WMM Playlist from November 6, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, November 6, 2024

Katie Gilchrist + Karalyne Winegarner + Destiny Atkinson & Kate Hall of Afterword Tavern & Shelves

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Prince & The Revolution– “America”
    from: Around The World In A Day / NPG Records / April 22, 1985
    [Around the World in a Day is the seventh studio album by American recording artist Prince, and the second release on which his backing band the Revolution is billed. It was released on April 22, 1985, by Paisley Park Records and Warner Bros. Records. Departing somewhat from the commercial sound of his previous release, the massively successful Purple Rain (1984), the album instead saw Prince experimenting with psychedelic styles and more opulent textures. In compliance with Prince’s wishes, the record company released the album with minimal publicity, withholding accompanying singles until almost a month after the album’s release. // Around the World in a Day was released to mixed reception among crossover audiences after the success of Purple Rain, though it nonetheless sold relatively well and became Prince and the Revolution’s second number-one album on the Billboard 200. Two of its four singles reached the top 10 of the Billboard Hot 100: “Raspberry Beret” and “Pop Life”. Following Prince’s death, “Raspberry Beret” re-charted on the Billboard Hot 100 as a top 40 hit, reaching number 33. Around the World in a Day was certified double platinum by the Recording Industry Association of America (RIAA) on July 2, 1985. // Recording for Around the World in a Day was begun in sessions dating back before that of Purple Rain. Following six months of touring behind that bestselling album, Prince returned to recording. An initial inspiration for the album’s sound came in the form of a demo, recorded by David Coleman, the brother of Revolution band member Lisa Coleman, which would ultimately become the title track. // The album pursued a dense, psychedelic style that made use of unconventional instruments and cryptic lyrics. Its sound and album cover painting by Doug Henders (artist) drew numerous comparisons to the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album. Prince spoke in an interview about the album’s sound and cover, denying inspiration from the Beatles: // “The influence wasn’t the Beatles. They were great for what they did, but I don’t know how that would hang today. The cover art came about because I thought people were tired of looking at me. Who wants another picture of him? I would only want so many pictures of my woman, then I would want the real thing. What would be a little more happening than just another picture would be if there was some way I could materialize in people’s cribs when they play the record. I don’t mind [the album being called psychedelic], because that was the only period in recent history that delivered songs and colors. Led Zeppelin, for example, would make you feel differently on each song.” // Despite the muted promotion and its less commercial sound, the album still had two American top 10 hits, and went double platinum. Initial critical reception was mixed, but retrospective reviews are positive. // According to Prince, George Clinton was a fan of the album. ” Greg Tate of Spin wrote, “Perhaps it’s inevitable, given a career built as much on calculated mindfucking as mindblowing music, that Prince would choose to follow the best album of his career with the most bewildering, if not the worst.” // In a positive retrospective review for Pitchfork, Alan Light described the album as “a brave and deeply personal project, exploring sounds and ideas that were almost shocking coming from a pop icon at his peak.” Simon Price wrote for The Guardian that the album “always sounds better than you think it will, when you revisit.”]
  1. Janelle Monáe – “Turntables”
    from: Turntables (from the Amazon Original Movie “All In: The Fight for Democracy”) – Single / Badboy Records / September 4, 2020
    [All In: The Fight for Democracy is a 2020 American documentary film directed and produced by Liz Garbus and Lisa Cortés. The film revolves around voter suppression. Stacey Abrams worked with Garbus and Cortés on the film. It was released in a limited theatrical release on September 9, 2020, followed by digital streaming on Prime Video on September 18, 2020, by Amazon Studios. Originally, Abrams, a Georgia state representative, did not intend to be part of the film; eventually she agreed to include her gubernatorial race as part of the story. // Janelle Monáe Robinson was born on December 1, 1985 in Kansas City, Kansas and was raised in a working-class community of Kansas City, Quindaro. Her mother, Janet, worked as a janitor and a hotel maid. Her father, Michael Robinson Summers, was a truck driver. Monáe’s parents separated when Monáe was a toddler and her mother later married a postal worker. Monáe has a younger sister, Kimmy, from their mother’s remarriage. // Monáe was raised Baptist and learned to sing at a local church. Her family members were musicians and performers at the local AME church, the Baptist church, and the Church of God in Christ. Monáe dreamed of being a singer and a performer from a very young age, and has cited the fictional character of Dorothy Gale from The Wizard of Oz as a musical influence. The Miseducation of Lauryn Hill, which Monáe bought two copies of with her first check, was another source of inspiration. She performed songs from the album on Juneteenth talent shows, winning three years in a row. // As a teenager, Monáe was enrolled in the Coterie Theater’s Young Playwrights’ Round Table, which began writing musicals. One musical, completed when she was around the age of 12, was inspired by the 1979 Stevie Wonder album Journey Through “The Secret Life of Plants”. // Monáe attended F. L. Schlagle High School, and after high school, moved to New York City to study musical theater at the American Musical and Dramatic Academy, where she was the only black woman in her class. Monáe enjoyed the experience, but feared that she might lose her edge and “sound, or look or feel like anybody else”. In a 2010 interview Monáe explained, “I felt like that was a home but I wanted to write my own musicals. I didn’t want to have to live vicariously through a character that had been played thousands of times – in a line with everybody wanting to play the same person.” // After a year and a half, Monáe dropped out of the academy and relocated to Atlanta, enrolling in Perimeter College at Georgia State University. She began writing her own music and performing around the campus. In 2003, Monáe self-released a demo album titled The Audition, which she sold out of the trunk of a Mitsubishi Galant. During this period, Monáe became acquainted with songwriters and producers Chuck Lightning and Nate Wonder. The three would eventually form the Wondaland Arts Collective. She worked at an Office Depot but was fired for answering a fan’s e-mail using a company computer, an incident that inspired the song “Lettin’ Go”, which in turn attracted the attention of Big Boi. // Janelle Monáe Robinson (/moʊˈneɪ/; born December 1, 1985) is an American singer, songwriter, rapper, actress, and record producer. Monáe is signed to Atlantic Records, as well as to her own imprint, the Wondaland Arts Society. Monáe has received eight Grammy Award nominations. Monáe won an MTV Video Music Award and the ASCAP Vanguard Award in 2010. Monáe was also honored with the Billboard Women in Music Rising Star Award in 2015 and the Trailblazer of the Year Award in 2018. In 2012, Monáe became a CoverGirl spokesperson. Boston City Council named October 16, 2013 “Janelle Monáe Day” in the city of Boston, Massachusetts, in recognition of her artistry and social leadership. // Monáe’s musical career began in 2003 upon releasing a demo album titled The Audition. In 2007, Monáe publicly debuted with a conceptual EP titled Metropolis: Suite I (The Chase). It peaked at number two on the US Top Heatseekers chart, and in 2010, through Bad Boy Records, Monáe released a first full-length studio album, The ArchAndroid, a concept album and sequel to her first EP. In 2011, Monáe was featured as a guest vocalist on fun.’s single “We Are Young”, which achieved major commercial success, topping the charts of more than ten countries and garnering Monáe a wider audience. Her second studio album, The Electric Lady, was released in 2013 and debuted at number five on the Billboard 200, serving as the fourth and fifth installments of the seven-part Metropolis concept series. // In 2016, Monáe made her theatrical film debut in two high-profile productions; Monáe starred in Hidden Figures as NASA mathematician and aerospace engineer Mary Jackson, and also starred in Moonlight. Hidden Figures was a box office success, while Moonlight won the Academy Award for Best Picture at the 89th annual ceremony. Monáe’s third studio album, Dirty Computer, also described as a concept album, was released in 2018 to widespread critical acclaim; it was chosen as the best album of the year by several publications and earned Monáe two nominations at the 61st Annual Grammy Awards, including Album of the Year. The album debuted at number six on the Billboard 200 and was further promoted by Monáe’s Dirty Computer Tour, which lasted from June to August 2018.]
  1. Mikal Shapiro & The Musical – “Sunshine Lover”
    from: “Sunshine Lover” – Single / Mikal Shapiro / November 15, 2024
    [Mikal wrote to me to tell me that “The song is inspired by the counterculture, anti-establishment musicals of the 60/70s like Hair and Jesus Christ Superstar.” Recorded with The Musical. Music and lyrics by Mikal Shapiro. The Musical is: Mikal Shapiro on vocal & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Featuring harmonies by: Erika Cecilia Noguera, Beth Watts Nelson. Harmony arrangements by: Beth Watts Nelson. Recorded at Weights and Measure Sound Lab. Engineered by Duane Trower. Made possible with the generous support of Jean and Steve Spikes. Currently available on Bandcamp. // Mikal Shapiro & The Musical released THE MUSICAL II on May 26, 2018. It was The sequel to Shapiro’s 2015 concept album “THE MUSICAL” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mofre info at: http://www.themusicaltheband.com]

[Mikal Shapiro & The Musical play a “Sunshine Lover” Release Party with Mitzi McKee, and Just Angel on Friday November 15, at 7:00pm at Grand Avenue Temple, 205 East 9th Street, KCMO Feat. guest vocalists Beth Watts Nelson (Little Miss Dynamite, Notorious Chorus), Erika Noguera (Doña Fina Coffee), Just Angel and Mitzi McKee.]

  1. Dan Jones and The Squids – “Shook Loose”
    from: Rock And Roll Daydreams / Dan Jones / Aug. 5, 2023
    [ROCK AND ROLL DAYDREAMS that was released on vinyl on September 1, 2023. Dan Jones and The Squids are: Dan Jones on vocals & guitar; Matt Ronan on drums & vocals, and Steve Tulipana on bass. On the record Rich Wheeler joined them on tenor saxophone for the songs, “Rock & Roll Daydreams” and “Rhythm and The Rhyme.” Their album was engineered by Brendan “JB” Moreland at Temple Sounds in KCMO and mixed by Brendan at Massive Sound Studios in Shawnee, KS. // Dan Jones and The Squids released SERVE WITHOUT DELAY on February 5, 2021. It was recorded Friday, February 13, 2020 at recordBar, with Paul Malinowski: live sound & recording engineer. Mixed and edited by Paul Malinowski at Massive Sound, Shawnee Kansas. Mastered by Tom Nunes at Atomic Disc. Dan Jones on guitar & vocals, Matt Ronan on drums & vocals; Steve Tulipana on bass & vocals. All songs by Daniel Sherman Jones (BMI), except “I Wanna Be You” by Ed Cole. In 2020 the band didn’t get to play out much, so they hunkered down and worked up a double album’s worth of new tunes. It was a weekly woodshed-workshop that culminated with a live-streamed live-album show on November 13, 2020 at recordBar. Paul Malinowski engineered and mixed. // Dan Jones and The Squids released WE LIVE IN A WORLD THAT IS OUT OF THIS WORLD on December 6, 2019. It was Recorded at Temple Sounds in KCMO, 2018-2019. Engineered. by JB Moreland. Produced by Dan Jones and The Squids and JB Moreland. Mastered by Tom Nunes at Atomic Disc. With Dan Jones on acoustic & electric guitars, keyboard, lead vocals + drums/bass on “Love/Life”; Matt Ronan on drums, percussion, vocals; Alex Alexander on electric guitar, vocals; Steve Tulipana on bass, vocals; Joey Slab on poem and spiel on “Beach, Please”; Scot Sperry on electric slide guitar on “Love/Life”; Donna Jones on lyrics to “The Violet Man.” / Dan Jones is among the hardworking lifers with taste and talent, keeping the dream alive that music matters. This is the Kansas City singer/songwriter’s seventh LP over two decades, starting in Eugene, OR before returning to his native, non-coastal home. His bio speaks of support gigs with Mike Watt (who plays these Squids on his radio show), Dinosaur Jr., Steve Wynn, John Doe, Tav Falco, Pedaljets, Peter Case, and Minus 5, all hinted at in his fine music. But what he/they most remind of is Watt’s influence The Urinals/100 Flowers, in the way he breaks out homey tunes in the rush of spikier energy—like “My Favorite Lounge,” which spits guitar glory with gusto following tight circular riffs, while hailing soulful, sweaty dives with honest bands. It’s where you’d want to catch Jones and his cephalopods, happily blasting away. . // More info at: More info at: http://www.danjonesmusic.com][Dan Jones and The Squids played a Record Release Show at Woodyard BBQ, 3001 Merriam, in KCK, on Saturday, September 9, at 7:00 PM. with Tick Check. Dan Jones & Steve Tulipana joined us on WMM on Sept. 6, 2023.]

[Dan Jones & The Squids play miniBar, 3810 Broadway, KCMO, Sunday, November 10 at 7:00pm with La Cerca, and Expassionates]

  1. Erik Voeks & The Ghosters – “Everything Dissolves”
    from: It Means Nothing Now / Erik Voeks / December 1, 2023
    [Produced by The Ghosters. All songs written by Bermejo, Ferrari, Hawley & Voeks. The Ghosters are: Juan Ferrari on guitars & keyboards, Pepe Bermejo on bass guitar & vocals, Patrick Hawley on drums & percussion, and Erik Voeks on vocals & guitar. Recorded at Sandusky Sound, Temple Sound, Weights and Measures Soundlab, Rolltop, La Quinta Disminuida and Village Green. Mixed by: Duane Trower (tracks 1,3,5,6,8,11,12). Adam Schmitt (tracks 4,9,10). Pepe Bermejo (tracks 2,7). Horns composed/arranged by Ryan Oldham. Horn session produced by David George. Horns played by: Brett Jackson, Peter Fucinaro, Kristen Nall, Nate Nall. Artwork by Sonia M Paredero. Thanks to: Coleen, Ryan Oldham, David George, Duane Trower, Adam Schmitt, Jack Petracek, JB Moreland, Bárbara, Olivia, Alberto León, Kike and Yani Marinelli for continuous faith, trust and cheer up, and Sonia for her beautiful artwork. Pepe would like to thank Erik, Patrick and Juan. More info at: http://www.erikvoeks.bandcamp.com]

[Erik Voeks plays Erik Voeks’ SANDBOX at The Brick, 1727 McGee Street, KCMO on Saturday, November 9, at 9:00pm. Playing with Erik at this show will be the original Sandbox drummer Patrick Hawley and bassist Steve Scariano. Joining them will be John Horton (Son Volt, Bottlerockets) and Jared Bond (JB & The Tornados, Josephine Collective). Erik writes, “We won’t be playing the entire Sandbox album. We’ll play a bunch of songs from that album and other songs from throughout the years.” Opening band is Wirebirds a new project out of St.Louis made up of: Christopher Grabau, Sean Garcia, John Horton, and Patrick Hawley.]

  1. BLACKSTARKIDS – “Sounds Like Fun”
    from: SURF / Dirty Hit Records / February 28, 2020
    [Gen-Z upstarts BLACKSTARKIDS released HEAVEN ON URF on October 25, 2024 on Dirty Hit Records. The band had just a month earlier released their sixth studio album Saturn Dayz, on September 20, 2024 via Dirty Hit. The lead single “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of Kansas City in 2020 became the soundtrack for the summer. Blackstarkids are a pop/R&B/hip-hop trio based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On October 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. Kansas City is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.” Deiondre added, “The music scene here is getting cool now, there’s a lot of jazz musicians that go to school for music here too but you can find people from different scenes all over if around the city.” Ty wrote, “The Kansas City scene is great, the community here is so supportive and genuine. This is a really prideful city here and I think they’re finally getting the musicians they deserve.”]

[Blackstarkids were scheduled to do a Final Home Show November 11, at recordbar. Apparently that show has been cancelled.]

  1. Paris Williams & The Human – “Alien Luv” (radio edit)
    from: “Alien Luv” – Single w/A Paris Williams Joint / Bitter Sweet Sound – Seven Rings / October 30, 2024
    [Paris Williams is a 24-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school. Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarparis]

[Paris Williams plays recordBar, 1520 Grand Ave. KCMO on Thursday, November 21 at 7:00pm with Supermoto and Fritz Huchinson.]

10:30 – Underwriting

  1. Cibo Matto – “Black (H)ole Sun” (Vinyl 7” Single)
    from: “Birthday Cake” – Single w/ “Black Hole Sun” / El Diablo Records / 1995
    [“Black Hole Sun” is a song by American rock band Soundgarden. Written by frontman Chris Cornell, the song was released in 1994 by A&M Records as the third single from the band’s fourth studio album, Superunknown (1994). Considered to be the band’s signature song, it topped the US Billboard Album Rock Tracks chart, where it spent a total of seven weeks at number one. Despite peaking at number two on the Billboard Modern Rock Tracks chart, “Black Hole Sun” finished as the number-one track of 1994 for that listing. Worldwide, the single reached the top 10 in Australia, Canada, France, and Ireland, while in Iceland, it reached number one. // “Black Hole Sun” was included on Soundgarden’s 1997 greatest hits album A-Sides and also appeared on the 2010 compilation album Telephantasm. // Cibo Matto (pronounced [ˈtʃiːbo ˈmatto], Italian for “crazy food”) was an American alternative rock band formed by Yuka Honda and Miho Hatori in New York City in 1994. Their first album, Viva! La Woman (1996), had lyrics primarily concerned with food. For their second album, Stereo Type A (1999), they expanded into broader subject matter and recruited Sean Lennon, Timo Ellis, and Duma Love. // Honda and Hatori are Japanese expatriates. Their first album sold 40,000 copies in Japan, but was more successful in the U.S., with over 74,000 copies sold. Over time, their following in Japan grew, which resulted in their signing to Japanese record label Commmons in 2014. // After an almost decade-long hiatus, Honda and Hatori reunited in 2011, playing a series of concerts and recording new material. They released their third and final studio album, Hotel Valentine, in 2014. It reached number 168 on the Billboard 200. Cibo Matto announced their split in December 2017. // After working together in the noise rock band Leitoh Lychee, Miho Hatori and Yuka Honda formed Cibo Matto in 1994 with Honda as the instrumentalist and Hatori as the vocalist (although occasionally Honda sang and Hatori contributed instrumentally). In 1995, Cibo Matto released a self titled EP on El Diablo Records. The EP caught the attention of Warner Bros. Records, which signed Cibo Matto later in the year. Through Warner Bros., the duo released its first major album, Viva! La Woman. Cibo Matto is an Italian phrase that translates to “Crazy Food” and many of the tracks from Viva! La Woman, which was produced by Mitchell Froom, featured lyrics related to food, including “Know Your Chicken”, “Apple”, and “Birthday Cake”. The album’s first single, “Sugar Water”, was a modest college radio and dance hit. The song was accompanied by an innovative split screen music video that was directed by Michel Gondry, where each side showed the same footage—one side going forward, and one backward, meeting mid-song. After the music videos for “Know Your Chicken” and “Sugar Water” enjoyed success on MTV, Cibo Matto made appearances on various television shows such as Oddville, Viva Variety, and Buffy the Vampire Slayer. “Birthday Cake” was heavily featured in the video game Jet Set Radio Future. In 1996, Cibo Matto contributed “Águas De Março (Waters of March)” to the AIDS benefit album Silencio=Muerte: Red Hot + Latin, which was produced by the Red Hot Organization. // In 1997, Cibo Matto released a new EP entitled Super Relax,[1] which would complete the line-up by introducing new members Sean Lennon and Timo Ellis with Duma Love joining soon thereafter. In 1998 Lennon released his debut solo album Into the Sun, which featured Hatori (“Into the Sun”, “Sean’s Theme”) and Ellis (“Mystery Juice”, “Home”, “Spaceship”). Into the Sun was produced and inspired by Honda (whom Lennon was dating at the time). Honda, Hatori, Ellis and Love appeared in the closing scene of the video for Lennon’s single “Home”. Cibo Matto went on to release its second album Stereo Type A in 1999. Although it was a departure from the familiar sound of Viva! La Woman, Stereo Type A was well received by music critics. That year the band performed with Luscious Jackson at The Opera House in Toronto. // Cibo Matto continued to play live and tour until disbanding in 2002. Honda said: “We felt the need to move to the next step. It was a healthy decision, though it was sad at the same time. Things just need to grow out of things sometimes.” All of the members of Cibo Matto went on to release solo material. A compilation entitled Pom Pom: The Essential Cibo Matto was released in 2007. // Cibo Matto announced its reunion on March 18, 2011, to perform as part of a benefit concert for victims of the 2011 Tōhoku earthquake and tsunami. The concert, which took place on March 27 at Columbia University in New York City, also included Yoko Ono, John Zorn, Sonic Youth, and Mike Patton. Following the success of this show, a second was added, this time featuring the Plastic Ono Band and Patti Smith along with Cibo Matto. // The group appeared at the Hollywood Bowl on June 26, 2011, for another benefit, alongside Yellow Magic Orchestra. // On May 16, 2011, Cibo Matto announced its US reunion tour titled “Yeah, Basically Cibo Matto” with a tour Web site and promotional video. During the concerts, the band reportedly spoke about a new studio album that was to be released in 2012. On July 17, 2012, the band announced it would be opening for Wilco at one of its shows. The band included Yuko Araki on drums during this time. // On June 15, 2013, the band played the Meltdown Festival in London and announced that its new album would be released in 2014. While the performance also featured Yoko Ono on “Know Your Chicken”, the group also played new songs titled “MFN”, “Check In”, and “Tenth Floor Ghost Girl”. On December 11, Pitchfork reported that Hotel Valentine would be released on February 14, 2014 (Valentine’s Day), and that Cibo Matto had shared its music video for “MFN”. Hotel Valentine peaked at number 168 on the Billboard 200. // In 2014, the band signed with Japanese label Commmons. This new relationship resulted in several live dates in Japan including Summer Sonic Festival 2014 and shows at Blue Note Jazz Club Nagoya and Blue Note Jazz Club Tokyo. // In September 2014, Cibo Matto released a teaser video announcing their Fall Flavor Tour and a new music video. Rioux opened for multiple US shows. Nels Cline (of Wilco) also performed with the group on tour. The music video for “Déjà Vu” was released on September 18, 2014 in collaboration with New York City-based director Jean Claude Billmaier and creative house Marabigo. Pitchfork identified the video as “a colorful, datamosh-y new video”, and Spin as a “stylish bubblegum pop-meets-digital-disaster (intentional)”. // Cibo Matto completed two small tours in 2015; an “Avocado Tour” of Japan and a “Banana Split Tour” across the eastern US and Canada. On December 11, 2017, Cibo Matto announced their breakup, explaining that this was a “necessary and positive change”. // Band members Yuka Honda: sampler, sequencer, keyboard, piano, organ, synthesizer, harpsichord, backing vocals (1994–2002, 2011–2017); Miho Hatori: lead vocals, percussion, acoustic guitar (1994–2002, 2011–2017); Sean Lennon: bass guitar, electric guitar, 12-string acoustic guitar, drums, percussion, synthesizer, backing vocals (1997–2002); Timo Ellis: drums, percussion, bass guitar, electric and acoustic guitar, backing vocals (1997–2002); Duma Love: percussion, vocals, turntable, beat box (1997–2002); Yuko Araki: drums, backing vocals (2011–2017)]
  1. Hole – “Violet”
    from: Live Through This / DCG Records / April 12, 1994
    [Live Through This is the second studio album by the American alternative rock band Hole, released on April 12, 1994, by DGC Records. Recorded in late 1993, it departed from the band’s unpolished hardcore aesthetics to more refined melodies and song structure. Frontwoman Courtney Love said that she wanted the record to be “shocking to the people who think that we don’t have a soft edge”, but maintain a harsh sensibility. The album was produced by Sean Slade and Paul Q. Kolderie and mixed by Scott Litt and J Mascis. The lyrics and packaging reflect Love’s thematic preoccupations with beauty, and motifs of milk, motherhood, anti-elitism, and violence against women, while Love derived the album title from a quote in Gone with the Wind (1939). // Live Through This was met with critical acclaim, and charted in nine countries before going multi-platinum in the US in December 1994. Despite this, it was also the subject of some public discussion regarding unsubstantiated rumors that Love’s husband, Kurt Cobain—who died by suicide one week before the album’s release—helped ghostwrite the album. This claim has been disputed by the band members, producers, as well as music biographers, though the band confirmed that Cobain sang additional backing vocals on two tracks during a visit to the studio. It was also the only Hole album to feature bassist Kristen Pfaff, and the final album to be released during her lifetime, as she died two months after the album’s release. // In critical circles, Live Through This is considered a contemporary classic, and was included in Rolling Stone’s 2020 updated list of The 500 Greatest Albums of All Time at number 106. It has also been featured on the book 1001 Albums You Must Hear Before You Die and on NME’s The 500 Greatest Albums of All Time list, where it ranked at the 84. As of 2010, it has sold over 1.6 million copies in the US. // Hole released their debut studio album, Pretty on the Inside, in 1991. Despite moderate sales, the album was a critical success among English and American press. In March 1992, following the album tour, drummer Caroline Rue and bassist Jill Emery left the band due to artistic differences.[10] In April 1992, vocalist Courtney Love and guitarist Eric Erlandson arranged auditions for a drummer at the Jabberjaw in Los Angeles and recruited drummer Patty Schemel. Following the 1992 Rodney King riots in Los Angeles, Love, Erlandson, and Schemel relocated to a Carnation, Washington home owned by Love and her husband, the Nirvana frontman Kurt Cobain, and began rehearsing and writing new material. “We had been going more pop, less journal-entry noise stuff,” said Erlandson. Love said: “I was very competitive with Kurt because I wanted more melody. But I already wanted that before Live Through This.” // Originally signed to Caroline Records in the United States[13] and City Slang in Europe, Hole began record deal negotiations with Geffen Records in early 1992. In February 1992, they signed a seven-album deal with Geffen subsidiary DGC Records, reportedly with “an advance of a million dollars and a royalty rate considerably higher than Nirvana’s”. On November 8, 1992, Hole recorded “Beautiful Son”, “20 Years in the Dakota” and “Old Age” at Word of Mouth Recording in Seattle with producer Jack Endino.[16] The songs were released in April 1993 as Hole’s fourth single on the City Slang label. On January 21, 1993, Love and Schemel recorded five demos at BMG Ariola Ltda. in Rio de Janeiro, Brazil. Produced by Craig Montgomery, the session had originally been scheduled as a demo session for Nirvana, who were recording material for their upcoming studio album In Utero (1993). During breaks in Nirvana’s session, Love and Schemel recorded a number of songs later featured on Live Through This, including “Miss World”, “She Walks on Me”, “I Think That I Would Die” and “Softer, Softest”. // In 1993, the band recruited former Janitor Joe bassist Kristen Pfaff, an accomplished cellist and classically trained musician who brought a new level of professionalism to the group. Erlandson said of Pfaff’s membership: “That’s when we took off, all of a sudden we became a real band.” After a brief tour of the United Kingdom in mid-1993, the band sent a series of demos to the record label. “When we got the Live Through This demos, I realized very quickly that Hole had gotten a new rhythm section,” said producer Sean Slade. “It was much more musical.”]

10:37 – Interview with Katie Gilchrist

Katie Gilchrist is a graduate of UMKC MFA Acting/Directing program and has worked as an Actor and Director professionally for over 20 years. Voted by Broadway World as Best Director of a play for last year’s “Steel Magnolias” she has directed at The Unicorn, UMKC, The Living Room, The Fishtank, and direct “Dial M for Murder” for KC Actors Theatre this summer. Katie has appeared on almost every stage in KC. She is a member of the UMKC Conservatory Alumni Board, the AIDS Service Foundation Steering Committee, Artistic Director of KC Strips, and sings with Lost Wax. Katie Gilchrist can be seen in the new film, “Rennies.”

Katie Gilchrist joined us back on January 24 of this year us to share details about The 1994 Project, her year-long 30th Anniversary tribute to the films & music of 1994, of which she is the creator/curator.

The 1994 Project presents the Alternative Tour, Saturday, November 23 at (Doors at 7:30pm) 8:30pm at The Black Box, 1060 Union Ave, WEST BOTTOMS, KCMO. More info at: http://www.theblackboxkc.com

Katie Gilchrist, Thank you for being with us on WMM.

The Day After – How are you?

Katie Gilchrist is in “Rennie” – This new feature film premiered, Kansas City – October 11th and 12th, 2024 at The Folly Theater 300 West 12th Street, KCMO – A powerhouse of female creatives: Written/Produced/Directed by Jessica Dressler and Jen Frank Klenke, Supervising Producer Marie Gough, Director of Photography Johanna Brooks, and a nearly all female executive producers group.

The 1994 Project, a year-long 30th Anniversary tribute to the films & music of 1994, of which she is the creator/curator.

The 1994 Project presents the Alternative Tour, Saturday, November 23 at (Doors at 7:30pm) 8:30pm at The Black Box, 1060 Union Ave, WEST BOTTOMS, KCMO. Join the 1994 project as we pay tribute to some of the biggest acts in Alternative Music. Featuring hits from Weezer, Soundgarden, Hole and more.

The 1994 Project resident musicians return for the penultimate live show of 2024. Felix Dukes, Mark Johnson, Ahafia Jurkiewicz-Miles, Grant Klinksick, and Chris Tady.

More info at: http://www.theblackboxkc.com

The 1994 Project presents: LITTLE WOMEN, Monday, November 25, 2024 at 7:30 at The Black Box, 1060 Union Ave, WEST BOTTOMS, KCMO. Winona Ryder, Kirsten Dunst, and Susan Sarandon starred in this Oscar nominated adaption of the Louisa May Alcott classic. Join KC actors as we raise funds for a local charitable organization.

More info at: http://www.theblackboxkc.com

Katie Gilchrist, Thank you for being with us on WMM.

