WMM PLAYLIST from December 3, 2025

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 3, 2025

Michelle Bacon’s Favorite Releases of 2025 +
Wednesday MidDay Medley’s Favorite 15 Singles of 2025

10:00 – Top 15 of WMM’s Favorite 50 Singles of 2025.

In our first hour we count down WMM’s Favorite 15 Singles of 2025. In 2025 there were over 1675 local releases in Albums, EPs, & Singles…that we know of. Every week we have culled from these releases to bring you our show that features New & MidCoastal Release. Artists that live here in the MidCoastal area. 2025 was a year loaded with over hundreds of single releases. The tracks we are featuring today are WMM’s Top 15 of our 50 Favorite Singles of 2025. Our complete list can be found at http://www.wednesdaymiddaymedley.org

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]
  1. (#15.) Marmoppes – “4×10 = 75″
    from: “4×10 = 75” – single / Big Nip Records / June 25, 2025
    [The band premiered this single when they played live on our show on June 25, 2025. Since the Spring of 2024 Marmoppes have released six new singles. “Lightbulb” on October 1, 2025 / “4×10” = 75 – June 25, 2025 / “Nos” – March 23, 2025 (Big Nip Records) / “Gyatt Time” – Sept. 20, 2024 / “Yr Chemical” – April 28, 2024 / “Butterfly” – March 17, 2024 / “Cerulean Blue Truffle Pig” – September 5, 2023. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. // Simon Huntley is a British-American musician, percussionist, producer, composer and visual artist combining classical sentiments with new world rebellion. Growing up in France then relocating in 2011, Simon now divides his time between the United States and France, investigating and collaborating with the world’s best talent including: QUIXOTIC, A$AP Rocky, Mireya Ramos, Tech9, Making Movies, Calvin Arsenia, Mike Dillon + Nikki Glaspie, Chipotle, Hilton Hotels, Qatar Airways, and many more. Preformed in venues such as: Red Rocks Amphitheater—Colorado / The MGM Grand—Las Vegas / Faena Hotel—Miami / T-Mobile Arena. // And events such as: Invision Festival—Costa Rica / Alaska World Arts Festival—Alaska / Fringe Festival—Edinburgh / Live At Heart—Sweden / Wanderlust—Canada + California // As well as festivals, PACs, Live TV and Radio. // J Ashley Miller is a recipient of the 2016 Charlotte Street Foundation Generative Performing Artist Award. He’s a self-taught musician & composer. For nearly 20 years he has worked as Composer / Producer/ Recording Engineer / Founder of The Infoaming Vertex in Kansas City, Missouri, a recording studio which he built in 2006. For the last 12 years he has produced, engineered and mixed nearly 100 full length albums and countless smaller projects for both local and international artists including Calvin Arsenia and SSION // With SSION he co-wrote and produced 2 full length albums. The videos were always a central focus for the project, and he fine tuned his ability to work with a director and bring about a coherent final product. // He founded the musical entities Metatone and Jametatone with multiple released from 2013 through 2022. // He once told an art writer that his training was “tens of thousands of hours on computers and playing in bands”, as well as a conductor, music director, producer, performance artist, filmmaker, and recording engineer (among other interests). “I got into all of this by shooting live music films and really tailoring compositions to our filming locations,” Miller said, citing site-specific performances at La Esquina, Oppenstein Park, and Turkey Creek. Filmed and recorded onsite, in one take (multi-camera, multi-track), the final product of these shows was the resulting film or album. // Miller founded the performance group Quadrigarum for site-specific projects and to showcase the chariot instruments he designed, using wheel-mounted guitar picks and an amplified single-stringed guitar on a wooden frame. Chariots are a core element of the Atemporchestra, an ensemble of eclectic instrumentation (including pan flutes, vibraphone, drums, horns, computers, and keyboards, for starters) that he originally put together from the TEDxKC show. // Alyssa Murray recently released her album ‘SCROLLIN’ in 2023. that called “a sonic kaleidoscope of synth-tastic beats and experimental delight. Written, performed, and produced by Alyssa Murray and mixed and mastered by Duane Trower at Weights and Measures Soundlab in Kansas City, MO. // Always feeling a strong pull towards songwriting, Alyssa studied piano, voice, and guitar in her teens deep diving into such influences as Fiona Apple and Stevie Wonder. Further pursuing her passion for jazz and improvisation, Alyssa moved to Kansas City to study jazz-piano at the UMKC Conservatory while immersing herself in the local music scene. Alyssa has a Bachelor of Music in Jazz Studies from the University of Missouri-Kansas City and has studied under the direction of Bobby Watson and Dan Thomas; as well as classical repertoire with Karen Kushner and Diane Petrella. // In addition to her solo performances, Alyssa Murray plays with Marmoppes. Alyssa Murray also plays in the trio, Easy Match with Claire Adams and Steve Gardels. // Ernest Melton is a saxophonist, composer, and band leader currently residing in Kansas City, Missouri by way of Goldsboro, North Carolina. He relocated to his mother’s hometown of Kansas City, Missouri at the age of ten where he picked up his first saxophone at Longfellow Academy of the Arts. Bored with the classical curriculum of the music department, Ernest studied more contemporary genres of music and the guitar until the age of fourteen when he joined his first jazz program through the American Jazz Museum of Kansas City. Playing mostly tenor sax by the age of fourteen, Ernest joined Lincoln High School jazz band and many other musical programs around the Greater Kansas City area. Naturally excelling, Melton left school at the age of sixteen to study music on his own. With kind neighbors and a supportive mother, Ernest was free to practice the saxophone, study albums, and write compositions at any hour of the day. It was during this time he found his first major influences in jazz like Dexter Gordon, John Coltrane, Kenny Garrett, and Pharoah Sanders. Pharoah’s polyphony were like echoes of Melton’s father, a Primitive Baptist preacher, and became a large influence of his playing. An avid composer as well, Ernest studied with tutors in classical orchestration, big band arranging, and Afro-Cuban drumming. He cites Charles Mingus, Igor Stravinsky, and Wayne Shorter as his favorite all around composers and still tries to implement their techniques in his music today. After being accepted into Berklee College of Music he decided not to attend and began his career playing music in bands of every genre around the Greater Kansas City area. In 2018 Ernest release his first full length album entitled, “The Time Of The Slave Is Over”, which received raved reviews at home and abroad by media such as Plastic Sax, Quest TV, and JAZIZZ to name a few. Ernest Melton has played all over the country and plans to continue to travel abroad. // Ernest Melton released the single “Waves” on April 21, 2025. He released the single, “Sonnet for Sanity”on December 18, 2020 and the single, “Chronicles of Conception” on April 21, 2020, and “Narrative for Natives” on March 9, 2020. Ernest Melton released the album “The Standard Imperfections” on September 1, 2019. Ernest Melton is also featured on the BodaciousThang singles, “Drank!” on August 7, 2019 and “Say Hi” released Sept. 2, 2020 on Juicy Burrito Records. //More info at: https://linktr.ee/marmoppes%5D

3.(#14.) Jocelyn Nixon – “YOU AIN’T RIGHT! YOU MUST BE WRONG!”
from: “YOU AIN’T RIGHT! YOU MUST BE WRONG!”-Single / Supe Brill Records / May 2, 2025
[Jocelyn Olivia Nixon is lead singer of the band The Creepy Jungles. Jocelyn told Nick Spacek of The Pitch, “that the songs she presents to her bandmates in The Jingles’ songs are poppier stuff, typically, while solo songs are more folky, mellow, weird, and lyrical. Solo work also gives her the opportunity to work with others outside the group. As Nixon explains, “It’s basically a tongue-in-cheek song making fun of hard right conservatives and social cliques who think only their way is ‘right.’” She said, “I felt like I needed something where I can be a bit more vulnerable and naked, I suppose,” the musician says. “I think because Jingles do rock n roll pop songs well, I think I’m kinda boxed in as an artist and singer. This is my way of saying I have many sides to myself as an individual and as an artist, and I can forge my own path and defy expectations.” Jocelyn Nixon’s next single, “Real Deal,” is due later this summer . // The Creepy Jingles released a series of 4 new singles in 2024 including “When Things Go Wrong” on February 23, 2024. // The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. ]

  1. (#13.) LyMerrick – “Medicine”
    from: “Medicine” – Single / LyMerrick / October 3, 2025
    [LyMerrick is a solo artist and lead singer of Supermoto. LyMerrick released the singles: “Broadway” with Ikey Suave feat. TOP MEECH; Ephemeral”- EP on October 1, 2024; Singles: “Lost and Sedated” on March 26, 2024; “Runaway” on August 24, 2020; “Look at You (feat. Sleepwalker) on May 13, 2020; “Early Days” on March 7, 2020; “Reminiscing to the Future” on April 5, 2019; “Lay Me Down” on February 8, 2018; “Moves (feat. Latenitee)” on January 31, 2019; “First Thing (feat. Latenitee)”; “Queen” on December 15, 2018; “Baggage” on December 9, 2018; “Pipe Down” on September 5, 2018; “Not Another Love Song” on June 27, 2018; and “Not Good Enough” on May 17, 2018. // LyMerrick is also lead singer of Supermoto who released ther self titled debut album, Supermoto /through Manor Records on September 30, 2024. Hailing from Kansas City, this 5-piece group started meeting in the pre covid winter of 2020. April of 2021 they released their first two songs “Moonlight” & “Polarized” which led to a run of energetic & successful live performances – all the while building up many catchy originals drawing on their inspirations of jazz, funk, r&b, city pop and disco. ]
  1. (#12.) Run With It – “X2myY”
    from: “X2myY” – Single / Run With It / November 12, 2025
    [Miguel Antonio on lead vocals & guitar. Daniel Cole on drums, Paul Seiz on keyboards. Cody Ryan Stapleton on lead guitar, and Matt Muckenthaler on bass guitar // Run With It is on a new path dropping one new song a month and are fully self-producing as well. in October they released the single, “Darkest Days.” // In 2024 Run With It released their the singles: “Ghost Like You” on September 13, 2024; “Nightwatch” on August 21, 2024; and “It’s Not Over (feat. The Royal Chief) on April 10, 2024. // The band has always been known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. The band has toured extensively. Run With It are influenced by The Black Keys, Maroon 5, Bill Withers, and more. With backgrounds in gritty rock, groovy soul, stylish R&B. // Miguel Carabello was born June 11, 1980 originally from Junction City, Kansas, Married. Daniel Cole was born April 8, 1991 and graduated from Lee’s Summit West HS in 2009. Paul Seiz Paul graduated from Millikin University with a degree in Commercial Music and began his professional career as the Resident Music Director of Playhouse On The Square, a professional theater in Memphis, TN. Paul has been the regional entertainment director for Howl At The Moon for nearly eight years. And also plays with Songwheels and works as a DJ. Paul lives in Overland Park KS and has three kids. Cody Ryan Stapleton lives in KCK he has played with several bands including The Dear Misses. Matt Muckenthaler studied at Missouri Western State University and has played in several bands. // Run With it were last on WMM on February 12, 2025 and October 23, 2024, before that is was nearly eight years ago on March 22, 2017 when the band was aa three-piece with Miguel Caraballo on lead vocals & guitar, Daniel Cole on Drums, and Ben Byard on bass & vocals. promoting their EP How To Start A Fire release March 24, 201, recorded with producer Josh Gleave. // http://www.runwithitband.com]
  1. (#11.) Stephonne – “Worship at the Chappell”
    from: “Worship at the Chappell” – Single / Glory Blue Music / August 15, 2025
    [Co-written with Shawn M. Stewart and produced with Patrick Meagher, the song is a declaration of power, pleasure, and pride—a sonic celebration of being fully and freely oneself. “Worship at the Chappell” is a bold, genre-bending anthem from Kansas City artist Stephonne—an electrifying fusion of disco, pop, and gospel spirit. Inspired by fellow Missouri native Chappell Roan, the track transforms the dance floor into a sanctuary for queer joy, spiritual liberation, and unapologetic self-love. With soaring vocals, provocative lyrics, and infectious grooves, Stephonne delivers a soulful sermon for the marginalized. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. // Stephonne is an Alternative/Genrequeer singer-songwriter, cultural producer, and generative performing artist from Kansas City, MO. They synthesize music, written/spoken word, performance and visual art/media into an inimitable art. They share their struggles, triumphs, and journey to self-love through multidisciplinary performance and have sent audiences on visceral and experiential journeys through a multitude of music and video releases since 2015. Bold new 2025 singles and videos continue to push boundaries! New experiences, both sonic and visual, await us from the upcoming sophomore LP, STEPHONNE. // Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. Stephonne released the single “I” on August 21, 2024. Stephonne released the single “I think its Gonna Be Alright” I April 2025. Stephonne released the single, Forgive Me, Father (Sinead O’Connor) on May 21, 2025. // Stephonne was on WMMon Sept 10, 2025 before his run in RENT playing Angel for Music Theatre Heritage. More info at: http://www.stephonne.com]
  1. (#10.) Keo & Them – “Eyesore”
    from: “Eyesore” – Single / Midtopia / March 14, 2025
    [The new single marks a sonic departure from previous Keo & Them releases, something bandleader Keo notes is by design and a welcome change from previous material from the group. // Keo & Them released their single “Fire”on March 15, 2024. // Keo & Them released their 7-track album, THIS TIME AROUND on October 28, 2023. // When Neo-soul meets funk, meets R&B, meets pop, meets hip hop & even rock sometimes. Keo & Them released the single “Fool Me Once” on October 6, 2023 on Midtopia. Leo & Them released the three song single “Don’t Say” with “Be Still” and “Money Grooves (feat. Greg Spero)” on June 2, 2023 on Midtopia. And earlier “Money Grooves (feat. Greg Spero)” was release by itself on March 2, 2023. For Wichita-based, Texas-raised singer/songwriter Keo, making music is as much about the one creates and the songs one writes as it is about making deeper connections with the other people partaking in an artistic journey. From the unique flavors, perspectives, and performances they each contribute, Keo finds the “Them” that brings her project Keo & Them full circle. // First formed and conceptualized by Keo in 2018, the collective consists of Keo and a revolving door of musicians and collaborators, each of whose contributions would leave an indelible mark on the project’s ever-adapting sound that merges the worlds of 70’s pop and R&B with the moody glow of contemporary neo-soul and beyond. For Keo, the project’s sole constant member, the fluid line-up allowed her to become immersed and acquainted with a Wichita music scene she was completely new to and overwhelmed by. Through meeting, jamming, and performing with the Kansas town’s tight-knit and eclectic music scene in which Keo found something akin to a family. More info at: https://linktr.ee/keoandthem [Keo & Them played Outer Reaches Fest, on Sat, Oct. 14 at recordBar.]
  1. (#9.) They’re Theirs – “Midland Empire”
    from: “Midland Empire” – Single / Chase The Horseman / February 18, 2025
    [As a live band They’re Theirs consists of Chase Horseman on vocals and guitars, Sky Cowdry on bass and Ian Dobyns on drums. // “Midland Empire” was produced by They’re Theirs, engineered by Ian Dobyns, mixed by Ian Dobyns Chase Horseman and Sky Cowdry. Mastered by Justin Perkins/Mystery Room Mastering. Recorded at Element Recording. // Chase The Horseman released the single “Silver Liner” on October 25, 2024. Drums and additional engineering by Ian Dobyns, Additional vocals by Heidi Gluck. Mastered by Anthony Puglisi. Written, produced, performed and mixed by Chase Horseman at Element Recording. // Chase Horseman has composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, The Roseline, Nan Turner and more. Chase The Horseman film composer, band leader, multi-instrumentalist, audio engineer, & producer. // On April 2, 2024 Chase released the 22 track Original Sound Track for Headcount, a feature film from the Burghart Brothers, produced by Continuance Pictures, Method Media, and Shout Factory. Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” // In February 2020 Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. Chase played Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals all performed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos. // On May 1, 2020. // Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowley on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of the Chase Horseman single were be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. // Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018. // More info at: http://www.chasethehorseman.bandcamp.com.] [They’re Theirs played the Play Loud Fest Thurs, Sept. 25 for the Pre-Party on the recordBar Main Stage with Post Sex Nachos, and Malek Azrael & The Vibes at 1520 Grand Boulevard, KCMO.]

10:27 – Underwriting

  1. (#8.) Lava Dreams – “Thirsty”
    from: “Thirsty” – Single / Lava Dreams / September 12, 2025
    [Written by Lava Dreams and Spencer Hoad and produced by Spencer Hoad. Lava Dreams (she/they) is a queer, multidisciplinary artist, performer, and songwriter based in Kansas City, Missouri – who’s been writing music for as long as they can remember. / Flourishing dreamy vocals, vulnerable lyrics, and visceral rhythms- hooking listeners through catchy melodies and electric performances – Lava Dreams is quickly becoming a striking figure in the Alternative Pop scene. / Her 2020 project “GOOD ENERGY + FOCUS,” was praised by 909 The Bridge as one of the best EPs of that year. Since then, Lava has written and released a series of evolving singles – the latest of which is an alternative pop-rock anthem called YOUR WARRIOR. She directed and starred in the music video that accompanied its release. / Lava Dreams is dedicated to writing songs that lift the spirit and connect to the soul. Lava Dreams released the single, “Thrill Ride” on July 1, 2022. Lava Dreams released the single “Driver” on May 24, 2024. Lava Dreams released the single “Your Warrior” on August 9, 2024. You can listen to Lava Dreams everywhere you stream music. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Lava Dreams (Julia Hamilton) is also a film maker who received her Bachelor’s of Arts degree in Film from Avila University. More Info at: LavaDreamsMusic.com] [Lava Dreams played Apocalypse Meow 18, Saturday, November 1, at recordBar, with: Steddy P, Betse & Clarke (Electric), and Nathan Corsi & My Atomic Daydream.]
  1. (#7.) The Whips – “Together in Agony”
    from: “Together in Agony”- Single / Midtopia Records / November 14, 2025
    [From Music-News.com: Kansas City-based rock band The Whips – featuring singer-keyboardist Max Cooper (fresh from a four-chair turn on NBC’s The Voice and a spot on Team Michael Bublé), guitarist and co-vocalist Max Indiveri, bassist Quinn Cosgrove, and drummer Miles Patterson – return with “Together in Agony,” out now. The single previews a new slate of material the band will roll out with Wichita’s independent label Midtopia early next year. // Written by Indiveri and recorded in the band’s 10×10 bedroom studio, “Together in Agony” lives in the tension between comfort and self-respect – “the kind of relationship you know is breaking,” he says, “but you’re still in it because you’re scared to start over.” The track builds from quiet reflection to a cathartic climax, mirroring that internal tug-of-war. It’s an early glimpse of a band coming into its voice, unafraid to sit in the feeling and let the lyric breathe.If you know The Whips from the internet, that tracks. Early on, they were the kids ripping through call-and-response solo battles and left-turn funk covers that exploded on TikTok and Instagram. One clip meant for friends woke up to a million views; another hit five million. What started as a handful of posts between college classes turned into a full-blown community of fans who connected with the band’s mix of humor, skill, and heart. The growth was real, but so was the risk of being seen as “the TikTok band.” They leaned into what felt authentic instead – community, curiosity, and the joy of playing without pretense. Those same fans now show up in person, singing along and hanging after shows like it’s a reunion with old friends. // The group’s story goes back to a Kansas City school bus, where Cosgrove and Patterson decided to start a band. Indiveri joined with a songwriter’s ear and a sharp melodic sensibility, and an Instagram search led to Cooper, whose recent Voice run (four chairs, Team Michael Bublé) has given the band an extra spotlight without shifting its center of gravity. Through it all, The Whips have remained what they were from the start – four friends figuring life out in real time and writing songs that capture the process. // “Together in Agony” marks the start of a new chapter for The Whips – one defined by honesty, self-production, and a growing sense of creative independence. The band plans to release more music with Midtopia early next year as part of a slate of projects highlighting emerging Midwestern artists under the label’s Buy Before You Stream initiative, which gives fans a physical connection to new music before it hits streaming platforms.// The Whips released their 12 track debut album HOW TO HOLD A GRUDGE on Lotuspool Records on September 1, 2023, Recorded with Audio Engineer Chris Cosgrove. the album features an array of their favorite local musicians guest in various tracks including: Malek Azrael, Anna Duntz, Atomic Blonde, Die Jane, Tre’ Mutava, Lymerrick & Lucy Brock. // The Whips released their EP STARDUST & MOTOR OIL on Midtopia Records on August 2, 2024. It was part of WMM’s 120 Best Recordings of 2024. The Whips released their single, “Begin Again”on February 2, 2024. The Whips released their single, “As Long As You Want Me” on March 8, 2024. The Whips released their 6-track Debut EP, NEVER CHANGE, OR DO on August 20, 2021 on Draft Crew Records. The Whips released multiple singles in 2021. // More info at: ww.thewhipsband.com]
  1. (#6.) Lucy Gray – “Purple Skies”
    from: “Purple Skies” – Single / Lucy Gray / July 25, 2025
    [Music & Lyrics by Lucy Gray Hamilton. Vocals, Ukulele by Lucy Gray Hamilton. Bass, Guitar & keyboards by Gregory Gagnon. // Lucy Gray released the single “Sixteen and Happy” on May 24, 2024. Produced by Gregory Gagnon- ShapeNote Studios & Robert Rebeck- Westend Recording Studios (Kansas City, MO). This recording was made possible by the Heartland Song Network and Gregory Gagnon of ShapeNote Studios. // ‘sixteen & happy” for me is a lot of things. It’s being sad on your birthday. It’s how crushing it can be when someone you were once so close with isn’t around anymore. It reveals how hard it is to acknowledge true feelings and how it can take time to express them. My deepest gratitude to Heartland Song Network and Greg Gagnon at ShapeNote Studios for making this recording possible!” – Lucy Gray // SONGWRITER, COMPOSER, MULTI-INSTRUMENTALIST – Lucy Gray grew up performing on festival stages from the young age of 7 while studying classical & fiddle style violin. By the age of 9 she was performing her own original songs leading her to 4 awards for songwriting & composition, invitations to speak at events, repeated radio spins, tv appearances & most recently a grant to record her latest single! ]
  1. (#5.) Shy Boys – “Upperclassmen”
    from: “Upperclassmen” – Single / Polyvinyl Record Co. / September 16, 2025
    [Written by Collin Rausch. Engineered by Ross Brown. Mixed by Ross Brown. Mastered by Mike Nolte
    Recorded in Kansas City, KS.With additional vocals by Sadie Rausch. From Polyvinyl Record Co. “The energetic single, “Upperclassmen,” is a freewheeling anthem for the underdog that rides high upon bright jangle-pop verses, and charming vocal harmonies led by the commanding falsetto of singer / guitarist Collin Rausch. // Capturing Shy Boys’ ever so gentle punk proclivities, “Upperclassmen” is charged with nimble guitars that evoke the early 80s spirit of South Bay SST bands like Minutemen and Descendents. // Meanwhile, Kansas City artist Diyana Shipp’s beautifully detailed cover illustration of two leaping ‘letter-jacket jocks’ (who will undoubtedly “kick your ass”) calls to mind the iconic pen and ink contrast work of Raymond Pettibon. // Saved by the bell, yet again, “Upperclassmen” gets in and out quicker than you can make it to homeroom. “ // Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Members of Shy Boys represent the bands: The ACBs, Ghosty, The I’ms, Fullbloods , and Koney. The group formed shortly after Collin Rausch, Kyle Rausch and Konnor Ervin became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. Soon the band became a 5-piece. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co. Shy Boys release Bell House on Polyvinyl Records on August 3, 2018. Shy Boys released their third album Talk Loud on Polyvinyl Record Co. on September 25, 2020. More info at: http://www.shyboys.com]
  1. (#4.) REVISER – “DEAD EYES”
    from: “DEAD EYES” – Single / REVISER / October 16, 2025
    [“DEAD EYES” is Goth-Pop. A musical bit of sour bubblegum in the vein of the poppier side of The Cure, with guitars at the forefront spilling melancholy melodies that chime and angle around a dancey drum machine, a catchy bass-line, and moody organs for good measure. Lyrically, “DEAD EYES” is an anti-love-letter, a tale of a long-suffering narrator realizing the mistreatment they’ve endured as a result of their abuser’s lack of a soul…// Calling to mind classic 80’s bands such as Sisters of Mercy, The Cure, and Tones on Tail, REVISER sounds complimentary to such contemporaries as Actors, House of Harm, and Traitrs. REVISER collects and redirects its familiar influences into something both familiar and foreign, a sound that is dark, deep, and danceable. // REVISER is: Dedric Moore on keyboards and Krysztof Nemeth on vocals and baritone guitar, and Dawn Don (of The Bad Ideas) singing with Krysztof. This is the 5th single from REVISER who released”CELESTINE” on February 28, 2025, “DARKSIDERS” on October 18, 2024, and “ASSASINS” and “BURN IT OUT” on March 15, 2024. REVISOR is a continuation of the musical collaboration from Static Phantoms, Religion of Heartbreak (with Mikal Shapiro) and Monta At Odds.] [Re:vis:er opened for Lene Lovich, the Post-Punk/New Wave icon who could count John Lennon and Frank Zappa among her fans, is set to return to the US for the first time in 18 years with a show at recordBar, 1510 Grand Blvd KCMO., next week on Wednesday, November 5, 2025]
  1. (#3.) Ivory Blue – “Echo”
    from: “Echo” – Single / IVORY BLUE / September 5, 2025
    [What IVORY BLUE says: “Echo” is about the energy in the world and how we get back what we put into it. The theme came to me when I was in the hospital, listening to stories from all kinds of people who were there. Our situations were different, but we were part of the same community striving for the love and connection we all deserve. I wanted this song to capture the echoes of our actions, our struggles, and our hopes all returning to use like a gift from above.” // Kansas City based artist, IVORY BLUE has a tendency of breaking through barriers that keeps her from saying what needs to be said, regardless of style. Bringing us hard hitting rock inspired ear candy like “Starlit Love Child” and “Control”, the idea of genre is only a tool IVORY uses to express her ability to communicate through music. // IVORY BLUE released the single “Mirrors” on August 1, 2025. //IVORY BLUE released the single “Heartbeat” on March 28, 2025. // IVORY BLUE released the single “Rhythm of the Radio” on January 31, 2025 // IVORY BLUE released the single “Exiled” on November 29, 2024. IVORY BLUE released the single “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and stations around the world. // On Oct. 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from Sept. 22, 2023, ”The Best of Life” from Aug. 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on Feb. 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to Earth, Boulevardia, Crossroads Music Festival, The Middle of the Map Fest, The Westport Roots Festival, the KCPT Screening of “Real Boy” at KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. More info at: http://www.ivorybluemusic.com]
  1. (#2.) Various Blonde – “Silent Partner”
    from: “Silent Partner” – Single / Various Blonde / April 11, 2025
    [One of three new singles released in the last few months from Various Blonde. “Couldn’t Love Me” was released March 7, 2025, “RAW”was released January 10, 2025. // Various Blonde released the 10-track album, Love Is How We Will Survive on September 1, 2023. That album contained 4 singles released over two years from 2022 to 2023. Various Blonde is a Kansas City based experimental, rock, pop, and funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, and vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.” On September 24, 2022 Various Blonde released the single, “Love is How We Survive.” On August 19, 2022 Various Blonde released the single, “Obtuse”. On June 9, 2022 Various Blonde released the single, “Too Many Secrets.” On March 13, 2020 Various Blonde released a three song EP called 3s through The Record Machine. On January 2020 Various Blonde released a three song EP called 3s 1 through The Record Machine. On September 16, 2016 Various Blonde released the 10-track album ALL BASES COVERED through The Record Machine. On January 13, 2015 Various Blonde release the 10-track album, SUMMER HIGH. “More info at: http://www.variousblonde.com]

16 (#1.) Kemet Coleman –”Stay In Your Lane (feat. Marcus Lewis Big Band, Kadesh Flow & Kimology) [Down Home Version]

from: Stay In Your Lane (feat. Marcus Lewis Big Band, Kadesh Flow & Kimology) [Down Home Version] –Single / Kemet Creative (Vine Street Records) / October 24, 2025
[Nearly a decade after “Get Out” helped launch KC’s streetcar, Kemet Coleman returns with “Stay In Yo Lane”—the bold, brass-fueled anthem for KC’s $600M Main Street Extension. // The KC Streetcar teamed up local musician, artist and business owner, Kemet Coleman, to create an original song and music video to celebrate the opening of the KC Streetcar Main Street Extension. // The original song and video, “Stay in Your Lane,” premiered during the KC Streetcar Main Street Grand Opening Celebration on Friday, October 24, at the Plaza Transit Stop. Later that same day, Kemet Coleman performed the song live for the first time at the Community Celebration at the UMKC Streetcar Stop. The high-energy performance capped off a full day of festivities marking the 3.5-mile extension of the streetcar route from downtown Kansas City to UMKC. // The track features an all-star lineup of Kansas City talent, including Brass & Boujee (Marcus Lewis Big Band), vocals by Kadesh Flow (Ryan Davis) and Kimology (Kim Newsome), with Grammy-nominated producer Dominique Sanders on bass and Robert Tribbett III on keys and organ. Coleman served as executive producer of the project. // The music video, filmed by Sensei Brands, showcases Kansas City’s culture, landmarks, and community — from the heart of downtown to UMKC — celebrating the people who make the city move. Both the song and video were officially released on October 24 in conjunction with the Main Street Extension grand opening. // Kemet Coleman is a Kansas City based musicians and is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet is known for his unprecedented collaborations with UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A UMKC alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. In 2020 Coleman contributed his song, “The Virus” to the compilation, Kansas City Syzygy, music created by over 25 KC-based musicians in the middle of the map of a pandemic. All proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone has a safe, accessible, affordable home. Kemet Coleman released, BLACK IS BEAUTIFUL on Aug. 1, 2020. Kenet Coleman released the single “Eyes On The Street” on May 21, 2021.] [The Phantastics released their single “All That Fine”on May 6, 2022. The Phantastics are an 8 member band from KC formed in December of 2010. Kemet the Phantom on lead vocals; Kimology on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, DJ Mitchell on saxophone; Ryan Jamaal Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the KC Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz & Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic. On Oct. 18, 2019 The Phantastics released LIVE AT THE PLAZA ART FAIR. On Aug. 24, 2018 The Phantastics released the EP, LIFE OF THE PARTY. On Dec. 14, 2013 The Phantastics released their debut album THE CLOSER. Info at: http://www.thephantastics.com]

10:59:37 – Station ID

You just heard the Top 15 of WMM’s 50 Favorite Singles of 2025. For the complete list check http://www.WednesdayMidDayMedley.org of WMM’s 50 Favorite Singles of 2024.

NEXT WEEK we begin our 4-week, annual special: WMM’s 120 Best Recordings of 2025. Our celebration of the music of 2025 based on the playlists of this little ole radio show. Tune in December 10th, 17th, 24th, and 31st. Eight hours packed full of 120 musical recordings representing outstanding albums and EP released from Kansas City and the world. In 2025 we’ve played hundreds of New & MidCoastal Releases. We conducted over 175 interviews with 159 special guests.

11:00 – Michelle Bacon’s Favorite Musical Recordings of 2025.

Michelle Bacon is Content Manager at90.9 The Bridge, where she shines a light on musicians & events. Michelle has written for KC Options Magazine, The KC Star, Deli Magazine, andFolk Alliance Int. Her stories and interviews on area and national musical acts help define the musical community of Kansas City. Michelle plays drums in the band Frogpond, and plays bass & drums in many other bands. Michelle is also the leader of The Band That Fell To Earth who will be celebrating the music of David Bowie with a “Super Group” of KC’s finest musicians organized and led by Michelle for two weekends in January – January 16 & 17. and 23 & 24 at recordBar. Michelle shares her Favorite Musical Recordings of 2025.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

In 2025 there were over 1675 local releases in Albums, EPs, & Singles…that we know of.

  1. (#10.) Julia Haile – “You Weren’t Around”
    from: EP / Julia Haile / October 31, 2025
    [New 7-track recording collection of Julia’s most recent songs. On November 5 we played “Keep It Comin’” a track that offered a mini reunion with Julia’s former band mate Les Izmore from the KC super-group The Buhs. Julia Haile on vocals; Tim Braun on guitar & bass; Fritz Hutchison on drums; Chase Horseman on keyboards, & synthesizers. // Julia Haile is an Indie Soul singer-songwriter with a voice that balances power and elegance. Her music pairs sweet and stirring vocals with driving guitar and funky beats, taking the listener on a genre-mixing journey of conscious baring offerings. Julia has carved out a unique sound that blends elements of Jazz, R&B, Pop and Rock. Along with musical partner Tim Braun, the pair have crafted songs with rich melodies and authentic storytelling, reflecting themes of love, self-discovery, and resilience. // Drawing inspiration from classic greats like Ella Fitzgerald all the way to the modern sounds of Erykah Badu and H.E.R, Julia continues to create music that marries instinct and raw ability. Her single Up Late is a Disco and Soul soaked party with heavy, dance inspiring guitar. Set Out begs you to leave behind what you know and venture into new depths. Each a view into the singer’s perspective on living life in this evolving day and age. // Haile studied Vocal Performance at the University of Missouri-Kansas City. // She has been a featured artist in bands such The Buhs and Hi-Lux. She has collaborated with musicians around the country and world. // Julia’s work with Hi-Lux included Tim Braun on guitar, Nick Howell on keys, Dan Loftus on bass, (and prior to that Pete Leibert on bass) and Kian Bryne on drums. Hi-Lux was a Modern-Soul band that blends and bends the boundaries between soul, rock n roll, reggae, and funk. This group aims to create music that pays tribute to their myriad of influences (Amy Winehouse, The Meters, Sharon Jones and the Dap Kings). but also claims a spotlight of its own in the musical world. Hi-Lux released the singles, “Revolution” and “Get What You Give” on February 28, 2020, through The Record Machine. Hi-Lux released the single. “Don’t Blame Lee” (featuring Lee Scratch Perry) on April 20, 2018. Hi-Lux released the 7” vinyl single, “”Dance With My Baby” b​/​w “Don’t Blame Me” on January 5, 2018 through Sunflower Soul Records. Hi-Lux released their 6-track, self-titled EP, Hi-Lux on January 2, 2018. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.juliaHaile.com]
  1. (#9.) Danielle Ate the Sandwich – “Not Easy To Do”
    from: Fumbling / Danielle Ate The Sandwich / March 21, 2025
    [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
  1. (#8.) Claire Adams – “Passenger Seat”
    from: Passenger Seat / Claire Adams / May 2, 2025
    [New 11-track album Recorded at Rio Verde in Guadalajara, Jalisco with Additional recording at Maniax Studios GDL and Weights + Measures KCMO. Mixed and Mastered by Duane Trower at Weights + Measures. Claire Adams on bass, rhythm guitar, vocals; Abraham Villaseñor on lead guitar, rhythm guitar, vocals; Jean Pierre Chaurand on drums; Christian Jiménez on keyboards; Carmen Aguilar on violin; Allysa Bell Jackson on viola; Mike Stover on pedal steel, Juan Carlos Chaurand on percussion; Stephanie Williams on percussion. // Claire Adams lives in Guadalajara, Jalisco, Mexico but still gets back to Kansas City often to work on musical projects and see family and friends. // Musically curious and multifaceted, Claire Adams has spent more than a decade touring, recording and songwriting to hone her melodic instincts and vision. A bassist, guitarist, singer and songwriter, Adams has lent a discerning ear and versatility to a number of projects. // Picking up guitar as a teenager, Adams was immediately drawn to songwriting. Her penchant for wordplay and melody led her to Nashville to study, write and perform, sparking an interest in traveling, touring and working in collaborative environments. // Upon returning closer to home in 2010, Adams set up shop in Kansas City, Missouri, and Claire founded the eight-piece genre-jumping collective Claire and the Crowded Stage – a project that united her pop sensibilities with non-traditional instrumentation. This project teamed her up with guitarist Katy Guillen and drummer Stephanie Williams, leading them to form the nationally touring blues-rock trio Katy Guillen & the Girls in 2012, with Adams on bass and backing vocals. In recent years Adams has been performing solo, collaborating with the KC based string quartet Rewound, pianist Alyssa Murray, Steve Gardels. // On April 2, 2024 Claiere Adams released the EP Words of Love with Claire Adams on vocals, bass; Daniel Dissmore on trumpet; Fritz Hutchison on drums; Jackie Myers on piano; Trevor Turla on trombone; Abraham Villaseñor on guitar. // Recorded, mixed and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Additional recording by Odin Parada at Rec4 Studios, GDL. // Musically curious and multifaceted, Claire Adams is dedicated to collaborating, recording and songwriting to hone her melodic instincts and vision. A bassist, guitarist, singer and songwriter, Adams has lent a discerning ear and versatility to a number of projects. Claire founded the eight-piece genre-jumping collective Claire and the Crowded Stage – a project that united her pop sensibilities with non-traditional instrumentation. This project teamed her up with guitarist Katy Guillen and drummer Stephanie Williams, leading them to form the nationally touring blues-rock trio Katy Guillen & the Girls in 2012, with Adams on bass and backing vocals. In recent years Adams has been performing solo, collaborating with the KC based string quartet Rewound, and in a trio featuring pianist Alyssa Murray. // Claire Adams Alyssa Murray and Steve Gardels released the EP Easy Match on November 1, 2023. Easy Match contains 5 songs. // Claire Adams released “It’s All in Fun” – Single on June 30, 2023. Claire Adams told Michelle Bacon at The Bridge, “”I wrote the string arrangement in the summer of 2021 and we went in to record it this past spring,” Adams said. “I’ve had the happiness of working with Alyssa Bell (viola) and Carmen Dieker (violin) for several years now, mostly playing my songs as arranged by others and I wanted to give a try to arranging a song myself.” “I feel like having an understanding of everyone else’s styles and strengths gives me a sense of direction and focus on what can otherwise be a really abstract craft,” she said. On bass, she, Guillen and Williams comprised the acclaimed trio Katy Guillen & The Girls for seven years, while she has consistently been working with Murray in the years to follow. The four of them got to work with Duane Trower, who has recorded and engineered the majority of Adams‘ solo songs. // Claire Adams released “If It Isn’t Right (Alyssa Murray Remix)” on April 15, 2022 Claire Adams wrote to us saying, “Alyssa Murray made a super cool remix of one of the songs off the last album and I wanted to share it with you. The song is ‘If It Isn’t Right’ and also features the Rewound string trio and an arrangement by Peter Lawless. Alyssa really made it her own and gave it a whole new spin, she’s amazing!” Here are the full credits: Vocals: Claire Adams, Alyssa Murray, Fritz Hutchison. Synths and Beats: Alyssa Murray. Cello: Ezgi Karakus. Viola: Alyssa Bell. Violin: Carmen Dieker. String Arrangement: Peter Lawless. Mixed and Mastered by Duane Trower at Weights + Measures Soundlab. Cover Art by Cassie Allen. ‘If It Isn’t Right’ written by Claire Adams. This song was originally on Claire’s acclaimed album YOU KNOW I KNOW YOU originally released April 24, 2020. // Claire Adams released her album YOU KNOW I KNOW YOU April 24, 2020. Lost in the COVID 19 of 2020. The album was properly given a “release show” and put out on CD in 2021. 10 songs all written by Claire Adams. Recorded at The Blue House in Kansas City, MO. Additional tracking at MARZ Studios in Nederland, TX. Mixed & mastered at Weights + Measures Soundlab in KCMO. Written by Claire Adams, with Claire Adams on guitars, bass, and vocals; Alyssa Murray on keyboards & vocals; and Fritz Hutchison on drums & vocals. // Claire Adams released: Words of Love EP on Feb. 5, 2021 – Recorded and Produced by Claire Adams at Casa 34 in Guadalajara, Jalisco. Mixed and Mastered by Duane Trower at Weights + Measures in Kansas City, MO. Cover Photo by Hugo Parasol. ‘So This Is Love’ written by Mack David, Al Hoffman, and Jerry Livingston. ‘Pocketful Of Rainbows’ written by Ben Weisman, ‘Till There Was You’ written by Meredith Wilson. “Words of Love” written by Claire Adams. ‘Calico Skies’ written by Paul McCartney. // Claire Adams released the EP Moras under the moniker, Mismo Sismo (same earthquake) on July 21, 2021. Claire Adams wrote and recorded this EP at home during the first months of the COVID-19 quarantine. The three songs are meant to be played all together but also stand alone. Mismo Sismo is a collaboration with photographer Hugo Parasol.// Claire played guitar on True Lions album THE FEMPIRE STRIKES BACK. In 2020 Clairplayed with the band Ondist for their three full length albums, No Coincidence on June 12, and Electricity on Aug. 14, and Mise en Place on Nov. 13, 2020 with songs recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals. Claire also participated in Katy Guillen and The Girls Reunion shows in summer of 20. More info at: https://claireadams.bandcamp.com%5D [Claire Adams plays BB’s Lawnside BBQ, on Friday, December 12 with Mike Stover, Michelle Bacon and Alyssa Murray.]
  1. (#7.) TheBabeGabe X The Human – “Futuristic Lovers”
    from: HONEYPOP / Seven Rings Media / March 5, 2025 (HONEYPOP RELOADED Aug. 8, 2025)
    [Production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on Sept. 20, 2024 through Dirty Hit Records and immediately followed with an 8-track 7th studio album HEAVEN ON URF, on Oct. 25, 2024 on Dirty Hit Records. Music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On Oct. 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. KC is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.”]
  1. (#6.) HAILES – “Angels”
    from: FIVE (EP) / Magic Mango Music / September 29, 2025
    [Debut EP from KC based R&B artist HAILES. After graduating from Blue Valley West High School and briefly attending college, Hailes spent two years in the U.S. tour of The Wizard of Oz before moving to New York in 2017 to continue her acting career. COVID-19 shut down theatre and HAILES turned her energies toward writing music. When Broadway came back to life, HAILES returned to theatre and joined the Hadestown Broadway Tour for three years. While on tour Hailes continued writing music. // The music on her debut EP FIVE came from her time attending a writing camp in Austin, Texas. // HAILES told Cameron Castaldi of KJHK “On the road, I always had my recording equipment, so in every hotel that we got to, I would set up my little studio and write sporadically throughout the week.” // After living in New York City for the last seven years, R&B artist, songwriter, and actress Hailes is back home in Kansas City. She had her first concert in Kansas City on August 5, 2025 at The Blue Room. / More info at:www.hailes.komi.io/.]

