 she has released 9n singles, two 4-song EPs., the 11 track album, The Exhumation of Princess Pavement, released February 14, 2024, the 14 track album Between Singles and One-Offs, exclusive CD comprised of singles and EP tracks released May 27, 2024, the 17 track album Podium, released June 30, 2024. // June Henry released the single “method act” on December 16, 2023. // June Henry released the single “fall into” on December 2, 2023. // June Henry released the 3-track EP “the light I SPIT OUT” on November 14, 2023. // June Henry released the single “vampire song” on November 3, 3023. // June Henry released the 5-song EP “flat earth romcom” on September 22, 2023. // June Henry released the 11-track album “something friend” on June 20, 2022. // June Henry released the 15-track album “class pet” on March 15, 2022. // June Henry released the 7-track album, “SOUTH RAMP” through Lotuspool Records when she was “a gay boy in high school (released as August Henry.) // June Henry has been posting a bunch of tunes on bandcamp! These are official releases along with things that have been archived from streaming platforms, AND many demos and voice memos from long ago. Her personal favorite is “the trouble i made”, which features five tracks written and recorded in high school. The first one, “straight boys, was recorded when June was fourteen. Check http://www.junehen.bandcamp.com for even more releases from June Henry.]
Eve Sheldon – “My Beautiful Self” from: Recorded in one-take from a facebook request / Eve Sheldon / May 20, 2018 [Originally recorded by Foolish Sad Robot and 1990s band made up of Tom Livesay and Eve Sheldon. On Sunday, May 20, 2018, early in the evening Eve Sheldon asked Facebook humans to request a song of her’s and she would record four of them on the couch and post them. She ended up recording 10 songs in an hour or so, and she wrote to Tim Finn that it “was a fun freakin snapshot of her singing life.” Friends chose songs from Foolish Sad Robot, The Wilders, and a Trouble In Mind rap. Eve wrote, that the recordings represent her “mellow vocal stylings of this century, and the VERY FIRST song she ever wrote.” (She was 14.) Eve Sheldon called out other singers to ‘get down with this…imagine some 90s cats layin’ down some of their old tunes…and new cats laying down new tunes. i wanna hear!” Eve called out: Mark Smeltzer, David Regnier, Lauren Krum, Betse Ellis, Howard Iceberg, J Ashley Miller…the list is endless…”sing for us, y’all!”. // Eve Sheldon (they/them) is originally from a small rural town in southern Missouri with a population of 128. Eve received a B.A. in vocal performance from William Jewell College in 1989. After college Eve was in the bands Young Johnny Carson Story, My Childhood Hero, and Foolish Sad Robot in the Kansas City. Eve was a professional internationally touring musician for 10 years with their band, The Wilders. // Eve now lives in Frenchtown, NJ. Eve has worked as a Music teacher at River Valley in several musical capacities since 2016, including being the musical director for the middle school musical every year since then. They were the full-time music teacher for the 2017-2018 school year as well as the accompanist for eurythmy and the choirs for several years since 2016. In addition, since 2015, Eve has played in the parent band Moonshine & Millet for many fundraisers, as well as accompanying the River Valley Parent Choir. Eve attended the Waldorf music educators conference in Wisconsin in 2017. // Eve shared thoughts on the nature of inclusivity greatly valued at River Valley. “As a member of the trans community, I hope to be someone kids can look to and see someone who doesn’t fit into society’s ‘traditional’ roles, yet has found a way to thrive and succeed in this world. I also hope they will also see that gender identity is just a part of who you are, and that it doesn’t have to define your life, but rather enhance it.” Eve loves reading, driving, and playing music. They have had a close relationship to the school since their child enrolled there in 2013, sharing, “I’ve worked in many capacities and I’m just honored to be able to lend my help and skills and love for music to a school and students that I believe in.” // Eve Sheldon played The Folly Theatre for KKFI’s 30th Anniversary Celebration, June 30, 2018]
Shamir – “The Beginning” from: Homo Anxietatem / Kill Rock Stars / August 18, 2023 [Shapeshifting Philadelphia-via-Vegas artist Shamir shares a sentimental third and final single & video “The Beginning”from Homo Anxietatem the 9th album & debut for Kill Rock Stars out August 18, 2023. “The Beginning” dives into the missteps of a relationship gone by, while feeling emotionally trapped as time barrels forward. Opening with a jolting record scratch, then seamlessly flowing into a driving guitar strum, the building chorus evokes a nostalgia akin to the soundtrack of a coming-of-age film. With playful lyrical snacks like “I wish I could turn back time, just like Cher” to the painful reality check “we’re so caught up on having a happy ending…we forgot the beginning” – you can’t help but dance & cry along to Shamir’s ever poignant songwriting. The new track follows healing first single “Oversized Sweater”, bittersweet “Our Song”, and surprise release “Crime” featured in HBO’s Last Call: When a Serial Killer Stalked Queer New York. // Shamir (he/she/they) directed the hometown video filmed in Bartram’s Garden with musician friends, including members of the band Friendship and Accidental Popstar Records’ own Ladifa, saying “’The Beginning’ is a song I wrote when I was 14 years old and had never experienced love, yet I was already inundated by all the typical tropes. Even back then I realized a happy ending was contingent on a healthy beginning. The video represents the healing power of being around friends after a break up.” // Homo Anxietatem releases August 18, 2023 . For the 9th Shamir album in eight years, and his debut for the legendary Kill Rock Stars label, the shapeshifting songsmith tries on yet another shade of perfect popcraft. After a run of critically acclaimed heavy rock and industrial-tinged records, Shamir forms his literally unforgettable tunes into alternately subdued and soaring alt-pop. For a 28 year-old, Shamir’s amassed a huge body of work. His live show and recorded output are more closely aligned than ever, holding close to guitar-bass-drums combos. The songs are elemental, yet flawless in their own Shamir-ness. And with the studio polish provided by Hoost (Rina Sawayama, VC Pines), the barebones songwriting becomes the foundation for Shamir in a more introspective mode. This is what happens when one of the most prolific songwriters of a generation calms down a bit: the search for meaning becomes mundane. What happens when someone who lives a chronically unstable life finds solid ground? Well, out comes a perfect pop-punk-rock record. // All songs Written by Shamir Bailey with the exception of “Appetizer” written by Grant Pavol. // All songs Produced by Justin Tailor with the exception of “Appetizer” Produced by Grant Pavol and Justin Tailor and “Words” produced by Teddy Thompson. // All guitar, bass, and live instrument performed by Shamir Bailey and Justin Tailor with the exception of “Appetizer” guitar, bass, and drums performed by Grant Pavol and “Words” bass by Teddy Thompson. // All songs Mixed by Charlie McClean // Mastered by Amy Dragon.]
11:09 – Pledge Break #4
This is WMM’s Winter Fund Drive Show w/ Betse Ellis, Rachel Christia, & Mikal Shapiro
Where can I find out about what is happening in my community?
We need KKFI Now More Than Ever. LGBTQIA, Urban Issues, Black Lives Matter, Labor Rights, The Environment, The Kansas City Visual & Literary Arts , The Performing Arts, Stadium Campaigns, Women’s Issues, Native American Issues, Jazz, Blues, Reggae, Classical, Hip Hop, Folk, Women’s Music, Indie Rock, Pop, Electronica, Punk…the answer is KKFI 90.1 FM Kansas City Community Radio.
KKFI is an Independent, non-commercial radio station!
Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, to share your concerns, and offer resources and information. Along with our National Public Affairs shows like Democracy Now and Alternative Radio we offer more locally produced public affairs programs than anywhere else on the dial.
We offer programs for women, the LGBTQIA Community, Native Americans, Black Public Affairs, Labor & Worker’s Unions, Middle Eastern Music & Information, Latino Programming, prison population & justice system, environmental programming, Visual & Performing Arts, KC Tenants, Economics for the People, Understanding Isreal Palistine.
Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI! – No commercials, we do have brief underwriting announcements, recognizing those who financially contribute to support non-profit community radio.
At KKFI there is no automated robot playing the same 40 songs in a “rotation,” based on a formula, created by a singular programmer of the robot. KKFI is the opposite of a robot.
There is almost always a human on the end of the phone line when you call 816-931-KKFI.
90.1 offers 100 different radio programs. 85 of these programs are locally, produced, hosted, engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 64 local music shows and 21 locally produced News, Public Affairs, Arts & Talk shows.
There are 140 hours each week of locally produced handcrafted programs.
You will not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting.
Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental.
With all of this, you hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, broadcast live from our non-commercial, midtown studios, at 39th & Main, in the center of our metro, across two states, a collective of communities, and thousands of listeners. What is this worth to you?