10:54 – a song from Portishead’s 1994 debut album, Dummy

  1. Calvin Arsenia – “Glory Box (Great Big Panda Version)”
    from: Glory Box (Great Big Panda Version) / Calvin Arsenia / July 2, 2024
    [While Calvin has several albums of original songs he is also know for his dynamic cavers of “Toxic”, “Psycho Killer” and “Case of You.” Here he covers, “Glory Box” a song by English electronic band Portishead, released on January 3, 1994 by Go! Beat as the third and final single from their debut album, Dummy (1994). It samples “Ike’s Rap II” by Isaac Hayes and peaked at number 13 on the UK Singles Chart. Additionally, the song was a top 10 hit in Iceland, while entering the top 20 in France, Ireland and Scotland. Beth Gibbons has said it is a misinterpretation to see the lyrics as a demand for a return to more traditional masculine and feminine roles. She has said “The key line in the song really is “Move over and give us some room” because I do think that women are very much taken for granted. // On June 23 2023 Calvin released his 14 track album Paraduise. It is only available through http://www.calvinarsenia.com // A new turning point as a songwriter. His most biographical album yet, with songs about Black Lives Matter, Racism, The Police, being on probation, gay love. The album contains collaborations with Cheery, Kadesh Flow and Jametatone. Calvin Arsenia one of our most frequent guests, who first appeared on WMM on July 25, 2012. KC Magazine has hailed Calvin as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.’ Born in Orlando, Florida, Calvin’s creative journey began when he moved to Olathe, Kansas, teaching himself the guitar, piano, banjo. He learned his signature instrument, the harp, at the age of 20. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer where at 24 he released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. On February 14, 2017 Calvin released his critically acclaimed full length debut, Catastrophe, with a live show at recordBar in November 2016 that involved a company of 50 people, dancers, stilt walkers. After signing to Center Cut Records, Calvin released the albums: Cantaloupe in 2018, with a sold out gigantic spectical at The Gem Theatre on Saturday, September 15, 2018. He then released, L.A. Sessions in 2019, and the EP HONEY DEW, and the EP Goddess with Quixotic, the Holiday album, ALL IS CALM. In 2020 Calvin collaborated with Mike Dillon on the Soundtrack to “Summer in Hindsight,” a feature-length film created by The West 18th Street Fashion Show that starred Calvin as an actor. Calvin is also the co-creator of the podcast “We Were Christian Kids” created with childhood friend Justin Randall who is a stand up comedian working in New York City and now Los Angeles. Calvin is also the published author of VERY GOOD BOY DOES FINE, a collection of Poetry & Prose published on October 5, 2021, by Andrews McMeel Universal. Calvin was voted KC’s Best Musician in The Pitch 2018, 2019, 2020, 2021, and 2022. He has been featured in Billboard, NPR.org. Charlotte Street Foundation announced that the recipients of the 2022 Generative Performing Artist Awards are The Black Creatures and Calvin Arsenia Scott.] [Calvin Arsenia played a PARADISE Album Release Party, Friday, June 23, and Saturday, June 24, at 7:00 PM at The Emerald, 1715 West 9th Street, KCMO, WEST BOTTOMS. Calvin Arsenia was our guest on WMM on Jan. 18, 2023, June 21, 2023, and our 1000th Show on June 28, 2923.]

[Calvin Arsenia plays a Helliday Ball EXCTRAVAGANZA on Saturday, Decenber 21, at 8:00pm at The Ship, 1221 Union Ave, KCMO. Info at http://www.calvinarsenia.com]

11:00 – Station ID

  1. Flight Attendant – “KC Hot Mess”
    from: Under The Powerlines / Flight Attendant Band / November 15, 2024
    [Flight Attendant lead singer songwriter, Karalyne Winegarner wrote to me directly letting me know that she was from Kansas City and is now based in Nashville, TN as the front woman for the band. She wrote to me saying “KC Hot Mess” is about knowing who you are and being comfortable with that – it’s also her “coming out,” song as her first girl friend, Katie Pruitt, is featured as the guitar player. Flight Attendant’s previous singles, “Therapy Couch,” and “Anime,” have both received rotation on KC stations, 90.9 The Bridge and KKFI 90.1FM – and now she’d love to see her hometown title track “KC Hot Mess,” get some love. Karalyne continued writing: “We have yet to receive any sort of press from Kansas City – despite being on the local radio and having sold out shows from Austin, TX, to Nashville,TN and even Munich Germany…. our band is still looking to make a dent in our hometown.” // Flight Attendant played the 20th Annual Crossroads Music Fest, Sat, Aug. 24. In August we played Flight Attendant’s single: “Dreamland” which had been their set opener for the last few tours, so the band made if their first single from their EP, “Powerlines” to be released October 11, 2024.This new single follows the band’s earlier single: “Therapy Couch” released June 23, 2023. “Flight Attendant delivers an experience,” – Rolling Stone Magazine. Flight Attendant belongs to that breed of rock bands made in Nashville, USA; where their sound is nothing less than a sonic unicorn. Blending sounds of grunge with power-pop hooks, viola and light synth textures, they have begun to create a hypnotic sound and energy all of their own. Glide Magazine says that Lead Singer Karalyne, “Commands your attention like Freddie Mercury working the crowd in an arena.” Flight Attendant band has been compared to Haim and Fleetwood Mac, or as TurnuptheVolume puts it, “Think Warpaint having a dance with Best Coast,” – This “Nashville based eclectic-indie band….is ready for take off”, Velvet Thunder.]

11:05 – Interview with Karalyne Winegarner

Karalyne Winegarner is lead singer of Flight Attendant, a Nashville based five piece band that formed while in the service of food and beverage. Karalyne, a certified sommelier from Kansas City, crossed paths with Vinny, an award-winning bartender from Boston, while they were working and making music together for fun. They were soon joined by their co-worker Nikki from Los Angeles, Derek from Boston, and Peyton, all fellow bartenders. Since their inception, Flight Attendant has released standout singles like “Man of Chaos” and “Therapy Couch,” which has received significant radio play. They’ve played sold-out shows from Austin to Nashville to Munich Germany, and at major festivals including SXSW, Boulevardia, Tomato Arts Fest, and the 20th Annual Crossroads Music Fest. Glide Magazine says that lead singer Karalyne, “Commands your attention like Freddie Mercury working the crowd in an arena.” Their eagerly awaited sophomore album, Under The Powerlines will be released on November 15. 2024.

Flight Attendant is a five piece band that includes:
Karalyne Winegarner on lead vocals & keyboard,
Vinny Maniscalco on vocals & guitar,
Nikki Christie on vocals & viola,
Derek Sprague on drums,
Peyton Rodeffer on vocals & bass.

The band formed while in the service of food and beverage. Karalyne, a certified sommelier from Kansas City, crossed paths with Vinny, an award-winning bartender from Boston, while they were working and making music together for fun. They were soon joined by their co-worker Nikki from Los Angeles, Derek from Boston, and Peyton, all fellow bartenders.

Since their inception, Flight Attendant has released standout singles like “Man of Chaos” and “Therapy Couch,” which has received significant radio play.

11:12

OLYMPUS DIGITAL CAMERA
  1. Flight Attendant – “Therapy Couch (Radio Edit)”
    from: “Therapy Couch (Radio Edit)” / Flight Attendant / June 23, 2023
    [“Flight Attendant delivers an experience,” – Rolling Stone Magazine. Flight Attendant belongs to that breed of rock bands made in Nashville, USA; where their sound is nothing less than a sonic unicorn. Blending sounds of grunge with power-pop hooks, viola and light synth textures, they have begun to create a hypnotic sound and energy all of their own. Glide Magazine says that Lead Singer Karalyne, “Commands your attention like Freddie Mercury working the crowd in an arena.” Flight Attendant band has been compared to Haim and Fleetwood Mac, or as TurnuptheVolume puts it, “Think Warpaint having a dance with Best Coast,” – This “Nashville based eclectic-indie band….is ready for take off”, Velvet Thunder]

[Flight Attendant played Boulevardia, Friday, June 14, at 9:30 PM on Holladay Hill Stage.]

11:14 – More Interview with Karalyne Winegarner

Karalyne Winegarner lead singer of Flight Attendant, a Nashville based five piece band that formed while in the service of food and beverage. Karalyne, a certified sommelier from Kansas City, crossed paths with Vinny, an award-winning bartender from Boston, while they were working and making music together for fun. They were soon joined by their co-worker Nikki from Los Angeles, Derek from Boston, and Peyton, all fellow bartenders. Since their inception, Flight Attendant has released standout singles like “Man of Chaos” and “Therapy Couch,” which has received significant radio play. They’ve played sold-out shows from Austin to Nashville to Munich Germany, and at major festivals including SXSW, Boulevardia, Tomato Arts Fest, and the 20th Annual Crossroads Music Fest. Glide Magazine says that lead singer Karalyne, “Commands your attention like Freddie Mercury working the crowd in an arena.” Their eagerly awaited sophomore album, Under The Powerlines, \will be released on November 15. 2024.

Karalyne Winegarner, Thanks for being with us on Wednesday MidDay Medley

They’ve played sold-out shows from Austin to Nashville to Munich Germany, and at major festivals including SXSW, Boulevardia, Tomato Arts Fest, and the 20th Annual Crossroads Music Fest.

“Flight Attendant delivers an experience.” – Rolling Stone

Often hailed as a “sonic unicorn” in Nashville’s bustling music scene, Flight Attendant energizes listeners with their infectious power-pop hooks and dynamic performances.

This Nashville-based fivesome—Karalyne Winegarner (Lead Vocals, Keys), Vinny Maniscalco (Vocals, Guitar), Nikki Christie (Vocals, Viola), Derek Sprague (Drums), and Peyton Rodeffer (Vocals, Bass)—meld their passions for music (and fine wine) into a distinctive sound.

Influenced by bands like Caroline Polachek, Florence and the Machine, the Yeah Yeah Yeahs, and Harry Styles, Flight Attendant’s live performances continue to captivate audiences:

Glide Magazine says that lead singer Karalyne, “Commands your attention like Freddie Mercury working the crowd in an arena.”

Their eagerly awaited sophomore album, Under The Powerlines, produced by Swedish collaborator Anders Flemming, will be released on November 15. 2024.

Flight Attendant are headlining a Fall US Tour, and a European Spring Tour. More info at: http://www.flightattendantband.com

Karalyne Winegarner, Thanks for being with us on Wednesday MidDay Medley

Their eagerly awaited sophomore album, Under The Powerlines, produced by Swedish collaborator Anders Flemming, will be released on November 15. 2024.

11:22

  1. Flight Attendant – “Dreamland”
    from: “Dreamland” – Single / Flight Attendant / August 9, 2024
    [“Dreamland” has been our set opener for the last few tours, so it only felt right to make it our album opener! Our first single from forthcoming album, “Under the Powerlines.” Full album drops on October 11th.This new single follows the band’s earlier single: “Therapy Couch” released June 23, 2023. “Flight Attendant delivers an experience,” – Rolling Stone Magazine. Flight Attendant belongs to that breed of rock bands made in Nashville, USA; where their sound is nothing less than a sonic unicorn. Blending sounds of grunge with power-pop hooks, viola and light synth textures, they have begun to create a hypnotic sound and energy all of their own. Glide Magazine says that Lead Singer Karalyne, “Commands your attention like Freddie Mercury working the crowd in an arena.” Flight Attendant band has been compared to Haim and Fleetwood Mac, or as TurnuptheVolume puts it, “Think Warpaint having a dance with Best Coast,” – This “Nashville based eclectic-indie band….is ready for take off”, Velvet Thunder]

[Flight Attendant played the 20th Annual Crossroads Music Fest, Sat, Aug. 24, at 9:15 PM on the Livestock Exchange – From The Earth / Illicit Stage, 1600 Genessee St. w/ Western Cuts, Rachel Maxann, Jamogi, Back Alley Brass Band, Keo & Them, KC March Falcons and KC Marching Cobras.]

  1. Yola Young – “Messy”
    from: This Wasn’t Meant For You Anyway / A Day One – Island records / June 21, 2024
    [Yola Young began writing her own songs at age 11. She attended the Brit School (famed alumni including Adele, Amy Winehouse, Loyle Carner and Raye) after which she briefly attempted a “proper” job, working at an ice cream shop. She built a following through open mic nights, small London pubs and venues, where labels began showing up. Signed to Island aged 18 and has released a succession of singles and EPs, including a couple songs in collaboration with Grammy-winning producer Paul Epworth (Adele, Florence and the Machine). Her songs a reflection of the often-wonky Gen Z experience, a world of weed, booze, infidelity, job insecurity, self-loathing, mental health struggles, the hazards of the digital era and a bit more weed.]

11:29 – Underwriting

11:31 – Interview with Kate Hall and Destiny Atkinson

Kate Hall is General Manager, of Afterword Tavern and Shelves. She Grew up in Southern California. Kate moved to northwest Missouri in 2004 and became a Northwest Missouri English graduate in 2009. Kate moved to Kansas City in 2014 and worked in the industry of manufacturing food. Kate went to Afterword for a fun second job in 2022. She started as a barback, then a bartender. When her General Manager decided to transition Kate left her corporate management job to manage Afterword.

Destiny Atkinson is Assistant Manager of Afterword Tavern and Shelves. She is 23 and loves reading and any time she is off work you can find her snuggled up with her cat or dog reading a book or hanging out with her fiance. Destiny has been at Afterword a little over two years now. She writes that “it feels like coming home. The environment as a guest or as a staff member is cozy, welcoming, and fun. I’ve always enjoyed mixing drinks so when I became a bar manager this felt like the perfect place. I mean, books and booze? There’s nothing better. I love being at a place where I can be fully creative and mentor others who enjoy it as well.}

Afterword Tavern and Shelves open Tuesdays through Saturdays at 1834 Grand Boulevard, KCMO.

Afterword Tavern & Shelves is hosting an Open Mic Night Monday, November 11, 2024 6:30 to 8:30pm. For more information you can visit: http://www.afterwordkc.com

Afterword Tavern & Shelves is hosting a Book Fair, December 7, 2024 12:00pm to 6:00pm. For more information you can visit: http://www.afterwordkc.com

Kate Hall and Destiny Atkinson thanks for being with us on Wednesday MidDay Medley

Afterword Tavern and Shelves open Tuesdays through Saturdays at 1834 Grand Boulevard, KCMO.

Afterword Tavern & Shelves write: “A good book has the remarkable ability to connect friends over midnight discussions, or to a garrulous passenger on the streetcar who loves the same writer.

Simple paper pages can inspire a visit to a city or reconnect someone to a time and place of their past.

Books can spark an idea or incite an argument and provide a tranquil escape from the chaotic.

Beer, wine, spirits, and food share this quality. Rather than leave one of ’em out we decided to combine their collective powers under a single roof. Thus, Afterword Tavern & Shelves was born.

While it may be libations and books we’re selling on paper, at a philosophical level we are peddling discovery and the city in which we live. We invite you to walk through our door, and when you depart we hope that you do so having discovered something stirringly novel.

Kate Hall and Destiny Atkinson thanks for being with us on Wednesday MidDay Medley

Afterword Tavern & Shelves is hosting an Open Mic Night Monday, November 11, 2024 6:30 to 8:30pm. For more information you can visit: http://www.afterwordkc.com

Afterword Tavern & Shelves is hosting a Book Fair, December 7, 2024 12:00pm to 6:00pm. For more information you can visit: http://www.afterwordkc.com

11:48

  1. The Cure – “A Fragile Thing (Radio Edit)”
    rom: Songs of A Lost World / Fiction/Capitol Records / October 31, 2024
    [THE CURE’s long-awaited, critically acclaimed new album, SONGS OF A LOST WORLD, their first new release in 16 years, is out now via Fiction/Capitol Records. // The band will be performed their only scheduled show of the year on Nov. 1, at Troxy in London, which was live streamed on The Cure’s YouTube page Show Of A Lost World The Cure Live At Troxy. // BBC2 aired a special evening of Cure programming to celebrate the release of SONGS OF A LOST WORLD. // Initially formed in 1978, The Cure has sold over 30 million albums worldwide, headlined the Glastonbury festival four times and been inducted into the Rock And Roll Hall of Fame in 2019. They are considered to be one of the most influential bands to ever come out of the UK. // SONGS OF A LOST WORLD was written and arranged by Robert Smith, produced and mixed by Robert Smith & Paul Corkett and performed by The Cure – Robert Smith: Voice / guitar / 6string bass / keyboard, Simon Gallup: Bass, Jason Cooper: Drums / percussion, Roger O’Donnell: Keyboard, Reeves Gabrels: Guitar. The album was recorded at Rockfield Studios in Wales. // Robert Smith created the sleeve concept, and Andy Vella, a long-time Cure collaborator, handled the album’s art and design. The cover art features ‘Bagatelle’, a 1975 sculpture by Janez Pirnat. // THE CURE – SONGS OF A LOST WORLD https://thecure.lnk.to/SongsOfALostWorld More info at: http://www.thecure.com]
  1. Leon Bridges – “Laredo”
    from: Leon / Columbia / October 4,, 2024
    [Leon is the fourth studio album by American singer Leon Bridges. It was released on October 4, 2024, by Columbia Records. Centered around his upbringing in Fort Worth, Texas, he primarily recorded the album in Mexico City and worked with producers Ian Fitchuk and Daniel Tashian. The album was preceded by three singles: “Peaceful Place”, “Laredo”, and “That’s What I Love”. It received generally positive reviews from music critics. // Leon Bridges wrote the album about his experience growing up in Fort Worth, Texas, whose music scene he credited with inspiring the folk and country music influences on the album. Several songs on Leon were written during the production of his 2021 album Gold-Diggers Sound. He spent “almost five years” working on the album in Los Angeles and Nashville before moving production to Mexico City,[4] where he spent the last few months of 2023 recording the album at El Desierto studio.[6] During a session in Los Angeles, Bridges began streaming on Instagram Live and was contacted by American musician John Mayer, who invited Bridges to his studio where they collaborated on “When a Man Cries”. // Bridges cited Roy C and Van Morrison (specifically his 1968 album Astral Weeks) as influences on the album’s sound and lyricism. // Leon received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 79, based on eight reviews. // Writing for Uncut, Stephen Deusner called Bridges an “ambitious, yet idiosyncratic artist” and praised the lyricism and storytelling on the album, specifically on “Panther City”.[19] Mojo’s Tom Doyle said that “Bridges’ vocal talents continue to shine”, also highlighting “Panther City” for its lyrics and “’70s Isley Brothers-styled” sound // In a review for Pitchfork, Stephen Thomas Erlewine complimented the “loving care that Bridges, [Ian] Fitchuk, and [Daniel Tashian bring to Leon”, but criticized the production and mixing for causing the album to “feel curiously frictionless”. Rolling Stone’s Julyssa Lopez praised the “emotional weight and personal intimacy” of the music, though she found “[s]ome of the album’s more general love songs … less intriguing”.]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

On The Next Show! On Wednesday, November 13 – we welcome back Brock Wilbur & Nick Spacek of The Pitch and The Annual Pitch “Best Of” Issue. We’ll talk with Brock & Nick about some of the “Headlines” of 2024. And Nick shares his 10 Favorite Musical Releases of 2024. We will also talk with Damron Armstrong of the Kansas City Black Repertory Theatre

Thank you to all who have donated during our two Fall Fund Drive Shows on Wednesday MidDay Medley and our WMM Facebook Fundraiser, we received donations from 46 individuals who donated a total of $3478.00. That is 97% of our ambitious goal, I call that a success!!!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler.

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

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Use our search engine to learn more about musical artists we play.

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Show #1068

WMM Playlist from October 30, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 30, 2024

Apocalypse Meow 17 + Krystle Warren + Scott Heidmann & Ken Petti + Rachel Yturralde

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Dan Camino – “Dreamgirl”
    from: Rock Dreams / Camino Records / October 4, 2024
    [Released as a single with “Connections” on September 6, 2024. Solo debut album from Kansas City-based artist Dan Camino who is also the frontman of Field Daze. Dan Camino wrote that he put at least 1000 hours of his life into the production of this album, almost two years, and did all the heavy lifting besides drums on the first two songs. // Field Daze, is an Indie Rock/Dreampop band, originated in Kansas City, Missouri when Rodd Fenton and Dan Camino responded to a Facebook call to start a Dreampop band. Their collaboration led to the creation of early demos. Shortly after, they were joined by Tracer Cauy, Kyer Lasswell, and Beau Harris, solidifying the band’s lineup. // The band has packed venues like The Rino, The Ship, and The Bottleneck. Field Daze’s live performances became synonymous with an immersive musical experience, drawing in crowds with their captivating melodies. // Currently, the band channels their creativity by recording homegrown tracks within Rodd Fenton’s personal studio, honing their craft and evolving their unique sound.]
  1. Adriana Nikole – “Unglued”
    from: “Unglued” – Single / Adriana Nikole / September 13, 2024
    [“Unglued is one of several new singles Adriana Nicole has released this year. Hailing from the Detroit area, Adriana Nikole carries an old sound. Channeling Motown and an early jazz vibe, she sings with soul and passion, with a touch of grit at times. Her time in Kansas City has helped her grow as an artist. Her writing is honest, raw, and will either break your heart or make you get up and dance..Adriana Nikole started performing at open mics in Michigan in her early 2000’s, and then started writing songs, and getting gigs. Adriana moved to Knoxville then to Nashville TN performing on the street for a few months then finally settled in Kansas City, MO after her parents moved here for their work. Nikole’s music is rooted in Motown, 50’s doo wop, old school country, and love of experimenting and singing with electronic music as well.]
  1. Krystle Warren & The Faculty – “Without U”
    from: Extended Play / Parlour Door Music / November 1, 2024
    [Following their double album LOVE SONGS (2012) and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US, “Macca” is the newest release from Krystle Warren & The Faculty, released Macca on May 22, 2023, recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY. // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs​ was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs​ were recorded with everyone in the same room (​Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play​ was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up ​Extended Play​ are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play,​ they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]
  1. Krystle Warren – “Rising”
    from: Extended Play / Parlour Door Music / November 1, 2024
    [Krystle Warren & The Faculty released “Rising” as a single through Parlour Door Music on May 31, 2019. We didn’t know about this single until 2020 so we made if part ot WMM’s 50 Favorite Singles of 2020. This single was produced by co-founding member of The Faculty, bassist Solomon Dorsey. I was texting with Krystle over the weekend after the KC Bands Together weekend 6-hour streaming concert where Krystle shared three songs including a cover of Gerry Raferty’s “The Ark” from his 1978 album, City to City. Krystle was currently doing over dubs on “Rising” that will be included on the new Krystle Warren & The Faculty album called, “Extended Play.” Krystle told me that they had wanted to do album cover photos during a concert that was scheduled in Kansas City in March, but was cancelled due to COVID-19. Getting everyone together has not been possible. Krystle was hoping for a late 2020 release, but plans were put on hold and the band released an EP call The Crew covering 4 songs to inspire the Black Lives Movement of 2020. Krystle Warren learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle Warren played KC Bands Together – A Livestream Concert Saturday, May 16. Krystle was our guest on WMM on September 23, 2020. Krystle Warren was our most played artist of 2020 on WMM Krystle was our guest on WMM on July 28, 2021, April 26, 2023, May q7, 2023, May 24, 2023, June 12, 2024, and today October 30, 2024. Krystle has been on WMM 19 times.]

10:18 – Interview with Krystle Warren

Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Today on WMM we are so excited to welcome back to the show, KC born and internationally known singer songwriter Krystle Warren who joins us live on the phone from France to shares details about her band The Faculty’s new album, Extended Play to be released on Friday, November 1, 2024.

Krystle is one of our most played artists, of all time, on this radio show. Krystle is also one of our most frequent guests, today is her 19th appearance on our show.

Krystle Warren began performing in her native KC at the age of 16. Krystle graduated from Paseo Arts Academy and in 2001 began her musical career collaborating with area jazz and pop musicians. After moving to New York City, she started busking on the streets and later formed her band, The Faculty. After her independent EP release, Diary, Krystle was signed to Paris based music label Because Music who sent her a one-way ticket. Krystle Warren & The Faculty released the album CIRCLES in 2009. The epic double album release, LOVE SONGS… followed in 2011, and contained twenty-four songs about love, and was recorded in New York City over the span of two weeks, with close to thirty musicians. Around this time, Krystle joined forces with one of her musical idols, Rufus Wainwright, on his world tour as an opener and bandmate. Krystle Warren then released her solo album THREE THE HARD WAY, in 2017 where she played every instrument and reunited with producer Ben Kane. On May 31, 2019 Krystle Warren & The Faculty released heir single “Rising” written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When the pandemic put The Faculty’s new album on hold, Krystle released the 4-song EP, THE CREW on September 15, 2020. Last year Krystle released the single “Macca” on May 22, 2023, and the single “La Dolce Vita” This year on March 1, 2024. Her band The Faculty will finally release their album, EXTENDED PLAY on November 1. More info at: http://www.krystlewarren.com

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

The Faculty was formed in 2006 with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. Jonathan Anderson, would later go on to replace Dave Moore on keys. the band members are spread across the globe working musicians, touring, recording, and collaborating with musicians like: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Emily King, Janet Jackson, Ron Sexsmith, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, Emmylou Harris, Amos Lee, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and more.

Last time you were with us was in June when you were back here in KC to perform at The Percheron Rooftop Series at Crossroads Hotel and Boulevadia.

You played live on WMM w/ Jean Fabien Dijoud aka “Jeff” doing “Macca”

Krystle Warren’s song “Macca” arrived unexpectedly and was recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY. Following their double album LOVE SONGS (2012) and their single “Rising” written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US, “Macca” is the newest release from Krystle Warren & The Faculty, that was recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY.”Macca” arrived unexpectedly. // “A Pal contacted me to help work on the music for an advertisement he was piecing together. My job was to find a melody and put words to it, so I set up my mic and started trying out ideas. And then POW! ‘ ‘Hang then upon the moon…’ – it sounded so distinctly Paul. Immediately I worried that the client would accept my buddy’s sunm,ission; thankfully, they didn’t.” // The “Paul” Krystle is referring to is Paul McCartney, whose famous nickname entitles the song. // “He is such a huge inspiration for me. As a songwriter – my love of melody, the little quirks that come out lyrically – that’s all thanks to him. Nd singing that chorus — it evoked for me those gorgeous ballads he composed in the 80s – ‘Wanderlust,” ‘Tug Of War’…There’s a bit of Wings there as well, I think, with a nod to ‘I’m Carrying.’ // “What’s wild to me is that, though I decided. ‘This is for Paul,’ it became equalk parts: a love letter to him, and a note of encouragement to me. Which is a wonderul thing when you think about it: Paul’s music so often encourages us to keep going, keep trying, and in using hs language (so to speak), unwittingly, he was giving me strength.” // “What’s wild to me is that, though I decided. ‘This is for Paul, it became equal parts a love letter to him, and a note of encouragement to me. Which is a wonderful thing when you think about it: Paul’s music so often encourages us to keep going, keep trying, and in using his language so to speak, unwittingly, he was giving me strength.”]

Krystle Warren & Solomon Dorsey headlined the KC Folk Fest 2023 on Saturday, May 20, in Washington Square Park, Kansas City, MO.

Earlier this year Krystle Warren & The Faculty released the 6:16 “LA DOLCE VITA” – Single / Parlour Door Music / March 1, 2024

The Faculty formed in 2006 w/ Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. With the help of Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle created Diary an EP.

Diary led to the full length, Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado.

Krystle Warren then recorded Love Songs, a double album, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’ in NYC, with most of the Faculty and a slew of guest musicians in Brian Bender’s Brooklyn studio. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys.

While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York, and Zach in Woodstock. Solomon and Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with musicians like: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Emily King, Janet Jackson, Ron Sexsmith, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, Emmylou Harris, Amos Lee, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and more. More info at http://www.krystlewarrenandthefaculty.com


Krystle Warren & The Faculty Discography

Krystle Warren & The Faculty has released the EP “Diary” on May 1, 2007

Krystle Warren released “The Up Series – EP” on November 10, 2008

Krystle Warren releases the 13-song Album CIRCLES on March 13, 2009

Krystle Warren & The Faculty released “A Time To Keep – Love Songs EP”, Aug. 12, 2011

Krystle Warren & The Faculty released the double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 as “Love Songs: A Time to Embrace,” and “Love Songs: A Time to Refrain from Embracing. ” And released on separate digital and CD albums in the United States as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015

Krystle Warren released the album THREE THE HARDWAY on August 18, 2017

Krystle Warren & The Faculty released the single “Rising” on May 31, 2019

Krystle Warren & The Crew released the 4-song EP, THE CREW on September 15, 2020

Krystle Warren & The Faculty released the single “Macca”on May 22, 2023
Krystle Warren & The Faculty released the single “LA DOLCE VITA” on March 1, 2024


From Diary EP to Extended Play A Truncated History of Krystle Warren & The Faculty
From http://www.krystalwarren.com written by Phil Anderson:

Krystle Krystle Warren met Solomon Dorsey some weekend at a high school debate competition in KC. After she had trounced Solomon’s debate partner, the two ended up in an open classroom where they began playing music—Krystle had brought her guitar and was practicing chords, and Solomon, then an accomplished violinist, cellist, bassist, and singer likely had some sort of instrument on him, and even if he didn’t he had his voice.

Due to some specific details we’re not going to get into, Krystle was already living on her own; she was eighteen and he was seventeen. But she had a friend who had an apartment near hers, and this friend was having a party. “Wanna go?” she asked Solomon. And, as Solomon puts it, he has seen or spoken to Krystle every single day of his life since.

So when Solomon decided to attend the jazz program at New School in New York, he asked Krystle, “Wanna go?” And a few months after he moved, Krystle showed up. On her first night in the city, Solomon introduced her to Zach Djanikian, a saxophonist he’d become fast friends with at school. They lived in the same dorm, and Zach and Solomon took Krystle to a practice room in the basement and the three of them played musical games. According to Zach, “We’d sing as many melodies as we could over four open strings of the upright bass, plucked successively. ‘Norwegian Wood’ and the theme to ​Family Matters​ were a couple favorites.”

This led to busking as a trio, and each of them was hustling for gigs. An Italian restaurant that featured live music gave Krystle a regular night, and she often had Solomon and Zach play with her. Zach’s friend from Philadelphia, Ben Kane, would come to these nights, and he brought Mike Riddleberger.

In Philly, Zach was in a band called The Brakes, and Ben Kane was producing an album for Zach’s band in a windowless apartment that he shared with Riddleberger. Kane and Riddleberger had become friends a year earlier at NYU, bonding over their love of D’Angelo’s album Voodoo. Riddleberger says that even though he saw Krystle perform, he didn’t speak to her until after she saw him play with his band, Quintus. Zach had brought her, and she approached him after the show to play in a band she was starting.

The Faculty was formed with Krystle, Solomon, Zach, Riddleberger, and Dave Moore, a keyboardist from Kansas who was at New School, too. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at ElectricLady Studios and was sneaking them in at odd hours, Krystle turned those songs into an EP called DIARY.

And it was a diary. The songs were about her daily experiences in this new place and with these new people. “I’ve Seen Days” has a title that implies a reflection, but it’s about how the world is new to her, how she’s “a frightened child” in a new city. “The New Astrologer” is about a new and exciting love, one that remains a good friend of hers. “A Song For Holly” is a letter to family explaining her new quotidien life (“your big sister / out in New York on some subway / your big sister, out trying to get paid”). And “Central Park” is a document of a night she had in Central Park with Zach and his boyfriend (now husband) Jesse, and how she is coming to embrace this new city, these new people, and this new chapter of her life.

If DIARY, the Faculty’s first recordings, is Krystle’s “Songs of Innocence,” then EXTENDED PLAY, the Faculty’s latest, is Krystle’s “Songs of Experience.”

Diary led to CIRCLES, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, and Krystle had her next move. She stayed in France even when her relationship with Because ended because she found Vanessa, and Vanessa was worth staying in France for. But Krystle still recorded ​LOVE SONGS in New York, a double album that invokes a Blakean duality with its two subtitles, “A Time to Refrain from Embracing” and “A Time You May Embrace.” LOVE SONGS was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys in the Faculty.

