Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 10, 2025

The 120 Best Recordings of 2025
(Part 1 of 4)

Today we present part-one, of our four-week special: WMM’s 120 Best Recordings of 2025. In 2025 there were over 1675 MidCoastal (KC area) releases in Albums, EPs, & Singles…(that we know of). We’ve culled these releases for WMM’s mix of New & MidCoastal releases. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length albums and EPs of 2025.

In 2025 we’ve broadcast nearly 900 different tracks on WMM over our 100,000 watts of 90.1 FM Community Radio Airwaves. Over 500 of these tracks were from New & MidCoastal Releases. 70 of the representative tracks in our “Best of” list are from MidCoastal Releases. In 2025 we’ve conducted over 175 interviews with 159 special guests. Nearly 50 of the bands and artists in our “Best of” list have joined us as guests on WMM.

Tune into Wednesday MidDay Medley throughout December for our 4-week series: WMM’s 120 Best Recordings of 2025, on December 10th, 17th, 24th, and 31st. We realize these “Best of” lists can seem subjective, so we ask that you please accept our list as a celebration of the year in music, and more music discovery for your ears. Our “Best of Lists” can be found at: http://www.wednesdaymiddaymedley.org

This Wednesday, we’ll count down from #120 through #91 of our list, with music from: Land Lion, Lorna Kay, Flora From Kansas, The Royal Chief, Rude Cousin, T.A. RELL, Lee Walter Redding, honeybee, Talia Keys, Chalis O’Neal, Mister Water Wet, HuDost, Julie Bennett Hume, Kai McGarry, Keelon Vann, Paul Jesse, Lonnie Fisher, Neko Case, Water From Your Eyes, Annahstasia, Hotline TNT, Yuno, Yukimi, Gigi Perez, Brad Mehldau, S.G. Goodman, Deerhoof, Cymande, Oddisee, and Jenny Hval.

1. “Main Title Instrumental – It’s Showtime Folks”
   from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
   [WMM’s Adopted Theme Song]

2. (#120.) Jenny Hval – “Lay Down”
   from: Iris Silver Mist / 4AD / May 2, 2025
   [Jenny Hval was born July 11, 1980, in Oslo, Norway. She is a Norwegian musician, singer, songwriter, lyricist and writer. // Iris Silver Mist is the ninth solo studio album by Jenny. Musically, Iris Silver Mist is as an experimental and art pop recording. Iris Silver Mist is named after a fragrance created by perfumer Maurice Roucel for the French brand Serge Lutens. // During the early months of the 2020 COVID-19 pandemic, Norwegian musician Jenny Hval revisited a teenage fascination with perfume. This sensory interest gradually evolved into a new creative framework, as scent became a substitute for the intimacy and immediacy of live music. Central to this shift was the fragrance Iris Silver Mist by Maurice Roucel for the French perfume house Serge Lutens. Hval described the scent as evoking the sensation of being “close to ghosts”, and its themes of transformation and ephemeral presence would later inform the album that took its name. Hval announced their ninth album, Iris Silver Mist. Many of the tracks on Iris Silver Mist were initially introduced during Hval’s 2024 live performance series I Want To Be a Machine. // Jenny Hval has released nine albums under her own name – two under the moniker Rockettothesky. In 2015, Hval released her fifth studio album, Apocalypse, girl, to widespread critical acclaim. The following year, she released Blood Bitch (which was part of WMM’s 117 Best Recordings of 2017), a concept album influenced by vampires, menstruation and 1970s horror films. Blood Bitch has been described as “an investigation of blood,” Blood Bitch is a concept album which draws parallels between a fictional time-travelling vampire, named Orlando, and Hval’s own experiences touring her previous studio album, Apocalypse, girl. The album’s lyrical content is also influenced by 1970s horror and exploitation films and Virginia Woolf.]

3. (#119.) Hotline TNT – “Break Right”
   from: Raspberry Moon / Third Man Records / June 20, 2025
   [Hotline TNT is an American rock band from New York City. The band is fronted by singer and guitarist Will Anderson, who writes and records all of their music and performs live with a rotating lineup of musicians. Their style is characterized by Anderson’s wall-of-sound layering of distorted guitars and is often described as shoegaze. Hotline TNT have released three full-length albums, Nineteen in Love (2021), Cartwheel (2023) and Raspberry Moon (2025). // Prior to the formation of Hotline TNT, Will Anderson was previously a member of a number of small indie rock bands, such as Happy Diving and Crazy Bugs. He most notably moved on to the Vancouver-based duo “Weed”, where he released three studio albums between 2011 and 2017. Upon spending most of his twenties in local rock bands, he began to feel burned out, wondering if he should quit and focus on other aspects of his life. Additionally, his parents divorce and his pursuit of his Master’s Degree in education took away from his focus on music. However, every time he began to seriously consider the change, he still found himself tinkering around with guitar riffs in his free time, unable to step away from music. In 2018, he decided to form his a new musical group, Hotline TNT. He established Hotline TNT as a band; he would be the sole constant member, while working with a rotating collection of other band members. Anderson refuses to disclose the meaning of the band’s name; he states that he and the original band members he worked with made a vow not to publicly disclose it. // A series of EPs were recorded and released by Anderson between 2018 and 2019: Cool If I Crash, Fireman’s Carry, and Go Around Me. Moving into 2020, Anderson had secured a tour as the opener for indie musician Snail Mail, but the breakout of the COVID-19 pandemic cancelled the plans. Instead, Anderson would work on recording a song called “Stampede” for a local COVID charity compilation release, and with all of the downtime that came with the pandemic, proceeded to record the band’s debut studio album, Nineteen in Love. The album was recorded entirely in GarageBand, without using any guitar amps or drum sets. The album was released in late 2021; initially exclusively on YouTube as one long video, where individual tracks could not be chosen. This was done both as a statement on how music streaming services were hurting the industry, and as a way to force listeners to play the entire album rather than just single songs. Anderson conceded it led to mixed results; it helped create a dedicated fanbase, but generally did not help with finding new listeners, and was eventually made more widely available. The band toured extensively in support of the album the following year, alongside self-releasing another EP, When You Find Out. // While touring in 2022 with Island of Love, the band became in contact with reps with their record label, Jack White’s Third Man Records, who expressed interest. Upon the conclusion of the tour, and another one with Snail Mail, the band started getting approached by other record labels as well. Anderson was initially apprehensive to signing to a record label; he was used to more of a do it yourself work ethic, and was sensitive to accusations of “selling out” that often come with it. However, he was eventually persuaded, largely upon learning that Sheer Mag, a band he was both friends with and respected musically, was also signing with Third Man. Anderson met with the label, who responded favorably to the demos he was working on. Upon learning that they would also offer him the most creative freedom in his music, and a path that would allow him to focus his efforts entirely towards his music, he eventually signed to the label. // Prior to signing the label, Anderson had already completed some amount of work on a second studio album. Some songs, such as “Protocol” and “History Channel”, were complete enough to enter regular rotation on the band’s live setlists. Others were written entirely in the studio. Leading up to their second album, the band released another EP in April 2023, Spring Disco, which included a song left off the second album, “If We Keep Hanging Out”. In November 2023, the band released their second full-length album Cartwheel. Cartwheel was named “Best of the Week” from Paste magazine, and also received “Best New Music” distinction from Pitchfork. The band plans on spending much of 2024 touring in support of Cartwheel, including shows in North America, Europe, and Japan. Anderson states that he has also has already started early work on a third studio album, which will be the first to feature a live drummer rather than a drum machine. He aims to record it in between the band’s busy touring schedule. // In July 2024, the band released a remix EP titled Somersault. The five song release featured electronic-leaning remixes from five separate artists – They Are Gutting a Body of Water, DJ Sabrina the Teenage DJ, Poisonfrog, Downstairs J, and Car Culture. In November 2024, the band released an expanded version of their compilation album Trilogy, which collected many of the songs off of their earlier EP releases, bundled with 2 previously unreleased songs from the era. // In April 2025, the band announced the name of their third studio album, Raspberry Moon, and its release date, June 20, 2025. // Hotline TNT’s music has commonly been described as shoegaze, alternative rock and noise pop. Much of the band’s music involves a dense wall of sound of distorted guitar. Anderson records and layers the guitar himself in the studio, and then recreates the sound live with a three guitar approach done by himself and two touring guitarists. Anderson writes all the lyrics, which generally are themed about interpersonal relationships of his, both romantic and platonic. He commonly drops names in songs, something he believe help make song more memorable and relatable, though he concedes he generally changes names to protect the anonymity of the song’s subjects. // Despite commonly being labeled as shoegaze by critics, Anderson noted that many music fans dispute whether the band falls into the genre, something he feels indifferent about. Anderson said of the shoegaze label: “I think ‘shoegaze’ is now kind of similar to what the word ‘indie’ became like 10, 20 years ago. It doesn’t describe a genre anymore. It’s more of a large umbrella for guitar-based music, or music with distorted guitars. Sometimes they’re kind of bendy or going in and out of tune a little bit. Sometimes the vocals have a little more reverb, but that doesn’t describe Hotline necessarily…It’s just the way language works and trends work. To go back to the beginning, I had a pretty typical journey myself of hearing Loveless by My Bloody Valentine when I was in 10th grade. It had a pretty big effect on me, as it did with many other people. A couple of years after that, I started making my own music and that was one of the big influences on it.” // Contrary to many shoegaze and guitar-based bands, Anderson places little emphasis on his guitar set up and gear. He describes the band as “anti-gear” – they don’t use guitar pedals, and place no emphasis on what guitar amps used.” // Band members: Will Anderson on vocals, guitars (2018–present); Lucky Hunter on guitars (2024–present); Haylen Trammel on bass (2024–present); and Mike Ralston on drums (2023–present)]

4. (#118.) Keelon Vann – “Poison”
   from: T H I R D (•) / Keelon Vann / May 23, 2025
   [Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Vann taught himself to play guitar, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A former NCAA Division II College Footbal Athlete at William Jewell College, where Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum balancing athletics, academics, and music. Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.”]

