Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, August 6, 2025
New & MidCoastal Releases + Day Shepherd & Tirzah DeMeire + Paul Jesse + Keyon Monté and The Scottish Play
Mark spins more New & MidCoastal Releases from: Elexa Dawson, Hembree, Pool Culture, Mitzi McKee and The Precious Cargo, IVORY BLUE, Day Shepherd, Caitlyn Stegeman, Tirzah DeMeire, Markus Raines, Paul Jesse, Mr. Marco’s V-7, Calvin Arsenia, Cowboy Indian Bear, Cyndi Lauper & Patti Labelle.
At 10:30am we talk with Day Shepherd & Tirzah DeMeire. With Day Shepherd‘s work as a musician, he approaches songwriting and the accompanying music from a number of different angles. In his youth, he found the hard driving rock and metal of the 70s and 80s provided intensity and emotional expression that resonated. As he continued his journey musically, he has enjoyed lyricists who are able to set the scene and tell us a story in their lyrics. As an acoustic guitarist with some training in classical guitar, Day Shepherd enjoys the vibe of fingerpicking in music. Day hopes that his songs inspire audiences to feel the intensity of emotions, and find a space where their own journey is heard and seen. There are also times when music is the platform by which we speak for those without a voice. Day hopes that he can provide that platform for important concerns within society.
Tirzah DeMeire (she/her) is a singer songwriter who performs in the KC area in which she has grown up. She uses music as an outlet for hardships in her personal life and also for what she sees in our current climate. Tirzah is a sensitive soul, and her lyrics are written carefully and lovingly. Her fifty songs span across themes of loss, love, trauma, heartbreak, and spirituality. She is currently looking for a producer to record her first album but is happy performing at local gigs and open mics in the meantime.
At 11:00 we welcome back Paul Jesse who is a singer, songwriter, and producer crafting introspective and genre-blurring music from Lawrence, Kansas. Blending the intimacy of indie pop with the groove and atmosphere of electronic R&B, his sound is as emotionally raw as it is sonically rich. Paul launched his solo project in 2021, bringing a deeply personal voice to a soundscape shaped by moody synths, soulful vocals, and minimalist beats. In 2024, he released his debut album “Hello Paul Jesse” — a bold introduction to his world. Now, he’s entering a new chapter with his upcoming sophomore album, “Cycles”, signaling a more vulnerable and refined sound. Paul has shared the stage with artists like 454, Marlon Funaki, NNAMDÏ , Slow Hollows, and Pardyalone, continuing to build a name rooted in emotional honesty, DIY spirit, and genre-fluid expression. Go to pauljesse.com for more details on his upcoming August tour & new album “Cycles”.
At 11:30 Keyon Monté shares the details about a bold new production of Macbeth. In this immersive new experience, Shakespeare’s legendary tale of ambition, blood, and prophecy is reawakened inside a gutted office building in downtown Kansas City. Set in the distant future, the production surrounds the audience with shadows, smoke, and the rhythmic pulse of a dying world. As witches glitch, a DJ manipulates sound live each night, and audience members step into roles themselves, Macbeth KC becomes not just a story — but a haunting cycle you’re trapped inside. MACBETH KC traps its audience inside a chilling loop of power, paranoia, and collapse. From playwright, visual artist, and costume designer Keyon Monté, in his first work for the Kansas City scene, this limited-run, fuses industrial fashion, live music, audience participation, and guerrilla lighting to conjure a kingdom ravaged by fallout and fate. Music by Blob Castle. The production runs through August 10 with performances: Thursday, August 7, at 7:30pm, Friday August 8, at 6:00pm, Saturday, August 9 at 8:00pm, and Sunday, August 10, at 2:00pm and 7:30pm. All performances at: 710 Central Avenue, KCMO.. For more info you can visit: http://www.macbethkc.com
On your local radio dial 90.1 FM or STREAMING LIVE at: kkfi.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, July 16, 2025
WMM’s Favorite MidCoastal Releases of 2025…So Far! (Part 1) + Betse Ellis, Mikal Shapiro, and Sandra Draper
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
Various Blonde – “Silent Partner” – Single from: “Silent Partner” – Single / Various Blonde / April 11, 2025 [One of three new singles released in the last few months from Various Blonde. “Couldn’t Love Me” was released March 7, 2025, “RAW”was released January 10, 2025. // Various Blonde released the 10-track album, Love Is How We Will Survive on September 1, 2023. That album contained 4 singles released over two years from 2022 to 2023. Various Blonde is a Kansas City based experimental, rock, pop, and funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, and vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.” On September 24, 2022 Various Blonde released the single, “Love is How We Survive.” On August 19, 2022 Various Blonde released the single, “Obtuse”. On June 9, 2022 Various Blonde released the single, “Too Many Secrets.” On March 13, 2020 Various Blonde released a three song EP called 3s through The Record Machine. On January 2020 Various Blonde released a three song EP called 3s 1 through The Record Machine. On September 16, 2016 Various Blonde released the 10-track album ALL BASES COVERED through The Record Machine. On January 13, 2015 Various Blonde release the 10-track album, SUMMER HIGH. “More info at: http://www.variousblonde.com]
TheBabeGabe X The Human – “FUTURISTIC LOVERS” from: HONEYPOP / Seven Rings Media / March 5, 2025 [Production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on September 20, 2024 through Dirty Hit Records and immediately followed with an 8-track seventh studio album HEAVEN ON URF, on October 25, 2024 on Dirty Hit Records. Our friend and music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On October 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. Kansas City is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.” Deiondre added, “The music scene here is getting cool now, there’s a lot of jazz musicians that go to school for music here too but you can find people from different scenes all over if around the city.” Ty wrote, “The KC scene is great, the community here is so supportive and genuine. This is a really prideful city here and I think they’re finally getting the musicians they deserve.”]
[TheBabeGabe will be joining us LIVE on WMM on August 27 at 11:30am.]
10:07 – Intro / Pledge Break #1 Today we present WMM’s Favorite MidCoastal Releases of 2025…(so Far!)
We bring you this special show as part of our KKFI Summer Fund Drive. And this is where YOU can be involved! We’ll take a few breaks each hour, to encourage YOU to call us at 888-931-0901 or http://www.kkfi.org to make a donation in support 90.1 FM KKFI.
Joining me in the studio, we have some very special co-hosts:
Betse Ellis. Originally from Fayetteville, Arkansas, Betse received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. For 50 years she has been playing the violin and fiddle professionally and also working as a teacher of music. Betse was a founding member of the acclaimed internationally known band, The Wilders. Betse has released two acclaimed solo records, and records & performs with the band Little Miss Dynamite, The Starhaven Rounders, Ernest James Zydeco, and with her husband, multi-instrumentalist Clarke Wyatt, as the internationally known, Betse & Clarke.
Betse Ellis, Thanks for being with us on Wednesday MidDay Medley
Also with us is Mikal Shapiro the creator and co-host and producer of Siren Song, Saturdays at 11:00 AM on 90.1 FM KKFI Kansas City Community Radio. Mikal is also the co-founder of River Trade Radio on 90.1 FM. Mikal Shapiro is the coordinator of the annual Kansas City Folk Fest. They are also founder of State City Films creating documentary and experimental filmmaking practices. A third generation storyteller, they draw inspiration from their travels, love life, and the state of the Union. Mikal studied Film History, Film, & Writing at Sarah Lawrence College in Bronxville, New York. They received their MFA in Film/Video/New Media/Animation from The School of the Art Institute of Chicago in 2012. Artist, filmmaker, puppeteer, ring-leader, Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. They have toured extensively across the United States and have recorded 5 critically acclaimed albums. Mikal records and performs with their band The Musical. They also perform with Shapiro Brothers, and Monta At Odds, and Religion of Heartbreak.
Mikal Shapiro, Thanks for being with us on Wednesday MidDay Medley
Also with us is Sandra Draper a member of KKFI’s Board of Directors, Sandra was born in Kansas City and attended Paseo High School. Sandra became a student at Washburn University in Topeka, Kansas, and eventually returning to Kansas City to complete her last year graduating with a Bachelor of Arts degree studying history and communications from University of Missouri at Kansas City. She is the mother of four children three sons and one daughter. While her children were all born on different years 1978, 1979, 1980, and 1981 two of her sons were born on the same day, and her daughter and other son were also born on the same day. For the past year Sandra has been volunteering at KKFI and has been in training to host and produce her own radio show, Silky San’s Soul Sensation coming soon in the overnight hours on 90.1 FM
Sandra Draper, Thanks for being with us on Wednesday MidDay Medley
90.1 FM KKFI Kansas City Community Radio is Non-Commercial, and that means that three times a year, we interrupt our regular programming, to ask our listeners, to help us continue our unique, 24-7 programming. For 37 years 90.1 FM KKFI has been on the air. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We are a non-profit, with a dedicated paid staff of four incredible individuals, and hundreds of volunteers, who donate thousands of hours every year, producing radio shows, training new hosts & producers, developing new radio shows, serving our vast community landscape with music and news, information and stories that reflect the many communities we serve. We do all of this because of YOU and it is because of our incredible listeners, who take a moment and call 888-931-0901 and donate, that we are able to continue. You keep us alive! Our volunteers are waiting to hear from YOU right now. WE NEED YOU – MORE THAN EVER.
90.1 FM KKFI is “Radio Powered By Diversity” For 37 Years our Kansas City Area Community Speaks Through our Airwaves and this Program.
So far… in 2025 on WMM Mark has interviewed 105 Guests: Krystle Warren, elska, Michelle Bacon, Mike Dillon, Peregrine Honig, Malek Azrael, Joshua Luke, Izzy Vivas, Julie Bennet Hume, Doug Hitchcock, Diana Watts, Kevin King, Daniel Gum, Chris Garibaldi, Mark Henning, Ross Brown, Miquel Antonio, Daniel Cole, Paul Seiz, Cody Ryan Stapleton, Matt Muckenthaler, Nathan Reusch, Zach Lamun, Les Izmore, Charlie Colborne, Billy Belzer, T.A. Rell, Just Angel, Dylan Pease, Andy Wooden, Betse Ellis, Rachel Christia, Mikal Shapiro, Seth Davis, Evan Verploegh, Shanté Clair, Benjamin Baker, SEYKO, Cole Bales, Cody Calhoun, Noah Cassity, Kole Waters, Alex May, Stephonne, Danielle Anderson, Zach Hodson, Valerie Schurman, Joe Frogge, Fally Afani, Til Willis, Heather Pontonio, Jose Faus, Elizabeth Bettendorf Bowman, Chico Sierra, Zo E., Jaclyn Danger, Simon Huntley, J. Ashley Miller, Grace Broadhead, Jason Turk, Sandra Draper, Enrique Chi, Julia Othmer, James T. Lundie, Alber, Jennie Ferguson, Scott Mize, Matt Kesler, Shaun Crowley, Paul Jesse, Alex Wong, Jen Kiper, David Luther, Sergio Anthony Gonzalez, Jeremiah James Gonzalez, Katlyn Conroy, Chris Catterall, Cheyenne Jackson, Kate McCandless, Moksha Sommer, Jemal Wade Hines, Chris Haghirian, James McGee, Meighan Peifer, Michael McQuary, Joey Arias, Lonnie Fisher, Tara Fisher, Adee Dancy aka Sisterbot, Hadiza., Suzannah Johannes, Keelon Van, Alyssa Murray, Ernest Melton, Mará Williams, J.M. Banks, Beth Watts Nelson, Spencer Thompson, Amanda Davis, Derek Trautwein, Dedric Moore, Rachel Lovelace, Kai McGarry, Alicia McGarry.
Daniel Gum – “Met You Too Soon” from:The Great Conjunction / Manor Records / February 7, 2025 [All songs written/performed by Daniel Gum (BMI), production/engineering: Mike Crawford & Daniel Gum, mixing: Daniel Gum, bass: Joel Stratton, drums/percussion: Micah Ritchie. With Joel Stratton (piano on 1, baritone guitar on 2), Wills Van Doorn (slide guitar on 3), Brandon Bray (lead guitar on 6), Cole Crawford (piano on 10), Devon Teran (pedal steel on 2), Evan Herd (writing for drums on 7), Rachel Cionitti (bgvs on 1-6, 8), mastering: Mike Nolte at Eureka Mastering, artwork/lettering: Daniel Gum] // Here’s what Daniel had to say about this track: “This song was written reflecting on a past relationship—thinking things probably could have worked out if we met 5 years later than we did. Or maybe they wouldn’t have.. but I’ll never know. This song is a part of a series of singles leading up to my second album. I hope you enjoy the chord progressions and slide guitar especially”. // Daniel Gum is a singer-songwriter based out of Kansas City, KS who has been active since 2017. Daniel Gum released the single “Julia” on December 9, 2022. Daniel Gum released the single “Wolverine (ft. Rachel Cion)” on September 19, 2921. Daniel Gu, released the electronic pop EP, I’M NOT DEAD in 2017 and an acoustic EP, MOON in 2018. In addition to working on his own solo project, Daniel has been working with other local groups—playing bass and engineering for his band Pillow (a post-punk/shoegaze group) and playing drums behind singer-songwriter Chloe Jacobson, also doing some recording for her. Channeling the likes of Elliott Smith & Andy Shauf, he co-produced his new record THIRTEEN with Mike Crawford, playing almost everything you hear on the album and mixing it himself. Signing to Manor Records in the spring of 2020, he officially released THIRTEEN on cassette & CD on October 30, 2020. All songs written, performed, and.mastered by Mike Nolte at Eureka Mastering. Daniel Gum is a 24 year old singer-songwriter . Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EPI’M NOT DEAD on October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming. The first single from Daniel Gum’s album, Thirteen “Ruin Your Life” was released on September 4, The second single, “In The Worst Ways” was released September 28, 2020. ] [On our July 22, 2020, WMM show we played Daniel Gum’s track, “Tired Saint” from French Exit Records – Black Lives Matter Compilation, released July 6, 2020. French Exit Records was launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. Daniel Gum joined us on WMM on November 11, 2020]
Stephonne – “1 Think It’s Gonna Be Alright” from: “1 Think It’s Gonna Be Alright” – Single / Glory Blue Music / April, 2025 [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Recorded, mixed and mastered at Westend Recording Studios, Kansas City. Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. Stephonne’s new single Forgive Me, Father (Sinead O’Connor) was released an May 21, 2025. More info at: http://www.stephonne.com]
LYXE – “All Alone” from: “All Alone” – Single / LYXE / February 21, 2025 [Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass,. This indie/alternative rock band LYXE, is from Lawrence, Kansas. // The track is a raw and powerful anthem that taps into the pain of a broken relationship and the messy aftermath of trying to heal. Known for their high-energy live performances and a sound that effortlessly blends nostalgia with originality, LYXE continues to carve out their place in the indie scene with “All Alone.” Drawing from the energy and grit of 80s, 90s, and early 2000s rock, the song brings listeners a no-frills, back-to-basics rock and roll experience. With stripped-down instrumentation and emotive lyrics, the band’s latest track dives deep into the personal struggle of dealing with an ex’s departure and the unhealthy coping mechanisms that follow. // Lead vocalist and guitarist, Ryan Wise explains, “‘All Alone’ is about feeling like you’re stuck in a cycle of self-destruction after losing someone. The pain becomes a comfort, and it’s easier to lean into unhealthy habits than face the truth. It’s not about the ex anymore – it’s about how we often lose ourselves when the world feels too heavy.” // The single arrives on the heels of LYXE’s consistently packed live shows, which have become a staple in the Midwest music scene. Their vibrant and engaging performances have earned them a dedicated following, making them one of the most exciting and authentic indie bands to watch in 2025. Fans of hard-hitting guitar riffs and unapologetic, emotional storytelling will find “All Alone” to be a perfect addition to their playlist. The song is a raw, cathartic journey that resonates with anyone who has ever been left behind and found themselves drifting in search of a way back to something real. // Formed in 2019, they’re an energetic three-piece whose music blends the best of modern rock radio with danceable ’80s New Wave. If Wavves listened to a lot of early INXS, the music they made would sound like LYXE. I Heart Local Music describes them as “…easily Lawrence’s most exciting band at the moment, and they prove it with every show.” // LYXE, a three piece pop-rock outfit formed out of the love of getting fans to sing and dance along to hip shaking rhythms reminiscent of classic 80’s and 90’s sounds. They quickly became a favorite of crowds and musicians alike with the lead of Ryan Wise’s crooning vocals and vintage guitar sounds. The trio has an undeniable chemistry that caught the local scene like wildfire. Bassist AJ Knudson brings a loveable charisma to their live presence, while drummer Jimmy Girod’s subtle, elegant delivery gives this act a sophisticated backbone. // LYXE released their debut EP, EVERYTHING YOU COULD EVER WANT on September 15, 2022. Pulling inspiration from a wide range of genres, this six-song EP has a pop-rock, new wave nostalgia that sinks its teeth into you. Luring in listeners with dramatics and lush hooks on “Wave,” yet unafraid to tap into their feral side on “I Got Everything.” The record closes with “Fit,” which makes you feel like you’re in an argument with your prom date in 1989. Recorded, at Element Recording Studios in Kansas City. The new EP gave listeners a different side of Ryan Wise’s songwriting with crooning vocals and vintage guitar sounds. // On June 23, 2023 LYXE released a remastered version of their song “Wave (Remastered 2023)” produced by Joel Nanos. Remaster by Jake Vertigo, with: Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass, and Chase Horseman on synthesizer. This was originally the debut single “Wave.” // LYXE release their singe ”Ice Cream” on June 23, 2023 // LYXE released their single “P{rom Song” on November 10, 2024. // LYXE released their single “Hard To Talk” on October 4, 2024. // For additional information or inquiries please contact: wearelyxe@gmail.com ]
[LYXE play The Bottleneck, 732 New Hampshire st. Lawrence, KS. on Saturday, July 19 at 7:00pm with Pink Fuzz, and Frogpond.]
10:27 – Underwriting
10:29 – Pledge Break #2
Our WMM Summer Fund Drive Team: Betse Ellis, Mikal Shapiro, and Sandra Draper
Today on WMM we are playing our Favorite MidCoastal Releases of 2025. 90.1 FM KKFI’s non-profit organization and governing body is the MidCoast Radio Project. MidCoastal is where we are, on the coasts of the Missouri and Kansas Rivers with a music community that spans the Kansas City Metro region and west to Lawrence and Topeka and south to Olathe and east to Columbia and North to St Joseph. Not necessarily the reach of our 100,000 watt signal but definitely the reach of our community.
WMM and KKFI are committed to featuring artists under-represented in other media, and that includes the music community that lives within KC and Lawrence and the radiance of our 100 watt signal. The story of KC’s Arts and Music Community is our primary focus on WMM, where for 20 years we have shined a light on the artists, the music labels recording studios, and music venues.
Wednesday MidDay Medley 90.1 FM was the first radio show and first radio station to ever play many of these amazing musical artists. WMM was the first to play the recordings of: Calvin Arsenia, Madisen Ward and the Mama Bear, Krystle Warren, The Black Creatures, The Shy Boys, The Salvation Choir, The Creepy Jingles, Ivory Blue, Stephonne, Miki P., Kai McGarry. We were the first to interview these artists live on the radio and bring their music to a wider audience.
One way to learn more about KC’s Music Community is 21st Annual Crossroads Music Fest, Sat., Sept. 6, 3pm to Midnight, in West Bottoms at Lemonade Park, Stockyards Brewing, Livestock Exchange, The Campground, Voltaire, The Ox Cafe & Bakery(VIP Venue) with KRYSTLE WARREN / LAURA NOBLE & FRIENDS / THE MGDS / RUDY LOVE AND THE ENCORE / SEYKO / STRANDED IN THE CITY / FRIENDLY THIEVES / LITTLE MISS DYNAMITE / FLAT SUSAN / ROYAL CHIEF / SASS-A-BRAS / THE WHIPS / JESUS CHRIST TAXI DRIVER / SARA SWENSON / TALIA KEYS / JELLY ROSE / MARIACHI ESTRELLA & GRUPO FOLKLÓRICO ALMA TAPATÍA / TERI QUINN & THE COYOTES / 3 TRAILS WEST / DJ THUNDERCUTZ / NATURE BOYS / TIMBERS / SKY SMEED / JULIE BENNETT HUME & ERNEST JAMES / DJ NANA G / LINEA FRONTERA / DYM N D / RURAL GRIT ALL STARS / THE APOLOGIES / JOHN KECK / OSEZUA / BOBBY SCHARPING / ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY Info at: http://www.cmfkc.com
10:37 – Bands Playing 21st Annual Crossroads Music Fest on Sat, Sept. 6
Nature Boys – “Common Visions” from: “Common Visions” Single / Dead Broke Rekerds / April 11, 2025 [Nature Boys released their album IV /on September 24, 2021. Nature Boys started playing together in Kansas City, Missouri September of 2009. They wrote this about their band: “We had our first show in November or December at the Troost House, and then our second show at Dave’s Stagecoach Inn. We left for our first tour in January of 2010. The band includes: Danny Fischer on guitar & vocals, Suzanne Hogan on bass & vocals. evan malone on drums. Kansas City, Missouri punk rock & rollers that have been kickin’ up dust all across the country since 2009! Their fourth album and first on Dead Broke after self-releasing a slew of their previous efforts. Imagine if Dead Moon was a buch of punk rockers from the south, then you might be getting close to what Nature Boys scrappy & energetic punk rock is all about. Limited to 300 copies. (200 Black, 100 Clear Pink) Comes w/download code.]
[Nature Boys play 21st Annual Crossroads Music Fest on Sat, Sept. 6, in West Bottoms at Lemonade Park, Stockyards Brewing, Livestock Exchange, The Campground, Voltaire.]
The Royal Chief
The Royal Chief – “Hi-Def (Radio Mix)” from: Fire – EP / Sovereign Sound / July 10, 2025 [New 5-track EP from The Royal Chief / Born in Kansas City, Missouri as Jamel Thompson to a single mother, The Chief is the youngest of six – two brother’s on his mother’s side and another brother and twin sisters from his father. Growing up, his mother fostered his mind; she encouraged The Royal Chief to read relentlessly and to experiment with his talents. This promoted a period where The Royal Chief began expressing himself by writing stories. Chief spent most of his early life in the urban areas of Kansas City. He and his mother moved to Dallas, Texas briefly before returning to Kansas City – to the suburbs – which provided an interesting contrast to his life before. // At the age of 13, after attending a concert in which Kanye West performed, Chief knew his path was in music and began rapping. Courtesy of his mother, he drew inspiration from R&B and Soul while getting his introduction to Hip Hop from his father and brothers. Hip Hop became a love and an outlet for him – a way to vent and document how he perceived the world. It was also an instrument for The Royal Chief to cope with the pain of losing his older brother and godmother who had a hand in raising him. // The Royal Chief moved to Atlanta, Georgia in 2012. He spent his first year there living out of his Honda Civic and obtained membership to a local gym to have access in order to take showers. He established a relationship with the manager at Tree Sound Studios through a mutual friend and was soon allowed to live in the studio’s building. He made the most of this opportunity by observing and learning many of the aspects of the music industry, audio/video recording, marketing, and most importantly building relationships and networking. Soon, he began to nurture a relationship with “Cyhi The Prynce” who took him under his wing allowing Chief to create and write for other G.O.O.D. Music artist. During this time, Chief was able to go on tour and learn just to write raps and incorporate rhythm and flow into his pieces to make them sound appealing. // In 2015, under his original moniker “J-Dub,” The Royal Chief began to meticulously focus on his own projects and released his first mixtape entitled Trial and Error. Later that same year, after a trip back to his hometown of KC, he made a conscious decision to change his stage name to something that reflected his passion for his two favorite home-town sports teams and one that represented his city. And in combining the names of those teams, he thus became “The Royal Chief”. Feeling the need to release some music to commemorate the name change, in September of 2016 he released his second project, an EP entitled Dawn – representing the beginning or “dawn of” something new. // In 2017, after seeing a Kareem “Biggs” Burke’s interview in which he said “if you don’t have your city you don’t have anybody,” Chief decided it was time for him to return home and build his name and his following up in his own city. That same year, after a house fire in which he lost everything but his life, he released his third project – an EP titled Homecoming. While building traction in the city, Chief worked diligently to network and perform live all around the Kansas City Metroplex and surrounding areas. In 2018, he released a three-track EP titled 3 Pack. Chief spent the next year working towards expanding existing relationships and building new ones. Chief’s objective was to spend time building a backing band for his live performances as well as collaborate with local artists and producers. And with this feat accomplished, in 2020, Chief released his fourth project titled Groundwork. Groundwork represents “laying the foundation” – it’s the cumulative efforts of networking, touring, and building a following. More info at: http://www.theroyalchief.com]
The Royal Chief will play the 21st Annual Crossroads Music Fest, Saturday, September 6, 3:00pm to Midnight, in West Bottoms at Lemonade Park, Stockyards Brewing, Livestock Exchange Lot, The Campground, Voltaire, The Ox Cafe & Bakery(VIP Venue) with KRYSTLE WARREN / LAURA NOBLE & FRIENDS / THE MGDS / RUDY LOVE AND THE ENCORE / SEYKO / STRANDED IN THE CITY / FRIENDLY THIEVES / LITTLE MISS DYNAMITE / FLAT SUSAN / ROYAL CHIEF / SASS-A-BRAS / THE WHIPS / JESUS CHRIST TAXI DRIVER / SARA SWENSON / TALIA KEYS / JELLY ROSE / MARIACHI ESTRELLA & GRUPO FOLKLÓRICO ALMA TAPATÍA / TERI QUINN & THE COYOTES / 3 TRAILS WEST / DJ THUNDERCUTZ / NATURE BOYS / TIMBERS / SKY SMEED / JULIE BENNETT HUME & ERNEST JAMES / DJ NANA G / LINEA FRONTERA / DYM N D / RURAL GRIT ALL STARS / THE APOLOGIES / JOHN KECK / OSEZUA / BOBBY SCHARPING / ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY Info at: http://www.cmfkc.com
Beth Watts Nelson – “Tallgrass” from: TALLGRASS – EP / Rural Grit Records / May 3, 2024 [“Tall Grass” a compilation of songs inspired by the Flint Hills. All three songs were recorded in one day on site at the Grimm-Schultz Farmstead during her time in residency with the Volland Foundation on April 26, 2025. For the recording Beth Watts Nelson played Banjo, Guitar, & Vocals, and Betse Ellis played Fiddle. Mixing and Mastering was completed by Clarke Wyatt, at Gnomes and Goats Studio. // Beth Watts Nelson’s band Little Miss Dynamite released their six-song debut EP GROW UP on May 3, 2024. It was part of WMM’s 120 Best Recordings of 2024. Little Miss Dynamite is a four piece string band with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. Engineered and Mixed by Clarke Wyatt, Gnomes and Goats Studio. Little Miss Dynamite played Boulevardia, Sat, June 14, 2025. More info at: http://www.bethwattsnelson.com]
[Little Miss Dynamite play 21st Annual Crossroads Music Fest, Sat., Sept. 6, 1pm in West Bottoms at Lemonade Park, for the Free Family Concert]
Krystle Warren & The Faculty – “Build It Up” from: Extended Play / Parlour Door Music / November 1, 2024 [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. // Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson.]
10:49 – Pledge Break #3
Our WMM Summer Fund Drive Team: Betse Ellis, Mikal Shapiro, And Sandra Draper
Last year on May 15, 2024 – WMM celebrated 20 Years on the radio w/ LIVE performances from: Calvin Arsenia, IVORY BLUE, Stephonne, Julia Othmer, Kasey Rausch and guests Marion Merritt, Maria Vasquez Boyd, Nico Gray, and Necia Gamby.
As of this week WMM has done 1104 weeks equaled 2208 hours of radio, 16,560 hours of preparation, over 2800 Interviews, 3000 guests, and over 27,500 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music community, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.
WMM has presented new formats in radio, with our “A Story In A Song” series, our shows featuring: Apocalypse Meow, Juneteenth, Power to The People Fest, Crossroads Music Fest, Folk Alliance International, Manor Fest, The Outer Reaches Festival, Boulevardia. KC Fringe Festival, Waldo Folk Series, Shuttlecock Music, The Folly Theatre, Owen Cox Dance Group, Bach Aria Soloists, KC Pride, our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, LGBTQIA Themes, Black Lives Matter and interviews with Joey Aria, Cheyenne Jackson, Lily Tomlin, Laurie Anderson, Tommy Ramone, Sweet Honey in The Rock, Iris Dement, Flamy Grant, Members of Fanny, Regina Spektor, Regina Carter, Tom Miller, Nick Cave, Holly Near, Sam Harris, our annual 4-week special: WMM’s 120 Best Recordings of the Year.
WMM has been inspired by the KC music community. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists we’ve met while doing this show.
We are inspired by the Fearless Women who created radio on 90.1 FM long before us: our friend April Fletcher who plays bass professionally in Los Angeles, and hosted Mix Well Before Serving on 90.1 in 1988 on KKFI’s first year of broadcast, and last year returned after 35 years to host and produce WMM.
And our friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. At Anne’s funeral we realized that we are connected to hundreds of other people who Anne had touched with her gentle, wise, guidance and had nudged into taking a job, going out on a stage, organizing an event, doing a radio show. We were all connected, she had loved us all and supported us, and some of us made a pact to do just a little bit of what Anne did, if we all did a little we could continue her work to help build our community, that is how we keep Anne alive in our heart.
And through collaboration, and shining a light, like Abigail Hope Henderson, who we lost in 2013, but not before she ignited a movement to create the Midwest Music Foundation supporting heath care needs and mental health care for the music community. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the stories & music & voice of our community.
Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers.
Together we are building our community. We celebrate 1104 weeks of WMM, the show that has brought us together, at this time, on this frequency, in these community airwaves. Thanks for listening.
Donating to 90.1 FM KKFI is investing in your community.
KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.
KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.
10:57
Danny Cox – “What a Time To Be Free” from: Feel So Good / Casablanca Records / 1974 [Recorded at Bell Sound Studios, New York, January-March, 1974. In 2021 Danny Cox digitally released YOUNG AND HOT (LIVE AT COWTOWN BALLROOM) EP on July 27, 2021. Danny Cox was born in 1942 in Cincinnati, Ohio. He is a folk singer and songwriter best known for his 1974 LP album Feel So Good. Danny Cox moved to Kansas City, Kansas in 1967. As a youth, he sang in a church choir together with Rudolph Iseley, and in the 1960s he started his professional career performing on a Hootennany Folk Tour. Cox has recorded albums for ABC Dunhill, Casablanca, MGM and others. He also partnered a company called Good Karma Productions, run by the KC based Vanguard Coffee House owner Stan Plesser, who managed the acts of Brewer & Shipley, and The Ozark Mountain Daredevils.]
[Danny Cox Celebration of Life with Bob Walkenhorst, Fast Johnny Ricker, Kasey Rausch, Gene Mackey, Bob & Diana Suckiel, & Many More – Friday July, 18 at 8:00pm at Knuckleheads 2715 Rochester St, KCMO]
On Friday, March 7, 2025 we lost a living legend in Kansas City.
Danny Cox recorded albums for Casablanca Records, ABC Dunhill and MGM. Many of these albums were recorded in Kansas City through Good Karma Productions run by Vanguard Coffee House owner Stan Plesser who managed Cox’s career along with Brewer & Shipley, and The Ozark Mountain Daredevils.
Danny Cox was born in 1943 in Cincinnati, Ohio to Bessy and Daniel Cox. He was the seventh of eight children. In 1963 a 20 year old Danny visited Kansas City while on a tour and was denied entry to the Muehlebach Hotel, but was accepted across the river at a Holiday Inn in Kansas City, Kansas. He would make his home in Kansas City, Kansas.
Danny moved to Kansas City in 1967, where he continued his over 6 decade long career. Danny Cox was a singer, songwriter, actor, playwright, jingles writer and father of 10 children, and grandfather. He wrote the jingle “The Grass Pad’s High on Grass.” He performed and acted on multiple stages in Kansas City, The Vanguard, The Cowtown Ballroom, The Kansas City Repertory Theatre, Theatre for Young America. He sold out Carnegie Hall four times, toured the world. When Danny performed live he elevated the stage and electrified the room with his spirit and voice.
He was such a power house of a human. He was so many things. He always stood for justice and equality and being a good human. His beautiful family is a testament to his character and love. When you find his music it will move you. Look for his earlier work, it stands the test of time and was always crossing over multiple genres.
Mark Manning introduced Danny Cox at the Crossroads Music Festival where Danny performed with a band of KC veteran musicians plus his children and grandchildren were performing with him. Mark had worked with Danny’s grandchildren at Quindaro Elementary with the KCK Organic Teaching Gardens. Mark was able to witness the love of this family, and the harmony they created. Danny Cox’s work and art and love will live on forever.
Danny Cox Discography: Live at 7 Cities (1963) Sunny (1968) Birth Announcement (1969) Live at the Family Dog (1970) Danny Cox (ABC Dunhill Records) (1971) Feel So Good (Casablanca Records) (1974) Troost Avenue Blues (3-track EP) (2006) Bring Our Loved Ones Back (one track) (2007) Sack of Trout (Single) (2015) Vandalism in Eb Minor (Coin Heaven) (Single) (2015) Kansas City – Where I Belong (Recorded at Pilgrim Chapel) (2012) Time Is What I Need (Single) (2020) Young and Hot (Live at Cowtown Ballroom) (5-track EP) (July 27, 2021) Big John Buck O’Neil (Single) (December 7, 2021)
11:00 – Station ID
Old Sound – “Relics of a Small Town” from: Liquid Folk Vol. 01 / Old Sound / April 25, 2025 [Liquid Folk Vol. 01 contains the first two singles to be released by the band, throughout the next few months leading up to their next full-length reklease.“Relics of a Small Town” & “Signs of Life” – Singles Greg Herrenbruck on bass & vocals; Grady Keller on mandolin, acoustic guitar & vocals; Chad Brothers on acoustic guitar & vocals. // On October 6, 2020 Old Sound released their album DELUGE. Recorded at Temple Sounds in Kansas City. The new album was produced by Old Sound, Brendan Moreland and Phil Wade. The album was engineered and mixed by Brendan Moreland and Mastered by Duane Trower at Weights & Measures Sound Lab. // “Deluge” dives deep into the band’s 20-year chemistry, showcasing the band’s acoustic soundscapes and strong three-part harmony. The wide range of songwriting contains lyrics concerning life, love, self-expression, capitalism, climate change, police brutality, the demise of our country, death, and much more. Grady Keller plays guitar and mandolin, Greg Herrenbruck plays bass and Chad Brothers plays lead guitar. All sing. The three members have been creating music together in some fashion for more than 20 years. Greg Herrenbruck & Chad Brothers grew up together as friends in Winfield, Kansas. Winfield is the home of the Walnut Valley Festival. As young college students at Kansas State University they met Grady Keller. The trio has shared many years of picking, camping and performing at the Walnut Valley Festival. Old Sound, is a synthesis of the ideas, techniques, songs and stories we’ve found in those campground. // In 2014 they released their debut recording RAIN FOLLOWS THE PLOW, Recorded and produced by Phil Wade at his studio, Alluvial Fan.More info at: http://www.oldsoundmusic.com]
[Old Sound play Lemonade Park, 1628 Wyoming WEST BOTTOMS on Thursday, July 17, at 7:00pm with Front Porch, and Folk on The Plow.]