The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in NYC and Zach in Woodstock. Solomon and Jonathan in LA. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Policewoman, Jose James, Emily King, Janet Jackson, Ron Sexsmith, The Dixie Chicks, Amy Helm, Stevie Wonder, Taylor Swift, Rufus Wainwright, Kylie Minogue, Sara Bareilles, Natalie Merchant, Kesha, Bleachers, Emylou Harris, Amos Lee, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, Jenny Lewis, that’s less than the half of it.

So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while DIARY and CIRCLES and LOVE SONGS were recorded with everyone in the same room (THREE THE HARDWAY was just Krystle & Kane together), EXTENDED PLAY was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs.

And Krystle is writing with a close emotional connection to the distant past. The songs that make up Extended Play are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in ​EXTENDED PLAY and a forlornness. These songs are filled with references, musical and otherwise, to those who have inspired Krystle over the years, from Les Mis (specifically the song adopted by ACT UP) to Gregory Djanikian, Zach’s poet father, and Audre Lord.

Krystle describes “When I Look Back,” the last song of Extended Play​ as “an apology to my teenage self.” Seventeen years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”

But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says,

“I’m going on to something else, the shape of which I have no idea. ‘Only thing I know, is it’s going to be quite different. What I leave behind has a life of its own. I’ve said this about poetry… Well in a sense, I’m saying it about the very artifact of who I have been.”

Krystle Warren & The Faculty still have more to come. They have built seventeen years of memories, experiences, recordings, and shows, and with the release of ​Extended Play​, they continue to show a commitment to growing as musicians together, even if apart.

Written by Phil Anderson
______________________________________________________________

Krystle Warren and 90.1 FM KKFI

Mark first interviewed Krystle Warren for The Tenth Voice, back 2002. Mark waited several hours, during a winter snow storm, at a huge party, where Krystle played with her band including her longtime friend Solomon Dorsey on bass, in a packed, smoke filled apartment near Community Christian Church across the hall from where Solomon lived, to be given a 2 song demo CD, that contained Krystle’s first recorded music, including a song called “Chanel #5.” Krystle has since gone on to be known all over the world, but still maintains contact with her hometown of Kansas City.

Krystle was on WMM on June 29, 2016 as “Guest Producer” to share inspirations for her new record, THREE THE HARDWAY playing early gospel recordings, that crossed over into Jazz from: Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Krystle’s critically acclaimed album, Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017. Wednesday MidDay Medley was the first to play tracks from Krystle’s album, before it was released. Krystle came on the show months before the release, to share music that was the inspiration for the recording. Released on Parlour Door Music, on August 18, 2017 and Produced by Krystle Warren and Ben Kane. Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. In 2015 in Krystle Warren premiered new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the Wednesday MidDay Medley radio show in 2016 Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from: Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. // Krystle was on the show on Oct. 16, 2019 with Brad Cox when she was in KC to present LoveSongs with Owen/Cox Dance Group at Oct 19 & 20, 2019 at Polsky Theatre at JCCC.

We talked with Krystle on September 23, 2020 about The Crew EP where Krystle and friends recorded unique versions of four classic songs with the hope of encouraging the rallying cries of the moment: the movement of the people. Warren embarked on the project after her newest album, with her band The Faculty, was stalled due to COVID-19
11:31
Krystle Warren, thanks for being with us on Wednesday MidDay Medley

11:34 – Underwriting

10:36 – Interview with Rachel Yturralde (with Zach Phillips)

Rachel Yturralde joins us to talk about her new collection of short spooky stories for Halloween titled, The Bone Collection: A Small Collection of Short Stories to Keep You Up At Night. Rachel Yturralde-Bock is a writer and yoga teacher. Rachel is a mom living in the midwest with two beautiful teenage kids, a dog, two black cats and a loving partner. She loves to travel and vista Spain. Rachel has been writing stories and playing make believe all her life. Imagination, creativity and spirituality are the hallmarks of her work. The Bone Collection: A Small Collection of Short Stories to Keep You Up At Night is a new hardcover work of fiction with illustrations by Lauren Kyanka, that was published on September 27, 2024.

Rachel Yturralde Thanks for being with us on Wednesday MidDay Medley.

The Bone Collection: A Small Collection of Short Stories to Keep You Up At Night

hardcover work of fiction with illustrations by Lauren Kyanka

Rachel Yturralde-Bock is a writer and yoga teacher.

Rachel is a mom living in the midwest with two beautiful teenage kids, a dog, two black cats and a loving partner.

She loves to travel and vista Spain. Rachel has been writing stories and playing make believe all her life. Imagination, creativity and spirituality are the hallmarks of her work.

Rachel Yturralde Thanks for being with us on Wednesday MidDay Medley.

The Bone Collection: A Small Collection of Short Stories to Keep You Up At Night a new hardcover work of fiction with illustrations by Lauren Kyanka, Published on September 27, 2024. More info at: https://www.amazon.com/author/amazon.comrachelyturralde-bock

10:53

  1. Lone Stranger – “It’s Nice To Meet Ya!”
    from: “It’s Nice To Meet Ya! / Lone Stranger / October 26, 2022 (Unreleased)
    [Lone Stranger is the musical project of Zachary S. Phillips known for his longtime work in the bands, Gadjits and Architects where he played bass guitar and toured all over the country with his brothers Brandon, and Adam. For the Lone Stranger Zach works on mixing, mastering, and manufacturing his own solo music, playing almost all of the instruments himself, mixing genres of Ska, Reggae and hip hop.]
  1. Jessica Harp – “Lonely Anywhere”
    from: A Woman Needs / Warner Records Inc. / March 16, 2010
    [On February 4, 2008, she married The Wreckers’ fiddle player Jason Mowery. She started recording her second solo country album for Warner Bros. Nashville in July 2008 and announced in January 2009 that it would be titled A Woman Needs. Songwriter Jerry Flowers produced the album and co-wrote several of the songs. The lead-off single, “Boy Like Me,” was released to country radio on March 9, 2009. It became her first Top 30 country hit, reaching a peak of No. 30 in June 2009. The album’s second single, the title track, was released to radio on January 19, 2010, and the music video was filmed on November 19, 2009. On March 2, 2010, Harp announced that she would retire as a recording artist to focus on becoming a full-time songwriter. Warner Bros. Records released her second album digitally on March 16, 2010. Over a year and a half later, on October 11, 2011, Harp announced on Twitter that Warner Bros. released her from her contract and that she would record music again, either independently or with a label. Harp’s solo album, A Woman Needs, features Vince Gill and Keith Urban in guest spots Jessica Leigh Harp was born February 3, 1982 and is an American songwriter from Kansas City, Missouri. Jessica Harp is best known for being one half of the Grammy Award Nominated country roots duo The Wreckers with friend Michelle Branch. Harp was focused on music from childhood. While working as a singer and songwriter in Nashville, Harp began singing backup for Branch, and when Branch opted to take a break from her solo career in 2004, joined her in the duo The Wreckers. Harp’s country edge meshed nicely with Branch’s pop approach, and the Wreckers were a fast success with the #1 debut single, Leave the Pieces. A debut album, Stand Still, Look Pretty, appeared in 2006 from Maverick Records, followed by a live set, Way Back Home: Live from New York City, a year later. In 2007 Harp and Branch announced that they were putting the Wreckers on hold and concentrating on solo projects. After taking a step back from recording to focus on songwriting and other pursuits, Harp currently resides in KC with her family. ]

[Jessica Harp plays recordBar 1520 Grand Blvd. KCMO on Friday, Nov. 1, 7:00 with Kristin Hamilton & The Heat. Jessica has put together a local band with Marco Pascolini, Kandi Kos, JB Moreland, Kristen Conkright and Matt Brahl.]

11:00 – Station ID

11:00 – Interview with Scott Heidmann and Ken Petti

Scott Heidmann a longtime architect & Art Collector, who has worked on National and International projects including London, Singapore and every major US city. and Ken Petti a fashion advertising veteran with 30 years of experience in New York City working for Fashion Show Production Co. and Calvin Klein.

Together they pursue joy through their process and presentation, and by celebrating others’ talents while benefitting from the human connections and the enjoyment of art in its many forms. They exist together in fascinating synchronicity, both in life and their work collaborations. They are the master minds behind the Heidmann Art Salon which is a series of special art events they create and produce four times a year. The Two conceptualize unique, thematic, exhibitions that go beyond mere art viewing, rather they invite guests in for an experiential evening where art.performance, food, drink and atmosphere all merge.

The fourth event of each year being the fundraising “Santa Clause” with proceeds of art sales and food donations going to Operation Breakthrough.

Scott Heidmann and Ken Petti served as Event Chairs for ArtPop 2024 raising nearly $300,000 for student scholarships to the Kansas City Art Institute. Scott and Ken have been involved with the event since its inception and continue to elevate the party with their creative themes and celebratory ideas.

Scott Heidmann and Ken Petti thanks for being with us on WMM.

Scott Heidmann grew up in Washington, Missouri. He originally when to school at SMU and then transferred to The University of Kansas. Scott has spent over 40 years working as an Interior Designer in Architecture firms. He has worked on National and International projects in multiple cities including London, Singapore and every major US city. Projects included Workspace, Hospitality, Education and Sports. Art has always been a part of his projects as well as personal collecting.

Ken Petti grew up in New Jersey. After High School he attended FIT – Fashion Institute of Technology in New York City. After graduating from FIT he spent 309 years in New York working for Fashion Show Production Co., Calvin Klein. Ken also worked for an in house Ad Agency for Gitano Group. Ken was a star I’m the Fashion and marketing world.

In 2012 Scott met Ken through Facebook and they became friends and partners in life. Early on in their relationship Ken encouraged Scott to create HEIDMANN ART SALON.

Together they are the masterminds behind the Heidmann Art Salon which is a series of special art events they create and produce four times a year. The Two conceptualize unique, thematic, exhibitions that go beyond mere art viewing, rather they invite guests in for an experiential evening where art.performance, food, drink and atmosphere all merge.

The fourth event of each year being the fundraising “Santa Clause” with proceeds of art sales and food donations going to Operation Breakthrough.

Ken Petti, Suzanne Mullen, & Scott Heidmann on the Wednesday, October 30, 2024 edition of Wednesday MidDay Medley on 90.1 FM KKFI – Kansas City Community Radio

Scott Heidmann and Ken Petti served as Event Chairs for ArtPop 2024 raising nearly $300,000 for student scholarships to the Kansas City Art Institute. Scott and Ken have been involved with the event since its inception and continue to elevate the party with their creative themes and celebratory ideas.

Scott Heidmann and Ken Petti thanks for being with us on WMM.

11:23

  1. Julia Haile – “Heavy Rotation”
    from: “Heavy Rotation” – Single / Julia Haile / September 30, 2022
    [One of two new singles released by Jullia Haile and September 30, 2022. Julia Haile is a singer and songwriter based in Kansas City, MO. Her natural talent and musical education have fueled a career of exciting performances and beautiful music. From leading Neo-Soul band Hi-Lux and international collaborations to solo works, Julia’s goal is create meaningful musical experiences for all. Julia’s work with Hi-Lux included Tim Braun on guitar, Nick Howell on keys, Dan Loftus on bass, (and prior to that Pete Leibert on bass) and Kian Bryne on drums. Hi-Lux is a Modern-Soul band that blends and bends the boundaries between soul, rock n roll, reggae, and funk. This group aims to create music that pays tribute to their myriad of influences (Amy Winehouse, The Meters, Sharon Jones and the Dap Kings). but also claims a spotlight of its own in the musical world. Hi-Lux released the singles, “Revolution” and “Get What You Give” on February 28, 2020, through The Record Machine. Hi-Lux released the single. “Don’t Blame Lee” (featuring Lee Scratch Perry) on April 20, 2018. Hi-Lux released the 7” vinyl single, “”Dance With My Baby” b​/​w “Don’t Blame Me” on January 5, 2018 through Sunflower Soul Records. Hi-Lux released their 6-track, self-titled EP, Hi-Lux on January 2, 2018. All 6 songs had previously been released as singles..]The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.juliaHaile.com]

[Julia Haile plays Apocalypse Meow 17 on Saturday, November 2nd at recordBar, 1520 Grand, Blvd. KCMO, Doors at 6:00pm / Show at 7:00pm. Featuring: FlareThaRebel, The Creepy Jingles, Nathan Corsi & My Atomic Daydream.]

11:28 – Underwriting

  1. Nathan Corsi and My Atomic Daydream – “State of The Union”
    from: Shangri La / myowndamnrecords / July 8, 2023
    [Debut album from Nathan Corsi’s new rock band featuring Kansas City veterans Chris Meck, Tom Hudson, and Benjamin Hart. Nathan Corsi and My Atomic Daydream released their second single, “Hits You Twice” on September 28, 2022. Nathan Corsi has one of the best voices in Kansas City music. With Steve Tulipana he fronts The Band That Fell To Earth paying tribute to David Bowie in this annual project created by Michelle Bacon. Nathan toured for nearly a decade with his band Not A Planet who released critically acclaimed EP, NAP on December 1, 2011; the album, THE FEW, THE PROUD, THE STRANGE on May 10, 2013; SMOKE BOMBS & CIGARETTES: THE HISTORY OF NOW (EP) on September 9, 2016.] [Nathan Corsi and My Atomic Daydream play recordBar, at 1520 Grand Boulevard, KCMO, on Saturday, July 8, 2023, at 7:00 PM for their Record Release Party, w/ The Philistines and Friendly Thieves.]

[Nathan Corsi and My Atomic Daydream play Apocalypse Meow 17 on Saturday, November 2nd at recordBar, 1520 Grand, Blvd. KCMO, Doors at 6:00pm / Show at 7:00pm. Featuring: FlareThaRebel, Julia Haile, The Creepy Jingles More info at: http://www.midwestmusicfoundation.org]

11:33 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions & Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater KC music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. After meeting Executive Director, Rhonda Lyne, while buying raffle tickets at an MMF function, Sondra was immediately interested in the organization’s mission and quickly became an active volunteer. Sondra’s extensive fundraising background and her lifelong love of music made her an immediate asset. Her duties have grown, and she functions as a band liaison by managing booking, promotions and many other aspects of event planning. Sondra has owned and operated Big Mac’s Fireworks South for over 15 years.

Apocalypse Meow 17, is Sat, Nov 2, Doors at 6:00pm / Show at 7:00pm. Featuring: FlareThaRebel, Julia Haile, The Creepy Jingles, Nathan Corsi & My Atomic Daydream. Apocalypse Meow is MMF’s main fundraiser for Abby’s Fund For Musicians’ Health Care, which provides local musicians & music workers with essential health care resources.

Sondra Freeman thanks for being with us again on WMM.

In addition to live music, the RockDocs will be on site to offer flu shots and COVID boosters (provided by the Kansas City Indian Center), screenings, wellness programs, opportunities to discuss health conditions and concerns, and arrange follow-ups. We’ll also have live raffles that feature an assortment of items donated by local businesses, and an online auction running November 1st-22nd, 2024: http://www.32auctions.com/AM17

Apocalypse Meow started in 2008, when musician Abigail Henderson faced daunting financial hurdles after being diagnosed with breast cancer. Friends rallied to her side, holding the first Apocalypse Meow concert to cover her medical expenses. To pay this forward to her community, Abigail co-founded MMF. Since its inception, Apocalypse Meow has become the central fundraising event for Abby’s Fund for Musicians’ Health Care. Abigail passed away in 2013, but we continue the mission to connect musicians with health care in the greater Kansas City area. We have given out health care assistance totaling over $600,000 to Kansas City area musicians since the inception of this fund. We have also provided much needed preventative care services through our health clinic events and partnerships with local providers.

The demand for grants continues to grow each year, MMF needs help to make Apocalypse Meow a huge success to replenish Abby’s Fund. WMMF has given out over $77,000 in Abby’s Fund grants so far this year!

MMF has given out over $95,000 grants from Abby’s Fund for Musicians’ Health Care so far this year. Over $600,000 total since inception of the fund.

*RockDoc (Dr. Allen Greiner) willl be available from 6:00 – 10:00 pm with FREE flu shots, COVID boosters with Gina McClain, RN assisting. Thank you to Justin Nichols of the KC Indian Center for supplying the covid and flu vaccines available at our Apocalypse Meow on Nov. 2nd at the recordBar. Those who receive a vaccine during our event will receive a $25 gift card!

MMF has several Major Sponsors (full list of sponsors on MMF website)
recordBar
Tito’s
The Pairing
Seen Merch
Bridge
Boulevard
Sarpino’s

MMF Thanks all performers, crew, volunteers and MMF Staff and Board that have made this event possible! XO Blackwater (Steve Gardels & Regina) for visuals

Thanks to all the businesses that have made monetary contributions or donated items for our auction & raffles

32.auctions.com/AM17 (Auction runs through Nov 22)

There are lots of great raffle prizes!

RESOURCES AND ASSISTANCE THROUGH ABBY’S FUND

If you or a family member needs healthcare assistance, please apply for an Abby’s Fund grant. This resource is available to active KC area musicians and music personnel. LEARN MORE AND APPLY at: http://www.midwestmusicfoundation.org

Please email Executive Director, Rhonda Lyne, for more information. rhonda@midwestmusicfound.org

Midwest Music Foundation offers the following services:

-Mental Health Grants to assist with counseling and treatment

-Free Dental Screenings at the UMKC School of Dentistry

-Free COVID-19 Tests

-Mammogram Grants

11:41

  1. The Creepy Jingles – “Love Like You”
    from: “Love Like You” – Single / High Dive Records / July 14, 2024
    [This is the third of several new singles being released by The Creepy Jingles this year. The band released “Repeat After Me” on April 19, 2024. The band released “When Things Go Wrong” on February 23, 2024. The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. // Song (lyrics/melody/chords) written by Jocelyn Olivia Nixon. Mixed and Recorded by Paul Malinowski and recorded at Massive Sound Studios in Shawnee, Kansas. Mastered by Zack Hames. Jocelyn Nixon on lead vocals & rhythm guitar, Will Van Doorn on lead guitar & backing vocals, Andrew Woody on bass & backing vocals, Nick Robertson on drums & bait. // The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. ] The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019.]

[The Creepy Jingles play Apocalypse Meow 17 on Saturday, November 2nd at recordBar, 1520 Grand, Blvd. KCMO, Doors at 6:00pm / Show at 7:00pm. Featuring: FlareThaRebel, Julia Haile, Nathan Corsi & My Atomic Daydream. ]

10:44 – More Interview with Sondra Freeman

We are talking with Sondra Freeman about Apocalypse Meow 17, on Saturday, November 2, Doors at 6:00pm / Show at 7:00pm. Featuring: FlareThaRebel, Julia Haile, The Creepy Jingles, Nathan Corsi & My Atomic Daydream. Apocalypse Meow is MMF’s main fundraiser for Abby’s Fund For Musicians’ Health Care, which provides local musicians and music workers with essential health care resources.

Sondra Freeman thanks for being with us again on WMM.

In addition to live music, the RockDocs will be on site to offer flu shots and COVID boosters (provided by the Kansas City Indian Center), screenings, wellness programs, opportunities to discuss health conditions and concerns, and arrange follow-ups. We’ll also have live raffles that feature an assortment of items donated by local businesses, and an online auction running November 1st-22nd, 2024: http://www.32auctions.com/AM17

More info at http://www.midwestmusicfoundation.org

The event features live performances by notable Kansas City-area bands as a donation of their time and talents to their community; local businesses and artisans donate products and services to the event for auction. All monies raised during Apocalypse Meow go directly to Abby’s Fund for Musician’s Health Care and the production costs of Apocalypse Meow. Performances, business donations, and services are purely voluntary.

“Abby believed that music can take you to where you need to be and that it’s important, and the people that do that need to be taken care of.” – Sondra Freeman

Abby’s Fund for Musicians’ Health Care was named for Abigail Henderson (1977-2013).

Death Notice from St. Louis Post Dispatch: Abigail Hope Henderson the Kansas City vocalist who started a nonprofit organization to help musicians pay health-care costs, died on Tuesday, August 27, 2013 of cancer at her home. She was 35. For more than a decade, Abigail was the lead singer of several area bands: Trouble Junction, The Gaslights, Atlantic Fadeout, and Tiny Horse. In 2008 she was diagnosed with breast cancer. She had health insurance, but the cost of the treatments prompted her and husband Christopher Meck, to start the Midwest Music Foundation which raised funds to help area musicians pay health care costs. “Medical bills can throw you into poverty in a week – in one day,” she said. “There’s nothing like standing in your kitchen opening a hospital bill for $63,000.00 in one day and $47,000.00 the next. After a while you don’t want to open them anymore. Who can pay that?”

Apocalypse Meow is the primary event for Abby’s Fund For Musicians’ Health Care — providing area musicians and industry workers with essential health care grants.

Midwest Music Foundation Staff

Rhonda Lyne, Executive Director
Sondra Freeman, Director of Promotions and Artist Relations
Canyon McClung, Production Specialist
Danielle Anderson, Media Manager

Midwest Music Foundation Board

Chris Meck, Founder, Musician and CM2 Audio
Amber Hulet, President
Eric Barton, Treasurer, General Counsel
Julia Haile, Secretary, Education Chair, Musician
Dr. K. Allen Greiner, MD, MPH, Chair of Health + Wellness, University of KS Med Center
Dr. Erin Corriveau, MD, MPH, Public Health Officer, University of Kansas Med Center
Michelle Bacon, Co-Chair Mental Health for Musicians, Diversity Chair, Musician
Molly Gotobed, Insurance Program Research Chair, Kansas Assistance Network, Community Health Council of Wyandotte County
Jerry Jones JD, Director of Equity, Diversity & Inclusion – Health Programs, Movember Foundation
Eddie Moore, Musician
Sonia Hall, President & CEO BioKansas
Skeet Hanks, Marketing Chair Web Administrator

Rhonda Lyne is Executive Director of Midwest Music Foundation. She is a scientist by day and avid supporter of the arts by night. Rhonda has had an active role with the MMF since the inaugural fundraiser, Apocalypse Meow, in 2008. Inspired by MMF founder, Abigail Henderson, Rhonda is dedicated to the mission of the MMF a nonprofit created to support music & musicians in KC and the surrounding areas, founded in 2008 by a collective of musicians & music lovers. Rhonda is instrumental in MMF’s fundraising, volunteer, event coordination, overseeing the health care fund, and day to day activities of the organization.

Sondra Freeman thanks for being with us again on WMM.

Apocalypse Meow 17, is Saturday, November 2, Doors at 6:00pm / Show at 7:00pm. Featuring: FlareThaRebel, Julia Haile, The Creepy Jingles, Nathan Corsi & My Atomic Daydream. Apocalypse Meow is MMF’s main fundraiser for Abby’s Fund For Musicians’ Health Care, which provides local musicians and music workers with essential health care resources.

In addition to live music, the RockDocs will be on site to offer flu shots and COVID boosters (provided by the Kansas City Indian Center), screenings, wellness programs, opportunities to discuss health conditions and concerns, and arrange follow-ups. We’ll also have live raffles that feature an assortment of items donated by local businesses, and an online auction running November 1st-22nd, 2024: http://www.32auctions.com/AM17

More info: midwestmusicfoundation.org

11:54

  1. FlareThaRebel – “Playground (feat. The Belief Cycle & Leigh Adams)”
    from: Summer You, Summer Me. / Shafer / October 21, 2022
    [“Rosé All Day” was the lead single from FlareThaRebel’s EP. The song is about an empowered woman of which a man is pursuing. Lines within the song such as “and if she’s a tease she can do that ya’ll / she don’t owe you nothing man, please back off”, attempt to change the at times degrading scenarios of this power dynamic. The narrative is done in the backdrop of fun and lighthearted warm weather days, cool summer nights, and, of course, plenty of rosé. Continuing with Flare’s Art to Empower initiative, “Rosé All Day” aims to raise funds and awareness for a nonprofit, which this time is the Metropolitan Organization to Counter Sexual Abuse (MOCSA). Career and love brought hip-hop MC FlareThaRebel back to his hometown of Kansas City, MO, which created a second wind of new music. Noted by The Pitch, “As a member of hip-hop collective Anti-Crew, FlareThaRebel made quite an impact on the Kansas City hip-hop scene. After making the leap from KC to Chicago in the late ‘00s, he’s now back…” Known for a highly energetic live performance, Flare has shared the stage with artists such as Chance the Rapper, RZA of Wu-Tang Clan, Mac Lethal, Nappy Roots, and CES Cru. Although hip-hop at the core, FlareThaRebel’s versatility remains as he balances music with socially progressive themes that are still enjoyable enough to raise a glass to at a party. There’s also a duality to Flare’s approach. Many of his songs are connected to his Art to Empower initiative, raising awareness and funds for a variety of social justice causes and nonprofits. FlareThaRebel & Bob Pullian were guests on WMM, Aug. 11, 2021. Flare The Rebel released the EP, The Revolution Will Not Be Hashtagged on July 9, 2021. The recording was #9 on WMM’s 120 Best Recordings of 2021. Summer You, Summer Me was in the top 10 of WMM’s 120 Best Recordings of 2022.]

[FlareThaRebel plays Apocalypse Meow 17 on Saturday, November 2, at recordBar, 1520 Grand, Blvd. KCMO, Doors at 6:00pm / Show at 7:00pm. Featuring: Julia Haile, Nathan Corsi & My Atomic Daydream, and The Creepy Jingles.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

On The Next Show! On November 6, (the day after), at 10:30 we welcome Katie Gilchrist who returns to the show to give us updates on her year long 1994 Project involving, musical concerts, shows, and staged readings of films from 1994. At 11:00 we talk with Karalyne Winegarner – lead singer songwriter and front woman of the band Flight Attendant. And at 11:30 we talk with Destiny Atkinson and Kate Hall of Afterword Tavern and Shelves.

Thank you” to ALL OF YOU who donated during our Fall Fund Drive, and our 2 Wednesday MidDay Medley shows and our WMM Fall Facebook Fundraiser, for KKFI 90.1 FM. We received donations from 46 listeners, who gave a total of $3478.00 That is 97% of our ambitious “show goal.” I call that a success! Thank you to all my very special and fabulous co-hosts: Betse Ellis, Joelle St Pierre, Rachio Head, Beth Barden, and guests: Christena Graves, Miguel Caraballo, Daniel Cole, and Paul Seiz, and honorable mention to Marion Merritt with very special thanks and respect to Lincoln Dreher, J Kelly Dougherty, Darryl Oliver, Chad Brothers, Mark Andruss, Valerie Rose Andruss, Kathy Peters and Julie Dahlquist! All the phone room volunteers!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

You can find our playlists at: http://www.wednesdaymiddaymedley.org
Sign up to receive our weekly announcements.
Use our search engine to learn more about musical artists we play.

Wednesday MidDay Medley in on the web:
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http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
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Show #1067

WMM Playlist from October 16, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 16, 2024

New & MidCoastal Releases + Christena Graves + Betse Ellis + Joelle St. Pierre

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. The Softies – “I Said What I Said”
    from: The Bed I Made / Father/Daughter Records / August 23, 2024
    [The Softies is a musical duo consisting of Rose Melberg and Jen Sbragia, who are known for their minimal approach to pop music. // Beginning in 1994, the band was intended to be a side project for both artists. Along with an eventual career as a solo artist, Rose Melberg performed with Tiger Trap, Gaze, and Go Sailor. Jen Sbragia was known for her work with the band Pretty Face. As part of the Twee Pop movement centrally located in the Pacific Northwest, they were able to meet at performances for their respective bands. The two derived their name from a UK new wave group. // After Tiger Trap disbanded in January 1994, the pair formed The Softies and recorded the four-song “Love Seat” 7-inch single for Slumberland Records. Calvin Johnson later produced their “He’ll Never Have To Know” single and the band’s debut album It’s Love on the K Records label. They released an eponymous EP under Slumberland Records in 1996 (recorded before It’s Love). Within months, they would record their critically acclaimed [citation needed] full-length Winter Pageant in Melberg’s childhood home in Sacramento, California. In 2000, they released their final collabor-ative work, Holiday in Rhode Island. It is sometimes speculated that their albums correspond with the seasons of the year as follows: It’s Love (Summer), The Softies (Autumn), Winter Pageant (Winter), Holiday in Rhode Island (Spring). // The Softies almost exclusively use two electric guitars and harmonizing vocal melodies for their recorded tracks and live performances. Their lack of accompaniment, minimal production, and brevity of their songs are recurring characteristics of their work throughout their three full-length albums. // The band undertook a few tours, including as an opening act for singer/songwriter Elliott Smith. // For the first time since 2000, the Softies toured as part of Chickfactor 2012: For the Love of Pop, with shows in Brooklyn, Portland and San Francisco. In 2018 the Softies played live again for a benefit concert in Vancouver.]

The Softies – Album Discography
It’s Love / K Records / 1995
Winter Pageant / K Records / 1997
Holiday In Rhode Island / K Records / 2000
The Bed I Made / Father/Daughter Records / 2024]

  1. Field Daze – “Hate Me”
    from: “Hate Me” – Single / Solstice Audio / September 13, 2024
    [1 of 10 singles Field Daze has released in the last 2 years. Field Daze, is an Indie Rock/Dreampop band, originated in KCMO when Rodd Fenton & Dan Camino responded to a Facebook call to start a Dreampop band. Their collaboration led to the creation of early demos. Shortly after, they were joined by Tracer Cauy, Kyer Lasswell, & Beau Harris, solidifying the band’s lineup. // Their magnetic sound quickly found a home in the KC music community, playing The Rino, The Ship, and The Bottleneck. Field Daze’s live performances became synonymous with an immersive musical experience, drawing in crowds with their captivating melodies. // Currently, the band channels their creativity by recording homegrown tracks within Rodd Fenton’s personal studio, honing their craft and evolving their unique sound. More Info at: http://www.fielddazekc.com

[Field Daze play The Ship, 1221 Union, KCMO on Nov. 15 w/ The Highwater and Black Light Animals]

10:06 – Intro / Pledge Break #1

Special Guest co-hosts: Betse Ellis and Joelle St. Pierre

Betse Ellis. Originally from Fayetteville, Arkansas, Betse received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. For over 40 years she has been playing the violin and fiddle professionally and also working as a teacher of music. Betse was a founding member of the acclaimed internationally known band, The Wilders. Betse has released two solo records, and records & performs w/ the band Little Miss Dynamite, and The Starhaven Rounders and with her husband, multi-instrumentalist Clarke Wyatt, as the internationally known, Betse & Clarke.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Also with us is Joelle St. Pierre, a friend of the show, a friend of mine since the early 1990s when we worked together at Cafe Lulu. Joelle is a super volunteer for 90.1 FM KKFI, helping with KKFI’s special events, the Crossroads Music Festival, answering phones for our On-Air-Fund Drives, being a “Listener Evaluator” for KKFI’s Program Evaluation Initiative. Joelle works full time for an Insurance Company but also finds time to volunteer for Midwest Music Foundation, Folk Alliance International, and several other charity organization.Joelle helped me build two 18-raised bed gardens for schools in KCK, and also helped water gardens for several years. Poet Kahlil Gibran notes that “Music is the language of the Spirit. It opens the secret of life bringing peace, abolishing strife”.