5. (#117.) Yuno – “Blest”
   from: Blest / Sub Pop Records / May 16, 2025
   [Debut album from Yuno. All songs on Blest were written & performed by Yuno, co-produced by Yuno and Frank Corr, who also contributed keyboards, drums, & guitar throughout the record, with additional production and instrumentation by Patrick Wimberly (“True,” “Massive”) at The CRC in Brooklyn, and Nick Sanborn at Betty’s in Durham, NC (“True”). Blest was mixed by Steve Vealey and mastered by Joe La Porta. // Yuno was born in New York to Jamaican parents from the U.K., and grew up in the coastal Southern city of Jacksonville, Florida. Raised on a sonic diet of reggae and hip-hop records — his father’s copy of 50 Cent’s Get Rich or Die Tryin’ was on regular rotation in the family car throughout the 2000s — Yuno’s musical tastes began to diverge after his grandfather gifted him a skateboard that he found in a garbage can. Eventually, and unexpectedly, Yuno’s new hobby would dovetail with a future career in music. // “The first time I ever got on a skateboard, I broke my foot,” he recalls. It was while he was on the mend that he fully immersed himself in video games like Dave Mirra Freestyle BMX and Tony Hawk’s Pro Skater, famous gateways for many young punks of the millennial generation. As he studied skate videos to build on his athletic technique, he also cultivated a sixth sense as a composer and overall curator of vibes. “I’m always visualizing things when I’m making music and that helps me complete the full picture,” says Yuno. “To this day I’m like, ‘What does it need to make it fit in a skate video?'” // Having taught himself the bass and guitar at home, his early material began as impressions of harder bands like HIM, Rancid, and AFI; later, he would embrace anti-folk heroes like the Moldy Peaches and Daniel Johnston. With the advent of the social media predecessor Myspace, Yuno began discovering more eclectic local Jacksonville acts, like indie-pop darlings Black Kids — who offered a more diverse look and eclectic sound for the Bold City, which had then been defined by white radio rockers like Limp Bizkit, Yellowcard, and Red Jumpsuit Apparatus. “Seeing Black Kids’ success showed me more of what I could do,” says Yuno. // In time, Yuno taught himself to produce on his laptop, and filled his childhood bedroom with instruments to cultivate a more full-bodied sound, in which he married crunching pop-punk riffs with glimmers of synth strings Yuno uploaded his ballads of teenage longing to Soundcloud, where they began to catch fire within the indie blogosphere — and by 2014, caught the attention of Shabazz Palaces emcee and Sub Pop A&R representative Ishmael Butler. At that time, Yuno had never performed a live show, and could count the number of concerts he’d been to on one hand. // “He DMed me for new music, but I didn’t have anything to bring him,” recalls Yuno. “A year or so later, he came back and asked, ”Do you mind if I share your music with Sub Pop?’ Apparently, they liked it, and I flew out to Seattle to meet everybody.” // That visit resulted in a record deal with Sub Pop and eventually, his 2018 debut EP, Moodie. The record’s evocative, yearning hooks and cinematic ambience made a suitable soundtrack for film and TV. His surfy pop track “Sunlight,” a summer sketch he revitalized from 2012, was featured in an episode of the Netflix series Atypical; and the gossamer melancholy of “Fall in Love” made for a haunting needle drop in comedian Ramy Youssef’s HBO special, Feelings. // By this time, Yuno had moved back to his birthplace of New York City and settled in Bushwick — just before the Covid-19 pandemic had threatened to stall his music career, along with the world. Sequestered at home once more, like the monastic days of his youth, Yuno began piecing together his foundation for Blest. “For the first time in my life, I was social, going to shows, and meeting new people,” says Yuno. “Then I had to kind of go back and revert to just being in my bedroom all day. It was strange, but I was used to it!” // As the pandemic eased, Yuno welcomed collaborators like Nick Sanborn of Sylvan Esso and Patrick Wimberly of Chairlift, the latter who lends his sparkle to the fuzz-rock saunter of Blest track, “Massive” — “The bane of staying young is gettin’ older,” sings Yuno, speaking to the all-too precious resource that is time. Co-producer Frank Corr, the NYC artist who performs as Morning Silk, introduced an array of vintage synthesizers to the musician. //Yuno’s superpower lies in the way he mines a multitude of genres for their pop potential and surfaces with a tapestry that feels novel and fresh. Take, for instance, “Blest,” the immediate, blissful, and bright title track, which is inspired by Rich Harrison-breakbeats and Neptunes-esque jangle. Or the breezy single, “True,” which he began writing at producer Sanborn’s Betty’s in Durham, NC, Yuno moderates a lover’s quarrel with slick, trap percussions. Amid the breakbeated dream-rock of “Gimme Ocean,” he introduces his guitar solo with a searing emo scream, run through an EarthQuaker Devices pedal. Don’t let his sanguine aura or his sherbet pink wardrobe fool you; he can shred as hard as he wants to when he wants to.

6.(#116.) Yukimi – “Peace Reign (Radio Edit)”
from: For You / Ninja Tune / March 28, 2025
[Debut Solo Album from Yukimi, the celebrated vocalist and co-founder of Grammy-nominated band Little Dragon, shares her new single “Peace Reign.” A hopeful song about believing and striving for a peaceful world, the song starts with a sweet message from Yukimi’s son, “you have to believe it for it to come true, it’s right in front of you.” This is the latest offering from her debut album For You due March 28th via Ninja Tune. “Peace Reign is about not giving up on the dream that this world can be a peaceful place. Believing in hope and a brighter future for the generations to come,” says Yukimi. Her debut solo album sees her step away from a band formation to create some of her most beautiful and intimate work to date: both intensely personal and brilliantly relatable. On For You, Yukimi elegantly entwines musical styles from jazz, soul and electronic pop to hip hop, roots and psychedelia, but the themes of her solo songs dig deeper than ever, across love, loss, feminine energy and innate resilience. // For You will include previously released singles “Stream of Consciousness” featuring British singer-songwriter Lianne La Havas. The collaboration marks Yukimi’s first time writing and creating music with another woman, which allowed her to fully delve into her feminine energy; “Sad Makeup,” which was written “about those days when you try to push down and control a sad feeling” says Yukimi; “Winter Is Not Dead,” inspired by those long, dark winters in Scandinavia; and the self-empowering debut single “Break Me Down” which was also in collaboration with Lianne La Havas and Little Dragon bandmate and long-time friend Erik Bodin. Reflecting on For You, Yukimi shares: “I want this music to really be a force to connect people to each other, and step away from the madness of everything on the planet right now. And I’m excited about embarking on that journey on my own – the expression really feels pure.” // To celebrate the album’s release, Yukimi will embark on a full North American tour beginning in April, making stops in major cities including New York, Toronto, Chicago, Portland, San Francisco, and Los Angeles. Full tour details and ticket information can be found at https://yukimi-music.com/. // Renowned for her distinct and graceful voice, Yukimi has captivated audiences since co-founding Little Dragon in 1996. With the band, she has performed on some of the world’s biggest stages, from Coachella and Glastonbury to NPR’s Tiny Desk—while collaborating with an impressive roster of artists, including Mac Miller, Kali Uchis, Gorillaz, JID, KAYTRANADA, Flume, and De La Soul. Her ability to transcend genres and craft deeply moving music has cemented her status as one of the most compelling voices in contemporary music.]

7. (#115.) T.A. Rell – “4oreign (Radio Edit)”
   from: Love Pages: Pt. 1 – EP / T.A.P. OUT Music / March 27, 2025
   [Arick “TA. Rell” Ridgell is a 23 year old producer/writer/artist who recently has began emerging by way of the internet. The Kansas City,Missouri native was born August 29,1990. He’s an alumni of Center High School (Kansas City,MO, 64131), and a current student at Longview Community College (Lee’s Summit,MO), where he’s currently looking to obtain a degree in Audio Engineering. He’s what you’d call a mixing pot of R&B, country, gospel, pop, rock and roll, etc… TA’s “style influenced by a variety of artists such as Ray Charles, James Brown, Smokie Robinson, The Temptations, Jamie Foxx, Tank, Tyrese, Musiq Soulchild, Fred Hammond, John P. Kee, amongst others]

8. (#114.) Gigi Perez – “Sailor Song”
   from: At the Beach, in Every Life / Outahere / April 25, 2025
   [Gigi Perez has announced her debut full-length album. The record is called At the Beach, In Every Life and is due out April 25. It includes Perez’s breakout single, “Sailor Song.” // “This is the album I needed to listen to when I was twenty years old following the passing of my older sister, Celene,” Perez says. “It’s taken years to process, and seeing how it’s colored everything in my life, it feels like a flag down in the sand at a checkpoint rather than a destination. And there was water everywhere for miles, and a girl met me there every time. I have been loved through my grief.” // Perez will launch a U.S. headlining tour April 23 in New York City. Her 2025 schedule also includes dates opening for Hozier and Mumford & Sons.Gianna Brielle Perez was born February 4, 2000, known professionally as Gigi Perez or simply Gigi, is an American singer-songwriter. Born in New Jersey and raised in Florida, she went viral on TikTok for her songs “Celene” and “Sometimes (Backwood)” and spent a period signed to Interscope Records, on which she released the 2023 EP How to Catch a Falling Knife. After leaving the label, she released “Sailor Song”, which peaked at number 22 on the Billboard Hot 100. “Sailor Song” topped the charts in Ireland, Latvia, and the United Kingdom, and peaked within the top ten of the charts in various countries, including New Zealand and Norway. She has also supported Coldplay on their Music of the Spheres World Tour, Noah Cyrus on her The Hardest Part Tour, girl in red on her Doing It Again Tour and D4vd on his The Root of It All Tour. // Gianna Brielle Perez was born on February 4, 2000, in Hackensack, New Jersey, and raised in West Palm Beach, Florida.: 0:49  She spent a year at a comprehensive before moving to a Christian school.: 8:39  Perez is a lesbian and has credited “Girls Like Girls” by Hayley Kiyoko with helping her accept her sexuality. She began writing songs aged fifteen and began releasing music in 2018 while in high school as part of the band Wendy Lane. Perez attended Berklee College of Music but left due to the COVID-19 pandemic in the United States. She had an older sister, Celene, who died in July 2020, shortly after which Perez’s partner broke up with her.: 29:34  To cope with her grief, she began uploading videos to TikTok to kill time. She went viral in early 2021 after releasing “Celene” and then “Sometimes (Backwood)”, both of which went viral on TikTok, prompting Interscope Records to sign her. // Perez released a further single, “The Man”, in June 2022, a track about expectations faced by men She supported Coldplay on their Music of the Spheres World Tour later that month at their Florida stadium show. She has stated in interviews to have received the offer to do so on her 22nd birthday and in February 2022. She then released “When She Smiles”, a song about a toxic relationship inspired by Ariana Grande, Imogen Heap, and “When Jamie Smiles” from the Ryan Reynolds film Just Friends, and “Glue”, a track written in late 2020 about clinging to a relationship after bereavement. In October 2022, she supported Noah Cyrus on her The Hardest Part Tour and released “Figurines”. In February 2023, she supported D4vd on his The Root of It All Tour. In March, by which time she was based in Brooklyn, she released “Sally” and announced an EP, How to Catch a Falling Knife, which comprised eight songs composed three years earlier. The EP took its title from the stock market term “never try to catch a falling knife”, as she felt it represented what she had put into the project, and was released in April 2023 alongside a music video for focus track “Kill for You”. // In March 2024, after being released from Interscope Records, she released “Normalcy”, a queer love song she had first promoted in December 2022 on TikTok; she followed this a month later with “Please Be Rude”. // In July 2024, she released the single “Sailor Song”, an acoustic queer ballad about a woman who looked like Anne Hathaway. The track went viral on TikTok, and peaked at number 22 on the Billboard Hot 100. Some conservative Christian communities complained about the line “I don’t believe in God, but I believe that you’re my saviour”, prompting Perez to remind her followers that her songwriting was “not a democracy”.]

10:29 – Underwriting

9.(#113.) Deerhoof – “Sparrow Sparrow”
from: Noble and God Like in Ruin / Joyful Noise Recordings / April 25, 2025
[For a band that seems to thrive on collapse, it’s simply amazing that this US/Japanese quartet is now celebrating their 31st year. Though Deerhoof long ago established itself as one of the greatest rock groups ever to stride the earth—and if you think that’s hyperbole, you haven’t spent enough time listening to Deerhoof —the furiously inventive quartet releases new albums on the schedule of a young band still hungry for its first break. As Noble and Godlike in Ruin reaffirms, each one discovers some previously unknown combination of candy-coated hard-rock riffs and free-jazz percussive freakouts, sideways J-pop hooks and fearsome dissonance, trenchant social commentary and surrealist humor. This music is joyful and foreboding, cybernetic and deeply human, carrying an implicit note of defiant optimism in their refusal to bow to convention or received wisdom. Fronting it all is Satomi Matsuzaki’s inimitable alto, whose plainspoken calm can seem strangely outside of the band’s maelstrom. Deerhoof is defined by such paradoxes. // Written, played, recorded and mixed by: Satomi Matsuzaki, Ed Rodriguez, John Dieterich, and Greg Saunier, Except “Under Rats” by: Deerhoof and Saul Williams. Band and face photos by: Satoru Eguchi. Face collage by: Satomi. // Deerhoof are an American independent music group formed in San Francisco in 1994. They currently consist of founding drummer Greg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Beginning as an improvised noise punk band, Deerhoof became widely renowned and influential in the 2000s through self-produced albums that combine “noise, sugary melodies, and an experimental spirit into utterly distinctive music” (AllMusic). // They have released eighteen studio albums since 1997. Their most recent album, Actually, You Can, was released on October 22, 2021. // Deerhoof were formed in San Francisco in 1994 as Rob Fisk’s improvisational bass/harmonica solo project. Greg Saunier joined on drums a week later. They were quickly signed to record a single for Kill Rock Stars after owner Slim Moon witnessed their performance at the 1994 Yoyo A Go Go festival. Satomi Matsuzaki joined Deerhoof within a week of moving to the United States from Japan in May 1995, with no prior experience playing in a band, and went on tour as Deerhoof’s singer only a week later, opening for Caroliner. Their 1997 debut album The Man, the King, the Girl was recorded on 4-track tape. // Deerhoof’s style has been described as indie rock, noise pop, punk rock, and “experimental pop mired in a pure punk sense of adventure”. AllMusic characterizes them as “highly revered indie rockers … who play fractured, whimsical noise pop with an avant-garde edge”, while MaineToday describes them as “the beloved punk band whose erratic style veers between pop, noise, and classic rock and roll”. // According to Noisey, Deerhoof formed as a “minimal noise improv” act before shifting to “pop-infused noise-punk”. According to AllMusic, their early releases “had a more traditionally harsh, no wave-inspired sound, though they also included the quirky tendencies that dominated their later efforts … [which] mix noise, sugary melodies, and an experimental spirit into utterly distinctive music that made them one of the most acclaimed acts of the 2000s and 2010s.” Impose writes that since “their beginnings as a noise punk band … [Deerhoof have] taken leaps and bounds artistically and stylistically, experimenting with pop and punk in ways we could’ve never imagined … [and] ultimately [proving] that punk can fit into an artistic world.” According to the Los Angeles Philharmonic, they made “some of the most difficult and unclassifiable noise of the mid-’90s [before] unexpectedly [rising] to international prominence as one of indie rock’s most renowned and influential groups … too ‘pop’ for ‘noise,’ and too ‘noise’ for ‘pop.'” For The Guardian, their breakthrough after many albums of “elliptical art-pop” came with Friend Opportunity, which showcased “a band playing a constantly shifting mixture of psychedelia, post-punk, jazz and pop, which should have been difficult and forbidding, but was given an accessible focus by the sweet vocals and expressionist lyrics of bassist/chanteuse Satomi Matsuzaki. … [The followup] Offend Maggie is head-spinning bliss from beginning to end, and proves that the quartet are the best prog-rock post-punk Afro-Oriental art-pop folk-jazz band in the world. Deerhoof also experiment with contemporary classical music. // The band has been appreciated by and/or influential to other artists, notably David Bowie, Radiohead, Questlove, St. Vincent, Foo Fighters, Dirty Projectors, Tune-Yards, Stereolab, Henry Rollins, Sleigh Bells, and of Montreal. Deerhoof’s songs are covered often by other artists (notably Phil Lesh, Los Campesinos!, Marco Benevento, David Bazan, and classical composer Marcos Balter).][Deerhoof played the Play Loud Fest celebrating 20 years of recordBar, on Sept. 27 at 9:00pm on the Lemonade Park Stage, with Frogpond, and Paris Williams.]

10. (#112.) Rude Cousin – “Break 4 U”
    from: Rude Cousin / Rude Cousin / September 25, 2025
    [Rude Cousin is comprised of real life cousins from Kansas City, MO. Front women Anna Redmond and Rita Hanch had been making music together way before forming Rude Cousin in 2024. As fate would have it Rita’s sister Elle Hanch plays bass, so they invited her and other cousin and guitarist Brock Johnson to join. The band was completed by local drumming sensation, Dustin Mott. Inspired by the Riot grrrl movement, rude cousin’s songs are a lil rowdy, witty and even melodic. For Rude Cousin Elle Hanch plays bass; Brock Johnson plays lead guitar; Rita Hanch is lead vocalist & guitarist; and Anna Redmond is also lead vocalist & keyboardist & guitarist; and Dustin Mott on drums.][Rude Cousin played an Album Release Show, Saturday, October 18, 2025 at 7:00pm with special guest Nan & The One Nite Stands at 3807 Troost Ave.]

11. (#111.) Chalis O’Neal – “Giant Steps”
    from: The Influence / Chalis O’Neal / May 30, 2025
    [Cvhalis O’Neal on sax with collaborators. Saxophonist Ernest Melton, keyboardist Desmond Mason, bassist Nsikoh Bébé Làlà and drummer Jaylen Ward. Musician and performer Chalis O’Neal released his debut album, FLIRTING on Nove,ber 15, 2021. Chalis picked up the trumpet at the age of eleven and began studying music at Paseo Academy of Fine and Performing Arts. Chalis majored in Jazz Studies with a minor in Classical Trumpet under the direction of Jazz legend Bobby Watson at the University of Missouri Kansas City. O’Neal’s eclectic style ranges from jazz venues to theatre work with the New Theatre Restaurant performing and acting in the The Buddy Holly Story. O’Neal also has burlesque experience with Quixotic Cirque Nouveau. Chalis is also the lead trumpeter for the Afro futuristic band, Arquesta Del SolSoul. O’Neal has performed with Bobby Watson, Harold O’Neal, Tivon Pennicott, Marcus Strickland, Lisa Henry, and David Basse. // Chalis O’Neal is the youngest brother of Harold Mujahid O’Neal who was born March 27, 1981, and is an American pianist, composer, record producer, public speaker, dancer, and storyteller. He has recorded and performed with artists in a variety of musical genres (U2, Lupe Fiasco, Busta Rhymes, Damien Rice, Aloe Blacc, and Jay Z). O’Neal has been profiled and featured in numerous publications and programs including Forbes, NPR’s All Things Considered, Fortune, Studio 360, and the 92Y, with The New York Times comparing him to Duke Ellington, Kenny Kirkland, and Maurice Ravel. He is considered to be of this generation’s greatest pianists and composers. O’Neal has been awarded fellowship to the Royal Society of the Arts, with the Patron being Her Majesty Queen Elizabeth II, and recently played a role as a creative expert for the Academy Award winning Pixar film, Soul. // Harold O’Neal was born in Arusha, Tanzania, and raised in Kansas City, Missouri. His great-grandfather, Ollie Harold Pennington, was a jazz pianist and composer for silent film in Kansas City, where his grandmother walked to school with Charlie Parker. O’Neal began playing the piano by ear at age four on his father’s miniature keyboard. He found his earliest inspirations in the music of Tom and Jerry, Looney Tunes, and Disney. While growing up, he spent a considerable amount of time with his grandmother exploring various creative outlets, before eventually becoming a pianist. Having spent much of his youth living in the projects (Public Housing) and surviving near-death experiences, he credits music with saving his life. O’Neal attended the Paseo Academy Of Fine And Performing Arts, with classmates Logan Richardson, Lil’ Ronnie, and Brian Kennedy, where he began his jazz piano studies while being mentored by Ahmad Alaadeen. He studied classical piano and composition with Margie Cameron-Jarrett, whose musical lineage can be traced back to Franz Liszt. // O’Neal began working with musical luminaries from a young age – touring with Bobby Watson when he was 19 after studying composition at the Berklee College of Music. He then went on to the Manhattan School of Music, to study with Kenny Barron. It was there where he met the great American jazz pianist and composer, Andrew Hill, with whom he soon became the apprentice of. Mr. Hill was an apprentice of prolific composer Paul Hindemith. Following Andrew Hill’s advice, O’Neal left the Manhattan School of Music to replace pianist Jason Moran in the influential band, the Greg Osby 4, making his major-label debut recording for Blue Note Records at the age of 21. In 2004, O’Neal premiered a jazz quartet featuring Greg Osby, Jeff “Tain” Watts, and Matt Brewer. // In the following years, O’Neal released a number of critically acclaimed albums including — “Charlie’s Suite” (2006), which was a compilation of his family’s legacy, “Whirling Mantis” (2010) with a jazz quartet, and a solo piano album “Marvelous Fantasy” (2011) on Smalls Records. He then partnered with Ski Beats and Damon Dash, after being signed to Universal Music Group as a songwriter and producer, to release the albums 24 Hour Karate School 2 (2011), Twilight (2012), and Cam’Ron And Vado’s Blu Tops (2012). In 2012, O’Neal formed a partnership with producers Lil Ronnie and Jerry Wonda working with many Pop and R&B artists (Miguel, Akon, Melissa Ethridge, Raphael Saadiq, French Montana). In 2013, he released the album “Man on the Street” featuring a jazz quartet as well as solo piano for BluRoc, an at the time incarnation of Rocafella Records distributed by Def Jam Records. // O’Neal worked as a composer for a featurette and the documentaries of the 2015 Disney film Tomorrowland produced by Academy Award winning filmmaker Anthony Giacchino, which starred George Clooney and Britt Robertson. The film was directed by Brad Bird with the film-score being composed by Michael Giacchino. His solo piano album “Piano Cinema” was released in May 2018, with “Sam and Sam” serving as the lead single. Following the album release, O’Neal completed a spring tour across the U.S. with The Blk Shp with Pixar as a partner. Recently, at the suggestion of Ed Catmull, O’Neal played a role with the filmmakers (Pete Docter, Dana Murray, Kemp Powers) as a creative expert in the development of Pixar’s Soul. // As a keynote speaker and storyteller, O’Neal has been featured at Google, The World Economic Forum, TEDX, Hatch Experience, C2 Montréal, Blk Shp Power Shift, and many other leading platforms.// In 2019, O’Neal was among the 100 international individuals selected to be a Gates Foundation Goalkeeper. Goalkeepers (Gates Foundation) is an initiative of the Bill and Melinda Gates Foundation. Its aim is to bring together leaders from around the world to accelerate progress toward achieving the United Nation’s Sustainable Development Goals (SDG). Invitations are issued to global leaders and aspiring personalities who have been personally selected by the board. Previous attendees include Barack Obama, Emmanuel Macron, Amina J. Mohammed, Erna Solberg, Malala Yousafzai, and Trevor Noah.// In 2019, O’Neal was awarded fellowship to the Aspen Institute’s Aspen Ideas Festival, a week-long event held in Aspen, Colorado in the United States. The Aspen Ideas Festival program of events includes discussions, seminars, panels, and tutorials from journalists, designers, innovators, politicians, diplomats, presidents, judges, musicians, artists, and writers. Topics covered during the festival include global politics and economics, U.S. Policy, the environment, technology, science, health, education, the arts, and economic issues. // In 2019, O’Neal was awarded fellowship to the Royal Society of the Arts. Founded in 1754 by William Shipley, it was granted a Royal Charter in 1847, and the right to use the term “Royal” in its name by King Edward VII in 1908. Notable past fellows include Charles Dickens, Benjamin Franklin, Stephen Hawking, Karl Marx, Adam Smith, Nelson Mandela, David Attenborough, William Hogarth, John Diefenbaker, and Tim Berners-Lee. Today, the RSA has fellows elected from 80 countries worldwide.// NPR All Things Considered: The Yule Log (TV program), Pianist Harold O’Neal and Bill Cosby’s Christmas story On December 25, 2011, O’Neal was featured along with Bill Cosby for the Christmas Day edition of NPR’s All Things Considered, with O’Neal being hosted and interviewed by Guy Raz. // Electric Burma On June 18, 2012, O’Neal performed with U2, Lupe Fiasco, Bob Geldof, Damien Rice, Angelique Kidjo and many other major artists for the presentation of Amnesty International’s prestigious ‘Ambassador of Conscience’ Award to Aung San Suu Kyi. The award was originally announced from the stage when U2 played Croke Park in July 2009 – while the Burmese Nobel Peace Prize recipient was still under house arrest in Burma. // Global Citizen: World on Stage On 22 September 2016, O’Neal performed with Aloe Blacc and Maya Jupiter for The Global Citizen Festival’s The World on Stage, a night curated by Tom Morello and Jon Batiste. The evening was dedicated to several prominent speakers who addressed various causes—such as education, the refugee crisis, gender equality, poverty, hunger, and much more—and the presentation of the inaugural George Harrison Global Citizen award, presented by Paul Simon to Olivia and Dhani Harrison (George’s widow and son). // On December 4, 2018, Herbie Hancock received the prestigious Benjamin Franklin Medal (Royal Society of Arts) from the Royal Society for the Arts at the Annenberg Center for the Performing Arts in Philadelphia, Pennsylvania—being recognized for his long lifetime of creative achievements and humanitarian efforts. The 264-year-old Royal Society for the Arts, based in London, includes Franklin as a founding fellow and initiated the Benjamin Franklin medal in 1956 to honor people who transcend their vocation to generally benefit mankind. The ceremony featured bassist Christian McBride and pianist O’Neal as guest star performers, each musically representing the electric and acoustic side of Hancock’s legacy. // In 2009, O’Neal appeared as an actor in Jay Z’s music video for the hit record Young Forever, from his multi-platinum album The Blueprint 3. In 2010, he was cast in the HBO television series Boardwalk Empire, portraying James P. Johnson. He was also featured in MTV’s Sucker Free. // Chalis O’Neal is the nephew of Felix Lindsey “Pete” O’Neal, Jr. (born 1940), was the chairman of the Kansas City chapter of the Black Panther Party in the late 1960s. He led implementation of many free programs, such as providing free breakfast to children around the city. // O’Neal had trouble with authority figures in high school and dropped out. Soon afterwards, he joined the military, following the steps of his father. Once done with service, he moved to Stockton, California, where in 1959 he was sentenced to 9 months in jail for theft. He escaped from jail after 3 months, traveling back to Kansas City, MO. In 1961, law enforcement caught him and he was sent back to California to serve his remaining sentence. // After completing his sentence, the felony should have been cleared as indicated by Californian law, but it was not. This significantly hindered his chances for employment. // On October 30, 1969, he was arrested again for the transporting of a gun across state lines (under a law that went into effect just two weeks prior to his arrest). A year later a court convicted him and in October 1970, he was sentenced to four years in prison. O’Neal jumped his bail and fled to Algeria, where a number of other Black Panther Party members had also absconded to in the face of imprisonment in the United States. This group became known as the “International Section” of the Black Panther Party, and was centered around Eldridge and Kathleen Cleaver. A year later O’Neal moved on to Tanzania, motivated to immigrate there as the then President of Tanzania, Julius Nyerere, was both a Pan-Africanist and Socialist. O’Neal has remained in Tanzania ever since. // Together with his wife, Charlotte Hill O’Neal, he is the co-founder of the United African Alliance Community Center (UAACC) in the village of Imbaseni, near the northern city of Arusha, Tanzania. The UAACC is a center focusing on healing the community by providing a diverse array of free art, music, film and other classes to members of the community. The UAACC also serves as a hostel for people travelling through the area—offering several “huts” with bunk beds. The center has been frequented by several celebrities, American politicians, study abroad programs, students, documentary film makers, and artists. Pete and Charlotte provide numerous jobs to locals of the community and the center is entirely run by local Tanzanians. // O’Neal’s family still resides in the Kansas City area. He is a third cousin to US Representative Emmanuel Cleaver. Since 1991, Cleaver and others have unsuccessfully attempted to obtain a pardon for O’Neal, and took the issue to both President Bill Clinton and President Barack Obama. Both declined to pardon O’Neal. // His life and exile in Tanzania is the subject of the PBS documentary ‘A Panther in Africa’, by Aaron Matthews, and a book ‘Black Panther in Exile: The Pete O’Neal Story’ by Pete’s attorney, Paul J. Magnarella. Chalis O’Neal joined us LIVE on WMM on October 20, 2021.]