11:17
The Black Creatures – “The Weight of Worth” from: By Thy Hand / Center Cut Records / August 12, 2022. [By Thy Hand was #1 on WMM’s 120 Best Rercordning of 2022. This new album follows their singles: “Criminal” on June 24, 2022, “Loud For Nothin” on May 27, 2022, and “True Friends” on September 17, 2021. After being signed to Center Cut Records the label remastered and reissued their album WILD ECHOES in 2020 and was named Album Of The Year from The Pitch Magazine. the original 2019 release of WILD ECHOES was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. // Jade Green & Xavier Martin of The Black Creatures began working together in 2013. The Black Creatures blur the boundaries of hip-hop, dance, R&B, soul, and EDM, telling stories of real life, and the struggle for equality. Jade’s incredible vocals reveal their background in opera, and their honest lyrics are both personal and political. Jade can interpret soul, jazz, hiphop, and pop. Xavier Martin started music as a violinist, and has transitioned into a co-songwriter, producer, beat-maker, keyboardist, vocalist, engineer, and style maker. // From Center Cut Records Promo Materials: The Black Creatures blend contemporary styles of pop, hip-hop, dance, R&B, EDM and soul with cinematic and storytelling sci-fi/fantasy elements and themes. With the complex and creative approach The Black Creatures take to their art, a diverse audience regularly flocks to their gripping and intensely enchanting performances. // Representing the strange land of Kansas City, Missouri, Jade Green and Xavier began working together around the end of 2013 after meeting on-line talking about cosmetics. After Jade stumbled upon Xavier’s SoundCloud, they asked if they could put their vocals on it, and this led to future collaborations with no more than the intention to dabble. They couldn’t stop and eventually dubbed the project The Black Creatures. // Both Jade & Xavier write and perform vocals, with Xavier at the helm of production and composition. Jade Green has a vocal background in opera and a penchant for theatrics, and both are the foundation of their ever-evolving approach to writing and performing in The Black Creatures. While the instrumentals may set the tone for the show, Jade’s voice captivates the audience from beginning to end. Originally a violinist, Xavier unfurled into a producer and vocalist, maintaining the same air of intrigue and mystery throughout his compositions and performances in The Black Creatures. // After releasing Wild Echoes in the fall of 2020, and receiving Album Of The Year from The Pitch Magazine, high praise came from around the world for the four released singles and accompanying videos. “Wretched (It Goes)” was featured in the NPR Live Sessions “Songs For Change” when The Black Creatures were selected as one of 12 national artists, and included in 90.9 The Bridge’s Top 100 singles along with their song “D’ummm” which was in heavy rotation in the winter. Nuance Magazine wrote, “The Black Creatures take their musical talents and use them in such a way that forces listeners to not only tap their foot to a catchy tune, but pay attention and feel something about what is going on in the world around them. Tackling fascism, police brutality, and the deep-rooted effects of slavery in a rhythmic fashion is one thing. Simultaneously making it a good listen is another. However, The Black Creatures make it happen.” // Mark’s brief review: “Being named “Album of The Year” from The Pitch Kansas City was the recognition this young band deserved, because there is really no other band in Kansas City creating incredibly beautiful and painful protest songs in multi genre styles of beats, vocal styles, textures. The immediate personal and poetic lyrics of Jade Green and tribal, dance floor and soulful beats and melodies of Xavier bring the listener into a multicultural, mixed, gender fluid, soul celebration of life and an honest indictment of the racist, homophobic, and sexist world they are navigating through to survive. Listen carefully to these young music makers, they are wise beyond their years. They sound beautiful and speak the truth to power. They are beautiful. They are The Black Creatures.” Charlotte Street Foundation announced that the recipients of the 2022 Generative Performing Artist Awards are The Black Creatures and Calvin Arsenia Scott. Jade and Xavier completed performances in the world premiere of Christian A. Walker’s “What Came With Spring” for the Owen/Cox Dance Group October 7, 8, and 9 at City Stage Theatre, Union Station, 30 W Pershing Rd, KCMO ]
The Black Creatures Discography The Black Creatures “Mouth 2 Mouth” – Single, June 5, 2016. The Black Creatures released their debut album, See No Evil, Dec. 6, 2017. The Black Creatures “Elements” – Single, February 14, 2018 The Black Creatures “Silver Tears” – Single, June 19, 2018 with additional voices provided by AniMal (Ana Marcela Maldonado Morales) , Barbara Solomon , Kassidee, Quaranta , Adres Va Cortas The Black Creatures “Dare” (Gorillaz Cover)” – Single, August 8, 2019 The Black Creature – Wild Echoes – September 30, 2019 The Black Creatures – “Turn” – Single, October 30, 2019 The Black Creatures – “Quartz (Twilight)” – Single, November 13, 2019 The Black Creatures – “SHINE” – Single, December 11, 2019 The Black Creatures- “Ghost Bustin’ Dead Prezidentz” – Single, January 8, 2020 The Black Creatures – “To Whom It May Concern” – Single, January 22, 2020 The Black Creatures – “Arcade Love” – Single, February 5, 2020 The Black Creatures – “Run Up” – Single, February 19, 2020. The Black Creature – Wild Echoes – September 30, 2019 The Black Creatures – “wretched (it goes)”- Single [Center Cut], July 17, 2020 [remastered] The Black Creature – Wild Echoes – Album (Remastered] August 28, 2020 [Center Cut] The Black Creatures – “Negative Zero” – Single/Video [Center Cut] The Black Creatures – “FRIENDS” – Single/Video [Center Cut] The Black Creatures – BY THY HAND – album August 12, 2022
Collidescope – “Dodo Bird” from: FunHouse / Collidescope / June 2, 2023 A col·lide·scope [kəˈlīdəˌskōp] is a group of butterflies…and is the electronic experimental music outfit of musicians Hadiza Sa-Aadu (Hadiza.) and Madison Monroe (Babydoll). United in music and in intersections from their individual queer experiences, the pair as of late have been leaning into heavier and darker soundscapes providing backbone to the words that are most often sung, sometimes screamed, and least often spoken. Words that point crosshairs at power structures while opening an escape route through fantasy and surrealism. // In June 2023, the pair followed up their first two EPs DEEP TAPE and Systemic, realising their first full length album Funhouse on Bandcamp (and everywhere else). // Tim Harte: Production and mixing on 4 // Dekota (Hop) Trogdon Drums on 1, 4, 6, 8, 10 // Victoria Falls Stillwater: Add’l Vocals on 4 // Les Izmore: Vocals & Add’l Vocals on 9 // Gavin Neves: Engineering, mixing, mastering, production on all tracks; beats on 5, 7, and 9 // Collidescope is Hadiza: Vocals & Synth and Madi Monroe: Guitar, Bass, Synth, Beats, Production, Add’l Vocals on 1 and 9 // Cover art by Hadiza. // We dedicate this album to those we’ve lost. // Special thanks to the number one babies ever Dougie Jones and D’angelo Babycat for the constructive criticism and emotional support. // On December 31, 2020 Collidescope released their 7-track album DEEP TAPE. DEEP TAPE includes Victoria Falls Stillwater on addition sound production and vocals, and was mixed and mastered by J.Ashley Miller. DEEP TAPE is a follow up the band’s debut EP SYSTEMIC released December 16, 2017. Hadiza also released her solo album SHADOW WEIGHT on Nov. 22, 2019. More info at: http://www.hadizaisnothere.bandcamp.com or http://www.acollidescope.bandcamp.com]
Babydoll – “Flamethrower” from: “Flamethrower” – Single / Babydoll / April 7, 2021 [Babydoll is the alternative musical project of Madison Monroe on guitar, bass, beats, synthesizers, mixing & vocals. Flamethrower also includes Hadiza on background vocals. with mastering by Jametatone. “Flamethrower” was released as a single with the track “Wet Noodle”. all rights reserved.]
11:29– Underwriting
11:31 – Pledge Break #5
This is WMM’s Winter Fund Drive Show w/ Betse Ellis, Rachel Christia, & Mikal Shapiro
Last year we offered Live in studio performances from: True Lions, Lonnie Fisher, Mitzi McKee, Calvin Arsenia, Ivory Blue, Stephonne, Kasey Rausch, Julia Othmer, Kasey Rausch, The Swallowtails, Danny Santell, Krystle Warren, MusicbySkippy, Lone Stranger, Just Angel & T.A. Rell, Christena Graves
We have made radio shows that cover: The Kansas City Rep, Outer Reaches Fest, Owen/Cox Dance Group, No Divide KC, The Folly Theatre, recordBar, Lawrence Arts Center, Manor Records, The Rino, KC Blues Society, KC Star, Lawrence Music Alliance, MixMaster Music Conference, Midwest Music Foundation, KC Gift, Juneteenth, Power to The People Fest, The Record Machine, Lemonade Park, Crossroads Music Festival, The Ship, The Black Box Theatre, Amplify Lawrence, Quindaro Ruins, Queer Narratives Fest, Art in the Loop, The film: “I’m So Glad” documenting the KC Gospel Music, Fringe Festival, Make Music Day, Boulevardia, Arts in The Park, UMKC Conservatory of Music, The Crossroads Hotel, High Dive Records, Greenwood Social Hall, KC Folk Fest, Manor Fest, Center Cut Records, KKFI Band Auction, Charlotte Street Foundation, Women’s History Month!, University of Missouri at Columbia, Lawrence Public Library, I Heart Local Music, Black History Month, Bach Aria Soloists, Folk Alliance International, Martin Luther King Jr., Tribute to David Bowie, Tribute to Iris DeMent.