Joelle St. Pierre, Thanks for being with us on Wednesday MidDay Medley

90.1 FM KKFI Kansas City Community Radio is Non-Commercial, and that means that three times a year, we interrupt our regular programming, to ask our listeners, to help us continue our unique, 24-7 programming. For 35 years 90.1 FM KKFI has been on the air. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We are a non-profit, with a staff of three incredible individuals and hundreds of committed volunteers, who donate thousands of hours every year, producing radio shows, training new hosts and producers, developing new radio shows, serving our vast community landscape with music and news, information and stories that reflect the many communities we serve. We do all of this because of YOU and it is because of our incredible listeners, who take a moment and call 888-931-0901 and donate, that we are able to continue. You keep us alive! Our volunteers are waiting to hear from YOU right now. WE NEED YOU – MORE THAN EVER.

In 2024 on WMM we conducted over 119 interviews with 152 special guests: Michelle Bacon, Adee Dancy, Lonnie Fisher, Tara Fisher, Katie Gilchrist, Erin Keller, Mitzi McKee, Katie Gilchrist, Rod Parks, Jennifer Roe, Janice Woolery, David Luther, Kelly Dougherty, Buck Moon, James Carter, Julia Othmer, James T. Lundie, Flamy Grant, Malek Azrael, Alisön Hawkins, Fritz Hutchison, Betse Ellis, Trecen Peeler, Carlos Nunez, Joelle St. Pierre, Kat King, Elaine McMilian, DJ Thundercutz, Jasmine Majors, Nico Gray, Sarah Bradshaw, Michael Byars, Chris Haghirian, Manuel Abarca, Kim Stanton, Kris Bruders, Paul Wenske, Nancy Meis, Chris Wenske, Isaac S. Cates, Claire Adams, ALBER, Rick Truman, Sondra Freeman, Mara Williams, JM Banks, Jen Owen, Brad Cox, D. Rashaan Gilmore, Anson The Ornery, Shaun Crowley, Chris Kinsley, Sid Sowder, Josh Thomas, Justin Brooks, James Capps, Chris Smead, Jeremiah James Gonzales, Scott Hrabko, Beth Watts Nelson, Jocelyn Olivia Nixon, Lauren Krum, Mike Stover, Brenton Cook, Mikal Shapiro, Stephonne, Chad Brothers, Calvin Arsenia, Ivory Blue, Klaartje Van Lue, Kasey Rausch, Maria Vasquez Boyd, Necia Gamby, Clarke Wyatt, Danny Santell, Miki P., Rachel Lovelace, Peregrine Honig, Izzy Vivas, Krystle Warren, Ashlee Fairchild Jones, Jean Fabien Dijoud, Dan Parsons, Aaron Rhodes, Ethan Payton, Nicolette Paige, Zee Underscore, Charlie Colborne, Bill Belzer, Tommy Capps, Dirk Liebert, Graham Stone, Audrey Crabtree, MusicbySkippy, Lone Stranger, Adam Phillips, Danielle Ate the Sandwich, Scott McCaughey, Kristina King, Lincoln Dreher, Tom Mardikes, Glenn Robinson, Ayron Alexander, Noah Cassidy, Kole Waters, Cameron Thomas, Scott Easterday, Kyle Dahlquist, Bill Sundahl, Bryan Redmond, Ryan Wurtz, Nick Carswell, Fally Afani, Lava Dreams, Hillary Watts, Chuck Whittington, Just Angel, T.A. Rell, Duff Thompson, Josh Mobley, David George, Tucker Slough, Nathan Reusch, Mark Ronning, Lori Raye Erickson, Jessica Dressler, Jen Frank Klenke, Adria Patterson, Alex Kimball Williams, Michael McQuary, Paris Williams, Jesse Kates, Christina Graves, Brandon Graves, Sandra Deer, Beth Barden, Rachel Christia, Miguel Carabello, Daniel Cole, Paul Seiz, Scott Heidemann, Ken Petti, Sondra Freeman, Destiny Atkinson, Kate Hall, Damron Russell Armstrong, Gail Bronfman Bunch., Brick Wilbur, Nick Spacek, Bill Brownlee, Rachel Ytyurralde

10:14

  1. Laura Marling – “Patterns”
    from: Patterns in Repeat / Chrysalis Records / October 25, 2024
    [8th studio album from Laura Beatrice Marling was born February 1, 1990, from Eversley, Hampshire. Her debut album Alas, I Cannot Swim, her second album I Speak Because I Can, and her fourth album Once I Was An Eagle were all nominated for the Mercury Music Prize in 2008, 2010, and 2013, respectively. She won the Brit Award for Best British Female Solo Artist at the 2011 Brit Awards, and was nominated for the same award at the 2012 and 2014 Brit Awards. The youngest of three daughters, Marling learned guitar at an early age. Her father, Sir Charles William Somerset Marling, the 5th Marling Baronet, ran a recording studio, introduced her to folk music and shaped her musical taste, an experience that Marling later described as, “a bit of a blessing and a bit of a curse….[because] I couldn’t slot myself into the age-appropriate genre”. Marling received a scholarship to attend Leighton Park School, a private Quaker school in Reading, Berkshire. During her secondary school years she felt uneasy around other people and was afraid of death. Marling dated Noah and the Whale singer/guitarist Charlie Fink briefly before the pair separated in 2008. She also dated Marcus Mumford of Mumford and Sons until late 2010. She moved to Silver Lake in Los Angeles, California in 2013, before relocating back to London in December 2014. In September 2013, Marling explained: “I am a solitary person but I love people, I’m not a misanthrope. I like the idea of speaking only when it’s strictly necessary. The closest I ever feel to people is in shared experience. I’m still exploring that, I don’t know where it’s going to lead me.]
  1. Paul McCartney & Wings – “The Long and Winding Road / Lady Madonna (One Hand Clapping Sessions)”
    from: One Hand Clapping (Live Sessions) / MPL Communications / June 14, 2024
    [Live studio sessions from 1974 newly mixed and available for the first time. Official album from seldom-seen documentary film – featuring several previously unreleased tracks. One of music’s most mythical live albums finally released on June 14th, 2024. // The wait is over: With the June 14 release of One Hand Clapping, one of the most bootlegged live albums in musical history will finally receive a proper release. In August 1974, when Band on the Run was enjoying a seven-week consecutive #1 stint at the top of the UK album charts, Paul McCartney and Wings headed to Abbey Road Studios for the filming of a video documentary and possible live studio album – One Hand Clapping. Despite overwhelming demand for newly recorded material from the biggest band in the world at that time, One Hand Clapping was never officially released. // Filmed and recorded over four days and directed by David Litchfield, the release of One Hand Clapping is a historic moment for Paul McCartney fans. Over the years, various parts of One Hand Clapping have been bootlegged with varying degrees of success. Some of the material has also appeared on official McCartney releases. However, the June 14 release of One Hand Clapping, which features the original artwork designed for the project, including a TV sales brochure for the unreleased film at the time, is the first time the audio for the film—plus several additional songs recorded off-camera–have been officially issued. // One Hand Clapping showcased Wings‘ new line-up, fresh off their return from Nashville, where they recorded the classic single Junior’s Farm. Following the sudden departure of Denny Seiwell and Henry McCullough the previous year on the eve of recording the Wings masterpiece Band on the Run, Paul, Linda, and Denny Laine were now joined by guitarist Jimmy McCulloch and drummer Geoff Britton. Additionally joining the band in the studio were orchestral arranger Del Newman and saxophonist Howie Casey, who had previously played with Paul in Hamburg and would go on to join the Wings touring band. // Opening with an instrumental jam that would become the One Hand Clapping theme song, the album features live-in-studio renditions of Wings mega-hits “Live and Let Die,” “Band on the Run,” “Jet,” “My Love,” “Hi, Hi, Hi,” “Junior’s Farm,” Paul’s much loved solo song “Maybe I’m Amazed,” reworked extracts of Beatles’ classics “Let It Be,” “The Long and Winding Road” and “Lady Madonna,” the Moody Blues hit “Go Now” with Denny Laine singing, and a Paul solo piano version of the Harry Akst/Benny Davis Tin Pan Alley classic “Baby Face.” // One Hand Clapping will be released in multiple formats, including an online exclusive 2LP + 7” package featuring an exclusive vinyl single of previously unreleased solo performances recorded on the final day of the sessions in the backyard of Abbey Road studios. These include the unreleased track “Blackpool,” The Beatles’ iconic “Blackbird,” Wings B-side “Country Dreamer,” and cover versions of Eddie Cochran’s “Twenty Flight Rock” (the first song Paul played to John Lennon when they met in 1957) and Buddy Holly’s “Peggy Sue” and “I’m Gonna Love You Too.” // One Hand Clapping serves as a celebration of the enduring legacy of Paul McCartney and Wings. It captured a moment when Wings had found and defined their signature sound – just as Paul had shaped popular culture the decade before with The Beatles, he was doing it once again in the 70s with Wings. This recording gives an insight into the inner workings of the band as they work and play together in the studio. It also underscores Paul’s incredible talent as a live performer: Fifty years on, Paul is still performing many of these songs in packed stadiums across the world.]
  1. Flight Attendant – “KC Hot Mess”
    from: Powerlines EP / Flight Attendant Band / October 18, 2024
    [Flight Attendant lead singer songwriter, Karalyne Winegarner wrote to me directly letting me know that she was from Kansas City and is now based in Nashville, TN as the front woman for the band. She wrote to me saying “KC Hot Mess” is about knowing who you are and being comfortable with that – it’s also her “coming out,” song as her first girl friend, Katie Pruitt, is featured as the guitar player. Flight Attendant’s previous singles, “Therapy Couch,” and “Anime,” have both received rotation on KC stations, 90.9 The Bridge and KKFI 90.1FM – and now she’d love to see her hometown title track “KC Hot Mess,” get some love. Karalyne continued writing: “We have yet to receive any sort of press from Kansas City – despite being on the local radio and having sold out shows from Austin, TX, to Nashville,TN and even Munich Germany…. our band is still looking to make a dent in our hometown.” // Flight Attendant played the 20th Annual Crossroads Music Fest, Sat, Aug. 24. In August we played Flight Attendant’s single: “Dreamland” which had been their set opener for the last few tours, so the band made if their first single from their EP, “Powerlines” to be released October 11, 2024.This new single follows the band’s earlier single: “Therapy Couch” released June 23, 2023. “Flight Attendant delivers an experience,” – Rolling Stone Magazine. Flight Attendant belongs to that breed of rock bands made in Nashville, USA; where their sound is nothing less than a sonic unicorn. Blending sounds of grunge with power-pop hooks, viola and light synth textures, they have begun to create a hypnotic sound and energy all of their own. Glide Magazine says that Lead Singer Karalyne, “Commands your attention like Freddie Mercury working the crowd in an arena.” Flight Attendant band has been compared to Haim and Fleetwood Mac, or as TurnuptheVolume puts it, “Think Warpaint having a dance with Best Coast,” – This “Nashville based eclectic-indie band….is ready for take off”, Velvet Thunder.]

[Flight Attendant lead singer songwriter, Karalyne Winegarner will be with is LIVE on November 6 ere on Wednesday MidDay Medley]

10:26 – Pledge Break #2

Our WMM Fall Fund Drive Team: Betse Ellis and Joelle St. Pierre

Today on WMM we are playing New & MidCoastal musical releases. 90.1 FM KKFI’s non-profit organization and governing body is the MidCoast Radio Project. MidCoastal is where we are, on the coasts of the Missouri and Kansas Rivers with a music community that spans the Kansas City Metro region and west to Lawrence and Topeka and south to Olathe and east to Columbia and North to St Joseph. Not necessarily the reach of our 100,000 watt signal but definitely the reach of our community.

WMM and KKFI are committed to featuring artists under-represented in other media, and that includes the music community that lives within KC and Lawrence and the radiance of our 100 watt signal. The story of KC’s Arts and Music Community is our primary focus on WMM, where for 20 years we have shined a light on the artists, the music labels recording studios, and music venues.

Wednesday MidDay Medley 90.1 FM was the first radio show and first radio station to ever play many if these amazing musical artists. WMM was the first to play the recordings of: Calvin Arsenia, and Madisen Ward and the Mama Bear, and Krystle Warren, and The Black Creatures and KD Kuro, The Shy Boys, The Salvation Choir. We were the first to interview these artists live on the radio and bring their music to a wider audience.

Timothy Finn Kansas City area music writer named WMM “The Best Place to Hear Local Music on the Radio.” and the Best Place to hear area musicians talk about their music.

10:33 – Underwriting

  1. Nubya Garcia – “Set It Free (feat. Richie)”
    from: Odyssey / Nubya Garcia – Concord Jazz / September 20, 2024
    [Nubya Garcia’s album SOURCE from Concord Jazz / released August 21, 2020, was part of WMM’s 120 Best Recording of 2020. Nubya Nyasha Garcia was born in 1991. She is a British jazz musician, saxophonist, flautist, composer and bandleader. Garcia is the youngest of four siblings born in Camden Town, London to a Guyanese mother, a former civil servant, and a British Trinidadian film maker father. Garcia followed her older siblings to the local Saturday music centre at the age of 5, where she first learned the violin and later played the viola in the London Schools Symphony Orchestra (LSSO). Garcia has said her home life with her stepdad, a brass player with a vast collection of instruments, and her mother a keen collector of all genres of music from reggae and Latin to classical and soul, coupled with the music activities at school, Camden School for Girls, meant she was saturated with music of all genres. Garcia began learning the saxophone at the age of 10, with Vicky Wright until attaining ABRSM G8 distinction. She very early became a member of the Camden Jazz Band, directed by jazz pianist Nikki Yeoh, before joining the junior jazz program at the Royal Academy of Music. She also attended the workshops of Tomorrow’s Warriors under the direction of Gary Crosby. While still in High School, she received a scholarship for a five-week summer program at the Berklee College of Music in Boston. During her Gap Year she studied with former Jazz Messengers member, Jean Toussaint. In 2016 she graduated with Honours from the Trinity Laban Conservatoire of Music and Dance, in Jazz Performance. In 2017, Garcia released her debut album Nubya’s 5ive via the label Jazz re:freshed. That year, her Nubya Garcia Band was an opening act at Gilles Peterson’s Worldwide Festival in Sète; the following year she played at the NYC Winter Jazz Festival and the Jazzfest Berlin.In her 2018 EP When We Are, Garcia explored how electronics can be used in a live jazz environment; the EP was created as a result of the Steve Reid Innovation Award. She is also a member of the Nérija, a collective, and the band Maisha led by drummer Jake Long. In addition, she is a collaborator on albums by Makaya McCraven, Theon Cross, Moses Boyd, the Toshio Matsuura Group and Sons of Kemet to Shabaka Hutchings; contributions from her can be found on five tracks of Brownswoods We Out Here, a sampler album from the modern London jazz scene. Garcia tours internationally, in Europe, India, Australia, and North America. She regularly performs at Greenfield festivals in the UK including Love Supreme Jazz Festival. She has headlined sell-out shows at Ronnie Scott’s Jazz Club London. Garcia also has a burgeoning reputation as a DJ, with a hit monthly radio residency on NTS Radio since November 2017. Garcia was supposed to perform at the Glastonbury Festival, but the festival had to be cancelled due to the increasing concerns over the 2019–20 coronavirus pandemic.]
  1. Nala Sinephro – “Continuum 9”
    from: Endlessness / Warp Records / September 6, 2024
    [Nala Sinephro (born 1996) is a Caribbean-Belgian experimental jazz musician, currently based in London. She is best known for her ambient jazz compositions, where she predominantly plays the pedal harp, modular synthesiser, keyboards and piano. // In 2021, she released her debut studio album, Space 1.8, on Warp Records to widespread critical acclaim. The album placed highly on several music publications’ end-of-year lists. // Nala Sinephro spent her childhood in Belgium, growing up on the outskirts of Brussels, near a forest. Her Belgian mother was a classical piano teacher and her Martiniquan/Guadeloupean father was a jazz saxophonist. // During her teenage years, Sinephro developed a tumor in her jaw. The tumor’s successful removal influenced a period of hedonistic living, with Sinephro frequenting Brussels-based clubs to seek out hardcore dance music. // Initially interested in becoming a biochemist, Sinephro eventually transferred to an arts-based high school which featured a jazz department. There, she discovered the harp, which she quickly connected with. Sinephro attended Berklee College of Music in Boston for one year, dropping out after finding her job as a sound engineer provided a more practical education. She moved to London and enrolled in a second jazz college, though she quickly dropped out as a result of the racial disparity there. // In London, Sinephro became a contemporary of saxophonists Shabaka Hutchings and Nubya Garcia, and the jazz improvisation collective Steam Down, where she developed a sense of individuality in her style. Sinephro began performing with Steam Down regularly, working alongside the London Contemporary Orchestra’s artistic director Robert Ames. // Sinephro began writing the songs that would appear on Space 1.8 in 2018 and 2019. Writing on piano, she would record her pedal harp and modular synthesiser parts at her home before entering Pink Bird recording studio to record with the album’s collaborators, with included saxophonists Nubya Garcia and James Mollison, drummer Jake Long, and bassists Twm Dylan and Wonky logic. Sinephro emphasized minimalism and intentionality when composing the album. // Sinephro currently lives in Tottenham, North London. She has family based in the Caribbean island Martinique. During the COVID-19 pandemic, Sinephro spent several months living on Martinique, where she developed an interest in field recordings.

Nala Sinephro – Album Discography
Space 1.8, Warp Records (2021)
Endlessness, Warp Records (2024).]

  1. Jane Remover – “How to Teleport”
    from: Magic I Want U – Single / deadAir Records / September 4, 2024
    [Jane Remover (born September 26, 2003) is an American musician. She pioneered the “dariacore” microgenre on SoundCloud with her album of the same name, released under the pseudonym Leroy. She released her debut studio album, Frailty, in 2021, which was followed by Census Designated in 2023. // Remover grew up with her parents and twin sister in northern New Jersey. She attended The College of New Jersey for one semester before leaving to pursue music full-time. She came out publicly as a trans woman in 2022. // Remover’s interest in music production stems back as far as 2011, inspired by dubstep producers like Skrillex, Kill the Noise, and Virtual Riot. She would later go on to produce different styles of EDM in the mid-2010s, citing Porter Robinson as her biggest influence. From electronic music, Remover’s production became more trap-centric around 2018; she cited artists such as Trippie Redd, Earl Sweatshirt, and Tyler, the Creator as inspirations. Guest production then became a large part of Remover’s early career, with her being a member of multiple SoundCloud collectives such as PlanetZero and Graveem1nd. Her production gradually became more digicore-oriented. // In late 2019, Remover began self-producing and releasing her own works on SoundCloud. One of Remover’s first solo releases, “What’s My Age Again?”, gained popularity after being shared on Twitter. Her second EP, Teen Week, was released on February 26, 2021 under the pseudonym Dltzk (stylized as “dltzk”). The track “Homeswitcher” featuring Kmoe, reached 100,000 streams on SoundCloud within the first two weeks of its release. // After the release of several more non-album singles, Remover began teasing the release of her debut studio album, Frailty, and releasing singles for it in June 2021. After the release of the tracks “How to Lie”, “Pretender”, and “Search Party”, Frailty was released via DeadAir Records on November 12, 2021. The album was acclaimed by publications such as Pitchfork, who placed the album at #47 on their list of the best albums of 2021. // On June 27, 2022, Remover announced the retirement of the Dltzk pseudonym, and introduced the name Jane Remover. On the same date, she released the single “Royal Blue Walls”. In Remover’s statement, she said “the stage name Dltzk has never sat right with [her]” and that it “reminds [her] of a period of [her] life [she’d] like to move past”. She also announced that the Teen Week EP would be abridged, as she was uncomfortable with the project as it was originally released. This change went into effect on October 10, 2022, and four songs were removed from the EP. Remover’s second single released as Jane Remover, “Contingency Song”, was released on November 16, 2022. She was the opening act for Brakence’s Hypochondriac tour from November 26 to December 20, 2022. // On August 23, 2023, Remover shared the single “Lips” from her second album, Census Designated, which was released on October 20. On September 20, the album’s title track, “Census Designated”, was released along with an accompanying music video directed by Quadeca. The album saw her move away from bitcrushing and sampling towards a “blend of shoegaze and bedroom pop”, guitar rock anthems with slow buildup and deafening noisy climaxes. A Pitchfork review of Census Designated compared this iteration of her sound to music acts such as Ethel Cain, My Bloody Valentine, Slowdive and yeule. // In February 2024, Remover and labelmate Quannnic joined in The Designated Dreams Tour. Playing 12 dates across the US, the tour focused on their respective albums released the year before. // Remover opened for American rapper JPEGMafia’s 2024 Lay Down My Life tour. // Leroy – Remover has released music under many pseudonyms throughout her career. The most notable of these aliases is Leroy, under which she created sample-heavy EDM mashups. These releases sampled a wide range of sounds, including pop songs of the 2010s, viral videos, and even Remover’s own music. She released a series of albums with the name “dariacore”, the first of them on May 14, 2021, and the cover art for each album released under the Leroy moniker were screenshots from the TV series Daria, which led to the term “dariacore” being used to describe the unique production style that Remover used for these releases. The genre was described by Raphael Helfand of The Fader as “an entire genre in and of itself, taking hyperpop’s silliest tendencies to their logical conclusions”. Three albums were released as “leroy” from December 2020 to May 2022, after which the moniker was officially retired in June 2022 with the release of a DJ mix titled “Leroy & Dltzk Memorial Service”. The Dariacore series of albums have since inspired many artists to adopt a similar style of production, releasing short sample-based EDM tracks themed around popular media. // On July 21, 2023, Remover released the fourth and final studio album under the Leroy pseudonym, Grave Robbing, which premiered on NTS Radio.]

Discography
Studio albums As Jane Remover
Frailty / November 12, 2021 / DeadAir
Census Designated / October 20, 2023 / DeadAir

Albums As Leroy
Dariacore / May 13, 2021 / Self-released
Dariacore 2: Enter Here, Hell to the Left / September 7, 2021 / Self-released
Dariacore 3… At least I think that’s what it’s called? / May 23, 2022 / Self
Grave Robbing / July 21, 2023 / Self-released

Extended plays As Jane Remover
No Words, Just a Picture of Me / July 17, 2020 / PlanetZero
Teen Week / February 26, 2021 (initial release), October 10, 2022 / Self-released

Extended plays As Venturing
Arizona / May 19, 2023 / Self-released

Singles As Jane Remover
“Me” / November 20, 2020 / Self-released
“Woodside Gardens / December 18, 2020 / PlanetZero
“52 Blue Mondays” / January 21, 2021 / PlanetZero
“It’s a Vicious Cycle” / May 14, 2021 / Self-released
“How to Lie” / June 23, 2021 / Self-released
“Pretender” / August 9, 2021 / Self-released
“Search Party” / October 13, 2021 / Self-released
“Cage Girl” / April 17, 2022 / Self-released (SoundCloud), DeadAir (single)
“Royal Blue Walls” / June 27, 2022 / DeadAir
“Contingency Song” / November 16, 2022 / DeadAir
“Lips” / August 23, 2023 / DeadAir
“Census Designated” / September 20, 2023 / DeadAir
“Flash in the Pan” / “Dream Sequence” / July 31, 2024 / DeadAir
“Magic I Want U” / “How to Teleport” / September 4, 2024 / DeadAir

As Venturing
“Sister” / 2024 / Non-album single

10:45 – Pledge Break #3

Our WMM Fall Fund Drive Team: Betse Ellis & Joelle St. Pierre

This year on May 15, 2024 – Wednesday MidDay Medley celebrated 20 Years on the radio! , with LIVE performances in our 90.1 FM Studios from: Calvin Arsenia, IVORY BLUE, Stephonne, Julia Othmer, Kasey Rausch and guests Marion Merritt, Maria Vasques Boyd, Nico Gray, and Necia Gamby..

As of this week we have done 1055 weeks equaled 2130 hours of radio, 13,845 hours of preparation, over 3000 Interviews, 2500 guests, and over 20,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music scene, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.

WMM has presented new formats in radio, with our “A Story In A Song” series, and our special shows featuring: Apocalypse Meow, Juneteenth, Power to The People Fest, Crossroads Music Fest, Folk Alliance International, Manor Fest, The Outer Reaches Festival, Boulevardia. KC Fringe Festival, Waldo Folk Series, Shuttlecock Music, The Folly Theatre, Owen Cox Dance Group, Bach Aria Soloists, KC Pride, and our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, LGBTQIA Themes, Black Lives Matter and inteviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin. Plus, our annual 4-week special: WMM’s 120 Best Recordings of the Year.

To say this radio show has been inspired by the KC music community, is an understatement. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists we’ve met while doing this show. We are inspired by the Fearless Women who created radio on 90.1 FM long before us: our friend April Fletcher who plays bass professionally in Los Angeles, and hosted Mix Well Before Serving on 90.1 in 1988 on KKFI’s first year of broadcast, and last year returned after 35 years to host and produce WMM. And our friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. At Anne’s funeral we realized that we are connected to hundreds of other people who Anne had touched with her gentle, wise, guidance and had nudged into taking a job, going out on a stage, organizing an event, doing a radio show. We were all connected, she had loved us all and supported us, and some of us made a pact to do just a little bit of what Anne did, if we all did a little we could continue her work to help build our community, that is how we keep Anne alive in our heart. And through collaboration, and shining a light, like Abigail Hope Henderson, who we lost in 2013, but not before she ignited a movement to create the Midwest Music Foundation supporting heath care needs and mental health care for the music community. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the stories & music & voice of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers. We celebrate 1065 weeks of WMM, the show that has brought us together, at this time, on this frequency, in these community airwaves. Thanks for listening.

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

10:53

  1. Calvin Arsenia – “Probation”
    from: Paradise / Calvin Arsenia / June 23, 2023
    [Paradise is Calvin Arsenia’s new 14 track album. It is only available through http://www.calvinarsenia.com // A new turning point as a songwriter. His most biographical album yet, with songs about Black Lives Matter, Racism, The Police, being on probation, gay love. The album contains collaborations with Cheery, Kadesh Flow and Jametatone. Calvin Arsenia one of our most frequent guests, who first appeared on WMM on July 25, 2012. KC Magazine has hailed Calvin as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.’ Born in Orlando, Florida, Calvin’s creative journey began when he moved to Olathe, Kansas, teaching himself the guitar, piano, banjo. He learned his signature instrument, the harp, at the age of 20. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer where at 24 he released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. On February 14, 2017 Calvin released his critically acclaimed full length debut, Catastrophe, with a live show at recordBar in November 2016 that involved a company of 50 people, dancers, stilt walkers. After signing to Center Cut Records, Calvin released the albums: Cantaloupe in 2018, with a sold out gigantic spectical at The Gem Theatre on Saturday, September 15, 2018. He then released, L.A. Sessions in 2019, and the EP HONEY DEW, and the EP Goddess with Quixotic, the Holiday album, ALL IS CALM. In 2020 Calvin collaborated with Mike Dillon on the Soundtrack to “Summer in Hindsight,” a feature-length film created by The West 18th Street Fashion Show that starred Calvin as an actor. Calvin is also the co-creator of the podcast “We Were Christian Kids” created with childhood friend Justin Randall who is a stand up comedian working in New York City and now Los Angeles. Calvin is also the published author of EVERY GOOD BOY DOES FINE, a collection of Poetry & Prose published on October 5, 2021, by Andrews McMeel Universal. Calvin was voted KC’s Best Musician in The Pitch 2018, 2019, 2020, 2021, and 2022. He has been featured in Billboard, NPR.org. Charlotte Street Foundation announced that the recipients of the 2022 Generative Performing Artist Awards are The Black Creatures and Calvin Arsenia Scott. Calvin Arsenia played a PARADISE Album Release Party, Friday, June 23, and Saturday, June 24, at 7:00 PM at The Emerald, 1715 West 9th Street, KCMO, WEST BOTTOMS. Calvin Arsenia was our guest on WMM on Jan. 18, 2023, June 21, 2023, and our 1000th Show on June 28, 2923.]

[Calvin Arsenia plays IN THE ROUND with Julia Othmer, and Kirstie Lynn at The Bauer, 115 West 18th Street, in KCMO’s West Crossroads, Thurs, Oct. 17, at 7:00pm. Info at http://www.calvinarsenia.com]

Calvin Arsenia Discography

Calvin Arsenia – Moments [EP] / Independent / April 9, 2014
Calvin Arsenia was 24 when he released this EP after returning home to Kansas City after living and performing in Edinburgh, Scotland. Calvin works as a songwriter, composer, lyricist, producer, and engineer. Calvin Arsenia played live on Wednesday MidDay Medley on October 22. 2014.

Calvin Arsenia – Prose [EP] / Independent / February 3, 2015
Recorded over the course of three live sessions at Edinburgh’s Napier University. Produced by Graham Coe. Engineered by David O’Leary. Music and Lyrics: Calvin Arsenia, with Fiona Reid & Liselot Van Oosterom on Vocals, Graham Coe on Cello, Mark Smith on Percussion, Lyle Watt on Guitar Calvin Arsenia on Vocals & Guitar & Piano. Calvin Arsenia joined us on WMM on March 18, August 5, and October 28.

Calvin Arsenia – Caviar [EP] / Calvin Arsenia / December 5, 2017
Produced for attendees at Calvin’s “Secret Show,” Tuesday, December 5, at Wickstock West, 1324 West 12th Street, in The West Bottoms, and for supporters of his Outlyre Tour. Words and Music by Calvin Arsenia. Produced by Jametatone, Simon Huntley and Calvin Arsenia. Recorded at The Infoaming Vertex.

Calvin Arsenia – Catastrophe {EP] / Calvin Arsenia / February 17, 2016
Limited edition EP, produced for Folk Alliance International, contains demo recordings of original gems that are the blueprints for Calvin’s soon to be released full length debut, coming in 2017. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. He has played all over town, including showcases at Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, and collaborations with bands like My Brothers and Sisters. Standing at 6 foot 5 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, bango, guitar and harp. Calvin Arsenia is getting ready to release a new album in the fall. Calvin teaches music to elementary students.

Calvin Arsenia – Catastrophe [Album] / Calvin Arsenia / February 14, 2017
Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a cpmpany of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp Calvin teaches music to elementary students. Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin recently returned home from a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerlnd, Lyon and Paris. in over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. Calvin is working to release new music from Calvin’s June 11th, Live Recording at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC. ] [Calvin Arsenia played Big Bang Buffet’s “Black Sheep Rising,” Tuesday, April 11, at 8:00 at The Buffalo Room. A benefit for 90.1 FM KKFI featuring Ron Megee, Lisa Cordes, Jon “Piggy” Cupit, The Sleazebeats, Kristie Stremel, Jen Harris, Maria Vasquez Boyd, Jen Appell, Bill Belzer, Charlie Colborne, Mark Manning, Susan Cedarquis-Brewington, BJ McBride, Michael McQuary, Janet Henry, Ryan Wilks, and Nico Gray.] [Calvin Arsenia was on WMM on Feb. 15, April 12, Sept. 20, and Oct. 25 , 2017.