12. (#110.) Brad Mehldau – “Tomorrow Tomorrow (feat. Daniel Rossen)”
    from: Ride Into The Sun / Nonesuch Records / August 29, 2025
    [Brad Mehldau’s Ride into the Sun, Featuring the Music of Elliott Smith, out August 29 on Nonesuch Records, features performances by Daniel Rossen (of Grizzly Bear), Matt Chamberlain, Chris Thile, John Davis, andFelix Moseholm plus a chamber orchestra conducted by Dan Coleman // “Brad Mehldau is one of the most influential and acclaimed jazz pianists alive today. His many recordings feature a wide range of jazz and American popular song standards, but he is also known to interpret music that lies outside the typical jazz catalogue.” —NPR, Fresh Air // “Mehldau has forged a singular style that has not only enhanced jazz’s musical vocabulary but modernised it too.” —Mojo // “Brad Mehldau is arguably the greatest working jazz pianist. Top five, for sure.” —New Yorker // Nonesuch Records announces pianist and composer Brad Mehldau’s Ride into the Sun—a songbook record of music by the late singer, songwriter, and guitarist Elliott Smith—to be released on August 29, 2025. // Featured musicians include singer/guitarist Daniel Rossen (Grizzly Bear); singer/mandolinist Chris Thile (Punch Brothers, Nickel Creek); bassists Felix Moseholm (Brad Mehldau Trio, Samara Joy) and John Davis (who also engineered and mixed the album); drummer Matt Chamberlain (Fiona Apple, Tori Amos, Randy Newman); and a chamber orchestra led by Dan Coleman, who also conducted on Mehldau’s 2010 album Highway Rider. // Ride into the Sun’s ten Elliott Smith songs are complemented by four Mehldau compositions that he says are “inspired by, and reflect, Smith’s oeuvre.” Also included are interpretations of Big Star’s “Thirteen,” which Smith also covered, and “Sunday” by Nick Drake, who Mehldau says, “I look at in some ways as sort of Smith’s visionary godfather.” // Recalling how he first got to know Smith and his music, which has been a regular part of his repertoire for years, Mehldau said that after years living in New York, he moved to Los Angeles “and there was this wonderful scene of singer-songwriters that was congregating at a club called Largo. That included Elliott but it also included artists like Rufus Wainwright, Fiona Apple. And then other musicians who had been around for a while would come down every Friday night to sit in on a gig that was led by Jon Brion. I played behind Elliott on his own tunes with Jon. It felt to me like a kind of renaissance in songwriting that flourished for a number of years.” // “Elliott Smith masterfully rendered the dark/light admix not in the least through his distinct harmony,” Mehldau continues. “Specifically, he had a way of combining major and minor modes that was all his own. You hear that on the unique, captivating chord progression that he introduced on ‘Tomorrow Tomorrow’ for just a moment before the last verse of the song. I use it, extending it for my piano solo here. This kind of minor-major gambit has a long pedigree, and my own associations as a listener include the music of Schubert and Brahms, among others. // “‘Ride into the sun’ is a beautiful point in the lyric of one of the songs that we play, ‘Colorbars,’” Mehldau says. “Elliott Smith says in the original song, ‘Everyone wants me to ride into the sun.’ When I listen to music, I have a feeling that I can be in communion with somebody who is no longer in this earthly realm, like he is here. And as far as ‘riding into the sun,’ it’s maybe more of a perpetual riding into the sun with him. I don’t know… There’s something mystical there.” // Brad Mehldau’s Nonesuch debut was the 2004 solo disc Live in Tokyo. His subsequent 21 releases on the label include six records with his trio as well as collaborative and solo albums. His most recent releases were After Bach II and Après Fauré, both released in May 2024. The albums both feature compositions by their namesake composers as well as music Mehldau wrote that was inspired by them. // Other recent recordings for the label include a solo album Mehldau recorded during COVID-19 lockdown, Suite: April 2020; Jacob’s Ladder (2022), which featured music that reflects on scripture and the search for God through music and was inspired by the prog rock Mehldau loved as a young adolescent; and Your Mother Should Know: Brad Mehldau Plays The Beatles (2023), a live solo album featuring the his interpretations of 9 songs by John Lennon & Paul McCartney and one by George Harrison.Mehldau’s memoir, Formation: Building a Personal Canon, Part I, was published in 2023.] [Brad Mehldau played the Kauffman Center for The Performing Arts, 1601 Broadway Blvd. KCMO on Thursday, October 9, 2025 at 7:30pm with Christian McBride.]

13. (#109.) Mister Water Wet – “Make Sure You Get (feat. Don & Haydn Douet Lukies”
    from: Things Gone and Things Still Here / Soda Gong / October 31, 2025
    [from misterwaterwet.bandcamp.com: Mister Water Wet returns to Soda Gong with “Things Gone and Things Here Still,” an album that radically expands the project’s purview while preserving the homespun warmth and oblique tactility that have long defined Iggy Romeu’s work. Where earlier records tilted toward the dusty swing of sample-based beatcraft or spectral minimalist jazz, here Romeu opens the frame to a more ensemble-minded approach, inviting a stellar cast of supporting musicians, including SG alumni Memotone and K. Freund, into the fold. // The result is an album that feels both broader and more intimate, with live instrumentation such as piano, strings, and reeds woven into MWW’s signature lattice of hand percussion, production sleights, and slippery time signatures. Acoustic and electronic textures bend toward each other like plants angling for the same light: bowed strings blur into vaporous pads, brushed drums scatter under riffing guitars, a horn phrase lingers in the same space as a cracked cassette loop. // A tension between decay and presence – the “things gone” and the “things here still” – runs throughout the record. At times, the music evokes a chamber session refracted through waterlogged tape; at others, it recalls the afterimage of a hip-hop instrumental slowed into an oneiric haze. In the world of MWW, memory functions less as nostalgia and more as a living fabric – mutable and resonant. “Things Gone and Things Here Still” finds Iggy Romeu at his most expansive, offering up a generous record of open spaces and porous boundaries. ?/ Arranged and produced by Iggy Romeu. Mastered by Kassian Troyer. Art/design by Alex McCullough and Felix Luke]

14. (#108.) Lee Walter Redding – “It Should Be Ours”
    from: Student Loan Forgiveness Program – EP / Lee Walter Redding / July 18, 2025
    [Lee Walter Redding released the single “All My Text Messages Are Verification Codes” on July 11, 2025. Lee Walter Redding released the single “It Should Be Ours” on February 24, 2025. // On July 15, 2022 Lee Walter Redding released the EP live From The Argyle Wallpaper. Lee Walter Redding on vocals, guitar; Justin Rogers on bass; Andy Kirk on guitar/synth and Justin Skinner on drums. // Lee Walter Redding released “Elephant Man (feat. Stephonne)” on April 9, 2021. Lee told us that he learned about Stephonne Singleton from listening to Wednesday MidDay Medley and hearing Stephonne for the first time. WMM bringing musical collaborations together since 2004. // Kansas City based Lee Walter Redding was raised on 60s rock, steeped in 90s Britpop ennui, and guided by contemporary neo-soul, Lee Walter Redding weaves dry humor into vibrant sonic textures that sway from wistful to chaotic. Think 2010s Nick Lowe fronting The Velvet Underground. On warped vinyl. More info at: http://www.leewalterredding.bandcamp.com] [Lee Walter Redding was our guest on WMM on July 13, 2022]

15. (#107.) Julie Bennett Hume – “I Feel A Chill”
    from: The Lorelei / Julie Bennett Hume / February 9, 2025
    [4 years in the making, “The Lorelei” was produced by Chad Brothers and includes musicians: Chad Brothers, Marco Pascolini, Brandon Day, Scotch Hollow, Mark Montgomery, and Ernest James. // Julie Bennett Hume has been playing and writing music for over 35 years in the Lawrence/KC area. She has played and sung in various ensembles including a blues trio, an Afro-Cuban ensemble, various string bands, a Cajun ensemble and folk/Americana duos and ensembles. Her music shows a strong Cajun, Old-time and Blues influence with a nod to some of her favorite songwriters such as Stephen Stills, Maggie Roche and Gillian Welch. Julie has released four CD’s of original music including “Late Bloomer” in 2017, “Vinegar” in 2019, “Songs of Latter Days” in 2021 with the Multiverse and “The Lorelei” coming in February of 2025. The title track of “The Lorelei” is based on the poem of the same name by the German poet Heinrich Heine and revisits the theme of the dangerous siren. Songs deal with politics, family dynamics, love and loss. Julie is also a High School teacher who teaches German in public schools. Julie also works in radio, recently serving as producer and host of the KKFI program “River City Chautauqua“. She is currently serves as host and Producer of She Talklk Wha? a women’s focused Public Affairs on 90.1 FM KKFI Saturdays at 3:00pm.www.juliebennetthume.com]

16. (#106.) S.G. Goodman – “Fire Sign”
    from: Planting By The Signs / Slough Water Records / June 20, 2025
    [S.G. Goodman is an American folk and country singer-songwriter from Hickman, Kentucky. She has released three studio albums, Old Time Feeling in 2020, Teeth Marks in 2022, and Planting by the Signs in 2025, and received the 2023 Emerging Artist of the Year award at the Americana Music Association Awards. // Goodman was raised in Hickman, Kentucky. The Southern Baptist church played a central role in her childhood in Kentucky saying she went to church 3 times a week with her family. Goodman began performing by singing in church. Her father was a farmer. She has played rhythm guitar since she was 15 and been driving since she was 7 which is illegal under Kentucky state law. Her favourite guitar to use are Guild Starfires due to their humbuckers. // Goodman moved to Murray, Kentucky in 2007 to attend Murray State University, where she studied philosophy. // Prior to her solo career, Goodman started the music project The Savage Radley with drummer Stephen Montgomery, releasing their first and only album Kudzu with Slough Water Records. // Her debut solo album, Old Time Feeling, was co-produced by Jim James of My Morning Jacket. The album has been described as Americana, folk, country, and rock. She is signed to Verve Forecast Records. Tyler Childers covered “Space and Time” from Old Time Feeling on his album Rustin’ in the Rain. “Space and Time” was also covered by Devonté Hynes and Mereba for the soundtrack to the 2022 film, Master Gardener. // In 2021, as a solo artist, she was among other things part of the Newport Folk Festival in July. // In June 2022, Goodman released her second album, Teeth Marks, on Verve Forecast. She usually plays with her guitar tuned down a whole step, though some songs on the record were played in this tuning with a capo. The fifth track on the album, “If You Were Someone I Loved” deals with the opioid crisis. Because her debut album was released during the COVID-19 pandemic, Goodman did not headline a tour for the album. As such, her tour for Teeth Marks was her first solo tour. // Goodman released her third studio album, Planting by the Signs, on June 20, 2025, via Slough Water Records and Thirty Tigers in LP, CD and digital formats. // Goodman lives in Murray, Kentucky. Studio albums: Old Time Feeling (2020), Teeth Marks (2022), and Planting by the Signs.]

11:59 – Station ID

17. (#105.) Kai McGarry – “Loose Change”
    from: Scarlett / Kai McGarry / August 1, 2024
    [This album came from a lot of research, a lot of people, and a lot of life that I’ve lived in a short period of time. I remember every situation that i wrote about, and they’re all there in the music. Everyone who shaped this album, good and bad, I am forever in your debt. This bleeding desire that I’ve had since a kid is slowly fading from dream to reality, and I couldn’t be more grateful. Scarlet is about whatever you’ve lost, gained, and most importantly, what you’ve done to achieve something in your life. // For SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans). The album is a reflection of a very short snapshot of time, one that included a shift in the people in his life as well as his priorities.]

[Kai McGarry & Gabe Rivera will be in concert on Saturday, December 20, 2025, at Kansas City Oasis, 1717 West 41st Street, KCMO as past of Undergrounds Production and Christopher Ruiz.]

18. (#104.) Paul Jesse – “Cycles”
    from: Cycles / Fowl Mouth / August 14, 2025
    [Cycles is the sophomore album from Lawrence, KS-based singer Paul Jesse. The album was written and produced by Paul Jesse. Cycles was engineered and co-produced by Deegan Poores, with additional production from Zach Craig, Justin Roach & Hannah Davis. The album is full of cascading synths, soulful vocals, and emotionally transformative subjects. The 9-track Pop record releases on August 15th, with a hometown release show the night before on August 14, at The Bottleneck. The day of the album release, Paul and his team leave for their very first tour, hitting Milwaukee, Chicago, Nashville, Memphis & St Louis, spreading the word across the midwest. To top it all off, Paul secured a feature from NYC-based artist Deem Spencer on the track “Open the Door”, very much a full circle moment for Paul and his second album, “Cycles”. More info at http://www.pauljessemusic.com]

19. (#103.) Cymande – “Chasing An Empty Dream (Radio Edit)”
    from: Renascence / BMG / January 31, 2025
    [Legendary British band Cymande release their highly anticipated new album, Renascence, via BMG. // Cymande (pronounced /sɪˈmɑːndeɪ/ sih-MAHN-day) are a British funk group that was originally active in the early 1970s. The band name derives from a calypso word for “dove”, which symbolises peace and love;[2] “Dove” is also the title of one of their best-known songs. With a membership deriving from several Caribbean nations, Cymande were noted for an eclectic mix of funk, soul, reggae, rock, African music, calypso, and jazz that they called “nyah-rock”.[3][4][5] The band formed in 1971 and released three albums before disbanding in 1974. After gaining newfound popularity when their music was sampled by many notable rap artists, Cymande reformed in the 2010s. Their most recent album Renascence was released in January 2025. // A true return to form and jewel in the crown of their iconic discography, Renascence picks up where their 1974 album Promised Heights left off – a spiritual and sonic follow-up, bringing a fresh modern edge to their iconic sound, which remains foundational to early hip-hop and funk scenes in the United States and UK. Renascence tells the story of a band that never fully got its due back in the day; but are back to take the crown by remaining true to themselves – politically aware, and spiritually positive with infectious grooves. // “Chasing An Empty Dream,” the first track on Renascence, beckons you back into the world of Cymande with an unforgettable grizzly bassline hook – as is their way – addictive percussion, global rhythms inspired by their diasporic origins, layered horns and a powerful message for the world. // Their new album, Renascence is a true return to form and jewel in the crown of their iconic discography and picks up where their 1974 album Promised Heights left off – a spiritual and sonic follow-up, bringing a fresh modern edge to their iconic sound, which remains foundational to early hip-hop and funk scenes in the United States and UK. Renascence tells the story of a band that never fully got its due back in the day, but are back to take the crown by remaining true to themselves – politically aware, and spiritually positive with infectious grooves. // Last year, Cymande’s unique story was told on the on big screen for the first time in the UK (via BFI) and in cinemas around the world (via Abramorama) with Getting It Back: The Story Of Cymande (Directed by award winning director Tim Mackenzie-Smith). This empowering and thought-provoking documentary shows the band’s depth of influence across decades and features interviews with Mark Ronson, Laura Lee and Mark Speer (Khruangbin), DJ Maseo (De La Soul), Jazzie B (Soul II Soul), Cut Chemist, Jim James (My Morning Jacket), Louie Vega, Kool DJ Red Alert, and so many others. Directed by Tim Mackenzie-Smith, the film debuted at SXSW in 2022 and has now traveled the world twice over. // As Total Film said in their review of the documentary ‘Tim Mackenzie-Smith’s joyous doc offers some Searching for Sugar Man-style reappraisal // Cymande (pronounced /sɪˈmɑːndeɪ/ sih-MAHN-day) are a British funk group that was originally active in the early 1970s. The band name derives from a calypso word for “dove”, which symbolises peace and love; “Dove” is also the title of one of their best-known songs. With a membership deriving from several Caribbean nations, Cymande were noted for an eclectic mix of funk, soul, reggae, rock, African music, calypso, and jazz that they called “nyah-rock”. The band formed in 1971 and released three albums before disbanding in 1974. After gaining newfound popularity when their music was sampled by many notable rap artists, Cymande reformed in the 2010s] Their most recent album Renascence was released in January 2025.

20. (#102.) HuDost – “Take It Back”
    from: The Monkey in the Crown / Open Sesame Music / June 6, 2025
    [HuDost’s new album, features a collection of songs that have already begun to captivate listeners, including the fiery Fire of Eden, the introspective Sol Searcher (Light Upon the Water), and the call for change in Acting Out the Outrage. These songs set the tone for the full album, which explores themes of societal breakdown, personal transformation, and collective healing. Tracks like Broken Down in America, Take It Back, and Nothing Left grapple with disillusionment, while Shine On (Knick of Time) and Mercy offer hope and reconciliation. Each song is a testament to HuDost’s unique sound—raw, authentic, and deeply connected to the human experience. // HuDost were delighted to be joined by a slew of amazing musicians on this album including drummer Chris Powell as well as SistaStrings, who both play with Brandi Carlile. They are also joined by the Jars of Clay guys; Charlie Lowell on keys, Matthew Odmark doing various magical things and two new songs written with Dan Haseltine. Singer Rachael Davis joins on a few songs with her beautiful distinctive harmonies and Kai Welch (Abigail Washburn/Kacey Musgraves/The Fray) plays on accordion & horns. Long time HuDost alumni Anit Ghosh adds his gypsy world touch on a couple of tracks. Matt Nelson contributes astonishing string arrangements. Last but not least, HuDost’s ‘5th Member’ Dan Walters, the only other person besides Moksha and JW that has played on every single record over the past 20 years, on bass! // THE MONKEY IN THE CROWN is more than just a collection of songs; it’s a journey into the complexities of identity, transformation, and choice. From the hopeful Shine On (Knick of Time) to the paradoxical Child of Children, the album invites listeners to explore the tension between illusion and truth, the sacred and the profane, the personal and the collective. It’s a call to action, to change, and to embrace our shared humanity, no matter the form it takes. // This album also marks a significant milestone for HuDost—celebrating 20 years as a band, a couple, and a family. For two decades, the partnership of Moksha Sommer and Jemal Wade Hines has produced music that is deeply rooted in their experiences as activists, parents, and musicians. Their journey has been one of artistic evolution and social engagement, building a devoted global fanbase through their powerful lyrics and genre-blurring sound. HuDost’s live performances continue to inspire, proving that music can not only entertain but also catalyze change.] [HuDost played Greenwood Social Hall, 1750 Belleview Ave, 2nd Floor, KCMO on Thursday May 29 at 7:00pm with Calvin Arsenia. Info at: http://www.hudost.com]

21. (#101.) Oddisee – “Tomorrow Can’t Be Borrowed”
    from: En Route – EP / Mello Music Group / May 30, 2025
    [Amir Mohamed el Khalifa (born on February 24, 1985), better known by his stage name Oddisee, is a rapper and record producer from Washington, D.C. He is one third of the hip hop trio Diamond District. He was also part of the Low Budget Crew. He is based in Brooklyn, New York. // Oddisee was born to an African-American mother and a Sudanese father, at Howard University Hospital in Washington, D.C. He was raised by his stepmother (who was also Sudanese) and father. He grew up in Silver Spring, Maryland, as well as Prince George’s County, Maryland. He moved back to Washington, D.C. after high school. // In 2010, Oddisee released Traveling Man on Mello Music Group. His Odd Spring mixtape was listed on the Washington Post’s Best Local Hip-Hop mixtapes of 2010. In 2011, Oddisee released Rock Creek Park, which was ranked as a Mixtape of the Week by Stereogum. Odd Seasons, a collection of EPs released throughout the previous 12 months, was also released that year. // In 2012, he released a studio album, People Hear What They See. The Beauty in All, his first instrumental release since Rock Creek Park, was released in 2013. In that year, he also released Tangible Dream. In 2015, he released The Good Fight. In 2016, he released an EP, Alwasta, and a mixtape, The Odd Tape. In 2017, he released a studio album, The Iceberg, as well as a live album, Beneath the Surface. // Oddisee was originally influenced by Black American jazz traditions and the Golden Age of hip-hop from his older American cousins. Oddisee was primarily influenced by Black American musical traditions. Growing up next door to Parliament Funkadelic’s bass player Gary Shider in P.G. County, Maryland left a deep musical impact on the young Oddisee. He is also influenced by gospel music and the vocal harmonizing traditions of his Black American heritage. In an interview with NPR, he explained why he was influenced by early East Coast emcees such as Eric B. & Rakim, De La Soul, and A Tribe Called Quest. He stated that these rappers don’t talk about drugs or murder, and he could relate more to their lyrics.] [Oddisee played recordBar 1520 Grand Blvd, KCMO, on October 3, at 8:00pm with Approach and Negro Scoe]

Oddisee Discography

Studio albums
101 (2008)
Mental Liberation (2009)
New Money (2009) (with Trek Life)
In the Ruff (2009) (with YU and Uptown XO, as Diamond District)
Traveling Man (2010)
People Hear What They See (2012)
The Beauty in All (2013)
Tangible Dream (2013)
March on Washington (2014) (with YU and Uptown XO, as Diamond District)
The Good Fight (2015)
The Iceberg (2017)
To What End (2023)

Live albums
Beneath the Surface (2017)
Compilation albums
Odd Seasons (2011)

Mixtapes
Instrumental Mixtape Volume One (2005)
The Remixture Vol. 1 (2006)
Foot in the Door (2006)
Instrumental Mixtape Vol. 2 (2006)
Odd Summer (2009)
Odd Autumn (2009)
Odd Winter (2010)
Odd Spring (2010)
Rock Creek Park (2011)
The Odd Tape (2016)

EPs
Good Tree (2008)
Hear My Dear (2008)
Odd Renditions Vol. 001 (2012)
Alwasta (2016)
Odd Cure (2020)
And Yet Still (2024)
En Route (2025)

Singles
“Show You” / “Part of the World” (2006) (with Heralds of Change)
“Once Again” (2006)
“101” (2008)
“Slow It Down” (2012)
“Ain’t That Peculiar (Remix)” (2013)
“Lost Cause” (2014) (with YU and Uptown XO, as Diamond District)
“That’s Love” (2015)

22. (#100.) Talia Keyes – “Find Your Own”
    from: From The Ashes / Midtopia / May 30, 2025
    [She/They // An electrifying, genre-defying firebrand, Salt Lake City sensation Talia Keys blasts back with the seven-song From The Ashes, releasing May 2025 via Wichita, Kansas-based label Midtopia. Another courageous chapter in a career full of defiant documents, Talia’s latest ambitious solo offering deals potent doses of her patented searing songcraft. // Backed by members of The Love, the veteran singer/songwriter confidently explores fresh characters and fertile topography – while still digging into knowledge of self, paying tribute to heroes, and addressing our increasingly-fractured society. Styled in syrupy neo-soul, first single “Matchstick” is an intensely personal homage to dearly-departed activist/artist Psarah Johnson; second drop “Glowin’ Golden” a buoyantly-countrified bop. From the Ashes reveals a liberating batch, unveiling untapped wells of urgency, diversity, sensuality, and consciousness from the ever-evolving Keys’ canon. // With an assertive maturity, the alluring “Matchstick” seduces upon first listen, energetically landing squarely between the existential bedroom pop of Anna Moss and Say She She’s sultry nocturnal soul. Reverberating Wurlitzer, jazzy guitar phrasings, minimalist rimshot-snares, the vintage vibe is enhanced by scintillating background harmonies and an intoxicating earworm chorus. The stirring track was inspired by Johnson’s impactful social justice work; “Let your matchstick burn” resonates far deeper than merely a poetic turn-of-phrase. // “Psarah Johnson was a visionary artist, activist and bad ass singer.” recalls Keys. “She created a one-woman play – “Matchstick Theory” – about being a disabled woman in this unforgiving world. How she burns her energy, and sometimes it doesn’t come back. But when you burn bright like Psarah did, it lights the way for so many of us.” // In 2023, Talia Keys was drafted as direct tour support for Grammy-winning Lukas Nelson & Promise of the Real, a fortuitous opportunity and budding professional relationship that would facilitate her performing to enthusiastic new audiences all over the U.S. Appropriately, From The Ashes second single “Glowin’ Golden” mines a similar slice of salt-of-the-earth Americana. Atop proper guitar pickin’ and warm Hammond organ swells, this rootsy, Gospelized joint shuffles on the snare and struts with subtle swagger. A profound vocalist who blends verve, angst and attitude, on “Glowin’ Golden” Ms. Keys cribs a page from both Beyonce and the late Ray Charles, taking the R&B lane en route to more traditional country roads. // The contemplative 90’s alt-rock of “Sky Is Falling” flirts with shoegaze psychedelia, hip-hop syncopation and lyrical alliteration. A spirited, bluesy number that cycles through melancholic resignation, suffocating fears, hopeful dreams, and reverting to regret, Keys’ earnest purge is boosted by stunning strings courtesy of Sav Madigan and Katie Larson (The Accidentals). From the Ashes’ narrative arc is complimented by an effective production aesthetic that nods toward the groundbreaking Lilith Fair-era. Like so many heroines who paved the way, Keys sings of navigating struggles that plague our cultural climate, embodying allyship and resistance, song after rebel song. // Talia Keys laid a loyal local foundation in Salt Lake City clubs for over fifteen years, and later made her bones on national tours and festivals. Keys’ ethos and convictions, as well as a trademark fire n’ brimstone stage presence, are an amalgam of her journey, identity, influences; a new twist on the rock n’ roll troubadour singing songs of life’s complexities, struggles, and ultimately, the triumphs. // In 2024, Keys released an emotional standalone single “Need You To Care”, which followed a series of dynamite covers including “Seven Nation Army” (The White Stripes), “I Put A Spell On You” (Screamin’ Jay Hawkins), and “Sweet Dreams” (The Eurythmics). Resonant and raw, 2022’s LP Lessons saw Keys emerge from the pandemic chaos recharged and reborn, leaning into intestinal strength and resilience with more clarity and focus in her compositions. With typically-provocative lyrics dotting the kaleidoscopic album, the biting barbs addressed her own space and place as a queer woman in today’s divided America. In 2018, Talia teamed up with stellar backing ensemble The Love to deliver the demonstrative We’re Here, an iridescent and impactful collection that put Talia’s style and substance on the national radar. // A nascent artist with wide ears and big dreams, Talia Keys released a smattering of solo efforts early in her career; 2015’s Fool’s Gold EP, the live-looping adventures of Gemini Mind (2014), and debut Soak Your Meat In This (2012). Before breaking out on her own musical trip, Keys assumed numerous roles in the seminal funk-jam syndicate Marinade, with whom she logged six years of shenanigans from 2009-2015. -B. Getz March 2025] [Talia Keyes played the 21st Annual Crossroads Music Fest, Sept. 6, at 5:30pm, on the Midtopia Stage with Linea Frontera, Osezua, The Whips , Jesus Christ Taxi Driver, and Rudy Love & The Encore.]

23. (#99.) Lonnie Fisher – ” Zero One Zero”
    from: The Onion’s Tale / Lonnie Fisher / October 3, 2025
    [Zero One Zero (it is not officially released on any platform though). Recorded and played last year with Ed Rose, of the famed Black Lodge Studios, at the cool recording studio in Lawrence Public Library. Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]

24. (#98.) Neko Case – “Wreck (Radio Edit)”
    from: Neon Grey Midnight Green / Anti / September 26, 2025
    [Neon Grey Midnight Green is the eighth studio album by American singer-songwriter Neko Case, released by record label Anti- on September 26, 2025. Her first entirely self-produced album, it marks her follow-up to Hell-On. She has described it as being “for and about musicians, a love letter and a testimony.” // From October 2025 to January 2026, Case will be touring North America with John Grant and Des Demonas in support of the album. // Neko Richelle Case (/ˈniːkoʊ ˈkeɪs/ NEE-koh KAYSS; born September 8, 1970) is an American singer-songwriter and member of the Canadian indie rock group the New Pornographers. Case’s singing voice has been described by contemporaries and critics as a “flamethrower”, “a powerhouse [which] seems like it might level buildings,” “a 120-mph fastball,” and a “vocal tornado”. Critics also note her idiosyncratic, “cryptic,”[8] “imagistic” lyrics, and credit her as a significant figure in the early 21st-century American revival of the tenor guitar. Case’s body of work has spanned and drawn on a range of traditions including country, folk, art rock, indie rock, and pop and is frequently described as defying or avoiding easy generic classification. // Born in Alexandria, Virginia, Case is the only child of James Bamford Case. Case’s maternal family surname was originally Shevchenko; her great-aunt was the professional wrestler Ella Waldek. Her father, a Vietnam veteran serving in the United States Air Force, was based in Virginia at the time of her birth. Case’s parents, who were teenagers when they had her, are of Ukrainian ancestry. Her parents divorced when Case began school. In her memoir, Case indicated that she was told that her mother died of cancer when she was in the second grade, but only two years later, she was told that this was not correct. After that, her mother flitted in and out of her life, and eventually Case cut ties with her mother for good. As she writes in the book, she had a revelation: “Perhaps her mother had never been sick at all.” // Case’s family relocated several times during her childhood due to her stepfather’s work as an archaeologist. She lived in Western Massachusetts, Vermont, Oregon and Washington. She considers Tacoma, Washington to be her hometown. // Case left home and was legally emancipated at age 15. By the age of 18 she was performing as a drummer for the Del Logs and the Propanes, playing in venues including a punk club called the Community World Theater. // In 1994, Case moved to Vancouver, British Columbia, to attend the Emily Carr Institute of Art and Design, completing her studies 1998. While in Vancouver, she played drums in several local bands, including the Del Logs, the Propanes, the Weasels, Cub, and Maow. These bands were, for the most part, local punk groups. Case said of the vibrant Vancouver punk rock scene at that time, “A lot of women wanted to play music because they were inspired, because it was an incredibly good time for music in the Northwest. There was a lot of clubs, a lot of bands, a lot of people coming through, a lot of all-ages stuff—it was a very exciting time to live there.” // In 1998, she left Canada for Seattle, Washington. Before going, Case recorded vocals for a few songs that ended up on Mass Romantic, the New Pornographers’ first album. Her lead vocals on songs like “Letter from an Occupant” are straightforward, full-volume power-pop performances, shedding any country elements. Released on November 28, 2000, Mass Romantic became a surprise success. Although the band was originally conceived as a side project for its members, the New Pornographers remain a prominent presence in the indie rock world, having released their ninth album in 2023. // In addition to recording with the New Pornographers, Case collaborates with other Canadian musicians, including the Sadies and Carolyn Mark, and has recorded material by several noted Canadian songwriters, in particular on her 2001 EP Canadian Amp. As a result, she is also considered a significant figure in Canadian music—both CBC Radio 3 and the Society of Composers, Authors and Music Publishers of Canada have referred to Case as an “honourary Canadian”. In 2018 Case performed at the Vancouver Folk Music Festival. // Case embraced country music on her 1997 album, The Virginian. The album contained original compositions as well as covers of songs by Ernest Tubb, Loretta Lynn and the 1974 Queen song “Misfire”. When the album was released, critics compared Case to honky-tonk singers like Lynn and Patsy Cline, and to rockabilly pioneer Wanda Jackson, particularly in her vocal timbre. // On February 22, 2000, Case released her second solo album, Furnace Room Lullaby. The album introduced the country noir elements that have defined Case’s subsequent solo career. That tone was evident even from the cover photo, featuring Case sprawled out corpse-like on a concrete floor. // Case sometimes tours with Canadian singer and songwriter Carolyn Mark as the Corn Sisters. One of their performances, at Seattle’s Hattie’s Hat restaurant in Ballard, was recorded and released as an album, The Other Women, on November 28, 2000. // In October 1999, around the time Furnace Room Lullaby was released, Case left Seattle for Chicago because she felt that Seattle was no longer hospitable to its local artists.// Case’s first work in Chicago was an eight-song EP that she recorded in her kitchen. Canadian Amp, her first recording without Her Boyfriends, was released on her own Lady Pilot label in 2001. She wrote two of the tracks, with the remaining six being covers, including Neil Young’s “Dreaming Man” and Hank Williams’ “Alone and Forsaken”. Four of the covers were written by Canadian artists. The EP was initially available only at Case’s live shows and directly from Mint Records’ website, but it eventually saw wider release. // Case also recorded her third full-length album, Blacklisted, while living in Chicago. // In April 2003, Case was voted the “Sexiest Babe of Indie Rock” in a Playboy.com internet poll, receiving 32% of the vote. Playboy asked her to pose nude for the magazine, but she declined their offer. She told Entertainment Weekly that…”I didn’t want to be the girl who posed in Playboy and then—by the way—made some music. I would be really fucking irritated if after a show somebody came up to me and handed me some naked picture of myself and wanted me to sign it instead of my CD.” // Case recorded and toured for several years as Neko Case & Her Boyfriends before performing solely under her name. Albums released as Neko Case & Her Boyfriends include The Virginian (1997) and Furnace Room Lullaby (2000). She primarily performed her own material, but also performed and recorded cover versions of songs by artists such as My Morning Jacket, Harry Nilsson, Loretta Lynn, Tom Waits, Nick Lowe, Buffy Sainte-Marie, Scott Walker, Randy Newman, Queen, Bob Dylan, Neil Young, Sparks and Hank Williams. // The 2010 New Pornographers album Together features Case as lead vocalist on “Crash Years” and “My Shepherd.” The 2014 album Brill Bruisers features Case as lead vocalist on “Champions of Red Wine” and “Marching Orders.” The 2017 album Whiteout Conditions features Case as lead vocalist on “Play Money” and “This is the World of the Theater.” // In 2016, Neko Case, k.d. lang, and Laura Veirs announced the case/lang/veirs project, with an album released in June 2016. // Case recorded her third full-length album, Blacklisted, in Tucson, Arizona. It was the first full-length album credited to Case alone, without Her Boyfriends, and was released on Bloodshot Records on August 20, 2002. Some believe the title Blacklisted alludes to Case being banned for life from the Grand Ole Opry because she took her shirt off during a performance on August 4, 2001, at one of their outdoors “Opry Plaza” concerts, though Case herself has denied this. Asked about the incident in 2004, Case said “I had heatstroke. People would love it to be a ‘fuck you’ punk thing. But it was actually a physical ailment thing.” // Case’s face in 2009 Most of the album’s fourteen songs are originals; the exceptions being covers of “Running Out of Fools”, previously a hit for Aretha Franklin, and “Look for Me (I’ll Be Around)” previously performed by Sarah Vaughan. Blacklisted finds Case even deeper in a “country noir” mood, and was described by critics as lush, bleak, and atmospheric. Case cited filmmaker David Lynch, composer Angelo Badalamenti, and Neil Young’s soundtrack to the film Dead Man as influences. “I hope I can comfort people a bit—maybe show people that making music is fun and accessible to them as well. I’m not out to become Faith Hill, I never want to play an arena, and I never want to be on the MTV Video Music Awards, much less make a video with me in it. I would like to reach a larger audience and see the state of music change in favor of musicians and music fans in my lifetime. I care very much about that.” // In April 2004, Case played several shows with longtime collaborators the Sadies in Chicago and Toronto. These shows were recorded and released as a live album, The Tigers Have Spoken, by Anti Records in October 2004. // Fox Confessor Brings the Flood was released on March 7, 2006. The album was recorded primarily in Tucson, over the course of two years as Case worked on the live The Tigers Have Spoken and continued to play with the New Pornographers. Critics hailed the record not only for Case’s trademark vocals but also her use of stark imagery and non-standard song structures. Fox Confessor Brings the Flood wound up on many “Best of 2006” lists, such as No.1 on the Amazon.com music editors’ picks and No. 2 on NPR’s All Songs Considered. The album debuted at No. 54 on the Billboard 200 albums chart. It contains Case’s most autobiographical song, “Hold On, Hold On”. Case said: “the song is actually about me. It’s not metaphorical about other people. It’s not little pieces of my life made into a story about someone else or someone fictitious.” // “Hold On, Hold On” has since been covered by Marianne Faithfull on her 2009 album Easy Come, Easy Go. It was used over an episode of The Killing (Season 1 Episode 6) before the final credits, and in the 2015 film One More Time. “John Saw That Number” was used in the snowboarding movie “City. Park City”. // Case’s next album, Middle Cyclone, was released on March 3, 2009. In advance of a U.S. and European tour, Case appeared as a musical guest on The Tonight Show with Jay Leno. Later in 2009 she also appeared on Late Show with David Letterman, The Tonight Show with Conan O’Brien and Late Night with Jimmy Fallon. Amazon.com rated Middle Cyclone the number one album of 2009.[49] Middle Cyclone debuted at No. 3 on the Billboard charts in its first week of release, making it Case’s first album ever to reach the top ten in the United States. // At the time of its release, no other record from an independent record company had debuted at a higher position in 2009. She toured extensively to promote Middle Cyclone with dates in North America, Europe, and Australia, as well as a performance at Lollapalooza 2009 in Grant Park, Chicago. // The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You. // In June 2013, Case announced a new album, The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You, which was released on September 3. // In early March, 2018, Case released a teaser for an album titled Hell-On, her first solo work in almost five years. The teaser featured Case lying down singing a song of the same name while snakes move around her. The album was released on June 1, 2018. // On November 13, 2015, Case released a compilation vinyl box set containing eight of her solo albums. The set contains her first six studio albums, including the first vinyl pressing of The Virginian, as well as a live album. // On April 19, 2022, Case released Wild Creatures, described as “digital-only, career retrospective”. The album was released on CD, double vinyl, and MP3. It contains 22 tracks from Case’s discography, plus one new song, “Oh, Shadowless”.]
    .
    [Neko Case is in the middle of a 56-city tour that started on October 1, 2025 in Woodstock New York and lasts until January 31, 2026 On her 51st city stop Neko Case plays The Uptown Theatre, 3700 Broadway Blvd., KCMO, on Saturday, January 24, 2026 with Des Demonas].

11:30 – Underwriting

25. (#97.) Lorna Kay – “What Ever Happened”
    from: Lorna Kay – EP / Town & Country / September 19, 2025
    [Lauren Krum solo project with Mike Stover. Lauren Krum is known for her work as lead singer of The Grisly Hand who had their last show on May 11, 2024 at The Ship. The band first started playing live in 2009. When The Grisly Hand released their debut album Safe House, the entire band (at that time: Lauren Krum, Jimmy Fitzner, Johnny Nichols, Chas Snyder, Mike Tuley. Ben Summers & Kian Byrne) climbed into our studios and performed live on our Nov. 10, 2010 show. // Jimmy Fitzner, Johnny Nichols, Chas Snyder were in a band called Left Behind. Lauren had played with them at The Brick, before laving Kansas City to go to Columbia College in Chicago. N Chicago Lauren created the group The Strumpettes a soul-inspired group featuring four female singers and a four-piece band. When the Strumpettes dismantled in 2008 and her life in Chicago started to fall apart, Krum decided to move back to Kansas City. She immediately began singing with From Before. // Within a few months, Krum, Fitzner, Nichols and Snyder were performing as a new group. They had brought on Andy Davis to play mandolin. Krum had found the name “the Grisly Hand” iafter coming across it in the poem “Webster Ford” from Edgar Lee Masters’ Spoon River Anthology. The most Current grouping of The Grisly Hand was Jimmy Fitzner, Lauren Krum, Ben Summers, Mike Stover, Johnny Nichols and Kian Byrne. / A super group of sorts several members have also been involved in other projects. Lauren has played and recorded with Ruddy Swain (w/ David Regnier), Lorna Kay, and Lorna Kay’s Country Club, as well as being a DJ.] [Lorna K plays Honky Tonk Tuesdays at The Ship]

26. (#96.) honeybee – “i wish i knew you then”
    from: midtown girl – EP / good luck / June 6, 2025
    [The track was written by the songwriter and lead singer, Makayla Scott, who wrote to us, “i wish i knew you then is inspired by all the stories Al (honeybee bass player and Mak’s partner) has told me about their life prior to us getting to know each other. Sometimes when we are reminiscing and giggling about the past, I get hit with a big wave of fomo – sad i’ve missed out on so much. but they always say that the timing of our relationship is perfect and that they’re glad we met when we did. Still, I would have LOVED to hang with kid AL and play horses or dogs or any of the 2000s era Madden games!” // Honeybee released their EP Saturn Return on March 29, 2024 part of WMM’s 120 Best recordings of 2024. // Honeybee started as the solo project of Singer/Songwriter Makayla Scott and now include 3 or 4 of her friends umping in… Honeybee released the songle “I Know What Love is” on January 27, 2023. Makayla Scott also played with the band Blue False Indigo Makayla Scott studied music at Drury University graduating in 2017. Honeybee played Manor Fest 6 with The Highwater, and Jass.][Honeybee played Arts on Broadway, 3550 Broadway Blvd, KCMO, July 25, with Virgo, & 24 Hour Video]

27. (#95.) Annahstasia – “Overflow”
    from: Tether / drink sum wtr / June 13, 2025
    [Annahstasia Enuke, known monomously as Annahstasia, is an American soul musician from Los Angeles. Annahstasia released her debut EP Revival in 2023. Annahstasia released her second EP, Surface Tension, in 2024. Annahstasia released her debut album, Tether, in 2025 to critical acclaim, including the “Best New Music” designation from Pitchfork. // Annahstasia was also featured in the music video for Kendrick Lamar and SZA’s song “Luther”, portraying the love interest. / From Bandcamp: “My career has been a lesson in patience,” says Annahstasia, having cultivated her musical language between blazes of intimacy and independence across different lives, locations, and iterations, loves lost and gained, expectations evaded and recreated. The rising troubadour’s proximity to love — for and from others, in society at large, and deeply within herself — guides the spirit of her soulful, poetic folk songcraft. Love is the elemental constant, alongside her distinctly resonant voice, shading the singer-songwriter’s music since her earliest self-taught recordings, back when a 17-year-old Annahstasia Enuke was discovered and propelled into the pressures of an industry that nearly stifled her greatest strengths. Artistic resilience, gratitude, and dedication to process have yielded Tether, Annahstasia’s full-length debut on art-forward indie label drink sum wtr, a collection of beaming torch songs, orchestral hymns, and astral anthems that feel lived-in, drawn from the human experience and the spectrum of love. // Annahstasia assembled the pieces of Tether slowly and with deep intention; she’s carried these songs with her on the road, sang them for friends and strangers, and evolved them over time alongside her personal revelations. “The song is written, and then I have to live with it and see if I really believe what I’m saying,” she explains. She brought material to sessions at the storied Valentine Studios in Los Angeles, joined by producers Jason Lader (ANOHNI and the Johnsons, Frank Ocean, Lana Del Rey), Andrew Lappin (Cassandra Jenkins, L’Rain, Luna Li), Aaron Liao (Liv.e, Moses Sumney, Raveena) and a range of accomplished musicians, including featured guests aja monet and Obongjayar. The recording became instinctual, done only in live takes to capture the feeling of the room, the community of the music. The sequencing was just as essential; she arrived at a flow with shifting energies and poignant arcs. The instrumentation swells, at times understated and others supremely lush, and through each arrangement, Annahstasia’s voice rings true, open-hearted, and free. “I’ve come into the power of my voice as a medium,” she says. “As a tool of expression, I am able to shape the emotional space around me.” // Lyrically, Annahstasia embraces the nuance of poetry, inviting listeners to engage in words laced with meaning, whether ruminations on romance or social constructs. She sees the opener “Be Kind” more as a poem than a song, “a reflection upon the beauty of the mundane and the grandeur of everyday life…a reminder to myself and others to be kind to each other.” The track’s minimalist atmosphere picks up where 2024’s Surface Tension EP left off, with her vocals left bare and up-front, exploring the capacity of her gift with newfound latitude as strums, strings, and keys enter the frame. // The palette expands for “Villian,” welcoming drums, brass, and horns into a sweeping nod to healing. “We are all made of both shadow and light. From some angle, we have all been the villain of the story,” she adds, suggesting that often, the only way to move on is through understanding that “we are all trying our best, negotiating survival.” At its triumphant peak, above gospel-like shouts, she delivers the reprise with a smile: “Take it / Take it back / This dull knife of memory / I still hear your voice inside my head / Says that I’m the villain of the story.” // Album centerpiece “Slow” emerges from a chance connection with London-based Nigerian musician Steven Umoh, aka Obongjayar. After exchanging DMs, Obongjayar came to one of her shows, and the two artists talked for hours afterward; “he was like a lost brother,” she says. Later, they wrote and demoed the track in the living room of her Airbnb in London, where they huddled around a single ribbon microphone. “I’m just playing the guitar, and our eyes are locked; it was very sensual and intense.” Emboldened by one another, their voices orbit and coalesce, trading verses on the signals the universe sends us (“I heard it on the wind / To go slow”), harmonizing the last stanzas (“What’s the worst that can happen / If we just let it happen”). Without proper album plans at the time, the song sat for a while; then, in another cosmic chance, Obongjayar happened to be in town during the Tether sessions. Annahstasia reflects, “It was a beautiful experience to have us all in the room. The artistry, the moment, a real acceptance of African art where these two Nigerian musicians are coming together and making something very tender and pretty outside genre expectations.” // Later, Annahstasia finds a kindred spirit in aja monet, the NY-based surrealist blues poet and her new labelmate, who lends stunning prose and voice to “All is. Will Be. As it Was.” Given only the prompt of “open air,” monet wrote the lines on the ride to the studio. Together with Annahstasia on guitar and Ashley Fulton on piano, they captured the piece in its purest form as if bottling a breeze. // Annahstasia described the EP prelude to this culminating set as a “romantic war,” and the artist truly thrives amidst and after drama. She taps into a punk sensibility for “Silk and Velvet” — “I’d say it’s punk in the sense that it is really dry, really stark and selectively dissonant.” A clashing of cello and piano mirror pointed lyrics about “living with the hypocrisy of having revolutionary ideologies but consumerist tendencies.” The tension comes full circle on “Believer,” a song she’s been trying to get right for years, now finally recorded in the right place with the right people. Nearly every instrument on Tether returns in full force; towering percussion, jagged guitar lines, and howling singers encircle Annahstasia at the mic as she enters a fantasy of rock stardom. “I love how in making a record, you get to make a film and pick which direction to take it. Now I have this version that I blast in my headphones, play air guitar, and pretend I’m performing it for 100,000 people.”]

28. (#94) The Royal Chief – “Hi-Def (Radio Mix)”
    from: Fire – EP / Sovereign Sound / July 10, 2025
    [New 5-track EP from The Royal Chief / Born in Kansas City, Missouri as Jamel Thompson to a single mother, The Chief is the youngest of six – two brother’s on his mother’s side and another brother and twin sisters from his father. Growing up, his mother fostered his mind; she encouraged The Royal Chief to read relentlessly and to experiment with his talents. This promoted a period where The Royal Chief began expressing himself by writing stories. Chief spent most of his early life in the urban areas of Kansas City. He and his mother moved to Dallas, Texas briefly before returning to Kansas City – to the suburbs – which provided an interesting contrast to his life before. // At the age of 13, after attending a concert in which Kanye West performed, Chief knew his path was in music and began rapping. Courtesy of his mother, he drew inspiration from R&B and Soul while getting his introduction to Hip Hop from his father and brothers. Hip Hop became a love and an outlet for him – a way to vent and document how he perceived the world. It was also an instrument for The Royal Chief to cope with the pain of losing his older brother and godmother who had a hand in raising him. // The Royal Chief moved to Atlanta, Georgia in 2012. He spent his first year there living out of his Honda Civic and obtained membership to a local gym to have access in order to take showers. He established a relationship with the manager at Tree Sound Studios through a mutual friend and was soon allowed to live in the studio’s building. He made the most of this opportunity by observing and learning many of the aspects of the music industry, audio/video recording, marketing, and most importantly building relationships and networking. Soon, he began to nurture a relationship with “Cyhi The Prynce” who took him under his wing allowing Chief to create and write for other G.O.O.D. Music artist. During this time, Chief was able to go on tour and learn just to write raps and incorporate rhythm and flow into his pieces to make them sound appealing. // In 2015, under his original moniker “J-Dub,” The Royal Chief began to meticulously focus on his own projects and released his first mixtape entitled Trial and Error. Later that same year, after a trip back to his hometown of KC, he made a conscious decision to change his stage name to something that reflected his passion for his two favorite home-town sports teams and one that represented his city. And in combining the names of those teams, he thus became “The Royal Chief”. Feeling the need to release some music to commemorate the name change, in September of 2016 he released his second project, an EP entitled Dawn – representing the beginning or “dawn of” something new. // In 2017, after seeing a Kareem “Biggs” Burke’s interview in which he said “if you don’t have your city you don’t have anybody,” Chief decided it was time for him to return home and build his name and his following up in his own city. That same year, after a house fire in which he lost everything but his life, he released his third project – an EP titled Homecoming. While building traction in the city, Chief worked diligently to network and perform live all around the Kansas City Metroplex and surrounding areas. In 2018, he released a three-track EP titled 3 Pack. Chief spent the next year working towards expanding existing relationships and building new ones. Chief’s objective was to spend time building a backing band for his live performances as well as collaborate with local artists and producers. And with this feat accomplished, in 2020, Chief released his fourth project titled Groundwork. Groundwork represents “laying the foundation” – it’s the cumulative efforts of networking, touring, and building a following. More info at: http://www.theroyalchief.com] [The Royal Chief will played the 21st Annual Crossroads Music Fest, Sept. 6, at 8:30pm at The Campground, 1531 Genessee St. with Timbers, Dym N D (Diamond D), Friendly Thieves , The Royal Chief, Jelly Rose, and Stranded in The City.]

29. (#93.) Flora From Kansas – “The Ghost is Me”
    from: Homesick – EP / Melodic / March 14, 2025
    [17 year old Flora Kay A.K.A. Flora From Kansas has already been writing music for 5 years, picking up the guitar in lockdown. “My dad and I often took long walks to a nearby gas station, where we had conversations about how life was going. It was then that we started discussing the idea of creating music together just for the fun of it.”, Flora describes. On a rich diet of Girl In Red, Faye Webster & Alex G, Flora began learning on Garageband before upgrading to Logic for her self-productions. ] [Flora From Kansas played Boulevardia, Saturday, June 14.]

30. (#92.) Water From Your Eyes – “Nights in Armor”
    from: It’s A Beautiful Place / Matador / August 22, 2025
    [Songwriter Nate Amos, and front person Rachel Brown are Water from Your Eyes. It’s a Beautiful Place is the duo’s dizzying, chrome-tinted masterpiece, which Rolling Stone has christened “their most joyously out there achievement yet.” The band – now a four-piece on stage with Al Nardo (guitar) and Bailey Wollowitz (drums) – will support It’s A Beautiful Place with an extensive North American headline tour. The tour launches September 22 in Philadelphia and runs through November 2 in Denver, including stops at Bowery Ballroom in New York, Lodge Room in Los Angeles, and Sleeping Village in Chicago. // In the time since 2023’s “Everyone’s Crushed”, their Matador debut and critical breakout – which appeared in end of year lists by The New York Times, The Guardian, Pitchfork, NME, Vogue, Wired and Rolling Stone – Rachel Brown and Nate Amos have become a pillar of the city’s alternative music scene and one of its most revered underground exports. They played huge stages supporting Interpol on tour, including in front of 160,000 fans in Mexico City. Back home, the band established a DIY boat show franchise on the East River, hosting friends at the heart of the city’s musical vanguard including YHWH Nailgun, Model/Actriz, Frost Children, and Kassie Krut. Rachel released a new EP under their thanks for coming moniker, while Nate released an acclaimed full length under his This Is Lorelei solo project. The duo finished “It’s a Beautiful Place” last summer, just as they have every other WFYE release: in Amos’s bedroom. // Throughout “It’s A Beautiful Place” is a clear sense of a band who have honed their curveballs into home runs. Looming and melancholy, wide-eyed and petrified, it’s Blade Runner with a touch of WALL-E, it’s Kubrick and Asimov with a hint of Jay and Silent Bob. These are songs that look outward, conscious of our smallness and questioning our place in the universe while admiring the surrounding beauty.The album is the duo’s dizzying, chrome-tinted masterpiece, which Rolling Stone has christened “their most joyously out there achievement yet.” The band – now a four-piece on stage with Al Nardo (guitar) and Bailey Wollowitz (drums) – will support It’s A Beautiful Place with an extensive North American headline tour. The tour launches September 22 in Philadelphia and runs through November 2 in Denver, including stops at Bowery Ballroom in New York, Lodge Room in Los Angeles, and Sleeping Village in Chicago. // In the time since 2023’s “Everyone’s Crushed”, their Matador debut and critical breakout – which appeared in end of year lists by The New York Times, The Guardian, Pitchfork, NME, Vogue, Wired and Rolling Stone – Rachel Brown and Nate Amos have become a pillar of the city’s alternative music scene and one of its most revered underground exports. They played huge stages supporting Interpol on tour, including in front of 160,000 fans in Mexico City. Back home, the band established a DIY boat show franchise on the East River, hosting friends at the heart of the city’s musical vanguard including YHWH Nailgun, Model/Actriz, Frost Children, and Kassie Krut. Rachel released a new EP under their thanks for coming moniker, while Nate released an acclaimed full length under his This Is Lorelei solo project. The duo finished “It’s a Beautiful Place” last summer, just as they have every other WFYE release: in Amos’s bedroom. // Throughout “It’s A Beautiful Place” is a clear sense of a band who have honed their curveballs into home runs. Looming and melancholy, wide-eyed and petrified, it’s Blade Runner with a touch of WALL-E, it’s Kubrick and Asimov with a hint of Jay and Silent Bob. These are songs that look outward, conscious of our smallness and questioning our place in the universe while admiring the surrounding beauty.]

31. (#91) Land Lion – “Motion Smoothing”
    from: Hymns For End Times / Land Lion / November 5, 2025
    [Land Lion band make happy songs about sad things. This KC-based indie rock collective led by Ben Wendt and backed by a revolving all-star supporting cast of musicians draws inspiration from Bright Eyes, Arcade Fire, and Bruce Springsteen. Music For End Times is the band’s debut album release. Land Lion is: Ben Wendt on lead vocals & guitar; Matt Jack on drums, Iggy Chamon on bass; Carlos Chamon on keyboards; Grant Baker on lead guitar; Parker Mason on rhythm guitar & backing vocals; Kirsten Krier on trombone; Caitlyn Jacobs on saxophone, Michael Cervantes on trumpet; and Schuyler Minor on vocals. Fronted by primary songwriter and lead vocalist Ben Wendt, Land Lion crafts songs that evoke both introspection and celebration, inviting listeners into a world of personal storytelling and wide-reaching soundscapes. For fans of Bruce Springsteen, Bleachers, and The Muppets, Land Lion is a dynamic project blending indie rock, arena rock, folk, and Americana, known for its heartfelt lyrics, vibrant instrumentation, and powerful rhythms accompanied by an amazing horn section. Last year Land Lion released three singles: “Ribs” on Jan. 26, “Honey Do” on June 9, and “Townie Song” on July 25, 2024. Land Lion played Boulevardia June 14, 2025.]

[Land Lion play a double album release show on Saturday, December 13, at 8:00pm at The RINO, 314 Armour Rd, North Kansas City with Jack Summers, and with special guest Jeremy Nathan.]

32. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on December 17, we will bring you part 2 of our 4-week special: The 120 Best Recordings of 2025. We’ll count down#90 through #61 with tracks from: Radkey, Jass, Hailes, Hot Club KC, Claire Adams, Lauren Louvelle, Jamogi, Making Movies, Corners of the Sky, THIMASTR, VCMN, Brody Lowe, The Matchsellers, Beth Watts Nelson, Rudy Love & The Encore, Til Willis and Erratic Cowboy, Mitzi McKee & The Precious Cargo, James Grauerholz, Horsegirl, Curtis Harding, Florist, Folk Bitch Trio, Jon Batiste, Lucy Dacus, Hannah Jadagu, Billie Marten, Oklou, Cass McCombs, Benjamin Booker, and PinkPantheress.

The text in this playlist is a collage and “cut & paste” of information from artist’s websites, press releases, event info, wikipedia, social media pages, BandCamp, liner notes, and where noted.

You can find our playlists at: http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley
http://www.bandcamp.com/wednesdaymiddaymedley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Thanks for listening

Show #1125