11:39
Ingrid Ingram – “Just Joking” from: Worried / Ingrid Ingram / March 8, 2020 [Ingrid Ingram joined us live on our March 18, 2020 WMM. Ingrid Ingram is a trans-femme musician who uses samples and traditional instruments to create erratic and dreamy soundscapes. On March 8, 2020 Ingrid released her debut full length album, “Worried,” where she explores glam-punk, touching on themes of paranoia, addiction, narcissism and commodified identity in a capitalist society. Ingrid Ingram also plays bass in the KC based band The Creepy Jingles. Prior to “Worried,” 26 year old Ingrid Ingram released three singles from “Worried,” plus her EP “Inside Outside” from January 2017, and “Noises And People” from February 2016. Many of the sounds used in these earlier two releases were recorded on a phone during a two-year period of travel around the United States and stitched together on friend’s laptops. Our first question to Ingrid was, are you worried? She immediately, and bravely identified herself as having BDP, Borderline Personality Disorder. About 1.6% of people have BPD in a given year, with some estimates as high as 6%. Women are diagnosed about three times as often as men. It appears to become less common among older people. Up to half of people improve over a ten-year period. There is an ongoing debate about the naming of the disorder, especially the suitability of the word borderline. The disorder is often stigmatized in both the media and the psychiatric field. When we asked Ingrid Ingram about her musical influences and she told us about Micachu and the Shapes. The UK band was formed by Mica Levi, born February 2, 1987, also known by her stage name Micachu. She is an English singer, songwriter, composer and producer. Micachu and the Shapes includes Raisa Khan on keyboards and Marc Pell on drums. The band signed to Accidental Records. With the Shapes, Levi’s focus has been on experimental pop music. Most of this music prominently features an acoustic half-guitar with various non-standard tunings, extensive distortion, and use of noise and found-object elements, as well as occasionally unusual time signatures. Despite these experimental leanings, the artist categorizes her output with the Shapes as pop music. Ingrid Ingram met Jocelyn Olivia Nixin of The Creepy Jingles when she was working at Succotash, Beth Barden’s restaurant at 2601 Holmes, in KCMO. Ingrid told us about jumping into an already established band that have been playing together for several years and that is was especially fun because Ingrid was a big fan. On WMM, over the past 7 years, we’ve been watching the growing number of brave trans-artists opening us and coming out in the collective Kansas City music communities. Ivory Blue, Eve Sheldon, Ada Brumback, The Creepy Jingles, Mazzy Mann, Cuee, HellKat, True Lions, Chase The Horseman, are many of the artists we’ve had as guests on Wednesday MidDay Medley and have featured their recordings. Ingrid said that she has found acceptance in the KC music community, especially in early DIY spaces, that we can’t mention on the radio. Ingrid grew up in Raytown, Missouri and was home-schooled. She talked about the irony of being home-schooled in relationship to her current job, as the “lunch lady” at an elementary school in Gladstone. Ingrid Ingram is a trans-femme musician who uses samples and traditional instruments to create erratic and dreamy soundscapes. On”Worried,” she explores glam-punk, touching on themes of paranoia, addiction, narcissism and commodified identity in a capitalist society.]
Hedwig & The Angry Inch – “Tear Me Down” from: Original Motion Picture Soundtrack to Hedwig & The Angry Inch / Hybrid / 2001 [Hedwig and the Angry Inch is a rock musical with music and lyrics by Stephen Trask and a book by John Cameron Mitchell. The musical follows Hedwig Robinson, a genderqueer East German singer of a fictional rock and roll band. The story draws on Mitchell’s life as the child of a U.S. Army major general who once commanded the U.S. sector of occupied West Berlin. The character of Hedwig was inspired by a German divorced U.S. Army wife who was Mitchell’s family babysitter and moonlighted as a sex worker at her trailer park home in Junction City, Kansas. The music is steeped in the androgynous 1970s glam rock style of David Bowie (who co-produced the Los Angeles production of the show), as well as the work of John Lennon and early punk performers Lou Reed and Iggy Pop. // The musical opened off-Broadway in 1998, and won the Obie Award and Outer Critics Circle Award for Best Off-Broadway Musical. The production ran for two years, and was remounted with various casts by the original creative team in other US cities. In 2000, the musical had a West End production, and it has been produced throughout the world in hundreds of stage productions. // In 2014, the show saw its first Broadway incarnation, opening that April at the Belasco Theatre and winning the year’s Tony Award for Best Revival of a Musical. The production closed on September 13, 2015. A national tour of the show began at San Francisco’s Golden Gate Theatre in October 2016 before closing at the Kennedy Center in July 2017.]
11:45 – Pledge Break #6
WMM’s Winter Fund Drive Show w/ Betse Ellis & Rachel Christia & Mikal Shapiro
KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my interesting friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”
Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your artspace, on your iPod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to http://www.kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.
Please help keep this part of our public airwaves alive for our community to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio,” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!
Mikal Shapiro’s The Musical plays a Dinner Matinee on Friday. March 7 , at 7:00 to 9:00 PM, at The Ship, 1221 Union Avenue, KCMO.
For Betse Ellis, Rachel Christia, Mikal Shapiro, I’m Mark Manning. Thanks for listening!
11:53
Laura Jane Grace –“Surrender Your Gender (feat. Lee Ranaldo, Jayne County, Kathi Wilcox, Jay Dee Daugherty & Am Taylor)” from: TRAИƧA / Red Hot / November 22, 2024 [Originally written by trans icon Jayne County. // One of the most ambitious projects ever undertaken by the storied activist and music production non-profit Red Hot, TRAИƧA is a spiritual journey across eight chapters and 46 songs with over 100 artists contributing. The album spotlights the gifts of many of the most daring, imaginative trans and non-binary artists working today. // Dust Reid, who led production on Red Hot’s 2014 tribute to Arthur Russell, and Massima Bell, an artist and activist based in Los Angeles, began tracing the contours of what would become TRAИƧA together in 2021. The two producers originally met at a video shoot in upstate New York, and immediately bonded over their shared love of Beverly Glenn-Copeland’s music, as well as a common devotional connection to nature. The passing of SOPHIE, the pathbreaking electronic producer who died in January 2021, galvanized the producers and focused their work. “We started talking about all the gifts that trans artists have been giving to the world, and wanted to create a Red Hot project that centered and celebrated those gifts,” says Reid. “We hoped to create a narrative that positions trans and non-binary people as leaders in our society insofar as the deep inner work they do to affirm who they are in our current climate. We felt this is something everybody should do. Whether you identify as trans or non-binary or otherwise, if you took the time to explore your gender, get in touch with the feeling side of yourself, maybe we would have a future oriented around values of community, collaboration, care, and healing.” // Bell and Reid began conceiving of the album as a spiritual journey in eight chapters, a mirror of the original eight-stripe rainbow pride flag. The narrative begins at the earliest awareness of consciousness; moves through awakening, trauma, and grief; and arrives at liberation and continual reinvention. “One thing trans people do all the time is turn grief into possibility,” says Bell. “Living under the ongoing Western binary system, trans people reveal maps of possibility for everyone. It’s something that we can all learn from – expanding the possibility of human life.” Each chapter begins with a “chapter track,” kicking off a collection of songs that speak to that chapter’s theme. // As the producers began inviting musicians to contribute to TRAИƧA, the political climate in the United States and across the world started to foment an acute reactionary streak. Legislation denying trans people the hard-won right to medically transition proliferated across the country. Book bans rained down on libraries, stamping shut crucial apertures into trans and queer lives. The necessity of TRAИƧA’s presence in the world started to crystallize. // “The stakes have never been higher,” notes Bell. “We’re seeing a rise in anti-trans hate and vitriol that is particularly being spewed in the United States. I am a trans person from Iowa, one of the states that signed into law a bill that prohibits access to gender-affirming care. It is clearly, materially, a terrifying time.” // Laura Jane Grace (born Thomas James Gabel; November 8, 1980) is an American musician best known as the founder, lead singer, songwriter, and guitarist of the punk rock band Against Me!. In addition to Against Me!, Grace fronts the band Laura Jane Grace & the Devouring Mothers, a solo project she started in 2016. Grace is notable for being one of the first highly visible punk rock musicians to publicly come out as transgender, which she did in May 2012. She released her first solo studio album since transitioning, Stay Alive, in 2020, followed by Hole in My Head in 2024.// Grace experienced feelings of gender dysphoria from a young age, citing them as her “earliest memories”. Grace publicly came out as a transgender woman in May 2012 in an article to Rolling Stone. Grace announced plans to begin transitioning. Having been inspired to come out after meeting a transgender Against Me! fan, Grace had informed the rest of the band that February. In 2012, she began publicly using the name Laura Jane Grace. “Laura” is the name her mother would have chosen had she been assigned female at birth, “Jane” was selected simply because she thinks it’s pretty, and “Grace” is her mother’s maiden name. On continuing to perform in Against Me!, Grace said, “However fierce our band was in the past, imagine me, six-foot-two, in heels, fucking screaming into someone’s face.” // In her 2012 interview with Rolling Stone, Grace revealed plans to take hormones and undergo electrolysis. She said she was also considering surgery. She expressed apprehension about chondrolaryngoplasty and bottom surgery, saying, “I don’t give a fuck if I lose my penis. It’s just fucking scary because of the surgery. I’ve needed to have my wisdom teeth removed for five years, and I still haven’t.” She said that she would live as a woman and undergo psychotherapy for a year before considering gender-affirming surgery: “Right now, I’m in this awkward transition period. I look like a dude, and feel like a dude, and it sucks. But eventually I’ll flip, and I’ll present as female.” In 2015, Grace stated, “I think it’s perfectly valid [for a trans person] to never undergo bottom surgery”. // In response to Grace’s announcement, a number of figures in the punk community voiced their support, including musicians Brian Fallon, Brendan Kelly, Franz Nicolay, and Mike Shinoda; cartoonist Mitch Clem; and professional wrestler CM Punk. Herndon Graddick, President of GLAAD, hoped that Grace’s public profile would increase public awareness and acceptance of trans people: “[Laura] is displaying extraordinary courage by coming out as transgender after already establishing herself as a rock star. For many of the band’s fans, this may be the first time they’re actually thinking about transgender people and the bravery it sometimes takes in order to be true to yourself.” // Grace confirmed in January 2019 that she underwent facial feminization surgery in December 2018 as part of her transition. // Lee Ranaldo of Sonic Youth; Jayne County who was born Wayne Rogers, on July 13, 1947 and is an American singer, songwriter, actress and record producer whose career has spanned six decades. Under the name Wayne County (inspired by Wayne County, Michigan), she was the vocalist of influential proto-punk band Wayne County & the Electric Chairs; Kathi Wilcox who was born November 19, 1969, and is an American musician. She is the bass player in Bikini Kill and guitar player in the Casual Dots. She was also a member of the Julie Ruin and the Frumpies; Jay Dee Daugherty was born March 22, 1952 and is an American drummer and songwriter most known for his work with Patti Smith. As a member of the Patti Smith Group, he has been nominated twice to the Rock and Roll Hall of Fame. Moving to New York City in 1974, Jay Dee Daugherty co-founded the Mumps with high school friends Lance Loud and Kristian Hoffman; & Am Taylor – Amy Louise Taylor is an Australian musician and activist from Mullumbimby, Australia. She is known as a songwriter and lead vocalist of the ARIA Award winning rock band Amyl and the Sniffers based in Melbourne, Australia.]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