Calvin Arsenia – Live at Greenwood Social Hall / Unreleased / June 11, 2017
Solo live performance at Greenwood Social Hall, 1760 Bellevue, KCMO.

Calvin Arsenia – Caviar [EP] / Calvin Arsenia / December 5, 2017
Produced for attendees at Calvin’s “Secret Show,” Tuesday, December 5, at Wickstock West, 1324 West 12th Street, in The West Bottoms, and for supporters of his Outlyre Tour. Words and Music by Calvin Arsenia. Produced by Jametatone, Simon Huntley and Calvin Arsenia. Recorded at The Infoaming Vertex. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. n the late Summer and Fall Calvin went on a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerlnd, Lyon and Paris. in over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp. Calvin teaches music. Calvin is a graduate of Artist INC.

Calvin Arsenia – Cantaloupe / Center Cut Records / September 15, 2018.
Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist.

Calvin Arsenia – L.A. Sessions / Center Cut Records / September 20, 2019
Calvin performed live at L.A.’s The Mint, showcasing songs on LA Sessions with musicians who collaborated on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.”

Calvin Arsenia – Honeydew / Center Cut Records / June 28, 2019
[On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. This new EP is a remix of three of the songs from Cantaloupe, plus a Talking Heads cover that was performed live in this style at a New Year’s Eve show at The Truman opening for Making Movies who performed the entire Talking Heads album, Remain in Light. The last three songs on Honeydew were from performed in this style at The Nelson Atkins 2019 event “Party Arty.” Honeydew was produced by Jametatone, Simon Huntley, Calvin Arsenia.

Quixotic & Calvin Arsenia – “Goddess – EP / Quixotic / May 17, 2019
[An innovative performance art collective that fuses imagination with technology, dance, projection, mapping & live music to create fully-immersive, multi-sensory experiences. Quixotic harnesses light, rhythm and expressive emotion. Quixotic was given Silicon Valley’s unofficial stamp of genius when they were invited to perform at the global TED Conference in 2012. A unique blend of performance art, technology & emotion. Quixotic fuses all these elements in to what the New York Times branded an “innovative circus performance”.]

Calvin Arsenia – all is calm / Calvin Arsenia. / December 13, 2019
[Arsenia’s dreamlike whimsy shimmering through your favorite Christmas Classics. All proceeds for this album go towards the purchase of Calvin’s first harp. Featuring: Ben Muñoz on Cello, Shane Borth on Violin & Voila, & Luke “Skippy” Harbur on Beatbox. Mastered by Jametatone at the Infoaming Vertex and special thanks to Simon Huntley. Calvin wrote: “I recorded the majority of this album in my bedroom in between flights to and from KC and SF. I had my nephews and friend’s kids in mind and wanted an album of Christmas lullabys. I think it became just a little more sassy than anticipated, but I think you’ll enjoy it regardless.

Calvin Arsenia – Summer in Hindsight / Calvin Arsenia & Mike Dillon / Oct. 16, 2020
Soundtrack by Calvin Arsenia and Mike Dillon for The West 18th Street Fashion Show’s 20th year as a feature-length film. COVID-19 changed everything in 2020. “We are moving it from the street to the screen,” says Peregrine Honig to inkansascitymagazine. “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The film premiered October 16, 2020 at The Boulevard Drive-In. Honig wrote,. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.” Calvin Arsenia had recently been emotionally and greatly moved by the area and national Black Lives Matter Movement. His own research into his own family revealed that Calvin’s great, great, great grandmother Alice Gilliam Scott, was a former slave who lived to observe her 100th birthday as noted by a regional newspaper Calvin had written. In the summer of 2020 Calvin wrote “Revelation” an unreleased track inspired by Black Lives Matter. Calvin premiered the song on WMM on August 12, 2020. He later shared his other new songs, “Scars and Stripes” and “The Flying Monkees are Coming!” on our October 14, 2020 edition of WMM. Both of those songs ended up on Summer in Hindsight.

Calvin Arsenia – Paradise / Calvin Arsenia / June 23, 2023
[Calvin Arsenia plays a PARADISE Album Release Party, Friday, June 23, and Saturday, June 24, at 7:00 PM at The Emerald, 1715 West 9th Street, KCMO, WEST BOTTOMS. More info at http://www.calvinarsenia.com]

Calvin’s Book EVERY GOOD BOY DOES FINE / Andrews McMeel Universal / Oct. 5, 2021
a collection of Poetry & Prose

  1. Christena Graves – “One Good Thing” (CD #11) (4:34)
    from: “One Good Thing” – Single /Junco Records / February 24, 2024
    [On August 3, 2023 Christena Graves released the single “Summer’s End.” // On June 28, 2023 Christena Graves released “Swingin’ On The Stars.” // Christena Graves released her album, FINDING MY FOOTING on February 11, 2021. It was one of WMM’s 120 Best Recordings of 2021. Christena Graves writes songs in order to make sense of her world. Her lyrics are a mixture of a heartfelt acknowledgment of the pain and suffering in life, balanced by the steadying force of committed relationships. Growing up in a coastal area of western Michigan, Christena draws from her deep connection with the natural world to help frame the difficulty of the human emotional landscape. “Nature brings focus for me. I rely on it to color my lyrics.” She found her musical beginning learning to sing harmonies with her older brothers and sisters. Music was an important part of her family and they would often sing hymns together. She fondly remembers the day her oldest brother sat her on the kitchen counter and taught her to sing harmony to Jingle Bells. It was a moment that gave fuel to her love of singing. // After leaving Michigan to attend college in Missouri, she met her husband Brandon and joined the band Waterdeep as the keyboard player. After touring for several years, she stepped away from the band to raise their children. Songwriting became a release to help process the struggles of life. Eventually, she was writing songs for her church community and helping lead music on Sunday mornings. Once the kids were old enough, Christena and Brandon decided to form a new project and return to making music in a bigger way. // 2019 marked the beginning of the Christena Graves Band and the ground work being laid for her return to the music industry. In mid 2020 Greg Lafollette, a long time musical friend, moved back to KC from Nashville where he had built a successful career as an artist and producer. Greg offered his help to record a collections of songs that have become her new record. The album is titled, Finding My Footing. A nod to the difficulty of reengaging in a music business that has changed dramatically over the last 20 years but also a humble acceptance that life can be hard at times but it is important to keep moving forward. // The release of Finding My Footing marks her first full length solo album since 1996 and her first project ever as a band leader. The songs are stories of loss, fear, struggle, and joy. “This project ended up being much more than just making a good record. I spent a lot of time in self reflection—maybe I should call it a mid-life moment. I questioned my ability and worth as an artist, as a woman, and a human. It has been difficult to go through but I am learning so much about myself. I am happy with where I am and I am proud of what I’ve said with this album.” More info at: http://www.christenagravesmusic.com] [Christena Graves was guest on WMM on February 10, and on July 7, 2021.]

[Christena Graves plays IN THE ROUND with Julia Othmer, and Kirstie Lynn at The Bauer, 115 West 18th Street, in KCMO’s West Crossroads, Thurs, Oct. 17, at 7:00pm.]

11:00 – Station ID

11:00 – Interview with Christena Graves & Brandon Graves

Acclaimed singer songwriter, Christena Graves who grew up in western Michigan, and after leaving to attend college in Missouri, she met her husband Brandon and joined the band Waterdeep as the keyboard player. After touring for several years, she stepped away from the band to raise their children. Once the kids were old enough, Christena and Brandon decided to form a new project. In mid 2020 Greg Lafollette, a long time musical friend, moved back to Kansas City from Nashville where he had built a successful career as an artist and producer. Greg offered his help to record a collections of songs that have become her album, Finding My Footing, her first full length solo album since 1996 and her first as a band leader. Since the album Christena has released several singles.

Christena Graves plays IN THE ROUND with Calvin Arsenia, Julia Othmer, and Kirstie Lynn at The Bauer, 115 West 18th Street, in KCMO’s West Crossroads, Thursday, October 17, at 7:00pm. More info at: http://www.christenagravesmusic.com

Christena Graves thanks for being with us again on Wednesday MidDay Medley

Brandon Graves is a performer and educator based in Lawrence, KS. He has been performing and teaching for over 30 years. He formerly served as the Director of the Music School, Co-Director of the Recording Studio, and Faculty Percussion Instructor at the Culture House in Olathe, Kansas. In addition to a full teaching schedule, Brandon is an in demand clinician and performer on drum set. Up until 2020 he playede with Wrong Kata Trio as well as backing up local artists such as Christena Graves and Three Dollar Band. Brandon was a founding member of the band Waterdeep, with whom he spent many years touring the country and recording. Brandon can be found on his YouTube page Brandon Graves Music or on Instagram and Twitter @beatcaster.

Christena Graves writes songs in order to make sense of her world. Her lyrics are a mixture of a heartfelt acknowledgment of the pain and suffering in life, balanced by the steadying force of committed relationships.

11:08

  1. Christena Graves – “Breaking In Two” (LIVE)
    available on: Finding My Footing / Junco Records / February 11, 2024

Growing up in a coastal area of western Michigan, Christena draws from her deep connection with the natural world to help frame the difficulty of the human emotional landscape. “Nature brings focus for me. I rely on it to color my lyrics.” She found her musical beginning learning to sing harmonies with her older brothers and sisters. Music was an important part of her family and they would often sing hymns together. She fondly remembers the day her oldest brother sat her on the kitchen counter and taught her to sing harmony to Jingle Bells. // Christena grew up in western Michigan, and after leaving to attend college in Missouri, she met her husband Brandon and joined the band Waterdeep as the keyboard player.


Nashville based duo, Don & Lori Chaffer have been making music together for a long time. With over 15 full-length albums under their belt, they continue to write and record music and, as of the last 10 years, also musicals. Yep, musicals.

Waterdeep spent their early years as a renowned mid-western jam band–selling over 150,000 albums independently–but became nationally known when they signed to Squint Entertainment (Sixpence None the Richer, Chevelle) in 1999. A decade later, they relocated to Nashville, and employed their production and songwriting skills in service of other artists as well. In addition to their own songs, they’ve seen collaborations with Katie Herzig, Matthew Perryman Jones, Trent Dabbs, and others receive multiple placements in film and television.

Don, a record producer in Nashville, also produces lino-prints, poetry, musical theatre writing/arranging/ directing, and is a bit of a nerd about spreadsheets. Lori’s unique voice and multi-instrumental capabilities, have made her demand in Nashville as both a writer/singer/player, and producer. Recently, both have also been teaching as adjunct professors at Lipscomb University in Nashville.


After touring for several years, Christena stepped away to raise their children. Songwriting became a release to help process the struggles of life. Eventually, she was writing songs for her church community and helping lead music on Sunday mornings. Once the kids were old enough, Christena & Brandon decided to form a new project and return to making music in a bigger way.

2019 marked the beginning of the Christena Graves Band and the ground work for her return to the music. In mid 2020 Greg Lafollette, a long time musical friend, moved back to KC from Nashville where he had built a successful career as an artist & producer. Greg offered his help to record songs that have become her new record. Finding My Footing is a nod to the difficulty of reengaging in a music business that has changed dramatically over the last 20 years but also a humble acceptance that life can be hard at times but it is important to keep moving forward.

Finding My Footing marks Christena’s first full length solo album since 1996 & her first project as a band leader. The songs on Finding My Footing are stories of loss, fear, struggle, & joy. “This project ended up being much more than just making a good record. I spent a lot of time in self reflection—maybe I should call it a mid-life moment. I questioned my ability & worth as an artist, as a woman, & a human. It has been difficult to go through but I am learning so much about myself. I am happy with where I am & I am proud of what I’ve said with this album.”

Christena Graves and Brandon Graves, thank you for being with us today on WMM.

Christena Graves plays IN THE ROUND with Calvin Arsenia, Julia Othmer, and Kirstie Lynn at The Bauer, 115 West 18th Street, in KCMO’s West Crossroads, Thursday, October 17, at 7:00pm. More info at: http://www.christenagravesmusic.com

11:12

  1. Kirstie Lynn & Galen Clark – “Soft Landing”
    from: Kirstie Lynn & Galen Clark / Lost River Sound / August 9, 2024
    [Kirstie Lynn & Galen Clark released Cindergarden (A Sides) on May 22, 2022. They released Cindergarden (B Sidesd) on June 21, 2023. Kirstie Lynn is a classically trained soprano with a passion for songwriting, always looking to marry poetry and melody. Though Kirstie’s voice has been compared to that of Joni Mitchell and Joan Baez, her sound is uniquely her own. Kirstie Lynn is a folk singer-songwriter originally from the fingerlakes region of upstate, NY. She began her professional music studies at the age of 15, and has since received both a Bachelor’s degree from Shenandoah University and a Master’s degree from Carnegie Mellon University in voice and opera performance. Her vocal training lends her the freedom to paint her nature inspired lyrics with a wide range and a beautiful and effortless sound. Kirstie Lynn is one half of the duo Kirstie Lynn and Galen Clark. // Galen Clark introduces an alternative perspective and approach to music that contains multitudes. Migratory melodies, multi-instrumental fluency, and mysterious texture all outline the stylings of the newly transplanted Cuyahoga Valley songwriter, producer, and musician. // Born into an Air Force family, Clark grew up in many places with family anchors in Vermont and Colorado. At the age of 9 following many failed piano lessons, Clark’s grandparents gifted him a Harmony parlor guitar from a Shelburne flea market, starting a journey that would span almost 2 decades of stylistic development, a plethora of ephemeral bands, a degree in music production and recording technology, and a refined take on songwriting. .. Sharing songs spanning the stoic mountains of Idaho’s lost river range to the ancient hum of the Shenandoah Valley, Galen draws upon energy strewn between varied time and place, a broader quest for belonging, and rejuvenation beyond the front door. Clark’s previous records, Providence (2018) and The Well (2020) offer a contemplative portrait of moods in natural ambiguity, collective consciousness, and introspection. His most recent collaboration with Kansas City – based artist, Kirstie Lynn is a reckoning that is to be heard live and will transport you elsewhere if not in mind than in spirit.][Kirstie Lynn & Galen Clark joined us live on WMM on June 21.]

[Kirstie Lynn plays IN THE ROUND with Calvin Arsenia, Julia Othmer, and Christena Graves at The Bauer, 115 West 18th Street, in KCMO’s West Crossroads, Thursday, October 17, at 7:00pm.]

  1. Joni Mitchell – “Dry Cleaner From Des Moines”
    from: Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) / February 23, 2024
    [Recorded Live at the Greek Theatre, Berkeley, CA, September 2 & 3, 1978. Recorded & Mixed by Henry Lewy from her collaboration with Charles Mingus entitled Mingus [1979]. Part of this 6 CD / Digital & 4- LP Highlights Version. Traces An Important Transformational Season Of Her Creative Evolution From 1976-1980. Continues GRAMMY-Winning, Multi-Volume Journey Through Joni’s Previously Unmined Archives. Features Unreleased Studio Sessions, Alternate Versions, Live Recordings, Rarities, and 36-Page Book with New Photos & An Extensive Conversation Between Joni & Cameron Crowe. Sourced from Original Stereo Reels, Nagra Film Recordings. Multi-track Tapes, Radio Airchecks & Cassette Tapes. // Throughout the latter half of the seventies, Joni Mitchell continued to creatively break ground with her fearless and fluid exploration of jazz. Rather than tread the same path, she challenged and reinvented her style with a folk fusion like no other. Ascending to an unrivaled sonic peak, this innovative sound took shape across the gold-certified Hejira [1976], the gold-certified double-LP Don Juan’s Reckless Daughter [1977], her collaboration with Charles Mingus entitled Mingus [1979], and live album Shadows and Light [1980]. Channeling the thrill and excitement of these records, she delves even further into this season on Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980), is out today via Rhino Records. // It stands out as the 12th release by the Joni Mitchell Archives and extends Rhino’s ongoing, GRAMMY-winning series exploring the vast untapped archives of rare Joni Mitchell recordings — a project guided intimately by Mitchell’s own vision and personal touch. // Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) arrives in multiple configurations. It will be available as either a 6CD / digital version or a 4LP version, Joni Mitchell Archives – Volume 4 Highlights: The Asylum Years (1976-1980). The 4LP set also specifically consists of Joni’s personal favorites from the 6CD version. Each version includes a book with never-before-seen photos and liner notes comprising a deep dive discussion between Mitchell and longtime friend Cameron Crowe. As part of their candid conversation, she shares intimate anecdotes, memories, and stories from that five-year creative run. // This comprehensive and essential set spans one of the most prolific periods of her storied career. It boasts powerful live tracks from her time in Bob Dylan’s Rolling Thunder Revue during 1975 and 1976 Tour of the United States. It pulls back the curtain on the music by showcasing early recordings and alternate takes from the respective sessions for Hejira, Don Juan’s Reckless Daughter, and Mingus. It covers the Bread & Roses Festival as well as the Anti-Nuclear Rally. Finally, Vol. 4 chronicles her 1979 tour, even showcasing two tracks from that year’s Tour Rehearsals. Not to mention, it showcases her versatility and adaptability, housing collaborations with everyone from Herbie Hancock and Jaco Pastorious to Wayne Shorter and Pat Metheny. // Vol. 4 culls the previously-unissued material from original stereo reels, cassette tapes, CD-Rs, and even a radio broadcast. Newly mixed tracks came from multi-track tapes, while a handful of hi-res digital tracks have been sourced from the Bob Dylan Archives. // Last year, she shared Joni Mitchell Archives – Vol. 3: The Asylum Years (1972–1975). Garnering critical acclaim, Pitchfork dubbed it “excellent” in a positive “8.6-out-of-10.0” review, going on to note, “The box set—which also includes the exhilarating live album Miles of Aisles and the impressionistic The Hissing of Summer Lawns—covers a period of Mitchell’s career that already resists linear narrativizing.” In addition to features from Rolling Stone and more, Folk Alley raved, “Every track on this Joni Mitchell Archives, Vol. 3: The Asylum Years (1972-1975) reveals more and more of Mitchell’s magic ways with a song.” No Depression mused, “it is, in many ways, the most vital and interesting of the three collections so far,” and FLOOD attested, “this third volume is worth digging into as the best of Rhino’s Archives collections. I’m already excited for Vol. 4.” // It followed 2022’s Vol. 2: The Reprise Years (1968-1971). She began this journey with Vol. 1: The Early Years (1963-1967), earning a 2022 GRAMMY Award for Best Historical Album. // Last fall, Mitchell appeared at the Hollywood Bowl to perform three songs with Brandi Carlile. Earlier this year, she impressively made her debut on the GRAMMY Awards stage with a historic rendition of “Both Sides Now” alongside Carlile, Allison Russell, Lucius, Jacob Collier, Blake Mills, and SistaStrings. She also accepted a GRAMMY in the category of “Best Folk Album” for Joni Mitchell At Newport [Live] during the ceremony.]

[Joni Mitchell will be headlining her own ‘Joni Jam’ at the Hollywood Bowl Saturday, October 19 and Sunday, October 20, featuring special ‘Joni Jam’ guests.]

11:18 – Pledge Break #4

This is WMM’s Fall Fund Drive Show with Betse Ellis & Joelle St. Pierre

Where can I find out about what is happening in my community?

LGBTQIA, Urban Issues, Black Lives Matter, Labor Rights, The Environment, The Kansas City Visual & Literary Arts , The Performing Arts, Women’s Issues, Native American Issues, Jazz, Blues, Reggae, Classical, Hip Hop, Folk, Women’s Music, Indie Rock, Pop, Electronica, Punk…the answer is KKFI 90.1 FM Kansas City Community Radio. Radio Powered by Diversity

Why go listeners need to support of this one-of-a-kind, programming? Because KKFI is an Independent, non-commercial radio station! Now, more than ever, Independent, Community Media is important for our world.

Along with our National Public Affairs shows like Democracy Now and Alternative Radio we offer more locally produced public affairs programs than anywhere else on the dial.

We offer programs specifically produced for the LGBTQIA Community, Women’s Issues, Native American News and Culture, Middle Eastern Music and Information, Latino Programming, African American Public Affairs and Community News, Labor and Worker’s Unions, our prison population and justice system, environmental programming, Visual and Literary Arts, and Performing Arts.

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI! – No commercials, we do have brief underwriting announcements, recognizing those who financially contribute to support non-profit community radio.

At KKFI there is no automated robot playing the same 40 songs in a “rotation,” based on a formula, created by a singular programmer of the robot. KKFI is the opposite of a robot. – There is always human being on the end of the phone line anytime you call 816-931-0901.

90.1 offers 100 different radio programs. 85 of these programs are locally, produced, hosted, engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 64 local music shows and 21 locally produced News, Public Affairs, Arts & Talk shows.

There are 140 hours each week of locally produced handcrafted programs.

You will not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting.

Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental.

With all of this, you hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, broadcast live from our non-commercial, midtown studios, at 39th & Main, in the center of our metro, across two states, a collective of communities, and thousands of listeners. What is this worth to you?

11:26

  1. MJ Lenderman – “She’s Leaving You”
    from: Manning Fireworks / Anti / September 6, 2024
    [Mark Jacob Lenderman (born 1999), also known as Jake Lenderman and MJ Lenderman, is an American singer-songwriter and multi-instrumentalist. He has released three solo albums, and also plays with the alternative rock band Wednesday. He also has played drums for Indigo De Souza. Lenderman’s style has been described as alt-country, classic rock, and indie rock music. // Lenderman was born in Asheville, North Carolina. His great-grandfather was saxophonist Charlie Ventura. He was raised Catholic and was an altar boy. He played basketball and obsessively watched tapes of Michael Jordan. He grew up listening to Mark Linkous and Jason Molina. In his junior and senior years of high school, he began posting his music to Bandcamp. Lenderman studied at UNC Asheville for three semesters.[ // In 2018, Lenderman played the drums for fellow Asheville artist Indigo De Souza on her albums I Love My Mom and Any Shape You Take. Lenderman met Karly Hartzman, lead singer for the group Wednesday, and he joined the band for an EP called How Do You Let Love Into the Heart That Isn’t Split Wide Open (2018). // In July 2019, he released a self-titled album, his first solo album. At that time, he was working in an ice cream shop to support himself financially. // Lenderman toured with Wednesday in early February 2020, until the COVID-19 pandemic ended the tour.[4] During the COVID-19 pandemic, while collecting unemployment insurance, Lenderman wrote the songs that became the album Ghost of Your Guitar Solo, released in 2021. // His third album Boat Songs was released in 2022 on Dear Life Records. It was listed as one of the best albums of 2022 by Pitchfork, The A.V. Club, and The Ringer. After the success of the album, Lenderman signed a recording contract with Anti-. In 2023, he released the singles “Rudolph” and “Knockin'”. // Lenderman contributed guitar and vocals to the album Tiger’s Blood by Waxahatchee, released in March 2024, and was listed as featured guest artist on the album’s lead single, “Right Back To It”. In March 2024, Lenderman performed “Right Back To It” with Waxahatchee on The Late Show with Stephen Colbert. Lenderman’s next album, Manning Fireworks, released in September 2024. // Lenderman was in a relationship with his Wednesday bandmate Karly Hartzman for several years. In July 2024, The Guardian reported that the two had split.]

MJ Lenderman Discography
Albums
MJ Lenderman / June 15, 2019 / Dear Life Records
Ghost of Your Guitar Solo / March 26, 2021 / Dear Life Records
Boat Songs / April 29, 2022/ Dear Life Records
And the Wind (Live and Loose! / November 17, 2023 / Anti-
Manning Fireworks / September 6, 2024 / Anti-

Extended plays
How Do You Let Love Into the Heart That Isn’t Split Wide Open
MJ Lenderman & Wednesday / December 13, 2018 / Self Released
Faucet Nash to Stoudemire1 / November 7, 2019 / Self-released
Lucky MJ Lenderman / December 25, 2019 / Self-released
Guttering MJ Lenderman & Wednesday / January 22, 2021 / Super Enema
Knockin’ MJ Lenderman / August 20, 2021 / Dear Life Records

11:30– Underwriting

11:32 – Pledge Break #5

This is WMM’s Fall Fund Drive Show with Betse Ellis & Joelle St. Pierre

In 2024 Wednesday MidDay Medley offered Live in studio performances from: True Lions, Lonnie Fisher, Mitzi McKee, Calvin Arsenia, Ivory Blue, Stephonne, Kasey Rausch, Julia Othmer, Kasey Rausch, The Swallowtails, Danny Santell, Krystle Warren, MusicbySkippy, Lone Stranger, Just Angel & T.A. Rell, Christena Graves

WMM also covered thee places and things: KC Repertory Theatre, Outer Reaches Fest, Owen/Cox Dance Group, No Divide KC, The Folly Theatre, recordBar, Lawrence Arts Center, Manor Records, The Rino, KC Blues Society, Records With Merritt, Kansas City Star, Lawrence Music Alliance, MixMaster Music Conference, Midwest Music Foundation, KC Gift, Juneteenth, Power to The People Fest, The Record Machine, Lemonade Park, Crossroads Music Festival, The Ship, The Black Box Theatre, Amplify Lawrence, Quindaro Ruins, Queer Narratives Fest, Art in the Loop, The documentary film: “I’m So Glad” documenting the KC Gospel Music, Fringe Festival, Make Music Day, Boulevardia, Arts in The Park, UMKC Conservatory of Music, The Crossroads Hotel, High Dive Records, Greenwood Social Hall, KC Folk Fest, Manor Fest, Center Cut Records, KKFI Band Auction, Charlotte Street Foundation, Women’s History Month!, University of Missonnhf, Bach Aria Soloists, Folk Alliance International, Martin Luther King Jr., Tribute to David Bowie, Tribute to Iris DeMent

11:40

  1. Julia Othmer – “Nowhere to Put It (I’m Tired) (Carol edit)”
    from: Live In London / Fricken’ Awesome Records / November 2024 (Limited Edition CD)
    [Alongside UK-based singer-songwriter and sister-in-song Carol Hodge, I co-created a project called The Selenite Songs. Since last December, we have been conducting a songwriting pen-pal project. Each month, we give each other songwriting prompts and JUST TWO HOURS to create a new song. / We shared these songs with audiences this summer during a UK Selenite Songs Tour. Each night was an intimate acoustic experience highlighting these songs in their rough shapes – inviting vulnerability and a peek inside our songwriting processes. We also shared “classics” from our repertoires. // Julia Othmer grew up in Kansas City and is a graduate of Park Hill High School and studied at Columbia University in New York City. The child of European refugees, she draws from a broad and richly cultured palette of experience to create her intensely human yet otherworldly songs. Julia Othmer released her 2nd album “Sound,” on April 12, 2019, produced with James Lundie. She had been introduced to his music production and fell so deeply in love with his sonic architecture, she transported to the UK, and refused to leave until he listened to her songs. James married Julia in January of 2016, during the completion of the record. Julia Othmer & James Lunde released Seeds (Vol. 1) on November 13, 2020, and SEEDS VOLUME 2 on March 20, 2022 containing live songs selected from her 30-day Songs of September Project, where Julia performed a different live cover and broadcast the performance throughout the month on streaming platforms to inspire people to vote. In 2021 Julia and James relocated to Kansas City and recently unveiled their newest creation, THE FORCEFIELDS featuring, reimagined vintage synthesizers, video projections, one of a kind instruments. Their debut EP, BRIDGE, will be released in 2024.]

[Julia Othmer plays IN THE ROUND with Calvin Arsenia, Kirstie Lynn, and Christena Graves at The Bauer, 115 West 18th Street, in KCMO’s West Crossroads, Thursday, October 17, at 7:00pm.]

  1. Lorna Kay – “What Ever Happened”
    from: “What Ever Happened” – Single / Independent / October 18, 2024
    [Lauren Krum solo project with Mike Stover. Follow up single to “Havin’ A Ball” released July 12, 2024. Lauren Krum is known for her work as lead singer of The Grisly Hand who had their last show on May 11, 2024 at The Ship. The band first started playing live in 2009. When The Grisly Hand released their debut album Safe House, the entire band (at that time: Lauren Krum, Jimmy Fitzner, Johnny Nichols, Chas Snyder, Mike Tuley. Ben Summers & Kian Byrne) climbed into our studios and performed live on our Nov. 10, 2010 show. // Jimmy Fitzner, Johnny Nichols, Chas Snyder were in a band called Left Behind. Lauren had played with them at The Brick, before laving Kansas City to go to Columbia College in Chicago. N Chicago Lauren created the group The Strumpettes a soul-inspired group featuring four female singers and a four-piece band. When the Strumpettes dismantled in 2008 and her life in Chicago started to fall apart, Krum decided to move back to Kansas City. She immediately began singing with From Before. // Within a few months, Krum, Fitzner, Nichols and Snyder were performing as a new group. They had brought on Andy Davis to play mandolin. Krum had found the name “the Grisly Hand” iafter coming across it in the poem “Webster Ford” from Edgar Lee Masters’ Spoon River Anthology. The most Current grouping of The Grisly Hand was Jimmy Fitzner, Lauren Krum, Ben Summers, Mike Stover, Johnny Nichols and Kian Byrne. / A super group of sorts several members have also been involved in other projects. Lauren has played and recorded wirthg Ruddy Swain (with David Regnier), and Lorna Kay, and Lorna Kay’s Country Club, as well as being a DJ.

The Grisly Hand Discography
Safe House (7-track) – EP / Independent / November 2, 2010
Western Ave. (4-track) – EP / Independent / February 1, 2012
“The Shape I’m In” – Single / Independent / December 22, 2012 (Recorded at Davey’s Uptown)
“Chucky (live) – Single / Independent / March 29, 2013 (Recorded at Davey’s Uptown)
Country Singles (12 track) – Album / Independent / April 26, 2013
Flesh & Gold (9-track ) – Album / Independent / August 18, 2015
Hearts & Stars (10-track) – Album / Independent / November 18, 2016
“Now That You Know” – Single / Independent / May 7, 2021
“Why Make Me Cry” – Single / Independent / August 20, 2021
“On The Same Side” – Single / Independent / December 3, 2021
Traitors – (11 track) – Album / Independent / July 8, 2022.]