11:27 – Underwriting

  1. (#5.) Liney Blu – “If I Were A Cowboy”
    from: Scout / Liney Blu / October 24, 2025
    [Kansas City singer songwriter Liney Blu writes from a unique place of personal experience and identity. They vividly show us how vulnerability is strength and require us to see love, frustration, disappointment and humor through lenses we may not have considered. Every song finds Liney passionately and sometimes bravely exploring a broader, more inclusive understanding of the human experience while letting us into some sacred personal spaces to do so. And while many listeners are just finding Liney Blu, she set out on her path as a songwriter and artist as a teenager. // At age 17 as Caroline Blubaugh she released a first EP titled “Green” which featured the single “San Francisco” that quickly saw 185K Spotify streams. In 2023 as Liney Blu, came a 2nd EP, “Pennsylvania St.” with bandmates bassist Renee Huey and drummer Jones Goldman. “Pennsylvania St.” is an introspective, sometimes raw, indie pop rock/folk synthesis built on innovative arrangements relentlessly pushed along by Liney’s deep, resonant vocal, subtly insistent delivery and very personal passion. // New music building on the release of “Pennsylvania St.” is in the works. Liney Blu can be heard in venues around the Kansas City/Lawrence area with an expanded show schedule planned for 2024. More infoo at: http://www.lineyblu.com] [Liney Blu played an Album Release Show on Friday, November 21, 2025 at 9:00pm at The Ship 1221 Union Ave, KCMO West Bottoms, with Jolson & The Fear of Snakes, and Alex May & Friends.]
  1. (#4.) Big Fat Cow – “Yellow Belly Boy”
    from: “Garbage In, Garbage Out / Big Fat Cow / September 26, 2025
    [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com][BIG FAT COW played a “GARBAGE IN, GARBAGE OUT” RELEASE PARTY, on Saturday, September 27. 2025 at The RINO 314 Armour Rd., North Kansas City, MO – Doors at 7:00pm, Show at 7:30 with special guests: Timbers, Michael B. Tipton & The Scoundrels, and Flash Floods. Presented by Swade! Were on WMM on Sept. 10, 2025]

[Big Fat Cow play Warehouse on Broadway, 3951 Broadway Boulevard, KCMO, on Friday, December 5, 2025 at 7:00pm who along with Madisen Ward are opening for Me Like Bees.]

24. (#3.) The Freedom Affair – “Get My Share”
from: The Freedom Affair / Sunflower Soul Records / May 9, 2025
[Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar=, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]

25. (#2.) Kat King – “I Might Like It”
from: Merry Go Rounds – EP / Kat King / September 12, 2025
[Kat King released the single “It’s In a Dream” on July 11, 2025. // Kat King released the single “Somersaults”on May 2, 2025. // Kat King released the single “I Might Like It” through Manor Records on February 28, 2025 / / Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. Produced by Isaac Flynn of Hembree. // Kat King released the EP Domestic Bliss on April 5, 2024. Domestic Bliss was in the Top 25 of WMM’s 129 Best Recordings of 2024. // On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. // Kat King’s career started as far back as 2nd grade in small town Kansas. As a solo singer-songwriter act, she produced one 13-song album and three EP’s. Now based in Kansas City, Kat King graduated into a 5-piece indie-pop rock group who are gearing up for the release of their second EP together. Their infectious energy has landed them on some of KC’s biggest stages.]

  1. (#1) Snocaps – “Heathcliff”
    from: Snocaps / Anti / October 31, 2025
    [Snocaps is the debut full-length album from American indie rock band Snocaps, consisting of Katie and Allison Crutchfield, joined by multi-instrumentalist MJ Lenderman and producer Brad Cook. The album was surprise-released on October 31, 2025.[2][3] The album was named one of the “11 New Albums You Should Listen To Now” by Pitchfork upon its release. // The Snocaps project marks the first time the Crutchfield twins had recorded music together since the split of their previous band, PS Eliot. It also marks Allison Crutchfield’s first new music in seven years, following the release of the fourth Swearin’ album Fall Into the Sun in 2018. In a post to her Substack newsletter, Katie Crutchfield noted that she and Alison had initially broached the idea of a new project in 2023, prior to the release of the Waxahatchee album Tigers Blood. She wrote that the sisters were interested in “making something akin to what we made when we were younger” with “no ambitions and no plan, purely for our own enjoyment, for the experience of making something we ourselves wanted to hear.” The album was recorded with Cook and Lenderman over the course of a week, with Katie describing the experience as “realigning with the earliest, purest versions of our music-making selves”. // All tracks are written by Katie Crutchfield and Alison Crutchfield.]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Michelle Bacon, is Content Manager at 90.9 The Bridge, where she shines a light on musicians & events. Michelle has written for KC Options Magazine, The KC Star, Deli Magazine, and Folk Alliance Int. Her stories and interviews on area and national musical acts help define the musical community of Kansas City. Michelle plays drums in the band Frogpond, and plays bass & drums in many other bands. Michelle is also the leader of The Band That Fell To Earth who will present the 10th Annual multi-day Tribute to Davie Bowie in January at recordBar. Michelle is sharing her Favorite Recordings of 2025.

Michelle Bacon thanks for being with us on Wednesday MidDay Medley

NEXT WEEK on Wednesday, December 10 we begin the first week of our 4-week, annual special: WMM’s 120 Best Recordings of 2025. This is our celebration of the music of 2025 based on the playlists of this little ole radio show. Tune into Wednesday MidDay Medley throughout December for our 4-week series on December 10th, 17th, 24th, and 31st. Eight hours packed full of 120 musical recordings representing outstanding albums and EP released from Kansas City and the world. In 2025 we’ve played hundreds of New & MidCoastal Releases. We conducted over 175 interviews with 159 special guests.

The text in this playlist is a collage and “cut & paste” of information from artist’s websites, press releases, event info, wikipedia, social media pages, BandCamp, liner notes, and where noted.

You can find our playlists at: http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley
http://www.bandcamp.com/wednesdaymiddaymedley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Thanks for listening

Show #1124

WMM presents: Play Loud! 20 Years of recordBar + Nan Turner + Amy Steinberg + Til Willis

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 24, 2025

Play Loud! 20 Years of recordBar + Nan Turner + Amy Steinberg + Til Willis

Mark plays more New & MidCoastal Releases from 10 artists/bands playing Play Loud! The 20th Anniversary Celebration of recordBar including: Roman Numerals, Emmaline Twist, Madisen Ward and The Mama Bear, Making Movies, Approach, Juliette Frost, Dan Jones and the Squids, The Royal Chief, They’re Theirs, and Deerhoof. We will also play tracks from Nan Turner, Amy Steinberg, and Til Willis & Erratic Cowboy.

Play Loud Fest will be a four-day celebration of 20 years of recordBar, with 45 musical acts, at recordBar 1520 Grand Boulevard, KCMO, September 25-28, 2025, and around recordBar including: Kobi Q, The Belfry, and Lemonade Park. recordBar opened its doors in August 2005 in a humble Kansas City strip mall, with a simple goal: to create a space where music felt close and community came first. Founded by Steve Tulipana and Shawn Sherriil, two music lovers who believed in good sound, even better drinks, and treating artists right, the original recordBar quickly became a hub for local bands, national tours, and just about any event that needed a stage—from birthday parties to fundraisers to experimental art nights. In 2015, recordBar moved to the Crossroads District, becoming part of a new chapter in Kansas City’s music scene. The new space kept the same spirit—intimate, accessible, and artist-forward—while expanding its reach and upgrading the experience for both performers and fans. Its downtown location allowed for larger shows while staying true to its roots as an independent, music-first venue. More at: http://www.therecordbar.com

At 10:30 Nan Turner talks about her new single “Primetime,” her show at Gigantic Records, and the progress on her Tonya Harding musical. The singer-songwriter-drummer-actress-dancer’s music has been described as “Tone Loc meets the Velvet Underground.” As Nan + The One Nite Stands, Nan released the single”Primetime” on September 5, 2025. Nan released the single “Sick” on March 7, 2025. Nan released the 4 song EP HAWKIN’ IT on May 14, 2024. Nan released HIGH-CALIBER on February 19, 2021. Nan Turner released the single, “Desert Nites”, on May 22, 2020. Nan released her EP, CHAMPS AND LOSERS, VERSION 2, on July 12, 2019. Nan Turner was one half of the critically acclaimed band Schwervon! with Matt Roth (Major Matt Mason USA) on electric guitar and Nan on drums. The band started in the Lower East Side of New York City in 1999 and toured internationally for over a decade, Schwervon! released 7 full length albums, 2 EPs, and 5 singles. Nan has been called the “Lucy Ricardo of Indie Rock.” Nan Turner & The One Nite Stands play Gigantic Records, Friday, October 3, at 7:00 at 1614 Westport Rd, KCMO. More at: http://www.nanturner.bandcamp.com

At 11:00 Mark talks with Amy Steinberg who is classically trained on the piano from age 4, she studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College. Amy Steinberg is best known for her live performances, she blends together a mixture of music, comedy, and poetry. Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released over nine albums independently, and written and performed multiple one-woman shows. She is a licensed Religious Science minister. She has two chihuahuas, Ru and Tiki and three cats: Poppy, Baby cat and Sebastian. She lives with her partner in Asheville, North Carolina. Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, September 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr., Lenexa, KS. More info at http://www.amysteinberg.net

At 11:30 Til Willis shares details about his band Til Willis & Erratic Cowboy and their new album Glass Cactus. Til Willis & Erratic Cowboy is Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. With Steve Faceman on backup vocals for the record. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. Til Willis was born in the heat of 1980, has been making music for a long time. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger. Til Willis plays Greenwood Social Hall, 1750 Belleview Ave. KCMO Saturday, October 4, at 7:00pm. Til Willis plays Northside Local, 444 Locust Ave., Lawrence, KS. on Thursday, October 18 at 8:00pm.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1114

WMM PLAYLIST from July 23, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 23, 2025

WMM’s Favorite MidCoastal Releases of 2025…So Far! (Part 2) + Steve Tulipana + Betse Ellis, Mikal Shapiro, and Sandra Draper

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
  1. Redder Moon – “Drown The Fire”
    from: If You’re Falling, Dive / Redder Moon / April 25, 2025
    [Produced by: Jeremiah James Gonzales. Engineered and Mixed by: Jeremiah James Gonzales, Brody Lowe, Ross Brown. All instruments and Songwriting: Jeremiah James Gonzales with content contributions by: Jason Scott, Brody Lowe, Eric B Lopez, Lauren Chavez. // Redder Moon is a Kansas City based band led by Jeremiah James Gonzales and Brodie Lowe using analog synths, dark dance beats, dreamy guitars, we create Mono No Aware music.. The band began as one of Gonzales’ many music projects, although more electronic than his other work with Knife Crime, Be/Non, Rhunes, Elevator Division, Umberto. Brody Lowe moved to KC from Portland, and met Jeremiah in 2019. The band released their EP, LAND OF THE BLIND on June 13, followed by an album, HELL IS OTHER PEOPLE, on November 5, 2021. ]

[Redder Moon plays miniBar, 3810 Broadway Blvd., KCMO on Thursday, September 18 at 7:00pm with Nite, Immortal Girlfriend, and Bobcat Attack.]

  1. Keo & Them – “Eyesore”
    from: “Eyesore” – Single / Midtopia / March 14, 2025
    [The new single marks a sonic departure from previous Keo & Them releases, something bandleader Keo notes is by design and a welcome change from previous material from the group. // Keo & Them released their single “Fire”on March 15, 2024. // Keo & Them released their 7-track album, THIS TIME AROUND on October 28, 2023. // When Neo-soul meets funk, meets R&B, meets pop, meets hip hop & even rock sometimes. Keo & Them released the single “Fool Me Once” on October 6, 2023 on Midtopia. Leo & Them released the three song single “Don’t Say” with “Be Still” and “Money Grooves (feat. Greg Spero)” on June 2, 2023 on Midtopia. And earlier “Money Grooves (feat. Greg Spero)” was release by itself on March 2, 2023. For Wichita-based, Texas-raised singer/songwriter Keo, making music is as much about the one creates and the songs one writes as it is about making deeper connections with the other people partaking in an artistic journey. From the unique flavors, perspectives, and performances they each contribute, Keo finds the “Them” that brings her project Keo & Them full circle. // First formed and conceptualized by Keo in 2018, the collective consists of Keo and a revolving door of musicians and collaborators, each of whose contributions would leave an indelible mark on the project’s ever-adapting sound that merges the worlds of 70’s pop and R&B with the moody glow of contemporary neo-soul and beyond. For Keo, the project’s sole constant member, the fluid line-up allowed her to become immersed and acquainted with a Wichita music scene she was completely new to and overwhelmed by. Through meeting, jamming, and performing with the Kansas town’s tight-knit and eclectic music scene in which Keo found something akin to a family. More info at: https://linktr.ee/keoandthem [Keo & Them played Outer Reaches Fest, on Sat, Oct. 14 at recordBar.]

[Keo & Them play recordBar, 1520 Grand, KCMO, Fri, July 25, 7:30pm with Jamogi & The Jammers]

10:07 – Pledge Break #1

Today is part 2 of our 3-week series: WMM’s Favorite MidCoastal Releases of 2025…so Far!

We bring you this special show as part of our KKFI Summer Fund Drive with special co-hosts:

Betse Ellis. Originally from Fayetteville, Arkansas, Betse received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. For nearly 50 years she has been playing the violin and fiddle professionally and also working as a teacher of music. Betse was a founding member of the acclaimed internationally known band, The Wilders. Betse has released two acclaimed solo records, and records & performs with the bands: Little Miss Dynamite, The Starhaven Rounders, Ernest James Zydeco, and with her husband, multi-instrumentalist Clarke Wyatt, as the internationally known, Betse & Clarke.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Mikal Shapiro is the creator and co-host and producer of Siren Song, Saturdays at 11:00 AM on 90.1 FM KKFI Kansas City Community Radio. Mikal is also the co-founder of River Trade Radio on 90.1 FM. Mikal Shapiro is the coordinator of the annual Kansas City Folk Fest. They are also founder of State City Films creating documentary and experimental filmmaking practices. A third generation storyteller, they draw inspiration from their travels, love life, and the state of the Union. Mikal studied Film History, Film, & Writing at Sarah Lawrence College in Bronxville, New York. They received their MFA in Film/Video/New Media/Animation from The School of the Art Institute of Chicago in 2012. Artist, filmmaker, puppeteer, ring-leader, Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. They have toured extensively across the United States and have recorded 5 critically acclaimed albums. Mikal records and performs with their band The Musical. They also perform with Shapiro Brothers, and Monta At Odds, and Religion of Heartbreak.

Mikal Shapiro, Thanks for being with us on Wednesday MidDay Medley

Sandra Draper is a member of KKFI’s Board of Directors, Sandra was born in Kansas City and attended Paseo High School. Sandra became a student at Washburn University in Topeka, Kansas, and eventually returning to Kansas City to complete her last year graduating with a Bachelor of Arts degree studying history and communications at University of Missouri at Kansas City. She is the mother of four children three sons and one daughter. While her children were all born on different years 1978, 1979, 1980, and 1981 two of her sons were born on the same day, and her daughter and other son were also born on the same day. For the past year Sandra has been volunteering at KKFI and has been in training to host and produce her own radio show, Silky San’s Soul Sensation coming soon in the overnight hours on 90.1 FM

Sandra Draper, Thanks for being with us on Wednesday MidDay Medley

90.1 FM KKFI Kansas City Community Radio is Non-Commercial, and that means that three times a year, we interrupt our regular programming, to ask our listeners, to help us continue our unique, 24-7 programming. For 37 years 90.1 FM KKFI has been on the air. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are operated by a not-for-profit organization, incorporated over 45 years ago, called The MidCoast Radio Project. We are a non-profit, with a dedicated paid staff of four incredible individuals, and hundreds of volunteers, who donate thousands of hours every year, producing radio shows, training new hosts & producers, developing new radio shows, serving our vast community landscape with music and news, information and stories that reflect the many communities we serve. We do all of this because of YOU and it is because of our incredible listeners.

You’re the reason we’re able to stay alive and on the airwaves for all of these past 37 years.

90.1 FM KKFI is “Radio Powered By Diversity” For 37 Years our Kansas City Area Community Speaks Through our Airwaves and this Program.

So far… in 2025 on Wednesday MidDay Medley Mark has interviewed 106 Guests: Krystle Warren, elska, Michelle Bacon, Mike Dillon, Peregrine Honig, Malek Azrael, Joshua Luke, Izzy Vivas, Julie Bennet Hume, Doug Hitchcock, Diana Watts, Kevin King, Daniel Gum, Chris Garibaldi, Mark Henning, Ross Brown, Miquel Antonio, Daniel Cole, Paul Seiz, Cody Ryan Stapleton, Matt Muckenthaler, Nathan Reusch, Zach Lamun, Les Izmore, Charlie Colborne, Billy Belzer, T.A. Rell, Just Angel, Dylan Pease, Andy Wooden, Betse Ellis, Rachel Christia, Mikal Shapiro, Seth Davis, Evan Verploegh, Shanté Clair, Benjamin Baker, SEYKO, Cole Bales, Cody Calhoun, Noah Cassity, Kole Waters, Alex May, Stephonne, Danielle Anderson, Zach Hodson, Valerie Schurman, Joe Frogge, Fally Afani, Til Willis, Heather Pontonio, Jose Faus, Elizabeth Bettendorf Bowman, Chico Sierra, Zo E., Jaclyn Danger, Simon Huntley, J. Ashley Miller, Grace Broadhead, Jason Turk, Sandra Draper, Enrique Chi, Julia Othmer, James T. Lundie, Alber, Jennie Ferguson, Scott Mize, Matt Kesler, Shaun Crowley, Paul Jesse, Alex Wong, Jen Kiper, David Luther, Sergio Anthony Gonzalez, Jeremiah James Gonzalez, Katlyn Conroy, Chris Catterall, Cheyenne Jackson, Kate McCandless, Moksha Sommer, Jemal Wade Hines, Chris Haghirian, James McGee, Meighan Peifer, Michael McQuary, Joey Arias, Lonnie Fisher, Tara Fisher, Adee Dancy aka Sisterbot, Hadiza., Suzannah Johannes, Keelon Van, Alyssa Murray, Ernest Melton, Mará Williams, J.M. Banks, Beth Watts Nelson, Spencer Thompson, Amanda Davis, Derek Trautwein, Dedric Moore, Rachel Lovelace, Kai McGarry, Alicia McGarry and Steve Tulipana.

10:15 – WMM’s Favorite MidCoastal Releases of 2025…so Far!

  1. Jamogi & The Jammers – “Hot Block (Flew The Coop Live)”
    from: Jamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live) / Jam Tunes / April 11, 2025.
    [Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Do It To Me” on March 28, 2025. // Jamogi released the single “Go Big or Go Home” on August 30, 2024, Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire. Kamogi and the Jammers played Boulevardia 2025]

[Jamogi & The Jammers play recordBar, 1520 Grand Ave., KCMO, on Friday, July 25 at 7:30pm with Keo & Them]

  1. Saving Miles Lemon – “In The Night”
    from: You’re A Star – EP / Frequency / June 6, 2025
    [Performed by: Saving Miles Lemon. Written by: Miguel Silva-Leon. Produced by: Saving Miles Lemon. One of three new singles released in the last few months from Saving Miles Lemon. Saving Miles Lemon released “Hidden Inventory” on May 2, 2025. Saving Miles Lemon released “The Line” on March 28, 2025. // Saving Miles Lemon released “In The Night” on January 16. 2025// Saving Miles Lemom released the 13-track full-length album LOVELY/ on October 6, 2023. Saving Miles Lemon is the psychedelic-pop project of Miguel Silva-Leon. Formed in 2019 with the goal of releasing an album by the end of the year, the project has transformed into a full-blown musical odyssey for Miguel (who likes to go by Mig) to explore new sounds. It’s hard to define what genre Saving Miles Lemon fits into as they like to let the music go where it wants to go. From smooth dance pop, to blown-out stoner rock, Mig likes to keep things interesting and never stay with one sound for too long.​ // Having grown up learning to play the piano at the age of 7, Miguel found themselves picking up new instruments frequently from the clarinet, saxophone, and oboe to guitar/bass and drums. Just as with their instruments, Mig began practicing their production skills in high school with small bedroom projects and hardcore bands. In a way, nothing has changed, as all of Saving Miles Lemon’s music is recorded and produced entirely by Mig in their bedroom studio to this day. // Their live members include Jacob Frisbee (bass), James Wiltfang (keys), and Zeke Bockleman (drums). // As a live act, the band began performing in 2021 and quickly took over the DIY scene in Kansas City before moving on to the bar/venue scene with sold-out shows at The Rino (KCMO) and The Bottleneck (LFK). They’ve opened for national and international touring bands such as Cub Sport at The Encore at Uptown Theatre (KCMO). // Saving Miles Lemon has released two full-length LPs and a handful of singles.]
  1. 2W33DY – “Why You So Mean”
    from: Why You So Mean / 2W33DY / February 7, 2025
    [Lead Guitar: Diyana; Drums and Pedal Steel: Bradford; Bass: Kennedy; Guitar and Vox: Kenia. // Recorded with Caufield Schnug. The band writes, “We recorded these tracks in Lawrence, KS with Caufield Shnug and his cozy studio. From there I took a lot of deliberating and experimenting with mixing and mastering. We ran each track through Brad’s tried and true marantz 8-Track and from there mixing and mastering was a team effort.” They go on to say, “We are excited to bring you more new music as we continue on our journey as the “most dangerous band in KC”.]
  1. She Said – “Time”
    from: What! / May 10, 2025
    [Jennie Ferguson on vocals & guitar, Scott Mize on guitar, Doug Hitchcock on drums, and Matt Kesler, on bass. Matt Kesler and Scott Mize used to be in a band called Sylvan Grove. Lyrics by Jennie Ferguson, music by Jennie Ferguson and She Said. Produced by She Said. Recorded and Engineered by Paul Malinowski at Massive Sound in Shawnee, Kansas. Mixing by Paul Malinowski and She Said. Mastered by Mike Nolte at Eureka Mastering. Jennie Ferguson and Scott Mize used to play in a band called Shotgun Solution. This was after the time of Jennie’s all-girl psych/pop band PMS. Doug Hitchcock has played with Matt Kesler in the Midtown Jazz Quartet. Doug has played with Freedie Johston, and the band Near Death Experience. Matt Kesler also plays in the famous bands The Pedajets and The Doo Dads.]

10:28 – Underwriting

10:23 – Pledge Break #2

Our WMM Summer Fund Drive Team: Betse Ellis, Mikal Shapiro, & Sandra Draper

Today on WMM we are playing our Favorite MidCoastal Releases of 2025. 90.1 FM KKFI’s non-profit organization and governing body is the MidCoast Radio Project. MidCoastal is where we are, on the coasts of the Missouri and Kansas Rivers with a music community that spans the Kansas City Metro region and west to Lawrence and Topeka and south to Olathe and east to Columbia and North to St Joseph. Not necessarily the reach of our 100,000 watt signal but definitely the reach of our community.

WMM and KKFI are committed to featuring artists under-represented in other media, and that includes the music community that lives within KC and Lawrence and the radiance of our 100 watt signal. The story of KC’s Arts and Music Community is our primary focus on WMM, where for 21 years we have shined a light on the artists, the bands, the companies, the music venues, the music labels, the recording studios, the record stores, the radio stations, the music journalists, the music festivals, the music conservatories and schools, the music and art foundations, and New & MidCoastal musical releases.

Mark Manning and Wednesday MidDay Medley on 90.1 FM was the first to play the recordings of: Calvin Arsenia, Madisen Ward and the Mama Bear, Krystle Warren, The ACBs, Rev. Gusto, The Black Creatures, The Shy Boys, The Salvation Choir, The Creepy Jingles, Ivory Blue, Stephonne, Collidescope, Miki P., Marmoppes, Juliette Frost, Kai McGarry. We were the first to interview these artists live on the radio and bring their music to a wider audience.

One way to learn more about KC’s Music Community is 21st Annual Crossroads Music Fest, Sat., Sept. 6, 3pm to Midnight, in West Bottoms at Lemonade Park, Stockyards Brewing, Livestock Exchange, The Campground, Voltaire, The Ox Cafe & Bakery(VIP Venue) with KRYSTLE WARREN / LAURA NOBLE & FRIENDS / THE MGDS / RUDY LOVE AND THE ENCORE / SEYKO / STRANDED IN THE CITY / FRIENDLY THIEVES / LITTLE MISS DYNAMITE / FLAT SUSAN / ROYAL CHIEF / SASS-A-BRAS / THE WHIPS / JESUS CHRIST TAXI DRIVER / SARA SWENSON / TALIA KEYS / JELLY ROSE / MARIACHI ESTRELLA & GRUPO FOLKLÓRICO ALMA TAPATÍA / TERI QUINN & THE COYOTES / 3 TRAILS WEST / DJ THUNDERCUTZ / NATURE BOYS / TIMBERS / SKY SMEED / JULIE BENNETT HUME & ERNEST JAMES / DJ NANA G / LINEA FRONTERA / DYM N D / RURAL GRIT ALL STARS / THE APOLOGIES / JOHN KECK / OSEZUA / BOBBY SCHARPING / ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY Info at: http://www.cmfkc.com]

Timothy Finn in KC Star named WMM “The Best Place to Hear Local Music on the Radio.” and the Best Place to hear area musicians talk about their music.

10:37 – WMM’s Favorite MidCoastal Releases of 2025…so Far!

  1. RxGhost – “Sponsored Content”
    from: “Sponsored Content” – Singles / Celery Wolf / July 10, 2025
    [RxGhost is: Josh Thomas on vocals & guitar, Justin Brooks on drums, James Capps on guitar, Chris Smead on bass, and Jeremiah James Gonzales. Scaffolding was produced by RxGhost, recorded and mixed by Paul Malinowski at Massive Sound Studios and Recording engineer by Josh Thomas. Music by RxGhost and Lyrics by Josh Thomas. RxGhost released their single “Anytime But Now” / “Undersaid” on March 14, 2025. RxGhost released their album Scaffolding on April 11, 2024, part of WMM’s 120 Best Recordings of 2024. More info at: rxghost.bandcamp.com]
  1. Honestav – “Hurts To Fall In Love (Radio Edit)”
    from: hara-kiri (Deluxe) / Rebel Music / May 16, 2025
    [honestav is Av Freeman: a determined, kindred soul who, in the face of unimaginable odds and loss, found himself a breakout hit with 2024’s “I’d Rather Overdose” and a ticket out of rural Missouri. // Growing up the youngest of four brothers and a sister, he caught the music bug early: “They all wanted to be rockstars,” Av says. “I was a little kid going and watching my sixteen-year-old brother play screamo shows in bowling alleys and pizza joints. I was hooked. I wanted it bad.” // He split his time between his parents, spending half the month with his mother and half with his dad. “My mom was the worst tweaker ever,” he explains. “She lived in the hood and got arrested multiple times selling meth.” Life with his father was relatively stable, but still not comfortable. “There was no A.C. and no food,” Av says, “but I was going to school and playing sports. Half the month, I was the quarterback, and the other half, I was running around with no socks, smoking cigarettes with the worst kids.”// From the start, Av’s music was a response to tragedy; at age fifteen, Av found his brother dead from suicide. Amid this grief, Av adopted a tough-guy rap persona. He recorded music obsessively, releasing a song a week for over a hundred weeks in a row. “Literally for two years,” he says. “Sometimes I’d drop even more. I’d record four songs in a night and post two of them.” These years of experimentation reveal themselves in Av’s blend of folk and hip-hop, which sees scratchy verses layered over sensitive acoustic guitars. // After graduating high school, Av paid his bills selling weed. “I thought that’s how I was going to live,” he says. “I’d just be a dude that sells weed. I didn’t even think about the rockstar thing.” Then he got hired as a mover. He held that job for four years. “It was a grind, and I stayed up in the studio every night,” he remembers. “I’d go to work at 6:30 AM after being up until 4 AM recording music. It was draining.” // When Av started making jokes on TikTok, he believed he had finally found his way out. The social media platform paid for views, and his videos reached millions and millions of viewers. “At first I thought, ‘I’m about to get rich.’ I quit my job and shit. But I started spending all my money on studio time. I made enough to afford an apartment, but I was living out of my truck.” // But in January of 2024, tragedy struck again. Av’s father committed suicide. On the truck ride home, Av, through tears, wrote a new song documenting his emotions. Rushing to the studio, Av cut the track and uploaded it as had become routine. Almost overnight, “I’d Rather Overdose” exploded, cracking multiple Billboard charts and amassing over 70 million streams globally. The subsequent remix featuring MOD SUN, teased through an open verse challenge on TikTok, peaked at #21 on Alternative Radio. // “When my dad died, music turned into therapy for me,” Av says. “I’m not making songs to be cool anymore—this is what I gotta do to get through the day. I’m lucky that people hear it.” Now, following a bidding war between every major label, Av is on track to purchase his first home. Building on the success of “I’d Rather Overdose,” honestav released his debut EP, “hara-kiri,” on November 9th, which peaked at #10 on Apple Music’s Alternative Charts and garnered over 110 million streams across all platforms. The EP included the lead single, “Hurts To Fall in Love,” which received significant radio airplay success. // In 2024, honestav expanded his reach by embarking on a highly successful tour alongside MOD SUN and lovelytheband. His electrifying live performances led to sold-out shows in his hometown of Springfield, Missouri, as well as major cities like NYC and LA. These achievements underscore his growing fanbase and the widespread appeal of his music. Following the momentum of his debut EP and successful tours, honestav is excited to announce future projects, including his debut solo Midwest “No License Tour” slated for 2025, which promises to bring his heartfelt performances to even more fans across the region. // honestav belts rhymes about partying and drug addiction, self-loathing and suicide, stifling emotions and trying to open up. “When my brother killed himself, I turned into a punk ass sixteen-year-old,” he says. “When my dad did it, it hit different. It took a different spin. I’m a grown ass man now. If I wasn’t making these songs, I don’t think I’d be alive.” // Still, Av is shocked that this intimacy and introspection connected with such a wide audience. “It seems like people actually started to relate more when I stopped making music for everyone else,” he says. “That’s when they really started listening.” Despite his deep roots in the country, honestav has faced pressures from industry executives and even other artists to lean into familiar tropes of country music. However, Av has a strong sense of identity and remains true to his unique sound. “I grew up in the country, but I wasn’t farming,” he clarifies. “I’m from that, but I’m not that. My homies were farming, but I was riding dirt bikes and busting out windows.” // With the success he’s found by trusting his instincts, Av is determined to keep his music close to his heart, blending his background with his alternative influences to create something truly authentic. His authentic voice and unwavering dedication continue to inspire and connect with listeners around the world. // Honestav played Boulevardia, June 14]
  1. Religion of Heartbreak – “Love Tourniquet”
    from: “Love Tourniquet” – Single / Kosmic City Recoirds / June 27, 2025
    [Religion of Heartbreak strike with their latest single “Love Tourniquet,” the first taste of their forthcoming EP Lunate due this September. Mikal Shapiro’s cool, detached vocals float over Dedric Moore’s pounding rhythms and bright-yet-gothic synths, resulting in the ideal soundtrack for stumbling through a fog-drenched nightclub where the lights have just cut out. // The track captures that intoxicating rush when desire floods the system—blood to the head, pulse in your throat—only to fade as quickly as it arrived, leaving you back on the dance floor, chasing the same high again. Moore’s growling bass anchors the swirling soundscape while subtle dark-disco elements lift the arrangement into urgency. // “Love Tourniquet” thrives where euphoria meets emptiness, where the black mirror of the dance floor reflects nothing but your own endless cycle of want. Repetition becomes ritual and desire becomes devotion. // Religion of Heartbreak formed out of a desire to make music with a darker dance floor focus. The combination of Mikal Shapiro’s vocals battling against Dedric’s icy synths, mechanized beats and dub-inflected electro-bass creates a juxtaposition that works in all the right ways. //Religion of Heartbreak delves into the sounds of Darkwave, EBM, and the darker side of Synth Pop. The grooves are there. The songs are clever and always filled with a sense of lost love as we follow our dark hearts. // ROH is the band formerly known as Monta At Odds. It was recently announced that Krysztof Nemeth was stepping away for Religion of Heatbreak to focus on his band ReViser also with Dedric Moore and with Breaka Dawn. // On February 3, 2025 Religion of Heartbreak released the 5 song EP Dream Reflection with Dedric Moore on vocals, guitar, synths, programming; Mikal Shapiro on vocals, Krysztof Nemeth: baritone guitar, electronic percussion; Alexander Thomas on electronic percussion on MGGG, Dream Reflection, Skeptic; Regan Moore on electronic percussion on Dark Hour of Meditation // Dream Reflection EP carries forward the motorized heartbeat of classic darkwave while forging its own metallic path. Drawing from EBM and Synth Pop traditions, this five-track release sees the Monta At Odds offshoot strip away unnecessary embellishments, leaving only the essential elements and textural remnants that speak to our collective digital malaise. // The EP’s centerpiece and title track emerges like a ghost in the machine, with Mikal Shapiro’s coolly delivered vocals floating above Dedric Moore’s gritty synth programming and precision-guided guitar along with Krysztof Nemeth’s synth pad percussion. Each track builds upon this foundation, from the robot-dance urgency of “Forget About You” to the beautiful desolation of “Skeptic,” creating a cohesive statement about modern isolation and the personas we construct. The result feels familiar and alien—like catching your reflection in a black mirror and seeing someone else staring back.]

[Religion of Heartbreak plays miniBar, 3810 Broadway Blvd., KCMO on Sunday, July 27, at 7:00pm with Academy Order, and Bags Bags Nags]

  1. Marmoppes – “4×10 = 75″
    from: “4×10 = 75” – single / Big Nip Records / June 25, 2025
    [Since the Spring of 2024 Marmoppes have released five new singles. 4×10 = 75 – June 25 / “Nos” – March 23, 2025 (Big Nip Records) / “Gyatt Time” – Sept. 20, 2024 / “Yr Chemical” – April 28, 2024 / “Butterfly” – March 17, 2024 / “Cerulean Blue Truffle Pig” – September 5, 2023. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. // Simon Huntley is a British-American musician, percussionist, producer, composer and visual artist combining classical sentiments with new world rebellion. Growing up in France then relocating in 2011, Simon now divides his time between the United States and France, investigating and collaborating with the world’s best talent including: QUIXOTIC, A$AP Rocky, Mireya Ramos, Tech9, Making Movies, Calvin Arsenia, Mike Dillon + Nikki Glaspie, Chipotle, Hilton Hotels, Qatar Airways, and many more. Preformed in venues such as: Red Rocks Amphitheater—Colorado / The MGM Grand—Las Vegas / Faena Hotel—Miami / T-Mobile Arena. // And events such as: Invision Festival—Costa Rica / Alaska World Arts Festival—Alaska / Fringe Festival—Edinburgh / Live At Heart—Sweden / Wanderlust—Canada + California // As well as festivals, PACs, Live TV and Radio. // J Ashley Miller is a recipient of the 2016 Charlotte Street Foundation Generative Performing Artist Award. He’s a self-taught musician & composer. For nearly 20 years he has worked as Composer / Producer/ Recording Engineer / Founder of The Infoaming Vertex in Kansas City, Missouri, a recording studio which he built in 2006. For the last 12 years he has produced, engineered and mixed nearly 100 full length albums and countless smaller projects for both local and international artists including Calvin Arsenia and SSION // With SSION he co-wrote and produced 2 full length albums. The videos were always a central focus for the project, and he fine tuned his ability to work with a director and bring about a coherent final product. // He founded the musical entities Metatone and Jametatone with multiple released from 2013 through 2022. // He once told an art writer that his training was “tens of thousands of hours on computers and playing in bands”, as well as a conductor, music director, producer, performance artist, filmmaker, and recording engineer (among other interests). “I got into all of this by shooting live music films and really tailoring compositions to our filming locations,” Miller said, citing site-specific performances at La Esquina, Oppenstein Park, and Turkey Creek. Filmed and recorded onsite, in one take (multi-camera, multi-track), the final product of these shows was the resulting film or album. // Miller founded the performance group Quadrigarum for site-specific projects and to showcase the chariot instruments he designed, using wheel-mounted guitar picks and an amplified single-stringed guitar on a wooden frame. Chariots are a core element of the Atemporchestra, an ensemble of eclectic instrumentation (including pan flutes, vibraphone, drums, horns, computers, and keyboards, for starters) that he originally put together from the TEDxKC show. // Alyssa Murray recently released her album ‘SCROLLIN’ in 2023. that called “a sonic kaleidoscope of synth-tastic beats and experimental delight. Written, performed, and produced by Alyssa Murray and mixed and mastered by Duane Trower at Weights and Measures Soundlab in Kansas City, MO. // Always feeling a strong pull towards songwriting, Alyssa studied piano, voice, and guitar in her teens deep diving into such influences as Fiona Apple and Stevie Wonder. Further pursuing her passion for jazz and improvisation, Alyssa moved to Kansas City to study jazz-piano at the UMKC Conservatory while immersing herself in the local music scene. Alyssa has a Bachelor of Music in Jazz Studies from the University of Missouri-Kansas City and has studied under the direction of Bobby Watson and Dan Thomas; as well as classical repertoire with Karen Kushner and Diane Petrella. // In addition to her solo performances, Alyssa Murray plays with Marmoppes. Alyssa Murray also plays in the trio, Easy Match with Claire Adams and Steve Gardels. // Ernest Melton is a saxophonist, composer, and band leader currently residing in Kansas City, Missouri by way of Goldsboro, North Carolina. He relocated to his mother’s hometown of Kansas City, Missouri at the age of ten where he picked up his first saxophone at Longfellow Academy of the Arts. Bored with the classical curriculum of the music department, Ernest studied more contemporary genres of music and the guitar until the age of fourteen when he joined his first jazz program through the American Jazz Museum of Kansas City. Playing mostly tenor sax by the age of fourteen, Ernest joined Lincoln High School jazz band and many other musical programs around the Greater Kansas City area. Naturally excelling, Melton left school at the age of sixteen to study music on his own. With kind neighbors and a supportive mother, Ernest was free to practice the saxophone, study albums, and write compositions at any hour of the day. It was during this time he found his first major influences in jazz like Dexter Gordon, John Coltrane, Kenny Garrett, and Pharoah Sanders. Pharoah’s polyphony were like echoes of Melton’s father, a Primitive Baptist preacher, and became a large influence of his playing. An avid composer as well, Ernest studied with tutors in classical orchestration, big band arranging, and Afro-Cuban drumming. He cites Charles Mingus, Igor Stravinsky, and Wayne Shorter as his favorite all around composers and still tries to implement their techniques in his music today. After being accepted into Berklee College of Music he decided not to attend and began his career playing music in bands of every genre around the Greater Kansas City area. In 2018 Ernest release his first full length album entitled, “The Time Of The Slave Is Over”, which received raved reviews at home and abroad by media such as Plastic Sax, Quest TV, and JAZIZZ to name a few. Ernest Melton has played all over the country and plans to continue to travel abroad. // Ernest Melton released the single “Waves” on April 21, 2025. He released the single, “Sonnet for Sanity”on December 18, 2020 and the single, “Chronicles of Conception” on April 21, 2020, and “Narrative for Natives” on March 9, 2020. Ernest Melton released the album “The Standard Imperfections” on September 1, 2019. Ernest Melton is also featured on the BodaciousThang singles, “Drank!” on August 7, 2019 and “Say Hi” released Sept. 2, 2020 on Juicy Burrito Records. // More info at: https://linktr.ee/marmoppes%5D

[Marmoppes play Percheron, on the roof of Crossroads Hotel 2101 Central. Sunday, July 27 at 7:00pm]

[Marmoppes play MidCoast LIVE! Friday, August 1, 12:00 Noon to 1:00 on 90.1 FM KKFI]

10:49 – Pledge Break #3

Our WMM Summer Fund Drive Team: Betse Ellis, Mikal Shapiro, & Sandra Draper

Last year on May 15, 2024 – WMM celebrated 20 Years on the radio w/ LIVE performances from: Calvin Arsenia, IVORY BLUE, Stephonne, Julia Othmer, Kasey Rausch and guests Marion Merritt, Maria Vasques Boyd, Nico Gray, and Necia Gamby.

As of this week WMM has done 1105 weeks equaled 2210 hours of radio, 16,570 hours of preparation, over 2800 Interviews, 3000 guests, and over 27,500 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues & listeners and communities. WMM has proudly endeavored to help tell the story of our growing Kansas City area music community, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.

WMM has presented new formats in radio, with our “A Story In A Song” series, our shows featuring: Apocalypse Meow, Juneteenth, Power to The People Fest, Crossroads Music Fest, Folk Alliance International, Manor Fest, The Outer Reaches Festival, Boulevardia. KC Fringe Festival, Waldo Folk Series, Shuttlecock Music, The Folly Theatre, Owen Cox Dance Group, Bach Aria Soloists, KC Pride, our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, LGBTQIA Themes, Black Lives Matter and interviews with Joey Aria, Cheyenne Jackson, Lily Tomlin, Laurie Anderson, Tommy Ramone, Sweet Honey in The Rock, Iris Dement, Flamy Grant, Members of Fanny, Regina Spektor, Regina Carter, Tom Miller, Nick Cave, Holly Near, Sam Harris, our annual 4-week special: WMM’s 120 Best Recordings of the Year.

WMM is inspired by the KC music community that was fueled by a collaborative and generous heart that is beating in so many of the artists we’ve met while doing this show.

We are inspired by the Fearless Women who created radio on 90.1 FM long before us: our friend April Fletcher who plays bass professionally in Los Angeles, and hosted Mix Well Before Serving on 90.1 in 1988 on KKFI’s first year of broadcast, and last year returned after 35 years to host and produce WMM.

And our friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. At Anne’s funeral we realized that we are connected to hundreds of other people who Anne had touched with her gentle, wise, guidance and had nudged into taking a job, going out on a stage, organizing an event, doing a radio show. We were all connected, she had loved us all and supported us, and some of us made a pact to do just a little bit of what Anne did, if we all did a little we could continue her work to help build our community, that is how we keep Anne alive in our heart.

KKFI and WMM shines a light, like Abigail Hope Henderson, who we lost in 2013, we watched as Abigal ignited a movement to create the Midwest Music Foundation supporting heath care needs & mental health care for the music community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers.

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

10:57 – Station ID

10:57 – Interview with Steve Tulipana

Artist, Musician, Vocalist, Club Owner Steve Tulipana, who is a co-pounder of the bands: Season To Risk, Pornhuskers, Unknown Pleasures, Roman Numerals, Thee Water Mocassins, Men of Men, The Band That Fell To Earth, and Dan Jones and The Squids. Steve is also co-owner and Manager of recordBar, miniBar, and Lemonade Park along with business partner Shawn Sherrill.

This fall is recordBar’s 20th anniversary – The staff are planning a big two day festival downtown on Grand and inside recordBar / kobi-q and The Belfry. the event will be September 26 and 27. http://www.therecordBar.com

Steve Tulipana, thanks for being with us on Wednesday MidDay Medley.

from therecordbar.com – “recordBar was born in a strip mall in Kansas City in August of 2005. Almost 20 years later and in a new location, recordBar has hosted thousands of local, regional, national, and international bands, weddings, retirement parties, celebrations of life, charity events, and community fundraisers. It has become a second home, a church even, to music fans. It is respected and lauded by musicians and fans the world over. It’s where you go to see live music up-close and personal in Kansas City.”