NEXT WEEK, on March 12 we welcome Shanté Clare, Seth Davis, Evan Verploegh(ver-ploo) and Benjamin Bake of The Extemporaneous Music and Arts Society. ALSO Seyko Groves joins us to talk about her solo music and her work with The Freedom Affair, and we’ll have many new releases from Ghosty, Kat King, Birdie, They’re Theirs, Til Willis & Erratic Cowboy, Lee Walter Redding, and more
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, February 26, 2025
WMM presents: Miss Boating + T.A. Rell & Just Angel + 4th Dimensional Flowers
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
LYXE – “All Alone” from: “All Alone” – Single / LYXE / February 21, 2025 [Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass,. This indie/alternative rock band LYXE, is from Lawrence, Kansas. // The track is a raw and powerful anthem that taps into the pain of a broken relationship and the messy aftermath of trying to heal. Known for their high-energy live performances and a sound that effortlessly blends nostalgia with originality, LYXE continues to carve out their place in the indie scene with “All Alone.” Drawing from the energy and grit of 80s, 90s, and early 2000s rock, the song brings listeners a no-frills, back-to-basics rock and roll experience. With stripped-down instrumentation and emotive lyrics, the band’s latest track dives deep into the personal struggle of dealing with an ex’s departure and the unhealthy coping mechanisms that follow. // Lead vocalist and guitarist, Ryan Wise explains, “‘All Alone’ is about feeling like you’re stuck in a cycle of self-destruction after losing someone. The pain becomes a comfort, and it’s easier to lean into unhealthy habits than face the truth. It’s not about the ex anymore – it’s about how we often lose ourselves when the world feels too heavy.” // The single arrives on the heels of LYXE’s consistently packed live shows, which have become a staple in the Midwest music scene. Their vibrant and engaging performances have earned them a dedicated following, making them one of the most exciting and authentic indie bands to watch in 2025. Fans of hard-hitting guitar riffs and unapologetic, emotional storytelling will find “All Alone” to be a perfect addition to their playlist. The song is a raw, cathartic journey that resonates with anyone who has ever been left behind and found themselves drifting in search of a way back to something real. // Formed in 2019, they’re an energetic three-piece whose music blends the best of modern rock radio with danceable ’80s New Wave. If Wavves listened to a lot of early INXS, the music they made would sound like LYXE. I Heart Local Music describes them as “…easily Lawrence’s most exciting band at the moment, and they prove it with every show.” // LYXE, a three piece pop-rock outfit formed out of the love of getting fans to sing and dance along to hip shaking rhythms reminiscent of classic 80’s and 90’s sounds. They quickly became a favorite of crowds and musicians alike with the lead of Ryan Wise’s crooning vocals and vintage guitar sounds. The trio has an undeniable chemistry that caught the local scene like wildfire. Bassist AJ Knudson brings a loveable charisma to their live presence, while drummer Jimmy Girod’s subtle, elegant delivery gives this act a sophisticated backbone. // LYXE released their debut EP, EVERYTHING YOU COULD EVER WANT on September 15, 2022. Pulling inspiration from a wide range of genres, this six-song EP has a pop-rock, new wave nostalgia that sinks its teeth into you. Luring in listeners with dramatics and lush hooks on “Wave,” yet unafraid to tap into their feral side on “I Got Everything.” The record closes with “Fit,” which makes you feel like you’re in an argument with your prom date in 1989. Recorded, at Element Recording Studios in Kansas City. The new EP gave listeners a different side of Ryan Wise’s songwriting with crooning vocals and vintage guitar sounds. // On June 23, 2023 LYXE released a remastered version of their song “Wave (Remastered 2023)” produced by Joel Nanos. Remaster by Jake Vertigo, with: Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass, and Chase Horseman on synthesizer. This was originally the debut single “Wave.” // LYXE release their singe ”Ice Cream” on June 23, 2023 // LYXE released their single “P{rom Song” on November 10, 2024. // LYXE released their single “Hard To Talk” on October 4, 2024. // For additional information or inquiries please contact: wearelyxe@gmail.com ]
Malek Azrael
Malek Azrael – “Room 4U” from: “Room 4U” – Single / Malek Azrael / February 28, 2025 [First single from Malek Azrael’s upcoming EP FEELS LIKE. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Makek Azrael released his 10-track album debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and is currently working with touring. Malek Azrael has been involved with Making Movies non-profit organization Art As Mentorship. He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]
[Malek Azrael & The Vibez plays ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Jamogi and The Jammers, Stephonne and Frankie Shorez & Mercy Fire.]
[Rock is Black is dedicated to uplifting and showcasing under-represented Black artists in the rock music genre, and celebrate the rich, yet often overlooked, contributions Black artists have made to rock music throughout history. From blues rock to pop punk, this unique occasion serves as the release concert for the highly anticipated indie rock EP by Malek Azrael & the Vibez, a band committed to redefining the landscape of music through a Black lens. Malek Azrael is a KC-based singer, songwriter, & producer whose music effortlessly blends Indie Rock & R&B Pop.]
Krystle Warren & The Faculty – “Build It Up” from: Extended Play / Parlour Door Music / November 1, 2024 [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. // Krystle is one of our most played artists, of all time, on this radio show. Krystle is also one of our most frequent guests, today is her 20h appearance on our show. // Krystle Warren began performing in her native KC at the age of 16. Krystle graduated from Paseo Arts Academy and in 2001 began her musical career collaborating with area jazz and pop musicians. After moving to New York City, she started busking on the streets and later formed her band, The Faculty. After her independent EP release, Diary, Krystle was signed to Paris based music label Because Music who sent her a one-way ticket. Krystle Warren & The Faculty released the album CIRCLES in 2009. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson,]
Krystle Warren & The Faculty Discography Krystle Warren & The Faculty has released the EP “Diary” on May 1, 2007 Krystle Warren released “The Up Series – EP” on November 10, 2008 Krystle Warren releases the 13-song Album CIRCLES on March 13, 2009 Krystle Warren & The Faculty released “A Time To Keep – Love Songs EP”, Aug. 12, 2011 Krystle Warren & The Faculty released the double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 as “Love Songs: A Time to Embrace,” and “Love Songs: A Time to Refrain from Embracing. ” And released on separate digital and CD albums in the United States as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015 Krystle Warren released the album THREE THE HARDWAY on August 18, 2017 Krystle Warren & The Faculty released the single “Rising” on May 31, 2019 Krystle Warren & The Crew released the 4-song EP, THE CREW on September 15, 2020 Krystle Warren & The Faculty released the single “Macca”on May 22, 2023 Krystle Warren & The Faculty released the single “LA DOLCE VITA” on March 1, 2024
Sweeping Promises – “Shadow Me” from: Good Living is Coming For You / Feel it Records – Sub Pop / June 30, 2023 [“For more than a half century, underground music revolutionaries have taken a whack at the mundane mainstream like a piñata. England punks spat “NO FUTURE” at germ-free adolescents. Ohio new wavers devolutionized mankind with whips. Athens art school students chomped at hero worship. MetroCard-carrying riot grrrls rebirthed the bomp with a gasoline gut. In 2020, Sweeping Promises read our pandemic minds with Hunger for a Way Out. In 2023, they return with a new message: Good Living Is Coming For You. At first glance, this nouveau wave slogan offers hope wrapped around relief. At first listen, we realize this may actually be a warning. Darker still, a threat. // A band famous for their unfussy, monolithic anthems, Sweeping Promises elegantly ravage us again with another future classic. They return as a fist of velvet rose petals roaring inside a compact wrecking ball. Gone is the Boston brutalist ambience of their subterranean concrete laboratory and the revelatory single mic recording technique. In its place, a retired and resplendent nude painting studio in Lawrence, Kansas, bathed in light with high ceilings and hardwood floors. Guided once again by their surrounding architecture, a reverb-rich space remains the defining element at the heart of their highly stylized sound. A watery ghost from the golden age of art-punk now wields sharper knives and more microphones. // If the mood of HFAWO was hungry, GLICFY is RAVENOUS. In 2023, appetite is addressed in new ways: Power struggles are aired in “Eraser,” restraints are broken in “You Shatter,” anguished exclamations sting in “Good Living Is Coming for You.” The taboo subject of aging is (s)heroically dragged out into the open. Every line is delivered with such joyous, soaring layers that each punch lands like a chef’s kiss. // Sweeping Promises are Lira Mondal and Caufield Schnug. A chance meeting in Arkansas led to a decade of playing in an eclectic assortment of projects together. Their relentless practice made perfect. Bass playing Lira is an emotive bolt of thunderous energy with the iconic blast of a girl group rolled into one robust throat. Caufield is an intentional guitar player and drummer. No note or hit is extraneous. Together they are meticulous sound engineers, using space as a key ingredient to their distinct sound. Controlling every aspect of their craft, from the first note they write together, all the way through to the final mastering process, each record is an unspoiled fingerprint unique to their dynamic chemistry. // Written before the pandemic, Hunger for a Way Out was released on Feel It Records in the summer of 2020. These songs drip with the anxious urgency of a commanding live performance yet their gauzy production transports us like the fading memory of a favorite song. This distorted sense of time resonated with thousands of quarantined listeners who turned the album into a life-saving floatation device and most beloved album of the year. This is when Feel It Records (North America) and Sub Pop (everywhere else) joined forces to divide/unite and conquer; beginning with the 2021 single “Pain Without a Touch” and now carrying through to Good Living Is Coming For You. // The pandemic went on to trigger an absurd chain of events for Sweeping Promises. Under financial strain, Mondal and Schnug uprooted their lives. They surrendered their studio in Cambridge to take refuge with family in Texas. They completed over 50 demos between their Austin bathroom and a Marfa abode, but feeling unsatisfied, they sought another fresh start. When a disused church in Ohio proved too difficult to rehab, they ultimately found lasting inspiration in Kansas. With their home and studio all under one roof, life is music and music is life.]