Malek Azrael – “SELF!SH (feat. SISTERBOT)” from: Feels Like EP / Malek Azrael / March 1, 2025\ [On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]
[Malek Azrael & The Vibez plays miniBar 3810 Broadway Blvd, KCMO on Friday, July 18 at 7:00pm with Rachel is Kozi, and Reptile House]
11:09 – Pledge Break #4
Our WMM Summer Fund Drive Team: Betse Ellis, Mikal Shapiro, And Sandra Draper
We need KKFI Now More Than Ever. LGBTQIA, Urban Issues, Black Lives Matter, Labor Rights, The Environment, The Kansas City Visual & Literary Arts , The Performing Arts, Stadium Campaigns, Women’s Issues, Native American Issues, Jazz, Blues, Reggae, Classical, Hip Hop, Folk, Women’s Music, Indie Rock, Pop, Electronica, Punk…the answer is KKFI 90.1 FM Kansas City Community Radio.
We’re living in an age when an entire Political Party, a President, his entire cabinet, the U.S. Congress & Senate, The Supreme Court, Kansas & Missouri State governments are eliminating equality, civil rights, jobs, healthcare, & legal protections for women, minorities, people living with disabilities, and children. Our Transgender, Non-Binary & Queer friendshjave been made a target of a hate campaign. With the recent narrow passage of Trump’s “Big Beautiful Bill” ICE now has an estimated budget of $150 billion between now and 2029—an annual average of $37.5 billion, which is higher than the military expenditure of countries other than China and the US.
Things aren’t so good for pubic broadcasting. Federal cuts threaten Kansas City’s music scene: a joint statement from local stations. Kansas City’s noncommercial stations provide critical pipelines for new, local artists and music to be discovered. But if Congress rescinds federal funding for the Corporation for Public Broadcasting, public radio stations such as KKFI, KCUR, Classical KC, and 90.9 The Bridge would have diminished capacity to deliver the same quality and variety of music.
The U.S. House voted on June 12th to claw back federal funding for public broadcasting — an action that directly threatens Kansas City’s noncommercial music services, including 91.9 Classical KC, KCUR 89.3, 90.1 KKFI, Kansas Public Radio and 90.9 The Bridge.
The president formally requested that Congress rescind $1.1 billion in federal subsidies for the Corporation for Public Broadcasting (CPB), which lawmakers had already approved earlier this year.
That request set off a 45-day timer for Congress to act. Following the House vote in favor of recission, the bill is now under consideration by the U.S. Senate Appropriations Committee. Action may be taken on it as soon as next week.
WHAT’S AT STAKE – Music and the arts permeate almost every aspect of public media–from shows dedicated to music discovery and local artists to live on-air performances and concert calendars, public media provides access to music genres and artists that in many cases are ignored by commercial media.
Additionally, CPB represents the public media system to music rights organizations in negotiating blanket music licenses for noncommercial uses of music, and with a portion of the federal appropriation, CPB pays those licensing fees for all eligible public media stations.
Without federal funding for the CPB and CPB’s management of these music rights, public radio stations would face a diminished capacity to deliver the quality and variety of music you rely on, both on the radio and through our streaming platforms.
It would be cost-prohibitive and burdensome for individual stations to negotiate the same licenses and fees on their own. The loss of CPB’s role in securing music licenses is truly an existential threat for noncommercial public media.
Further, all archival stories, artist profiles and interviews or programs that use music will have to be removed from websites. The cost of compliance to review every archived story on a website or app to clear the rights again would be enormously burdensome, and, in most cases, prohibitive.
KC’s noncommercial stations provide critical pipelines for new, local artists & music to be discovered, with many artists attributing their success to their start on public radio. We also bolster local arts economies by forging partnerships with local arts organizations and performance venues, creating opportunities for the community to engage with them.
KKFI is an Independent, non-commercial radio station!
Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, to share your concerns, and offer resources and information. Along with our National Public Affairs shows like Democracy Now and Alternative Radio we offer more locally produced public affairs programs than anywhere else on the dial.
We offer programs for Women, the LGBTQIA Community, Native Americans, Black Public Affairs, Labor & Worker’s Unions, Middle Eastern Music & Information, Latino Programming, prison & justice system, environmental programming, Visual & Performing Arts, KC Tenants, Economics for the People, Understanding Isreal Palistine.
At KKFI there is no automated robot playing the same 40 songs in a “rotation,” based on a formula, created by a singular programmer of the robot. KKFI is the opposite of a robot.
There is almost always a human on the end of the phone line when you call 816-931-KKFI.
90.1 offers 100 different radio programs. 85 of these programs are locally, produced, hosted, engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 64 local music shows and 21 locally produced News, Public Affairs, Arts & Talk shows.
There are 140 hours each week of locally produced handcrafted programs.
You will not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting.
Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental.
With all of this, you hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, broadcast live from our non-commercial, midtown studios, at 39th & Main, in the center of our metro, across two states, a collective of communities, and thousands of listeners. What is this worth to you?
11:17
The Freedom Affair – “Get My Share” from: The Freedom Affair / Sunflower Soul Records / May 9, 2025 [Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar=, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]
Samantha Fish – “Lose You” from: Paper Doll / Concord Records / April 25, 2022. [Fish tracked Paper Doll at The Orb in Austin and Savannah Studios in LA in the midst of a grueling touring schedule, recording with her touring band for the first time: Ron Johnson (bass), Jamie Douglass (drums), and Mickey Finn (keys). // Samantha Fish made National TV Debut on The Kelly Clarkson Show on April 25, 2025 // Her 2019 album KILL OR BE KIND was part of WMM’s 119 Best Recordings of 2019. // Samantha Fish (born January 30, 1989) is an American guitarist and singer-songwriter from Kansas City, Missouri. While often cited as a blues artist, Fish’s work features and draws from multiple genres, including rock, country, funk, bluegrass, and ballads. // Fish grew up in the Kansas City area. She started out playing the drums, but switched to guitar when she was 15. Fish’s mother was the instructor in a local church choir, and her father played guitar with friends. Initially hearing recordings of Bonnie Raitt and Stevie Ray Vaughan, she later heard music from Tom Petty and the Rolling Stones and cites the Stones’ album Sticky Fingers as an early influence. She and her sister were both drawn towards blues music in their teenage years. // Fish regularly went to the Knuckleheads Saloon to hear touring blues artists. After turning 18, she often joined in with the singers and bands who were performing there.[ // In 2009, Fish recorded and produced Live Bait. The live album attracted the attention of a talent company, who recommended her to Ruf Records. Ruf Records put together a record with Fish and two other female blues artists, Cassie Taylor and Dani Wilde, titled Girls with Guitars. The three guitarists then toured on the Ruf Records 2011 Blues Caravan in the U.S. and Europe. // Fish continued touring with the Samantha Fish Band, featuring “Go-Go Ray” Pollard on drums and Chris Alexander on bass, playing in Europe and the United States. In 2011, Fish recorded Runaway with the help of her mentor Mike Zito. The album won the 2012 Blues Music Award for Best New Artist. // Fish appeared on Devon Allman’s 2013 album Turquoise in a duet covering the Tom Petty/Stevie Nicks’ song “Stop Draggin’ My Heart Around”. During the summer of 2013, Fish was called up on stage to play with a skeptical Buddy Guy who was so impressed with her playing on the guitar, he declared with a beaming smile to his audience, “When this kind of shit happens, I’ll play all night!” // In 2013, Fish released her second major studio album, Black Wind Howlin’, featuring Mike Zito on guitar, Yonrico Scott on drums, Johnny Sansone on harmonica, and Paul Thorn, vocal duet on one track. The album was recorded in Dockside Studios, in Maurice, Louisiana. Zito’s bandmates from his group Royal Southern Brotherhood, Yonrico Scott and Charlie Wooton, were brought in to assist in the session recordings.[4] Also in 2013, Fish appeared on The Healers Live at Knuckleheads Saloon, producing a CD/DVD collaboration with Jimmy Hall, Reese Wynans, Kate Moss, and Danielle and Kris Schnebelen (sister and brother, formerly of the band Trampled Under Foot). Proceeds benefit the Blue Star Connection. The Healers occasionally perform together as their schedule permits. // Fish’s third studio album, Wild Heart, was released on July 10, 2015. The album is more roots rock than her earlier blues rock. Fish wrote five songs on the record. She co-wrote five other songs with Jim McCormick in Nashville, Tennessee. Luther Dickinson produced the album, as well as played various stringed instruments (guitar, bass, mandolin, lap steel) to flesh out the sound. The album was recorded in four studios, Royal Studios and Ardent Studios in Memphis, Tennessee, Zebra Ranch in Coldwater, Mississippi, and Blade Studios in Shreveport, Louisiana. Other musicians on the record are Brady Blade (drums), Lightnin’ Malcolm (guitar), Shardé Thomas (drums), Dominic Davis (bass), Shontelle Norman-Beatty (background vocals), and Risse Norman (background vocals). // Fish released her fourth solo album, Chills & Fever on March 17, 2017. The album was recorded in Detroit and was recorded with members of the band The Detroit Cobras. Bobby Harlow produced the album.[10] Belle of the West followed in December 2017. // Fish released her sixth solo album, Kill or Be Kind, on September 20, 2019, on her new label, Rounder Records. It was chosen as a ‘Favorite Blues Album’ by AllMusic. // Fish released her seventh solo album, Faster, on September 10, 2021, on Rounder Records. The album was produced by Martin Kierszenbaum, and features drummer Josh Freese and bass player Diego Navaira of The Last Bandoleros. Kansas City area rapper Tech N9ne is featured on the song “Loud”. // In 2022, Fish was featured in the documentary short Love Letters: Samantha Fish Live From New Orleans presented by Carl Van Productions in association with Very Productive Pictures and WYES-TV, airing in both 2022 and 2023. // In May 2023, Fish released the collaborative album Death Wish Blues (Rounder Records) with Jesse Dayton, and the pair set forth on an extensive tour schedule throughout the US, UK, and Europe. Supporting them on the UK leg of their tour was Canadian roots rock band The Commoners. Death Wish Blues was nominated for Best Contemporary Blues Album at the 2024 Grammy Awards. // Her older sister, Amanda Fish, is a singer-songwriter as well and a multi-instrumentalist who has recorded for VizzTone Records.]
Jocelyn Nixon – “YOU AIN’T RIGHT! YOU MUST BE WRONG!” from: “YOU AIN’T RIGHT! YOU MUST BE WRONG!”-Single / Supe Brill Records / May 2, 2025 [Jocelyn Olivia Nixon is lead singer of the band The Creepy Jungles. Jocelyn told Nick Spacek of The Pitch, “that the songs she presents to her bandmates in The Jingles’ songs are poppier stuff, typically, while solo songs are more folky, mellow, weird, and lyrical. Solo work also gives her the opportunity to work with others outside the group. As Nixon explains, “It’s basically a tongue-in-cheek song making fun of hard right conservatives and social cliques who think only their way is ‘right.’” She said, “I felt like I needed something where I can be a bit more vulnerable and naked, I suppose,” the musician says. “I think because Jingles do rock n roll pop songs well, I think I’m kinda boxed in as an artist and singer. This is my way of saying I have many sides to myself as an individual and as an artist, and I can forge my own path and defy expectations.” Jocelyn Nixon’s next single, “Real Deal,” is due later this summer . // The Creepy Jingles released a series of 4 new singles in 2024 including “When Things Go Wrong” on February 23, 2024. // The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019.]
[The Creepy Jingles play Farewell KCMO 6515 Stadium Drive, KCMO TONIGHT, Wednesday, July 16, at 8:00pm with Claire Morales, and Joel Vs. Joel.]
Black Light Animals – “Last Call For Love Songs” from: LAST CALL FOR LOVE SONGS / The Record Machine / March 28, 2025 [Black Light Animals are: Cole B[ales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone. Recorded at Groove King Studios in KCMO. // Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. More info at: http://www.blacklightanimalsband.bandcamp.com]
[Black Light Animals play Josey Records, 1815 McGee St., KCMO on Saturday, July 19, at 6:00pm with SEYKO, and Heath Church.]
11:29– Underwriting
11:31 – Pledge Break #5
Our WMM Summer Fund Drive Team: Betse Ellis, Mikal Shapiro, And Sandra Draper
On Wednesday MidDay Medley we offer Live in studio performances from: Marmppes, Beth Watts Nelson, ALBER, True Lions, Lonnie Fisher, Mitzi McKee, Calvin Arsenia, Ivory Blue, Stephonne, Julia Othmer, The Swallowtails, Danny Santell, Krystle Warren, MusicbySkippy, Lone Stranger, Just Angel & T.A. Rell, Christena Graves
On Wednesday MidDay Medley we make radio shows that cover: Extemporaneous Music and Arts Society, Lotus Pool Records, KC Rep, Outer Reaches Fest, Owen/Cox Dance Group, No Divide KC, The Folly Theatre, recordBar, Lawrence Arts Center, Manor Records, The Rino, KC Blues Society, KC Star, Lawrence Music Alliance, MixMaster Music Conference, Kosmic City Records, Midwest Music Foundation, Artists Thrive!, KC Gift, Juneteenth, Power to The People Fest, The Record Machine, Whim Theater, Lemonade Park, Crossroads Music Festival, The Ship, The Black Box Theatre, Amplify Lawrence, Quindaro Ruins, Queer Narratives Fest, Art in the Loop, The film: “I’m So Glad” documenting the KC Gospel Music, Fringe Festival, Make Music Day, Boulevardia, Arts in The Park, UMKC Conservatory of Music, The Crossroads Hotel, High Dive Records, Greenwood Social Hall, KC Folk Fest, Manor Fest, Center Cut Records, KKFI Band Auction, Charlotte Street Foundation, Women’s History Month!, University of Missouri at Columbia, Lawrence Public Library, I Heart Local Music, Black History Month, Bach Aria Soloists, Folk Alliance International, Martin Luther King Jr., Tribute to David Bowie, Tribute to Iris DeMent, the music of Palestine and Gaza
11:39
Kissin – “forsythia” from: “forsythia” – Single / Lady Kissin Records / June 20, 2025 [Songwriter: Emma Mathieson / Producer: Corbin Wise / Co-Producer/Mixing: Emma Mathieson. // Kissin is Kansas City Kansas based musical artist Emma Mathieson – Queer, midwestern, and deeply nostalgic, Kissin explores the intricacies of growing up, love, and pure joy with their dreamy spells of songs. / “Signs of Life” was Kissin’s debut single released February 14, 2024. Kissin released “hand soap” coproduced with Corbin Wise and also released February 14, 2024. Kissin released “cal me when you land” also coproduced with Corbin Wise on September 2, 2024. On June 20, 2025 kissing released the single “forsythia” through lady kissin records. Kissin released their 5th single “company time” on July 9, 2025.]
[Kissin plays The RINO, 314 Armour Rd, North Kansas City, Saturday, July 19, at 7:00pm with Toaster Bath, and Oxford Remedy]
Kat King – “Somersaults” from: “Somersaults”- Single / Kat King / May 2, 2025 [Kat King eleased the single “I Might Like It” throough Manor Records on February 28, 2025 / / Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. Produced by Isaac Flynn of Hembree. Kat King released the EP Domestic Bliss on April 5, 2024. Domestic Bliss was in the Top 25 of WMM’s 129 Best Recordings of 2024. // On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. // Kat King’s career started as far back as 2nd grade in small town Kansas. As a solo singer-songwriter act, she produced one 13-song album and three EP’s. Now based in Kansas City, Kat King graduated into a 5-piece indie-pop rock group who are gearing up for the release of their second EP together. Their infectious energy has landed them on some of KC’s biggest stages.]
11:45 – Pledge Break #6
Our WMM Summer Fund Drive Team: Betse Ellis, Mikal Shapiro, And Sandra Draper
Case #6: KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my interesting friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”
Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your iPod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to http://www.kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcast-ing alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.
For Betse Ellis, Mikal Shapiro, and Sandra Draper I’m Mark Manning. Thanks for listening!)
11:53
Danielle Ate the Sandwich – “Fumbling” from: Fumbling / Danielle Ate The Sandwich / March 21, 2025 [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
[Danielle Ate The Sandwich plays an Art in the Loop Performance onboard the KC Streetcar, TODAY Wednesday, July 16, 6:00pm to 8:00pm at Union Station Streetcar Stop, North Bound at 30 West Pershing Road Kansas City, on the Interplanetary Joyride Streetcar #814 featuring Tres Collective, and Danielle Ate the Sandwich performing as Jer. More information online at http://www.artintheloop.com]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
Next week, on Wednesday, July 23 we bring you part two of WMM’s Favorite MidCoastal Releases of 2025…So Far! with tracks from, Marmoppes, Eddie Moore, Jamogi, honeybee, 2W33DY, She Said, Keo & Them, Religion of Heartbreak, Hotclub KC, honestav, Redder Moon, Saving Miles Lemon, RxGhost, Collidescope, Kai McGarry, and Ivory Blue. Plus, Steve Tulipana joins us to talk about the 20th Anniversary of recordBar.
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, June 25, 2025
WMM presents Suzannah Johannes + Marmoppes + Keelon Vann
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
David Byrne & Ghost Train Orchestra – “Everybody Laughs” from: Who Is The Sky? / Matador Records / September 25, 2025 [In 2023, as his triumphant American Utopia era came to a close, David Byrne began jotting down the occasional groove, chord or melody and assembling them into demos he recorded with just an acoustic guitar atop a programmed beat or loop. The prior three years had given him, and much of humanity, the opportunity to ask, “Do I like what I’m doing? Why am I writing songs, or working this job, or whatever? Does any of it matter?” Byrne’s attempts to answer those weighty questions can be found on Who Is The Sky?, a first-time collaboration between himself, Grammy-winning producer Kid Harpoon aka Tom Hull (Harry Styles, Miley Cyrus) and New York-based chamber ensemble Ghost Train Orchestra, and featuring guest appearances by Paramore’s Hayley Williams, longtime collaborator St. Vincent and The Smile drummer Tom Skinner. The album builds upon the optimistic themes laid out by American Utopia and its supporting tour, but more specifically spelled out by the Grammy-winning Broadway show and subsequent movie. With this offering, Byrne continues his lifelong exploration of human connection and the potential for societal unity against the chaotic backdrop of the world. Who Is the Sky? is particularly personal, cinematic, humorous and joyful, but often with a lesson baked in – that love is unexplainable, that enlightenment means very different things to different people and that it’s always a good idea to moisturize, whether you wake up the next morning with skin like a baby or not. Most importantly, the songs evince Byrne’s gift for riding the razor’s edge of avant-garde and accessible pop. // Since co-founding Talking Heads, David Byrne has been involved with photography, drawing, installations, performance, design, as well as a solo music career. Recent works include American Utopia on Broadway (and the Spike Lee directed film), SOCIAL! Social; Distance Dance Club, Theater of the Mind, and his non profit Arbutus and its primary project, Reasons to be Cheerful, an online news magazine. http://www.davidbyrne.bandcamp.com]
Religion of Heartbreak – “Forget About You” from: Dream Reflection – EP / Religion of Heartbreak / February 3, 2025 [ROH is the band formerly known as Monta At oddsIt was recently announced that Krysztof Nemeth was stepping away for Religion of Heatbreak to focus on his band ReViser also with Dedric Moore and with Breaka Dawn. Dedric Moore on vocals, guitar, synths, programming; Mikal Shapiro on vocals, Krysztof Nemeth: baritone guitar, electronic percussion; Alexander Thomas on electronic percussion on MGGG, Dream Reflection, Skeptic; Regan Moore on electronic percussion on Dark Hour of Meditation // Dream Reflection EP carries forward the motorized heartbeat of classic darkwave while forging its own metallic path. Drawing from EBM and Synth Pop traditions, this five-track release sees the Monta At Odds offshoot strip away unnecessary embellishments, leaving only the essential elements and textural remnants that speak to our collective digital malaise. // The EP’s centerpiece and title track emerges like a ghost in the machine, with Mikal Shapiro’s coolly delivered vocals floating above Dedric Moore’s gritty synth programming and precision-guided guitar along with Krysztof Nemeth’s synth pad percussion. Each track builds upon this foundation, from the robot-dance urgency of “Forget About You” to the beautiful desolation of “Skeptic,” creating a cohesive statement about modern isolation and the personas we construct. The result feels familiar and alien—like catching your reflection in a black mirror and seeing someone else staring back. // Religion of Heartbreak, an offshoot of Monta At Odds, dives deep into darkwave and EBM territories, crafting a sound that’s nostalgic and cutting-edge with Dedric Moore on vocals, guitar, synths, programming; Mikal Shapiro on vocals; and Krysztof Nemeth on baritone guitar and electronic percussion.]
[Religion of Heartbreak play miniBar, 3810 Broadway, KCMO, on Thursday, June 26 at 7:00pm with Hex Cassette, and Yama Uba.]
The Royal Chief
The Royal Chief – “Hi-Def (Radio Mix)” from: Fire – EP / Sovereign Sound / July 10, 2025 [New 5-track EP from The Royal Chief / Born in Kansas City, Missouri as Jamel Thompson to a single mother, The Chief is the youngest of six – two brother’s on his mother’s side and another brother and twin sisters from his father. Growing up, his mother fostered his mind; she encouraged The Royal Chief to read relentlessly and to experiment with his talents. This promoted a period where The Royal Chief began expressing himself by writing stories. Chief spent most of his early life in the urban areas of Kansas City. He and his mother moved to Dallas, Texas briefly before returning to Kansas City – to the suburbs – which provided an interesting contrast to his life before. // At the age of 13, after attending a concert in which Kanye West performed, Chief knew his path was in music and began rapping. Courtesy of his mother, he drew inspiration from R&B and Soul while getting his introduction to Hip Hop from his father and brothers. Hip Hop became a love and an outlet for him – a way to vent and document how he perceived the world. It was also an instrument for The Royal Chief to cope with the pain of losing his older brother and godmother who had a hand in raising him. // The Royal Chief moved to Atlanta, Georgia in 2012. He spent his first year there living out of his Honda Civic and obtained membership to a local gym to have access in order to take showers. He established a relationship with the manager at Tree Sound Studios through a mutual friend and was soon allowed to live in the studio’s building. He made the most of this opportunity by observing and learning many of the aspects of the music industry, audio/video recording, marketing, and most importantly building relationships and networking. Soon, he began to nurture a relationship with “Cyhi The Prynce” who took him under his wing allowing Chief to create and write for other G.O.O.D. Music artist. During this time, Chief was able to go on tour and learn just to write raps and incorporate rhythm and flow into his pieces to make them sound appealing. // In 2015, under his original moniker “J-Dub,” The Royal Chief began to meticulously focus on his own projects and released his first mixtape entitled Trial and Error. Later that same year, after a trip back to his hometown of KC, he made a conscious decision to change his stage name to something that reflected his passion for his two favorite home-town sports teams and one that represented his city. And in combining the names of those teams, he thus became “The Royal Chief”. Feeling the need to release some music to commemorate the name change, in September of 2016 he released his second project, an EP entitled Dawn – representing the beginning or “dawn of” something new. // In 2017, after seeing a Kareem “Biggs” Burke’s interview in which he said “if you don’t have your city you don’t have anybody,” Chief decided it was time for him to return home and build his name and his following up in his own city. That same year, after a house fire in which he lost everything but his life, he released his third project – an EP titled Homecoming. While building traction in the city, Chief worked diligently to network and perform live all around the Kansas City Metroplex and surrounding areas. In 2018, he released a three-track EP titled 3 Pack. Chief spent the next year working towards expanding existing relationships and building new ones. Chief’s objective was to spend time building a backing band for his live performances as well as collaborate with local artists and producers. And with this feat accomplished, in 2020, Chief released his fourth project titled Groundwork. Groundwork represents “laying the foundation” – it’s the cumulative efforts of networking, touring, and building a following. More info at: http://www.theroyalchief.com]
The Royal Chief will play the 21st Annual Crossroads Music Fest, Saturday, September 6, 3:00pm to Midnight, in West Bottoms at Lemonade Park, Stockyards Brewing, Livestock Exchange Lot, The Campground, Voltaire, The Ox Cafe & Bakery(VIP Venue) with KRYSTLE WARREN / LAURA NOBLE & FRIENDS / THE MGDS • RUDY LOVE AND THE ENCORE / SEYKO • STRANDED IN THE CITY / FRIENDLY THIEVES • LITTLE MISS DYNAMITE / FLAT SUSAN • ROYAL CHIEF • SASS-A-BRAS / THE WHIPS • JESUS CHRIST TAXI DRIVER / SARA SWENSON • TALIA KEYS • JELLY ROSE / MARIACHI ESTRELLA & GRUPO FOLKLÓRICO ALMA TAPATÍA / TERI QUINN & THE COYOTES • 3 TRAILS WEST / DJ THUNDERCUTZ • NATURE BOYS • TIMBERS / SKY SMEED • JULIE BENNETT HUME & ERNEST JAMES / DJ NANA G • LINEA FRONTERA • DYM N D / RURAL GRIT ALL STARS • THE APOLOGIES / JOHN KECK • OSEZUA • BOBBY SCHARPING / ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY More info at: http://www.cmfkc.com
Mavis Staples – “Godspeed” from: “Godspeed” – Single / Anti / June 10, 2025 [Written by Frank Ocean. A legendary performer who will turn 86 next month on July 10, Mavis Staples continues to be a tour-de-force in music and a voice for the voiceless in today’s divided society. Well known for her work in the gospel and Americana space, Staples is also an R&B icon who famously worked with the one and only Prince in his 80’s heyday. // Hailed by NPR as “one of America’s defining voices of freedom and peace,” Staples is the kind of once-in-a-generation artist whose impact on music and culture would be difficult to overstate. She’s both a Blues and a Rock and Roll Hall of Famer; a civil rights icon; a GRAMMY Award-winner; a chart-topping soul/gospel/R&B pioneer; a National Arts Awards Lifetime Achievement recipient; and a Kennedy Center honoree. She marched with Dr. Martin Luther King, Jr., performed at John F. Kennedy’s inauguration, and sang in Barack Obama’s White House. // At a time when most artists begin to wind down, Staples ramped things up, releasing a trio of critically acclaimed albums in her 70’s with Wilco’s Jeff Tweedy that prompted Pitchfork to rave that “her voice has only gained texture and power over the years” and People to proclaim that she “provides the comfort of a higher power.” “I sing because I want to leave people feeling better than I found them,” Staples says. “I want them to walk away with a positive message in their hearts, feeling stronger than they felt before. I’m singing to myself for those same reasons, too.” // On July 9, Staples and award-winning children’s poet Carol Boston Weatherford will release the new children’s book ‘Bridges Instead of Walls: The Story of Mavis Staples’, a vibrant and poetic new picture book that introduces young readers to Staples’ life story, who began singing at age 8 and ever since has used her voice as a rallying cry to the country at numerous civil rights protests and continues to sing and share her message of love, faith and justice in front of large audiences today. // Staples recently celebrated her upcoming birthday early in stellar fashion at Los Angeles’s YouTube Theater this past April, gracing the stage alongside a star-studded lineup including Hozier, Chris Stapleton, Bonnie Raitt, Jackson Browne, Black Pumas, and more. Currently on tour in Europe, Staples will return to the US and perform at Willie Nelson’s 4th of July picnic on the nation’s birthday. The next day she begins a run of dates with Norah Jones, who she affectionally calls “my baby sister.” All upcoming dates are listed below. // Mavis Staples (born July 10, 1939) is an American rhythm and blues and gospel singer and civil rights activist. She rose to fame as a member of her family’s band The Staple Singers, of which she is the last surviving member. During her time in the group, she recorded the hit singles “I’ll Take You There” and “Let’s Do It Again”. In 1969, Staples released her self-titled debut solo album. // Staples continued to release solo albums throughout the following decades and collaborated with artists such as Aretha Franklin, Prince, Arcade Fire, Nona Hendryx, Ry Cooder, and David Byrne. Her eighth studio album You Are Not Alone (2010), earned critical acclaim, and became her first album as a soloist to reach number one on a Billboard chart, peaking atop the Top Gospel Albums chart. It also earned Staples her first Grammy Award win. Following this, she released the albums One True Vine (2013), Livin’ on a High Note (2016), If All I Was Was Black (2017), and We Get By (2019); she is also featured on the single “Nina Cried Power” by Hozier. // Staples is the recipient of the Grammy Lifetime Achievement Award, and has won three Grammy Awards, including one for Album of the Year as a featured artist on We Are by Jon Batiste.[6] Named one of the ‘100 Greatest Singers of all Time’ by Rolling Stone in 2008; Staples was inducted into the Rock and Roll Hall of Fame in 1999, and in the Gospel Music Hall of Fame in 2018, as a member of The Staple Singers. Additionally, she was made a Kennedy Center Honoree in 2016. The following year, she was inducted into the Blues Hall of Fame as a soloist. In 2019, she received the inaugural Rock Hall Honors Award from the Rock and Roll Hall of Fame, as a soloist. // Staples was born in Chicago, Illinois, on July 10, 1939. She began her career with her family group in 1950. Initially singing locally at churches and appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Pervis, the Staples were called “God’s Greatest Hitmakers”. // With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. // During a December 20, 2008, appearance on National Public Radio’s news show Wait Wait… Don’t Tell Me!, when Staples was asked about her past personal relationship with Dylan, she admitted that they “were good friends, yes indeed” and that he had asked her father for her hand in marriage. // The Staples sang “message” songs like “Long Walk to D.C.” and “When Will We Be Paid?,” bringing their moving and articulate music to a huge number of young people. The group signed to Stax Records in 1968, joining their gospel harmonies and deep faith with musical accompaniment from members of Booker T. and the MGs. The Staple Singers hit the Top 40 eight times between 1971 and 1975, including two No. 1 singles, “I’ll Take You There”, produced by Al Bell and recorded and mixed by Terry Manning, “Let’s Do It Again,” and a No. 2 single “Who Took the Merry Out of Christmas?” // Mavis made her first solo foray while at Epic Records with The Staple Singers, releasing a lone single “Crying in the Chapel” to little fanfare in the late 1960s. The single was finally re-released on the 1994 Sony Music collection Lost Soul. Her first solo album would not come until a 1969 self-titled release for the Stax label. After another Stax release, Only for the Lonely, in 1970, she released a soundtrack album, A Piece of the Action, on Curtis Mayfield’s Curtom label. A 1984 album (also self-titled) preceded two albums under the direction of rock star Prince; 1989’s Time Waits for No One, followed by 1993’s The Voice, which People magazine named one of the Top Ten Albums of 1993. Her 1996 release, Spirituals & Gospels: A Tribute to Mahalia Jackson, was recorded with keyboardist Lucky Peterson. The recording honors Mahalia Jackson, a close family friend and a significant influence on Mavis Staples’s life. // Staples singing during the 2006 NEA National Heritage Fellows concert. // Staples made a major national return with the release of the album Have a Little Faith on Chicago’s Alligator Records, produced by Jim Tullio, in 2004. The album featured spiritual music, some of it semi-acoustic. // In 2004, Staples contributed to a Verve release by legendary jazz-rock guitarist, John Scofield. The album, entitled That’s What I Say, was a tribute to the great Ray Charles and led to a live tour featuring Staples, John Scofield, pianist Gary Versace, drummer Steve Hass, and bassist Rueben Rodriguez. A new album for Anti- Records entitled We’ll Never Turn Back was released on April 24, 2007. The Ry Cooder – produced concept album focuses on gospel songs of the civil rights movement and also included two new original songs by Cooder. // Her voice has been sampled by some of the biggest selling artists, including Salt ‘N’ Pepa, Ice Cube, Ludacris, and Hozier. Staples has recorded with a wide variety of musicians, from her friend, Bob Dylan (with whom she was nominated for a 2004 Grammy Award in the “Best Pop Collaboration With Vocals” category for their duet on “Gonna Change My Way of Thinking”, from the album Gotta Serve Somebody: The Gospel Songs of Bob Dylan) to The Band, Ray Charles, Prince, Nona Hendryx, George Jones, Natalie Merchant, Ann Peebles, and Delbert McClinton. She has provided vocals on current albums by Los Lobos and Dr. John, and she appears on tribute albums to such artists as Johnny Paycheck, Stephen Foster and Bob Dylan. // In 2003, Staples performed in Memphis at the Orpheum Theater alongside a cadre of her fellow former Stax Records stars during “Soul Comes Home,” a concert held in conjunction with the grand opening of the Stax Museum of American Soul Music at the original site of Stax Records, and appears on the CD & DVD that were recorded and filmed during the event. In 2004, she returned as guest artist for the Stax Music Academy’s SNAP! Summer Music Camp and performed again at the Orpheum with 225 of the academy’s students. In June 2007, she again returned to the venue to perform at the Stax 50th Anniversary Concert to Benefit the Stax Museum of American Soul Music, produced by Concord Records, who now owns and has revived the Stax Records label. // In 2009, Staples, along with Patty Griffin and The Tri-City Singers, released a version of the song “Waiting For My Child To Come Home” on the compilation album Oh Happy Day: An All-Star Music Celebration. // On October 30, 2010, Staples performed at the Rally to Restore Sanity and/or Fear alongside singer Jeff Tweedy. In 2011 she was joined on-stage at the Outside Lands Music And Arts Festival by Arcade Fire singer Win Butler. The two performed a version of “The Weight” by The Band. // Staples also performed at the 33rd Kennedy Center Honors, singing in a tribute to honoree Paul McCartney. // Staples headlined on June 10, 2012, at Chicago’s Annual Blues Festival in Grant Park. // On June 27, 2015, Staples performed on the Park Stage of Glastonbury Somerset UK. On October 31, 2015, Staples performed with Joan Osborne in Washington, D.C. at The George Washington // University’s Lisner Auditorium as part of their Solid Soul Tour. // In February 2016, Staples’s album Livin’ on a High Note was released. Produced by M. Ward, the album features songs written specifically for Staples by Nick Cave, Justin Vernon, tUnE-yArds, Neko Case, Aloe Blacc, and others. Discussing the album Staples said: “I’ve been singing my freedom songs and I wanted to stretch out and sing some songs that were new. I told the writers I was looking for some joyful songs. I want to leave something to lift people up; I’m so busy making people cry, not from sadness, but I’m always telling a part of history that brought us down and I’m trying to bring us back up. These songwriters gave me a challenge. They gave me that feeling of, ‘Hey, I can hang! I can still do this!’ There’s a variety, and it makes me feel refreshed and brand new. Just like Benjamin Booker wrote on the opening track, ‘I got friends and I got love around me, I got people, the people who love me.’ I’m living on a high note, I’m above the clouds. I’m just so grateful. I must be the happiest old girl in the world. Yes, indeed.” // In January 2017, Staples was featured as a guest vocalist on “I Give You Power”, a single from Arcade Fire benefiting the American Civil Liberties Union. In February 2017, Staples appeared on NPR’s Wait, Wait … Don’t Tell Me! in the “Not My Job” segment, answering questions about the rock band The Shaggs. In April 2017, “Let Me Out”, a single from the fifth studio album by Gorillaz, Humanz, was released, featuring Staples and rapper Pusha T. // Staples’s sixteenth album If All I Was Was Black was released on November 17, 2017. The record was again produced by Jeff Tweedy and contains all original songs cowritten by Mavis and Tweedy. Following the release, Staples toured with Bob Dylan. She also appeared on the 2017/18 Hootenanny. In 2018, she sang on Hozier’s single “Nina Cried Power”. // In May 2019, Staples celebrated her 80th birthday with a concert at the Apollo Theater, 63 years after first appearing at the theater as a teenager with her family band, the Staple Singers, in 1956. The show, which featured special guest artists, including David Byrne & Norah Jones, is one of a series of collaborative concerts she staged in May to commemorate her 80th birthday. She performed at the 2019 Glastonbury Festival. // In 2022, Staples released Carry Me Home, a collaboration with Levon Helm, recorded at Helm’s Midnight Ramble in 2011. // She released the single “Worthy” on June 18, 2024.]