“RECORDBAR HAS HELPED FOSTER A COMMUNITY FOR LOCAL MUSICIANS AND FANS. ALLOWING ARTISTS TO GET THEIR START ON A PROFESSIONAL STAGE AND BRINGING IN TOURING GROUPS FROM ALL OVER THE MUSICAL SPECTRUM.” — Michelle Bacon, 90.9 The Bridge

“THE RECORDBAR HAS BEEN ONE OF THE KEY PLACES FOR ME TO GET KNOW THE KANSAS CITY’S MUSIC SCENE: THE VIBRANCE, PURITY, AND INSPIRATION IT OFFERS. THIS IS WHERE DECADES LONG FRIENDSHIPS HAVE BEEN CREATED. I WALK IN AND I SMILE. NO MATTER WHAT KIND OF DAY I HAVE HAD BEFORE ENTRY.” — Todd Zimmer, Rock’N’Roll Photographer

“THE FIRST SHOW I BOOKED AT THE RECORDBAR IN 2005 WAS THE NATIONAL THE LAST BAND I BOOKED BOOKED BY ME IN 2020 WAS SURF CURSE. THERE HAVE BEEN HUNDREDS OF BANDS, THOUSANDS OF FANS, AND MILLIONS OF MEMORIES IN BETWEEN THESE SHOWS. BECAUSE EVERY PAGE IN THE FIFTEEN YEAR ANTHOLOGY OF THE RECORDBAR IS WORTH A LISTEN.” — Jacki Becker, Promoter, Up To Eleven

Celebrating 20 Years of recordBar PLAY LOUD FEST – SEPTEMBER 25 – 28
KANSAS CITY, MO

Play Loud Fest is a four-day celebration of 20 years of recordBar. The event will take place across multiple stages around recordBar, including a Main Stage on Grand Blvd, Kobi Q, The Belfry, and more.

recordBar opened its doors in August 2005 in a humble Kansas City strip mall, with a simple goal: to create a space where music felt close and community came first. Founded by Steve Tulipana and Shawn Sherrill, two music lovers and musicians, the original recordBar quickly became a hub for local bands, national tours, and just about any event that needed a stage—from birthday parties to fundraisers to experimental art nights.

In 2015, recordBar moved to the Crossroads District, becoming part of a new chapter in Kansas City’s music scene. The new space kept the same spirit—intimate, accessible, and artist-forward—while expanding its reach and upgrading the experience for both performers and fans. Its downtown location allowed for larger shows while staying true to its roots as an independent, music-first venue.

Still locally owned and operated by Steve and Shawn, recordBar remains a vital part of Kansas City’s music community. Whether it’s your first show or your hundredth, you’re welcome here.

Play Loud Fest will feature some of Kansas City’s most beloved acts, including Making Movies, The Roman Numerals, Emmaline Twist, Frogpond, Steddy, Approach, alongside nationally known artists like Deerhoof, Labretta Suede and the Motel 6, Clownvis, and more to be announced.

The recordbar “…has become a second home, a church even, to music fans. It is respected and lauded by musicians and fans the world over. It’s where you go to see live music up-close and personal in Kansas City.” Just perfect.

Steve Tulipans met Shawn Sherrill in college at UMKC. He wasn’t a musician at the time. He worked with Paul and Allen Epley—from Shiner—at a dental lab, and then got into the service/restaurant industry at Classic Cup. Allen convinced him to take up the bass and join Shiner, they started touring, and then Shiner got signed.

Shawn and Steve were roommates for about 7 years. They lived above the record store Groove Farm on Westport Road near the Flea Market. Shawn and Steve started playing many years later as a Joy Division tribute—Unknown Pleasures—for a Halloween party, and then as the Roman Numerals. In the meantime, Shawn had gotten into restaurant management and had good complementary skills for running a venue.

Steve writes about the early years of the recordBar: “When we leased the space in 2005, we inherited Bob Walkenhorst from the Molloy Brothers, as he had played there every Wednesday. They had a little PA in there, and our thought was if a band happened to be coming through KC on an off night, we could possibly set them up in the corner, but we were not calling and going after bands.”

“There was some shake-up in the Lawrence music scene, and at that time, a lot of bands and people were going to Lawrence. Early on, we had done a couple of benefits, one for Katrina, and packed our place out. Jackie Becker from Up to Eleven Productions saw that we were doing some things, and she reached out to ask if she could bring The National to recordBar. I’d heard of The National, but not many people knew The National in October of 2005. We didn’t have the proper PA in there or anything.”

“It was successful, and we were like, ok, so now we’re a music venue, and this is what we’re doing. The next thing you know, we invested in a PA. Billy Smith—KC music renaissance man—started booking local and national bands for us, and he was really proactive and started reaching out to booking agents and touring bands. (He had done that at The Hurricane and lived in Chicago for some time).”

“We also had relationships with Jacki, Jeff Fortier—Mammoth Productions—and people we had known for years. We realized we didn’t want to step on each other’s toes and wanted to work together. Let everyone have space, work in the niche they wanted to do.”

miniBar opened in 2012. It was just going to be a lounge downstairs. The upstairs was trashed. RecordBar owners Steve Tulipana and Shawn Sherrill bought the space occupied by the Gusto lounge at 38th Street and Broadway, renovated the place, and turned it into a club with a retro/travel theme.

Steve Tulipana, thanks for being with us on Wednesday MidDay Medley.

Play Loud Festival is a four-day celebration of 20 years of recordBar. The event will take place Se[tember 25 through 28, across multiple stages around recordBar, including a Main Stage on Grand Blvd, Kobi Q, The Belfry, and more. Play Loud Fest will feature Deerhoof, Labretta Suede & The Motel 6, Clownvis Presley, alongside some of Kansas City’s most beloved acts, including Making Movies, Roman Numerals, Emmaline Twist, Frogpond, Steddy P, and more to be announced. Play Loud will kick off on Thursday, September 26, with a pre-party with Post Sex Nachos! Tickets on sale now for the pre-party with festival tickets going on sale on Friday at 10 am at http://www.therecordbar.com

11:09 – Pledge Break #4

WMM’s Summer Fund Drive Show w/ Betse Ellis, Mikal Shapiro, & Sandra Draper

We need KKFI Now More Than Ever. LGBTQIA, Urban Issues, Black Lives Matter, Labor Rights, The Environment, The Kansas City Visual & Literary Arts , The Performing Arts, Stadium Campaigns, Women’s Issues, Native American Issues, Jazz, Blues, Reggae, Classical, Hip Hop, Folk, Women’s Music, Indie Rock, Pop, Electronica, Punk…the answer is KKFI 90.1 FM Kansas City Community Radio.

We’re living in an age when an entire Political Party, a President, his entire cabinet, the U.S. Congress & Senate, The Supreme Court, Kansas & Missouri State governments are eliminating equality, civil rights, jobs, healthcare, & legal protections for women, minorities, people living with disabilities, children, our Transgender, Non-Binary & Queer friends. With the recent narrow passage of Trump’s Big Beautiful Bill has ICE now has an estimated budget of $150 billion between now and 2029—an annual average of $37.5 billion, which is higher than the military expenditure of all but 15 countries.

Things aren’t so good for pubic broadcasting. Federal cuts threaten Kansas City’s music scene: a joint statement from local stations. Kansas City’s noncommercial stations provide critical pipelines for new, local artists and music to be discovered.

The U.S. Senate and the House of Representatives approved by narrow margins on July 17 and 18, 2025, a law that claws back federal funding for the Corporation for Public Broadcasting. Once President Donald Trump signs it into law, the US$9 billion rescissions package will withdraw $1.1 billion Congress had previously approved for the Corporation for Public Broadcasting, which distributes money to NPR, PBS and their affiliate stations, to receive in the 2026 and 2027 fiscal years.

All Democrats present voted against the measure in both chambers. They were joined in the Senate by two Republicans: Sens. Susan Collins of Maine and Lisa Murkowski of Alaska. Two House Republicans also voted no: Michael R. Turner of Ohio and Brian Fitzpatrick of Pennsylvania.

WHAT’S AT STAKE – Music and the arts permeate almost every aspect of public media–from shows dedicated to music discovery and local artists to live on-air performances and concert calendars, public media provides access to music genres and artists that in many cases are ignored by commercial media.

Additionally, CPB represents the public media system to music rights organizations in negotiating blanket music licenses for noncommercial uses of music, and with a portion of the federal appropriation, CPB pays those licensing fees for all eligible public media stations.

Without federal funding for the CPB and CPB’s management of these music rights, public radio stations would face a diminished capacity to deliver the quality and variety of music you rely on, both on the radio and through our streaming platforms.

It would be cost-prohibitive and burdensome for individual stations to negotiate the same licenses and fees on their own. The loss of CPB’s role in securing music licenses is truly an existential threat for noncommercial public media.

Further, all archival stories, artist profiles and interviews or programs that use music will have to be removed from websites. The cost of compliance to review every archived story on a website or app to clear the rights again would be enormously burdensome, and, in most cases, prohibitive.

KC’s noncommercial stations provide critical pipelines for new, local artists & music to be discovered, with many artists attributing their success to their start on public radio. We also bolster local arts economies by forging partnerships with local arts organizations and performance venues, creating opportunities for the community to engage with them.

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, to share your concerns, and offer resources and information. Along with our National Public Affairs shows like Democracy Now and Alternative Radio we offer more locally produced public affairs programs than anywhere else on the dial.

We offer programs for women, the LGBTQIA Community, Native Americans, Black Public Affairs, Labor & Worker’s Unions, Middle Eastern Music & Information, Latino Programming, prison & justice system, environmental programming, Visual & Performing Arts, KC Tenants, Economics for the People, Understanding Isreal Palistine.

At KKFI there is no automated robot playing the same 40 songs in a “rotation,” based on a formula, created by a singular programmer of the robot. KKFI is the opposite of a robot.

There is almost always a human on the end of the phone line when you call 816-931-KKFI.

90.1 offers 100 different radio programs. 85 of these programs are locally, produced, hosted, engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 64 local music shows and 21 locally produced News, Public Affairs, Arts & Talk shows.

There are 140 hours each week of locally produced handcrafted programs.

You will not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting.

Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental.

With all of this, you hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, broadcast live from our non-commercial, midtown studios, at 39th & Main, in the center of our metro, across two states, a collective of communities, and thousands of listeners. What is this worth to you?

11:17 – WMM’s Favorite MidCoastal Releases of 2025…so Far!

  1. Eddie Moore – “In The Kitchen”
    from: What Makes Us / Eddie Moore Music / March 25, 2024
    [“In the Kitchen” features: Eddie Moore on piano, Bass, & Rhoades; Jaylen Ward on drums; Ben Tervort on bass, Isaiah Petrie on vibes. Written & Produced by Eddie Moore(Emoremyz BMI). Executive Producer – Eddie Moore, Co-Producer- Dan Israel. Mixed By- Eddie Moore. Mastered By Crayge Lindesay. Recorded at First Run Studios engineered by Dan Israel // When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Moore reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression. // On March 5, 2024 Eddie Moore released the EP Aperture (Live Piano Works) through Eddie Moore Music. // On April 20, 2023 Eddie Moore released the single “Tsunami” Recorded & produced at Moore’s Tribe Studios, the song features Jaylen Ward on drums. Mixed & mastered by veteran KC savant Crayge Lindesay. // Eddie Moore released his critically acclaimed album INTUITION on Oct. 28, 2022. Written & Produced by Eddie Moore. Recorded at Tribe Studios. Featuring Tim Ogutu on guitar. Mix & Mastered by Rick Carson at Make Believe Studios. Album Art by Brandon Wilson. // Eddie Moore released the single, “Love Song” (with Joel Castillo & Bree Cummings) on Oct. 22, 2021. // We The People released the single, “Single Double” on June 10, 2021. Written & Produced By Eddie Moore on keyboards, key bass, & programming; Zach Morrow on drums; and Jason Emmond on bass. // Eddie Moore’s band We The People released their album MISUNDERSTOOD on Sept. 25, 2020. // Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to KC to study under Bobby Watson at the University of Missouri-KC where he received a M.A in Jazz Studies. He was 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”. Moore has shared the stage and recordings with Bobby Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band. Eddie Moore joined WMM on Sept. 23, 2020 and Nov. 23, 2022. More info at http://www.eddiemooremusic.com]

[The Eddie Moore Trio plays The Majestic 931 Broadway Blvd. KCMO, TONIGHT Wednesday, July 23 at 6:00pm]

[The Eddie Moore Trio plays The Majestic 931 Broadway Blvd. KCMO, Sunday, July 27 at 6:00pm]

  1. Collidescope – “Dismayed In The Classroom”
    from: DEEP TAPE 2 / Collidescope / June 29, 2025
    [Collidescope includes: Hadiza. on vocals, beats, & synthesizers; and Madison Monroe on guitar, bass, beats, synthesizers, mixing & vocals. // About Deep Tape 2 – Art for anyone who [truly] hates fascism, fascists. // Music for people who don’t do well with/in categories. // Dedicated to America’s 4th Reich Gen Z. The ones who’ve been, and the ones beginning, to see. // Music & Lyrics: Collidescope, Q Lazzarus (Track 6). Mixing: Madison Monroe. Mastering: Tim Harte. Drums by Dekota Trogdon on all tracks except bawse. On October 13, 2022. // Gavin (Kamikaze GF) (a good friend of the band) mixed and mastered our their Funhouse album from 2023 is featured on a song (as HXXS who disbanded last year), called “Context” which has Hadiza singing /saying on repeat “how can you understand without the context”. Hadiza wrote to us saying, “Context: legacy of settler colonialism [if you ask me it shows up in housing, policing, education, employment and so much more, it is actually still happening…] in the USA to understand present day US ‘left-right’ policy/politricks.” // Collidescope released their album FunHouse. On December 31, 2020 Collidescope released their 7-track album DEEP TAPE. DEEP TAPE includes Victoria Falls Stillwater on addition sound production and vocals, and was mixed and mastered by J.Ashley Miller. DEEP TAPE is a follow up the band’s debut EP SYSTEMIC released December 16, 2017. Hadiza also released her solo album SHADOW WEIGHT on Nov. 22, 2019. Collidescope are getting ready to release their final recording project DEEP TAPE 2 before a hiatus. Hadiza is also working on their second solo album supported by Arts KC, titled Diaspora Gothic, to be released in the fall of 2025. More info at: http://www.hadizaisnothere.bandcamp.com or http://www.acollidescope.bandcamp.com ]

[Collidescope play miniBar, 3810 Broadway Blvd., KCMO on Tuesday, July 29 at 7:00pm with Jenny Haniver, and Kamikaze GF.]

  1. Honeybee – “i wish i knew you then”
    from: midtown girl – EP / good luck / June 6, 2025
    [New honeybee single from their upcoming EP “midtown girl”, to be released on June 6, 2025. // The track was written by the songwriter and lead singer, Makayla Scott, who wrote to us, “i wish i knew you then is inspired by all the stories Al (honeybee bass player and Mak’s partner) has told me about their life prior to us getting to know each other. Sometimes when we are reminiscing and giggling about the past, I get hit with a big wave of fomo – sad i’ve missed out on so much. but they always say that the timing of our relationship is perfect and that they’re glad we met when we did. Still, I would have LOVED to hang with kid AL and play horses or dogs or any of the 2000s era Madden games!” // Honeybee released their EP Saturn Return on March 29, 2024 part of WMM’s 120 Best recordings of 2024. // Honeybee started as the solo project of Singer/Songwriter Makayla Scott and now include 3 or 4 of her friends umping in… Honeybee released the songle “I Know What Love is” on January 27, 2023. Makayla Scott also played with the band Blue False Indigo Makayla Scott studied music at Drury University graduating in 2017. Honeybee played Manor Fest 6 at 6:30 PM at Arizona Trading CO. 1722 Oak Street KCMO with The Highwater, and Jass.]

[Honeybee play Arts on Broadway, 3550 Broadway Blvd, KCMO, on Friday, July 25, at 7:00pm with Virgo, and 24 Hour Video]

11:29 – Underwriting

11:31 – Pledge Break #5

WMM’s Summer Fund Drive Show w/ Betse Ellis, Mikal Shapiro, & Sandra Draper

What 90.1 FM KKFI Kansas City Community Radio means to YOU.

We offer Live in studio performances from: Marmoppes, Beth Watts Nelson, ALBER, True Lions, Lonnie Fisher, Mitzi McKee, Calvin Arsenia, Ivory Blue, Stephonne, Julia Othmer, The Swallowtails, Danny Santell, Krystle Warren, MusicbySkippy, Lone Stranger, Just Angel & T.A. Rell, Christena Graves

We make radio shows that cover: Extemporaneous Music and Arts Society, Lotus Pool Records, KC Rep, Outer Reaches Fest, Owen/Cox Dance Group, No Divide KC, The Folly Theatre, recordBar, Lawrence Arts Center, Manor Records, The Rino, KC Blues Society, KC Star, Lawrence Music Alliance, MixMaster Music Conference, Kosmic City Records, Midwest Music Foundation, Artists Thrive!, KC Gift, Juneteenth, Power to The People Fest, The Record Machine, Whim Theater, Lemonade Park, Crossroads Music Festival, The Ship, The Black Box Theatre, Amplify Lawrence, Quindaro Ruins, Queer Narratives Fest, Art in the Loop, The film: “I’m So Glad” documenting the KC Gospel Music, Fringe Festival, Make Music Day, Boulevardia, Arts in The Park, UMKC Conservatory of Music, The Crossroads Hotel, High Dive Records, Greenwood Social Hall, KC Folk Fest, Manor Fest, Center Cut Records, KKFI Band Auction, Charlotte Street Foundation, Women’s History Month!, University of Missouri at Columbia, Lawrence Public Library, I Heart Local Music, Black History Month, Bach Aria Soloists, Folk Alliance International, Martin Luther King Jr., Tribute to David Bowie, Tribute to Iris DeMent, the music of Palestine and Gaza

11:39 – WMM’s Favorite MidCoastal Releases of 2025…so Far!

  1. Kai McGarry – “Loose Change”
    from: Scarlett / Kai McGarry / August 1, 2024
    [This album came from a lot of research, a lot of people, and a lot of life that I’ve lived in a short period of time. I remember every situation that i wrote about, and they’re all there in the music. Everyone who shaped this album, good and bad, I am forever in your debt. This bleeding desire that I’ve had since a kid is slowly fading from dream to reality, and I couldn’t be more grateful. Scarlet is about whatever you’ve lost, gained, and most importantly, what you’ve done to achieve something in your life. // For SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans). The album is a reflection of a very short snapshot of time, one that included a shift in the people in his life as well as his priorities.Kai McGarry, is a 17 year old artist, shaped by his upbringing in the Kansas City jazz community, with mentorship from regional jazz greats and experience playing drums in various ensembles. Kai McGarry self-produced his very own debut album at the age 12. His newest album, SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans).]
  1. Ivory Blue – “Heartbeat”
    from: “Heartbeat” – Single / IVORY BLUE / March 28, 2025
    [Kansas City based artist, IVORY BLUE has a tendency of breaking through barriers that keeps her from saying what needs to be said, regardless of style. Bringing us hard hitting rock inspired ear candy like “Starlit Love Child” and “Control”, the idea of genre is only a tool IVORY uses to express her ability to communicate through music. // IVORY BLUE released the single “Heartbeat” on March 28, 2025. // IVORY BLUE released the single “Rhythm of the Radio” on January 31, 2025 // IVORY BLUE released the single “Exiled” on November 29, 2024. IVORY BLUE released the single “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and stations around the world. // On Oct. 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from Sept. 22, 2023, ”The Best of Life” from Aug. 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on Feb. 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to Earth, Boulevardia, Crossroads Music Festival, The Middle of the Map Fest, The Westport Roots Festival, the KCPT Screening of “Real Boy” at KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. More info at: http://www.ivorybluemusic.com]

11:45 – Pledge Break #6

WMM’s Summer Fund Drive Show w/ Betse Ellis & Mikal Shapiro, & Sandra Draper

KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my interesting friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your iPod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to http://www.kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcast-ing alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

For Betse Ellis, Mikal Shapiro, and Sandra Draper I’m Mark Manning. Thanks for listening!

11:54 – WMM’s Favorite MidCoastal Releases of 2025…so Far!

  1. Hot Club KC – “With a Little Help from My Friends”
    from: Dream Dancing / Matador / May 2, 2025
    [Winner of the 2022 Pitch Magazine’s “Best Jazz Band” of Kansas City, as voted by readers. Hot Club KC plays swinging gypsy jazz in the style of Django Reinhardt and the Hot Club of France. The band was founded in 2015 by violinist Adam Galblum. // Hot Club KC has now proudly released their debut album, Dream Dancing. The band features Galblum on violin; 3 manouche guitars – Clayton DeLong, Riley Voth, and Eric Mardis; and bassists Alex Mallett and Rick Willoughby. Lead vocal duties are shared by Galblum & Voth, adding rich texture to the band’s lively tapestry. Dream Dancing features 2 original instrumental compositions by Galblum — “Renji” and “Ghosting”— plus 7 familiar jazz standards and a manouchestyle take on the Beatles’ classic “With a Little Help from My Friends.” that features: Adam Galblum on violin & vocal; Clayton DeLong on guitar; Forrest Fowler on guitar; Riley Voth on guitar & vocal; Rick Willoughby on bass ]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

We want to send a really big THANK YOU to every one of you who donated during Wednesday MidDay Medley and our Summer Fund Drive for KKFI 90.1 FM. We had 47 individuals donate a total of $3529.00 in support of Community Radio. Special thanks go to my co-hosts and guests: Betse Ellis, Mikal Shapiro, Sandra Draper and Steve Tulipana and Lincoln Dreher!!!

Next week, on Wednesday, July 30 we bring you Part 3 of WMM’s Favorite MidCoastal Releases of 2025…So Far! // Plus at 10:30 Nathan Reusch aka Bobcat Attack joins us LIVE// And at: 11:00 it is the return of Silky San’s Soul Sensation with our friend Sandra Draper

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1105

WMM Playlist from July 9, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 9, 2025

WMM presents: Dedric Moore & The Kosmic City Fest + The Swallowtails + Kai McCarry

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. TheBabeGabe X The Human – “ROZZELLE COURT”
    from: HONEYPOP / Seven Rings Media / March 5, 2025
    [Production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on September 20, 2024 through Dirty Hit Records and immediately followed with an 8-track seventh studio album HEAVEN ON URF, on October 25, 2024 on Dirty Hit Records. Our friend and music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On October 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. Kansas City is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.” Deiondre added, “The music scene here is getting cool now, there’s a lot of jazz musicians that go to school for music here too but you can find people from different scenes all over if around the city.” Ty wrote, “The KC scene is great, the community here is so supportive and genuine. This is a really prideful city here and I think they’re finally getting the musicians they deserve.”]
  1. Deep Sea Diver – “Loose Change”
    from: Billboard Heart / Sub Pop Records / February 28, 2025
    [Seattle’s Deep Sea Diver released Billboard Heart, their fourth album, and wide-screened Sub Pop debut. The new long-player includes the “Billboard Heart”, along with highlights “What Do I Know,” “Emergency,” “Let Me Go,” her collaboration with Grammy-winner Madison Cunningham, and the guttural single “Shovel.” // Billboard Heart immediately puts Deep Sea Diver in the company of St. Vincent, TV on the Radio, and Flock of Dimes, bands that have found newly ornate and magnetic ways to make indie rock by discarding notions of how it must sound or what it must say. Dobson punches through her past here. As she howls during Billboard Heart’s rapturous title track, she is “welcoming the future by letting go of it.” // It is a coup, a triumph over self-doubt in which what first felt like failure became an opportunity to find new freedom, belief, and strength. You can hear it in each of these eleven songs, the beating heart that makes everything here feel like a new anthem for finding your own way forward. // Billboard Heart was written and performed by primary songwriter and guitar player Jessica Dobson, and her partner, drummer and band co-writer Peter Mansen, and synth player Elliot Jackson. Additional contributions include former The Shins’ bandmate Yuuki Matthews, Caroline Rose, and Greg Leisz. Billboard Heart was produced by Jessica Dobson and Andy D. Park, with additional production from Adam Schatz, mixed by Park, and mastered by Greg Calbi and Steve Fallone.
    // You can watch the single-take official video for “Shovel,” directed by Tyler Kalberg and Deep Sea Diver. Dobson says of the track and visual, “‘Shovel’ is one of the most angular and dualistic songs I’ve written, and I wanted to do a one-shot video that captured the grit, rawness, and intensity of the song. Simply put, it is me digging and dancing with a shovel in the middle of the night, desperately looking for beauty in dark places. Influenced by Lynch, the Cohen brothers, Nick Cave, and the sweet dance moves of Kate Bush.” // “Frontwoman Jessica Dobson’s powerful voice and gnarled guitar solos grant the Seattle band’s propulsive, riff-laden indie rock a new level of yearning intensity.” – Pitchfork // “Billboard Heart could propel Deep Sea Diver to the greatest of heights: mild indie stardom. Or at least it should, because this record is very good. But even if they aren’t headlining Pearl Jam-sized arenas this time next year, the sounds of Billboard Heart could fill one.” – PASTE // “There is plenty to unpack with plenty of anthemic moments but also moments of calm that help the epic tracks to soar even more. Dobson’s vocals and guitar work are both captivating throughout in a record that rarely has a dull moment and is full of spirit and spark from start to finish.” – CLASH]

[Deep Sea Diver plays recordBar, 1520 Grand Street, KCMO, Tomorrow Night, July 10, at 7:00pm with opening band Meerna.]

  1. Hannah Jadagu – “My Love”
    from: “My Love” – Single / Sub Pop Records / July 7, 2025
    [Hannah Jadagu has returned with “My Love,” the singer-songwriter and producer’s scintillating new R&B electro pop song, available today on all streaming services from Sub Pop. The accompanying official video, co-directed by Annika Santhanam and Hannah, who also stars in the I Spy-inspired visual, is a sweet and surreal take on the song’s lyrical themes of love and distance. Hannah says of the song, “‘My Love’ is about the feelings that can arise when you’re apart from someone you love (longing, excitement, gratitude). It’s simply a love song that makes a plea for being with that person.” My Love” was written and composed by Hannah Jadagu, co-produced by Hannah with musician/producer Sora at Undercooled in Los Angeles, and returning collaborator/producer Max Baby at Greasy in Paris, France, mixed by Blue May and mastered by Heba Kadry. “My Love” is her first recorded material since the release of 2023’s Aperture, Hannah’s acclaimed, full-length debut. // Fresh out of high school, Hannah Jadagu released her debut EP, What Is Going On?, a collection of intimate bedroom pop tracks recorded entirely on an iPhone 7, which was, at the time, Jadagu’s most accessible mode of production. An off-the-cuff approach to music making and instinctive ability to write unforgettable hooks belied the intensity of Jadagu’s subject matter. In a short run time, What Is Going On? confronts some of the nation’s most urgent struggles all through Jadagu’s compassionate perspective. “I want my songs to be both super intimate and still universally relatable,” Jadagu says. “With the EP, so many people told me that the songs resonated with them on a personal level, and that’s what I’m always hoping for.” // Resonate it did; What Is Going On? was Jadagu’s first Sub Pop release, but she’d been putting out music on SoundCloud for years, garnering a small online fanbase as she settled into an aesthetic, and recognition from a broader audience was overdue. “It really took off when I became a percussionist in my middle school’s band,” she says. “Writing songs started as a hobby and quickly became a passion to the point that I spent all my free time recording.” // On May 19th, 2023 Jadagu premiered Aperture, her first LP and most ambitious work to date. Aperture was part of WMM’s 120 Best Recordings of 2023. Written in the years between graduating from high school in Mesquite, TX and her sophomore year of college in New York, Aperture finds Jadagu in a state of transition. “Where I grew up, everyone is Christian; even if you don’t go to church, you’re still practicing in some form,” Jadagu says, laughing. “Moving out of my small hometown has made me reflect on how embedded Christianity is in the culture down there, and though I’ve been questioning my relationship to the church since high school, it’s definitely a theme on this album, but so is family.” // As a kid, Jadagu followed her older sister – a major source of inspiration who she refers to as “the blueprint” – to a local children’s chorus, where she received choral training. “I hated it,” Jadagu admits. “But it taught me how to harmonize, how to discover my tone, how to recognize and write melody.” The aching single “Admit It” is dedicated to Jadagu’s sister, whose boundless love and impeccable taste has been a constant for Jadagu ever since she was a kid. At home, the siblings were raised on mom’s Young Money mixtapes and the Black Eyed Peas (to whom she credits her love of vocoder) but it was in the sanctity of her sister’s car that Jadagu discovered indie artists who would go on to inspire her work. // Hannah Jadagu played the Bottleneck in Lawrence Kansas on Friday, September 29, 2023]
  1. Lnrd Dstroy x Chromadadata – “Zen Garden ft. Aaron Alexander & Ubi”
    from: Enter The ScribbleVerse / A Space Suit Production / June 26, 2025
    [Produced by Lnrd Dstroy & Chromadadata // “What began as a short film about the artist Scribe has grown into a multidimensional exploration of the creative experience. Music, a vital thread in that journey, took center stage as Leonard DStroy and Chromadadata expanded their original film score into a full sonic odyssey—one that drifts from wide open fields to the far reaches of space. // This project is more than a soundtrack—it’s a mood, a companion for your road trips, your creative deep dives, your moments of stillness. Full of chill-out vibes and soul-nourishing lyrics, it invites you to reflect: What fuels your own creative path? // So grab your headphones, crank the stereo, and Enter the Scribbleverse.” -Scribe // Track 05 features Aaron Alexander & Ubi on vocals. Track 07 features Peter Schlamb on Vibraphone. Track 11 features Dom Sanders on Bass. Track 14 features Ubi on vocals. Track 17 features Aaron Alexander on vocals, Octavio Santos on Trumpet/ Arrangement, and Tina Sol on Strings. // Mixed/ Mastered/ Executive Produced by Lnrd Dstroy. Cover Art by Scribe. A Space Suit Production.]
  1. Jamogi & The Jammers – “Blackout (Flew The Coop Live)”
    from: Jamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live) / Jam Tunes / April 11, 2025.
    [Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Do It To Me” on March 28, 2025. // Jamogi released the single “Go Big or Go Home” on August 30, 2024, Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire. Kamogi and the Jammers played Boulevardia 2025]

[Jamogi & The Jammers play The Rino 314 Armour Rd, North Kansas City on Friday, July 11 at 7:30pm with Sweet Magnolia, and the Back Alley Brass Band]

  1. Kissin – “Signs of Life”
    from: “Signs of Life” – Single / Lady Kissin Records / February 14, 2024
    [Songwriter: Emma Mathieson / Producer: Corbin Wise / Co-Producer/Mixing: Emma Mathieson. // Kissin is Kansas City Kansas based musical artist Emma Mathieson – Queer, midwestern, and deeply nostalgic, Kissin explores the intricacies of growing up, love, and pure joy with their dreamy spells of songs. / “Signs of Like is Kissin’s debut single released February 14, 2024. Kissin released “hand soap” coproduced with Corbin Wise and also released February 14, 2024. Kissin released “cal me when you land” also coproduced with Corbin Wise on September 2, 2024. On June 20, 2025 kissing released the single “forsythia” through lady kissin records. Kissin will release their 5th single “company time” on July 9, 2025.]

[Kissin plays miniBar, 3810 Broadway Blvd, KCMO on Friday, July 11, at 7:00pm with Sisterbot, and Harper K.]

  1. REVISER – “CELESTINE”
    from: “CELESTINE” – Single / REVISER / February 28, 2025
    Calling to mind classic 80’s bands such as Sisters of Mercy, The Cure, and Killing Joke, REVISER sounds complimentary to such contemporaries as Actors, Soft Kill, and Drab Majesty. REVISER collects and redirects its familiar influences into something both familiar and foreign, a sound that is dark, deep, and danceable. Dedric Moore on keyboards and Krysztof Nemeth on vocals and baritone guitar, with newest member Breaka Dawn (of The Bad Ideas) singing with Krysztof. This is the 4th single form REVISER who released “DARKSIDERS” on October 18, 2024, and “ASSASINS” and “BURN IT OUT” on March 15, 2024. REVISOR is a continuation of the musical collaboration from Static Phantoms, Religion of Heartbreak (with Mikal Shapiro) and Monta At Odds.]

[Reviser plays the Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, with Stranger Gallery (MINN), Brave Boy (Wichita), Cables & Lace, and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO.]

10:28 – Underwriting

  1. Stranger Gallery – “Restless”
    from: Echoes from Camden Bridge / Windlass Records / September 13, 2024
    [Stranger Gallery presents their debut album, “Echoes from Camden Bridge,” on their own Windlass Records. After relentless regional tours, east coast festivals, lineup changes, and constant support for national artists, the band teamed with Tony Williamette at Minnehaha Recording Company (Charlie Parr, Night Moves) and settled into the studio for a Minnesota winter. // Echoes’ eight songs take a heartfelt and menacing delve into the personal impact and questions of the last four years: estrangement and cooperation, misinformation and advocacy, healing and war. // The band’s mechanized dance beats, shimmering guitar, and lush synths are pierced with an expanding vocabulary of violin and sampled metal percussion. // Mastered by Greg Reierson at Rare Form Mastering. // Cody Bourdot – vocals, guitar, sampler, bass; Manny Castro – bass, violin; Rocky Rosga – synth, beats, programming; Joe Hastings – lead guitars //Special thanks to Mark Mallman for guest vocals on 4. // Music by Stranger Gallery (1,4,7,8), Cornell/Bourdot (2), Roxy Epoxy/Drat (5), and Glenn Bourdot (6).. Words by Bourdot except 5 (Roxy Epoxy) and 6 (Glenn Bourdot). Recorded December 2023 and January 2024 at Minnehaha Recording Company, Minneapolis. Produced and mixed by Tony Williamette and Cody Bourdot. Engineered by Tony Williamette. Assistant engineers Thomas Schroeder & Murphy Oyeneyin.
    Mastered by Greg Reierson at Rare Form Mastering, Minneapolis.]

[Stranger Gallery (MINN) plays the Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, with ReViser, Brave Boy (Wichita), Cables & Lace, and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO.]

10:34 – Interview with Dedric Moore

We’re happy to welcome back to the show one of our favorite people, Dedric Moore. Dedric is a Kansas City, Kansas based musician, producer, songwriter, vocalist and co-founder of the bands: Religion of Heartbreak, Re:Vis:Er, Monta At Odds, Static Phantoms, Gemini Revolution, Mysterious Clouds and founder of Kosmic City Records. Dedric joins us to share details about the Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, featuring RE:VIS:ER, Stranger Gallery (MINN), Brave Boy (Wichita), Cables & Lace, and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO. More information at http://www.kosmiccity.com

Dedric Moore welcome back to Wednesday MidDay Medley

Last week on the radio show we played the new Religion of Heartbreak -single “Love Tourniquet” released through Kosmic City Records on June 27, 2025

Last week in WMM we played Religion of Heartbreak’s newest single: “Love Tourniquet,” the first taste of their forthcoming EP Lunate, due this September. Mikal Shapiro‘s cool, detached vocals float over Dedric Moore’s pounding rhythms and bright-yet-gothic synths, resulting in the ideal soundtrack for stumbling through a fog-drenched nightclub where the lights have just cut out. // The track captures that intoxicating rush when desire floods the system—blood to the head, pulse in your throat—only to fade as quickly as it arrived, leaving you back on the dance floor, chasing the same high again. Moore’s growling bass anchors the swirling soundscape while subtle dark-disco elements lift the arrangement into urgency. // “Love Tourniquet” thrives where euphoria meets emptiness, where the black mirror of the dance floor reflects nothing but your own endless cycle of want. Repetition becomes ritual and desire becomes devotion. // Religion of Heartbreak formed out of a desire to make music with a darker dance floor focus. The combination of Mikal Shapiro’s vocals battling against Dedric’s icy synths, mechanized beats and dub-inflected electro-bass creates a juxtaposition that works in all the right ways. //Religion of Heartbreak delves into the sounds of Darkwave, EBM, and the darker side of Synth Pop. The grooves are there. The songs are clever and always filled with a sense of lost love as we follow our dark hearts.

ROH is the band formerly known as Monta At Odds. It was recently announced that Krysztof Nemeth was stepping away for Religion of Heatbreak to focus on his band ReViser also with Dedric Moore and with Breaka Dawn.

On February 3, 2025 Religion of Heartbreak released the 5 song EP Dream Reflection with Dedric Moore on vocals, guitar, synths, programming; Mikal Shapiro on vocals, Krysztof Nemeth: baritone guitar, electronic percussion; Alexander Thomas on electronic percussion on MGGG, Dream Reflection, Skeptic; Regan Moore on electronic percussion on Dark Hour of Meditation // Dream Reflection EP carries forward the motorized heartbeat of classic darkwave while forging its own metallic path. Drawing from EBM and Synth Pop traditions, this five-track release sees the Monta At Odds offshoot strip away unnecessary embellishments, leaving only the essential elements and textural remnants that speak to our collective digital malaise. // The EP’s centerpiece and title track emerges like a ghost in the machine, with Mikal Shapiro’s coolly delivered vocals floating above Dedric Moore’s gritty synth programming and precision-guided guitar along with Krysztof Nemeth’s synth pad percussion. Each track builds upon this foundation, from the robot-dance urgency of “Forget About You” to the beautiful desolation of “Skeptic,” creating a cohesive statement about modern isolation and the personas we construct. The result feels familiar and alien—like catching your reflection in a black mirror and seeing someone else staring back.

Kosmic City Presents: LUDI Dark Music Festival on Saturday, July 12, at 7:00pm at miniBar, 3810 Broadway Blvd KCMO.

Tickets: https://dice.fm/event/k6vn7l-ludi-festival-reviser-stranger-gallery-brave-boy-cables-lace-dj-ilya-12th-jul-minibar-kansas-city-tickets

Featuring:
Reviser – https://reviser.bandcamp.com/
Stranger Gallery (MSP) – strangergallery.bandcamp.com/
Cables & Lace – cablesandlace.bandcamp.com
Brave Boy (Wichita) – braveboymusic.com/
Elska – http://www.elskamusic.me/
DJ Ilya

10:43

  1. Cables and Lace – “Glimpses”
    from: “Glimpses” – Single / Cables and Lace / May 5, 2020
    [Cables & Lace is a Topeka, Kansas based duo made up of Josh and Carmen who create an eclectic mix of down tempo, industrial, indie, and trip-hop.]

[Cables & Lace plays the Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, with ReViser, Brave Boy (Wichita), Stranger Gallery (MINN) , and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO.]

10:47 – More Interview with Dedric Moore

We are talking with Dedric Moore about the Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, featuring RE:VIS:ER, Stranger Gallery (MINN), Brave Boy (Wichita), Cables & Lace, and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO. More information at http://www.kosmiccity.com

Dedric Moore thank you for being with us on Wednesday MidDay Medley

Dedric is a Kansas City, Kansas based musician, producer, songwriter, vocalist and co-founder of the bands: Religion of Heartbreak, Re:Vis:Er, Monta At Odds, Static Phantoms, Gemini Revolution, Mysterious Clouds and founder of Kosmic City Records.

Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, featuring RE:VIS:ER, Stranger Gallery (MINN), Brave Boy (Wichita), Cables & Lace, and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the de

While Dedric’s bands have been released on the Record Machine and Haymaker Records Dedric has also created his own label imprint: Kosmic City Records

Kosmic City’s website says: “Kansas City is in the center of the US and no longer a flyover town. Kosmic City is the nickname from the adventurous minds of denizens keeping underground culture alive in the Kansas City metro.”

“We are a group of musicians, DJs and fans of the scene and want to help make Kansas City a safe and exciting place to enjoy the dark scene. Kosmic City is comprised of members of Monta, Morgue VVitch, Emmaline Twist, Panhead87 and DJs Rico Dejoie and Steve Tulipana”

Kosmic City is dedicated to “Promoting Goth, Darkwave, Post-Punk, Synthpop, & Shoegaze in KC”

There are 37 Cosmic City EPs or Album Releases from: Religion of Heartbreak, Re:Vis:Er, Monta At Odds, Static Phantoms, Gemini Revolution, Mysterious Clouds available through Kosmic City.

Upcoming Kosmic City Approved Shows:

Academy Order, Religion of Heartbreak, Bags Bags Bags – Sun, Jul 27 at 7:00 pm at miniBar, 3810 Broadway Blvd KCMO

“Academy Order masterfully blends goth, death rock, post rock, new wave and hints of hardcore to create a special sound that is simultaneously a revival and a revolution. Though these songs sound like the work of a band at the peak of their career, one can tell the band is just getting started.” – Evan Martin-Casler, Cvlt Nation

Newmoon, Cold Gawd – Wed, Jul 30 at 7:00 PM at recordBar, 520 Grand. KCMO

Brace yourselves for an enchanting musical journey as Newmoon, the acclaimed shoegaze band from Antwerp, Belgium, unveils their third studio album “Temporary Light.” The brand new release promises to mesmerise fans and captivate new listeners. // “Temporary Light” weaves a sonic tapestry that harks back to the band’s roots, yet retains a fresh approach that keeps their music alluring. Blending airy vocals with lush guitars, Newmoon creates an immersive sound that sweeps listeners off their feet into a striking world that feels distant yet familiar at the same time. // Joined by new drummer, Conor Dawson, “Temporary Light” marks an exciting chapter in Newmoon’s evolution. The band’s signature feel for grand yet delicate melodies are enriched by Dawson’s rhythmic finesse, adding a layer of depth and musicality to their songs. // After a more melodic approach on their previous release, Newmoon returns to embrace their abrasive, dreamy and ethereal sound on “Temporary Light”. With their blooming guitars and gracefully haunting melodies, they captivate listeners throughout the 8 tracks. From gentle melodies and catchy hooks to plush walls of guitars and pummeling drums. // “Thick layers of guitars always felt natural to us, and are kind of our main thing. We wanted to explore some ideas that have been in the back of our mind ever since we started this band,” says Bert Cannaerts. “As soon as we let go of trying to write a specific type of album, the songs grew organically and everything just clicked.” // Having previously recorded “Space” and the band’s debut EP “Invitation To Hold”, Newmoon enlisted engineer and producer Thomas Valkiers again to record “Temporary Light”. Additionally, Simon Scott of Slowdive,, renowned as one of the key people within the shoegazing genre, is responsible for mastering, truly elevating the sound of “Temporary Light”. // “Shoegaze is a genre where you get lost in walls of sound and whatnot. In a psychedelic sound, between reverbs… You need songs. These guys have them. They are very cool.” – Simon Scott for Binaural.es

Plague Garden, Reviser, Rx Ghost – Thusday, Aug 7 at 7:00 PM at miniBar

Plague Garden is a post-punk band from Denver, Colorado that began a concept in 2017 when singer-guitarist Fernando Altonaga wanted a vehicle for his more post-punk songwriting that didn’t fit with his project at the time eHpH, an industrial/EBM project. // Calling to mind classic 80’s bands such as Sisters of Mercy, The Cure, and Killing Joke, REVISER sounds complimentary to such contemporaries as Actors, Soft Kill, and Drab Majesty. REVISER collects and redirects its familiar influences into something both familiar and foreign, a sound that is dark, deep, and danceable. // RxGhost is a Kansas City-based band known for their shoegaze and post-rock sound, characterized by atmospheric textures and emotionally resonant music. They blend ethereal soundscapes with intense sonic bursts, creating a unique and immersive experience.

Die Sexual, L, Janet Azimuth – Wed, Aug 13 at 7:00 PM at miniBar

Die Sexual is the Los Angeles-based dark electronic duo of Rosselinni and Anton Floriano. Conjuring their influences of ebm, techno, and electropop, their sound is an intoxicating mix of analog synthetics and seductive vocals, touching on themes of desire and despair, domination and submission. // L and Janet Azimuth open the show.

Dedric Moore thank you for being with us on Wednesday MidDay Medley

The Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, featuring RE:VIS:ER, Stranger Gallery (MINN), Brave Boy (Wichita), Cables & Lace, and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO. More information at http://www.kosmiccity.com

10:56

  1. Elska – “Moonstorms”
    from: Dancing Alone (LP) / Time Released Sound / July 5, 2024
    [11-track album release. Electronic/Ambient music from KC based Elska. Elska is the narrator of cinematic lullabies and creation of Composer Laura Boland. She represents love, imagination, optimism, conflict & awareness. Elska writes, “My vignettes are comprised of moments and memories that explore the human condition and our spiritual migrations in the context of our ever-changing environment.” .Composed, recorded, and mixed by Laura Boland in Kansas City, MO. Mastered by Jessica Thompson in San Francisco, CA. Polaroids by Laura Boland, Alex Alexander and Peter Rad. Polaroid stories by Laura Boland Artwork/Design by Colin Herrick and Maria Chenut. // Elska writes: “Hello and thank you for taking the time to read this and listen. I am happy to present Dancing Alone to you: a slow waltz through the darkest corridors of our yesterdays. Here, we excavate dusty memories and are united with our shadows to uncover a reverberating love inside our hearts’ distorted beats. Evocative orchestrations of ghostly soundscapes and nostalgic synth textures decorate this internal terrain and accompany ethereal vocal narrations that tie together the complexities and explorations of “home.” // Elska released the 5 track EP lerden in Januaryt 29, 2021. // Elska released the 8-taxck album elska on September 28, 2018. More info at: elskamusic.me]

[Elska plays the Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, with ReViser, Brave Boy (Wichita), Stranger Gallery (MINN) , and Cables & Lace (Topeka) for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO.]

11:00 – Station ID

  1. The Swallowtails – “Lucky Penny (2025 version)”
    from: Perspective (Bonus Track) / The Swallowtails / to be released in August 2025
    [This is a new recording and new version of the band’s song “Lucky Penny” originally released as the title track from their Bebruary 20, 2024 5-song EP – LUCKY PENNY. Yhis new version will be added as a bonus track on the bands. Up coming album PERSPECTIVE. // The independent acoustic band, experimenting in the rock/pop genres while performing on what are traditionally folk/classical instruments, enter a new era having produced the entirety of this project themselves, with the songwriting matter touching on life’s big changes, challenges, and the realizations that time will heal. // “Since becoming a duo, it was time for us to reinvent our sound again. The songwriting on the LUCKY PENNY EP was split between Rachel and Miki P, and this was Rachel’s debut release as a writer and singer. We spent all of January 2024 finishing the arrangements, recording and mixing the mini-record. It was a much needed release of energy for both of us, and we are definitely looking forward to adding these songs into our live sets and performing new material.” – Miki P, songwriter, singer and musician in The Swallowtails. // Est. in 2018, The Swallowtails are a Kansas City based musical duo comprised of musicians Miki P on guitar/vocals and Rachel Lovelace on bassoon/vocals. Their vision is to write honest, heartfelt songs that feel like you’re coming home to an old friend. As recording and performance artists, they have been showcased throughout Kansas City, performing at the Folly Theatre, Boulevardia Music Festival, The Kansas City Public Library as part of the 2023 Art in the Loop: Celebrate project, and most recently at Green Guitar Folk House opening for The Wildwoods. Their songwriting was awarded Best Song by a KC Band in 2023 by the Pitch Magazine for their tune “Take it Slow.” // Swallowtails embarked on their 4th year entering NPR’s Tiny Desk Contest featuring a song off the EP, called “I’m on Fire” posted to NPR’s official contest site. // The Swallowtails hwere recently approved as part of KCAIC Touring Artists Roster, through the Kansas Creative Arts Industries Commission. // Historically, on May 22, 2023 The Swallowtails released their 7-track EP THE WORLD STILL SPINS with Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, and Miki P on guitar & lead vocals. // Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. Miki P was born in Kansas City, KS. Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. Miki P performed “She Loves You” at her 7th grade talent show. In 9th grade she joined a teen-band called American Slim as drummer & vocalist, and she wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. Miki P has played Middle of the Map Fest, Crossroads Music Fest, Kauffman Stadium, Arrowhead Stadium, and The Nelson Atkins Museum of Art before officially ending in 2018. As a teen she played drums for various groups including American Slim. At 21, Miki P began work on her debut solo-record, DOME OF SWALLOWS, that was released August 2, 2018. She then formed Miki P and the Swallowtails who released their first EP, Swallowtail in 2019, In 2021 Miki P released the 6-song EP, DON’T LOSE HOPE, created in covid isolation, in Miki P’s home space. Sitting & working from Miki’s computer, she composed and recorded 80% of the EP, working through the music like a journal entry, creating each song from her internal hurricane of emotions. All songs written, recorded, played, & mixed by Miki P. Recorded & Mixed with Emma Klien & Jake Hilger. Mastered by Joel Nanos. Miki P released her single “Your Love” on June 24, 2022. Miki P’s released the single “Peter Parker!” on March 18, 2022. // The Swallowtails played the 20th Annual Crossroads Music Fest, August 24, 2024 on the Stockyards Brewing Stage with: Howard Mahan & Friends, The Canterberries, Danielle Ate The Sandwich, Beth Watts Nelson, Rural Grit All Stars, and Les Ismore & The Goats. // More info at: http://www.mikipmusic.com]

[Casii Stephan, Miki P and Cheery will play Greenwood Social Hall, 1750 Belleview Ave, KCMO on Thursday, July 10 at 7:00PM Doors at 6:60pm]

11:05 – Interview with Rachel Lovelace of The Swallowtails

Rachel Lovelace attended the Douglas Anderson School of the Arts and moved from Jacksonville Florida to Kansas City in 2015 to study at UMKC and UMKC Conservatory of Music in Jazz Studies/Performance. Rachel has worked at Kansas City Young Audiences, loves rock climbing, has a dog named Peanut. and has been a part of the Swallowtails from the beginning

Since 2018 The Swallowtails have released two albums and two EPs, played hundreds of shows and festivals around the Midwest, and been awarded The Pitch Magazine’s ‘Best Of Kansas City’ for the last two years. They released their EP LUCKY PENNY on February 20, 2024. The duo is currently at work on their new album PERSPECTIVE The band has launched a new Kickstarter Campaign to help make this new collaborative project happen Casii Stephan, Miki P and Cheery will play Greenwood Social Hall, 1750 Belleview Ave, KCMO on Thursday, July 10 at 7:00PM Doors at 6:30.

Rachel Lovelace thanks for being with us on Wednesday MidDay Medley

The Swallowtails are: Miki P and Rachel Marie Lovelace are an acoustic folk rock duo based out of Kansas City, MO. They’ve been a band for 6.5 years. They’ve been completely independent from record labels and management. This approach has been the best way for them to have complete control of Their vision and truly find their sound. Despite going it alone, They’ve released two albums and two EPs, played hundreds of shows and festivals around the Midwest, and been awarded The Pitch Magazine’s ‘Best Of Kansas City’ consecutively for the last two years in a row!

From their Kickstarter page:

Within these last two years They’ve been able to grow Their fan base throughout the Midwest through touring and releasing music. Their most current EP Lucky Penny was released in February 2024 and was recorded, produced, and released on their own volition. They learned a lot in this process; how to co-write & co-produce with each other, how to write for their instrumentation, and how to record their unique sound.

After releasing Lucky Penny into the world, they continued to write as a duo and develop their live stage show by trying out new songs with the intent to find their strongest arrangements. Shedding this music in dedicated rehearsal time and on the stage, they believe this new collection of songs are their strongest yet. From their Perspective they know this collection is special and it deserves the opportunity to reach a bigger audience outside what they are physically and financially able to do by theirselves at this point.

Outgrowing their independent resources, they’re calling for help to bring their biggest vision yet to life. This is the greatest endeavor they’ve encountered as a band and as professionals. By running this campaign on Kickstarter, The Sswallowtails are reaching out to ask help from listeners, fans, and friends, to be a part of our process to releasing new music. This way too, they are able to give back something tangible, like a vinyl record or a songwriting lesson, in exchange for help.

Making an album comes with a plethora of costs. Studio time, hiring an engineer and producer, along with mixing and mastering the record is just the beginning of this process. After the music is recorded, they will have to afford photo and video shoots for publishing, press releases, and marketing.

On top of all of that, they will hire a publicist in hopes to give this music a chance to find its deserved audience. This doesn’t cover the costs of ordering merch outside of the kickstarter rewards – which is our only real chance of making any of our investment into the overall cost of the project back.

PERSPECTIVE THE ALBUM – a two-part release ♡♡♡
Perspective will be an album released in two parts. The first 5 songs, of which they’ve already started recording, will release in the Fall of 2025 digitally. The full album, including the first five released songs plus 6 more songs, will released in 2026 both digitally and physically.

Perspective as a concept was inspired by their friendship as bandmates, but more importantly friends. Having experienced seven years of life together, Miki and Rachel have had their fair share of ups and downs. They’ve laughed together, grieved together, hit some of their biggest professional achievements side by side, and supported each other through difficult life changes. This album is not only an ode to their friendship and foundation, but a reminder that: life is a matter of your perspective. They choose to revel in our lives, create art, sing songs and share our souls with the world!!

This is the first completely collaborative album they have written as a band. Writing credits are split evenly between the two of the, and you will hear both of them taking lead on certain songs and sharing harmonies. They feel like this project reflects their growth as songwriters in a way they’ve never been able to capture before, and we’re very proud of this collection of songs.

The first 5 songs listed will be included in the first EP release this year!
Told You So
Perspective
One of These Days
The Last Time
Tables Have Turned
Giving Tree
Always With Me
My Girl
Heart is a Garden
Revolution
BONUS TRACK: Lucky Penny (ft. John Mailander)

WHO’S INVOLVED? – As an independent band free of labels or management, there are many hats they wear to keep the music rolling and our pockets not completely empty. However, they knew they couldn’t do it alone and needed a team of creators who believed in the project to make it truly come to life.

The Swallowtails challenged themselves with this project to work outside of what was familiar to then in previous recording sessions. For the first time ever they hired a producer, Heidi Gluck, an extremely talented and inspiring musician, to guide the feel of the album. Before recording in the studio, they met with Heidi to do what they call “pre-production sessions” where they reshaped their songs. They changed tempos, chords, lyrics, everything you could possibly do to create their songs best arrangements. During their time in the studio, Heidi kept them on track, wrote counter-melodies, and played bass and keyboard. This album continues to metamorphosize and evolve; the record is currently being created, re-arranged, recorded and visualized with the help and guidance of Heidi.

The Swallowtails decided to ask their friend Wills Van Doorn to engineer this project for them. Wills is a wizard at engineering, and is also a talented musician/songwriter himself. Comfort was really important to them for this record. They wanted to be somewhere they felt safe to be themselves and capture the collaborative energy with their producer Heidi. Wills did an excellent job facilitating this and they believe you can hear that on the record.

For the album cover, they asked Lori Locke to help the create the vision they saw for Perspective. They wanted it to play on the album title; the image being a matter of your perspective. After an amazing photo shoot with Lori, they printed the pictures and created a paper collage with real dried flowers (that they pressed themselves from a walk one day) and a vintage book Rachel purchased when they first started The Swallowtails. It was a group project that stemmed from Lori’s unique vision of painting their bodies and posing them in her studio!

There will be one bonus track on the Perspective album that is a call-back to a previously released song of theirs, Lucky Penny. The Swallowtails are re-releasing the song this summer as a single featuring The Sweallowtails unbelievably talented friend John Mailander on violin. The band believes this re-release embodies the true spirit of the song, our friendship, and journey as musicians and producers into their next album cycle.
All the videos you’ve seen for this campaign were shot and edited by their friend Dylan Trigg of Triggered Media Co. Dylan helped them take thier Kickstarter campaign to a visual level – showcasing our sense of humor, gratitude, and hard work in all under 3 minutes.

There are so many more people who have aided in their journey as a band, as performers, and as songwriters. They couldn’t have done any of this without involving the listeners and fans that make any of this possible. They are so grateful to all therr friends and family who believe in them to soar for new heights!

More info at http://www.theswallowtails.com

https://www.kickstarter.com/projects/theswallowtails/

11:15

  1. Casii Stephan – “King of America”
    from: “King of America” – Single / Casii Stephan / July 4, 2025
    [Produced by Chad Copelin (Colony House, Strumbellas, Broncho), “King in America” is a hard-hitting and explosive rock-drenched protest song against the perils of fascism and the current American administration. Casii shares, “I’m mad. I was raised to believe in God’s divine plan for America. That the monarchy was never meant for us. And now… they want a monarchy. They want to threaten my trans friends’ lives and make them unwelcome in Oklahoma. They want to deport people who are near and dear to my family. They want to pick on the minority. Well, pick on me. I’m the majority. We’re the majority. And if they think this country will go down without a fight? Darlings. We already won this war. I guess it’s time to remember who we are. The home of the brave and the land of the free.” // Casii Stephan has received acclaim from the likes of Billboard, NPR, American Songwriter, Atwood Magazine, and SPIN among others and has performed at SXSW and is signed to TRO Essex (Woody Guthrie, The Who, Pink Floyd). // Minnesota gave her roots, and Tulsa gave her wings. Casii Stephan is a MN-born, indie-pop meets soul-rock singer-songwriter based in Tulsa, OK.Casii’s “gorgeously emotive voice inspires comparisons to alt-pop artists like Florence Welch and Fiona Apple with a writing style reminiscent of Carole King” (NPR). // Stephan’s voice is fierce and fearless, but this was not always the case. She grew up shy and afraid of her voice until she started writing songs on the family piano when she was 16. Casii moved to Tulsa in 2014 with the intent to give up her pursuit of a music career, however with a little encouragement from a friend, she continued songwriting and started releasing music in 2016. // Since then, Casii has received national songwriting awards, toured regionally and internationally, performed official SXSW and Folk Alliance showcases, performed in NYC at A2IM, performed at the virtual Sundance Film Festival, and profiled on platforms such as Billboard, NPR, SPIN, and American Songwriter. She recently returned from her first international tour with stops in Ireland and the UK. In Jan 2025, she was an official showcase artist at the “Your Roots are Showing” international music conference. She then returned to London to perform an official SXSW showcase in June. // Casii writes her songs honestly, from the depths of her emotions, with wide ranging themes including death and life, love and loss, and often pushing back on negative societal norms like sexism, ageism and “playing nice” as a woman. She uses writing to deconstruct her own beliefs with an underlying hope that things can change, inviting listeners on their own journey.

Casii’s diverse songwriting catalog is with TRO Essex Music Publishing, who represents talented folk writers such as Woody Guthrie and Pete Seeger, and iconic rock bands like The Who and Black Sabbath. Casii’s highly anticipated Relationship Status EP, produced by Ben Tanner (Alabama Shakes, St. Paul and the Broken Bones), was released in September 2024 on Shamus Records to rave reviews. “Each of these songs are great. Individually, they present a brilliant vocal and some very strong musical hooks, but when played together, ‘Relationship Status’ becomes bigger than the sum of its parts, with the songs representing a journey.” (Real Gone Rocks). Casii is currently in the studio writing and recording new songs. More info at: http://www.casiistephan.com]

[Casii Stephan plays Greenwood Social Hall, 1750 Belleview Ave, KCMO on Thursday, July 10 at 7:00PM Doors at 6:30pm Miki P, and Cheery.]

10:17 – More Interview with Rachel Lovelace of The Swallowtails

Rachel Lovelace attended the Douglas Anderson School of the Arts and moved from Jacksonville Florida to Kansas City in 2015 to study at UMKC and UMKC Conservatory of Music in Jazz Studies/Performance. Rachel has worked at Kansas City Young Audiences, loves rock climbing, has a dog named Peanut. and has been a part of the Swallowtails from the beginning

Since 2018 The Swallowtails have released two albums and two EPs, played hundreds of shows and festivals around the Midwest, and been awarded The Pitch Magazine’s ‘Best Of Kansas City’ for the last two years. They released their EP LUCKY PENNY on February 20, 2024. The duo is currently at work on their new album PERSPECTIVE The band has launched a new Kickstarter Campaign to help make this new collaborative project happen Casii Stephan, Miki P and Cheery will play Greenwood Social Hall, 1750 Belleview Ave, KCMO on Thursday, July 10 at 7:00PM Doors at 6:30.

Rachel Lovelace , thanks for being with us on Wednesday MidDay Medley

Formed in 2018, The Swallowtails are a KC based musical duo comprised of musicians Miki P on guitar & vocals and Rachel Lovelace on bassoon & vocals.

“Since becoming a duo, it was time for us to reinvent our sound again. The songwriting on this EP is split between Rachel and myself, and this is Rachel’s debut release as a writer and singer.

Established . in 2018, The Swallowtails are a Kansas City based musical duo comprised of musicians Miki P on guitar/vocals and Rachel Lovelace on bassoon/vocals. Their vision is to write honest, heartfelt songs that feel like you’re coming home to an old friend. As recording and performance artists, they have been showcased throughout Kansas City, performing at the Folly Theatre, Boulevardia Music Festival, The Kansas City Public Library as part of the 2023 Art in the Loop: Celebrate project, and most recently at Green Guitar Folk House opening for The Wildwoods. Their songwriting was awarded Best Song by a KC Band in 2023 by the Pitch Magazine for their tune “Take it Slow.” // Live video’s will be released on The Swallowtails YouTube page in support of the EP, the live session was filmed at West Bottoms Whiskey Co. //

Swallowtails created the EP Lucky Penny to be available for the 2024 Folk Alliance International Conference February 21st-25th. Both Miki & Rachel earned scholarships to attend the conference that year.

In 2024 The Swallowtails embarked on their 4th year entering NPR’s Tiny Desk Contest featuring a song off the EP, called “I’m on Fire” posted to NPR’s official contest site.

The Swallowtails were approved as part of KCAIC Touring Artists Roster, through the Kansas Creative Arts Industries Commission.

On May 22, 2023 The Swallowtails released their 7-track EP THE WORLD STILL SPINS was recorded, mixed, & mastered at Element Recording Studio by Joel Nanos, with Miki P on drums, guitars, & vocals; Adee Dancy on cello & vocals; Rachel Lovelace on bassoon; with John O’Keefe on bass. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro.

On March 30, 2022, The Swallowtails released the single, “Who’s Gonna Be There”.

Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. Miki P was born in Kansas City, KS. Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. Miki P performed “She Loves You” at her 7th grade talent show. In 9th grade she joined a teen-band called American Slim as drummer & vocalist, and she wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. // At 21, Miki P began work on her debut solo-record, DOME OF SWALLOWS, that was released August 2, 2018. She then formed Miki P and the Swallowtails who released their first EP, Swallowtail in 2019, In 2021 Miki P released the 6-song EP, DON’T LOSE HOPE, created in covid isolation, in Miki P’s home space. Sitting & working from Miki’s computer, she composed and recorded 80% of the EP, working through the music like a journal entry, creating each song from her internal hurricane of emotions. All songs written, recorded, played, & mixed by Miki P. Recorded & Mixed with Emma Klien & Jake Hilger. Mastered by Joel Nanos. Miki P released her single “Your Love” on June 24, 2022. Miki P’s released the single “Peter Parker!” on March 18, 2022. An inspired musician, Miki has a rare capability to not only be able to share her life experiences and lessons learned through her voice & lyrics, but also through every instrument she performs on. Always a student, she both performs and records on guitar, drums, percussion, piano, bass and ukulele. Miki P is a songwriter with a unique ability to command any room she performs in. A natural talent paired alongside a drive to connect with others, Miki is a touring musician carrying on elements of rock & pop. Settled with a message resonating loud and clear to people from all walks of life through her imaginative, fun, and confessionally honest songwriting, Miki sings of love in all its forms.//

More info at http://www.theswallowtails.com

Rachel Lovelace, Thanks for being with us on Wednesday MidDay Medley.

Miki P plays Greenwood Social Hall, 1750 Belleview Ave, KCMO on Thursday, July 10 at 7:00PM Doors at 6:30pm with Casii Stephan, and Cheery

11:27

  1. Cheery – “What Works For Me (new demo)” – Single
    from: “What Works For Me (new demo)” – Single / Spirit House Records / Unreleased
    [From the recordings of Cheery for their second record, Cyclical Sadness. Cheery is the “Dream Pop” music project of musician and singer and songwriter Katlyn Conroy, who was formerly based in Lawrence, Kansas. moved 4000 miles away to get married and relocate in Liverpool, England. When she was still based in Lawrence, Kansas, As Cheery, Katlyn released the single “Concept of Love” and b-side, “Vulture” on August 3, 2021, written and performed by Katlyn Conroy, and engineered and mixed by Eric Davis. Katlyn Conroy released SAPPHIRES funder her previous moniker and band, La Guerre through The Record Machine on January 20, 2015. It was #10 on WMM’s 115 Best Recordings of 2015. Katlyn Conroy was also part of the critically acclaimed band, Cowboy Indian Bear. She was the recipient of the 2013 Pitch Music Award for Best Singer-Songwriter. With over 20 years of live performance experiences she has performed alongside Daniel Johnston, Florence and The Machine, Grizzly Bear, Sara Barielles, Why? and more. Katlyn Conroy joined us on WMM on March 4, 2015 and August 26, 2015. More info at: http://www.cheery.bandcamp.com or https://linktr.ee/HearCheery ]

[Cheery plays Greenwood Social Hall, 1750 Belleview Ave, KCMO on Thursday, July 10 at 7:00PM Doors at 6:30pm Miki P, and Casii Stephan,

11:29 – Underwriting

  1. Kai McGarry – “Loose Change”
    from: Scarlett / Kai McGarry / August 1, 2024
    [This album came from a lot of research, a lot of people, and a lot of life that I’ve lived in a short period of time. I remember every situation that i wrote about, and they’re all there in the music. Everyone who shaped this album, good and bad, I am forever in your debt. This bleeding desire that I’ve had since a kid is slowly fading from dream to reality, and I couldn’t be more grateful. Scarlet is about whatever you’ve lost, gained, and most importantly, what you’ve done to achieve something in your life. // For SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans). The album is a reflection of a very short snapshot of time, one that included a shift in the people in his life as well as his priorities.]

11:34 – Interview with Kai McGarry

Kai McGarry, is a 17 year old artist, shaped by his upbringing in the Kansas City jazz community, with mentorship from regional jazz greats and experience playing drums in various ensembles. Kai McGarry self-produced his very own debut album at the age 12. His newest album, SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans).
Kai McGarry, thanks for being with us on Wednesday MidDay Medley

Kai McGarry recently graduated from Mill Valley High School in Shawnee, Kansas.

Kai will be attending the Berklee College of Music in Boston to continue his professional pursuit.

In August Kai will turn 18.

Kai plays drums, clarinet, bass, piano, and guitar as well as music production.

Kai plays with all of the bands at Mill Valley as well as KC’s top high school jazz band – Live Jazz KC’s, All Star Band.

During his Junior year in High School Kai encourage parents that have a child with an interest in music he would love to help them make that dream come true. Kai’s parents (after an extensive amount of convincing) let me create a studio in the downstairs area of their home.

Kai Played Future Stages at Kauffman Center for the Performing Arts

Kai played the Coleman Hawkins Festival.

Kai did play an Album Pre-Release on June 29, at 7:15am at KC Oasis with Dandelion Lakewood, King Dari, and Michelle Robin

11:42

  1. Kai McGarry – “The Show Must Go On”
    from: Scarlett / Kai McGarry / August 1, 2024
    [This album came from a lot of research, a lot of people, and a lot of life that I’ve lived in a short period of time. I remember every situation that i wrote about, and they’re all there in the music. Everyone who shaped this album, good and bad, I am forever in your debt. This bleeding desire that I’ve had since a kid is slowly fading from dream to reality, and I couldn’t be more grateful. Scarlet is about whatever you’ve lost, gained, and most importantly, what you’ve done to achieve something in your life. // For SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans). The album is a reflection of a very short snapshot of time, one that included a shift in the people in his life as well as his priorities.]

11:45 – More Interview with Kai McGarry and Alicia McGarry

Kai McGarry, is a 17 year old artist, shaped by his upbringing in the Kansas City jazz community, with mentorship from regional jazz greats and experience playing drums in various ensembles. Kai McGarry self-produced his very own debut album at the age 12. His newest album, SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans). SCARLET will be officially released on August 1, 2025 with a KAI MCGARRY ALBUM PRE-RELEASE LISTENING EVENT.

Kai McGarry, thanks for being with us on Wednesday MidDay Medley

Kai played the Mutual Musicians Foundation

Kai thanks these KC musicians for being a mentor and helping to shape who he is today:

Arnold Young
Brandon Draper
Charles Williams
Sam Platt
Christopher Burnett
Brian Steever
Herschel McWilliams

Charles Williams is one of Kai’s teachers. KCMO native. Local Musician/ Producer, Piano Instructor, Member of The American Jazz Museum Board. Pianist at The Kansas City Jazz Orchestra. Jazz Academy Teacher for Advanced Combo at American Jazz Museum. Former RETIRED CLERK at US Postal Service. Studied Elementary Education/Music at University of Missouri–Kansas City Conservatory of Music. Studied Music education at Penn Valley Community College. Went to Sumner High School Class of 1973. From Kansas City, Kansas

In the Fall of 2024 Kai released the 8 – track album AN OLD PIANO. It was completely self-produced by Kai, from writing the lyrics and composing the music to mixing and mastering every track.

Kai McGarry Thanks for being with us on WMM

For WMM, and Kai McGarry I’m Mark Manning. Thanks for listening.

11:53

  1. Kai McGarry – “Spin Out (faet. Akinya)”
    from: Scarlett / Kai McGarry / August 1, 2024
    [This album came from a lot of research, a lot of people, and a lot of life that I’ve lived in a short period of time. I remember every situation that i wrote about, and they’re all there in the music. Everyone who shaped this album, good and bad, I am forever in your debt. This bleeding desire that I’ve had since a kid is slowly fading from dream to reality, and I couldn’t be more grateful. Scarlet is about whatever you’ve lost, gained, and most importantly, what you’ve done to achieve something in your life. // For SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans). The album is a reflection of a very short snapshot of time, one that included a shift in the people in his life as well as his priorities.]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, July 16, we present Part One of WMM’s Favorite MidCoastal Releases of 2025 –- So Far! (A two-week radio special celebrating the depth of the MidCoastal Music Community). To help us celebrate I will be joined by my special co-hosts: Betse Ellis, Mikal Shapiro and Sandra Draper, for our Wednesday MidDay Medley Summer On-Air-Fund Drive. We will need to hear from YOU our listeners to support Community Radio. In our currently political climate we need your support now more than ever. Please call 888-931-0901 during the show so we can say your name over the airwaves and burn a negative thought in our fire in your honor.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1103

WMM PLAYLIST from June 4, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 4, 2025

WMM Serves Music of Boulevardia + Chris Haghirian + KC Music Industry Commission

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
  1. Tech N9ne – “This I Know (feat. Kevin Church Johnson) (radio edit)”
    from: 5816 Forest / Strange Music / June 27, 2025
    [New single from upcoming 27th studio album. Aaron Dontez Yates was born November 8, 1971. He is better known by his stage name Tech N9ne (pronounced “tech nine”), is an American rapper and singer. In 1999, he and business partner Travis O’Guin founded the record label Strange Music. He has sold over two million albums and his music has been featured in film, television, and interactive media. In 2009, he won the Left Field Woodie award at the mtvU Woodie Awards. // His stage name originated from the TEC-9 semi-automatic handgun, a name given to him by rapper Black Walt due to his fast-rhyming chopper style. Yates later applied a deeper meaning to the name, stating that it stands for the complete technique of rhyme, with “tech” meaning technique and “nine” representing the number of completion. // Yates was born and raised in Kansas City, Missouri. He began rapping at a very early age, and would rap the letters of his name in order to remember how to spell it. His father Carlton Cook was estranged from the family and his mother suffered from epilepsy and lupus when he was a child, which emotionally affected him and inspired him to “search for God”. He would explore abandoned buildings with his best friend, hoping to catch a ghost on film. He attended Southwest High School in Kansas City. // Early in his career, Yates was a member of a group formed in 1991 called Black Mafia. He saw glimpses of success in the group 57th Street Rogue Dog Villians with their single “Let’s Get Fucked Up”. As a member of the group Nnutthowze, Aaron Yates signed with Perspective Records in 1993. However, the group disbanded soon after being released from the label. Yates signed with Qwest Records briefly before moving to JCOR Records. // In 1997, Yates joined the group the Regime, which was formed by rapper Yukmouth. The following year, he was featured on the soundtrack for the film Gang Related. Yates appeared on the song “The Anthem” by Sway & King Tech in 1999, which also featured artists RZA, Eminem, Xzibit, Pharoahe Monch, Jayo Felony, Chino XL, KRS-One, and Kool G. Rap. Later that year, he and business partner Travis O’Guin founded the record label Strange Music. // In 2001, Yates released the studio album Anghellic on JCOR Records.[9] After disputes arose about the promotion of the album, Yates and his label severed ties with the JCOR with a deal that allowed them to retain the rights to the album. The next year, he released Absolute Power, under a 50–50 joint venture between Strange Music and M.S.C. Music & Entertainment (which was founded by former Priority Records head Mark Cerami). The album debuted number 79 on the Billboard 200. The album’s sales are said to have tripled following a campaign, going by the name of “F.T.I.” was started by the rapper and his label. The campaign, which asked music listeners to legally download the album free through the artist’s own website was in response to the anti-downloading campaign by the RIAA. // In 2006, Yates released the album Everready (The Religion). The following year, he released Misery Loves Kompany. Yates announced that the album was the first in a series of “Tech N9ne Collabos” albums that feature a wide range of guest appearances. // The following year, Yates released the album Killer. That September, he exceeded one million album sales over his entire catalog. Yates remarked of the accomplishment that, “It just reminded me of all the work we’d done in the past, up until now […] I don’t think it’s sunken in yet. I’ve been celebrating for the last two days because that’s a hell of an accomplishment. I’ve been planning success all my life. I’m not even a bit surprised, I’m happy about it. That just means I was right.” Yates released his second Collabos album, Sickology 101, in April 2009. // Yates later performed at the Rock The Bells 2009 Festival and the tenth annual Gathering of the Juggalos. That October, he released K.O.D., an acronym for King of Darkness. The album featured a dark overtone, as Yates was dealing with the illness of his mother. An EP of new songs over unused beats from the K.O.D. album was released in 2010 as The Lost Scripts of K.O.D.. Later that year, Yates released his third Collabos album, The Gates Mixed Plate. In October, he released his second EP Seepage. On December 23, he released his first mixtape Bad Season.which was later released in retail CD form with a modified track list and without DJ Scream. On June 7, 2011, Yates released All 6’s and 7’s. The album features several hip-hop artists as well as rock artists including B.o.B, E-40, Snoop Dogg, Hopsin, T-Pain, Jay Rock, Mint Condition, Busta Rhymes, Twista, Lil Wayne, Yelawolf and Deftones and many others. // In 2011, Yates told 411mania.com that after All 6’s And 7’s he planned on releasing his fourth album in the Collabos series titled Welcome to Strangeland, featuring guest appearances from everyone on Strange Music, followed by the long-awaited K.A.B.O.S.H. and 816 Boyz albums. Then, in July 2011, Yates said in a blog post that Rick Ross has agreed to do a song with him for the K.A.B.O.S.H. album and that he is also hoping to have a collaboration with Jay-Z on that album. In the same blog post, he said that the K.A.B.O.S.H. album will be a rock album. In another blog post several weeks later, he confirmed that he will begin work on the album after completing Welcome to Strangeland. Following his tour, he announced that he was about to begin work on Welcome to Strangeland and Klusterfuk, confirming producers for both projects. ¡Mayday! is to entirely produce Klusterfuk. He said he will then begin work on the K.A.B.O.S.H. album. // Tech N9ne is featured on Lil Wayne’s ninth studio album Tha Carter IV on the song “Interlude”. The track features a verse from Tech and Andre 3000. During a radio interview with Funkmaster Flex in August 2010, Wayne stated that he and Tech N9ne formed a “brotherhood” when Yates visited him in jail. In a later interview, Tech N9ne claimed that he thinks the song will “awaken a lot of other people that wouldn’t usually look [his] way” and “teach all the new fans how to become technicians”. // In an interview with “Underground TV” posted on Tech N9ne’s blog, Tech N9ne spoke about his 2012 plans, confirming the release of Klusterfuk, the K.A.B.O.S.H. album, and an untitled solo album to be released in 2012. He was featured on the song “Edge of Destruction” (which also features Twista) that appears on Machine Gun Kelly’s first studio album “Lace Up”. // On September 18, Tech N9ne released an EP titled “E.B.A.H.” (Evil Brain Angel Heart). On October 30, Tech N9ne released an EP titled Boiling Point. He announced his thirteenth studio album would be titled Something Else and would be released on June 25, 2013. The first song released from the album would be “B.I.T.C.H.”, an acronym for Breaking In To Colored Houses, which features rapper/singer T-Pain. The album would end up being released on July 30, 2013, to universal critical acclaim. The album, which is broken up into three portions — Earth, Water & Fire, features guest appearances from B.o.B, Big K.R.I.T., Cee Lo Green, the Doors, Game, Kendrick Lamar, Serj Tankian, T-Pain, Trae tha Truth, Snow Tha Product, and Wiz Khalifa, among others including several artists from Tech N9ne’s Strange Music imprint. The album was supported by two singles, “So Dope (They Wanna)” and “Fragile”. // Tech N9ne announced a new “Independent Grind” tour in January 2014, which included Freddie Gibbs, Krizz Kaliko, and Jarren Benton. The tour dates were announced on January 30, 2014, and the tour ran from April 9 until June 28, wrapping up in Kansas City. Also in 2014, Yates released Strangeulation, the fifth album in his Collabos series and fourteenth album overall. // In April 2015, Yates confirmed that Eminem will be featured on a song titled “Speedom (Worldwide Choppers 2)”. The song was released on April 20, 2015, as a single supporting his then-upcoming album, Special Effects, which was released on May 4 of the same year. The rapper says Eminem collaborated on the track, free of charge, in exchange for Yates to guest on a track of his for an unknown project. Yates says he was “flabbergasted” that Eminem respected his music so much. // On May 4, 2015, Tech N9ne released Special Effects to critical and commercial acclaim. The album features guest appearances from Corey Taylor, B.o.B, Lil Wayne, 2 Chainz, T.I., Kottonmouth Kings, Hopsin, Captain Chronic, E-40, Yo Gotti, Audio Push and Eminem along with fellow Strange Music artists Krizz Kaliko, Big Scoob and Ces Cru. // In addition, a Special Effects tour began in early April 2015. Tech is joined on tour by Murs, Chris Webby, Krizz Kaliko, Zuse, and King 810. // On November 20, 2015, Tech N9ne released Strangeulation Vol. II, the sixth album in his Collabos series and 16th album overall. The album features the entire roster of Strange Music at the time along with JL, Ryan Bradley, and Tyler Lyon. In spring 2016, Tech N9ne went on tour with fellow Strange members for another Independent Powerhouse Tour. // In December 2016, Tech N9ne released his 17th album, The Storm, the followup to his 1999 debut album The Calm Before The Storm. // In January 2017, Tech N9ne announced his seventh Collabos album titled Dominion, released April 7, and stated plans to release a second album in his Collabos series the same year. In March, Tech began the Strictly Strange ’17 tour with fellow Strange Music artists. The same month, Tech announced on radio station GoMN plans to release his next solo album, Planet, in 2018. On June 20, 2017, Tech earned his first platinum record in 18 years for “Caribou Lou”. Tech N9ne released the eighth Collabos album, Strange Reign, on October 13, 2017, marking it the second album release that year. // On March 2, 2018, Tech N9ne released Planet, making this his 20th studio album. On April 19, 2019, Tech N9ne released N9na, making this his 21st studio album. Nearly a year later, on April 10, 2020, his 22nd album, Enterfear was released. On July 29, 2020, he was featured on “CMFT Must Be Stopped”, a single by Slipknot vocalist Corey Taylor. On October 23, 2020, Tech N9ne released a new project titled Fear Exodus. // On October 8, 2021, Tech N9ne released an album titled “Asin9ne”. The album features guest appearances from Lil Wayne, Mumu Fresh, Snow Tha Product, Russ, E-40, X-Raided, as well as wrestler turned actor Dwayne Johnson. // Tech N9ne features on fellow Kansas City area musician Samantha Fish’s 2021 album Faster, rapping on the song “Loud”. // On May 3, 2022, at Red Rocks Amphitheatre, Tech N9ne announced his then-upcoming album Bliss, performing a song off the album titled “They Know Meh” featuring fellow Kansas City-based rapper, The Popper. // Bliss was released on July 28, 2023, after being delayed from a July 14 release. The album contains guest appearances from Conway the Machine, Joyner Lucas, X-Raided, Kim Dracula, RMR, Qveen Herby and Durand Bernarr. // On May 7, 2024, Yates was unveiled as featured artist on the Falling in Reverse track “Ronald” from their 2024 album Popular Monster. He stars in the official music video portraying a God like entity, who contrasts against the demonic final boss portrayed by Alex Terrible lead singer of the Russian heavy metal group Slaughter to Prevail. Yates will also be supporting the group on their Popular MonsTOUR II: World Domination tour, in Europe and North America. // Yates is known for his dynamic rhyme schemes[citation needed] and speed rap abilities known as the Chopper style. Soren Baker of VH1 states that Yates’ techniques “showcase his wide-ranging, mind-blowing flows”. Baker characterizes Yates’ earlier work as “apocalyptic music, which discussed abortion and infidelity as much as his rapping prowess”. Allmusic reviewer Jason Birchmeier calls his style “bizarre hardcore rap”. Yates stated that he purposely creates flow patterns in order to sound like a percussion while he raps.[50] After hearing an instrumental he would come up with different kinds of patterns and then “fill in” the actual lyrics. // Yates says that he is influenced by old school hip hop, and specifically cites N.W.A, Public Enemy, Boogie Down Productions, Eric B. & Rakim, Schoolly D, and Just-Ice. He is also interested in other genres of music, and lists The Doors, Jim Morrison, Led Zeppelin, Elton John, AC/DC, Metallica, Floetry, Outkast, CeeLo Green, and Gnarls Barkley as influences. He has remarked generally that “I love beautiful music, beautiful music no matter what type”. // Although Tech N9ne mostly collaborates with rappers from his record label Strange Music such as Krizz Kaliko, Kutt Calhoun, Big Scoob, Brotha Lynch Hung, and Stevie Stone as well as underground rappers from his hometown Kansas City, he has also worked with known rappers such as E-40, Ice Cube, Three 6 Mafia, Lil Wayne, Twista, Eminem, Busta Rhymes, Snoop Dogg, Kendrick Lamar, Machine Gun Kelly, Yelawolf, Scarface, Yo Gotti, T-Pain, Wiz Khalifa, Paul Wall, B.o.B, André 3000, T.I., and 2 Chainz. // Tech N9ne has also worked with rock and metal musicians such as Serj Tankian of System of a Down, Corey Taylor of Slipknot, Chino Moreno and Stephen Carpenter of Deftones, Jonathan Davis of Korn, Five Finger Death Punch, and Falling in Reverse. //Yates’ songs have appeared in the films Born 2 Race, Gang Related, Alpha Dog, Our Heroes: The 25 Best Black Sports Movies (Ever), and The Life of Lucky Cucumber. Yates was originally set to score the entire film Alpha Dog, but the studio decided to replace some of his music with more commercially known songs. In 2009, his song “Let’s Go” was used in an online promotional short film for AXE body spray. Yates also appears as an actor in the films Vengeance and Night of the Living Dead: Origins 3D. Yates starred in the musical Alleluia: The Devil’s Carnival, which had a limited theater release July 2015. On November 25, 2015, Tech released “Shine”, a song for the Jaco Pastorius documentary, Jaco. //Several of Yates’ songs are featured in the video games Madden NFL 2006, The Crew, EA Sports MMA, 25 To Life, WWE 2K18, EA Sports UFC 3, and Midnight Club: Los Angeles, in the latter of which Yates is an unlockable character. In 2009, Yates and label mate Krizz Kaliko appeared in a promotional video for the Fight Night Round 4 video game. // Yates’ music has appeared on the television shows Dark Angel, I’m From Rolling Stone, My Super Sweet 16, The Hills, Spike Guys’ Choice Awards, and Warren The Ape. In 2008, his song “Earthquake” was featured on an episode of MTV’s America’s Best Dance Crew in which the crew had to visually convey the title of the song in their performance. On the Aug. 15, 2009 Strikeforce event, Strikeforce: Carano vs. Cyborg, MMA fighter Gilbert Melendez entered the arena to Tech N9ne’s 2006 song “The Beast” for his bout with Mitsuhiro Ishida. His song “Riot Maker” was used as the official theme song for Total Nonstop Action Wrestling’s 2010 Hardcore Justice pay-per-view. Yates also appeared on the 2011 BET Hip Hop Awards in the BET Cypher with B.o.B, Machine Gun Kelly, Kendrick Lamar, and Big K.R.I.T. In 2012, Tech N9ne appeared on the MTV game show Hip Hop Squares for three episodes. In 2013, Tech N9ne’s song “Demons” appeared in the pilot episode of Ironside. On June 24, 2014, Tech N9ne appeared on Jimmy Kimmel Live! to perform “Fragile”, “He’s A Mental Giant”, and “Stamina”. In late 2014, Yates appeared on Wild n Out as captain of the Black Team. // In May 2015, “Give It All” from the album Special Effects was used during Inside the NBA’s “Tip-Off” for Game 4 of the Eastern Conference Finals. // In May 2018, it was announced that Yates had teamed with Boulevard Brewing Company, a brewery based in his hometown of Kansas City, to create a new beer. The beer was released on June 18 in the Kansas City, Wichita, Denver, and Oklahoma City markets. The beer is named Bou Lou as reference to his song “Caribou Lou”, which is also a cocktail with overproof rum (The song specifically mentions Bacardi 151, which has been discontinued), Malibu, and pineapple juice . The beer is a wheat beer with pineapple and coconut flavors. On July 9, Bou Lou went on sale in the St. Louis market. // Yates was married in 1995, but separated in 2005. Yates filed for a divorce in 2015 and it was finalized in November 2017, 12 years after they were initially separated. On October 23, 2024, he married his longtime girlfriend Kristen, with whom he has two daughters, as seen from their social media accounts. Yates is an avid supporter of Kansas City culture and the metro area’s pro sports teams, including the KC Chiefs, KC Royals, and Sporting Kansas City. Before the Chiefs played in the 2019 AFC Championship game, he released a song titled “Red Kingdom”. In 2025, Yates was announced as one of the remixers for the 2026 FIFA World Cup theme, representing Kansas City.]

Discography – Studio albums
The Calm Before the Storm (1999)
The Worst (2000)
Anghellic (2001)
Absolute Power (2002)
Everready (The Religion) (2006)
Killer (2008)
K.O.D. (2009)
All 6’s and 7’s (2011)
Something Else (2013)
Special Effects (2015)
The Storm (2016)
Planet (2018)
N9na (2019)
Enterfear (2020)
Asin9ne (2021)
Bliss (2023)
5816 Forest (2025)
Discography – Collabos series
Misery Loves Kompany (2007)
Sickology 101 (2009)
The Gates Mixed Plate (2010)
Welcome to Strangeland (2011)
Strangeulation (2014)
Strangeulation Vol. II (2015)
Dominion (2017)
Strange Reign (2017)
COSM (2024)

[Tech N9ne plays Boulevardia on Saturday, June 14, 9:30 to 11:00pm on The MAIN STAGE]

10:04 – Interview with Chris Haghirian

Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Today we are serving music from the 10th annual Boulevardia Fest including: The Greeting Committee, Honestav, The Freedom Affair, Katy Guillen and The Drive, Kat King, Lorna Kay, The Creepy Jingles, Jamogi, Little Miss Dynamite, Flora From Kansas, Shay Lyriq, Dalima Kapten, TheBabeGabe, Paris Williams, Jackie Myers, Malek Azrael, and The Soul Activators. We started the show with Tech N9ne.

At 11:30 Meighan Peifer & James D. McGee, Creative Director of KC’s Mutual Musicians Foundation share details about The Kansas City Music Industry Commission formed in 2024 with the mission to strengthen the local music ecosystem by supporting musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and content creators. By collaborating with city government, private entities, and KC music industry.

But first, joining us for our first 90-minutes is our friend and special guest, Chris Haghirian host & Producer of Eight One Sixty, heard Tuesday nights at 6:00 PM, on 90.9 The Bridge. Chris studied Journalism / Advertising at The University of Kansas. Chris also studied Photography at Kansas City Art Institute. Chris worked for The KC Star for over 20 years Chris was co-founder of the Middle of The Map Fest. Chris works for Spray KC. Chris organizes multiple concert series, and music stages for Plaza Art Fair & Boulvardia.

Chris Haghirian joins us to share details about Boulevardia, Saturday, June 14, at Crown Center, 2396 Grand Boulevard, encompassing Crown Center & Washington Square Park with 33 national, regional & local acts, 14 DJs, 5 music stages, with nearly 50 Brewing Companies, dozens and dozens of Restaurants & Food Trucks, Multiple merchants in the Makers Market, The Silent Disco, Yard Games, Canna Village, Monster Teeter-Totter, The Swifty Experience, and more. Info at: http://www.boulevardia.com

Chris Haghirian thanks for being with us on WMM

BOULEVARDIA SCHEDULE – SATURDAY, JUNE 14

MAIN STAGE
12:00 PM 1:00 PM Big Luke and the Soul Disciples
1:30 PM 2:10 PM Jackie Myers
2:40 PM 3:20 PM Jessica Paige
3:50 PM 4:30 PM The Phantastics
5:00 PM 6:00 PM The Zeros
6:30 PM 7:30 PM The Greeting Committee
8:00 PM 9:00 PM honestav
9:30 PM 11:00 PM Tech N9ne

FOUNTAIN STAGE- ELEVATE (Fountain Stage)
12:10 PM 12:50 PM The Soul Activators
1:20 PM 2:00 PM Talya Groves
2:30 PM 3:10 PM Land Lion
3:40 PM 4:20 PM Jamogi and The Jammers
4:50 PM 5:30 PM Daisy Buckët Drag Show
6:00 PM 6:40 PM Kat King
7:10 PM 7:50 PM Back Alley Brass Band
8:20 PM 9:00 PM Hembree

PARK STAGE – ILLICIT STAGE (Park Stage)
12:30 PM 1:10 PM Little Miss Dynamite
1:40 PM 2:20 PM Timbers
2:50 PM 3:30 PM David Luther
4:00 PM 4:40 PM Chalis O’Neal
5:10 PM 5:50 PM Lucas Parker
6:20 PM 7:00 PM Lorna Kay
7:30 PM 8:10 PM Katy Guillen and the Drive
8:40 PM 9:30 PM The Freedom Affair

HOLLADAY HILL STAGE
12:50 PM 1:20 PM Dalima Kapten
2:00 PM 2:30 PM Shay Lyriq
3:10 PM 3:40 PM Flora From Kansas
4:20 PM 4:50 PM Lauren Lovelle
5:30 PM 6:00 PM Paris Williams
6:40 PM 7:10 PM The Creepy Jingles
7:50 PM 8:20 PM Malek Azrael and The Vibez
9:00 PM 9:40 PM TheBabeGabe

SILENT DISCO
1:00 PM DJ Dawna – Taylor dance party
1:00 PM Lana Luxx – Taylor dance party
3:00 PM DJ Daz One
3:00 PM DJ Diehard
3:00 PM Tiberias
5:00 PM DJ Hike
5:00 PM DJ EJ
5:00 PM DJ Nana G
7:00 PM DJ Skittlez
7:00 PM DJ ON 10
7:00 PM FK Menace
9:00 PM DJ Joe + DJ Ice Kole
9:00 PM DJ NE$$
9:00 PM Sheppa

10:09

  1. The Greeting Committee – “Can I Leave Me Too?”
    from: Dandelion / Harvest Records / September 24, 2021
    [Formed in KC in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, a& Pierce Turcotte. This EP is a follow up to their Oct. 17, 2019 EP, I’m Afraid I’m Not Angry, and their October 26, 2018, full length vinyl release “This Is It.” The band has previously released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.The Greeting Committee released their single “Ada” on August 27, 2021, through Harvest Records / UMG Recordings. “Ada” is a queer narrative inspired by lived experience of a dear friend. i knew this wasn’t my story to tell, but instead the story of someone i fiercely admire. to our garden, you are loved. you are loved. You can listen to “Ada” at: thegcband.lnk.to/ada.]

[The Greeting Committee plays Boulevardia, Sat., June 14, at 6:30 to 7:30pm on The MAIN STAGE]

  1. Honestav – “Hurts To Fall In Love (Radio Edit)”
    from: hara-kiri (Deluxe) / Rebel Music / May 16, 2025
    [honestav is Av Freeman: a determined, kindred soul who, in the face of unimaginable odds and loss, found himself a breakout hit with 2024’s “I’d Rather Overdose” and a ticket out of rural Missouri. // Growing up the youngest of four brothers and a sister, he caught the music bug early: “They all wanted to be rockstars,” Av says. “I was a little kid going and watching my sixteen-year-old brother play screamo shows in bowling alleys and pizza joints. I was hooked. I wanted it bad.” // He split his time between his parents, spending half the month with his mother and half with his dad. “My mom was the worst tweaker ever,” he explains. “She lived in the hood and got arrested multiple times selling meth.” Life with his father was relatively stable, but still not comfortable. “There was no A.C. and no food,” Av says, “but I was going to school and playing sports. Half the month, I was the quarterback, and the other half, I was running around with no socks, smoking cigarettes with the worst kids.”// From the start, Av’s music was a response to tragedy; at age fifteen, Av found his brother dead from suicide. Amid this grief, Av adopted a tough-guy rap persona. He recorded music obsessively, releasing a song a week for over a hundred weeks in a row. “Literally for two years,” he says. “Sometimes I’d drop even more. I’d record four songs in a night and post two of them.” These years of experimentation reveal themselves in Av’s blend of folk and hip-hop, which sees scratchy verses layered over sensitive acoustic guitars. // After graduating high school, Av paid his bills selling weed. “I thought that’s how I was going to live,” he says. “I’d just be a dude that sells weed. I didn’t even think about the rockstar thing.” Then he got hired as a mover. He held that job for four years. “It was a grind, and I stayed up in the studio every night,” he remembers. “I’d go to work at 6:30 AM after being up until 4 AM recording music. It was draining.” // When Av started making jokes on TikTok, he believed he had finally found his way out. The social media platform paid for views, and his videos reached millions and millions of viewers. “At first I thought, ‘I’m about to get rich.’ I quit my job and shit. But I started spending all my money on studio time. I made enough to afford an apartment, but I was living out of my truck.” // But in January of 2024, tragedy struck again. Av’s father committed suicide. On the truck ride home, Av, through tears, wrote a new song documenting his emotions. Rushing to the studio, Av cut the track and uploaded it as had become routine. Almost overnight, “I’d Rather Overdose” exploded, cracking multiple Billboard charts and amassing over 70 million streams globally. The subsequent remix featuring MOD SUN, teased through an open verse challenge on TikTok, peaked at #21 on Alternative Radio. // “When my dad died, music turned into therapy for me,” Av says. “I’m not making songs to be cool anymore—this is what I gotta do to get through the day. I’m lucky that people hear it.” Now, following a bidding war between every major label, Av is on track to purchase his first home. Building on the success of “I’d Rather Overdose,” honestav released his debut EP, “hara-kiri,” on November 9th, which peaked at #10 on Apple Music’s Alternative Charts and garnered over 110 million streams across all platforms. The EP included the lead single, “Hurts To Fall in Love,” which received significant radio airplay success. // In 2024, honestav expanded his reach by embarking on a highly successful tour alongside MOD SUN and lovelytheband. His electrifying live performances led to sold-out shows in his hometown of Springfield, Missouri, as well as major cities like NYC and LA. These achievements underscore his growing fanbase and the widespread appeal of his music. Following the momentum of his debut EP and successful tours, honestav is excited to announce future projects, including his debut solo Midwest “No License Tour” slated for 2025, which promises to bring his heartfelt performances to even more fans across the region. // honestav belts rhymes about partying and drug addiction, self-loathing and suicide, stifling emotions and trying to open up. “When my brother killed himself, I turned into a punk ass sixteen-year-old,” he says. “When my dad did it, it hit different. It took a different spin. I’m a grown ass man now. If I wasn’t making these songs, I don’t think I’d be alive.” // Still, Av is shocked that this intimacy and introspection connected with such a wide audience. “It seems like people actually started to relate more when I stopped making music for everyone else,” he says. “That’s when they really started listening.” Despite his deep roots in the country, honestav has faced pressures from industry executives and even other artists to lean into familiar tropes of country music. However, Av has a strong sense of identity and remains true to his unique sound. “I grew up in the country, but I wasn’t farming,” he clarifies. “I’m from that, but I’m not that. My homies were farming, but I was riding dirt bikes and busting out windows.” // With the success he’s found by trusting his instincts, Av is determined to keep his music close to his heart, blending his background with his alternative influences to create something truly authentic. His authentic voice and unwavering dedication continue to inspire and connect with listeners around the world.]

[Honestav plays Boulevardia, Saturday, June 14, at 8:00 to 9:00pm on The MAIN STAGE]

  1. The Freedom Affair – “If You Don’t Want Me”
    from: “If You Don’t Want Me” – Single / Sunflower Soul Records / May 15, 2024
    [The Freedom Affair is a 9 piece soul juggernaut from Kansas City, MO. The band formed in 2017 with a vision to write original soul music inspired by the traditions of the genre’s past with a universal message looking toward the future. Their new single “If You Don’t Want Me” features: Shon Ruffin on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, Brett Jackson on tenor Sax, Pat Conway on congas, and Nick Howell on tambourine. Written, Recorded & Mixed by Chris Hazelton. Mastered by JJ Golden // With their debut album FREEDOM IS LOVE, The Freedom Affair has received critical acclaim and have established themselves as a force in the soul music scene across the states and abroad. Keep your eyes and ears open for their songs and album art featured in the series Bel-Air, an Apple commercial, a Netflix series, etc… This band is just getting started. // The Freedom Affair’s live shows have proven to be soul-stirring, transformative events moving audiences both physically and emotionally to joy. // The Freedom Affair released their debut album Freedom Is Love on September 25, 2020. from The album explores themes of love, heartache, empower-ment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording techno-logies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. For the debut record The Freedom Affair was: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns] [The Freedom Affair played The 20th Annual Crossroads Music Fest Saturday,]

[The Freedom Affair play Boulevardia, Sat, June 14, 8:40 to 9:30 PM on Park Stage – ILLICIT Stage.]

  1. Katy Guillen & The Drive – “Back To Normal”
    from: Dream Girl – EP / Katy Guillen Music / March 20, 2020
    [“Flight Attendant delivers an experience,” – Rolling Stone Magazine. Flight Attendant belongs to that breed of rock bands made in Nashville, USA; where their sound is nothing less than a sonic unicorn. Blending sounds of grunge with power-pop hooks, viola and light synth textures, they have begun to create a hypnotic sound and energy all of their own. Glide Magazine says that Lead Singer Karalyne, “Commands your attention like Freddie Mercury working the crowd in an arena.” Flight Attendant band has been compared to Haim and Fleetwood Mac, or as TurnuptheVolume puts it, “Think Warpaint having a dance with Best Coast,” – This “Nashville based eclectic-indie band….is ready for take off”, Velvet Thunder]

[Katy Guillen & The Drive play Boulevardia, Sat, June 14, 7:30 – 8:10pm Park Stage – ILLICIT Stage.]

  1. Kat King – “Somersaults”
    from: “Somersaults”- Single / Kat King / May 2, 2025
    [Kat King eleased the single “I Might Like It” throough Manor Records on February 28, 2025 / / Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. Produced by Isaac Flynn of Hembree. Kat King released the EP Domestic Bliss on April 5, 2024. Domestic Bliss was in the Top 25 of WMM’s 129 Best Recordings of 2024. // On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. // Kat King’s career started as far back as 2nd grade in small town Kansas. As a solo singer-songwriter act, she produced one 13-song album and three EP’s. Now based in Kansas City, Kat King graduated into a 5-piece indie-pop rock group who are gearing up for the release of their second EP together. Their infectious energy has landed them on some of KC’s biggest stages.]

[Kat King play Boulevardia, Saturday, June 14, at 6;00 to 6:40pm on the FOUNTAIN Stage.]

10:29 – Underwriting

  1. Lorna Kay – “What Ever Happened”
    from: “What Ever Happened” – Single / Independent / October 18, 2024
    [Lauren Krum solo project with Mike Stover. Follow up single to “Havin’ A Ball” released July 12, 2024. Lauren Krum is known for her work as lead singer of The Grisly Hand who had their last show on May 11, 2024 at The Ship. The band first started playing live in 2009. When The Grisly Hand released their debut album Safe House, the entire band (at that time: Lauren Krum, Jimmy Fitzner, Johnny Nichols, Chas Snyder, Mike Tuley. Ben Summers & Kian Byrne) climbed into our studios and performed live on our Nov. 10, 2010 show. // Jimmy Fitzner, Johnny Nichols, Chas Snyder were in a band called Left Behind. Lauren had played with them at The Brick, before laving Kansas City to go to Columbia College in Chicago. N Chicago Lauren created the group The Strumpettes a soul-inspired group featuring four female singers and a four-piece band. When the Strumpettes dismantled in 2008 and her life in Chicago started to fall apart, Krum decided to move back to Kansas City. She immediately began singing with From Before. // Within a few months, Krum, Fitzner, Nichols and Snyder were performing as a new group. They had brought on Andy Davis to play mandolin. Krum had found the name “the Grisly Hand” iafter coming across it in the poem “Webster Ford” from Edgar Lee Masters’ Spoon River Anthology. The most Current grouping of The Grisly Hand was Jimmy Fitzner, Lauren Krum, Ben Summers, Mike Stover, Johnny Nichols and Kian Byrne. / A super group of sorts several members have also been involved in other projects. Lauren has played and recorded with Ruddy Swain (w/ David Regnier), Lorna Kay, and Lorna Kay’s Country Club, as well as being a DJ.]

[Lorna K play Boulevardia, Sat, June 14, 6:20 to 7:00pm on Park Stage – ILLICIT Stage.]

  1. The Creepy Jingles – “Love Like You”
    from: “Love Like You” – Single / High Dive Records / July 14, 2024
    [This is the third of several new singles being released by The Creepy Jingles this year. The band released “Repeat After Me” on April 19, 2024. The band released “When Things Go Wrong” on February 23, 2024. The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. // Song (lyrics/melody/chords) written by Jocelyn Olivia Nixon. Mixed and Recorded by Paul Malinowski and recorded at Massive Sound Studios in Shawnee, Kansas. Mastered by Zack Hames. Jocelyn Nixon on lead vocals & rhythm guitar, Will Van Doorn on lead guitar & backing vocals, Andrew Woody on bass & backing vocals, Nick Robertson on drums & bait. // The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. ] The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019.]

[The Creepy Jingles play Boulevardia, Sat, June 14, 6:40 to 7:10pm on HOLLIDAY HILL Stage.]

  1. Jamogi – “Go Big Or Go Home”
    from: “Go Big Or Go Home” – Single / Jam Tunes / August 30, 2024
    [Jamogi released the EP Jamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live)” – through Jam Tunes on April 11, 2025. // Jamogi released the single “Do It To Me” on March 28, 2025. // Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire.]

[Jamogi & The Jammers play Boulevardia, Sat, June 14, 3:40 – 4:20pm FOUNTAIN – ELEVATE Stage.]

  1. Little Miss Dynamite– “Not Goodbye”
    from: Grow Up / Rural Grit Records / May 3, 2024
    [Little Miss Dynamite is a four piece string band with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. Engineered and Mixed by Clarke Wyatt, Gnomes and Goats Studio.More info at: http://www.bethwattsnelson.com]]

[Little Miss Dynamite plays Boulevardia, Sat, June 14, at 12:30–1:10pm – ILLICIT Stage (Park Stage.)]

  1. Flora From Kansas – “The Ghost is Me”
    from: Homesick – EP / Melodic / March 14, 2025
    [17 year old Flora Kay A.K.A. Flora From Kansas has already been writing music for 5 years, picking up the guitar in lockdown. “My dad and I often took long walks to a nearby gas station, where we had conversations about how life was going. It was then that we started discussing the idea of creating music together just for the fun of it.”, Flora describes. On a rich diet of Girl In Red, Faye Webster & Alex G, Flora began learning on Garageband before upgrading to Logic for her self-productions. ]

[Flora From Kansas plays Boulevardia, Saturday, June 14, at 3:10–3:40pm – HOLLIDAY Stage.]

  1. TheBabeGabe X The Human – “FUTURISTIC LOVERS”
    from: HONEYPOP / Seven Rings Media / March 5, 2025
    [Production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on Sept. 20, 2024 through Dirty Hit Records and immediately followed with an 8-track 7th studio album HEAVEN ON URF, on Oct. 25, 2024 on Dirty Hit Records. Music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On Oct. 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. KC is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.” Deiondre added, “The music scene here is getting cool now, there’s a lot of jazz musicians that go to school for music here too but you can find people from different scenes all over if around the city.” Ty wrote, “The KC scene is great, the community here is so supportive and genuine. This is a really prideful city here and I think they’re finally getting the musicians they deserve.”]

[TheBabeGabe plays Boulevardia, Saturday, June 14, at 9:00 to 9:40 on the HOLLADAY HILL Stage.]

11:00 – Station ID

  1. Shay Lyriq – “Back By Demand (feat. The Big Chief)”
    from: “Back By Demand (feat. The Big Chief)” – Single / Shay Lyriq / December 10, 2024
    [Shay Lyriq is a soulful and genre-blending artist known for their captivating blend of R&B, hip-hop, and alternative influences. With powerful vocals, poetic lyricism, and a raw, honest approach to storytelling, Shay Lyriq creates music that resonates deeply with listeners. Their sound is an exploration of emotional depth, fusing smooth melodies with hard-hitting beats to craft a sound that is both introspective and universally relatable. // Shay Lyriq’s music spans themes of love, struggle, self-discovery, and empowerment, offering a voice that connects with people on a personal level. With each track, they push boundaries and continue to evolve, carving out a unique space in the music scene. Whether in the studio or performing live, Shay Lyriq delivers an unforgettable experience, blending vulnerability with strength in every note.]

[Shay Lyriq plays Boulevardia, Saturday, June 14, at 2:00 to 2:30pm on the HOLLADAY HILL Stage.]

  1. Paris Williams & The Human – “Alien Luv (feat. Saving Mils Lemon)” (radio edit)
    from: A Paris Williams Joint / Bitter Sweet Sound / November 19, 2024
    [Paris Williams is a 26-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school. Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarparis]

[Paris Williams plays Boulevardia on Sat, June 14 at 5:30 – 6:00pm on HOLLADAY HILL Stage.]

  1. Dalima Kapten – “Feel the Beat, Bud”
    from: “Feel the Beat, Bud’ – Single / Dalima Kapten / September 27, 2024
    [Dalilma Kapten (she/her) released the single “Scrappy Rose” also on September 27, 2024.// Dalima Kapten (she/her) is currently working on her debut album. She is a second-generation Kenyan-American pursuing a Master of Arts in Music Technology at the University of Central Missouri. She holds a Bachelor of Arts in Architectural Studies, Theater Minor, and a specialization in Architectural Acoustics from the University of Kansas. // As a theater performer and artist, Dalima is deeply moved by a passion for storytelling and worked at Music Theater Heritage as the Manager of Artistic Operations. Additionally, she presented her self-published chapbook “Native Anomaly” for Columbia University’s HOME: Symposium.]

[Dalima Kapten plays Boulevardia, Sat, June 14 at 12:50 – 1:20pm on HOLLADAY HILL Stage.]

  1. Jackie Myers – “Brown Dirt Shuffle”
    from: What About The Butterfly / Jackie Myers / April 18, 2025
    [In his online stte The Plastic Sax Bill Brownlee writes: “Witnessing the transformation of Jackie Myers from a peripheral figure on Kansas City’s jazz scene to one of the region’s most compelling artists has been extraordinarily gratifying. Quietly upping her game in incremental steps, Myers’ resolute work in recent years is reaping dividends. // On any given night, Myers applies her talents in a variety of contexts in Kansas City cafés, restaurants and barrooms. The variety of sounds- pop, rock, blues and, yes, jazz- coalesce on What About the Butterfly. The new album marks the culmination of a remarkable metamorphosis. // Not only is What About the Butterfly superior to Myers’ previous recordings, the album makes most jazz-rooted efforts seem unimaginative and simplistic. Her ambitions extend well beyond conventional Kansas City jazz. // Support from elite collaborators including Bobby Watson helps the album compare favorably to the arty pop of Laura Nyro, the contemporary soul of Cory Henry and the fastidiousness of Jacob Collier. Rarely has Kansas City been the setting for a more pleasing musical glow-up. ” – Read more at http://www.plasticsax.com // Jackie Myers is a jazz pianist, composer, and singer. She is a transplant from Austin Texas, where she performed in the indie touring circuit for almost a decade. She has been playing in Kansas City since December of 2017 with shows that feature a mix of jazz standards and original compositions. Since then she has held residencies at several notable jazz venues in Kansas City, including but not limited to, Corvino Supper Club, Chaz on the Plaza, and Green Lady Lounge. She also held the position of Music Director and piano player for the nationally syndicated radio show – 12th Street Jump – taped live in Kansas City until 2020, when the show ended. // During the pandemic, Jackie was able to continue performing through live streaming from her home and she produced a series of 9 concerts called “Kansas City Drive-ins” that featured artists including Bobby Watson, The Kansas City Jazz Orchestra, Eddie Moore, and Beau Bledsoe. The series was well attended and brought jazz back to its audience in a time when the venues could not host. Myers boasts a catalog of 7 albums and is currently working on her 8th. At her live shows, audiences are treated to Myers’ innovative and fluid keyboard work, punctuated by her bluesy vocals. At other times, Myers’ shows feature a purely instrumental dose. Performing as part of a duo, trio, quartet, or quintet, Myers is typically joined by some of the best musicians offered by a locale, typically combining a crisp rhythm section with top artists on horns or guitar. In 2018, Myers added Hammond organ to her repertoire, adding to the diversity of her performances. She currently plays the Hammond B3 for one of Kansas City’s most decorated Blues Artists – Nick Schnebelen. // As for Myers’ vocals, Louisiana musical writer Dominick Cross said about an earlier recording: “My initial reaction to the recording was that in some ways its Michelle Shocked meets Amy Winehouse. And several listens later, I’d say the same thing with more emphasis on Winehouse.” Bill Brownlee, jazz critic for The Plastic Sax and several other Kansas City publications said, “Her vocals on Ain’t No Sunshine and Stars Fall on Alabama demonstrated that Myers … brings a singular talent to the scene.” Myers debuted her first straight ahead jazz album in 2018 – The Instrumental One, which was recorded live at the prestigious Green Lady Lounge in Kansas City. Made up of eight tracks, including six original compositions, Jackie’s keyboard stylings groove what one critic called “jazz from a solid R&B point of view.” Critics compared The Instrumental One to works by Ahmad Jamal and Les McCann. Kansas City’s Roger Atkinson wrote: “I still like that soul-jazz genre . . . plus, Jackie Myers has a new fan: me.” Myers has also done some impressive work in musical production. In 2017, she produced the musical production Silent Films Out Loud: A Tribute to Buster Keaton. This event featured a nine-piece ensemble playing newly-written compositions to four Buster Keaton silent film classics, including a score by Myers to Buster Keaton’s 1922 Cops. This event, sponsored in part by the City of Austin Economic Development Department, filled Austin’s premier theater – The Stateside at the Paramount. Lastly, she has recently plied her craft with local production startup – FMK Music as a producer and composer for the group. Jackie holds a certificate in music from Berklee School of Music, a BA in music from Grinnell College, and a Master of Arts in Music with a jazz concentration from UMKC. ]

[Jackie Myers plays Boulevardia, Saturday, June 14, at 1:20 to 2:10pm on The MAIN STAGE]

  1. Malek Azrael – “22 (Radio Edit)”
    from: Feels Like EP / Malek Azrael / March 1, 2025\
    [On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]

[Malek Azrael plays Boulevardia on Sat, June 14 at 7:50 – 8:20pm on HOLLADAY HILL Stage.]

  1. The Soul Activators – “Sunset”
    from: “Sunset” – Single / The Soul Activators / 2025
    [The Soul Activators released their single “I’m Gone Mr. Wrong” on April 7, 2025. The Soul Activators are a 7-piece band from Kansas City that blends funk guitars, soulful vocals, and Latin-based percussion into a unique new sound. We are a multi-racial, multi-gendered, intergenerational band that reflects our nation. We sing a message of hope and freedom to activate our country into a people-powered movement.]

[The Soul Activators play Boulevardia, Sat, June 14 at 12:10 to 12:50pm FOUNTAIN ELEVATE Stage.]

11:30 – Underwriting

11:32 – Interview with Meighan Peifer and James D. McGee Sr.

Meighan Peifer was born on the East Coast and raised in St. Louis. Her dad was in the Air Force and then worked for Boeing. Her family traveled a lot a kids. Meighan’s mom was Canadian and she is a Canadian citizen. Meighan has been to 49 states and 3 continents. Meighan attended public and private school in St. Peters and O’Fallon, Missouri. She went to Drake University for undergrad in Special Education and Elementary Ed. Meighan obtained a Master’s in Education from the University of Kansas. Meighan moved to Kansas City in 1984 from Des Moines, Iowa. She has taught for 33 years for public schools in Wyandotte and Johnson County. And has operated the Federal Child Care center in KC MO for 26 years. Meighan has an Entertainment and Event Scheduling company as well. Meighan has been volunteering at KKFI for 4 years. Meighan is the host of slAp trAcks airing Tuesdays, 10:00 to Noon on KKFI 90.1 FM playing new flow of Hip Hop and R & B music from all over the local streets and the world. // Meighan is also the host of Rhythm and Seoul Radio airing on 1st and 3rd Wednesdays of each month on Hallyu Wednesdays on KKFI 90.1 FM playing the best in K-Pop. At KKFI Meighan also serves on KKFI’s finance committee, as Active Member Chair, and on KKFI’s Board of Directors.

James D. McGee Sr., is a veteran of the entertainment industry. Skilled in Management, Performing Arts, Marketing Strategy, Radio Programming, and Radio Broadcasting. He received his Bachelor of Arts (BA) focused in Psychology, Religious Studies from University of Central Missouri. McGee, moved to Kansas City from East Palo Alto in 1989. His uncle is legendary drummer James Gadson. McGee has spent decades embedding himself in Kansas City’s cultural landscape. James founded KOJH 100.5 LPFM, a radio station broadcasting from 18th & Vine to the world. McGee also co-founded “18th & Vine Lives,” which is a social concierge service to support and promote businesses and organizations in the Jazz District. McGee’s career spans crucial roles in Kansas City’s jazz community. During his time as a senior manager at the American Jazz Museum, he helped the institution navigate through pandemic challenges while expanding its reach. McGee produced the annual Charlie Parker “In the Yard” celebration showing his ability to honor jazz traditions while creating contemporary cultural connections. James D. McGee Sr, was just recently named the new Creative Director of Kansas City’s Mutual Musicians Foundation Internatinal. As creative director, McGee will seek to strengthen MMF’s role as a living museum while expanding youth and senior programs. His immediate projects include screening a director’s cut of “Last of the Blue Devils: The Kansas City Jazz Story” and organizing the 2025 International Jazz Day celebration.

Meighan Peifer and James D. McGee Thanks for being with us on WMM.

Meighan Peifer and James D. McGee join us to discuss The Kansas City Music Industry Commission formed in 2024 as a joint venture between Black Vine Worldwide Media Group, LLC and Black & White Enterprises, LLC. This initiative aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry. The commission’s mission is to strengthen the local music ecosystem by supporting musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and content creators. By collaborating with city government, private entities, and surrounding the Kansas City music industry

The Kansas City Music Commission is a 2024 joint venture between Black Vine
Worldwide Media Group, LLC (“Black Vine”) and Black & White Enterprises, LLC (“Black & White”). This initiative aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry.

The Commission’s mission is to strengthen the local music ecosystem by supporting
musicians, recording artists, studios, venues, managers, agents, marketers, publicists, and
content creators. By collaborating with city government, private entities, and surrounding
municipalities, the Kansas City Music Commission will ensure the elevation of all sectors of
the Kansas City music industry.

A core focus of the Kansas City Music Commission will be developing programming and
concepts to showcase Kansas City’s musical talent during the 2026 FIFA World Cup. This
high-profile global event presents a unique opportunity to demonstrate Kansas City’s
vibrant music culture to an international audience.

The Commission will develop events designed to inform and engage the community

About the Mutual Musicians Foundation –

The Mutual Musicians Foundation stands as one of KC’s most enduring musical institutions. Founded in 1917 as Local 627 of the American Federation of Musicians, it served as both a union hall and sanctuary for Black musicians. In two years the Mutual Musicians Foundation will celebrate its 110th anniversary. McGee’s appointment marks the beginning of a new era focused on cultural preservation, global innovation and community engagement.

Its building at 1823 Highland Avenue, designated a National Historic Landmark in 1981, continues to host weekend jam sessions where established artists mentor the next gen.

The MMF is the only establishment in Missouri legally allowed to serve patrons until 6 a.m. on weekends, a privilege earned through its historic role in Kansas City jazz. This tradition began when musicians, after finishing their regular club gigs, would gather at the foundation to jam until dawn. Legends like Count Basie, Charlie Parker, and Jay McShann made these sessions part of the city’s musical fabric.

Kansas City hip-hop artist Tech N9ne is again making his mark on the global stage as he unveils the official Sonic ID for the 2026 FIFA World Cup games in Kansas City.

The collaboration between popular artists like Tech and FIFA will be the first time in the tournaments history to feature a city host-specific Sonic ID. The concept behind the short audio clip was designed to highlight the unique cultural sounds of each of the 16 host cities spanning from Canada, Mexico and the United States.

“The project brings together some of the most talented and influential producers from across the host cities, each contributing their unique sound to create a sonic tapestry that reflects the spirit of their hometowns,” KC2026, which is responsible for FIFA World Cup 26 planning in KC, said in a release announcing today’s Kansas City Sonic ID launch. Tech N9ne, whose real name is Aaron Yates, is a Kansas City native and co-founder of the independent record label Strange Music and the the sole artist to contribute a track with lyrics for the KC Sonic ID release.

The track, entitled “Kansas City Theme x FIFA World Cup 26,” is yet another example of Tech N9ne using his musical prowess and iconic hip-hop sound to create a buzz around the city. Kansas City is quite familiar with Tech’s hit song ‘Red Kingdom’ which quickly became the KC Chief’s team anthem, often played at Arrowhead Stadium. That high energy anthem has been performed live during games and Super Bowl rallies since 2019.

“I was so honored to be the one who KC2026 called on to do the Kansas City remix,” Tech N9ne was quoted saying in the release. “The message I’d like for people to take away from this Sonic ID is that togetherness is power, and with that, we can work our way to victory.”

Meighan Peifer and James D. McGee Thanks for being with us on WMM.

The Kansas City Music Commission aims to create a central hub for the representation, support, and management of various stakeholders within the Kansas City music industry.

11:48

  1. Tech N9ne – “Kansas City Theme (FIFA World Cup 26™️)”
    from: The Official FIFA World Cup 26™️ Host City Themes / FIFA / March 16, 2025
    [The collaboration between popular artists like Tech and FIFA will be the first time in the tournaments history to feature a city host-specific Sonic ID. The concept was designed to highlight the cultural sounds of each of the 16 host cities spanning from Canada, Mexico and the US. KC Native Tech N9ne is the sole artist to contribute a track with lyrics for the KC Sonic ID release. // “Kansas City Theme x FIFA World Cup 26,” is yet another example of Tech N9ne using his iconic hip-hop sound to create a buzz. Kansas City is familiar with Tech’s song ‘Red Kingdom’ which became the KC Chief’s team anthem, often played at Arrowhead Stadium. That high energy anthem has been performed live during games and Super Bowl rallies since 2019.]

[Tech N9ne plays Boulevardia on Saturday, June 14, 9:30 to 11:00pm on The MAIN STAGE]

  1. Land Lion – “Townie Song”
    from: “Townie Song” – Single / Land Lion / July 25, 2024
    [Land Lion make happy songs about sad things. This KC-based indie rock collective led by Ben Wendt and backed by a revolving all-star supporting cast of musicians draws inspiration from Bright Eyes, Arcade Fire, and Bruce Springsteen. Land Lion are: Ben Wendt on Vocals, Acoustic Guitar; Matt Jack on Drums; Iggy Chamon on Bass; Carlos Chamon on Keys; Grant Paker on Electric Guitar; Parker Mason on Electric Guitar; Michael Cervantes on Trumpet; Kirsten Krier on Trombone; Caitlyn Jacobs on Saxaphone; Schuyler Minor on Vocals & Percussion. // Land Lion is a dynamic project blending indie rock, folk, and Americana, known for its heartfelt lyrics and vibrant instrumentation. Fronted by Ben Wendt, a skilled singer-songwriter & guitarist, the band’s sound captures a raw, emotional energy while drawing inspiration from both contemporary and classic influences. With Wendt’s rich vocals at the helm, Land Lion crafts songs that evoke both introspection and celebration, inviting listeners into a world of personal storytelling and wide-reaching soundscapes. Their music effortlessly weaves intricate melodies and powerful rhythms, with Wendt’s acoustic and electric guitar work providing the backbone to each track, accompanied by an amazing horn section. The band has garnered attention for their live performances and powerful compositions, building a loyal fan base along the way. Land Lion continues to evolve, pushing the boundaries of their sound while staying true to the authentic, emotional core that defines their music.]

[Land Lion plays Boulevardia on Saturday, June 14, at 2:30 – 3:10 on the FOUNTAIN Stage Elevate]

[Land Lion play MidCoast LIVE Friday, June 6, at 12:00 Noon, on 90.1 FM KKFI.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, June 11 we welcome back to the show The Man of 1001 Faces Michael McQuary who will be performing his one-man show on Sunday, June 15, at 2:00pm at Englewood Arts Center, 10901 East Winner Road, Independence, Missouri, AND we’ll bring you a very special interview with Michael’s friend from New York City – stage, screen and recording artist – Joey Arias who will share stories about his work and friendships with The Groundlings, Klaus Nomi, David Bowie, Laraine Newman of Saturday Night Live, Andy Warhol, The Mudd Club, Ann Magnuson, Paul Reubens, Lady Bunny, Elvira, Cirque du Solei, Burt Bacharach, and More!

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1098

WMM Playlist from April 9, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 9, 2025

WMM presents Til Willis, Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra, Kevin King & Zo E. Schmidt

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. REVISER – “CELESTINE”
    from: “CELESTINE” – Single / TEVISER / February 28, 2025
    Calling to mind classic 80’s bands such as Sisters of Mercy, The Cure, and Killing Joke, REVISER sounds complimentary to such contemporaries as Actors, Soft Kill, and Drab Majesty. REVISER collects and redirects its familiar influences into something both familiar and foreign, a sound that is dark, deep, and danceable. Dedric Moore on keyboards and Krysztof Nemeth on vocals and baritone guitar, with newest member Breaka Dawn (of The Bad Ideas) singing with Krysztof. This is the 4th single form REVISER who released “DARKSIDERS” on October 18, 2024, and “ASSASINS” and “BURN IT OUT” on March 15, 2024. REVISOR is a continuation of the musical collaboration from Static Phantoms, Religion of Heartbreak (with Mikal Shapiro) and Monta At Odds.
  1. Eddie Moore – “In The Kitchen”
    from: What Makes Us / Eddie Moore Music / March 25, 2024
    [“In the Kitchen” features: Eddie Moore on piano, Bass, & Rhoades; Jaylen Ward on drums; Ben Tervort on bass, Isaiah Petrie on vibes. Written & Produced by Eddie Moore(Emoremyz BMI). Executive Producer – Eddie Moore, Co-Producer- Dan Israel. Mixed By- Eddie Moore. Mastered By Crayge Lindesay. Recorded at First Run Studios engineered by Dan Israel // When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Moore reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression. // On March 5, 2024 Eddie Moore released the EP Aperture (Live Piano Works) through Eddie Moore Music. // On April 20, 2023 Eddie Moore released the single “Tsunami” Recorded & produced at Moore’s Tribe Studios, the song features Jaylen Ward on drums. Mixed & mastered by veteran KC savant Crayge Lindesay. // Eddie Moore released his critically acclaimed album INTUITION on Oct. 28, 2022. Written & Produced by Eddie Moore. Recorded at Tribe Studios. Featuring Tim Ogutu on guitar. Mix & Mastered by Rick Carson at Make Believe Studios. Album Art by Brandon Wilson. // Eddie Moore released the single, “Love Song” (with Joel Castillo & Bree Cummings) on Oct. 22, 2021. // We The People released the single, “Single Double” on June 10, 2021. Written & Produced By Eddie Moore on keyboards, key bass, & programming; Zach Morrow on drums; and Jason Emmond on bass. // Eddie Moore’s band We The People released their album MISUNDERSTOOD on Sept. 25, 2020. // Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to KC to study under Bobby Watson at the University of Missouri-KC where he received a M.A in Jazz Studies. He was 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”. Moore has shared the stage and recordings with Bobby Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band. Eddie Moore joined WMM on Sept. 23, 2020 and Nov. 23, 2022. More info at http://www.eddiemooremusic.com]

[The Eddie Moore Trio plays The Majestic, 931 Broadway, KCMO, Thursday, April 10, at 6:00pm]

  1. Ivory Blue – “Heartbeat”
    from: “Heartbeat” – Single / IVORY BLUE / March 28, 2025
    [For “HEARTBEAT” IVORY writes, “is about letting things be when there seems to be no way to change the outcome of something that happened in our life. Sometimes, things happen without an apparent reason. Other times it’s a blessing in disguise and time will tell if it was worth the pain we felt going through it.” // IVORY BLUE released the single “Rhythm of the Radio” on January 31, 2025 // IVORY BLUE released the single “Exiled” on November 29, 2024. IVORY BLUE released the single “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and stations around the world. // On Oct. 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from Sept. 22, 2023, ”The Best of Life” from Aug. 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on Feb. 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to Earth, Boulevardia, Crossroads Music Festival, The Middle of the Map Fest, The Westport Roots Festival, the KCPT Screening of “Real Boy” at KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. More info at: http://www.ivorybluemusic.com]
  1. My Oh My – “Face in the Crowd (Live)”
    from: Live At The Library / My Oh My / April 11, 2025.
    [A.M. Merker on vocals & guitar, Grant Buell on keyboards, Jacob Horpinjuk on drums, Justin Rogers on bass, Melissa Geffert on vocals, Sarah Wittman on vocals, and Stephen Berry on guitar. // Recorded live at Union Library, Kansas City, MO, September 9, 2023 // Recorded, mixed, and edited by Paul Malinowski @ Massive Sound, Shawnee, KS. Mastered by Mike Nolte ® Eureka Mastering, Kansas City, KS. Photography by Betsy Gretzinger Vida. Videography by Jack McClain @ Circle M Films. All songs A.M. Merker / My Oh My, except “Superstar” (Leon Russell, Bonnie Bramlett, Skyhill Publishing/Delbon Publishing, BMI) © 2025 All rights reserved // myohmykc.com // My Oh My released the singles: “Working on Assumptions” / “I Just Don’t Understand” on November 11, 2022. // My Oh My released the 10-song album ThHE WAR OUTSIDE on May 19, 2018 // My Oh My released the single “Christmastime, 2016” on December 16, 2016 // My Oh My released the 6-track EP, WOULDN’T HAVE IT ANY OTHER WAY on December 12, 2015. // My Oh My released the 9-track debut album, YOUR HEART NOT MINE on March 14, 2014.]

[My Oh My play an Album Release Matinee Show on Friday, April 11, at 6:00pm at The Ship 1221 Union Ave. KCMO in the West Bottoms.]

Kansas City, MO USA – August 04, 2024: easterday at recordBar
  1. the easterday band – “Smothered (Live)”
    from: live recordings of Scott Easterday: 35 Years / Recorded August 4, 2024 / Unreleased
    [Scott Easterday: 35 Years – celebrating Scott’s 35 years as a singer, songwriter and performer, from Sunday, August 4, at the recordBar, 1520 Grand, KCMO. This retrospective concert featured 11 other musicians who have performed with Scott over the years. There were 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featured in the show were Mark Accuff, Elaine McMilian, Jon Niccum of the original Easterday band with Richard Alwyn. Also in the show were Marco Pascolini, Richard Burgess, and Sam Platt of (the latter day) Expassionates. And also in the also were: Kyle Dahlquist, Bryan Hicks, Nate Hofer, and Matt Richey. // Originally released on the album: Easterday 1993-1995 from Scott Easterday in 2004. The easterday band featuring Scott Easterday on lead vocals and guitar, Elaine McMilian on vocals, Jon Niccum on bass and Mark Acuff on drums. The band was active from 1993-1995. The album was recorded at Red House Studios by Ed Rose and released in 2004. They have had a couple reunions since then and are taking advantage of this occasion to have another. Mark plays drums in Promise Breakers. Jon was the creator of The Worst Gig [worstgig.com] and Elaine just published her first book of poetry, Copper and Other Precious Metals. ]

[Easterday play The Black Box 1060 Union Ave. KCMO in West Bottoms on Fri, April 11, at 6:30pm]

  1. Krystle Warren & The Faculty – “Empty Chairs”
    from: Extended Play / Parlour Door Music / November 1, 2024
    [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations // // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs​ was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs​ were recorded with everyone in the same room (​Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play​ was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up ​Extended Play​ are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play,​ they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]

10:29 – Underwriting

  1. Til Willis & Erratic Cowboy – “Lost”
    from: “Lost” – Single / Til Willis / February 27, 2025
    [3rd single from the upcoming album, Glass Cactus. Written by Til Willis Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. Steve Faceman on backup vocals. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]

[Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]

10:35 – Interview with Til Willis

Til Willis was born in the heat of 1980, has been making music for a long time. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. Til Willis joins us to share details about his band Til Willis & Erratic Cowboy and their new album Glass Cactus. Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.

Til Willis Thanks for being with us on Wednesday MidDay Medley

The last album from Til Willis & Erratic Cowboy was Grinding of The Stars, released Nov. 4, 2022 tand recorded in a 122 year old barn. With Til Willis on guitars & vocals; Eric Binkley on bass, and Austin Sinkler on drums/ Recorded/Mixed/Produced by Til Willis. Mastered by John Hruska.

Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas.

Til Willis & Erratic Cowboy is:
Til Willis on vocals & guitar
Bradley McKellip on guitar & backup vocals
Eric Binkley on bass
Austin Sinkler on drums.

With Steve Faceman on backup vocals for “Lost.
With Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law
With Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday

10:43

  1. Til Willis & Erratic Cowboy – “Ten Miles of Days”
    from: Glass Cactus / Til Willis / March 27, 2025
    [Til Willis on vocals, guitar, percussion, mixing, & production; Bradley McKellip om guitars & lap steel; Eric Binkley on bass, and Austin Sinkler on grums with Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday; Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law; and Steve Faceman on backup vocals on Lost. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy.]

[Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]

10:46 – More Interview with Til Willis

Til Willis began performing in 1992, at the remarkable age of just twelve. Since then, he’s produced an expansive catalog of music, including fifteen studio albums, two live albums, and five EPs. Til’s bandmates, known as Erratic Cowboy, both compliment and enhance Til’s well-seasoned songwriting, and have added their own dynamic energy to his albums and live shows since 2012.

Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.

Til Willis Thanks for being with us on Wednesday MidDay Medley

Til has headlined his own shows, and opened for such notable acts as Jesse Robinson, The Subdudes, Mel Melton and the Wicked Mojos, Fainting Goats, and Pete Seeger.

Glass Cactus was recorded in The Barn in Tecumseh, KS. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence. Cover art by David Huddleston

Til and the boys perform frequently at favorite venues: recordbar and The Brick in KC, and Replay Lounge, Kaw Valley Public House and The Bottleneck in Lawrence.

There are people who write songs, and then there are songwriters… people who write simply because they have no other choice, poets in denim who wonder if they’re poetic at all. It’s talk of fire, and the breath of storms passed that stirs the echoes of longing to express one’s self…Til Willis came along after the birth of rock and roll, but before the setting of the sun in the home state of Elvis. A state that as John Magnie says, “Eats the roots of American music.” And, out of this climate Til strode with the confident swagger of a man possessed with the desire to be a songwriter.

Growing up on rock & roll made during a time when “rock & roll” mattered, and it wasn’t about fashion & packaging, Til strives to deliver substance in his own orchard of sound.

A listen to any of his albums, The Thought I Had, Shadow of the Future, Lovesick, Crimson Wind, or Cindershine confirms this level of commitment. It’s not bubblegum pop, or mindless distortion. This is American Rock, and Til has brought it to life on stages from Mississippi to California, Colorado to Oklahoma.

He has composed scores for plays by playwright Steve Goode, and student films made at the University of Colorado. He has produced albums for artists like Drew Fowler, in addition to producing all of his own recordings.

In short Til Willis is an energetic young singer/songwriter with a voice that thunders, and a musical passion and vision that screams the haunted howl of hellhounds down a dusty road. Rock and Roll is freedom, and Til exercises his daily.

CEO at Til Willis & Erratic Cowboy
Studied at Colorado State University
Lives in Lawrence, Kansas // From Ouray, Colorado
Married to Stephanie Willism, Daughter: Mahalia, Dog: Twyla

Til Willis Thanks for being with us on Wednesday MidDay Medley

Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.

10:45

  1. Til Willis & Erratic Cowboy – “Horizon Before Us to Love”
    from: Glass Cactus / Til Willis / March 27, 2025
    [Til Willis on vocals, guitar, percussion, mixing, & production; Bradley McKellip om guitars & lap steel; Eric Binkley on bass, and Austin Sinkler on grums with Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday; Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law; and Steve Faceman on backup vocals on Lost. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]

[Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]

11:00 – Station ID

11:00 – Interview with Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, and Chico Sierra

Heather Pontonio – Arts & Science Council (Rep= Ashley)

Heather Pontonio has a master’s degree in Public Administration from New York University and a bachelor’s degree in Arts Administration from the State University of New York at Fredonia. She serves on the board of VIA Collaborative Arts and Research Advisory Board for the Strategic National Arts Alumni Project (SNAAP).

Heather is the Senior Program Director at the Emily Hall Tremaine Foundation where she is responsible for national strategy and administration of the Art Program portfolio focused on professional practices for both artists and curators. In her 13 years at the Foundation, she has expanded the curatorial portfolio from a single program (the Emily Hall Tremaine Exhibition Award) to a suite of programs that support dozens of curators and been instrumental in the launch of Artists Thrive, a national tool to assess and improve conditions for artists across the country.

Heather joins us to share details about the ARTISTS THRIVE 2025 Summit in Kansas City, on May 6-8. The 2025 summit venue has been provided with generous support from the Ewing Marion Kauffman Foundation, with lead local partner Mid-America Arts Alliance and Charlotte Street Foundation. Artists, arts leaders, educators, and funders can expand their creative circle. This unique event offers a powerful networking hub, connecting art communities with passionate colleagues from across the country. For more information on the 2025 Artists Thrive Summit you can visit: http://www.artiststhrive.org

Heather Thanks for being with us on the radio.

Emily Hall Tremaine Foundation is based in New Haven, Connecticut, but you are calling us from Montana, through your work for the foundation you travel all over the country.

2025 Artists Thrive Summit May 6-8 Ewing Marion Kauffman Foundation

Mid-America Arts Alliance and Charlotte Street Foundation

Also Joining us in the conversation is José Faus – writer, performer, visual artist, and independent teacher/mentor with an interest in the role of artists as creative catalysts for community building. He is a co-founder of the Latino Writers Collective. His writings have appeared in many anthologies and journals. His chapbook, This Town Like That was released by Spartan Press. The Life and Times of Jose Calderon was published by West 39 Press. His children’s book, Possum Trot was published by La Resistencia Press. More info at: http://www.artistinc.art/facilitator/jose-faus/

José Faus Thanks for being with us on the radio.

Also joining us is Elizabeth Bettendorf Bowman (she/her) is a theatre artist dedicated to making the arts truly accessible. Since graduating from Northwest Missouri State University in 2012, she has made KC her home and has worked at several area not-for-profit companies. She received her Master of Arts in Theatre from the University of Missouri-KC and is a faculty member at Benedictine College where she teaches theatre courses. She has also taught for KCK Community College at the Fort Leavenworth correctional facilities. // As a director & administrator, Elizabeth has worked at such companies as the Kansas City Repertory Theatre, Coterie Theatre, Metropolitan Ensemble Theatre, and KC Fringe. Through her work in theatre education & outreach, Elizabeth was inspired to create a theatre which reaches all corners of the diverse KC community. By producing free professional theatre, Elizabeth hopes to foster the creativity of our citizens and explore the truly global nature of the KC region. http://www.kcpublictheatre.org

Elizabeth Bettendorf Bowman Thanks for being with us on the radio.

Also joining us is visual artist and muralist Chico Sierra, originally from El Paso Texax. Having relocated from his familial homeland, Chico attempts to connect the dots of his cultural history and create new stories based around humanism, class structures and social justice. Influenced by his interests in spiritual iconography he is attempting to create new narratives using symbolism that has been previously clouded by colonialism and more recently appropriated by euro-centric new age spiritualism. Chico’s work has been shown at the Nerman Museum of Contemporary Art, The Nelson Atkins Museum of Art, the Nelson Atkins Museum Day of the Dead exhibit, Mattie Rhodes, Union Station, and InterUrban ArtHouse. More info at: http://www.chicosierra.com

Chico Sierra, Thanks for being with us on the radio.

Chris Dahlquist, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra are part of a Plenary Session: Lay of the Land: An Overview of the Arts in KC – Tuesday, May 6, 5-6pm. This session is designed to ground all Summit attendees into the Kansas City art scene.

Chris Dahlquist will cover Historic KC: 18th and Vine // Hallmark // Walt Disney – Laugh-O-Gram // Union Station // Downtown Airport // Nelson-Atkins // Folly Theatre // Midland Theatre
…and bring it into the Contemporary: Charlotte St Foundation // Belger Crane Yard // Zhou B Art Center // Crossroads // Kaufman Performing Arts Center

Elizabeth Bowman of KC Public Theatre will cover the: Spencer Theatre on UMKC’s Campus // Copaken Stage (Power & Light district) // Unicorn Theatre // Coterie Theatre // Musical Theatre Heritage in Crown Center // The Black Box // Just Off Broadway // The Arts Asylum // White Theatre // City Stage in Union Station // Warwick Theater // The Gem Theatre // Quality Hill Playhouse // Johnson County Arts and Heritage Center // Martin City Melodrama // The New Theatre // Stern Black Box Theatre at Charlotte Street Found

Artist-Thrive will include tours and interactive experiences include InterUrban ArtHouse in Overland Park, Englewood Arts Center in Independence, Charlotte Street in Kansas City, and the Nerman Museum of Contemporary Art at Johnson County Community College.

Learning Journeys:
Airport
InterUrban Arts
Englewood Arts
Nerman Museum at Johnson County Community College in Overland Park
Charlotte Street (also dinner on Wed)

Other locations
Main hotel: Kansas City Marriott Country Club Plaza
Dinner Tuesday: Crossroads – Jack Stack and Lidia’s
Dinner Thursday: Food truck event at Oppenstein Brothers Memorial Park, 1123 Walnut St, Kansas City, MO 64106

Partners
Mid-America Arts Alliance
Arts KC
Kauffman Foundation Conference Center
KCAI
Belger Arts

Artists, arts leaders, educators, and funders from across the United States are invited to expand their creative circle at the annual 2025 Artists Thrive Summit in Kansas City, Missouri, May 6–8, 2025.

This event offers a powerful networking hub to help connect attendees with passionate colleagues from across the region and country. As part of the Summit, Artists Thrive has partnered with Kansas City organizations to craft regional experiences, including tours to cultural venues embedded in the community.

Attendees will spark collaborations, share best practices, and find inspiration alongside a diverse group of individuals who share a similar dedication to the arts. The Summit’s flexible format ensures everyone—introverts, extroverts, seasoned professionals, or those new to the field—can make lasting
connections.

Artists Thrive aims to raise the value of artists in every community. Artists Thrive is a growing initiative offering activities, practices, language, visions and values of what it means to succeed and thrive as an artist – and what it means to have a thriving arts sector and, eventually, thriving communities. It is a set of interconnected and holistic resources that can guide us in improving our performance and, ultimately, the conditions in which artists can thrive. Artists Thrive is funded by the Emily Hall Tremaine Foundation.

Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra thanks or being on WMM

ARTISTS THRIVE 2025 Summit in Kansas City, on May 6-8. The 2025 summit venue has been provided with generous support from the Ewing Marion Kauffman Foundation, with lead local partner Mid-America Arts Alliance and Charlotte Street Foundation. Artists, arts leaders, educators, and funders can expand their creative circle. This unique event offers a powerful networking hub, connecting art communities with passionate colleagues from across the country. For more information on the 2025 Artists Thrive Summit you can visit: http://www.artiststhrive.org

11:25

  1. Helen Gillet – Vautour”
    from: Helkiase / Helen Gillet / July 6, 2018
    [Originally from Leuven, Belgium and now based in New Orleans, Louisiana. Globe Trotting, multi-faceted, jazz-based cellist, singer, composer and improviser Helen Gillet is a “mixed bag” of musical influence. Downbeat Magazine recently nominated her a Rising Star in the 61st Annual Critic’s Poll. She believes music to be an expression of the honest human condition; performing an eclectic mix of French pop, Avant Garde Jazz, North Indian, Folk and Classical styles. Helen Gillet’s 2018 solo album is Inspired by Helkiase, a cure-all medicine invented by the nuns of Notre Dame à la Rose hospital in Lessines, Belgium. (The hospital was one of Europe’s longest continually operating hospitals founded in XIII’s century). Gillet’s latest music deals with the more recent personal layers of complicated grief and finding new strength, sense of humor and inspiration. This recording captures the current spirit of Gillet’s live performance and features her newest original songs “Slow Drag Pavageau” written about legendary dancer and New Orleans bassist Alcide Pavageau, as well as “You Found Me,” “Skin,” and “Vautour,”song inspired by Israeili composer and artist Naama Tsabar. All songs are performed by Helen Gillet using a Boss RC50 Loop station and mainly cello and voice. Tracks 7 “Tonnerre” and 4 “Helkiase” use a Moog Sub Fatty synthesizer and vinyl scratching of a famous 1940 General de Gaulle speech. Live studio sessions and evening concerts recorded by Andrew “Goat” Gilchrist at the House of 1Hz on March 8th and 9th 2018 in New Orleans, LA. Mastered by Bruce Barielle.]

[Owen / Cox Dance Group presents SKIN with Helen Gillet on Saturday, April 12, at 8:00pm at The Folly Theater, 300 West 12th Street, KCMO. -Critically acclaimed collaboration with New Orleans-based cellist, vocalist, live looping artist and composer Helen Gillet. Skin features original music by Gillet and choreography by Jennifer Owen, performed live by Gillet, Brad Cox, and the captivating dancers of Owen/Cox Dance Group. Skin will be performed live for one night only]

[“Skin”originally made its World premiered April 1 and 2, April 3 at 2:00 PM, at City Stage Theatre, Union Station,KCMO choreography by Jennifer Owen and musician Brad Cox in collaboration with New Orleans-based cellist Helen Gillet. Owen/Cox Dance Group is a 501(c)3 not for profit corporation. More info at: http://www.owencoxdance.org]

  1. Anaǐs Mitchell – “Flowers (Eurydice’s Song)”
    from: Hadestown / Righteous Babe Records / March 9, 2018
    [Hadestown is the fourth studio album by American folk singer-songwriter Anaïs Mitchell, and was released by Righteous Babe Records on March 9, 2010. The concept album, which became the basis for the stage musical of the same name, follows a variation on the ancient Greek myth of Orpheus and Eurydice, where Orpheus must embark on a quest to rescue his wife Eurydice from the underworld. It has been advertised as a “folk opera”. Several of the songs feature singers other than Mitchell, including Justin Vernon, Ani DiFranco, Greg Brown, Ben Knox Miller, and The Haden Triplets (Tanya, Petra and Rachel Haden). The album was nominated for a Grammy Award for Best Recording Package in the 53rd Annual Grammy Awards. // Between 2006 and 2007, Mitchell staged performances of Hadestown, a musical based on the Greek myth of Orpheus and Eurydice. Unsure what lay ahead for the stage musical, she decided to turn it into a concept album. Raising a few thousand dollars by emailing her fan base and asking them to pitch in for shirts and other merchandise, Mitchell worked on the album for over a year. // The album features orchestral arrangements by Michael Chorney, who had worked with Mitchell’s recordings since her album Hymns for the Exiled in 2004. //Within the narrative of the album, the part of Orpheus is played by Vernon; Persephone by DiFranco; Hades by Greg Brown; The Fates by Tanya, Petra and Rachel Haden; Hermes by Ben Knox Miller; and Eurydice by Mitchell. While most of the recording was produced by Todd Sickafoose at Brooklyn Recording Studio in New York City, the lead vocals were often produced elsewhere in the United States. The album encompasses a variety of American roots music forms, including folk, indie folk, country, blues, ragtime, gospel, rock, swing, and avant-garde. // Anaïs Mitchell was born March 26, 1981. She is an American singer-songwriter, musician, and playwright. Mitchell has released eight studio albums, including Hadestown (2010), Young Man in America (2012), Child Ballads (2013), and Anaïs Mitchell (2022). // She developed her album Hadestown into a stage musical (together with director Rachel Chavkin), which received its US debut at New York Theatre Workshop in summer 2016, and its Canadian debut at the Citadel Theatre, Edmonton the following year. The show opened at London’s National Theatre in November 2018 and then on Broadway on April 17, 2019, at the Walter Kerr Theatre. The Broadway production of Hadestown won eight Tony Awards in 2019 including the Tony Award for Best Musical. Mitchell received the Tony Award for Best Original Score; she was also nominated for Best Book of a Musical. The Broadway cast album of the show took home the Grammy Award for Best Musical Theater Album in 2020. Mitchell’s first book, Working on a Song: The Lyrics of Hadestown, was published by Plume Books on October 6, 2020. Mitchell was included in Time’s 100 Most Influential People of 2020. // Mitchell is a member of the band Bonny Light Horseman, whose self-titled debut was released in 2020. The band’s second album, “Golden Rolling Holy”, was released in 2022, followed by “Keep Me on Your Mind/See You Free” in 2024. // Mitchell’s father, a novelist and college professor, named her after author Anaïs Nin. She grew up on Treleven farm in Addison County, Vermont and graduated from Mount Abraham Union High School. She was raised Quaker. Her mother was Deputy Secretary of Vermont’s Agency of Human Services. After traveling to the Middle East, Europe and Latin America as a child, she attended Middlebury College, where she majored in political science and graduated in 2004.]

[The Broadway National Tour of Hadestown plays The Lied Center, 1600 Stewart Drive, Lawrence Kansas, this Monday, April 14 at 7:30pm]

11:32 – Underwriting

11:33 – Interview with Kevin King & Zo E. Schmidt – Whim Productions

Kevin King is originally from Topeka, Kansas. He studied at The University of Kansas, In 2011 Kevin founded Whim Productions where he serves as Producing Artistic Director of Whim Productions. He is a queer playwright based in KCMO and is a playwright-in-residence at the Midwest Dramatists Center, former playwright-in-residence in the Charlotte Street Foundation Studio Residency program, and a member of the Dramatists Guild. His short play The Swallows was selected for the 2019 William Inge Theater Festival New Play Lab.

King’s work has also appeared in the Kansas City Fringe Festival, Alphabet Soup: Theater from Queer Voices (Whim Productions, 2015, 2016, 2018, 2019,2020), The Barn Players’ 6×10 Short Play festival (2018, 2019), Midwest Dramatists Conference (2018, 2019), One-Minute Play Festival (2016), Fishtank Theater’s 12 Plays of Christmas (2014), and other festivals. His work ranges from campy to slice-of-life realism, portrayed through a quirky, queer lens. Kevin also works as an intimacy coach.

Kevin King joins us to share details about Whim Production’s annual flagship event, Alphabet Soup: Theater from Queer Voices an evening of six short plays written by Kansas City-area LGBTQ writers. Running through April 13, 2025, at Whim Space, 415 Prospect Ave, KCMO, in historic Pendleton Heights. For info visit: http://www.whimproductions.org.

Kevin King and Zo E. Schmidt welcome to Wednesday MidDay Medley

Whim Productions’ Alphabet Soup: Theater from Queer Voices returns to Whim Space from April 4-13. Alphabet Soup, Whim’s annual flagship production, is an evening of six short plays written by Kansas City-area LGBTQ writers.

Alphabet Soup debuted in 2015 as part of the Kansas City Fringe Festival and now returns for its ninth iteration.

“We’re so excited to bring back Alphabet Soup for a 9th year!” said Kevin King, Whim’s producing artistic director. “The six plays we’re presenting are a great mix of over-the-top narratives and very grounded drama. We can’t wait to share these with audiences!”

The selected playwrights participate in private workshops facilitated by Kevin King, Whim’s Producing Artistic Director. This allows the plays to develop and builds a community among the writers. The workshops have given production opportunities to people who had never had a production before. In fact, some of the selected playwrights had never written a play prior to being involved in Soup.

This year’s short plays are:

The High Who Spied Me by John Adams (he/him): A top-secret agent is sent to America to retrieve a stolen nuclear missile — but finds something even more explosive.

Pride and Precipice by Camilo Fontecilla (he/him): A mountain hike tests all the limits of Willow and Bree’s relationship.

Futureproof by Courtney Honors (they/her): Only hours after meeting, two women — one a serial monogamist and the other a doomsday prepper — rush into a relationship and try to make it work despite the looming threat of an armageddon.

The Space Where We Met by Kevin King (he/him): On the eve of their 10-year high school reunion, Charlie and Melissa have surprising realizations about each other. Turns out, ten years can change everything, including what you think you know.

Oversteeped Tea by B. Michael McFarland (he/him): What are the consequences of our actions? An estranged brother and sister find out over afternoon tea.

All the Stars in Cygnus by Zo E. Schmidt (they/them): Love and mortality collide in this poignant farewell as Val grapples with Kitty’s refusal to embrace eternity.

All plays are presented at every performance.

Alphabet Soup isn’t just a presentation of plays. Built into it is a script development process that builds the skills of the participating playwrights and strengthens the selected plays. King said that the workshops have paid dividends, both for Whim and the playwrights. Several plays that were developed in Alphabet Soup have been presented across the country. This summer, Kevin King & John Adams will present plays developed by Alphabet Soup at the Valdez Theatre Conference. David Whitner’s play “Tickle Monster, ” from the 2024 festival, will be published by Smith & Kraus in an anthology.

Tickets are available online at http://www.whimproductions.org and at the door.

VENUE: Whim Space – 415 Prospect Ave, Kansas City, 64124

DATES & TIMES:
Fri. Apr 4th, 7:30 pm
Sat. Apr 5th, 7:30 pm
Sun. Apr 6th, 3:00 pm
Mon. Apr 7th, 7:30 pm
Fri. Apr 11th, 7:30 pm
Sat. Apr 12th, 7:30 pm
Sun. Apr 13th, 3:00 pm

Doors open 30 min. before show. There is no admission 10 minutes after show starts.

Whim Productions is dedicated to creating challenging and evocative queer theater. Our mission is to produce works written by LGBTQ+ writers with narratives that center queer characters. We are committed to sharing the diversity of queer lives with Kansas City audiences and providing a platform for LGBTQ+ theater artists to tell their own stories.
Queer Theater. Whimsical Edge.

Producing Artistic Director 𝗞𝗲𝘃𝗶𝗻 𝗞𝗶𝗻𝗴 founded Whim Productions in 2011 and has directed, written, & choreographed intimacy in many of our productions. He’s currently tackling the sound design and intimacy choreography for the world premiere of Kissing in the Grocery Store! Kevin’s passion for creating safe, evocative, and inclusive theatre shines in this production.

Kevin King and Zo E. Schmidt thank you for being with us on Wednesday MidDay Medley

Whim Production’s annual flagship event, Alphabet Soup: Theater from Queer Voices an evening of six short plays written by Kansas City-area LGBTQ writers. Running through April 13, 2025, at Whim Space, 415 Prospect Ave, KCMO, in historic Pendleton Heights. For info visit: http://www.whimproductions.org.

For WMM, I’m Mark Manning. Thanks for listening!

11:53

  1. Jamogi – “DO IT TO ME”
    from: “DO IT TO ME” – Single / Jam Tunes / March 28, 2025
    [Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire.]

[Jamogi and The Jammers play The Ship 1221 Union Ave. KCMO in the West Bottoms on Friday, April 11, at 8:00pm for the Flew The Coop Sessions Fundraiser.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on April 16 – Jaclyn Danger shares details about The Love Note April 18 at Strand Theatre on Troost. AND Zach Phillips returns w/ LIVE music from Lone Stranger.

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1090

WMM Playlist from March 19, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 19, 2025

WMM presents: Black Light Animals + Big Fat Cow

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Flutienastiness – “Tulum in November”
    from: Tulum in November / Flutienastiness Entertainment / November 28, 2024
    [Amber Underwood’s first new music in four years. Nick Spacek of The Pitch writes, “Seeing the flute player rock a melody which wouldn’t be out of place on a ’70s compilation LP you pulled out of the bargain bin while digging for cool, weird vinyl before a Daft Punk meets Italo disco bass line turns it into the late night track you didn’t know you needed and gets you shaking your ass so hard you scare your pets.” // Jazz flutist, educator, band director, and band leader, Amber Underwood is a native of Kansas City and has been entertaining and performing music since the tender age of 8. Beginning her musical journey on the piano and soon after began playing classical flute. / While in college, Amber discovered Jazz and became intrigued with the art form inspired by musical influences of Bobbi Humphrey, Hubert Laws, Frank Wess, Herbie Mann, and Nestor Torres and found a love for the art form. At age 20, Amber graduated from Wichita State University with a Bachelor of Music in Flute Performance and by 23 she completed a Masters of Arts in Arts Administration and Music Business from the University of Missouri Kansas City Conservatory and continued her education with a second Master’s degree in Education and Teaching Music from Pittsburgh State University. / In the beginning of 2014, the Amber Underwood Project and later transformed into Flutienastiness and the SoulPatrol with the mission to showcase an instrument that is normally used as an auxiliary instrument in jazz but now as a solo instrument. Flutienastiness and the SoulPatrol is a modern and fresh take on smooth jazz and R&B sounds with a touch of Latin, Funk and Gospel. Flutienastiness and the SoulPatrol uses the rich tones and colors of the flute to interpret the various styles and genres of jazz. // Amber has been a presence in the Kansas City jazz scene making a place and a voice for her instrument. Amber has opened for Kirk Whalum and has performed alongside a host of other artist. / Amber is our modern-day soul and contemporary jazz flautist and a force to be reckoned with. Her debut album, ‘This Is Me’ has gained International recognition and was name one of the Top 25 Jazz Albums of Kansas City in 2020. Amber has also appeared on jazz playlists and featured on various recordings from all genres. Amber ‘Flutienastiness’ Underwood is the future of contemporary soul jazz flute! // On October 28, 2020 Flutienastiness released the album THIS IS ME (part of WMM 120 Best recordngs of 2020). The album was produced, mixed, & mastered by Desmond “D. Professor” Mason for Out D. Park Productions. All flutes by Amber Underwood. All tracks were composed collaboratively between Amber & Desmond. Amber writes: “This is album is a touch of all my feelings, life journeys and an inside look into Amber ‘Flutienastiness’ Underwood as a person beyond the stage. More info at:www.flutienastiness.com.]
  1. GHOSTY – “Back To School”
    from: Duane Duane – EP / More Famouser Records / February 27, 2024
    [Lawrence / Kansas City band founded by Andrew Connor. Music by Ghosty. Lyrics by Andrew Connor and Eugene Booth. Recorded by Ross Brown in Kansas City, KS November 2024. Mixed by Ross Brown. Mastered by Mike Nolte at Eureka Mastering. Bill Belzer on drums, percussion; Ross Brown on slide guitar on Duane Duane, backing vocals; Andrew Connor on vocals, guitar; Mike Nolte on bass; David Wetzel on piano, synth, backing vocals; Konnor Ervin om backing vocals; Collin Rausch on backing vocals; and Kyle Rausch on backing vocals. Art by Paul Browning. Consulting by Kyoko Connor // Andrew Connor released the album IN COLORADO on April 21, 2021. // Ghosty released the EP PRODIGAL SON on February 28, 2020. With this EP GHOSTY was able to finally get back to finishing 3 tracks that were started in 2014. Andrew Connor on guitar & keyboards, & vocals, Bill Belzer on drums & percussion, Ross Brown on guitar & keyboards, and Mike Nolte on bass. Basic tracks were recorded in July 2014 at Westend, Kansas City, KS. Engineered by Mike Nolte. The songs were written by Andrew Connor. Mixed by Ross Brown and mastered by Mike Nolte at Eureka Mastering. This EP followed the band’s critically acclaimed 2013 album GHOSTY on High Dive Records. More info at: http://www.ghostysounds.com ]

Ghosty Discography

Ghosty released the 3-song EP, PRODIGAL SUN on February 28, 2020 with Bill Belzer on drums, percussion / Ross Brown on guitar, keys / Andrew Connor on guitar, keyboards, vocals / Mike Nolte on bass

Ghosty released the self titled album GHOSTY on April 17, 2014. It was there 3rd full length release with Andrew Connor, Mike Nolte and Bill Belzer who recorded their new album themselves over the last couple of years with help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, and Dan Talmadge. The new release was pressed on vinyl and available on LP and digital download.]

Ghosty released the single “Love U 2” on July 15, 2013, recorded June 2013 at Westend, Kansas City, KS. Documentary about the recording of this song by surrounding media vimeo.com/70317712 // with: Mike Nolte on bass, engineering, mastering // Andrew Connor on guitar, keys, vocals / Bill Belzer – drums, & percussion

Ghosty released the 5-track EP, TEAM UP AGAIN on April 13, 2010 with Andrew Connor, Mike Nolte, David Wetzel, Josh Adams, Jake Blanton, Suzannah Johannes, Konnor Ervin, Ryan Johnson // Team Up Again,” “Ocean of Heat (Setting FIres),” and “Quell The Hunger” by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2010. “Virginia Song” by Rev. Howard Finster, arranged by Ghosty. “On A Saturday” by Jake Blanton, arranged by Ghosty. // “Team Up Again,” “Setting Fires,” “Virginia Song,” and “On A Saturday” recorded and mixed at Run Riot / More Famouser Studios, Shawnee, KS, September 2009 through March 2010. Engineered and mixed by Mike Nolte and Ghosty. // “Quell The Hunger” recorded at Mixtape Soundlab, Lawrence, KS, January 2009 additional tracking and mixing and Run Riot / More Famouser studios, Shawnee, KS, and February 2010. Engineered and mixed by Mike Nolte and Ghosty.

Ghosty released the 3-track EP, FOOLISH PRIDE on November 17, 2009 with All songs by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2009 // “Foolish Pride” and “Rose-Colored Glasses” basic tracks recorded at Jack’s House, Merriam, Kansas, Fall 2007. Engineered by Mike Nolte and Ghosty. Additional tracking and mixing at More Famouser Studios, Kansas City, MO, and Run Riot Studios, Shawnee, KS, Fall 2009. // “Hey Bill” basic tracks recorded at Mixtape Soundlab, Lawrence, KS, January 2009. Engineered by Mike Nolte and David Wetzel. Additional tracking and mixing at More Famouser Studios, Kansas City, MO by Mike Nolte and Ghosty, Spring 2009.

Ghosty released the 3-track EP, A MYSTIC’S ROBE on September 15, 2009 with Andrew Connor, David Wetzel, Mike Nolte, Jake Blanton, Josh Adams, Carmen Winters // All Songs by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2009 // “My Girl Is Strong” and “Sunday Morning” basic tracks recorded at Mixtape Soundlab, Lawrence, KS, January 2009. Engineered by Mike Nolte and David Wetzel. Additional tracking & mixing at More Famouser Studios, KCMO by Mike Nolte & Ghosty Spring 2009. // “Secret Language” basic tracks recorded at Jack’s House, Merriam, KS, Fall 2007 Engineered by Mike Nolte & Ghosty. Additional tracking & mixing at More Famouser Studios, by Mike Nolte & Ghosty Spring 2009.

Ghosty released the 11-song album ANSWERS on January 15, 2008 with tracks recorded by Paul Malinowski at Westend and Run Riot Studios, Kansas City, KS, 2006-07. racks 4, 6, 7, and 9 were recorded and mixed by Trent Bell at Bell Labs, Norman, OK, 2006. // Track 8 was recorded by Tim Brandsted at UMKC and Paul Malinowski at Westend. Mixed by Paul Malinowski at Westend, 2007. // Tracks 2 and 10 were recorded by Chris Behmer at the Ferrell home, Overland Park, KS, 2005, and with Trent Bell at Bell Labs. Mixed by Trent Bell at Bell Labs, 2006. // Mastered by Roger Seibel at SAE Masterin // All songs by Andrew Connor, arranged by Ghosty // Pretend Outlaw Music, ASCAP. // Released on Oxblood Records.

Ghosty released the 5-track EP, ME, ME, ME on January 15, 2006 w/ Andrew Connor on guitar & vocals / Jeff Ferrell on guitar & vocals // David Wetzel on keyboards &* vocals // Mike Nolte – bass & vocals // Josh Adams on drums & vocals // Recorded & mixed Fall 2005 by Jeff Ferrell and Ghosty at New York St. house, Lawrence, KS. Artwork by Paul Browning. Songs by Andrew Connor, Pretend Outlaw Music

Ghosty released the 19-track album GROW UP OR SLEEP IN (Deluxe Edition) on August 30, 2005 with Josh Adams, Andrew Connor, Jeff Ferrell, Mike Nolte, David Wetzel// and Alums: Jacob Baum, Richard Gintowt, Mark Hurst, Andrew Sallee, James Duft // Big Surrender, Henry Greene, and Hey! Somebody were recorded by Mike Mogis at Presto! in Lincoln, NE in the summer of 2002 // Jacqueline, Rooms in the Dark, (In a Big World)Little Dreams Count, High on Life, Clouds Solve It, Go to Add/Drop City, and World Travelers were recorded by Trent Bell and Andy Nunez at Bell Labs in Norman, OK in the fall 2003 // Mastered by Doug Van Sloun at Studio B // Design by Patrick Giroux at Blue Collar Press // All songs by Andrew Connor, Copyright 2005 // Pretend Outlaw Music(ASCAP) // Wayne Coyne appears courtesy of Warner Brothers Records // BONUS TRACKS: Primadonna, John Hunter, and Sad Sack recorded Summer 2006? at the Ferrell Home in Overland Park, KS by Chris Behmer and Ghosty // Dust Box Nites and Rok Town Air recorded and mixed with Tom Wagner at Underground Sound in Lawrence Kansas, Winter 2005? James Duft plays bass // Going Home Recorded in the Spring of 2002 at 1225 and 1137 Tennessee in Lawrence, KS by Ghosty, Mixed with Jeff Ferrell.

Ghosty released the 6-track EP THE FIVE SHORT MINUTES on February 2, 2002 with Andrew Connor: Guitar, Vocals, Keyboards / Jacob Baum: Bass, Organ, Percussion, Guitar / Richard Gintowt: Drums, Percussion / Jeff Jackson: Pedal Steel Guitar on Track 5 // Recorded Fall 2001 at the haunted house by Jacob Baum / Produced by Ghosty / Mastered by Boyd Bristow

  1. Birdie – “Sleepsinger”
    from: Make Me / Birdie / February 1, 2025
    [Birdie’s new 8-track album. Birdie Is: Betsy Schwartze on vocals, ukulele, keyboard;Andy Oxman on guitar; Barb Wilmoth on drums & bass; Dan Carey on bass. // Birdie released the 8-track album 8 TRACK on July 25, 2024. // Birdie released the 9-track album GRAVITY on October 12, 2022. GRAVITY was made with Birdie in lead vocals & ukelele, Andy Oxman on guitar, Barb Wilmoth on drums, Dan Carey on bass, with Pat Tomek on drums, Gary Paredes on guitar and Marc Bollinger on bass. // Birdie released two full-length albums in 2022. // On May 27, 2022 Birdie’s released the 8-song album WHY DO YOU HAVE TO BE SO COOL? Power pop, punk, and echoes of the girl groups of our time intersect in Kansas City-based band Birdie. This energetic collaboration of local talent brings a fresh take on classic sounds. // Birdie released the single “You Can’t Stop Her” on June 13, 2021. // Birdie released the 7-track EP, CELLOPHANE HEART on June 4, 2021. Birdie is the musical project of Betsy Schwartze who lives in Stilwell KS. Info at: http://www.birdiesound.com]
  1. LYXE – “Sad Surfer”
    from: “Sad Surfer” – Single / LYXE / March 11, 2025
    [Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass,. This indie/alternative rock band LYXE, is from Lawrence, Kansas. // This is LYXE’s second single of 2025 following “All Alone” that was released on February 21, 2025 // “Sad Surfer” – A Melodic Reflection on the Struggle to Find Home. The track blends surf-inspired guitar melodies with introspective lyrics about the search for belonging. The song’s lush, reverb-laden guitars evoke a sense of nostalgia for surf rock from both past and present, while offering a modern twist that perfectly complements the band’s unique sound. With this new release, LYXE continues to push the boundaries of their genre, delivering a hauntingly beautiful reflection on personal longing and identity. / “Sad Surfer” captures the universal struggle of trying to find a place that feels like home. The almost pessimistic lyrics delve into themes of displacement and the desire for stability, resonating with anyone who has ever felt out of sync with their surroundings. With its atmospheric guitar work and emotive vocals, the song creates a sonic landscape that mirrors the inner conflict of seeking a place to call your own. The track’s introspective mood is balanced by its ethereal soundscape, making it a standout piece in the band’s growing catalog. / The release of “Sad Surfer” marks another exciting chapter for LYXE, as they continue to gain momentum in the indie rock scene. Known for their emotionally charged music and genre-blending style, LYXE’s new single is sure to captivate both new listeners and long-time fans alike. //LYXE, a three piece pop-rock outfit formed out of the love of getting fans to sing and dance along to hip shaking rhythms reminiscent of classic 80’s and 90’s sounds. They quickly became a favorite of crowds and musicians alike with the lead of Ryan Wise’s crooning vocals and vintage guitar sounds. The trio has an undeniable chemistry that caught the local scene like wildfire. Bassist AJ Knudson brings a loveable charisma to their live presence, while drummer Jimmy Girod’s subtle, elegant delivery gives this act a sophisticated backbone. // LYXE released their debut EP, EVERYTHING YOU COULD EVER WANT on September 15, 2022. Pulling inspiration from a wide range of genres, this six-song EP has a pop-rock, new wave nostalgia that sinks its teeth into you. Luring in listeners with dramatics and lush hooks on “Wave,” yet unafraid to tap into their feral side on “I Got Everything.” The record closes with “Fit,” which makes you feel like you’re in an argument with your prom date in 1989. Recorded, at Element Recording Studios in Kansas City. The new EP gave listeners a different side of Ryan Wise’s songwriting with crooning vocals and vintage guitar sounds. // On June 23, 2023 LYXE released a remastered version of their song “Wave (Remastered 2023)” produced by Joel Nanos. Remaster by Jake Vertigo, with: Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass, and Chase Horseman on synthesizer. This was originally the debut single “Wave.” // LYXE release their singe ”Ice Cream” on June 23, 2023 // LYXE released their single “P{rom Song” on November 10, 2024. // LYXE released their single “Hard To Talk” on October 4, 2024. // For additional information or inquiries please contact: wearelyxe@gmail.com ]

[LYXE plays Auntie Mae’s Parlor 616 N. 12th St. Manhattan, KS on Friday, March 21 at 8:00pm gthe first of their 12-city tour through Kansas, Minnesota, Missouri, Oklahoma, Colorado, Illinois and Iowa.]

  1. Nightosphere – “Poverty Policy”
    from: “Poverty Policy” – Single / Nightosphere / February 21, 2025
    [Brittany Sawtelle on guitar; Claire Hannah on bass & vocals, Dekota Trogdon on drums. Recorded at BRC Audio Productions by Zack Hames. Mixed + mastered by Mario Quintero. Nick Spacek in The Pitch writes, “their new single sees the band leaning into pure Goth territory, courtesy of a bassline that feels like the most ominous thing ever, plodding along in the best possible way before the song explodes in its final minute as though they can’t possibly hold it in any longer, and then returning to the slow march of what was a eulogy, now becoming the funeral.”// Nightosphere released their own 6-minute version of Echo and the Bunnymen’s “The Killing Moon” on Jan. 31, 2025 // After a couple of early single releases and an excellent 3-way split with Abandoncy and Flooding, Nightosphere developed their heavy slowcore sound into a fully realized, extremely imposing full length. On April 14, 2023 Nightosphere released their 7-track album Katabasis. Katabasis was recorded and mixed by Morgan Reed Greenwood & mastered by Greg Obis at Chicago Mastering Service. The album’s artwork is by Kasper Durkin, and the layout & design by Alexis Politz.]
  1. Lee Walter Redding – “It Should Be Ours”
    from: “It Should Be Ours” – Single / Lee Walter Redding / February 24, 2025
    [On July 15, 2022 Lee Walter Redding released the EP live From The Argyle Wallpaper. Lee Walter Redding on vocals, guitar; Justin Rogers on bass; Andy Kirk on guitar/synth and Justin Skinner on drums. // Lee Walter Redding released “Elephant Man (feat. Stephonne)” on April 9, 2021. Lee told us that he learned about Stephonne Singleton from listening to Wednesday MidDay Medley and hearing Stephonne for the first time. WMM bringing musical collaborations together since 2004. // Kansas City based Lee Walter Redding was raised on 60s rock, steeped in 90s Britpop ennui, and guided by contemporary neo-soul, Lee Walter Redding weaves dry humor into vibrant sonic textures that sway from wistful to chaotic. Think 2010s Nick Lowe fronting The Velvet Underground. On warped vinyl. More info at: http://www.leewalterredding.bandcamp.com] [Lee Walter Redding was our guest on WMM on July 13, 2022]

10:30 – Underwriting

  1. KiNG MALA – “FUN! (Radio Edit)”
    from “FUN!” – Single / Handwritten Records / February 21, 2025
    [KiNG MALA is an alternative pop artist based in Los Angeles. AKA Areli Castro, the El Paso born musician is not afraid to spill her guts. Setting out with the hopes to spark confidence in both herself and her listeners, she creates music that will make you walk taller and speak louder. Both her music and visuals experiment with masculine tropes, sharing “There’s something about taking something traditionally masculine and wearing it as a woman that makes me feel really powerful.” These masculine threads weave throughout everything she does, hence King rather than Queen and “MALA” which roughly translates to “bad bitch” in Spanish. Sharing her feelings from the bottom of her heart KiNG MALA encourages you to dig deep and connect with your inner-self. Life is messy and we shouldn’t feel ashamed to show our emotions and speak our mind. // Dark, provocative and perhaps a little twisted, the new single “cult leader” has an empowering and confident disposition. Manifested with a ‘fake it till you make it’ mindset, the track was actually written when her confidence had taken a hit, though the song writer decided that instead of leaning into the sadness, she would be overly confident and a bit narcissistic to try and boost her self-esteem. Reverberating with a distorted driving beat and haunting vocals, the track oozes with a bold and daring energy.]
  1. Youth Lagoon – “Speed Freak”
    from Rarely Do I Dream / Fat Possum Records / February 21, 2025
    [Trevor Powers was born March 18, 1989. He is better known by his stage name Youth Lagoon, is an American musician from Boise, Idaho. Youth Lagoon’s music has been described as neo-psychedelia, and includes elements of pop, Americana, electronic and experimental music. // Powers was initially active as Youth Lagoon between 2010 to 2016, releasing three studio albums – The Year of Hibernation (2011), Wondrous Bughouse (2013) and Savage Hills Ballroom (2015) – before announcing his retirement from the project. He returned to music in 2018, releasing two studio albums under his own name, before announcing the return of his Youth Lagoon moniker in 2022. // Working closely with producer Rodaidh McDonald, Powers released his fourth Youth Lagoon album, Heaven Is a Junkyard, in 2023 to widespread critical acclaim. The album was followed by Rarely Do I Dream in 2025, to further acclaim, with its lyrical content rooted in boyhood memoir and old-world folklore and incorporates samples from home movies. // “This song came from a thought I had of giving the angel of death a hug. We spend our whole lives running from this thing we can’t outrun. This body is temporary, but there is no death. Only transformation. A door opens when you learn to let go of the identity you’ve been building your whole life. Someone told me a couple years ago, ‘I have good news for you and I have bad news. The bad news is Trevor is doomed. There’s no hope for Trevor. The good news is — you’re not Trevor. When I heard that, it clicked.” – Trevor Powers // “Through a dozen years of shifting sounds and trends, Powers has remained faithful to the fundamentals of chamber pop: tunes that stick in your head and arrangements grand enough to get lost in.” – Pitchfork // 5th album, Rarely Do I Dream, Youth Lagoon’s most comprehensive and audacious album to date. It’s a treasure trove of home movies, twangy fuzz guitars, sun-bleached synths, classical pianos, blown-out drums, and Powers’ spellbinding melodies, all which feel like an old photograph that’s been reanimated in a strange and distant future. // Rooted in love and childhood memoir, Rarely Do I Dream is a triumph of American gothic imagination — where storybook innocence dissolves into a radioactive billow of teenage drifters, drug-addled hustlers, and old-world folklore. Drifting between propulsive electronica and hallucinatory rock songs, Powers’ singular voice always glows front and center as the neon road sign pointing home. // Lead single “Speed Freak,” is a dark joyride that showcases Youth Lagoon’s glaring metamorphosis, unleashes a grungy beat while synth bass struts and splinters into a technicolor post-punk spectacle.]
  1. Tunde Adebimpe – “God Knows”
    from: Thee Black Boltz / Sub Pop Records / April 18, 2025
    [Acclaimed TV On The Radio frontman and multi-hyphenate talent Tunde Adebimpe has released a new song “God Knows,” from his highly anticipated debut solo album, Thee Black Boltz. // “God Knows” delves into the complexities of a bittersweet breakup, showcasing Adebimpe’s distinctive vocals and introspective lyrics. The song captures the raw vulnerability of heartbreak as Adebimpe sings, “You’re the worst thing I ever loved, And you’re bad news but I still want to give you my love.” // Of the latest single, the TV on the Radio frontman says “Breaking up is hard to down dooby doo down do”. // Thee Black Boltz is produced by Tunde Adebimpe & Wilder Zoby, and executive produced by Zoby, with additional production and contributions from Jaleel Bunton & Jahphet Landis (of TV on the Radio), and more. Showcasing visionary soundscapes, the album is a nod to Adebimpe’s propensity to write and sing about the human condition – in all its forms, under all its stressors, both big and small. // “Adebimpe is strutting back into the spotlight with style.” – Consequence // “Adebimpe is plagued with the state of the world, as he muses on the human race, love, tenderness and how to fly above it all. He whistles, claps and yelps—in all the ways that made TV On The Radio songs so com-pelling and mesmeric—but with a progressive voice that sounds fresh and thrilling in 2024.” – Paste // “‘’Magnetic’… It’s an apt name for the track, which opens with a reflective, melancholic lyric (‘I was thinking about my time in space’) before the propulsive instrumentals drop in and never let up.” – AV Club // “Tunde Adebimpe had quite the 2024, stealing scenes in Twisters and reuniting with TV on the Radio to celebrate the 20th anniversary of their debut, Desperate Youth, Blood Thirsty Babes. The front man will get a little more “me” time this year with his first solo album via Sub Pop.” – Vulture’s “Albums We Can’t Wait to Hear in 2025”
  1. Fantastic Negrito – “I Hope Somebody’s Loving You”
    from: Son of a Broken Man / Storefront Records / October 18, 2024
    [Born Xavier Amin Dphrepaulezz, Fantastic Negrito’s story is a testament to resilience and the transformative power of music. By now much has been made of Negrito’s unique story – growing up in an orthodox Muslim household, a doomed major label deal, the near-fatal car crash that permanently damaged his guitar playing hand—as well as the remarkable redemption arc that began in 2015, when he won the first-ever NPR Tiny Desk Contest. He has since earned three GRAMMY® Awards for “Best Contemporary Blues Album,” and shared stages with everyone from Sturgill Simpson to Chris Cornell to Bruce Springsteen. He’s collaborated in the studio with the likes of Sting, E-40, and Tank and The Bangas, performed on countless headline world tours and at festivals such as Lollapalooza, Glastonbury, Newport Folk, and WOMAD. Negrito also founded Revolution Plantation, an urban farm in Oakland, CA aimed at youth education and empowerment. // 2025 is the ten year anniversary of Fantastic Negrito winning the inaugural NPR Tiny Desk Contest. Winning the Tiny Desk Contest took Negrito from a street musician to a genre bending, Grammy winning, internationally acclaimed artist. // His latest release, Son Of A Broken Man sees Fantastic Negrito encapsulating his inimitable style, from hard-hitting guitar riffs to expressive ballads, with the unexpected twists that have become his trademark. It stands as one of his most personal works to date, exploring family, deception, and the human desire to hide the true self as he dives deep into the struggle between father and son. // I Hope Somebody’s Loving You, the second single from “Son Of A Broken Man” is a rare ballad from Fantastic Negrito with a touch of Otis Redding mixed with some Prince. The music video has amassed over 180,000 organic views on YouTube and nearly 1 million organic views on TikTok. The track stems from Negrito observing people on the street while on tour. The message is simple. “I hope somebody, somewhere, somehow, is loving every single person in this world”.]
  1. Tune-Yards – “Limelight (Radio Edit)”
    from: Better Dreamiing / 4AD Records / May 16, 2025
    [Tune-Yards is the Oakland, California–based music project of Merrill Garbus and Nate Brenner. Garbus’s music draws from an eclectic variety of sources and uses elements such as loop pedals, ukulele, vocals, and lo-fi percussion. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice’s annual Pazz and Jop critics’ poll. // The album Nikki Nack was released in 2014, with its first single, “Water Fountain”, being picked up by Google Pixel in 2016 for an advertising campaign. The album I Can Feel You Creep into My Private Life was released in January 2018. At the same time, Tune-Yards provided an atmospheric score for the sci-fi film Sorry to Bother You. // Born in 1979, Garbus was raised in New York City and in New Canaan, Connecticut. She attended Smith College. She was a puppeteer for the Sandglass Theater in Vermont and lived in Montreal where she played ukulele in the band Sister Suvi with guitarist Patrick Gregoire and drummer Nico Dann. Merrill’s sister Ruth Garbus is also a musician who has played solo and in the band Happy Birthday. After releasing her first Tune-Yards album in 2008, she moved to Oakland, where her partner in Tune-Yards, Nate Brenner, also lives. // The first Tune-Yards album, Bird-Brains (stylized as BiRd-BrAiNs) was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August 17, 2009. A full worldwide release followed on November 16, 2009 (and November 17 in North America). The autumn 2009 pressing was remastered at Abbey Road Studios by Christian Wright, and includes two new bonus tracks: “Want Me To” and “Real Live Flesh.” // A second album, Whokill (stylized as w h o k i l l), was released on April 19, 2011. A single from it, “Bizness”, came out in February 2011. It was produced by Garbus and engineered by Eli Crews at New, Improved Studios in Oakland. Applying the live approach to Garbus’ studio work for the first time, Garbus works with bass player Nate Brenner, who co-wrote some of the album’s songs. Comparing the act to Sonic Youth, Frontier Psychiatrist said, “if Bird-Brains was Garbus’ Evol, a record bursting with musical ideas that attempted to subvert the notion of song, who kill is Garbus’ Sister, a record that embraces the traditional pop song as a vehicle to convey those ideas.” The album as well as singles “Bizness” and “Gangsta” received mention on many top 2011 album and song lists, including Time, Rolling Stone, Spin, and the New York Times. In early 2012, the Village Voice’s annual “Pazz and Jop” poll of critics named Whokill the No. 1 album of 2011. The song “Fiya” is featured on a 2010 commercial for the Blackberry Torch, while the song “Gangsta” has been used in the television shows Orange Is the New Black, Letterkenny, Weeds and The Good Wife and the song “Bizness” was used in Season 3 of Transparent. // Garbus started recording material for her third LP during the latter half of 2013, with a working title of Sink-o. A May 6, 2014 release date was later announced with the title Nikki Nack. The album spawned three singles, including “Water Fountain”, which was featured in the soundtrack for EA Sports video game FIFA 15 as well as in a 2016 commercial for the Google Pixel. // A fourth album was released on January 19, 2018, called I Can Feel You Creep into My Private Life. The album showed more of an electronic influence. The single “Look at Your Hands” was released earlier, in October 2017, followed by “Heart Attack” in January.// The Tune-Yards scored the satiric science fiction film Sorry to Bother You (2018). The film was shown at Sundance in January, then began a theatrical run in July. Its soundtrack songs are performed by the Coup, fronted by the film’s director, Boots Riley. Riley said he started working with Tune-Yards in “early 2015” to create the film’s score, with demo tracks already available before the script was complete, and before the start of principal photography. Riley said he was attracted to Garbus’s voice, and to the band’s “unorthodox use of percussion and vocal layering.” Garbus also composed the theme music for The New Yorker Radio Hour. // In 2021, Tune-Yards appeared as the opening performance for Google I/O with Artificial Intelligence powered vocal accompaniment.]
  1. Saya Gray – “Shell (of a Man)”
    from: SAYA / Dirty Hit Records / February 21, 2025
    [Saya Gray (born 1995) is a Canadian musician. She has four albums or EPs, starting with her debut in 2022. // Gray was born in 1995 and raised in Toronto, Ontario, Canada, growing up in the Beaches neighbourhood of Toronto. Her mother is the founder of the Discovery Through the Arts music school in Toronto. Her mother’s family moved from Shizuoka Prefecture in Japan to Canada when her mother was ten years old. Her father is a Scottish-Canadian jazz trumpet player who studied at the Berklee College of Music. She is of Japanese-Canadian descent.Her brother, Lucian Gray, who plays the guitar, appears on her album 19 Masters. She began playing the piano at a young age, eventually deciding around the age of ten to play bass. // Gray began playing music in a house band for a Jamaican Pentecostal church. At the age of eighteen, Gray was a music teacher and a member of the Quincy Bullen Band. After dropping out of high school in order to take night classes instead, she moved to London in the United Kingdom at the age of nineteen. She worked as a touring bassist for over ten years prior to releasing music. She previously played as a bassist in Canadian singer and songwriter Daniel Caesar’s touring band She has also been a musical director for American singer Willow Smith and a bassist for English singer and songwriter Liam Payne. // In 2019, Gray began releasing original music. Her debut album, 19 Masters, was released on June 2, 2022. In 2023 and 2024, she released the dual extended plays QWERTY and QWERTY II. Her second album, Saya, was released on 21 February 2025. // Gray has lived in Toronto and the countries of Japan and the United Kingdom. She was living in Tokyo as of March 2024.]
  1. Gigi Perez – “Chemistry (Radio Edit)”
    from: “Chemistry (Radio Edit)” – Single / Outahere Records / February 28, 2025
    [Gianna Brielle Perez was born February 4, 2000, known professionally as Gigi Perez or simply Gigi, is an American singer-songwriter. Born in New Jersey and raised in Florida, she went viral on TikTok for her songs “Celene” and “Sometimes (Backwood)” and spent a period signed to Interscope Records, on which she released the 2023 EP How to Catch a Falling Knife. After leaving the label, she released “Sailor Song”, which peaked at number 22 on the Billboard Hot 100. “Sailor Song” topped the charts in Ireland, Latvia, and the United Kingdom, and peaked within the top ten of the charts in various countries, including New Zealand and Norway. She has also supported Coldplay on their Music of the Spheres World Tour, Noah Cyrus on her The Hardest Part Tour, girl in red on her Doing It Again Tour and D4vd on his The Root of It All Tour. // Gianna Brielle Perez was born on February 4, 2000, in Hackensack, New Jersey, and raised in West Palm Beach, Florida.: 0:49  She spent a year at a comprehensive before moving to a Christian school.: 8:39  Perez is a lesbian and has credited “Girls Like Girls” by Hayley Kiyoko with helping her accept her sexuality. She began writing songs aged fifteen and began releasing music in 2018 while in high school as part of the band Wendy Lane. Perez attended Berklee College of Music but left due to the COVID-19 pandemic in the United States. She had an older sister, Celene, who died in July 2020, shortly after which Perez’s partner broke up with her.: 29:34  To cope with her grief, she began uploading videos to TikTok to kill time. She went viral in early 2021 after releasing “Celene” and then “Sometimes (Backwood)”, both of which went viral on TikTok, prompting Interscope Records to sign her. // Perez released a further single, “The Man”, in June 2022, a track about expectations faced by men She supported Coldplay on their Music of the Spheres World Tour later that month at their Florida stadium show. She has stated in interviews to have received the offer to do so on her 22nd birthday and in February 2022. She then released “When She Smiles”, a song about a toxic relationship inspired by Ariana Grande, Imogen Heap, and “When Jamie Smiles” from the Ryan Reynolds film Just Friends, and “Glue”, a track written in late 2020 about clinging to a relationship after bereavement. In October 2022, she supported Noah Cyrus on her The Hardest Part Tour and released “Figurines”. In February 2023, she supported D4vd on his The Root of It All Tour. In March, by which time she was based in Brooklyn, she released “Sally” and announced an EP, How to Catch a Falling Knife, which comprised eight songs composed three years earlier. The EP took its title from the stock market term “never try to catch a falling knife”, as she felt it represented what she had put into the project, and was released in April 2023 alongside a music video for focus track “Kill for You”. // In March 2024, after being released from Interscope Records, she released “Normalcy”, a queer love song she had first promoted in December 2022 on TikTok; she followed this a month later with “Please Be Rude”. // In July 2024, she released the single “Sailor Song”, an acoustic queer ballad about a woman who looked like Anne Hathaway. The track went viral on TikTok, and peaked at number 22 on the Billboard Hot 100. Some conservative Christian communities complained about the line “I don’t believe in God, but I believe that you’re my saviour”, prompting Perez to remind her followers that her songwriting was “not a democracy”. She signed to Island Records in September 2024.]

11:00 – Station ID

  1. Black Light Animals – “somebody 2 love me”
    from: “somebody 2 love me” – Single / The Record Machine / February 7, 2025
    [One of the singles from LAST CALL FOR LOVE SONGS to be released Friday, March 28, 2025. For this recording: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone. Recorded at Groove King Studios in KCMO. // Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. More info at: http://www.blacklightanimalsband.bandcamp.com]

[Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!]

11:03 – Interview with Cole Bales & Cody Calhoun

Joining us are Cole Bales & Cody Calhoun of Black Light Animals – sharing details about their new album, LAST CALL FOR LOVE SONGS to be released Fri, March 28, 2025.

Black Light Animals play an Album Release Show on Sat, March 29, 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO w/ Jass, SEYKO, FlarethaRebel, and more!

Cole Bales & Cody Calhoun Thanks for being with us on WMM

We just heard “somebody 2 love me” – single / Groove King Records / December 21, 2024

For the recording: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion.

Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone.

Black Light Animals are a KC based band playing lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Recorded at Groove King Studios in KCMO. Cole & Branden Moser also play with The Freedom Affair.

Last week’s WMM our guest was Seyko who plays with Cole & Branden in The Freedom Affair. Seyko released two singles as a solo artist that were both produced by Cole Bales

Discography of other musical projects that involve members of Black Light Animals:

SEYKO – “Anybody High” – Single / Groove King Records – Fat Beats, Dec. 1, 2023 was Produced by Cole Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair.

SEYKO – “What I Want” – Single / Groove King Records – Fat Beats / June 23, 2023 Produced by Cole Bales of Black Light Animals, bandmate – SEYKO The Freedom Affair.

Jass & The Boys – “Day Dream Girl” – Single / Groove King Records / August 25, 2023

Jass & The Boys – “Gvn2u(feat. Jass & Black Light Animals)” – Single / Groove King Records / July 14, 2023

Jass & The Boys “Love U Like I Love U (feat. Jass & Black Light Animals) “ / Groove King Records / December 2, 2022

“The Boys” are the members of Black Light Animals: Colby Bales, Branden Moser, & Cody Calhoun plus Clarence Copridge. Colby & Branden are also in The Freedom Affair. Jass is Jasmine “Jass” Couch

The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.

The Freedom Affair have a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025.

Shon Ruffin – Vocals
Paula Saunders – Vocals
Seyko Groves – Vocals
Cole Bales – Guitar
Branden Moser – Bass, Acoustic Guitar (Track 4)
Chris Hazelton – Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals
Dave Brick – Drums
Pete Carroll – Trumpet and Flugelhorn
Brett Jackson – Tenor Sax, Baritone Sax, Tambourine

Recorded at Royal Studios in Memphis, TN
Recording Engineer: Boo Mitchell
Tape Operator: Wesley Graham
Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair
Mixed by: Vince Chiarito
Mastered by: JJ Golden at Golden Mastering
Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales
Design and Layout: Tracy Lenihan

The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness.

A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio.

The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse.

Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.

The Freedom Affair released the single “Get My Share” from: The Freedom Affair / Sunflower Soul Records / May 9, 2025 with Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar=, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful Feb. 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to KC with new musical conviction. By November, the band returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio.

The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.

11:12

  1. Black Light Animals – “Pink Lemonade”
    from: “Pink Lemonade” – Single / The Record Machine / September 15, 2023
    [The latest release from the Kansas City based psychedelic soul group, Black Light Animals: Alex Hartmann on drums & percussion, Branden Moser on bass & background vocal, Cody Calhoun on lead electric guitar & background vocals, Colby Bales on lead & background vocals, & acoustic guitar.. This single follows “Persephone” that was released on September 23, 2022. Black Light Animals released their full length debut album, Playboys of The Western World on Groove King Records on July 3, 2020. More info at: http://www.blacklightanimalsband.bandcamp.com]

[Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!]

11:16 – More Interview with Cole Bales & Cody Calhoun

Joining us live in our 90.1 FM Studios are Cole Bales & Cody Calhoun of Black Light Animals. Cole & Cody join us to share details about their new album, LAST CALL FOR LOVE SONGS to be released Friday, March 28, 2025. Black Light Animals are a KC based band playing lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Recorded at Groove King Studios in KCMO. Cole & Branden Moser also play with The Freedom Affair.

Black Light Animals play an Album Release Show Sat, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO w/ Jass, SEYKO, FlarethaRebel, and more!

Cole Bales & Cody Calhoun Thanks for being with us on WMM

We just heard the “somebody 2 love me” – single / Groove King Records / Dec. 21, 2024

Black Light Animals are: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Liam Sumnight on drums & percussion.

Cole and Cody joined us on August 18, 2021

Cole and Cody joined us on July 1, 2020 to talk about the new record.

They also joined us on June 12, 2019 edition of Wednesday MidDay Medley to share a new recording they’ve just completed, “Tell Me That You Love Me” was just finished up and mastered by Zach Harris And to talk about heir previous band, Instant Karma playing their last live show on Saturday, June 22, at recordBar, for SoundMachineKC with Pink Royal, and The Maytags. Instant Karma! was a 4-piece rock band from KC blending elements of psych, soul, funk. and hip hop. Instant Karma bass player Branden Moser has called the band, “a drug trip through the soul section of your local record store.”

Cole Bales & Cody Calhoun, thanks for being with us on WMM

Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!

11:25

  1. Black Light Animals – “nobody left to blame”
    from: “nobody left to blame” – single / The Record Machine / December 21, 2025
    [One of the singles from LAST CALL FOR LOVE SONGS to be released Friday, March 28, 2025. Black Light Animals are: Cole B[ales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone. Recorded at Groove King Studios in KCMO. // More info at: http://www.blacklightanimalsband.bandcamp.com]

[Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!]

11:29 – Underwriting

  1. Big Fat Cow – “Patty”
    from: Behold The Soil! / Big Fat Cow / August 1, 2024
    [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com]

[Big Fat Cow play miniBar, 3810 Broadway, KCMO on Sat., March 22, with The Clarence Tilton Band, and Gullywasher.]

[Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah].

10:35 – Interview with Noah Cassity, Alex May, and Cole Waters of Big Fat Cow

Joining us from the band Big Fat Cow are Noah Cassity, Alex May, and Cole Waters. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; & Matt Chipman on drums.

Big Fat Cow play miniBar, 3810 Broadway, KCMO on Sat., March 22, with The Clarence Tilton Band, and Gullywasher.

Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah. Info at http://www.bigfatcowband.com

Noah Cassity, Alex May, and Cole Water thanks for being with us on WMM

Big Fat Cow is a post-country band delivering cowpoke fuzz since 2022.

Big Fat Cow’s first endeavor was a folk album (Glutton for Punishment) written and recorded by Noah Cassity and mastered and digitized by Kole Waters. Wanting to perform the songs live, Noah recruited the help of Kole on lead guitar alongside childhood friend Alex May to play the bass. Kole was able to bring in Matt Chipman to play drums and finish out the band.

Noah Cassity – lead vocals & guitar
Kole Waters – guitar & vocals
Alex May – bass guitar & vocals
Matt Chipman – drums

Meeting for the first time in KA studios, the newly formed quartet ripped into Noah’s folk songs, turning them into the rock, indie, americana and country inspired pieces that you know today. Each member of the band took and ran with the folk songs that Noah recorded and made it their own, pulling in inspirations from each of their unique musical backgrounds.

Big Fat Cow has made themselves a household name in the Kansas City music scene, leaving an impression on everyone who comes out to see them play. With songs you can dance to and songs that will make you cry in the basement of a DIY show, Big Fat Cow is sure to leave their mark.

“A band this good shouldn’t get saddled with a name this bad … you’re just going to have to tell your friends that you’re going to see Big Fat Cow, and wince while you do it.” – Too Much Rock

The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums.

The cattle’s broadly appealing, yet super unique brand of post-country, a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling.

The herd’s captured a bit of what some suit from a less evolved time would’ve called “It.”

Kole Waters is also in the band Dreamist who released the album Shouldn’t Be from midnomid collective on September 13, 2024

Their 7-track debut album LP. “Made for everyone who cannot live within the margins of the culture imposed upon them.” // Written by Dreamist and Former Members Robert Graves and Travis Barker. Recorded, Mixed, and Mastered by Kole Waters at KA Productions. Released by Midnomid Collective. Album Art by Jaelin Kingsley. Album Packaging Formatted by Jacob Kingsley.

Dreamist is a Post-Emo four-piece based in Kansas City, MO. // Dreamist is the result of the love of art that can simultaneously convey the visceral and esoteric. Holding post-hardcore aggression in one hand and the understated finesse of ambient and art rock in the other; Kole, Eli, Mitri, and Jacob embrace a full spectrum of genre to convey the many highs and lows of the human experience. Whether it is with voice, guitar, drum, synthesizer, or sample, Dreamist creates a space of vulnerability and catharsis in every performance and recording. // Too Much Rock writes: “The band’s songs are long, drifting from twinkling emo into post-rock climaxes. From sung to screamed. From beautiful to brutal. And all of them back again. While Waters’ is generally the pretty guitar, both he and Elisha Ruhman can make their guitars howl. That’s when the crashing drums of Mitri McCawley come into play. Whether on bass or keyboards, Jacob Kingsley filled in the gaps, giving body and weight to the compositions that otherwise might float away on a bed of lighter than air guitar effects.” // More info at: http://www.dreamistkc.com]

Noah Cassity, Alex May and Kole Waters thanks for being with us on WMM

11:54

  1. Big Fat Cow – “Cat Call”
    from: Behold The Soil! / Big Fat Cow / August 1, 2024
    [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com]

[Big Fat Cow play miniBar, 3810 Broadway, KCMO on Sat., March 22, with The Clarence Tilton Band, and Gullywasher. ]

[Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on March 26 Stephonne joins us to premiere the brand new single “It’s Gonna Be Alright.” Also, Danielle Anderson joins us to talk about her new full length album FUMBLING from Danielle Ate The Sandwich releasing on Friday, March 21, 2025, AND Zach Hodson of the band The Fur and The Fang, joins us to talk about the band’s new music and their show Friday, March 28, at 7:00pm at The RINO with The Village Prairie and Cee Dee Vee

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1087

WMM presents Chris Garibaldi & Mark Henning on James Grauerholz – Life’s Too Good To Keep + Daniel Gum + Diana Watts & Kevin King of Whim Productions

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 5, 2025

WMM presents Chris Garibaldi & Mark Henning on James Grauerholz – Life’s Too Good To Keep + Daniel Gum + Diana Watts & Kevin King of Whim Productions

Mark spins more New & MidCoastal Releases from: James Grauerholz, Kadesh Flow, Religion of Heartbreak, Dandelion Lakewood, Daniel Gum, Jamie xx & Nia Archives, Fontaines D.C., and Cymande. We’ll also play more tracks from a new project from the non-profit Red Hot, and TRAИƧA a spiritual journey across eight chapters and 46 songs with over 100 artists contributing. The album spotlights many of the most daring, imaginative trans and non-binary artists working today. TRAИƧA reintroduces Sade Adu to the world with a loving song dedicated to her son, Izaak, a trans man. The culture-shifting ballad “Young Lion” debuts on this collection alongside Sam Smith and Beverly Glenn-Copeland’s historic reimagining of “Ever New.” More info at: https://redhot.org/

At 10:30 we’ll talk with Diana Watts & Kevin King of Whim Productions about the world premiere of Claire Carson’s, KISSING IN THE GROCERY STORE, a multimedia theater experience exploring queer identity, love, loss, and the quest for courage to live authentically. Diana Watts is the Director of this show and Kevin King is Artistic Director of Whim Production. KISSING IN THE GROCERY STORE by Claire Carson (she/they) is a multimedia experience told through time shifts and movement. The story reminds us that coming out is often scary, even if your family is liberal. Carson describes the play as a “mix of humor, movement, magic, and poetry.” It is “for anyone who has ever battled themselves, grappled with their past, or yearned for a life filled with more joy, more honesty, and more room to grow.” KISSING IN THE GROCERY STORE runs Thursday, February 6 through Sunday, Feb 16, 2025 at Whim Space, 415 Prospect Ave, KCMO, in historic Pendleton Heights. For info visit: http://www.whimproductions.org.

At 11:00am Chris Garibaldi co-founder of Lotuspool Records and Mark Henning of the bands Zoom, National Trust, Voice of Action, share details about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Grauerholz has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. This new collection of songs span thirty years, or as James so aptly puts it ‘My Life In Four Acts’ – with each side of the two lps representing an Act. Though much of the material could easily be considered Great American Songbook, there is also a deeply personal and distinctly Queer element to the songs. One must not forget that back in the 1970s hardly anyone was doing this. In fact, James may have created his very own lane. More info at: http://www.lotuspool.com

At 11:30 Daniel Gum shares details about his new 10-track album THE GREAT CONJUNCTION to be released on February 7, 2025 on Manor Records. Daniel Gum is a singer-songwriter based out of Kansas City, KS. Since the age of 12, Daniel has been writing and recording songs. He released his 10-song album REORIENT on July 31, 2015. He released his electronic pop EP, I’M NOT DEAD on October 25, 2017, and released the acoustic, 3-track EP, MOON on December 7 2018. Daniel Gum was signed to Manor Records in the spring of 2020. Channeling the likes of Elliott Smith and Andy Shauf he released his 12-track album, THIRTEEN on October 30, 2020, co-produced with Mike Crawford. On September 10, 2021 Daniel Gum released the single “Wolverine” with Rachel Cionitti on vocals & Peter Beatty on lap steel. On October 21, 2022 Daniel released a cover of Big Star’s “Thirteen,” and on December 9, 2022 he released a cover of The Beatles “Julia” both with Joel Stratton on bass, Micah Ritchie on drums, and Evan Herd on drums. On January 24, 2024, Daniel Gum released “Sophia” / “Don’t I Know”. On December 13, 2024, he released the 4-track EP, MET YOU TOO SOON. On January 10, 2025 he released the 5-track EP, COWBOY SONG. Daniel Gum joined us on WMM on November 11, 2020. More info at: http://www.manorrecords.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1081

WMM Playlist from January 1, 2025

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, January 1, 2025

New Music for a New Year + Krystle Warren + elska

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Minnie Riperton – “Les Fleurs”
    from: Come To My Garden / GRT / September 23, 1970
    [Come to My Garden is the debut studio album by American singer-songwriter Minnie Riperton which was produced, arranged and orchestrated by Charles Stepney. It was re-released in 1974 on the Janus label, in the same time frame as Riperton’s album Perfect Angel and her hit “Lovin’ You.” // The album was first released on CD in 1990, and has since been made available in digital form. None of the CD editions have material transferred directly from the original master tapes. All CD editions were mastered in UK, USA and other countries using LP records and different noise reduction methods. It is quite possible that original tapes that belonged to GRT were lost forever. // The album peaked at number 160 on the U.S. Billboard 200 chart in 1974. Some versions of the CD release do not include the last track, “Whenever, Wherever.” Riperton said she wanted a sound like the great Dionne Warwick / Burt Bacharach collaborations for the album. // Minnie Riperton was presented as a solo artist by Ramsey Lewis on Saturday, December 26, 1970, at Chicago’s famed London House. She performed several numbers from the album accompanied by Charles Stepney, the album’s producer. Although commercially unsuccessful, Come to My Garden is considered a masterpiece by critics. “Les Fleur”[a] is probably the album’s best known song, and “Expecting” remains a favorite among fans. // The heavy rock aspect of Riperton’s band Rotary Connection is absent here, replaced by lush orchestrations. The songs, mostly by Stepney and Riperton’s husband Richard Rudolph, are largely minor-key ballads. // The album opener “Les Fleur” got to No. 34 on both the UK Vinyl Singles and UK Physical Singles charts in mid-October 2020. // “Les Fleur” was written by Charles Stepney and Richard Rudolph. // Minnie Julia Riperton Rudolph (November 8, 1947 – July 12, 1979) was an American soul singer and songwriter best known for her 1975 single “Lovin’ You”, her five-octave vocal range, and her use of the whistle register. // Born in 1947, Riperton grew up in Chicago’s Bronzeville neighborhood on the South Side. As a child, she studied music, drama and dance at Chicago’s Abraham Lincoln Center. In her teen years, she sang lead vocals for the Chicago-based girl group The Gems. Her early affiliation with the Chicago-based Chess Records afforded her the opportunity to sing backing vocals for various established artists such as Etta James, Fontella Bass, Ramsey Lewis, Bo Diddley, Chuck Berry and Muddy Waters. While at Chess, Riperton also sang lead for the psychedelic soul band Rotary Connection from 1967 to 1971. // On April 5, 1975, Riperton reached the pinnacle of her career with her No. 1 single “Lovin’ You”. The single was the last release from her 1974 gold album titled Perfect Angel. In January 1976, Riperton was diagnosed with breast cancer; in April, she underwent a radical mastectomy. By the time of diagnosis, the cancer had metastasized and she was given about six months to live. Despite the prognosis, she continued recording and touring. She was one of the first celebrities to go public with a breast cancer diagnosis, but she did not disclose that she was terminally ill. In 1977, she became a spokesperson for the American Cancer Society. In 1978, she received the American Cancer Society’s Courage Award, which was presented to her at the White House by President Jimmy Carter. Riperton died of breast cancer on July 12, 1979, at the age of 31. // Minnie Julia Riperton was born in Chicago, the daughter of Thelma Inez (née Matthews) (1911–2005) and Daniel Webster Riperton (1898–1991), a Pullman porter. The youngest of eight children in a musical family, she embraced the arts early. Although she began with ballet and modern dance, her parents recognized her vocal and musical abilities and encouraged her to pursue music and voice training. At Chicago’s Abraham Lincoln Center, she received operatic vocal training from Marion Jeffery. She practiced breathing and phrasing, with particular emphasis on diction. Jeffery also trained Riperton to use her full range. While studying under Jeffery, she sang operettas and show tunes, in preparation for a career in opera. Jeffery was so convinced of her pupil’s abilities that she strongly pushed her to further study the classics at Chicago’s Junior Lyric Opera. The young Riperton was, however, becoming interested in soul, rhythm and blues, and rock. After graduating from Hyde Park High School (now Hyde Park Academy High School), she enrolled at Loop College, now named Harold Washington College, and became a member of Zeta Phi Beta sorority. She dropped out of college to pursue her music career. //Riperton’s first professional singing engagement was with The Gems, when she was 15. Raynard Miner, a blind pianist, heard her singing during her stint with Hyde Park’s A Cappella Choir and became her musical patron. The Gems had relatively limited commercial success, but proved to be a good outlet for Riperton’s talent. Eventually the group became a session group known as Studio Three and it was during this period that they provided the backing vocals on the classic 1965 Fontella Bass hit “Rescue Me”. In 1964, The Gems released a local hit, I Can’t Help Myself, and their last single, He Makes Me Feel So Good, was released in 1965. The Gems later released records under numerous names—most notably 1966’s Baby I Want You by the Girls Three and 1967’s My Baby’s Real by the Starlets. The latter has achieved cult status with northern soul fans and remains a favorite. It was a Motown-style song reminiscent of Tammi Terrell. In 1968, Watered Down was released as a follow-up, under the name The Starlets. It was the last release of Riperton’s former girl group. While a part of Studio Three, Riperton met her mentor, producer Billy Davis, who wrote her first local hit, “Lonely Girl”, as well as its B-side, “You Gave Me Soul”. In honor of Davis, she used the pseudonym Andrea Davis for the release of those two singles. // Riperton was married to songwriter and music producer Richard Rudolph from August 1970 until her death in July 1979. Together, Riperton and Rudolph had two children: music engineer Marc Rudolph (born 1968) and actress and comedian Maya Rudolph (born 1972), a Saturday Night Live cast member from 2000 to 2007. Maya was a toddler when “Lovin’ You” was recorded. According to the liner notes from Riperton’s Petals compilation CD, the melody to “Lovin’ You” was created as a distraction for Maya when she was a baby so that Riperton & Richard Rudolph could spend time together. Near the end of the unedited “Lovin’ You”, Riperton sings “Maya, Maya, Maya”.]
  1. Helado Negro – “Best For You And Me”
    from: Phasor / 4AD / February 9, 2024
    [Phasor is the eighth studio album by American musician Helado Negro. It was released on through 4AD. It received acclaim from critics. // Inspiration for Phasor dates back as far as 2019, during a trip to University of Illinois Urbana-Champaign to learn about the complex synthesizer machine “Sal-Mar” developed by American composer Salvatore Martirano. The technology was engineered to create an infinite number of sound sequences, which stimulated Lange as to the “pursuit of constant curiosity in process and outcome”. He referred to the songs he subsequently crafted as “the fruit” and the creation as the “unseen magical process” that he did not want everybody to see because “not everyone cares to see it”. His intentions with the record were to “keep it not so heavily based on traumas or personal identities” but rather draw “inspiration from fiction”. Other means of inspiration for the album include Lange’s previous relocation to Asheville, North Carolina in order to be closer to his family, as well as the theme of food and the phrase “you are what you eat”. // Phasor features nine tracks that Lange promoted through the release of the lead single “LFO” (abbreviation for “Lupe Finds Oliveros”), an “immersive experience that entrances and bewilders”, performances at the Pitchfork Music Festival in London and Paris in 2023, as well as a world tour through Europe and North America in spring 2024. // Roberto Carlos Lange (born 1980), better known by his stage name Helado Negro, is an American musician. In 2019 he was awarded a United States Artists Fellow in Music and also the recipient of a 2019 Grants to Artists award in Music from the Foundation for Contemporary Arts. In 2015 he received a Joyce Foundation award. // Lange’s songs are bilingual in English and Spanish and explore Latine identity, drawing on his upbringing in South Florida as the child of Ecuadoran immigrants. // Helado Negro released his 2019 album This Is How You Smile through RVNG Intl., a Brooklyn-based music institution. This Is How You Smile received an 8.5 rating and Best New Music from Pitchfork. // The son of Ecuadoran immigrants, Helado Negro (Roberto Carlos Lange) was born in South Florida in 1980. He grew up in Lauderhill and Davie. // As a high school student during the early 1990s, Roberto Carlos Lange would stay up late watching “Liquid Television” on MTV. Intrigued by the experimental videos and animation he saw there, he “was fascinated by the mystery of how they were made, and was curious as to how to make them.” // In 1999 he enrolled at the Savannah College of Art and Design (SCAD) in Savannah, Georgia, to study Computer Art and Sound Design. His sound studies focused on installation, performance and experimental art. During his time at SCAD, he participated in experimental sound and art shows, and he began to develop his musical work by purchasing an MPC sampler to create music. He graduated in 2003 with a B.F.A. in Computer Art from SCAD. // Helado released his first full-length album in 2009 titled Awe Owe. // In 2010, Helado released an EP titled Pasajero. // Helado released his second full-length album in 2011 titled Canta Lechuza. // In 2012, Helado released the first of a three part EP, titled Island Universe Story – One. // Helado released his third full-length album in 2013 titled Invisible Life. Helado released the second Island Universe Story EP in 2013. In 2014, Helado released his fourth full-length album titled Double Youth. The third EP in Helado’s three-part Island Universe Story series was released in 2014. // In 2015, Helado released the single “Young, Latin and Proud” along with an animated-visual and lyric video. Lange describes the song as “It was as if I was singing my 6-year-old self a lullaby… It’s about feeling a sense of pride and self-confidence, understanding that you’re born into something and it’s alright to feel good about it. Stereotypes and contradictions are built into identity and I think those are a strong current in both Latino and black identity in the U.S. today. // In 2016, Helado released his fifth full-length album titled Private Energy. In this record, Helado exposes his vulnerabilities, stating “There’s so much that is special [and] fragile about us… We’re vulnerable and scared to share with people. I’m just sharing my own vulnerable shit. The hardest part is talking to somebody else about it. I’m the worst person to sum things up with words but the best [way] to sum it up is with music, you know?” // In 2019 he released his sixth studio album titled This Is How You Smile. “Roberto Carlos Lange’s sixth and best album as Helado Negro deepens and expands upon the imagistic nature of his lyrics and cosmic synth-folk. It is a sublime, masterful piece of music.”]
  1. Clarke Wyatt – “Just Checking In (Radio Edit)”
    from: CLARKES IN SPACE / Clarke Wyatt / March 19, 2024
    [CLARKESINSPACE is an ongoing project by Clarke Wyatt: multi-instrumentalist, composer, producer, recording and video engineer. Clarke is a lifelong creator of original music. He has written string quartets, original compositions and songs, studio project parts and production, and video creations. And that’s just the start. His latest project in the works is called “Guitar Party”, where he plays drum kit with electric guitarists (sometimes switching places if the guitarist is also a drummer). It’s the beginning of a video series, first created for youtube, with options for multiple media. Clark is one half of the acclaimed duo Best & Clarke who are “Regular folks whop make exceptional music: This duo from the heartland (Kansas City, Missouri) has its roots in Ozark old time music, honoring traditional songs and tunes that resonate with human experience. New compositions add compelling elements to their musical tapestry.]
  1. Fullbloods – “No Hesitation”
    from: Playing It Safe / High Dive Records / March 7, 2025
    [First Single from the 4th studio album of Fullbloods. “No Hsitation” was released on December 7, 2024. // Fullbloods is a studio project of songwriter and producer Ross Brown (Shy Boys, Koney, Snacky). Live he is joined by his friends and the music is probably better that way. Thanks for listening! // Fullbloods released their 3rd full-length album Soft and Virtual Touch on High Dive Records on April 3, 2020. All songs written, performed, recorded, mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock Played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]
  1. Sylvester – “Body Strong (Live At The Opera House)”
    from: Live At The Opera House (The Complete Recordings / Live At The War Memorial Opera House 1979) / Craft Recordings / September 4, 20254
    [Track features: Martha Wash & Izora Rhodes (better known as “Two Tons O’Fun” who later became The Weather Girls , and scored their oen biggest hit with,“It’s Raining Men” written by Paul Jabara & Paul Shaffer in 1979, intending it for Donna Summer, who had recently become a born-again Christian and rejected the song as “blasphemous”. The song was then offered to Diana Ross, Cher, and Barbra Streisand, all of whom declined it.”SYLVESTER’S HISTORIC 1979 CONCERT AT THE SAN FRANCISCO WAR MEMORIAL OPERA HOUSE DEBUTS IN ITS ENTIRETY // Available now 3-LP/2-CD/digital, Live at the Opera House features over two hours of music from the pioneering disco icon, including never-before-heard extended performances, previously unreleased recordings, and the Artist’s “key to the city” ceremony. / “I suppose everyone’s dream fantasy for living your life the way you want it is to go to the opera.” – Sylvester / On the evening of March 11, 1979, thousands of people lined up outside of the San Francisco War Memorial Opera House to catch one of the year’s hottest shows. Splashed across the marquee for the sold-out concert was one singular name: Sylvester. It would not only be a pivotal moment in the career of the pioneering singer, songwriter, disco diva, and queer icon, but also a historic moment for the city’s LGBTQ+ community. // Now, for the very first time, Sylvester’s legendary concert can be re-lived in its entirety through Live at the Opera House. Previously only available in heavily edited excerpts (via 1979’s Living Proof), the new album presents over two hours of AAA-mastered audio, including all 13 songs from the performance —“You Make Me Feel (Mighty Real)” and “Dance (Disco Heat)” among them—plus a recording of the mid-concert ceremony where Sylvester was awarded the Key to San Francisco. // Live at the Opera House arrives September 6th via Craft Recordings on 3-LP, 2-CD, as well as HD and standard digital. Both the 3-LP edition (which is pressed on purple vinyl and housed in a gatefold jacket) as well as the 2-CD set include recently discovered photographs from the evening, plus new liner notes by Joshua Gamson, author of The Fabulous Sylvester: The Legend, The Music, The Seventies in San Francisco (Henry Holt/Picador, 2005). // “I have no real projections except I want to play the San Francisco Opera House. I am—and I’m saying this—I am going to play the opera house! It’s going to be a fabulous show with a full orchestra, lots of costumes, lots of lighting and lots of everything. Lots! And whenever you think you have too much, you should put on more, just to be safe.” —Sylvester, in an October 1977 interview with The Advocate. // While Sylvester had long envisioned his concert at San Francisco’s War Memorial Opera House, nothing could have prepared him for the career-defining moment that it would become. Welcomed home by 3,250 friends, family, and fans, the mononymous singer, songwriter, and disco star was about to deliver one of his greatest live performances. But the path to that hallowed stage was long in the making—and certainly not an easy one. // Born in Los Angeles in 1947, Sylvester James Jr. was a natural performer, who trained his soulful voice in the Pentecostal church. But he also wasn’t afraid to be his true self. Leaving home as a teenager, the trailblazing artist lived openly as a gay man, proudly challenging gender norms through his fluid appearance in an era when queer lifestyles were still criminalized in parts of the US. In 1970, Sylvester adopted San Francisco as his home and began making a name for himself—both as a part of avant-garde drag troupe, The Cockettes, and with his rock group, Sylvester and His Hot Band. Though he failed to find commercial success with the Hot Band’s two releases, he set his sights on a solo career, signing a deal with the Berkeley-based Fantasy Records. Armed with new backing singers—Martha Wash and Izora Rhodes (better known as “Two Tons O’Fun,” who later became The Weather Girls)—Sylvester released a self-titled, disco debut in 1977. His follow-up, 1978’s Step II, made him a star. // In the year leading up to his Opera House appearance, Sylvester became a household name, enjoying a Gold-certified album and two Top 40 hits: “Dance (Disco Heat)” and the enduring hi-NRG anthem, “You Make Me Feel (Mighty Real).” Both singles hit No.1 on Billboard’s Hot Dance Club Play chart, while the latter song broke the UK’s Top 10. That success found Sylvester playing sold-out gigs in London and touring the US with acts like The Commodores, Chaka Khan, and War. As one of the few publicly queer performers at the time, Sylvester also broke barriers by appearing on national shows like American Bandstand, The Merv Griffin Show, and Dinah Shore. // For Sylvester, booking a show at the San Francisco Opera House was a celebration of all that he had accomplished so far. But, as Joshua Gamson (author of The Fabulous Sylvester: The Legend, the Music, the Seventies in San Francisco) writes, the evening also proved what a force Sylvester had become within the city’s queer community. “For gay San Franciscans and the people who loved them, who had known Sylvester from his raucous local shows, or from the dance floor, or just from seeing him around the Castro with his broad, shy smile and his dogs, it was like your cousin had just become a movie star.” He adds, “Almost every self-respecting homosexual in San Francisco was somewhere in the crowd.” Also in the audience were a handful of local dignitaries (including state assemblyman and future mayor Willie Brown and city supervisor Harry Britt), plus the artist’s mother, brother, and sister. // As the curtain rose, the 26-piece orchestra launched into an overture of recent hits as Sylvester, dressed in a sequined red robe, made his grand entrance in a tornado of glitter. Befitting the venue, the show was presented in three parts: “An elaborate overture and opening act; a quieter, bluesier center; and a high-energy, allegro third act, ending on a quiet, bittersweet hymn,” describes Gamson. The setlist—a blend of covers and originals—showcased the breadth of Sylvester’s abilities, as he moved seamlessly between pulsating dance numbers and soulful balladry with his powerful, falsetto vocals. // While his two biggest hits (“You Make Me Feel (Mighty Real)” and “Dance (Disco Heat)”) appeared twice in the show—as orchestral medleys and as previously unreleased extended vocal performances—the artist also premiered “Body Strong” and delivered a rendition of Ben E. King’s “I (Who Have Nothing),” both of which would appear on his 1979 studio album, Stars. The latter performance, meanwhile, makes its debut in this collection. Other previously unreleased selections include an emotive medley of the Benard Ighner-penned staple, “Everything Must Change,” paired with the singer’s own “You Are My Love”—a reprise of the opening overture, plus a cover of the ’70s classic “Never Can Say Goodbye” (in the style of fellow disco queen, Gloria Gaynor), which closed out the evening. // Sylvester also gave impassioned performances of “Lover Man (Oh Where Can You Be?)” (famously recorded by Billie Holiday), the Patti LaBelle-penned “You Are My Friend,” as well as The Beatles’ “Blackbird.” Midway through the concert, meanwhile, the artist was presented with the Key to the City. The ceremony, which is featured in its entirety on Live at the Opera, was presided over by longtime city supervisor and gay rights activist Harry Britt, who declared March 11th Sylvester Day, on behalf of then-mayor Dianne Feinstein. // The concert would be a personal milestone for Sylvester, as well as a critical and commercial success (it was the country’s highest-selling event that week for venues under 6,000 people). But—having taken place mere months after the assassination of the state’s first openly gay elected official, Harvey Milk—it was also viewed as a symbolic achievement for San Francisco’s LGBTQ+ community. “1978 had been a year of foul, violent backlash and collective trauma and loss,” writes Gamson. “Milk had been a symbol of gay power and, now, anti-gay brutality. Sylvester had become an icon of joyful gayness and self-possessed unconventionality. To a lot of people, Milk’s death felt like their own, and Sylvester’s success felt like their victory and their vengeance.” // Later that year, excerpts from the concert were released by Fantasy Records as the double LP, Living Proof. The album peaked at No.45 on Billboard’s R&B chart and spawned several charting singles. In a retrospective of the album, AllMusic praised, “Rockers who dismissed disco in general as cold and mechanical never seriously listened to Sylvester, a passionate, captivating singer who had a magnificent range and was consistently mindful of disco’s soul and gospel roots… [Living Proof] documents…that Sylvester was far from one-dimensional.” // In the years that followed, Sylvester continued to enjoy a steady schedule of album releases, including 1982’s All I Need, which spawned the popular single “Do You Wanna Funk,” and 1986’s Mutual Attraction, featuring the chart-topping dance hit, “Someone Like You.” In addition to his celebrated musical career, Sylvester also became a tireless activist for those living with HIV and AIDS. Sadly, the artist lost his own battle to complications from the virus in 1988, at the age of 41. // Sylvester’s legacy continues to live on, as new generations not only fall in love with his music but also acknowledge the barriers he broke as a queer icon. In the decades following his death, Sylvester has been honored in a myriad of ways, including being inducted into the Dance Music Hall Of Fame in 2005 and ranking among Billboard’s greatest dance club artists in 2016. He was one of the inaugural honorees on San Francisco’s Rainbow Honor Walk and was the subject of an acclaimed, off-Broadway play, Mighty Real: A Fabulous Sylvester Musical. More recently, in 2019, “You Make Me Feel (Mighty Real)” was added to the Library of Congress’s National Recording Registry for being “culturally, historically, or aesthetically significant,” while in 2023, Rolling Stone included Sylvester on their 200 Greatest Singers of All Time ranking. // Craft Recordings is home to one of the largest and most essential collections of master recordings and compositions in the world. Its storied repertoire includes landmark releases from icons such as Joan Baez, John Coltrane, Creedence Clearwater Revival, Celia Cruz, Miles Davis, Isaac Hayes, John Lee Hooker, Little Richard, R.E.M., Joan Sebastian, and Traveling Wilburys. Plus, the catalog recordings of celebrated contemporary acts including A Day to Remember, Evanescence, Alison Krauss, Nine Inch Nails, Taking Back Sunday and Violent Femmes, to name just a few. Renowned imprints with catalogs issued under the Craft banner include Fania, Fantasy, Fearless, Musart, Nitro, Panart, Prestige, Riverside, Rounder, Specialty, Stax, Vanguard, Varèse Sarabande, Vee-Jay and Victory, among many others. Craft creates thoughtfully curated packages, with a meticulous devotion to quality and a commitment to preservation—ensuring that these recordings endure for new generations to discover. Craft is also home to the Billie Holiday and Tammy Wynette estates which preserve and protect their respective names, likeness and music through day-to-day legacy management of these cultural trailblazers.]
  1. Kim Deal – “Crystal Breath”
    rom: Nobody Loves You More / 4AD / November 22, 2024
    [Debut solo album by the American musician Kim Deal. It was released by 4AD, and promoted with the singles “Coast”, “Crystal Breath”, “A Good Time Pushed” and “Nobody Loves You More”. // Nobody Loves You More is Deal’s first solo album. It includes contributions from her sister Kelley Deal and other former Breeders collaborators, such as Jim MacPherson and Mando Lopez, as well as Savages’ Fay Milton and Ayse Hassan, Raymond McGinley of Teenage Fanclub, and the Raconteurs’ Jack Lawrence. // The album includes over a decade’s work, with its earliest songs dating back to 2011, shortly after Deal’s departure from the Pixies following their Lost Cities Tour. “Are You Mine?” and “Wish I Was” were written in 2011 and released in 2013 as part of a self-released seven-inch vinyl series in 2013. Steve Albini, a frequent collaborator, recorded “A Good Time Pushed” in the final sessions at Electrical Audio in Chicago before his death in May 2024. // Musically, Nobody Loves You More blends familiar Breeders-esque rock with surprising stylistic choices, such as bossa nova and brass instrumentation, as heard in the title track. Songs like “Disobedience” and “Big Ben Beat” evoke the energy of Breeders’ classics, while others, like “Wish I Was,” reimagine earlier material with fresh arrangements. Despite its eclectic nature, the album retains Deal’s style, offering both familiarity and innovation. // The album’s themes range from the deeply personal to whimsical inspirations. For instance, the poignant track “Are You Mine?” is inspired by a moment with Deal’s mother, who suffered from Alzheimer’s. Conversely, “Crystal Breath” arose from Deal’s admiration for actress Rose Byrne, though the song’s intended purpose as a TV theme was ultimately declined. // Upon its release, Nobody Loves You More was well received by music critics. According to the review aggregator Metacritic, Nobody Loves You More received “universal acclaim” based on a weighted average score of 89 out of 100 from 11 critic scores. // The Quietus highlighted the range, from the vibrant, brass-infused bossa nova of the title track to the raw vulnerability of songs like “Are You Mine?” AllMusic added their ‘Editor’s Choice’ tag to the collection and stated “Nobody Loves You More is some of her finest music yet, and while any of these songs would’ve been a standout with one of her other projects, it’s all the sweeter that they’re hers alone”.]

10:29 – Underwriting

  1. Elska – “Màngata”
    from: Dancing Alone (LP) / Time Released Sound / July 5, 2024
    [11-track album release. Electronic/Ambient music from KC based Elska. elska is the narrator of cinematic lullabies and creation of Composer Laura Boland. She represents love, imagination, optimism, conflict & awareness. Elska writes, “My vignettes are comprised of moments and memories that explore the human condition and our spiritual migrations in the context of our ever-changing environment.” .Composed, recorded, and mixed by Laura Boland in Kansas City, MO. Mastered by Jessica Thompson in San Francisco, CA. Polaroids by Laura Boland, Alex Alexander and Peter Rad. Polaroid stories by Laura Boland Artwork/Design by Colin Herrick and Maria Chenut. // Elska writes: “Hello and thank you for taking the time to read this and listen. I am happy to present Dancing Alone to you: a slow waltz through the darkest corridors of our yesterdays. Here, we excavate dusty memories and are united with our shadows to uncover a reverberating love inside our hearts’ distorted beats. Evocative orchestrations of ghostly soundscapes and nostalgic synth textures decorate this internal terrain and accompany ethereal vocal narrations that tie together the complexities and explorations of “home.” // Elska released the 5 track EP lerden in Januaryt 29, 2021. // Elska released the 8-taxck album elska on September 28, 2018. More info at: elskamusic.me]

[Elska plays miniBar 3810 Broadway, KCMO on April 12, 2025,with Minneapolis band Stranger Gallery.]

10:35 – Interview with Laura Boland

Elska is the narrator of cinematic lullabies and the creation of Composer Laura Boland. She represents love, imagination, resilience & awareness. Her vignettes are comprised of moments that explore the human condition and our spiritual migrations in the context of our ever-changing environment. Elska’s introspective songs waltz through the darkest corridors of our yesterdays; excavating memories and uniting us with our shadows to uncover a reverberating love inside our heart’s distorted beats. Evocative orchestrations of ghostly soundscapes and nostalgic synth textures decorate this dusty, internal terrain and accompany her ethereal vocal narrations. Elska first emerged in Brooklyn, New York in 2018. She currently resides in Kansas City, MO.

Laura Boland Thanks for being with us on Wednesday MidDay Medley.

“Dancing Alone” was released on a boutique label in CA. called Time Released Sound on July 5, 2024.

elska performed a handful of times here in KC this Summer and Fall, and also in Minneapolis and Brooklyn (two places she has lived and was a part of the music community.

Elska plays miniBar 3810 Broadway, KCMO on April 12, 2025, with Minneapolis band Stranger Gallery.] More info at: More info at: elskamusic.me

Laura moved to KC in 2021 from Brooklyn during the pandemic when finances became uncertain. Laura’s family moved here in KC from New Jersey when Laura was young.

Laura has been a vocalist for many years and started composing and experimenting in Sound Design in 2012.

Laura attend The Conservatory of Music at Brooklyn College and Elska was born during that time.

Laura is happy to be back in KC and is meeting wonderful people and inspiring musicians.

Laura also plays keyboards and songs with Redder Moon.

Laura is a Hair Stylist by day.

elska’s two albums can be found on all streaming and on Bandcamp. https://elskalullabies.bandcamp.com/album/leden

Laura Boland Thanks for being with us on Wednesday MidDay Medley.

[Elska’s latest album “Dancing Alone” was released on July 5, 2024. Elska plays miniBar 3810 Broadway, KCMO on April 12, 2025, with Minneapolis band Stranger Gallery.] More info at: More info at: elskamusic.me]

10:50

  1. Elska – “Tesori”
    from: Dancing Alone (LP) / Time Released Sound / July 5, 2024
    [11-track album release. Electronic/Ambient music from KC based Elska. elska is the narrator of cinematic lullabies and creation of Composer Laura Boland. She represents love, imagination, optimism, conflict & awareness. Elska writes, “My vignettes are comprised of moments and memories that explore the human condition and our spiritual migrations in the context of our ever-changing environment.” .Composed, recorded, and mixed by Laura Boland in Kansas City, MO. Mastered by Jessica Thompson in San Francisco, CA. Polaroids by Laura Boland, Alex Alexander and Peter Rad. Polaroid stories by Laura Boland Artwork/Design by Colin Herrick and Maria Chenut. // Elska writes: “Hello and thank you for taking the time to read this and listen. I am happy to present Dancing Alone to you: a slow waltz through the darkest corridors of our yesterdays. Here, we excavate dusty memories and are united with our shadows to uncover a reverberating love inside our hearts’ distorted beats. Evocative orchestrations of ghostly soundscapes and nostalgic synth textures decorate this internal terrain and accompany ethereal vocal narrations that tie together the complexities and explorations of “home.” // Elska released the 5 track EP lerden in Januaryt 29, 2021. // Elska released the 8-taxck album elska on September 28, 2018. More info at: elskamusic.me]

[Elska plays miniBar 3810 Broadway, KCMO, April 12, 2025, w/ Minneapolis band Stranger Gallery.]

  1. the eradicats – “New Best Friend”
    from: Best in Show / Celery Wolf Records / October 2, 2024
    [Words by Kristi Who and Josh Thomas. Music by Josh Thomas, Chris Smead, Justin Brooks, and Kristi Who, Artwork by Kristi Who. // What if Pixies were funny? Black Francis specifically, Kim Deal is hilarious and the coolest person ever. What if They Might Be Giants grew up listening to punk? The eradicats answer these questions, and maybe even a few others, on their debut EP “Best in Show”.// Questions like: Are slightly crooked teeth a serious medical condition? Do axolotls enjoy a good petting? Who was Dave Griffin?]
  1. Laura Marling – “Patterns”
    from: Patterns in Repeat / Chrysalis Records / October 25, 2024
    [8th studio album from Laura Beatrice Marling, born Feb. 1, 1990, from Eversley, Hampshire. Her debut album Alas, I Cannot Swim, her 2nd album I Speak Because I Can, and her 4th album Once I Was An Eagle were all nominated for the Mercury Music Prize in 2008, 2010, 2013, respectively. She won the Brit Award for Best British Female Solo Artist at the 2011 Brit Awards, and was nominated for the same award at the 2012 and 2014 Brit Awards. The youngest of three daughters, Marling learned guitar at an early age. Her father, Sir Charles William Somerset Marling, the 5th Marling Baronet, ran a recording studio, introduced her to folk music and shaped her musical taste, an experience that Marling later described as, “a bit of a blessing and a bit of a curse….[because] I couldn’t slot myself into the age-appropriate genre”. Marling received a scholarship to attend Leighton Park School, a private Quaker school in Reading, Berkshire. During her secondary school years she felt uneasy around other people and was afraid of death. Marling dated Noah and the Whale singer/guitarist Charlie Fink briefly before the pair separated in 2008. She also dated Marcus Mumford of Mumford and Sons until late 2010. She moved to Silver Lake in LA, California in 2013, before relocating back to London in December 2014. In September 2013, Marling explained: “I am a solitary person but I love people, I’m not a misanthrope. I like the idea of speaking only when it’s strictly necessary. The closest I ever feel to people is in shared experience. I’m still exploring that, I don’t know where it’s going to lead me.]
  1. The Slay Belles – “A Gift of Love”
    from: A Slay in a Manger / Parlour Door Music / December 21, 2024
    [Written by Krystle Warren & Jacob Snider // J. Most on guitar • Michael Riddleberger on drums • Jesse Singer on vibraphone and celeste • David Moore on piano• David Dawda on bass• Krystle Warren on vocals / Produced by The Glitter Twins]

11:00 – Station ID

  1. Krystle Warren & The Faculty – “Strangely Optimistic”
    from: Extended Play / Parlour Door Music / November 1, 2024
    [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations // // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs​ was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs​ were recorded with everyone in the same room (​Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play​ was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up ​Extended Play​ are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play,​ they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]

11:03 – Interview with Krystle Warren

Krystle is one of our most played artists, of all time, on this radio show. Krystle is also one of our most frequent guests, today is her 20h appearance on our show.

Krystle Warren began performing in her native KC at the age of 16. Krystle graduated from Paseo Arts Academy and in 2001 began her musical career collaborating with area jazz and pop musicians. After moving to New York City, she started busking on the streets and later formed her band, The Faculty. After her independent EP release, Diary, Krystle was signed to Paris based music label Because Music who sent her a one-way ticket. Krystle Warren & The Faculty released the album CIRCLES in 2009. The epic double album release, LOVE SONGS… followed in 2011, and contained twenty-four songs about love, and was recorded in New York City over the span of two weeks, with close to thirty musicians. Around this time, Krystle joined forces with one of her musical idols, Rufus Wainwright, on his world tour as an opener and bandmate. Krystle Warren then released her solo album THREE THE HARD WAY, in 2017 where she played every instrument and reunited with producer Ben Kane. On May 31, 2019 Krystle Warren & The Faculty released heir single “Rising” written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When the pandemic put The Faculty’s new album on hold, Krystle released the 4-song EP, THE CREW on September 15, 2020. Last year Krystle released the single “Macca” on May 22, 2023, and the single “La Dolce Vita” This year on March 1, 2024.

Krystle Warren & The Faculty released their new album Extended Play on November 1, 2024 on Parlour Door Music More info at: http://www.krystlewarren.com

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

The Faculty was formed in 2006 with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. Jonathan Anderson, would later go on to replace Dave Moore on keys. the band members are spread across the globe working musicians, touring, recording, and collaborating with musicians like: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Emily King, Janet Jackson, Ron Sexsmith, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, Emmylou Harris, Amos Lee, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and more.

Last time you were with us was in June when you were back here in KC to perform at The Percheron Rooftop Series at Crossroads Hotel and Boulevadia.

In 2024 Krystle played live on WMM with Jean Fabien Dijoud aka “Jeff” doing “Macca”.

Krystle Warren & Solomon Dorsey headlined the KC Folk Fest 2023 on Saturday, May 20, in Washington Square Park, Kansas City, MO.

Also in 2024 Krystle Warren & The Faculty released “LA DOLCE VITA” a single on March 1, 2024

The Faculty formed in 2006 w/ Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. With the help of Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle created Diary an EP.

Diary led to the full length, Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado.

Krystle Warren then recorded Love Songs, a double album, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’ in NYC, with most of the Faculty and a slew of guest musicians in Brian Bender’s Brooklyn studio. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys.

While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York, and Zach in Woodstock. Solomon and Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with musicians like: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Emily King, Janet Jackson, Ron Sexsmith, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, Emmylou Harris, Amos Lee, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and more. More info at http://www.krystlewarrenandthefaculty.com

11:11

  1. Krystle Warren & The Faculty – “Build It Up”
    from: Extended Play / Parlour Door Music / November 1, 2024
    [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. // Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs​ was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson,]

11:14 – More Interview with Krystle Warren

Krystle is one of our most played artists, of all time, on this radio show. Krystle is also one of our most frequent guests, today is her 20h appearance on our show.

Krystle Warren began performing in her native KC at the age of 16. Krystle graduated from Paseo Arts Academy and in 2001 began her musical career collaborating with area jazz and pop musicians. After moving to New York City, she started busking on the streets and later formed her band, The Faculty. After her independent EP release, Diary, Krystle was signed to Paris based music label Because Music who sent her a one-way ticket. Krystle Warren & The Faculty released the album CIRCLES in 2009. The epic double album release, LOVE SONGS… followed in 2011, and contained twenty-four songs about love, and was recorded in New York City over the span of two weeks, with close to thirty musicians. Around this time, Krystle joined forces with one of her musical idols, Rufus Wainwright, on his world tour as an opener and bandmate. Krystle Warren then released her solo album THREE THE HARD WAY, in 2017 where she played every instrument and reunited with producer Ben Kane. On May 31, 2019 Krystle Warren & The Faculty released heir single “Rising” written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When the pandemic put The Faculty’s new album on hold, Krystle released the 4-song EP, THE CREW on September 15, 2020. Last year Krystle released the single “Macca” on May 22, 2023, and the single “La Dolce Vita” This year on March 1, 2024. Her band The Faculty will finally release their album, EXTENDED PLAY on November 1. More info at: http://www.krystlewarren.com

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

Krystle Warren & The Faculty Discography

Krystle Warren & The Faculty has released the EP “Diary” on May 1, 2007
Krystle Warren released “The Up Series – EP” on November 10, 2008
Krystle Warren releases the 13-song Album CIRCLES on March 13, 2009
Krystle Warren & The Faculty released “A Time To Keep – Love Songs EP”, Aug. 12, 2011
Krystle Warren & The Faculty released the double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 as “Love Songs: A Time to Embrace,” and “Love Songs: A Time to Refrain from Embracing. ” And released on separate digital and CD albums in the United States as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015
Krystle Warren released the album THREE THE HARDWAY on August 18, 2017
Krystle Warren & The Faculty released the single “Rising” on May 31, 2019
Krystle Warren & The Crew released the 4-song EP, THE CREW on September 15, 2020
Krystle Warren & The Faculty released the single “Macca”on May 22, 2023
Krystle Warren & The Faculty released the single “LA DOLCE VITA” on March 1, 2024
From Diary EP to Extended Play A Truncated History of Krystle Warren & The Faculty
From http://www.krystalwarren.com written by Phil Anderson:

Krystle Krystle Warren met Solomon Dorsey some weekend at a high school debate competition in KC. After she had trounced Solomon’s debate partner, the two ended up in an open classroom where they began playing music—Krystle had brought her guitar and was practicing chords, and Solomon, then an accomplished violinist, cellist, bassist, and singer likely had some sort of instrument on him, and even if he didn’t he had his voice.

Due to some specific details we’re not going to get into, Krystle was already living on her own; she was eighteen and he was seventeen. But she had a friend who had an apartment near hers, and this friend was having a party. “Wanna go?” she asked Solomon. And, as Solomon puts it, he has seen or spoken to Krystle every single day of his life since.

So when Solomon decided to attend the jazz program at New School in New York, he asked Krystle, “Wanna go?” And a few months after he moved, Krystle showed up. On her first night in the city, Solomon introduced her to Zach Djanikian, a saxophonist he’d become fast friends with at school. They lived in the same dorm, and Zach and Solomon took Krystle to a practice room in the basement and the three of them played musical games. According to Zach, “We’d sing as many melodies as we could over four open strings of the upright bass, plucked successively. ‘Norwegian Wood’ and the theme to ​Family Matters​ were a couple favorites.”

This led to busking as a trio, and each of them was hustling for gigs. An Italian restaurant that featured live music gave Krystle a regular night, and she often had Solomon and Zach play with her. Zach’s friend from Philadelphia, Ben Kane, would come to these nights, and he brought Mike Riddleberger.

In Philly, Zach was in a band called The Brakes, and Ben Kane was producing an album for Zach’s band in a windowless apartment that he shared with Riddleberger. Kane and Riddleberger had become friends a year earlier at NYU, bonding over their love of D’Angelo’s album Voodoo. Riddleberger says that even though he saw Krystle perform, he didn’t speak to her until after she saw him play with his band, Quintus. Zach had brought her, and she approached him after the show to play in a band she was starting.

The Faculty was formed with Krystle, Solomon, Zach, Riddleberger, and Dave Moore, a keyboardist from Kansas who was at New School, too. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at ElectricLady Studios and was sneaking them in at odd hours, Krystle turned those songs into an EP called DIARY.

And it was a diary. The songs were about her daily experiences in this new place and with these new people. “I’ve Seen Days” has a title that implies a reflection, but it’s about how the world is new to her, how she’s “a frightened child” in a new city. “The New Astrologer” is about a new and exciting love, one that remains a good friend of hers. “A Song For Holly” is a letter to family explaining her new quotidien life (“your big sister / out in New York on some subway / your big sister, out trying to get paid”). And “Central Park” is a document of a night she had in Central Park with Zach and his boyfriend (now husband) Jesse, and how she is coming to embrace this new city, these new people, and this new chapter of her life.

If DIARY, the Faculty’s first recordings, is Krystle’s “Songs of Innocence,” then EXTENDED PLAY, the Faculty’s latest, is Krystle’s “Songs of Experience.”

Diary led to CIRCLES, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, and Krystle had her next move. She stayed in France even when her relationship with Because ended because she found Vanessa, and Vanessa was worth staying in France for. But Krystle still recorded ​LOVE SONGS in New York, a double album that invokes a Blakean duality with its two subtitles, “A Time to Refrain from Embracing” and “A Time You May Embrace.” LOVE SONGS was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys in the Faculty.

The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in NYC and Zach in Woodstock. Solomon and Jonathan in LA. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Policewoman, Jose James, Emily King, Janet Jackson, Ron Sexsmith, The Dixie Chicks, Amy Helm, Stevie Wonder, Taylor Swift, Rufus Wainwright, Kylie Minogue, Sara Bareilles, Natalie Merchant, Kesha, Bleachers, Emylou Harris, Amos Lee, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, Jenny Lewis, that’s less than the half of it.

So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while DIARY and CIRCLES and LOVE SONGS were recorded with everyone in the same room (THREE THE HARDWAY was just Krystle & Kane together), EXTENDED PLAY was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs.

And Krystle is writing with a close emotional connection to the distant past. The songs that make up Extended Play are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in ​EXTENDED PLAY and a forlornness. These songs are filled with references, musical and otherwise, to those who have inspired Krystle over the years, from Les Mis (specifically the song adopted by ACT UP) to Gregory Djanikian, Zach’s poet father, and Audre Lord.

Krystle describes “When I Look Back,” the last song of Extended Play​ as “an apology to my teenage self.” Seventeen years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”

But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says,

“I’m going on to something else, the shape of which I have no idea. ‘Only thing I know, is it’s going to be quite different. What I leave behind has a life of its own. I’ve said this about poetry… Well in a sense, I’m saying it about the very artifact of who I have been.”

Krystle Warren & The Faculty still have more to come. They have built seventeen years of memories, experiences, recordings, and shows, and with the release of ​Extended Play​, they continue to show a commitment to growing as musicians together, even if apart.

Written by Phil Anderson

Krystle Warren and 90.1 FM KKFI

Mark first interviewed Krystle Warren for The Tenth Voice, back 2002. Mark waited several hours, during a winter snow storm, at a huge party, where Krystle played with her band including her longtime friend Solomon Dorsey on bass, in a packed, smoke filled apartment near Community Christian Church across the hall from where Solomon lived, to be given a 2 song demo CD, that contained Krystle’s first recorded music, including a song called “Chanel #5.” Krystle has since gone on to be known all over the world, but still maintains contact with her hometown of Kansas City.

Krystle was on WMM on June 29, 2016 as “Guest Producer” to share inspirations for her new record, THREE THE HARDWAY playing early gospel recordings, that crossed over into Jazz from: Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Krystle’s critically acclaimed album, Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017. Wednesday MidDay Medley was the first to play tracks from Krystle’s album, before it was released. Krystle came on the show months before the release, to share music that was the inspiration for the recording. Released on Parlour Door Music, on August 18, 2017 and Produced by Krystle Warren and Ben Kane. Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. In 2015 in Krystle Warren premiered new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the Wednesday MidDay Medley radio show in 2016 Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from: Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. // Krystle was on the show on Oct. 16, 2019 with Brad Cox when she was in KC to present LoveSongs with Owen/Cox Dance Group at Oct 19 & 20, 2019 at Polsky Theatre at JCCC.

We talked with Krystle on September 23, 2020 about The Crew EP where Krystle and friends recorded unique versions of four classic songs with the hope of encouraging the rallying cries of the moment: the movement of the people. Warren embarked on the project after her newest album, with her band The Faculty, was stalled due to COVID-19

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

Krystle Warren & The Faculty released their new album Extended Play on November 1, 2024 on Parlour Door Music. For More Info: http://www.krystalwarren.com

11:23

  1. Krystle Warren & The Faculty – “Without U”
    from: Extended Play / Parlour Door Music / November 1, 2024
    [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. // Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs​ was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson,]

11:28 – Underwriting

  1. The Fur and the Fang – “Mr Lorry”
    from: EP 4 /The Fur and the Fang / December 17, 2024
    [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com

The Fur and the Fang Discography
The Fur and the Fang released the 4-track EP, EP3 on December 17, 2024
The Fur and the Fang released the 5-track EP, EP3 on July 23, 2024
The Fur and the Fang released the 4-track EP, EP2 on August 25, 2023
The Fur and the Fang released the 4-track EP, EP1 on February 28, 2023
The Fur and the Fang released the 6-track EP, A Furry Fangy Holiday 2023 on Dec. 20, 2023
The Fur and the Fang released the single, “The Horrors We Don’t Know” on October 31, 2023.

  1. David Luther – “Smile About Something”
    from: Who You Are / David Luther / April 2025)
    Recorded at Skinny Elephant Recording/Nashville, Tennessee. Engineered by Dylan Alldredge. Mixed by Neilson Hubbard. Produced by Neilson Hubbard. Mastered by Alex McCollough at True East Mastering/Nashville, Tennessee. Written by David Luther Broxterman. The band: David Luther on acoustic, vocals; Neilson Hubbard on drums, percussion, backing vocals, keys; Juan Solórzano om acoustic, bass, electric bass, and Kelly Dougherty backing vocal. Smile About Something will be released on January 21, 2025 is the first single from David Luther’s recently recorded album titled – Who You Are. Recorded at Skinny Elephant Recording in Nashville Tennessee. Produced by Neilson Hubbard and engineered by Dylan Alldredge. The song, written by David Luther and Elijah Newman, is a call to positive action amidst a chaotic landscape and personal hardships encouraging us to find what we can smile about and let that frame how we move forward. The album will be released on a TBD date in April of 2025. More information can be found at thedavidluther.com David recently completed a successful Kickstarter Campaign for the new album and it is still open for support. Information about that can also be found through thedavidluther.com or through kickstarter.com // David Luther Broxterman recorded his first self-titled EP in 2009 with Nashville producer Neilson Hubbard. The EP featured backing vocals from Americana artist Garrison Starr. This experience was the catalyst that would send him on his path to a music career, gigging part-time to begin with while working full-time as a social worker. // In 2020, during the heart of COVID-19, David knew it was time to embrace becoming a full-time musician.. Stepping away from social work and side jobs, especially as a single father of two boys, was a faith move then. During this time, David collaborated with David George and Pat Tomek on his EP Take Me Home, which was released in 2022. The EP included the anthem Home To Kansas City and World’s Gonna Change, a song co-written by David, Brandon Mashburn, and Academy Award and Golden Globe-winning songwriter Tom Whitlock. George and Tomek’s dedication and artistry to the project, along with the exceptional musicians and singers, inspired David. Shortly after, David worked with his sister Anna Taylor and producer Brandon Mashburn on the single I Will, released in 2023, a song to draw attention to things that unite rather than divide us. // In July 2024, David again joined Neilson Hubbard, studio musician Juan Solórzano, and engineer Dylan Alldridge in their East Nashville studio to record a new full-length Americana album. The album, Who You Are, features partner Kelly Dougherty on several songs and Garrison Starr on If Love Just Ain’t Enough. The songs on the LP are a journey of David’s songwriting, many coming from painful places in the past and leading up to the last song he finished the night before the last days of recording, the title track. // David is grateful for the people in his family and community who have come alongside him, often carrying him and sometimes dragging or chasing him down his path. He says he can’t imagine how he’d still be doing this without their ongoing help and encouragement, especially that of his partner and manager, Kelly Dougherty. “I had no idea what I was getting myself into, but there’s no going back.”]
  1. Day Shepherd – “Chosen (feat. Tirsah)”
    from: “Chosen (feat. Tirsah)” – Single / Irony & Anemia Records / September 13, 2024
    [As well as being a singer songwriter, Day Shepherd is a Licensed Professional Counselor at D & M Shepherd INC. Day studied Counseling psychology at Avila University and graduated in 1996. This song is written in support of the LGBTQ community and it’s the story of ChosenFamily. I have a dear friend who came out to her family as being lesbian and her family is struggling to accept her sexuality. This family has been very important to me and it has saddened me deeply that they could not support their daughter. W/Tirzah DeMeire.]
  1. The The – “Cognitive Dissident”
    from: Ensoulment / Cinéola – earMUSIC / September 6, 2024
    [The The are an English rock band from London, formed in 1979 by singer-songwriter Matt Johnson. Johnson is the only constant, and often sole, band member. The The achieved critical acclaim and commercial success in the UK, with 15 chart singles, seven reaching the top 40. Their most successful studio album, Infected (1986), spent 30 weeks on the chart. They followed this with the top-ten studio albums Mind Bomb (1989) and Dusk (1993). // The The operated as a solo project from 1982 to 1987, though their albums featured contributions from musicians such as Jools Holland, JG Thirlwell and Neneh Cherry. It became a full band from 1988 to 2002, notably featuring former Smiths guitarist Johnny Marr until 1994. The The went on hiatus from 2002 to 2017, and released their first studio album in 24 years, Ensoulment, in 2024. // Ensoulment is THE THE’s first studio album of new songs in a quarter century. This 12-song album was released on Cinéola / earMUSIC on Friday 6 September 2024. // Encompassing characteristic topics ranging from love & sex, war & politics, life & death – to the meaning of what it is to be human in the 21st century – Ensoulment was written, demoed and mixed at Studio Cinéola in London, the base of THE THE’s main creative force, Matt Johnson. // The songs were further refined in rehearsals ahead of a six-day session at Real World Studios near Bath, where Matt was joined by long-standing THE THE members James Eller (bass), DC Collard (keyboards), Earl Harvin (drums), and Barrie Cadogan (lead guitar). The album also marks the return of co-producer and engineer Warne Livesey, who previously worked on landmark THE THE albums Infected (1986) and Mind Bomb (1989). Additional performances include Gillian Glover (backing vocals), Terry Edwards (horns), Sonya Cullingford (fiddle) and Danny Cummings (percussion). // Over the years, THE THE’s releases have developed a distinct aesthetic style, which in no small part owes to the artwork of Matt Johnson’s late brother Andrew (AKA artist Andy Dog). Ensoulment features some of Andrew’s previously unpublished works on the cover, in the exquisitely designed 32-page booklet for the vinyl and CD formats, as well as on the covers of all singles. ‘Cognitive Dissident’ is the first single from the album, written by Matt Johnson and Barrie Cadogan, produced by Matt Johnson and Warne Livesey, released digitally on 17th May. The limited edition physical 7″ vinyl will become available from 7 June. Soon to be revealed is a stunning music video by long-time THE THE collaborators – director Tim Pope, People Like US (Vicki Bennett), and Peter Knight!]
  1. Horsegirl – “Julie”
    from: Phonetics On and On / Matador / February 14, 2025
    [First Single from upcoming album Phonetics On and On from Horsegirl is an American rock band from Chicago, Illinois, made of Nora Cheng, Penelope Lowenstein, and Gigi Reece. // In 2021, the group signed to Matador Records. In 2022, they released their debut studio album, Versions of Modern Performance. // The group originated in 2019 and they self-released their first song, “Forecast”, that year. The group released their first EP, Horsegirl: Ballroom Dance Scene et cetera, through Sonic Cathedral Recordings in 2020. Paste named the EP one of the 25 best EP’s of 2020. // In November 2021, the group released another song, “Billy”, their first on Matador Records. The song was named one of Rolling Stone’s “Songs You Need to Know”. Alongside the song, the group released a cover of Minutemen’s song “History Lesson – Part II”. // On June 3, 2022, the band released their debut album, Versions of Modern Performance, via Matador.]
  1. Betse & Clarke – “Auld Lang Syne 2022”
    from: “Auld Lang Syne 2022” – Single / Betse & Clarke / January 2, 2022
    [Most recently Betse & Clarke released the album, WINTER on June 4, 2020. It was in the top ten of WMM’s 120 Best Recordings of 2020. WINTER was a collection of songs and tunes, including original compositions, traditional songs and fiddle tunes, and modern songs re-envisioned. This recording was compiled during winter 2020, with a feeling of introspection. Songs under copyright were properly licensed for this digital release. Regular folks, exceptional music: This duo from the heartland (Kansas City, Missouri) has its roots in Ozark old time music, honoring traditional songs and tunes that resonate with human experience. New compositions add compelling elements to their musical tapestry. Follow up to the duo’s 2017 release, Tunes We Like released only in analog on cassette. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” More Info at: http://www.betseandclarke.com]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on January 8, 2025, we present our annual Birthday Tribute shows to Rock Icon David Bowie and singer songwriter Iris DeMent. We dedicate our first hour for Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. We’ll feature music from Iris Dement, Greg Brown, and John Prine, and from her inspirations: Loretta Lynn, Johnny Cash, Joni Mitchell, Bob Dylan, and Merle Haggard. At 11:00 we fill up our second hour in tribute to David Bowie, born January 8, 1947. We celebrate David Bowie with musical tracks from his studio albums, from his Reality Tour Live recordings, from songs performed by musicians he influenced: The Sea and Cake, Chase The Horseman, Julia Othmer and Ondara, from electronic musical pioneers Kraftwerk, and from Oscar winning film composer Ryuichi Sakamoto, who in his very first motion picture role as an actor and film composer played opposite of David Bowie in the 1983 feature, “Merry Christmas Mr. Lawrence”.

In two weeks on January 15, 2025, we present “Remembering MLK,” our annual tribute to Dr. Martin Luther King, Jr., born Jan. 15, 1929. We’ll play: Bobby Watson & The I Have A Dream Project (featuring Glenn North), Krystle Warren, The Freedom Afair, Calvin Arsenia, The Black Creatures, H.E.R., Sharon Jones & The Dap-Kings, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, The Staple Singers, Pops Staples, Mavis Staples, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, Sarah Lee Guthrie & Johnny Irion, Soweto Gospel Choir, The Intl. Noise Conspiracy, and Labelle.

In three weeks on January 22, 2025 we’ll spin even more Bowie in honor of The Band That Fell To Earth who will be presenting their annual Tribute to Bowie with a VIP show Thursday, January 23, where they play the entire “Let’s Dance” album and regular shows Friday and Saturday, January 24th and 25th at recordBar. Mike Dillon will also be on the WMM show.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers.

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1076

WMM presents: Brock Wilbur & Nick Spacek of The Pitch + Damron Russel Armstrong of The Black Repertory Theatre of Kansas City

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, November 13, 2024

Brock Wilbur & Nick Spacek of The Pitch + Damron Russel Armstrong of The Black Repertory Theatre of Kansas City

At 10:00, we welcome Brock Wilbur & Nick Spacek of The Pitch. The annual Pitch “Best Of” issue hit streets on Monday, November 4, 2024. Brock and Nick will share their own observations of the events of 2024, and Nick Spacek shares his Top Ten Favorite Musical Releases of 2024 from: Necrot, Ghost Funk Orchestra, Royel Otis, Confidence Man, The Linda Lindas, Kaitlin Butts, GEL, Odie Leigh, Kathryn Hahn and the cast of Agatha All Along, and VCMN with Joel leoJ.

Brock Wilbur is the Editor-in-Chief of The Pitch in Kansas City and the author of several books on video games and apocalyptic cinema. He lives with his wife, journalist Vivian Kane, their three cats, and one gigantic dog. Nick Spacek is the Music Editor of the Pitch in Kansas City. Additionally, he’s the co-host of horror podcast, The Carnage Report. He lives in Lawrence with his wife, three cats, and a movie and record collection big enough to constitute an actual problem. Nick has been covering music in the Kansas City / Lawrence area, for nearly two decades. Nick covers soundtracks and film scores for Starburst Magazine, and is a freelance writer for Sunflower Publishing and he volunteers for Lawrence Humane Society. More info at: http://www.thepitchkc.com

At 11:30 we talk with Damron Russel Armstrong, Executive Artistic Director of The Black Repertory Theatre of Kansas City. Damron is a producer/director/actor who spent his formative years right here in Kansas City. He has worked on most of the stages Kansas City: Unicorn Theatre, The Coterie Theatre, Theatre for Young America, The American Heartland Theatre, The Living Room Theatre, Chestnut Fine Arts Center, New Theatre Restaurant, and Kansas City Actors Theatre. After graduating from Ruskin High School, Damron sought to further his education in New York City. He has performed nationally in A Raisin in the Sun, The Full Monty, Children of Eden, and Dreamgirls, to name a few. As a Director, his credits include: Three Guys Naked from the Waist Down…A Comedy, Assassins, and Red Hot and Jazz (Piza Festival, Guatemala). The Black Repertory Theatre of Kansas City kicks off their 2024/25 Season with, Hip Hop Cinderella, a family-friendly musical that reimagines the classic Cinderella in a futuristic, intergalactic setting. Music & lyrics by Rona Siddiqui, Book by Scott Elmegreen, & Story adaptation by Linda Chichester & David Coffman. Hip Hop Cinderella runs November 22 through December 8 at The GEM Theatre 1615 E 18th St. KCMO. Tickets and more informational: http://www.brtkc.org

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1069