[Sweeping Promises play the Palestine Benefit Show, Friday, Feb. 28, 2025, at 7:00pm at The Bottleneck, 737 New Hampshire St., Lawrence, Kansas with Drifter, Ghoulies, Flatline, and Toasterbath. Presented by I Heart Local Music, Blood Bank DIY & KU Students for Justice in Palestine. All proceeds will go directly toward getting critical aid to victims of the ongoing genocide in Gaza and the West Bank.]
The Matchsellers – “I Can’t Believe Were Still In Love” from: “I Can’t Believe We’re Still In Love” – Single / The Matchsellers / February 14, 2025 [Julie Bates is a classically trained violinist from Kansas City. Andrew Morris is a Chicago blues guitarist from Warsaw, Indiana. They met in Leipzig, Germany. During their year of living in the former East Germany, the pair began reanalyzing the songs of their homeland, and developed a tight yet gritty bluegrass style. In the summer of 2013 they left their jobs to hit the road and haven’t looked back. // In the band’s most recent iteration, mandolinist Brian McCarty brings an invaluable lifetime of experience in the Bluegrass tradition, while Brandon Day thrills audiences with his intricate bass solos. // On May 3, 2024 he Matchsellers released LIVE AT THE WAREHOUSE. // On October 28, 2022 The Matchsellers released The Wishful Thinker’s Hall of Game // On February 12, 2016 they released their album, SONGS WE MADE UP, one of Wednesday MidDay Medley’s 116 Best Recordings of 2016.. In late 2014 they released their debut full length recording, “Kosciusko County,” one of Wednesday MidDay Medley’s 115 Best Recordings of 2015. The Matchsellers have toured 3 European countries and 25 US States, performing 180 shows a year, including last year for the KC Fringe Festival, Bluegrass Bazaar in Flint, Michigan, Norman Music Festival in Norman, OK, and a 1st place win at the Eddie Owen Presents songwriting competition in Atlanta, GA.]
Waxahatchee – “Right Back to It (feat. MJ Lenderman)” from: Tiger’s Blood / Merge Records / March 22, 2024 [Kansas City based Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. // Tiger’s Blood was produced by Brad Cook. Engineered & mixed by Gerardo “Jerry” Ordonez. Assistant engineering by Natalia Chernitsky. Mastered by Emily Lazar. Recorded and Mixed at Sonic Ranch Recording Studios. // On March 27, 2020 Waxahatchee released SAINT CLOUD which was in the TOP 20 of WMM’s 120 Best recordings of 2020. On Saint Cloud all songs were written by Katie Crutchfield. Recorded & mixed at Sonic Ranch in Tornillo, TX & Long Pond in Stuyvesant, NY. Produced by Brad Cook. Engineered by Jerry Ordonez. Additional engineering by Jon Low. Mixed by Jon Low. Mastered by Brent Lambert at The Kitchen. KATIE CRUTCHFIELD on vocals, acoustic guitar, piano, keys; BRAD COOK on bass, acoustic guitar, piano, keys, synth; BOBBY COLOMBO on electric guitar, acoustic guitar, keys; BILL LENNOX on electric guitar, acoustic guitar, keys, percussion; NICK KINSEY on drums, percussion; JOSH KAUFMAN on electric guitars, piano, organ, percussion. More info at: http://www.waxahatchee.com.] [Waxahatchee played the Uptown Theatre on April 18, 2024] // [MJ Lenderman released from: Manning Fireworks through Anti records on September 6, 2024 // Mark Jacob Lenderman (born 1999), also known as Jake Lenderman and MJ Lenderman, is an American singer-songwriter and multi-instrumentalist. He has released three solo albums, and also plays with the alternative rock band Wednesday. He also has played drums for Indigo De Souza. Lenderman’s style has been described as alt-country, classic rock, and indie rock music. // Lenderman was born in Asheville, North Carolina. His great-grandfather was saxophonist Charlie Ventura. He was raised Catholic and was an altar boy. He played basketball and obsessively watched tapes of Michael Jordan. He grew up listening to Mark Linkous and Jason Molina. In his junior and senior years of high school, he began posting his music to Bandcamp. Lenderman studied at UNC Asheville for three semesters.[ // In 2018, Lenderman played the drums for fellow Asheville artist Indigo De Souza on her albums I Love My Mom and Any Shape You Take. Lenderman met Karly Hartzman, lead singer for the group Wednesday, and he joined the band for an EP called How Do You Let Love Into the Heart That Isn’t Split Wide Open (2018). // In July 2019, he released a self-titled album, his first solo album. At that time, he was working in an ice cream shop to support himself financially. // Lenderman toured with Wednesday in early February 2020, until the COVID-19 pandemic ended the tour. During the COVID-19 pandemic, while collecting unemployment insurance, Lenderman wrote the songs that became the album Ghost of Your Guitar Solo, released in 2021. // His third album Boat Songs was released in 2022 on Dear Life Records. It was listed as one of the best albums of 2022 by Pitchfork, The A.V. Club, and The Ringer. After the success of the album, Lenderman signed a recording contract with Anti-. In 2023, he released the singles “Rudolph” and “Knockin'”. // Lenderman contributed guitar and vocals to the album Tiger’s Blood by Waxahatchee, released in March 2024, and was listed as featured guest artist on the album’s lead single, “Right Back To It”. In March 2024, Lenderman performed “Right Back To It” with Waxahatchee on The Late Show with Stephen Colbert. Lenderman’s next album, Manning Fireworks, released in September 2024.]
[MJ Lenderman and The Wind plays The Bottleneck, 737 New Hamphshire St., Lawrence, Kansas, Monday, March 3, at 7:00pm]
Joy Oladokun – “Observation #1” from: Observations From A Crowded Room / Amigo Records – Verve Forecast / Oct. 18, 2024 [Joy Iladokun released Proof of Life her 4th studio album on April 28, 2024. The album was supported by five singles released throughout 2022 & 2023. The album features guest appearances from Mt. Joy, Manchester Orchestra, Chris Stapleton, Maxo Kream, and Noah Kahan. In a press release about the album, Oladokun said that she intended for the songs on Proof of Life to be “helpful anthems” and to resonate with “anybody who feels normal and needs a little musical boost to get through the day”. The first single, “Keeping the Light On”, was released on January 21, 2022. The second single, “Sweet Symphony” (featuring Chris Stapleton), was released on September 23, 2022. Of the song, Oladokun said that the song was about “the vulnerability, the fear, and the ups and downs that come from loving someone.” The third single, “Changes”, was released on February 17, 2023, simultaneously with the album announcement. The fourth single, “We’re All Gonna Die” (with Noah Kahan), was released March 17, 2023. The 5th and final single, “Taking Things for Granted”, was released on April 21, 2023. // Joy Oladokun was born April 6, 1992, she is an American singer-songwriter. Oladokun’s music spans the genres of folk, R&B, rock, and pop and is influenced by her identity as a queer woman of color. Oladokun grew up in Casa Grande, Arizona, listening to country and folk music, as well as Bob Marley and Lauryn Hill. Both of her parents are Nigerian immigrants to the United States. Her family regularly attended a Christian church, where Oladokun was chosen to lead worship. Later, Oladokun left the church because it limited her creativity. // When Oladokun was 10, a video of Tracy Chapman inspired her to learn guitar.// After college, at a friend’s suggestion, Oladokun moved to Los Angeles to pursue her music career. She later moved to East Nashville, where she signed with Prescription Songs. She has released three studio albums. In 2015, Joy Oladokun self-released her debut EP Cathedrals. Her debut studio album, Carry Me was funded by Kickstarter and released on April 29, 2016 through Well Records. // Oladokun released the single “Sunday” in 2019, saying “‘Sunday’ is the song that 12-year-old Joy, seated in the back of church youth group, needed to hear. She needed to hear that you can be queer and happy. Queer and healthy. Queer and holy. She needed to see married women kissing and playing with their kids.” The music video highlights people in LGBTQ relation-ships and has a predominantly queer cast. // Oladokun’s song “Mercy” follows in the same theme, describing her experience as a Black person in the United States, while the single “I See America” criticizes systemic racism. NPR listed “I See America” on its 100 Best Songs of 2020. // On July 17, 2020, Oladokun released her 2nd studio album, In Defense of My Own Happiness (Vol. 1). Billboard described the album as a “stunningly emotional collection.” Mitch Mosk, editor-in-chief of Atwood Mag., called it a “a sweeping, soaring, and stunning sophomore record oozing heart and soul.” // In 2021, Oladokun received a grant from YouTube’s “#YouTubeBlack Voices Fund”. The same year she signed with Amigo Records, Verve Forecast Records, & Republics. http://www.joyoladokun.com Oladokun played The Truman on Sept. 12, 2024]
Joy Oladokun sings at the Respect for Marriage Act bill signing Tuesday, December 13, 2022, on the South Lawn of the White House. (Official White House Photo by Hannah Foslien)
Joy Oladokun – “Strong Ones” from: Observations From A Crowded Room / Amigo Records – Verve Forecast / Oct. 18, 2024
[Joy Oladokun plays The Truman, 601 E.Truman Road, KCMO, TONIGHT, Wednesday, February 26, at 8:00pm with Luke Tyler Shelton]
10:34 – Underwriting
4th Dimensional Flowers – “gum” from: Love/Time / 4th Dimensional Flowers / February 3, 2025 [4th Dimensional Flowers is a Kansas City-based music group composed of: Dylan Peace, on guitar and vocals. Gwen Heath, on Bass, Andy Wooden on drums, and lead guitarist Isaac Samayee. The music of 4th Dimensional Flowers is a fresh reincarnation of Grunge/Alternative Rock, and poppy Midwest Shoegaze with an emphasis on crunchy, melodic guitars, bass so full you can bite right into it, and beats that’ll get you dancing until you can’t feel your legs! 4th Dimensional Flowers has played alongside other popular acts such as Brady Rowland and the Missile kids , Lucky dragon no. 5, MabKC, and Island Policy/ // The Bi/Polar Album is a unique blend of extreme emotions, made to represent what having bipolar depression feels like, with major ups and downs, extreme genre/mood change, every song brings you just a smidgeon closer to insanity, and hopefully a better understanding of people with severe mental illness. // Switching from introspective singer-songwriter songs like If I, to more hardcore, heavy-hitting songs like Antifreeze. The band writes, “This album is made to cry to, to thrash to, or just to vibe to, and we hope it helps to bring people with mental illness some peace, in knowing that you are not alone, and we love you.”]
10:39 – Interview with Dylan Pease & Andy Wooden of 4th Dimensional Flowers
Dylan Peace is a vocalist and guitar player for 4th Dimensional Flowers. His main influences are The Thermals, Nirvana, and Jack White. Dylan hosts a goofy late-night radio show about local Kansas City musicians on 90.1FM called Local Wave, heard Thursday nights / Friday mornings, from Midnight to 2:00am. Dylan also absolutely loves to bake. He loves rocks and their magical properties. Dylan’s favorite television show is American Dad. From the very first time he could play guitar, Dylan has been making music for people like himself, with mental illness. Dylan just doesn’t want anyone to feel alone, and I hopes to spread a little “community” with his music.
Dylan Pease thanks for being with us again on Wednesday MidDay Medley
Andy Wooden plays drums for 4th Dimensional Flowers. Andy’s dad is also a professional drummer. Andy’s dad saw an ad placed by Dylan looking for a drummer. Andy’s dad encouraged him to call Dylan and set up a meeting. Andy Wooden is originally from Kansas City. Andy has also played with the bands: Kid Computer. and OK O’Clock, and 20 other bands. At one point Andy was playing drums in so many bands that he had band practice every day of the week, with two different sessions on Saturdays and Sundays. For several years Andy worked for Explorers Drums & Percussion, at 8050 Wornal Road, KCMO before it closed.
Andy Wooden, thanks for being with us again on Wednesday MidDay Medley
Dylan Pease & Andy Wooden are here to talk about their band, 4th Dimensional Flowers join us live in our 90.1 FM Studios. The music of 4 Dimensional Flowers is a fresh reincarnation of Grunge/Alternative Rock, and poppy Midwest Shoegaze with an emphasis on crunchy, melodic guitars, bass so full you can bite right into it, and beats that’ll get you dancing until you can’t feel your legs! 4th Dimensional Flowers is made up of Dylan Peace, on guitar and vocals. Gwen Heath, on Bass, Andy Wooden on drums, and lead guitarist Isaac Samayee. The band has played alongside other popular acts such as Brady Rowland and the Missile Kids, Lucky Dragon no. 5, MabKC, and Island Policy. More info at: http://4thdimensionalflowers.com
4th Dimensional Flowers include:
Dylan Peace, on guitar and vocals Gwen Heath, on Bass, Andy Wooden on drums, and lead guitarist Isaac Samayee.
New songs are part of the band’s new EP Love/Time.
Gwendolyn Heath plays bass with 4th Dimensional Flowers. She is heavily influenced by the styles that got her into playing music as a teenager: rock, metal, punk, and anything with guitars, drums, and the volume cranked to 11. Gwen’s Biggest inspirations are bands such as Mastodon, Red Fang, and Refused. Gwen first became addicted to making music and playing shows when she was in her first band Nuclear Destruction, a melodic death-metal project that eventually grew apart. Eventually one of her closest friends Dylan Pease was looking for a bassist and she fit like a glove with a new line up and a rebrand of 4th Dimensional Flowers. Gwen found music to be an outlet for her repressed feelings. Before she transitioned, her love of music and the community of Kansas City allowed her to first “come out” to her fellow musicians.
Gwen Heath thanks for being with us again on Wednesday MidDay Medley
4th Dimensional Flowers will be releasing A full length album in May called Bi/Polar. The album will be a unique blend of extreme emotions, made to represent what having bipolar depression feels like, with major ups and downs, extreme genre/mood change, every song brings you just a smidgeon closer to insanity, and hopefully a better understanding of people with severe mental illness
10:47
4th Dimensional Flowers – “Antifreeze” from: Love/Time / 4th Dimensional Flowers / February 3, 2025 [4 Dimensional Flowers is a Kansas City-based music group composed of: Dylan Peace, on guitar and vocals. Gwen Heath, on Bass, Andy Wooden on drums, and lead guitarist Isaac Samayee. The music of 4 Dimensional Flowers is a fresh reincarnation of Grunge/Alternative Rock, and poppy Midwest Shoegaze with an emphasis on crunchy, melodic guitars, bass so full you can bite right into it, and beats that’ll get you dancing until you can’t feel your legs! 4 Dimensional Flowers has played alongside other popular acts such as Brady Rowland and the Missile kids , Lucky dragon no. 5, MabKC, and Island Policy/ // The Bi/Polar Album is a unique blend of extreme emotions, made to represent what having bipolar depression feels like, with major ups and downs, extreme genre/mood change, every song brings you just a smidgeon closer to insanity, and hopefully a better understanding of people with severe mental illness. // Switching from introspective singer-songwriter songs like If I, to more hardcore, heavy-hitting songs like Antifreeze.]
10:50 – Interview w/ Dylan Pease & Andy Wooden of 4th Dimensional Flowers
Dylan Pease and Andy Wooden join us to talk about their band, 4th Dimensional Flowers join us live in our 90.1 FM Studios. The music of 4th Dimensional Flowers is a fresh reincarnation of Grunge/Alternative Rock, and poppy Midwest Shoegaze with an emphasis on crunchy, melodic guitars, bass so full you can bite right into it, and beats that’ll get you dancing until you can’t feel your legs! 4th Dimensional Flowers is made up of Dylan Peace, on guitar and vocals. Gwen Heath, on Bass, Andy Wooden on drums, and lead guitarist Isaac Samayee. The band has played alongside other popular acts such as Brady Rowland and the Missile Kids, Lucky Dragon no. 5, MabKC, and Island Policy. More info at: http://4thdimensionalflowers.com
Dylan Pease, Andy Wooden and Gwen Heath thanks for being with us again on WMM
4th Dimensional Flowers is Dylan Peace on guitar & vocals; Gwen Heath on Bass, Andy Wooden on drums, and Isaac Samayee on lead guitar
New songs are part of the band’s new EP Love/Time.
4th Dimensional Flowers will be releasing A full length album in May called Bi/Polar. The album will be a unique blend of extreme emotions, made to represent what having bipolar depression feels like, with major ups and downs, extreme genre/mood change, every song brings you just a smidgeon closer to insanity, and hopefully a better understanding of people with severe mental illness.
The music of 4th Dimensional Flowers is a fresh reincarnation of Grunge/Alternative Rock, and poppy Midwest Shoegaze with an emphasis on crunchy, melodic guitars, bass so full you can bite right into it, and beats that’ll get you dancing until you can’t feel your legs!
4th Dimensional Flowers has played alongside other popular acts such as Brady Rowland and the Missile kids, Lucky Dragon No. 5, MabKC, and Island Policy.
Dylan Pease & Andy Wooden thanks for being with us again on WMM
4th Dimensional Flowers – “Reptilez (Live from KKFI Band Auction)” (CD #11) (3:26) from: Love/Time / 4 Dimensional Flowers / February 3, 2025 [4th Dimensional Flowers is a Kansas City-based music group composed of: Dylan Peace, on guitar and vocals. Gwen Heath, on Bass, Andy Wooden on drums, and lead guitarist Isaac Samayee. The music of 4 Dimensional Flowers is a fresh reincarnation of Grunge/Alternative Rock, and poppy Midwest Shoegaze with an emphasis on crunchy, melodic guitars, bass so full you can bite right into it, and beats that’ll get you dancing until you can’t feel your legs! 4 Dimensional Flowers has played alongside other popular acts such as Brady Rowland and the Missile Kids, Lucky Dragon no. 5, MabKC, and Island Policy.]
11:00 – Station ID
T.A. Rell – “4oreign (Radio Edit)” from: “4oreign (Radio Edit)” – Single / T.A.P. OUT Music / April 13, 2024 [Arick “TA. Rell” Ridgell is a 23 year old producer/writer/artist who recently has began emerging by way of the internet. The Kansas City,Missouri native was born August 29,1990. He’s an alumni of Center High School (Kansas City,MO, 64131), and a current student at Longview Community College (Lee’s Summit,MO), where he’s currently looking to obtain a degree in Audio Engineering. He’s what you’d call a mixing pot of R&B, country, gospel, pop, rock and roll, etc… TA’s “style influenced by a variety of artists such as Ray Charles, James Brown, Smokie Robinson, The Temptations, Jamie Foxx, Tank, Tyrese, Musiq Soulchild, Fred Hammond, John P. Kee, amongst others]
11:04 – Interview with T.A. Rell
Arick “T.A. Rell” Ridgell is a 34 year old musician has been writing and producing music since the age of 18. The Kansas City, Missouri native was born August 29, 1990. He’s an alumni of Center High School (Kansas City, MO), and a current student at Longview Community College (Lee’s Summit, MO), where he’s currently looking to obtain a degree in Audio Engineering. He’s what you’d call a mixing pot of R&B, country, gospel, pop, rock and roll, etc… TA’s “style influenced by a variety of artists such as Ray Charles, James Brown, Smokie Robinson, The Temptations, Jamie Foxx, Tank, Tyrese, Musiq Soulchild, Fred Hammond, John P. Kee, amongst others. T.A. tries not to trap himself in the box on genres but tries to use his love for all music to unlock the hearts and souls of listeners around the world.
T.A. Rell return to Wednesday MidDay Medley to share the newest single from T.A. Rell called, “Take It Back.” T.A. Rell plays keyboards and sings background with Just Angel in their band The Wades. Just Angel is a musician, songwriter, dancer, and creative artist. Her powerful voice has been called, “Passionate … Soulful… and Inspiring.”
T.A. Rell thanks for being with us again on WMM
Arick “T.A. Rell” Ridgell has been writing and producing music since the age of 18. The Kansas City, Missouri native was born August 29, 1990.
He’s an alumni of Center High School (Kansas City, MO), and a current student at Longview Community College (Lee’s Summit, MO), where he’s currently looking to obtain a degree in Audio Engineering.
He has produced music with many artists including the song “Make Love” produced by Tj-Hooker)
“Take It Back” – Single / T.A.P. OUT MUSIC – DistroKid / February 14, 2025
11:13
T.A. Rell – “Take It Back” from: “Take It Back” – Single / T.A.P. OUT MUSIC – DistroKid / February 14, 2025 [Arick “TA. Rell” Ridgell is a 23 year old producer/writer/artist who recently has began emerging by way of the internet. The Kansas City,Missouri native was born August 29,1990. He’s an alumni of Center High School (Kansas City,MO, 64131), and a current student at Longview Community College (Lee’s Summit,MO), where he’s currently looking to obtain a degree in Audio Engineering. He’s what you’d call a mixing pot of R&B, country, gospel, pop, rock and roll, etc… TA’s “style influenced by a variety of artists such as Ray Charles, James Brown, Smokie Robinson, The Temptations, Jamie Foxx, Tank, Tyrese, Musiq Soulchild, Fred Hammond, John P. Kee, amongst others]
11:17 – More Interview with T.A. Tell and Just Angel
We are talking with T.A. Rell and Just Angel who with their band, The Wades can be found rocking stages with original songs from their recordings and eclectic takes on popular music. We just heard the new single from T.A. Rell
Just Angel is a singer, musician, songwriter, dancer, and creative artist. Her powerful voice has been called, “Passionate … Soulful… and Inspiring.” Her music finds its home in Rock, Jazz, and Alternative, and she has found a way to incorporate those genres within her love with Soul and R&B. Just Angel has performed with My Brothers & Sisters. Just Angel and her band, The Wades (which include T.A. Rell) can be found rocking stages with her original songs from her recordings and eclectic takes on popular music. She released her debut EP, JUST ANGEL, PART 1 on December 24, 2020. She released her follow up EP, JUST ANGEL, PART 2 on December 25, 2021. She also contributed vocals to the amazing Sisterbot record. Just Angel has performed in multiple theatre theatre productions., and has been working on her musical degree at UMKC. Last year Just Angel released the single “Dumb” which was part of WMM’s favorite 50 Singles of 2024.
Just Angel and T.A. Rell thanks for being with us again on WMM
Just Angel produced the 4 song EP, JUST ANGEL PT.1 in 3 days in 2020, She then produced a second 4-song EP, JUST ANGEL PT. 2 in 24 hours in 2021. Just Angel has a birthday on December 24. Producer & Musician T.A. Rell helped birth into fruition the Just Angel EP releases with the 5 month hiatus between recordings.
Just Angel has been working on her musical degree at UMKC.
Just Angel collaborated with Sisterbot aka Adee Dancey on the track “Approval.”
With Adee Dancy Just Angel has a band called Neo Emo Soul.
Last year Just Angel released the single “Dumb” which was part of WMM’s favorite 50 Singles of 2024.
Just Angel and T.A. Rell thanks for being with us again on WMM
Just Angel – “Dumb” from: “Dumb” – Single / T.A.P. OUT MUSIC/ August 9, 2024 [Just Angel is a Kansas City based, singer, musician, songwriter, dancer. and creative artist. She recently contributed vocals to the recent Sisterbot record. More info at: /distrokid.com/hyperfollow/justangel/just-angel–pt-1: Just Angel: Pt. 2 is a followup to Just Angel Pt.1 – EP released on December 24, 2020 Just Angel is a musician, songwriter, dancer, and creative artist. Just Angel, has been seen on stages of The Barn Players Community Theatre, at Johnson County Arts & Heritage Center in BEAUTIFUL, The Carole King Musical,, The Music Theater Heritage: Ruby Room performance of “Piece of My Heart” in 2023, The Black Repertory Theatre of Kansas City “After Midnight” in 2022, and playing Osceola Mays in “Texas in Paris” in 2021. Her band, The Wades, can be found playing eclectic takes on pop music, and Just Angel‘s originals, from Part 1 & 2. Her single “Dumb”, was released August 9, 2024. More at https://linktr.ee/JustAngel_TigerLilyStar%5D
11:28 – Underwriting
Miss Boating – “You’ll Sparkle” from: Jewel In The Trash / High Dive Records / June 29, 2024 [Miss Boating signed with High Dive Records to release their debut album, JEWEL IN THE TRASH. Miss Boating is a KC based, 5-piece with multi-instrumentalist & lead singer Charlie Colborne, drummer Bill Belzer, Aaron Jones on trombone, Tom Gillespie on Saxophone, and Bryan McGuire on bass. (Phil Dickey played bass on the album.) Charlie and Bill met in the late 1980s. In the beginning they were called The Sympathetic Fringe, and then The Sleazebeats. In recent years Charlie & Bill added Aaron, Tim and Bryan. Described by one local radio host as “the perfect house band for a John Waters After Party.” One of their songs is about a friend’s mom’s dynamic relationship with prescription medication. Another is a tribute to the late Evan Jolly, their former bassist. All of the songs written by Charlie Colborne through his blue/gay eyes. These songs have a fine patina of ditch weed, filthy humor, cigarette smoke, gay drama, Bee Gee’s inflected new wave, queer music hall schmaltz, odd stiff naive sambas, and box wine. More info at: http://www.highdivekc.com // From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. // On Jan 1, 2020 Miss Boating released The Vhargon Sidestep w/: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]
[Miss Boating play The Ship, 1221 Union Avenue, KCMO, Friday, March 7, 2025 at 9:00pm with Sit Queen both opening for Paisley Fields.]
11:33 – Interview with Charlie Colborne & Bill Belzer
Charlie Colborne is Senior Editor & Editorial Manager for Greeting Cards at Andrews McMeel Publishing. Prior to this position Charlie worked as an Attorney for Legal Aid. Charlie Colborne is from KC, and literally lives 3 blocks from where he was born. As he writes, “…basically, he’s gone nowhere.’ Charlie came from a musical family, his mother Kathleen passed down to him her love of playing the piano. Charlie has been playing in bands since the late 1980s including The Larvae, The Post-Executives, Crackpot Idealists, Borax Babies, Faun, The Sympathetic Fringe, The Escapegoats, The Sleazebeats and Miss Boating. Charlie also has collaborated with theatre performances.
Charlie Colborne, Thanks for being with us on Wednesday MidDay Medley
Bill Belzer was born on the day Nixon was elected to his only full term (November 5, 1968 ) at the now demolished St. Mary’s Hospital, in a room over-looking the Liberty Memorial. He played bass guitar and drums in high school, first at Catholic Savior of the World High School Seminary in Kansas City, Kansas and then Rockhurst High School, in Kansas City, Missouri, from which he graduated in 1987. While at Rockhurst High School he joined the band Mongol Beach Party as drummer. The band’s breakup coincided with Bill leaving to join Uncle Tupelo as drummer for a stint on their European-American Tour with Michelle Shocked, The Band and Taj Mahal in the early 1990s. Like Charlie he has stuck close to home. His beloved boyfriend Aaron plays trombone in Miss Boating and they are both very much looking forward to having band practice again. Bill has been a part of the bands: Mongol Beach Party, Grumpy, Uncle Tupelo, The Grant Hart Band, The Sleazebeats, The Patio Set, The Terrible Twos, Ghosty, Lazy, The New Amsterdams, and Miss Boating.
Bill Belzer Thanks for being with us on Wednesday MidDay Medley
Miss Boating play The Ship, 1221 Union Avenue, KCMO, Friday, March 7 at 9:00pm opening for Paisley Fields.
Congratulations on being signed to High Dive Records
High Dive Records says, “These songs have a fine patina of ditch weed, filthy humor, cigarette smoke, gay drama, Bee Gee’s inflected new wave, queer music hall schmaltz, odd stiff naive sambas, and box wine.” More info at: http://www.highdivekc.com
Charlie and Bill met in the late 1980s.
In the beginning they were called The Sympathetic Fringe, and then The Sleazebeats. In recent years Charlie & Bill added Aaron, Tim and Bryan.
Charlie Colborne on keyboards and guitar, Bill Belzer, on drums Aaron Jones on trombone, Tom Gillespie on Saxophone, Bryan McGuire (The ACBs) on bass. (Phil Dickey played bass on the album.)
Described by a local radio host as “the perfect house band for a John Waters After Party.
Many of the tunes on their self titled debut LP may have been written before your parents were born. One song is about a friend’s mom’s dynamic relationship with prescription medication.
Another describes what tetracycline does to your teeth. Another is a tribute to the late Evan Jolly, their former bassist, but it could be about anyone you still love but miss every day.
All songs written by Charlie Colborne. Bee Gee’s inflected new wave, queer music hall schmaltz, odd stiff naive sambas. Many genres. This queen contains multitudes.
11:42
Miss Boating – “Jewel In The Trash” from: Jewel In The Trash / High Dive Records / June 29, 2024 [Miss Boating is a KC based, five-piece with multi-instrumentalist & lead singer Charlie Coleborne, drummer Bill Belzer, Aaron Jones on trombone, Tom Gillespie on Saxophone, and Bryan McGuire on bass. (Phil Dickey played bass on the album.) Charlie and Bill met in the late 1980s. In the beginning they were called The Sympathetic Fringe, and then The Sleazebeats. In recent years Charlie & Bill added Aaron, Tim and Bryan. Described by one local radio host as “the perfect house band for a John Waters After Party.” One of their songs is about a friend’s mom’s dynamic relationship with prescription medication. Another is a tribute to the late Evan Jolly, their former bassist. All of the songs are written by Charlie Colborne. // From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. // On Jan 1, 2020 Miss Boating released The Vhargon Sidestep with: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]
[Miss Boating play The Ship, 1221 Union Avenue, KCMO, Friday, March 7, 2025 at 9:00pm with Sit Queen both opening for Paisley Fields.]
11:44 – More Interview with Charlie Colborne & Bill Belzer
We are talking with multi-instrumentalist & lead singer Charlie Colborne, drummer Bill Belzer, about their band Miss Boating.
Last year Miss Boating were signed to High Dive Records
Miss Boating play The Ship, 1221 Union Avenue, KCMO, Friday, March 7, 2025 at 9:00pm with Sit Queen both opening for Paisley Fields of the band Lavender Country
Miss Boating: Charlie Colborne on keyboards and guitar, Bill Belzer, on drums Aaron Jones on trombone, Tom Gillespie on Saxophone, Bryan McGuire (The ACBs) on bass. (Phil Dickey played bass on the album.)
How the band took on the name “Miss Boating,” is inspired by, Charlie’s mom, Kathleen Rita Colborne, who in January 1956, was crowned “Miss Boating” at the Kansas City Sports Show. A photo of Miss Boating went up at the bar in the Twin Oaks apartment complex where she lived. The photo caught the eye of John H. (Jack) Colborne, from Wausau, Wisconsin. They met, and after a brief courtship they married in August 1956.
From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died.
The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin.
On January 1, 2020 Miss Boating released The Vhargon Sidestep with: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]
Miss Boating rose from the ashes of your former band The Sleazebeats, who played live in various incarnations for 20 years, always with Bill and Charlie. Releasing a full length album with Jeff Harshbarger on bass on January 1, 2012
Charlie and Bill faced a difficult 2019 when combined with the death their the friend and Sleazebeats bassist, Evan Vhargon who took his own life on November 8, 2018. And also with Charlie’s mother passed away on March 1, 2019.
You guys wrote that you “were lost when Evan passed.”
Through the tough times Bill and Charlie kept playing music and “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.”
Phil Dickey is part of the bands: Dragon Inn 3, and Someone Still Loves You Boris Yeltsin.
A midtown staple, Charlie has been in a bunch of bands, most of which seldom ventured out of the basement.
Here’s the list: The Larvae, The Post-Executives, Crackpot Idealists, Borax Babies, Faun, Sympathetic Fringe, The Sleazebeats, The Escapegoats, Miss Boating
Charlie Colborne & Bill Belzer thanks for being with us on Wednesday MidDay Medley
Miss Boating play The Ship, 1221 Union Avenue, KCMO, Friday, March 7, 2025 at 9:00pm with Sit Queen both opening for Paisley Fields.
11:54
Paisley Fields – “Iowa” from: Limp Wrist / Don Giovanni Records / August 26, 2022 [James Wilson, is known professionally as Paisley Fields. They are a queer country music artist based between Brooklyn, NY and Nashville, TN. // Wilson grew up in Hudson, Iowa where their grandparents owned a farm. They grew up listening to country music, but resisted performing in the genre until they reconnected with their country roots while living in Japan. // Wilson is queer and non-binary. // Wilson assembled an alt-country band which performed their first show as the Paisley Fields in Brooklyn on New Year’s Eve 2013. After the release of their first EP Oh These Urban Fences in 2015, Wilson adopted the name Paisley Fields as a stage name. Their first full-length album Glitter & Sawdust, released in 2018, is an exploration of the duality of the masculine and feminine. // The next two albums Electric Park Ballroom and Limp Wrist were released on Don Giovanni Records. Electric Park Ballroom is named after a dancehall they visited in childhood but the songs center on present-day urban narratives while Limp Wrist focuses on the realities of rural queer life. // In 2019, Paisley Fields toured with queer country pioneers Lavender Country and Lavender Country later guested on Paisley Fields’ “Stay Away From My Man.” They played keyboards on Lavender Country’s 2022 album Blackberry Rose. // “Burn This Statehouse Down,” a duet with Mya Byrne protesting Tennessee’s anti-trans legislation, was chosen as one of NPR music critic Ann Powers’ favorite songs of 2023. // As a songwriter, Wilson has written with Bob the Drag Queen (“Purse First”) and Scarlet Envy (“Feeling Is Mutual,” “Press On,” “Is It Me?”). // Paisley Fields combines country, rock, pop, and disco while their lyrics include explicit queer themes, ranging from gay sex (“Ride Me Cowboy”) to being outed (“Blackhawk County Line”) to referencing Matthew Shepard (“Iowa”)..]
Paisley Fields Discography “Burn This Statehouse Down” with Mya Byrne (2023) (Kill Rock Stars) The Field Sessions Live EP (2023) (Don Giovanni Records) Limp Wrist (2022) (Don Giovanni Records) Electric Park Ballroom (2020) (Don Giovanni Records) Glitter & Sawdust (2018) Oh These Urban Fences EP (2015)
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
NEXT WEEK, on March 5 we present Radio-Trans-Mission featuring our favorite Trans artists we’ve regularly featured on our show musically and as special guests. Also next week we are joined by Rachel Christia,Fran Stanton, and Betse Ellis as our special Guest Co-Hosts, for our Wednesday MidDay Medley Winter On-Air-Fund Drive.
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org