11:46 – Pledge Break #6

This is WMM’s Fall Fund Drive Show with Betse Ellis & Joelle St. Pierre

KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my interesting friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”
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11:50

Commentary from Mark:

We are in an age when an entire political party and presidential candidates and sitting first term cowardly senators are demonizing our Transgender & non-binary & Queer Brothers & Sisters with 24-7 political campaigns, broadcasting hate and lies, while commercial television & radio stations are profiting from these campaigns of hate & misinformation. These campaigns of hate will never be forgiven. Here on WMM we believe it is part of our mission to show the truth behind the lies, the humanity that is put at risk by these irresponsible campaign of hate. We have presented live performances and interviews with Ivory Blue, Mitzi McKee, Jocelyn Olivia Nixon, Tillie Hall, Chase Horseman, Cuee, Al Hawkins, Kat King, Adee Dancy, Stephonne, Calvin Arsenia, D Rashaan Gilmore, and more. These are the beautiful and diverse and also vulnerable artists living our community, being singled out by politicians who do not have a record to run on, so they choose to divide and create fear. On Feb. 21, 2024 we interviewed Flamy Grant LIVE in our 90.1 FM Studios, who also played live. In 2023 Flamy released BIBLE BELT BABY, the world’s first contemporary Christian music album recorded by a drag performer. Flamy Grant’s single “Good Day” was released September 6, 2023 and is the first song by a drag performer to reach #1 on the iTunes Christian charts. It also debuted at #20 on Billboard’s Christian digital sales chart. // Flamy Grant has just released her second album, CHURCH which is climbing the iTunes Country chart”

Thank you all for listening

  1. Flamy Grant – “Fortune Teller”
    from: “Fortune Teller” – Single / Glam & Glory Records / October 24, 2023
    [Produced by Ben Grace. Sound engineer and electric guitars by Daniel Shearin. // Flamy Grant is winner of 2023 Kerrville New Folk Competition; and the 2023 San Diego Music Award nominee for Best Pop Album for BIBLE BELT BABY, the world’s first contemporary Christian music record by a drag performer. With influences from gospel, blues, folk & rock, hines light on queerness, faith, and overcoming spiritual trauma so often endured by LGBTQ+ people and others who grow up in conservative religious spaces. // Flamy’s iconic roots-rock sound is influenced by singer/songwriters like Natalie Merchant, Tracy Chapman, Over the Rhine, and Amy Grant. Her art shines a spotlight on the queer spiritual journey, telling stories of resilience and recovery from religious trauma. With a bold lip, a big lash, and a blistering voice, Flamy is here to rewrite the rules when it comes to faith-based entertainment, demanding a reckoning for an industry that for too long has silenced and shut out its LGBTQ+ artists and fans. // Flamy’s single “Good Day” released 9/6/23 is the first song by a drag performer to reach #1 on the iTunes Christian charts. It also debuted at #20 on Billboard’s Christian digital chart. Flamy Grant played an Official Showcase the 2024 Folk Alliance Intern. Feb 22.]

Fortune Teller

by Flamy Grant (Lyrics)

I’m a medium, I’m a fortune teller
I know every word you’re gonna say
I’m a headstrong, lifelong city dweller
I can take you where you’re going by the fastest way
It’s gonna be okay

I traveled time, I’m here from the future
I can show you how this all turns out
I can save you with the data in my computer
We can flourish in the flood and avoid the drought
Yeah, we’re gonna make it out

You feel it in your bones 
But your head is moving slow

I’m a scientist, I got a method and a measure
For observable, reliable, repeatable fact
I’m a decorated educator in the field of pleasure
I’ve learned a lot of lessons I can reenact
Yeah, I been keeping track

You sense that I am true
But your heart is split in two

I’m a prophetess, singing my story
A dressed-up, effervescent, ethical fraud
But this world ain’t ready for an allegory, no
We’re still waiting on a literal god
I just smile and nod

You have intuition
And it’s telling you the story isn’t done

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on October 23, at 10:30 we welcome the acclaimed 5-piece band Run With It! Will join us LIVE in our 90.1 FM Studios. Plus… Betse Ellis returns as special co-host, with two more co-hosts: Beth Barden of Succotash, and Rachel Christia of Hearts of Darkness, who will help me encourage all of our wonderful listeners to call in and donate to help KKFI continue our mission. We need KKFI now MORE THAN EVER!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

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Show #1065

WMM Playlist from October 9, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 9, 2024

WMM presents Michael McQuary + Paris Williams + The Sexy Accident

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Nilüfer Yanya – “Mutations (Radio edit)”
    from: My Method Actor / Ninja Tune / September 13, 2024
    [On May 1, 2024 we played Nilüfer Yanya’s single “Like I Say (I runaway)” that came out Appril 24, 2024. This offering followed her celebrated 2022 album PAINLESS and was her release since signing to Ninja Tune. // My Method Actor is the third album by English singer Nilüfer Yanya, released on September 13, 2024 through Ninja Tune. It is Yanya’s first album on the label, and follows her 2022 album Painless. The album was preceded by the singles “Like I Say (I Runaway)”, “Method Actor”, “Call It Love”, “Mutations”, “Made Out Of Memory”, and “Just A Western”. // Yanya worked on the album with English record producer Wilma Archer, and wrote and recorded the album in London, Eastbourne, and Wales. Yanya called the album the “most intense […] in that respect. Because it’s only been us two. We didn’t let anyone else into the bubble.” The album centres on the theme of “entering a transition between one part of life into another”. / Yanya is the daughter of two visual artists. Her mother is of Irish and Barbadian heritage and her father is Turkish. Yanya grew up in Chelsea, London, listening to Turkish music and classical music at home. She gravitated to guitar rock and learned how to play the instrument at the age of 12. // Informally starting her musical career with demos uploaded to SoundCloud in 2014, Yanya turned down an offer to join a girl group produced by Louis Tomlinson of One Direction and focused on developing her own music instead. She has spoken out against this model of talent acquisition, telling The Guardian: “‘Let’s go and pinch some young people, tell them we’re going to make a really successful group but we’re obviously going to make a lot more money than them.’ It’s a very selfish thing to do.” The project was reportedly abandoned after a year. // Her first EP, Small Crimes/Keep on Calling, was released in 2016. Her second EP, Plant Feed, was released in 2017, followed by Do You Like Pain? in 2018. All three EPs were later compiled into the EP Inside Out in 2021. // In 2019, Yanya released her debut studio album, Miss Universe, which received rave reviews and critical acclaim, with critics noting her ability to bounce back and forth between musical and lyrical styles, shifting between “gimlet-eyed composure and cataclysmic panic”. Yanya’s music has been described as nervous and restless, combining influences from indie rock to soul, jazz, and trip hop. A Stereogum review called her voice “malleable and endlessly expressive.”In July 1-2, 2022, Yanya performed before Adele’s first live UK concert after five years, in Hyde Park. Later that year, Yanya was the UK opening act for rock band Roxy Music, who reformed in 2022 for a 50th anniversary tour. Yanya featured on the Bombay Bicycle Club track “Meditate” on the band’s 2023 album My Big Day.]

[Nilüfer Yanya plays The Bottleneck, 737 New Hampshire St., Lawrence KC, on Sunday, October 13, at 8:00pm with Angélica Garcia and Lutalo.]

  1. The Phantastics – “Stay With Me”
    from: Closer / Silly Goose Records / December 14, 2013
    [Debut albu, from 8 member band from KC formed in December of 2010. Kemet the Phantom on lead vocals; Leigh Gibbs Adams on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, DJ Mitchell on saxophone; Ryan Jamaal Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the Kansas City Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz & Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic. On May 6, 2022 The Phantastics released heir single “All That Fine.” and “Things You Do.” On Oct. 18, 2019 The Phantastics released LIVE AT THE PLAZA ART FAIR. On Aug. 24, 2018 The Phantastics released the EP, LIFE OF THE PARTY. On Dec. 14, 2013 The Phantastics released their debut album THE CLOSER. Info at: http://www.thephantastics.com]

[Leigh Adams, Lee Langston, Asa Barnes, and Derick Joliff-Cunigan play “We Are One” a Tribute to Frankie Beverly, on Friday & Saturday, October 11 & 12, at 8:00pm, and Sunday, October 13 at 6:00pm at Just Off Broadway Theatre, 3051 Central Street, KCMO.]

  1. Mikal Shapiro & The Musical – “Little Black Ant”
    from: The Musical II / Mikal Shapiro / May 26, 2018
    [The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Mikal Shapiro plays NeciaFest, a benefit for Necia Gamby, Sunday, October 13, Noon to 4:00 pm at The Brick, 1727 McGee Street, KCMO with Stephonne Singleton, Cody Wyomong, Les Izmore, Mark Manning, Jenna Bauer, a silent auction of artwork, restaurant gift certificates, music from business in Necia’s Volker Neighborhood, RSVP for tables, brunch with all proceeds to help Necia’s recovery from a severe stroke she suffered in late July.]

Supermoto
  1. Supermoto – “Butane Rush”
    from: “Butane Rush” – Single / Manor Records / Sept. 30, 2024
    [Hailing from Kansas City, this 5-piece group started meeting in the pre covid winter of 2020. April of 2021 they released their first two songs “Moonlight” and “Polarized” which led to a run of energetic and successful live performances – all the while building up many catchy originals drawing on their inspirations of jazz, funk, r&b, city pop and disco.]

[Supermoto play HOWDY at 6523 Stadium Drive, KCMO on Thursday, October 10, at 8:00pm for the Abandoncy album release of Assailable/Agonoism, with God’s Computer and Young Mvchetes.]

  1. Hembree – “Wonderful Life”
    from: Better Days / Hembree / August 9, 2024
    [Hembree’s third studio album. Performed by: Hembree. Hembree is: Isaac Flynn, Eric Davis, Garrett Childers, Alex Ward & Austin Ward. Mixed by: Isaac Flynn. Mastered by: Ian Sefchick. Drums engineered by: Martin Cooke. Additional vocals by: Devynn Carter on tracks 1, 6, 9 and 10. Recorded at Kingsize Soundlabs (Los Angeles, CA), Peermusic (Burbank, CA) and Isaac’s house. Produced by: Isaac Flynn . // Hembree released their The 15-track album, IT’S A DREAM on February 4, 2022. It was part of WMM 120 Best Recordings of 2023. Hembree, is a KC born band was formed in November of 2015, with Isaac Flynn on guitar, & lead vocals, Garrett Childers on bass & vocals, Eric Davis on keys & synth, Alex Ward on guitar, and Austin Ward on drums. Hembree is signed to Thirty Tigers of Nashville, TN. The band was founded by original members Isaac Flynn, Garrett Childers, and Eric Davis. Brothers Alex and Austin Ward later joined in 2018. Hembree quickly garnered national attention after their single “Holy Water” was placed in an Apple commercial that aired during Super Bowl LII. The band’s music has been featured in a variety of other national placements, including Monday Night Football (NFL) and Bose. Hembree has notably supported Elvis Costello, Phoenix, Cold War Kids, Vance Joy, JR JR, and Joywave, among others. The band first toured Europe in Fall 2018. In 2018, Hembree signed with Thirty Tigers to release their first full-length album House on Fire, released 4/26/2019. In 2019, Hembree performed at Hangout Music Festival. They will also appear on the soundtrack of 13 Reasons Why: Season 3 with the song “Culture”. Hembree was named one of NPR’s Slingshot 2018 Artists to Watch. Rolling Stone named Hembree as one of the thirty best artists at SXSW 2018. “Had It All” debuted on Zane Lowe’s Beats 1 on January 19, 2017. Lowe described the song as “absolutely fantastic.” “Holy Water” was featured in Apple’s HomePod “Distortion” TV spot, which ran during Super Bowl LII, the 60th Annual Grammy Awards, and the 2018 Winter Olympics. Hembree released the single, “Reach Out” on July 20, 2021 and “Operators (feat. Bodye)” on Sept. 21, 2021on Oread Records. Info at: http://www.hembreemusic.com]

[Hembree plays The Bottleneck, 737 New Hampshire St., Lawrence KC, on Saturday, October 12, at 8:00pm with The Creature Comforts and Flash Floods.]

  1. The Creature Comforts – “Gincatastrophe”
    from: Teaching Little Fingers to Play / Hembree / SEPTEMBER 1, 2000
    [The Creature Comforts played a very special reunion concert at recordBar on Friday, September 27, with Ultimate Fakebook. It was their first show since 2007. The Creature Comforts played multiple shows in Lawrence and around Kansas, and released their debut album. Sentimental Bliss,” on Noisome Records. The Creature Comforts were originally formed by Chris Tolle on guitar & lead vocals, Brian Everard on bass, and Billy Brimblecom, Jr. on drums. The band would become a foursome when J.D. Warnock on guitar *& vocals before self-releasing their sophomore full-length, Teaching Little Fingers to Play, in 1999. // As this album celebrates its 25th anniversary this year, alongside Fakebook’s This Will Be Laughing Week, The Get Up Kids’ Something to Write Home About, and the Main Street Saints’ Everybody Wants to Go to Heaven…But Nobody Wants to Die, the Creature Comforts have also honored that occasion by releasing Teaching Little Fingers to Play on limited-edition vinyl.]

[The Creature Comforts plays The Bottleneck, 737 New Hampshire St., Lawrence KC, on Saturday, October 12, at 8:00pm opening for Hembree with Flash Floods.]

  1. Okay Kara – “Picture This”
    from: Oh MY God – That’s So Me / Okay Kara / September 6, 2024
    [Kaya Wilkins (born August 14, 1990), better known as Okay Kaya, is a Norwegian-American musician born in New Jersey. // Wilkins was born in New Jersey and raised in Nesoddtangen, 4 miles outside of Oslo. Raised by her mother along with 5 brothers, she has both Scandinavian and African-American roots. // Wilkins’ first release under the moniker of Okay Kaya was the song “Damn, Gravity”, which was released in 2015. Three years later, she released her first full-length album, Both. The album was recorded with her boyfriend Aaron Maine of the band Porches. In 2020, Wilkins released her second full-length album as Okay Kaya, titled Watch This Liquid Pour Itself, via Jagjaguwar. The album received three out of five stars from The Guardian. Her cover of Cher’s Believe was featured in the HBO show Industry. // Wilkins acted her first role in the Norwegian drama Thelma. In August 2020, she released her mixtape Surviving is the New Living.]
  1. LYXE – “Hard To Talk”
    from: “Hard To Talk” – Single / LYXE / October 4, 2024
    [Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass,. This indie/alternative rock band LYXE, hailing from Lawrence, Kansas, is thrilled to announce the release of their highly anticipated new single, “Hard To Talk.” This catchy track captures the essence of modern rock while weaving in nostalgic threads reminiscent of the vibrant sounds of the 80s. With its infectious guitar riffs and punchy rhythms, “Hard To Talk” is poised to resonate with fans of both contemporary hits and classic indie anthems, drawing comparisons to iconic bands like The Strokes. // “Hard To Talk” showcases LYXE’s signature sound, blending the jangly guitars and punchy drum patterns that evoke the playful energy of 80s rock while maintaining a fresh and modern vibe. The band’s unique approach to songwriting shines through as they tackle themes of communication and vulnerability. This dynamic new single encapsulates the essence of youthful exploration and the struggles of navigating relationships in today’s fast-paced world. // Lawrence, Kansas band LYXE is a band with big guitars, a driving backbeat, and a glowing purple neon sign. Formed in 2019, they’re an energetic three-piece whose music blends the best of modern rock radio with danceable ’80s New Wave. If Wavves listened to a lot of early INXS, the music they made would sound like LYXE. I Heart Local Music describes them as “…easily Lawrence’s most exciting band at the moment, and they prove it with every show.” // LYXE, a three piece pop-rock outfit formed out of the love of getting fans to sing and dance along to hip shaking rhythms reminiscent of classic 80’s and 90’s sounds. They quickly became a favorite of crowds and musicians alike with the lead of Ryan Wise’s crooning vocals and vintage guitar sounds. The trio has an undeniable chemistry that caught the local scene like wildfire. Bassist AJ Knudson brings a loveable charisma to their live presence, while drummer Jimmy Girod’s subtle, elegant delivery gives this act a sophisticated backbone. // In their debut EP, Everything You Could Ever Want, LYXE strives to create an infectious party environment that hips cannot deny. Pulling inspiration from a wide range of genres, this six-song EP has a pop-rock, new wave nostalgia that sinks its teeth into you. Luring in listeners with dramatics and lush hooks on “Wave,” yet unafraid to tap into their feral side on “I Got Everything.” The record closes with “Fit,” which makes you feel like you’re in an argument with your prom date in 1989. In July of 2022, LYXE recorded their debut EP, Everything You Could Ever Want, at Element Recording Studios in Kansas City. The new EP gave listeners a different side of Wise’s songwriting with crooning vocals and vintage guitar sounds. .The EP was released on September 15, 2022. // On June 23, 2023 LYXE released a remastered version of their song “Wave (Remastered 2023)” produced by Joel Nanos. Remaster by Jake Vertigo, with: Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass, and Chase Horseman on synthesizer. This was originally the debut single “Wave.” // LYXE release their singe ”Ice Cream” on June 23, 2023 // For additional information or inquiries please contact: wearelyxe@gmail.com ]

10:30 – Underwriting

  1. Yma Sumac – “Malambo No. 1”
    from: Mambo! / Capital Records / January 1, 1954
    [Mambo! is the fifth studio album by Peruvian soprano Yma Sumac. It was released in 1954 by Capitol Records. Most of the tracks were composed by her husband Moisés Vivanco. //
    Zoila Augusta Emperatriz Chávarri del Castillo (born Zoila Emperatriz Chávarri Castillo; September 13, 1922 – November 1, 2008), known as Yma Sumac (or Imma Sumack), was a Peruvian-born American-naturalised vocalist, composer, producer, actress and model. She won a Guinness World Record for the Greatest Range of Musical Value in 1956. “Ima sumaq” means “how beautiful” in Quechua. She has also been called Queen of Exotica[6] and is considered a pioneer of world music. Her debut album, Voice of the Xtabay (1950), peaked at number one in the Billboard 200, selling a million copies in the United States, and its single, “Virgin of the Sun God (Taita Inty)”, reached number one on the UK Singles Chart, becoming an international success in the 1950s. Albums like Legend of the Sun Virgin (1952), Fuego del Ande (1959) and Mambo! (1955), were other successes. // In 1951, Sumac became the first Latin American female singer to debut on Broadway. In “Chuncho (The Forest Creatures)” (1953), she developed her own technical singing, named “double voice” or “triple coloratura”. During the same period, she performed in Carnegie Hall and Lewisohn Stadium. In 1960 she became the first Latin American woman to get a phonograph record star on the Hollywood Walk of Fame. Afterwards she toured the Soviet Union, selling more than 20 million tickets. According to Variety in 1974, Sumac had more than 3,000 concerts “covering the entire globe”, breaking any previous records by a performer. Fashion magazine V listed her as one of the 9 international fashion icons of all time in 2010. She has sold over 40 million records, which makes her the best-selling Peruvian singer in history. // Sumac was born Zoila Emperatriz Chávarri Castillo on September 13, 1922 in Callao. Then the family (a middle class one) moved to Cajamarca, where she spent her childhood. Her parents were the civic leader Sixto Chávarri (Cajamarca) and the schoolteacher Emilia Castillo (Ancash). Sumac was the youngest of six children. Growing up with the air of the Andean mountains, imitating the birds and other animals, she was “unintentionally making” her huge vocal range. In 1934, she traveled to live in Lima with her relatives. After being privately tutored from the age of 5, she entered a Catholic school in 1935. // Probably Sumac’s first public appearance was on August 16, 1938, with Moises Vivanco in a religious festival at Callao. She graduated high school in 1940. She recorded at least 18 tracks of Peruvian folk songs in Buenos Aires, Argentina in 1943. These early recordings for the Odeon label featured composer Moisés Vivanco’s troupe Compañía Peruana de Arte, of 16 Peruvian dancers, singers, and musicians. // She was discovered by Les Baxter and signed by Capitol Records in 1950, at which time her stage name became Yma Sumac. Her first album, Voice of the Xtabay, launched a period of fame that included performances at the Hollywood Bowl and Carnegie Hall. // In 1950, she made her first tour to Europe and Africa, and debuted at the Royal Albert Hall in London and the Royal Festival Hall before the future Queen of England. She presented more than 80 concerts in London and 16 concerts in Paris. A second tour took her to the Far East: Persia, Afghanistan, Pakistan, Burma, Thailand, Sumatra, the Philippines, and Australia. Her fame in countries like Greece, Israel and Russia made her change her two-week stay to six months. During the 1950s, she produced a series of best-selling recordings of lounge music featuring Hollywood-style arrangements of Incan and South American folk songs, working with Les Baxter and Billy May. The combination of her extraordinary voice, exotic looks, and stage personality made her a hit with American audiences. Sumac appeared in a Broadway musical, Flahooley, in 1951, as a foreign princess who brings Aladdin’s lamp to an American toy factory to have it repaired. The show’s score was by Sammy Fain and Yip Harburg, but her three numbers were the work of Vivanco, with one co-written by Vivanco and Fain. Flahooley closed quickly, but the Capitol recording of the show continues to sell well as a cult classic, in part because it also marked the Broadway debut of Barbara Cook. // The 1950s were the years of Sumac’s greatest popularity; She played Carnegie Hall, the Roxy Theatre with Danny Kaye, Las Vegas nightclubs and concert tours of South America and Europe. She put out a number of hit albums for Capitol Records, such as Mambo! (1954) and Fuego del Ande (1959). During the height of Sumac’s popularity, she appeared in the films Secret of the Incas (1954) with Charlton Heston and Robert Young, and Omar Khayyam (1957). // She became a U.S. citizen on July 22, 1955. In 1959, she performed Jorge Bravo de Rueda’s classic song “Vírgenes del Sol” on her album Fuego del Ande. In 1957 Sumac and Vivanco divorced, after Vivanco sired twins with another woman. They remarried that same year, but a second divorce followed in 1965. Apparently due to financial difficulties, Sumac and the original Inka Taky Trio went on a world tour in 1960, which lasted for five years. They performed in 40 cities in the Soviet Union for over six months, and a film was shot recording some moments of the tour, and afterward throughout Europe, Asia and Latin America. Their performance in Bucharest, Romania, was recorded as the album Recital, her only live in concert record. Sumac spent the rest of the 1960s performing sporadically. // She married Moisés Vivanco on June 6, 1942. After this date, Moisés and Yma toured South America and Mexico as a group of fourteen musicians called Imma Sumack and the Conjunto Folklorico Peruano. Some people in Peru did not appreciate her style of singing, most notably the writer José María Arguedas (La Prensa, 1944). In 1946, Sumac and Vivanco moved to New York City, where they performed as the Inka Taqui Trio, Sumac singing soprano, Vivanco on guitar, and her cousin, Cholita Rivero, singing contralto and dancing. The group was unable to attain any success; however, their participation in the South American Music Festival in Carnegie Hall was reviewed positively. In 1949, Yma gave birth to their only child, Carlos. // She had five octaves according to some reports, but other reports (and recordings) document four-and-a-half at the peak of her singing career. Shortly after her death, the BBC noted that a typical trained singer has a range of about three octaves. // In 1954, composer and music critic Virgil Thomson described Sumac’s voice as “very low and warm, very high and birdlike,” noting that her range “is very close to five octaves, but is in no way inhuman or outlandish in sound.” // In 1971, Sumac released a rock album, Miracles. She performed in concert from time to time during the 1970s in Peru and later in New York at the Chateau Madrid and Town Hall. In the 1980s, she resumed her career under the management of Alan Eichler, and had a number of concerts both in the United States and abroad, including the Hollywood Roosevelt Cinegrill, New York’s Ballroom in 1987[40] (where she was held over for seven weeks to SRO crowds) and several San Francisco shows at the Theatre on the Square among others. In 1987, she recorded “I Wonder” from the Disney film Sleeping Beauty for Stay Awake, an album of songs from Disney movies, produced by Hal Willner. She sang “Ataypura” during a March 19, 1987, appearance on Late Night with David Letterman. She recorded a new German “techno” dance record, “Mambo ConFusion”. // In 1989, she sang again at the Ballroom in New York and returned to Europe for the first time in 30 years to headline the BRT’s “Gala van de Gouden Bertjes” New Year’s Eve TV special in Brussels as well as the “Etoile Palace” program in Paris hosted by Frederic Mitterrand. In March 1990, she played the role of Heidi in Stephen Sondheim’s Follies, in Long Beach, California, her first attempt at serious theater since Flahooley in 1951. // She also gave several concerts in the summer of 1996 in San Francisco and Hollywood as well as two more in Montreal, Canada, in July 1997 as part of the Montreal International Jazz Festival. In 1992, she declined to appear in a documentary for German television entitled Yma Sumac – Hollywoods Inkaprinzessin (Yma Sumac – Hollywood’s Inca Princess). With the resurgence of lounge music in the late 1990s, Sumac’s profile rose again when the song “Ataypura” was featured in the Coen Brothers film The Big Lebowski. // Her song “Bo Mambo” appeared in a commercial for Kahlúa liquor and was sampled for the song “Hands Up” by The Black Eyed Peas. The song “Gopher Mambo” was used in the films Ordinary Decent Criminal, Happy Texas, Spy Games, and Confessions of a Dangerous Mind, among others. “Gopher Mambo” was used in an act of the Cirque Du Soleil show Quidam, as a musical motif in the Russian show Kukhnya (along with “Bo Mambo” and “Taki Rari”), and in an iPhone commercial in 2020. The songs “Goomba Boomba” and “Malambo No. 1” appeared in Death to Smoochy. A sample from “Malambo No.1” was used in Robin Thicke’s “Everything I Can’t Have”. Sumac is also mentioned in the lyrics of the 1980s song “Joe le taxi” by Vanessa Paradis, and her album Mambo! is the record that Belinda Carlisle pulls out of its jacket in the video for “Mad About You”. “Gopher Mambo” is used as the opening song in the British version of the television series Ten Percent. // On May 6, 2006, Sumac flew to Lima, where she was presented the Orden del Sol award by Peruvian President Alejandro Toledo and the Jorge Basadre medal by the Universidad Nacional Mayor de San Marcos. // Sumac died on November 1, 2008, aged 86, at an assisted living home in Los Angeles, California, nine months after being diagnosed with colon cancer. She was interred at the Hollywood Forever Cemetery in the “Sanctuary of Memories” section. // On September 20, 2022, a new memorial bust statue was unveiled at her final resting place, at the Hollywood Forever Cemetery, in honor of what would have been her 100th birthday. // Stories published in the 1950s claimed that she was an Incan princess, directly descended from Atahualpa. The government of Peru in 1946 formally supported her claim to be descended from Atahualpa, the last Incan emperor. However, her biographer, Nicholas E. Limansky, claimed that her Incan royal origin was not true. “Hollywood took this nice girl who wanted to be a folk singer, dressed her up and said she was a princess. And she acted like it,” according to Limansky. // For years, rumors circulated that Sumac was a housewife from Brooklyn whose real name was “Amy Camus”, which she reversed to become Yma Sumac. The origin of the rumor may plausibly be traced to a cleverly formulated review by influential jazz critic Leonard Feather, who used literary device, in a December 1950 column, to suggest that Sumac’s voice was in fact a theremin, that Xtabay—or Axterbay—was Pig Latin for Baxter, and that the name of the singer was Amy Camus, who took Serutan (a contemporary laxative: “natures” spelled backwards).]

10:35 – Interview with Michael McQuary

Michael McQuary is “the past, the present and the future all ot the same time.” Michael McQuary is The Man of a 1001 Faces. Michael McQuary started as a child actor at The Portland Civic Theatre. After High School he left for New York City as a scholarship recipient at the New York Academy of Dramatic Arts. In NYC, Michael McQuary worked at River West Theatre, Divine Theater and Cooper Square Theatre. Michael’s solo shows played in the West Village at: Eighty-eights, the Duplex, the Trocadero, and the cabaret space in the Cooper Square Theatre with his show, Astonishing. He premiered his show, The Secret Power of Fu Manchu at Cooper Square where he alternated the late-night spot with RuPaul and Mona Foote. Michael was featured in the downtown clubs: SoHo Grand with Joey Arias & Suzanne Bartsch, the Pyramid, Boy Bar and Starlight Bar & Lounge. Michael also performed Uptown at: Danny’s Grand Sea Palace, Don’t Tell Mama, The Bon Soir and Rick Talbots Ladies. Michael premiered his one-man show, Crystal Allen Strikes Back by Jon Michael Johnson, at Danny’s Grand Sea Palace. Michael currently makes Kansas City home where he premiered his show, I’m Hollywood, at KC Fringe Fest. Michael works extensively in film and starred as CORVALO for Mile Deep Films, Keeper and Love Shadow, for Bill’s Eye Cinema, MADEYE, and two documentary films on his work, Portrait of an Artist, by Cooper Square Productions, and Man of 1001 Faces, by Taishi Studios. McQuary was featured throughout the first season of the Amazon television series, Daddy’s Diva’s playing seven hilarious characters.

Michael McQuary joins us to share details about his show, One Night Date with Michael McQuary, Sunday, Oct. 13, 2024 at 7:00pm, at Englewood Arts, 10901 E Winner Rd, Independence, MO. More info at: http://www.englewoodarts.art

Michael McQuary thanks for being with us on Wednesday MidDay Medley

Béla Lugosi – For Michael McQuary is all started with Béla Lugosi …and his cape.

Hollywood Monsters. Michael calls himself an X-File.

Michael McQuary was a child actor at The Portland Civic Theatre and Doris Smith scholarship recipient. Was on plaque bearing his name for 1977.

Michael McQuary was a scholarship recipient at the New York Academy of Dramatic Arts.

While in New York, numerous stage appearance included productions at the River West Theatre, the Divine Theater and the Cooper Square Theatre. Plays include Arlecchino’s Unlucky Heart, Royal Hunt of the Sun, Aristophanes’ Peace as well as the world premieres of Spreadin’ It, The Secret Power of Fu Manchu, and En Attendant Oiseau.

Michael has actively concentrated on solo work and has performed in numerous Manhattan clubs and cabarets. His various one-man shows have played the famous West Village cabarets, Eighty-eights, the Duplex, the Trocadero, as well as in the cabaret space in the Cooper Square Theatre with his show, Astonishing.

He premiered his show, The Secret Power of Fu Manchu at Cooper Square Theatre where he alternated the late-night spot with drag stars, Ru Paul and Mona Foote.

Michael was featured regularly at many downtown clubs in New York, including the SoHo Grand, with Joey Arias and Suzanne Bartsch, and at the Pyramid, Boy Bar and Starlight Bar & Lounge. Uptown, Michael performed at Danny’s Grand Sea Palace, Don’t Tell Mama, The Bon Soir and Rick Talbots Ladies. Michael premiered his one-man production, Crystal Allen Strikes Back by Jon Michael Johnson, at Danny’s Grand Sea Palace.

Michael currently makes Kansas City, Missouri, his home. In KC, he premiered his one-man show, I’m Hollywood, at the Kansas City Fringe Festival, where it was held over for extra performances.

Michael has moved into film in Kansas City with the starring roles CORVALO (Mile Deep Films & Television LLC) directed by Anthony Ladesich.

Keeper and Love Shadow, (Bill’s Eye Cinema), MADEYE. Connections, (Cooper Square Productions/Art in the Loop).

And two docs on his work: Portrait of an Artist, (Cooper Square Productions) and Man of 1001 Faces, (Taishi Studios). Mr. McQuary will be seen summer of 2022 in Daddy’s Diva’s on multiple television platforms. He plays 7 characters in Season 1.

Not to mention he’s Steven Spielberg’s favorite “BelaLugosi” actor.

Michael is also a part of a team, Holly and Woody, with Philip Hoosier and Bill Pryor of Bill’s Eye Cinema, that make “no texting” spots for movie theaters.

When not acting or performing, Michael is a visual artist specializing in rapidly drawn portraits known as “Your Essence in Seconds.” Michael’s “Power Sign” jewelry and wall art is avidly collected and can be seen on walls, around wrists, necks and on fingers around the world.

Michael McQuary will be in the upcoming feature film by Patrick Rea, “Super Happy Fun Clown.”

Mr. McQuary is The Phantom Of The Opera (recreating Lon Chaney’s version.

Also a Batman fan film as the Joker.

Michael McQuary thanks for being with us on Wednesday MidDay Medley

Michael McQuary joins us to share details about his show, One Night Date with Michael McQuary, Sunday, Oct. 13, 2024 at 7:00pm, at Englewood Arts, 10901 E Winner Rd, Independence, MO. More info at: http://www.englewoodarts.art

10:57

  1. Eboni Fondren – “The Late Late Show”
    from: The Journey: To Kansas City with Love / Miss Wardine Records / July 23, 2024
    [New 11-song studio album from Kansas City Jazz vocalist star. From Bill Brownlee’s blog, PLASTIC SAX (Aug. 18, 2024) “Fondren recalls her apprenticeship with the organist Everette DeVan on the autobiographical introductory song. Fondren’s vibrant personality and rich voice have since become widely admired. Kansas City standouts including James Albright, Chris Hazelton and Mark Lowrey help Fondren realize her vision on the live recording made at the Uptown Lounge.”: // Eboni Fondren is a dynamic, accomplished vocalist, actor and voice over talent who has been working in and around the Kansas City area for the past 20 years. Her voice can be heard all over the KC airwaves and in all venues entertaining for the masses! She has performed on stage at Kansas City Repertory Theatre, Coterie Theatre, Spinning Tree Theatre, and others. Eboni is one of the most highly sought after and premiere jazz vocalists in Kansas City and has become a bandleader in her own right. In addition to her own musical projects which include Eboni and the Ivories, and a member of the Lost Wax Band, Eboni collaborates with some of Kansas City’s top musicians and can be heard swinging all over the local jazz scene. On October 11, 2024 her Paris debut recording, “An American in Paris” with the Laurent Marode Orchestra will be released.More info at: http://www.ebonifondrenmusic.com]

11:00 – Station ID

  1. Paris Williams – “Sunsets & Solariums” (radio edit)
    from: REBEL HEART / Bitter Sweet Sounds / January 31, 2023
    [Paris Williams is a 25-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school. Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarpari

11:03 – Interview with Paris Williams

Paris Williams is a 25-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Paris Williams returns to WMM to share details about new music he is currently working on.

Earlier this year Paris Williams with Bloom Allen released the Official Music Video for Sunsets & Solariums, filmed in Kansas City. (“Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021)

Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music.

Paris Williams, Thanks for being with us on Wednesday MidDay Medley

About “Sunsets & Solariums (feat. Bloom Allen)” Shuttlecock Music Magazine wrote: “Co-produced by Williams, Bloom Allen, and Internet Brad, the track features a sublime mixture of bright, inviting rhymes and the type of nocturnal rhythms you can do schoolwork to, or whatever that YouTube stream is. The single is backed by another track called “As Of Late,” which Williams accurately described at a recent show as (paraphrasing) ‘two minutes of straight bars.’

Last time Paris was with us was just before a headlining show at miniBar, at 3810 Broadway KCMO, on Friday, August 11, with the Bittersweet Bunch, Saving Miles Lemon, and MC RUE & Mikey. More info at: allmylinks.com/popstarparis

Paris was recently part of the singles:
“Ayo!” released September 18, and recorded with Globetotters, & Kaleab Samuel, featuring TyFaizon (of BLACKSTARKIDS),

“C’est La Vie” released September 14 and also recorded with Globetotters, & Kaleab Samuel

“Talk’n” released June 25, 2024.

Last year Paris Williams released the single “Pack Light.” It was a follow up to his EP, REBEL HEART released on January 31, 2023 on Bitter Sweet Sounds.

“LONDON, TOKYO” features the vocals of Sam Wells from the EP, REBEL HEART released January 31, 2023.

Paris Previously Paris Williams released the single, Hopscotch” on June 21, 2022. He released, “Chunky” on April 20, 2022.

Paris released his debut album, DROP DEAD GORGEOUS, in December of 2019.

Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi.

Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school.

The EP is a beautiful demonstration of what Paris writes about in his bio, his “DIY aesthetic – producing his own work to maintain full creative flexibility.”

Releasing music through his own bedroom pop label Bitter Sweet Sound.

Paris Williams is from Muskegon, Michigan he moved to Kansas City to find more of a community of musical artists. He is also good friends with members of the Blackstarkids.

11:11

  1. Globetotters, Paris Williams & Kaleab Samuel – “uh huh” (radio edit)
    from: “uh huh” – Single / Globetrotters / September 14, 2024
    [Paris Williams is a 24-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school.Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarparis

11:14 – More Interview with Paris Williams

Paris Williams is a 25-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi.

Paris Williams joins us today to share details about his new music project releasing in November called: A Paris Williams Joint

Paris Williams, Thanks for being with us on Wednesday MidDay Medley

The Globetrotters will be releasing all of these tracks together on one EP later in October.

Paris is a believer in hitting the ground running and then just never letting off the gas. Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music.

This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018.

Paris Williams was searching for other musical artists who came from Muskegon, Michigan, that was when he learned more, and then also wrote a song called “Iggy Pop.”

In November Paris will be releasing new music as, A Paris Williams Joint. The song, “Alien Luv” will be part of A Paris Williams Joint

11:23

  1. Paris Williams – “Alien Luv” (radio edit)
    from: A Paris Williams Joint / Bitter Sweet Sound / To be released in November, 2024
    [Paris Williams is a 24-year old artist from Muskegon, Michigan in the midst of redefining the bedroom pop label. Employing his own sound that he’s dubbed, “bittersweet,” Williams never shuts away from his DIY aesthetic – producing his own work to maintain full creative flexibility. Premiering in December of 2019 with his debut album, DROP DEAD GORGEOUS, Paris is a believer in hitting the ground running and then just never letting off the gas. This mentality was shaped by the inspiration he’s pulled from other famously out-of-the-box artists: such as Kanye West, Pharrell, and Toro y Moi. // Fueled by the multi-faceted artists, Williams believes heavily in pulling from all creative mediums as a way to add layers and texture to his music. This approach has led to Williams seeing support from larger than life musical pillars, like Iggy Pop himself – who showed love to Williams’ song of the same name by spinning it on his BBC radio show in 2018. Williams reshapes the musical landscape around him as his burgeoning career continues to solidify its own form more and more each day by bringing in a breath of fresh air with him everywhere since he wrote his first bars in elementary school. Paris Williams previously released the single, “Hopscotch” on June 21, 2022. He released,“Chunky”on April 20, 2022. He released the single, “Sunsets & Solariums (feat. Bloom Allen)” on October 21, 2021 through Bittersweet Sounds. More info at: allmylinks.com/popstarparis]

Alien Luv from my project releasing in November called: A Paris Williams Joint

Paris Williams, Thanks for being with us on Wednesday MidDay Medley

More info at: allmylinks.com/popstarparis

11:28 – Underwriting

  1. The Sexy Accident – “Shadow of Doubt”
    from: Live at Prospero’s Bell Tower / The Sexy Accident / June 13, 2024
    [Songs written by Jesse Kates / Halaster Music [ASCAP]. Performed by The Sexy Accident: Jesse Kates on vocals & guitars. Ramone Hall on drums, Ryan Leip on keys, Mack McKinney on bass, and Rachel Jaggard on vocals. Produced by Danny Mac. Recorded and Mixed by Josh Luke. Recorded at Prospero’s Books in Kansas City on December 9, 2023. Thanks to Will Leathem More info at: http://www.sexyaccident.bandamp.com]

11:33 – Interview with Jesse Kates of The Sexy Accident

Jesse Kates of The Sexy Accident, joins us to share the band’s new single “Becoming” to be released Friday, October 11, 2024. Earlier this year on June 13, 2024, The Sexy Accident released their 4-song EP, Live at Prospero’s Bell Tower, recorded at Prospero’s Books in Kansas City on December 9, 2023. The current lineup of The Sexy Accident includes: Jesse Kates on vocals & guitars, Ramone Hall on drums, Ryan Leip on keyboards, Mack McKinney on bass, Rachel Jaggard on vocals. The Sexy Accident has released 17 albums/EPs and multiple singles. Many of their albums have been released in creative very ways including a hardbound book of lyrics, interviews and original artwork, and as a board/card game. More information at http://www.thesexyaccident.com

Jesse Kates is the fearless frontman of The Sexy Accident, Rachel Jaggard is the newest member of the band bringing her big beautiful vocals to the band as she did in her previous band Dolls on Fire with Zach Hodson, Michelle Bacon, Mark Johnson, and Ben Byard.

Jesse Kates, and Rachel Jaggard, Thanks for being with us on Wednesday MidDay Medley

Last time Jesse was on the show was before the EP Release Party for NEW ROULETTE – on Saturday, April 23, at 6:30 PM at The Warwick Theatre, 3927 Main Street, Kansas City, MO., with Sisterbot, and Comedy by Briana Van Deusen.

WE just heard from, Live at Prospero’s Bell Tower, recorded at Prospero’s Books in Kansas City on December 9, 2023.

The current lineup of The Sexy Accident includes:
Jesse Kates on vocals & guitars,
Ramone Hall on drums,
Ryan Leip on keyboards,
Mack McKinney on bass,
Rachel Jaggard on vocals.

“Driven by catchy melodies and smart, real-life lyric writing.” – The Big Takeover.
Come celebrate The Sexy Accident’s 15th studio release, New Roulette!

Mercurial Pop of Brains and Heart by The Sexy Accident

11:41

  1. The Sexy Accident – “Becoming”
    from: “Becoming” – Single / The Sexy Accident / October 9, 2024
    [The Sexy Accident includes: Jesse Kates on vocals & guitars, Ramone Hall on drums, Ryan Leip on keyboards, Mack McKinney on bass, Rachel Jaggard on vocals. The Sexy Accident has released 17 albums/EPs and multiple singles. More information at http://www.thesexyaccid

11:44 – More Interview with Jesse Kates of The Sexy Accident

We are talking with Jesse Kates of The Sexy Accident, about the band’s new single “Becoming” to be released soon. Earlier this year The Sexy Accident released the EP, Live at Prospero’s Bell Tower, recorded at Prospero’s Books in KC on Dec. 9, 2023.

Jesse Kates, and Rachel Jaggard, Thanks for being with us on Wednesday MidDay Medley

The Sexy Accident Selected Discography

Live at Prospero’s Bell Tower (2024)
The Sexy Accident released this 4-song EP om June 13, 2024. Songs written by Jesse Kates / Halaster Music [ASCAP]. Performed by The Sexy Accident: Jesse Kates on vocals & guitars. Ramone Hall on drums, Ryan Leip on keys, Mack McKinney on bass, and Rachel Jaggard on vocals. Produced by Danny Mac. Recorded and Mixed by Josh Luke. Recorded at Prospero’s Books in Kansas City on December 9, 2023. Thanks to Will Leathem More info at: http://www.sexyaccident.bandamp.com]

New Roulette (2022)
Kansas City’s The Sexy Accident plays mercurial pop of brains and heart “driven by catchy melodies and smart, real-life lyric writing.” (The Big Takeover) When the pandemic struck in 2020, songwriter and bandleader Jesse Kates built a home studio and began producing New Roulette remotely. Josh Williams performed and recorded Ramone Hall’s drum parts. Ryan Leip flew in guitars for Jesse to re-amp. Jamie Pratt sang at her father’s suburban home and Mack McKinney played bass from Jesse’s back yard. For more Kansas City flavor, New Roulette’s lead track, I’m Feeling Dancy, features Sisterbot and the EP includes a cover of Wind Flirter by True Lions. New Roulette comprises six tracks and releases on 23 April 2022.

Rabarbaro (2020)
The band’s seventh long-player, Rabarbaro, released on 14 April 2020 during the year of the band’s fifteenth anniversary. Produced, engineered and mixed by longtime collaborator and pacific northwest legend Steve Fisk (Car Seat Headrest, Low, Unwound, Nirvana, Pigeonhed) in Kansas City and Tacoma, Rabarbaro comprises eleven of songwriter Jesse Kates’ most dark, dynamic and sensual songs, living up to the intensity of the album’s namesake adult beverage: a bittersweet, intoxicating (30% ABV) variety of Italian amaro distilled from Chinese rhubarb with zest and cardamom.

Live at Holy Cow EP (Sept. 23, 2017)
Performed on September 23, 2016, with Jesse Kates on vocals & guitar, Ramone Hall on drums, Jamie Lin on vocals, Pete Marten on bass, and Ryan Leip on keyboards. Recorded by Josh Williams. Songs selected from Champagne Babycakes, Lavender 3 and Ninja Ninja Fight Darth Vader. Cover art curated by Carly Lewandowski of How Very Vintage from objects found at Holy Cow.

Champagne Babycakes (2016)
Champagne Babycakes is the world’s first album released as a card game. Each copy of Champagne Babycakes includes a complete game deck of 54 cards illustrated by Gavin Snider and twelve songs written by Sexy Accident bandleader Jesse Kates. Champagne Babycakes was produced by Steve Fisk. The songs of Champagne Babycakes are hefty yet compact, like a deck of cards, and reflect Kates’ mainstay themes of romance and family life. Sonically, the album echoes and amplifies features of The Sexy Accident’s prior work, including the groove of Ninja Ninja Fight Darth Vader, the layering of Lavender 3, the squall of Mantoloking, and the dynamics of Kinda Like Fireworks.

Lavender 3 (2013)
Like Champagne Babycakes, The Sexy Accident’s fifth release isn’t a typical record. To deliver tactile pleasure with the ease of downloads, the band created a pop album as a hardback book. Lavender 3 is a nine-inch square, 48-page, silver cloth-covered, smythe-sewn, silk-screened book brimming with lyrics, paintings, illustrations, interviews and commentary, including works by Blue Gallery painter Bernal Koehrsen and poet Jim Daniels. Lavender 3 comprises twelve love songs marinated in strings, keyboards and alternate-tuned guitars. The tracks guest star Laurel Parks and Sascha Groschang of string ensemble The Wires, and Sean Nelson of Harvey Danger, among others.

“The Oh,” was the third single from Rabarbaro released February 13, 2020.
“The Land of Want” was the second single released November 2, 2019
“Unto a Sparkling Shore” was the first single released September 21, 2019

Key Lineups

2022 Jesse Kates, Ramone Hall, Jamie Pratt, Ryan Leip, Mack McKinney
2015 Jesse Kates, Ramone Hall, Jamie Pratt, Dan Diamond
2013 Jesse Kates, Daniel Torrence, Camry Ivory, Mark Hamblin, Kristin Smith view
2010 Jesse Kates, Daniel Torrence, Camry Ivory, Mark Hamblin
2009 Jesse Kates, Daniel Torrence, Chad Toney, Pat Padgett
2007 Jesse Kates, Daniel Torrence, Pat Fent
2005 Jesse Kates, Billy Brown, Dan Weller

Jesse was on WMM on April 15, 2020 in the early days of COVID 19. Jesse called into the show to share details about The Sexy Accident’s 7th full length, Rabarbaro, released April 14, 2020 during the band’s 15th year. Produced, engineered & mixed in Kansas City and Seattle, by longtime collaborator and pacific-northwest legend Steve Fisk (Car Seat Headrest, Low, Unwound, Nirvana, Pigeonhead), Rabarbaro includes 11 of songwriter Jesse Kates’ most dark, dynamic and sensual songs. Rabarbaro was performed by Jesse Kates on guitars, vocals, keyboards & percussion; Ramone Hall on drums; Jamie Pratt on vocals; Ryan Leip on guitars & keyboards; and Eric Knight on bass; with Steve Fisk on keyboards, and guest violinist Laurel Parks. More info at http://www.sexyaccident.com

In 2005, after years of spinning wordless tales with Pittsburgh, PA-based instrumental band Whitford, Jesse Kates decided to sing. Jesse had recently relocated to Kansas City for a day job and needed co-conspirators. A search of nearby cubicles revealed Dan Weller, the bass-playing spouse of a market researcher, and Craig used his list to find Billy Brown, the band’s first drummer. Musicians assembled, Jesse began to write. A graduate of Carnegie Mellon University’s Creative Writing program, Jesse remains influenced by a mantra of the faculty – have the courage to be clear – to this day. As the only permanent band member, The Sexy Accident remains unavoidably Jesse-centric, yet the sonics transform from album to album, showcasing the strengths of each lineup.

The Sexy Accident is a pop band from Kansas City. The Sexy Accident have released over 100 songs on seven albums and five EPs. The Sexy Accident doesn’t do normal, their 2014 album Lavendar 3 was released as a 9” x 9” square, 48-page, cloth-covered, foil-stamped hardback book. Their 2016 recording Champagne Babycakes, the band’s 6th full length record, was released as a “card game.” The band’s last release, Chamcakes Babypagne was a selection of songs from The Sexy Accident’s , Champagne Babycakes, re-imagined and reconstructed by Steve Fisk, namelessnumberheadman, Akkilles and guest musicians.

Jesse Kates Thanks for being with us on WMM

More info at http://www.sexyaccident.com

11:53

  1. Daniel Gum – “Ain’t Much Time Now Left for Summer”
    from: Ain’t Much Time Now Left for Summer – Single / Manor Records / September 21, 2024
    [Earlier this year, Daniel Gum released the single, Sophia – Don’t I Know – Single through Manor Records on January 24, 2024. Daniel Gum is a singer-songwriter based out of Kansas City, KS who has been active since 2017. Daniel Gum released the single “Julia” on December 9, 2022. Daniel Gum released the single “Wolverine (ft. Rachel Cion)” on September 19, 2921. Daniel Gu, released the electronic pop EP, I’M NOT DEAD in 2017 and an acoustic EP, MOON in 2018. In addition to working on his own solo project, Daniel has been working with other local groups—playing bass and engineering for his band Pillow (a post-punk/shoegaze group) and playing drums behind singer-songwriter Chloe Jacobson, also doing some recording for her. Channeling the likes of Elliott Smith & Andy Shauf, he co-produced his new record THIRTEEN with Mike Crawford, playing almost everything you hear on the album and mixing it himself. Signing to Manor Records in the spring of 2020, he officially released THIRTEEN on cassette & CD on October 30, 2020. All songs written, performed, and.mastered by Mike Nolte at Eureka Mastering. Daniel Gum is a 24 year old singer-songwriter . Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EPI’M NOT DEAD on October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming. The first single from Daniel Gum’s album, Thirteen “Ruin Your Life” was released on September 4, The second single, “In The Worst Ways” was released September 28, 2020. ] [On our July 22, 2020, WMM show we played Daniel Gum’s track, “Tired Saint” from French Exit Records – Black Lives Matter Compilation, released July 6, 2020. French Exit Records was launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. Daniel Gum joined us on WMM on November 11, 2020.]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, October 16 Betse Ellis will be back with Joelle St. Pierre as our special Guest Co-Hosts, for part one of our Fall On-Air Fund Drive. Also next week Christena Graves will be with us LIVE in the studio.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1064

WMM Playlist from October 2, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 2, 2024

WMM presents Alex Kimball Williams aka Bad Alaskan + Ivory Blue + Adria Patterson

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Emmaline Twist – “Oblivion”
    from: DISSIMULATION / Black Site Records / August 24, 2018
    [The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, Krysztof Nemeth on baritone guitar, and Alex Alexander on synthesizers & guitar. Emmaline Twist, is a Kansas City based Darkwave / Post-Punk / Shoegaze project. The band released the single, “Strange Pursuit” on October 26, 2023. They released “Aspera” on July 1, 2022. They released the single “Drugs” on July 1, 2021. Their critically acclaimed debut LP, DISSIMULATION was released August 24, 2018 from Black-Site Records. That album was recorded, mixed, and produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. In 2017 the band released “Dissimulation 1,” 4 songs in digital format. Emmaline Twist released their first single Vega” b/w “Moon Eyes” on vinyl on Middle Class Records on September 6, 2016.”]

[Emmaline Twist play a Farewell Show for now, Saturday, October 5, 7:00pm at recordBar, 1520 Grand, KCMO w/ Public Memory at 8:00pm, Emmaline Twist at 9:00pm, and RxGhost at 10:03pm.]

  1. Krystle Warren & The Faculty – “Without U”
    from: Extended Play / Parlour Door Music / November 1, 2024
    [Following their double album LOVE SONGS (2012) and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US, “Macca” is the newest release from Krystle Warren & The Faculty, released Macca on May 22, 2023, recorded on the heels of sessions for the band’s upcoming full length album EXTENDED PLAY. // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs​ was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs​ were recorded with everyone in the same room (​Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play​ was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up ​Extended Play​ are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play,​ they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]
  1. Jolson & The Fear of Snakes – “Popcorn Ceiling”
    from: Yes, But Not With You / Jolson Robert / April 26, 2024
    [Jolson Robert is a multi-instrumentalist/singer based in Kansas City. He grew up in rural Kansas and found solace in music where he learned as many instruments as he could and worked to recreate songs he loved. // Jolson Robert describes his music as indie pop/rock, midwest emo, and funk. He writes and records his musicby himself playing: bass, drums, guitars, keys, and vocals. Then, his friends Garret Aiken on drums, Jesse Rodriguez on guitar, Jackson Broadwater on bass, and recently, his younger brother Gavin Robert on keyboards bring the music to life for live performance as a band, Robert Jolson has written that, “each one of these people is more skilled at their given instrument than I am, which I quite enjoy! It makes the live shows that much cooler. And I’ve always been partial to performing live; I think it’s what I do best as a performer, and of course, it’s what we do as a band.” //Jolson was in Quite Frankly The Band. Info at: http://www.jatfos.com]

[Jolson & The Fear of Snakes play recordBar, 1520 Grand Ave. KCMO, TONIGHT, Wednesday, October 2, at 7:00pm with Descartes A Kant, presented by Up To Eleven]

  1. Making Movies – “La Sombra (En Vivo) [feat. Asdru Sierra]”
    from: Baúl De Las Movies (En Vivo En Folly Theater 2023) / 3/2 Recordings / Sept. 27, 2024
    [Making Movies is a KC based 4-piece band and made up of: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Duncan Burnett on drums. The band draws their influences from the origins of their families: Santiago, Panama, and KC Missouri, and Guadalajara, Mexico. // Enrique Chi writes: “The walls of The Folly are special, it is one of the best sounding stages we’ve ever played on so it seemed like a no brainer to record our 2023 concert there. The concert featured an incredible horn section led by Asdru Sierra from Ozomatli, alongside Trevor Turla and Ryan Heinlein. Mireya Ramos was also able to join us and help us make the night truly magical. That place has history for the city and the Chaurand family so we are excited to share this moment with you.” // Making Movies – Live at the Folly Theater, Kansas City, January 28th, 2023, Produced by Ben Yonas, McKenzii Webster, Executive Producer Javier E. Carrizo, Production Assistant Nora Gibbons, Recording & Mixing Engineer Ben Yonas, Recording Engineer Paul Malinowski, Mastering Engineer, Dave Greenberg/Sonopod, Assistant Sound Engineers Josh Gomez, Ricky Menendez. Asdru Sierra on trumpet; Ryan Heinlein, Trevor Turla on trombone. // “Baúl De Las Movies: Folly Theater 2023” was also filmed. Directed by William J. Stribling. // Directors of Photography Adam Baron-Bloch, Alex Gallitano. // Camera Operators Cole Blaise, Nora Gibbons, Esai Saenz. // Production Designer Aisa Palomares. // Edited by Raymond Fraser. // Colorist Tam Le // DI Coordinator John Daniels-Riveros. // DI Services Provided by Sodalite Color // Stream “Baúl De Las Movies: Folly Theater 2023” – https://ffm.to/follyliveep.OYD. // Latin Grammy nominated band Making Movies released their specual EP EN LA SALA containing 8 of the songs recorded LIVE, on January 12, 2024. Before that they released their single “Medicina”. Most recently Making Movies released XOPA through Cosmica Artists on June 17, 2022. XOPA and was recorded in Memphis, produced by Ben Yonas and mixed by Tchad Blake. More info at: http://www.makingmovies.world. Making Movies released the 5-song EP, EN VIVO (SIN APLAUSO) on February 4, 2022. Making Movies released the 6-track EP BORING BITS, on May 7, 2021. On February 5, the band released the 7-song, La Cuarentena EP which included a brand new version of the first Making Movies song, “La Marcha” and the lullaby “Could You?” (both mixed by Jim Eno of Spoon and tracked at Memphis Magnetic studio), and the love ballad “Una Vida.” The EP also includes: covers of Talking Heads and Tears for Fears classics, plus bonus live acoustic tracks. The EP was made available on BandCamp for only three days on February 5 through February 7, 2021. Making Movies released their single “Could You” on January 12, 2021. About “Could You” lead singer Enrique Javier Chi wrote, “I was thinking about what to share for “Could You?” and I just go back to the fact that Memphis is a profound place… it is a place where you can feel what America truly is and where it comes from. I think you see and feel the reality that so much of this nation was built from exploiting people. You can see that our pop culture is driven by the Black community and yet that community is still the most oppressed in the nation. Things are still so messed up. // Memphis is the place where Elvis started singing black music with a country twang and where Martin Luther King Jr. was shot. It’s a beautiful place, it’s a charming place, it feels at times downtrodden and it’s a place that reminds me of home (both KC and Panamá) in different ways. Our experiences going to Memphis gave us the context to create “Could You?” It was filmed originally for AMERI’KANA TV..” Making Movies released their critically acclaimed album ameri’kana through 3/2 Recordings on May 24, 2019. This was #1 on WMM’s 119 Best Recordings of 2019. Produced by Steve Berlin and Ben Yonas. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits of the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was the band’s follow up release to their critically acclaimed, I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff. More info at: https://makingmovies.world%5D

[Making Movies plays Percheron Rooftop Series at the Crossroads Hotel, 2101 Central Street, Kansas City, MO, TONIGHT on Wednesday, October 2, 2024, at 7:00 PM.]

  1. Amado Espinoza – “The Blue Journey”
    from: Q’ansas / Amado Espinoza / July 6, 2022
    [Amado Espinoza Quartet brings Andean soul to the American heartland. Amado plays traditional Andean instruments – the charango and sikus, as well as the mandolin and didgeridoo. He teams up with Andres Ramirez on percussion, Tina Bilberry on violin, and Johnny Hamil on bass, to bring a contemporary electric feel to Amado’s dynamic compositions. Expanding ideas of sound, texture and space, they invoke the musical ancestors of us all and activate the music that is alive in all our DNA. The journey is both ritual and joyous celebration. Amado Espinoza Quartet premiered their new album, Q’ansas with an Album Release Show, at the Record Bar, Friday, July 15, 2022, with special guest Julia Othmer.]

[Amado Espinoza plays KIMSA, traditional music from the Andes mountains, South America, and Beyond! Sunday, October 6, at 4:00pm, at Center for Spiritual Living. 1014 W 39th Street, KCMO with Amado Espinoza on flutes, charango, Pedro Calderon on flutes, guitar; and Oscar Rios Pohirieth on Andean flutes.]

10:30 – Underwriting

10:32 – Interview with Adria Patterson

Adria Patterson is swimmer, a life guard, and instructor teaching adults how to swim, helping people overcome their fear of water and end generational cycles of aquaphobia. She is a Certified Life Coach and Certified Swim Instructor. Through education and passion, Adria has held positions in the financial service industry as well as the educational arena, earning numerous awards and recognitions for product development and sales. She has served on the board of advisors for successful non-profit organizations, a local church body, and the regional and general boards of a large denomination. She is currently the founder of PC Swimming, encouraging communities to develop a healthy and safe relationship with water. Adria is the mother of two prominent young men. She is not only a swim coach but a prayer coach that swims. More information at http://www.PCSwimming.com.

Adria Patterson thanks for being with us on Wednesday MidDay Medley

With over a decade of prayer coaching, teaching, and most importantly, real-life, on-your-knees intercessory experience, her understanding of fear is extremely different. Unlike general life\ coaches, Adria demonstrates how developing a specific and strategic prayer life leads to overcoming paralyzing fear to achieve total wellbeing and abundance. Answered prayer is a Christian’s right. It is that expectation that drives the outcome. Thirty years of swimming experience brings additional insight and skills to guide her clients on their personal water journeys.

Adria is known for her direct approach and barrier dissolving style; Adria’s fusion of
authentic testimonies and bold conversation connect with her audience with an intentional, intense and individual purpose.

Adria has served as a leader in Christian Education for several years. She is a Certified Life Coach and Certified Swim Instructor. She works with the most exceptional and determined in the community to develop swimming skills and overcome fear of water.

Prior to her recognition of her “prayer warrior” calling, Adria, through education and passion held positions in the financial service industry as well as the educational arena, earning numerous awards and recognitions for product development and sales. She has served on the board of advisors for successful non-profit organizations, a local church body, and the regional and general boards of a large denomination. Adria continues to provide leadership training and development to local churches and recommendations to church administration. She is currently the founder of PC Swimming, encouraging communities to develop a healthy and safe relationship with water.

Adria is the mother of two prominent young men. She continues to seek the Lord daily to encourage others to uncover their best selves one prayer at a time. She is not only a swim coach that prays but a prayer coach that swims.

Adria Patterson thanks for being with us on Wednesday MidDay Medley

Adria Patterson is currently the founder of PC Swimming, encouraging communities to develop a healthy and safe relationship with water. Adria is the mother of two prominent young men. She is not only a swim coach but a prayer coach that swims. More information at http://www.PCSwimming.com.

10:49

  1. SEYKO – “Anybody High”
    from: “Anybody High” – Single / Groove King Records – Fat Beats / December 1, 2023
    [Produced by Colby Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair. // Seyko released the single “What I Want” on June 23, 2023. //From http://www.seykomusic.com: Seyko has always found music to be a reflection of her innermost thoughts and feelings, a way of self-expression but even deeper than that. Music was always a life-giving, constant companion from the happiest moments to the darkest days. Music continues to be Seyko’s way of communicating with the world around her. // Seyko developed her musical talent during her formative years through church and school choirs, friendships that evolved into singing groups, and professional training through voice lessons and songwriting. Opportunities presented themselves, but Seyko also created opportunities for herself as she chased her dream to create and perform her own music. // The Freedom Affair and SUNU, two Kansas City bands Seyko performs and writes with, have solidified her place in the music scene and provide a solid foundation for beginning her solo career. Seyko’s singing and songwriting career has spanned twenty years, and it shows! Her creative growth has led to her being a well-respected artist in Kansas City, allowing her to participate in recording projects for fellow musicians and even singing background vocals for Michael Bublé at a live concert in 2022.]

[Seyko plays The Ship, 1221 Union Ave, KCMO West Bottoms, on Saturday, October 5 at 6:00pm with Desmond Mason on keyboards, Jeff Stocks on guitar, Dave Brick on drums, and Lauren Williams on bass.]

  1. Redder Moon – “Drown The Fire”
    from: “Drown The Fire” – Single / Jarmcharm Records / October 1, 2024
    [Redder Moon Unveils New Single “Drown The Fire” To Kick Off Spooky Season Featuring Bold New Direction from Founding Member Jeremiah James // Redder Moon is excited to announce the release of their latest single with accompanying music video , “Drown The Fire,” Directed by Los Angeles based Mary Chicken Soup, marking a powerful new chapter for the band. This track showcases a fresh creative direction, led by founding member Jeremiah James, who takes center stage as the band’s vocalist and primary songwriter. Known for their evocative soundscapes and dark, emotional undertones, Redder Moon elevates their artistry with *”Drown The Fire” blending raw intensity with lyrical depth. // Jeremiah James’ commanding presence and fresh perspective breathe new life into the band, adding a unique edge that fans both new and old will appreciate. With *”Drown The Fire,”* Redder Moon ventures into uncharted sonic territory, creating an anthemic and haunting track that pushes the boundaries of their signature sound. // “Drown The Fire”* is available now on all major streaming platforms // Redder Moon previously released Hell Is Other People on vinyl on March 18, 2022 (Vinyl)/ Music by Jeremiah James Gonzales and Brody Lowe. Vocals, Lyrics by Jill McKeever (additional/bg vocals: Brody Lowe, Jeremiah James Gonzales) Mixed by Ross Brown. Mastered by Eureka Mastering. The band uses layered synths & production with live bass, drums, guitars, and vocals. Redder Moon tends to skirt the line between traditional electronic act and indie avant garde. With washed out guitars, thick bass grooves, and distant reverb soaked vocals, the songs beam with the almost tactile feel of a sound track to a lost movie but with enough dance-ability to pull you out of your seat. In the last few months of 2020, the band has written and recorded an album’s with of songs, over 20 actually, without playing together, and with each member individually recording their parts at home. This was a welcome channel of creation in a time of restraint. The result is a collection that explores everything from synth pop shoegaze, to dark wave indie sounds More info at http://www.reddermoon.bandcamp.com.]

[Redder Moon play recordBar, 1520 Grand Ave. KCMO, Thursday, October 3, at 7:00pm with Essenger.]

10:58 – Station ID

  1. Bad Alaskan – “Come Back, Come Here”
    from: Red & Black / Bad Alaskan / June 19, 2023
    [Bad Alaskan is Lawrence, Kansas based musician, scientist, researcher, speaker, activist, teacher, Alex Kimball Williams who identifies and celebrates her Native Alaskan / Black / Portuguese origins, with the motto: “Music is medicine.” Alex Kimball Williams also played in the band UltraVivid. Band Alaskan released the single “Red & Black” on December 10, 2021 The album also contains a cover of “Strange Fruit” that Bad Alaskan released as a single on August 17, 2019. Bad Alaskan writes: “This cover of ‘Strange Fruit’ is the perfect blend of old school & new school; direct reference & innovation; the blues & electronic. I’ve always loved the song & wanted to put my own indigenous spin on it. My classical & jazz training leaks through with solos & alterations to the lead melody. The 1939 recording featuring Billie Holiday’s vocals is my favorite cut of this classic. My variation alters the melody to fit a minor blues scale. The key is raised just slightly to stimulate discomfort, the tempo is more upbeat. Originally when she sang the song, it was always the end of her set, staff in the venue was instructed not to make any transactions. She would sing the song with eyes closed. Due to that devotional, prayer-like feel, I begin my sets with this song if I’m going to include it. I read somewhere that this song reminded her of her father. It lines up with my thoughts on my own ancestors, from what would have been his time. Instruments used are Korg Minilogue, Microkorg (vocoding) & Novation circuit. I always record all my parts at once (no over-dubbing), so please enjoy the “fruits” of my labor! Audio engineer: Ross Williams.]

11:02 – Interview with Alex Kimball Williams

Alex Kimball Williams is the artivist (artist + activist) behind the Bad Alaskan project, joining Indigenous EDM & meditative dance. Her work brings cinematic & justice-oriented experiences to various audiences, alternative venues, & multidisciplinary projects. Her praxis includes improv techniques to improve our capacities for coping with discomfort, to support advocates in withstanding the stresses which accompany their critical work. She views art as the vehicle for community growth. Her electric set reimagines traditional melodic motifs on synthesizers & her acoustic set rewinds traditional folk songs from the Negro spiritual pipeline.

Currently, she manages a large-scale climate justice grant based at Haskell Indian Nations University supporting diverse coastal Indigenous communities in protecting their lifeways, including issues of food sovereignty and climate-forced displacement. Additionally, she works as a DEI Team Lead for the Kansas Arts Commission and is dedicated to programmatic equity for Black & Native Artists across Kansas. Alex works as a consultant for museums in the areas of exhibition planning, label writing, & event organizing.

She cofounded B.L.A.C.K. Lawrence, a Lawrence-based artist collective, & successfully advocated for Lawrence to become a sanctuary city alongside fellow organizers in Sanctuary Alliance. She also worked with the City of Lawrence to ameliorate the anti-trans bathroom bills in Kansas legislation in 2024, leading to protections for local trans community members. Alex also contributed towards the local efforts making Lawrence the first city in Kansas to adopt the CROWN Act, an ordinance legalizing Black hair & hairstyles in places of work & education.

Alex received the 2018 MLK Dreamer’s award from Lawrence Public Schools, the Community Leader (racial & justice issues) award in the 2021 Best of Lawrence issue, and received a community service award from the Lawrence Juneteenth Organization in 2023.

Alex Kimball Williams thanks for being with us on Wednesday MidDay Medley

Alex identifies and celebrates her Native Alaskan / Black / Portuguese origins, with the motto: “Music is Medicine,” and released her album, Red & Black on June 19, 2023. It was #5 on WMM’s 120 Best Recordings of 2023.

Alex Kimball Williams writes:

I’m a protest musician, sound designer, & community researcher creating at the intersections of climate justice, public policy, & grassroots methods.

I perform ambient NDM (Indigenous dance music) under the name Bad Alaskan, inviting audiences to write songs with me as we explore their capacity for performance. I believe that improv at its root is problem solving, & that sitting in controlled discomfort is a justice skill which helps us advocate for ourselves as well as the people & causes we care about. I invite my audience to perform & meditate alongside me to practice coping while speaking up authentically.

Musically, I blend elements of cinema, EDM, RnB, & devotional music while blending multicultural influences from West African griot to Alaskan hand drumming. I bring together tradition with creativity on contemporary synthesizers. My songwriting process involves listening & connecting with knowledge holders, research & field recording, peering inward, & communing with nature. My performances have ranged from domestic violence centers to public school classrooms, as well as protests, clubs, festivals, & sacred places. I thrive in multidisciplinary collaborations including working with filmmakers, sculptors, & more.

11:11

  1. Bad Alaskan – “Reservations”
    from: Red & Black / Bad Alaskan / June 19, 2023
    [Bad Alaskan is Lawrence, Kansas based musician, scientist, researcher, speaker, activist, teacher, Alex Kimball Williams who identifies and celebrates her Native Alaskan / Black / Portuguese origins, with the motto: “Music is medicine.” Alex Kimball Williams also played in the band UltraVivid. Band Alaskan released the single “Red & Black” on December 10, 2021 The album also contains a cover of “Strange Fruit” that Bad Alaskan released as a single on August 17, 2019. Bad Alaskan writes: “This cover of ‘Strange Fruit’ is the perfect blend of old school & new school; direct reference & innovation; the blues & electronic. I’ve always loved the song & wanted to put my own indigenous spin on it. My classical & jazz training leaks through with solos & alterations to the lead melody. The 1939 recording featuring Billie Holiday’s vocals is my favorite cut of this classic. My variation alters the melody to fit a minor blues scale. The key is raised just slightly to stimulate discomfort, the tempo is more upbeat. Originally when she sang the song, it was always the end of her set, staff in the venue was instructed not to make any transactions. She would sing the song with eyes closed. Due to that devotional, prayer-like feel, I begin my sets with this song if I’m going to include it. I read somewhere that this song reminded her of her father. It lines up with my thoughts on my own ancestors, from what would have been his time. Instruments used are Korg Minilogue, Microkorg (vocoding) & Novation circuit. I always record all my parts at once (no over-dubbing), so please enjoy the “fruits” of my labor! Audio engineer: Ross Williams.]

11:15 – More Interview with Alex Kimball Williams

Alex Kimball Williams a Lawrence, Kansas based multicultural artist, community organizer, researcher, & educator. Her work includes ethnopolitics, medical activism, & climate justice. Alex provides DEIA+ consulting to businesses, organizations, & local governments with organizational transformation & community engagement. She leads teams in a justice-forward approach toward establishing & strengthening group values & ethics. As a community organizer, Alex cofounded several groups including B.L.A.C.K. Lawrence & Sanctuary Alliance. She has won several awards for her collaborative work in cultural equity including the MLK Dreamer’s award, Community Hero in Best of Lawrence 2021, & the 2023 Juneteenth community award. Bad Alaskan is her ambient synth project combining influences of EDM & Indigenous traditional music. Alex identifies and celebrates her Native Alaskan / Black / Portuguese origins, with the motto: “Music is Medicine,” and released her album, Red & Black on June 19, 2023. It was #5 on WMM’s 120 Best Recordings of 2023.

Alex Kimball Williams thanks for being with us on WMM

Alex Kimball Williams is the artivist (artist + activist) behind the Bad Alaskan project, joining Indigenous EDM & meditative dance. Her work brings cinematic & justice-oriented experiences to various audiences, alternative venues, & multidisciplinary projects. Her praxis includes improv techniques to improve our capacities for coping with discomfort, to support advocates in withstanding the stresses which accompany their critical work. She views art as the vehicle for community growth. Her electric set reimagines traditional melodic motifs on synthesizers & her acoustic set rewinds traditional folk songs from the Negro spiritual pipeline.

Currently, she manages a large-scale climate justice grant based at Haskell Indian Nations University supporting diverse coastal Indigenous communities in protecting their lifeways, including issues of food sovereignty and climate-forced displacement. Additionally, she works as a DEI Team Lead for the Kansas Arts Commission & is dedicated to programmatic equity for Black & Native artists across Kansas. Alex works as a consultant for museums in the areas of exhibition planning, label writing, & event organizing.

I’m one of few belonging to my tribe, the Unangax or Aleut/Алеу́ты. It’s critical for me to create music with our melodic & rhythmic motifs because our art is extraordinary & illustrates that we’re still here.

Art- everything each of us brings- is the vehicle for community change. Creativity is resilience. “I’m here if you need to talk, or Qaĝaduuxsix (dance).” Bad Alaskan played several Private Showcase at Folk Alliance International Conference including: Thursday, February 22, at 11:00pm in Lawrence Free State Room #609. // Thursday, February 22, at 12:00am in Folk Alliance Region Midwest (FARM) in Room #755. // Saturday February 24, 12:00am in Lawrence Free State Room # 609 of The Westin Kansas City Hotel at Crown Center 1 East Pershing Road, KCMO.

11:25

  1. Bad Alaskan – “Groove”
    from: Red & Black / Bad Alaskan / June 19, 2023
    [Bad Alaskan is Lawrence, Kansas based musician, scientist, researcher, speaker, activist, teacher, Alex Kimball Williams who identifies and celebrates her Native Alaskan / Black / Portuguese origins, with the motto: “Music is medicine.” Alex Kimball Williams also played in the band UltraVivid. Band Alaskan released the single “Red & Black” on December 10, 2021 The album also contains a cover of “Strange Fruit” that Bad Alaskan released as a single on August 17, 2019. Bad Alaskan writes: “This cover of ‘Strange Fruit’ is the perfect blend of old school & new school; direct reference & innovation; the blues & electronic. I’ve always loved the song & wanted to put my own indigenous spin on it. My classical & jazz training leaks through with solos & alterations to the lead melody. The 1939 recording featuring Billie Holiday’s vocals is my favorite cut of this classic. My variation alters the melody to fit a minor blues scale. The key is raised just slightly to stimulate discomfort, the tempo is more upbeat. Originally when she sang the song, it was always the end of her set, staff in the venue was instructed not to make any transactions. She would sing the song with eyes closed. Due to that devotional, prayer-like feel, I begin my sets with this song if I’m going to include it. I read somewhere that this song reminded her of her father. It lines up with my thoughts on my own ancestors, from what would have been his time. Instruments used are Korg Minilogue, Microkorg (vocoding) & Novation circuit. I always record all my parts at once (no over-dubbing), so please enjoy the “fruits” of my labor! Audio engineer: Ross Williams.]

11:29 – Underwriting

11:31 – Interview with IVORY BLUE

We welcome a friend of the show, IVORY BLUE, making her 18th appearance on this program. Just nack in the country after doing shows this summer in Europe. IVORY is here to share her new single, “Olé!” that will be officially released this Friday, October 4, 2024. “Olé!” is her sixth single this year including: “Breathing Underwater” (Aug. 9), “Bad Dreams” (June 7), “Batter Up” (April 22), “Flashback” (March 15), and “Howl” (Feb. 16). IVORY BLUE released her second album, STARLIT LOVE CHILD, on November 17, 2023, It was in the top 5 of WMM’s 120 Best Recordings of 2023.

IVORY BLUE thanks for being with us on WMM.

IVORY BLUE released her 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023, It was in the top 5 of WMM’s 120 Best Recordings of 2023. A free-spirited musician, IVORY BLUE has become an expressive multi-genre artist whose music is passionate rock, with a dash of pop hooks & a healthy dose of swagger. At the age of four, IVORY’s birth mother put her up for adoption. IVORY lived with eight different “foster parent” families, before running away at 15. Ivory turned to music to express her pain and personal story. In 2010 Klaartje Van Lue saw IVORY performing in a YouTube video. The Van Lue family adopted IVORY into their family. As a multi-instrumentalist, IVORY refining her style, using digital looping pedals to stack harmonies, giving tsolo shows the feel of a full band.

IVORY BLUE released their full-length debut album COMPOUND LOVE on February 25, 2022. COMPOUND LOVE was in the Top Ten of WMM’s 120 Best Recordings of 2022. IVORY BLUE released the video of their song, “Family Table” directed by Mikal Shapiro, on August 21, 2021. IVORY BLUE’s debut EP, READY GET SET was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when IVORY was among 1800 artists/bands that competed in neXt2Rock. IVORY won local & regional challenges and advanced to nationals in Los Angeles, California to win the top prize.

IVORY BLUE has played Boulevardia, Kauffman Stadium, Crossroads Music Festival, The Middle of the Map Festival, The Westport Roots Festival, Apocalypse Meow, the KCPT Screening of “Real Boy” at The KC Public Library, The Viper Room (L.A.), ULAH with You Found Music, Arts In The Park, The Englewood Arts Center, MiniBar, recordBar, Lemonade Park, Davy’s Uptown Ramblers Club, Records With Merritt, The Tank Room, and many others.

IVORY BLUE was born in 1986 in Peoria Illinois, as Devin James Miclettet. At the age of four, IVORY’s birth mother put them up for adoption. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long. IVORY lived with eight different “foster parent” families, before running away at 15. Ivory turned to music to express their pain and personal story. In 2010 Klaartje Van Lue saw IVORY performing in a YouTube video, captured from an open mike performance. Klaartje had moved to the United States from Belgium to marry her husband and then raise her son and daughter. Klaartje, a pianist and working mom, felt a connection, musically and maternally, sent a plane ticket for IVORY to fly to KC. The Van Lue’s adopted IVORY into their family. 11 years ago IVORY came out as “Transgender” helping to educate and to clear the pathway for a growing number of trans, queer, & non-binary musical artists who are part of KC’s diverse and collaborative music community. More info at: https://linktr.ee/ivorybluemusic

11:40

  1. Ivory Blue – “Olé!”
    from: “Olé!” – Single / IVORY BLUE / October 4, 2024
    [IVORY BLUE released the single ‘ Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2023 // IVORY BLUE released the single “Howl” on Feb. 16, 2024. // IVORY BLUE released their second full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of Wednesday MidDay Medley’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and other radio stations around the world. For STARLIT LOVE CHILD, IVORY BLUE served as songwriter, producer, & vocalist. // On October 27, 2023 IVORY BLUE released the sIngle “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from September 22, 2023, ”The Best of Life” from August 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on February 24, 2023.]

11:43 – More Interview with Ivory Blue

We welcome IVORY BLUE back to the show. Her single, “Olé!” will be released October 4, 2024. “Olé!” is her sixth single this year including: “Breathing Underwater” (Aug. 9), “Bad Dreams” (June 7), “Batter Up” (April 22), “Flashback” (March 15), and “Howl” (Feb. 16). IVORY BLUE released her second album, STARLIT LOVE CHILD, on November 17, 2023, It was in the top 5 of WMM’s 120 Best Recordings of 2023. At the age of four, IVORY’s birth mother put her up for adoption. IVORY lived with eight different “foster parent” families, before running away at 15. Ivory turned to music to express her pain and personal story. In 2010 Klaartje Van Lue saw IVORY performing in a YouTube video. The Van Lue family adopted IVORY into their family. IVORY BLUE was the grand Prize winner of the nation-wide talent competition Next To Rock in 1017.

IVORY BLUE Thank you for being with us on Wednesday MidDay Medley

IVORY BLUE released their full length debut album COMPOUND LOVE on February 25, 2022. COMPOUND LOVE was in the Top Ten of WMM’s 120 Best recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. Nick Poortman served in mixing, with Kurt Festge who also served in mixing & Mastering. // IVORY BLUE has played Crossroads Music Festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library, and Kauffman Stadium. //

Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender”. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, Ivory settled in Kansas City, MO and quickly began attracting an intense regional following for their strong vocals and incisive, deeply personal lyrics.

In 2023 IVORY BLUE released the singles” “In A World Like This” (Sept. 22, 2023), “The Best of Life” (August 4, 2023), “Control” from May 26, and “All Outta Love” (February 24, 2024).

IVORY BLUE lived a nomadic existence until settling in Kansas City MO and becoming part of the local musical community. After winning a nationwide talent contest in 2017 Ivory Blue started having success with some national and international radio play which continues today.

Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families. before running away at 15.

Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying them Ivory KC, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender.

As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, Ivory settled in Kansas City, MO and quickly began attracting an intense regional following for their strong vocals and incisive, deeply personal lyrics.

By 2013, IVORY BLUE was playing regularly in and around Kansas City and the first EP ‘Ready Get Set’ was released. in 2015. While the EP helped spread the word and got much attention from regional radio and TV stations, a big break would come in 2017.

Ivory entered NeXt2Rock, a nationwide talent search with over 1800 artists/bands who applied to find fresh and promising rock artists.

IVORY BLUE was the grand Prize winner of the nation-wide talent competition Next To Rock in 1017.

The top 5 national bands battled it off for the win in Los Angeles CA at the legendary Viper Room, with judges Scott Borchetta (BMLG), John Varvatos (fashion designer), Steve Jones (Sex Pistols Guitarist and Host of “Jonesy’s Jukebox”), Desmond Child (Musician, producer), Chris Lord-Alge (producer), Ivory Blue won over the judges and became the grand prize winner! Ivory

Ivory won the contest and a one-year record deal with BMLG who re-released the song Ready Get Set from the 2015 EP. Ivory’s 2018 re-release of ‘Ready Get Set’ undauntedly received National and International airplay within weeks.

NeXt2Rock Judges Comments about Ivory Blue:

“You got star quality and a lot of potential” by Steve Jones (Sex Pistols Guitarist and Host of “Jonesy’s Jukebox” on KLOS (95.5) Los Angeles, CA, USA)

“Giving us the diamond in the rough we can only dream of, the foundation that’s built underneath it, that’s what music is made from. by Chris Lord-Alge (Engineer/Mixer).

“I love everything about you, you sing what you live, you’re fantastic” by Desmond Child (Musician \ Songwriter and Producer).

“We’ve been waiting for the WOW, and you are the WOW”, “You’re a true artist” by John Varvatos (Fashion Designer and Record Label Head)

“You exude artistry from the minute you step on that stage” by Scott Borchetta – Big Machine Label Group president and CEO.

“There’s something special about you”, “You’re a true artist” by Gavin Rossdale (British musician, singer, lead singer and rhythm guitarist of the rock band BUSH).

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, Kansas City Public Library, and Kauffman Stadium.

IVORY BLUE started writing music at a very young age, creating their unique alt-rock sound, using a tape recorder to superimpose sounds that added to a song production. After starting performances in coffee shops and small venues, they began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, IVORY BLUE settled in Kansas City, MO and quickly began attracting a following for their strong vocals and deeply personal lyrics. On July 29th, 2022, and after studying the craft of recording and self- producing, this amazing singer-songwriter with a passionate love for everyone struggling through life, released their first full length album, COMPOUND LOVE. This was followed by their single, “Red Light” and “Starlit Love Child.”

In February 2020 and after studying the craft of recording and self-producing, this amazing singer-songwriter with soaring vocals, passionate love for everyone struggling through life, released ‘Elite Dreamland’. There are no words to describe the incredible artistry behind this song. a single that hits your heart about understanding how it feels to be misunderstood in a world of people that seem to know what they are doing.

IVORY BLUE produces all the tracks with the exception of Drums and Bass. Ivory is currently working with Lester Estelle (Drummer for Kelly Clarkson), Craig Kew (Bass) KC, Kurt Festge (Mastering | Citizen Kane & Vilent Femmes) NC. and Nick Poortman (LA based Los Angeles based Producer, Engineer, Mixer, and Songwriter) Nick has worked alongside producers including Justin Gray, Gil Norton, Big Tank, and Greg Haver on sessions throughout the USA, UK, Europe, and New Zealand.

Ivory Blue released the video of ‘FAMILY TABLES’ on August 21, 2021 and the track was released on September 7, 2021. Ivory Blue is currently finishing the first full length CD/Album ‘Compound Love’ to be released in 2021 as well as the Red Light EP for 2022. “Family Tables” hit #1 on Banks Radio in Australia the first week of the release. 23 countries have listed on Ivory’s Spotify reports and that after just 1 week released.

Ivory Blue Thank you for being with us on Wednesday MidDay Medley

More info at: http://www.ivorybluemusic.com

11:54

  1. Ivory Blue – “Breathing Underwater”
    from: “Breathing Underwater” – Single / IVORY BLUE / August 9, 2024
    [IVORY BLUE released the single “Bad Dreams”on June 7, 2024 IVORY BLUE released the single “Batter Up” on April 22, 2024. IVORY BLUE released the single “Flashback” on March 15, 2023 // IVORY BLUE released the single “Howl” on Feb. 16, 2024. // IVORY BLUE released their second full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of Wednesday MidDay Medley’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and other radio stations around the world. For STARLIT LOVE CHILD, IVORY BLUE served as songwriter, producer, & vocalist. // On October 27, 2023 IVORY BLUE released the sIngle “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from September 22, 2023, ”The Best of Life” from August 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on February 24, 2023. IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top Ten of WMM’s 120 Best recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. Nick Poortman served in mixing, with Kurt Festge who also served in mixing & Mastering. IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017. In 2017 Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played Crossroads Music Festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender”. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. In 2011, Ivory settled in Kansas City, MO and quickly began attracting an intense regional following for their strong vocals and incisive, deeply personal lyrics. // By 2013, IVORY BLUE was playing regularly in and around KC and the first EP ‘Ready Get Set’ was released in 2015. IVORY BLUE released the video of “Family Table” directed by Mikal Shapiro, on Aug. 21, 2021 and the audio track was released on Sept. 7, 2021. IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. IVORY BLUE released their debut album COMPOUND LOVE on Feb. 25, 2022. IVORY BLUE released the single “Red Light” on July 29, 2022. IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022. IVORY BLUE released the single “All Outta Love” on Feb. 24, 2023. http://www.ivorybluemusic.com]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, October 9 – The Man of a 1001Faces – Michael McQuary joins us to share details about his show, One Night Date with Michael McQuary, Sunday, October 13, 2024 at 7:00pm, at Englewood Arts, 10901 E Winner Rd, Independence, MO // at 11:00 Hop Hop Recording Artist and Producer Paris Williams returns to the show. // AND at 11:30am Jesse Kates joins us with new music from The Sexy Accident.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1063

WMM Playlist from September 11, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 11, 2024

David George of St. George & The Dragons + Guest DJ Tucker Slough

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. BLACKSTARKIDS – “SOULMATEZ!”
    from: Saturn Dayz / Dirty Hit Records / September 30, 2022
    [Gen-Z upstarts BLACKSTARKIDS have released their new single and video “SOULMATEZ!” on August 30, 2024, alongside the announcement of their upcoming sixth studio album Saturn Dayz, touching down to earth on September 20 via Dirty Hit. The lead single “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of Kansas City in 2020 became the soundtrack for the summer. Blackstarkids are a pop/R&B/hip-hop trio based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On October 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. Kansas City is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.” Deiondre added, “The music scene here is getting cool now, there’s a lot of jazz musicians that go to school for music here too but you can find people from different scenes all over if around the city.” Ty wrote, “The Kansas City scene is great, the community here is so supportive and genuine. This is a really prideful city here and I think they’re finally getting the musicians they deserve.”]
  1. The Get Up Kids – “Ten Minutes”
    from: Something to Write Home About / Polyvinyl Records / September 28, 1999
    [Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. On June 8, 2018 The Get Up Kids released their KICKER EP on Polyvinyl Records. Polyvinyl announced on their Instagram account that they had signed the band and that new music will be coming soon. The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records. While the imprint was started to release albums by The Get Up Kids, it served as a launching pad for several side-projects such as The New Amsterdams and Reggie and the Full Effect. The Get Up Kids were viewed throughout their existence as a prototypical emo band, having been major players in the Midwest emo movement of the mid-1990s. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. However, like many early emo bands, The Get Up Kids sought to dissociate themselves with the term, as it was considered dismissive to be seen as an “emo band.” The band departed heavily from their established style with the release of their 2002 album On a Wire, which saw the band take on a much more layered, alternative rock sound. Years later, guitarist Jim Suptic even apologized for having the influence they did on many of the modern third-wave emo bands, commenting that “[t]he punk scene we came out of and the punk scene now are completely different. It’s like glam rock now … If this is the world we helped create, then I apologize.” Due to internal conflicts, the band broke up in 2005. Three years later, the band reunited to support the tenth anniversary re-release of Something to Write Home About, and soon afterward entered the studio to write new material. In early 2010, the band released Simple Science, their first release in six years, followed in 2011 by the full-length There Are Rules. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams.]

[The Get Up Kids play a special set of shows in celebration of the 25th Anniversary of Something To Write Home About Friday, September 13 ar recordBar, 1520 Grand Blvd, KCMO. Saturday, September 14 and Sunday September 15 at The Bottleneck 737 New Hampshire St., Lawrence, KS Check listings – several shows are sold out.]

  1. Duncan Burnett – “Goodbye”
    from: “Goodbye” – Single / R.I.O.T LLC / August 16, 2024
    [Olathe, KS based hip hop artist, singer, songwriter, producer, musician, drummer. // Duncan Burnett s the drummer and member of Making Movies. He also has produced music for Lava Dreams. // From Tim Finn’s Back To Rockville (KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. Burnett has been performing live since he was 7. Live music, he said, is in his blood. Duncan released the EP One of These Days on Apppril 10, 2020, it was a follow up to his 2018 EP, The Almighty.]
Screenshot
  1. Folk Bitch Trio – “God’s A Different Sword”
    from: “God’s A different Sword” – Single / Folk Bitch Trio / August 14, 2024
    [“Boygenius if it was from the 40’s or something” – Phoebe Bridgers // “Design a new folk-pop sensation? Oh wait, it already exists” – Sydney Morning Herald // “There’s just something so delightfully unexpected about a group whose music is resplendent in such gorgeous harmonies and confessional songwriting having such a prickly name. Folk Bitch Trio wish to upend expectations.” – Rolling Stone // Melbourne, Australia based Folk Bitch Trio continue expanding their musical odyssey, announcing an expansive world tour this September to November, with new single and video “God’s A Different Sword.” // The partnership of Gracie Sinclair (she/her), Jeanie Pilkington (she/her), and Heide Peverelle (they/them) boast inventive vocal arrangements and warm instrumentation at the striking intersection of the grounded, beyond-their-years conversationalism of Laura Marling and the lightly wrought swirl of Grizzly Bear or The Japanese House. Continuing their ascent today with “God’s A Different Sword,” Folk Bitch Trio showcase their resplendent three-part harmony — signature to their longstanding creative collaboration. // As the trio explain: “‘God’s A Different Sword’ speaks to relinquishing a pattern but indulging in the habit ‘just one more time.’ The song was produced by us and Tom Healy during a fleeting stop in Auckland, Aotearoa this winter, while we were in town supporting Ben Howard. The lyrics are exasperated and questioning, so we wanted them to be held by instrumentation that is optimistic and open. The video, made by our dear friend Bridgette Winten, shows us gallivanting around our stomping grounds in Naarm, where this song was written and born.” // Folk Bitch Trio manifest a unique kinesiology of relaxed indie-folk with a quietly confident, assured underbelly. Born out of what they describe as a “mutual love for songwriting and truth-telling,” most significant to their rise and consistently captivating to their craft is the joy they take in making music together — it surges with the power of friends and collaborators executing a unified vision. // What began as an unserious collaboration at some local shows, has quickly led Folk Bitch Trio to share stages with acts like Alex G, King Gizzard and the Lizard Wizard, Julia Jacklin and Courtney Barnett. In 2023, they released the singles “Analogue” and “I Heard” (which Rolling Stone described as “resplendent in gorgeous harmonies and confessional songwriting), and their 2020 debut “Edie” received a praiseful shout-out from Phoebe Bridgers on triple j. From packed out BIGSOUND showcases, the group performed a triumphant run of shows at SXSW Austin earlier this year. // Folk Bitch Trio’s world tour is a massive undertaking that includes, in order: a series of shows in the UK and Europe including dates with The Teskey Brothers and Cat Clyde as well as a headlining London performance; a support run alongside M. Ward across the U.S.; and a lengthy headlining tour of Australia. / Currently on tour supporting M. Ward.]
  1. