WMM PLAYLIST from November 5, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 5, 2025

WMM presents New Releases + David George’s Christmas Ain’t A Drag + Ben Wendt & Land Lion

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]

2 Florence + The Machine – “Everybody Scream (Clean Edit)”
from: Everybody Scream / Polydor Records / November 3, 2025
[From Pitchfork: On her sixth album, Florence Welch sings anthems of resilience with her characteristic gusto, but it’s her words of uncertainty that stand out most. // She doesn’t always emerge unscathed, but at least she’s alive. Each new Florence and the Machine album opens on Florence Welch in the aftermath of a tsunami, attempting to make sense of her circumstances as she prepares to charge forth into the unknown. The London band’s sixth album, Everybody Scream, is again dedicated to finding strength in release from physical and psychological inhibitions. If you’re a fan of the band’s arena-pop baroque, you’ll get what you came for: horizon-spanning anthems of resilience furnished with cinematic strings, gargantuan drums, and, yes, the occasional scream. Nearly every song rests on this sturdy foundation, and Welch’s voice ignites each into a raging wildfire. // “There’s a feeling of dying a little bit, every time I make a record,” Welch told The Guardian earlier this year. “And, this time, I nearly died.” That’s not hyperbole: While touring Dance Fever in 2023, Welch underwent life-saving surgery, which she’s now revealed was due to massive internal bleeding caused by an ectopic pregnancy. The trauma of miscarriage is evident in the fury that fuels Everybody Scream: “Sometimes my body seems so alien to me,” Welch sings over the steady chug of “Kraken,” sounding despairingly numb before transforming into a creature of wrath. On “The Old Religion,” she dreams of immateriality, yearning to be free of her physical self so long as it means relief from pain. // Florence and the Machine (stylised as Florence + the Machine) are an English indie rock band formed in London in 2007 by lead vocalist Florence Welch, keyboardist Isabella Summers, guitarist Rob Ackroyd, drummer Christopher Lloyd Hayden and harpist Tom Monger. The band’s music features dramatic, eccentric production and Welch’s powerful vocals. Their sound has been described as a combination of various genres, including rock and soul. // The band’s debut studio album, Lungs, was released on 3 July 2009, and held the number-two position for its first five weeks on the UK Albums Chart. On 17 January 2010, the album reached the top position, after being on the chart for twenty-eight consecutive weeks. As of October 2010, the album had been in the top forty in the United Kingdom for sixty-five consecutive weeks, making it one of the best-selling albums of 2009 and 2010. The group’s second studio album, Ceremonials, released in October 2011, entered the charts at number one in the UK and number six in the US. The band’s third studio album, How Big, How Blue, How Beautiful, was released on 2 June 2015. It topped the UK charts, and debuted at number one on the US Billboard 200, their first to do so. The album reached number one in a total of eight countries and the top ten of twenty. Also in 2015, the band was the headlining act at Glastonbury Festival, making Welch the first British female headliner of the 21st century. // The BBC played a part in their rise to prominence by promoting Florence and the Machine as part of BBC Music Introducing. At the 2009 Brit Awards, they received the Critics’ Choice Awards.]

[On Saturday, December 27, at 7:00pm recordBar, at 1520 Grand Blvd. KCMO, presents Strange Claws : A Tribute to the music of Florence + the Machine featuring a collective of Kansas City’s finest music and theatre veterans—Katie Gilchrist, Mark Johnson, Felix Dukes, Grant Klinksick, Adee Dancy, Ahafia Jurkiewcz-Miles, and Calvin Arsenia.]

  1. Makaya McCraven– “Boom Bapped (ft. Theon Cross & Ben LaMar Gay)”
    from: Techno Logic (feat. Ben LaMar Gay & Theon Cross) – EP / International Anthem Records / October 31, 2025
    [Makaya McCraven (born October 19, 1983) is an American jazz drummer and bandleader. // McCraven was born in Paris, France, to jazz drummer Stephen McCraven [fr] and Hungarian singer Ágnes Zsigmondi (of the band Kolinda [fr]), and from the age of three was raised in and around Amherst and Northampton, Massachusetts. At the age of five he played in his father’s drum ensemble, the CMSS Bashers, along with some of his father’s students. In middle school, he and friends formed a band to accompany his mother’s folk singing. In high school, McCraven formed the jazz-hip hop Cold Duck Complex. He studied music at the University of Massachusetts Amherst, becoming part of the university’s jazz orchestra and receiving various DownBeat student awards, but did not graduate. // In 2007 McCraven moved to Chicago, where he performed in the bands of Bobby Broom, Corey Wilkes [de], Willie Pickens, and with the Occidental Brothers, Marquis Hill, and Jeff Parker. He also worked as a studio musician for Apollo Sunshine and Kris Delmhorst. In 2012 he released his debut album, Split Decision, through Chicago Sessions, leading a trio. In the following years he appeared weekly with other musicians, from which he developed concepts for his 2015 album, In the Moment. He also performed with Kamasi Washington. In 2016 he toured mostly in Europe. After several mix tapes, in 2018 he released the double album Universal Beings, on which he was joined by musicians from New York City, London, and Los Angeles; the album was nominated for the Jazz Journalists Association Awards in 2019.[citation needed] In DownBeat’s 2020 Critics Poll, he was the winner in the “Rising Star” categories of best producer and best drummer of the year. In September, 2022, McCraven released In These Times, a full-length album that had been in development since 2015, through International Anthem. // McCraven is married to Nitasha Tamar Sharma, a professor of African-American and Asian-American Studies at Northwestern University as of 2018.]
  1. Snocaps – “Heathcliff”
    from: Snocaps / Anti / October 31, 2025
    [Snocaps is the debut full-length album from American indie rock band Snocaps, consisting of Katie and Allison Crutchfield, joined by multi-instrumentalist MJ Lenderman and producer Brad Cook. The album was surprise-released on October 31, 2025.[2][3] The album was named one of the “11 New Albums You Should Listen To Now” by Pitchfork upon its release. // The Snocaps project marks the first time the Crutchfield twins had recorded music together since the split of their previous band, PS Eliot. It also marks Allison Crutchfield’s first new music in seven years, following the release of the fourth Swearin’ album Fall Into the Sun in 2018. In a post to her Substack newsletter, Katie Crutchfield noted that she and Alison had initially broached the idea of a new project in 2023, prior to the release of the Waxahatchee album Tigers Blood. She wrote that the sisters were interested in “making something akin to what we made when we were younger” with “no ambitions and no plan, purely for our own enjoyment, for the experience of making something we ourselves wanted to hear.” The album was recorded with Cook and Lenderman over the course of a week, with Katie describing the experience as “realigning with the earliest, purest versions of our music-making selves”. // All tracks are written by Katie Crutchfield and Alison Crutchfield.]
Lene Lovich at recordBar November 5, 2025
  1. Lene Lovich – “Lucky Number”
    from: Stateless / Stiff Rcords / October 1978
    [“Lucky Number” is a song by American-British recording artist Lene Lovich. Originally released as a B-side for Lovich’s cover of “I Think We’re Alone Now”, the song was re-released in 1979 by Stiff Records as an A-side and became the lead single of her debut studio album Stateless (1978). The song was written by Lovich and Les Chappell, who produced the song. // “Lucky Number” received very positive reviews from music critics and was a commercial success, peaking at number two in Australia, number three in the Netherlands, New Zealand and the United Kingdom, and number five in Belgium. The single also charted well in Ireland and Austria. It became a defining song of the new wave genre. // “Lucky Number” was covered by German punk artist Nina Hagen. The German version “Wir leben immer… noch” (“We are alive… still”) was released on the album Unbehagen (1979). // After the break-up of the band the Diversions in December 1976, Lovich started searching for another band. She contacted a radio presenter Charlie Gillett and advertised herself as a sax player looking for a band. Gillett gave out her number but nobody called. Later, Lovich wrote him a letter providing more information about herself. This encouraged him to get her to record a demo of Tommy James and the Shondells’ song “I Think We’re Alone Now”. He took the tape to Dave Robinson of Stiff Records, who liked it and decided to sign Lovich. He immediately proposed the song to be released. In July 1978, Stiff released the first limited quantities of “I Think We’re Alone Now” with an early version of “Lucky Number”. Lovich and Chappell went on to record her first album Stateless, which was released in October of the same year. “Lucky Number” gained recognition and was later re-released as a lead single from the album. // The song is composed in D major at 120 beats per minute. The chorus consists of four dissonant notes sung in rapid succession. According to Lovich, she “didn’t know anything about writing a song, so [the producer] just threw together a vocal line that sounded like a synthesizer.”[citation needed] The chorus, coupled with a guitar ostinato and rapid vocal shouts from backup singers, gave the song and Lovich a sound that would define her next several records and, according to Rovi, “the hundreds of bands that followed.” // Lili-Marlene Premilovich was born on March 30, 1949. She is known professionally as Lene Lovich (/ˈleɪnə ˈlʌvɪtʃ/ LAY-nə LUV-itch), is an American-British singer. She first gained attention in 1979 with the release of her hit single “Lucky Number”, which peaked at number 3 on the UK Singles Chart and made her a leading figure of the new wave music scene. She is equally notable for her eccentric hairstyle, clothing and quirky sense of humor while performing. // Born in Detroit, Michigan, Lovich moved to England at the age of 13, where she met guitarist and songwriter Les Chappell, who later became her long-time music collaborator and life partner. She developed an interest in art and theater, enrolling at the Central School of Art and Design where she took saxophone lessons. In 1975, she joined the band the Diversions and shortly afterwards wrote the lyrics to Cerrone’s single “Supernature”. After the band broke up, Lovich started looking for another band to join and contacted the radio presenter Charlie Gillett, who got her to record a demo of Tommy James and the Shondells’ song “I Think We’re Alone Now” and played it to Dave Robinson of Stiff Records, who decided to sign Lovich. The song was released as a single and appeared on her debut studio album Stateless (1978), which produced the single “Lucky Number”. // She released two more albums, Flex (1979) and No Man’s Land (1982), on Stiff Records. In 1989, she independently released the album March, before her 15-year hiatus. She focused more on her family but returned in 2005 with the release of her album Shadows and Dust. In 2013, she established her own publishing label, Flex Music, and released a re-mastered version of all her previous albums in a limited edition box set. // Lovich was born Lili-Marlene Premilovich in Detroit, Michigan, to an English mother and American father of Serbian descent. After her father had health problems, her mother took the 13-year-old Lovich and her three siblings to live in Hull, East Yorkshire, England. She met guitarist/songwriter Les Chappell when they were teenagers, and he became her longtime collaborator and life partner. In the autumn of 1968, they went to London to attend art school. It was there that Lovich first tied her hair into the plaits that later became a visual trademark, though at first she braided her hair to keep it out of the clay when studying sculpture. // Over the following decade, Lovich attended several art schools, busked around the London Underground and appeared in cabaret clubs as an “Oriental” dancer. She also travelled to Spain, where she visited Salvador Dalí at his home. She played acoustic rock music around London, sang in the mass choir of a show called Quintessence at the Royal Albert Hall, played a soldier in Arthur Brown’s show, worked as a go-go dancer with the Radio One Roadshow, toured Italy with a West Indian soul band and played saxophone for Bob Flag’s Balloon and Banana Band and for an all-girl cabaret trio called the Sensations. She recorded screams for horror films,[10] wrote lyrics for French disco star Cerrone (including the sci-fi dance smash “Supernature”, later recorded by Lovich) and worked with various fringe theatre groups. She was also one of thousands of audience members invited to sing along at the 1972 Lanchester Arts Festival at the Locarno Ballroom in Coventry when Chuck Berry recorded “My Ding-a-Ling” for Chess Records. // In 1975, Lovich joined the Diversions, a funk group that released three singles and an album on Polydor Records without success. // In 1976, Lovich released a 7″ three-track “maxi-single” in the UK under her own name, aimed at the Christmas market: “I Saw Mommy Kissing Santa Claus/The Christmas Song (Merry Christmas To You)/Happy Christmas” (Polydor 2058 812). In 1977, Lovich, along with recording engineer Alain Wisniak, provided lyrics for “Supernature” a song featuring music composed by French percussionist and disco music performer Cerrone. The song, with its surreal lyrics describing a world in which nature has risen to fight against desecration and destruction by humanity, is indicative of Lovich’s interest in animal rights issues. In 1978, disc jockey and author Charlie Gillett presented her recording of “I Think We’re Alone Now”, a cover version of a song originally performed by Tommy James and the Shondells, to Stiff Records boss Dave Robinson. Robinson immediately suggested releasing it as a single on Stiff, for which Lovich and Chappell had to write and record a B-side at short notice. They came up with “Lucky Number”, which was then released as an A-side and became a Top 3 hit in the UK Singles Chart. // Invited by Robinson to participate in the forthcoming Be Stiff Route 78 Tour in 1978, Lovich quickly recorded her first album for Stiff, Stateless, which contained “Lucky Number” and another Top 20 hit, “Say When”. Lovich’s musical style combined her own quirky inventions with contemporary punk rock and new wave styles. She then recorded the albums Flex and No-Man’s-Land for Stiff over the next few years, as well as an EP titled New Toy, the title cut penned by touring band member Thomas Dolby. She also recorded vocals for “Picnic Boy” by the Residents. // Lovich co-wrote with Chappell and Chris Judge Smith and performed Mata Hari, a play/musical at the Lyric Hammersmith, London in October and November 1982. During this time she was having disputes with Stiff. The success of the show and pressure from Epic, her U.S. label, persuaded Stiff to release and promote No Man’s Land. // Following her departure from Stiff, Lovich released “Don’t Kill the Animals,” a single with Nina Hagen, with whom she had appeared in Cha Cha, a film that starred Herman Brood; together, the three created the film’s soundtrack. // n May 1987, Lovich performed with a band for the first time in years at a small club in Austin Texas called The Cave Club (now called Elysium). She had been doing a series of events for PETA where she sang to prerecorded tapes. For this show, she was joined by the electronic duo Tanz Waffen (based out of Austin). Les Chappell, longtime partner, was not at this show. That sparked a renewed interest from Lovich in touring. // Starting in 1988, Lovich toured the US (and a little in Canada) with Tanz Waffen both opening the shows as well as being her backing band in conjunction with Les Chappell. // In 1989, after an absence of several years to raise a family, Lovich recorded the album March on Pathfinder Records. It was only moderately successful and was not released until nearly a year after the album’s single “Wonderland” had been issued and had become an American dance hit. She also toured the U.S. three times immediately before, during and shortly after the release of March, giving American fans their only glimpse of her for many years to come. Two of the three tours culminated with benefit concerts for People for the Ethical Treatment of Animals including one at the Washington Monument in 1988 and one in New York City in 1989. Both of those shows were hosted by The B-52s. // Lovich contributed to the opera The Fall of the House of Usher (1991) by Peter Hammill and Judge Smith, singing the part of Madeline Usher. // In 2005, Lovich appeared on Hawkwind’s Take Me to Your Leader CD and appeared occasionally on stage with them. Lovich’s first album since March, entitled Shadows and Dust, received a limited release on the Stereo Society label on September 13, 2005. She played for the first time in many years with a full band at the Drop Dead Festival in 2006. // In 2006, Lovich made a guest appearance with the Dresden Dolls at The Roundhouse that is featured as an extra on the band’s DVD Live at the Roundhouse. // In 2007, MVD Visual released the DVD Lene Lovich: Live from New York, featuring a 1981 performance at Studio 54. In late 2007, Lovich and Chappell produced a new recording of their hit “Lucky Number”, which was performed by rock group Eastroad and was used by BBC Television for its coverage of the 2008 World Snooker Championship. // In 2011, Lovich sang the part of Eurydice in the song story Orfeas by Judge Smith. In 2013, she sang on the albums Zoot Suit by Judge Smith and Gridlock by Mr. Averell. // In 2012, Lovich began performing with a new band comprising Subterraneans frontman Jude Rawlins on guitar, bassist Lydia Fischer, keyboard player Kirsten Morrison and Morgan King on drums. This marked the first time that Les Chappell was not part of her band. // The Lene Lovich Band made its live debut at London’s 12 Bar Club on October 29, 2012. In 2013, the band undertook its first high-profile tour, concluding with shows in London and Berlin, and with an appearance at the Rebellion Festival. Valkyrie replaced Fischer on bass in 2014 as the band undertook its first major European tour. The band performed at Rebellion again in 2017, before undertaking Lovich’s largest tour in 27 years, opening for the Psychedelic Furs. // In September 2013, Lovich and Rawlins created the record label Flex Music, giving Lovich control of her back catalogue for the first time. Flex Music was launched with a limited-edition handmade CD box set entitled Others: Volume 1, which contained Lovich’s first three albums and a bonus CD of rarities. In 2015, Flex reissued Lovich’s 1982 album No Man’s Land in digital format. // In November 2023, Cherry Red Records released a 4-CD box set, Toy Box, containing material Lovich recorded for Stiff Records between 1978 and 1983. // Lene Lovich will open for The B-52s and Devo on their North American “Cosmic De-Evolution” tour in 2025.]

[Lene Lovich, the Post-Punk/New Wave icon who could count John Lennon and Frank Zappa among her fans, is set to return to the US for the first time in 18 years with a show at recordBar, 1510 Grand Blvd KCMO., TONIGHT, Wednesday, November 5, 2025 with Re:vis:er and DJ EJ opening. ]

[Re:vis:er sister band, Religion of Heartbreak play miniBar, 3810 Broadway Blvd, KCMO on Friday, November 7 with Pop Ritual and Las Cruxes]

[Both shows are part of a 4-night Dreams Never End Concert Series More info at http://www.kosmiccity.com]

  1. The Mammals – “Luna Light”
    from: Touch Grass Vol. 2 / Humble Abode Music / November 1, 2025
    [RUTH UNGAR on VOCALS, GUITAR, BANJO, UKULELE; MIKE MERENDA VOCALS, GUITARS, BANJO, CASIO SK-5, PERCUSSION; BRANDON MORRISON on BASS, VOCALS; TIM MORRISON DRUMS, PERCUSSION, VOCALS; WILL BRYANT on VOCALS, PIANO, SYNTHESIZERS, ORGAN SCOTT MILICI on ORGAN. Produced by The Mammals. Mastered by Greg Calbi, Sterling Sound (except “Unpopular Ideas” mastered by Alex Saltz)Indie-roots trailblazers, The Mammals, bring politically-infused string-band fervor to their re-emergent new album and US tour in 2018. In an era of disconnect, The Mammals enjoy re-connecting generations thru their truth-telling lyrics, off-the-cuff storytelling and euphoric instrumentals, and by organizing a hometown community folk festival (The Hoot) near Woodstock, NY. Founded in 2001 by Seeger’s grandson, Tao, second generation fiddler/singer, Ruth Ungar, and multi-instrumental wordsmith, Mike Merenda, the original trio enjoyed a remarkable 7 year run that brought them to the largest folk festivals across North America, Australia and Denmark, Nashville’s Ryman Auditorium New York’s Carnegie Hall as the special guest of folk legend Arlo Guthrie, and to the pages of numerous publications lauding their unique “traditional-music-in-combat-boots-sound” including a feature in The New York Times handpicking them as a leader in a pack of new-wave stringbands “updating that old-time sound.” After a considerable break from the project during which time Merenda and Ungar married and started a family, a bi-annual folk festival, and a musical duo aptly called, Mike + Ruthy, and Seeger pursuing a solo career before retiring from music all together to start a family of his own, The Mammals returned fronted by Merenda and Ungar in 2017 “stronger than ever” (Folk Alley) with a pair of politically charged singles, “Culture War” and “My Baby Drinks Water,” and the announcement of a new album in 2018. The 2017 lineup includes some former Mammal members including Jacob Silver and Ken Maiuri when they are not touring with Lee Fields and the B-52’s respectively. “It’s a blessing to have a connection to the past and such great new players too,” says Mike. “The alchemy of fiddle, banjo, guitar, bass and drums is magic… and when keys, pedal steel, and horns are in the mix we leap to the next level.” // The Mammals played an Official Showcase at Folk Alliance International Conference at Saturday, February 17, 2018 in Shawnee Mission Room at Weston Kansas City Crown Center.]
  1. Ivory Blue – “Echo”
    from: “Echo” – Single / IVORY BLUE / September 5, 2025
    [What IVORY BLUE says: “Echo” is about the energy in the world and how we get back what we put into it. The theme came to me when I was in the hospital, listening to stories from all kinds of people who were there. Our situations were different, but we were part of the same community striving for the love and connection we all deserve. I wanted this song to capture the echoes of our actions, our struggles, and our hopes all returning to use like a gift from above.” // Kansas City based artist, IVORY BLUE has a tendency of breaking through barriers that keeps her from saying what needs to be said, regardless of style. Bringing us hard hitting rock inspired ear candy like “Starlit Love Child” and “Control”, the idea of genre is only a tool IVORY uses to express her ability to communicate through music. // IVORY BLUE released the single “Mirrors” pon August 1, 2025. //IVORY BLUE released the single “Heartbeat” on March 28, 2025. // IVORY BLUE released the single “Rhythm of the Radio” on January 31, 2025 // IVORY BLUE released the single “Exiled” on November 29, 2024. IVORY BLUE released the single “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and stations around the world. // On Oct. 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from Sept. 22, 2023, ”The Best of Life” from Aug. 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on Feb. 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to Earth, Boulevardia, Crossroads Music Festival, The Middle of the Map Fest, The Westport Roots Festival, the KCPT Screening of “Real Boy” at KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. More info at: http://www.ivorybluemusic.com]
  1. Jeff Tweedy – “Enough”
    from: Twilight Override / dBpm Records / September 26, 2025
    [Twilight Override is Jeff Tweedy’s 5th solo studio album. It is a triple album featuring 30 songs. It follows Tweedy’s 2020 album, Love Is the King. It was recorded at his Chicago studio, the Loft. It features contributions from James Elkington, Finom’s Sima Cunningham and Macie Stewart, and Liam Kazar, along with Tweedy’s sons, Spencer and Sammy. Tweedy’s decision to record a triple album was first inspired after he listened to The Clash’s Sandinista! all the way through during a road trip with his two sons. // In the album’s press release, Tweedy expressed being overwhelmed by the “bottomless basket of rock bottom” of current social conditions, what he described as the “sense of decline” in the “twilight of an empire”. He, however, concluded that he was unsure what exactly was “squeezing this ennui into [his] day”, and described the album as his “effort to overwhelm it right back”. He further credited his recent prolific output to his belief that creativity aligns oneself against destruction, consuming the “darkness”. // Twilight Override was officially announced on July 15, 2025. Four singles were released the same day: “One Tiny Flower”, “Out in the Dark”, and “Stray Cats in Spain”, and “Enough”. The album is scheduled to be released on September 26, 2025, through dBpm Records. “Feel Free” was released on August 19, 2025, and “Lou Reed Was My Babysitter” was released on September 12, 2025. // Following the remaining dates on Wilco’s summer 2025 tour, Tweedy will support the album with “a full-band tour” of North America in October and November 2025, followed by a tour of Europe in February 2026. // Jeffrey Scot Tweedy (born August 25, 1967) is an American musician, singer songwriter, author, and record producer best known as the lead vocalist and guitarist of the band Wilco. Tweedy, originally from Belleville, Illinois, began his music career in high school with his band The Plebes along with Jay Farrar, also in the band. The Plebes later became the alternative country band Uncle Tupelo. // After Uncle Tupelo broke up Tweedy formed Wilco which found critical and commercial success, most notably with Yankee Hotel Foxtrot and A Ghost Is Born. The latter received a Grammy for Best Alternative Album in 2005. // During his career Tweedy has released 20 studio albums including four with Uncle Tupelo, twelve with Wilco, one with his son Spencer, a solo acoustic album, three solo studio albums, along with numerous collaborations with other musicians, most notably Mermaid Avenue with Billy Bragg. // Tweedy was born in Belleville on August 25, 1967, the fourth child of Bob and JoAnn Tweedy (née Werkmeister). Bob Tweedy (died August 4, 2017) worked for Alton & Southern Railroad in East St. Louis; JoAnn was a kitchen designer. Tweedy grew up with three siblings, older brother Greg Tweedy (he died in 2013), brother Steven Tweedy, and sister Debbie Voll. // Tweedy’s mother bought him his first guitar when he was six years old, although he did not begin to play it seriously until he was twelve. Apparently Tweedy told people that he knew how to play the guitar once he got his first guitar, even though he did not know how to play. // When he was twelve, Tweedy was injured in a bicycle accident and was laid up for the summer. He decided to learn how to play a few chords before somebody “called him out” on the lie. On an appearance of The Late Show with Stephen Colbert, he remembered attending an X concert as a youngster in St. Louis. The Replacements opened, and Paul Westerberg, their guitarist and vocalist, fell off the stage while performing. Tweedy recalls thinking “That looks like fun!” // In 1981, when Tweedy was fourteen years old, he befriended Jay Farrar during an English class at Belleville Township High School West.  All of the members of Farrar’s family enjoyed playing music; he already knew rock and roll music very well. By that time, Tweedy was a fan of The Ramones and country music while Farrar enjoyed The Sex Pistols. Tweedy attended Belleville Area College and Southern Illinois University Edwardsville.]

[Jeff Tweedy plays Liberty Hall in Lawrence, Kansas on November 8, 2025]

10:30 – Underwriting

  1. Kemet Coleman –”Stay In Your Lane (feat. Marcus Lewis Big Band, Kadesh Flow & Kimology) [Down Home Version]
    from: Stay In Your Lane (feat. Marcus Lewis Big Band, Kadesh Flow & Kimology) [Down Home Version] –Single / Kemet Creative (Vine Street Records) / October 24, 2025
    [Nearly a decade after “Get Out” helped launch KC’s streetcar, Kemet Coleman returns with “Stay In Yo Lane”—the bold, brass-fueled anthem for KC’s $600M Main Street Extension. // The KC Streetcar teamed up local musician, artist and business owner, Kemet Coleman, to create an original song and music video to celebrate the opening of the KC Streetcar Main Street Extension. // The original song and video, “Stay in Your Lane,” premiered during the KC Streetcar Main Street Grand Opening Celebration on Friday, October 24, at the Plaza Transit Stop. Later that same day, Kemet Coleman performed the song live for the first time at the Community Celebration at the UMKC Streetcar Stop. The high-energy performance capped off a full day of festivities marking the 3.5-mile extension of the streetcar route from downtown Kansas City to UMKC. // The track features an all-star lineup of Kansas City talent, including Brass & Boujee (Marcus Lewis Big Band), vocals by Kadesh Flow (Ryan Davis) and Kimology (Kim Newsome), with Grammy-nominated producer Dominique Sanders on bass and Robert Tribbett III on keys and organ. Coleman served as executive producer of the project. // The music video, filmed by Sensei Brands, showcases Kansas City’s culture, landmarks, and community — from the heart of downtown to UMKC — celebrating the people who make the city move. Both the song and video were officially released on October 24 in conjunction with the Main Street Extension grand opening. // Kemet Coleman is a Kansas City based musicians and is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet is known for his unprecedented collaborations with UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A UMKC alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. In 2020 Coleman contributed his song, “The Virus” to the compilation, Kansas City Syzygy, music created by over 25 KC-based musicians in the middle of the map of a pandemic. All proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone has a safe, accessible, affordable home. Kemet Coleman released, BLACK IS BEAUTIFUL on Aug. 1, 2020. Kenet Coleman released the single “Eyes On The Street” on May 21, 2021.] [The Phantastics released their single “All That Fine”on May 6, 2022. The Phantastics are an 8 member band from KC formed in December of 2010. Kemet the Phantom on lead vocals; Kimology on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, DJ Mitchell on saxophone; Ryan Jamaal Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the KC Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz & Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic. On Oct. 18, 2019 The Phantastics released LIVE AT THE PLAZA ART FAIR. On Aug. 24, 2018 The Phantastics released the EP, LIFE OF THE PARTY. On Dec. 14, 2013 The Phantastics released their debut album THE CLOSER. Info at: http://www.thephantastics.com]
  1. Julia Haile – “Keep It Comin’ [feat. Les Izmore]”
    from: EP/ Julia Haile / October 31, 2025
    [New 7-track recording collection of Julia’s most recent songs. “Keep It Comin’” offers a mini reunion with Julia’s former band mate Les Izmore from the KC super-group The Buhs. Julia Haile on vocals; Tim Braun on guitar & bass; Fritz Hutchison on drums; Chase Horseman on keyboards, & synthesizers. // Julia Haile is an Indie Soul singer-songwriter with a voice that balances power and elegance. Her music pairs sweet and stirring vocals with driving guitar and funky beats, taking the listener on a genre-mixing journey of conscious baring offerings. Julia has carved out a unique sound that blends elements of Jazz, R&B, Pop and Rock. Along with musical partner Tim Braun, the pair have crafted songs with rich melodies and authentic storytelling, reflecting themes of love, self-discovery, and resilience. // Drawing inspiration from classic greats like Ella Fitzgerald all the way to the modern sounds of Erykah Badu and H.E.R, Julia continues to create music that marries instinct and raw ability. Her single Up Late is a Disco and Soul soaked party with heavy, dance inspiring guitar. Set Out begs you to leave behind what you know and venture into new depths. Each a view into the singer’s perspective on living life in this evolving day and age. // Haile studied Vocal Performance at the University of Missouri-Kansas City. // She has been a featured artist in bands such The Buhs and Hi-Lux. She has collaborated with musicians around the country and world. // Julia’s work with Hi-Lux included Tim Braun on guitar, Nick Howell on keys, Dan Loftus on bass, (and prior to that Pete Leibert on bass) and Kian Bryne on drums. Hi-Lux was a Modern-Soul band that blends and bends the boundaries between soul, rock n roll, reggae, and funk. This group aims to create music that pays tribute to their myriad of influences (Amy Winehouse, The Meters, Sharon Jones and the Dap Kings). but also claims a spotlight of its own in the musical world. Hi-Lux released the singles, “Revolution” and “Get What You Give” on February 28, 2020, through The Record Machine. Hi-Lux released the single. “Don’t Blame Lee” (featuring Lee Scratch Perry) on April 20, 2018. Hi-Lux released the 7” vinyl single, “”Dance With My Baby” b​/​w “Don’t Blame Me” on January 5, 2018 through Sunflower Soul Records. Hi-Lux released their 6-track, self-titled EP, Hi-Lux on January 2, 2018. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.juliaHaile.com]
  1. Akkilles – “By The Time”
    from: “By The Time” – Single / AORIST Records / October 17, 2025
    [Akkilles is the music project of David Bennett who makes music under the moniker Akkilles. He also helps other people make music. Akkilles released “Drivin’” on October 3, 2025, “Who I Am” on July 5, 2024, “Strange Dream” on July 9, 2024, “Used To It (Demo)” on June 25, 2024, and “Online” on April 19, 2024 written and produced by David Bennett. Performers include Nick Pickrell on bass, Ian Thompson on synth & keyboards, Baird Williams on lead guitar, Jared Bond on drums, Bryan Koehler on percussion and David Bennett on vocals & rhythm guitar. Recorded at: Aorist Studios in KC. // Akkilles released the single “Way I Feel” on May 5, 2023. Akkilles released the single “Happily” on April 21, 2023. Akkilles released three singles in 2019. “By Myself” – Single was released November 1, 2019. “Meet in the Middle” was released October 25, 2019. “Feelin’ My Self” was released February 1, 2019. Akkilles released the critically acclaimed debut record “Something You’d Say” on July 2, 2013.]
  1. Treanne – “I Fell in Love”
    from: “I Fell in Love” – Single / Young / October 29, 2025
    [Treanne Imani Richards is based in Kansas City. She wrote this song with Tobie Tripp who served as producer. Last year Treanne released the 6-song EP 20/20 on May 10, 2024. // “vocals so smooth they could shatter porcelain glass.” – NOTION // “Hypnotizing vocals” – Uproxx // “Treanne sings with a world-weariness beyond her years” – The FADER // Kansas City-based singer-songwriter Treanne released her deeply moving new single, “I Fell In Love,” via Young. The track marks the first new music from Treanne since her 2024 EP 20/20, a striking showcase of her prowess as both songwriter and vocalist that cemented her as a compelling new voice in this genre. // Written and recorded during her time in London, “I Fell In Love” captures the fragile intensity of first heartbreak and the quiet resilience that follows. Recorded with Tobie Tripp in the studio over just a few hours, the song distills the devastation and tenderness of young love into something immediate and timeless. // Treanne on “I Fell In Love”: this is about my first relationship, it’s basically a letter to him, of my disappointment in who he turned out to be, and me navigating those feelings literally. // After supporting Sampha on his 2024 U.S. tour, Treanne became one of the year’s most quietly arresting discoveries. Her performances were praised by The Current for her “raw honesty” and by Nashville Scene for her “fragile, deeply personal nature which left audiences transfixed night after night.” // With “I Fell In Love,” Treanne continues to expand her intimate world of storytelling, in a space where emotion and reflection intertwine, and where heartbreak finds unexpected grace.]
  1. Liney Blu – “West Coast”
    from: Scout / Liney Blu / October 24, 2025
    [Kansas City singer songwriter Liney Blu writes from a unique place of personal experience and identity. They vividly show us how vulnerability is strength and require us to see love, frustration, disappointment and humor through lenses we may not have considered. Every song finds Liney passionately and sometimes bravely exploring a broader, more inclusive understanding of the human experience while letting us into some sacred personal spaces to do so. And while many listeners are just finding Liney Blu, she set out on her path as a songwriter and artist as a teenager. // At age 17 as Caroline Blubaugh she released a first EP titled “Green” which featured the single “San Francisco” that quickly saw 185K Spotify streams. In 2023 as Liney Blu, came a 2nd EP, “Pennsylvania St.” with bandmates bassist Renee Huey and drummer Jones Goldman. “Pennsylvania St.” is an introspective, sometimes raw, indie pop rock/folk synthesis built on innovative arrangements relentlessly pushed along by Liney’s deep, resonant vocal, subtly insistent delivery and very personal passion. // New music building on the release of “Pennsylvania St.” is in the works. Liney Blu can be heard in venues around the Kansas City/Lawrence area with an expanded show schedule planned for 2024. More infoo at: http://www.lineyblu.com]

[Liney Blu plays an Album Release Show on Friday, November 21, 2025 at 9:00pm at The Ship 1221 Union Ave, KCMO West Bottoms, with Jolson & The Fear of Snakes, and Alex May & Friends.]

  1. Hermon Mehari & Tony Tixier – “POEM FOR THE OPPRESSED”
    from: SOUL SONG / Komos Jazz / April 25, 2025
    [Hermon Mehari on trumpet, Tony Tixier on Fender Rhodes. // Hermon Mehari and Tony Tixier first met in 2010, in their early twenties, in a club on Paris’s Rue des Lombards for a concert with saxophonist Rodolphe Lauretta. Over the next decade, the two musicians took opposite paths, while continuing to collaborate on two continents. The American trumpeter moved to France to discover European culture and the world cultures that coexist there, while the Parisian pianist of Martinican origin spent several years in the USA, immersing himself in the roots of jazz and Afro-American music. // In June 2024, the two musicians, who had been working for fifteen years on numerous albums and collaborations, and whose musical understanding had continued to be forged in clubs, festivals, and on recordings, met again for a duet at the TOC-TOC festival in the Puisaye region, where Antoine Rajon was a collaborator. Enthusiastic about the idea, the artistic director of the KOMOS label invited them back to his home in this corner of Burgundy to record this Fender Rhodes/trumpet formula. He called on sound engineer Christian Hierro, who traveled with his mobile studio for the album recording, then mixed and produced the master in his studio in Lyon, using the best analog equipment and his expert ear. // At dusk on November 12, 2024, the duo played eight tracks in a single, direct take on a 33-minute magnetic tape. // Four unusual cover versions were carefully chosen. “Maimoun” is a composition emblematic of pianist Stanley Cowell’s style, also recorded by Marion Brown. George Duke’s “The Black Messiah” was captured live by Cannonball Adderley’s band on an album of the same name but has never been released as a studio version. “Hello To The Wind” was created by Bobby Hutcherson in 1969, sung by Eugene McDaniels. Finally, “Laini,” dedicated by the great Martinican pianist Marius Cultier to one of his daughters, is a mazurka dear to Tony’s heart. // Each of the musicians also contributed a composition: Hermon with “This Is Our Fantasy,” written especially for the session, and Tony with “Poem For The Oppressed,” a moving composition with an explicit title. Lastly, the duo improvised two tracks, without repetition, in mutual symbiosis and echo. // SOUL SONG captures a moment without enhancement, transformation, or additives, far removed from contemporary virtual technologies. // A&R: Antoine Rajon // Sound engineer : Christian Hierro. // Analog recording on 1/2 inch tape at Antoine’s Burgundy home on the 12th of November 2024, no edits, no overdubs. // Analog mix and mastering at Christian’s Back to Mono studio in Lyon in November 2024. // Hermon Mehari grew up in Jefferson City, Missouri, home of Lincoln University. He received his BM in Jazz Performance from UMKC Conservatory of Music in 2010. Hermon was also the winner of the 2008 National Trumpet Competition and placed second in the International Trumpet Guild competition in Sydney, Australia. Hermon Mehari Mehari was the winner of the 2015 Carmine Caruso International Trumpet Competition and a semifinalist in the 2014 Thelonious Monk Jazz Competition. He is a founding member with Ben Leifer, Ryan Lee , John Brewer, and William Sanders of the band Diverse Jazz, and Diverse Trio. In 2014 Diverse released the album “Our Journey” which was recorded in Paris featuring Logan Richardson on alto saxophone. In 2015-2016 Hermon Mehari was a founding member of the KC super group The Buhs with Julia Haile, Lee Langston, Anthony Saunders, Reach, Les Izmore, Ryan J. Lee, Ben Leifer, Tim Braun, Brad Williams, and Kinyon Price. Hermon Mehari released his debut solo album, BLEU in 2017, and his 2nd solo album A CHANGE FOR THE DREAMLIKE in 2020. In 2021 Hermon Mehari with Alessandro Lanzoni released the 11 track Contemporary Jazz album Arc Fiction. Mehari released ASMARA on November 18, 2022. Recorded and mixed by Félix Rémy in Paris with Hermon Mehari on trumpet, Peter Schlamb on piano & vibraphone, Luca Fattorini on double bass, Gautier Garrigue on drums, and Faytinga on vocals. // In addition to performing and touring all over the world, Hermon dedicates himself to being a serious educator, runs a weekly musical radio program called “The Session” on KCUR 89.3, is constantly collaborating with other musicians. Hermon Merhari has collaborated with Peter Schlamb, Making Movies, John Velghe & the Prodigal Sons, Mikal Shapiro, Krystle Warren. Hermon was featured on Bobby Watson’s 2013 release, “Check Cashing Day”.]
Anna Azarov Photography
  1. The Forcefields – “Lion Tamer”
    from: “Lion Tamer” – Single / Frickin’ Awesome Records / November 7, 2025
    [WMM was the very first to premiere this track on our show back on April 30l 2025. when Julia and James joined us LIVE on the show. // The Forcefields is a cosmosonic collaboration between Julia Othmer and James T Lundie AKA Aayama & Max Forcefield. The Forcefields made their first debut with the presentation TRANSMISSION for the Charlotte Street Foundation series, In(SITE), highlighting local, regional, and national acts at pivotal points in their practices. In a multidisciplinary collaboration with artists Simon Huntley, Sarah Hearn, and Mikal Shapiro, Transmission was an exploration of cosmic vibrations and soundscapes in a stunning one-night-only production. // Julia Othmer grew up in Kansas City and studied at Columbia University in New York City. The child of European refugees, she draws from a broad and richly cultured palette of experience to create her intensely human yet otherworldly songs. Her piano-driven performances are a mesmerizing and superconscious fusion of raw power, vocal artistry and joy. She played many local KC clubs including Jardine’s and Bar Natasha. Julia moved to Los Angeles in 2006 to record her 1st album, OASIS MOTEL. When Julia started planning to record her second album she traveled all the way to England to work with producer James Lundie. On a dark night in North London, singer-songwriter Julia Othmer landed on the front steps of producer-composer James T Lundie. She had been introduced to his music production and fell so deeply in love with his sonic architecture, she transported herself across the proverbial pond from LA to the UK, and refused to leave until he listened to her songs. This began a deeply creative and inspired partnership both in music and in life. Together they have released (under Julia’s name) studio recordings, live recordings, short films to accompany their work, a multi-media performance experience, and multiple social and environmental justice initiatives. James T. Lundie married Julia in January of 2016, during the completion of the record. The album “Sound,” was released on April 12, 2019. Leading up to the 2020 presidential election Julia & James released Seeds (Vol. 1) in 2020, and SEEDS (Vol. 2) in 2022. In the midst of these releases Julia and James relocated to Kansas City. Last year in April of 2024 Julia and James unveiled their newest creation, THE FORCEFIELDS featuring, reimagined vintage synthesizers, video projections, one of a kind instruments. // In 2021 Julia and James relocated to KC, and they recently unveiled their newest creation, a new expanding sonic & visual aesthetic called THE FORCEFIELDS. Their sound is evolving into what is described as Annie Lennox hosting a full moon party with The Beach Boys and Portishead gathered round the fire. Their studio recordings feature James’ unique sonic tools, reimagined vintage synthesizers, audireting and distilling the essence of two of Julia’s previous songs.]

[The Forcefields have been playing shows in France and the United Kingdom this Summer and Fall.]

11:00 – Station ID

  1. David George Orchestra – “No White Christmas”
    from: Music from Christmas Ain’t A Drag / David George / 2025 Unreleased Recording
    [Cast members: Julian Rivera, Jackson Tomlin, and Scotty Sharp and more bring. CHRISTMAS AIN’T A DRAG to life on stage. Christmas Ain’t A Drag is known as a Big Band Musical, it is an uplifting new musical inspired by the big band era, celebrating the love, romance & acceptance people find at Christmas. The show is packed with original rock, blues, and jazz music featuring the David George Orchestra with Book by David George and Music & Lyrics by David George and George Johnsen. This year there will be fourteen performances with matinees on the weekend. ]

[CHRISTMAS AIN’T A DRAG running December 3 through December 14, 2025, at The Black Box, 1060 Union Ave, KCMO WEST BOTTOMS. More info at: http://www.xmasaintadrag.com]

11:04 – Interview with David George & Scotty Sharp

David George is a rock and roll singer, songwriter, producer, compposer, musical theatre creator. He has served as lead singer The David George Band, Moaning Lisa, Volker Brothers, and St. George & The Dragon. He created three critically acclaimed solo EPs with Pat Tomek of The Rainmakers. He has toured all over the country with John Fogerty, played on national television including The Tonight Show. He has his music played when the Chiefs scored a touch down. He hashas performed at The Kansas City Rep Theatre. And he has written an annual holiday show called CHRISTMAS AIN’T A DRAG is known as a Big Band Musical, it is an uplifting new musical inspired by the big band era, celebrating the love, romance & acceptance people find at Christmas. The show is packed with original rock, blues, and jazz music featuring the David George Orchestra with Book by David George and Music & Lyrics by David George and George Johnsen.

David George Thanks for being with us on Wednesday MidDay Medley

CHRISTMAS AIN’T A DRAG will run December 3 through December 14, 2025, at The Black Box, 1060 Union Ave, KCMO WEST BOTTOMS.This year there will be fourteen performances with matinees on the weekend. More info at: http://www.xmasaintadrag.com

Joining David was cast member Scotty Sharp.

Scotty Sharp plays Brad Sergeant in Christmas Ain’t A Drag. Scotty Sharp is a singer, actor, comic, dancer. scotty has worked on stage and screen on land and at sea.

Other cast members who couldn’t be with us include: Julian Rivera, and Jackson Tomlin.

Julian Rivera plays Silver in Christmas Ain’t A Drag. Julian Rivera grew up in Lenexa, Kansas. He went to school at Holy Trinity in Lenexa. And then went to Rockhurst High.” Julian double majored in graphic design and illustrationBut then in college, I also started to dabble around with drag a little bit, just dressing up.” also has performed as LunaFlair a drag queen, and she sometimes likes to just slap makeup on her face and try to be fabulous. Works for downtown for HNTB. Worked as an actor in shows for the “Barn Players, the Arts Asylum, Starlight Theatre

Jackson Tomlin plays Holly Dei in Christmas Ain’t A Drag. Jackson Tomlin is an actor, singer dancer choreographer. He has worked at Shawnee Mission Theatre in The Park. Jackson Tomlin also performs locally and nationally as Allura

This musical has been in David’s life for over 10 years.

Katie Gilchrist is serving as Director of CHRISTMAS AIN’T A DRAG

CHRISTMAS AIN’T A DRAG running December 3 through December 14, 2025, at The Black Box, 1060 Union Ave, KCMO WEST BOTTOMS. More info at: http://www.xmasaintadrag.com

11:13

  1. David George Orchestra – “Tonight’s Child [Ft. Cory Weber – vocals]”
    from: Music from Christmas Ain’t A Drag / David George / 2024 Unreleased Recording
    [Cast members: Julian Rivera, Jackson Tomlin, and Scotty Sharp and more bring. CHRISTMAS AIN’T A DRAG to life on stage. Christmas Ain’t A Drag is known as a Big Band Musical, it is an uplifting new musical inspired by the big band era, celebrating the love, romance & acceptance people find at Christmas. The show is packed with original rock, blues, and jazz music featuring the David George Orchestra with Book by David George and Music & Lyrics by David George and George Johnsen. This year there will be fourteen performances with matinees on the weekend. ]

[CHRISTMAS AIN’T A DRAG running December 3 through December 14, 2025, at The Black Box, 1060 Union Ave, KCMO WEST BOTTOMS. More info at: http://www.xmasaintadrag.com]

11:17 – More Interview with David George and Scotty Sharp

David George is a rock and roll singer, songwriter, producer, compposer, musical theatre creator. He has served as lead singer The David George Band, Moaning Lisa, Volker Brothers, and St. George & The Dragon. He created three critically acclaimed solo EPs with Pat Tomek of The Rainmakers. He has toured all over the country with John Fogerty, played on national television including The Tonight Show. He has his music played when the Chiefs scored a touch down. He has performed at The Kansas City Rep Theatre. And he has written an annual holiday show called CHRISTMAS AIN’T A DRAG is known as a Big Band Musical, it is an uplifting new musical inspired by the big band era, celebrating the love, romance & acceptance people find at Christmas. The show is packed with original rock, blues, and jazz music featuring the David George Orchestra with Book by David George and Music & Lyrics by David George and George Johnsen.

David George Thanks for being with us on Wednesday MidDay Medley

CHRISTMAS AIN’T A DRAG will run December 3 through December 14, 2025, at The Black Box, 1060 Union Ave, KCMO WEST BOTTOMS.This year there will be fourteen performances with matinees on the weekend. More info at: http://www.xmasaintadrag.com

Joining David was cast members Scotty Sharp.

Scotty Sharp plays Brad Sergeant in Christmas Ain’t A Drag. Scotty Sharp is a singer, actor, comic, dancer. scotty has worked on stage and screen on land and at sea

“Tired of Being Good (ft. Shay Estes & Camry Ivory)”

David George and Scotty Sharp Thanks for being with us on Wednesday MidDay Medley

CHRISTMAS AIN’T A DRAG will run December 3 through December 14, 2025, at The Black Box, 1060 Union Ave, KCMO WEST BOTTOMS.This year there will be fourteen performances with matinees on the weekend. More info at: http://www.xmasaintadrag.com

11:25

David George photo by Paul Andrews
  1. David George Orchestra – “Tired of Being Good (ft. Shay Estes & Camry Ivory)”
    from: Music from Christmas Ain’t A Drag / David George / Unreleased Recording
    [Cast members: Julian Rivera, Jackson Tomlin, and Scotty Sharp and more bring. CHRISTMAS AIN’T A DRAG to life on stage. Christmas Ain’t A Drag is known as a Big Band Musical, it is an uplifting new musical inspired by the big band era, celebrating the love, romance & acceptance people find at Christmas. The show is packed with original rock, blues, and jazz music featuring the David George Orchestra with Book by David George and Music & Lyrics by David George and George Johnsen. This year there will be fourteen performances with matinees on the weekend. ]

[CHRISTMAS AIN’T A DRAG will run December 3 through December 14, 2025, at The Black Box, 1060 Union Ave, KCMO WEST BOTTOMS. More info at: http://www.xmasaintadrag.com]

11:28 – Underwriting

Land Lion Photo by Bailey Gabbert
  1. Land Lion – “Close Calls (Radio edit)”
    from: Hymns For End Times / DistroKids / November 5, 2025
    [Land Lion band make happy songs about sad things. This KC-based indie rock collective led by Ben Wendt and backed by a revolving all-star supporting cast of musicians draws inspiration from Bright Eyes, Arcade Fire, and Bruce Springsteen. Music For End Times is the band’s debut album release. Land Lion is: Ben Wendt on lead vocals & guitar; Matt Jack on drums, Iggy Chamon on bass; Carlos Chamon on keyboards; Grant Baker on lead guitar; Parker Mason on rhythm guitar & backing vocals; Kirsten Krier on trombone; Caitlyn Jacobs on saxophone, Michael Cervantes on trumpet; and Schuyler Minor on vocals. Fronted by primary songwriter and lead vocalist Ben Wendt, Land Lion crafts songs that evoke both introspection and celebration, inviting listeners into a world of personal storytelling and wide-reaching soundscapes. For fans of Bruce Springsteen, Bleachers, and The Muppets, Land Lion is a dynamic project blending indie rock, arena rock, folk, and Americana, known for its heartfelt lyrics, vibrant instrumentation, and powerful rhythms accompanied by an amazing horn section. Last year Land Lion released three singles: “Ribs” on January 26, 2024, “Honey Do” on June 9, 2024, and “Townie Song” on July 25, 2024. Land Lion played Boulevardia on Saturday, June 14, 2025.]

[Land Lion play a double album release show on Saturday, December 13, at 8:00pm at The RINO, 314 Armour Rd, North Kansas City with Jack Summers, and with special guest Jeremy Nathan.]

11:34 – Interview with Ben Wendt

Ben Wendt is from Kansas City Missouri. He is a vocalist, guitarist, songwriter for the band Land Lion. He is also a vocalist for the band, The Way Way Back. Ben spends most of his time working as owner and production manager for The RINO a music & entertainment venue and bar at 314 Armour Blvd in North Kansas City. Ben also sometimes works as a Bartender and Events Host at Screenland Armour. He is a Former Box Office Supervisor at Starlight. Ben Studied Creative Writing at University of Central Missouri, He went to Winnetonka High and is married to Sarah Wendt.

One of Ben’s musical projects is the band Land Lion and as primary songwriter and lead vocalist Ben and Land Lion craft songs that evoke both introspection and celebration, inviting listeners into a world of personal storytelling and wide-reaching soundscapes. Land Lion make happy songs about sad things. Hymns For End Times is the band’s debut album release.

Land Lion play a double album release show on Sat, Dec. 13, at 8:00pm at The RINO, 314 Armour Rd, North Kansas City w/ Jack Summers, and special guest Jeremy Nathan

Ben Wendt Thanks for being with us on Wednesday MidDay Medley

Hymns For End Times is the band’s debut album release.

For fans of Bruce Springsteen, Bleachers, and The Muppets, Land Lion is a dynamic project blending indie rock, arena rock, folk, and Americana, known for its heartfelt lyrics and vibrant instrumentation. Their music effortlessly weaves intricate melodies and powerful rhythms accompanied by an amazing horn section.

The band has garnered attention for their live performances and compelling compositions building a loyal fan base along the way.

As the group furthers their evolution, they continue pushing the boundaries of their sound while staying true to the authentic, emotional core that defines their music.

Algorithm & Blues – Produced, mixed, & mastered by: Rodd Fenton of @solsticeaudio2865

Written by: Ben Wendt, Land Lion

Performed by:
Ben Wendt – Acoustic guitar, vocals
Schuyler Minor – vocals
Grant Baker – Electric guitar
Iggy Chamon – Bass guitar
Carlos Chamon – Keys
Matt Jack – Drums
Mikey Cervantes – Trumpet
Kirsten Krier – Trombone
Caitlyn Jacobs – Saxophone
Parker Mason – Guitar

11:42

  1. Land Lion – “Algorithm and Blues”
    from: Hymns For End Times / DistroKids / November 5, 2025
    [Land Lion band make happy songs about sad things. This KC-based indie rock collective led by Ben Wendt and backed by a revolving all-star supporting cast of musicians draws inspiration from Bright Eyes, Arcade Fire, and Bruce Springsteen. Music For End Times is the band’s debut album release. Land Lion is: Ben Wendt on lead vocals & guitar; Matt Jack on drums, Iggy Chamon on bass; Carlos Chamon on keyboards; Grant Baker on lead guitar; Parker Mason on rhythm guitar & backing vocals; Kirsten Krier on trombone; Caitlyn Jacobs on saxophone, Michael Cervantes on trumpet; and Schuyler Minor on vocals. Fronted by primary songwriter and lead vocalist Ben Wendt, Land Lion crafts songs that evoke both introspection and celebration, inviting listeners into a world of personal storytelling and wide-reaching soundscapes. For fans of Bruce Springsteen, Bleachers, and The Muppets, Land Lion is a dynamic project blending indie rock, arena rock, folk, and Americana, known for its heartfelt lyrics, vibrant instrumentation, and powerful rhythms accompanied by an amazing horn section. Last year Land Lion released three singles: “Ribs” on January 26, 2024, “Honey Do” on June 9, 2024, and “Townie Song” on July 25, 2024. Land Lion played Boulevardia on Saturday, June 14, 2025.]

[Land Lion play a double album release show on Saturday, December 13, at 8:00pm at The RINO, 314 Armour Rd, North Kansas City with Jack Summers, and with special guest Jeremy Nathan.]

11:46 – More Interview with Ben Wendt

Ben Wendt is from Kansas City Missouri. He is a vocalist, guitarist, songwriter for the band Land Lion. He is also a vocalist for the band, The Way Way Back. Ben spends most of his time working as owner and production manager for The RINO a music & entertainment venue and bar at 314 Armour Blvd in North Kansas City. Ben also sometimes works as a Bartender and Events Host at Screenland Armour. He is a Former Box Office Supervisor at Starlight. Ben Studied Creative Writing at University of Central Missouri, He went to Winnetonka High and is married to Sarah Wendt.