Tre’ Mutava – “Walls Talk” from: “Walls Talk” b/w “Where Have You Been All My Life?” – Single / Currently Crafting / May 30, 2025 [Born in 2001 in Marietta, GA — Tre’ grew up with a love of gospel music, inspiring him to write his own. His first performance of an original song was for his elementary school while knowing only two chords on his guitar, but he knew that this is what he loved. Upon entering high school, he became interested in producing after hearing the musicality of artists’ works like 21 Pilots, Jon Bellion, and AJR. He was recognized initially by fans on the 4th single of his debut album, “GO! (feat. PEABOD),” in 2021. “The Movies” proved a cinematic experience for listeners through Tre’s unique vocals and inclusion of choir, horns, and strings. In addition to his personal works, Tre’ has been recognized for his production and co-writing work on songs like “Sunset” and “Take Me Back” by Noah Anthony, “Find You” by Jaishon Jenkins, and “Imagination” by Bobby Labrecque. Most recently, he was featured on The Whips’ album, How To Hold A Grudge, on their track “Please Help Me.” More info at: http://www.tremutava.com]
Wednesday – “Elderberry Wine” from: “Elderberry Wine” – Single / Dead Oceans / June 9, 2025 [Wednesday, the North Carolina rock band led by generational songwriter Karly Hartzman, share a twangy and timeless new single titled “Elderberry Wine,” alongside a video directed by Spencer Kelly.\ // “‘Elderberry Wine’ is about the potential for sweet things in life (love, family, success) to become poison if not prepared for and attended to correctly,” Hartzman explains. “Elderberry is known as a healing fruit, and is an ingredient in many tonics and syrups to aid the immune system. One time however, my sister consumed them raw and it immediately induced vomiting. So ‘Elderberry Wine’ is ultimately a love song about creating just the right environment for fulfillment. There’s a delicate balance that needs to be created, especially in love, for two lives to intersect without poisoning each other.” // “Elderberry Wine” is the first taste of new music from Wednesday since the release of their breakthrough album Rat Saw God. The album was one of 2023’s most critically acclaimed releases, landing on year end lists at the New York Times, NPR, Pitchfork, Rolling Stone, Associated Press, Wall Street Journal, LA Times, The Altantic, The Ringer, The FADER, Paste, Consequence, Stereogum and more. // Wednesday is Karly Hartzman, MJ Lenderman, Xandy Chelmis, Alan Miller, and Ethan Baechtold. // “What makes Wednesday one of the best bands in the world is Hartzman’s songwriting. It’s paradisiacal in a scuzzy way, adaptable to any underbelly in North America and wickedly unafraid of being too truthful or unabashed.” -Paste // “Karly Hartzman’s storytelling remains a beautifully magpie-like collection of little details drawn from memory and observation, woven together into a transcendent indie rock tapestry.” -The AV Club // Rat Saw God released September 8, 2022. It was ij the top 30 of WMM’s 120 Best Recordings of 2024. // // Hartzman was inspired to start playing guitar after watching Mitski’s NPR Tiny Desk concert. Hartzman attended college in Asheville, where she met Daniel Gorham. The two recorded an album together under the moniker Wednesday titled yep definitely. The band’s name was inspired by the British band The Sundays. // After releasing this record, Hartzman formed another band called Diva Sweetly, alongside members of the band Pictures of Vernon. Hartzman was interested in making shoegaze music, which was not the music Diva Sweetly was making. Thus, Hartzman gathered new members to join the Wednesday band and released the second album with the group, titled I Was Trying to Describe You to Someone in 2020. The group released their third record, Twin Plagues, on August 13, 2021.// On March 11, 2022, the band released a covers album titled Mowing the Leaves Instead of Piling ’em Up, featuring covers versions of songs by Gary Stewart, Chris Bell, Roger Miller, Drive-By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine and The Smashing Pumpkins. On September 8, 2022, the band left Orindal Records and signed to Dead Oceans, releasing the single “Bull Believer”. On January 18, 2023, the band released the single “Chosen to Deserve” and announced a fifth album, Rat Saw God, which was released on April 7, 2023.] [Wednesday played the recordBar, 1520 Grand Blvd, KCMO, on Wednesday, May 17 at 7:00 PM ]
Chad Brothers – “Family Tree” from: “Family Tree” – Single / Chad Brothers / January 23, 2024 [Chad Brothers is a Kansas City-based singer-songwriter, multi-instrumentalist and bandmate to many. An accomplished guitarist and vocalist of 35+ years, Chad has strong sense of melodic and harmonic patterns, with a uniquely soulful perspective from which he writes original folk, bluegrass, rock and psychedelic music rooted in acoustic and electric guitar. // Born and raised on a family farm outside of Winfield, KS, Chad was deeply influenced from a young age by the acoustic mecca of the Walnut Valley Festival, absorbing and evolving musically under the rich history and uniquely-inviting campground jamming culture of the annual event. // These days, you can find Chad performing around Kansas City and surrounding areas in his impressive array of musical projects, including with Old Sound, Supermassive Black Holes, Shapiro Brothers, Mikal Shapiro & The Musical, Howard Iceberg & The Titanics and several others. Chad has also served as Chief Operator at KKFI 90.1 FM Kansas City Community Radio since August 2019. // You can Watch + listen to “Family Tree” at: https://www.youtube.com/watch?v=g_TIRVvgO70 one of Chad’s most recently-written original songs.}
[Chad Brothers plays Mike Kelly’s Westsider, 1515 Westport Road, KCMO on Thursday, June 26 ay 6:30pm opening for Big Love Carwash.]
10:29– Underwriting
Suzannah Johannes – “Bordeaux Girl” from: Kansas City: Hanz Bronze Boulevard / Suzannah Johannes / August 29, 2025 [Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera. More info at: http://www.suzannahjohannes.com. ]
[Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas.]
10:34 – Interview with Suzannah Johannes
Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators.
Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas. More info at: http://www.suzannahjohannes.com.
Suzannah Johannes Thank you for being with us on WMM.
In 2008, Suzannah Johannes was an up-and-coming singer-songwriter with a debut EP—S/T—from Range Life Records. Then life happened: she got married, became a mother, dedicated her time to responsibilities outside of music. A few times a year, Johannes would play out in local clubs, but in ways too many women will recognize, her music career felt stuck on pause.
Seventeen years later, it’s time to press play—Suzannah Johannes returns with two brilliant full albums: Kansas City: Hanz Bronze Boulevard and Los Angeles: The Missing Album.
Suzannah Johannes is a singer-songwriter based out of Lawrence, Kansas. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze, and plenty of YouTube tutorials.
In 2006 or 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio with Josh Adams and David Wetzel. Four tracks from those sessions became his debut EP, released by Range Life Records in 2008.
Over the past 19 years, she has performed solo and with a rotating group of collaborators, including David Wetzel, Nate Holt, Sean McCue, Jeff Jackson, Dustin Kinsey, and Gus Seyffert.
Her most recent album, Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera.
After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City.
Suzannah is playing a matinee show from 6 to 9:30 p.m. on Saturday, July 19 at Hillsiders in Kansas City, Kansas.
After the Kansas City album is released on Friday, August 29, she will have a release show on Thursday, Sept. 11 at The Ship, and another show in Lawrence on Saturday, Sept. 13.
Suzannah is releasing (Kansas City: Hanz Bronze Boulevard on Aug. 29, and Los Angeles: The Missing Album on Jan. 2, 2026):
10:44
Suzannah Johannes – “St Megan” from: Kansas City: Hanz Bronze Boulevard / Suzannah Johannes / August 29, 2025 [Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera. More info at: http://www.suzannahjohannes.com. ]
[Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas.]
10:48 – More Interview with Suzannah Johannes
Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators.
Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas. More info at: http://www.suzannahjohannes.com.
Suzannah Johannes Thank you for being with us on WMM.
Her most recent album, Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera.
After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City.
Suzannah is playing a matinee show from 6 to 9:30 p.m. on Saturday, July 19 at Hillsiders in Kansas City, Kansas.
After the Kansas City album is released on Friday, August 29, she will have a release show on Thursday, Sept. 11 at The Ship, and another show in Lawrence on Saturday, Sept. 13.
Suzannah is releasing (Kansas City: Hanz Bronze Boulevard on Aug. 29, and Los Angeles: The Missing Album on Jan. 2, 2026):
Suzannah Johannes Thank you for being with us on WMM.
Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas. More info at: http://www.suzannahjohannes.com.
10:57
Suzannah Johannes – “Rebecca” from: Kansas City: Hanz Bronze Boulevard / Suzannah Johannes / August 29, 2025 [Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera. More info at: http://www.suzannahjohannes.com. ]
[Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas.]
10:00 – Station ID
Marmoppes – “Gyatt Time” from: “Butterfly” – single / Big Nip Records / March 17, 2024 [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]
11:02 – Interview with Marmoppes
We are happy to welcome back members of the Kansas City suoer group, Marmoppes who return to Wednesday MidDay Medley to share new music and perform LIVE in our 90.1 FM Studios. Marmoppes include: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. Originally formed on Groundhog Day, since the fall of 2023 Marmoppes have released five singles: “Cerulean Blue Truffle Pig” (Sept. 5, 2023), “Butterfly” (March 17, 2024), “Yr Chemical” (April 28, 2024), “Gyatt Time” (Sept. 20, 2024), “Nos” (March 23, 2025) Marmoppes will premier their brand new single on WMM. More info at: https://linktr.ee/marmoppes
Simon Huntley, J. Ashley Miller, Alyssa Murray and Ernest Melton Thank you for being with us on WMM.
Simon Huntley is a British-American musician, percussionist, producer, composer and visual artist combining classical sentiments with new world rebellion. Growing up in France then relocating in 2011, Simon now divides his time between the United States and France, investigating and collaborating with the world’s best talent including: QUIXOTIC, A$AP Rocky, Mireya Ramos, Tech9, Making Movies, Calvin Arsenia, Mike Dillon + Nikki Glaspie, Chipotle, Hilton Hotels, Qatar Airways, and many more. Preformed in venues such as: Red Rocks Amphitheater—Colorado / The MGM Grand—Las Vegas / Faena Hotel—Miami / T-Mobile Arena. // And events such as: Invision Festival—Costa Rica / Alaska World Arts Festival—Alaska / Fringe Festival—Edinburgh / Live At Heart—Sweden / Wanderlust—Canada + California // As well as festivals, PACs, Live TV and Radio.
J Ashley Miller is a recipient of the 2016 Charlotte Street Foundation Generative Performing Artist Award. He’s a self-taught musician & composer. For nearly 20 years he has worked as Composer / Producer/ Recording Engineer / Founder of The Infoaming Vertex in Kansas City, Missouri, a recording studio which he built in 2006. For the last 12 years he has produced, engineered and mixed nearly 100 full length albums and countless smaller projects for both local and international artists including Calvin Arsenia and SSION // With SSION he co-wrote and produced 2 full length albums. The videos were always a central focus for the project, and he fine tuned his ability to work with a director and bring about a coherent final product. // He founded the musical entities Metatone and Jametatone with multiple released from 2013 through 2022. // He once told an art writer that his training was “tens of thousands of hours on computers and playing in bands”, as well as a conductor, music director, producer, performance artist, filmmaker, and recording engineer (among other interests). “I got into all of this by shooting live music films and really tailoring compositions to our filming locations,” Miller said, citing site-specific performances at La Esquina, Oppenstein Park, and Turkey Creek. Filmed and recorded onsite, in one take (multi-camera, multi-track), the final product of these shows was the resulting film or album. // Miller founded the performance group Quadrigarum for site-specific projects and to showcase the chariot instruments he designed, using wheel-mounted guitar picks and an amplified single-stringed guitar on a wooden frame. Chariots are a core element of the Atemporchestra, an ensemble of eclectic instrumentation (including pan flutes, vibraphone, drums, horns, computers, and keyboards, for starters) that he originally put together from the TEDxKC show.
Alyssa Murray recently released her album ‘SCROLLIN’ in 2023. that called “a sonic kaleidoscope of synth-tastic beats and experimental delight. Written, performed, and produced by Alyssa Murray and mixed and mastered by Duane Trower at Weights and MeasuresSoundlab in Kansas City, MO. // Always feeling a strong pull towards songwriting, Alyssa studied piano, voice, and guitar in her teens deep diving into such influences as Fiona Apple and Stevie Wonder. Further pursuing her passion for jazz and improvisation, Alyssa moved to Kansas City to study jazz-piano at the UMKC Conservatory while immersing herself in the local music scene. Alyssa has a Bachelor of Music in Jazz Studies from the University of Missouri-Kansas City and has studied under the direction of Bobby Watson and Dan Thomas; as well as classical repertoire with Karen Kushner and Diane Petrella. // In addition to her solo performances, Alyssa Murray plays with Marmoppes. Alyssa Murray also plays in the trio, Easy Match with Claire Adams and Steve Gardels.
Ernest Melton is a saxophonist, composer, and band leader currently residing in Kansas City, Missouri by way of Goldsboro, North Carolina. He relocated to his mother’s hometown of Kansas City, Missouri at the age of ten where he picked up his first saxophone at Longfellow Academy of the Arts. Bored with the classical curriculum of the music department, Ernest studied more contemporary genres of music and the guitar until the age of fourteen when he joined his first jazz program through the American Jazz Museum of Kansas City. Playing mostly tenor sax by the age of fourteen, Ernest joined Lincoln High School jazz band and many other musical programs around the Greater Kansas City area. Naturally excelling, Melton left school at the age of sixteen to study music on his own. With kind neighbors and a supportive mother, Ernest was free to practice the saxophone, study albums, and write compositions at any hour of the day. It was during this time he found his first major influences in jazz like Dexter Gordon, John Coltrane, Kenny Garrett, and Pharoah Sanders. Pharoah’s polyphony were like echoes of Melton’s father, a Primitive Baptist preacher, and became a large influence of his playing. An avid composer as well, Ernest studied with tutors in classical orchestration, big band arranging, and Afro-Cuban drumming. He cites Charles Mingus, Igor Stravinsky, and Wayne Shorter as his favorite all around composers and still tries to implement their techniques in his music today. After being accepted into Berklee College of Music he decided not to attend and began his career playing music in bands of every genre around the Greater Kansas City area. In 2018 Ernest released his first full length album entitled, “The Time Of The Slave Is Over”, which received raved reviews at home and abroad by media such as Plastic Sax, Quest TV, and JAZIZZ to name a few. Ernest Melton has played all over the country and plans to continue to travel abroad. // Ernest Melton released the single “Waves” on April 21, 2025. He released the single, “Sonnet for Sanity”on December 18, 2020 and the single, “Chronicles of Conception” on April 21, 2020, and “Narrative for Natives” on March 9, 2020. Ernest Melton released the album “The Standard Imperfections” on September 1, 2019. Ernest Melton is also featured on the BodaciousThang singles, “Drank!” on August 7, 2019 and “Say Hi” released Sept. 2, 2020 on Juicy Burrito Records. ]
11:09 – Marmoppes LIVE
Marmoppes – “Butterfly” (LIVE) “Butterfly” was released as a single on Big Nip Records on March 17, 2024 [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]
11:12 – More Interview with Marmoppes
We are happy to welcome back members of the Kansas City suoer group, Marmoppes who return to Wednesday MidDay Medley to share new music and perform LIVE in our 90.1 FM Studios. Marmoppes include: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. Originally formed on Groundhog Day, since the fall of 2023 Marmoppes have released five singles: “Cerulean Blue Truffle Pig” (Sept. 5, 2023), “Butterfly” (March 17, 2024), “Yr Chemical” (April 28, 2024), “Gyatt Time” (Sept. 20, 2024), “Nos” (March 23, 2025) Marmoppes will premier their brand new single on WMM. More info at: https://linktr.ee/marmoppes
Simon Huntley, J. Ashley Miller, Alyssa Murray and Ernest Melton Thank you for being with us on WMM.
Last time Marmoppes were on WMM was Wednesday, April 16, prior to their live performance on April 18 for The Love Note at The Strand Theatre.
Earlier Marmoppes played The Ship performing live to the film Nosferatu.
The mix of film and music has been a constant for Marmoppes
11:17 – Marmoppes LIVE
Marmoppes – “Cerulean Blue Truffle Pig (LIVE) “Cerulean Blue Truffle Pig” was released as a Single on Big Nip Records on September 5, 2023 [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]
11:20 – More Interview with Marmoppes
We are happy to welcome back members of the Kansas City suoer group, Marmoppes who return to Wednesday MidDay Medley to share new music and perform LIVE in our 90.1 FM Studios. Marmoppes include: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. Originally formed on Groundhog Day, since the fall of 2023 Marmoppes have released five singles: “Cerulean Blue Truffle Pig” (Sept. 5, 2023), “Butterfly” (March 17, 2024), “Yr Chemical” (April 28, 2024), “Gyatt Time” (Sept. 20, 2024), “Nos” (March 23, 2025) Marmoppes will premier their brand new single on WMM. More info at: https://linktr.ee/marmoppes
New Music from Marmoppes: 4×10 = 75
Marmoppes discography: 4 x 10 = 75 – June 25 “Nos” – March 23, 2025 (Big Nip Records) “Gyatt Time” – Sept. 20, 2024 “Yr Chemical” – April 28, 2024 “Butterfly” – March 17, 2024 “Cerulean Blue Truffle Pig” – September 5, 2023
Simon Huntley, J. Ashley Miller, Alyssa Murray and Ernest Melton Thank you for being with us on WMM.
Marmoppes – “4 x 10 = 75″ (CD #15) (3:39) from: “4 x 10 = 75” – single / Big Nip Records / June 25, 2025 [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]
11:28 – Underwriting
Keelon Vann – “Poison” from: T H I R D (•) / Keelon Vann / May 23, 2025 [Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Vann taught himself to play guitar, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A former NCAA Division II College Footbal Athlete at William Jewell College, where Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum balancing athletics, academics, and music. Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.”]
11:31 – Interview with Keelon Vann
Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Vann taught himself to play guitar, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A former NCAA Division II College Footbal Athlete at William Jewell College, where Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum balancing athletics, academics, and music. Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.” to foster interesting music, and not worry about the little things.’ Let’s see if we might be able to figure out something that might make the music bigger. That’s the goal.”
Keelon Vann thanks for being with us on Wednesday MidDay Medley
Keelon Vann, a 26-year-old American singer-songwriter and guitarist, seeks to break barriers by honoring the classics while drawing inspiration from modern productions. The Kansas-born artist doesn’t believe in genre. “It’s pretty hard to put you in a box,” said Steve Kraske of KCUR 89.3 Radio. It is, however, to Vann’s dismay that such fusion of sounds may lead to quite an unorthodox niche—but according to Vann, art transcends genre and exists to inspire and to heal. This is Keelon Vann.
Born on August 28, 1998, to Juanita Moten and the late Kwasi Vann, Keelon Vann is a Kansas City native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Musiq Soulchild, Luther Vandross, Robin Thicke, Boyz II Men, Eric Benét, Maxwell, Usher, Justin Timberlake and more. He also draws from timeless legends including Jackie Wilson, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, Michael Jackson, and Prince, among many others. These artists were foundational in shaping Vann’s vocal talent.
Upon picking up the guitar, Vann expanded his musical world. Teaching himself to play, he discovered Blues and Rock N’ Roll, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, B.B. King, Stevie Ray Vaughan, Albert King, Albert Collins, Freddie King, Gary Clark Jr., John Mayer, and a furthermore extensive list.
A graduate of Piper High School and former NCAA Division II College Football Athlete at William Jewell College, Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum. Balancing athletics, academics, and music has never been easy, but through it all, Vann has remained steadfast in his artistic path.
Now with three independently released albums: ŠUÑFŁØWĘR PÂRĀDØX Tales of the Gypsy, T H I R D (•)
11:54
Keelon Vann – “Heaven Help Us” from: T H I R D (•) / Keelon Vann / May 23, 2025 [Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Vann taught himself to play guitar, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A former NCAA Division II College Footbal Athlete at William Jewell College, where Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum balancing athletics, academics, and music. Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.”]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
Next week, on Wednesday, July 2, we’ll talk with Mara WilliamsAssistant Managing Editor for Race and Equity Issues at The Kansas City Star and J.M. Banks – Kansas City Star Culture and Identity Reporter who will discuss Season Three of The KC Star’s new 5 – week series, VOICES OF KANSAS CITY starting July 9, airing Wednesdays at 7:00pm to 8:00pm featuring the stories of eight young black educators in Kansas City. More info at http://www.KansasCity.com. Also next week, Spencer Thompson about the return of Kansas City’s popular comedic horror show, The Spooky **** Show, created by local Kansas Citian, Derek Trautwein returning to Kansas City Fringe Festival (July 17-27), More info http://www.kcfringe.org // And Beth Watts Nelson joins us to share her latest release.
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachel Christia, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, June 25, 2025
WMM presents Suzannah Johannes + Marmoppes + Keelon Vann
Mark spins more New & MidCoastal Releases from: The Royal Chief, Suzannah Johannes, Marmoppes, Keelon Vann, Tre’ Mutava, Religion of Heartbreak, Chad Brothers, David Byrne & Ghost Train Orchestra, Mavis Staples, and Wednesday.
At 10:30 we’ll talk with Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio with Josh Adams and David Wetzel. Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas. More info at: http://www.suzannahjohannes.com.
At 11:00am members of the Kansas City band Marmoppes return to Wednesday MidDay Medley to share new music and perform LIVE in our 90.1 FM Studios. Marmoppes include: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. Originally formed on Groundhog Day, since the fall of 2023 Marmoppes have released five singles: “Cerulean Blue Truffle Pig” (Sept. 5, 2023), “Butterfly” (March 17, 2024), “Yr Chemical” (April 28, 2024), “Gyatt Time” (Sept. 20, 2024), “Nos” (March 23, 2025) Marmoppes will premier their brand new single on Wednesday MidDay Medley. More info at: https://linktr.ee/marmoppes
At 11:30 Mark talks with Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Born on August 28, 1998, to Juanita Moten and the late Kwasi Vann, Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Musiq Soulchild, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Upon picking up the guitar, Vann expanded his musical world. Teaching himself to play, he discovered Blues and Rock N’ Roll, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A graduate of Piper High School and former NCAA Division II College Footbal Athlete at William Jewell College, Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum. Balancing athletics, academics, and music has never been easy, but through it all, Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.”
On your local radio dial 90.1 FM or STREAMING LIVE at: kkfi.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, June 18, 2025
WMM presents Chris Garibaldi & Mark Henning on James Grauerholz – Life’s Too Good To Keep + Lonnie Fisher + Sisterbot & Hadiza. – Solstice at Sunset
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
Hadiza. – “Reactions!” from: SHADOW WEIGHT / Hadiza. / November 22, 2019 [Hadiza also plays in the band Collidescope and Arquesta Del SoulSol // “Hadiza released her acclaimed album SHADOW WEIGHT on November 22, 2019. It was part of WMM’s 119 Best Recordings of 2019. Hadiza released her EP GONE on December 29, 2018 with Madi Monroe on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a sKansas City based singer-songwriter. Previously based in her hometown of Iowa City, she has spent the 2018 slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform. Collidescope released their new 7-track album, DEEP TAPE, on December 31, 2020. Collidescope is essentially a duo that includes: Hadiza. on vocals, beats, & synthesizers; and Madison Monroe on guitar, bass, beats, synthesizers, mixing and vocals. DEEP TAPE includes Victoria Falls Stillwater on addition sound production and vocals, and was mixed and mastered by J.Ashley Miller aka Jametatone. DEEP TAPE is a follow up the the band’s debut EP Systemic released December 16, 2017. Hadiza also is part of the band Arquesta Del SolSoul. More info at: http://www.hadizaisnothere.bandcamp.com or http://www.acollidescope.bandcamp.com]
[Hadiza plays Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest, KCMO, Sat. June 21.]
Sisterbot – “Approval (feat. Just Angel)” from: Truth House / Sisterbot / July 10, 2021 [Sisterbot is a performing artist dedicated to breaking genre boundaries, creating cosmic musical and theatrical experiences. The 9-piece Sisterbot Band is a “punk pop chamber orchestra” complete with electric guitar, drums, piano, strings and horn. “Truth House (2021) is a concept album written over the span of three years, encapsulating a chapter of my life that I spent in a house alone, dealing with the aftermath of trauma and rebirth.”- Sisterbot (Adee Dancy). Written by Sisterbot. Produced by Jametatone and Sisterbot. Engineered, Mixed, Mastered by Jametatone, except “Approval” which was Produced, Engineered, & Mixed by Andrew Bonci Jr. at Magnolia Tree Studios, with AJ Bonci on guitar, Just Angel and Sisterbot on vocals. Cover Art by Mazzy Mann. Adee Rocket Dancy released the single “Hello Moon (feat. The Swallowtails)” on April 26, 2021. (This song is also on the Sisterbot album.) Produced by Jametatone & Adee Rocket Dancy. Adee Rocket Dancy on piano & vocals & cello; Rachel Lovelace on bassoon; Mikala Petillo on guitar & background vocals, Mixing and Mastering by Jametatone, (J. Ashley Miller). Adee Rocket Dancy writes, “This is a song about my life-long love for the moon, featuring The Swallowtails (Rachel Lovelace & Miki P). Adee chose the date April 26, 2021, as their release date, to honor the full moon called “The Pink Moon.” More info at: Sisterbot.bandcamp.com]
[Sisterbot plays Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest Avenue, KCMO, Saturday, June 21.]
10:11 – Interview with Adee Dancy, and Hadiza.
Adee Dancy(Sisterbot), is a performing artist born and raised in the KC area. Adee is a student of many teachers and disciplines, attempting to amalgamate all they have learned and loved, into their artistic life. Adorning many different hats, Adee has stepped into a multitude of roles in their career such as professional cellist, music director, vocalist, composer, actor, and more. With dynamic string writing and theatrical rock at the helm of their work, Adee captains a project and alter-ego called Sisterbot, that fuses their multiple disciplines. Adee feels extremely lucky to have music, art, & theater as means of expression and livelihood! Adee has collaborated with many groups including Owen Cox Dance Group, No Divide KC, and The Swallowtails. More info at http://sisterbotmusic.com
Adee Dancy (Sisterbot), (They/Them) thanks for being with us on WMM.
Hadiza. shuffles between multiple hats in their work. They are most known as 1/2 of experimental queer duo Collidescope, w/ best friend & roommate Madison Mclaughlin. The two (with the help of some awesome friends) are getting ready to release their final recording project DEEP TAPE 2 before a hiatus. Hadiza is also working on their second solo album supported by Arts KC, titled Diaspora Gothic, to be released in the fall of 2025. This year, Arts KC also supported Hadiza’s pursuits to build artistic connections in their home country, Ghana. Hadiza spent January connecting and collaborating in practice and performance as a resident at Crazinist Artist Studio for the Perfocraze International Artist Residency in Kumasi, Ghana. pIAR was founded and is led by Va-Bene Elikem Fiatsi a Ghanaian woman activist and performance artist of trans experience.
Hadiza (They/Them), thanks for being with us on WMM.
Adee, Hadiza. are here to share details about Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest, KCMO, Sat, June 21, 2:00pm to midnight. This all-ages garden festival returns with immersive garden activities, wellness offerings, and a lineup featuring 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, and Coloratura, with performances running from 3 to 11:00 pm. Guests can enjoy 10-minute yoga flows with Charenee from New Moon Wellness, explore the grounds with a garden passport scavenger hunt, bundle fresh herbs, collect a DIY snack directly from the garden, look to the sky with telescope time and stargazing.
The community-powered celebration, now Mini-Festival, Solstice at Sunset is back at Manheim Gardens on Sat, June 21, 2025, 2pm to midnight, and it’s free to attend. . After an inspiring inaugural run last summer hosted by the KC Queertet, Sisterbot, Hadiza., and Christina Silvius, this all-ages garden festival returns with a full lineup of live music, immersive garden activities, and wellness offerings, all set in one of Kansas City’s most vibrant green spaces: Manheim Gardens, located at 4229 Forest Ave, KCMO. . This year’s lineup features 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, and Coloratura, with performances running from 3-11pm. Guests can enjoy 10-minute yoga flows with Charenee from New Moon Wellness, explore the grounds with a garden passport scavenger hunt, bundle fresh herbs, collect a DIY snack directly from the garden, look to the sky with telescope time and stargazing once the sun sets, and more. . Festival highlights include: *Live music from local artists *Garden-to-table activities like snack foraging and herb workshops *Yoga, health station, and chill zones for relaxation and restoration *Zine library, donation and merch stations, and more *Telescope stargazing after dark
Special thanks to Zan Bondi and all of the Manheim Garden volunteers for their time, efforts, and collaboration.
One of the man organizers of this event is Zan Bondi is a food pantry farmer, artist and mystic. Zan is the programming director and founder of Wednesday Potlucks for World Peace at Manheim Gardens – which happens every Wednesday from 6:30-830pm, May-October, where folks harvest greens for the community + local food pantry and share dinner. They’ve spent over a decade dedicated to food sovereignty and helping folk deindustrialize their homes, hearts and minds. Come to the garden and let’s grow together!
Audience need only to bring curiosity, a water bottle, and something to sit on. .
Beautiful show poster made by the amazing Claire Monroe at Oddities Prints.
Adee Rocket Dancy writes, “Three years ago, I wrote a song called “You Won’t Play Me.” I had been cleaning my apartment when I found an old pile of letters that brought back difficult memories… they were from someone who had spun many webs of lies and manipulations to gain my attention and affection. I hadn’t realized the extent of this mind-molding until my mid-20’s, after nearly a decade of experiences with this person. Holding the letters in my hand, I felt anger, embarrassment, protective of my younger self, but also, freedom. The knowledge that this person had no hold over me today, or ever again, gave me a sense of triumph. In a rush of catharsis, I ripped up all of the letters, tossing them into the air with relief. Immediately, this song came to me. I sat down at the keyboard, and out it poured. // More info at: sisterbotmusic.com // Sisterbot.bandcamp.com
Sisterbot is a performing artist and composer dedicated to breaking genre and disciplinary boundaries in order to create musical and theatrical experiences. Each piece is episodic, cathartic, and gives an internal look into the beauty and the bizarre of the human experience through epic theatrical and musical storytelling. The 7-to-14-piece Sisterbot Ensemble is described as a “punk pop chamber orchestra,” with a full rock rhythm section and the addition of strings and background vocals. Sisterbot connects and communicates about love, community, gratitude, queerness, the preciousness of life, the preservation of our planet, and our place in this vast universe.
Adee Dancy / Sisterbot told Voyage magazine: As a kid, I was mesmerized by outer space. I was sure that I was going to be an astronaut, so much so that I begged my mom to let me go to Space Camp 6 times (the one from all the commercials in Huntsville, Alabama). At the same time that my space obsession began, I also started playing the cello, which I frequently refer to as my first love (besides my amazing parents and sisters!). My love for music was very deeply rooted, with a very musical mom who always played piano, and guitar, and sang harmonies with me, a dad with an ear for hit melodies and great albums, and a stepdad with mega rock guitar skills. And of course, I had some of the greatest and most supportive music educators I could ask for.
Fast-forward to high school- I was still on the path of becoming something within the field of astronomy, engineering, robotics, or science in general. But then, my world turned upside down when I got the chance to see the world-renowned cellist, Yo-Yo Ma, in concert with the Kansas City Symphony at the brand new, state-of-the-art Kauffman Center for the Performing Arts. It was an experience that I truly will never forget. I remember being so completely engaged and involved in the performance, watching Yo-Yo Ma play the Dvorâk Cello Concerto. I had a truly out-of-body experience for the first and only time in my life, and I awakened in the middle of the piece with tears streaming down my face and the resounding, undeniable calling in my mind and heart: I have to pursue music!
From that moment forward, I changed my entire career path, switched all of my engineering classes to music classes, and went on to pursue music in college. I have a background in both classical cello and classical voice, with a degree in cello and an enthusiasm/private study of the other. I realized towards the end of my Bachelor’s degree that classical music was a love of mine, but not an avenue I wanted to truly pursue. My first few years of college were extremely difficult, with an unforgiving private teacher, being in the closet, experiencing the death of a person I loved, and a general feeling of inadequacy as a classical cellist. I realized through music directing my first musical that I had a passion for theater and popular music, and it brought me to write my own music!
Adee officially began their own musical project, which was originally called “Adee Rocket Dancy.” Adee picked the name in tribute to childhood dreams of astronomy and rocket science that have always been fascinating and mesmerizing to them. Adee knew that they wanted to incorporate those themes into their musical journey. Adee released 3 singles under that name until realizing at a coffee shop with bandmates that “Sisterbot” had a great ring to it. It was originally a joke that we laughed really hard about, but then it stuck! Two weeks before, “Truth House” came out, Adee, their mom, and stepdad, were finalizing album artwork, and decided at that moment to make the change.
Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest, KCMO, Sat, June 21, 2:00pm to midnight. This all-ages garden festival has immersive garden activities, wellness offerings, and a lineup fof 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, & Coloratura, with performances running from 3 to 11:00 pm.
10:28
Collidescope – “Dodo Bird” from: FunHouse / Collidescope / October 13, 2022 [Collidescope includes: Hadiza. on vocals, beats, & synthesizers; and Madison Monroe on guitar, bass, beats, synthesizers, mixing & vocals. On December 31, 2020 Collidescope released their 7-track album DEEP TAPE. DEEP TAPE includes Victoria Falls Stillwater on addition sound production and vocals, and was mixed and mastered by J.Ashley Miller. DEEP TAPE is a follow up the band’s debut EP SYSTEMIC released December 16, 2017. Hadiza also released her solo album SHADOW WEIGHT on Nov. 22, 2019. Collidescope are getting ready to release their final recording project DEEP TAPE 2 before a hiatus. Hadiza is also working on their second solo album supported by Arts KC, titled Diaspora Gothic, to be released in the fall of 2025. More info at: http://www.hadizaisnothere.bandcamp.com or http://www.acollidescope.bandcamp.com ]
10:33 – Underwriting
Lonnie Fisher – “Hear My Voice” from: “Hear My Voice” – Single / Lonnie Fisher / April 18, 2025 [Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]
10:39 – Interview with Lonnie Fisher
“Hear My Voice” is one of several new singles from the prolific Kansas City musical riock and roller – Lonnie Fisher who studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher & The Funeral released the album, HAUNTED on October 22, 2021. He released his solo album FAMOUS GIRL on January 19, 2022; BEAUTIFUL STAR on February 9, 2023; the EP, SEEDS on July 28, 2023, and the album FLOATING PALACE, on August 9, 2024. Info at: http://www.lonniefisher.bandcamp.com.
Lonnie Fisher Thank you for being with us on WMM.
6/5: Lansing Correctional Facility experience in a room without phones. It was glorious!
Lonnie: On the night of June 5, my band and I experienced a unique enthusiasm and appreciation from the residents of Lansing Correctional Facility that went far beyond a traditional gig, in an extremely unorthodox setting. We had a soulful connection with this amazing community and experienced the creation of music together, the way humans are supposed to. It was another reminder of shows of yore when cell phones weren’t so distracting and the audience was just as much a part of the show as the musicians. We will be forever grateful for the experience and can’t wait to do it again!
6/21: Upcoming art and music show, featuring artist Mark Freeman at Discourse Brewery OPKS (4-8pm parking lot tent show, food truck, free, family-friendly)
2 new tunes will be released July 10 (Lonnie’s Birthday)
Zero One Zero (it is not officially released on any platform though). Recorded and played last year with Ed Rose, of the famed Black Lodge Studios, at the cool recording studio in Lawrence Public Library. The other song is called Get Away, recorded at Weights and Measures, with guest vocals from Steve Tulipana (Season to Risk).
Lonnie Fisher plays Replay Lounge in Lawrence on July 5. Lonnie Fisher plays Hillsiders in KCK on July 23. Lonnie Fisher plays The Bottleneck in Lawrence on August 1.
Lonnie Fisher continued to go to his new local recording home at Weights and Measures Soundlab, where he has been remastering old and creating new songs with Duane Trower like a madman since before the pandemic. Lonnie released some newly recorded and remastered solo tracks in 2022’s Famous Girl, 2023’s Seeds EP and the album John Brown Karmageddon. His most recent songs written in the last 5 years can be found on 2023’s Beautiful Star, 2024’s Floating Palace, and his upcoming album The Onion’s Tale this fall. He’s already in the studio, working on 2026’s album.
We’d really like for people to be on our old fashioned email newsletter to learn more about who we’re playing with and lots more details. We are very skittish about social media nowadays. thelonniefisher.com
We’re introducing The Fisher Flea to shows.We decided to expand our merch table to homemade goods, cool quirky items, books, as well as the standard merch. The sourdough bread, cinnamon rolls, and jarred sauces are a hit!
10:46
Lonnie Fisher – ” Zero One Zero with Tara Fisher” (LIVE) from: “Zero One Zero” – Single / Lonnie Fisher / July 10, 2025 [Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]
10:50 – More Interview with Lonnie Fisher
Lonnie Fisher is a native Kansan, playing a unique 5-string guitar with no G string and a voice that some call reminiscent of David Bowie or Roy Orbison. Lonnie moved to Lawrence, Kansas from the western part of the state in the 1990’s, as the college town found its place on the national music scene. The project he started there, Sturgeon Mill, played live venues all around the West and Midwest, with the song “Kill Yourself or I Will” charting in European countries. After Sturgeon Mill broke up in the 2000’s, he began experimenting with solo work at Black Lodge Studios in Eudora, Kansas with Ed Rose. A few projects came and went, but nothing really stuck until his band, Lonnie Fisher & the Funeral. He also found his love of cooking during this time and worked his way up to dinner chef at Wheatfield’s in Lawrence.
Tragedy struck in about 2010 when Lonnie lost his father and the love of his life over a very short period of time. He grieved, got lost in alcohol addiction, and then had a stroke. In 2015, he moved to the Kansas City area. With that move, he evolved Lonnie Fisher & The Funeral with some new local members. Tragedy struck again in 2017 when he had a second stroke. This set him back more than the first as he had to quit his kitchen job because the stroke affected his memory and how he processes information. He eventually learned to live life without alcohol and relearned how to play and sing. With some other health issues on the horizon, he decided that he would focus more on recording and disbanded Lonnie Fisher & The Funeral.
He continued to go to his new local recording home at Weights and Measures Soundlab, where he has been remastering old and creating new songs with Duane Trower like a madman since before the pandemic. Lonnie released some newly recorded and remastered solo tracks in 2022’s Famous Girl, 2023’s Seeds EP and the album John Brown Karmageddon. His most recent songs written in the last 5 years can be found on 2023’s Beautiful Star, 2024’s Floating Palace, and his upcoming album The Onion’s Tale this fall. He’s already in the studio, working on 2026’s album.
Lonnie: “I’m so grateful to be back, and I have so many people to thank for their kindness and support. Most importantly, my wife Tara, who was with me through all the dark moments, deserves real credit for my being alive.”
Sheri at The Brick in KCMO, Steve Tulipana at Record Bar KCMO, Duane Trower Weights and Measures Soundlab KCMO, Lawrence venues The Replay Lounge, Bottleneck, Gaslight Gardens, Northside Social, all of these people and places gave me a second chance to resurrect my career. I love them very much.
Life is truly a gift. Work hard. Play harder. Take care of your body and mental health. When everything is working together in harmony, there’s nothing you can’t do.
Lonnie Fisher – “Mediocre White Man (feat. Tara Fisher)” from: “Mediocre White Man (feat. Tara Fisher)” – Single / Lonnie Fisher / April 18, 2025 [Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]
11:00 – Station ID – Life’s Too Good To Keep – Side A – Act One
James Grauerholz – “Be That Way” from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024 [Written in 1993. Recorded by Brad Koehler, at Hairball IV Studio, Lawrence, Kansas. / James Grauerholz writes: “I wrote this for Matt Schepis, who was my boyfriend in 1993. He is now almost fifty and we’re good friends. Other players: Mark Henning of Zoom, guitar fills and vocal; Scott Lovern of the Lonesome Wranglers on keyboards; Bill Belzer of Mongol Beach Party on drums; Darren Welch of Dracomagnet on bass guitar. For this one session we were Draco Zoom Mongol Ramblers. The song was first released on Tim/Ker records out of Portland, Oregon on the “Cough It Up: The Hairball Story” compilation.” // Mark Henning writes in the album’s liner notes: To anyone in the Art, Literary & Music world, James has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James has handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. // James set out to be a singer-songwriter before fate led to his calling with William S. Burroughs and despite the demands of his literary responsibilities, he continued to write music as a creative outlet. Over the years James witnessed and has been an important figure in many extraordinary musical eras. He was referred to as the ‘Zelig of Punk Rock’, having been part of a small coterie who helped kick-start the CBGBs scene in NYC from 1974 through the end of the decade. If you haven’t read the book ‘Please Kill Me’ by Legs McNeil and Gillian McCain, do yourself a favor and pick it up. James’ stories are among the best in it. His ‘mates’ during that time were the likes of Lester Bangs, Howard Brookner, Robert Palmer and Robert Quine -to name only a few. // The Zelig comparison is dead accurate, but it goes far beyond Punk Rock. James was there for the Midwestern Country-Rock explosion of the early 1970s. The legendary oral history ‘Cows Are Freaky When They Look At You’ paints a hilariously warped picture of the people in James orbit during those K.C./Lawrence years prior to him moving to NYC. He was there for the AOR singer-songwriter movement of the late 1970s, mixing his songs with Boz Skaggs in San Francisco. He was at the Hacienda in Manchester when Factory Records ruled the scene and where New Order, The Smiths and The Fall took the world by storm. He was around when New Wave and Hardcore emerged AND he was a steadfast contributor to the evolution of underground music of the early 1990s. In Lawrence, KS where James has lived since the early 1980s, and where Zoom and Lotuspool Records evolved, James lent his opinions, his studio, his gear, his chops and his time, unselfishly on innumerable occasions to help fledgling bands get a leg up. // Through all of these eras, James’ voice as a songwriter has held its own piece of real estate. Each of the twenty-two tracks represented on this double album bear a style that is distinctly his own, both lyrically and compositionally. It is worth adding that James is one hell of an accomplished guitar player too. Assembling this collection was no easy task, despite James’ impeccable documentation of his own catalog. Tapes were baked, no stone was left unturned and several ‘new’ discoveries were made that hadn’t made their way into the master list. // What you have here is a collection of songs that span thirty years, or as James so aptly puts it ‘My Life In Four Acts’ -with each side of the two LPs representing an Act. Though much of the material could easily be considered Great American Songbook in style (hooks everywhere, turns of phrase that remain stuck in your head, broad themes of love, loss & loneliness…), there is also a deeply personal and distinctly Queer element to the songs. One must not forget that back in the 1970s hardly anyone was doing this. In fact, James may have created his very own lane. There were Queer outsider artists like Tom Wilson doing more ‘camp’ numbers, but NO ONE was doing pop-type radio songs represented here. Some of the songs could even qualify as a new genre: Gay Yacht Rock. One must also wonder whether, despite the appeal factor, maybe James just wanted to keep the songs for himself as a log of his own personal journey? // You, the listener can decide for yourself. We hope you enjoy these four acts as much as we did while assembling them. For me they just keep getting better the more I listen.” – Mark Henning (Zoom, National Trust, Voice of Action)]
11:03 – Interview with Chris Garibaldi & Mark Henning
Mark Henning was born on South Side of Chicago in 1970 into a musical family. His Grandfather was a Music Educator and Big Band Leader of the Leo Henning Orchestra. Mark was initiated into his music and started playing guitar at the age of 8 and then saxophone and electric guitar and started his first band The Locals. Mark met Chris Garibaldi when he moved to his neighborhood. In high school Mark discovered the underground music in Chicago, and played basement Hardcore shows. Mark went to University Of Kansas in 1988 where he majored in Advertising and got my undergrad B.S.J. from the William Allen White School Of Journalism. With Chris Cosgrove and Steve Tubbart Jeremy Sidener the band Zoom was created. Mark met James Grauerholz and William Burroughs in 1992. They were label-mates on T/K Records out of Portland but all lived in Lawrence. Mark played and recorded with James. Mark moved back to Chicago in 1995, ad started playing in The National Trust, recording two albums on Thrill Jockey. Mark worked at Reckless Records in Chicago from 1996-2000k and also Dusty Groove Records. Mark started a successful D.J. night at Danny’s in Chicago that continued for 20 years until 2017. Mark moved to Brooklyn in 2000 Managed Dubway recording Studios in Manhattan, worked and lived in New Orleans and eventually moved back to Chicago in 2006 to focus on music with the National Trust. Mark toured Europe, bought a bungalow on the West Side, worked for a Commercial Photography House, had a son name Leo in 2008. Mark continues to write. He put out a 45” with Fred Schneider and Elvira on Jack White’s Third Man label in 2013-14. Started a three piece called VoA and released an album on Lotuspool in 2018. On 2019 he started work on the James Grauerholz Album until it was released in November of 2024.
Mark Henning thanks for being with us on Wednesday MidDay Medley
Chris Garibaldi is the co-founder of Lotuspool Records. He also is lead singer, guitarist and occasional trombonist for the band Suneaters who released their 7th album, the 13 track album, Suneaters IV: Absinthe Makes The Heart Grow Fingers, on September 23, 2022. Lotuspool Records, was born in 1992. Chris writes “We started the label when we were very young, and the bands that were on it were very young, too,” he tells me. “Back then, you could put out an indie record and get a lot of attention and press. At that time, there was a lot of support for indie music. Around 2000, Lotuspool went on an unofficial hiatus. The label was never inactive, but Garibaldi spent most of 2000s living in Los Angeles. In 2011, a Garibaldi relocated to Parkville, he and Scott Hartley — bassist in the Suneaters — brought a new vision for Lotuspool Records. He label has been the moe for releases for Heidi Lynne Gluck, The Bump Band, Bully Pulpit, The Whips, Poster Children, Zoom, Voice of Action, June Henry, Hollow Body, Chris Cardwel, and many others This year the label is celebrating 33 years!
Chris Garibaldi, thanks for being with us on Wednesday MidDay Medley
Chris Garibaldi and Mark Henning join us to share details about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Grauerholz has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. More info at: http://www.lotuspool.com
Lotus Pool Records presents…James Grauerholz Life’s Too Good To Keep
“Be That Way”– Written in 1993. Recorded by Brad Koehler, at Hairball IV Studio, Lawrence, Kansas. / James Grauerholz writes: “I wrote this for Matt Schepis, who was my boyfriend in 1993. He is now almost fifty and we’re good friends. Other players: Mark Henning of Zoom, guitar fills and vocal; Scott Lovern of the Lonesome Wranglers on keyboards; Bill Belzer of Mongol Beach Party on drums; Darren Welch of Dracomagnet on bass guitar. For this one session we were Draco Zoom Mongol Ramblers. The song was first released on Tim/Ker records out of Portland, Oregon on the “Cough It Up: The Hairball Story” compilation.”
James Grauerholz was born December 14, 1953, in Coffeyville, Kansas, and attended the University of Kansas for a year before dropping out and traveling to New York City. By his own admission, he was fascinated with Beat Generation literature and authors.
Grauerholz became acquainted with Burroughs in the 1970s while befriending Allen Ginsberg in New York City. Ginsberg recommended Grauerholz to Burroughs as a possible assistant and their working relationship began in this simple manner, yet grew to be a major factor in the popularization of Burroughs and his works. Grauerholz became Burroughs’s friend and business manager until the author’s death in 1997.
Grauerholz helped edit a trilogy of novels: Cities of the Red Night (1981), The Place of Dead Roads (1985) and The Western Lands (1987). He acted as Burroughs’s business manager, spearheading reading tours in the 1980s and 1990s, and wrote editorial copy for Interzone, a compilation of stories. He quit working for Burroughs and returned to Kansas in the early 1980s, and this quickly led Burroughs to relocate to the Midwestern university town of Lawrence, Kansas, to work more closely with Grauerholz again. Up until Burroughs’s death in 1997, Grauerholz supported him, getting him reading engagements, commercial advertisements (Nike shoes), and parts in films (Drugstore Cowboy), as well as recording Burroughs’s readings. He looked after Burroughs’s physical needs as well, taking him to a methadone clinic in Kansas City weekly, as well as providing him with companionship and acting as a kind of social secretary to the many people that came to Kansas to meet Burroughs.
Grauerholz wrote biographical sketches for a Burroughs reader, Word Virus, and edited a posthumous release of Burroughs’ diaries, Last Words: The Final Journals of William S. Burroughs. Grauerholz worked on a full-length biography on Burroughs, but reportedly handed his writings and other material in the project to Barry Miles in March 2010.[1] The book, Call Me Burroughs: A Life, was published in 2014, with Miles as the sole credited author.
Works as editor or co-editor of William Burroughs • Cities of the Red Night, 1981 • The Place of Dead Roads, 1985 • The Western Lands, 1987 • My Education: A Book of Dreams, 1995 • Interzone, 1985 • Last Words: The Final Journals of William S. Burroughs, 2000
Audio productions: Naked Lunch (Warner, 1995), and Let Me Hang You (Khannibalism, 2016) both recordings produced by Grauerholz and Hal Wilner with music by Wayne Horvitz, Bill Frisell and Eyvind Kang
Works as author Include: Grauerholz, James and Ira Silverberg. (2000) Word Virus: The William S. Burroughs Reader. Grove Press. (Editor and author of biographical sketches preceding each chapter). AND Grauerholz, James. The Death of Joan Vollmer Burroughs: What Really Happened?. American Studies Department, University of Kansas. Online.
Mark Henning first met James in 1992 when his band Zoom was being courted by Tim Kerr Records of Portland, Oregon. Zoom had been introduced to the label through Greg Sage of Wipers fame, who was Producing what would be our final record, Helium Octipede.
Coincidentally James and William Burroughs were both signed to Tim Kerr Records and we all happened to live in Lawrence, KS. James and I met up at a Mexican restaurant near 19th & Mass St. and discussed the music biz over enchiladas. James was incredibly supportive of our move to join the label, gave me a boatload of wise advice and a long friendship ensued.
To anyone in the Art, Literary & Music world, James has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James has handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion.
James Grauerholz was referred to as the ‘Zelig of Punk Rock’
James set out to be a singer-songwriter before fate led to his calling with William S. Burroughs and despite the demands of his literary responsibilities, he continued to write music as a creative outlet. Over the years James witnessed and has been an important figure in many extraordinary musical eras. He was referred to as the ‘Zelig of Punk Rock’, having been part of a small coterie who helped kick-start the CBGBs scene in NYC from 1974 through the end of the decade. If you haven’t read the book ‘Please Kill Me’ by Legs McNeil and Gillian McCain, do yourself a favor and pick it up. James’ stories are among the best in it. His ‘mates’ during that time were the likes of Lester Bangs, Howard Brookner, Robert Palmer and Robert Quine -to name only a few.
11:15 – Life’s Too Good To Keep – Side A – Act One
James Grauerholz – “Rainy Kansas City” from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024 [Written in 1973. Recorded by James Grauerholz, by myself in my bachelor apartment in Kansas City , Missouri, next door to the Associated photography Building where I worked then at 3716 Main Street, Kansas City.]
11:18 – More Interview with Chris Garibaldi & Mark Henning
We are talking with Chris Garibaldi and Mark Henning about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Released November 1, 2024. More info at: http://www.lotuspool.com
“Rainy Kansas City” – Written in 1973. Recorded by James Grauerholz, by myself in my bachelor apartment in Kansas City , Missouri, next door to the Associated photography Building where I worked then at 3716 Main Street, Kansas City. James writes: “I was thinking of my many fears about moving to New York City – which I nevertheless did soon afterward.]
The Zelig comparison is dead accurate, but it goes far beyond Punk Rock. James was there for the Midwestern Country-Rock explosion of the early 1970s. The legendary oral history ‘Cows Are Freaky When They Look At You’ paints a hilariously warped picture of the people in James orbit during those K.C./Lawrence years prior to him moving to NYC. He was there for the AOR singer-songwriter movement of the late 1970s, mixing his songs with Boz Skaggs in San Francisco. He was at the Hacienda in Manchester when Factory Records ruled the scene and where New Order, The Smiths and The Fall took the world by storm. He was around when New Wave and Hardcore emerged AND he was a steadfast contributor to the evolution of underground music of the early 1990s.
In Lawrence, KS where James has lived since the early 1980s, and where Zoom and Lotuspool Records evolved, James lent his opinions, his studio, his gear, his chops and his time, unselfishly on innumerable occasions to help fledgling bands get a leg up.
11:28 – Underwriting
11:30 – Life’s Too Good To Keep – Side B – Act 2
James Grauerholz – “New York City Lullabye” from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024 [Written in 1974. Recorded by James Grauerholz on stereo cassette tape in April 1974 while William slept – late one night at 452 Broadway, New York City.. / James Grauerholz writes: “William S. Burroughs, my father and lover for 23 years until his death on August 2, 1997. He had been my favorite writer since 1966, and when I finally met William, I immediately decided ‘Life’s to good to keep.’”]
11:33 – More Interview with Chris Garibaldi & Mark Henning
11:33 – More Interview with Chris Garibaldi & Mark Henning
We are talking with Chris Garibaldi and Mark Henning about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Released Noveber 1, 2024. More info at: http://www.lotuspool.com
“New York City Lullabye “ – Written in 1974. Recorded by James Grauerholz on stereo cassette tape in April 1974 while William slept – late one night at 452 Broadway, New York City. / James Grauerholz writes: “William S. Burroughs, my father and lover for 23 years until his death on August 2, 1997. He had been my favorite writer since 1966, and when I finally met William, I immediately decided ‘Life’s to good to keep.’”
Single Release Dates: 10/4/24: Be That Way 10/11/24: New York City Lullabye 10/18/24: Heaven’s Radio 10/25/24: The Intersection Of You And Me
Grauerholz has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs.
What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. More info at: http://www.lotuspool.com
Through all of these eras, James’ voice as a songwriter has held its own piece of real estate. Each of the twenty-two tracks represented on this double album bear a style that is distinctly his own, both lyrically and compositionally. It is worth adding that James is one hell of an accomplished guitar player too. Assembling this collection was no easy task, despite James’ impeccable documentation of his own catalog. Tapes were baked, no stone was left unturned and several ‘new’ discoveries were made that hadn’t made their way into the master list.
11:40 – Life’s Too Good To Keep – Side C – Act 3
James Grauerholz – “Heaven’s Radio” from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024 [Written in 1985. Recorded by James Grauerholz live to four-track cassette at 215 Illinois Street In Lawrence Kansas that summer. Written for Neil Cadger whom I met in 1978 in San Francisco and visited in Canada (Calgary, Ottawa, Toronto and in Paris in 1981. We are still good friends.”]
11:45 – More Interview with Chris Garibaldi & Mark Henning
We are talking with Chris Garibaldi and Mark Henning about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Released Noveber 1, 2024. More info at: http://www.lotuspool.com
“Heaven’s Radio” – Written in 1985. Recorded by James Grauerholz live to four-track cassette at 215 Illinois Street In Lawrence Kansas that summer. Written for Neil Cadger whom I met in 1978 in San Francisco and visited in Canada (Calgary, Ottawa, Toronto and in Paris in 1981. We are still good friends.”]
What you have here is a collection of songs that span thirty years, or as James so aptly puts it ‘My Life In Four Acts’ -with each side of the two LPs representing an Act. Though much of the material could easily be considered Great American Songbook in style (hooks everywhere, turns of phrase that remain stuck in your head, broad themes of love, loss & loneliness…), there is also a deeply personal and distinctly Queer element to the songs. One must not forget that back in the 1970s hardly anyone was doing this. In fact, James may have created his very own lane. There were Queer outsider artists like Tom Wilson doing more ‘camp’ numbers, but NO ONE was doing pop-type radio songs represented here. Some of the songs could even qualify as a new genre: Gay Yacht Rock. One must also wonder whether, despite the appeal factor, maybe James just wanted to keep the songs for himself as a log of his own personal journey?
You, the listener can decide for yourself. We hope you enjoy these four acts as much as we did while assembling them. For me they just keep getting better the more I listen.
Mark Henning (Zoom, National Trust, Voice of Action)
Chris: “One of the mistakes we made as kids running the label was that we made a lot of short-term decisions,” Garibaldi says. “We didn’t have foresight. We were too concerned about paychecks and debt. And now it’s like, ‘Let’s take the thing that we do well, which is to foster interesting music, and not worry about the little things.’ Let’s see if we might be able to figure out something that might make the music bigger. That’s the goal.”
“The Intersection Of You And Me” – Recorded by Ed Rose at Hairball IV Studios. Tom Johnson and Chuck Mahoney remixed in 2004. For “Psrk” a Colorado boy with whomI’m really glad to have been friends. Also for Mikal Elder, an Air Force Academy student whom I met in Pueblo, Mexico, in 2000 at an American Studies scholarly conference at the Universidad do las Americas/Puébla, where he presented a paper on Ernest Hemingway and William S Burroughs. My friend Mikal is a professional cargo pilot today.
Chris Garibaldi and Mark Henning, thanks for being with us on WMM
The new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz was released November 1, 2024 More info at: http://www.lotuspool.com
For WMM, I’m Mark Manning. Thanks for listening.
11:54 – Life’s Too Good To Keep – Side D – Act 4
James Grauerholz – “The Intersection Of You And Me” from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024 [Recorded by Ed Rose at Hairball IV Studios. Tom Johnson and Chuck Mahoney remixed in 2004. For “Psrk” a Colorado boy with whom I’m really glad to have been friends. Also for Mikal Elder, an Air Force Academy student whom I met in Pueblo, Mexico, in 2000 at an American Studies scholarly conference at the Universidad do las Americas/Puébla, where he presented a paper on Ernest Hemingway and William S Burroughs. My friend Mikal is a professional cargo pilot today.]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
Next week, on Wednesday, June 25 We talk with Lawrence Kansas based singer songwriter Suzanne Johannes about her new album Hanz Bronze Boulevard to be released on August 29, 2025. // at 11:00 member of the band Marmoppes return to Wednesday MidDay Medley ot share music and news. // And at 11:30 We talk with musician and guitarist Keelon Vann about his new album THIRD EYE.
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, June 4, 2025
WMM Serves Music of Boulevardia + Chris Haghirian + KC Music Industry Commission
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
Tech N9ne – “This I Know (feat. Kevin Church Johnson) (radio edit)” from: 5816 Forest / Strange Music / June 27, 2025 [New single from upcoming 27th studio album. Aaron Dontez Yates was born November 8, 1971. He is better known by his stage name Tech N9ne (pronounced “tech nine”), is an American rapper and singer. In 1999, he and business partner Travis O’Guin founded the record label Strange Music. He has sold over two million albums and his music has been featured in film, television, and interactive media. In 2009, he won the Left Field Woodie award at the mtvU Woodie Awards. // His stage name originated from the TEC-9 semi-automatic handgun, a name given to him by rapper Black Walt due to his fast-rhyming chopper style. Yates later applied a deeper meaning to the name, stating that it stands for the complete technique of rhyme, with “tech” meaning technique and “nine” representing the number of completion. // Yates was born and raised in Kansas City, Missouri. He began rapping at a very early age, and would rap the letters of his name in order to remember how to spell it. His father Carlton Cook was estranged from the family and his mother suffered from epilepsy and lupus when he was a child, which emotionally affected him and inspired him to “search for God”. He would explore abandoned buildings with his best friend, hoping to catch a ghost on film. He attended Southwest High School in Kansas City. // Early in his career, Yates was a member of a group formed in 1991 called Black Mafia. He saw glimpses of success in the group 57th Street Rogue Dog Villians with their single “Let’s Get Fucked Up”. As a member of the group Nnutthowze, Aaron Yates signed with Perspective Records in 1993. However, the group disbanded soon after being released from the label. Yates signed with Qwest Records briefly before moving to JCOR Records. // In 1997, Yates joined the group the Regime, which was formed by rapper Yukmouth. The following year, he was featured on the soundtrack for the film Gang Related. Yates appeared on the song “The Anthem” by Sway & King Tech in 1999, which also featured artists RZA, Eminem, Xzibit, Pharoahe Monch, Jayo Felony, Chino XL, KRS-One, and Kool G. Rap. Later that year, he and business partner Travis O’Guin founded the record label Strange Music. // In 2001, Yates released the studio album Anghellic on JCOR Records.[9] After disputes arose about the promotion of the album, Yates and his label severed ties with the JCOR with a deal that allowed them to retain the rights to the album. The next year, he released Absolute Power, under a 50–50 joint venture between Strange Music and M.S.C. Music & Entertainment (which was founded by former Priority Records head Mark Cerami). The album debuted number 79 on the Billboard 200. The album’s sales are said to have tripled following a campaign, going by the name of “F.T.I.” was started by the rapper and his label. The campaign, which asked music listeners to legally download the album free through the artist’s own website was in response to the anti-downloading campaign by the RIAA. // In 2006, Yates released the album Everready (The Religion). The following year, he released Misery Loves Kompany. Yates announced that the album was the first in a series of “Tech N9ne Collabos” albums that feature a wide range of guest appearances. // The following year, Yates released the album Killer. That September, he exceeded one million album sales over his entire catalog. Yates remarked of the accomplishment that, “It just reminded me of all the work we’d done in the past, up until now […] I don’t think it’s sunken in yet. I’ve been celebrating for the last two days because that’s a hell of an accomplishment. I’ve been planning success all my life. I’m not even a bit surprised, I’m happy about it. That just means I was right.” Yates released his second Collabos album, Sickology 101, in April 2009. // Yates later performed at the Rock The Bells 2009 Festival and the tenth annual Gathering of the Juggalos. That October, he released K.O.D., an acronym for King of Darkness. The album featured a dark overtone, as Yates was dealing with the illness of his mother. An EP of new songs over unused beats from the K.O.D. album was released in 2010 as The Lost Scripts of K.O.D.. Later that year, Yates released his third Collabos album, The Gates Mixed Plate. In October, he released his second EP Seepage. On December 23, he released his first mixtape Bad Season.which was later released in retail CD form with a modified track list and without DJ Scream. On June 7, 2011, Yates released All 6’s and 7’s. The album features several hip-hop artists as well as rock artists including B.o.B, E-40, Snoop Dogg, Hopsin, T-Pain, Jay Rock, Mint Condition, Busta Rhymes, Twista, Lil Wayne, Yelawolf and Deftones and many others. // In 2011, Yates told 411mania.com that after All 6’s And 7’s he planned on releasing his fourth album in the Collabos series titled Welcome to Strangeland, featuring guest appearances from everyone on Strange Music, followed by the long-awaited K.A.B.O.S.H. and 816 Boyz albums. Then, in July 2011, Yates said in a blog post that Rick Ross has agreed to do a song with him for the K.A.B.O.S.H. album and that he is also hoping to have a collaboration with Jay-Z on that album. In the same blog post, he said that the K.A.B.O.S.H. album will be a rock album. In another blog post several weeks later, he confirmed that he will begin work on the album after completing Welcome to Strangeland. Following his tour, he announced that he was about to begin work on Welcome to Strangeland and Klusterfuk, confirming producers for both projects. ¡Mayday! is to entirely produce Klusterfuk. He said he will then begin work on the K.A.B.O.S.H. album. // Tech N9ne is featured on Lil Wayne’s ninth studio album Tha Carter IV on the song “Interlude”. The track features a verse from Tech and Andre 3000. During a radio interview with Funkmaster Flex in August 2010, Wayne stated that he and Tech N9ne formed a “brotherhood” when Yates visited him in jail. In a later interview, Tech N9ne claimed that he thinks the song will “awaken a lot of other people that wouldn’t usually look [his] way” and “teach all the new fans how to become technicians”. // In an interview with “Underground TV” posted on Tech N9ne’s blog, Tech N9ne spoke about his 2012 plans, confirming the release of Klusterfuk, the K.A.B.O.S.H. album, and an untitled solo album to be released in 2012. He was featured on the song “Edge of Destruction” (which also features Twista) that appears on Machine Gun Kelly’s first studio album “Lace Up”. // On September 18, Tech N9ne released an EP titled “E.B.A.H.” (Evil Brain Angel Heart). On October 30, Tech N9ne released an EP titled Boiling Point. He announced his thirteenth studio album would be titled Something Else and would be released on June 25, 2013. The first song released from the album would be “B.I.T.C.H.”, an acronym for Breaking In To Colored Houses, which features rapper/singer T-Pain. The album would end up being released on July 30, 2013, to universal critical acclaim. The album, which is broken up into three portions — Earth, Water & Fire, features guest appearances from B.o.B, Big K.R.I.T., Cee Lo Green, the Doors, Game, Kendrick Lamar, Serj Tankian, T-Pain, Trae tha Truth, Snow Tha Product, and Wiz Khalifa, among others including several artists from Tech N9ne’s Strange Music imprint. The album was supported by two singles, “So Dope (They Wanna)” and “Fragile”. // Tech N9ne announced a new “Independent Grind” tour in January 2014, which included Freddie Gibbs, Krizz Kaliko, and Jarren Benton. The tour dates were announced on January 30, 2014, and the tour ran from April 9 until June 28, wrapping up in Kansas City. Also in 2014, Yates released Strangeulation, the fifth album in his Collabos series and fourteenth album overall. // In April 2015, Yates confirmed that Eminem will be featured on a song titled “Speedom (Worldwide Choppers 2)”. The song was released on April 20, 2015, as a single supporting his then-upcoming album, Special Effects, which was released on May 4 of the same year. The rapper says Eminem collaborated on the track, free of charge, in exchange for Yates to guest on a track of his for an unknown project. Yates says he was “flabbergasted” that Eminem respected his music so much. // On May 4, 2015, Tech N9ne released Special Effects to critical and commercial acclaim. The album features guest appearances from Corey Taylor, B.o.B, Lil Wayne, 2 Chainz, T.I., Kottonmouth Kings, Hopsin, Captain Chronic, E-40, Yo Gotti, Audio Push and Eminem along with fellow Strange Music artists Krizz Kaliko, Big Scoob and Ces Cru. // In addition, a Special Effects tour began in early April 2015. Tech is joined on tour by Murs, Chris Webby, Krizz Kaliko, Zuse, and King 810. // On November 20, 2015, Tech N9ne released Strangeulation Vol. II, the sixth album in his Collabos series and 16th album overall. The album features the entire roster of Strange Music at the time along with JL, Ryan Bradley, and Tyler Lyon. In spring 2016, Tech N9ne went on tour with fellow Strange members for another Independent Powerhouse Tour. // In December 2016, Tech N9ne released his 17th album, The Storm, the followup to his 1999 debut album The Calm Before The Storm. // In January 2017, Tech N9ne announced his seventh Collabos album titled Dominion, released April 7, and stated plans to release a second album in his Collabos series the same year. In March, Tech began the Strictly Strange ’17 tour with fellow Strange Music artists. The same month, Tech announced on radio station GoMN plans to release his next solo album, Planet, in 2018. On June 20, 2017, Tech earned his first platinum record in 18 years for “Caribou Lou”. Tech N9ne released the eighth Collabos album, Strange Reign, on October 13, 2017, marking it the second album release that year. // On March 2, 2018, Tech N9ne released Planet, making this his 20th studio album. On April 19, 2019, Tech N9ne released N9na, making this his 21st studio album. Nearly a year later, on April 10, 2020, his 22nd album, Enterfear was released. On July 29, 2020, he was featured on “CMFT Must Be Stopped”, a single by Slipknot vocalist Corey Taylor. On October 23, 2020, Tech N9ne released a new project titled Fear Exodus. // On October 8, 2021, Tech N9ne released an album titled “Asin9ne”. The album features guest appearances from Lil Wayne, Mumu Fresh, Snow Tha Product, Russ, E-40, X-Raided, as well as wrestler turned actor Dwayne Johnson. // Tech N9ne features on fellow Kansas City area musician Samantha Fish’s 2021 album Faster, rapping on the song “Loud”. // On May 3, 2022, at Red Rocks Amphitheatre, Tech N9ne announced his then-upcoming album Bliss, performing a song off the album titled “They Know Meh” featuring fellow Kansas City-based rapper, The Popper. // Bliss was released on July 28, 2023, after being delayed from a July 14 release. The album contains guest appearances from Conway the Machine, Joyner Lucas, X-Raided, Kim Dracula, RMR, Qveen Herby and Durand Bernarr. // On May 7, 2024, Yates was unveiled as featured artist on the Falling in Reverse track “Ronald” from their 2024 album Popular Monster. He stars in the official music video portraying a God like entity, who contrasts against the demonic final boss portrayed by Alex Terrible lead singer of the Russian heavy metal group Slaughter to Prevail. Yates will also be supporting the group on their Popular MonsTOUR II: World Domination tour, in Europe and North America. // Yates is known for his dynamic rhyme schemes[citation needed] and speed rap abilities known as the Chopper style. Soren Baker of VH1 states that Yates’ techniques “showcase his wide-ranging, mind-blowing flows”. Baker characterizes Yates’ earlier work as “apocalyptic music, which discussed abortion and infidelity as much as his rapping prowess”. Allmusic reviewer Jason Birchmeier calls his style “bizarre hardcore rap”. Yates stated that he purposely creates flow patterns in order to sound like a percussion while he raps.[50] After hearing an instrumental he would come up with different kinds of patterns and then “fill in” the actual lyrics. // Yates says that he is influenced by old school hip hop, and specifically cites N.W.A, Public Enemy, Boogie Down Productions, Eric B. & Rakim, Schoolly D, and Just-Ice. He is also interested in other genres of music, and lists The Doors, Jim Morrison, Led Zeppelin, Elton John, AC/DC, Metallica, Floetry, Outkast, CeeLo Green, and Gnarls Barkley as influences. He has remarked generally that “I love beautiful music, beautiful music no matter what type”. // Although Tech N9ne mostly collaborates with rappers from his record label Strange Music such as Krizz Kaliko, Kutt Calhoun, Big Scoob, Brotha Lynch Hung, and Stevie Stone as well as underground rappers from his hometown Kansas City, he has also worked with known rappers such as E-40, Ice Cube, Three 6 Mafia, Lil Wayne, Twista, Eminem, Busta Rhymes, Snoop Dogg, Kendrick Lamar, Machine Gun Kelly, Yelawolf, Scarface, Yo Gotti, T-Pain, Wiz Khalifa, Paul Wall, B.o.B, André 3000, T.I., and 2 Chainz. // Tech N9ne has also worked with rock and metal musicians such as Serj Tankian of System of a Down, Corey Taylor of Slipknot, Chino Moreno and Stephen Carpenter of Deftones, Jonathan Davis of Korn, Five Finger Death Punch, and Falling in Reverse. //Yates’ songs have appeared in the films Born 2 Race, Gang Related, Alpha Dog, Our Heroes: The 25 Best Black Sports Movies (Ever), and The Life of Lucky Cucumber. Yates was originally set to score the entire film Alpha Dog, but the studio decided to replace some of his music with more commercially known songs. In 2009, his song “Let’s Go” was used in an online promotional short film for AXE body spray. Yates also appears as an actor in the films Vengeance and Night of the Living Dead: Origins 3D. Yates starred in the musical Alleluia: The Devil’s Carnival, which had a limited theater release July 2015. On November 25, 2015, Tech released “Shine”, a song for the Jaco Pastorius documentary, Jaco. //Several of Yates’ songs are featured in the video games Madden NFL 2006, The Crew, EA Sports MMA, 25 To Life, WWE 2K18, EA Sports UFC 3, and Midnight Club: Los Angeles, in the latter of which Yates is an unlockable character. In 2009, Yates and label mate Krizz Kaliko appeared in a promotional video for the Fight Night Round 4 video game. // Yates’ music has appeared on the television shows Dark Angel, I’m From Rolling Stone, My Super Sweet 16, The Hills, Spike Guys’ Choice Awards, and Warren The Ape. In 2008, his song “Earthquake” was featured on an episode of MTV’s America’s Best Dance Crew in which the crew had to visually convey the title of the song in their performance. On the Aug. 15, 2009 Strikeforce event, Strikeforce: Carano vs. Cyborg, MMA fighter Gilbert Melendez entered the arena to Tech N9ne’s 2006 song “The Beast” for his bout with Mitsuhiro Ishida. His song “Riot Maker” was used as the official theme song for Total Nonstop Action Wrestling’s 2010 Hardcore Justice pay-per-view. Yates also appeared on the 2011 BET Hip Hop Awards in the BET Cypher with B.o.B, Machine Gun Kelly, Kendrick Lamar, and Big K.R.I.T. In 2012, Tech N9ne appeared on the MTV game show Hip Hop Squares for three episodes. In 2013, Tech N9ne’s song “Demons” appeared in the pilot episode of Ironside. On June 24, 2014, Tech N9ne appeared on Jimmy Kimmel Live! to perform “Fragile”, “He’s A Mental Giant”, and “Stamina”. In late 2014, Yates appeared on Wild n Out as captain of the Black Team. // In May 2015, “Give It All” from the album Special Effects was used during Inside the NBA’s “Tip-Off” for Game 4 of the Eastern Conference Finals. // In May 2018, it was announced that Yates had teamed with Boulevard Brewing Company, a brewery based in his hometown of Kansas City, to create a new beer. The beer was released on June 18 in the Kansas City, Wichita, Denver, and Oklahoma City markets. The beer is named Bou Lou as reference to his song “Caribou Lou”, which is also a cocktail with overproof rum (The song specifically mentions Bacardi 151, which has been discontinued), Malibu, and pineapple juice . The beer is a wheat beer with pineapple and coconut flavors. On July 9, Bou Lou went on sale in the St. Louis market. // Yates was married in 1995, but separated in 2005. Yates filed for a divorce in 2015 and it was finalized in November 2017, 12 years after they were initially separated. On October 23, 2024, he married his longtime girlfriend Kristen, with whom he has two daughters, as seen from their social media accounts. Yates is an avid supporter of Kansas City culture and the metro area’s pro sports teams, including the KC Chiefs, KC Royals, and Sporting Kansas City. Before the Chiefs played in the 2019 AFC Championship game, he released a song titled “Red Kingdom”. In 2025, Yates was announced as one of the remixers for the 2026 FIFA World Cup theme, representing Kansas City.]
Discography – Studio albums The Calm Before the Storm (1999) The Worst (2000) Anghellic (2001) Absolute Power (2002) Everready (The Religion) (2006) Killer (2008) K.O.D. (2009) All 6’s and 7’s (2011) Something Else (2013) Special Effects (2015) The Storm (2016) Planet (2018) N9na (2019) Enterfear (2020) Asin9ne (2021) Bliss (2023) 5816 Forest (2025) Discography – Collabos series Misery Loves Kompany (2007) Sickology 101 (2009) The Gates Mixed Plate (2010) Welcome to Strangeland (2011) Strangeulation (2014) Strangeulation Vol. II (2015) Dominion (2017) Strange Reign (2017) COSM (2024)
[Tech N9ne plays Boulevardia on Saturday, June 14, 9:30 to 11:00pm on The MAIN STAGE]
10:04 – Interview with Chris Haghirian
Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Today we are serving music from the 10th annual Boulevardia Fest including: The Greeting Committee, Honestav, The Freedom Affair, Katy Guillen and The Drive, Kat King, Lorna Kay, The Creepy Jingles, Jamogi, Little Miss Dynamite, Flora From Kansas, Shay Lyriq, Dalima Kapten, TheBabeGabe, Paris Williams, Jackie Myers, Malek Azrael, and The Soul Activators. We started the show with Tech N9ne.
At 11:30 Meighan Peifer & James D. McGee, Creative Director of KC’s Mutual Musicians Foundation share details about The Kansas City Music Industry Commission formed in 2024 with the mission to strengthen the local music ecosystem by supporting musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and content creators. By collaborating with city government, private entities, and KC music industry.
But first, joining us for our first 90-minutes is our friend and special guest, Chris Haghirian host & Producer of Eight One Sixty, heard Tuesday nights at 6:00 PM, on 90.9 The Bridge. Chris studied Journalism / Advertising at The University of Kansas. Chris also studied Photography at Kansas City Art Institute. Chris worked for The KC Star for over 20 years Chris was co-founder of the Middle of The Map Fest. Chris works for Spray KC. Chris organizes multiple concert series, and music stages for Plaza Art Fair & Boulvardia.
Chris Haghirian joins us to share details about Boulevardia, Saturday, June 14, at Crown Center, 2396 Grand Boulevard, encompassing Crown Center & Washington Square Park with 33 national, regional & local acts, 14 DJs, 5 music stages, with nearly 50 Brewing Companies, dozens and dozens of Restaurants & Food Trucks, Multiple merchants in the Makers Market, The Silent Disco, Yard Games, Canna Village, Monster Teeter-Totter, The Swifty Experience, and more. Info at: http://www.boulevardia.com
Chris Haghirian thanks for being with us on WMM
BOULEVARDIA SCHEDULE – SATURDAY, JUNE 14
MAIN STAGE 12:00 PM 1:00 PM Big Luke and the Soul Disciples 1:30 PM 2:10 PM Jackie Myers 2:40 PM 3:20 PM Jessica Paige 3:50 PM 4:30 PM The Phantastics 5:00 PM 6:00 PM The Zeros 6:30 PM 7:30 PM The Greeting Committee 8:00 PM 9:00 PM honestav 9:30 PM 11:00 PM Tech N9ne
FOUNTAIN STAGE- ELEVATE (Fountain Stage) 12:10 PM 12:50 PM The Soul Activators 1:20 PM 2:00 PM Talya Groves 2:30 PM 3:10 PM Land Lion 3:40 PM 4:20 PM Jamogi and The Jammers 4:50 PM 5:30 PM Daisy Buckët Drag Show 6:00 PM 6:40 PM Kat King 7:10 PM 7:50 PM Back Alley Brass Band 8:20 PM 9:00 PM Hembree
PARK STAGE – ILLICIT STAGE (Park Stage) 12:30 PM 1:10 PM Little Miss Dynamite 1:40 PM 2:20 PM Timbers 2:50 PM 3:30 PM David Luther 4:00 PM 4:40 PM Chalis O’Neal 5:10 PM 5:50 PM Lucas Parker 6:20 PM 7:00 PM Lorna Kay 7:30 PM 8:10 PM Katy Guillen and the Drive 8:40 PM 9:30 PM The Freedom Affair
HOLLADAY HILL STAGE 12:50 PM 1:20 PM Dalima Kapten 2:00 PM 2:30 PM Shay Lyriq 3:10 PM 3:40 PM Flora From Kansas 4:20 PM 4:50 PM Lauren Lovelle 5:30 PM 6:00 PM Paris Williams 6:40 PM 7:10 PM The Creepy Jingles 7:50 PM 8:20 PM Malek Azrael and The Vibez 9:00 PM 9:40 PM TheBabeGabe
SILENT DISCO 1:00 PM DJ Dawna – Taylor dance party 1:00 PM Lana Luxx – Taylor dance party 3:00 PM DJ Daz One 3:00 PM DJ Diehard 3:00 PM Tiberias 5:00 PM DJ Hike 5:00 PM DJ EJ 5:00 PM DJ Nana G 7:00 PM DJ Skittlez 7:00 PM DJ ON 10 7:00 PM FK Menace 9:00 PM DJ Joe + DJ Ice Kole 9:00 PM DJ NE$$ 9:00 PM Sheppa
10:09
The Greeting Committee – “Can I Leave Me Too?” from: Dandelion / Harvest Records / September 24, 2021 [Formed in KC in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, a& Pierce Turcotte. This EP is a follow up to their Oct. 17, 2019 EP, I’m Afraid I’m Not Angry, and their October 26, 2018, full length vinyl release “This Is It.” The band has previously released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.The Greeting Committee released their single “Ada” on August 27, 2021, through Harvest Records / UMG Recordings. “Ada” is a queer narrative inspired by lived experience of a dear friend. i knew this wasn’t my story to tell, but instead the story of someone i fiercely admire. to our garden, you are loved. you are loved. You can listen to “Ada” at: thegcband.lnk.to/ada.]
[The Greeting Committee plays Boulevardia, Sat., June 14, at 6:30 to 7:30pm on The MAIN STAGE]
Honestav – “Hurts To Fall In Love (Radio Edit)” from: hara-kiri (Deluxe) / Rebel Music / May 16, 2025 [honestav is Av Freeman: a determined, kindred soul who, in the face of unimaginable odds and loss, found himself a breakout hit with 2024’s “I’d Rather Overdose” and a ticket out of rural Missouri. // Growing up the youngest of four brothers and a sister, he caught the music bug early: “They all wanted to be rockstars,” Av says. “I was a little kid going and watching my sixteen-year-old brother play screamo shows in bowling alleys and pizza joints. I was hooked. I wanted it bad.” // He split his time between his parents, spending half the month with his mother and half with his dad. “My mom was the worst tweaker ever,” he explains. “She lived in the hood and got arrested multiple times selling meth.” Life with his father was relatively stable, but still not comfortable. “There was no A.C. and no food,” Av says, “but I was going to school and playing sports. Half the month, I was the quarterback, and the other half, I was running around with no socks, smoking cigarettes with the worst kids.”// From the start, Av’s music was a response to tragedy; at age fifteen, Av found his brother dead from suicide. Amid this grief, Av adopted a tough-guy rap persona. He recorded music obsessively, releasing a song a week for over a hundred weeks in a row. “Literally for two years,” he says. “Sometimes I’d drop even more. I’d record four songs in a night and post two of them.” These years of experimentation reveal themselves in Av’s blend of folk and hip-hop, which sees scratchy verses layered over sensitive acoustic guitars. // After graduating high school, Av paid his bills selling weed. “I thought that’s how I was going to live,” he says. “I’d just be a dude that sells weed. I didn’t even think about the rockstar thing.” Then he got hired as a mover. He held that job for four years. “It was a grind, and I stayed up in the studio every night,” he remembers. “I’d go to work at 6:30 AM after being up until 4 AM recording music. It was draining.” // When Av started making jokes on TikTok, he believed he had finally found his way out. The social media platform paid for views, and his videos reached millions and millions of viewers. “At first I thought, ‘I’m about to get rich.’ I quit my job and shit. But I started spending all my money on studio time. I made enough to afford an apartment, but I was living out of my truck.” // But in January of 2024, tragedy struck again. Av’s father committed suicide. On the truck ride home, Av, through tears, wrote a new song documenting his emotions. Rushing to the studio, Av cut the track and uploaded it as had become routine. Almost overnight, “I’d Rather Overdose” exploded, cracking multiple Billboard charts and amassing over 70 million streams globally. The subsequent remix featuring MOD SUN, teased through an open verse challenge on TikTok, peaked at #21 on Alternative Radio. // “When my dad died, music turned into therapy for me,” Av says. “I’m not making songs to be cool anymore—this is what I gotta do to get through the day. I’m lucky that people hear it.” Now, following a bidding war between every major label, Av is on track to purchase his first home. Building on the success of “I’d Rather Overdose,” honestav released his debut EP, “hara-kiri,” on November 9th, which peaked at #10 on Apple Music’s Alternative Charts and garnered over 110 million streams across all platforms. The EP included the lead single, “Hurts To Fall in Love,” which received significant radio airplay success. // In 2024, honestav expanded his reach by embarking on a highly successful tour alongside MOD SUN and lovelytheband. His electrifying live performances led to sold-out shows in his hometown of Springfield, Missouri, as well as major cities like NYC and LA. These achievements underscore his growing fanbase and the widespread appeal of his music. Following the momentum of his debut EP and successful tours, honestav is excited to announce future projects, including his debut solo Midwest “No License Tour” slated for 2025, which promises to bring his heartfelt performances to even more fans across the region. // honestav belts rhymes about partying and drug addiction, self-loathing and suicide, stifling emotions and trying to open up. “When my brother killed himself, I turned into a punk ass sixteen-year-old,” he says. “When my dad did it, it hit different. It took a different spin. I’m a grown ass man now. If I wasn’t making these songs, I don’t think I’d be alive.” // Still, Av is shocked that this intimacy and introspection connected with such a wide audience. “It seems like people actually started to relate more when I stopped making music for everyone else,” he says. “That’s when they really started listening.” Despite his deep roots in the country, honestav has faced pressures from industry executives and even other artists to lean into familiar tropes of country music. However, Av has a strong sense of identity and remains true to his unique sound. “I grew up in the country, but I wasn’t farming,” he clarifies. “I’m from that, but I’m not that. My homies were farming, but I was riding dirt bikes and busting out windows.” // With the success he’s found by trusting his instincts, Av is determined to keep his music close to his heart, blending his background with his alternative influences to create something truly authentic. His authentic voice and unwavering dedication continue to inspire and connect with listeners around the world.]
[Honestav plays Boulevardia, Saturday, June 14, at 8:00 to 9:00pm on The MAIN STAGE]
The Freedom Affair – “If You Don’t Want Me” from: “If You Don’t Want Me” – Single / Sunflower Soul Records / May 15, 2024 [The Freedom Affair is a 9 piece soul juggernaut from Kansas City, MO. The band formed in 2017 with a vision to write original soul music inspired by the traditions of the genre’s past with a universal message looking toward the future. Their new single “If You Don’t Want Me” features: Shon Ruffin on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, Brett Jackson on tenor Sax, Pat Conway on congas, and Nick Howell on tambourine. Written, Recorded & Mixed by Chris Hazelton. Mastered by JJ Golden // With their debut album FREEDOM IS LOVE, The Freedom Affair has received critical acclaim and have established themselves as a force in the soul music scene across the states and abroad. Keep your eyes and ears open for their songs and album art featured in the series Bel-Air, an Apple commercial, a Netflix series, etc… This band is just getting started. // The Freedom Affair’s live shows have proven to be soul-stirring, transformative events moving audiences both physically and emotionally to joy. // The Freedom Affair released their debut album Freedom Is Love on September 25, 2020. from The album explores themes of love, heartache, empower-ment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording techno-logies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. For the debut record The Freedom Affair was: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns] [The Freedom Affair played The 20th Annual Crossroads Music Fest Saturday,]
[The Freedom Affair play Boulevardia, Sat, June 14, 8:40 to 9:30 PM on Park Stage – ILLICIT Stage.]
Katy Guillen & The Drive – “Back To Normal” from: Dream Girl – EP / Katy Guillen Music / March 20, 2020 [“Flight Attendant delivers an experience,” – Rolling Stone Magazine. Flight Attendant belongs to that breed of rock bands made in Nashville, USA; where their sound is nothing less than a sonic unicorn. Blending sounds of grunge with power-pop hooks, viola and light synth textures, they have begun to create a hypnotic sound and energy all of their own. Glide Magazine says that Lead Singer Karalyne, “Commands your attention like Freddie Mercury working the crowd in an arena.” Flight Attendant band has been compared to Haim and Fleetwood Mac, or as TurnuptheVolume puts it, “Think Warpaint having a dance with Best Coast,” – This “Nashville based eclectic-indie band….is ready for take off”, Velvet Thunder]
[Katy Guillen & The Drive play Boulevardia, Sat, June 14, 7:30 – 8:10pm Park Stage – ILLICIT Stage.]
Kat King – “Somersaults” from: “Somersaults”- Single / Kat King / May 2, 2025 [Kat King eleased the single “I Might Like It” throough Manor Records on February 28, 2025 / / Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. Produced by Isaac Flynn of Hembree. Kat King released the EP Domestic Bliss on April 5, 2024. Domestic Bliss was in the Top 25 of WMM’s 129 Best Recordings of 2024. // On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. // Kat King’s career started as far back as 2nd grade in small town Kansas. As a solo singer-songwriter act, she produced one 13-song album and three EP’s. Now based in Kansas City, Kat King graduated into a 5-piece indie-pop rock group who are gearing up for the release of their second EP together. Their infectious energy has landed them on some of KC’s biggest stages.]
[Kat King play Boulevardia, Saturday, June 14, at 6;00 to 6:40pm on the FOUNTAIN Stage.]
10:29 – Underwriting
Lorna Kay – “What Ever Happened” from: “What Ever Happened” – Single / Independent / October 18, 2024 [Lauren Krum solo project with Mike Stover. Follow up single to “Havin’ A Ball” released July 12, 2024. Lauren Krum is known for her work as lead singer of The Grisly Hand who had their last show on May 11, 2024 at The Ship. The band first started playing live in 2009. When The Grisly Hand released their debut album Safe House, the entire band (at that time: Lauren Krum, Jimmy Fitzner, Johnny Nichols, Chas Snyder, Mike Tuley. Ben Summers & Kian Byrne) climbed into our studios and performed live on our Nov. 10, 2010 show. // Jimmy Fitzner, Johnny Nichols, Chas Snyder were in a band called Left Behind. Lauren had played with them at The Brick, before laving Kansas City to go to Columbia College in Chicago. N Chicago Lauren created the group The Strumpettes a soul-inspired group featuring four female singers and a four-piece band. When the Strumpettes dismantled in 2008 and her life in Chicago started to fall apart, Krum decided to move back to Kansas City. She immediately began singing with From Before. // Within a few months, Krum, Fitzner, Nichols and Snyder were performing as a new group. They had brought on Andy Davis to play mandolin. Krum had found the name “the Grisly Hand” iafter coming across it in the poem “Webster Ford” from Edgar Lee Masters’ Spoon River Anthology. The most Current grouping of The Grisly Hand was Jimmy Fitzner, Lauren Krum, Ben Summers, Mike Stover, Johnny Nichols and Kian Byrne. / A super group of sorts several members have also been involved in other projects. Lauren has played and recorded with Ruddy Swain (w/ David Regnier), Lorna Kay, and Lorna Kay’s Country Club, as well as being a DJ.]
[Lorna K play Boulevardia, Sat, June 14, 6:20 to 7:00pm on Park Stage – ILLICIT Stage.]
The Creepy Jingles – “Love Like You” from: “Love Like You” – Single / High Dive Records / July 14, 2024 [This is the third of several new singles being released by The Creepy Jingles this year. The band released “Repeat After Me” on April 19, 2024. The band released “When Things Go Wrong” on February 23, 2024. The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. // Song (lyrics/melody/chords) written by Jocelyn Olivia Nixon. Mixed and Recorded by Paul Malinowski and recorded at Massive Sound Studios in Shawnee, Kansas. Mastered by Zack Hames. Jocelyn Nixon on lead vocals & rhythm guitar, Will Van Doorn on lead guitar & backing vocals, Andrew Woody on bass & backing vocals, Nick Robertson on drums & bait. // The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. ] The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019.]
[The Creepy Jingles play Boulevardia, Sat, June 14, 6:40 to 7:10pm on HOLLIDAY HILL Stage.]
Jamogi – “Go Big Or Go Home” from: “Go Big Or Go Home” – Single / Jam Tunes / August 30, 2024 [Jamogi released the EP Jamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live)” – through Jam Tunes on April 11, 2025. // Jamogi released the single “Do It To Me” on March 28, 2025. // Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire.]
[Jamogi & The Jammers play Boulevardia, Sat, June 14, 3:40 – 4:20pm FOUNTAIN – ELEVATE Stage.]
Little Miss Dynamite– “Not Goodbye” from: Grow Up / Rural Grit Records / May 3, 2024 [Little Miss Dynamite is a four piece string band with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. Engineered and Mixed by Clarke Wyatt, Gnomes and Goats Studio.More info at: http://www.bethwattsnelson.com]]
[Little Miss Dynamite plays Boulevardia, Sat, June 14, at 12:30–1:10pm – ILLICIT Stage (Park Stage.)]
Flora From Kansas – “The Ghost is Me” from: Homesick – EP / Melodic / March 14, 2025 [17 year old Flora Kay A.K.A. Flora From Kansas has already been writing music for 5 years, picking up the guitar in lockdown. “My dad and I often took long walks to a nearby gas station, where we had conversations about how life was going. It was then that we started discussing the idea of creating music together just for the fun of it.”, Flora describes. On a rich diet of Girl In Red, Faye Webster & Alex G, Flora began learning on Garageband before upgrading to Logic for her self-productions. ]
[Flora From Kansas playsBoulevardia, Saturday, June 14, at 3:10–3:40pm – HOLLIDAY Stage.]
TheBabeGabe X The Human – “FUTURISTIC LOVERS” from: HONEYPOP / Seven Rings Media / March 5, 2025 [Production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on Sept. 20, 2024 through Dirty Hit Records and immediately followed with an 8-track 7th studio album HEAVEN ON URF, on Oct. 25, 2024 on Dirty Hit Records. Music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On Oct. 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. KC is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.” Deiondre added, “The music scene here is getting cool now, there’s a lot of jazz musicians that go to school for music here too but you can find people from different scenes all over if around the city.” Ty wrote, “The KC scene is great, the community here is so supportive and genuine. This is a really prideful city here and I think they’re finally getting the musicians they deserve.”]
[TheBabeGabe plays Boulevardia, Saturday, June 14, at 9:00 to 9:40 on the HOLLADAY HILL Stage.]
11:00 – Station ID
Shay Lyriq – “Back By Demand (feat. The Big Chief)” from: “Back By Demand (feat. The Big Chief)” – Single / Shay Lyriq / December 10, 2024 [Shay Lyriq is a soulful and genre-blending artist known for their captivating blend of R&B, hip-hop, and alternative influences. With powerful vocals, poetic lyricism, and a raw, honest approach to storytelling, Shay Lyriq creates music that resonates deeply with listeners. Their sound is an exploration of emotional depth, fusing smooth melodies with hard-hitting beats to craft a sound that is both introspective and universally relatable. // Shay Lyriq’s music spans themes of love, struggle, self-discovery, and empowerment, offering a voice that connects with people on a personal level. With each track, they push boundaries and continue to evolve, carving out a unique space in the music scene. Whether in the studio or performing live, Shay Lyriq delivers an unforgettable experience, blending vulnerability with strength in every note.]
[Shay Lyriq plays Boulevardia, Saturday, June 14, at 2:00 to 2:30pm on the HOLLADAY HILL Stage.]
Paris Williams & The Human – “Alien Luv (feat. Saving Mils Lemon)” (radio edit) from: A Paris Williams Joint / Bitter Sweet Sound / November 19, 2024 [Paris Williams is a 26-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school. Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarparis]
[Paris Williams plays Boulevardia on Sat, June 14 at 5:30 – 6:00pm on HOLLADAY HILL Stage.]
Dalima Kapten – “Feel the Beat, Bud” from: “Feel the Beat, Bud’ – Single / Dalima Kapten / September 27, 2024 [Dalilma Kapten (she/her) released the single “Scrappy Rose” also on September 27, 2024.// Dalima Kapten (she/her) is currently working on her debut album. She is a second-generation Kenyan-American pursuing a Master of Arts in Music Technology at the University of Central Missouri. She holds a Bachelor of Arts in Architectural Studies, Theater Minor, and a specialization in Architectural Acoustics from the University of Kansas. // As a theater performer and artist, Dalima is deeply moved by a passion for storytelling and worked at Music Theater Heritage as the Manager of Artistic Operations. Additionally, she presented her self-published chapbook “Native Anomaly” for Columbia University’s HOME: Symposium.]
[Dalima Kapten plays Boulevardia, Sat, June 14 at 12:50 – 1:20pm on HOLLADAY HILL Stage.]
Jackie Myers – “Brown Dirt Shuffle” from: What About The Butterfly / Jackie Myers / April 18, 2025 [In his online stte The Plastic Sax Bill Brownlee writes: “Witnessing the transformation of Jackie Myers from a peripheral figure on Kansas City’s jazz scene to one of the region’s most compelling artists has been extraordinarily gratifying. Quietly upping her game in incremental steps, Myers’ resolute work in recent years is reaping dividends. // On any given night, Myers applies her talents in a variety of contexts in Kansas City cafés, restaurants and barrooms. The variety of sounds- pop, rock, blues and, yes, jazz- coalesce on What About the Butterfly. The new album marks the culmination of a remarkable metamorphosis. // Not only is What About the Butterfly superior to Myers’ previous recordings, the album makes most jazz-rooted efforts seem unimaginative and simplistic. Her ambitions extend well beyond conventional Kansas City jazz. // Support from elite collaborators including Bobby Watson helps the album compare favorably to the arty pop of Laura Nyro, the contemporary soul of Cory Henry and the fastidiousness of Jacob Collier. Rarely has Kansas City been the setting for a more pleasing musical glow-up. ” – Read more at http://www.plasticsax.com // Jackie Myers is a jazz pianist, composer, and singer. She is a transplant from Austin Texas, where she performed in the indie touring circuit for almost a decade. She has been playing in Kansas City since December of 2017 with shows that feature a mix of jazz standards and original compositions. Since then she has held residencies at several notable jazz venues in Kansas City, including but not limited to, Corvino Supper Club, Chaz on the Plaza, and Green Lady Lounge. She also held the position of Music Director and piano player for the nationally syndicated radio show – 12th Street Jump – taped live in Kansas City until 2020, when the show ended. // During the pandemic, Jackie was able to continue performing through live streaming from her home and she produced a series of 9 concerts called “Kansas City Drive-ins” that featured artists including Bobby Watson, The Kansas City Jazz Orchestra, Eddie Moore, and Beau Bledsoe. The series was well attended and brought jazz back to its audience in a time when the venues could not host. Myers boasts a catalog of 7 albums and is currently working on her 8th. At her live shows, audiences are treated to Myers’ innovative and fluid keyboard work, punctuated by her bluesy vocals. At other times, Myers’ shows feature a purely instrumental dose. Performing as part of a duo, trio, quartet, or quintet, Myers is typically joined by some of the best musicians offered by a locale, typically combining a crisp rhythm section with top artists on horns or guitar. In 2018, Myers added Hammond organ to her repertoire, adding to the diversity of her performances. She currently plays the Hammond B3 for one of Kansas City’s most decorated Blues Artists – Nick Schnebelen. // As for Myers’ vocals, Louisiana musical writer Dominick Cross said about an earlier recording: “My initial reaction to the recording was that in some ways its Michelle Shocked meets Amy Winehouse. And several listens later, I’d say the same thing with more emphasis on Winehouse.” Bill Brownlee, jazz critic for The Plastic Sax and several other Kansas City publications said, “Her vocals on Ain’t No Sunshine and Stars Fall on Alabama demonstrated that Myers … brings a singular talent to the scene.” Myers debuted her first straight ahead jazz album in 2018 – The Instrumental One, which was recorded live at the prestigious Green Lady Lounge in Kansas City. Made up of eight tracks, including six original compositions, Jackie’s keyboard stylings groove what one critic called “jazz from a solid R&B point of view.” Critics compared The Instrumental One to works by Ahmad Jamal and Les McCann. Kansas City’s Roger Atkinson wrote: “I still like that soul-jazz genre . . . plus, Jackie Myers has a new fan: me.” Myers has also done some impressive work in musical production. In 2017, she produced the musical production Silent Films Out Loud: A Tribute to Buster Keaton. This event featured a nine-piece ensemble playing newly-written compositions to four Buster Keaton silent film classics, including a score by Myers to Buster Keaton’s 1922 Cops. This event, sponsored in part by the City of Austin Economic Development Department, filled Austin’s premier theater – The Stateside at the Paramount. Lastly, she has recently plied her craft with local production startup – FMK Music as a producer and composer for the group. Jackie holds a certificate in music from Berklee School of Music, a BA in music from Grinnell College, and a Master of Arts in Music with a jazz concentration from UMKC. ]
[Jackie Myers plays Boulevardia, Saturday, June 14, at 1:20 to 2:10pm on The MAIN STAGE]
Malek Azrael – “22 (Radio Edit)” from: Feels Like EP / Malek Azrael / March 1, 2025\ [On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]
[Malek Azrael plays Boulevardia on Sat, June 14 at 7:50 – 8:20pm on HOLLADAY HILL Stage.]
The Soul Activators – “Sunset” from: “Sunset” – Single / The Soul Activators / 2025 [The Soul Activators released their single “I’m Gone Mr. Wrong” on April 7, 2025. The Soul Activators are a 7-piece band from Kansas City that blends funk guitars, soulful vocals, and Latin-based percussion into a unique new sound. We are a multi-racial, multi-gendered, intergenerational band that reflects our nation. We sing a message of hope and freedom to activate our country into a people-powered movement.]
[The Soul Activators play Boulevardia, Sat, June 14 at 12:10 to 12:50pm FOUNTAIN ELEVATE Stage.]
11:30 – Underwriting
11:32 – Interview with Meighan Peifer and James D. McGee Sr.
Meighan Peifer was born on the East Coast and raised in St. Louis. Her dad was in the Air Force and then worked for Boeing. Her family traveled a lot a kids. Meighan’s mom was Canadian and she is a Canadian citizen. Meighan has been to 49 states and 3 continents. Meighan attended public and private school in St. Peters and O’Fallon, Missouri. She went to Drake University for undergrad in Special Education and Elementary Ed. Meighan obtained a Master’s in Education from the University of Kansas. Meighan moved to Kansas City in 1984 from Des Moines, Iowa. She has taught for 33 years for public schools in Wyandotte and Johnson County. And has operated the Federal Child Care center in KC MO for 26 years. Meighan has an Entertainment and Event Scheduling company as well. Meighan has been volunteering at KKFI for 4 years. Meighan is the host of slAp trAcks airing Tuesdays, 10:00 to Noon on KKFI 90.1 FM playing new flow of Hip Hop and R & B music from all over the local streets and the world. // Meighan is also the host of Rhythm and Seoul Radio airing on 1st and 3rd Wednesdays of each month on Hallyu Wednesdays on KKFI 90.1 FM playing the best in K-Pop. At KKFI Meighan also serves on KKFI’s finance committee, as Active Member Chair, and on KKFI’s Board of Directors.
James D. McGee Sr., is a veteran of the entertainment industry. Skilled in Management, Performing Arts, Marketing Strategy, Radio Programming, and Radio Broadcasting. He received his Bachelor of Arts (BA) focused in Psychology, Religious Studies from University of Central Missouri. McGee, moved to Kansas City from East Palo Alto in 1989. His uncle is legendary drummer James Gadson. McGee has spent decades embedding himself in Kansas City’s cultural landscape. James founded KOJH 100.5 LPFM, a radio station broadcasting from 18th & Vine to the world. McGee also co-founded “18th & Vine Lives,” which is a social concierge service to support and promote businesses and organizations in the Jazz District. McGee’s career spans crucial roles in Kansas City’s jazz community. During his time as a senior manager at the American Jazz Museum, he helped the institution navigate through pandemic challenges while expanding its reach. McGee produced the annual Charlie Parker “In the Yard” celebration showing his ability to honor jazz traditions while creating contemporary cultural connections. James D. McGee Sr, was just recently named the new Creative Director of Kansas City’s Mutual Musicians Foundation Internatinal. As creative director, McGee will seek to strengthen MMF’s role as a living museum while expanding youth and senior programs. His immediate projects include screening a director’s cut of “Last of the Blue Devils: The Kansas City Jazz Story” and organizing the 2025 International Jazz Day celebration.
Meighan Peifer and James D. McGee Thanks for being with us on WMM.
Meighan Peifer and James D. McGee join us to discuss The Kansas City Music Industry Commission formed in 2024 as a joint venture between Black Vine Worldwide Media Group, LLC and Black & White Enterprises, LLC. This initiative aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry. The commission’s mission is to strengthen the local music ecosystem by supporting musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and content creators. By collaborating with city government, private entities, and surrounding the Kansas City music industry
The Kansas City Music Commission is a 2024 joint venture between Black Vine Worldwide Media Group, LLC (“Black Vine”) and Black & White Enterprises, LLC (“Black & White”). This initiative aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry.
The Commission’s mission is to strengthen the local music ecosystem by supporting musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and content creators. By collaborating with city government, private entities, and surrounding municipalities, the Kansas City Music Commission will ensure the elevation of all sectors of the Kansas City music industry.
A core focus of the Kansas City Music Commission will be developing programming and concepts to showcase Kansas City’s musical talent during the 2026 FIFA World Cup. This high-profile global event presents a unique opportunity to demonstrate Kansas City’s vibrant music culture to an international audience.
The Commission will develop events designed to inform and engage the community
About the Mutual Musicians Foundation –
The Mutual Musicians Foundation stands as one of KC’s most enduring musical institutions. Founded in 1917 as Local 627 of the American Federation of Musicians, it served as both a union hall and sanctuary for Black musicians. In two years the Mutual Musicians Foundation will celebrate its 110th anniversary. McGee’s appointment marks the beginning of a new era focused on cultural preservation, global innovation and community engagement.
Its building at 1823 Highland Avenue, designated a National Historic Landmark in 1981, continues to host weekend jam sessions where established artists mentor the next gen.
The MMF is the only establishment in Missouri legally allowed to serve patrons until 6 a.m. on weekends, a privilege earned through its historic role in Kansas City jazz. This tradition began when musicians, after finishing their regular club gigs, would gather at the foundation to jam until dawn. Legends like Count Basie, Charlie Parker, and Jay McShann made these sessions part of the city’s musical fabric.
Kansas City hip-hop artist Tech N9ne is again making his mark on the global stage as he unveils the official Sonic ID for the 2026 FIFA World Cup games in Kansas City.
The collaboration between popular artists like Tech and FIFA will be the first time in the tournaments history to feature a city host-specific Sonic ID. The concept behind the short audio clip was designed to highlight the unique cultural sounds of each of the 16 host cities spanning from Canada, Mexico and the United States.
“The project brings together some of the most talented and influential producers from across the host cities, each contributing their unique sound to create a sonic tapestry that reflects the spirit of their hometowns,” KC2026, which is responsible for FIFA World Cup 26 planning in KC, said in a release announcing today’s Kansas City Sonic ID launch. Tech N9ne, whose real name is Aaron Yates, is a Kansas City native and co-founder of the independent record label Strange Music and the the sole artist to contribute a track with lyrics for the KC Sonic ID release.
The track, entitled “Kansas City Theme x FIFA World Cup 26,” is yet another example of Tech N9ne using his musical prowess and iconic hip-hop sound to create a buzz around the city. Kansas City is quite familiar with Tech’s hit song ‘Red Kingdom’ which quickly became the KC Chief’s team anthem, often played at Arrowhead Stadium. That high energy anthem has been performed live during games and Super Bowl rallies since 2019.
“I was so honored to be the one who KC2026 called on to do the Kansas City remix,” Tech N9ne was quoted saying in the release. “The message I’d like for people to take away from this Sonic ID is that togetherness is power, and with that, we can work our way to victory.”
Meighan Peifer and James D. McGee Thanks for being with us on WMM.
The Kansas City Music Commission aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry.
11:48
Tech N9ne – “Kansas City Theme (FIFA World Cup 26™️)” from: The Official FIFA World Cup 26™️ Host City Themes / FIFA / March 16, 2025 [The collaboration between popular artists like Tech and FIFA will be the first time in the tournaments history to feature a city host-specific Sonic ID. The concept was designed to highlight the cultural sounds of each of the 16 host cities spanning from Canada, Mexico and the US. KC Native Tech N9ne is the sole artist to contribute a track with lyrics for the KC Sonic ID release. // “Kansas City Theme x FIFA World Cup 26,” is yet another example of Tech N9ne using his iconic hip-hop sound to create a buzz. Kansas City is familiar with Tech’s song ‘Red Kingdom’ which became the KC Chief’s team anthem, often played at Arrowhead Stadium. That high energy anthem has been performed live during games and Super Bowl rallies since 2019.]
[Tech N9ne plays Boulevardia on Saturday, June 14, 9:30 to 11:00pm on The MAIN STAGE]
Land Lion – “Townie Song” from: “Townie Song” – Single / Land Lion / July 25, 2024 [Land Lion make happy songs about sad things. This KC-based indie rock collective led by Ben Wendt and backed by a revolving all-star supporting cast of musicians draws inspiration from Bright Eyes, Arcade Fire, and Bruce Springsteen. Land Lion are: Ben Wendt on Vocals, Acoustic Guitar; Matt Jack on Drums; Iggy Chamon on Bass; Carlos Chamon on Keys; Grant Paker on Electric Guitar; Parker Mason on Electric Guitar; Michael Cervantes on Trumpet; Kirsten Krier on Trombone; Caitlyn Jacobs on Saxaphone; Schuyler Minor on Vocals & Percussion. // Land Lion is a dynamic project blending indie rock, folk, and Americana, known for its heartfelt lyrics and vibrant instrumentation. Fronted by Ben Wendt, a skilled singer-songwriter & guitarist, the band’s sound captures a raw, emotional energy while drawing inspiration from both contemporary and classic influences. With Wendt’s rich vocals at the helm, Land Lion crafts songs that evoke both introspection and celebration, inviting listeners into a world of personal storytelling and wide-reaching soundscapes. Their music effortlessly weaves intricate melodies and powerful rhythms, with Wendt’s acoustic and electric guitar work providing the backbone to each track, accompanied by an amazing horn section. The band has garnered attention for their live performances and powerful compositions, building a loyal fan base along the way. Land Lion continues to evolve, pushing the boundaries of their sound while staying true to the authentic, emotional core that defines their music.]
[Land Lion plays Boulevardia on Saturday, June 14, at 2:30 – 3:10 on the FOUNTAIN Stage Elevate]
[Land Lion play MidCoast LIVE Friday, June 6, at 12:00 Noon, on 90.1 FM KKFI.]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
Next week, on Wednesday, June 11 we welcome back to the show The Man of 1001 Faces Michael McQuary who will be performing his one-man show on Sunday, June 15, at 2:00pm at Englewood Arts Center, 10901 East Winner Road, Independence, Missouri, AND we’ll bring you a very special interview with Michael’s friend from New York City – stage, screen and recording artist – Joey Arias who will share stories about his work and friendships with The Groundlings,Klaus Nomi, David Bowie, Laraine Newman of Saturday Night Live, Andy Warhol, The Mudd Club, Ann Magnuson,Paul Reubens, Lady Bunny, Elvira, Cirque du Solei, Burt Bacharach, and More!
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, June 4, 2025
WMM Serves Music of Boulevardia + Chris Haghirian + KC Music Industry Commission
WMM spins music of the bands & artists playing Boulevardia 10. We’ll feature: Tech N9ne, The Greeting Committee, honestav, The Freedom Affair, Katy Guillen and The Drive, Kat King, Lorna Kay, The Creepy Jingles, Jamogi, Little Miss Dynamite, Flora From Kansas, TheBabeGabe, Shay Lyriq, Paris Williams, Dalima Kapten, Jackie Myers, Malek Azrael, and The Soul Activators. We’ll survey the music of Boulevardia 10, happening on Saturday, June 14, with 5 stages and over 45 bands/artists, celebrating Kansas City with the biggest urban street festival at Crown Center, 2396 Grand Boulevard, KCMO. To learn more about the Live Music, Silent Disco, Food Trucks, Beers & Seltzers, Yard Games, Maker’s Market, Canna Village, Monster Teeter-Totter, The Swifty Experience, and more, you can go to: http://www.boulevardia.com
At 10:00 Chris Haghirian joins us for the first 90 minutes of our show to share details about Boulevardia 10. Chris Haghirian is Host & Producer of Eight One Sixty, heard Tuesday nights at 6:00 PM, on 90.9 The Bridge. Chris studied Journalism / Advertising at The University of Kansas. Chris also studied Photography at Kansas City Art Institute. Chris worked for The Kansas City Star for over 20 years. Chris was co-founder of the Middle of The Map Fest. Chris works for Spray KC. Chris organizes multiple concert series throughout the metro, and music stages for Plaza Art Fair, as well as Boulvardia.
At 11:30 Mark talks with Meighan Peifer who taught for 33 years in public schools in Wyandotte and Johnson County and has operated the Federal Child Care Center in KCMO for 26 years. We also talk with James D. McGee Sr, Creative Director of Kansas City’s Mutual Musicians Foundation. Meighan and James will discuss The Kansas City Music Industry Commission formed in 2024 as a joint venture between Black Vine Worldwide Media Group, LLC and Black & White Enterprises, LLC. This initiative aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry. The commission’s mission is to strengthen the local music ecosystem by supporting musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and content creators. By collaborating with city government, private entities, and surrounding the Kansas City music industry.
On your local radio dial 90.1 FM or STREAMING LIVE at: kkfi.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, May 7, 2025
Shaun Crowley & Music of Manor Fest 7
I’m Mark Manning. Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31. Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them.
Manor Fest 7 includes: Making Movies, Calvin Arsenia, Shy Boys, Supermoto, True Lions, Fullbloods, Fritz & Sons, Pale Tongue, Paris Williams, Scabb, Daniel Gum, MC Rue + MIKEY, Eggs On Mars, Kirstie Lynn, Brian Bulger, The Matchsellers, They’re Theirs, Blanky, The Swallowtails, The Creepy Jingles, Jolson & The Fear of Snakes, Stephonne, Malek Azrael & The Vibez, TIDAL. WAV, Rebel Song Academy, Liney Blu, Joel Vs. Joel, Field Daze, 2W33DY, Alber, Teri Quinn, Kadesh Flow, THIMASTR, CS Luxem, Danielle Ate The Sandwich, Big Fat Cow, Lauren Lovelle & The Midnight Spliffs, LyMerrick, Jack Summers, Natalie Prauser, Cat Fight, Midwestern, Dalima Kapten, Wills Van Doorn, Saving Miles Lemon, Pure XTC, Jamogi & The Jammers, DJ Dom Chronicles, Shay Lyriq, Lava Dreams, Highway Demon, Frankie Shorez & Mercury Fire, Apricot Glow, Nina Cherry, Eddie Moore, Gracie Caggiano, Mosaic, and DJ Sammy Sheets. For more information you can visit: http://www.manorrecords.com
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
Danielle Ate the Sandwich – “Fumbling” from: Fumbling / Danielle Ate The Sandwich / March 21, 2025 [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
[Danielle Ate The Sandwich plays Night One of Manor Fest 7 Wednesday, May 21 at 7:00pm at Manor Records 5540 Troost Ave., KCMO with MC Rue + Mikey, and Eggs on Mars.]
10:04 – Interview with Shaun Crowley
Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is the Founder & Executive Director of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. We first met Shaun over 15 years ago as part of the band Rev Gusto, originally formed in high school with friends at Saint James Academy.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31. Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them.
Shaun Crowley thanks for being with us on Wednesday MidDay Medley
As reported by Julie Denesha for KCUR.com published April 5, 2024:
Crowley started the nonprofit in 2017, with concerts first in a rented house in Shawnee, then moving to a cafe in Strawberry Hill and later a basement space in the West Bottoms. On Troost, he’s doubled the retail space where he will sell used records. This time, Crowley thinks he has the right business model.
Crowley plans to man the record store Wednesday through Saturday, and on Monday and Tuesday when the store is closed, he’ll teach guitar and bass to students of all ages and skill levels. He already has another musician lined up to teach piano and ukulele.
The storefront will also serve as a concert venue for the artists Manor Records supports. The store will bring back free events from its last space — Songbird Sessions every Thursday, a songwriter open mic and a masterclass educational series.
Crowley started playing in the KC when he was 17 in band Rev Gusto and Momma’s Boy. He said he’s eager to share the lessons he’s learned with young musicians just starting out.
The new space will also serve as home base for preparations for the foundation’s biggest fundraiser of the year. Manor Fest is a multi-day music festival held in Kansas City that goes back to the group’s early days in a Shawnee basement. The foundation’s mission is to provide resources and support to local musicians, and Manor Fest is now a cornerstone of their fundraising efforts.
Manor Records Board Khrystal Johnson – President Danielle Krakenberg – Secretary Tyler Fowler – Board Treasurer Talon Ice – Board Member Droo Long – Board Member
Record Label Operations Team Shaun Crowley – Founder & Executive Director Skylar Rochelle – Record Label Lead Kayla Jarrett – Record Lavel Team Member
Manor Fest is a local music fundraiser festival curated and ran by Manor Records.All profits from this fundraiser event to help us with our non-profit mission of releasing local artists’ music on physical platforms through our “Manor Records Fund”.
Manor Records all started in a basement of “The Shawnee Manor,” a DIY venue located in Shawnee, KS. From Glass Animals to Shy Boys, the underground venue hosted numerous local acts, and some national touring acts. Founder Shaun Crowley created the first Manor Fest with 10 bands in one night, then grew to a two night event featuring 20 local bands. After years passed and a community was built, it was time for the boys to move out of the deteriorating house.
In October of 2017, Shaun and company officially launched Manor Records. A DIY record label based on the foundation of their infamous Shawnee Manor. Manor Records is a label that takes no profits from their artists, is hands-on, and self-run, with intentions of good music from good people. They began by hosting showcases featuring local and regional bands in addition to putting out cassette releases.
Alongside the festival, Manor Records has been actively providing booking, tour management, cassette releases, blog premieres/reviews, marketing and promotion services for indie acts all over the Mid-west area.
Manor Fest is a local music fundraiser festival curated and ran by Manor Records.All profits from this fundraiser event to help us with our non-profit mission of releasing local artists’ music on physical platforms through our “Manor Records Fund”.
Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31. Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them.
Manor Fest 7 includes: Making Movies, Calvin Arsenia, Shy Boys, Supermoto, True Lions, Fullbloods, Fritz & Sons, Pale Tongue, Paris Williams, Scabb, Daniel Gum, MC Rue + MIKEY, Eggs On Mars, Kirstie Lynn, Brian Bulger, The Matchsellers, They’re Theirs, Blanky, The Swallowtails, The Creepy Jingles, Jolson & The Fear of Snakes, Stephonne, Malek Azrael & The Vibez, TIDAL. WAV, Rebel Song Academy, Liney Blu, Joel Vs. Joel, Field Daze, 2W33DY, Alber, Teri Quinn, Kadesh Flow, THIMASTR, CS Luxem, Danielle Ate The Sandwich, Big Fat Cow, Lauren Lovelle & The Midnight Spliffs, LyMerrick, Jack Summers, Natalie Prauser, Cat Fight, Midwestern, Dalima Kapten, Wills Van Doorn, Saving Miles Lemon, Pure XTC, Jamogi & The Jammers, DJ Dom Chronicles, Shay Lyriq, Lava Dreams, Highway Demon, Frankie Shorez & Mercury Fire, Apricot Glow, Nina Cherry, Eddie Moore, Gracie Caggiano, Mosaic, and DJ Sammy Sheets. For more information you can visit: http://www.manorrecords.com
Venue One : Manor Records, 5540 Troost Ave., KCMO (7-10 PM) all ages
Danielle Ate The Sandwich
MC Rue + Mikey
Eggs on Mars
Night Two : Thursday 5/22 – Westside
Venue One : Fetch, 1659 Summit St. KCMO (5-7 PM) all ages
Big Fat Cow
Stephonne
Lauren Lovelle & The Midnight Spliffs
Venue Two : Greenwood Social Hall, 1750 Belleview Ave, KCMO, (7-10 PM) *21+
Brian Bulger
The Swallowtails
Calvin Arsenia
10:11
Stephonne – “1 Think It’s Gonna Be Alright” from: “1 Think It’s Gonna Be Alright” – Single / Glory Blue Music / April, 2025 [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Recorded, mixed and mastered at Westend Recording Studios, Kansas City. Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. More info at: http://www.stephonne.com]
[Stephonne plays Night Two of Manor Fest 7 on Thursday, May 22 at 5:00pm at Fetch, 1659 Summit St. KCMO with Big Fat Cow, and Lauren Lovelle & The Midnight Spliffs. All ages.]
Calvin Arsenia – “Is That What You Like” from: Paradise / Calvin Arsenia / June 23, 2023 [Paradise is Calvin Arsenia’s 14 track album. Available through http://www.calvinarsenia.com // A new turning point as a songwriter. His most biographical album yet, with songs about Black Lives Matter, Racism, The Police, being on probation, gay love. The album contains collaborations with Cheery, Kadesh Flow and Jametatone. Calvin Arsenia one of our most frequent guests, who first appeared on WMM on July 25, 2012. KC Magazine has hailed Calvin as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.’ Born in Orlando, Florida, Calvin’s creative journey began when he moved to Olathe, Kansas, teaching himself the guitar, piano, banjo. He learned his signature instrument, the harp, at the age of 20. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer where at 24 he released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. On February 14, 2017 Calvin released his critically acclaimed full length debut, Catastrophe, with a live show at recordBar in November 2016 that involved a company of 50 people, dancers, stilt walkers. After signing to Center Cut Records, Calvin released the albums: Cantaloupe in 2018, with a sold out gigantic spectical at The Gem Theatre on Saturday, September 15, 2018. He then released, L.A. Sessions in 2019, and the EP HONEY DEW, and the EP Goddess with Quixotic, the Holiday album, ALL IS CALM. In 2020 Calvin collaborated with Mike Dillon on the Soundtrack to “Summer in Hindsight,” a feature-length film created by The West 18th Street Fashion Show that starred Calvin as an actor. Calvin is also the co-creator of the podcast “We Were Christian Kids” created with childhood friend Justin Randall who is a stand up comedian working in New York City and now Los Angeles. Calvin is also the published author of VERY GOOD BOY DOES FINE, a collection of Poetry & Prose published on October 5, 2021, by Andrews McMeel Universal. Calvin was voted KC’s Best Musician in The Pitch 2018, 2019, 2020, 2021, and 2022. He has been featured in Billboard, NPR.org. Charlotte Street Foundation announced that the recipients of the 2022 Generative Performing Artist Awards are The Black Creatures and Calvin Arsenia Scott.] [Calvin Arsenia played a PARADISE Album Release Party, Friday, June 23, and Saturday, June 24, at 7:00 PM at The Emerald, 1715 West 9th Street, KCMO, WEST BOTTOMS. More info at http://www.calvinarsenia.com][Calvin Arsenia was our guest on WMM on Jan. 18, 2023, June 21, 2023, and our 1000th Show on June 28, 2923.]
[Calvin Arsenia plays Night Two of Manor Fest 7 on Thursday, May 22 at 7:00pm at Greenwood Social Club, 1759 Belleview Ave, 2nd Floor, KCMO with Brian Bulger, and The Swallowtails]
10:17 – More Interview with Shaun Crowley
Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City.
Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads
Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.
Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them. More information at; http://www.manorrecords.com
Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is the co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. We first met Shaun as part of the band Rev Gusto, originally formed in high school with friends at Saint James Academy.
Shaun Crowley thanks for being with us on Wednesday MidDay Medley
Venue One : Flagship Books, 600 Ohio Ave., KCK (5-7 PM) all ages
CS Luxem
Gracie Caggiano
Joel Vs. Joel
Venue Two : Hillsiders, 403 N. 5th, KCK (7-10 PM) *21+
Kirstie Lynn
Grady Drugg
True Lions
Venue Three : The Easy Inn 322 6th St. KCK (10-12 AM) *21+
Liney Blu
Scabb
Saving Miles Lemon
10:22
CS Luxem – “Symptoms” from: Symptoms / Whatever Forever / February 17, 2018 [Debut length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. The album was recorded over a span of three months above a garage full of Model T’s in northwest Lawrence, KS. The songs were written between 2005-2017 and have been revised throughout these years with different collaborators. Engineer Joel Martin “sculpted” sounds as CS Luxem has always heard them in his head. CS Luxem has been most places. He and his music are light even at their heaviest and heady even at their lightest. And it’s contagious! His distinct vocals and exuberant rhythms are the core of his sound. Whether it be his polished pop jewels or his deep tidal pools of synthesized noise, CS Luxem entrances and invigorates the spirit. Instrumentation ranges from solo vocals with acoustic guitar, to a looping and effects station with electric guitar, to a full rock band with synthesizer, bass and drums. The versatility empowers this performer to vibe as the ambient canvas of an upscale function, as the hope-bearing minstrel at a retirement home, as the dive bar ultra party, and definitely as the scenester’s favorite house show act. Info at http://www.csluxem.bandcamp.com]
[CC Luxem plays Night Three of Manor Fest 7 on Fri, May 23 at 5:00pm at Flagship Books, 600 Ohio Ave., KCK in Strawberry Hill with Gracie Caggiano, and Joel Vs. Joel.]
Kirstie Lynn & Galen Clark – “Soft Landing” from: Kirstie Lynn & Galen Clark / Lost River Sound / August 9, 2024 [Kirstie Lynn & Galen Clark released Cindergarden (A Sides) on May 22, 2022. They released Cindergarden (B Sidesd) on June 21, 2023. Kirstie Lynn is a classically trained soprano with a passion for songwriting, always looking to marry poetry and melody. Though Kirstie’s voice has been compared to that of Joni Mitchell and Joan Baez, her sound is uniquely her own. Kirstie Lynn is a folk singer-songwriter originally from the fingerlakes region of upstate, NY. She began her professional music studies at the age of 15, and has since received both a Bachelor’s degree from Shenandoah University and a Master’s degree from Carnegie Mellon University in voice and opera performance. Her vocal training lends her the freedom to paint her nature inspired lyrics with a wide range and a beautiful and effortless sound. Kirstie Lynn is one half of the duo Kirstie Lynn and Galen Clark. // Galen Clark introduces an alternative perspective and approach to music that contains multitudes. Migratory melodies, multi-instrumental fluency, and mysterious texture all outline the stylings of the newly transplanted Cuyahoga Valley songwriter, producer, and musician. // Born into an Air Force family, Clark grew up in many places with family anchors in Vermont and Colorado. At the age of 9 following many failed piano lessons, Clark’s grandparents gifted him a Harmony parlor guitar from a Shelburne flea market, starting a journey that would span almost 2 decades of stylistic development, a plethora of ephemeral bands, a degree in music production and recording technology, and a refined take on songwriting. Sharing songs spanning the stoic mountains of Idaho’s lost river range to the ancient hum of the Shenandoah Valley, Galen draws upon energy strewn between varied time and place, a broader quest for belonging, and rejuvenation beyond the front door. Clark’s previous records, Providence (2018) and The Well (2020) offer a contemplative portrait of moods in natural ambiguity, collective consciousness, and introspection. His most recent collaboration with Kansas City – based artist, Kirstie Lynn is a reckoning that is to be heard live and will transport you elsewhere if not in mind than in spirit.][Kirstie Lynn & Galen Clark joined us live on WMM on June 21. // Kirstie Lynn played IN THE ROUND with Calvin Arsenia, Julia Othmer, and Christena Graves at The Bauer, 115 West 18th St., in KCMO’s West Crossroads, Oct. 17, 2025.]
[Kirstie Lynn plays Night Three of Manor Fest 7 on Fri, May 23 at 7:00pm at Hillsiders, 403 N. 5th, KCK *21+with Grady Drugg, and True Lions.]
Saving Miles Lemon – “Hidden Inventory ” – Single from: “Hidden Inventory” – Single / Saving Miles Lemon / May 2, 2025 [Performed by: Saving Miles Lemon. Written by: Miguel Silva-Leon. Produced by: Saving Miles Lemon. One of three new singles released in the last few months from Saving Miles Lemon. Saving Miles Lemon released “The Line” on March 28, 2025. // Saving Miles Lemon released “In The Night” on January 16. 2025// Saving Miles Lemom released the 13-track full-length album LOVELY/ on October 6, 2023. Saving Miles Lemon is the psychedelic-pop project of Miguel Silva-Leon. Formed in 2019 with the goal of releasing an album by the end of the year, the project has transformed into a full-blown musical odyssey for Miguel (who likes to go by Mig) to explore new sounds. It’s hard to define what genre Saving Miles Lemon fits into as they like to let the music go where it wants to go. From smooth dance pop, to blown-out stoner rock, Mig likes to keep things interesting and never stay with one sound for too long. // Having grown up learning to play the piano at the age of 7, Miguel found themselves picking up new instruments frequently from the clarinet, saxophone, and oboe to guitar/bass and drums. Just as with their instruments, Mig began practicing their production skills in high school with small bedroom projects and hardcore bands. In a way, nothing has changed, as all of Saving Miles Lemon’s music is recorded and produced entirely by Mig in their bedroom studio to this day. // Their live members include Jacob Frisbee (bass), James Wiltfang (keys), and Zeke Bockleman (drums). // As a live act, the band began performing in 2021 and quickly took over the DIY scene in Kansas City before moving on to the bar/venue scene with sold-out shows at The Rino (KCMO) and The Bottleneck (LFK). They’ve opened for national and international touring bands such as Cub Sport at The Encore at Uptown Theatre (KCMO). // Saving Miles Lemon has released two full-length LPs and a handful of singles.]
[Saving Miles Lemon plays Night Three of Manor Fest 7 on Fri, May 23 at 10:00pm The Easy Inn 322 6th St. KCK*21+ with Liney Blu, and Scabb.]
10:32 – Underwriting
10:34 – More Interview with Shaun Crowley
Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City.
Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads
Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.
Venue Two : Hickory Union Moto, 10 S. James St, KCMO (5-7 PM) *21+
Daniel Gum
The Creepy Jingles
Jolson & The Fear of Snakes
Venue Three : Black Box, 1060 Union Ave, KCMO (7-10 PM) all ages
Rebel Song Academy
Fritz & Sons
Making Movies
Venue Four : The Ship, 1221 Union Ave. KCMO (10 PM – 12 AM) *21+
Tidal.wav
Jamogi & The Jammers
DJ Dom Chronicles
10:38
The Matchsellers – “I Can’t Believe Were Still In Love” from: “I Can’t Believe We’re Still In Love” – Single / The Matchsellers / February 14, 2025 [Julie Bates is a classically trained violinist from Kansas City. Andrew Morris is a Chicago blues guitarist from Warsaw, Indiana. They met in Leipzig, Germany. During their year of living in the former East Germany, the pair began reanalyzing the songs of their homeland, and developed a tight yet gritty bluegrass style. In the summer of 2013 they left their jobs to hit the road and haven’t looked back. // In the band’s most recent iteration, mandolinist Brian McCarty brings an invaluable lifetime of experience in the Bluegrass tradition, while Brandon Day thrills audiences with his intricate bass solos. // On May 3, 2024 he Matchsellers released LIVE AT THE WAREHOUSE. // On October 28, 2022 The Matchsellers released The Wishful Thinker’s Hall of Game // On February 12, 2016 they released their album, SONGS WE MADE UP, one of Wednesday MidDay Medley’s 116 Best Recordings of 2016.. In late 2014 they released their debut full length recording, “Kosciusko County,” one of Wednesday MidDay Medley’s 115 Best Recordings of 2015. The Matchsellers have toured 3 European countries and 25 US States, performing 180 shows a year, including last year for the KC Fringe Festival, Bluegrass Bazaar in Flint, Michigan, Norman Music Festival in Norman, OK, and a 1st place win at the Eddie Owen Presents songwriting competition in Atlanta, GA.]
[The Matchsellers plays Night Four of Manor Fest 7 on Saturday, May 24 at 3:00pm at Stockyards, 1600 Genessee St, KCMO with Jack Summers, and Natalie Prauser (*21+ ).]
Jocelyn Nixon – “YOU AIN’T RIGHT! YOU MUST BE WRONG!” from: “YOU AIN’T RIGHT! YOU MUST BE WRONG!”-Single / Supe Brill Records / May 2, 2025 [Jocelyn Olivia Nixon is lead singer of the band The Creepy Jungles. Jocelyn told Nick Spacek of The Pitch, “that the songs she presents to her bandmates in The Jingles’ songs are poppier stuff, typically, while solo songs are more folky, mellow, weird, and lyrical. Solo work also gives her the opportunity to work with others outside the group. As Nixon explains, “It’s basically a tongue-in-cheek song making fun of hard right conservatives and social cliques who think only their way is ‘right.’” She said, “I felt like I needed something where I can be a bit more vulnerable and naked, I suppose,” the musician says. “I think because Jingles do rock n roll pop songs well, I think I’m kinda boxed in as an artist and singer. This is my way of saying I have many sides to myself as an individual and as an artist, and I can forge my own path and defy expectations.” Jocelyn Nixon’s next single, “Real Deal,” is due later this summer . // The Creepy Jingles released a series of 4 new singles in 2024 including “When Things Go Wrong” on February 23, 2024. // The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. ]
[The Creepy Jingles play Night Four of Manor Fest 7 on Saturday, May 24 at 5:00pm at Hickory Union Moto, 10 S. James St, KCMO with Daniel Gum, and Jolson & The Fear of Snakes(*21+)]
[The Creepy Jingles play Boulevardia on Saturday, June 14]
[The Creepy Jingles play Replay Lounge on Saturday, June 21.]
Making Movies – “Pendulum Swing – En Vivo” from: Baúl de las Movies: Rocky Mountain Folks Festival 2024 (En Vivo)/ 3/2 Recordings/ 4/25/25] [Making Movies is a KC based 4-piece band and made up of: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Duncan Burnett on drums. The band draws their influences from the origins of their families: Santiago, Panama, and KC Missouri, and Guadalajara, Mexico. // Captured during their 2024 magnetic set at the Rocky Mountain Folks Festival in Lyons, Colorado, the EP offers a raw and electrifying glimpse into the band’s dynamic live energy and genre-blending spirit. / The 5-track collection includes a standout performance of “Nadie Sabe (rock’n’roll),” a powerful anthem that nods to the band’s rock roots while giving fans an early taste of their highly anticipated full-length album due out later this year. / Marking Making Movies’ first major U.S. festival appearance, the performance at Rocky Mountain Folks Festival was a milestone moment in the band’s journey—and one they’ll never forget. / “I love that we have a record of that wild and special day,” says Enrique Chi of Making Movies. “The mid-set downpour turned into a blessing—though we had to pause the show, when we returned, dancing in the rain was a pure expression of joy. We are grateful that those folks opened up their space and hearts to us, giving us the opportunity to road test some new songs and prepare for the next chapter for Making Movies.” / The Baúl de las Movies series is a nod to the band’s ongoing effort to open up their archives and share treasured recordings from the road. This latest installment captures the spontaneity and soul of a band known for merging Latin rhythms with psychedelic rock, folk storytelling, and political urgency. / Making Movies continues to carve a unique space in the music landscape, building bridges across cultures and generations. With this release, they invite listeners into the vibrant world they’ve created—live, unfiltered, and alive with possibility. // Last year Making Movies released Baúl De Las Movies (En Vivo En Folly Theater 2023) /=through 3/2 Recordings on September. 27, 2024, Produced by Ben Yonas, McKenzi Webster, Executive Producer Javier E. Carrizo, Production Assistant Nora Gibbons, Recording & Mixing Engineer Ben Yonas, Recording Engineer Paul Malinowski, Mastering Engineer, Dave Greenberg/Sonopod, Assistant Sound Engineers Josh Gomez, Ricky Menendez. Asdru Sierra on trumpet; Ryan Heinlein, Trevor Turla on trombone. // “Baúl De Las Movies: Folly Theater 2023” was also filmed. Directed by William J. Stribling. // Directors of Photography Adam Baron-Bloch, Alex Gallitano. // Camera Operators Cole Blaise, Nora Gibbons, Esai Saenz. // Production Designer Aisa Palomares. // Edited by Raymond Fraser. // Colorist Tam Le // DI Coordinator John Daniels-Riveros. // DI Services Provided by Sodalite Color // Stream “Baúl De Las Movies: Folly Theater 2023” – https://ffm.to/follyliveep.OYD. // Latin Grammy nominated band Making Movies released their special EP EN LA SALA containing 8 of the songs recorded LIVE, on January 12, 2024. // Before that they released their single “Medicina”. // Making Movies released XOPA through Cosmica Artists on June 17, 2022. XOPA and was recorded in Memphis, produced by Ben Yonas. More info at: http://www.makingmovies.world. Making Movies released the 5-song EP, EN VIVO (SIN APLAUSO) on February 4, 2022. Making Movies released the 6-track EP BORING BITS, on May 7, 2021. On February 5, the band released the 7-song, La Cuarentena EP which included a brand new version of the first Making Movies song, “La Marcha” and the lullaby “Could You?” (both mixed by Jim Eno of Spoon and tracked at Memphis Magnetic studio), and the love ballad “Una Vida.” The EP also includes covers of Talking Heads and Tears for Fears, plus bonus live acoustic tracks. The EP was available on BandCamp for only three days Feb. 5 through Feb. 7, 2021. // Making Movies released their single “Could You” on January 12, 2021. About “Could You” lead singer Enrique Javier Chi wrote, “I was thinking about what to share for “Could You?” and I just go back to the fact that Memphis is a profound place… it is a place where you can feel what America truly is and where it comes from. I think you see and feel the reality that so much of this nation was built from exploiting people. You can see that our pop culture is driven by the Black community and yet that community is still the most oppressed in the nation. Things are still so messed up. // Memphis is the place where Elvis started singing black music with a country twang and where Martin Luther King Jr. was shot. It’s a beautiful place, it’s a charming place, it feels at times downtrodden and it’s a place that reminds
[Making Movies play Night Four of Manor Fest 7 on Saturday, May 24 at 7:00pm at Black Box, 1060 Union Ave, KCMO with Rebel Song Academy, and Fritz & Sons, (all ages).]
Jamogi – “Hot Block (Flew The Coop Live)” from: Kamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live)” – Single / Jam Tunes / April 11, 2025 [Jamogi released the siongle “Do It To Me” on March 28, 2025. // Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023. Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire.]
[Jamogi and The Jammers play Night Four of Manor Fest 7 on Saturday, May 24 at 10:00pm at The Ship 1221 Union Ave. KCMO in the West Bottoms with Tidal.wav, and DJ Dom Chronicles]
10:52 – More Interview with Shaun Crowley
Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.
Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads
Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them. More information at; http://www.manorrecords.com
Venue One : PH Coffee, 2200 Lexington Ave,, KCMO (5-7 PM) all ages
Dalima Kapten
Wills Van Doorn
Teri Quinn
Venue Two : J. Rieger & Co. 2700 Guinotte Ave, KCMO (7-10 PM) all ages
Mosiac
THIMASTR
Fullbloods
10:56
They’re Theirs – “Midland Empire” from: “Midland Empire” – Single / Chase The Horseman / February 18, 2025 [As a live band They’re Theirs consists of Chase Horseman on vocals and guitars, Sky Cowdry on bass and Ian Dobyns on drums. // “Midland Empire” was produced by They’re Theirs, engineered by Ian Dobyns, mixed by Ian Dobyns Chase Horseman and Sky Cowdry. Mastered by Justin Perkins/Mystery Room Mastering. Recorded at Element Recording. // Chase The Horseman released the single “Silver Liner” on October 25, 2024. Drums and additional engineering by Ian Dobyns, Additional vocals by Heidi Gluck. Mastered by Anthony Puglisi. Written, produced, performed and mixed by Chase Horseman at Element Recording. // Chase Horseman has composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, The Roseline, Nan Turner and more. Chase The Horseman film composer, band leader, multi-instrumentalist, audio engineer, & producer. // On April 2, 2024 Chase released the 22 track Original Sound Track for Headcount, a feature film from the Burghart Brothers, produced by Continuance Pictures, Method Media, and Shout Factory. Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” // In February 2020 Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. Chase played Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals all performed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos. // On May 1, 2020. // Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowley on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of the Chase Horseman single were be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. // Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018. // More info at: http://www.chasethehorseman.bandcamp.com.]
[They’re Theirs play Night Five of Manor Fest 7 on Wednesday, May 28 at 7:00pm at Farewell, 6523 Stadium Drive, KCMO with Cat Fight, and Midwestern (*21+)]
11:00 – Station ID
Dalima Kapten – “Feel the Beat, Bud” from: “Feel the Beat, Bud’ – Single / Dalima Kapten / September 27, 2024 [Dalilma Kapten (she/her) released the single “Scrappy Rose” also on September 27, 2024.// Dalima Kapten (she/her) is currently working on her debut album. She is a second-generation Kenyan-American pursuing a Master of Arts in Music Technology at the University of Central Missouri. She holds a Bachelor of Arts in Architectural Studies, Theater Minor, and a specialization in Architectural Acoustics from the University of Kansas. // As a theater performer and artist, Dalima is deeply moved by a passion for storytelling and worked at Music Theater Heritage as the Manager of Artistic Operations. Additionally, she presented her self-published chapbook “Native Anomaly” for Columbia University’s HOME: Symposium.]
[Dalima Kapten play Night Six of Manor Fest 7 on Thursday, May 29 at 5:00 at PH Coffee, 2200 Lexington Ave,, KCMO with Wills Van Doorn, and Teri Quinn] (all ages).]
[Fullbloods play Night Six of Manor Fest 7 on Thursday, May 29 at 7:00 at J. Rieger & Co. 2700 Guinotte Ave, KCMO with Mosiac, and THIMASTR (All ages).]
11:06 – More Interview with Shaun Crowley
Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.
Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads
WEEKEND TWO – May 28, 29, 30, & 31
Night Seven: Friday May 30 Longfellow + 18th & Vine Jazz District
Venue One: Sister Anne’s 901 E. 31st KCMO(5-7 PM) all ages
Blanky – “Oh Frail Memory” from: “Oh Frail Memory” / Blanky Records / April 8, 2025 [Blanky embodies the languor left of a perfect day gone past. The always evolving musical project has thus far successfully mirrored the tumultuous transition of an agnostic adolescence to a freeing acceptance of life’s unapologetic inhumanity. The result is a dark happiness; simultaneously baffling and enticing. Incubated in a Black Mountain basement and left in the fields ’til full maturity. Blanky has settled in Lawrence, KS by way of Asheville, North Carolina. Southern origins and midwestern sentimentality are bound together in the timeless mindscape provoked by the broad assortment of compositions and styles performed and produced by the band. The ongoing experimentations of Blanky are a testament to their commitment to combining the culture of sharing and adaptation of 60’s folk and the do-it-yourself ethos of contemporary underground music. Blanky’s poignantly devitalized interpretations of rock’n’roll sound both new and familiar. The sense of desolation induced by their work is all so appropriate for an era marked by post-fact disenfranchisement. Recorded in 2019 at El Rancho Morbido in Black Mountain, NC, and Lakehouse Sudios in Asbury Park, NJ. Engineered by Nick Semanchik & Anthony Cunard. Mixed by Anthony Cunard and Kevin Drew. Anthony Cunard on guitar & vocals, Santo Rizzolo on drums, Joseph Makoviecki on bass, Edward Madill on pedal steel.// The band released their 10 song debut album Baby Blue on May 5, 2018. Baby Blue was also recorded by Blanky at The Morbid Ranch in Black Mountain, NC during Sept. and October of 2017. All music and lyrics were written by Micala Smith and Anthony Cunard. With Max Smith on vocals/ Guitar/ Sax/ Organ, and Anthony Cunard on vocals/ Guitar/ Organ/ Drums. Album Artwork was made by Max Smith and Anthony Cunard.]
[Blanky plays Night Seven of Manor Fest 7 on Friday, May 30 at 5:00 at Sister Anne’s 901 E. 31st KCMO Simul Astra, and Pure XTC. (All ages)]
Malek Azrael – “SELF!SH (feat. SISTERBOT)” from: Feels Like EP / Malek Azrael / March 1, 2025\ [On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]
[Malek Azrael play Night Seven of Manor Fest 7 on Friday, May 30 at 7:00 at Ruby Jean’s Juicery 3000 Troost Ave, KCMO with Shay Lyriq, and Supermoto (All ages)]
Eddie Moore – “In The Kitchen” from: What Makes Us / Eddie Moore Music / March 25, 2024 [“In the Kitchen” features: Eddie Moore on piano, Bass, & Rhoades; Jaylen Ward on drums; Ben Tervort on bass, Isaiah Petrie on vibes. Written & Produced by Eddie Moore(Emoremyz BMI). Executive Producer – Eddie Moore, Co-Producer- Dan Israel. Mixed By- Eddie Moore. Mastered By Crayge Lindesay. Recorded at First Run Studios engineered by Dan Israel // When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Moore reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression. // On March 5, 2024 Eddie Moore released the EP Aperture (Live Piano Works) through Eddie Moore Music. // On April 20, 2023 Eddie Moore released the single “Tsunami” Recorded & produced at Moore’s Tribe Studios, the song features Jaylen Ward on drums. Mixed & mastered by veteran KC savant Craige Lindsay. // Eddie Moore released his critically acclaimed album INTUITION on Oct. 28, 2022. Written & Produced by Eddie Moore. Recorded at Tribe Studios. Featuring Tim Ogutu on guitar. Mix & Mastered by Rick Carson at Make Believe Studios. Album Art by Brandon Wilson. // Eddie Moore released the single, “Love Song” (with Joel Castillo & Bree Cummings) on Oct. 22, 2021. // We The People released the single, “Single Double” on June 10, 2021. Written & Produced By Eddie Moore on keyboards, key bass, & programming; Zach Morrow on drums; and Jason Emmond on bass. // Eddie Moore’s band We The People released their album MISUNDERSTOOD on Sept. 25, 2020. // Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to KC to study under Bobby Watson at the University of Missouri-KC where he received a M.A in Jazz Studies. He was 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”. Moore has shared the stage and recordings with Bobby Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band. Eddie Moore joined WMM on Sept. 23, 2020 and Nov. 23, 2022. More info at http://www.eddiemooremusic.com]
[The Eddie Moore plays Night Seven of Manor Fest 7 on Friday, May 30 at 10:00pm at Vine Street Brewing, 2010 Vine, KCMO with Nina Cherry, and Kadesh Flow. (*21+)]
11:24 – Underwriting
11:26 – Interview with Shaun Crowley
Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.
Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads
WEEKEND TWO – May 28, 29, 30, & 31
Night Eight: Saturday May 31 – Crossroads
Venue One: Made Mobb, 221 Southwest Blvd, KCMO (3-5 PM) all ages
Alber
LyMerrick
Field Daze
Venue Two: Le Lounge, 130 W. 18th St., KCMO (5-7 PM) *21+
Venue Four: Stray Cat Film Center, 1662 Broadway Blvd, KCMO (10 PM – 12 AM) *21+
2w33dy
Pale Tongue
DJ Sammy Sheets
11:32
LyMerrick – “Crash Landed” from: “Ephemeral” – Single / LyMerrick / October 1, 2024 [LyMerrick is a solo artist and lead singer of Supermoto. LyMerrick released “Lost and Sedated” on March 26, 2024; “Runaway” on August 24, 2020; “Look at You (feat. Sleepwvlker) on May 13, 2020; “Early Days” on March 7, 2020; “Reminiscing to the Future” on April 5, 2019; “Lay Me Down” on February 8, 2018; “Moves (feat. Latenitee)” on January 31, 2019; “First Thing (feat. Latenitee)”; “Queen” on December 15, 2018; “Baggage” on December 9, 2018; “Pipe Down” on September 5, 2018; “Not Another Love Somg” on June 27, 2018; and “Not Good Enough” on May 17, 2018. // LyMerrick is also lead singer of Supermoto who released ther self titled deut album, Supermoto /through Manor Records on September 30, 2024. Hailing from Kansas City, this 5-piece group started meeting in the pre covid winter of 2020. April of 2021 they released their first two songs “Moonlight” & “Polarized” which led to a run of energetic & successful live performances – all the while building up many catchy originals drawing on their inspirations of jazz, funk, r&b, city pop and disco. ]
[LyMerrick plays Night Eight of Manor Fest 7 on Saturday, May 31 at 3:00pm at Made Mobb, 221 Southwest Blvd, KCMO with Alber, and Field Daze (*21+).]
Frankie Shorez – “Wanna Be Bad” from: “Wanna Be Bad” – Single / Mercy Fire LLC / January 3, 2024 [Frankie B. Shorez is a 22 year old singer, Songwriter, Model, actress, and clothing designer and Small Business owner from Kansas city MO. From Rags to Riches chasing the dream. // Earlier this year Frankie Shorez & Mercy Fire played ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, and Stephonne.]
[Frankie Shorez & Mercury Fire play Night Eight of Manor Fest 7 on Saturday, May 31 at 3:00pm at Le Lounge, 130 W. 18th St., KCMO with Lava Dreams, and Apricot Glow( *21+).]
Paris Williams & The Human – “Alien Luv (feat. Saving Mils Lemon)” (radio edit) from: A Paris Williams Joint / Bitter Sweet Sound / November 19, 2024 [Paris Williams is a 26-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school. Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarparis]
[Paris Williams play Night Eight of Manor Fest 7 on Saturday, May 31 at 3:00pm at Tree Room, 1820 Megee St., KCMO with Highway Demon, and Shy Boys (*21+)]
Shy Boys – “In Gloves” from: Talk Loud / Polyvinyl Record Co. / September 25, 2020 [3rd album from the KC band Shy Boys. New music follow up to the Dim The Light / Brick By Brick, singles released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records.]
[Shy Boys play Night Eight of Manor Fest 7 on Saturday, May 31 at 3:00pm at Tree Room, 1820 Megee St., KCMO with Highway Demon, and Paris Williams (*21+)]
Shy Boys / The ACBs / Ghosty / The I’ms / Fullbloods / Koney – Discography
The ACB’s / The ACB’s / July 10, 2007 [Debut from KC based 4-piece with Konnor Ervin on lead vocals, Bryan McGuire on bass, Matt Saladino on guitar, Corey Egan on drums & vocals. Written by, and arranged by Konnor Ervin. Produced by Tim Suttle. Recorded & mixed at Underdog Studio in Desoto, KS. Mastered at Euphonic Masters in Memphis, TN.]
The Abracadabras – Be Still, Be Cool / The Abracadabras / January 1, 2008 [5-piece KC band formed in the spring of 2007, with Jocelyn Olivia (John) Nixon on keyboards & vocals, Travis Mckenzie on lead guitar, Bobby (Wayne Hutcherson) Topaz on guitar & vocals, Collin Rausch on bass & vocals, and Kyle Rausch on drums & vocals.]
The ACBs – Stona Rosa / The ACBs / January 1, 2011 [After half of the band left to move to LA, Konnor Ervin and Bryan McGuire got help from: Andrew Connor of Ghosty, and Beau Bruns of Cowboy Indian Bear. All songs written by, and arranged, lead vocals & guitar by Konnor Ervin. Mike Nolte on bass, Bryan McGuire on bass & vocals, Andrew Connor on guitar & vocals, Beau Brus on drums. Kyle Rausch on vocals. Produced by Mike Nolte. Mastered by Roger Seibel Recorded at More Famouser Studios. Mixed at More Famouser Studios. Mastered at SAE Mastering.]
The I’ms – Second MIXES / Independent / 2011 [Collin Rausch and Kyle Rausch. Kyle Rausch also plays with The ACB’s. In 2011 on WMM we started playing songs from The I’ms, a duo made of up Collin and Kyle, who posted 6 of their self recorded songs on their facebook page. We included this informal release in our Top Ten of The 111 Best Recordings of 2011. 3 of the songs from The I’ms ended up being rerecorded for Shy Boys.]
Ghosty – GHOSTY / More Famouser Records – High Dive Records / April 17, 2012 [3rd full length release from Lawrence and KC area band. Ghosty is Andrew Connor, Mike Nolte an Bill Belzer who recorded their new album themselves over the last couple of years with help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, and Dan Talmadge. The new release was pressed on vinyl and available on LP and digital download. More info at ghostysounds.com.]
The ACBs – Little Leaves / High Dive Records / March 5, 2013. [Konnor Ervin on lead vocals, & guitar; Bryan McGuire on bass, Andrew Connor on guitar; Kyle Rausch on drums. Their songs have been featured on MTV’s The Inbetweeners, and Daytrotter. The title “Little Leaves” is a nod to Konnor Ervin’s landscaping day job. The lead single, “Ocean” was released as a free download in late 2012, prompting Popmatters to declare the ACBs as one of its “Best Hopes to Break Out in 2013.”]
Shy Boys – Shy Boys / High Dive Records / January 17, 2014 [Debut release. Brothers Collin Rausch, Kyle Rausch, and friend and roommate Konnor Ervin, are members of this KC based trio. Collin and Kyle’s father was a High School band director and music teacher. Konnor Ervin is the lead singer and songwriter of The ACBs, where Kyle also plays drums. The 10 song release had two singles premiered by Stereogum. “Keeps Me On My Toes” was a song Collin wrote in 15 minutes while his girlfriend was in the shower. The album was recorded at West End Studio, over two-weekends.]
Shy Boys – “Life is Peachy” – Single Release / High Dive Records / July 15, 2014 [Stereogum has premiered the band’s new song, “Life Is Peachy”, the A-side to their new 45 rpm, 7″ single coming from High Dive Records. Brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin, are members of the Kansas City based band, Shy Boys. ]
Fullbloods – Mild West / High Dive Records / February 26, 2016 [Second full length release from Fullbloods: Ross Brown; Jared Tomasino; David Seume; and Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).]
Shy Boys – Bell House / Polyvinyl Record Co. / August 3, 2018 [Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com
Shy Boys – Dim The Light / Brick By Brick – Singles / Polyvinyl Record Co. / Feb. 15, 2019 [Single release follow up to band’s 2nd album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]
Fullbloods – Soft and Virtual Touch / High Dive Records / April 3, 2020 [3rd full-length. All songs written, performed, recorded, mixed by Ross Brown in KCMO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, & 9, sang on 9. Bill Pollock Played drums on 3 & 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 & 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More info at: http://www.fullbloods.com.]
Shy Boys – Talk Loud / Polyvinyl Record Co. / September 25, 2020 [3rd album from the KC band Shy Boys. New music follow up to the Dim The Light / Brick By Brick, singles released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records.]
Koney – Koney / High Dive Records / October 9, 2020
[from Lucas Wetzel’s Pitch Feature: “To bring the songs to life, Konnor enlisted brothers Collin and Kyle Rausch, his roommates in their ramshackle West Plaza house/practice space and his bandmates in chamber pop group Shy Boys. Ross Brown (of Fullbloods) played synthesizer and helped run sound, and multi-instrumentalist Kyle Little contributed on guitar. Fritz Hutchison and Andrew Connor also contributed on several tracks. Recording engineer Mike Nolte flew in from Portland to run the controls at Westend Recordings, and the group set up camp in the studio over a long snowy weekend in 2015.” ]
11:45 – More Interview with Shaun Crowley
Today we spin music from 21 artists & bands playing Manor Fest 7 including: Danielle Ate the Sandwich, Stephonne, Calvin Arsenia, CS Luxem, Kirstie Lynn & Galen Clark, Saving Miles Lemon, The Matchsellers, Jocelyn Nixon of The Creepy Jingles, Making Movies, Jamogi & The Jammers, They’re Theirs, Dalima Kapten, Fullbloods, Blanky, Malek Azrael with Sisterbot, Eddie Moore, LyMerrick, Frankie Shores & Mercy Fire, Paris Williams, Shy Boys, and 2W33DY.
Shaun Crowley of Manor Records joins us to talk about Manor Fest 7, featuring 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City.
Troost / West Side / Strawberry Hill / West Bottoms / East Stadium / Historic Northeast / Longfellow / 18th & Vine Jazz District / Crossroads
Manor Fest 7, features 60 bands, across 20 venues, in 8 nights, in 8 different neighborhoods of Kanas City. The official dates are May 21, 22, 23, & 24 and May 28, 29, 30, & 31.
Manor Fest is a fundraiser curated and ran by Manor Records. This festival is not just about the music — it’s about building community and directly supporting local artists. Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians at no cost to them. More information at; http://www.manorrecords.com
Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is the co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. We first met Shaun as part of the band Rev Gusto, originally formed in high school with friends at Saint James Academy.
Shaun Crowley thanks for being with us on Wednesday MidDay Medley
Venue Four: Stray Cat Film Center, 1662 Broadway Blvd, KCMO (10 PM – 12 AM) *21+
2w33dy
Pale Tongue
DJ Sammy Sheets
11:54
23. 2W33DY – “Why You So Mean” from: Why You So Mean / 2W33DY / February 7, 2025 [Lead Guitar: Diyana; Drums and Pedal Steel: Bradford; Bass: Kennedy; Guitar and Vox: Kenia. // Recorded with Caufield Schnug. The band writes, “We recorded these tracks in Lawrence, KS with Caufield Shnug and his cozy studio. From there I took a lot of deliberating and experimenting with mixing and mastering. We ran each track through Brad’s tried and true marantz 8-Track and from there mixing and mastering was a team effort.” They go on to say, “We are excited to bring you more new music as we continue on our journey as the “most dangerous band in KC”.]
[2W33DY play Night Eight of Manor Fest 7 on Saturday, May 31 at 10:00pm at Stray Cat Film Center, 1662 Broadway Blvd, KCMO with Pale Tongue, and DJ Sammy Sheets. (*21+)]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
NEXT WEEK, Wednesday, May 14 – Paul Jesse returns with new music. PLUS, at 11:00am, Stephonne and Rachel Christia of KC Folk Fest join us to talk about this year’a festival on Saturday, May 7 in Washington Square Park. AND at 11:30 Jen Kiper and Alex Wong share details about Alex Wong + NAAAP KC present PERMISSION Saturday, May 17, 6:00 to 10:00pm, at Vivilore, 10815 East Winner Road Independence, MO. A first-of-its-kind listening and tasting performance pairing music with a Chinese-inspired dish that shares a common emotion.
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, April 9, 2025
WMM presents Til Willis, Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra, Kevin King & Zo E. Schmidt
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
REVISER – “CELESTINE” from: “CELESTINE” – Single / TEVISER / February 28, 2025 Calling to mind classic 80’s bands such as Sisters of Mercy, The Cure, and Killing Joke, REVISER sounds complimentary to such contemporaries as Actors, Soft Kill, and Drab Majesty. REVISER collects and redirects its familiar influences into something both familiar and foreign, a sound that is dark, deep, and danceable. Dedric Moore on keyboards and Krysztof Nemeth on vocals and baritone guitar, with newest member Breaka Dawn (of The Bad Ideas) singing with Krysztof. This is the 4th single form REVISER who released “DARKSIDERS” on October 18, 2024, and “ASSASINS” and “BURN IT OUT” on March 15, 2024. REVISOR is a continuation of the musical collaboration from Static Phantoms, Religion of Heartbreak (with Mikal Shapiro) and Monta At Odds.
Eddie Moore – “In The Kitchen” from: What Makes Us / Eddie Moore Music / March 25, 2024 [“In the Kitchen” features: Eddie Moore on piano, Bass, & Rhoades; Jaylen Ward on drums; Ben Tervort on bass, Isaiah Petrie on vibes. Written & Produced by Eddie Moore(Emoremyz BMI). Executive Producer – Eddie Moore, Co-Producer- Dan Israel. Mixed By- Eddie Moore. Mastered By Crayge Lindesay. Recorded at First Run Studios engineered by Dan Israel // When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Moore reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression. // On March 5, 2024 Eddie Moore released the EP Aperture (Live Piano Works) through Eddie Moore Music. // On April 20, 2023 Eddie Moore released the single “Tsunami” Recorded & produced at Moore’s Tribe Studios, the song features Jaylen Ward on drums. Mixed & mastered by veteran KC savant Crayge Lindesay. // Eddie Moore released his critically acclaimed album INTUITION on Oct. 28, 2022. Written & Produced by Eddie Moore. Recorded at Tribe Studios. Featuring Tim Ogutu on guitar. Mix & Mastered by Rick Carson at Make Believe Studios. Album Art by Brandon Wilson. // Eddie Moore released the single, “Love Song” (with Joel Castillo & Bree Cummings) on Oct. 22, 2021. // We The People released the single, “Single Double” on June 10, 2021. Written & Produced By Eddie Moore on keyboards, key bass, & programming; Zach Morrow on drums; and Jason Emmond on bass. // Eddie Moore’s band We The People released their album MISUNDERSTOOD on Sept. 25, 2020. // Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to KC to study under Bobby Watson at the University of Missouri-KC where he received a M.A in Jazz Studies. He was 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”. Moore has shared the stage and recordings with Bobby Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band. Eddie Moore joined WMM on Sept. 23, 2020 and Nov. 23, 2022. More info at http://www.eddiemooremusic.com]
[The Eddie Moore Trio plays The Majestic, 931 Broadway, KCMO, Thursday, April 10, at 6:00pm]
Ivory Blue – “Heartbeat” from: “Heartbeat” – Single / IVORY BLUE / March 28, 2025 [For “HEARTBEAT” IVORY writes, “is about letting things be when there seems to be no way to change the outcome of something that happened in our life. Sometimes, things happen without an apparent reason. Other times it’s a blessing in disguise and time will tell if it was worth the pain we felt going through it.” // IVORY BLUE released the single “Rhythm of the Radio” on January 31, 2025 // IVORY BLUE released the single “Exiled” on November 29, 2024. IVORY BLUE released the single “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and stations around the world. // On Oct. 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from Sept. 22, 2023, ”The Best of Life” from Aug. 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on Feb. 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to Earth, Boulevardia, Crossroads Music Festival, The Middle of the Map Fest, The Westport Roots Festival, the KCPT Screening of “Real Boy” at KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. More info at: http://www.ivorybluemusic.com]
[My Oh My play an Album Release Matinee Show on Friday, April 11, at 6:00pm at The Ship 1221 Union Ave. KCMO in the West Bottoms.]
Kansas City, MO USA – August 04, 2024: easterday at recordBar
the easterday band – “Smothered (Live)” from: live recordings of Scott Easterday: 35 Years / Recorded August 4, 2024 / Unreleased [Scott Easterday: 35 Years – celebrating Scott’s 35 years as a singer, songwriter and performer, from Sunday, August 4, at the recordBar, 1520 Grand, KCMO. This retrospective concert featured 11 other musicians who have performed with Scott over the years. There were 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featured in the show were Mark Accuff, Elaine McMilian, Jon Niccum of the original Easterday band with Richard Alwyn. Also in the show were Marco Pascolini, Richard Burgess, and Sam Platt of (the latter day) Expassionates. And also in the also were: Kyle Dahlquist, Bryan Hicks, Nate Hofer, and Matt Richey. // Originally released on the album: Easterday 1993-1995 from Scott Easterday in 2004. The easterday band featuring Scott Easterday on lead vocals and guitar, Elaine McMilian on vocals, Jon Niccum on bass and Mark Acuff on drums. The band was active from 1993-1995. The album was recorded at Red House Studios by Ed Rose and released in 2004. They have had a couple reunions since then and are taking advantage of this occasion to have another. Mark plays drums in Promise Breakers. Jon was the creator of The Worst Gig [worstgig.com] and Elaine just published her first book of poetry, Copper and Other Precious Metals. ]
[Easterday play The Black Box 1060 Union Ave. KCMO in West Bottoms on Fri, April 11, at 6:30pm]
Krystle Warren & The Faculty – “Empty Chairs” from: Extended Play / Parlour Door Music / November 1, 2024 [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations // // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs were recorded with everyone in the same room (Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up Extended Play are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play, they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]
10:29 – Underwriting
Til Willis & Erratic Cowboy – “Lost” from: “Lost” – Single / Til Willis / February 27, 2025 [3rd single from the upcoming album, Glass Cactus. Written by Til Willis Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. Steve Faceman on backup vocals. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]
[Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]
10:35 – Interview with Til Willis
Til Willis was born in the heat of 1980, has been making music for a long time. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. Til Willis joins us to share details about his band Til Willis & Erratic Cowboy and their new album Glass Cactus. Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.
Til Willis Thanks for being with us on Wednesday MidDay Medley
The last album from Til Willis & Erratic Cowboy was Grinding of The Stars, released Nov. 4, 2022 tand recorded in a 122 year old barn. With Til Willis on guitars & vocals; Eric Binkley on bass, and Austin Sinkler on drums/ Recorded/Mixed/Produced by Til Willis. Mastered by John Hruska.
Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas.
Til Willis & Erratic Cowboy is: Til Willis on vocals & guitar Bradley McKellip on guitar & backup vocals Eric Binkley on bass Austin Sinkler on drums.
With Steve Faceman on backup vocals for “Lost. With Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law With Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday
10:43
Til Willis & Erratic Cowboy – “Ten Miles of Days” from: Glass Cactus / Til Willis / March 27, 2025 [Til Willis on vocals, guitar, percussion, mixing, & production; Bradley McKellip om guitars & lap steel; Eric Binkley on bass, and Austin Sinkler on grums with Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday; Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law; and Steve Faceman on backup vocals on Lost. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy.]
[Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]
10:46 – More Interview with Til Willis
Til Willis began performing in 1992, at the remarkable age of just twelve. Since then, he’s produced an expansive catalog of music, including fifteen studio albums, two live albums, and five EPs. Til’s bandmates, known as Erratic Cowboy, both compliment and enhance Til’s well-seasoned songwriting, and have added their own dynamic energy to his albums and live shows since 2012.
Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.
Til Willis Thanks for being with us on Wednesday MidDay Medley
Til has headlined his own shows, and opened for such notable acts as Jesse Robinson, The Subdudes, Mel Melton and the Wicked Mojos, Fainting Goats, and Pete Seeger.
Glass Cactus was recorded in The Barn in Tecumseh, KS. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence. Cover art by David Huddleston
Til and the boys perform frequently at favorite venues: recordbar and The Brick in KC, and Replay Lounge, Kaw Valley Public House and The Bottleneck in Lawrence.
There are people who write songs, and then there are songwriters… people who write simply because they have no other choice, poets in denim who wonder if they’re poetic at all. It’s talk of fire, and the breath of storms passed that stirs the echoes of longing to express one’s self…Til Willis came along after the birth of rock and roll, but before the setting of the sun in the home state of Elvis. A state that as John Magnie says, “Eats the roots of American music.” And, out of this climate Til strode with the confident swagger of a man possessed with the desire to be a songwriter.
Growing up on rock & roll made during a time when “rock & roll” mattered, and it wasn’t about fashion & packaging, Til strives to deliver substance in his own orchard of sound.
A listen to any of his albums, The Thought I Had, Shadow of the Future, Lovesick, Crimson Wind, or Cindershine confirms this level of commitment. It’s not bubblegum pop, or mindless distortion. This is American Rock, and Til has brought it to life on stages from Mississippi to California, Colorado to Oklahoma.
He has composed scores for plays by playwright Steve Goode, and student films made at the University of Colorado. He has produced albums for artists like Drew Fowler, in addition to producing all of his own recordings.
In short Til Willis is an energetic young singer/songwriter with a voice that thunders, and a musical passion and vision that screams the haunted howl of hellhounds down a dusty road. Rock and Roll is freedom, and Til exercises his daily.
CEO at Til Willis & Erratic Cowboy Studied at Colorado State University Lives in Lawrence, Kansas // From Ouray, Colorado Married to Stephanie Willism, Daughter: Mahalia, Dog: Twyla
Til Willis Thanks for being with us on Wednesday MidDay Medley
Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.
10:45
Til Willis & Erratic Cowboy – “Horizon Before Us to Love” from: Glass Cactus / Til Willis / March 27, 2025 [Til Willis on vocals, guitar, percussion, mixing, & production; Bradley McKellip om guitars & lap steel; Eric Binkley on bass, and Austin Sinkler on grums with Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday; Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law; and Steve Faceman on backup vocals on Lost. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]
[Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]
11:00 – Station ID
11:00 – Interview with Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, and Chico Sierra
Heather Pontonio – Arts & Science Council (Rep= Ashley)
Heather Pontonio has a master’s degree in Public Administration from New York University and a bachelor’s degree in Arts Administration from the State University of New York at Fredonia. She serves on the board of VIA Collaborative Arts and Research Advisory Board for the Strategic National Arts Alumni Project (SNAAP).
Heather is the Senior Program Director at the Emily Hall Tremaine Foundation where she is responsible for national strategy and administration of the Art Program portfolio focused on professional practices for both artists and curators. In her 13 years at the Foundation, she has expanded the curatorial portfolio from a single program (the Emily Hall Tremaine Exhibition Award) to a suite of programs that support dozens of curators and been instrumental in the launch of Artists Thrive, a national tool to assess and improve conditions for artists across the country.
Heather joins us to share details about the ARTISTS THRIVE 2025 Summitin Kansas City, on May 6-8. The 2025 summit venue has been provided with generous support from the Ewing Marion Kauffman Foundation, with lead local partner Mid-America Arts Alliance and Charlotte Street Foundation. Artists, arts leaders, educators, and funders can expand their creative circle. This unique event offers a powerful networking hub, connecting art communities with passionate colleagues from across the country. For more information on the 2025 Artists Thrive Summit you can visit: http://www.artiststhrive.org
Heather Thanks for being with us on the radio.
Emily Hall Tremaine Foundation is based in New Haven, Connecticut, but you are calling us from Montana, through your work for the foundation you travel all over the country.
2025 Artists Thrive Summit May 6-8 Ewing Marion Kauffman Foundation
Mid-America Arts Alliance and Charlotte Street Foundation
Also Joining us in the conversation is José Faus – writer, performer, visual artist, and independent teacher/mentor with an interest in the role of artists as creative catalysts for community building. He is a co-founder of the Latino Writers Collective. His writings have appeared in many anthologies and journals. His chapbook, This Town Like That was released by Spartan Press. The Life and Times of Jose Calderon was published by West 39 Press. His children’s book, Possum Trot was published by La Resistencia Press. More info at: http://www.artistinc.art/facilitator/jose-faus/
José Faus Thanks for being with us on the radio.
Also joining us is Elizabeth Bettendorf Bowman (she/her) is a theatre artist dedicated to making the arts truly accessible. Since graduating from Northwest Missouri State University in 2012, she has made KC her home and has worked at several area not-for-profit companies. She received her Master of Arts in Theatre from the University of Missouri-KC and is a faculty member at Benedictine College where she teaches theatre courses. She has also taught for KCK Community College at the Fort Leavenworth correctional facilities. // As a director & administrator, Elizabeth has worked at such companies as the Kansas City Repertory Theatre, Coterie Theatre, Metropolitan Ensemble Theatre, and KC Fringe. Through her work in theatre education & outreach, Elizabeth was inspired to create a theatre which reaches all corners of the diverse KC community. By producing free professional theatre, Elizabeth hopes to foster the creativity of our citizens and explore the truly global nature of the KC region. http://www.kcpublictheatre.org
Elizabeth Bettendorf Bowman Thanks for being with us on the radio.
Also joining us is visual artist and muralist Chico Sierra, originally from El Paso Texax. Having relocated from his familial homeland, Chico attempts to connect the dots of his cultural history and create new stories based around humanism, class structures and social justice. Influenced by his interests in spiritual iconography he is attempting to create new narratives using symbolism that has been previously clouded by colonialism and more recently appropriated by euro-centric new age spiritualism. Chico’s work has been shown at the Nerman Museum of Contemporary Art, The Nelson Atkins Museum of Art, the Nelson Atkins Museum Day of the Dead exhibit, Mattie Rhodes, Union Station, and InterUrban ArtHouse. More info at: http://www.chicosierra.com
Chico Sierra, Thanks for being with us on the radio.
Chris Dahlquist, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra are part of a Plenary Session: Lay of the Land: An Overview of the Arts in KC – Tuesday, May 6, 5-6pm. This session is designed to ground all Summit attendees into the Kansas City art scene.
Chris Dahlquist will cover Historic KC: 18th and Vine // Hallmark // Walt Disney – Laugh-O-Gram // Union Station // Downtown Airport // Nelson-Atkins // Folly Theatre // Midland Theatre …and bring it into the Contemporary: Charlotte St Foundation // Belger Crane Yard // Zhou B Art Center // Crossroads // Kaufman Performing Arts Center
Elizabeth Bowman of KC Public Theatre will cover the: Spencer Theatre on UMKC’s Campus // Copaken Stage (Power & Light district) // Unicorn Theatre // Coterie Theatre // Musical Theatre Heritage in Crown Center // The Black Box // Just Off Broadway // The Arts Asylum // White Theatre // City Stage in Union Station // Warwick Theater // The Gem Theatre // Quality Hill Playhouse // Johnson County Arts and Heritage Center // Martin City Melodrama // The New Theatre // Stern Black Box Theatre at Charlotte Street Found
Artist-Thrive will include tours and interactive experiences include InterUrban ArtHouse in Overland Park, Englewood Arts Center in Independence, Charlotte Street in Kansas City, and the Nerman Museum of Contemporary Art at Johnson County Community College.
Learning Journeys: Airport InterUrban Arts Englewood Arts Nerman Museum at Johnson County Community College in Overland Park Charlotte Street (also dinner on Wed)
Other locations Main hotel: Kansas City Marriott Country Club Plaza Dinner Tuesday: Crossroads – Jack Stack and Lidia’s Dinner Thursday: Food truck event at Oppenstein Brothers Memorial Park, 1123 Walnut St, Kansas City, MO 64106
Partners Mid-America Arts Alliance Arts KC Kauffman Foundation Conference Center KCAI Belger Arts
Artists, arts leaders, educators, and funders from across the United States are invited to expand their creative circle at the annual 2025 Artists Thrive Summit in Kansas City, Missouri, May 6–8, 2025.
This event offers a powerful networking hub to help connect attendees with passionate colleagues from across the region and country. As part of the Summit, Artists Thrive has partnered with Kansas City organizations to craft regional experiences, including tours to cultural venues embedded in the community.
Attendees will spark collaborations, share best practices, and find inspiration alongside a diverse group of individuals who share a similar dedication to the arts. The Summit’s flexible format ensures everyone—introverts, extroverts, seasoned professionals, or those new to the field—can make lasting connections.
Artists Thrive aims to raise the value of artists in every community. Artists Thrive is a growing initiative offering activities, practices, language, visions and values of what it means to succeed and thrive as an artist – and what it means to have a thriving arts sector and, eventually, thriving communities. It is a set of interconnected and holistic resources that can guide us in improving our performance and, ultimately, the conditions in which artists can thrive. Artists Thrive is funded by the Emily Hall Tremaine Foundation.
Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra thanks or being on WMM
ARTISTS THRIVE 2025 Summit in Kansas City, on May 6-8. The 2025 summit venue has been provided with generous support from the Ewing Marion Kauffman Foundation, with lead local partner Mid-America Arts Alliance and Charlotte Street Foundation. Artists, arts leaders, educators, and funders can expand their creative circle. This unique event offers a powerful networking hub, connecting art communities with passionate colleagues from across the country. For more information on the 2025 Artists Thrive Summit you can visit: http://www.artiststhrive.org
11:25
Helen Gillet – Vautour” from: Helkiase / Helen Gillet / July 6, 2018 [Originally from Leuven, Belgium and now based in New Orleans, Louisiana. Globe Trotting, multi-faceted, jazz-based cellist, singer, composer and improviser Helen Gillet is a “mixed bag” of musical influence. Downbeat Magazine recently nominated her a Rising Star in the 61st Annual Critic’s Poll. She believes music to be an expression of the honest human condition; performing an eclectic mix of French pop, Avant Garde Jazz, North Indian, Folk and Classical styles. Helen Gillet’s 2018 solo album is Inspired by Helkiase, a cure-all medicine invented by the nuns of Notre Dame à la Rose hospital in Lessines, Belgium. (The hospital was one of Europe’s longest continually operating hospitals founded in XIII’s century). Gillet’s latest music deals with the more recent personal layers of complicated grief and finding new strength, sense of humor and inspiration. This recording captures the current spirit of Gillet’s live performance and features her newest original songs “Slow Drag Pavageau” written about legendary dancer and New Orleans bassist Alcide Pavageau, as well as “You Found Me,” “Skin,” and “Vautour,”song inspired by Israeili composer and artist Naama Tsabar. All songs are performed by Helen Gillet using a Boss RC50 Loop station and mainly cello and voice. Tracks 7 “Tonnerre” and 4 “Helkiase” use a Moog Sub Fatty synthesizer and vinyl scratching of a famous 1940 General de Gaulle speech. Live studio sessions and evening concerts recorded by Andrew “Goat” Gilchrist at the House of 1Hz on March 8th and 9th 2018 in New Orleans, LA. Mastered by Bruce Barielle.]
[Owen / Cox Dance Group presents SKIN with Helen Gillet on Saturday, April 12, at 8:00pm at The Folly Theater, 300 West 12th Street, KCMO. -Critically acclaimed collaboration with New Orleans-based cellist, vocalist, live looping artist and composer Helen Gillet. Skin features original music by Gillet and choreography by Jennifer Owen, performed live by Gillet, Brad Cox, and the captivating dancers of Owen/Cox Dance Group. Skin will be performed live for one night only]
[“Skin”originally made its World premiered April 1 and 2, April 3 at 2:00 PM, at City Stage Theatre, Union Station,KCMO choreography by Jennifer Owen and musician Brad Cox in collaboration with New Orleans-based cellist Helen Gillet. Owen/Cox Dance Group is a 501(c)3 not for profit corporation. More info at: http://www.owencoxdance.org]
Anaǐs Mitchell – “Flowers (Eurydice’s Song)” from: Hadestown / Righteous Babe Records / March 9, 2018 [Hadestown is the fourth studio album by American folk singer-songwriter Anaïs Mitchell, and was released by Righteous Babe Records on March 9, 2010. The concept album, which became the basis for the stage musical of the same name, follows a variation on the ancient Greek myth of Orpheus and Eurydice, where Orpheus must embark on a quest to rescue his wife Eurydice from the underworld. It has been advertised as a “folk opera”. Several of the songs feature singers other than Mitchell, including Justin Vernon, Ani DiFranco, Greg Brown, Ben Knox Miller, and The Haden Triplets (Tanya, Petra and Rachel Haden). The album was nominated for a Grammy Award for Best Recording Package in the 53rd Annual Grammy Awards. // Between 2006 and 2007, Mitchell staged performances of Hadestown, a musical based on the Greek myth of Orpheus and Eurydice. Unsure what lay ahead for the stage musical, she decided to turn it into a concept album. Raising a few thousand dollars by emailing her fan base and asking them to pitch in for shirts and other merchandise, Mitchell worked on the album for over a year. // The album features orchestral arrangements by Michael Chorney, who had worked with Mitchell’s recordings since her album Hymns for the Exiled in 2004. //Within the narrative of the album, the part of Orpheus is played by Vernon; Persephone by DiFranco; Hades by Greg Brown; The Fates by Tanya, Petra and Rachel Haden; Hermes by Ben Knox Miller; and Eurydice by Mitchell. While most of the recording was produced by Todd Sickafoose at Brooklyn Recording Studio in New York City, the lead vocals were often produced elsewhere in the United States. The album encompasses a variety of American roots music forms, including folk, indie folk, country, blues, ragtime, gospel, rock, swing, and avant-garde. // Anaïs Mitchell was born March 26, 1981. She is an American singer-songwriter, musician, and playwright. Mitchell has released eight studio albums, including Hadestown (2010), Young Man in America (2012), Child Ballads (2013), and Anaïs Mitchell (2022). // She developed her album Hadestown into a stage musical (together with director Rachel Chavkin), which received its US debut at New York Theatre Workshop in summer 2016, and its Canadian debut at the Citadel Theatre, Edmonton the following year. The show opened at London’s National Theatre in November 2018 and then on Broadway on April 17, 2019, at the Walter Kerr Theatre. The Broadway production of Hadestown won eight Tony Awards in 2019 including the Tony Award for Best Musical. Mitchell received the Tony Award for Best Original Score; she was also nominated for Best Book of a Musical. The Broadway cast album of the show took home the Grammy Award for Best Musical Theater Album in 2020. Mitchell’s first book, Working on a Song: The Lyrics of Hadestown, was published by Plume Books on October 6, 2020. Mitchell was included in Time’s 100 Most Influential People of 2020. // Mitchell is a member of the band Bonny Light Horseman, whose self-titled debut was released in 2020. The band’s second album, “Golden Rolling Holy”, was released in 2022, followed by “Keep Me on Your Mind/See You Free” in 2024. // Mitchell’s father, a novelist and college professor, named her after author Anaïs Nin. She grew up on Treleven farm in Addison County, Vermont and graduated from Mount Abraham Union High School. She was raised Quaker. Her mother was Deputy Secretary of Vermont’s Agency of Human Services. After traveling to the Middle East, Europe and Latin America as a child, she attended Middlebury College, where she majored in political science and graduated in 2004.]
[The Broadway National Tour of Hadestown plays The Lied Center, 1600 Stewart Drive, Lawrence Kansas, this Monday, April 14 at 7:30pm]
11:32 – Underwriting
11:33 – Interview with Kevin King & Zo E. Schmidt – Whim Productions
Kevin King is originally from Topeka, Kansas. He studied at The University of Kansas, In 2011 Kevin founded Whim Productions where he serves as Producing Artistic Director of Whim Productions. He is a queer playwright based in KCMO and is a playwright-in-residence at the Midwest Dramatists Center, former playwright-in-residence in the Charlotte Street FoundationStudio Residency program, and a member of the Dramatists Guild. His short play The Swallows was selected for the 2019 William Inge Theater Festival New Play Lab.
King’s work has also appeared in the Kansas City Fringe Festival, Alphabet Soup: Theater from Queer Voices (Whim Productions, 2015, 2016, 2018, 2019,2020), The Barn Players’ 6×10 Short Play festival (2018, 2019), Midwest Dramatists Conference (2018, 2019), One-Minute Play Festival (2016), Fishtank Theater’s 12 Plays of Christmas (2014), and other festivals. His work ranges from campy to slice-of-life realism, portrayed through a quirky, queer lens. Kevin also works as an intimacy coach.
Kevin King joins us to share details about Whim Production’s annual flagship event, Alphabet Soup: Theater from Queer Voices an evening of six short plays written by Kansas City-area LGBTQ writers. Running through April 13, 2025, at Whim Space, 415 Prospect Ave, KCMO, in historic Pendleton Heights. For info visit: http://www.whimproductions.org.
Kevin King and Zo E. Schmidt welcome to Wednesday MidDay Medley
Whim Productions’ Alphabet Soup: Theater from Queer Voices returns to Whim Space from April 4-13. Alphabet Soup, Whim’s annual flagship production, is an evening of six short plays written by Kansas City-area LGBTQ writers.
Alphabet Soup debuted in 2015 as part of the Kansas City Fringe Festival and now returns for its ninth iteration.
“We’re so excited to bring back Alphabet Soup for a 9th year!” said Kevin King, Whim’s producing artistic director. “The six plays we’re presenting are a great mix of over-the-top narratives and very grounded drama. We can’t wait to share these with audiences!”
The selected playwrights participate in private workshops facilitated by Kevin King, Whim’s Producing Artistic Director. This allows the plays to develop and builds a community among the writers. The workshops have given production opportunities to people who had never had a production before. In fact, some of the selected playwrights had never written a play prior to being involved in Soup.
This year’s short plays are:
The High Who Spied Me by John Adams (he/him): A top-secret agent is sent to America to retrieve a stolen nuclear missile — but finds something even more explosive.
Pride and Precipice by Camilo Fontecilla (he/him): A mountain hike tests all the limits of Willow and Bree’s relationship.
Futureproof by Courtney Honors (they/her): Only hours after meeting, two women — one a serial monogamist and the other a doomsday prepper — rush into a relationship and try to make it work despite the looming threat of an armageddon.
The Space Where We Met by Kevin King (he/him): On the eve of their 10-year high school reunion, Charlie and Melissa have surprising realizations about each other. Turns out, ten years can change everything, including what you think you know.
Oversteeped Tea by B. Michael McFarland (he/him): What are the consequences of our actions? An estranged brother and sister find out over afternoon tea.
All the Stars in Cygnus by Zo E. Schmidt (they/them): Love and mortality collide in this poignant farewell as Val grapples with Kitty’s refusal to embrace eternity.
All plays are presented at every performance.
Alphabet Soup isn’t just a presentation of plays. Built into it is a script development process that builds the skills of the participating playwrights and strengthens the selected plays. King said that the workshops have paid dividends, both for Whim and the playwrights. Several plays that were developed in Alphabet Soup have been presented across the country. This summer, Kevin King & John Adams will present plays developed by Alphabet Soup at the Valdez Theatre Conference. David Whitner’s play “Tickle Monster, ” from the 2024 festival, will be published by Smith & Kraus in an anthology.
Doors open 30 min. before show. There is no admission 10 minutes after show starts.
Whim Productions is dedicated to creating challenging and evocative queer theater. Our mission is to produce works written by LGBTQ+ writers with narratives that center queer characters. We are committed to sharing the diversity of queer lives with Kansas City audiences and providing a platform for LGBTQ+ theater artists to tell their own stories. Queer Theater. Whimsical Edge.
Producing Artistic Director 𝗞𝗲𝘃𝗶𝗻 𝗞𝗶𝗻𝗴 founded Whim Productions in 2011 and has directed, written, & choreographed intimacy in many of our productions. He’s currently tackling the sound design and intimacy choreography for the world premiere of Kissing in the Grocery Store! Kevin’s passion for creating safe, evocative, and inclusive theatre shines in this production.
Kevin King and Zo E. Schmidt thank you for being with us on Wednesday MidDay Medley
Whim Production’s annual flagship event, Alphabet Soup: Theater from Queer Voices an evening of six short plays written by Kansas City-area LGBTQ writers. Running through April 13, 2025, at Whim Space, 415 Prospect Ave, KCMO, in historic Pendleton Heights. For info visit: http://www.whimproductions.org.
For WMM, I’m Mark Manning. Thanks for listening!
11:53
Jamogi – “DO IT TO ME” from: “DO IT TO ME” – Single / Jam Tunes / March 28, 2025 [Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire.]
[Jamogi and The Jammers play The Ship 1221 Union Ave. KCMO in the West Bottoms on Friday, April 11, at 8:00pm for the Flew The Coop Sessions Fundraiser.]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
NEXT WEEK, on April 16 – Jaclyn Danger shares details about The Love Note April 18 at Strand Theatre on Troost. AND Zach Phillips returns w/ LIVE music from Lone Stranger.
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, March 26, 2025
WMM presents: Stephonne + Danielle Ate The Sandwich + The Fur and The Fang
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
Debbie Friday – “1/17” from: “1/17′ / Sub Pop Records / March 20, 2025 [Debby Friday is sharing “1/17”, an anthemic and salacious new dance pop single for 2025, available now worldwide from Sub Pop and in Canada from Royal Mountain Records. // Written and produced during a whirlwind European tour, “1/17” marks an exciting evolution for Debby Friday as she unveils a softer, more playful side of her artistry. Featuring hypnotic vocals and cheeky lyrics with nods to ancient Greece and nude selfies, the track exudes charm and lightness. With threads of experimental dance-pop woven seamlessly throughout, “1/17” is a refreshing addition to Debby Friday’s sonic world and a promising kickoff to her new era. // “1/17” was produced by Friday and Darcy Baylis, mixed by Alex Gamble, with assistance by Taylor Finnigan, and mastered by Levi Seitz. // Its soaring and singular shot official video is directed by Friday and frequent collaborator Kevan Funk (“WHAT A MAN,” “SO HARD TO TELL”), and filmed at Toronto’s historic Massey Hall. // Friday says of the visual, “It’s based on an amalgamation of two experiences that I had. The first was when I won the Polaris Prize at Massey Hall, which felt like a peak moment in my career. The second was when, nine months later, I played a festival show to absolutely no one in the audience. I’ve spent the past year detaching myself from the highs and lows of this business and trying to see everything as a sign. Of what? I don’t know. But I’m sure in the end, it’ll all mean something.”]
Billie Marten – “Feeling” from: Dog Eared / Fiction Records / July 18, 2025 [New Single from Billie Marten’s 5th LP DOG EARED. Dog Eared is a warm, rich and textured record that bristles with confidence and self-belief, with Billie already approaching the prolificacy of a “lifer” with so much life left to live. It’s a left turn from her previous recordings, albeit a subtle one, taken with a deftness of touch. A musician embracing change, while staying true to her core self. There’s a certain strength of conviction here that finds its voice more prominently in the extensive pool of her acclaimed American contemporaries, of which she now surely stands shoulder to shoulder with. With Dog Eared, Billie calmly posits herself at the top of the tree of not just British contemporary folk artists, but with British songwriters at large. // Of the record’s opening number, “Feeling”, Billie explains: “I’ve discovered that I have a really particular long-term memory: I have specific sensory recollections from when I was two onwards, that I can recall easily now. One of these is marking out roads in my grandmother’s patterned carpet, for my Dad’s old 1950/60s toy cars to drive on. I used to trace patterns in everything: fabric seats at the dentist, carpets, wallpaper and walls, raindrops on car windows. Everything had a pattern to be noticed.” // “Another strong memory is the feeling of big, warm hands when you’re a child and how comforting and safe that feels. The notion of age being so far away from you, but you know it’s a future inevitability, and that you’re on your way there. The inarticulateness of that ‘feeling’ you can’t describe yet, but you’re aware of a push in the world that you don’t yet understand.” ”Feeling” is really set alight by Núria Graham’s guitar part, the one you hear from the outset. It sparks the album info life and really sets a benchmark in terms of rhythm. This is an album of rhythmic focus.”]
Yukimi – “Peace Reign (Radio Edit)” from: For You / Ninja Tune / March 28, 2025 [Debut Solo Album from Yukimi, the celebrated vocalist and co-founder of Grammy-nominated band Little Dragon, shares her new single “Peace Reign.” A hopeful song about believing and striving for a peaceful world, the song starts with a sweet message from Yukimi’s son, “you have to believe it for it to come true, it’s right in front of you.” This is the latest offering from her debut album For You due March 28th via Ninja Tune. “Peace Reign is about not giving up on the dream that this world can be a peaceful place. Believing in hope and a brighter future for the generations to come,” says Yukimi. Her debut solo album sees her step away from a band formation to create some of her most beautiful and intimate work to date: both intensely personal and brilliantly relatable. On For You, Yukimi elegantly entwines musical styles from jazz, soul and electronic pop to hip hop, roots and psychedelia, but the themes of her solo songs dig deeper than ever, across love, loss, feminine energy and innate resilience. // For You will include previously released singles “Stream of Consciousness” featuring British singer-songwriter Lianne La Havas. The collaboration marks Yukimi’s first time writing and creating music with another woman, which allowed her to fully delve into her feminine energy; “Sad Makeup,” which was written “about those days when you try to push down and control a sad feeling” says Yukimi; “Winter Is Not Dead,” inspired by those long, dark winters in Scandinavia; and the self-empowering debut single “Break Me Down” which was also in collaboration with Lianne La Havas and Little Dragon bandmate and long-time friend Erik Bodin.//Reflecting on For You, Yukimi shares: “I want this music to really be a force to connect people to each other, and step away from the madness of everything on the planet right now. And I’m excited about embarking on that journey on my own – the expression really feels pure.” // To celebrate the album’s release, Yukimi will embark on a full North American tour beginning in April, making stops in major cities including New York, Toronto, Chicago, Portland, San Francisco, and Los Angeles. Full tour details and ticket information can be found at https://yukimi-music.com/. // Renowned for her distinct and graceful voice, Yukimi has captivated audiences since co-founding Little Dragon in 1996. With the band, she has performed on some of the world’s biggest stages, from Coachella and Glastonbury to NPR’s Tiny Desk—while collaborating with an impressive roster of artists, including Mac Miller, Kali Uchis, Gorillaz, JID, KAYTRANADA, Flume, and De La Soul. Her ability to transcend genres and craft deeply moving music has cemented her status as one of the most compelling voices in contemporary music.]
The Faint – “Desperate Guys” from: Wet from Birth / Saddle Creek / September 14, 2004. [Wet from Birth is the fourth studio album by The Faint, formed in Omaha, Nebraska, the band consists of Todd Fink, Graham Ulicny, Dapose and Clark Baechle. The Faint was originally known as Norman Bailer and included Conor Oberst (of Bright Eyes, with whom The Faint toured in 2005). He quit shortly after the band was formed, though the Faint continued to share a spot with Bright Eyes on Saddle Creek Records. // The band originally consisted of Clark Baechle, Todd Fink (formerly Todd Baechle), and Joel Petersen. Growing up, Fink, Petersen, and Baechle skateboarded in their free time, until Fink developed knee problems, which shifted their hobbies towards making music. They signed to Saddle Creek Records and released a few singles, but were unable to establish widespread sales. After adding Matt Bowen, the Faint released Media. At the end of 1998, Jacob Thiele joined the band, and shortly thereafter, Matt Bowen was replaced by Ethan Jones. They toured the U.S., playing what would become the songs that would comprise the next album, Blank-Wave Arcade, which had a more dance and techno-influenced sound and was an underground hit. Before recording the album, however, Jones left the band and was replaced on bass guitar by Joel Petersen, who played both bass and guitar on the album. Partway through the creation of Danse Macabre, the Faint added Dapose, a death metal guitarist formerly of LEAD. Their next album, recorded with Mike Mogis and released in 2004, was called Wet from Birth. Conor Oberst claimed in an August 2020 interview with Pitchfork Magazine that The Faint were offered a major label record deal, but turned it down out of loyalty and commitment to Saddle Creek, which at the time was still a collaborative project between members of The Faint, Cursive and Bright Eyes. // In May 2008, the Faint announced that they had split from Saddle Creek, and that their fifth studio album would be self-released under their own label, blank.wav. The album, entitled Fasciinatiion, was released on August 5, 2008, in the U.S. The first single from the album was “The Geeks Were Right”, which was released on Boys Noize Records. It was also announced that the band would tour North America with British electronic group Ladytron during the spring. // Since the release of Fasciinatiion, two of the band members, Clark Baechle and Todd Fink have been quietly, with little advertising, performing under the name Depressed Buttons, playing remixes of other artists, and DJing for various small clubs and venues. // The band performed an original song “Teach Me Teacher” on the children’s show Yo Gabba Gabba! in the third-season episode “School”, which originally aired September 19, 2010. // On October 30, 2012, Saddle Creek Records released a deluxe edition of Danse Macabre with the original album remastered, bonus and unreleased tracks, and a DVD of archival footage, live projections from that era’s tour dates, and live footage. The band announced that it would play Danse Macabre in its entirety along with fan favorites during a tour of 24 cities across North America. // In 2016, Graham Ulicny (of Reptar) replaced Jacob Thiele on keyboards. Thiele died on February 13, 2020.]
[The Faint play The Warehouse on Broadway, 3951 Broadway Boulevard, KCMO on Friday, March 28 at 8:00pm with special guests Plack Blague]
Honeybee – “i wish i knew you then” from: “i wish i knew you then” – Single / Honeybee / March 28, 2025 [New honeybee single from their upcoming EP “midtown girl”, to be released on June 6, 2025. // The track was written by the songwriter and lead singer, Makayla Scott, who wrote to us, “i wish i knew you then is inspired by all the stories Al (honeybee bass player and Mak’s partner) has told me about their life prior to us getting to know each other. Sometimes when we are reminiscing and giggling about the past, I get hit with a big wave of fomo – sad i’ve missed out on so much. but they always say that the timing of our relationship is perfect and that they’re glad we met when we did. Still, I would have LOVED to hang with kid AL and play horses or dogs or any of the 2000s era Madden games!” // Honeybee released their EP Saturn Return on March 29, 2024 part of WMM’s 120 Best recordings of 2024. // Honeybee started as the solo project of Singer/Songwriter Makayla Scott and now include 3 or 4 of her friends umping in… Honeybee released the songle “I Know What Love is” on January 27, 2023. Makayla Scott also played with the band Blue False Indigo Makayla Scott studied music at Drury University graduating in 2017. Honeybee played Manor Fest 6 at 6:30 PM at Arizona Trading CO. 1722 Oak Street KCMO with The Highwater, and Jass.]
David Luther – “Wrecking Bay” from: “Wrecking Bay”- Single / David Luther / March 28, 2025 [David Luther released the first single “Smile About Something” on January 21, 2025. David Luther released the 2d single, “If Love Just Ain’t Enough (feat. Garrison Starr) on February 28, 2025. all singles off of David’s upcoming album EWHO YOU ARE expected April 25, 2025. // David Luther Broxterman recorded his first self-titled EP in 2009 with Nashville producer Neilson Hubbard. The EP featured backing vocals from Americana artist Garrison Starr. This experience was the catalyst that would send him on his path to a music career, gigging part-time to begin with while working full-time as a social worker. // In 2020, during the heart of COVID-19, David knew it was time to embrace becoming a full-time musician.. Stepping away from social work and side jobs, especially as a single father of two boys, was a faith move then. During this time, David collaborated with David George and Pat Tomek on his EP Take Me Home, which was released in 2022. The EP included the anthem Home To Kansas City and World’s Gonna Change, a song co-written by David, Brandon Mashburn, and Academy Award and Golden Globe-winning songwriter Tom Whitlock. George and Tomek’s dedication and artistry to the project, along with the exceptional musicians and singers, inspired David. Shortly after, David worked with his sister Anna Taylor and producer Brandon Mashburn on the single I Will, released in 2023, a song to draw attention to things that unite rather than divide us. // In July 2024, David again joined Neilson Hubbard, studio musician Juan Solórzano, and engineer Dylan Alldridge in their East Nashville studio to record a new full-length Americana album. The album, Who You Are, features partner Kelly Dougherty on several songs and Garrison Starr on If Love Just Ain’t Enough. The songs on the LP are a journey of David’s songwriting, many coming from painful places in the past and leading up to the last song he finished the night before the last days of recording, the title track. // David is grateful for the people in his family and community who have come alongside him, often carrying him and sometimes dragging or chasing him down his path. He says he can’t imagine how he’d still be doing this without their ongoing help and encouragement, especially that of his partner and manager, Kelly Dougherty. “I had no idea what I was getting myself into, but there’s no going back.”]
Krystle Warren & The Faculty – “Truly Great Thing” from: Extended Play / Parlour Door Music / November 1, 2024 [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations // // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs were recorded with everyone in the same room (Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up Extended Play are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play, they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]
10:29 – Underwriting
10:31 – Interview with Stephonne
Stephonne is in the house. Joining us today to debut his new single “It’s Gonna Be Alright.” Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. More info at: http://www.stephonne.com
Stephonne Thanks for being with us on Wednesday MidDay Medley
Welcome back to the show. We are nearly three months into the year and Stephonne has already produced another epic tribute show, this time to Mary J. Blige at the Fifth Floor in the historic West Bottoms. Stephonne was also one of the featured artists at the Rock is Black concert at the Zhou B Art Center in the heart of the 18th & Vine Arts & Cultural District.
Both of these events were very important to Stephonne as a performer, but also in the community building work that Stephonne does.
Stephonne is a multifaceted performer, actor, drag performer, singer-songwriter, model. Stephonne has been a big part of the Wednesday MidDay Medley, as one of our most frequent guests, and someone we call on when we’re celebrating anniversary shows. We have loved watching Stephonne’s journey as a musical performer. This has been a journey of discovery of self.
Part of Stephonne’s most recent work is being on the board of Kansas City Folk Festival.
KC Folk Fest Fundraisers: Pickball – Saturday, April 19, at 10:00am, in Gillham Park, sign up by April 11, 2025 FolkyOkie Karaoke, April 23 , at 7:00p at The Ship 1221 Union, KCMO West Bottoms Rural Grit Happy Hour, Monday, May 5, at 6:00pm at The Brick, 727 McGee, KCMO
Kansas City Folk Festival is Saturday May 17, 12:00pm to 8:00pm with Sunny War, Nokisee Fields, Jamogi and The Jammers, Stranded in The City, Rural Grit Happy Hour, Dalima Kapten, Gracie Caggiano, Wim Frederick, Pheenix Leeor, Mitxi Mckee, KC Queertet, No Divide KC Spotlight, KC Fringe Showcase, KC Young Audiences, Heartland Song Network, Poetry, Craft Market, Food Trucks, and more, More infoat: http://www.kcfolkfest.org
Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show
10:40
Stephonne – “1 Think It’s Gonna Be Alright” from: “1 Think It’s Gonna Be Alright” – Single / Stephonne / March 28, 2025 [Co written by Stephonne Singleton with Shawn M Stewart.]
10:43 – More Interview with Stephonne
Stephonne is in the house. Joining us today to debuts his brand new single “It’s Gonna Be Alright.”
Stephonne Thanks for being with us on Wednesday MidDay Medley
Along with your work with KC Folk Fest, you have also worked with Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show.
Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows.
Each Charlotte Street Generative Performing Artist Award receives an unrestricted cash grant of $10,000, recognition by Charlotte Street at the time of the award announcement and throughout 2023. The 2023 Charlotte Street Generative Performing Artist Awards recognize two exceptional artists in the fields of dance, theatre, music, opera, sound art, performance art, multimedia performance, spoken word, puppetry or hybrid performance-based forms. Along with Stephonne Singleton and Tiara Nicole was the other recipients of the 2023 Generative Performing Artist Awards. Since 1997, 29 performing artists and 106 visual artists in the Kansas City region have received this highly regarded award.
All of the 2023 Charlotte Street Award Fellows were selected through competitive processes beginning with open calls for applications from artists based in the five-county Kansas City Metro Area. Artist selections were made by a panel of jurors consisting of renowned and qualified arts professionals. Jurors participated in interviews, presentations, and studio visits, resulting in the selection of 10 finalists for the Generative Performing Artists Awards and 12 finalists for the Visual Artist Awards.
Stephonne’s Statement:
“As a generative performance artist and musician, my music is a result of radical and unconditional love that I have for my life and human connection. That love persists, despite living in a world that relishes my artistic contributions but not the color of my skin nor my queerness. It is within this relentless predicament that I find myself, my melodies, and my lyrics. I share my struggles, triumphs, and journey to self-love through performance. I create music and live experiences that break through the boxes of race, gender, social status and genre so that others may see their reflection in my art. All of my musical influences come together to create something inimitable but familiar. Music has always understood me and It is through music that I continue to define and understand myself. I want my audience to feel accepted and understood by my art, to feel seen – and then to better understand themselves and those around them.”
Stephonne Thanks for being with us on Wednesday MidDay Medley More info at: http://www.stephonne.com
10:53
Stephonne – “1” from: “1” – Single / Stephonne / August 21, 2024 [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Trombone – Trevor Turla. Recorded, mixed and mastered at Westend Recording Studios, Kansas City. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist – Stephonne Singleton keeps very busy, organizing Tribute Shows, working as a Resident Artist at Charlottee Street studios, playing Music Festivals, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, The Black Box, The Folly Theatre, collaborating with The Black Creatures, Calvin Arsenia, Miki P, Jass, Eboni Fondren, putting out EPs, and singles. Stephonne released his EP SIS: Side B on June 24, 2022 it was in the TOP TEN of WMM’s 120 Best Recordings of 2022. Stephonne was a featured performer at the 23rd Annual West 18th Street Fashion Show on Friday, June 2, 2023, and also in the 24th annual West 18th Street Fashion Show.]
Julien Baker & TORRES – “Sugar in the Tank” from: “Sugar in the Tank”- Single / Matador Records / December 13, 2024 [This was the first single from Julien Baker and TORRES upcoming 12-track album SEND A PRAYER MY WAY to be released April 18, 2025. // After playing “Sugar in the Tank” on The Tonight Show Starring Jimmy Fallon, Julien Baker & TORRES closed out 2024 with the release of their critically acclaimed debut single “Sugar in the Tank” via Matador Records. Since then, they have also shared the official video for the track which was shot in collaboration with the queer country dance party Stud Country. // Formed by their shared experiences of growing up queer in the south, “Sugar in the Tank,” which is now #3 greatest gainer, and #30* at AAA, not only reflects Julien Baker & TORRES’ love of country music, but joyfully reclaims the genre’s traditions and iconography which until only recently felt exclusionary. The single is a beautiful duet that is authentically country as it is a celebration of the songwriter’s roots. // “Sugar in the Tank,” is a stunning duet—a heartfelt celebration of identity and belonging, steeped in the timeless essence of country music. // “Straightforward country — guitar strumming, banjo picking, pedal steel guitar — perfectly suits the all-out declarations of love in “Sugar in the Tank.” -The New York Times // “the pair’s voices fit together like puzzle pieces, making ‘Sugar in the Tank’ a must-listen for any country music fan out there.” Billboard]
11:00 – Station ID
Danielle Ate the Sandwich – “Fumbling” from: Fumbling / Danielle Ate The Sandwich / March 21, 2025 [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
[Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini. Info at: http://www.greenwoodsocialhall.com]
11:04 – Interview with Danielle Anderson
Danielle Anderson performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle Anderson jois us to talk about her new album FUMBLING from Danielle Ate The Sandwich, released March 21, 2025. Danielle has released over 300 YouTube videos, conducts an annual community songwriting project called the 24 Hour Album, and has released 8 full length albums of original music. She has opened for Mumford and Sons, Jake Shimabukuro, and had the opportunity to write the soundtrack to the Emmy nominated HBO documentary, “Packed in a Trunk: The Lost Art of Edith Lake Wilkinson.” In 2023, Danielle was awarded a 2-year studio residency at the Charlotte Street Foundation, and was the recipient of an Inspiration Grant from ArtsKC in 2024. Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO. Info at: http://www.greenwoodsocialhall.com
Danielle Anderson, thank you for being with us on WMM.
We just heard the title track from Danielle’s 8th full length album Fumbling.
Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews.
Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell.
Danielle Ate The Sandwich’s 8th album received an Inspiration Grant from ArtsKC.
11:12
Danielle Ate the Sandwich – “It’s Not Jupiter” from: Fumbling / Danielle Ate The Sandwich / March 21, 2025 [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
[Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini.. Info at: http://www.greenwoodsocialhall.com]
11:16 – More Interview with Danielle Anderson
Danielle Anderson performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle Anderson jois us to talk about her new album FUMBLING from Danielle Ate The Sandwich, released March 21, 2025. Danielle has released over 300 YouTube videos, conducts an annual community songwriting project called the 24 Hour Album, and has released 8 full length albums of original music. She has opened for Mumford and Sons, Jake Shimabukuro, and had the opportunity to write the soundtrack to the Emmy nominated HBO documentary, “Packed in a Trunk: The Lost Art of Edith Lake Wilkinson.” In 2023, Danielle was awarded a 2-year studio residency at the Charlotte Street Foundation, and was the recipient of an Inspiration Grant from ArtsKC in 2024. Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO. Info at: http://www.greenwoodsocialhall.com
Danielle Anderson, thank you for being with us on WMM.
We just heard another track from Danielle’s 8th full length album Fumbling.
Danielle had the honor of working with IX Film Productions to create a new music video for the title track of the new album, Fumbling. The result is a beautiful one shot video that takes Danielle through the chaos of life, growing up, making choices, and fumbling through it all.
The video was filmed in Kansas City, MO, by Patrick Poe & Lolo Loren, with production design by Amber Joy. The video features lots of amazing local talent!
Starring: Ellie DeShon – Mom Thomas Smith – Dad Amber Joy – Sister Jerry Mañan – Friend/Groom Tiffany Michelle – Friend Stephanie Stevens – Friend Forest Kinsey – Priest/Partygoer Gideon Madison – Partygoer Ace Lovelace – Partygoer Lily Gojcevic – Partygoer Mykah Mleek – Partygoer Mason Vietti – Partygoer Liam Chewning – First AC Isabelle Torri – Hair & Makeup Bob Colladay – Car
Danielle on Fumbling Tour Dates around the US!
FUMBLING TOUR DATES March 29th | Kansas City, MO April 12th | Warrensburg, MO May 31st | Lawrence, KS May 10th | Denver, CO June 12th | Littleton, CO June 15th | Fort Collins, CO
WEST COAST FUMBLING TOUR September 11th | Reno, NV September 12th | Roseville, CA September 13th | North Bay, CA September 14th | Sunnyvale, CA September 20th | Los Angeles, CA September 22nd | Sun City, AZ September 23rd | Phoenix, CA
Last summer at the KC Fringe Festival, Danielle presented THE GREATEST GARAGE SALE EVER a one woman comedy cabaret featuring original characters and songs by Danielle Anderson with five performances July 20 thru Sat., July 27 The Bird Comedy Theater, 103 West 19th, KCMO.
On February 23, 2024, Danielle Ate The Sandwich released the single, “Turtle by Jer” – Written by Jerry “Jer” Slougherman and Danielle Anderson. Performed by Jer. Mixed by David Bashford
On January 14, 2024 Danielle Ate The Sandwich released the 6-track release, “2024 (The 24 Hour Album)”.
On February 20, 2022 Danielle Ate The Sandwich released the 7-track release, “Continued Curfew (24 Hour Album 2022)”.
Danielle Ate The Sandwich released the 7-song album, 24 HOUR ALBUM (2021), on April 25, 2021. The 7 songs on this album were written and recorded in 24 hours on April 24th-25th, 2021, during Danielle Ate the Sandwich’s 6th annual 24 Hour Album.
On May 28, 2021 Danielle Ate the Sandwich released, It’s Not a Burden (Original Songs from the Documentary Film) on Youngest Daughter Records. It’s Not A Burden is a powerful and brilliant film about the joys and pain of raising elderly parents. The songs are produced by Joanna Katcher.
Danielle Ate The Sandwich released the single, “A Weight, A Wall” on June 1, 2021. Danielle Ate The Sandwich released the single, “Goodbye to You” on August 22, 2021. Danielle Anderson, thank you for being with us on WMM.
11:25
Danielle Ate the Sandwich – “Not Easy To Do” from: Fumbling / Danielle Ate The Sandwich / March 21, 2025 [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
[Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini.. Info at: http://www.greenwoodsocialhall.com]
11:28 – Underwriting
The Fur and the Fang – “Mr Lorry” from: EP 4 /The Fur and the Fang / December 17, 2024 [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]
[The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]
11:33 – Interview with Zach Hodson, Valerie Schurman and Joe Frogge
Joining us in our 90.1 FM Studios is KC music veteran Zach Hodson, formally of the critically acclaimed Dolls On Fire. Zach’s new band is The Fur and The Fang where Zach on sings, plays guitars, keys & percussion; also joining us in the conversation is: Valerie Schurman who sings, plays kazoo & percussion; and Joe Frogge who sings and plays ukulele. Seann McAnally on vocals & bass is also in the band. The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.” The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. More info at: http://www.thefurandthefang.bandcamp.com
The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com
Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM
The Fur and The Fang is: Zach Hodson on sings, plays guitars, keys & percussion; Valerie Schurman who sings, plays kazoo & percussion; Joe Frogge who sings and plays ukulele. Seann McAnally on vocals & bass is also in the band.
The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.”
The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson.
11:41
The Fur and the Fang – “Bad Gospel” from: EP 4 /The Fur and the Fang / December 17, 2024 [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]
[The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]
11:44 – More Interview with Zach Hodson, Valerie Schurman and Joe Frogge
Joining us in our 90.1 FM Studios is KC music veteran Zach Hodson, formally of the critically acclaimed Dolls On Fire. Zach’s new band is The Fur and The Fang where Zach on sings, plays guitars, keys & percussion; also joining us in the conversation is: Valerie Schurman who sings, plays kazoo & percussion; and Joe Frogge who sings and plays ukulele. Seann McAnally on vocals & bass is also in the band. The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.” The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson.
The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com
Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM
The Fur and the Fang Discography The Fur and the Fang released the 4-track EP, EP3 on December 17, 2024 The Fur and the Fang released the 5-track EP, EP3 on July 23, 2024 The Fur and the Fang released the 4-track EP, EP2 on August 25, 2023 The Fur and the Fang released the 4-track EP, EP1 on February 28, 2023 The Fur and the Fang released the 6-track EP, A Furry Fangy Holiday 2023 Dec 20, 2023
The Fur and the Fang released the single, “The Horrors We Don’t Know” on Oct 31, 2023.
Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM
The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com
11:54
The Fur and the Fang – “I Could Never Tell A Lie” from: EP 4 /The Fur and the Fang / December 17, 2024 [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]
[The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
NEXT WEEK, on April 2 – Fallestine “Fally” Afani of I Heart Local Music and the Lawrence Music Alliance joins us as Guest Producer for SPOTLIGHT ON PALESTINIAN ARTISTS a special presentation for Arab American Heritage Month featuring music from Saint Levant, Elyanna, DAM, and More!
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org