One of Ben’s musical projects is the band Land Lion and as primary songwriter and lead vocalist Ben and Land Lion craft songs that evoke both introspection and celebration, inviting listeners into a world of personal storytelling and wide-reaching soundscapes. Land Lion make happy songs about sad things. Hymns For End Times is the band’s debut album release.

Land Lion play a double album release show on Sat, Dec. 13, at 8:00pm at The RINO, 314 Armour Rd, North Kansas City w/ Jack Summers, and special guest Jeremy Nathan

Saturday, December 13, 2025
7:00 PM 10:30 PM
http://www.therinokc.com
314 Armour Road North Kansas City, MO, 64116 United States (map)
Saturday, December 13th
live music at The RINO

Land Lion (celebrating the release of their album “Hymns For End Times”
and Jack Summers (celebrating the release of his album “Konza Prairie Hymnal”)
with special guest Jeremy Nathan

Doors 7 | Show 8 | $10 | All Ages
314 Armour Rd | NKCMO | 64116

SONG LAB
Music Open Mic Night every Monday & Tuesday; sign-ups at 6:30; music at 7! Bring your instrument and get put on a list for the night! Not a musician? Come watch the best of Kansas City artists work on their new material!

LAUGH LAB
Comedy Open Mic Night happens every Wednesday at 8:00pm. Seasoned comics, or beginners, come and work on your material! Show up at 7 to get signed up. Comic or not, come watch the free show and grab a drink!

Ben Wendt Thank you for being with us on WMM. Thank you all for listening

11:54

  1. Land Lion – “Motion Smoothing”
    from: Hymns For End Times / Drag City Records / November 5, 2025
    [Land Lion band make happy songs about sad things. This KC-based indie rock collective led by Ben Wendt and backed by a revolving all-star supporting cast of musicians draws inspiration from Bright Eyes, Arcade Fire, and Bruce Springsteen. Music For End Times is the band’s debut album release. Land Lion is: Ben Wendt on lead vocals & guitar; Matt Jack on drums, Iggy Chamon on bass; Carlos Chamon on keyboards; Grant Baker on lead guitar; Parker Mason on rhythm guitar & backing vocals; Kirsten Krier on trombone; Caitlyn Jacobs on saxophone, Michael Cervantes on trumpet; and Schuyler Minor on vocals. Fronted by primary songwriter and lead vocalist Ben Wendt, Land Lion crafts songs that evoke both introspection and celebration, inviting listeners into a world of personal storytelling and wide-reaching soundscapes. For fans of Bruce Springsteen, Bleachers, and The Muppets, Land Lion is a dynamic project blending indie rock, arena rock, folk, and Americana, known for its heartfelt lyrics, vibrant instrumentation, and powerful rhythms accompanied by an amazing horn section. Last year Land Lion released three singles: “Ribs” on January 26, 2024, “Honey Do” on June 9, 2024, and “Townie Song” on July 25, 2024. Land Lion played Boulevardia on Saturday, June 14, 2025.]

[Land Lion play a double album release show on Saturday, December 13, at 8:00pm at The RINO, 314 Armour Rd, North Kansas City with Jack Summers, and with special guest Jeremy Nathan.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on Wednesday, November 12 we welcome back Brock Wilbur & Nick Spacek of The Pitch. To talk about The Annual Pitch “Best Of” Issue. We’ll also talk with Brock & Nick about some of the “Headlines” of 2025. And Nick shares his 10 Favorite Musical Releases of 2025.

Stay tuned at 12:00 Noon for Learning To Wiggle with Steve Stemmerman, at 2:00pm it’s Jazz Afternoon with Jeff Harshbarger. At 4:00pm we bring you, Dub’s Groove with Warren, at 6:00pm it’s: ON AIR with Nikki Brooks. At 7:00pm it’s VOICES OF KANSAS CITY brought to you by The Kansas City Star and 90.1 FM KKFI.

You can find our playlists at: http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley
http://www.bandcamp.com/wednesdaymiddaymedley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

For WMM, I’m Mark Manning. Thanks for listening!

Show #1120

WMM presents New & MidCoastal Releases + David George’s Christmas Ain’t A Drag + Ben Wendt & Land Lion

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 29, 2025

WMM presents New & MidCoastal Releases + David George’s Christmas Ain’t A Drag + Ben Wendt & Land Lion

Mark spins more New & MidCoastal Releases from: Liney Blu, Kemet Coleman with Marcus Lewis Big Band, Kadesh Flow & Kimology, Akkilles, Treanne, Julia Haile with Les Izmore, Land Lion, IVORY BLUE, Hermon Mehari & Tony Tixier, The Forcefields, David George, Snocaps, The Mammals, Makaya McCraven with Theon Cross & Ben LaMar Gay, Florence + The Machine, Jeff Tweedy, and Lene Lovich.

At 11:00 David George joins us to share details about his annual holiday show CHRISTMAS AIN’T A DRAG running December 3 through December 14, 2025, at The Black Box, 1060 Union Ave, KCMO WEST BOTTOMS. Joining David are cast members: Julian Rivera, Jackson Tomlin, and Scotty Sharp. CHRISTMAS AIN’T A DRAG is known as a Big Band Musical, it is an uplifting new musical inspired by the big band era, celebrating the love, romance & acceptance people find at Christmas. The show is packed with original rock, blues, and jazz music featuring the David George Orchestra with Book by David George and Music & Lyrics by David George and George Johnsen. This year there will be fourteen performances with matinees on the weekend. More info at: http://www.xmasaintadrag.com

At 11:30 Mark talks with Ben Wendt of Land Lion and the band’s debut album release, Hymns for End Times. Land Lion is: Ben Wendt on lead vocals & guitar; Matt Jack on drums, Iggy Chamon on bass; Carlos Chamon on keyboards; Grant Baker on lead guitar; Parker Mason on rhythm guitar & backing vocals; Kirsten Krier on trombone; Caitlyn Jacobs on saxophone, Michael Cervantes on trumpet; and Schuyler Minor on vocals. Fronted by primary songwriter and lead vocalist Ben Wendt, Land Lion crafts songs that evoke both introspection and celebration, inviting listeners into a world of personal storytelling and wide-reaching soundscapes. For fans of Bruce Springsteen, Bleachers, and The Muppets, Land Lion is a dynamic project blending indie rock, arena rock, folk, and Americana, known for its heartfelt lyrics, vibrant instrumentation, and powerful rhythms accompanied by an amazing horn section. Land Lion play a double album release show on Saturday, December 13, at 8:00pm at The RINO, 314 Armour Rd, North Kansas City with Jack Summers, and with special guest Jeremy Nathan.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1120

David George photo by Paul Andrews
Land Lion Photo by Bailey Gabbert

WMM PLAYLIST From October 15, 2025

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 15, 2025

Howard Iceberg & Chad Brothers & The Matchsellers + Rude Cousin

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
    [WMM’s theme]
  1. Water From Your Eyes – “Nights in Armor”
    from: It’s A Beautiful Place / Matador / August 22, 2025
    [Songwriter Nate Amos, and front person Rachel Brown are Water from Your Eyes. It’s a Beautiful Place is the duo’s dizzying, chrome-tinted masterpiece, which Rolling Stone has christened “their most joyously out there achievement yet.” The band – now a four-piece on stage with Al Nardo (guitar) and Bailey Wollowitz (drums) – will support It’s A Beautiful Place with an extensive North American headline tour. The tour launches September 22 in Philadelphia and runs through November 2 in Denver, including stops at Bowery Ballroom in New York, Lodge Room in Los Angeles, and Sleeping Village in Chicago. // In the time since 2023’s “Everyone’s Crushed”, their Matador debut and critical breakout – which appeared in end of year lists by The New York Times, The Guardian, Pitchfork, NME, Vogue, Wired and Rolling Stone – Rachel Brown and Nate Amos have become a pillar of the city’s alternative music scene and one of its most revered underground exports. They played huge stages supporting Interpol on tour, including in front of 160,000 fans in Mexico City. Back home, the band established a DIY boat show franchise on the East River, hosting friends at the heart of the city’s musical vanguard including YHWH Nailgun, Model/Actriz, Frost Children, and Kassie Krut. Rachel released a new EP under their thanks for coming moniker, while Nate released an acclaimed full length under his This Is Lorelei solo project. The duo finished “It’s a Beautiful Place” last summer, just as they have every other WFYE release: in Amos’s bedroom. // Throughout “It’s A Beautiful Place” is a clear sense of a band who have honed their curveballs into home runs. Looming and melancholy, wide-eyed and petrified, it’s Blade Runner with a touch of WALL-E, it’s Kubrick and Asimov with a hint of Jay and Silent Bob. These are songs that look outward, conscious of our smallness and questioning our place in the universe while admiring the surrounding beauty.The album is the duo’s dizzying, chrome-tinted masterpiece, which Rolling Stone has christened “their most joyously out there achievement yet.” The band – now a four-piece on stage with Al Nardo (guitar) and Bailey Wollowitz (drums) – will support It’s A Beautiful Place with an extensive North American headline tour. The tour launches September 22 in Philadelphia and runs through November 2 in Denver, including stops at Bowery Ballroom in New York, Lodge Room in Los Angeles, and Sleeping Village in Chicago. // In the time since 2023’s “Everyone’s Crushed”, their Matador debut and critical breakout – which appeared in end of year lists by The New York Times, The Guardian, Pitchfork, NME, Vogue, Wired and Rolling Stone – Rachel Brown and Nate Amos have become a pillar of the city’s alternative music scene and one of its most revered underground exports. They played huge stages supporting Interpol on tour, including in front of 160,000 fans in Mexico City. Back home, the band established a DIY boat show franchise on the East River, hosting friends at the heart of the city’s musical vanguard including YHWH Nailgun, Model/Actriz, Frost Children, and Kassie Krut. Rachel released a new EP under their thanks for coming moniker, while Nate released an acclaimed full length under his This Is Lorelei solo project. The duo finished “It’s a Beautiful Place” last summer, just as they have every other WFYE release: in Amos’s bedroom. // Throughout “It’s A Beautiful Place” is a clear sense of a band who have honed their curveballs into home runs. Looming and melancholy, wide-eyed and petrified, it’s Blade Runner with a touch of WALL-E, it’s Kubrick and Asimov with a hint of Jay and Silent Bob. These are songs that look outward, conscious of our smallness and questioning our place in the universe while admiring the surrounding beauty.]
  1. Dragon Inn 3 – “Send Your Love”
    from: Full Disclosure / American Laundromat Records / October 13, 2025
    [Second single form Dragon Inn 3’s third album release: Full Disclosure. This song Follows the band’s single “Clock Machine” from August 23, 2024. // “The first four songs on Full Disclosure were written over the course of three decades. Grace started writing “Never Lost” as a teenager in 2002. I started working on “Send Your Love” in 2015 but couldn’t figure out how to finish it until I saw the movie True Romance for the first time last year. Sharon and I collaborated on “Taking It Back” and “Yer Too Good” this year. We couldn’t have made these songs without some of our new and old friends. Ryan Wasoba, who I played shows with in the early 2000s, helped us record some guitars on “Never Lost.” And our new friends Nick Wilkerson (drums), Brandon Yangmi (recording engineer), and Scoops Dardaris (mixing) helped us out on everything else.// The second set of four songs on the EP are a collection of digital singles we released over the past few years and collected here for the first time on cassette. // We’re super lucky and grateful to work with American Laundromat Records, Bank Robber Music, and SRG studios. They’ve been helping us release music for the last seven years. Special thanks to Lonny Unitus for the excellent cassette design and layouts.” – Philip Dickey // Performed by Dragon Inn 3: Grace Bentley on vocals; Philip Dickey on bass, drums, guitar, synths, & vocals; Sharon Hamm on synths, vocals. // Additional Musicians: Nick Wilkerson on drums on Send Your Love, Never Lost, Yer Too Good, and Clock Machine; Ryan Wasoba on distorted guitars on Never Lost;
    Matt Vollmer on Fender VI on Yer Too Good; Juan C. Marioni on Acoustic 12-String on Yer Too Good; Samo T. on feedback on Never Lost. // Mixed by Scoops Dardaris// Recorded by Philip Dickey, Jack Florio, Brandon Yangmi, Ryan Wasoba, and Ross Brown. // Mastered by Sean Glonek at SRG studios // In 2023 Dragon Inn 3 released Trade Secrets on American Laundromat Records on April 18, 2023, their sophomore release featuring 10 new original songs plus a cover of Yazoo’s “Only You.” // For Dragon Inn 3 second album: Grace Bentley on vocals; Philip Dickey on synths, drums, guitar, bass & vocals; Sharon Hamm on synths & vocals; David Hill on vocals & synths. Recorded from 2018 to 2022 at Davey’s house and Sharon’s house. Recorded, mixed, and produced by Philip Dickey. Additional recording and mixing help from Ross Brown, David Hill, and Chase Horseman. Mastered by Sean Glonek at SRG studios. Additional musicians: Bill Belzer percussion “I Can’t Stop”, John Cardwell guitar “Finally Going Down”, Ben Collins guitar “I Can’t Stop”, Tim Gillespie saxophone “I Can’t Stop” “Out Of Control” “Trade Secrets Theme”, Anita Kitungano vocals “See It Your Way”, John O’Hallaron guitar “Teleport”, Bora Wilondja vocals “See It Your Way” “Trade Secrets Theme”, Mauwa Wilondja vocals “Trade Secrets Theme”, Pelo Wilondja percussion “I Could Never”. Additional writers: Emma Bentley Ruzicka “Not Enough”, Bora Wilondja “See It Your Way”, JR Top “See It Your Way”, and Vincent Clark “Only You”. Cover photo: Dominik Podlipniak. Design: Dustin Williams. // Kansas City based band formed in 2012 with Grace Bentley, Sharon Bowie, Philip K. Dickey, E.P. Marcus. Dragon Inn 3’s debut LP DOUBLE LINE on August 17, 2018 through American Laundromat records. DOUBLE LINE was part of WMM’s 118 Best Recordings of 2018. The band spent six years whittling away on the songs. Combining sugary pop hooks, hypnotic beats, and huge MOOG synths, Dragon Inn 3’s playful take on 80s pop could double as the soundtrack to a John Hughes movie (if John Hughes directed Blade Runner). The cinematic origins of Dragon Inn 3 can be traced back to 2012, when Philip Dickey (leader of the indie-pop group, Someone Still Loves You Boris Yeltsin) wrote a theme song for the award-winning short film Ghoul School. “If you watch the trailer you can tell it’s the same premise and look as Stranger Things–we just accidentally made it three years before them,” Dickey says. “I had so much fun making the soundtrack with the director (E.P. Marcus) that we decided to start a band.” Dickey recruited his sister, Sharon Bowie, an occupational therapist, and his wife, children’s librarian Grace Bentley, to help with songwriting and vocal duties. The group self-released the Ghoul School Soundtrack EP in late 2012, receiving high praise from Consequence of Sound, Philadelphia’s WXPN, and The Riverfront Times, before climbing to #1 on Bandcamp’s cassette charts. Then it was back to the studio (i.e. the bedrooms, kitchens, garages, and hotel rooms that doubled as makeshift recording studios). In between full-time jobs, parenthood, graduate school classes, and cross country moves, the members of Dragon Inn 3 put Double Line to tape. “I’m a stay-at-home dad now, so I would work on song arrangements and rough mixes when our toddler was taking his naps,” explains Dickey. “Grace would come home from work and record all her parts after his bedtime. We recorded all the breathy vocals in the living room and all the yelly parts in the garage so we wouldn’t wake him up.” The result is a highly addictive album that creates “a soundtrack for the more introspective moments on and off the dance floor,” according to critic David Greenwald. With members spread out over the country (KC, LA, and Springfield, MO), the group signed to American Laundromat Records in early 2018. A demo of “Bad Boy” (co-written with Free Energy’s Paul Sprangers) landed in a commercial for Ryan Adams’ Beats 1 Radio show before the song was even completed. More Info at: http://www.dragoninn3.com] [Philip Dicky joined us LIVE on WMM on May 3, 2023.]
  1. The Beth’s – “Straight Line Was A Lie”
    from: Straight Line Was A Lie / Anti- / August 29, 2025
    [The Beths — the New Zealand-based quartet of vocalist/guitarist Elizabeth Stokes, guitarist Jonathan Pearce, bassist Benjamin Sinclair, and drummer Tristan Deck — release their new album, Straight Line Was A Lie, on ANTI-. // The path from The Beths’ critically celebrated and year-end-list-topping 2022 album Expert In A Dying Field to Straight Line Was A Lie was anything but straightforward. For the first time, Stokes was struggling to write new songs beyond fragments she’d recorded on her phone. She’d recently started taking an SSRI, which on one hand made her feel like she could “fix” everything broken in her life, from her mental and physical health to fraught family dynamics. At the same time, writing wasn’t coming as easily as it had before. // With Straight Line Was A Lie, Stokes and Pearce broke down the typical Beths writing process, opening themselves up to a wave of creative input, with Stokes’ free-flowing writing routine proving to be therapeutic. Already a celebrated lyricist, Stokes has long impressed fans and critics with catchy, instant-classic turns of phrase that capture the personal and ladder up to the universal. But Stokes’ intentional deconstruction and rebuilding of her relationship to writing, however, has resulted in a complete renewal. Her songwriting has achieved startling new depths of insight and vulnerability, making Straight Line Was A Lie the most sharply observant, truthful, and poetic Beths project to date.]
  1. Julia Haile – “You Weren’t Around”
    from: “You Weren’t Around” – Single / Julia Haile / October 10, 2025
    [Haunted by the idea of you. This song explores the idea of realizing the love isn’t worth the loss of self. “I liked you better when you weren’t around”. Julia Haile -on vocals; Tim Braun – guitar & bass; Fritz Hutchison on drums; Chase Horseman on keyboards, synthesize. One of four new singles released by Julia Haile over the past two years. Julia Haile is a singer and songwriter based in Kansas City, MO. Her natural talent and musical education have fueled a career of exciting performances and beautiful music. From leading Neo-Soul band Hi-Lux and international collaborations to solo works, Julia’s goal is create meaningful musical experiences for all. Julia’s work with Hi-Lux included Tim Braun on guitar, Nick Howell on keys, Dan Loftus on bass, (and prior to that Pete Leibert on bass) and Kian Bryne on drums. Hi-Lux is a Modern-Soul band that blends and bends the boundaries between soul, rock n roll, reggae, and funk. This group aims to create music that pays tribute to their myriad of influences (Amy Winehouse, The Meters, Sharon Jones and the Dap Kings). but also claims a spotlight of its own in the musical world. Hi-Lux released the singles, “Revolution” and “Get What You Give” on February 28, 2020, through The Record Machine. Hi-Lux released the single. “Don’t Blame Lee” (featuring Lee Scratch Perry) on April 20, 2018. Hi-Lux released the 7” vinyl single, “”Dance With My Baby” b​/​w “Don’t Blame Me” on January 5, 2018 through Sunflower Soul Records. Hi-Lux released their 6-track, self-titled EP, Hi-Lux on January 2, 2018. All 6 songs had previously been released as singles..]The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.juliaHaile.com]
  1. LyMerrick – “Medicine”
    from: “Medicine” – Single / LyMerrick / October 1, 2024
    [LyMerrick is a solo artist and lead singer of Supermoto. LyMerrick released the singles: “Broadway” with Ikey Suave feat. TOP MEECH; Ephemeral”- EP on October 1, 2024; Singles: “Lost and Sedated” on March 26, 2024; “Runaway” on August 24, 2020; “Look at You (feat. Sleepwalker) on May 13, 2020; “Early Days” on March 7, 2020; “Reminiscing to the Future” on April 5, 2019; “Lay Me Down” on February 8, 2018; “Moves (feat. Latenitee)” on January 31, 2019; “First Thing (feat. Latenitee)”; “Queen” on December 15, 2018; “Baggage” on December 9, 2018; “Pipe Down” on September 5, 2018; “Not Another Love Song” on June 27, 2018; and “Not Good Enough” on May 17, 2018. // LyMerrick is also lead singer of Supermoto who released ther self titled debut album, Supermoto /through Manor Records on September 30, 2024. Hailing from Kansas City, this 5-piece group started meeting in the pre covid winter of 2020. April of 2021 they released their first two songs “Moonlight” & “Polarized” which led to a run of energetic & successful live performances – all the while building up many catchy originals drawing on their inspirations of jazz, funk, r&b, city pop and disco. ]
  1. Calvin Arsenia – “Is That What You Like”
    from: Paradise / Calvin Arsenia / June 23, 2023
    [Paradise is Calvin Arsenia’s 14 track album. Available through http://www.calvinarsenia.com // A new turning point as a songwriter. His most biographical album yet, with songs about Black Lives Matter, Racism, The Police, being on probation, gay love. The album contains collaborations with Cheery, Kadesh Flow and Jametatone. Calvin Arsenia one of our most frequent guests, who first appeared on WMM on July 25, 2012. KC Magazine has hailed Calvin as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.’ Born in Orlando, Florida, Calvin’s creative journey began when he moved to Olathe, Kansas, teaching himself the guitar, piano, banjo. He learned his signature instrument, the harp, at the age of 20. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer where at 24 he released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. On February 14, 2017 Calvin released his critically acclaimed full length debut, Catastrophe, with a live show at recordBar in November 2016 that involved a company of 50 people, dancers, stilt walkers. After signing to Center Cut Records, Calvin released the albums: Cantaloupe in 2018, with a sold out gigantic spectical at The Gem Theatre on Saturday, September 15, 2018. He then released, L.A. Sessions in 2019, and the EP HONEY DEW, and the EP Goddess with Quixotic, the Holiday album, ALL IS CALM. In 2020 Calvin collaborated with Mike Dillon on the Soundtrack to “Summer in Hindsight,” a feature-length film created by The West 18th Street Fashion Show that starred Calvin as an actor. Calvin is also the co-creator of the podcast “We Were Christian Kids” created with childhood friend Justin Randall who is a stand up comedian working in New York City and now Los Angeles. Calvin is also the published author of VERY GOOD BOY DOES FINE, a collection of Poetry & Prose published on October 5, 2021, by Andrews McMeel Universal. Calvin was voted KC’s Best Musician in The Pitch 2018, 2019, 2020, 2021, and 2022. He has been featured in Billboard, NPR.org. Charlotte Street Foundation announced that the recipients of the 2022 Generative Performing Artist Awards are The Black Creatures and Calvin Arsenia Scott.] [Calvin Arsenia played a PARADISE Album Release Party, Friday, June 23, and Saturday, June 24, at 7:00 PM at The Emerald, 1715 West 9th Street, KCMO, WEST BOTTOMS. More info at http://www.calvinarsenia.com][Calvin Arsenia was our guest on WMM on Jan. 18, 2023, June 21, 2023, and our 1000th Show on June 28, 2923.]

[Calvin Arsenia plays the National Museum of Toys and Minatures, 5335 Oak St. KCMO, TONIHJT, Wednesday, October 15 at 6:30am.]

[Calvin Arsenia plays Greenwood Social Hall. At 1750 Belleview, KCMO West Side for BIG FEELS: Stories from the Heartland honeyglazed in love, pain, and the reckless will to survive. Thursday, October 16, at 7:00pm featuring: Fil by Peter Max lawrence, Poetry by Emery Diercks, Jace Jacob and poet Laureare of Kansas City Melissa Ferrer-Civil, and music by Calvin Arsenia.]

  1. Car Microwave – “Ford Crown Victoria”
    from: “Ford Crown Victoria” – Single / Car Microwave / September 25, 2025
    [Car Microwave are an indie rock band out of KCMO. Devout haters of Truck Oven! With Katie Boord on vocals; Caitlyn Jacobs on guitar, vocals; Kirsten Krier on bass; Parker Mason on guitar, and Riley Rexford on drums. The band released the single “Kiki’s Delivery Service (feat. Shotgun Wedding Singer)” on October 4, 2024. (Shotgun Wedding Singer is Adam Doyle and Ben Wendt).They released the album, PHOTO ALBUM on May 19, 2023.]

10:30 – Underwriting

  1. Rude Cousin – “Scrawny Man”
    from: Rude Cousin / Rude Cousin / September 25, 2025
    [Rude Cousin is comprised of real life cousins from Kansas City, MO. Front women Anna Redmond and Rita Hanch had been making music together way before forming Rude Cousin in 2024. As fate would have it Rita’s sister Elle Hanch plays bass, so they invited her and other cousin and guitarist Brock Johnson to join. The band was completed by local drumming sensation, Dustin Mott. Inspired by the Riot grrrl movement, rude cousin’s songs are a lil rowdy, witty and even melodic. For Rude Cousin Elle Hanch plays bass; Brock Johnson plays lead guitar; Rita Hanch is lead vocalist & guitarist; and Anna Redmond is also lead vocalist & keyboardist & guitarist; and Dustin Mott on drums.]

[Rude Cousin play an Album Release Show, Saturday, October 18, 2025 at 7:00pm with special guest Nan & The One Nite Stands at 3807 Troost Ave. DIY Space ~ parking across the street.]

10:35 – Interview with Rita Hanch and Brock Johnson

Rita Hanch and Brock Johnson of the KC based band Rude Cousin. Rude Cousin is comprised of real life cousins from Kansas City, MO. Front women Anna Redmond and Rita Hanch had been making music together way before forming Rude Cousin in 2024. As fate would have it Rita’s sister Elle Hanch plays bass, so they invited her and other cousin and guitarist Brock Johnson to join. The band was completed by local drumming sensation, Dustin Mott. Inspired by the Riot grrrl movement, rude cousin’s songs are a lil rowdy, witty and even melodic. For Rude Cousin Elle Hanch plays bass; Brock Johnson plays lead guitar; Rita Hanch is lead vocalist & guitarist; and Anna Redmond is also lead vocalist & keyboardist & guitarist; and Dustin Mott on drums.

Rude Cousin play an Album Release Show, Saturday, October 18, 2025 at 7:00pm with special guest Nan & The One Nite Stands at 3807 Troost Ave. DIY Space ~ parking across the street.

Rita Hanch and Brock Johnson Thank you for being with us on WMM

Rude Cousin were formed in 2024

Rude Cousin is:
Elle Hanch plays bass
Brock Johnson plays lead guitar
Rita Hanch is lead vocalist & guitarist
Anna Redmond is also lead vocalist & keyboardist & guitarist
Dustin Mott on drums.

Rude Cousin is comprised of real life cousins from Kansas City, MO.

Front women Anna Redmond and Rita Hanch had been making music together way before forming Rude Cousin in 2024.

As fate would have it Rita’s sister Elle Hanch plays bass, so they invited her and other cousin and guitarist Brock Johnson to join.

The band was completed by local drumming sensation, Dustin Mott.

Inspired by the Riot grrrl movement, rude cousin’s songs are a lil rowdy, witty and even melodic.

10:44

  1. Rude Cousin – “Break 4 U”
    from: Rude Cousin / Rude Cousin / September 25, 2025
    [Rude Cousin is comprised of real life cousins from Kansas City, MO. Front women Anna Redmond and Rita Hanch had been making music together way before forming Rude Cousin in 2024. As fate would have it Rita’s sister Elle Hanch plays bass, so they invited her and other cousin and guitarist Brock Johnson to join. The band was completed by local drumming sensation, Dustin Mott. Inspired by the Riot grrrl movement, rude cousin’s songs are a lil rowdy, witty and even melodic. For Rude Cousin Elle Hanch plays bass; Brock Johnson plays lead guitar; Rita Hanch is lead vocalist & guitarist; and Anna Redmond is also lead vocalist & keyboardist & guitarist; and Dustin Mott on drums.]

[Rude Cousin play an Album Release Show, Saturday, October 18, 2025 at 7:00pm with special guest Nan & The One Nite Stands at 3807 Troost Ave. DIY Space ~ parking across the street.]

10:46 – More Interview with Rita Hanch and Brock Johnson

Rita Hanch and Brock Johnson of the KC based band Rude Cousin. Rude Cousin is comprised of real life cousins from Kansas City, MO. Front women Anna Redmond and Rita Hanch had been making music together way before forming Rude Cousin in 2024. As fate would have it Rita’s sister Elle Hanch plays bass, so they invited her and other cousin and guitarist Brock Johnson to join. The band was completed by local drumming sensation, Dustin Mott. Inspired by the Riot grrrl movement, rude cousin’s songs are a lil rowdy, witty and even melodic. For Rude Cousin Elle Hanch plays bass; Brock Johnson plays lead guitar; Rita Hanch is lead vocalist & guitarist; and Anna Redmond is also lead vocalist & keyboardist & guitarist; and Dustin Mott on drums.

Rude Cousin play an Album Release Show, Saturday, October 18, 2025 at 7:00pm with special guest Nan & The One Nite Stands at 3807 Troost Ave. DIY Space.

Rita Hanch and Brock Johnson Thank you for being with us on WMM

Rude Cousin were formed in 2024

Rude Cousin is comprised of real life cousins from Kansas City, MO.

Rita Hanch and Brock Johnson Thank you for being with us on WMM

Rude Cousin play an Album Release Show, Saturday, October 18, 2025 at 7:00pm with special guest Nan & The One Nite Stands at 3807 Troost Ave. DIY Space.

10:54

  1. Rude Cousin – “Ur In A Band”
    from: Rude Cousin / Rude Cousin / September 25, 2025
    [Rude Cousin is comprised of real life cousins from Kansas City, MO. Front women Anna Redmond and Rita Hanch had been making music together way before forming Rude Cousin in 2024. As fate would have it Rita’s sister Elle Hanch plays bass, so they invited her and other cousin and guitarist Brock Johnson to join. The band was completed by local drumming sensation, Dustin Mott. Inspired by the Riot grrrl movement, rude cousin’s songs are a lil rowdy, witty and even melodic. For Rude Cousin Elle Hanch plays bass; Brock Johnson plays lead guitar; Rita Hanch is lead vocalist & guitarist; and Anna Redmond is also lead vocalist & keyboardist & guitarist; and Dustin Mott on drums.]

[Rude Cousin play an Album Release Show, Saturday, October 18, 2025 at 7:00pm with special guest Nan & The One Nite Stands at 3807 Troost Ave. DIY Space ~ parking across the street.]

  1. Lorna Kay – “Havin’ A Ball”
    from: Lorna Kay – EP / Town & Country / September 19, 2025
    [Lauren Krum solo project with Mike Stover. Lauren Krum is known for her work as lead singer of The Grisly Hand who had their last show on May 11, 2024 at The Ship. The band first started playing live in 2009. When The Grisly Hand released their debut album Safe House, the entire band (at that time: Lauren Krum, Jimmy Fitzner, Johnny Nichols, Chas Snyder, Mike Tuley. Ben Summers & Kian Byrne) climbed into our studios and performed live on our Nov. 10, 2010 show. // Jimmy Fitzner, Johnny Nichols, Chas Snyder were in a band called Left Behind. Lauren had played with them at The Brick, before laving Kansas City to go to Columbia College in Chicago. N Chicago Lauren created the group The Strumpettes a soul-inspired group featuring four female singers and a four-piece band. When the Strumpettes dismantled in 2008 and her life in Chicago started to fall apart, Krum decided to move back to Kansas City. She immediately began singing with From Before. // Within a few months, Krum, Fitzner, Nichols and Snyder were performing as a new group. They had brought on Andy Davis to play mandolin. Krum had found the name “the Grisly Hand” iafter coming across it in the poem “Webster Ford” from Edgar Lee Masters’ Spoon River Anthology. The most Current grouping of The Grisly Hand was Jimmy Fitzner, Lauren Krum, Ben Summers, Mike Stover, Johnny Nichols and Kian Byrne. / A super group of sorts several members have also been involved in other projects. Lauren has played and recorded with Ruddy Swain (w/ David Regnier), Lorna Kay, and Lorna Kay’s Country Club, as well as being a DJ.]

[Lorna K plays Honky the LiftKC Concert at The Ship 1221 Union Ave, KCMO West Bottoms with Kadeshg Flow on Tuesday, October 21 at 5:00pm]

[Lorna K plays Honky Tonk Tuesday at The Ship 1221 Union Ave, KCMO West Bottoms on Tuesday, October 21 at 6:00pm]

11:00 – Station ID

  1. Howard Iceberg & The Titanics – “Death In Venice” (from recordings)
    from: Howard Iceberg’s New Songs / Howard Iceberg & The Titanics / October 17, 2025
    [Howard Iceberg on lead vocals with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. These musician met every three months for 3-hour sessions, over a period of seven years, in the basement of Chad Brothers’ house where he has a recording studio. Howard worked exclusively with Chad, Julie and Andrew with the exception of one recording session where Julie was sick and Beth Watts Nelson played in her place. And Brett Hodges plays dobro on a few tracks. Howard would run through the song once and then they would hit “record” and capture each song in one or two takes. No over dubs, no rehearsal. Howard called it “Back Porch Music.” All together 100 songs were engineered and recorded by Chad Brothers. Howard has actually written many more songs but these are the ones that made the cut to be recorded. Howard continue to collaborate with Pat Tomek, producer, engineer, former drummer of The Rainmakers who keeps all of Howards songs in his computer in his studio. When Howard first writes a song he captures the raw track in a demo recording with Pat. Howard has been working with Pat Tomek since the late 1970s.]

[Howard Iceberg & The Titanics play Grand Avenue Temple and Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Avenue, KCMO, on Friday, October 17, 2025 at 7:00pm. The Shady Sides will open.]

11:03 – Interview with Howard Iceberg & Chad Brothers & Julie Bates & Andrew Morris

Howard Iceberg, Chad Brothers, and Julie Bates & Andrew Morris of The Matchsellers will play live in our KKFI 90.1 FM Studios.

Legendary Singer Songwriter Howard Iceberg is one of the most prolific and poetic songwriters in Kansas City. He has written thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney (Howard Eisberg), and has donated much of his time and music to projects that serve our community. Howard Iceberg began performing in the late 1970s, and playing with songwriters Scott Hrabko and Iris DeMent in the 1980s. Over the past five and a half decades he has released countless albums, and collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.” On December 20, 2017 Howard Iceberg & The Titanics – released the album Netherlands with Rich Hill on organ, Bryan Hicks on electric bass, Doug Auwarter on drums, Dan Bliss on guitar. Over the past seven years Howard Iceberg has been working exclusively with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. Recording 100 new songs. These musician met every three months for 3-hour sessions, in the basement of Chad Brothers’ house where he has a recording studio. All together 100 songs were engineered and recorded by Chad Brothers.

Howard Iceberg Thanks for being with us on WMM

Chad Brothers is a KC-based singer-songwriter, multi-instrumentalist and bandmate to many. An accomplished guitarist and vocalist of 35+ years, Chad has strong sense of melodic and harmonic patterns, with a uniquely soulful perspective from which he writes original folk, bluegrass, rock and psychedelic music rooted in acoustic and electric guitar. // Born and raised on a family farm outside of Winfield, KS, Chad was deeply influenced from a young age by the acoustic mecca of the Walnut Valley Festival, absorbing and evolving musically under the rich history and uniquely-inviting campground jamming culture of the annual event. // These days, you can find Chad performing around Kansas City and surrounding areas in his impressive array of musical projects, including with Old Sound, Supermassive Black Holes, Shapiro Brothers, Mikal Shapiro & The Musical, Howard Iceberg & The Titanics and several others. Chad has also served as Chief Operator at KKFI 90.1 FM Kansas City Community Radio since August 2019.

Chad Brothers Thanks for being with us on WMM

Julie Bates is a classically trained violinist from Kansas City. Andrew Morris is a Chicago blues guitarist from Warsaw, Indiana. They met in Leipzig, Germany. During their year of living in the former East Germany, the pair began reanalyzing the songs of their homeland, and developed a tight yet gritty bluegrass style. In the summer of 2013 they left their jobs to hit the road and haven’t looked back. This year on August 2, 2025 The Matchsellers released their newest album, Psychobiography. On May 3, 2024 The Matchsellers released LIVE AT THE WAREHOUSE. // On October 28, 2022 The Matchsellers released The Wishful Thinker’s Hall of Game // On February 12, 2016 they released their album, SONGS WE MADE UP. In late 2014 they released their debut full length recording, “Kosciusko County”. The Matchsellers have toured 3 European countries and 25 US States, performing 180 shows a year, including the KC Fringe Festival, Bluegrass Bazaar in Flint, Michigan, Norman Music Festival in Norman, OK, and a 1st place win at the Eddie Owen Presents songwriting competition in Atlanta, GA. And recently wins in finger picking and playing.

Julie Bates and Andrew Morris Thanks for being with us on WMM

Howard Iceberg & The Titanics play Grand Avenue Temple and Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Avenue, KCMO, on Friday, October 17, 2025 at 7:00pm. The Shady Sides will open.

Over the past 7 years Howard Iceberg has been working exclusively with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. Recording 100 new songs. These musician met every three months for 3-hour sessions, in the basement of Chad Brothers’ house where he has a recording studio. Howard would run through the song once and then they would hit “record” and capture each song in one or two takes. No over dubs, no rehearsal. Howard called it “Back Porch Music.” 100 songs were engineered and recorded by Chad Brothers.

Howard worked exclusively with Chad, Julie and Andrew with the exception of one recording session where Julie was sick and Beth Watts Nelson played in her place. And Brett Hodges plays dobro on a few tracks.

Howard has actually written many more songs but these are the ones that made the cut to be recorded. Howard continue to collaborate with Pat Tomek, producer, engineer, former drummer of The Rainmakers who keeps all of Howards songs in his computer in his studio. When Howard first writes a song he captures the raw track in a demo recording with Pat. Howard has been working with Pat Tomek since the late 1970s.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent.

11:10

  1. Howard Iceberg & The Titanics – “Closer Into You” (LIVE)
    from: Howard Iceberg’s New Songs / Howard Iceberg & The Titanics / October 17, 2025
    [Howard Iceberg on lead vocals with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. These musician met every three months for 3-hour sessions, over a period of seven years, in the basement of Chad Brothers’ house where he has a recording studio. Howard worked exclusively with Chad, Julie and Andrew with the exception of one recording session where Julie was sick and Beth Watts Nelson played in her place. And Brett Hodges plays dobro on a few tracks. Howard would run through the song once and then they would hit “record” and capture each song in one or two takes. No over dubs, no rehearsal. Howard called it “Back Porch Music.” All together 100 songs were engineered and recorded by Chad Brothers. Howard has actually written many more songs but these are the ones that made the cut to be recorded. Howard continue to collaborate with Pat Tomek, producer, engineer, former drummer of The Rainmakers who keeps all of Howards songs in his computer in his studio. When Howard first writes a song he captures the raw track in a demo recording with Pat. Howard has been working with Pat Tomek since the late 1970s.]

[Howard Iceberg & The Titanics play Grand Avenue Temple and Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Avenue, KCMO, on Friday, October 17, 2025 at 7:00pm. The Shady Sides will open.]

11:13 – More Interview w/ Howard Iceberg & Chad Brothers & Julie Bates & Andrew Morris

Howard Iceberg, Chad Brothers, and Julie Bates & Andrew Morris of The Matchsellers are playing live in our KKFI 90.1 FM Studios.

Howard Iceberg, Chad Brothers, and Julie Bates & Andrew Morris Thanks for being with us on WMM

Howard Iceberg & The Titanics play Grand Avenue Temple and Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Avenue, KCMO, on Friday, October 17, 2025 at 7:00pm. The Shady Sides will open.

Over the past 7 years Howard Iceberg has been working exclusively with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. Recording 100 new songs. These musician met every three months for 3-hour sessions, in the basement of Chad Brothers’ house where he has a recording studio. Howard would run through the song once and then they would hit “record” and capture each song in one or two takes. No over dubs, no rehearsal. Howard called it “Back Porch Music.” 100 songs were engineered and recorded by Chad Brothers.

Howard worked exclusively with Chad, Julie and Andrew with the exception of one recording session where Julie was sick and Beth Watts Nelson played in her place. And Brett Hodges plays dobro on a few tracks.

Last February 14 The Matchsellers released their single “I Can’t Believe Were Still In Love” // The Matchsellers played Manor Fest 7 on Saturday, May 24 at Stockyards, 1600 Genessee St, KCMO with Jack Summers, and Natalie Prauser // This year on August 2, 2025 The Matchsellers released their newest album, Psychobiography.

11:18

  1. Howard Iceberg & The Titanics – “I Went The Other Way” (LIVE)
    from: Howard Iceberg’s New Songs / Howard Iceberg & The Titanics / October 17, 2025
    [Howard Iceberg on lead vocals with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. These musician met every three months for 3-hour sessions, over a period of seven years, in the basement of Chad Brothers’ house where he has a recording studio. .]

[Howard Iceberg & The Titanics play Grand Avenue Temple and Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Avenue, KCMO, on Friday, October 17, 2025 at 7:00pm. The Shady Sides will open.]

11:21 – More Interview with Howard Iceberg & Chad Brothers & Julie Bates & Andrew Morris

Howard Iceberg, Chad Brothers, and Julie Bates & Andrew Morris of The Matchsellers are playing live in our KKFI 90.1 FM Studios.

Howard Iceberg, Chad Brothers, and Julie Bates & Andrew Morris Thanks for being with us on WMM

Howard Iceberg & The Titanics play Grand Avenue Temple and Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Avenue, KCMO, on Friday, October 17, 2025 at 7:00pm. The Shady Sides will open.

Pat Tomek at Largely Studios is part of Howard Iceberg’s long time recording project. In 2018 when he was on the show Howard tells us that he has more than 4 albums worth of new songs in the works.

Pat Tomek is longtime member of The Titanics, drummer and member of legendary band The Rainmakers, and drummer in the band Deco Auto, that we played earlier in the show. Pat Tomek is also a recording engineer and producer who has worked with countless area bands and musicians and has been a primary partner and caretaker in the recording and production of Howard’s recording project of songs.

11:26

howard iceburg
  1. Howard Iceberg & The Titanics – “The Martini Song” (from recordings)
    from: Howard Iceberg’s New Songs / Howard Iceberg & The Titanics / October 17, 2025
    [Howard Iceberg on lead vocals with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. These musician met every three months for 3-hour sessions, over a period of seven years, in the basement of Chad Brothers’ house where he has a recording studio. Howard worked exclusively with Chad, Julie and Andrew with the exception of one recording session where Julie was sick and Beth Watts Nelson played in her place. And Brett Hodges plays dobro on a few tracks. Howard would run through the song once and then they would hit “record” and capture each song in one or two takes. No over dubs, no rehearsal. Howard called it “Back Porch Music.” All together 100 songs were engineered and recorded by Chad Brothers. Howard has actually written many more songs but these are the ones that made the cut to be recorded. Howard continue to collaborate with Pat Tomek, producer, engineer, former drummer of The Rainmakers who keeps all of Howards songs in his computer in his studio. When Howard first writes a song he captures the raw track in a demo recording with Pat. Howard has been working with Pat Tomek since the late 1970s.]

[Howard Iceberg & The Titanics play Grand Avenue Temple and Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Avenue, KCMO, on Friday, October 17, 2025 at 7:00pm. The Shady Sides will open.]

11:28 – Underwriting

  1. Howard Iceberg & The Titanics – “Lay Down Your Arms” Julie on vocals
    from: Howard Iceberg’s New Songs / Howard Iceberg & The Titanics / October 17, 2025
    [Howard Iceberg on lead vocals with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. These musician met every three months for 3-hour sessions, over a period of seven years, in the basement of Chad Brothers’ house where he has a recording studio. .]

[Howard Iceberg & The Titanics play Grand Avenue Temple / Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Ave., KCMO, on Friday, Oct. 17, 2025 at 7:00pm. The Shady Sides will open.]

11:33 – Interview with Howard Iceberg & Chad Brothers & Julie Bates & Andrew Morris

Howard Iceberg, Chad Brothers, and Julie Bates & Andrew Morris Thanks for being with us on WMM

Howard Iceberg & The Titanics play Grand Avenue Temple and Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Avenue, KCMO, on Friday, October 17, 2025 at 7:00pm. The Shady Sides will open.

Over the past 7 years Howard Iceberg has been working exclusively with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. Recording 100 new songs. These musician met every three months for 3-hour sessions, in the basement of Chad Brothers’ house where he has a recording studio. Howard would run through the song once and then they would hit “record” and capture each song in one or two takes. No over dubs, no rehearsal. Howard called it “Back Porch Music.” 100 songs were engineered and recorded by Chad Brothers.

Howard worked exclusively with Chad, Julie and Andrew with the exception of one recording session where Julie was sick and Beth Watts Nelson played in her place. And Brett Hodges plays dobro on a few tracks.

Legendary Singer Songwriter Howard Iceberg is one of the most prolific and poetic songwriters in Kansas City. He has written thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney (Howard Eisberg), and has donated much of his time and music to projects that serve our community. Howard Iceberg began performing in the late 1970s, and playing with songwriters Scott Hrabko and Iris DeMent in the 1980s. Over the past five and a half decades he has released countless albums, and collections of songs.

11:38

  1. Howard Iceberg & The Titanics – “Long Ago And Far Away” (LIVE)
    from: Howard Iceberg’s New Songs / Howard Iceberg & The Titanics / October 17, 2025
    [Howard Iceberg on lead vocals with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. These musician met every three months for 3-hour sessions, over a period of seven years, in the basement of Chad Brothers’ house where he has a recording studio. .]

[Howard Iceberg & The Titanics play Grand Avenue Temple / Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Ave., KCMO, on Friday, Oct. 17, 2025 at 7:00pm. The Shady Sides will open.]

11:41 – Interview with Howard Iceberg & Chad Brothers & Julie Bates & Andrew Morris

Howard Iceberg, Chad Brothers, and Julie Bates & Andrew Morris Thanks for being with us on WMM

Howard Iceberg & The Titanics play Grand Avenue Temple and Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Avenue, KCMO, on Friday, October 17, 2025 at 7:00pm. The Shady Sides will open.

Over the past 7 years Howard Iceberg has been working exclusively with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. Recording 100 new songs. These musician met every three months for 3-hour sessions, in the basement of Chad Brothers’ house where he has a recording studio. Howard would run through the song once and then they would hit “record” and capture each song in one or two takes. No over dubs, no rehearsal. Howard called it “Back Porch Music.” 100 songs were engineered and recorded by Chad Brothers.

Chad Brothers has released new music this year with his band Old Sound last year his band Supermassive Black Holes released a full length album, he hjas dome many live sjows withthese band and also with Mikal Shapiro and The Musical, Barclay Brothjers, Shapiro Brothers and as a solo artist.

11:46

  1. Howard Iceberg & The Titanics – “It’s Just Love” (LIVE)
    from: Howard Iceberg’s New Songs / Howard Iceberg & The Titanics / October 17, 2025
    [Howard Iceberg on lead vocals with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. These musician met every three months for 3-hour sessions, over a period of seven years, in the basement of Chad Brothers’ house where he has a recording studio. .]

[Howard Iceberg & The Titanics play Grand Avenue Temple / Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Ave., KCMO, on Friday, Oct. 17, 2025 at 7:00pm. The Shady Sides will open.]

11:49 – Interview with Howard Iceberg & Chad Brothers & Julie Bates & Andrew Morris

Howard Iceberg, Chad Brothers, and Julie Bates & Andrew Morris Thanks for being with us on WMM

Howard Iceberg & The Titanics play Grand Avenue Temple and Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Avenue, KCMO, on Friday, October 17, 2025 at 7:00pm. The Shady Sides will open.

Over the past 7 years Howard Iceberg has been working exclusively with Chad Brothers, Julie Bates and Andrew Morris of The Matchsellers. These musician met every three months for 3-hour sessions, in the basement of Chad Brothers’ house where he has a recording studio. Howard would run through the song once and then they would hit “record” and capture each song in one or two takes. No over dubs, no rehearsal. Howard called it “Back Porch Music.” 100 songs were engineered and recorded by Chad Brothers.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

11:54

  1. Howard Iceberg & The Titanics – “The Bad Dream” (from recordings)
    from: Howard Iceberg’s New Songs / Howard Iceberg & The Titanics / October 17, 2025
    [Howard Iceberg on lead vocals with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. These musician met every three months for 3-hour sessions, over a period of seven years, in the basement of Chad Brothers’ house where he has a recording studio. Howard worked exclusively with Chad, Julie and Andrew with the exception of one recording session where Julie was sick and Beth Watts Nelson played in her place. And Brett Hodges plays dobro on a few tracks. Howard would run through the song once and then they would hit “record” and capture each song in one or two takes. No over dubs, no rehearsal. Howard called it “Back Porch Music.” All together 100 songs were engineered and recorded by Chad Brothers. Howard has actually written many more songs but these are the ones that made the cut to be recorded. Howard continue to collaborate with Pat Tomek, producer, engineer, former drummer of The Rainmakers who keeps all of Howards songs in his computer in his studio. When Howard first writes a song he captures the raw track in a demo recording with Pat. Howard has been working with Pat Tomek since the late 1970s.]

[Howard Iceberg & The Titanics play Grand Avenue Temple and Grand Avenue Temple Building, 205 East 9th Street & 903 Grand Avenue, KCMO, on Friday, October 17, 2025 at 7:00pm. The Shady Sides will open.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, October 22, we present WMM’s 20 Favorite Tracks of All Time! To help us celebrate I will be joined by my special co-hosts: Betse Ellis, Sandra Draper, and KKFI’s new Executive Director Bess Wallerstein for our Wednesday MidDay Medley Fall On-Air-Fund Drive. We will need to hear from YOU our listeners to support Community Radio. In our currently political climate we need your support now more than ever. Please call 888-931-0901 during the show so we can say your name over the airwaves.

You can find our playlists at: http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley http://www.bandcamp.com/wednesdaymiddaymedley

A really big THANK YOU to every one of you who donated during Wednesday MidDay Medley and our Summer Fund Drive for KKFI 90.1 FM. We had 47 individuals donate a total of $3529.00 in support of Community Radio. Special thanks go to my co-hosts and guests: Betse Ellis, Mikal Shapiro, Sandra Draper, Steve Tulipana and Lincoln Dreher!!!

Thanks to KKFI Staff: Executive Director – Bess Wallerstein-Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver. And Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

For WMM, I’m Mark Manning. Thanks for listening!

Show #1117

WMM PLAYLIST from October 1, 2025

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.or
g

Wednesday, October 1, 2025

New & MidCoastal Releases + Beth Watts Nelson & Brandon Day + Whim Production’s “Boys in the Band”

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Julia Othmer – “White Rabbit”
    from: White Rabbit – Single / Fricken’ Awesome Records / August 29, 2021 (Unreleased)
    [Recorded Live at Kulak’s in North Hollywood with Andy Sanesi (Missing Persons, Eminem, Arturo Sandoval) on drums, Jamie Kime (Dr. John, Zappa Plays Zappa) on guitar, and Chris Roy (Nancy Sinatra, Don Randi) on bass. // On February 27, 2024 Julia Othmer and James T Lundie released the single “Slip Away” from THE FORCEFIELDS, their new musical project, a new “cosmosonic” collaboration between Julia Othmer and James T Lundie AKA Aayama & Max Forcefield. The Forcefields debut EP, BRIDGE, will be released later in 2024. It is a sonic bridge between their previous work together and this new trajectory. Reinterpreting and distilling the essence of two of Julia’s previous songs, BRIDGE is a rhythmic, multi-layered and richly textured exploration of letting go and positive self realization. // Julia released SEEDS VOLUME 2, her 4th album with live recordings from her 30-day “Songs of September Project”, where Julia covered songs of protest & hope, to inspire people to vote. From those songs Julia’s fans democratically selected their favorite tracks to be released together on “Seeds.” In 2020 Julia released SEEDS VOLUME 1. Julia Othmer released “Sound,” on April 12, 2019, her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. Julia moved to Los Angeles in 2006 to record her 1st album, OASIS MOTEL. More info at: http://www.juliaothmer.com.]
THIMASTR
  1. THIMASTR – “Elliptical”
    from: Muscle Memories / High Dive Records / September 26, 2025
    [From Lawrence, KS. Thimastr is bringing fabulous tone to thighs and songcraft since just now. Music that summons nostalgia for the chill vibes and warm tanning booths of Spring Break. Resurrecting the song-writing demons that have long haunted Maxfield Yoder (Dean Monkey & the Dropouts, Plains), Thimastr truly is garage pop for cool grandparents. Now you too can have shapely thighs in minutes a day. No master but Thimastr includes: Max Yoder on voice & guitar; Jen Graham on drums; Jordan Swartzendruber on vocal & tambo; Ellen L’Esperance on vocals & shakers; Renee Huey –on bass; and J. Little on guitar. The new album was Mixed by Robert Pope. Tracked & Mastered by Caufield Schnug. Artwork by Amber Hansen
    Graphic designer Tyler Davis. // THIMASTR released their debut album, Between The Knees And Squeeze on High Dive Records on January 10, 2020 with Maxfield Yoder on guitar & vocals, Max Lock on vocals, Max Smith on tambourine & vocals, Esteban Gomez –on bass, Jennifer Graham on drums, and Jake Little on guitar. Tracked, Mixed and Mastered by Ross Williams and written by Thighmaster. Now you too can have shapely thighs in minutes a day.]
  1. Jeff Tweedy – “Lou Reed Was My Babysitter”
    from: Twilight Override / dBpm Records / September 26, 2025
    [Twilight Override is the fifth solo studio album by Jeff Tweedy. It is a triple album featuring 30 songs. It follows Tweedy’s 2020 album, Love Is the King. It was recorded at his Chicago studio, the Loft. It features contributions from James Elkington, Finom’s Sima Cunningham and Macie Stewart, and Liam Kazar, along with Tweedy’s sons, Spencer and Sammy. Tweedy’s decision to record a triple album was first inspired after he listened to The Clash’s Sandinista! all the way through during a road trip with his two sons. // In the album’s press release, Tweedy expressed being overwhelmed by the “bottomless basket of rock bottom” of current social conditions, what he described as the “sense of decline” in the “twilight of an empire”. He, however, concluded that he was unsure what exactly was “squeezing this ennui into [his] day”, and described the album as his “effort to overwhelm it right back”. He further credited his recent prolific output to his belief that creativity aligns oneself against destruction, consuming the “darkness”. // Twilight Override was officially announced on July 15, 2025. Four singles were released the same day: “One Tiny Flower”, “Out in the Dark”, and “Stray Cats in Spain”, and “Enough”. The album is scheduled to be released on September 26, 2025, through dBpm Records. “Feel Free” was released on August 19, 2025, and “Lou Reed Was My Babysitter” was released on September 12, 2025. // Following the remaining dates on Wilco’s summer 2025 tour, Tweedy will support the album with “a full-band tour” of North America in October and November 2025, followed by a tour of Europe in February 2026. // Jeffrey Scot Tweedy (born August 25, 1967) is an American musician, singer songwriter, author, and record producer best known as the lead vocalist and guitarist of the band Wilco. Tweedy, originally from Belleville, Illinois, began his music career in high school with his band The Plebes along with Jay Farrar, also in the band. The Plebes later became the alternative country band Uncle Tupelo. // After Uncle Tupelo broke up Tweedy formed Wilco which found critical and commercial success, most notably with Yankee Hotel Foxtrot and A Ghost Is Born. The latter received a Grammy for Best Alternative Album in 2005. // During his career Tweedy has released 20 studio albums including four with Uncle Tupelo, twelve with Wilco, one with his son Spencer, a solo acoustic album, three solo studio albums, along with numerous collaborations with other musicians, most notably Mermaid Avenue with Billy Bragg. // Tweedy was born in Belleville on August 25, 1967, the fourth child of Bob and JoAnn Tweedy (née Werkmeister). Bob Tweedy (died August 4, 2017) worked for Alton & Southern Railroad in East St. Louis; JoAnn was a kitchen designer. Tweedy grew up with three siblings, older brother Greg Tweedy (he died in 2013), brother Steven Tweedy, and sister Debbie Voll. // Tweedy’s mother bought him his first guitar when he was six years old, although he did not begin to play it seriously until he was twelve. Apparently Tweedy told people that he knew how to play the guitar once he got his first guitar, even though he did not know how to play. // When he was twelve, Tweedy was injured in a bicycle accident and was laid up for the summer. He decided to learn how to play a few chords before somebody “called him out” on the lie. On an appearance of The Late Show with Stephen Colbert, he remembered attending an X concert as a youngster in St. Louis. The Replacements opened, and Paul Westerberg, their guitarist and vocalist, fell off the stage while performing. Tweedy recalls thinking “That looks like fun!” // In 1981, when Tweedy was fourteen years old, he befriended Jay Farrar during an English class at Belleville Township High School West.  All of the members of Farrar’s family enjoyed playing music; he already knew rock and roll music very well. By that time, Tweedy was a fan of The Ramones and country music while Farrar enjoyed The Sex Pistols. Tweedy attended Belleville Area College and Southern Illinois University Edwardsville.]

[Jeff Tweedy plays Liberty Hall in Lawrence, Kansas on November 8, 2025]

  1. Shy Boys – “Upperclassmen”
    from: “Upperclassmen” – Single / Polyvinyl Record Co. / September 16, 2025
    [Written by Collin Rausch. Engineered by Ross Brown. Mixed by Ross Brown. Mastered by Mike Nolte
    Recorded in Kansas City, KS.With additional vocals by Sadie Rausch. From Polyvinyl Record Co. “The energetic single, “Upperclassmen,” is a freewheeling anthem for the underdog that rides high upon bright jangle-pop verses, and charming vocal harmonies led by the commanding falsetto of singer / guitarist Collin Rausch. // Capturing Shy Boys’ ever so gentle punk proclivities, “Upperclassmen” is charged with nimble guitars that evoke the early 80s spirit of South Bay SST bands like Minutemen and Descendents. // Meanwhile, Kansas City artist Diyana Shipp’s beautifully detailed cover illustration of two leaping ‘letter-jacket jocks’ (who will undoubtedly “kick your ass”) calls to mind the iconic pen and ink contrast work of Raymond Pettibon. // Saved by the bell, yet again, “Upperclassmen” gets in and out quicker than you can make it to homeroom. “ // Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Members of Shy Boys represent the bands: The ACBs, Ghosty, The I’ms, Fullbloods , and Koney. The group formed shortly after Collin Rausch, Kyle Rausch and Konnor Ervin became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. Soon the band became a 5-piece. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co. Shy Boys release Bell House on Polyvinyl Records on August 3, 2018. Shy Boys released their third album Talk Loud on Polyvinyl Record Co. on September 25, 2020. More info at: http://www.shyboys.com]

Shy Boys / The ACBs / Ghosty / The I’ms / Fullbloods / Koney – Discography

The ACB’s / The ACB’s / July 10, 2007
[Debut from KC based 4-piece with Konnor Ervin on lead vocals, Bryan McGuire on bass, Matt Saladino on guitar, Corey Egan on drums & vocals. Written by, and arranged by Konnor Ervin. Produced by Tim Suttle. Recorded & mixed at Underdog Studio in Desoto, KS. Mastered at Euphonic Masters in Memphis, TN.]

The Abracadabras – Be Still, Be Cool / The Abracadabras / January 1, 2008
[5-piece KC band formed in the spring of 2007, with Jocelyn Olivia (John) Nixon on keyboards & vocals, Travis Mckenzie on lead guitar, Bobby (Wayne Hutcherson) Topaz on guitar & vocals, Collin Rausch on bass & vocals, and Kyle Rausch on drums & vocals.]

The ACBs – Stona Rosa / The ACBs / January 1, 2011
[After half of the band left to move to LA, Konnor Ervin and Bryan McGuire got help from: Andrew Connor of Ghosty, and Beau Bruns of Cowboy Indian Bear. All songs written by, and arranged, lead vocals & guitar by Konnor Ervin. Mike Nolte on bass, Bryan McGuire on bass & vocals, Andrew Connor on guitar & vocals, Beau Brus on drums. Kyle Rausch on vocals. Produced by Mike Nolte. Mastered by Roger Seibel Recorded at More Famouser Studios. Mixed at More Famouser Studios. Mastered at SAE Mastering.]

The I’ms – Second MIXES / Independent / 2011
[Collin Rausch and Kyle Rausch. Kyle Rausch also plays with The ACB’s. In 2011 on WMM we started playing songs from The I’ms, a duo made of up Collin and Kyle, who posted 6 of their self recorded songs on their facebook page. We included this informal release in our Top Ten of The 111 Best Recordings of 2011. 3 of the songs from The I’ms ended up being rerecorded for Shy Boys.]

Ghosty – GHOSTY / More Famouser Records – High Dive Records / April 17, 2012
[3rd full length release from Lawrence and KC area band. Ghosty is Andrew Connor, Mike Nolte an Bill Belzer who recorded their new album themselves over the last couple of years with help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, and Dan Talmadge. The new release was pressed on vinyl and available on LP and digital download. More info at ghostysounds.com.]

The ACBs – Little Leaves / High Dive Records / March 5, 2013
[Konnor Ervin on lead vocals, & guitar; Bryan McGuire on bass, Andrew Connor on guitar; Kyle Rausch on drums. Their songs have been featured on MTV’s The Inbetweeners, and Daytrotter. The title “Little Leaves” is a nod to Konnor Ervin’s landscaping day job. The lead single, “Ocean” was released as a free download in late 2012, prompting Popmatters to declare the ACBs as one of its “Best Hopes to Break Out in 2013.”]

Shy Boys – Shy Boys / High Dive Records / January 17, 2014
[Debut release. Brothers Collin Rausch, Kyle Rausch, and friend and roommate Konnor Ervin, are members of this KC based trio. Collin and Kyle’s father was a High School band director and music teacher. Konnor Ervin is the lead singer and songwriter of The ACBs, where Kyle also plays drums. The 10 song release had two singles premiered by Stereogum. “Keeps Me On My Toes” was a song Collin wrote in 15 minutes while his girlfriend was in the shower. The album was recorded at West End Studio, over two-weekends.]

Shy Boys – “Life is Peachy” – Single Release / High Dive Records / July 15, 2014
[Stereogum has premiered the band’s new song, “Life Is Peachy”, the A-side to their new 45 rpm, 7″ single coming from High Dive Records. Brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin, are members of the Kansas City based band, Shy Boys. ]

Fullbloods – Mild West / High Dive Records / February 26, 2016
[Second full length release from Fullbloods: Ross Brown; Jared Tomasino; David Seume; and Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).]

Shy Boys – Bell House / Polyvinyl Record Co. / August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com

Shy Boys – Dim The Light / Brick By Brick – Singles / Polyvinyl Record Co. / Feb. 15, 2019
[Single release follow up to band’s 2nd album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

Fullbloods – Soft and Virtual Touch / High Dive Records / April 3, 2020
[3rd full-length. All songs written, performed, recorded, mixed by Ross Brown in KCMO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, & 9, sang on 9. Bill Pollock Played drums on 3 & 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 & 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More info at: http://www.fullbloods.com.]

Shy Boys – Talk Loud / Polyvinyl Record Co. / September 25, 2020
[3rd album from the KC band Shy Boys. New music follow up to the Dim The Light / Brick By Brick, singles released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records.]

Koney – Koney / High Dive Records / October 9, 2020

[from Lucas Wetzel’s Pitch Feature: “To bring the songs to life, Konnor enlisted brothers Collin and Kyle Rausch, his roommates in their ramshackle West Plaza house/practice space and his bandmates in chamber pop group Shy Boys. Ross Brown (of Fullbloods) played synthesizer and helped run sound, and multi-instrumentalist Kyle Little contributed on guitar. Fritz Hutchison and Andrew Connor also contributed on several tracks. Recording engineer Mike Nolte flew in from Portland to run the controls at Westend Recordings, and the group set up camp in the studio over a long snowy weekend in 2015.”]

Fullbloods – Playing It Safe / High Dive Records / March 7, 2025
[Fullbloods is a studio project of songwriter and producer Ross Brown (Shy Boys, Koney, Snacky). Live he is joined by his friends and the music is probably better that way. Thanks for listening! // Fullbloods released their 3rd full-length album Soft and Virtual Touch on High Dive Records on April 3, 2020. All songs written, performed, recorded, mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock Played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]

  1. Geese – “Cobra”
    from: Getting Killed / Partisan Records / September 26, 2025
    [Getting Killed is the 4th studio album by Geese. It was released by Partisan Records as the full-length follow-up to their 2023 album 3D Country, as well as frontman Cameron Winter’s 2024 solo album Heavy Metal. It was preceded by the singles “Taxes”, “Trinidad” and “100 Horses”. // Getting Killed was produced alongside Kenny Beats. It was recorded over a 10-day period and has been described as “shambolic in structure but passionately performed”, with the band “[balancing] a disarming tenderness with an intensified anger”. The album’s lead single, “Taxes”, was released on July 8, 2025. The song’s music video has been described as containing “a hallucinatory rush of moshing, screaming, and violence that feels akin to an exorcism”. // On June 23, 2025, the band announced a North American headlining tour in support of the album. The tour is scheduled to begin in South Burlington, Vermont on October 10, and conclude in Brooklyn, New York on November 21. // On July 24, Cameron Winter leaked the album’s opening track, “Trinidad”, via a now-removed link shared on his Instagram page. The song was officially released 5 days later, on July 29. // All lyrics are written by Cameron Winter; all music is composed by Winter, Max Bassin, Dominic DiGesu, and Emily Green. // In the summer of 2021, Geese emerged from out of nowhere, sparking a hype cycle unlike anything that had been seen for a young American rock band in recent memory. Suddenly a band that had previously planned to release some music, break up, and go away to college was touring the world. They made their TV debut on Colbert, were profiled by the NY Times, Stereogum Band To Watch, Consequence Artist Of The Month, Paste Best Of What’s Next, Rolling Stone called them “indie rock prodigies,” and they toured with Jack White and Spoon. // And during this entire process, that very same band everyone was getting to know ceased to exist. On a practical level, Geese are still the group we were introduced to in 2021: vocalist Cameron Winter, guitarist Gus Green, guitarist Foster Hudson, bassist Dom DiGesu, and drummer Max Bassin. But on June 23, 2023 Geese returned with their third album, ‘3D Country’ fusing recognizable sounds with warped meditations on daily life in a world sliding out of view, Geese repurposing fragments of classic rock into a sound that is stranger and wholly their own. Right out the gates, the album kicks off with serpentine grooves underneath the armageddon visions of “2122,” before quickly ceding to the title track’s gospel-flecked chorus.“Undoer” is a slowburn simmer constantly building to something apocalyptic; “Crusades” travels back to Medieval times but chugs along on a “Heroes”-esque groove before strings swoop in around it. Later, Green and Hudson’s guitars bend and fry while Hudson also jumps in on vocals for an inhuman wail on “Mysterious Love,” and the whole album ends with the sideways piano elegy of “St. Elmo,” playing out like a saloon song viewed through a funhouse mirror. // More info: http://www.geeseband.com]
oddisee (Photo by Bryan Bedder/Getty Images for Etnia Barcelona )
  1. Oddisee – “Tomorrow Can’t Be Borrowed”
    from: En Route – EP / Mello Music Group / May 30, 2025
    [Amir Mohamed el Khalifa (born on February 24, 1985), better known by his stage name Oddisee, is a rapper and record producer from Washington, D.C. He is one third of the hip hop trio Diamond District. He was also part of the Low Budget Crew. He is based in Brooklyn, New York. // Oddisee was born to an African-American mother and a Sudanese father, at Howard University Hospital in Washington, D.C. He was raised by his stepmother (who was also Sudanese) and father. He grew up in Silver Spring, Maryland, as well as Prince George’s County, Maryland. He moved back to Washington, D.C. after high school. // In 2010, Oddisee released Traveling Man on Mello Music Group. His Odd Spring mixtape was listed on the Washington Post’s Best Local Hip-Hop mixtapes of 2010. In 2011, Oddisee released Rock Creek Park, which was ranked as a Mixtape of the Week by Stereogum. Odd Seasons, a collection of EPs released throughout the previous 12 months, was also released that year. // In 2012, he released a studio album, People Hear What They See. The Beauty in All, his first instrumental release since Rock Creek Park, was released in 2013. In that year, he also released Tangible Dream. In 2015, he released The Good Fight. In 2016, he released an EP, Alwasta, and a mixtape, The Odd Tape. In 2017, he released a studio album, The Iceberg, as well as a live album, Beneath the Surface. // Oddisee was originally influenced by Black American jazz traditions and the Golden Age of hip-hop from his older American cousins. Oddisee was primarily influenced by Black American musical traditions. Growing up next door to Parliament Funkadelic’s bass player Gary Shider in P.G. County, Maryland left a deep musical impact on the young Oddisee. He is also influenced by gospel music and the vocal harmonizing traditions of his Black American heritage. In an interview with NPR, he explained why he was influenced by early East Coast emcees such as Eric B. & Rakim, De La Soul, and A Tribe Called Quest. He stated that these rappers don’t talk about drugs or murder, and he could relate more to their lyrics.]

Oddisee Discography

Studio albums
101 (2008)
Mental Liberation (2009)
New Money (2009) (with Trek Life)
In the Ruff (2009) (with YU and Uptown XO, as Diamond District)
Traveling Man (2010)
People Hear What They See (2012)
The Beauty in All (2013)
Tangible Dream (2013)
March on Washington (2014) (with YU and Uptown XO, as Diamond District)
The Good Fight (2015)
The Iceberg (2017)
To What End (2023)

Live albums
Beneath the Surface (2017)
Compilation albums
Odd Seasons (2011)

Mixtapes
Instrumental Mixtape Volume One (2005)
The Remixture Vol. 1 (2006)
Foot in the Door (2006)
Instrumental Mixtape Vol. 2 (2006)
Odd Summer (2009)
Odd Autumn (2009)
Odd Winter (2010)
Odd Spring (2010)
Rock Creek Park (2011)
The Odd Tape (2016)

EPs
Good Tree (2008)
Hear My Dear (2008)
Odd Renditions Vol. 001 (2012)
Alwasta (2016)
Odd Cure (2020)
And Yet Still (2024)
En Route (2025)

Singles
“Show You” / “Part of the World” (2006) (with Heralds of Change)
“Once Again” (2006)
“101” (2008)
“Slow It Down” (2012)
“Ain’t That Peculiar (Remix)” (2013)
“Lost Cause” (2014) (with YU and Uptown XO, as Diamond District)
“That’s Love” (2015)

[Oddisee plays recordBar 1520 Grand Blvd, KCMO, on Friday, October 3, at 8:00pm with Approach and Negro Scoe]

  1. Waxahatchee – “Right Back to It (feat. MJ Lenderman)”
    from: Tiger’s Blood / Merge Records / March 22, 2024
    [Kansas City based Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. // Tiger’s Blood was produced by Brad Cook. Engineered & mixed by Gerardo “Jerry” Ordonez. Assistant engineering by Natalia Chernitsky. Mastered by Emily Lazar. Recorded and Mixed at Sonic Ranch Recording Studios. // On March 27, 2020 Waxahatchee released SAINT CLOUD which was in the TOP 20 of WMM’s 120 Best recordings of 2020. On Saint Cloud all songs were written by Katie Crutchfield. Recorded & mixed at Sonic Ranch in Tornillo, TX & Long Pond in Stuyvesant, NY. Produced by Brad Cook. Engineered by Jerry Ordonez. Additional engineering by Jon Low. Mixed by Jon Low. Mastered by Brent Lambert at The Kitchen. KATIE CRUTCHFIELD on vocals, acoustic guitar, piano, keys; BRAD COOK on bass, acoustic guitar, piano, keys, synth; BOBBY COLOMBO on electric guitar, acoustic guitar, keys; BILL LENNOX on electric guitar, acoustic guitar, keys, percussion; NICK KINSEY on drums, percussion; JOSH KAUFMAN on electric guitars, piano, organ, percussion. More info at: http://www.waxahatchee.com.] [Waxahatchee played the Uptown Theatre on April 18, 2024] // [MJ Lenderman released from: Manning Fireworks through Anti records on September 6, 2024 // Mark Jacob Lenderman (born 1999), also known as Jake Lenderman and MJ Lenderman, is an American singer-songwriter and multi-instrumentalist. He has released three solo albums, and also plays with the alternative rock band Wednesday. He also has played drums for Indigo De Souza. Lenderman’s style has been described as alt-country, classic rock, and indie rock music. // Lenderman was born in Asheville, North Carolina. His great-grandfather was saxophonist Charlie Ventura. He was raised Catholic and was an altar boy. He played basketball and obsessively watched tapes of Michael Jordan. He grew up listening to Mark Linkous and Jason Molina. In his junior and senior years of high school, he began posting his music to Bandcamp. Lenderman studied at UNC Asheville for three semesters.[ // In 2018, Lenderman played the drums for fellow Asheville artist Indigo De Souza on her albums I Love My Mom and Any Shape You Take. Lenderman met Karly Hartzman, lead singer for the group Wednesday, and he joined the band for an EP called How Do You Let Love Into the Heart That Isn’t Split Wide Open (2018). // In July 2019, he released a self-titled album, his first solo album. At that time, he was working in an ice cream shop to support himself financially. // Lenderman toured with Wednesday in early February 2020, until the COVID-19 pandemic ended the tour. During the COVID-19 pandemic, while collecting unemployment insurance, Lenderman wrote the songs that became the album Ghost of Your Guitar Solo, released in 2021. // His third album Boat Songs was released in 2022 on Dear Life Records. It was listed as one of the best albums of 2022 by Pitchfork, The A.V. Club, and The Ringer. After the success of the album, Lenderman signed a recording contract with Anti-. In 2023, he released the singles “Rudolph” and “Knockin'”. // Lenderman contributed guitar and vocals to the album Tiger’s Blood by Waxahatchee, released in March 2024, and was listed as featured guest artist on the album’s lead single, “Right Back To It”. In March 2024, Lenderman performed “Right Back To It” with Waxahatchee on The Late Show with Stephen Colbert. Lenderman’s next album, Manning Fireworks, released in September 2024. ]

[Waxahatchee plays The Uptown Theatre with Caleb Hearon on Thursday, October 2, in a special benefit for KC Tenants.]

[Kansas City based comedian and actor Caleb Hearon’s debut st763pecial “Model Comedian” is now streaming on HBO Max and his friends Kevin Morby and Katie Crutchfield aka Waxahatchee wrote a special song for Caleb’s special’s into and credits called “35 South”.]

10:30 – Underwriting

  1. Royel Otis – “Say Something”
    from: Hickey / Capitol Records / August 22, 2025
    [Hickey is the second studio album by the Australian guitar-pop duo Royel Otis. Explaining the album title, Royel Otis said “…because love bites harder than any other emotion in the world.” // At the 2025 ARIA Music Awards, the album was nominated for Best Rock Album and Group while Jamieson Kerr’s work on “Car” was nominated for Best Video. // Alex Peters from When the Horn Blows called the album “their most emotionally charged yet” saying “the duo have delivered yet another outstanding body of work, one that captures the sting of love lost without sacrificing musical vibrancy. Hickey isn’t just an album about heartbreak. It’s about the strange, beautiful tension of feeling both broken and alive at the same time.”[12] // Royel Otis was formed in 2019 by Royel Maddell and Otis Pavlovic. They released three EPs, including Sofa Kings, before their debut studio album, Pratts & Pain, was released in February 2024. // Royel Maddell and Otis Pavlovic’s chance meeting feels almost destined. They were both working at bars and cafes in the same neighborhood (the beachside town of Bondi) before getting together one day in 2019 with their guitars and some song sketches. And without any expectations, they soon spotted it: an unspoken chemistry that resulted in effortless rock wonders, new tunes that somehow seemed as if they’d always existed. The rest of the world would soon follow suit when the pair became true breakout acts both online and in rock clubs alike with early charmers such as “Oysters in My Pocket” (Bar & Grill EP, 2022) and “Sofa King” (Going Kokomo EP, 2023). Then came their soaring debut album called PRATTS & PAIN and the legendary run that catapulted the band to indie-rock infamy, globally. The album was named for the south London pub where the pair would pen lyrics between sessions with GRAMMY nominated Dan Carey (Wet Leg, Fontaines D.C., Caroline Polachek) and bore hits like “Fried Rice” and “Foam.” Preceding the album’s release in February of 2024, was the pair’s Triple J “Like A Version” recording, taking on Sophie Ellis-Bextor’s “Murder on The Dancefloor.” The performance became a zeitgeist shaping hit, eventually hitting #1 on Alternative U.S. Radio Chart, #2 on Billboard Alternative Airplay, #5 on Billboard Rock & Alternative and rounding out at the #2 position on Triple J’s Hottest 100 of 2024 charts, earlier this year. Their twilit cover of the Cranberries’ “Linger,” cut for a Sirius XM Session a few months later, led the band to their first Billboard Hot 100 hit and currently has over 220 Million global streams. With the demand for live shows at a high, the guys played more than 100 sold out shows the rest of 2024, selling over 100,000 tickets across Australia, U.K, Europe and U.S. This included multiple nights in major cities like New York (Brooklyn Steel), Chicago (Metro & The Salt Shed) and Los Angeles (The Bellwether). The pair returned home to Australia later that year as one of the most nominated artists at the 2024 ARIA Awards (Australia’s biggest and prestigious music award shows); and went on to win four awards including “Best Rock Album” and “Best Group.” Since their culmination, Royel Otis have drawn from an endless source of good hooks and spirit — riding on their musical chemistry that exudes into mixes of melody and bittersweet humor. Whether it is an original body of work or taking on their favorite song, the pair have cemented their status as one of the most effortless and endearing indie rock bands to emerge this decade.]

[Royel Otis play Grinders Kansas City on October 3, 2025]

  1. Neko Case – “Wreck (Radio Edit)”
    from: Neon Grey Midnight Green / Anti / September 26, 2025
    [Neon Grey Midnight Green is the eighth studio album by American singer-songwriter Neko Case, released by record label Anti- on September 26, 2025. Her first entirely self-produced album, it marks her follow-up to Hell-On. She has described it as being “for and about musicians, a love letter and a testimony.” // From October 2025 to January 2026, Case will be touring North America with John Grant and Des Demonas in support of the album. // Neko Richelle Case (/ˈniːkoʊ ˈkeɪs/ NEE-koh KAYSS;[2] born September 8, 1970) is an American singer-songwriter and member of the Canadian indie rock group the New Pornographers. Case’s singing voice has been described by contemporaries and critics as a “flamethrower”, “a powerhouse [which] seems like it might level buildings,” “a 120-mph fastball,” and a “vocal tornado”. Critics also note her idiosyncratic, “cryptic,”[8] “imagistic” lyrics, and credit her as a significant figure in the early 21st-century American revival of the tenor guitar. Case’s body of work has spanned and drawn on a range of traditions including country, folk, art rock, indie rock, and pop and is frequently described as defying or avoiding easy generic classification. // Born in Alexandria, Virginia, Case is the only child of James Bamford Case. Case’s maternal family surname was originally Shevchenko; her great-aunt was the professional wrestler Ella Waldek. Her father, a Vietnam veteran serving in the United States Air Force, was based in Virginia at the time of her birth. Case’s parents, who were teenagers when they had her, are of Ukrainian ancestry. Her parents divorced when Case began school. In her memoir, Case indicated that she was told that her mother died of cancer when she was in the second grade, but only two years later, she was told that this was not correct. After that, her mother flitted in and out of her life, and eventually Case cut ties with her mother for good. As she writes in the book, she had a revelation: “Perhaps her mother had never been sick at all.” // Case’s family relocated several times during her childhood due to her stepfather’s work as an archaeologist. She lived in Western Massachusetts, Vermont, Oregon and Washington. She considers Tacoma, Washington to be her hometown. // Case left home and was legally emancipated at age 15. By the age of 18 she was performing as a drummer for the Del Logs and the Propanes, playing in venues including a punk club called the Community World Theater. // In 1994, Case moved to Vancouver, British Columbia, to attend the Emily Carr Institute of Art and Design, completing her studies 1998. While in Vancouver, she played drums in several local bands, including the Del Logs, the Propanes, the Weasels, Cub, and Maow. These bands were, for the most part, local punk groups. Case said of the vibrant Vancouver punk rock scene at that time, “A lot of women wanted to play music because they were inspired, because it was an incredibly good time for music in the Northwest. There was a lot of clubs, a lot of bands, a lot of people coming through, a lot of all-ages stuff—it was a very exciting time to live there.” // In 1998, she left Canada for Seattle, Washington. Before going, Case recorded vocals for a few songs that ended up on Mass Romantic, the New Pornographers’ first album. Her lead vocals on songs like “Letter from an Occupant” are straightforward, full-volume power-pop performances, shedding any country elements. Released on November 28, 2000, Mass Romantic became a surprise success. Although the band was originally conceived as a side project for its members, the New Pornographers remain a prominent presence in the indie rock world, having released their ninth album in 2023. // In addition to recording with the New Pornographers, Case collaborates with other Canadian musicians, including the Sadies and Carolyn Mark, and has recorded material by several noted Canadian songwriters, in particular on her 2001 EP Canadian Amp. As a result, she is also considered a significant figure in Canadian music—both CBC Radio 3 and the Society of Composers, Authors and Music Publishers of Canada have referred to Case as an “honourary Canadian”. In 2018 Case performed at the Vancouver Folk Music Festival. // Case embraced country music on her 1997 album, The Virginian. The album contained original compositions as well as covers of songs by Ernest Tubb, Loretta Lynn and the 1974 Queen song “Misfire”. When the album was released, critics compared Case to honky-tonk singers like Lynn and Patsy Cline, and to rockabilly pioneer Wanda Jackson, particularly in her vocal timbre. // On February 22, 2000, Case released her second solo album, Furnace Room Lullaby. The album introduced the country noir elements that have defined Case’s subsequent solo career. That tone was evident even from the cover photo, featuring Case sprawled out corpse-like on a concrete floor. // Case sometimes tours with Canadian singer and songwriter Carolyn Mark as the Corn Sisters. One of their performances, at Seattle’s Hattie’s Hat restaurant in Ballard, was recorded and released as an album, The Other Women, on November 28, 2000. // In October 1999, around the time Furnace Room Lullaby was released, Case left Seattle for Chicago because she felt that Seattle was no longer hospitable to its local artists.// Case’s first work in Chicago was an eight-song EP that she recorded in her kitchen. Canadian Amp, her first recording without Her Boyfriends, was released on her own Lady Pilot label in 2001. She wrote two of the tracks, with the remaining six being covers, including Neil Young’s “Dreaming Man” and Hank Williams’ “Alone and Forsaken”. Four of the covers were written by Canadian artists. The EP was initially available only at Case’s live shows and directly from Mint Records’ website, but it eventually saw wider release. // Case also recorded her third full-length album, Blacklisted, while living in Chicago. // In April 2003, Case was voted the “Sexiest Babe of Indie Rock” in a Playboy.com internet poll, receiving 32% of the vote. Playboy asked her to pose nude for the magazine, but she declined their offer. She told Entertainment Weekly that…”I didn’t want to be the girl who posed in Playboy and then—by the way—made some music. I would be really fucking irritated if after a show somebody came up to me and handed me some naked picture of myself and wanted me to sign it instead of my CD.” // Case recorded and toured for several years as Neko Case & Her Boyfriends before performing solely under her name. Albums released as Neko Case & Her Boyfriends include The Virginian (1997) and Furnace Room Lullaby (2000). She primarily performed her own material, but also performed and recorded cover versions of songs by artists such as My Morning Jacket, Harry Nilsson, Loretta Lynn, Tom Waits, Nick Lowe, Buffy Sainte-Marie, Scott Walker, Randy Newman, Queen, Bob Dylan, Neil Young, Sparks and Hank Williams. // The 2010 New Pornographers album Together features Case as lead vocalist on “Crash Years” and “My Shepherd.” The 2014 album Brill Bruisers features Case as lead vocalist on “Champions of Red Wine” and “Marching Orders.” The 2017 album Whiteout Conditions features Case as lead vocalist on “Play Money” and “This is the World of the Theater.” // In 2016, Neko Case, k.d. lang, and Laura Veirs announced the case/lang/veirs project, with an album released in June 2016. // Case recorded her third full-length album, Blacklisted, in Tucson, Arizona. It was the first full-length album credited to Case alone, without Her Boyfriends, and was released on Bloodshot Records on August 20, 2002. Some believe the title Blacklisted alludes to Case being banned for life from the Grand Ole Opry because she took her shirt off during a performance on August 4, 2001, at one of their outdoors “Opry Plaza” concerts, though Case herself has denied this. Asked about the incident in 2004, Case said “I had heatstroke. People would love it to be a ‘fuck you’ punk thing. But it was actually a physical ailment thing.” // Case’s face in 2009 Most of the album’s fourteen songs are originals; the exceptions being covers of “Running Out of Fools”, previously a hit for Aretha Franklin, and “Look for Me (I’ll Be Around)” previously performed by Sarah Vaughan. Blacklisted finds Case even deeper in a “country noir” mood, and was described by critics as lush, bleak, and atmospheric. Case cited filmmaker David Lynch, composer Angelo Badalamenti, and Neil Young’s soundtrack to the film Dead Man as influences. “I hope I can comfort people a bit—maybe show people that making music is fun and accessible to them as well. I’m not out to become Faith Hill, I never want to play an arena, and I never want to be on the MTV Video Music Awards, much less make a video with me in it. I would like to reach a larger audience and see the state of music change in favor of musicians and music fans in my lifetime. I care very much about that.” // In April 2004, Case played several shows with longtime collaborators the Sadies in Chicago and Toronto. These shows were recorded and released as a live album, The Tigers Have Spoken, by Anti Records in October 2004. // Fox Confessor Brings the Flood was released on March 7, 2006. The album was recorded primarily in Tucson, over the course of two years as Case worked on the live The Tigers Have Spoken and continued to play with the New Pornographers. Critics hailed the record not only for Case’s trademark vocals but also her use of stark imagery and non-standard song structures. Fox Confessor Brings the Flood wound up on many “Best of 2006” lists, such as No.1 on the Amazon.com music editors’ picks and No. 2 on NPR’s All Songs Considered. The album debuted at No. 54 on the Billboard 200 albums chart. It contains Case’s most autobiographical song, “Hold On, Hold On”. Case said: “the song is actually about me. It’s not metaphorical about other people. It’s not little pieces of my life made into a story about someone else or someone fictitious.” // “Hold On, Hold On” has since been covered by Marianne Faithfull on her 2009 album Easy Come, Easy Go. It was used over an episode of The Killing (Season 1 Episode 6) before the final credits, and in the 2015 film One More Time. “John Saw That Number” was used in the snowboarding movie “City. Park City”. // Case’s next album, Middle Cyclone, was released on March 3, 2009. In advance of a U.S. and European tour, Case appeared as a musical guest on The Tonight Show with Jay Leno. Later in 2009 she also appeared on Late Show with David Letterman, The Tonight Show with Conan O’Brien and Late Night with Jimmy Fallon. Amazon.com rated Middle Cyclone the number one album of 2009.[49] Middle Cyclone debuted at No. 3 on the Billboard charts in its first week of release, making it Case’s first album ever to reach the top ten in the United States. // At the time of its release, no other record from an independent record company had debuted at a higher position in 2009. She toured extensively to promote Middle Cyclone with dates in North America, Europe, and Australia, as well as a performance at Lollapalooza 2009 in Grant Park, Chicago. // The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You. // In June 2013, Case announced a new album, The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You, which was released on September 3. // In early March, 2018, Case released a teaser for an album titled Hell-On, her first solo work in almost five years. The teaser featured Case lying down singing a song of the same name while snakes move around her. The album was released on June 1, 2018. // On November 13, 2015, Case released a compilation vinyl box set containing eight of her solo albums. The set contains her first six studio albums, including the first vinyl pressing of The Virginian, as well as a live album. // On April 19, 2022, Case released Wild Creatures, described as “digital-only, career retrospective”. The album was released on CD, double vinyl, and MP3. It contains 22 tracks from Case’s discography, plus one new song, “Oh, Shadowless”.]

[Neko Case embarks on a 56-city tour that starts today October 1, 2025 in Woodstock New York and last until January 31, 2026 On her 51str city stop Neko Case plays The Uptown Theatre, 3700 Broadway Blvd., KCMO, on Saturday, January 24, 2026 with Des Demonas].

  1. KeiyaA – “stupid prizes”
    from: Hooke’s Law / XL Recordings / October 31, 2025
    [“Take it” is the second single from KeiyaA’s second album HOOKE’S LAW. // After five years of navigating loss, grief, and anger, Chicago-born, NYC-based singer-songwriter, multi-instrumentalist, and producer keiyaA emerges in the light of reinvention and healing, shaped by years of solitude spent in the unending tide of mess and renewal, returning to share her findings with unapologetic clarity. Her single “stupid prizes,” was re;eased August 20, 2025, accompanied by a self-co-directed music video with Caity Arthur, is a soulful, arresting prelude that marks a powerful next chapter. Known for her penetrating explorations of Black womanhood and liberation, rich harmonies, and fearless experimentation, keiyaA reintroduces her artistry with the same emotional intensity and sonic innovation that defined her 2020 debut Forever, Ya Girl, arriving in the wake of her first theatrical stage play, milk thot. // Speaking about “stupid prizes,” keiyaA says: “i wrote, recorded, and produced “stupid prizes” all in one sitting, at home late at night in my living room in Brooklyn. i sampled Percy Faith, an orchestral composer known for creating rich and luscious scores and show tunes, helping contribute to this classic “American” sound. i sought out to create this sort of bed of irony, to speak and sing about being miserable on top of this beautiful, dreamy and romantic music. which speaks not only to what it can feel like navigating my internal and external worlds, but also what it feels like being a marginalized person in America.” // In 2020, keiyaA released her self-produced debut album Forever, Ya Girl, a genre-defying blend of jazz, R&B, hip-hop, and experimental music that earned widespread critical acclaim. The project went on to receive Pitchfork’s “Best New Music” designation, landed on year-end best-of lists from The New York Times, NPR, Rolling Stone, and The Guardian, and was later named to Pitchfork’s Best of the Decade So Far list. It also drew praise from artists including Solange, Jay-Z, Earl Sweatshirt, Blood Orange, Kimberly Drew, and Moses Sumney. The album announced keiyaA as one of music’s most vital new voices and producers, and the attention it garnered gave her the access to expand on her creative vision—one that has since grown into a thriving garden of projects, performances, and collaborations, each distinct but rooted in her singular artistry. // Since the release of Forever, Ya Girl, keiyaA showcased her dynamism through a Tiny Desk concert and appearances at Solange’s El Dorado Ballroom show at BAM, Wales Bonner’s Togetherness presentation at the Guggenheim, ESSENSE’s Girls United Summit, and MoMA PS1’s Warm Up series. She walked in Telfar’s 20th-anniversary show, contributed music to the brand’s Moose Knuckles collaboration, and scored Nike’s Come Thru series. She also performed at the Bourse de Commerce in Paris, as well as in her hometown of Chicago at Pitchfork Music Festival and Theaster Gates’ Kenwood Garden community space. // Earlier this year, keiyaA expanded her artistic expression with milk thot, her first full-length stage production, which premiered at Abrons Arts Center in New York City. The performance combined live music, poetry, and choreography to delve into topics such as self-image, family lineage, and societal consumption. Developed during a residency at Abrons, milk thot marked a significant evolution in her multidisciplinary approach to storytelling. // In 2025 keiyaA will release her much anticipated sophomore album. // KeiyaA released her break through album Forever, Ya Girl through Forever Recordings on March 27, 2020 This album was part of WMM’s 120 Best recordings of 2020. The debut album from KeiyaA originally from Chicago, now based in NYC. Written and produced by keiyaA, featuring additional production from dj blackpower & dj cowriiie. Mixed & mastered by BSTFRND. // Chakeiya Camille Richmond was born July 28, 1992. She is known professionally as Keiyaa (stylized as KeiyaA), is an American singer-songwriter, multi-instrumentalist, and a record producer. She independently released her debut album Forever, Ya Girl in 2020. // Chakeiya Camille Richmond was born and raised in Chicago on the city’s south side. During childhood she sang in the Chicago Children’s Choir until switching to the alto saxophone in seventh grade. She cited soul artists including Chaka Khan, Patrice Rushen, jazz musicians like John Coltrane and Miles Davis and R&B groups such as SWV as early musical influences. She also finds inspiration in goth and post-punk/alternative rock artists like Nirvana and Siouxsie and the Banshees. // Richmond attended University of Illinois at Chicago and Columbia College to study jazz and play alto sax before leaving due to disillusionment with the program’s hierarchical nature, as well difficulty balancing school with working full-time. Shortly after she decided to pursue music professionally. // While still playing and performing on alto sax, she collaborated with Chicago musicians including Noname and Vic Mensa. She decided to switch her focus to solo work producing and singing R&B and electronic music. Perform-ing under the name Keiya, she released her debut EP, WORK, in July 2015. It was described as “emotional, sleepy, and yet strikingly optimistic” by These Days magazine. Shortly after its release she moved to New York. She added an additional “A” to her name (KeiyaA) in order to differentiate herself from other performers on streaming sites. // KeiyaA’s debut album Forever, Ya Girl was released in March 2020 and self-produced under her personal label Forever Recordings. It was reviewed by Olivia Ovendon for KEXP as featuring “powerful mantra-esque lyrics, and woozy, heady, immersive beats in captivating fashion.” Esquire described the sound as “downcast grime and smooth R&B.” Pitchfork writer Clare Lobenfeld rated the album an 8.2/10 and praised its “resolute realness that can only happen outside the major label gaze.” Forever, Ya Girl was named to Pitchfork, Rolling Stone, and The Guardian’s “Best Albums of 2020” lists. // Keiyaa resides in Brooklyn.]
  1. Jass – “Autumn in The City”
    from: “Autumn in The City” – Single / Manor Records / September 22, 202
    [This release captures Jass’s dynamic sound in a live band recording, tracked and recorded by bandmate Clarence Copridge. The smooth vocals from Jass and instrumentals of vibes and upright bass in this track are the perfect end of summer/welcome to fall track. // Jass writes, “My new single ‘Autumn in the City” s close to my heart—paying homage to my hometown and the fall season that inspires so much love and reflection. Huge thanks to everyone who came out and supported us.” Jass is currently working with her band Jass and the ConrtraBand. Jass is Jasmine “Jass” Couch. // Jass released the EP APRIL SHOWERS on April 27, 2025. // Jass released the single “Hope.wav” on February 29, 2024. // Jass and The Boys released the single, “Daydream Girl” on August 25, 2023. // Jass and The Boys released the single “Gvn2u” on July 14, 2023. // Jass released the single, “Time&Space” on July 14, 2023. // Jass released the single, “Eye Contact.” // Jass released the single, “Lifetime” on January 6, 2023 // Jass and The Boys released the single “Love U Like I Love U” on December 2, 2022. Jass released the single “grow” on November 26, 2022. Jass released the EP, OFF KEY: TOO HIGH on September 23, 2022. Jass released the single “Higher Ground” on August 16, 2022. It was #1 on WMM’s 50 Favorite Singles of 2022. Jass released her single, “Him” on February 23, 2022. Jass released At the Close of a Decade on November 26, 2022. It was part of WMM’s 121 Best Recordings of 2021. She wrote, “After years of writing and recording in voice memos .. I decided to grab my iPad and began recording something that I am very proud of. I named it, At the Close of A Decade, and released it in November 2019. With my iPhone/iPad, some apple headphones, I created this project. The amazing people around me told me it was worth it, even when I didn’t believe it myself. I convinced myself I would be the only one that liked my songs. If you decide to listen you’ll hear sound clips of shows and movies that made a difference in the way I saw the world, the way I saw myself, and the way I overcame my experiences. I remember asking my grandma and my son if I should release what I’ve been writing and they both said very simply to do it, so I’ve done it. I want to thank all of my wonderful friends who have been my soundboards during this process, all of the people that have asked me when it’s coming, the people that have kept me accountable, and believed that this time it was for real. My story is so very triumphant and beautiful because I have overcome experiences and shunned the fear I had to do what I love. It’s crazy how you can talk your way out of some amazing things and also how you can talk yourself into making some amazing things happen. If you partake, I hope you enjoy.” // Jass has opened for Thundercat sat GRINDERS, headlined a show at The Bottleneck in Lawrence, and she opened up for The New Respects at The Uptown, and sang the Negro National Anthem at BLAQUE to School Night at the KC Monarchs game.More info at: http://www.jassrcouch.com]
  1. joel vs. joel – “gotta b in love”
    from: Smile in the Mirror / Enigmatic Brunch Records / August 19, 2025
    [all songs written by joel stratton. mixed by daniel gum. mastered by mike nolte @ eureka mastering. performances by: isaiah petrie (vibraphone 2,3,10); micah ritchie (drums); jon self (lead guitar L channel track 10); doug bybee (synth 4,6); joanna metsker (violin on 7,8,11); drums, vibes, strings recorded by mike crawford; bass, aco guitars, recorded by daniel gum. // oel vs joel is the moniker of Kansas City-based multi-instrumentalist, Joel Stratton. With classical training, but also an instinctive and emotive musicality that can’t be taught, joel vs joel sculpts with complex chord structures, time signatures, deftly fingerpicked guitar, well-plotted bass, vibraphones, percussion, and other eclectic musical arrangements. This is all interconnected with vulnerably delivered lyrics that convey the manifold feelings of one’s humanity. // Some craftsmen work in wood, stone, or metal. Others sculpt with more intangible and ethereal materials: notes, chords, rhythms, riffs, melodies, and human emotion. Both toil over their medium until it outwardly takes the shape of their inner being. The outcome of joel vs joel’s labor is the beautifully crafted debut album, Smile in the Mirror. // Smile in the Mirror is a protestation of struggles with identity, paranoia, suffering, anarchy, catharsis, and love. These innate human feelings are combined with instrumentation that is at times comfortably familiar and at others strikingly and pleasingly surprising.]

[Joel vs. Joel plays Arts on Broadway 3550 Broadway Blvd., KCMO, on Friday, October 3, 2025 at 7:00pm with Charmaine.]

  1. Superchunk – “No Hope”
    from: Songs in the Key of Yikes / Merge / August 22, 2025
    [“It’s always been the case that everyone is going through something that you may not be aware of,” says the band’s Mac McCaughan. “This is currently more true than ever—but also the case that we are all going through some things together. In the face of that, what good is art and where is happiness found? (Spoiler alert: I don’t know.)” // In seeking an answer, Songs in the Key of Yikes unleashes a sound that is triumphant and bright in the darkness, Majesty Shredding in overdrive. Lead single “Is It Making You Feel Something” sets the tone early with the band—McCaughan, Laura Ballance, Jim Wilbur, and Laura King—building an anthem out of the potential for joy, diving into slop-polluted waters (“now fakes are faking everything / that once made your poor heart sing”) and emerging with a pearl. // “This song is about not second-guessing yourself in the very second-guessable process of writing words and music,” McCaughan explains. “It’s about the legitimate question of ‘who needs this and what is it good for?’ but also about not setting such a high bar for making art that you never get started. ‘Is it making you feel something?’ Ok, that’s a place to start.” // Songs in the Key of Yikes is a signature Superchunk album: visceral and timeless and catchy as hell—a cathartic balm for these oppressive times that will feel even better once we’ve figured our collective shit out. // Superchunk released their 11th album WHAT A TIME TO BE ALIVE on February 16, 2028. Superchunk were formed in 1989 in Chapel Hill, North Carolina, Superchunk is Mac McCaughan (guitar, vocals), Jim Wilbur (guitar, backing vocals), Jon Wurster (drums, backing vocals), and Laura Ballance (bass, backing vocals). Since releasing their first 7-inch in 1989, Superchunk has run the gamut of milestone albums: early punk rock stompers, polished mid-career masterpieces, and lush, adventurous curveballs. Recorded by Beau Sorenson at Manifold Recording, Pittsboro, NC., except “Break the Glass” and “I Got Cut” at Overdub Lane. Mastered by Matthew Barnhart at Chicago Mastering.]
  1. Britanny Davis – “Sun and Moon”
    from: Black Thunder / Loosegroove Records / June 13, 2025
    [“As a blind person, I’ve never had an actual visual experience,” says artist Brittany Davis. “Sound is the way I’ve always seen my world.” // Brittany brings that world to cinematic life with Images Issues, their full-length debut as a solo artist, released March 1, 2024 on Loosegroove Records. Arriving on the heels of 2022’s I Choose to Live — an introductory EP that was championed by outlets like NPR (who hosted Davis for a Tiny Desk Concert) and SPIN Magazine (who praised Davis’ “intuitive virtuosity across deeply-felt rock, funk, and R&B”) — it’s a wildly creative project that obliterates the traditional borders between genre and job. Brittany isn’t just the album’s vocalist; they’re also the songwriter, engineer, co-producer, and multi-instrumentalist responsible for nearly every sound on the album. Those sounds are just as diverse as the person who created them, with Image Issues making room for gospel piano, hip-hop grooves, house beats, jazz chords, self-made samples, and everything in between. It’s a wide mix — and it’s all Brit. // From Written by Jonathan Cohen’s April 13, 2023 article in DSPIN Magazine: Blind since birth, the talented musician leads their own quartet while also playing in Stone Gossard’s Painted Shield. // Davis, who uses they/them pronouns, has been dazzling people in this fashion more or less since the beginning, while overcoming enormous personal challenges along the way. They were born blind in 1994 in Kansas City, Mo., and were just three years old when their mother was sent to prison for a decade for murder, leaving them to be raised by their maternal grandmother. Davis has a form of synesthesia, where they can experience multiple senses at once. Although for some this might seem like a kind of blessing or superpower, for Davis, it only magnified the struggle to translate the sounds in their young head into something people could actually hear for themselves. // “When I was little, I heard music in everything,” Davis tells SPIN over Zoom after apologizing for the constant loud noises coming from their cell phone (“Forgive me – everything in my life talks,” they say with a huge smile, in a voice as naturally harmonious as their songs). “Music was like a language. There was no quintessential moment where I knew it was magic — it just was. It always was. It’s like breathing. But I didn’t really have anybody to share it with, or the means to share it with people the way that I wanted to. I definitely played in churches sometimes, or maybe if a friend came to the house, they’d be like, ‘OK Brittany, play us a song.’ I felt like a one-trick pony, and I didn’t know how to express my desire and pain through my music. It was almost like a second skin.” // An early breakthrough came through the assistance of a teacher at a Kansas City piano academy, where at the behest of their grandmother, Davis spent four years as a student between the ages of seven and 11. Even though they “can’t stand to practice,” Davis was encouraged to play loops or fragments of their fledgling ideas, which the instructor then helped turn into actual songs. “Bless his soul – he gave me my first recording experience,” Davis says of this material, which is now sadly lost to the ages. // Shortly thereafter, Davis’ life was plunged back into tragedy when, at age 12, their father was murdered. “My mother was still incarcerated at the time, so imagine the impact of what that meant for 12-year-old me,” they say. “My father was my lucky star. I believed he was really God’s conduit for my gift – I’m the vessel, but he was the conduit to show me what was possible.” // Davis’ mother was eventually released from prison, and in search of a fresh start, moved Davis and one of their three brothers from Kansas City to Seattle, where their late father’s sister resided. Although a leading light from the city’s celebrated music scene would eventually figure prominently in Davis’ life, initially, they didn’t even think about what their new hometown might have to offer from a cultural standpoint: “I was just on this adventure, like, ‘Seattle! Let’s go!’ It was as if I found a golden ticket but didn’t know about the contest.” // Davis continued working on music with the help of a basic synthesizer with a built-in sequencer, in spite of ongoing difficulties with their day-to-day well-being. “Definitely I experienced a lot of displacement,” they admit. “I say ‘homelessness’ very loosely, because we didn’t live on the street. But we lived in hotels sometimes. I’d take taxis to school because we didn’t have transportation. I had clothes and food, but just not a steady residence. I moved almost 60 times during the term of my high school career.” // Stability may have proven elusive for a while, but Davis was also beginning to make inroads in the Seattle music community. They played regular gigs at an African restaurant called Rumba Notes and made appearances at local festivals such as Sundiata, Juneteenth, and Folklife, but the big break came just before the pandemic in 2019. // That year, Pearl Jam’s Stone Gossard heard from longtime Seattle friend Om Johari that there was a young musician in town who he positively had to meet. Before long, Davis was at Gossard’s Studio Litho recording new ideas of their own and was quickly invited to Pearl Jam’s warehouse to contribute to material from Gossard’s nascent side project, Painted Shield. Gossard also signed Davis to his revived imprint Loosegroove, for which they’ve released the 2022 EP I Choose To Live and are working on a debut full-length that should be out before the end of the year. // “It has been such an amazing experience to be involved with Brittany,” Gossard tells SPIN. “Their capabilities as a musician, improviser, storyteller, producer, and straight-up keyboard hero are as profound as any that I’ve ever experienced. It is beyond an honor to be connected to their blossoming career.” // Davis now finds themself with the good fortune of being in two different bands at once, a situation made even more fruitful now that Painted Shield finally played live for the first time during three March shows at Seattle’s Clock-Out Lounge. Among Davis’ upcoming gigs are solo performances on April 30 and May 28 at Seattle’s Rabbit Box, an appearance to sing “The Star-Spangled Banner” at the Seattle Sounders soccer game on May 17, and two June shows with the Quartet (bassist Evan Flory-Barnes, drummer D’vonne Lewis, and guitarist Jason Cameron) as part of the city’s annual Pride celebration. // “When it comes to sitting in front of a keyboard, I will always come through expressively,” Davis says. “If I’m in a rock band, I’ll rock just as hard as any other rocker. If I’m rapping, I’ll rap just as well. I always acknowledge the language being spoken sonically, and that’s one of the gifts I have. To be honest, with Painted Shield, I don’t know how people see me in that band. They probably think, ‘Whoa! That’s a wild card (laughs)! Whoa, Stone! Who is that?’” // While it’s true that a non-binary, sightless, millennial African-American musician may seem like an odd match with four veteran rockers in their 40s and 50s, Gossard can’t say enough about what Davis has brought to songs such as “Til God Turns the Lights on” and “Fallin’ Out the Sky” for Painted Shield, which also features vocalist Mason Jennings, drummer Matt Chamberlain, and bassist Jeff Fielder. // “Britt’s work with Painted Shield is just scratching the surface of what they are capable of, but if I were to list the two biggest aspects of how they’ve impacted the band, it would be their incredible vocal harmonies and their wicked ear, which allows them to layer color and other musical ideas to existing tracks,” Gossard says. “It’s a high priority for me to have more songwriting from Britt on our next album, and to give them more freedom to create outside the lines. I can’t wait to hear it.” // And while Davis is confidently looking forward, enough time has now passed from their tumultuous early years to allow them to trace the evolution of music’s role in their life. They’re now even more committed to what they believe is their God-given purpose: to ignite the spirits, souls, and hearts of people through sonic translation. // “Music has definitely evolved, in the way that I express it and how it expresses me,” Davis says. “That language has broadened. It’s one thing to say, ‘I’m sad,’ but it’s another to say, ‘I’m grieved.’ It’s being able to digest the amalgamation of the emotion that can form through being in contact with music. I’m entrenched in Seattle music now, and I’m working with historical figures who have been a part of historical movements. All of that changes how you walk. It’s not the same as wishing and hoping. No, it’s happening, and the people I’m touching are real. The lives I’m impacting are real. The love being given is real. The journey is no longer in my head, and that’s humbling because you realize that even if it’s all gone tomorrow, the music will always be there.”]

11:01 – Station ID – Interview w/ Kevin King & Pete Kuhn of The Boys in The Band

Kevin King is originally from Topeka, Kansas. He studied at The University of Kansas, In 2011 Kevin founded Whim Productions where he serves as Producing Artistic Director of Whim Productions. He is a queer playwright based in KCMO and is a playwright-in-residence at the Midwest Dramatists Center, former playwright-in-residence in the Charlotte Street Foundation Studio Residency program, and a member of the Dramatists Guild. His short play The Swallows was selected for the 2019 William Inge Theater Festival New Play Lab.

King’s work has also appeared in the Kansas City Fringe Festival, Alphabet Soup: Theater from Queer Voices (Whim Productions, 2015, 2016, 2018, 2019,2020), The Barn Players’ 6×10 Short Play festival (2018, 2019), Midwest Dramatists Conference (2018, 2019), One-Minute Play Festival (2016), Fishtank Theater’s 12 Plays of Christmas (2014), and other festivals. His work ranges from campy to slice-of-life realism, portrayed through a quirky, queer lens. Kevin also works as an intimacy coach.

Kevin King joins us to share details about Whim Production’s “Boys in the Band” running October 2 through October 19, at Whim Space, 415 Prospect, Kansas City, MO. Whim Productions, is Kansas City’s LGBTQIA theater company, and is thrilled to announce the limited run of the 1968 seminal classic, Boys in the Band, written by Mart Crowley. A groundbreaking portrayal of the complex lives of urban gay men, Boys in the Band has been adapted into two feature films and is as affecting as ever for live audiences. Whim Productions, founded in 2011, creates challenging and evocative queer theater. We focus on providing opportunities for LGBTQ+ theater artists to tell their own stories and share the diversity of queer experiences with Kansas City audiences. Info: http://www.whimproductions.org.

Kevin King Thanks for being woth us on Wednesday MidDay Medley

Contact: Kevin King, Producing Artistic Director // kevin@whimproductions.org

Whim Productions Presents “Boys in the Band”: The Hit Play that Brought Gay Stories into the Mainstream

Kansas City, MO — Whim Productions, KC’s LGBTQ+ theater company, is thrilled to announce the limited run of the 1968 seminal classic, Boys in the Band, written by Mart Crowley. A groundbreaking portrayal of the complex lives of urban gay men, Boys in the Band has been adapted into two feature films and is as affecting as ever for live audiences.

Publisher Synopsis: New York, 1968. A birthday party among a close-knit group of gay friends. As the drinks flow and a party game spirals out of control, long-buried truths rise to the surface, revealing deep-seated insecurities, desires, and conflicts. Hilarious and heartbreaking, this landmark piece explores identity, self-worth, and the complexity of friendship and chosen family within the LGBTQ+ community.

Content Advisory: Please be advised that this script contains:
Period-accurate language including homophobic, racist, and anti-Semitic slurs.
Simulated alcohol and drug use. Strong themes of internalized homophobia.
Brief nudity.

Ticket Information: Full-price tickets start at $30. Discounted season packages and a limited number of Pay What You Whim tickets are available throughout the run.
Tickets are available now at whimproductions.com.

Run Time: ~90 minutes (no intermission)
Venue: Whim Space, 415 Prospect, Kansas City, MO 64124
Dates and Times:
Thu. Oct. 2, 7:30 pm
Fri. Oct. 3, 7:30 pm
Sat. Oct. 4, 7:30 pm
Sun. Oct. 5, 3 pm
Thu. Oct. 9, 7:30 pm
Fri. Oct. 10, 7:30 pm
Sat. Oct. 11, 7:30 pm
Sun. Oct. 12, 3 pm
Thur. Oct. 16, 7:30 pm
Fri. Oct. 17, 7:30 pm
Sat. Oct. 18, 7:30 pm
Sun. Oct. 19, 3 pm

Cast:
Pete Kuhn – Michael
Kyle Tichenor – Donald
Jean-Jacques Corbier – Bernard
Michael Golliher – Harold
Luke Knopke – Larry
Ken Stewart – Hank
Jake Funke – Alan
Dustin Reckling – Cowboy
Taylor Rivera – Emory

Creative:
Director – Kevin King
Intimacy Choreographer – Kevin King
Fight Choreographer – Freddy Acevedo
Scenic Design – Austin Cecil
Costume Design – Marian McClellan
Lighting Design – Celeste Abrahamson
Sound Design – Celeste Abrahamson
Stage Manager – Taylor Hudson
Production Photography & Videography – Janetta Leigh

Past productions describe Boys in the Band as…

“Crowley is a master of the bitchy one-liner, so the play is littered with quotable bon mots, some of them surprisingly sweet to our older, more jaded ears.” — Marilyn Stasio, Variety

“This play did the most powerful thing that a play can do. It showed us a picture of the truth. The joyous, horrific, wondrous, terrifying, painful truth. It was a play about and for the gay community, an important play that exposed what those men had to endure — sometimes still endure — in hiding who they were and in feeling such monumental shame about who they were. But somehow, it was about even more than that. Somehow, in the long silences that they allowed in those powerful scenes, we sat there collectively holding our breath. Uncomfortable. And reflective.” — Jill Ripa, BroadwayWorld
The Boys in the Band premiered April 15, 1968 at Theatre Four, 424 West 55th Street, Manhattan, New York City

The Boys in the Band is a 1968 American play by Mart Crowley. The play premiered Off-Broadway, and was revived on Broadway for its 50th anniversary in 2018. The play revolves around a group of gay men who gather for a birthday party in New York City, and was groundbreaking for its portrayal of gay life. It was adapted into two feature films in 1970 and 2020.

A sequel, The Men from the Boys, premiered in 2002.

Synopsis – The play is set in an apartment on the Upper East Side of Manhattan, “a smartly appointed duplex apartment in the East Fifties”, and the backgrounds of characters are revealed in the course of a birthday party.

Harold (Michael Golliher) celebrates his birthday. In the character’s own words an “ugly, pock-marked Jew fairy”, he becomes increasingly morose about losing his youthful looks and claims that he no longer can attract cute young men. In the dramatis personae, he is described as being “dark” with an “unusual Semitic face”.

“Cowboy” (Dustin Reckling) an attractive blond hustler who is “not too bright” and “too pretty”, is one of Harold’s birthday presents.

Alan McCarthy, (Jake Funke) Michael’s married college friend and roommate, is an unexpected party guest. He is visiting New York and anxious to tell Michael something, but hesitant to do so in front of the others. It is suggested that he once had homosexual affairs while in college, but his sexual orientation is never explicitly stated, leaving it to audience interpretation. The dramatis personae describes him as “aristocratic” and “Anglo-Saxon”.
The party is given by Harold’s six closest friends:

Michael (Pete Kuhn) is Harold’s “smartly groomed” “frenemy”, the host, and a lapsed Catholic as well as an alcoholic. He is the catalyst for most of the drama of the play.

Donald (Kyle Tichenor) is Michael’s ex-boyfriend, current friend (though the exact nature of their relationship is ambiguous) who has moved from the city to the Hamptons to spurn the homosexual “lifestyle”, and is undergoing psychoanalysis. He has “wholesome American good looks”.

Bernard (Jean-Jacques Corbier) is an African-American librarian who still pines for the wealthy white boy in whose house his mother worked as a maid. In the dramatis personae, he is “Twenty-eight, Negro, nice-looking”.

Emory (Taylor Rivera) is a flamboyant and effeminate interior decorator. He is often campy in his sense of humor, which serves to irritate others.

Larry (Luke Knopke) is a commercial artist who prefers multiple sex partners and is “extremely handsome”.

Hank (Ken Stewart) is Larry’s live-in boyfriend who has been married to a woman from whom he is separated and is divorcing. He “passes” as straight and disagrees with Larry on the issue of monogamy. Physically, he is described as “solid, athletic, attractive”.

During the party, the humor takes a nasty turn, as the nine men become increasingly inebriated. The party culminates in a “game”, where each man must call someone whom he has loved and tell them about it. Michael, believing that Alan has finally “outed” himself when he makes his call, grabs the phone from him and discovers Alan has called his wife. The audience never learns what Alan intended to discuss with Michael in the end.

According to Crowley, his motivation in writing the play was not activism, but anger that “had partially to do with myself and my career, but it also had to do with the social attitude of people around me, and the laws of the day”. He says he “wanted the injustice of it all — to all those characters — known”. Crowley has also stated, “I was not an activist, then or now. I didn’t know what hit me. I just wrote the truth.”

Crowley made no secret that all characters were based on real people in his life, with Michael reminding him of himself, describing the character as “a complex person who is aware of what is politically correct but has a sort of contempt for it”. He called Donald “a foil for Michael” and inspired by a droll friend he would periodically take wry comments from. In the 1995 documentary The Celluloid Closet, Crowley explained, “The self-deprecating humor was born out of a low self-esteem, from a sense of what the times told you about yourself.” In The Boys in the Band: Something Personal, a short documentary accompanying Netflix’s release of the 2020 film adaptation, Crowley clarified that Donald was based on Douglas Murray, to whom the play was dedicated. Harold, the character whose birthday was being celebrated, is a cipher for dancer/choreographer Howard Jeffrey, who died in 1988 of AIDS, to whom the play was also dedicated. Crowley took one of the key lines of the play, “I try to show a little affection; it keeps me from feeling like such a whore”, from a hustler he danced with on Fire Island, telling, “I couldn’t write anything that good!”.

Production history – Off-Broadway premiere, 1968
While Crowley was pitching the script, early agents stayed away from the project, and it was championed by playwright Edward Albee and Richard Barr, who at the time was head of the Playwrights Units in New York. For the production, it proved “nearly impossible to find” actors willing to play gay characters. An old college friend of Crowley’s, 33-year-old Laurence Luckinbill, agreed to play Hank despite warnings from his agent that it would end his career, even though the agent was herself a lesbian. It proved hard for Crowley to find producers and theater owners who were interested.

The play premiered Off-Broadway on April 14, 1968, at Theater Four, and closed on September 6, 1970, after 1,001 performances. Directed by Robert Moore, the cast included Kenneth Nelson as Michael, Peter White as Alan McCarthy, Leonard Frey as Harold, Cliff Gorman as Emory, Frederick Combs as Donald, Laurence Luckinbill as Hank, Keith Prentice as Larry, Robert La Tourneaux as Cowboy, and Reuben Greene as Bernard. The play was one of the early works to present a story centered on homosexuals. In 1968, although only originally scheduled to run for five performances at a small venue off Broadway, it was a fast success and was moved to a larger theater. It went on to have a run in London as well. The premiere’s actors such as Laurence Luckinbill drilled a hole in the set so they could spy on whoever was in the house’s best seats, and in the initial weeks, saw Jackie Kennedy, Marlene Dietrich, Groucho Marx, Rudolf Nureyev, and New York mayor John Lindsay. Despite the success of the play, all the gay members of the original company stayed in the closet after the premiere. Between 1984 and 1993, five of the gay men in the original production (as well as director Robert Moore and producer Richard Barr) died in the ensuing AIDS epidemic.

Off-Broadway and London revivals – The play was revived Off-Broadway at the Lucille Lortel Theatre in 1996, running from August 6 to October 20, after its initial sold-out run at the WPA Theater. The Boys in the Band was presented by the Transport Group Theater Company, New York City, from February 2010 to March 14, 2010, directed by Jack Cummings III.

A London staging in October 2016 at Park Theatre was the first revival there in two decades. It subsequently transferred to the Vaudeville Theatre in the West End. Positively reviewed, including in The Observer, the production starred Mark Gatiss as Harold and Ian Hallard as Michael, with Daniel Boys, Jack Derges, James Holmes, John Hopkins, Greg Lockett, Ben Mansfield, and Nathan Nolan. The production was nominated for four awards in the 2017 WhatsOnStage Awards: Best Play Revival and Best Off-West End Production, with Hallard nominated as Best Actor in a Play and Jack Weir for Best Lighting Design.

Broadway production, 2018 – A Broadway production of The Boys in the Band, directed by Joe Mantello, opened in previews at the Booth Theatre on April 30, 2018, officially on May 31, and ran until August 11, 2018. This production, staged for the 50th anniversary of the play’s original premiere, starred Matt Bomer, Jim Parsons, Zachary Quinto and Andrew Rannells, as well as Charlie Carver, Brian Hutchison, Michael Benjamin Washington, Robin de Jesús, and Tuc Watkins. Quinto portrayed Harold, whose birthday sets the premise. All of the actors who were in the 2018 production are out gay actors.

This production won the 2019 Tony Award for Best Revival of a Play, and Robin de Jesús was nominated for the Tony Award for Best Featured Actor in a Play.

Reception and impact – When The Boys in the Band premiered in 1968, mainstream audiences were shocked. The play was profiled in the William Goldman book The Season: A Candid Look at Broadway, an account of the 1967–1968 season. In the same year, a two-disc, vinyl LP set was released, containing the full dialogue of the play voiced by the original actors. Crowley wrote the 2002 sequel The Men from the Boys.

In 2002, Peter Filichia from Theater Mania contended that the play’s original production helped inspire the 1969 Stonewall riots and gay rights movement.

After gays saw The Boys in the Band, they no longer would settle for thinking of themselves as pathetic and wouldn’t be perceived as such any longer. Now that [characters] had brought their feelings out of the closet, this new generation would dare to be different. And, just as some whites’ view of blacks changed after seeing A Raisin in the Sun, so too did the outlook of many straights after they caught The Boys in the Band. Some whom I personally know felt terrible and–I saw this happen!–actually changed the way they treated gays.

In 2004, David Anthony Fox from Philadelphia City Paper praised this play, its one-liners, and its live performance in Philadelphia. He rebutted criticism that the play portrayed “urban gay men as narcissistic, bitter, shallow”.

In 2010, Elyse Summer in her review for CurtainUp called it a “smart gimmick” full of dated “self-homophobic, low self-esteem characters”. In the same year, Steve Weinstein from the Edge website called it “Shakespearean”.

Whim Productions, founded in 2011, creates challenging and evocative queer theater. We focus on providing opportunities for LGBTQ+ theater artists to tell their own stories and share the diversity of queer experiences with Kansas City audiences.

Whim Productions is dedicated to creating challenging and evocative queer theater. Our mission is to produce works written by LGBTQ+ writers with narratives that center queer characters. We are committed to sharing the diversity of queer lives with Kansas City audiences and providing a platform for LGBTQ+ theater artists to tell their own stories.
Queer Theater. Whimsical Edge.

Producing Artistic Director 𝗞𝗲𝘃𝗶𝗻 𝗞𝗶𝗻𝗴 founded Whim Productions in 2011 and has directed, written, & choreographed intimacy in many of our productions. He’s currently tackling the sound design and intimacy choreography for the world premiere of Kissing in the Grocery Store! Kevin’s passion for creating safe, evocative, and inclusive theatre shines in this production.

Kevin King thank you for being with us on Wednesday MidDay Medley

Whim Production’s “Boys in the Band” written by Mart Crowley is running October 2 through October 19, at Whim Space, 415 Prospect, Kansas City, MO. Whim Productions, is Kansas City’s LGBTQIA theater company, and is thrilled to announce the limited run of the 1968 seminal classic, Boys in the Band. A groundbreaking portrayal of the complex lives of urban gay men, Boys in the Band has been adapted into two feature films and is as affecting as ever for live audiences. For info visit: http://www.whimproductions.org.

11:21

  1. Stephonne – “Worship at the Chappell”
    from: “Worship at the Chappell” – Single / Glory Blue Music / August 15, 2025
    [Co-written with Shawn M. Stewart and produced with Patrick Meagher, the song is a declaration of power, pleasure, and pride—a sonic celebration of being fully and freely oneself. “Worship at the Chappell” is a bold, genre-bending anthem from Kansas City artist Stephonne—an electrifying fusion of disco, pop, and gospel spirit. Inspired by fellow Missouri native Chappell Roan, the track transforms the dance floor into a sanctuary for queer joy, spiritual liberation, and unapologetic self-love. With soaring vocals, provocative lyrics, and infectious grooves, Stephonne delivers a soulful sermon for the marginalized. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. // Stephonne is an Alternative/Genrequeer singer-songwriter, cultural producer, and generative performing artist from Kansas City, MO. They synthesize music, written/spoken word, performance and visual art/media into an inimitable art. They share their struggles, triumphs, and journey to self-love through multidisciplinary performance and have sent audiences on visceral and experiential journeys through a multitude of music and video releases since 2015. Bold new 2025 singles and videos continue to push boundaries! New experiences, both sonic and visual, await us from the upcoming sophomore LP, STEPHONNE. // Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. Stephonne released the single “I” on August 21, 2024. Stephonne released the single “I think its Gonna Be Alright” I April 2025. Stephonne released the single, Forgive Me, Father (Sinead O’Connor) on May 21, 2025. // More info at: http://www.stephonne.com]

[Stephonne is currently appearing as Angel in Jonathan Larson’s iconic, Tony Award winning musical RENT running October 2 through October 26 at the Music Theatre Heritage Stage in residence at Crown Center in Kansas City 2450 Grand Blvd. More info at http://www.musictheaterheritge.com]

  1. Chappell Roan – “Red Wine Supernova” – (Radio edit)
    from: The Rise and Fall of a Midwest Princess / Amusemet Records / September 22, 2023
    [Kayleigh Rose Amstutz was born February 19, 1998), known professionally as Chappell Roan. She is an American singer and songwriter. She is known for her camp and drag queen–influenced aesthetic. Her debut EP, School Nights (2017), was released by Atlantic Records. After years without success, she was dropped from the label in 2020. Her debut studio album, The Rise and Fall of a Midwest Princess (2023), was released through Island Records and received critical acclaim. The album garnered a cult following and became a sleeper hit. // oan rose to prominence in 2024 with the single “Good Luck, Babe!”, which reached number four on the US Billboard Hot 100 and became a global top-five single. It was a catalyst for the success of her debut album, which eventually topped the charts in the UK, Ireland, and New Zealand and reached number two on the US Billboard 200. Several album tracks subsequently entered various charts, including “Hot to Go!” and “Pink Pony Club”, which both reached the top five in the UK. At the 67th Grammy Awards, Roan became one of only 15 artists to be nominated for all the “Big Four” awards in one night, winning Best New Artist. // Roan’s stage name is an homage to her grandfather, Dennis K. Chappell, who died of brain cancer, and his favorite song, “The Strawberry Roan” by Curley Fletcher. // Kayleigh Rose Amstutz was born in Willard, Missouri, on February 19, 1998, the oldest of four children. Her mother, Kara (née Chappell), is a veterinarian; her father, Dwight Amstutz, is now a retired Naval Reservist who also managed the family’s veterinary practice in Springfield, Missouri, and earlier trained as a registered nurse, working in neurological and burn intensive care units. Her uncle is Darin Chappell, a Republican member of the Missouri House of Representatives. // She has described her hometown and her upbringing as conservative and Christian. During her childhood, she attended church three times a week and spent some summers at Christian camps. In a 2023 Variety interview, she said that she struggled with her upbringing and snuck out often: “I just wanted to feel like a good person, but I had this part of me that wanted to escape so bad.” // Roan began playing the piano when she was 10 or 11 years old and began taking lessons at the age of 12. She performed publicly for the first time at age 13, singing “The Christmas Song” at her school’s talent show, which she won. When she was about 14 years old, she auditioned for America’s Got Talent without success. At 14 or 15 years old, she began uploading covers to YouTube, drawing attention from various record labels. She began songwriting as she entered her teen years. She graduated a year early from Willard High School. Roan described missing many childhood experiences in the “messy” beginning of her music career, including her prom and high school graduation. // Roan began uploading on her YouTube channel in 2013, only posting covers and occasional original pieces. Along with her online presence, she also performed around her hometown, as well as Springfield, Missouri, from 2012 to 2015. In November 2014, Roan uploaded her original song “Die Young” to YouTube under the name Kayleigh Rose. She wrote the song while attending summer camp at Interlochen Center for the Arts, which she said “changed my trajectory forever”. She subsequently traveled to New York for several musical showcases, leading to her signing with music label Atlantic Records in May 2015. // In 2016, she adopted the stage name Chappell Roan in honor of her grandfather Dennis K. Chappell, who died of brain cancer that same year. The name is a combination of her grandfather’s last name and a word taken from his favorite song, “The Strawberry Roan” by Curley Fletcher. She has also expressed dislike for her birth name. // On August 3, 2017, Roan released her first single, “Good Hurt”. The song was reviewed favorably in Interview, which praised her “striking maturity and surprisingly deep vocals”. On September 22, 2017, she released an extended play (EP) titled School Nights through Atlantic Records. Also in 2017, she supported Vance Joy on his Lay It On Me Tour. During this time, Roan lived with her parents in Springfield, Missouri, flying with them to Los Angeles or New York City when necessary. In 2018, Roan moved to Los Angeles. She has since stated this was the first time she felt able to live openly as a queer woman, as well as feeling “overwhelmed with complete love and acceptance”, allowing her to begin “writing songs as the real [her]”. From January to March 2018, she toured the United States with Declan McKenna. // Roan began working with songwriter and producer Dan Nigro in late 2018. In April 2020, Roan released “Pink Pony Club”, which she has described as a “hard left turn” from School Nights. The single was produced by Nigro, and its music video was directed by Griffin Stoddard. Roan has cited a visit to The Abbey, a gay bar in West Hollywood, as the inspiration for the song. She said the song expressed her desire to become a go-go dancer in Los Angeles, stating, “truthfully, I’m not confident enough to do that, so I wrote a song about it.” // Roan released two more singles, “Love Me Anyway” and “California”, in May 2020. However, her releases were not profitable enough for Atlantic, who dropped Roan from the label in August 2020. Shortly after, Roan returned to Los Angeles in October 2020 to continue working on her music independently while working a series of odd jobs, including as a production assistant and in a donut shop. That December, USA Today ranked “Pink Pony Club” third on a list of the “10 best songs of 2020”; an accompanying description characterized it as dance-pop that “earnestly [celebrates] queer culture, acceptance and chasing your dreams”. A year after its release, Vulture described “Pink Pony Club” as “the Song of Summer 2021”, calling it a “synthy infectious bangarang”. By August 2022, the song had been streamed more than 10 million times on Spotify. // In early 2021, the success of Olivia Rodrigo’s “Drivers License” shifted Nigro’s focus from Roan as he worked on Sour with Rodrigo. Roan was unable to find a collaborator whom she liked as much. She briefly moved back to Missouri and worked at a drive-through while continuing to work on her music independently. // By February 2022, Roan had earned a publishing deal with Sony, and reunited with Nigro again to create and release “Naked in Manhattan”. The song was her first release as an independent artist. It was described by NPR as a “queer girl bop” with lyrics that are “tender, nostalgic” and “flirty yet uncertain”. While working with Nigro in an adjacent studio to Olivia Rodrigo, Roan recorded backing vocals on three of Rodrigo’s songs, including “Can’t Catch Me Now”. Roan was selected as the opening act on Rodrigo’s Sour Tour and for Fletcher on her Girl of My Dreams Tour. // In August 2022, she released a third independent single, “Femininomenon”. Earmilk described the song as “so fun and loud but so intricate” and noted it was different from Roan’s past releases. Roan stated that the song, which was produced by Nigro, was an attempt to “get away with being as ridiculous as I possibly can”. An accompanying self-directed music video featured Roan riding a dirt bike. Roan released another single, “Casual”, which she had begun working on with Nigro in 2020. The song, produced by Nigro, criticizes a romantic partner who refuses to commit and was inspired by Roan’s brief relationship during the COVID-19 pandemic that ended with her partner saying they had met someone else. // 2023–2024: Breakthrough with The Rise and Fall of a Midwest Princess // In February 2023, Roan embarked on the Naked in North America Tour, her debut headlining tour. Each stop on the tour had a theme, with Roan suggesting outfits for fans while making her own camp costumes herself. Inspired by Orville Peck, Roan chose to book drag queens as openers for the tour. Concerts from the tour received positive reviews in The Harvard Crimson and Variety, with Jem Aswad describing it as a concert where “you recognize when a new-ish artist’s career is about to blast off” similar to Lorde in 2013 and Billie Eilish in 2019. In March 2023, Roan released “Casual”, followed later that year by the release of subsequent singles “Kaleidoscope”, “Red Wine Supernova” and “Hot to Go!”. That same month, Roan signed with Amusement Records, an imprint of Island Records and owned by her producer, Nigro, after meeting with nine labels. // On September 22, 2023, Roan released her debut full-length album, The Rise and Fall of a Midwest Princess, and began her second headlining tour, the Midwest Princess Tour. The tour, ending in the spring of 2024, traveled across North America and had shows in London, Paris, Berlin, Melbourne, Brisbane, Sydney, and Amsterdam. Roan donated $1 per ticket sold to the nonprofit For the Gworls and opened each show with drag performers. The Rise and Fall of a Midwest Princess was included in various best-albums-of-2023 year-end lists, such as those by The A.V. Club, Time, Nylon, Dork, Rolling Stone, Billboard, and Vogue. It was also listed as one of Pitchfork’s 22 Best Pop Albums of 2023 and was named PopBuzz’s Number One Album of 2023. // Roan opened for Olivia Rodrigo’s Guts World Tour in the United States and Canada from February to April 2024. In Roan’s first week of the tour, her streams rose by 32 percent. Also in February, Roan was a musical guest on The Late Show with Stephen Colbert. In March, NPR Music released Roan’s Tiny Desk Concert performance. // In April 2024, Roan released the single “Good Luck, Babe!”, describing it as “the first song of the next chapter”. The song speaks about compulsory heterosexuality, describing a woman trying to deny her romantic feelings for Roan and women in general. Praised by Billboard as a “well-deserved breakthrough”, the song received 7 million streams in its first week, was listed in the Spotify top ten, and debuted at number 77 on the Billboard Hot 100. The song was Roan’s fastest to hit 100 million streams on the platform. By June, the song became her first top 20 hit on the Billboard Hot 100, and by September, it reached a peak of number four, becoming her first top ten song on the chart. Although not included on her debut album, the single’s success was a catalyst for propelling it to worldwide recognition. In June 2024, The Rise and Fall of a Midwest Princess entered the top ten on the Billboard 200 for the first time, with over 40,000 equivalent album units sold. By August, the album had reached number two. // Also in April, Roan performed at Coachella. At this time, Roan saw growing success on Spotify, with her monthly listeners increasing more than 500% from February to April. As reported by Billboard, by June 2024, Roan’s weekly streams had grown by more than twenty-fold from the start of the year. // In June, Roan revealed she had declined an invitation from the White House to perform for that year’s Pride celebration. During the Governors Ball Music Festival, Roan stated, “we want liberty, justice and freedom for all. When you do that, that’s when I’ll come”, mentioning the Israeli–Palestinian conflict and transgender rights. Roan later revealed that she considered attending, but instead of performing music, she would recite poetry by Palestinian women. Roan said that her publicist was supportive of the idea, but warned her that doing so at the White House would likely compromise her and her family’s safety, which is why she decided to decline the invitation instead. During her performance at the Governors Ball Music Festival, Roan debuted a previously unreleased song titled “The Subway”, continuing to work towards a new album.[88] At a concert in June, Roan spoke to the crowd about dealing with her rapid increase in popularity, stating “I think my career is just kind of going really fast and it’s really hard to keep up. I’m just being honest, I’m having a hard time today. […] This is all I’ve ever wanted—it’s just heavy sometimes.” Following her performance at Lollapalooza in August, she drew the biggest daytime set ever seen at the festival. // In September, Roan performed at the 2024 MTV Video Music Awards and won Best New Artist. She dedicated the trophy to queer and trans people. In October 2024, she reached number 1 for the first time on the Billboard Artist 100, coinciding with the biggest sales week ever of her debut album. Roan appeared as the musical guest on Saturday Night Live on November 2, 2024, along with host John Mulaney, where she performed and teased a new country-tinged song titled “The Giver”. Roan appeared in the Netflix special A Nonsense Christmas with Sabrina Carpenter on December 6, 2024. In January 2025, Roan was named the winner of the Sound of 2025 poll of musicians and music experts, organized annually by the BBC. // In February 2025 at the 67th Grammy Awards, Roan won her first Grammy Award for Best New Artist. In her acceptance speech, she called for record labels to provide artists with a living wage and healthcare, saying, “Labels, we got you, but do you got us?” Roan’s work was also nominated for other awards, with The Rise and Fall of a Midwest Princess being nominated for Album of the Year and Best Pop Vocal Album, and “Good Luck, Babe!” being nominated for Record of the Year, Song of the Year, and Best Pop Solo Performance. Following Roan’s Grammy acceptance speech, the former music executive Jeff Rabhan wrote an essay via The Hollywood Reporter criticizing Roan’s acceptance speech as naive and saying labels do not have responsibilities to artists outside paying advances and royalties. The piece went viral, and Roan responded by challenging Rabhan to match a $25,000 donation to artists experiencing financial difficulty. // On March 14, 2025, Roan released “The Giver” on all platforms. In June, she embarked on a new tour, titled the “Visions of Damsels & Other Dangerous Things Tour”. It was announced in July that the tour would be coming to New York City; Kansas City, Missouri; and Pasadena, California. On July 31, 2025, Roan released “The Subway”, more than a year after it first premiered at her 2024 Governor’s Ball set. // Roan writes most of her songs with co-writers, most prominently her producer, Dan Nigro, with her song “Kaleidoscope” being the only song from her debut album written solely by Roan herself. After the release of her debut single, “Good Hurt”, her style was described in Interview as “pop sound […] infused with a dark and unsettling tone that underscores her intense, somber lyrics.”In 2018, she described her musical style as a mix of organic and electronic sounds, with a pop tone, and as “dark pop with ballad undertones”. In her songs written while she was a teenager, according to Atwood Magazine, she “brought the hardship and turbulence of our teenaged years to life with a candidness and vividness seldom seen from her peers.” Roan describes her music as “kind of the fairytale version of what happened in real life” as her persona is a larger-than-life version of her real self. In 2024, Billboard described her as an “innovative art-pop auteur”.]

[Chappell Roan plays Liberty Memorial Park on Friday, Oct. 3 and Saturday, Oct. 4 at 5:00pm.]

  1. High Fade – “Street Sweeper”
    from:”Street Sweeper” – Single / RPN Records / September 19, 2025
    [High Fade released SECTEY SAUCE EP on March 21, 2025. // High Fade released Live in London on RPN Records om October 6, 2023. High Fade is currently on a US Tour. Here is what Polaris Hall in Portland wrote about the band: “On a three-man crusade to set dance floors alight with their inimitable brand of razor-sharp funk and disco, Edinburgh’s High Fade captured the attention of a global audience with their music amassing over 30 million views and streams within six months of their first release and, in the process, gaining recognition from music heavyweights including Jack Black, Cypress Hill, Deep Purple’s Glenn Hughes, and Brad Wilk from Rage Against The Machine For a band that only started mid-2018, to already have the support of artists including Emeli Sandé, David Paitch and even Peter Andre is a testament to not only their raw musical talent but also the relentless drive and ambition that has seen the band play over 1000 gigs in the last four years. With a forward-thinking approach to grassroots promotion, High Fade have been able to capture the magic of their live performances with a proactive presence on social media and create multiple viral moments for their tracks “Sharpen Up”, “Burnin”, and “Burnt Toast and Coffee”that feed the appetite of new fans across the world.With a more traditional offline approach towards learning their craft and perfecting the HighFade sound, Harry Valentino (guitar/vocals), Oliver Sentance (bass) and Calvin Davidson(drums/vocals) developed their infectious style whilst feeding off the unpredictable crowd inter-actions that come with street shows and busking. It’s this unmatched live energy that sets their performances apart and results in the impressive musical display that comes from just three musicians working together. Indeed, with other acts in the same genre often having upwards of six members, being a three-piece could be a limiting factor for many, but for HighFade it has become an integral part of the band’s DNA, allowing them to put on a show that supersedes anything their fans have experienced before.]

[High Fade plays recordBar, 1520 Grand Blvd., KCMO on Thursday, October 2, at 8:00pm with Midnight Thirty.]

11:29 – Underwriting

    1. Beth Watts Nelson & Brandon Day – “Gardenia” (Live)
      from: Wahtucna Waltz EP / Rural Grit Records / July 11, 2025
      [Beth Watts Nelson is an award-winning Kansas City based singer/songwriter, multi-instrumentalist and lifelong student of music. Building upon a twenty year career in music education she is now the founder and director of Notorious Chorus – a community-based, group singing workshop for adults. In addition to solo and duo performances, she can be heard in several projects throughout the KC metro including Konza Swamp Band, CATGUT, and her 4 piece string band Little Miss Dynamite with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. // Brandon Day attended Olympic College outside of Seattle, working extensively with budding jazz vocalists and small groups. His passion for helping others sound the best they can has lead him through many genres, including jazz, bluegrass, country and western, folk, Americana, classical, and all sorts of fusions. While primarily an upright bassist on call with many jazz vocalists and bluegrass groups in the greater Kansas City Metro, Brandon is also known to sing and play other instruments when needed, including guitar, violin/fiddle and electric bass. He maintains an active performance schedule throughout the year with the bluegrass group The Matchsellers, and Little Miss Dynamite, and with Beth Watts Nelson and teaching students and small groups at Farm School KC, in addition to filling every weekend with guest spots on many of the finest bandstands in town. // Both members of other Kansas City bands (Konza Swamp, Little Miss Dynamite, CatGut, Whiskey Mash) the duo was forged in the rich musical melting pot of the Rural Grit Happy Hour in KC’s Crossroads Arts District. With a focus on vocal melody and harmony, their songs sound as if they had been unearthed with the patina of decades in the songbook of Americana.Together they seek the time and means to provide a genuine and meaningful musical experience to their audiences. // Recording Engineer: Danny McGaw, Northern Sky Recording, Overland Park, KS. Mixed and Mastered: Clarke Wyatt, Gnomes and Goats Studio, KCMO]

    [Beth & Brandon play Hammer’s Piano Bar, 3901 Main Street, KCMO on Wednesday, October 1 at 7:00pm. // Beth & Brandon play Tall Trellis Brew Co, 25600 W. Valley Pkwy, Olathe on Thursday, October 2 at 6:00pm. // Beth & Brandon play First Friday at Folk Alliance International Headquarters, 2018 Baltimore Ave, Kansas City on Friday, October 3 at 6:00pm. More information at: bethandbrandonmusic.com]

    11:35 – Interview with Beth Watts Nelson & Brandon Day

    Beth Watts Nelson is an award-winning Kansas City based singer/songwriter, multi-instrumentalist and lifelong student of music. Building upon a twenty year career in music education she is now the founder and director of Notorious Chorus – a community-based, group singing workshop for adults. In addition to solo and duo performances, she can be heard in several projects throughout the KC metro including Konza Swamp Band, CATGUT, and her 4 piece string band Little Miss Dynamite with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals.

    Brandon Day attended Olympic College outside of Seattle, working extensively with budding jazz vocalists and small groups. His passion for helping others sound the best they can has lead him through many genres, including jazz, bluegrass, country and western, folk, Americana, classical, and all sorts of fusions. While primarily an upright bassist on call with many jazz vocalists and bluegrass groups in the greater Kansas City Metro, Brandon is also known to sing and play other instruments when needed, including guitar, violin/fiddle and electric bass. He maintains an active performance schedule throughout the year with the bluegrass group The Matchsellers, and Little Miss Dynamite, and with Beth Watts Nelson and teaching students and small groups at Farm School KC, in addition to filling every weekend with guest spots on many of the finest bandstands in town.

    Both members of other Kansas City bands (Konza Swamp, Little Miss Dynamite, CatGut, Whiskey Mash) the duo was forged in the rich musical melting pot of the Rural Grit Happy Hour in KC’s Crossroads Arts District. With a focus on vocal melody and harmony, their songs sound as if they had been unearthed with the patina of decades in the songbook of Americana.Together they seek the time and means to provide a genuine and meaningful musical experience to their audiences.

    Beth Watts Nelson & Brandon Day released Wahtucna Waltz EP on/July 11, 2025

    Beth & Brandon play Hammer’s Piano Bar, 3901 Main Street, KCMO on Wednesday, October 1 at 7:00pm. // Beth & Brandon play Tall Trellis Brew Co, 25600 W. Valley Pkwy, Olathe on Thursday, October 2 at 6:00pm. // Beth & Brandon play First Friday at Folk Alliance International Headquarters, 2018 Baltimore Ave, Kansas City on Friday, October 3 at 6:00pm. More information at: bethandbrandonmusic.com

    Beth Watts Nelson, and Brandon Day thanks for being with us on WMM

    Recently Beth Watts Nelson joined us to share her new 3-song EP, “Tall Grass” a compilation of songs inspired by the Flint Hills. “Tallgrass” was composed in Coffeyville, KS. “Western Wind” and “Wild Indigo” were composed in Volland, KS. // All three songs were recorded in one day on site at the Grimm-Schultz Farmstead during my time in residency with the Volland Foundation on April 26, 2025. // For the recording Beth Watts Nelson played Banjo, Guitar, & Vocals, and Betse Ellis played Fiddle. Mixing and Mastering was completed by Clarke Wyatt, at Gnomes and Goats Studio.

    Beth Watts Nelson has a twenty year career in music education.

    Washtucna Waltz EP was released July 11, 2025
    Recording Engineer: Danny McGaw, Northern Sky Recording, Overland Park, KS
    Mixed and Mastered: Clarke Wyatt, Gnomes and Goats Studio, KCMO

    A partnership forged in the rich musical melting pot of the Rural Grit Happy Hour in Kansas City’s Crossroads Arts District, Beth Watts Nelson and Brandon Day combine their classical, folk, jazz and choral music backgrounds to create a modern perspective on a vintage sound. Making music that feels equally at home in a swanky cocktail bar, old honky tonk pool hall, or a pin-drop listening room Beth and Brandon seek the time and means to provide genuine and heartfelt musical experiences to their audiences. Award-winning songwriting paired with close vocal harmonies and intimately expressive musicianship

    Beth and Brandon combine their classical, folk, jazz and choral music training to create a modern perspective on a vintage sound. With a focus on vocal melody and harmony, their songs sound as if they had been unearthed with the patina of decades in the songbook of Americana. An array of instruments (guitar, banjo and bass) pass between the hands of the duo to bring original and standard tunes to life.

    Both members of other Kansas City bands (Konza Swamp, Little Miss Dynamite, CatGut, Whiskey Mash) the duo was forged in the rich musical melting pot of the Rural Grit Happy Hour in KC’s Crossroads Arts District. Together they seek the time and means to provide a genuine and meaningful musical experience to their audiences.

    info@bethandbrandonmusic.com bethandbrandonmusic.com

    11:42

    1. Beth Watts Nelson & Brandon Day – “Wahtucna Waltz” (LIVE)
      from: Wahtucna Waltz EP / Rural Grit Records / July 11, 2025
      [Beth Watts Nelson is an award-winning Kansas City based singer/songwriter, multi-instrumentalist and lifelong student of music. Building upon a twenty year career in music education she is now the founder and director of Notorious Chorus – a community-based, group singing workshop for adults. In addition to solo and duo performances, she can be heard in several projects throughout the KC metro including Konza Swamp Band, CATGUT, and her 4 piece string band Little Miss Dynamite with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. // Brandon Day attended Olympic College outside of Seattle, working extensively with budding jazz vocalists and small groups. His passion for helping others sound the best they can has lead him through many genres, including jazz, bluegrass, country and western, folk, Americana, classical, and all sorts of fusions. While primarily an upright bassist on call with many jazz vocalists and bluegrass groups in the greater Kansas City Metro, Brandon is also known to sing and play other instruments when needed, including guitar, violin/fiddle and electric bass. He maintains an active performance schedule throughout the year with the bluegrass group The Matchsellers, and Little Miss Dynamite, and with Beth Watts Nelson and teaching students and small groups at Farm School KC, in addition to filling every weekend with guest spots on many of the finest bandstands in town. // Both members of other Kansas City bands (Konza Swamp, Little Miss Dynamite, CatGut, Whiskey Mash) the duo was forged in the rich musical melting pot of the Rural Grit Happy Hour in KC’s Crossroads Arts District. With a focus on vocal melody and harmony, their songs sound as if they had been unearthed with the patina of decades in the songbook of Americana.Together they seek the time and means to provide a genuine and meaningful musical experience to their audiences. // Recording Engineer: Danny McGaw, Northern Sky Recording, Overland Park, KS. Mixed and Mastered: Clarke Wyatt, Gnomes and Goats Studio, KCMO]

    [Beth & Brandon play Hammer’s Piano Bar, 3901 Main Street, KCMO on Wednesday, October 1 at 7:00pm. // Beth & Brandon play Tall Trellis Brew Co, 25600 W. Valley Pkwy, Olathe on Thursday, October 2 at 6:00pm. // Beth & Brandon play First Friday at Folk Alliance International Headquarters, 2018 Baltimore Ave, Kansas City on Friday, October 3 at 6:00pm. More information at: bethandbrandonmusic.com]

    11:45 – More Interview with Beth Watts Nelson & Brandon Day

    Beth Watts Nelson & Brandon Day who recently released the EP Wahtucna Waltz. Beth & Brandon combine their classical, folk, jazz and choral music backgrounds to create a modern perspective on a vintage sound. With a focus on vocal melody and harmony, their songs sound as if they had been unearthed with the patina of decades in the songbook of Americana. An array of instruments pass between the hands of the duo to bring award-winning original and standard tunes to life. // Beth & Brandon play Hammer’s Piano Bar, 3901 Main Street, KCMO on Wednesday, October 1 at 7:00pm. // Beth & Brandon play Tall Trellis Brew Co, 25600 W. Valley Pkwy, Olathe on Thursday, October 2 at 6:00pm. // Beth & Brandon play First Friday at Folk Alliance International Headquarters, 2018 Baltimore Ave, Kansas City on Friday, October 3 at 6:00pm. More information at: bethandbrandonmusic.com

    Beth Watts Nelson & Brandon Day, thanks for being with us on WMM

    She is now the founder and director of Notorious Chorus – a community-based, group singing workshop for adults.

    In addition to solo & duo performances, Beth can be heard in projects throughout KC metro including Konza Swamp Band, CATGUT, and her latest endeavor, Little Miss Dynamite.

    Little Miss Dynamite released their debut six-song EP of original music featuring stringed instruments and vocal harmony titled “Grow Up”. The band’s spark was ignited when KC singer, songwriter and music educator, Beth Watts Nelson and co-founder, Caleb Gardner (both of Konza Swamp Band) joined up to sing harmonies together in the garage. The addition of long-time friend and fiddler extraordinaire, Betse Ellis (The Wilders) and the inspired playing of Brandon Day (The Matchsellers) on bass.

    Production: Rural Grit Records, 2024 Beth Watts Nelson (ASCAP). Musicians and Instrumentation: Beth Watts Nelson – guitar, banjo, lead vocals; Caleb Gardner – guitar, mandolin, lead vocals; Betse Ellis – fiddle, harmony vocals; Brandon Day – bass, harmony vocals. Engineered and Mixed by Clarke Wyatt, Gnomes and Goats Studio. Album Art by Grady Keller, Mound Creative, All songs written by Beth Watts Nelson except “Circle the Drain” by Caleb Gardner

    Little Miss Dynamite played the 21st Annual Crossroads Music Fest, Saturday, September 6, 3:00pm to Midnight, in West Bottoms at Lemonade Park, Stockyards Brewing,

    Beth & Brandon played the KKFI Band Auction

    Beth & Brandon’s Show Schedule

    Wednesday, October 1 @ 7:00PM – Beth and Brandon @ Hammer’s Piano Bar – KCMO

    Thursday, October 2 @ 6:00PM — 8:00PM – Beth and Brandon @ Tall Trellis – Olathe

    Friday, October 3 @ 6:00PM Beth and Brandon @ First Friday @ FAI Headquarters
    Folk Alliance International, Kansas City

    Saturday, October 11 @ 11:00AM — 12:00PM – Harvest Festival – Independence Boulevard Christian Church, Kansas City

    Tuesday, Oct. 21 @ 7:00PM Beth and Brandon @ LX Loft Shows – LX Loft Shows, Cuba,

    Wednesday, October 22 – Beth and Brandon @ Village Wine Songwriter Night – Village Wine & Spirits, Effingham, IL

    Thursday, October 23 — Sunday, October 26 – Beth and Brandon @ FARM – Folk Alliance Region Midwest, Lisle, IL

    Sunday, Oct. 26 @ 7:00PM – Beth and Brandon @ House Concert -= TP House, Gurnee, IL

    Monday, October 27 @ 7:00PM – Beth and Brandon @ Arriba Rooftop Jam – Arriba Rooftop, Chicago, IL

    Wednesday, October 29 @ 7:00PM – Beth and Brandon @ Evangeline’s St Louis – Evangeline’s Bistro and Music House, St Louis, MO

    Wednesday, October 29 @ 7:00PM – Beth and Brandon @ Shaved Duck Smokehouse – Shaved Duck Smokehouse, St Louis, MO

    Tuesday, Nov. 4 @ 6:00PM – Beth and Brandon @ KC Current – CPKC Stadium, KCMO

    Wednesday, November 5 @ 7:00PM – Beth and Brandon @ Live Recording Kansas City

    Thursday, November 6 @ 6:00PM — 8:00PM – Beth and Brandon @ Tall Trellis – Olathe

    Friday, November 28 @ 7:00PM – Beth and Brandon @ Luminary Walk – Overland Park Arboretum & Botanical Gardens, Bucyrus, KS

    Thursday, December 4 @ 6:00PM — 8:00PM – Beth and Brandon @ Tall Trellis – Olathe

    Sunday, December 7 @ 3:00PM – LMD @ Stockyards – Stockyards Brewing Co, KCMO

    Tuesday, December 30 @ 7:00PM – Waldo Folk John Hartford Birthday Bash
    Waldo Pizza, Kansas City

    Wednesday, January 21, 2026 — Sunday, January 25, 2026 – Beth and Brandon @ FAI New Orleans – New Orleans, LA

    Friday, February 6, 2026 @ 3:00PM – Beth and Brandon @ Force of Nature – Force of Nature Brewing, De Soto, KS

    Beth Watts Nelson and Brandon May, thanks for being with us on WMM

    Beth & Brandon play Hammer’s Piano Bar, 3901 Main Street, KCMO on Wednesday, October 1 at 7:00pm. // Beth & Brandon play Tall Trellis Brew Co, 25600 W. Valley Pkwy, Olathe on Thursday, October 2 at 6:00pm. // Beth & Brandon play First Friday at Folk Alliance International Headquarters, 2018 Baltimore Ave, Kansas City on Friday, October 3 at 6:00pm. More information at: bethandbrandonmusic.com

    For WMM, I’m Mark Manning. Thanks for listening.

    11:53:00

    1. Beth Watts Nelson & Brandon Day – “Winter Rain”
      from: Wahtucna Waltz EP / Rural Grit Records / July 11, 2025
      [Beth Watts Nelson is an award-winning Kansas City based singer/songwriter, multi-instrumentalist and lifelong student of music. Building upon a twenty year career in music education she is now the founder and director of Notorious Chorus – a community-based, group singing workshop for adults. In addition to solo and duo performances, she can be heard in several projects throughout the KC metro including Konza Swamp Band, CATGUT, and her 4 piece string band Little Miss Dynamite with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. // Brandon Day attended Olympic College outside of Seattle, working extensively with budding jazz vocalists and small groups. His passion for helping others sound the best they can has lead him through many genres, including jazz, bluegrass, country and western, folk, Americana, classical, and all sorts of fusions. While primarily an upright bassist on call with many jazz vocalists and bluegrass groups in the greater Kansas City Metro, Brandon is also known to sing and play other instruments when needed, including guitar, violin/fiddle and electric bass. He maintains an active performance schedule throughout the year with the bluegrass group The Matchsellers, and Little Miss Dynamite, and with Beth Watts Nelson and teaching students and small groups at Farm School KC, in addition to filling every weekend with guest spots on many of the finest bandstands in town. // Both members of other Kansas City bands (Konza Swamp, Little Miss Dynamite, CatGut, Whiskey Mash) the duo was forged in the rich musical melting pot of the Rural Grit Happy Hour in KC’s Crossroads Arts District. With a focus on vocal melody and harmony, their songs sound as if they had been unearthed with the patina of decades in the songbook of Americana.Together they seek the time and means to provide a genuine and meaningful musical experience to their audiences. // Recording Engineer: Danny McGaw, Northern Sky Recording, Overland Park, KS. Mixed and Mastered: Clarke Wyatt, Gnomes and Goats Studio, KCMO]

    [Beth & Brandon play Hammer’s Piano Bar, 3901 Main Street, KCMO on Wednesday, October 1 at 7:00pm. // Beth & Brandon play Tall Trellis Brew Co, 25600 W. Valley Pkwy, Olathe on Thursday, October 2 at 6:00pm. // Beth & Brandon play First Friday at Folk Alliance International Headquarters, 2018 Baltimore Ave, Kansas City on Friday, October 3 at 6:00pm. More information at: bethandbrandonmusic.com]

    1. Noel Coward – “The Party’s Over Now”
      from: Noel Coward in New York / drg / 2003 [orig. 1957]

    Next week on Wednesday, October 8, we’ll talk with musical genius Ty Faison formerly of Blackstarkids who returns to WMM to share music from his solo debut album UNTIL THE WAR IS WON. ALSO Margo May, Jared Bond and Tim York with all play live in our 90.1 FM Studios. AND FlarethaRebel returns to WMM.

    Stay tuned at 12:00 Noon for “Music to Make You Wiggle” with Steve Stemmerman at 2:00pm it’s Jazz Afternoon with Jeff Harshbarger. At 4:00pm we bring you, Dub’s Groove with Warren, at 6:00pm it’s: ON AIR with Nikki Brooks. At 7:00pm it’s VOICES OF KANSAS CITY brought to you by The Kansas City Star and 90.1 FM KKFI.

    You can find our playlists at: http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
    http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
    http://www.instagram.wednesday_midday_medley http://www.bandcamp.com/wednesdaymiddaymedley

    A really big THANK YOU to every one of you who donated during Wednesday MidDay Medley and our Summer Fund Drive for KKFI 90.1 FM. We had 47 individuals donate a total of $3529.00 in support of Community Radio. Special thanks go to my co-hosts and guests: Betse Ellis, Mikal Shapiro, Sandra Draper, Steve Tulipana and Lincoln Dreher!!!

    Thanks to KKFI Staff: Executive Director – Bess Wallerstein-Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver. And Shaina Littler – Office Manager Book Keeper

    This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

    For WMM, I’m Mark Manning. Thanks for listening!

    Show #1115

    Play Loud! 20 Years of recordBar + Nan Turner + Amy Steinberg + Til Willis

    Wednesday MidDay Medley
    Produced and Hosted by Mark Manning
    90.1 FM KKFI – Kansas City Community Radio
    TEN to NOON Wednesdays – Streaming at KKFI.org

    Wednesday, September 24, 2025

    Play Loud! 20 Years of recordBar + Nan Turner + Amy Steinberg + Til Willis

    1. “Main Title Instrumental – It’s Showtime Folks”
      from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
      [WMM’s Adopted Theme Song]

    Play Loud Fest will be a four-day celebration of 20 years of recordBar, with 45 musical acts, at recordBar 1520 Grand Boulevard, KCMO, September 25-28, 2025, and around recordBar including: Kobi Q, The Belfry, and Lemonade Park. recordBar opened its doors in August 2005 in a humble Kansas City strip mall, with a simple goal: to create a space where music felt close and community came first. Founded by Steve Tulipana and Shawn Sherriil, two music lovers who believed in good sound, even better drinks, and treating artists right, the original recordBar quickly became a hub for local bands, national tours, and just about any event that needed a stage—from birthday parties to fundraisers to experimental art nights. In 2015, recordBar moved to the Crossroads District, becoming part of a new chapter in Kansas City’s music scene. The new space kept the same spirit—intimate, accessible, and artist-forward—while expanding its reach and upgrading the experience for both performers and fans. Its downtown location allowed for larger shows while staying true to its roots as an independent, music-first venue. More at: http://www.therecordbar.com

    1. Roman Numerals – “My Life After Death Pt. II”
      from: Roman Numerals / Anodyne Records / 2006
      [#1 on our list of The 60 Best Recordings of 2006. William Smith on vocals, guitar, stylophone; Steven Tulipana on vocals, bass, guitars, synth; Shawn Sherrill on synth, bass; Pete LaPorte on drums, electronics.] [Bill Brownlee wrote about about Roman Numerals on October 18, 2017 for KCUR Radio. // One of the region’s most notable indie-rock bands a decade ago, Roman Numerals were Ryan Shank on drums, Shawn Sherrill on keyboards and bass, Billy Smith on guitars and vocals, and Steve Tulipana on bass, guitars and vocals. // Tulipana and Sherrill went on to open the highly successful RecordBar in Westport. Their band’s last recent performance was the penultimate show at the venue’s original site on January 1, 2016. RecordBar has since re-opened at 1520 Grand Boulevard, which is where Roman Numerals reunite on Saturday. // Roman Numerals peaked at a time when like-minded bands including Interpol were also mining the new wave and post-punk sounds of the 1980s. The revivalist aesthetic was an appealing exercise in wistfulness when its self-titled album was released in 2006, a conceit that makes Saturday’s reunion a double-dip of nostalgia. // The band describes its approach as a “high-powered hybrid” that “forms a sturdy bridge between indie-rock’s angular approach and the underground club scene’s throbbing tempos.” A good example is “Rule of Five,” a gloom-laden blend of synth-pop and post-punk from that 2006 record: // “‘Rule of Five’ was recorded in Chicago the week we signed our lease on the original RecordBar via fax-machine,” Tulipana says. “We somehow managed to get the club open and do several U.S. tours that same year of 2005. We like to get together every year or so these days to revisit these old songs to help inspire us on the other newer projects we stay involved with.” // Roman Numerals, played the grand opening at RecordBar, 1520 Grand Boulevard, Kansas City on Saturday, October 21, 2017 with Olympic Size, opening. // Bill Brownlee blogs about Kansas City’s jazz scene at Plastic Sax.]

    [Roman Numerals play the Play Loud Fest celebrating 20 years of recordBar, on Saturday, September 27 at 11:00pm on the recordBar Main Stageat 1520 Grand Boulevard, KCMO.]

    1. Roman Numerals – “My Life After Death Pt. II”
      from: Roman Numerals / Anodyne Records / 2006
      [#1 on our list of The 60 Best Recordings of 2006. William Smith on vocals, guitar, stylophone; Steven Tulipana on vocals, bass, guitars, synth; Shawn Sherrill on synth, bass; Pete LaPorte on drums, electronics.] [Bill Brownlee wrote about about Roman Numerals on October 18, 2017 for KCUR Radio. // One of the region’s most notable indie-rock bands a decade ago, Roman Numerals were Ryan Shank on drums, Shawn Sherrill on keyboards and bass, Billy Smith on guitars and vocals, and Steve Tulipana on bass, guitars and vocals. // Tulipana and Sherrill went on to open the highly successful RecordBar in Westport. Their band’s last recent performance was the penultimate show at the venue’s original site on January 1, 2016. RecordBar has since re-opened at 1520 Grand Boulevard, which is where Roman Numerals reunite on Saturday. // Roman Numerals peaked at a time when like-minded bands including Interpol were also mining the new wave and post-punk sounds of the 1980s. The revivalist aesthetic was an appealing exercise in wistfulness when its self-titled album was released in 2006, a conceit that makes Saturday’s reunion a double-dip of nostalgia. // The band describes its approach as a “high-powered hybrid” that “forms a sturdy bridge between indie-rock’s angular approach and the underground club scene’s throbbing tempos.” A good example is “Rule of Five,” a gloom-laden blend of synth-pop and post-punk from that 2006 record: // “‘Rule of Five’ was recorded in Chicago the week we signed our lease on the original RecordBar via fax-machine,” Tulipana says. “We somehow managed to get the club open and do several U.S. tours that same year of 2005. We like to get together every year or so these days to revisit these old songs to help inspire us on the other newer projects we stay involved with.” // Roman Numerals, played the grand opening at RecordBar, 1520 Grand Boulevard, Kansas City on Saturday, October 21, 2017 with Olympic Size, opening. // Bill Brownlee blogs about Kansas City’s jazz scene at Plastic Sax.]

    [Roman Numerals play the Play Loud Fest celebrating 20 years of recordBar, on Saturday, September 27 at 11:00pm on the recordBar Main Stageat 1520 Grand Boulevard, KCMO.]

    1. Making Movies – “Pendulum Swing”
      from: A La Deriva / Independent / October 7, 2014
      [Enrique Chi (guitar/lead vox), Brendan Culp (drums), Diego Chi (bass), Juan-Carlos Chaurand (percussion /keyboard). Their new full length was produced with Steve Berlin of Los Lobos. Imn 2012 the band also released the EP “Aguardiente.” The Record Machine pressed a limited number of the 7 inch vinyl, 4 song EP. // Enrique Chi, is lead singer of Making Movies joined us on the February 2, 2014 edition of Wednesday MidDay Medley to talk about the band’s recent tour in Central America, and the band’s Five Year Anniversary Show at the RecordBar, Fri, Feb. 14, with The Conquerors. / The band’s critically acclaimed release “A La Deriva,” was recorded with Steve Berlin of Los Lobos. Making Movies had the national release of “A La Deriva.” The band played Puerto Rico in March, and you recently played Panama, where your family is from and where they had the opportunity to meet the President of Panama. // Making Movies is a KC based 4-piece band acurrently recording with: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Duncan Burnett on drums. The band draws their influences from the origins of their families: Santiago, Panama, and KC Missouri, and Guadalajara, Mexico. // Making Movies released. Captured during their 2024 magnetic set at the Rocky Mountain Folks Festival in Lyons, Colorado, the EP offers a raw and electrifying glimpse into the band’s dynamic live energy and genre-blending spirit. / The 5-track collection includes a standout performance of “Nadie Sabe (rock’n’roll),” a powerful anthem that nods to the band’s rock roots while giving fans an early taste of their highly anticipated full-length album due out later this year. / Marking Making Movies’ first major U.S. festival appearance, the performance at Rocky Mountain Folks Festival was a milestone moment in the band’s journey—and one they’ll never forget. / “I love that we have a record of that wild and special day,” says Enrique Chi of Making Movies. “The mid-set downpour turned into a blessing—though we had to pause the show, when we returned, dancing in the rain was a pure expression of joy. We are grateful that those folks opened up their space and hearts to us, giving us the opportunity to road test some new songs and prepare for the next chapter for Making Movies.” / The Baúl de las Movies series is a nod to the band’s ongoing effort to open up their archives and share treasured recordings from the road. This latest installment captures the spontaneity and soul of a band known for merging Latin rhythms with psychedelic rock, folk storytelling, and political urgency. / Making Movies continues to carve a unique space in the music landscape, building bridges across cultures and generations. With this release, they invite listeners into the vibrant world they’ve created—live, unfiltered, and alive with possibility. // Last year Making Movies released Baúl De Las Movies (En Vivo En Folly Theater 2023) /=through 3/2 Recordings on September. 27, 2024, Produced by Ben Yonas, McKenzi Webster, Executive Producer Javier E. Carrizo, Production Assistant Nora Gibbons, Recording & Mixing Engineer Ben Yonas, Recording Engineer Paul Malinowski, Mastering Engineer, Dave Greenberg/Sonopod, Assistant Sound Engineers Josh Gomez, Ricky Menendez. Asdru Sierra on trumpet; Ryan Heinlein, Trevor Turla on trombone. // “Baúl De Las Movies: Folly Theater 2023” was also filmed. Directed by William J. Stribling. // Directors of Photography Adam Baron-Bloch, Alex Gallitano. // Camera Operators Cole Blaise, Nora Gibbons, Esai Saenz. // Production Designer Aisa Palomares. // Edited by Raymond Fraser. // Colorist Tam Le // DI Coordinator John Daniels-Riveros. // DI Services Provided by Sodalite Color // Stream “Baúl De Las Movies: Folly Theater 2023” – https://ffm.to/follyliveep.OYD. // Latin Grammy nominated band Making Movies released their special EP EN LA SALA containing 8 of the songs recorded LIVE, on January 12, 2024. // Before that they released their single “Medicina”. // Making Movies released XOPA through Cosmica Artists on June 17, 2022. XOPA and was recorded in Memphis, produced by Ben Yonas. More info at: http://www.makingmovies.world. Making Movies released the 5-song EP, EN VIVO (SIN APLAUSO) on February 4, 2022. Making Movies released the 6-track EP BORING BITS, on May 7, 2021. On February 5, the band released the 7-song, La Cuarentena EP which included a brand new version of the first Making Movies song, “La Marcha” and the lullaby “Could You?” (both mixed by Jim Eno of Spoon and tracked at Memphis Magnetic studio), and the love ballad “Una Vida.” The EP also includes covers of Talking Heads and Tears for Fears, plus bonus live acoustic tracks. The EP was available on BandCamp for only three days Feb. 5 through Feb. 7, 2021. // Making Movies released their single “Could You” on January 12, 2021. About “Could You” lead singer Enrique Javier Chi wrote, “I was thinking about what to share for “Could You?” and I just go back to the fact that Memphis is a profound place… it is a place where you can feel what America truly is and where it comes from. I think you see and feel the reality that so much of this nation was built from exploiting people. You can see that our pop culture is driven by the Black community and yet that community is still the most oppressed in the nation. Things are still so messed up. // Memphis is the place where Elvis started singing black music with a country twang and where Martin Luther King Jr. was shot. It’s a beautiful place, it’s a charming place, it feels at times downtrodden and it’s a place that reminds me of home (both KC and Panamá) in different ways. Our experiences going to Memphis gave us the context to create “Could You?” It was filmed originally for AMERI’KANA TV.” Making Movies released their critically acclaimed album ameri’kana through 3/2 Recordings on May 24, 2019. This was #1 on WMM’s 119 Best Recordings of 2019. Produced by Steve Berlin and Ben Yonas. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits of the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” Making Movies released their album I Am Another You, May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff. Info at: https://makingmovies.world

    [Making Movies play the Play Loud Fest celebrating 20 years of recordBar, on Friday September 26 at 11:15pm on the recordBar Main Stage at 1520 Grand Boulevard, KCMO.] [Making Movies also play The Wolf’s Den at The Belfry for the 6:00pm – Happy Hour VIP experience.]

    1. Deerhoof – “Sparrow Sparrow”
      from: Noble and God Like in Ruin / Joyful Noise Recordings / April 25, 2025
      [For a band that seems to thrive on collapse, it’s simply amazing that this US/Japanese quartet is now celebrating their 31st year. Though Deerhoof long ago established itself as one of the greatest rock groups ever to stride the earth—and if you think that’s hyperbole, you haven’t spent enough time listening to Deerhoof —the furiously inventive quartet releases new albums on the schedule of a young band still hungry for its first break. As Noble and Godlike in Ruin reaffirms, each one discovers some previously unknown combination of candy-coated hard-rock riffs and free-jazz percussive freakouts, sideways J-pop hooks and fearsome dissonance, trenchant social commentary and surrealist humor. This music is joyful and foreboding, cybernetic and deeply human, carrying an implicit note of defiant optimism in their refusal to bow to convention or received wisdom. Fronting it all is Satomi Matsuzaki’s inimitable alto, whose plainspoken calm can seem strangely outside of the band’s maelstrom. Deerhoof is defined by such paradoxes. // Written, played, recorded and mixed by: Satomi Matsuzaki, Ed Rodriguez, John Dieterich, and Greg Saunier, Except “Under Rats” by:Deerhoof and Saul Williams. Band and face photos by: Satoru Eguchi. Face collage by: Satomi. // Deerhoof are an American independent music group formed in San Francisco in 1994. They currently consist of founding drummer Greg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Beginning as an improvised noise punk band, Deerhoof became widely renowned and influential in the 2000s through self-produced albums that combine “noise, sugary melodies, and an experimental spirit into utterly distinctive music” (AllMusic). // They have released eighteen studio albums since 1997. Their most recent album, Actually, You Can, was released on October 22, 2021. // Deerhoof were formed in San Francisco in 1994 as Rob Fisk’s improvisational bass/harmonica solo project. Greg Saunier joined on drums a week later. They were quickly signed to record a single for Kill Rock Stars after owner Slim Moon witnessed their performance at the 1994 Yoyo A Go Go festival. Satomi Matsuzaki joined Deerhoof within a week of moving to the United States from Japan in May 1995, with no prior experience playing in a band, and went on tour as Deerhoof’s singer only a week later, opening for Caroliner. Their 1997 debut album The Man, the King, the Girl was recorded on 4-track tape. // Deerhoof’s style has been described as indie rock, noise pop, punk rock, and “experimental pop mired in a pure punk sense of adventure”. AllMusic characterizes them as “highly revered indie rockers … who play fractured, whimsical noise pop with an avant-garde edge”, while MaineToday describes them as “the beloved punk band whose erratic style veers between pop, noise, and classic rock and roll”. // According to Noisey, Deerhoof formed as a “minimal noise improv” act before shifting to “pop-infused noise-punk”. According to AllMusic, their early releases “had a more traditionally harsh, no wave-inspired sound, though they also included the quirky tendencies that dominated their later efforts … [which] mix noise, sugary melodies, and an experimental spirit into utterly distinctive music that made them one of the most acclaimed acts of the 2000s and 2010s.” Impose writes that since “their beginnings as a noise punk band … [Deerhoof have] taken leaps and bounds artistically and stylistically, experimenting with pop and punk in ways we could’ve never imagined … [and] ultimately [proving] that punk can fit into an artistic world.” According to the Los Angeles Philharmonic, they made “some of the most difficult and unclassifiable noise of the mid-’90s [before] unexpectedly [rising] to international prominence as one of indie rock’s most renowned and influential groups … too ‘pop’ for ‘noise,’ and too ‘noise’ for ‘pop.'” For The Guardian, their breakthrough after many albums of “elliptical art-pop” came with Friend Opportunity, which showcased “a band playing a constantly shifting mixture of psychedelia, post-punk, jazz and pop, which should have been difficult and forbidding, but was given an accessible focus by the sweet vocals and expressionist lyrics of bassist/chanteuse Satomi Matsuzaki. … [The followup] Offend Maggie is head-spinning bliss from beginning to end, and proves that the quartet are the best prog-rock post-punk Afro-Oriental art-pop folk-jazz band in the world. Deerhoof also experiment with contemporary classical music. // The band has been appreciated by and/or influential to other artists, notably David Bowie, Radiohead, Questlove, St. Vincent, Foo Fighters, Dirty Projectors, Tune-Yards, Stereolab, Henry Rollins, Sleigh Bells, and of Montreal. Deerhoof’s songs are covered often by other artists (notably Phil Lesh, Los Campesinos!, Marco Benevento, David Bazan, and classical composer Marcos Balter).]

    [Deerhoof play the Play Loud Fest celebrating 20 years of recordBar, on Saturday, September 27 at 9:00pm on the Lemonade Park Stage, 1628 Wyoming Street, West Bottoms, KCMO with Frogpond, and Paris Williams.]

    1. Approach – “Stones (feat. Joe Good & SKU)”
      from: Merely, Minutes In A Day {Section 2: Antique Mall} / Datura Records / Dec. 4, 2020
      [Produced, Sequenced, Recorded, Photography, Mixed & Mastered By: Aikido Bray. Approach writes: “Antique Mall” is fitting title for a album that has sat in the vault over 5 years. When the recording of this album was finished, I realized it didn’t compliment the sonics of the season. I felt like waiting until the sonic coloring matched the vibration of the times would be the best move. 5 years later a time capsule of love is ready to be revealed. Please enjoy your tour around of my “Antique Mall.” More info at: http://www.daturarecords.bandcamp.com/album/merely-minutes-in-a-day-section-2-antique-mall // Joe Good is Jamal Gamby one half of the the critically acclaimed hip hop band Sounds Good with producer musician beat maker Miles Bonny. Both gentlemen retired their Sounds Good project after two albums and several singles, to start families and become fathers. // This new Approach release is a Follow up to Merely Minutes, In A Day from Datura Records released February 4, 2019. Produced, Sequenced, Recorded, Photography, Mixed & Mastered By: Aikido Bray. Artwork & Design By: The Art My Life Imitates. Legendary Kansas based emcee/producer Approach is Sean Hunt who’s been in the game for almost 20 years. He’s released almost a dozen records and traveled the world over the span of his career. He’s also the cofounder of Datura Records, a hip hop label started in 2000. Approach helps curate the roster.]

    [Approach and SKU play the Play Loud Fest celebrating 20 years of recordBar, on Saturday, September 27 at 8:00pm on the recordBar Main Stage at 1520 Grand Boulevard, KCMO.]

    The Royal Chief
    1. The Royal Chief – “Repeat (Radio Edit)”
      from: Fire – EP / Sovereign Sound / July 10, 2025
      [New 5-track EP from The Royal Chief / Born in Kansas City, Missouri as Jamel Thompson to a single mother, The Chief is the youngest of six – two brother’s on his mother’s side and another brother and twin sisters from his father. Growing up, his mother fostered his mind; she encouraged The Royal Chief to read relentlessly and to experiment with his talents. This promoted a period where The Royal Chief began expressing himself by writing stories. Chief spent most of his early life in the urban areas of Kansas City. He and his mother moved to Dallas, Texas briefly before returning to Kansas City – to the suburbs – which provided an interesting contrast to his life before. // At the age of 13, after attending a concert in which Kanye West performed, Chief knew his path was in music and began rapping. Courtesy of his mother, he drew inspiration from R&B and Soul while getting his introduction to Hip Hop from his father and brothers. Hip Hop became a love and an outlet for him – a way to vent and document how he perceived the world. It was also an instrument for The Royal Chief to cope with the pain of losing his older brother and godmother who had a hand in raising him. // The Royal Chief moved to Atlanta, Georgia in 2012. He spent his first year there living out of his Honda Civic and obtained membership to a local gym to have access in order to take showers. He established a relationship with the manager at Tree Sound Studios through a mutual friend and was soon allowed to live in the studio’s building. He made the most of this opportunity by observing and learning many of the aspects of the music industry, audio/video recording, marketing, and most importantly building relationships and networking. Soon, he began to nurture a relationship with “Cyhi The Prynce” who took him under his wing allowing Chief to create and write for other G.O.O.D. Music artist. During this time, Chief was able to go on tour and learn just to write raps and incorporate rhythm and flow into his pieces to make them sound appealing. // In 2015, under his original moniker “J-Dub,” The Royal Chief began to meticulously focus on his own projects and released his first mixtape entitled Trial and Error. Later that same year, after a trip back to his hometown of KC, he made a conscious decision to change his stage name to something that reflected his passion for his two favorite home-town sports teams and one that represented his city. And in combining the names of those teams, he thus became “The Royal Chief”. Feeling the need to release some music to commemorate the name change, in September of 2016 he released his second project, an EP entitled Dawn – representing the beginning or “dawn of” something new. // In 2017, after seeing a Kareem “Biggs” Burke’s interview in which he said “if you don’t have your city you don’t have anybody,” Chief decided it was time for him to return home and build his name and his following up in his own city. That same year, after a house fire in which he lost everything but his life, he released his third project – an EP titled Homecoming. While building traction in the city, Chief worked diligently to network and perform live all around the Kansas City Metroplex and surrounding areas. In 2018, he released a three-track EP titled 3 Pack. Chief spent the next year working towards expanding existing relationships and building new ones. Chief’s objective was to spend time building a backing band for his live performances as well as collaborate with local artists and producers. And with this feat accomplished, in 2020, Chief released his fourth project titled Groundwork. Groundwork represents “laying the foundation” – it’s the cumulative efforts of networking, touring, and building a following. More info at: http://www.theroyalchief.com]

    [The Royal Chief will play the Play Loud Fest celebrating 20 years of recordBar, on Saturday, September 27 at 5:00pm on the recordBar Main Stage at 1520 Grand Boulevard, KCMO.]

    1. Dan Jones and The Squids – “The Rhythm and The Rhyme”
      from: SERVE WITHOUT DELAY / Dan Jones / February 5, 2021.
      [Dan Jones and The Squids are: Dan Jones on vocals & guitar; Matt Ronan on drums & vocals, and Steve Tulipana on bass. On the record Rich Wheeler joined them on tenor saxophone for the songs, “Rock & Roll Daydreams” and “Rhythm and The Rhyme.” Their album was engineered by Brendan “JB” Moreland at Temple Sounds in KCMO and mixed by Brendan at Massive Sound Studios in Shawnee, KS. // Dan Jones and The Squids released It was recorded Friday, February 13, 2020 at recordBar, with Paul Malinowski: live sound & recording engineer. Mixed and edited by Paul Malinowski at Massive Sound, Shawnee Kansas. Mastered by Tom Nunes at Atomic Disc. Dan Jones on guitar & vocals, Matt Ronan on drums & vocals; Steve Tulipana on bass & vocals. All songs by Daniel Sherman Jones (BMI), except “I Wanna Be You” by Ed Cole. In 2020 the band didn’t get to play out much, so they hunkered down and worked up a double album’s worth of new tunes. It was a weekly woodshed-workshop that culminated with a live-streamed live-album show on November 13, 2020 at recordBar. Paul Malinowski engineered and mixed. // Dan Jones and The Squids released ROCK AND ROLL DAYDREAMS on vinyl on September 1, 2023. // Dan Jones and The Squids released WE LIVE IN A WORLD THAT IS OUT OF THIS WORLD on December 6, 2019. It was Recorded at Temple Sounds in KCMO, 2018-2019. Engineered. by JB Moreland. Produced by Dan Jones and The Squids and JB Moreland. Mastered by Tom Nunes at Atomic Disc. With Dan Jones on acoustic & electric guitars, keyboard, lead vocals + drums/bass on “Love/Life”; Matt Ronan on drums, percussion, vocals; Alex Alexander on electric guitar, vocals; Steve Tulipana on bass, vocals; Joey Slab on poem and spiel on “Beach, Please”; Scot Sperry on electric slide guitar on “Love/Life”; Donna Jones on lyrics to “The Violet Man.” / Dan Jones is among the hardworking lifers with taste and talent, keeping the dream alive that music matters. This is the Kansas City singer/songwriter’s seventh LP over two decades, starting in Eugene, OR before returning to his native, non-coastal home. His bio speaks of support gigs with Mike Watt (who plays these Squids on his radio show), Dinosaur Jr., Steve Wynn, John Doe, Tav Falco, Pedaljets, Peter Case, and Minus 5, all hinted at in his fine music. But what he/they most remind of is Watt’s influence The Urinals/100 Flowers, in the way he breaks out homey tunes in the rush of spikier energy—like “My Favorite Lounge,” which spits guitar glory with gusto following tight circular riffs, while hailing soulful, sweaty dives with honest bands. It’s where you’d want to catch Jones and his cephalopods, happily blasting away. // More info at: More info at: http://www.danjonesmusic.com][Dan Jones and The Squids played a Record Release Show at Woodyard BBQ, 3001 Merriam, in KCK, on Saturday, September 9, at 7:00 PM. with Tick Check. Dan Jones & Steve Tulipana joined us on WMM on Sept. 6, 2023.]

    [Dan Jones & The Squids play the Play Loud Fest celebrating 20 years of recordBar, on Friday September 26 at 5:45pm on the recordBar Front Stage at 1520 Grand Boulevard, KCMO.]

    1. Madisen Ward and the Mama Bear – “Whole Lotta Problems”
      from: The Skeleton Crew / Glassnote Records / May 9, 2015
      [Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. Their follow up EP Radio Winners was released July 27, 2018 and recieved critical acclaim. // Madisen Ward and The Mama Bear released the album TARTED WITH A FAMILY on September 6, 2019. Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. ] [Wednesday MidDay Medley was the very forst radio show to ever paly Madisen Ward and The Mama Bear ]

    [Madisen Ward plays the Play Loud Fest celebrating 20 years of recordBar, on Friday September 26 at 9:00pm on the recordBar Main Stage at 1520 Grand Boulevard, KCMO.]

    Play Loud Fest will be a four-day celebration of 20 years of recordBar, 1520 Grand Boulevard, KCMO – September 25 – 28, 2025

    Thursday, September 25 – Play Loud Pre-Party @ recordBar
    Post Sex Nachos
    They’re Theirs
    Malek Azrael & The Vibes

    Friday September 26

    recordBar Main Stage
    5:00pm – Rex Hobart & The Misery Boys
    6:15pm – The Delazers
    7:30pm – Info Gates Tribute
    7:45pm – UBI of Ces Cru
    9:00pm – Madison Ward
    10:15pm – Doubledrag
    11:15pm – Making Movies

    recordBar Front Stage
    5:45pm – Dan Jones & The Squids
    7:00pm – The Bad Ideas
    9:45pm – LYXE
    1045pm – Red Kate

    Kobi-Q Stage
    8:00pm – MitchMakesBeat
    8:45pm – Iocene
    9:30pm – Bobcat Attack
    10:15pm – Buki-San
    11:00pm – Pleasure.exe

    The Wolf’s Den at The Belfry
    6:00pm – Happy Hour with Making Movies
    7:00pm – Jamie Rhen
    8:00pm – Boss Holligan Soundsystem

    Saturday, September 26

    Lemonade Park
    6:45pm – Paris Williams
    7:45pm – Frogpond
    9:00pm – Deerhoof

    recordBar Main Stage
    2:30pm – People’s Liberation Big Band
    3:45pm – The Doo-Dads
    5:00pm – The Royal Chief
    6:00pm – Lorna Kay
    7:00pm – Dom Chronicles
    8:00pm – Approach/SKU
    9:30pm – Emmaline Twist
    11:00pm – Roman Numerals

    recordBar front Stage
    3:15pm – Lone Stranger w/DJ Jamel Rockwell
    4:30pm – Saint George and The Dragons
    5:30pm – The Epitome
    6:30pm – Steddy P
    7:30pm – Cat Fight
    9:00pm – Macemouth

    Kobi-Q Stage
    7:00pm – WRKER
    7:45 – Juliette Frost
    8:30pm – Faceface
    9:15pm – The Delazers
    10:00pm – KB Mixes

    The Wolf’s Den at The Belfry
    6:00pm – Happy Hour with Radkey
    7:00pm – Freight Train Rabbit Killed

    Sunday, September 28 – Post Party @ recordBar

    Play Loud Fest will be a four-day celebration of 20 years of recordBar. The event will take place on several stages:

    recordBar Main Stage
    recordBar Front Stage
    Kobi Q,
    The Wolf Den at The Belfry
    Lemonade Park

    recordBar opened its doors in August 2005 in a humble Kansas City strip mall, with a simple goal: to create a space where music felt close and community came first. Founded by Steve Tulipana and Shawn Sherrill, two music lovers who believed in good sound, even better drinks, and treating artists right, the original recordBar quickly became a hub for local bands, national tours, and just about any event that needed a stage—from birthday parties to fundraisers to experimental art nights.

    In 2015, recordBar moved to the Crossroads District, becoming part of a new chapter in Kansas City’s music scene. The new space kept the same spirit—intimate, accessible, and artist-forward—while expanding its reach and upgrading the experience for both performers and fans. Its downtown location allowed for larger shows while staying true to its roots as an independent, music-first venue.

    All VIP perks: Fast-pass entry into venues // Limited-edition festival T-shirt // Commemorative festival poster

    Add-ons Available: Entry to an intimate private Happy Hour on Friday featuring an acoustic performance with Making Movies at The Wolf Den, featuring cocktails with Chef Celina Tio and her Annx Spirits line.(Available As GA Add-On)

    Entry to an intimate private Happy Hour on Saturday featuring an acoustic performance with Radkey at The Wolf Den, featuring cocktails with Chef Celina Tio and her Annx Spirits line. (Available As GA Add-On)

    10:28 – Underwriting

    1. Nan & The One Nite Stands – “Primetime”
      rom: “Primetime” – Single / Nan Turner / September 5, 2025
      [Written by Nan Turner. Additional Vox by Tracy Flowers. Recorded + mixed + produced by Chase Horseman at Element Studios, Kansas City, KS. Mastered by Ian Dobyns. Picture of Nan by Laci Kay. Additional studio support by Frida the Dog and Georgia. More Info at: http://www.nanturner.bandcamp.com Nan Turner was our guest on WMM on March 31, 2021.]

    [Nan Turner & The One Nite Stands play Gigantic Records, Fri, Oct. 3, at 7:00 at 1614 Westport Rd, KCMO.]

    10:33 – Interview with Nan Turner

    Nan Turner joins us to share details about her new single “Primetime,” AND her show at Gigantic Records, and the progress on her Tonya Harding musical. The singer-songwriter-drummer-actress-dancer’s music has been described as “Tone Loc meets the Velvet Underground.” As Nan + The One Nite Stands, Nan released the single”Primetime” on September 5, 2025. Nan released the single “Sick” on March 7, 2025. Nan released the 4 song EP HAWKIN’ IT on May 14, 2024. Nan released HIGH-CALIBER on February 19, 2021. Nan Turner released the single, “Desert Nites”, on May 22, 2020. Nan released her EP, CHAMPS AND LOSERS, VERSION 2, on July 12, 2019. Nan Turner was one half of the critically acclaimed band Schwervon! with Matt Roth (Major Matt Mason USA) on electric guitar and Nan on drums. The band started in the Lower East Side of New York City in 1999 and toured internationally for over a decade, Schwervon! released 7 full length albums, 2 EPs, and 5 singles. Nan has been called the “Lucy Ricardo of Indie Rock.” Nan went to college with Soon-Yi Previn

    Nan Turner & The One Nite Stands play Gigantic Records, Friday, October 3, at 7:00 at 1614 Westport Rd, KCMO. More at: http://www.nanturner.bandcamp.com

    Nan Turner, Thanks for being with us on Wednesday MidDay Medley

    “Primetime” – Lyrics

    Breezy attitude
    white light
    bartender
    stage fright

    Ladies of
    certain age
    hair down
    on parade

    Nothing prepares you
    for saying goodbye
    expectation
    never got me high
    drip of the faucet
    Brando in his prime
    lives on an island
    and he’s fine

    Snow angel
    where’s your Dad?
    Best time (best time)
    ever had
    Cold nose
    lost and found
    disco ball
    spinning round

    Nothing prepares you
    being what you’re not
    It’s a risky business
    sliding around in your socks
    Don’t know how to say
    you’re asleep on a dream
    so you go home
    and blame your bad genes

    Don’t wanna live
    one foot out the door
    missing all I had
    just the year before

    I press on you
    faded bruise
    left behind left behind left behind

    Nothing prepares you
    for the illusion of age
    filter on a sunset
    suppress body rage
    Drugs that you pilfer
    Joan Crawford with more charm
    raise the stakes
    set the alarm
    Cha cha cha cha cha cha

    Nan Turner & The One Nite Stands play Gigantic Records, Friday, October 3, at 7:00 at 1614 Westport Rd, KCMO. More at: http://www.nanturner.bandcamp.com

    Nan Turner has been working on a figure skating musical about Tonya Harding and that particular era of skating with Nancy Kerrigan and Oksana Baiul and even Verne Lundquist.

    Tonya Harding was born November 12, 1970 in Portland, Oregon.
    American figure skater, Tonya Harding, was the 1991 and 1994 US champion but her 1994 title was taken away after a controversy erupted regarding her ex-husband. He was charged with planning an attack on a rival American skater, Nancy Kerrigan. Tonya Harding was banned for life by the US Figure Skating Association after she pleaded guilty to conspiracy to obstruct justice.

    Nancy Kerrigan was born October 13, 1969 in Stoneham, Massachusetts, United States
    Figure skater Nancy Kerrigan is best known for her 1993 U.S. Figure Skating Championship win. She has also won medals at the 1991 and 1992 World Championships and the 1992 and 1994 Winter Olympics. She was attacked and injured by a man hired by her rival Tonya Harding’s former husband.

    Oksana Baiul-Farina was born November 16, 1977, in Dnipro, Ukrainian SSR, Soviet Union, an industrial city famous for manufacturing Soviet missiles. Her parents divorced when she was two years old, and her father, Sergey Baiul, who died in 2006/7 disappeared shortly after. No one is certain whether he deserted his family or was pressured to leave town when he and his wife divorced. She was raised by her mother, Marina, a French teacher, and her maternal grandparents. In addition to having Ukraine ancestry, she is of Russian descent through her maternal grandfather. // She is the 1993 world champion and the 1994 Olympic champion in ladies’ singles. Baiul is the first and only skater representing Ukraine to win gold at the Winter Olympics. She is also the first Olympic champion of independent Ukraine in any sport. After winning the gold medal in 1994, Baiul decided to turn professional in order to tour in the United States and have a career based on her skating. She followed one of her coaches to Connecticut. Later, she also became involved in a variety of TV appearances, and benefit skates. She has lived in the United States since 1994. In 1997 she published 2 books, a memoir about her life and one on skating.

    Merton Laverne Lundquist Jr. was born in Duluth, Minnesota on July 17, 1940. He graduated from Austin High School in Austin, Texas, before attending Texas Lutheran University (formerly Texas Lutheran College), where he was one of the founders of the Omega Tau Fraternity in 1958 before graduating in 1962. He is now a member of the Board of Regents for his alma mater. Lundquist attended Augustana Seminary in Rock Island, Illinois in 1962. His father was a Lutheran pastor & President of the Nebraska Synod of the Augustana Lutheran Church. Lundquist played basketball & baseball and was a disc jockey at WOC, Davenport, Iowa. His ‘Golden Voice’ was the highlight of the seminary class on preaching. He began his broadcasting career as sports anchor for WFAA in Dallas and in Austin for KTBC, as well as being the radio voice of the Dallas Cowboys. Lundquist joined the Cowboys Radio Network in 1967 and remained with the team until the 1984 season. He was paired with future play-by-play man Brad Sham starting with the 1977 season, the year the Cowboys went 12–2 and captured their second NFL title in Super Bowl XII. He was sportscaster at WFAA during their 6pm news. Before becoming a nationwide sports commentator, from 1970 to 1974, Lundquist was commentator for the sports show, Bowling for Dollars, in Dallas, Texas. It aired weekday evenings on the ABC station, WFAA-TV, from 6:30 to 7:00, in north central Texas. During these four seasons, Lundquist started interviewing Cowboys players and their first head coach, Tom Landry, at their sidelines, during halftimes, practices, pre-season and pre-game warm-ups, in Dallas. More info at: http://www.nanturner.bandcamp.com

    Nan Turner also contributed a track to the compilation called, Ain’t I Folk? (Indie, Acoustic, Pop, Rock, Weird, And Bedroom Lo-Fi Covers of New York Antifolk Classics) released February 17, 2021 on Weemayk Music. Nan recorded a cover of “I don’t get love” written by her friend Angela Carlucci who goes by the name “Little Cobweb”. More info at http://www.littlecobweb.bandcamp.com/track/i-dont-get-love

    Angela Carlucci is also one of Nan’s dancers (and singers) for The One Nite Stands in NYC…and they’ve been dancing and doing shows together for many years. She is also in a great two-piece band called, True Dreams. More info at: truedreams.bandcamp.com

    Anti-folk (or unfolk) is a music genre that arose in the 1980s in reaction to the remnants of the 1960s folk music scene, to mock the perceived seriousness of the time’s mainstream music scene, with the intention to shock and protest. Artists of the anti-folk genre observe the “rules” of music, but then deliberately break them. // Anti-folk was introduced by artists who were unable to obtain gigs at established folk venues in Greenwich Village such as Folk City and The Speakeasy. In the mid-1980s, singer-songwriter Lach started The Fort, an after-hours club on NYC’s Rivington Street in the Lower East Side. The Fort’s opening coincided with the New York Folk Festival. Because of this, Lach dubbed his event the New York Antifolk Festival. Other early proponents of the movement included The Washington Squares, Cindy Lee Berryhill, Brenda Kahn, Paleface, Beck, Hamell on Trial, Michelle Shocked, Zane Campbell, and John S. Hall. Roger Manning, Kirk Kelly, and Block. // The original Fort was shut down in 1985 by the police, and because of this the club moved locations several times, including East Village bars Sophie’s and Chameleon, before settling in the back room of the SideWalk Cafe starting in 1993. The New York Antifolk Festival continues to be held annually at the SideWalk Cafe (long outlasting the original Folk Festival). Events have also taken place in the band shells in Tompkins Square Park and Central Park. While living in San Francisco in the early 1990s, Lach helped establish a West Coast anti-folk movement at the Sacred Grounds Coffee House.

    Schwervon! is a two-piece American indie rock band. The band members are Matt Roth (Major Matt Mason USA) on electric guitar and Nan Turner on drums; the pair share singing duties. They started the band in 1999 on the Lower East Side of New York City, shortly after they began their ongoing romantic relationship. They have released five albums through Major Matt’s Olive Juice Music independent record label. Their first two albums have also been distributed by Shoeshine Records in Europe, where they have toured with Jeffrey Lewis and Kimya Dawson. In 2011, they did European tours, opening for the recently reunited UK alternative band The Vaselines, as well as Belle and Sebastian.

    In 2012 Schwervon! relocated to Shawnee, Kansas.Their album, Broken Teeth, was released in 2014 on local Kansas City label Haymaker Records.

    Schwervon! Discography

    Quick Frozen Small Yellow Cracker (2000)
    Poseur (2004)
    I Dream of Teeth (2006)
    Elephant in the Room (2007; German compilation of previously released material)
    Low Blow (2009)
    Courage (2012)
    Broken Teeth (2014)
    EPs and singles
    Gas Money Tour EP (2005; with Jeffrey Lewis)
    Elephant (2006; 7-inch single)
    Cotton Mouth (2006; 7-inch single)
    Fall Tour ’06 EP (2006; with Toby Goodshank)
    “Paradise by the Dashboard Light” (2011; 4-way split 7-inch single/Meat Loaf cover with Elastic No-No Band, Huggabroomstik, and The Leader)
    Landlocked/Off Duty Trip (The Raincoats) (2013; 7-inch single)
    Blood Eagle/Wrath Of Angels (2017; 7-inch single)

    Nan Turner Discography

    Nan Turner – For Champs and Losers, Version 1 – February 28, 2007
    [All songs and instruments by Nan Turner. Dibson Hoffwiler played drums on tracks 1 and 3, and guitar freakout on 3. Lisa Li-Lund sang vocals on track 5. Tracks 1-4 recorded by Dashan Coram at Luv-a-Lot Studios in Brooklyn. Track 5 recorded by Lisa Li-Lund in Brooklyn. All tracks mastered by Major Matt at OJ Studios, NYC.]

    Nan Turner – Construction of a Champ – May 12, 2010
    [Songs written by NAN TURNER. (except track 9 by Nick Cave) Tracks 3, 5, 7, 8 Recorded by Dashan Coram @ Luv-a-Lot Studios, Brooklyn/NYC. Tracks 1, 2, 4, 6, 9 Recorded & Co-Produced by Mark Ospovat @ Emandee Studios, Brooklyn, NY. All songs mastered by Matt Roth @ Olive Juice Music Studios, NYC. ONE NITE STANDS: Simon Beins: Guitar on 5, Bass on 7, 9. Trumpet on 8, 9; Daoud Tyler-Ameen: Drums on 2, 3, 5, 7, 9; Dan Gower: Piano on 9; Dave End: Vox on 7; Dan Fishback: Vox on 8; Christian De Roeck: “Dragon” Vox on 4; Adey Lobb: Melodica on 6; Mark “Slave to Production” Ospovat: Bass & many other newfangled synthy guitarey noise things: 1, 2, 4, 6.]

    Nan + the One Nite Stands – EP HAWKIN’ IT – May 14, 2014
    All songs written by Nan Turner. Recorded & Mixed & Co-Produced @ Emandee in Brooklyn by Mark Ospovat. Mastered by Casey Holford. Photo by Erica Peterson. Thanks so much to my One Nite Stands in NYC and London who contributed to this collection of songs! Simon Nelson: Guitar, drums on Rambo; Adrian Lobb: Keys on Rambo; Butch Merigoni: Drums on Beijing; Simon Beins: trumpet on Hawkin It; Julie Delano – vox on Hawkin It; Susan Hwang – vox on Hawkin It; Mark “slave to production” Ospovat – so many instruments, especially bass/ guitar/ textural things. Also vox on tracks 2,3,4.

    Nan Turner – For Champs and Losers, Version 2 – July 12, 2019
    [All songs by Nan Turner. Recorded + Mixed + Co-Produced @ Winky World by Chase Horseman Kansas City, MO. Mastered by Alan Douches @ West West Side Music, New Windsor, NY. Ian Dobyns – drums on 1, 2, + 4; Chase Horseman – bass on 1, 2, + 4.
    Huge thanks to Chase for your ears + producer magic. Also thanks to Ian, Alan, all my friends in KC and NYC, and to Frida the dog.]

    Nan & The One Nite Stands – Desert Nites (Single) – May 22, 2020
    [Written by Nan Turner. Recorded by Mark “Dragon” Ospovat @ SpeakerSonic Studios in Brooklyn, NY. Additional recording and mixing and production by Chase Horseman @ Winky World Studios in Kansas City, MO. Mastered by Ian Dobyns. Nan Turner on vocal & beats, Mark Ospovat on guitar & percussion, Chase Horseman on wurlitzer & bass & synthesizers, Dawn Yoder & Tracy Flowers on backing vocals. // Thanks to Mark O.,Chase, Ian, Tracy, Dawn, NY one nite stands Leslie, Angela, and Susan. My Dad. And last but not least, Frida the Dog. // Nan writes: I learned about existentialism at a young age. My Dad was a Philosophy Professor. Waiting for Godot and Archibald MacLeish’s J.B. were in my Ballet Bag for years. My mother + stepfather are libertarian folk that went to church, shot guns, and sold Amway. // I’m not saying this song is about any of that. But it’s also NOT NOT about that. // I started recording this song in 2017 with my good friend and collaborator Mark Ospovat in Brooklyn, NY. We laid down the foundation tracks of beat, guitar and vocals. Then I let the song lie…..because I didn’t know how to finish it or where it fit in my oeuvre. I almost wrote ovaries. That too. (You do know that songs are like babies, right?) // Cut to March 2020, Kansas City. Chase Horseman and I unearthed the tracks right before the quarantine. He sat down at the Wurlitzer and played some notes and suddenly the song made sense to me. Of course it needed Wurlitzer! Through Chase’s arrangements of keys and other instrumentation, and Dawn and Tracy’s backup vocals (shoutout to KC one nite stand dancers extraordinaire)…I knew the song was finally there and it was time to release it into the world.Thanks so much to both Mark Ospovat & Chase Horseman for helping me realize the song’s potential and also for adding your own inventive arrangements. A One Nite Stands Magical Collaboration from NYC to KC.]

    Nan + the One Nite Stands – High-Caliber – February 19, 2021
    All songs by Nan Turner. Initial Engineering on 2 and 5 by Mark Ospovat @ Speakersonic Studios, Brooklyn and on 1,3,and 4 by Pat Tomek @ Largely Studios, KCMO. All songs co-engineered, mixed, and co-produced by Chase Horseman @Element Studios, Kansas City, MO. Mastered by Ian Dobyns. The One Nite Stands who played on these songs! Lizz Weiler-bass on 1, 3, and 4 // Pat Tomek -drums on 1, 3, and 4 // Mark Ospovat – bass on 2 and 5 // Don Dawn + Tracy Flowers – vox on 2, 4, and 5 // Chase Horseman- keys, guitar, co-production on 1-5. // Thanks to Mark O, Pat, Chase, Ian, Lizz, Don Dawn, Tracy, Peter Gallagher, and Frida the Dog. // Xtra BigThanks to: Chase Horseman for sonic textures + production magic. // Kimya Dawson, Bertrand “BP” Perrot, MMM, and Sun Ra for Tour Dawg “Space is the Place” Inspiration.

    Nan Turner, Thanks for being with us on Wednesday MidDay Medley.

    Nan Turner & The One Nite Stands play Gigantic Records, Friday, October 3, at 7:00 at 1614 Westport Rd, KCMO. More at: http://www.nanturner.bandcamp.com.

    10:53

    1. Nan & The One Nite Stands – “Sick”
      from: “Sick” – Single / Nan Turner / March 7, 2025
      [Nan + the One Nite Stands. Song by Nan Turner. Music backing track by Chase Horseman. Additional Vox by Tracy Flowers. Recorded + mixed + produced by Chase Horseman at Element Studios, Kansas City, KS. Mastered by Ian Dobyns. Additional studio support by Frida the Dog // On February 19, 2021 Nan Turner released High – Caliber with all songs by Nan Turner. Initial Engineering on 2 and 5 by Mark Ospovat @ Speakersonic Studios, Brooklyn and on 1,3,and 4 by Pat Tomek @ Largely Studios, KCMO. All songs co-engineered, mixed, and co-produced by Chase Horseman @Element Studios, Kansas City, MO. Mastered by Ian Dobyns. // “Yeah” is track 1, on this 5-song EP // The One Nite Stands who played on these songs! Lizz Weiler on bass on 1, 3, and 4; Pat Tomek on drums on 1, 3, and 4; Mark Ospovat on bass on 2 and 5; Don Dawn + Tracy Flowers on backing vocals on 2, 4, and 5; Chase Horseman on keyboards, guitar, and co-production on 1-5. // Thanks to Mark O, Pat, Chase, Ian, Lizz, Don Dawn, Tracy, Peter Gallagher, and Frida the Dog. Xtra BigThanks to: Chase Horseman for sonic textures + production magic. Kimya Dawson, Bertrand “BP” Perrot, MMM, and Sun Ra for Tour Dawg “Space is the Place” Inspiration. // Nan Turner released the single “Desert Nights” released May 22, 2020, written by Nan Turner, and recorded by Mark “Dragon” Ospovat @ SpeakerSonic Studios in Brooklyn, NY. Additional recording and mixing and production by Chase Horseman @ Winky World Studios in Kansas City, MO. Mastered by Ian Dobyns. // On July 12, 2019, Nan Turner released her solo EP, Champs and Losers, Version 2. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. // Nan Turner is also one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock. Her music has been described as “Tone Loc meets the Velvet Underground.” More Info at: http://www.nanturner.bandcamp.com Nan Turner was our guest on WMM on March 31, 2021.]

    [Nan Turner & The One Nite Stands play Gigantic Records, Friday, October 3, at 7:00 at 1614 Westport Rd, KCMO.]

    1. They’re Theirs – “Midland Empire”
      from: “Midland Empire” – Single / Chase The Horseman / February 18, 2025
      [As a live band They’re Theirs consists of Chase Horseman on vocals and guitars, Sky Cowdry on bass and Ian Dobyns on drums. // “Midland Empire” was produced by They’re Theirs, engineered by Ian Dobyns, mixed by Ian Dobyns Chase Horseman and Sky Cowdry. Mastered by Justin Perkins/Mystery Room Mastering. Recorded at Element Recording. // Chase The Horseman released the single “Silver Liner” on October 25, 2024. Drums and additional engineering by Ian Dobyns, Additional vocals by Heidi Gluck. Mastered by Anthony Puglisi. Written, produced, performed and mixed by Chase Horseman at Element Recording. // Chase Horseman has composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, The Roseline, Nan Turner and more. Chase The Horseman film composer, band leader, multi-instrumentalist, audio engineer, & producer. // On April 2, 2024 Chase released the 22 track Original Sound Track for Headcount, a feature film from the Burghart Brothers, produced by Continuance Pictures, Method Media, and Shout Factory. Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” // In February 2020 Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. Chase played Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals all performed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos. // On May 1, 2020. // Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowley on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of the Chase Horseman single were be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. // Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018. // More info at: http://www.chasethehorseman.bandcamp.com.]

    [They’re Theirs play the Play Loud Fest Thurs, Sept. 25 for the Pre-Party on the recordBar Main Stage with Post Sex Nachos, and Malek Azrael & The Vibes at 1520 Grand Boulevard, KCMO.]

    11:00 – Station ID

    1. Amy Steinberg– “Ready To Let Go”
      rom: Big Bang Breaks / Amy Steinberg / March 11, 2023
      [Amy Steinberg was classically trained on the piano from age 4, she studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College. Amy Steinberg is best known for her live performances, she blends together a mixture of music, comedy, and poetry. Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released over nine albums independently, and written and performed multiple one-woman shows. She is a licensed Religious Science minister. She lives with her partner in Asheville, North Carolina. More info at http://www.amysteinberg.net]

    [Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, Sept 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr.]

    11:04 – Interview with Amy Steinberg

    Amy Steinberg was classically trained on the piano starting at age 4. She studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College. Amy Steinberg is best known for her live performances, she blends together a mixture of music, comedy, and poetry. Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released over nine albums independently, and written and performed multiple one-woman shows. She is a licensed Religious Science minister. She lives with her partner in Asheville, North Carolina. More info at http://www.amysteinberg.net]

    Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, September 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr., Lenexa, KS.

    Amy Steinberg Thanks for being with us on Wednesday MidDay Medley on 90.1 FM.

    Amy Steinberg was Borm July 17, 1973 (age 52) in Massachusetts, United States
    She is a Singer-songwriter who plays Piano, guitar, vocals,. She had been performing since 1998. Hsr website is: http://www.amysteinberg.net

    Amy Steinberg is an American minister, singer, songwriter, musician, playwright and actress. She is an independent artist. Best known for her live performances, she blends together a mixture of music, comedy, and poetry. A student of the Science of Mind movement, her work has included musically directing at spiritual centers, writing songs for the Inspire Choir in Boca Raton, Florida and the One Love Choir in Charlotte, North Carolina which has brought marked spirituality into her work. She has performed at Agape International in Los Angeles, Center for Spiritual Living in Seattle, The Revelation Conference, the Michigan Womyn’s Festival, and opening for artists including Alix Olson and Melissa Ferrick.

    Early life – Amy was born in Boston, Massachusetts. At age 8, her family moved to Sarasota, Florida, where she attended Booker High School for the Performing Arts. Classically trained on the piano from age 4, she studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College.

    11:11

    1. Amy Steinberg – “Big Bang Breaks”
      from: Big Bang Breaks / Amy Steinberg / March 11, 2023
      [Amy Steinberg who is classically trained on the piano from age 4, she studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College. Amy Steinberg is best known for her live performances, she blends together a mixture of music, comedy, and poetry. Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released over nine albums independently, and written and performed multiple one-woman shows. She is a licensed Religious Science minister. She lives with her partner in Asheville, North Carolina. More info at http://www.amysteinberg.net]

    [Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, Sept 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr.]

    11:14 – More Interview with Amy Steinberg

    Amy Steinberg was classically trained on the piano starting at age 4. She studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College. Amy Steinberg is best known for her live performances, she blends together a mixture of music, comedy, and poetry. Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released over nine albums independently, and written and performed multiple one-woman shows. She is a licensed Religious Science minister. She lives with her partner in Asheville, North Carolina. More info at http://www.amysteinberg.net]

    Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, September 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr., Lenexa, KS.

    Amy Steinberg, Thanks for being with us on tWednesday MidDay Medley on 90.1 FM.

    Music and Theater – Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released nine albums independently, and written and performed four one-woman shows: Me, Me, Me, Me; Oh My God Don’t Stop; Ever Expanding; and The Divine Miss Aim. After selling out and winning Patron’s Pick at the 2005 Orlando International Fringe Theater Festival, Oh My God Don’t Stop went on for successful runs in Tampa and West Palm Beach, Florida. It ran for three months at the Cuillo Centre for the Arts in 2008 to rave reviews. She won the Touring Act of the Year award from Songwriter Showcases of America in 2006, and Best Solo Performer from the Orlando Music Awards in 2000. She regularly tours the United States, performing in music festivals, Spiritual Centers, coffeehouses, and unschooling conferences. She currently tours in support of her newest record, Broken Open produced by Justin Beckler.

    Her influences and inspirations are Bette Midler, Ani Difranco, Christy Snow, and George Carlin. Her shows are a mix of comedy, music, theater, and spirituality.

    Breaking the Moon – Steinberg wrote and produced a long one act, Breaking the Moon, about 7 teenagers in treatment for suicide and suicidal behaviors. It received praise from the press and is moving forward to productions in Asheville, North Carolina, Johnson City, Tennessee and New York, NY. Currently, the original cast album is being recorded at Sound Temple Studios.[2][3]

    Art and Other Expressions – In 2001 Steinberg began turning her ‘doodles’ into multi-media pieces of fine art. Her work is mostly bright acrylic pieces with words inside the images (pictures below).

    Amy Steinberg is a licensed Religious Science minister. She lives with her partner in Asheville, North Carolina

    Discography

    Big Bang Breaks
    Shine, Be Glorious
    Broken Open
    Fall Down to Fly
    Must Be the Moon
    Raw Material from the Ethereal
    Emphatic at the Attic: LIVE!
    Clown Princess
    Sex with Amy
    360 Hibiscus
    Sky High

    Amy Steinberg Thanks for being with us on Wednesday MidDay Medley on 90.1 FM.

    Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, September 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr., Lenexa, KS. More info at http://www.amysteinberg.net]

    11:24

    1. Amy Steinberg – “Trouble”
      from: “Trouble” – Single / Amy Steinberg / February 24, 2023
      [Amy Steinberg who is classically trained on the piano from age 4, she studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College. Amy Steinberg is best known for her live performances, she blends together a mixture of music, comedy, and poetry. Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released over nine albums independently, and written and performed multiple one-woman shows. She is a licensed Religious Science minister. She has two chihuahuas, Ru and Tiki and three cats: Poppy, Baby cat and Sebastian. She lives with her partner in Asheville, North Carolina. More info at http://www.amysteinberg.net]

    [Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, Sept 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr.]

    11:27 – Underwriting

    1. Til Willis & Erratic Cowboy – “Lost”
      from: “Lost” – Single / Til Willis / February 27, 2025
      [3rd single from the upcoming album, Glass Cactus. Written by Til Willis Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. Steve Faceman on backup vocals. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]

    [Til Willis plays Greenwood Social Hall, 1750 Belleview Ave. KCMO Sat., Oct. 4, 7:00pm.]
    Til Willis plays Northside Local, 444 Locust Ave., Lawrence, KS. on Fri., Oct. 17 8:00pm.]

    11:34 – Interview with Til Willis

    Til Willis was born in the heat of 1980, has been making music for a long time. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger. Til Willis joins us to share details about his band Til Willis & Erratic Cowboy and their latest album Glass Cactus recorded in The Barn in Tecumseh, Kansas, mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas.

    Til Willis plays Greenwood Social Hall, 1750 Belleview Ave. KCMO Sat, Oct 4, at 7:00pm.
    Til Willis plays Northside Local, 444 Locust Ave., Lawrence. on Fri. Oct. 17 at 8:00pm

    Til Willis Thanks for being with us on Wednesday MidDay Medley

    The last album from Til Willis & Erratic Cowboy was Grinding of The Stars, released Nov. 4, 2022 and recorded in a 122 year old barn. With Til Willis on guitars & vocals; Eric Binkley on bass, and Austin Sinkler on drums/ Recorded/Mixed/Produced by Til Willis. Mastered by John Hruska.

    Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas.

    Til Willis & Erratic Cowboy is:
    Til Willis on vocals & guitar
    Bradley McKellip on guitar & backup vocals
    Eric Binkley on bass
    Austin Sinkler on drums.
    With Steve Faceman on backup vocals for “Lost,” Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law With Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday

    Til Willis began performing in 1992, at the remarkable age of just twelve. Since then, he’s produced an expansive catalog of music, including fifteen studio albums, two live albums, and five EPs. Til’s bandmates, known as Erratic Cowboy, both compliment and enhance Til’s well-seasoned songwriting, and have added their own dynamic energy to his albums and live shows since 2012. With November’s release, Grinding of the Stars, Til Willis & Erratic Cowboy show no signs of slowing down.

    Til has headlined his own shows, and opened for such notable acts as Jesse Robinson, The Subdudes, Mel Melton and the Wicked Mojos, Fainting Goats, and Pete Seeger.

    Glass Cactus was Recorded in The Barn in Tecumseh, KS. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence. Cover art by David Huddleston

    Til and the boys perform frequently at favorite venues:The Record Bar and The Brick in KC, and The Replay Lounge, Kaw Valley Public House and The Bottleneck in Lawrence.

    There are people who write songs, and then there are songwriters… people who write simply because they have no other choice, poets in denim who wonder if they’re poetic at all. It’s talk of fire, and the breath of storms passed that stirs the echoes of longing to express one’s self…Til Willis came along after the birth of rock and roll, but before the setting of the sun in the home state of Elvis. A state that as John Magnie says, “Eats the roots of American music.” And, out of this climate Til strode with the confident swagger of a man possessed with the desire to be a songwriter.

    Growing up on rock & roll made during a time when “rock & roll” mattered, and it wasn’t about fashion & packaging, Til strives to deliver substance in his own orchard of sound.

    A listen to any of his albums, The Thought I Had, Shadow of the Future, Lovesick, Crimson Wind, or Cindershine confirms this level of commitment. It’s not bubblegum pop, or mindless distortion. This is American Rock, and Til has brought it to life on stages from Mississippi to California, Colorado to Oklahoma.

    He has composed scores for plays by playwright Steve Goode, and student films made at the University of Colorado. He has produced albums for artists like Drew Fowler, in addition to producing all of his own recordings.

    In short Til Willis is an energetic young singer/songwriter with a voice that thunders, and a musical passion and vision that screams the haunted howl of hellhounds down a dusty road. Rock and Roll is freedom, and Til exercises his daily.

    CEO at Til Willis & Erratic Cowboy

    In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.

    Studied at Colorado State University
    Lives in Lawrence, Kansas // From Ouray, Colorado
    Married to Stephanie Willis – (Aug. 18, 2012)
    Daughter: Mahalia
    Dog: Twyla

    Til Willis Thanks for being with us on Wednesday MidDay Medley

    Til Willis plays Greenwood Social Hall, 1750 Belleview Ave. KCMO Sat., Oct. 4, at 7:00pm.
    Til Willis plays Northside Local, 444 Locust Ave., Lawrence, KS. on Fri., Oct. 17 at 8:00pm

    11:49

    1. Til Willis & Erratic Cowboy – “Homecoming”
      from: Glass Cactus / Til Willis / March 27, 2025
      [Til Willis on vocals, guitar, percussion, mixing, & production; Bradley McKellip om guitars & lap steel; Eric Binkley on bass, and Austin Sinkler on grums with Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday; Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law; and Steve Faceman on backup vocals on Lost. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]

    [Til Willis plays Greenwood Social Hall, 1750 Belleview Ave. KCMO Saturday, October 4, at 7:00pm.]
    [Til Willis plays Northside Local, 444 Locust Ave., Lawrence, KS. on Friday, October 17 at 8:00pm.]

    11:55

    1. Juliette Frost – “Drowning in a Glass of Water “
      from: Drowning in a Glass of Water – Single / Juliette Frost / September 5, 2025
      [Juliette Frost released the EP personal logs on March 3, 2024. It was part of WMM’s 120 Best Recordings of 2024. personal logs was a small collection of personal notes and feelings collaged into 3 tracks which have been sliced and diced like curry ingredients. // Juliette Frost released the single “Carbon Copy (radio edit). On March 22, 2024. // Juliette Frost released the single “Wizard Trance” with Not Nymph Yet, on December 20, 2023, // Juliette Frost released the single “UeyuAau,” on December 13, 2023. // Juliette Frost released the single “Night Owl,” on April 13, 2023. // Juliette Frost released the single “Fruits of Our Tree,” on December 11, 2022. // Juliette Frost also released the single “Sylvrface,” on February 8, 2021. // Juliette Frost also released the single “Parallel,” on February 8, 2021. // Juliette Frost also released the17 track album, “Lepidoptera” on February 8, 2021. // Juliette Frost also released the single “Streetwalker,” on February 8, 2021. // Juliette Frost recorded a 6-song EP HUSH on May 5, 2021, that was created in a 5-day recording session, in December 2020 in Los Angeles, with musician, bassist, & producer Dominique Sanders. The songs, written by Juliette, feature her vocals layered in harmonies, beats and soundscapes. // Juliette Frost also released the single “burd,” on February 8, 2021. // On April 18, 2020 Juliette released Subterranean.Egyptian.Sea.Monkeys, her 19-track, debut, recorded in her bedroom, when she was 16, sampling sounds from her own cats meowing and purring, among others. When Juliette was making the music for, Subterranean.Egyptian.Sea.Monkeys, she really wasn’t thinking of putting out an album. She was just creating music, and before she knew it she had all of these songs. // Juliette has had the opportunity to see the recording process from two very different perspectives: in a recording studio in LA, and in her own private bedroom, working by herself. Juliette says that she prefers the alone time, in her bedroom process, because she can translate her ideas into reality, much faster. Juliette says she realized her musical passion, and that she had the abilities to create music and songs when she was in middle school. // Juliette Frost went to Shawnee Mission North High School. Juliette is not only a songwriter and producer of music but she is also a visual artist who created amazing collage art, and is also a painter and fine artist. // Juliette grew up surrounded by music in her home, Juliette is the daughter of opera and jazz vocalist Emily Frost and nationally known Hip Hop Beatboxer Adrian “A-Train” Frost] [Juliette Frost played minibar, on October 23, 2024, with Belgium-based Ultra Sunn and Religion of Heartbreak.]

    [Juliette Frost plays play the Play Loud Fest celebrating 20 years of recordBar, at 1520 Grand Boulevard, KCMO on Saturday, September 27 at 7:45pm on the Kobi-Q Stage.]

    1. Noel Coward – “The Party’s Over Now”
      from: Noel Coward in New York / drg / 2003 [orig. 1957]

    Next week, on Wednesday, October 1 we talk with members of Whim Theatre’s Production of Boys In The Band, AND Beth Watts Nelson and Brandon Day share new music.

    Stay tuned at 12:00 Noon for “Learning to Wiggle” with Steve Stemmerman at 2:00pm it’s Jazz Afternoon with Jeff Harshbarger. At 4:00pm we bring you, Dub’s Groove with Warren, at 6:00pm it’s: ON AIR with Nikki Brooks. At 7:00pm it’s VOICES OF KANSAS CITY brought to you by The Kansas City Star and 90.1 FM KKFI.]

    You can find our playlists at: http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
    http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
    http://www.instagram.wednesday_midday_medley http://www.bandcamp.com/wednesdaymiddaymedley

    A really big THANK YOU to every one of you who donated during Wednesday MidDay Medley and our Summer Fund Drive for KKFI 90.1 FM. We had 47 individuals donate a total of $3529.00 in support of Community Radio. Special thanks go to my co-hosts and guests: Betse Ellis, Mikal Shapiro, Sandra Draper, Steve Tulipana and Lincoln Dreher!!!

    Thanks to KKFI Staff: Executive Director – Bess Wallerstein-Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver. And Shaina Littler – Office Manager Book Keeper

    This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

    For WMM, I’m Mark Manning. Thanks for listening!

    Show #1114

    WMM presents: Play Loud! 20 Years of recordBar + Nan Turner + Amy Steinberg + Til Willis

    Wednesday MidDay Medley
    Produced and Hosted by Mark Manning
    90.1 FM KKFI – Kansas City Community Radio
    TEN to NOON Wednesdays – Streaming at KKFI.org

    Wednesday, September 24, 2025

    Play Loud! 20 Years of recordBar + Nan Turner + Amy Steinberg + Til Willis

    Mark plays more New & MidCoastal Releases from 10 artists/bands playing Play Loud! The 20th Anniversary Celebration of recordBar including: Roman Numerals, Emmaline Twist, Madisen Ward and The Mama Bear, Making Movies, Approach, Juliette Frost, Dan Jones and the Squids, The Royal Chief, They’re Theirs, and Deerhoof. We will also play tracks from Nan Turner, Amy Steinberg, and Til Willis & Erratic Cowboy.

    Play Loud Fest will be a four-day celebration of 20 years of recordBar, with 45 musical acts, at recordBar 1520 Grand Boulevard, KCMO, September 25-28, 2025, and around recordBar including: Kobi Q, The Belfry, and Lemonade Park. recordBar opened its doors in August 2005 in a humble Kansas City strip mall, with a simple goal: to create a space where music felt close and community came first. Founded by Steve Tulipana and Shawn Sherriil, two music lovers who believed in good sound, even better drinks, and treating artists right, the original recordBar quickly became a hub for local bands, national tours, and just about any event that needed a stage—from birthday parties to fundraisers to experimental art nights. In 2015, recordBar moved to the Crossroads District, becoming part of a new chapter in Kansas City’s music scene. The new space kept the same spirit—intimate, accessible, and artist-forward—while expanding its reach and upgrading the experience for both performers and fans. Its downtown location allowed for larger shows while staying true to its roots as an independent, music-first venue. More at: http://www.therecordbar.com

    At 10:30 Nan Turner talks about her new single “Primetime,” her show at Gigantic Records, and the progress on her Tonya Harding musical. The singer-songwriter-drummer-actress-dancer’s music has been described as “Tone Loc meets the Velvet Underground.” As Nan + The One Nite Stands, Nan released the single”Primetime” on September 5, 2025. Nan released the single “Sick” on March 7, 2025. Nan released the 4 song EP HAWKIN’ IT on May 14, 2024. Nan released HIGH-CALIBER on February 19, 2021. Nan Turner released the single, “Desert Nites”, on May 22, 2020. Nan released her EP, CHAMPS AND LOSERS, VERSION 2, on July 12, 2019. Nan Turner was one half of the critically acclaimed band Schwervon! with Matt Roth (Major Matt Mason USA) on electric guitar and Nan on drums. The band started in the Lower East Side of New York City in 1999 and toured internationally for over a decade, Schwervon! released 7 full length albums, 2 EPs, and 5 singles. Nan has been called the “Lucy Ricardo of Indie Rock.” Nan Turner & The One Nite Stands play Gigantic Records, Friday, October 3, at 7:00 at 1614 Westport Rd, KCMO. More at: http://www.nanturner.bandcamp.com

    At 11:00 Mark talks with Amy Steinberg who is classically trained on the piano from age 4, she studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College. Amy Steinberg is best known for her live performances, she blends together a mixture of music, comedy, and poetry. Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released over nine albums independently, and written and performed multiple one-woman shows. She is a licensed Religious Science minister. She has two chihuahuas, Ru and Tiki and three cats: Poppy, Baby cat and Sebastian. She lives with her partner in Asheville, North Carolina. Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, September 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr., Lenexa, KS. More info at http://www.amysteinberg.net

    At 11:30 Til Willis shares details about his band Til Willis & Erratic Cowboy and their new album Glass Cactus. Til Willis & Erratic Cowboy is Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. With Steve Faceman on backup vocals for the record. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. Til Willis was born in the heat of 1980, has been making music for a long time. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger. Til Willis plays Greenwood Social Hall, 1750 Belleview Ave. KCMO Saturday, October 4, at 7:00pm. Til Willis plays Northside Local, 444 Locust Ave., Lawrence, KS. on Thursday, October 18 at 8:00pm.

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1114

    WMM Playlist from Wednesday, September 17, 2025

    Wednesday MidDay Medley
    Produced and Hosted by Mark Manning
    90.1 FM KKFI – Kansas City Community Radio
    TEN to NOON Wednesdays – Streaming at KKFI.org

    Wednesday, September 17, 2025

    Nick Carswell & Mix Master Music + Brody Lowe + Fritz Hutchison + Mark Ronning & Iona DeWalt

    1. “Main Title Instrumental – It’s Showtime Folks”
      from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
      [WMM’s Adopted Theme Song]
    1. Wednesday – “Pick Up That Knife”
      from: Bleeds / Dead Oceans / September 19, 2025
      [Third single from upcoming album, BLEEDS. Wednesday, the North Carolina rock band led by generational songwriter Karly Hartzman released their breakthrough album, Rat Saw God. The album was one of 2023’s most critically acclaimed releases, landing on year end lists at the New York Times, NPR, Pitchfork, Rolling Stone, Associated Press, Wall Street Journal, LA Times, The Atlantic, The Ringer, The FADER, Paste, Consequence, Stereogum and more. // Wednesday is Karly Hartzman, MJ Lenderman, Xandy Chelmis, Alan Miller, and Ethan Baechtold. // “What makes Wednesday one of the best bands in the world is Hartzman’s songwriting. It’s paradisiacal in a scuzzy way, adaptable to any underbelly in North America and wickedly unafraid of being too truthful or unabashed.” -Paste // “Karly Hartzman’s storytelling remains a beautifully magpie-like collection of little details drawn from memory and observation, woven together into a transcendent indie rock tapestry.” -The AV Club // Rat Saw God released September 8, 2022. It was ij the top 30 of WMM’s 120 Best Recordings of 2024. // // Hartzman was inspired to start playing guitar after watching Mitski’s NPR Tiny Desk concert. Hartzman attended college in Asheville, where she met Daniel Gorham. The two recorded an album together under the moniker Wednesday titled yep definitely. The band’s name was inspired by the British band The Sundays. // After releasing this record, Hartzman formed another band called Diva Sweetly, alongside members of the band Pictures of Vernon. Hartzman was interested in making shoegaze music, which was not the music Diva Sweetly was making. Thus, Hartzman gathered new members to join the Wednesday band and released the second album with the group, titled I Was Trying to Describe You to Someone in 2020. The group released their third record, Twin Plagues, on August 13, 2021.// On March 11, 2022, the band released a covers album titled Mowing the Leaves Instead of Piling ’em Up, featuring covers versions of songs by Gary Stewart, Chris Bell, Roger Miller, Drive-By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine and The Smashing Pumpkins. On September 8, 2022, the band left Orindal Records and signed to Dead Oceans, releasing the single “Bull Believer”. On January 18, 2023, the band released the single “Chosen to Deserve” and announced a fifth album, Rat Saw God, which was released on April 7, 2023.] [Wednesday played the recordBar, 1520 Grand Blvd, KCMO, on Wednesday, May 17, 2025 at 7:00 PM ]
    1. Rudy Love & The Encore – “Move Slow”
      from: 11 / Midtopia / July 11, 2025
      [Rudy Love & The Encore is comprised of Rudy Love Jr. (vocals & keys), Marrque
      Nunley (drums), Rachelle Love (percussion), Mariel Jacoda (vocals), Sherdeill (DJ) Breathett (bass), and Willy Simms (guitar). // The band members have played together for most of their lives, and formally introduced the band Rudy Love & The Encore early last year. Rudy Love Jr.’s late father, renowned musician Rudy Love Sr., was a musical mentor to the band members. The band’s name is in honor of Love Sr., based on the idea that this grouping of musicians is Rudy Love Sr.’s legacy — his encore. // In 2023, the band released their debut EP, The Beauty of Burdens, followed quickly by two more singles, “Broken Angel” and “Grey.” They have been busy since the band’s inception, performing and collaborating with Elise Trouw, performing at Black & Loud Fest in Seattle, opening for notable acts like Teddy Swims and The B-52’s, and playing multiple tours across the nation.They traded the hyper-competitive hustle of the Los Angeles show business scene, and are now working together from their hometown of Wichita, Kan. to build a dream they all hold — to make music with people they love, and to share it with the world.]

    [Rudy Love & The Encore play the Mix Master Music Fest, Saturday, September 20 at 10:00pm at Northside Social 444 Locust St. Lawrence, KS.]

    10:11– Interview with Nick Carswell

    Originally from Limerick, Ireland. Nick Carswell has been performing professionally for 25 years, in his native Ireland and across the US Midwest, where he has lived since 2011. His main creative output is as songwriter and frontman for the alt-rock 5 piece, Carswell & Hope. Nick has wide experience with arts & cultural non-profits, community organizing, public art and professional development. Nick is a Creative Industries Specialist for the Kansas Creative Arts Industries Commission, a Senior Artist Leadership Fellow for the Mid-America Arts Alliance’s Artist INC program, and a board member for the Heartland Song Network, Director of the Lawrence Music Alliance, and program manager for the Audio-Reader Network.

    Nick Carswell thanks for being with us on WMM.

    Nick Carswell joins us to discuss of The Lawrence Music Alliance presents the 12th annual MixMaster Music Conference & Festival, a music community event that brings local artists and music industry professionals from across the region together to share information, learn from each other, and support our music ecosystem.Empowering musicians through collaborative programs and conversations, MXM2025 offers panels, workshops and networking opportunities accessible to all through this independently-organized conference event. The Music Fest line-up includes 6 venues over two nights with more than 25 acts performing all over Lawrence, KS. Plus, a free all ages concert on the library lawn Saturday, September 20, 2025. More info at: http://www.mixmaster2025.com

    The Lawrence Music Alliance presents the 12th annual MixMaster Music Conference, a music community event that brings local artists and music industry professionals from across the region together to share information, learn from each other, and support our music ecosystem.

    MixMaster 2025 Conference – Friday & Saturday, September 19 & 20, 2025

    Presented by the Lawrence Music Alliance, MixMaster2025 is a music conference & fest in Lawrence, Kansas // A music conference in Lawrence Public Library on Sat. Sept 20th with panels, workshops, discussion & networking // Live music showcases on Friday and Saturday feature more than 25 local & regional acts performing in 5 venues across 2 nights of music across Lawrence, KS // A free all ages concert on the library lawn Sat Sept 20.

    Saturday Sept 20th, 10am – 3pm: the 12th annual MixMaster Music Conference. Topics include music booking, how to release an album, touring tips, music as mutual aid, production workshops, DJ workshop, and demo dip. In the Lawrence Public Library Main Auditorium, Sound + Vision Studio and Meeting Rooms.​

    Through the 2024 Lawrence Music Census we’ve learned much about the needs of our music community in business training, financial support & connectivity. For example, music generates $13M in income locally, with creatives spending an average of $4,435 in the local community. However, gig income is lower than comparative studies, at $101 per gig. Only 1 in 4 music community members has received any financial support for music.

    Lawrence creatives surveyed perform more than 9,600 gigs outside of Lawrence, yet 60% of respondents indicated the need for music export funding or tour support. More than 6,500 live events happen in Lawrence each year, yet 82% of respondents need audience development tools, while 57% desire a place to connect with music industry services. 52% of creatives seek audio/video/production training.

    MixMaster 2025 Conference – Saturday, September 20, 2025

    10:00am – Conference Registration – Lawrence Public Library Auditorium

    10:15 – Panel: Lawrence Venue Roundup – Lawrence Public Library Auditorium
    Learn how to book gigs and partner with your music venues for gig success!

    11:15 – Mastering the Merch Stand – Lawrence Public Library Auditorium
    The merch stand can make or break your gig, tour or album release. Learn how to maximize and expand your merch offerings.

    11:15 – Studio Tours – Sound + Vision Studios – Lawrence Public Library
    Learn about recording, podcasting & production facilities available to all patrons of LPL

    12:00 – On the Road: Touring – Lawrence Public Library Auditorium
    Panel discussion sharing tips to book, manage and achieve success on tour.

    12:00 – Outlasting the Algorithm: A DJ workshop with Jon Sabillon – Meeting Room A
    DJ workshop with Jon Sabillon, diving into DJ principles, technology and sharing projects that expand who can DJ and how

    12:00 – Studio Workshop: Using the Library’s Synths – Sound + Vision Studios
    Studio Specialist Matt Pelsma will demonstrate a typical recording setup using the library’s collection of synthesizers.

    01:00 – Make Your Release an Event- Lawrence Public Library Auditorium
    This panel discusses how to make the most of your album or music release, capitalizing on media, fan engagement and gigs.

    01:00- Music for Mutual Aid – Meeting Room A
    Music as Mutual Aid will focus on the role artists and music industry workers can play in today’s challenging political climate.

    01:00 – Capturing Live In-studio Performances – Sound + Vision Studio
    Learn about how to make the best of out live in-studio performances or how to create your own, with examples from Kansas Public Radio and KJHK.

    02:00 – Demo Dip – Lawrence Public Library Auditorium
    Submit your unreleased demo for live feedback from a panel of industry experts.

    MixMaster2025 is a project of the Lawrence Music Alliance, a non-profit that uses the framework of music ecosystem development to engage the music community, advocate on behalf of musicians and creatives, and act as a vital intermediary between the creative economy and the city of Lawrence, KS.

    Live music all across Lawrence: 25+ acts performing in 5 venues across Lawrence showcasing the best in local & regional talent. All genres, colors, shapes and sizes. Plus, a free all-ages outdoor concert on the lawn of Lawrence Public Library. Full weekend wristbands and individual day passes available.

    The live music showcases take place at multiple venues around Lawrence, including the Replay Lounge, Lucia, Eighth St Taproom, Northside Social on Friday Sept 19 and Saturday Sept 20. A special free all-ages concert is taking place on the Lawrence Public Library lawn on Saturday Sept 20 from 4pm.

    MXM Music Conference FRIDAY SEPT 19

    LUCIA:
    Tommy Johnson, Paxton Harvey, Eddie Moore

    REPLAY:
    Kahlulee, Dylan Guthrie, Frankie Shorez, Bed Self Portraits, Zee Underscore, RAP Veterans

    Tap Room:
    Kat King, The Whips

    Northside:
    Blood & Velvet, Hello Biplane

    MXM Music Conference SATURDAY SEPT 20

    Library Lawn:
    River City Rock Camp Showcase, Jon Sabillon, VCMN, INDRA, The Roseline, LYXE

    REPLAY:
    Cheery, Corners of The Sky, Social Cinema

    Tap Room:
    Foxlin, Teri Quinn, True Lions

    LUCIA:
    Son Venezuela

    Northside:
    Jackson Reed, Malek Azrael, Rudy Love and The Encore

    PARTNERS
    City of Lawrence, KS
    Community Solutions Grant
    Blue Collar Press
    Kansas Public Radio
    KKFI 90.1FM
    KJHK 90.7FM
    Heartland Song Network

    MixMaster2025 is a project of the Lawrence Music Alliance, a non-profit that uses the framework of music ecosystem development to engage the music community, advocate on behalf of musicians and creatives, and act as a vital intermediary between the creative economy and the city of Lawrence, KS. Through our collaborative efforts with the city, we aim to promote and support the live music industry and ensure that Lawrence is recognized as a premier destination for music lovers everywhere.

    The MixMaster Music Conference is an annual event dedicated to empowering individuals in the music industry. By bringing together musicians, industry professionals, and aspiring entrepreneurs, MixMaster provides a platform for networking, knowledge sharing, and career development. The conference is a program of the Lawrence Music Alliance and supported by the City of Lawrence, Kansas, Mid-America Arts Alliance, and the Kansas Creative Arts Industries Commission. For information, please visit MixMaster2025.com.

    Nick Carswell thanks for being with us on WMM.

    Tickets are available through Eventbrite at http://mixmaster2025.eventbrite.com

    10:29

    1. Zee Underscore – “You Dont Deserve Me (Radio Edit)”
      from: You Don’t Deserve Me (Radio Edit) – Single / Underscore Form / August 8, 2024
      [One of two new singles Zee Underscore has released so far this year. Zee Underscore released her critically acclaimed debut EP, The Zee Underscore Experience on June 15, 2024. Zee Underscore is one of 5 children in her family. Zee Underscore studied at The School for Creative and Performing Arts (SCPA) in Cincinnati, Ohio, where her confidence and talent flourished, sparking a deep passion for music creation and supporting artists of diverse backgrounds. Zee completed a five-year electrical engineering program at The University of Cincinnati, and her work in electrical engineering led her to Kansas City. // Zee is co-founder of ZNTL Enterprises. Through this work she emcees and produces outdoor stage shows at First Friday’s in the West Crossroads. // Zee embodies the spirit of dreaming without limits, juggling roles as a singer, songwriter, recording artist, emcee, event coordinator, entrepreneur, and mentor while also working full time as an electrical engineer. // Zee moved to KC to work in engineering, which brought you out to KC, which helped her find herself and rediscover your love for the arts. Family members would give Zee beats and she would write songs to them. Zee’s band includes: Alex Chase, Jade Harvey, Stephen Bond who helped Zee translate her songs to live instruments. More info at: http://www.linktr.ee/Zeebee.notes%5D

    [Zee_Underscore plays the Mix Master Music Fest, Friday, September 19 at Replay.]

    10:33 – Underwriting

    10:33 – Underwriting

    1. Brody Lowe – “Flash Bomb”
      from: Flash Bomb / The Basement Arcade / July 25, 2025
      [First single from upcoming album Draculover. To be released September 19, 2025. Brody Lowe moved to Kansas City from Portland, in 2019 and met Jeremiah James Gonzalez of Redder Moom where Brody contributed to the releases: Land of The Blind and Hell is Other People. Brody quickly found his place in reviving the layered synths and dance undertones of the moody, mostly instrumental music. Lowe is a quiet presence behind a large scope of music videos, album art, and other creative content, his music ranging from video game scores and band collaborations to his solo project, Loqsa.]

    10:38 – Interview with Brody Lowe

    We just heard Flash Bomb the first single from upcoming album Draculover. To be released September 19, 2025. Brody Lowe moved to Kansas City from Portland, in 2019 and met Jeremiah James Gonzalez of Redder Moon where Brody contributed to the releases: Land of The Blind and Hell is Other People. Brody quickly found his place in reviving the layered synths and dance undertones of the moody, mostly instrumental music. Brody Lowe released Maul (Original Motion Picture Soundtrack) on March 3, 2023. Brody Lowe released the 8-track album Cicadaville on May 18, 2021Lowe is a quiet presence behind a large scope of music videos, album art, and other creative content, his music ranging from video game scores and band collaborations to his solo project, Loqsa.

    Brody Lowe, thanks for being with us on Wednesday MidDay Medley

    Brody Lowe moved to Kansas City from Portland, in 2019

    After moving to KC he met Jeremiah James Gonzalez of Redder Moom where Brody contributed to the releases: Land of The Blind and Hell is Other People.

    Brody quickly found his place in reviving the layered synths and dance undertones of the moody, mostly instrumental music.

    Brody Lowe released Maul (Original Motion Picture Soundtrack) on March 3, 2023

    Brody Lowe released the 8-track album Cicadaville on May 18, 2021

    Brody Lowe released his debut EP Sea Monsters of the Pacific on February 15, 2018

    Lowe is a quiet presence behind a large scope of music videos, album art, and other creative content, his music ranging from video game scores and band collaborations to his solo project, Loqsa.

    Keyboards Keyboards Keyboards

    Brody Lowe, thanks for being with us on Wednesday MidDay Medley

    10:54

    1. Brody Lowe – “Draculover”
      from: Draculover / The Basement Arcade / September 19, 2025
      [Brody Lowe moved to Kansas City from Portland, in 2019 and met Jeremiah James Gonzalez of Redder Moom where Brody contributed to the releases: Land of The Blind and Hell is Other People. Brody quickly found his place in reviving the layered synths and dance undertones of the moody, mostly instrumental music. Lowe is a quiet presence behind a large scope of music videos, album art, and other creative content, his music ranging from video game scores and band collaborations to his solo project, Loqsa.]
    1. Curtis Harding – “The Power – Radio Edit”
      from: Departures & Arrivals: Adventures of Captain Curt / Anti / September 5, 2025
      [Curtis Harding – “making some of the best modern soul music out right now” (Uproxx) – has returned today with his first new music in four years. Following collaborations in recent years with RÜFÜS DU SOL and Jazmine Sullivan, the catchy new song “There She Goes” is accompanied by a new music video by Italian director Michele Civetta; taking place in an opulent Beverly Hills Garden with a sinister Twilight Zone-esque secret and featuring actor Omar Dorsey (Selma, Queen Sugar) who is a recurring presence in Harding’s music videos, watch it below. // Curtis Harding is an American soul singer, born in Saginaw, Michigan. Raised as a Mennonite, Harding’s family had no home until they settled in Atlanta, Georgia, when he was 14. Harding’s father, a mechanic, and his mother Dorothy, a gospel singer, took Harding and his five siblings around the United States in a van, stopping at churches. While his mother performed, Harding grew up playing music, though he originally wanted to play professional sports. In the early 2000s, Harding was part of the hip-hop group Proseed. He rapped on and co-wrote CeeLo Green’s 2002 album Cee-Lo Green and His Perfect Imperfections along with several Proseed members. He toured with Green as a backing singer on the Smokin’ Grooves Tour in 2002 alongside Outkast, Cypress Hill, Lauryn Hill, and The Roots. Harding spent time working with groups in Atlanta before moving to Toronto for a year. A year later, he “came back to record with some friends in my living room.” From these sessions came his debut album, Soul Power, on the indie label Burger Records, released May 6, 2014. He spent two weeks recording the album. Randy Michael composed the music on the single “Keep on Shining”, and Jason Reynolds co-wrote “Heaven’s on the Other Side” with Harding.He formed the band Night Sun with two Black Lips members, guitarist Cole Alexander and drummer Joe Bradley. His second album, Face Your Fear, was recorded at Danger Mouse’s 30th Century Studio in New York City. “Wednesday Morning Atonement” is the opening single. Harding describes his genre as “slop ‘n’ soul”, a combination of gospel, punk, psych rock, and blues. He has said that his influences include Albert King, the Everly Brothers, and Ronnie Dyson.]

    11:00 – Station ID

    1. Fritz & Sons – “I’m a Goner!”
      from: Sprinkler Man – I’m a Goner! – Single / Manor Recpords / July 17, 2025
      [Fritz and Sons is Fritz Hutchison on drums, vocals, banjo, songwriting, engineering & mixing; Zachary Arias on electric guitar; Carly Atwood on upright bass; Alison Hawkins on fiddle; and Marco Pascolini on pedal steel, lap steel. Hailing from Kansas City, Fritz and Sons bring a rhythm-forward take on country music blending influences from Ozark old-time, Louisiana honky tonk, the gritty funk of Levon Helm and the cosmic tenderness of Micheal Hurley. “I’m a Goner!” is built around “Goner,” a traditional fiddle tune. More info at: http://www.fritzandsons.bandcamp.com]

    11:04 – Interview with Fritz Hutchison

    Fritz Hutchison is a multi-instrumentalist singer-songwriter based in Kansas City. Fritz was born May 27, 1991. Fritz landed in the KC Music Community in 2008 gaining notice as part of the critically acclaimed band, She’s a Keeper where he played drums. Fritz played for several years with Grand Marquis, and for a while was part of the band Freight Train Rabbit Killer. Fritz has also played lived with multiple bands and performers including Krystle Warren, Calvin Arsenia, Miki P, J Ashley Miller, Lauren Krum, and others. He released his debut album, Wide Wild Acres in March 2020 on Center Cut Records, receiving positive reviews in the US, Australia, the UK and the Netherlands. His second solo album, MOVIE NIGHT was released on April, 15, 2022 through Manor Records. With his partner Alison Hawkins he has played as a guitarist with the ever evolving genre defying band True Lions, where Fritz has also released a split cassette release of his solo work on one side and True Lions songs on the other. With True Lions he also released Cold Gravy Bowl and MidCoast LIVE! Fritz has also released a series of sweet and sad country singles “All the Way From Here (Happy Holidays)” in January 2021 and the unhinged rock rave-up “Zack Attack!” in March 2022, and “Doug Died” in July of 2024.

    Fritz Hutchison joins us to share details about the new recordings of Fritz and Sons, his newest band who released the single tracks: “Sprinkler Man” and “I’m a Goner!” on July 17, 2025. Fritz and Sons is Fritz Hutchison on drums, vocals, banjo, songwriting, engineering & mixing; Zachary Arias on electric guitar; Carly Atwood on upright bass; Alison Hawkins on fiddle; and Marco Pascolini on pedal steel, lap steel. Hailing from Kansas City, Fritz and Sons bring a rhythm-forward take on country music blending influences from Ozark old-time, Louisiana honky tonk, the gritty funk of Levon Helm and the cosmic tenderness of Micheal Hurley. More info at: http://www.fritzandsons.bandcamp.com

    Fritz Hutchison thanks for being with us on Wednesday MidDay Medley.

    Fritz and Sons are, for lack of a more nuanced determination, a country band. Led by Fritz Hutchison at the drums, joined by members of True Lions, Polymer Mercies, and the Poor Choices, the Sons bring a rhythm-forward take on country music blending influences from Ozark old-time, Louisiana honky tonk, the gritty funk of Levon Helm and the cosmic tenderness of Micheal Hurley. You can find them touring the region and taking their sweet time cooking up material for their upcoming debut record.

    The sons are:
    Fritz Hutchison – drums and vocals
    Zac Arias – guitar
    Carly Atwood – bass
    Alison Hawkins – fiddle, keys, vocals
    Marco Pascolini – pedal steel and lap steel

    Fritz Hutchison is a multi-instrumentalist singer/songwriter who has been recording and performing in the Midwest music scene for the past 15 years. His music is a humorous and poetic exploration of everyday life and relationships, blending influences from both Jazz and Folk traditions into a spicy flavor of Rock and Roll. In March 2020, he released his debut solo album Wide Wild Acres on Center Cut Records, to local and international acclaim.

    Fritz Hutchison, leader of the band Fritz and Sons, knows his way around the Kansas City music scene. The multi-instrumental singer-songwriter said his “hunger” for music led him to be versatile. Fritz Hutchison plays piano, guitar, bass and other instruments, and makes music under his own name as well. It’s given him the opportunity to play with multiple bands across multiple genres in Kansas City.

    Fritz Hutchison told KCUR’s spotlight for Kansas City that he got a drum set at 12 years old, he was hooked. As a kid who was into extreme sports and wanted to be a stunt man, Hutchison says drums offered a release. “I just wanted the extreme kind of adrenaline experience. And the drums are loud and aggressive, and you have to, like, keep playing them endlessly,” Hutchison said. “You have to physically engage with every moment of music that is happening. And I think that I just, like, responded to that level of engagement, and also just it being very loud and aggressive sounding.”

    In an interview with KJHK Fritz was asked, What’s your creative process like? What do you do to write a song? Fritz responded: “It’s very slow. I try to write a lot and most of the ideas are bad, but a lot of times there’s a little nugget of something good. … I save up all these scraps and it can take a while for them to come together… I also like to play different instruments. I’ll come up with a chord progression on a guitar and get kind of stuck and don’t know where to go with it. Then I’ll try it on piano instead and my hands will just do something different… So, I try to jump around on different instruments.”

    Fritz Hutchison thanks for being with us on Wednesday MidDay Medley.

    Fritz and Sons released the single tracks: “Sprinkler Man” and “I’m a Goner!” on July 17, 2025.

    11:22

    1. Fritz & Sons – “Sprinkler Man”
      from: Sprinkler Man – I’m a Goner! – Single / Manor Recpords / July 17, 2025
      [Fritz and Sons is Fritz Hutchison on drums, vocals, banjo, songwriting, engineering & mixing; Zachary Arias on electric guitar; Carly Atwood on upright bass; Alison Hawkins on fiddle; and Marco Pascolini on pedal steel, lap steel. Hailing from Kansas City, Fritz and Sons bring a rhythm-forward take on country music blending influences from Ozark old-time, Louisiana honky tonk, the gritty funk of Levon Helm and the cosmic tenderness of Micheal Hurley. “I’m a Goner!” is built around “Goner,” a traditional fiddle tune. More info at: http://www.fritzandsons.bandcamp.com]

    11:25 – Underwriting

    1. Pool Culture – “Birds Like These”
      from: “Birds Like These” – Single / Les Bonbons Electriques / July 25, 2025
      [Les Bonbons Electriques, an imprint of The Record Machine. “Birds Like These is the first of three new songs that Pool Culture, is putting out over the next three months leading up to Their first EP, PURE LEMON. The second single “Mathletes”, will be released on August 22, 2025 and the band’s third single “Finish Line”, will be released on September 19, 2025. // Pool Culture released their single “brighter lighter” on April 20, 2018, with music and lyrics and production by Mark Ronning. all instruments and vocals by Mark Ronning. mixed by Reid Kruger at Waterbury recording. // Mark Ronning is a musician who specializes in the synthesizer, playing Rhodes and synth in the electrofolk band Mr. Golden Sun and synth in the electronic dreampop four-piece Pool Culture. Mr. Golden Sun is wrapping up their first full length record, and Pool Culture is going into the studio this October and November to work on their first full band releases. Additionally, Mark plays the modular synthesizer and participates in KC Synth Collective, coordinates electronic performance events for his pop-up show Les Bonbons Electriques, and helps out with Outer Reaches. In collaboration with Nathan Reusch, Mark is also starting a record label called Les Bonbons Electriques, which is an imprint of The Record Machine, which will focus on artistry, experimentation, and electronic music. ]

    [Pool Culture plays miniBar, Wednesday, September 17, at 7:00pm with Ryder The Eagle, and Prototones.]

    10:31 – Interview with Mark Ronning & Iona Dewalt

    Mark Ronning joins us to talk about the new release from his band Pool Culture. “Pure Lemon”, the band’s first EP, comes out on Friday, October 17, 2025, and it will be released on the record label Les Bonbons Electriques, an imprint of The Record Machine. Pool Culture is an electronic dream pop band from Kansas City, MO. Through distorted synthesizers, overdriven found-sound samples, and glitched-out electronics, the four-piece puts an electronic twist inside a rock band, removing guitars and substituting them with synths. The band draws on 90s IDM, trip hop, and shoegaze influences, imbuing their synthesizers with the sonic characteristics of busted equipment: filters, overdrives, distortion, and modulation hybridize low and high fidelity instrumentation. This sound, coupled with live bass and drums, captures the dynamic scope of a rock band but with electronic production in a pop package. Blooming beneath dreamy vocals, Pool Culture creates an emotional landscape populated with hope, desperation, love, and doubt, glistening within a vibrant ecosystem of sounds. Pool Culture plays miniBar, Wednesday, September 17, at 7:00pm with Ryder The Eagle, and Prototones.

    Mark Ronning thanks for being with us on WMM

    Iona DeWalt is a 27-year old Kansas City-native musician and composer, whom is classically trained and studied cello performance at William Jewell College under the direction of Dana Woolard-Hughlett. At the college, she performed in a number of ensembles, including Liberty Symphony, the Jewell String Quartet, and jazz band. She has played for several musicals, such as Into the Woods at Missouri Theatre Heritage and Spring Awakening at Missouri Western. She also participated in the 2017 Missouri All-Collegiate Orchestra, and is a member of the Midwest Chamber Ensemble. Iona Dewalt plays synthesizers in Pool Culture and also performs as a solo artist and with the band Pink Phase who released the EP Wave in January of 2023.

    Iona DeWalt thanks for being with us on WMM

    Pool Culture is an electronic dream pop band from Kansas City, MO. Through distorted synthesizers, overdriven found-sound samples, and glitched-out electronics, the four-piece puts an electronic twist inside a rock band, removing guitars and substituting them with synths. The band draws on 90s IDM, trip hop, and shoegaze influences, imbuing their synthesizers with the sonic characteristics of busted equipment: filters, overdrives, distortion, and modulation hybridize low and high fidelity instrumentation. This sound, coupled with live bass and drums, captures the dynamic scope of a rock band but with electronic production in a pop package. Blooming beneath dreamy vocals, Pool Culture creates an emotional landscape populated with hope, desperation, love, and doubt, glistening within a vibrant ecosystem of sounds.

    The band started as a solo project for Mark Ronning after he graduated from college in 2017, but it grew into an earnest project when it became a full band in 2023, with Jeff McCreary on bass guitar, Kody Krause on drums, Iona DeWalt on synth, and Mark Ronning on vocals and synthesizer. Now, in 2025, Pool Culture features Sean Logan on drums, and they are promoting their upcoming EP “Pure Lemon” with a stint of small tours, beginning this weekend. They’ve released two singles so far, and the third comes out Friday, September 19th.

    “Pure Lemon”, the band’s first EP, comes out on Friday, October 17th, and it will be released on the record label Les Bonbons Electriques, an imprint of The Record Machine.

    Bird Like These is the first single from Pool Culture’s upcoming EP Pure Lemon. The track evokes both 90s IDM in its dreamy, nostalgic pads as well as 70s psych rock through its dense layers of shimmering lead lines. In their first single, Pool Culture explore a balance of feelings, spanning euphoria to dread, trying to make sense of that spectrum. But they do that in a pop package, complete with sparkling vocals, glistening synthesizers, syrupy leads, and a hypnotizing linear drum pattern.

    Birds Like These was the first track we wrote together as a full band. It arose so organically: Iona started playing the progression on her Korg Minilogue with thick, VHS-like synth pad. Kody’s linear drum part appeared almost instantaneously as well. This was the perfect foundation for Mark’s sparkly sawtooth chords that sat above the track. The song evolved over a few sessions, and there was originally a key change after the second chorus. However, that was dumped, but we still liked how the final outro sounded in the key of C minor, so the transition into the outro required some sort of key change, which Iona provided. Mark took inspiration from Jeff’s bass melody for the outo’s vocal melody and added some harmonies and 70s Moog-style leads to flesh out the sonic midrange above Iona’s arpeggiator. This track showcases how inspiring it is to create music with one another and how effortless it can feel when everyone is listening and responding to each other’s ideas.

    Birds like these – lyrics
    They flood an otherwise
    empty heaven
    This cloud of starlings
    Press against its phantom center of

    Birds like these
    Birds like these

    Hate to say my head’s cracked
    by a decade of iron ruin
    But it’s Easter season
    Is it a womb or a tomb? But there’s

    Birds like these
    Birds like these

    Past three blocks of porch lights outside
    And the shimmering headlights of motorbikes
    But why does my head hang low like
    My spirit’s propped against my insides?

    In the dark of this night
    I raise my hand to this neon sign
    That stands at twice my height
    Warms my ears, dries my eyes
    Say a prayer, second sight
    Gloves are off, laces tied
    No star can outshine
    Its final spark when it dies

    released July 25, 2025
    Produced by Pool Culture
    Written by Pool Culture
    Lyrics by Mark Ronning

    Pool Culture is Mark Ronning (vocals, synthesizer), Iona DeWalt (synthesizer), Jeff McCreary (bass), and Kody Krause (drums).

    Mixed and mastered by Stephen Sesso at Blue Canyon Recording Studios.
    Album artwork by Claire Monroe.
    Licensed to Les Bonbons Electriques, an imprint of The Record Machine.

    11:39

    1. Pool Culture – “Mathletes”
      from: “Mathletes” – Single / Les Bonbons Electriques / August 22, 2025
      [Les Bonbons Electriques, an imprint of The Record Machine. This is from the band’s first EP, PURE LEMON. The second single “Mathletes,” was released on August 22, 2025 and the band’s third single “Finish Line”, will be released on September 19, 2025. // Pool Culture released their single “brighter lighter” on April 20, 2018, with music and lyrics and production by Mark Ronning. all instruments and vocals by Mark Ronning. mixed by Reid Kruger at Waterbury recording. // Mark Ronning is a musician who specializes in the synthesizer, playing Rhodes and synth in the electrofolk band Mr. Golden Sun and synth in the electronic dreampop four-piece Pool Culture. Mr. Golden Sun is wrapping up their first full length record, and Pool Culture is going into the studio this October and November to work on their first full band releases. Additionally, Mark plays the modular synthesizer and participates in KC Synth Collective, coordinates electronic performance events for his pop-up show Les Bonbons Electriques, and helps out with Outer Reaches. In collaboration with Nathan Reusch, Mark is also starting a record label called Les Bonbons Electriques, which is an imprint of The Record Machine, which will focus on artistry, experimentation, and electronic music. ]

    [Pool Culture plays miniBar, Wednesday, Sept.17, at 7:00pm with Ryder The Eagle, and Prototones.]

    11:44 – More Interview with Mark Ronning & Iona Dewalt

    Mark Ronning joins us to talk about the new release from his band Pool Culture. “Pure Lemon”, the band’s first EP, comes out on Friday, October 17, 2025, and it will be released on the record label Les Bonbons Electriques, an imprint of The Record Machine. Pool Culture is an electronic dream pop band from Kansas City, MO. Through distorted synthesizers, overdriven found-sound samples, and glitched-out electronics, the four-piece puts an electronic twist inside a rock band, removing guitars and substituting them with synths. The band draws on 90s IDM, trip hop, and shoegaze influences, imbuing their synthesizers with the sonic characteristics of busted equipment: filters, overdrives, distortion, and modulation hybridize low and high fidelity instrumentation. This sound, coupled with live bass and drums, captures the dynamic scope of a rock band but with electronic production in a pop package. Blooming beneath dreamy vocals, Pool Culture creates an emotional landscape populated with hope, desperation, love, and doubt, glistening within a vibrant ecosystem of sounds. Pool Culture plays miniBar, Wednesday, September 17, at 7:00pm with Ryder The Eagle, and Prototones.

    Mark Ronning thanks for being with us on WMM

    Iona DeWalt is a 27-year old Kansas City-native musician and composer, whom is classically trained and studied cello performance at William Jewell College under the direction of Dana Woolard-Hughlett. At the college, she performed in a number of ensembles, including Liberty Symphony, the Jewell String Quartet, and jazz band. She has played for several musicals, such as Into the Woods at Musical Theatre Heritage and Spring Awakening at Missouri Western. She also participated in the 2017 Missouri All-Collegiate Orchestra, and is a member of the Midwest Chamber Ensemble. Iona Dewalt plays synthesizers in Pool Culture and also performs as a solo artist and with the band Pink Phase who released the EP Wave in January of 2023.

    Iona DeWalt thanks for being with us on WMM

    “Mathletes” is the latest single from the electronic dream pop band Pool Culture. The track is melancholy, evoking a rainy afternoon which builds musically into a full storm. Beneath the lyrical narrative of a missed connection, the song evolves from ambient synths and voices into shoegazey choruses and outros, climaxing with modulating sawtooth pads, gliding pulse leads, and snapping granular synths. “Mathletes” captures the pain of putting your faith in something even while it’s slipping away.

    lyrics
    You wore your medal around your shoulders
    Your brand new devil, your good adviser
    In your winning, a beginning
    As if forgotten or forgiven

    But meeting you was easy
    As eating breakfast or buying groceries
    Or walking to the movies
    Every evening

    I was waiting at my window
    With no bad weather to excuse
    Your knock never reaching my door
    Your feet failing to cross my floor

    But I’ve my garden to watch over
    And no thumb can snuff the sun
    There’s a highway above your shoulder
    That poor devil

    Famous as the rain was your blue ribbon
    And your racing shoes
    I was in between life and living
    When I found you

    Lining up like athletes between the tape and the gun
    Forever winning, forever losing, blowing kisses at the sun
    Lining up like athletes between the tape and the gun
    Forever winning, forever losing, blowing kisses at the sun

    Your train came back
    I heard it howl
    Your my highway
    First day on the job

    But I wake up to fire
    Howling through its hemorrhage
    One tear for this century’s
    First day on the job

    You’re my highway
    I turn the airbags off
    Christened through the windshield
    First day on the job

    credits
    released August 22, 2025
    Produced by Pool Culture
    Written by Pool Culture
    Lyrics by Mark Ronning

    Pool Culture is Mark Ronning (vocals, synthesizer), Iona DeWalt (synthesizer), Jeff McCreary (bass), and Kody Krause (drums).

    Mixed and mastered by Stephen Sesso at Blue Canyon Recording Studios.
    Album artwork by Claire Monroe.
    Licensed to Les Bonbons Electriques, an imprint of The Record Machine.

    Mark Ronning and Iona DeWalt thanks for being with us on WMM

    [Pool Culture plays miniBar, Wednesday, Sept.17, at 7:00pm with Ryder The Eagle, and Prototones.]

    11:52

    1. Pool Culture – “Finish Line”
      from: “Finish Line” – Single / Les Bonbons Electriques / September 19, 2025
      [Les Bonbons Electriques, an imprint of The Record Machine. This is from the band’s first EP, PURE LEMON. The second single “Mathletes”, was released on August 22, 2025 and the band’s third single “Finish Line”, will be released on September 19, 2025. // Pool Culture released their single “brighter lighter” on April 20, 2018, with music and lyrics and production by Mark Ronning. all instruments and vocals by Mark Ronning. mixed by Reid Kruger at Waterbury recording. // Mark Ronning is a musician who specializes in the synthesizer, playing Rhodes and synth in the electrofolk band Mr. Golden Sun and synth in the electronic dreampop four-piece Pool Culture. Mr. Golden Sun is wrapping up their first full length record, and Pool Culture is going into the studio this October and November to work on their first full band releases. Additionally, Mark plays the modular synthesizer and participates in KC Synth Collective, coordinates electronic performance events for his pop-up show Les Bonbons Electriques, and helps out with Outer Reaches. In collaboration with Nathan Reusch, Mark is also starting a record label called Les Bonbons Electriques, which is an imprint of The Record Machine, which will focus on artistry, experimentation, and electronic music. ]

    [Pool Culture plays miniBar, Wednesday, September 17, at 7:00pm with Ryder The Eagle, and Prototones.]

    1. Noel Coward – “The Party’s Over Now”
      from: Noel Coward in New York / drg / 2003 [orig. 1957]

    NEXT WEEK, on Wednesday, September 24, Nan Turner joins us with a new single release and upcoming show. Til Willis also joins us, and we’ll play music in honor of the recordBar’s 20th Anniversary Play Loud Fest,

    THANK YOU to our incredible KKFI Staff; Executive Director – Bess Wallerstein-Huff, Director of Development & Communications – J Kelly Dougherty, Chief Operator – Chad Brothers, Volunteer Coordinator – Darryl Oliver, and Office Manager Book Keeper – Shaina Littler.

    This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

    Our Script/Playlist is a “cut and paste” of information.
    Sources for notes: artist’s websites, bios, wikipedia.org

    Wednesday MidDay Medley in on the web:
    http://www.kkfi.org,
    http://www.WednesdayMidDayMedley.org,
    http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1113

    Nick Carswell & Mix Master Music + Brody Lowe + Fritz Hutchison + Mark Ronning

    Wednesday MidDay Medley
    Produced and Hosted by Mark Manning
    90.1 FM KKFI – Kansas City Community Radio
    TEN to NOON Wednesdays – Streaming at KKFI.org

    Wednesday, September 17, 2025

    Nick Carswell & Mix Master Music + Brody Lowe + Fritz Hutchison + Mark Ronning

    Mark plays more New & MidCoastal Releases from: Pool Culture, Zee Underscore, Brody Lowe, Fritz and Sons, Rudy Love & The Encore, Curtis Harding, and Wednesday.

    At 10:10am Nick Carswell of The Lawrence Music Alliance presents the 12th annual MixMaster Music Conference & Fest, a music community event that brings local artists and music industry professionals from across the region together to share information, learn from each other, and support our music ecosystem.Empowering musicians through collaborative programs and conversations, MXM2025 offers panels, workshops and networking opportunities accessible to all through this independently-organized conference event. The Music Fest line-up includes 6 venues over two nights with more than 25 acts performing all over Lawrence, KS. Plus, a free all ages concert on the library lawn Saturday, September 20, 2025. More info at: http://www.mixmaster2025.com

    At 10:30 musician Brody Lowe joins us to share details about his new 11-track album Draculover that will be released Friday, September 19, 2025. Brody Lowe moved to Kansas City from Portland, in 2019 and met Jeremiah James Gonzalez of Redder Moom where Brody contributed to the releases: Land of The Blind and Hell is Other People. Brody quickly found his place in reviving the layered synths and dance undertones of the moody, mostly instrumental music. Lowe is a quiet presence behind a large scope of music videos, album art, and other creative content, his music ranging from video game scores and band collaborations to his solo project, Loqsa.

    At 11:00 Fritz Hutchison joins us to share details about the new recordings of Fritz and Sons who released the single tracks: “Sprinkler Man” and “I’m a Goner!” on July 17, 2025. Fritz and Sons is Fritz Hutchison on drums, vocals, banjo, songwriting, engineering & mixing; Zachary Arias on electric guitar; Carly Atwood on upright bass; Alison Hawkins on fiddle; and Marco Pascolini on pedal steel, lap steel. Hailing from Kansas City, Fritz and Sons bring a rhythm-forward take on country music blending influences from Ozark old-time, Louisiana honky tonk, the gritty funk of Levon Helm and the cosmic tenderness of Micheal Hurley. More info at: http://www.fritzandsons.bandcamp.com

    At 11:30 Mark Ronning joins us to talk about the new release from his band Pool Culture. “Pure Lemon”, the band’s first EP, comes out on Friday, October 17, 2025, and it will be released on the record label Les Bonbons Electriques, an imprint of The Record Machine. Pool Culture is an electronic dream pop band from Kansas City, MO. Through distorted synthesizers, overdriven found-sound samples, and glitched-out electronics, the four-piece puts an electronic twist inside a rock band, removing guitars and substituting them with synths. The band draws on 90s IDM, trip hop, and shoegaze influences, imbuing their synthesizers with the sonic characteristics of busted equipment: filters, overdrives, distortion, and modulation hybridize low and high fidelity instrumentation. This sound, coupled with live bass and drums, captures the dynamic scope of a rock band but with electronic production in a pop package. Blooming beneath dreamy vocals, Pool Culture creates an emotional landscape populated with hope, desperation, love, and doubt, glistening within a vibrant ecosystem of sounds. Pool Culture plays miniBar, Wednesday, September 17, at 7:00pm with Ryder The Eagle, and Prototones. 

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1113

    WMM PLAYLIST from September 10, 2025

    Wednesday MidDay Medley
    Produced and Hosted by Mark Manning
    90.1 FM KKFI – Kansas City Community Radio
    TEN to NOON Wednesdays – Streaming at KKFI.org

    Wednesday, September 10, 2025

    The Folly Theater’s 125th Anniversary + Stephonne + Big Fat Cow

    1. “Main Title Instrumental – It’s Showtime Folks”
      from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
      [WMM’s Adopted Theme Song]
    1. Mavis Staples – “Beautiful Strangers”
      from: Sad And Beautiful World / Anti / June 10, 2025
      [Written by Kevin Morby who released this song as a single in 2016 in tribute to the victims of the Orlando Pulse shooting. Staples’ version is gentle and lived-in. It’s got electric guitars from MJ Lenderman and Staples’ bandleader Rick Holmstrom. Brad Cook plays vibraphone, and his brother Phil adds piano. Nathaniel Rateliff and Tré Burt sing backup vocals. Unsurprisingly, Kevin Morby is pretty bowled over by the existence of this cover. Morby says. “It isn’t easy to put into words what it feels like having one of the best, most important vocalists and cultural figures of both the 20th and 21st century sing one of my songs. But hearing Mavis sing “Beautiful Strangers” is hands down the greatest moment and highest honor of my career. Far beyond any kind of accolade or acclaim — having one of my biggest heroes sing something I wrote is the most validating and flattering thing that could ever happen to me as a songwriter and person. Thank you, Mavis. Mavis also wields that extremely rare power to take a song somebody else wrote and make it entirely her own. As the person who penned “Beautiful Stranger,” I feel I have every right to say: Her version is better. // This is the second single from Mavis Staple’s new album of cover songs. The first single was “Godspeed” written by Frank Ocean. A legendary performer who turned 86 next month on July 10, Mavis Staples continues to be a tour-de-force in music and a voice for the voiceless in today’s divided society. Well known for her work in the gospel and Americana space, Staples is also an R&B icon who famously worked with the one and only Prince in his 80’s heyday. // Hailed by NPR as “one of America’s defining voices of freedom and peace,” Staples is the kind of once-in-a-generation artist whose impact on music and culture would be difficult to overstate. She’s both a Blues and a Rock and Roll Hall of Famer; a civil rights icon; a GRAMMY Award-winner; a chart-topping soul/gospel/R&B pioneer; a National Arts Awards Lifetime Achievement recipient; and a Kennedy Center honoree. She marched with Dr. Martin Luther King, Jr., performed at John F. Kennedy’s inauguration, and sang in Barack Obama’s White House. // At a time when most artists begin to wind down, Staples ramped things up, releasing a trio of critically acclaimed albums in her 70’s with Wilco’s Jeff Tweedy that prompted Pitchfork to rave that “her voice has only gained texture and power over the years” and People to proclaim that she “provides the comfort of a higher power.” “I sing because I want to leave people feeling better than I found them,” Staples says. “I want them to walk away with a positive message in their hearts, feeling stronger than they felt before. I’m singing to myself for those same reasons, too.” // On July 9, Staples and award-winning children’s poet Carol Boston Weatherford will release the new children’s book ‘Bridges Instead of Walls: The Story of Mavis Staples’, a vibrant and poetic new picture book that introduces young readers to Staples’ life story, who began singing at age 8 and ever since has used her voice as a rallying cry to the country at numerous civil rights protests and continues to sing and share her message of love, faith and justice in front of large audiences today. // Staples recently celebrated her upcoming birthday early in stellar fashion at Los Angeles’s YouTube Theater this past April, gracing the stage alongside a star-studded lineup including Hozier, Chris Stapleton, Bonnie Raitt, Jackson Browne, Black Pumas, and more. Currently on tour in Europe, Staples will return to the US and perform at Willie Nelson’s 4th of July picnic on the nation’s birthday. The next day she begins a run of dates with Norah Jones, who she affectionally calls “my baby sister.” All upcoming dates are listed below. // Mavis Staples (born July 10, 1939) is an American rhythm and blues and gospel singer and civil rights activist. She rose to fame as a member of her family’s band The Staple Singers, of which she is the last surviving member. During her time in the group, she recorded the hit singles “I’ll Take You There” and “Let’s Do It Again”. In 1969, Staples released her self-titled debut solo album. // Staples continued to release solo albums throughout the following decades and collaborated with artists such as Aretha Franklin, Prince, Arcade Fire, Nona Hendryx, Ry Cooder, and David Byrne. Her eighth studio album You Are Not Alone (2010), earned critical acclaim, and became her first album as a soloist to reach number one on a Billboard chart, peaking atop the Top Gospel Albums chart. It also earned Staples her first Grammy Award win. Following this, she released the albums One True Vine (2013), Livin’ on a High Note (2016), If All I Was Was Black (2017), and We Get By (2019); she is also featured on the single “Nina Cried Power” by Hozier. // Staples is the recipient of the Grammy Lifetime Achievement Award, and has won three Grammy Awards, including one for Album of the Year as a featured artist on We Are by Jon Batiste.[6] Named one of the ‘100 Greatest Singers of all Time’ by Rolling Stone in 2008; Staples was inducted into the Rock and Roll Hall of Fame in 1999, and in the Gospel Music Hall of Fame in 2018, as a member of The Staple Singers. Additionally, she was made a Kennedy Center Honoree in 2016. The following year, she was inducted into the Blues Hall of Fame as a soloist. In 2019, she received the inaugural Rock Hall Honors Award from the Rock and Roll Hall of Fame, as a soloist. // Staples was born in Chicago, Illinois, on July 10, 1939. She began her career with her family group in 1950. Initially singing locally at churches and appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Pervis, the Staples were called “God’s Greatest Hitmakers”. // With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. // During a December 20, 2008, appearance on National Public Radio’s news show Wait Wait… Don’t Tell Me!, when Staples was asked about her past personal relationship with Dylan, she admitted that they “were good friends, yes indeed” and that he had asked her father for her hand in marriage. // The Staples sang “message” songs like “Long Walk to D.C.” and “When Will We Be Paid?,” bringing their moving and articulate music to a huge number of young people. The group signed to Stax Records in 1968, joining their gospel harmonies and deep faith with musical accompaniment from members of Booker T. and the MGs. The Staple Singers hit the Top 40 eight times between 1971 and 1975, including two No. 1 singles, “I’ll Take You There”, produced by Al Bell and recorded and mixed by Terry Manning, “Let’s Do It Again,” and a No. 2 single “Who Took the Merry Out of Christmas?” // Mavis made her first solo foray while at Epic Records with The Staple Singers, releasing a lone single “Crying in the Chapel” to little fanfare in the late 1960s. The single was finally re-released on the 1994 Sony Music collection Lost Soul. Her first solo album would not come until a 1969 self-titled release for the Stax label. After another Stax release, Only for the Lonely, in 1970, she released a soundtrack album, A Piece of the Action, on Curtis Mayfield’s Curtom label. A 1984 album (also self-titled) preceded two albums under the direction of rock star Prince; 1989’s Time Waits for No One, followed by 1993’s The Voice, which People magazine named one of the Top Ten Albums of 1993. Her 1996 release, Spirituals & Gospels: A Tribute to Mahalia Jackson, was recorded with keyboardist Lucky Peterson. The recording honors Mahalia Jackson, a close family friend and a significant influence on Mavis Staples’s life. // Staples singing during the 2006 NEA National Heritage Fellows concert. // Staples made a major national return with the release of the album Have a Little Faith on Chicago’s Alligator Records, produced by Jim Tullio, in 2004. The album featured spiritual music, some of it semi-acoustic. // In 2004, Staples contributed to a Verve release by legendary jazz-rock guitarist, John Scofield. The album, entitled That’s What I Say, was a tribute to the great Ray Charles and led to a live tour featuring Staples, John Scofield, pianist Gary Versace, drummer Steve Hass, and bassist Rueben Rodriguez. A new album for Anti- Records entitled We’ll Never Turn Back was released on April 24, 2007. The Ry Cooder-produced concept album focuses on gospel songs of the civil rights movement and also included two new original songs by Cooder. // Her voice has been sampled by some of the biggest selling artists, including Salt ‘N’ Pepa, Ice Cube, Ludacris, and Hozier. Staples has recorded with a wide variety of musicians, from her friend, Bob Dylan (with whom she was nominated for a 2004 Grammy Award in the “Best Pop Collaboration With Vocals” category for their duet on “Gonna Change My Way of Thinking”, from the album Gotta Serve Somebody: The Gospel Songs of Bob Dylan) to The Band, Ray Charles, Prince, Nona Hendryx, George Jones, Natalie Merchant, Ann Peebles, and Delbert McClinton. She has provided vocals on current albums by Los Lobos and Dr. John, and she appears on tribute albums to such artists as Johnny Paycheck, Stephen Foster and Bob Dylan. // In 2003, Staples performed in Memphis at the Orpheum Theater alongside a cadre of her fellow former Stax Records stars during “Soul Comes Home,” a concert held in conjunction with the grand opening of the Stax Museum of American Soul Music at the original site of Stax Records, and appears on the CD & DVD that were recorded and filmed during the event. In 2004, she returned as guest artist for the Stax Music Academy’s SNAP! Summer Music Camp and performed again at the Orpheum with 225 of the academy’s students. In June 2007, she again returned to the venue to perform at the Stax 50th Anniversary Concert to Benefit the Stax Museum of American Soul Music, produced by Concord Records, who now owns and has revived the Stax Records label. // In 2009, Staples, along with Patty Griffin and The Tri-City Singers, released a version of the song “Waiting For My Child To Come Home” on the compilation album Oh Happy Day: An All-Star Music Celebration. // On October 30, 2010, Staples performed at the Rally to Restore Sanity and/or Fear alongside singer Jeff Tweedy. In 2011 she was joined on-stage at the Outside Lands Music And Arts Festival by Arcade Fire singer Win Butler. The two performed a version of “The Weight” by The Band. // Staples also performed at the 33rd Kennedy Center Honors, singing in a tribute to honoree Paul McCartney. // Staples headlined on June 10, 2012, at Chicago’s Annual Blues Festival in Grant Park. // On June 27, 2015, Staples performed on the Park Stage of Glastonbury Somerset UK. On October 31, 2015, Staples performed with Joan Osborne in Washington, D.C. at The George Washington // University’s Lisner Auditorium as part of their Solid Soul Tour. // In February 2016, Staples’s album Livin’ on a High Note was released. Produced by M. Ward, the album features songs written specifically for Staples by Nick Cave, Justin Vernon, tUnE-yArds, Neko Case, Aloe Blacc, and others. Discussing the album Staples said: “I’ve been singing my freedom songs and I wanted to stretch out and sing some songs that were new. I told the writers I was looking for some joyful songs. I want to leave something to lift people up; I’m so busy making people cry, not from sadness, but I’m always telling a part of history that brought us down and I’m trying to bring us back up. These songwriters gave me a challenge. They gave me that feeling of, ‘Hey, I can hang! I can still do this!’ There’s a variety, and it makes me feel refreshed and brand new. Just like Benjamin Booker wrote on the opening track, ‘I got friends and I got love around me, I got people, the people who love me.’ I’m living on a high note, I’m above the clouds. I’m just so grateful. I must be the happiest old girl in the world. Yes, indeed.” // In January 2017, Staples was featured as a guest vocalist on “I Give You Power”, a single from Arcade Fire benefiting the American Civil Liberties Union. In February 2017, Staples appeared on NPR’s Wait, Wait … Don’t Tell Me! in the “Not My Job” segment, answering questions about the rock band The Shaggs. In April 2017, “Let Me Out”, a single from the fifth studio album by Gorillaz, Humanz, was released, featuring Staples and rapper Pusha T. // Staples’s sixteenth album If All I Was Was Black was released on November 17, 2017. The record was again produced by Jeff Tweedy and contains all original songs cowritten by Mavis and Tweedy. Following the release, Staples toured with Bob Dylan. She also appeared on the 2017/18 Hootenanny. In 2018, she sang on Hozier’s single “Nina Cried Power”. // In May 2019, Staples celebrated her 80th birthday with a concert at the Apollo Theater, 63 years after first appearing at the theater as a teenager with her family band, the Staple Singers, in 1956. The show, which featured special guest artists, including David Byrne & Norah Jones, is one of a series of collaborative concerts she staged in May to commemorate her 80th birthday. She performed at the 2019 Glastonbury Festival. // In 2022, Staples released Carry Me Home, a collaboration with Levon Helm, recorded at Helm’s Midnight Ramble in 2011. // She released the single “Worthy” on June 18, 2024.]
    1. Suzannah Johannes – “Churchy Girl”
      from: Kansas City: Hanz Bronze Boulevard / Suzannah Johannes / August 29, 2025
      [Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. In 2008, Suzannah Johannes was an up-and-coming singer-songwriter and then life happened: she got married, became a mother, dedicated her time to responsibilities outside of music. A few times a year, Johannes would play out in local clubs, but in ways too many women will recognize, her music career felt stuck on pause. // After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators, including David Wetzel, Nate Holt, Sean McCue, Jeff Jackson, Dustin Kinsey, and Gus Seyffert. . // Seventeen years later, it’s time to press play—Suzannah Johannes returns with two brilliant full albums: Kansas City: Hanz Bronze Boulevard and Los Angeles: The Missing Album. // Her most recent album, Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera. More info at: http://www.suzannahjohannes.com]]

    [Suzannah Johannes plays an Album Release Show Thurs, Sept. 11, 2025, at 8:00pm, at The Ship OG – Enter from the back alley, 1217 Union Avenue Kansas City, MO with 95 Sweetbird & Hanz Bronze]

    1. The Swallowtails – “I’m On Fire”
      from: LUCKY PENNY EP / The Swallowtails / February 20, 2024
      [The independent acoustic band, experimenting in the rock/pop genres while performing on what are traditionally folk/classical instruments, enter a new era having produced the entirety of this project themselves, with the songwriting matter touching on life’s big changes, challenges, and the realizations that time will heal. // “Since becoming a duo, it was time for us to reinvent our sound again. The songwriting on the LUCKY PENNY EP was split between Rachel and Miki P, and this was Rachel’s debut release as a writer and singer. We spent all of January 2024 finishing the arrangements, recording and mixing the mini-record. It was a much needed release of energy for both of us, and we are definitely looking forward to adding these songs into our live sets and performing new material.”– Miki P, songwriter, singer and musician in The Swallowtails. // Est. in 2018, The Swallowtails are a Kansas City based musical duo comprised of musicians Miki P on guitar/vocals and Rachel Lovelace on bassoon/vocals. Their vision is to write honest, heartfelt songs that feel like you’re coming home to an old friend. As recording and performance artists, they have been showcased throughout Kansas City, performing at the Folly Theatre, Boulevardia Music Festival, The Kansas City Public Library as part of the 2023 Art in the Loop: Celebrate project, and most recently at Green Guitar Folk House opening for The Wildwoods. Their songwriting was awarded Best Song by a KC Band in 2023 by the Pitch Magazine for their tune “Take it Slow.” // Swallowtails embarked on their 4th year entering NPR’s Tiny Desk Contest featuring a song off the EP, called “I’m on Fire” posted to NPR’s official contest site. // The Swallowtails hwere recently approved as part of KCAIC Touring Artists Roster, through the Kansas Creative Arts Industries Commission. // Historically, on May 22, 2023 The Swallowtails released their 7-track EP THE WORLD STILL SPINS with Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, and Miki P on guitar & lead vocals. // Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. Miki P was born in Kansas City, KS. Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. Miki P performed “She Loves You” at her 7th grade talent show. In 9th grade she joined a teen-band called American Slim as drummer & vocalist, and she wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. Miki P has played Middle of the Map Fest, Crossroads Music Fest, Kauffman Stadium, Arrowhead Stadium, and The Nelson Atkins Museum of Art before officially ending in 2018. As a teen she played drums for various groups including American Slim. At 21, Miki P began work on her debut solo-record, DOME OF SWALLOWS, that was released August 2, 2018. She then formed Miki P and the Swallowtails who released their first EP, Swallowtail in 2019, In 2021 Miki P released the 6-song EP, DON’T LOSE HOPE, created in covid isolation, in Miki P’s home space. Sitting & working from Miki’s computer, she composed and recorded 80% of the EP, working through the music like a journal entry, creating each song from her internal hurricane of emotions. All songs written, recorded, played, & mixed by Miki P. Recorded & Mixed with Emma Klien & Jake Hilger. Mastered by Joel Nanos. Miki P released her single “Your Love” on June 24, 2022. Miki P’s released the single “Peter Parker!” on March 18, 2022. // More info at: http://www.mikipmusic.com]

    [The Swallowtails play Waldo Folk, Wednesday, September 10, at 7:00pm, showcasing their poignant songwriting in the Tap Room at Waldo Pizza, 7433 Broadway Street Kansas City, MO]

    [The Swallowtails play Art in the Loop – Thursday, September 11, at 5:30pm, at Oppenstein Park, 1123 Walnut Street, Downtown KCMO with by Unique Sixteen, and EleveN2wenty2]

    1. June Henry – “to love you”
      from: chasing 3-song single / june henry nation / April 7, 2025
      [One of several new singles June Henry is releasing this year. Chris Garibaldi of Lotus Pool Records wrote: June and is now our most popular artist. June Henry is a second generation Lotuspool. June is the spawn of Matt Hyde, the other Lotuspool founder. // June Henry released The Exhumation of Princess Pavement on February 14, 2024. It was part of WMM’s 120 Best Recordings of 2024. // June Henry is a 22-year-old is a Lawrence KS. Based, freak folk singer-songwriter and multi-instrumentalist.. Her music explores themes of mental illness, queerness, and growing up. // Prior to her official debut, Henry had collected her music in a Google Drive folder, shared only with a small group of friends. Bedridden in 2022, she was convinced to release this music in her first official album Class Pet. // It’s not really something I know how to do, as much as something I have to do to stop myself from exploding,“ from June Henry’s Spotify bio. // Since her debut, she hasn’t gone more than a couple months between releases- creating a niche audience and some of her most popular songs, such as Void-Adjacent and Excoriation. // In 2024 she has released 9n singles, two 4-song EPs., the 11 track album, The Exhumation of Princess Pavement, released February 14, 2024, the 14 track album Between Singles and One-Offs, exclusive CD comprised of singles and EP tracks released May 27, 2024, the 17 track album Podium, released June 30, 2024. // June Henry released the single “method act” on December 16, 2023. // June Henry released the single “fall into” on December 2, 2023. // June Henry released the 3-track EP “the light I SPIT OUT” on November 14, 2023. // June Henry released the single “vampire song” on November 3, 3023. // June Henry released the 5-song EP “flat earth romcom” on September 22, 2023. // June Henry released the 11-track album “something friend” on June 20, 2022. // June Henry released the 15-track album “class pet” on March 15, 2022. // June Henry released the 7-track album, “SOUTH RAMP” through Lotuspool Records when she was “a gay boy in high school (released as August Henry.) // June Henry has been posting a bunch of tunes on bandcamp! These are official releases along with things that have been archived from streaming platforms, AND many demos and voice memos from long ago. Her personal favorite is “the trouble i made”, which features five tracks written and recorded in high school. The first one, “straight boys, was recorded when June was 14. Check http://www.junehen.bandcamp.com for even more releases.]

    [June Henry play HOWDY Thursday, December 11, at 7:00pm at 6523 Stadium Drive, KCMO, with Cyprus Hartford, Amber River, and Gwyndolin.]

    1. Iris DeMent – “The Last Toast”
      from: The Trackless Woods / FlariElla / August 7, 2015
      [6th album from Grammy nominated Iris DeMent who NPR said was ”one of the great voices in contemporary popular music.” The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. She lost family, friends & fellow writers to political killings and labor in the gulags. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems, juxtaposed with Akhmatova’s lightness and transcendence in the face of inhumanity. ”Anna’s gift of song is so strong, about alI I had to do was get really quiet and listen,” says Iris. After reading that first poem the melodies began pouring out of her, and before she even fully understood what was driving her, Iris was gathering musicians & friends, including co-producer Richard Bennett (Emmylou Harris, Neil Diamond, Steve Earle), to record ‘The Trackless Woods’ in her living room over a 5-days. The result is a pairing of piano and voice in Iris’ style with timeless melodies that are rooted in the American South.]
    1. Sisterbot – “You Won’t Play Me”
      from: “You Won’t Play Me” – Single/ Aletheia Maison Records / January 16, 2023
      [Written by Sisterbot. Engineered and Produced by Brandon Yangmi. Lead vocals: Sisterbot. Drums: Bailey Keling. Electric Guitar: Benjamin Hart. Violin: Laurel Morgan Parks, Kaydee Gabel. Viola: Victor Diaz. Cello: Sascha Groschang, Sisterbot. Cello Solo: Sisterbot. Bass Guitar: Madison Monroe. Background Vocals: Hadiza. and Logan Smalley. // Adee Rocket Dancy writes, “Three years ago, I wrote a song called “You Won’t Play Me.” I had been cleaning my apartment when I found an old pile of letters that brought back difficult memories… they were from someone who had spun many webs of lies and manipulations to gain my attention and affection. I hadn’t realized the extent of this mind-molding until my mid-20’s, after nearly a decade of experiences with this person. Holding the letters in my hand, I felt anger, embarrassment, protective of my younger self, but also, freedom. The knowledge that this person had no hold over me today, or ever again, gave me a sense of triumph. In a rush of catharsis, I ripped up all of the letters, tossing them into the air with relief. Immediately, this song came to me. I sat down at the keyboard, and out it poured. // Though it came nearly completely formed as a song, there were pieces missing that took me three years to finish. The composition, the arrangement for the band, and the recording process came slowly. During that time, I also collaborated with the amazing Marísa Adame Grady to write and film a music video for the song. The story portrays the long-term manipulation I faced, particularly on the internet, with dramatized scenes of common control and grooming tactics that I and many others have experienced. We hoped that this song and this music video would bring light to an all-too-common pattern in the dawn of the internet, empowering those who listen or watch to end patterns of manipulation in their own lives. More info at: sisterbotmusic.com]

    [Sisterbot sits down for a Perspectives: Artist Talk, at Lavender Studios. 12307 E 47th Street South, Independence, on Sunday, September 14, at 2:00pm. An intimate conversation about the origins of their unique sound, how queerness and community shape their work, and what it means to lead a “punk-pop chamber orchestra” in a DIY music scene.]

    10:28 – Underwriting

    1. The Freedom Affair – “So Much More”
      from: The Freedom Affair / Sunflower Soul Records / May 9, 2025
      [Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar=, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]

    [The Freedom Affair play The Folly Theater 300 West 12th Street, KCMO, on Tuesday, September 23, 2025, at 7:30pm for The Folly’s 125th Anniversary Birthday. More information at http://www.follytheater.org]

    10:33 – Interview with Rick Truman

    Rick Truman is the Executive Director at The Folly Theatre at 300 West 12th Street, KCMO. Rick Truman joined the Folly Theater as Executive Director in January 2022. From 2003 to 2021, Truman served as Managing Director of Quality Hill Playhouse, a local nonprofit theater company, leading financial and administrative operations. He holds a Master in Public Administration from the Bloch School of Business and Public Administration at UMKC and a Bachelor of Fine Arts with an emphasis in acting and directing from Avila University. In addition to his experience in nonprofit arts management, Rick has performed or stage directed at many Kansas City theaters, including Kansas City Repertory Theater, Musical Theater Heritage, Lyric Opera of Kansas City, Spinning Tree Theatre, Coterie Theatre, Unicorn Theatre, and Civic Opera Theater. More information at http://www.follytheater.org

    Rick Truman, thanks for being with us on Wednesday MidDay Medley

    Folly’s 125th Anniversary with The Freedom Affair on September 23, 2025.

    Rick Truman joined the Folly Theater as Executive Director in January 2022.

    From 2003 to 2021, Truman served as Managing Director of Quality Hill Playhouse, a local nonprofit theater company, leading financial and administrative operations.

    He holds a Master in Public Administration from the Bloch School of Business and Public Administration at UMKC and a Bachelor of Fine Arts with an emphasis in acting and directing from Avila University.

    In addition to his experience in nonprofit arts management, Rick has performed or stage directed at many Kansas City theaters, including Kansas City Repertory Theater, Musical Theater Heritage, Lyric Opera of Kansas City, Spinning Tree Theatre, Coterie Theatre, Unicorn Theatre, and Civic Opera Theater

    FOLLY PROGRAMMING AND PARTNERS

    Folly Jazz Series
    The Folly + 90.9 The Bridge Americana Concert Series
    Live! In the Lounge
    Folly Kids’ Series
    Friends of Chamber Music
    Harriman Jewell Series
    Heartland Men’s Chorus
    Kansas City Friends of Alvin Ailey
    The Kansas City Jazz Orchestra

    Folly Theater Schedule

    Sep 13 Sat • 7:30 PM – Musiq Soulchild

    Sep 26 Fri • 7:00 PM – The Ultimate Elvis Concert

    Sep 27 Sat • 7:30 PM – The Mask – Stage Play

    Oct 4 Sat • 7:30 PM – Pete Escovedo

    Oct 11 Sat • 7:30 PM – The Phil Collins Experience – Tribute

    Oct 16 Thu • 7:30 PM – Marc Cohn & Shawn Colvin

    Oct 18 Sat • 7:01 PM – Angela Hewitt

    Oct 25 Sat • 11:00 AM – Dogman: The Musical

    Oct 25 Sat • 3:00 PM – Dogman: The Musical

    Oct 26 Sun • 12:00 PM – Dogman: The Musical

    Nov 1 Sat • 7:30 PM – Lakecia Benjamin

    Nov 8 Sat • 7:30 PM – Paula Poundstone

    Nov 22 Sat • 7:30 PM – Samara Joy

    Dec 9 Tue • 7:00 PM – The Brandenburg Concertos

    Dec 13 Sat • 2:30 PM – Holiday Harmonies

    Dec 13 Sat • 7:00 PM – Holiday Harmonies

    Dec 20 Sat • 7:30 PM – Christmas with the Petersens

    Feb 7 Sat • 7:30 PM – The Joshua Redman Quartet

    Mar 6 Fri • 7:00 PM – Wu Han, Daniel Hope, & David Finckel

    Mar 14 Sat • 7:30 PM – Cyrille Aimee

    Sun • 3:30 PM – Miles Davis at 100

    Rick Truman, thanks for being with us on Wednesday MidDay Medley

    The Freedom Affair play The Folly Theater 300 West 12th Street, KCMO, on Tuesday, September 23, 2025, at 7:30pm for The Folly’s 125th Anniversary Birthday. More information at http://www.follytheater.org

    10:53

    1. The Freedom Affair – “If You Don’t Want Me”
      from: “If You Don’t Want Me” – Single / Sunflower Soul Records / May 15, 2024
      [The Freedom Affair is a 9 piece soul juggernaut from Kansas City, MO. The band formed in 2017 with a vision to write original soul music inspired by the traditions of the genre’s past with a universal message looking toward the future. Their new single “If You Don’t Want Me” features: Shon Ruffin on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, Brett Jackson on tenor Sax, Pat Conway on congas, and Nick Howell on tambourine. Written, Recorded & Mixed by Chris Hazelton. Mastered by JJ Golden // With their debut album FREEDOM IS LOVE, The Freedom Affair has received critical acclaim and have established themselves as a force in the soul music scene across the states and abroad. Keep your eyes and ears open for their songs and album art featured in the series Bel-Air, an Apple commercial, a Netflix series, etc… This band is just getting started. // The Freedom Affair’s live shows have proven to be soul-stirring, transformative events moving audiences both physically and emotionally to joy. // The Freedom Affair released their debut album Freedom Is Love on September 25, 2020. from The album explores themes of love, heartache, empower-ment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording techno-logies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. For the debut record The Freedom Affair was: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns] [The Freedom Affair played The 20th Annual Crossroads Music Fest Saturday,]

    [The Freedom Affair play The Folly Theater 300 West 12th Street, KCMO, on Tuesday, September 23, 2025, at 7:30pm for The Folly’s 125th Anniversary Birthday. More information at http://www.follytheater.org]

    1. Danielle Nicole – “Make Love” from: The Love You Bleed / Forty Below Records / January 26, 2024  
      [Danielle Nicole is one of the finest singers and bassists in roots music today. Hailing from Kansas City, Missouri, she has spent her life making music and pleasing fans, both domestically and abroad. Her stunning new album, The Love You Bleed, includes twelve heartfelt tracks exploring themes of love, loss, and perseverance. It will be released this Friday, January 26 on Forty Below Records. // The Love You Bleed was co-produced by Tony Braunagel (Taj Mahal, Eric Burdon, Robert Cray) and Nicole, with John Porter (B.B. King, Buddy Guy, Bryan Ferry) mixing. The tight-knit group on the album features Danielle on bass guitar and vocals; Brandon Miller (electric, acoustic, pedal steel, mandolin, and 12-string guitar), Damon Parker (keyboards); Go-Go Ray (drums), and Stevie Blacke (violin and cello). // Nicole was inducted into the Kansas City Hall of Fame and has been the recipient of seven Blues Music Awards.  Her last release Cry No More was nominated for a Grammy in the Contemporary Blues category, debuted at number one on the Billboard Blues Charts and boasts over 10 million streams on Spotify. // Danielle Nicole’s last release, CRY NO MORE, released February 23, 2018, was nominated for a Grammy Award for Best Contemporary Blues Album.. Her self-titled solo debut EP was released March 10, 2015 on Concord Records. The self-titled EP features Grammy Award-winning producer-guitarist Anders Osborne, Galactic’s co-founding drummer Stanton Moore and keyboardist Mike Sedovic. On February 25, 2015, American Blues Scene premiered the track “Didn’t Do You No Good” off the new EP. Danielle Nicole was previously in the band Trampled Under Foot with her brothers Kris and Nick Schnebelen. At the 2014 Blues Music Awards, Trampled Under Foot’s album, Badlands, won the ‘Contemporary Blues Album of the Year’ category. At the same ceremony, Danielle Nicole, under the name of Danielle Schnebelen, triumphed in the ‘Best Instrumentalist – Bass’ category. The band was also nominated in the ‘Band of the Year’ category. In September 2015, her debut album, Wolf Den, was released on Concord Records. It reached number 2 in the Billboard Top Blues Albums chart in October that year. Danielle Nicole’s second solo album, Cry No More, peaked at # 1 in the Billboard Top Blues Albums chart. Bill Withers wrote one of the tracks on the new album.]

    [Danielle Nicole plays The Folly Theater 300 West 12th Street, KCMO, on Saturday, November 29, 2025, at 8:00pm. More information at http://www.follytheater.org]

    11:00 – Station ID

    1. Stephonne – “1 Think It’s Gonna Be Alright”
      from: “1 Think It’s Gonna Be Alright” – Single / Glory Blue Music / April, 2025
      [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Recorded, mixed and mastered at Westend Recording Studios, Kansas City. Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. Stephonne’s new single Forgive Me, Father (Sinead O’Connor) was released an May 21, 2025. More info at: http://www.stephonne.com]

    11:03 – Interview with Stephonne

    Stephonne returns to the show to talk about his new singles including, “Worship At The Chappell:” his upcoming solo album, and RENT. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. More info at: http://www.stephonne.com

    Stephonne Thanks for being with us on Wednesday MidDay Medley

    Stephonne produced several epic tribute shows, to Mary J. Blige at the Fifth Floor I the historic West Bottoms. And you were one of the featured artists at the Rock is Black concert at the Zhou B Art Center in the heart of the 18th & Vine Arts & Cultural District.

    Both of these events were very important to you as a performer, but also in the community building work that you do, is that fair to say?

    Stephonne is a multifaceted performer, actor, drag performer, singer-songwriter, model. I personally have loved watching your journey as a musical performer.

    Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show

    12:12

    1. Stephonne – “Worship at the Chappell”
      from: “Worship at the Chappell” – Single / Glory Blue Music / August 15, 2025
      [Co-written with Shawn M. Stewart and produced with Patrick Meagher, the song is a declaration of power, pleasure, and pride—a sonic celebration of being fully and freely oneself. “Worship at the Chappell” is a bold, genre-bending anthem from Kansas City artist Stephonne—an electrifying fusion of disco, pop, and gospel spirit. Inspired by fellow Missouri native Chappell Roan, the track transforms the dance floor into a sanctuary for queer joy, spiritual liberation, and unapologetic self-love. With soaring vocals, provocative lyrics, and infectious grooves, Stephonne delivers a soulful sermon for the marginalized. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. // Stephonne is an Alternative/Genrequeer singer-songwriter, cultural producer, and generative performing artist from Kansas City, MO. They synthesize music, written/spoken word, performance and visual art/media into an inimitable art. They share their struggles, triumphs, and journey to self-love through multidisciplinary performance and have sent audiences on visceral and experiential journeys through a multitude of music and video releases since 2015. Bold new 2025 singles and videos continue to push boundaries! New experiences, both sonic and visual, await us from the upcoming sophomore LP, STEPHONNE. // Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. Stephonne released the single “I” on August 21, 2024. Stephonne released the single “I think its Gonna Be Alright” I April 2025. Stephonne released the single, Forgive Me, Father (Sinead O’Connor) on May 21, 2025. // More info at: http://www.stephonne.com]

    11:15 – More Interview with Stephonne

    Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. More info at: http://www.stephonne.com

    Stephonne Thanks for being with us on Wednesday MidDay Medley

    Along with your work with KC Folk Fest, you have also worked with Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show.

    Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows.

    Each Charlotte Street Generative Performing Artist Award receives an unrestricted cash grant of $10,000, recognition by Charlotte Street at the time of the award announcement and throughout 2023. The 2023 Charlotte Street Generative Performing Artist Awards recognize two exceptional artists in the fields of dance, theatre, music, opera, sound art, performance art, multimedia performance, spoken word, puppetry or hybrid performance-based forms. Along with Stephonne Singleton and Tiara Nicole was the other recipients of the 2023 Generative Performing Artist Awards. Since 1997, 29 performing artists and 106 visual artists in the Kansas City region have received this highly regarded award.

    All of the 2023 Charlotte Street Award Fellows were selected through competitive processes beginning with open calls for applications from artists based in the five-county Kansas City Metro Area. Artist selections were made by a panel of jurors consisting of renowned and qualified arts professionals. Jurors participated in interviews, presentations, and studio visits, resulting in the selection of 10 finalists for the Generative Performing Artists Awards and 12 finalists for the Visual Artist Awards.

    Stephonne’s Statement:

    As a generative performance artist and musician, my music is a result of radical and unconditional love that I have for my life and human connection. That love persists, despite living in a world that relishes my artistic contributions but not the color of my skin nor my queerness. It is within this relentless predicament that I find myself, my melodies, and my lyrics. I share my struggles, triumphs, and journey to self-love through performance. I create music and live experiences that break through the boxes of race, gender, social status and genre so that others may see their reflection in my art. All of my musical influences come together to create something inimitable but familiar. Music has always understood me and It is through music that I continue to define and understand myself. I want my audience to feel accepted and understood by my art, to feel seen – and then to better understand themselves and those around them.

    Stephonne Thanks for being with us on Wednesday MidDay Medley

    More info at: http://www.stephonne.com

    11:22

    1. Stephonne – “1”
      from: “1” – Single / Stephonne / August 21, 2024
      [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Trombone – Trevor Turla. Recorded, mixed and mastered at Westend Recording Studios, Kansas City. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist – Stephonne Singleton keeps very busy, organizing Tribute Shows, working as a Resident Artist at Charlottee Street studios, playing Music Festivals, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, The Black Box, The Folly Theatre, collaborating with The Black Creatures, Calvin Arsenia, Miki P, Jass, Eboni Fondren, putting out EPs, and singles. Stephonne released his EP SIS: Side B on June 24, 2022 it was in the TOP TEN of WMM’s 120 Best Recordings of 2022. Stephonne was a featured performer at the 23rd Annual West 18th Street Fashion Show on Friday, June 2, 2023, and also in the 24th annual West 18th Street Fashion Show.]
    1. Ivory Blue – “Echo”
      from: “Echo” – Single / IVORY BLUE / September 5, 2025
      [What IVORY BLUE says: “Echo” is about the energy in the world and how we get back what we put into it. The theme came to me when I was in the hospital, listening to stories from all kinds of people who were there. Our situations were different, but we were part of the same community striving for the love and connection we all deserve. I wanted this song to capture the echoes of our actions, our struggles, and our hopes all returning to use like a gift from above.” // Kansas City based artist, IVORY BLUE has a tendency of breaking through barriers that keeps her from saying what needs to be said, regardless of style. Bringing us hard hitting rock inspired ear candy like “Starlit Love Child” and “Control”, the idea of genre is only a tool IVORY uses to express her ability to communicate through music. // IVORY BLUE released the single “Mirrors” pon August 1, 2025. //IVORY BLUE released the single “Heartbeat” on March 28, 2025. // IVORY BLUE released the single “Rhythm of the Radio” on January 31, 2025 // IVORY BLUE released the single “Exiled” on November 29, 2024. IVORY BLUE released the single “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and stations around the world. // On Oct. 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from Sept. 22, 2023, ”The Best of Life” from Aug. 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on Feb. 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to Earth, Boulevardia, Crossroads Music Festival, The Middle of the Map Fest, The Westport Roots Festival, the KCPT Screening of “Real Boy” at KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. More info at: http://www.ivorybluemusic.com]

    11:28 – Underwriting

    1. Big Fat Cow – “Cat Call”
      from: Behold The Soil! / Big Fat Cow / August 1, 2024
      [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com]

    [BIG FAT COW play a “GARBAGE IN, GARBAGE OUT” RELEASE PARTY, on Saturday, September 27. 2025 at The RINO 314 Armour Rd., North Kansas City, MO – Doors at 7:00pm, Show at 7:30 with special guests: Timbers, Michael B. Tipton & The Scoundrels, and Flash Floods. Presented by Swade!]

    10:34 – Interview with Noah Cassity and Cole Waters of Big Fat Cow

    Joining us from the band Big Fat Cow are Noah Cassity, and Cole Waters. to talk about the release of their new EP “GARBAGE IN, GARBAGE OUT” on September 26, 2025. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. BIG FAT COW play a “GARBAGE IN, GARBAGE OUT” RELEASE PARTY, on Saturday, September 27. 2025 at The RINO 314 Armour Rd., North Kansas City, MO – Doors at 7:00pm, Show at 7:30 with special guests: Timbers, Michael B. Tipton & The Scoundrels, and Flash Floods. Presented by Swade! More information at http://www.bigfatcowband.com

    Noah Cassity and Cole Water thanks for being with us on WMM

    Big Fat Cow is a post-country band delivering cowpoke fuzz since 2022.

    Big Fat Cow’s first endeavor was a folk album (Glutton for Punishment) written and recorded by Noah Cassity and mastered and digitized by Kole Waters. Wanting to perform the songs live, Noah recruited the help of Kole on lead guitar alongside childhood friend Alex May to play the bass. Kole was able to bring in Matt Chipman to play drums and finish out the band.

    Noah Cassidy – lead vocals & guitar
    Kole Waters – guitar & vocals
    Alex May – bass guitar & vocals
    Matt Chipman – drums

    Meeting for the first time in KA studios, the newly formed quartet ripped into Noah’s folk songs, turning them into the rock, indie, americana and country inspired pieces that you know today. Each member of the band took and ran with the folk songs that Noah recorded and made it their own, pulling in inspirations from each of their unique musical backgrounds.

    Big Fat Cow has made themselves a household name in the Kansas City music scene, leaving an impression on everyone who comes out to see them play. With songs you can dance to and songs that will make you cry in the basement of a DIY show, Big Fat Cow is sure to leave their mark.

    “A band this good shouldn’t get saddled with a name this bad … you’re just going to have to tell your friends that you’re going to see Big Fat Cow, and wince while you do it.” – Too Much Rock

    The KC based band, Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest.

    Gremlin Goop (released 9/1)

    The track is an outward embrace of being tagged “an artsy punk band playing on the side of a gravel road.” The slow, vulnerable intro escalating into sink or swim pacing and squealed protest is signature “cowpoke fuzz,” the band’s internalized blend of post- and cosmic country, alt-Americana, and punk rock.

    In Goop, there’s an emphasis on highlighting each member’s further skillset and influence, which could be an interesting conversation point for the members to talk about their respective contributions.

    BIG FAT COW play a “GARBAGE IN, GARBAGE OUT” RELEASE PARTY, on Saturday, September 27. 2025 at The RINO 314 Armour Rd., North Kansas City, MO – Doors at 7:00pm, Show at 7:30 with special guests: Timbers, Michael B. Tipton & The Scoundrels, and Flash Floods. Presented by Swade!

    11:41

    1. Big Fat Cow – “Gremlin Goop”
      from: “Gremlin Coop” – Single / Big Fat Cow / September 1, 2025
      [From their upcoming EP – GARBAGE IN, GARBAGE OUT. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com]

    [BIG FAT COW play a “GARBAGE IN, GARBAGE OUT” RELEASE PARTY, on Saturday, September 27. 2025 at The RINO 314 Armour Rd., North Kansas City, MO – Doors at 7:00pm, Show at 7:30 with special guests: Timbers, Michael B. Tipton & The Scoundrels, and Flash Floods. Presented by Swade!]

    11:46 – Interview with Noah Cassity and Cole Waters of Big Fat Cow

    Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling.

    The band was formed in 2022 and includes: Noah Cassidy on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums.

    Joining us live on the show is Noah Cassidy who is the lead vocalost & plays guitar, and Kole Waters who plays guitar & provides vocals and recording and mastering.

    Big Fat Cow is a post-country band delivering cowpoke fuzz since 2022.

    The cattle’s broadly appealing, yet super unique brand of post-country, a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling.

    The herd’s captured a bit of what some suit from a less evolved time would’ve called “It.”

    Kole Waters is also in the band Dreamist who release the album Shouldn’t Be from midnomid collective on September 13, 2024

    Their 7-track debut album LP. “Made for everyone who cannot live within the margins of the culture imposed upon them.” // Written by Dreamist and Former Members Robert Graves and Travis Barker. Recorded, Mixed, and Mastered by Kole Waters at KA Productions. Released by Midnomid Collective. Album Art by Jaelin Kingsley. Album Packaging Formatted by Jacob Kingsley.

    Dreamist is a Post-Emo four-piece based in Kansas City, MO. // Dreamist is the result of the love of art that can simultaneously convey the visceral and esoteric. Holding post-hardcore aggression in one hand and the understated finesse of ambient and art rock in the other; Kole, Eli, Mitri, and Jacob embrace a full spectrum of genre to convey the many highs and lows of the human experience. Whether it is with voice, guitar, drum, synthesizer, or sample, Dreamist creates a space of vulnerability and catharsis in every performance and recording. // Too Much Rock writes: “The band’s songs are long, drifting from twinkling emo into post-rock climaxes. From sung to screamed. From beautiful to brutal. And all of them back again. While Waters’ is generally the pretty guitar, both he and Elisha Ruhman can make their guitars howl. That’s when the crashing drums of Mitri McCawley come into play. Whether on bass or keyboards, Jacob Kingsley filled in the gaps, giving body and weight to the compositions that otherwise might float away on a bed of lighter than air guitar effects.” // More info at: http://www.dreamistkc.com]

    Noah Cassidy and Kole Waters thanks for being with us on WMM

    BIG FAT COW play a “GARBAGE IN, GARBAGE OUT” RELEASE PARTY, on Saturday, September 27. 2025 at The RINO 314 Armour Rd., North Kansas City, MO – Doors at 7:00pm, Show at 7:30 with special guests: Timbers, Michael B. Tipton & The Scoundrels, and Flash Floods. Presented by Swade!

    For more on Big Fat Cow, please visit https://bigfatcowband.com and/or follow https://www.instagram.com/bigfatcowband/.

    11:54

    1. Santigold – “L.E.S. Artistes”
      from: Santigold / Downtown Music / April 29, 2008
      []Santogold is the debut studio album by musician and singer Santigold (who performed as Santogold at the time of the album’s release). The album was recorded within eight weeks in New York City at Schoolhouse and Pitch Black Studios. It was written and produced primarily by Santigold and former Stiffed bandmate John Hill, alongside contributions from other producers, including Diplo, Switch and Disco D, and vocal appearances from Spank Rock and Trouble Andrew. // This album incorporates a variety of musical styles, such as new wave, punk, electro, reggae and dub, with the aim of defying boundaries and genre classification. This genre-defying approach awarded the album with praise from music critics. It earned multiple spots on music publications’ year-end lists of the best albums of the year, as well as on several decade-end lists. The record charted in the United States, United Kingdom, Ireland, Netherlands, France and Belgium, and spawned the singles “Creator”, “L.E.S. Artistes”, “Lights Out”, and “Say Aha” // Santi White was born September 25, 1976 in Philadelphia, Pennsylvania to parents Ron White, an advisor to mayor John F. Street and Aruby Odom-White, a psychiatrist. She attended Germantown Friends School in Philadelphia, and later attended college at Wesleyan University, where she double-majored in music and African-American studies. Santi has described herself as “super-social and a connector of people” in her youth, growing up in Philadelphia. // She is known professionally as Santigold (formerly Santogold). She obtained her pseudonym in the 1990s after a friend gave it to her as a nickname. She worked for Epic Records as an A&R representative but left the position to co-write and executive produce How I Do, the singer Res’s debut album. // She was the singer of Philadelphia-based punk rock band Stiffed, which released the EP Sex Sells (2003) and the album Burned Again (2005). Both records were produced by Bad Brains bassist Darryl Jenifer. While in the band, White was offered a solo contract by Martin Heath of London-based independent label Lizard King Records. // Her debut studio album, Santogold (2008), was released by Atlantic Records and met with widespread critical praise for its cross-genre blending of dub, new wave, and hip hop music. Its second single, “L.E.S. Artistes”, peaked within the top 40 of the UK Singles Chart. // Her second album, Master of My Make-Believe (2012), was met with continued positive reception and peaked at number 21 on the Billboard 200. It spawned the single “Disparate Youth”, which entered the Bubbling Under Hot 100 and moderately entered charts in several countries. Her third album, 99¢ (2016), her second mixtape, I Don’t Want: The Gold Fire Sessions (2018), and her fourth album, Spirituals (2022), were each met with continued praise. The latter was described by The Guardian as a “whirlwind album full of feeling and fervour”. // Additionally, Santigold has collaborated with artists including Beastie Boys, Jay-Z, Kanye West, David Byrne, Mark Ronson, Karen O, ASAP Rocky, and Diplo. Her awards include “Best Breakthrough Artist” at the 2008 NME Awards, and the Vanguard Award at 2009 ASCAP Awards.]

    [Santigold plays the Warehouse on Broadway, 3951 Broadway, KCMO on TWO NIGHTS! Monday, September 15, and Tuesday, September 16 at 7:00 pm.]

    1. Noel Coward – “The Party’s Over Now”
      from: Noel Coward in New York / drg / 2003 [orig. 1957]

    NEXT WEEK, on September 17, Nick Carswell of Lawrence Music Alliance joins us to share details about the MixMaster Music Conference Sept. 19 & 20 // Brody Lowe shares new electronic music // Fritz Hurchison will be here // And we will also talk with Mark Ronning of Pool Culture.


    A really big THANK YOU to every one of you who donated during Wednesday MidDay Medley and our Summer Fund Drive for KKFI 90.1 FM. We had 47 individuals donate a total of $3529.00 in support of Community Radio. Special thanks go to my co-hosts and guests: Betse Ellis, Mikal Shapiro, Sandra Draper and Steve Tulipana and Lincoln Dreher!!!

    THANK YOU to our incredible KKFI Staff; Executive Director – Bess Wallerstein-Huff, Director of Development & Communications – J Kelly Dougherty, Chief Operator – Chad Brothers, Volunteer Coordinator – Darryl Oliver, and Office Manager Book Keeper – Shaina Littler.

    This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

    Our Script/Playlist is a “cut and paste” of information.
    Sources for notes: artist’s websites, bios, wikipedia.org

    Wednesday MidDay Medley in on the web:
    http://www.kkfi.org,
    http://www.WednesdayMidDayMedley.org,
    http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1112

    WMM PLAYLIST from September 3, 2025

    Wednesday MidDay Medley
    Produced and Hosted by Mark Manning
    90.1 FM KKFI – Kansas City Community Radio
    TEN to NOON Wednesdays – Streaming at KKFI.org

    Wednesday, September 3, 2025

    Krystle Warren + Bill Sundahl & 21st Annual Crossroads Music Fest

    1. “It’s Showtime Folks”
      from: Original Motion Picture Soundtrack to All That Jazz / 1980
      [WMM’s theme song]
    1. Krystle Warren & The Faculty – “I’ve Seen Days”
      from: Diary [Remastered] – EP / Parlour Door Music 2025 / March 10, 2005
      [Krystle Warren & The Faculty’s first official release, ‘Diary’, has been remastered by chief-inspector, Ben Kane, who not only recorded those clandestine sessions at Electric Lady Studios; he also co-produced and mixed their conclusion with his then mentor, the legendary Russell Elevado. With KW and The Faculty at the time ranging in age from eighteen to twenty-three, ‘Diary’ is a snapshot of youth and discovery; a “baby-band” finding their sound, and pushing their creativity into uncharted territory. // On November 1, 2024 Krystle Warren & The Faculty release EXTENDED PLAY whisch was #1 on WMM’s 120 Best recordings of 2024. Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations //// The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs​ was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs​ were recorded with everyone in the same room (​Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play​ was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up ​Extended Play​ are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play,​ they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]

    [Krystle Warren plays the 21st Annual Crossroads Music Fest, Sat, September 6, at 9:30pm at Lemonade Park 1628 Wyoming St., West Bottoms, w/ Laura Noble, MGDs, Grupo Folklorico Alma Tapatia, and Rebel Song Academy ]

    10:05

    Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI. Today we’ll feature music from 14 of the 35 bands playing the 21st Annual Crossroads Music Fest including: Laura Noble, The MGDs, The Friendly Thieves, Jely Rose, The Royal Chief, Stranded in The Cty, Nature Boys, Osezua, ,Talia keys, Jesus Christ Taxi Driver, Rudy Love and the Encore, Sara Swenson and John Keck. We started with Krystle Warren & The Faculty.

    Bill Sundahl joins us to share details about the 21st Annual KKFI Crossroads Music Fest, Saturday, September 6, 2025, Noon to Midnight, in the Historic West Bottoms with 35 Bands, on 6 stages including: Lemonade Park, The Campground, Voltaire, The Livestock Exchange Lot, Stockyards Brewing, and a VIP stage at the Ox Cafe & Bakery. CMF also presents a Free – Band of Angels Day Party at Lemonade Park from Noon to 3:00pm with: The Apologies, Little Miss Dynamite, Flat Susan, and Sass-A-Brass Band. Crossroads Music Festival is a fundraiser for 90.1 FM KKFI. Starting at 3:00pm to Midnight all CMF Festival Stages will require a wristband. For more information or purchase tickets you can visit: WWW.CMFKC.COM

    CMF headliner – Krystle Warren joins to share details about The Faculty’s first 2005 official EP release, DIARY, just recently re-released and remastered by Ben Kane, who originally recorded those sessions at Electric Lady Studios, where he also co-produced and mixed the tracks with his then mentor, the legendary Russell Elevado. Krystle Warren is one of our most played artists and most frequent guests. Krystle Warren began performing in her native Kansas City at the age of 16. She graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. Krystle Warren & The Faculty released the full length album CIRCLES in 2009. Their epic sophomore release, LOVE SONGS followed in 2011, and contained 24 songs about love, recorded in New York City over the span of two weeks, with close to thirty musicians. Around this time, Krystle also joined forces with one of her musical idols, Rufus Wainwright, on his world tour as opener and bandmate. Krystle Warren released her solo album THREE THE HARD WAY, co-produced with Ben Kane in 2017. Krystle will also be sharing details of , Krystle Warren & The Faculty’s released EXTENDED PLAY in November of 2024. EXTENDED PLAY was #1 on WMM’s 120 Beast Recordings of 2024. More info at: http://www.krystlewarren.com

    10:06 – Imterview with Bill Sundahl and Krystle Warren

    Today our Guest Co-Host is Bill Sundahl. Bill Sundahl founded the Crossroads Music Fest in 2005. Bill has been joining us on Wednesday MidDay Medley for 21 years now sharing information about the music and venues and collaborations associated with CMF. After a varied set of careers that led to the Fundraising Leadership Series at the University of Missouri – Kansas City in 2016, Bill’s passion for connecting people with ways to grow our community took root. Bill Sundahl spent eight years on staff at KKFI 90.1 FM. Bill started in 2014 as KKFI’s Events & Volunteer Coordinator, the same year as the 10th Annual Crossroads Music Fest. Bill brought the CMF to KKFI as a fundraiser and community event. Bill then became 90.1 FM KKFI’s Development Director and created new associations for KKFI with big shows at The Folly Theatre collaborations with Midwest Music Foundations, Lawrence Music Alliance, MixMaster Music Conference, Folk Alliance International, and other arts and community groups. Bill left KKFI Staff to serve as vice president of corporate partnerships at The Beacon a non-profit online news outlet covering Kansas City. Two years ago Bill left The Beacon to work as founder Owner / CEO / and Principal Consultant at Z&W Unlimited, offering fundraising, operations, strategy and planning advice to non profit media groups across the country, including continuing to serve KKFI in grant writing and training. For the last 12 years, Bill has played bass and provided vocals for the Kansas City super group, Starhaven Rounders. Bill is married to Wende Williamson and they have two daughters. They love to find fun places to camp, near the water. For info about Z&W Unlimited: http://www.zwunlimited.com

    Bill Sundahl thanks for being with us on Wednesday MidDay Medley

    Krystle Warren Poster designd by Krystle

    CMF IS A FUNDRAISER FOR 90.1FM KKFI – KANSAS CITY COMMUNITY RADIO

    The 21st Annual Crossroads Music Fest presented by Community Lending of America Benefiting 90.1 FM KKFI – Kansas City Community Radio. Saturday, September 6, 2025, Noon to Midnight, in the Historic West Bottoms with 35 Bands, on 6 stages including: Lemonade Park, The Campground, Voltaire, The Livestock Exchange Lot, Stockyards Brewing, and VIP stage at the Ox Cafe & Bakery.

    CMF also presents a Free – Band of Angels Day Party at Lemonade Park from Noon to 3:00pm with: The Apologies, Little Miss Dynamite, Flat Susan, and Sass-A-Brass Band. Crossroads Music Festival is a fundraiser for 90.1 FM KKFI.

    Starting at 3:00pm to Midnight all CMF Festival Stages will require a wristband. For more information or purchase tickets you can visit: WWW.CMFKC.COM

    Six Stages in the Historic West Bottoms:

    Lemonade Park, 1628 Wyoming St. – Community Lending of America Stage
    The Campground, 1531 Genessee St. – Kissick Construction Stage
    Voltaire, 1617 Genessee St. – Neighborhood Tourism & Development Fund Stage
    Livestock Exchange Lot, 1600 Genessee St. – Midtopia Stage
    Stockyards Brewing Co., 1600 Genessee St. – KKFI 90.1FM Stage
    Ox Cafe & Bakery, 1600 Genessee St. – West Bottoms Whiskey VIP Venue


    Featuring: KRYSTLE WARREN • LAURA NOBLE & FRIENDS • THE MGDS • RUDY LOVE & THE ENCORE • SEYKO • STRANDED IN THE CITY • FRIENDLY THIEVES • LITTLE MISS DYNAMITE • FLAT SUSAN • ROYAL CHIEF • SASS-A-BRASS • THE WHIPS • SARA SWENSON • TALIA KEYS • JESUS CHRIST TAXI DRIVER • JELLY ROSE • TERI QUINN & THE COYOTES •GRUPO FOLKLÓRICO ALMA TAPATÍA W/ MARIACHI LOS REALES DE KANSAS CITY • 3 TRAILS WEST • NATURE BOYS • DJ THUNDERCUTZ • TIMBERS • SKY SMEED • OSEZUA • JULIE BENNETT HUME & ERNEST JAMES • DJ NANA G • LINEA FRONTERA • DYM N D • RURAL GRIT ALL STARS • THE APOLOGIES • JOHN KECK • BOBBY SCHARPING • ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY


    21st Annual Crossroads Music Fest – Ticketed Festival – 3:00pm to Midnight
    Rain or Shine Event!

    Lemonade Park, 1628 Wyoming St.
    Community Lending of America – Main Stage – 4:30pm to 10:30pm

    4:30pm – 5:15pm – The Rebel Song Academy presented by Art As Mentorship
    5:45pm – 5:30pm – Grupo Folklorico Alma Tapatia w/Mariachi Reales De Kansas City
    7:00pm – 7:45pm – The MGDs
    8:15pm – 9:00pm – Laura Noble
    9:30pm – 10:30pm – Krystle Warren

    10:15

    1. Laura Noble – “Touch The Sky”
      from: “Touch The Sky” – Single / Noble Nation Records / March 22, 2020
      [Kansas City based Dominican Republic singer Laura Noble has had the opportunity to perform cover and original songs in major cities including Queens & Manhattan, NY, Minneapolis, MN, Denver, CO, Fort Myers, FL, Denver, CO, Atlanta, GA, Baltimore, MD and others. She’s been performing with live bands for 10+ years at festivals, high budget weddings, and corporate events. She has done the National Anthem and God Bless America at major sporting games and events like the KC Royals, Sporting KC and MMA fight tournaments..]

    [Laura Noble plays the 21st Annual Crossroads Music Fest, Sat, September 6, at 8:15pm at Lemonade Park 1628 Wyoming St., West Bottoms, Krystle Warren, MGDs, Grupo Folklorico Alma Tapatia, and Rebel Song Academy ]

    1. MGDs – “Hold On”
      from: Hold On / MGDs / January 11, 2025
      [1st single from the band’s 5th album. The band is: Matt Davis on drums, percussion & vocals; Greg Bush on bass; Damon Parker on keyboards & vocals; Scott “Snoof” Middleton on guitar; Cole Gurley on saxophones; Teddy Krulege on trumpet Emmitt Starkey on trombone. This KC based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic KC music culture, blending of funk & blues with soulful stylings. In what started as a 3-piece between longtime friends Matt, Greg & Damon in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and athe Sunset Music Fest, the City Market Crawfish Fest, the Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two KC Royals games. The MGDs released their 4th album, Midtown on Nov. 22, 2020. This followed, Somos Como Somos, from Nov. 4, 2017.]

    [The MGDs play the 21st Annual Crossroads Music Fest, Sat, September 6, at 7:00pm at Lemonade Park 1628 Wyoming St., West Bottoms, Krystle Warren, Laura Noble, Grupo Folklorico Alma Tapatia, and Rebel Song Academy]

    10:22 – More Interview with Bill Sundahl and Krystle Warren

    Welcome back to Wednesday MidDay Medley. Joining us for the entire show is our guest co-host Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 21 years now sharing information about the music and venues and collaborations associated with CMF. Bill Sundahl Sundahl founded the Crossroads Music Fest in 2005. For over eight years Bill worked here at KKFI 90.1 FM serving as our Development Director.

    Also with us is Krystle Warren who plays the 21st Annual Crossroads Music Fest, Sat, September 6, at 9:30pm at Lemonade Park 1628 Wyoming St., West Bottoms, w/ Laura Noble, MGDs, Grupo Folklorico Alma Tapatia, and Rebel Song Academy

    Bill Sundahl and Krystle Warren thanks for being with us on Wednesday MidDay Medley

    The 21st Annual Crossroads Music Fest presented by Community Lending of America Benefiting 90.1 FM KKFI – Kansas City Community Radio. Saturday, September 6, 2025, Noon to Midnight, in the Historic West Bottoms with 35 Bands, on 6 stages including: Lemonade Park, The Campground, Voltaire, The Livestock Exchange Lot, Stockyards Brewing, and VIP stage at the Ox Cafe & Bakery.

    CMF also presents a Free – Band of Angels Day Party at Lemonade Park from Noon to 3:00pm with: The Apologies, Little Miss Dynamite, Flat Susan, and Sass-A-Brass Band. Crossroads Music Festival is a fundraiser for 90.1 FM KKFI.

    Starting at 3:00pm to Midnight all CMF Festival Stages will require a wristband. For more information or purchase tickets you can visit: WWW.CMFKC.COM

    Six Stages in the Historic West Bottoms:

    Lemonade Park, 1628 Wyoming St. – Community Lending of America Stage
    The Campground, 1531 Genessee St. – Kissick Construction Stage
    Voltaire, 1617 Genessee St. – Neighborhood Tourism & Development Fund Stage
    Livestock Exchange Lot, 1600 Genessee St. – Midtopia Stage
    Stockyards Brewing Co., 1600 Genessee St. – KKFI 90.1FM Stage
    Ox Cafe & Bakery, 1600 Genessee St. – West Bottoms Whiskey VIP Venue

    CMF IS A FUNDRAISER FOR 90.1FM KKFI – KANSAS CITY COMMUNITY RADIO

    Featuring: KRYSTLE WARREN • LAURA NOBLE & FRIENDS • THE MGDS • RUDY LOVE & THE ENCORE • SEYKO • STRANDED IN THE CITY • FRIENDLY THIEVES • LITTLE MISS DYNAMITE • FLAT SUSAN • ROYAL CHIEF • SASS-A-BRASS • THE WHIPS • SARA SWENSON • TALIA KEYS • JESUS CHRIST TAXI DRIVER • JELLY ROSE • TERI QUINN & THE COYOTES •GRUPO FOLKLÓRICO ALMA TAPATÍA W/ MARIACHI LOS REALES DE KANSAS CITY • 3 TRAILS WEST • NATURE BOYS • DJ THUNDERCUTZ • TIMBERS • SKY SMEED • OSEZUA • JULIE BENNETT HUME & ERNEST JAMES • DJ NANA G • LINEA FRONTERA • DYM N D • RURAL GRIT ALL STARS • THE APOLOGIES • JOHN KECK • BOBBY SCHARPING • ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY


    11:28 – Underwriting

    Next set intro
    The Campground, 1531 Genessee St. – Kissick Construction Stage – 3:15pm to 10:30pm
    6 STAGES in the Historic West Bottoms with 35 Bands. Info at http://www.cmfkc.com]

    3:15pm – 4:15pm – Timbers
    4:45pm – 5:30pm – Dym N D (Diamond D)
    6:00pm – 6:45pm – Friendly Thieves
    7:15pm – 8:00pm – Jelly Rose
    8:30pm – 9:15pm – The Royal Chief
    9:45pm – 10:30pm – Stranded in The City

    10:31

    1. Friendly Thieves – “Get it Yourself”
      from: “Get it Yourself” – Single / Friendly Thieves / June 7, 2024
      [New single from five-piece alt-funk band, Friendly Thieves who are: Sam Wells on lead vocals, Jamae Breeze on lead guitar, Sam Millard on bass, John Goss on drums, and Ben Baker on saxophone. // Friendly Thieves released their debut album Til Death on October 31, 2023. // From Michelle Bacon’s piece in http://www.bridge909.org: Friendly Thieves describes themselves as if “Alabama Shakes and Young The Giant had a Vulfpeck-inspired love child,” and well, that’s pretty spot on. Their single captures that intersection of vibrant indie-rock energy and exceptional musicianship, with an intriguing funk aroma. // The bands show at ULAH is their only KC show so far this year before the ban sets off on tour to Austin, Chicago, Denver, and Nashville. // Sam Wells released her debut EP, FOR THE DEFLATED on French Exit Records on December 31, 2020. Sam Wells is a Kansas City, based singer songwriter who has shared stages with Betsy Phillips, Kelly Hunt, Andrew Ryan, The Zack Pietrini Band, and The Phantastics. She was featured as a composer and performer in the Kansas City Repertory Theater production of “Ghost Light” performed on the lawn of The Nelson Atkin Museum of Art in October, 2020. Sam has also performed in Troostival (2020), Kansas City Porchfest (2019) and Jamdemic. In 2019, Wells released her debut single “Lesson Learned.” In early 2020 Wells released her second single “Sugar” producer and engineered by Riley Corbin at the Lawrence Kansas Public Library recording studio. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between. Originally from Phoenix, Arizona, Sam Wells has lived in Lawrence, but now calls KC home. Sam Wells also contributed to The Black Lives Matter Compilation from French Exit Records that featured tracks from 22 acts from the area, and was released on July 6, 2020. Sam contributed the song, “Dear Black People”. On WMM we featured tracks from: Blackstarkids, Daniel Gum, Crystal Rose, UpKeep, Bream, Heavy Surface, Palace Intrigue, Self Harmony, and Sam Wells. All proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. French Exit Records launched in 2018, and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. ]

    [Friendly Thieves play the 21st Annual Crossroads Music Fest, Sat, September 6, at 6:00pm at The Campground, 1531 Genessee St. with Timbers, Dym N D (Diamond D), Jelly Rose, The Royal Chief, and Stranded in The City.]

    1. Jelly Rose – “Woman’s N2ition”
      from: Unclassified – EP / BSPCL Productions / March 13, 2020
      [Jelly Rose is a singer/songwriter/performer from Olathe, Kansas. With band she creates all original music. From beginning to end, every part of it is curated by them, from the music, to the storytelling, to the vocals, to the delivery. Which is special because Jelly Rose is a throwback to a time when bands worked together to create art. To put it simply, I am an analog artist in a digital world. Our music creation is completely organic, and the catalyst for it stems from somewhere beyond me. It is music for the heart, mind, and soul. I strive to be as authentic as possible, and stay true to who I am, no matter who sees the vision or not. The name of my first EP was Unclassified. It was titled that because that is who we are at our core. There is no box that we fit into, no category, no genre. Jelly Rose is an entity in and of itself. And that is special. Currently, we are recoding our first album. It will give listeners an opportunity to really see the depth of the band we are and the artist I am. They’ll be able to dance, cry, vibe, or just sing their hearts out. I am so looking forward to being able to give people the full Jelly Rose experience..]

    [Jelly Rose plays the 21st Annual Crossroads Music Fest, Sat, September 3, at 7:15pm at The Campground, 1531 Genessee St. with Timbers, Dym N D (Diamond D), Friendly Thieves, The Royal Chief, and Stranded in The City.]

    1. The Royal Chief – “Hi-Def (Radio Mix)”
      from: Fire – EP / Sovereign Sound / July 10, 2025
      [New 5-track EP from The Royal Chief / Born in Kansas City, Missouri as Jamel Thompson to a single mother, The Chief is the youngest of six – two brother’s on his mother’s side and another brother and twin sisters from his father. Growing up, his mother fostered his mind; she encouraged The Royal Chief to read relentlessly and to experiment with his talents. This promoted a period where The Royal Chief began expressing himself by writing stories. Chief spent most of his early life in the urban areas of Kansas City. He and his mother moved to Dallas, Texas briefly before returning to Kansas City – to the suburbs – which provided an interesting contrast to his life before. // At the age of 13, after attending a concert in which Kanye West performed, Chief knew his path was in music and began rapping. Courtesy of his mother, he drew inspiration from R&B and Soul while getting his introduction to Hip Hop from his father and brothers. Hip Hop became a love and an outlet for him – a way to vent and document how he perceived the world. It was also an instrument for The Royal Chief to cope with the pain of losing his older brother and godmother who had a hand in raising him. // The Royal Chief moved to Atlanta, Georgia in 2012. He spent his first year there living out of his Honda Civic and obtained membership to a local gym to have access in order to take showers. He established a relationship with the manager at Tree Sound Studios through a mutual friend and was soon allowed to live in the studio’s building. He made the most of this opportunity by observing and learning many of the aspects of the music industry, audio/video recording, marketing, and most importantly building relationships and networking. Soon, he began to nurture a relationship with “Cyhi The Prynce” who took him under his wing allowing Chief to create and write for other G.O.O.D. Music artist. During this time, Chief was able to go on tour and learn just to write raps and incorporate rhythm and flow into his pieces to make them sound appealing. // In 2015, under his original moniker “J-Dub,” The Royal Chief began to meticulously focus on his own projects and released his first mixtape entitled Trial and Error. Later that same year, after a trip back to his hometown of KC, he made a conscious decision to change his stage name to something that reflected his passion for his two favorite home-town sports teams and one that represented his city. And in combining the names of those teams, he thus became “The Royal Chief”. Feeling the need to release some music to commemorate the name change, in September of 2016 he released his second project, an EP entitled Dawn – representing the beginning or “dawn of” something new. // In 2017, after seeing a Kareem “Biggs” Burke’s interview in which he said “if you don’t have your city you don’t have anybody,” Chief decided it was time for him to return home and build his name and his following up in his own city. That same year, after a house fire in which he lost everything but his life, he released his third project – an EP titled Homecoming. While building traction in the city, Chief worked diligently to network and perform live all around the Kansas City Metroplex and surrounding areas. In 2018, he released a three-track EP titled 3 Pack. Chief spent the next year working towards expanding existing relationships and building new ones. Chief’s objective was to spend time building a backing band for his live performances as well as collaborate with local artists and producers. And with this feat accomplished, in 2020, Chief released his fourth project titled Groundwork. Groundwork represents “laying the foundation” – it’s the cumulative efforts of networking, touring, and building a following. More info at: http://www.theroyalchief.com]

    [The Royal Chief will play the 21st Annual Crossroads Music Fest, Sat, September 6, at 8:30pm at The Campground, 1531 Genessee St. with Timbers, Dym N D (Diamond D), Friendly Thieves , The Royal Chief, Jelly Rose, and Stranded in The City.]

    1. Stranded in The City – “Tell Me”
      from: Family Function / Chorizo Springs Records / April 25, 2025
      [André Reyes, Jr. on piano, keyboard, synthesizers, organ and vocals; Antonio Reyes on drums and vocals; Timmy Keith on guitar & vocals; Matt Elton on bass & vocals; Densil Malabre on congas, timbales, percussion & vocals. // Stranded in the City is made up of brothers André Reyes, Jr. and Antonio Reyes, Timmy Keith, Matt Elton, and Densil (D.J) Malabre. Together they form one of Kansas City’s powerhouse bands. André and Antonio arose from a musical family tracing across four generations. They met Timmy, a natural rock guitarist, and bassist, Matt, who would later become the core of Stranded in the City. Densil adds his West African style to the mix to solidify the sound. // As a diverse group, Stranded in the City provides a retro flavor in a fresh sound, playing every song with soul and every beat of their hearts. Through the thickness of the groove, they deliver rich vocal harmonies and smoking improvisational skills. Expect a melting pot of genres; R&B, Funk, Country, Tex-Mex, Rock and Pop all in their music. Never the less backed by the right energy. // They perform locally and pack venues in Kansas City and the surrounding areas. In the spring of 2025, they will be premiering their sophomore album. Visit the calendar for more details on live performance dates, album releases, events and more. Sign up for the mailing list for updates, and follow on social media for live streams and more content.]

    [Stranded in The City play the 21st Annual Crossroads Music Fest, Sat, September 3, at 9:45pm at The Campground, 1531 Genessee St. with Timbers, Dym N D (Diamond D), Friendly Thieves, The Royal Chief, and Jelly Rose.]

    10:46 – More Interview with Bill Sundahl and Krystle Warren

    Welcome back to Wednesday MidDay Medley. Joining us for the entire show is our guest co-host Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 21 years now sharing information about the music and venues and collaborations associated with CMF. Bill Sundahl Sundahl founded the Crossroads Music Fest in 2005. For over eight years Bill worked here at KKFI 90.1 FM serving as our Development Director.

    Also with us is Krystle Warren who plays the 21st Annual Crossroads Music Fest, Sat, September 6, at 9:30pm at Lemonade Park 1628 Wyoming St., West Bottoms, w/ Laura Noble, MGDs, Grupo Folklorico Alma Tapatia, and Rebel Song Academy

    Bill Sundahl and Krystle Warren thanks for being with us on Wednesday MidDay Medley

    The 21st Annual Crossroads Music Fest presented by Community Lending of America Benefiting 90.1 FM KKFI – Kansas City Community Radio. Saturday, September 6, 2025, Noon to Midnight, in the Historic West Bottoms with 35 Bands, on 6 stages including: Lemonade Park, The Campground, Voltaire, The Livestock Exchange Lot, Stockyards Brewing, and VIP stage at the Ox Cafe & Bakery.

    CMF also presents a Free – Band of Angels Day Party at Lemonade Park from Noon to 3:00pm with: The Apologies, Little Miss Dynamite, Flat Susan, and Sass-A-Brass Band. Crossroads Music Festival is a fundraiser for 90.1 FM KKFI.

    Starting at 3:00pm to Midnight all CMF Festival Stages will require a wristband. For more information or purchase tickets you can visit: WWW.CMFKC.COM

    Six Stages in the Historic West Bottoms:

    Lemonade Park, 1628 Wyoming St. – Community Lending of America Stage
    The Campground, 1531 Genessee St. – Kissick Construction Stage
    Voltaire, 1617 Genessee St. – Neighborhood Tourism & Development Fund Stage
    Livestock Exchange Lot, 1600 Genessee St. – Midtopia Stage
    Stockyards Brewing Co., 1600 Genessee St. – KKFI 90.1FM Stage
    Ox Cafe & Bakery, 1600 Genessee St. – West Bottoms Whiskey VIP Venue


    CMF IS A FUNDRAISER FOR 90.1FM KKFI – KANSAS CITY COMMUNITY RADIO

    Featuring: KRYSTLE WARREN • LAURA NOBLE & FRIENDS • THE MGDS • RUDY LOVE & THE ENCORE • SEYKO • STRANDED IN THE CITY • FRIENDLY THIEVES • LITTLE MISS DYNAMITE • FLAT SUSAN • ROYAL CHIEF • SASS-A-BRASS • THE WHIPS • SARA SWENSON • TALIA KEYS • JESUS CHRIST TAXI DRIVER • JELLY ROSE • TERI QUINN & THE COYOTES •GRUPO FOLKLÓRICO ALMA TAPATÍA W/ MARIACHI LOS REALES DE KANSAS CITY • 3 TRAILS WEST • NATURE BOYS • DJ THUNDERCUTZ • TIMBERS • SKY SMEED • OSEZUA • JULIE BENNETT HUME & ERNEST JAMES • DJ NANA G • LINEA FRONTERA • DYM N D • RURAL GRIT ALL STARS • THE APOLOGIES • JOHN KECK • BOBBY SCHARPING • ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY


    Voltaire, 1617 Genessee St.
    Neighborhood Tourism & Development Fund Stage – 5:00pm TO MIDNIGHT

    5:00pm – 6:30pm – DJ Nana G
    6:45pm – 8:15pm – DJ Thundercutz
    8:45pm – 9:30pm – Teri Quinn and The Coyotes
    10:00pm – 10:45pm – SEYKO
    11:15 – 12:00am – Nature Boys

    10:52

    1. The Nature Boys – “Common Visions”
      from: “Common Visions” Single / Dead Broke Rekerds / April 11, 2025
      [Nature Boys released their album IV /on September 24, 2021. Nature Boys started playing together in Kansas City, Missouri September of 2009. They wrote this about their band: “We had our first show in November or December at the Troost House, and then our second show at Dave’s Stagecoach Inn. We left for our first tour in January of 2010. The band includes: Danny Fischer on guitar & vocals, Suzanne Hogan on bass & vocals. evan malone on drums. Kansas City, Missouri punk rock & rollers that have been kickin’ up dust all across the country since 2009! Their fourth album and first on Dead Broke after self-releasing a slew of their previous efforts. Imagine if Dead Moon was a buch of punk rockers from the south, then you might be getting close to what Nature Boys scrappy & energetic punk rock is all about. Limited to 300 copies. (200 Black, 100 Clear Pink) Comes w/download code.] [Nature Boys playrdd a Special Halloween Benefit for Confluence & KC Tenants on Saturday, October 30, at 8:00 PM, at Blip Roasters 1301 Woodswether Rd, WEST BOTTOMS, KCMO with Pink Phase, DJ Dan Cool, Killus.]

    [Nature Boys play 21st Annual Crossroads Music Fest on Sat, Sept. 6, at 11:15pm in West Bottoms at Voltaire, 1617 Genessee St. with DJ Nana G, DJ Thundercutz, Teri Quinn & The Coyotes, and SEYKO]

    1. SEYKO – “Anybody High”
      from: “Anybody High” – Single / Groove King Records – Fat Beats / December 1, 2023
      [Produced by Colby Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair. // Seyko released the single “What I Want” on June 23, 2023. //From http://www.seykomusic.com: Seyko has always found music to be a reflection of her innermost thoughts and feelings, a way of self-expression but even deeper than that. Music was always a life-giving, constant companion from the happiest moments to the darkest days. Music continues to be Seyko’s way of communicating with the world around her. // Seyko developed her musical talent during her formative years through church and school choirs, friendships that evolved into singing groups, and professional training through voice lessons and songwriting. Opportunities presented themselves, but Seyko also created opportunities for herself as she chased her dream to create and perform her own music. // The Freedom Affair and SUNU, two Kansas City bands Seyko performs and writes with, have solidified her place in the music scene and provide a solid foundation for beginning her solo career. Seyko’s singing and songwriting career has spanned twenty years, and it shows! Her creative growth has led to her being a well-respected artist in Kansas City, allowing her to participate in recording projects for fellow musicians and even singing background vocals for Michael Bublé at a live concert in 2022.]

    [SEYKO plays 21st Annual Crossroads Music Fest, Sat, Sept. 6, 10:00pm, in West Bottoms at Voltaire, 1617 Genessee St. w/ DJ Nana G, DJ Thundercutz, Teri Quinn & The Coyotes, and Nature Boys.]

    11:00 – Krystle Warren – “WMM Station ID”

    1. Krystle Warren & The Faculty – “On That First Day of Autumn”
      from: Diary [Remastered] – EP / Parlour Door Music 2025 / March 10, 2005
      [Krystle Warren & The Faculty’s first official release, ‘Diary’, has been remastered by chief-inspector, Ben Kane, who not only recorded those clandestine sessions at Electric Lady Studios; he also co-produced and mixed their conclusion with his then mentor, the legendary Russell Elevado. With KW and The Faculty at the time ranging in age from eighteen to twenty-three, ‘Diary’ is a snapshot of youth and discovery; a “baby-band” finding their sound, and pushing their creativity into uncharted territory. // On November 1, 2024 Krystle Warren & The Faculty release EXTENDED PLAY which was #1 on WMM’s 120 Best recordings of 2024. Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations

    [Krystle Warren plays the 21st Annual Crossroads Music Fest, Sat, Sept. 6, at 9:30pm at Lemonade Park 1628 Wyoming St., West Bottoms, w/ Laura Noble, MGDs, Grupo Folklorico Alma Tapatia, and Rebel Song Academy.]

    11:04 – Interview with Krystle Warren and Bill Sundahl

    Thanks for tuning into WMM on 90.1 FM KKFI. 
I’m Mark Manning. Today on WMM we are serving up music from the 21st Annual Crossroads Music Fest

    Joining us for the entire show is our guest co-host Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 21 years now sharing information about the music and venues and collaborations associated with CMF. Bill Sundahl Sundahl founded the Crossroads Music Fest in 2005.

    Bill Sundahl, thanks for being with us on Wednesday MidDay Medley

    And we are so excited to welcome back to the show, KC born and internationally known singer songwriter Krystle Warren who is back in KC from her home in France. Krystle is one of our most played artists of all time on the radio show. Krystle is also one of our most frequent guests.
    .
    Krystle Warren began performing in her native KC at the age of 16. Krystle graduated from Paseo Arts Academy and in 2001 began her musical career collaborating with area jazz and pop musicians. After moving to New York City, she started busking on the streets and later formed her regular band, The Faculty.

    Krystle Warren & The Faculty’s first official release, ‘Diary’, has been remastered by chief-inspector, Ben Kane, who not only recorded those clandestine sessions at Electric Lady Studios; he also co-produced and mixed their conclusion with his then mentor, the legendary Russell Elevado. With KW and The Faculty at the time ranging in age from eighteen to twenty-three, ‘Diary’ is a snapshot of youth and discovery; a “baby-band” finding their sound, and pushing their creativity into uncharted territory.

    After DIARY was released Krystle was signed to Paris based music label Because Music who sent her a one-way ticket. Krystle Warren & The Faculty released the album CIRCLES in 2009. Their epic sophomore release, LOVE SONGS… followed in 2011, and contained twenty-four songs about love and was recorded in New York City over the span of two weeks, with close to thirty musicians. Around this time, Krystle joined forces with one of her musical idols, Rufus Wainwright, on his world tour as opener and bandmate. Krystle Warren then released her solo album THREE THE HARD WAY, in 2017 where Krystle played every instrument. On May 31, 2019 Krystle Warren & The Faculty released heir single “Rising” written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When her band’s full length album was put on hold, Krystle released the 4-song EP THE CREW on September 15, 2020. Krustle released the single “Macca” on May 22, 2023, and the single “La Dolce Vita” on March 1, 2024.

    On November 1, 2024 Krystle Warren & The Faculty release EXTENDED PLAY which was #1 on WMM’s 120 Best recordings of 2024.

    [Krystle Warren plays the 21st Annual Crossroads Music Fest, Sat, September 6, at 9:30pm at Lemonade Park 1628 Wyoming St., West Bottoms, w/ Laura Noble, MGDs, Grupo Folklorico Alma Tapatia, and Rebel Song Academy ]

    More info at: http://www.krystlewarren.com

    Krystle Warren, thanks for being with us on Wednesday MidDay Medley


    Krystle Warren & The Faculty Discography

    Krystle Warren & The Faculty has released the EP “Diary” on May 1, 2007

    Krystle Warren released “The Up Series – EP” on November 10, 2008

    Krystle Warren releases the 13-song Album CIRCLES on March 13, 2009

    Krystle Warren & The Faculty released “A Time To Keep – Love Songs EP”, Aug. 12, 2011

    Krystle Warren & The Faculty released the double album 24-song “Love Songs” on vinyl in Europe on April 9, 2012 as “Love Songs: A Time to Embrace,” and “Love Songs: A Time to Refrain from Embracing. ” And released on separate digital and CD albums in the United States as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015

    Krystle Warren released the album THREE THE HARDWAY on August 18, 2017

    Krystle Warren & The Faculty released the single “Rising” on May 31, 2019

    Krystle Warren & The Crew released the 4-song EP, THE CREW on September 15, 2020

    Krystle Warren & The Faculty released the single “Macca”on May 22, 2023

    Krystle Warren & The Faculty released the single “LA DOLCE VITA” on March 1, 2024

    Krystle Warren & The Faculty released EXTENDED PLAY on November 1, 2024


    Krystle Krystle Warren met Solomon Dorsey some weekend at a high school debate competition in KC. After she had trounced Solomon’s debate partner, the two ended up in an open classroom where they began playing music—Krystle had brought her guitar and was practicing chords, and Solomon, then an accomplished violinist, cellist, bassist, and singer likely had some sort of instrument on him, and even if he didn’t he had his voice.

    Due to some specific details we’re not going to get into, Krystle was already living on her own; she was eighteen and he was seventeen. But she had a friend who had an apartment near hers, and this friend was having a party. “Wanna go?” she asked Solomon. And, as Solomon puts it, he has seen or spoken to Krystle every single day of his life since.

    From: Diary EP to Extended Play A Truncated History of Krystle Warren & The Faculty
    Written by Phil AndersonFrom http://www.krystalwarren.com :

    So when Solomon decided to attend the jazz program at New School in New York, he asked Krystle, “Wanna go?” And a few months after he moved, Krystle showed up. On her first night in the city, Solomon introduced her to Zach Djanikian, a saxophonist he’d become fast friends with at school. They lived in the same dorm, and Zach and Solomon took Krystle to a practice room in the basement and the three of them played musical games. According to Zach, “We’d sing as many melodies as we could over four open strings of the upright bass, plucked successively. ‘Norwegian Wood’ and the theme to ​Family Matters​ were a couple favorites.”

    This led to busking as a trio, and each of them was hustling for gigs. An Italian restaurant that featured live music gave Krystle a regular night, and she often had Solomon and Zach play with her. Zach’s friend from Philadelphia, Ben Kane, would come to these nights, and he brought Mike Riddleberger.

    In Philly, Zach was in a band called The Brakes, and Ben Kane was producing an album for Zach’s band in a windowless apartment that he shared with Riddleberger. Kane and Riddleberger had become friends a year earlier at NYU, bonding over their love of D’Angelo’s album ​Voodoo​. Riddleberger says that even though he saw Krystle perform, he didn’t speak to her until after she saw him play with his band, Quintus. Zach had brought her, and she approached him after the show to play in a band she was starting.

    The Faculty was formed with Krystle, Solomon, Zach, Riddleberger, and Dave Moore, a keyboardist from Kansas who was at New School, too. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at ElectricLady Studios and was sneaking them in at odd hours, Krystle turned those songs into an EP called DIARY.

    And it was a diary. The songs were about her daily experiences in this new place and with these new people. “I’ve Seen Days” has a title that implies a reflection, but it’s about how the world is new to her, how she’s “a frightened child” in a new city. “The New Astrologer” is about a new and exciting love, one that remains a good friend of hers. “A Song For Holly” is a letter to family explaining her new quotidien life (“your big sister / out in New York on some subway / your big sister, out trying to get paid”). And “Central Park” is a document of a night she had in Central Park with Zach and his boyfriend (now husband) Jesse, and how she is coming to embrace this new city, these new people, and this new chapter of her life.

    If DIARY, the Faculty’s first recordings, is Krystle’s “Songs of Innocence,” then EXTENDED PLAY, the Faculty’s latest, is Krystle’s “Songs of Experience.”

    Diary led to CIRCLES, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, and Krystle had her next move. She stayed in France even when her relationship with Because ended because she found Vanessa, and Vanessa was worth staying in France for. But Krystle still recorded ​LOVE SONGS in New York, a double album that invokes a Blakean duality with its two subtitles, “A Time to Refrain from Embracing” and “A Time You May Embrace.” LOVE SONGS was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys in the Faculty.

    The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in NYC and Zach in Woodstock. Solomon and Jonathan in LA. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Policewoman, Jose James, Emily King, Janet Jackson, Ron Sexsmith, The Dixie Chicks, Amy Helm, Stevie Wonder, Taylor Swift, Rufus Wainwright, Kylie Minogue, Sara Bareilles, Natalie Merchant, Kesha, Bleachers, Emylou Harris, Amos Lee, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, Jenny Lewis, that’s less than the half of it.

    So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while DIARY and CIRCLES and LOVE SONGS were recorded with everyone in the same room (THREE THE HARDWAY was just Krystle & Kane together), EXTENDED PLAY was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs.

    And Krystle is writing with a close emotional connection to the distant past. The songs that make up Extended Play are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in ​EXTENDED PLAY and a forlornness. These songs are filled with references, musical and otherwise, to those who have inspired Krystle over the years, from Les Mis​ (specifically the song adopted by ACT UP) to Gregory Djanikian, Zach’s poet father, and Audre Lord.

    Krystle describes “When I Look Back,” the last song of ​Extended Play​, as “an apology to my teenage self.” Seventeen years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”

    But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says,

    “I’m going on to something else, the shape of which I have no idea. ‘Only thing I know, is it’s going to be quite different. What I leave behind has a life of its own. I’ve said this about poetry… Well in a sense, I’m saying it about the very artifact of who I have been.”

    Krystle Warren & The Faculty still have more to come. They have built seventeen years of memories, experiences, recordings, and shows, and with the release of ​Extended Play​, they continue to show a commitment to growing as musicians together, even if apart.

    Written by Phil Anderson
    ______________________________________________________________

    Krystle Warren and 90.1 FM KKFI

    Mark first interviewed Krystle Warren for The Tenth Voice, back 2002. Mark waited several hours, during a winter snow storm, at a huge party, where Krystle played with her band including her longtime friend Solomon Dorsey on bass, in a packed, smoke filled apartment near Community Christian Church across the hall from where Solomon lived, to be given a 2 song demo CD, that contained Krystle’s first recorded music, including a song called “Chanel #5.” Krystle has since gone on to be known all over the world, but still maintains contact with her hometown of Kansas City.

    Krystle was on WMM on June 29, 2016 as “Guest Producer” to share inspirations for her solo record, THREE THE HARD WAY playing early gospel recordings, that crossed over into Jazz from: Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Krystle’s critically acclaimed album, Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017. Wednesday MidDay Medley was the first to play tracks from Krystle’s album, before it was released. Released on Parlour Door Music, on August 18, 2017 and Produced by Krystle Warren and Ben Kane. Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. In 2015 in Krystle Warren premiered new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Krystle was on the show on Oct. 16, 2019 with Brad Cox when she was in KC to present LoveSongs with Owen/Cox Dance Group at Oct 19 & 20, 2019 at Polsky Theatre at JCCC.

    Krystle Warren plays the 21st Annual Crossroads Music Fest, Sat, September 6, at 9:30pm at Lemonade Park 1628 Wyoming St., West Bottoms, w/ Laura Noble, MGDs, Grupo Folklorico Alma Tapatia, and Rebel Song Academy.

    More info at: http://www.krystlewarren.com

    Krystle Warren, thanks for being with us on Wednesday MidDay Medley

    11:23

    1. Krystle Warren & The Faculty – “Build It Up”
      from: Extended Play / Parlour Door Music / November 1, 2024
      [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations]

    [Krystle Warren plays the 21st Annual Crossroads Music Fest, Sat, September 6, at 9:30pm at Lemonade Park 1628 Wyoming St., West Bottoms, w/ Laura Noble, MGDs, Grupo Folklorico Alma Tapatia, and Rebel Song Academy]

    11:26 – Underwriting

    11:28 – More Interview with Bill Sundahl And Krystle Warren

    Welcome back to WMM. Joining us is our guest co-host Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 21 years now sharing information about the music and venues and collaborations associated with CMF.

    Also with us is Krystle Warren, from her home in France to headline CMF in KC.

    21st Annual Crossroads Music Fest – presented by Community Lending of America Benefiting 90.1 FM KKFI – Kansas City Community Radio – Saturday, September 6 – Historic West Bottoms – Stockyards District – 6 Stages – 35

    Bill Sundahl and Krystle Warren thanks for being with us on Wednesday MidDay Medley

    CMF IS A FUNDRAISER FOR 90.1FM KKFI – KANSAS CITY COMMUNITY RADIO

    Featuring: KRYSTLE WARREN • LAURA NOBLE & FRIENDS • THE MGDS • RUDY LOVE & THE ENCORE • SEYKO • STRANDED IN THE CITY • FRIENDLY THIEVES • LITTLE MISS DYNAMITE • FLAT SUSAN • ROYAL CHIEF • SASS-A-BRASS • THE WHIPS • SARA SWENSON • TALIA KEYS • JESUS CHRIST TAXI DRIVER • JELLY ROSE • TERI QUINN & THE COYOTES •GRUPO FOLKLÓRICO ALMA TAPATÍA W/ MARIACHI LOS REALES DE KANSAS CITY • 3 TRAILS WEST • NATURE BOYS • DJ THUNDERCUTZ • TIMBERS • SKY SMEED • OSEZUA • JULIE BENNETT HUME & ERNEST JAMES • DJ NANA G • LINEA FRONTERA • DYM N D • RURAL GRIT ALL STARS • THE APOLOGIES • JOHN KECK • BOBBY SCHARPING • ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY

    Venues:
    Lemonade Park, 1628 Wyoming St.
    The Campground, 1531 Genessee St.
    Voltaire, 1617 Genessee St.
    Livestock Exchange Lot, 1600 Genessee St.
    Stockyards Brewing Co., 1600 Genessee St.
    Ox Cafe & Bakery, 1600 Genessee St.

    Livestock Exchange Lot, 1600 Genessee st. (behind building)
    Midtopia Stage – 3:00 to 10:00

    3:00pm – 3:45pm – Linea Frontera
    4:15pm – 5:00pm – Osezua Reggae Artist
    5:30pm – 6:15pm – Talia Keys
    6:45pm – 7:30pm – The Whips
    8:00pm – 8:45pm – Jesus Christ Taxi Driver
    9:15pm – 10:00pm – Rudy Love & The Encore

    11:34

    1. Talia Keyes – “Find Your Own”
      from: From The Ashes / Midtopia / May 30, 2025
      [She/They // An electrifying, genre-defying firebrand, Salt Lake City sensation Talia Keys blasts back with the seven-song From The Ashes, releasing May 2025 via Wichita, Kansas-based label Midtopia. Another courageous chapter in a career full of defiant documents, Talia’s latest ambitious solo offering deals potent doses of her patented searing songcraft. // Backed by members of The Love, the veteran singer/songwriter confidently explores fresh characters and fertile topography – while still digging into knowledge of self, paying tribute to heroes, and addressing our increasingly-fractured society. Styled in syrupy neo-soul, first single “Matchstick” is an intensely personal homage to dearly-departed activist/artist Psarah Johnson; second drop “Glowin’ Golden” a buoyantly-countrified bop. From the Ashes reveals a liberating batch, unveiling untapped wells of urgency, diversity, sensuality, and consciousness from the ever-evolving Keys’ canon. // With an assertive maturity, the alluring “Matchstick” seduces upon first listen, energetically landing squarely between the existential bedroom pop of Anna Moss and Say She She’s sultry nocturnal soul. Reverberating Wurlitzer, jazzy guitar phrasings, minimalist rimshot-snares, the vintage vibe is enhanced by scintillating background harmonies and an intoxicating earworm chorus. The stirring track was inspired by Johnson’s impactful social justice work; “Let your matchstick burn” resonates far deeper than merely a poetic turn-of-phrase. // “Psarah Johnson was a visionary artist, activist and bad ass singer.” recalls Keys. “She created a one-woman play – “Matchstick Theory” – about being a disabled woman in this unforgiving world. How she burns her energy, and sometimes it doesn’t come back. But when you burn bright like Psarah did, it lights the way for so many of us.” // In 2023, Talia Keys was drafted as direct tour support for Grammy-winning Lukas Nelson & Promise of the Real, a fortuitous opportunity and budding professional relationship that would facilitate her performing to enthusiastic new audiences all over the U.S. Appropriately, From The Ashes second single “Glowin’ Golden” mines a similar slice of salt-of-the-earth Americana. Atop proper guitar pickin’ and warm Hammond organ swells, this rootsy, Gospelized joint shuffles on the snare and struts with subtle swagger. A profound vocalist who blends verve, angst and attitude, on “Glowin’ Golden” Ms. Keys cribs a page from both Beyonce and the late Ray Charles, taking the R&B lane en route to more traditional country roads. // The contemplative 90’s alt-rock of “Sky Is Falling” flirts with shoegaze psychedelia, hip-hop syncopation and lyrical alliteration. A spirited, bluesy number that cycles through melancholic resignation, suffocating fears, hopeful dreams, and reverting to regret, Keys’ earnest purge is boosted by stunning strings courtesy of Sav Madigan and Katie Larson (The Accidentals). From the Ashes’ narrative arc is complimented by an effective production aesthetic that nods toward the groundbreaking Lilith Fair-era. Like so many heroines who paved the way, Keys sings of navigating struggles that plague our cultural climate, embodying allyship and resistance, song after rebel song. // Talia Keys laid a loyal local foundation in Salt Lake City clubs for over fifteen years, and later made her bones on national tours and festivals. Keys’ ethos and convictions, as well as a trademark fire n’ brimstone stage presence, are an amalgam of her journey, identity, influences; a new twist on the rock n’ roll troubadour singing songs of life’s complexities, struggles, and ultimately, the triumphs. // In 2024, Keys released an emotional standalone single “Need You To Care”, which followed a series of dynamite covers including “Seven Nation Army” (The White Stripes), “I Put A Spell On You” (Screamin’ Jay Hawkins), and “Sweet Dreams” (The Eurythmics). Resonant and raw, 2022’s LP Lessons saw Keys emerge from the pandemic chaos recharged and reborn, leaning into intestinal strength and resilience with more clarity and focus in her compositions. With typically-provocative lyrics dotting the kaleidoscopic album, the biting barbs addressed her own space and place as a queer woman in today’s divided America. In 2018, Talia teamed up with stellar backing ensemble The Love to deliver the demonstrative We’re Here, an iridescent and impactful collection that put Talia’s style and substance on the national radar. // A nascent artist with wide ears and big dreams, Talia Keys released a smattering of solo efforts early in her career; 2015’s Fool’s Gold EP, the live-looping adventures of Gemini Mind (2014), and debut Soak Your Meat In This (2012). Before breaking out on her own musical trip, Keys assumed numerous roles in the seminal funk-jam syndicate Marinade, with whom she logged six years of shenanigans from 2009-2015. -B. Getz March 2025]

    [Talia Keyes plays the 21st Annual Crossroads Music Fest, Sat, September 6, at 5:30pm, on the Livestock Exchange Lot, 1600 Genessee st. (behind building) Midtopia Stage with Linea Frontera, Osezua, The Whips , Jesus Christ Taxi Driver, and Rudy Love & The Encore.]

    1. Jesus Christ Taxi Driver – “Ding Dong the Beeves are Dead”
      from: Lick My Soul / daddyrock records / July 7, 2023
      [From the band’s own press materials: “Somewhere between the violent rock and roll of Jon Spencer, the sophisticated rhythms of Ali Farka Toure, and the religious disorientation of Jean Meslier, jesus christ taxi driver makes joyfully irreverent noise. taking aim at daily banal agonies, and existential uncertainty, the moods shift from meditative to unhinged. The music takes risks. Formed in 2022 on Colorado’s front range, they’ve been bringing their wildly disruptive live shows to venues across the mountain west at an incredible pace. Their debut LP “Lick My Soul” is out now.”]

    [Jesus Christ Taxi Driver plays the 21st Annual Crossroads Music Fest, Sat, September 6, at 8:00pm, on the Livestock Exchange Lot, 1600 Genessee st. (behind building) Midtopia Stage with Talia Keyes, Linea Frontera, Osezua, The Whips , and Rudy Love & The Encore]

    1. Rudy Love & The Encore – “Burnin'”
      from: 11 / Midtopia / July 11, 2025
      [Rudy Love & The Encore is comprised of Rudy Love Jr. (vocals & keys), Marrque
      Nunley (drums), Rachelle Love (percussion), Mariel Jacoda (vocals), Sherdeill (DJ) Breathett (bass), and Willy Simms (guitar). // The band members have played together for most of their lives, and formally introduced the band Rudy Love & The Encore early last year. Rudy Love Jr.’s late father, renowned musician Rudy Love Sr., was a musical mentor to the band members. The band’s name is in honor of Love Sr., based on the idea that this grouping of musicians is Rudy Love Sr.’s legacy — his encore. // In 2023, the band released their debut EP, The Beauty of Burdens, followed quickly by two more singles, “Broken Angel” and “Grey.” They have been busy since the band’s inception, performing and collaborating with Elise Trouw, performing at Black & Loud Fest in Seattle, opening for notable acts like Teddy Swims and The B-52’s, and playing multiple tours across the nation.They traded the hyper-competitive hustle of the Los Angeles show business scene, and are now working together from their hometown of Wichita, Kan. to build a dream they all hold — to make music with people they love, and to share it with the world.]

      [Rudy Love & The Encore plays the 21st Annual Crossroads Music Fest, Sat, September 6, at 8:00pm, on the Livestock Exchange Lot, 1600 Genessee st. (behind building) Midtopia Stage with Talia Keyes, Linea Frontera, Osezua, The Whips , and Jesus Christ Taxi Driver.]

    11:43 – More Interview with Bill Sundahl & Krystle Warren

    Welcome back to Wednesday MidDay Medley. Joining us for the entire show is our guest co-host Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 21 years now sharing information about the music and venues and collaborations associated with CMF.

    Also with us is Krystle Warren, from her home in France to headline CMF in KC.

    21st Annual Crossroads Music Fest – presented by Community Lending of America Benefiting 90.1 FM KKFI – Kansas City Community Radio – Saturday, September 6 – Historic West Bottoms – Stockyards District – 6 Stages – 35

    Bill Sundahl and Krystle Warren thanks for being with us on Wednesday MidDay Medley

    CMF IS A FUNDRAISER FOR 90.1FM KKFI – KANSAS CITY COMMUNITY RADIO

    Featuring: KRYSTLE WARREN • LAURA NOBLE & FRIENDS • THE MGDS • RUDY LOVE & THE ENCORE • SEYKO • STRANDED IN THE CITY • FRIENDLY THIEVES • LITTLE MISS DYNAMITE • FLAT SUSAN • ROYAL CHIEF • SASS-A-BRASS • THE WHIPS • SARA SWENSON • TALIA KEYS • JESUS CHRIST TAXI DRIVER • JELLY ROSE • TERI QUINN & THE COYOTES •GRUPO FOLKLÓRICO ALMA TAPATÍA W/ MARIACHI LOS REALES DE KANSAS CITY • 3 TRAILS WEST • NATURE BOYS • DJ THUNDERCUTZ • TIMBERS • SKY SMEED • OSEZUA • JULIE BENNETT HUME & ERNEST JAMES • DJ NANA G • LINEA FRONTERA • DYM N D • RURAL GRIT ALL STARS • THE APOLOGIES • JOHN KECK • BOBBY SCHARPING • ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY

    Venues:
    Lemonade Park, 1628 Wyoming St.
    The Campground, 1531 Genessee St.
    Voltaire, 1617 Genessee St.
    Livestock Exchange Lot, 1600 Genessee St.
    Stockyards Brewing Co., 1600 Genessee St.
    Ox Cafe & Bakery, 1600 Genessee St.


    Sponsors: Community Lending of America + 90.1 FM KKFI + Neighborhood Tourist Development Fund + Missouri Arts Council + Stockyards Brewing Co. + Midtopia, West Bottoms Whiskey + Kissick Construction + Midwest Music Foundation + Historic West Bottoms + North Kansas City Beverage Co. + The Kansas City Beacon + 90.9 KTBG – The Bridge + KC.org and Cupini’s


    Event Schedule:

    Band of Angels Day Party @ Lemonade Park – Free – Noon to 3:00pm
    12:00 Noon – The Apologies
    1:00pm – Little Miss Dynamite
    2:00pm – Flat Susan
    3:00pm – Sass-A-Brass Band

    21st Annual Crossroads Music Fest – Ticketed Festival – 3:00pm to Midnight
    Rain or Shine Event!

    Lemonade Park, 1628 Wyoming St. – Community Lending of America – Main Stage
    4:30pm – 5:15pm – The Rebel Song Academy presented by Art As Mentorship
    5:45pm – 5:30pm – Grupo Folklorico Alma Tapatia w/Mariachi Reales De Kansas City
    7:00pm – 7:45pm – The MGDs
    8:15pm – 9:00pm – Laura Noble
    9:30pm – 10:30pm – Krystle Warren

    The Campground, 1531 Genessee St. – Kissick Construction Stage – 3:15pm to 10:30pm
    3:15pm – 4:15pm – Timbers
    4:45pm – 5:30pm – Dym N D (Diamond D)
    6:00pm – 6:45pm – Friendly Thieves
    7:15pm – 8:00pm – Jelly Rose
    8:30pm – 9:15pm – The Royal Chief
    9:45pm – 10:30pm – Stranded in The City

    Voltaire, 1617 Genessee St.- Neighborhood Tourism & Development Fund Stage
    5:00pm – 6:30pm – DJ Nana G
    6:45pm – 8:15pm – DJ Thundercutz
    8:45pm – 9:30pm – Teri Quinn and The Coyotes
    10:00pm – 10:45pm – SEYKO
    11:15 – 12:00am – Nature Boys

    Livestock Exchange Lot, 1600 Genessee st. (behind building)- Midtopia Stage
    3:00pm – 3:45pm – Linea Frontera
    4:15pm – 5:00pm – Osezua Reggae Artist
    5:30pm – 6:15pm – Talia Keys
    6:45pm – 7:30pm – The Whips
    8:00pm – 8:45pm – Jesus Christ Taxi Driver
    9:15pm – 10:00pm – Rudy Love & The Encore

    Stockyards Brewing Co., 1600 Genessee St. KKFI 90.1FM Stage
    3:00pm – 3:40pm – Bobby Scharping
    4:00pm – 4:40pm – John L. Keck
    5:00pm – 5:40pm – Sara Swenson
    6:00pm – 6:40pm – 3 Trails West
    7:00pm – 7:40pm – Rural Grit All-Stars
    8:00pm – 8:40pm – Julie Bennett Hue with Ernest James Zydeco
    9:00pm – 10:00pm – Sky Smeed

    Ox Cafe & Bakery, 1600 Genessee St. – West Bottoms Whiskey VIP Venue
    8:00 – 8:20pm Krystle Warren & Luis Portillo
    9:15 – 9:35pm Sam Wells & Max Indiveri

    CMF Ticket Information

    GA Ticket – 2025 CMF – $30.00 – 1 Ticket Included
    General Admission wristband gains you access to all CMF venues at CMF, EXCEPT the VIP venue.

    VIP Pass – 2025 CMF – $90.00 – 1 Ticket Included
    VIP wristband gains you access to all CMF venues, including the VIP venue which includes complementary food, drink and unique one of a kind performances. *All food and drink must stay in the VIP venue during the festival.

    These one off collaborations have never happened before and may never again.
    8:00-8:20pm Krystle Warren & Luis Portillo
    9:15-9:35pm Sam Wells & Max Indiveri

    Redeem your ticket for a wristband at Lemonade Park after 11:30 AM on Saturday, September 6th.

    Ages 12 & Under: FREE at all stages (must be accompanied by a parent or guardian).
    Minors Under 18: Allowed if accompanied by a parent or guardians

    The ticketed festival begins at 3 p.m. Tickets can be purchased in advance or at the gates of Lemonade Park. (Quick tip: prices go up at the gate.)

    We encourage you to join us in this celebration of local talent and community as we uplift underrepresented voices and create unforgettable memories together. Let’s come together to make this festival a true reflection of Kansas City’s rich musical landscape!

    Bill Sundahl & Krystle Warren thanks for being with us on Wednesday MidDay Medley

    Stockyards Brewing Co., 1600 Genessee St. KKFI 90.1FM Stage
    3:00pm – 3:40pm – Bobby Scharping
    4:00pm – 4:40pm – John L. Keck
    5:00pm – 5:40pm – Sara Swenson
    6:00pm – 6:40pm – 3 Trails West
    7:00pm – 7:40pm – Rural Grit All-Stars
    8:00pm – 8:40pm – Julie Bennett Hue with Ernest James Zydeco
    9:00pm – 10:00pm – Sky Smeed

    11:49

    1. John L. Keck – “To The Ocean”
      from: Jack Moon Sessions / Jack Moon Publishing / November 9, 2013
      [Two years ago while John was visiting the famous Sun Studios in Memphis, TN where Presley, Cash, Howlin’ Wolf, Jerry Lee Lewis, and so many others have recorded John decided to produce a single at the legendary studio and a session being booked. He originally only booked 2 hours thinking that would be plenty of time to get several takes of “Die with Me”, his most recent song. 2 hours turned into 4, and 8 tracks were recorded with 3 takes of each song. This “live” album was brought back to KC and discussed with Brent Jamison & Chappy Felkins of Dreamwolfanimalbear Productions, with the intention of adding more instrumentation to it, to bring out a full band sound that John had planned for most of the songs. John’s friends Betse Ellis; Elaine McMillan; Megan Zander & Chris Taddy of Dream Wolf; Clint Hoffmeier of Ned Ludd and Vehicle; and Hume Man were asked to sit in on the Chappy Road sessions and create the sound John was hearing in his head.]

    [John Keck plays the 21st Annual Crossroads Music Fest, Sat, September 6, at 4:00pm, at the Stockyards Brewing Co., 1600 Genessee St. KKFI 90.1FM Stage with Bobby Scharping, Sara Swenson, 3 Trails West, Rural Grit All-Stars, Julie Bennett Hue with Ernest James Zydeco, and Sky Smeed.]

    We close with Sara Swenson – “Lights Brighter” from: All Things Big and Small released September 18, 2010. Sara Swenson plays the 21st Annual Crossroads Music Fest, Sat, Sept. 6, at 5:00pm, at the Stockyards Brewing Co., 1600 Genessee St. KKFI 90.1FM Stage.

    For Bill Sundahl and Krsytle Warren and all of the artists and volunteers who make the Crossroads Music Fest a reality, I’m Mark Manning, Thanks for listening.

    11:54

    1. Sara Swenson – “Lights Brighter”
      from: All Things Big and Small / Sara Swenson / September 18, 2010
      [Critically acclaimed singer songwriter Sara Swenson has released some of our most played and favorite recordings of the last 7 years. Her self titled debut ended up at the top of our list of The 100 Best Recordings of 2009. In 2010 Sara Swenson released her second full length recording, “All Things Big and Small” again working with Don Chaffer in Nashville who added new layers to Sara’s great songs and voice. In November of 2011, Sara released her 5 song EP called “Never Left My Mind,” featuring her band at the time, The Pearl Snaps. In that time frame, she also had picked up two Kansas City Singer-Songwriter of the Year awards, performed with Sarah McLachlan’s Lilith Fair, and placed a song on the season finale of ABC’s “Private Practice.” Then after the school year ended in 2012, Sara Swenson left her job as a High School English and Journalism Teacher in Platte County High School, and left the Kansas City music scene, and she flew off to the United Kingdom, where she got married. In the spring of 2014, Sara returned to Kansas City and performed for the Folk Alliance International Conference. On July 18, 2014 she released her 4th album, RUNWAY LIGHTS that captures snapshots of her 18-month experience of living abroad, moving from dating to marriage and sorting through the accompanying transitions and emotions. Produced by Don Chaffer in Nashville. // On March 26, 2021 Sara Swenson released the single, “I Wont Let You Feel Alone” Sara Swenson wrote to me that her new song is featured in her husband Michael Price’s film “The Hidden Pandemic” that premiered Thursday, April 8 at 7:00 PM on Kansas City PBS. The film is about the mental health crisis in KC – it’s a powerful film that also features Mark Lowrey’s piano playing. Sara’s song is featured in various parts of the film, and then also at the end. To see a trailer for “The Hidden Pandemic” you can visit: https://www.youtube.com/watch?v=Nkd7046rPtU. ]

    [Sara Swenson plays the 21st Annual Crossroads Music Fest, Sat, September 6, at 5:00pm, at the Stockyards Brewing Co., 1600 Genessee St. KKFI 90.1FM Stage with Bobby Scharping, John Keck, 3 Trails West, Rural Grit All-Stars, Julie Bennett Hue with Ernest James Zydeco, and Sky Smeed.]

    1. Noel Coward – “The Party’s Over Now”
      from: Noel Coward in New York / drg / 2003 [orig. 1957]

    NEXT WEEK, on September 10, Nick Carswell of Lawrence Music Alliance joins us to share details about the MixMaster Music Conference Sept. 19 & 20; Rick Truman Executive Director of The Folly Theater joins ua to talk about the Folly’s 125 Anniversary with The Freedom Affair on Sept. 23, 2025; and Stephonne returns to the show to talk about his new single “Worship At The Chappell:” and upcoming album; AND, members of Big Fat Cow return to talk about their latest musical projects.

    A really big THANK YOU to every one of you who donated during Wednesday MidDay Medley and our Summer Fund Drive for KKFI 90.1 FM. We had 47 individuals donate a total of $3529.00 in support of Community Radio. Special thanks go to my co-hosts and guests: Betse Ellis, Mikal Shapiro, Sandra Draper and Steve Tulipana and Lincoln Dreher!!!

    THANK YOU to our incredible KKFI Staff; Executive Director – Bess Wallerstein-Huff, Director of Development & Communications – J Kelly Dougherty, Chief Operator – Chad Brothers, Volunteer Coordinator – Darryl Oliver, and Office Manager Book Keeper – Shaina Littler.

    This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

    Our Script/Playlist is a “cut and paste” of information.
    Sources for notes: artist’s websites, bios, wikipedia.org

    Wednesday MidDay Medley in on the web:
    http://www.kkfi.org,
    http://www.WednesdayMidDayMedley.org,
    http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

    On your local radio dial 90.1 FM or
    STREAMING LIVE at: kkfi.org

    Show #1111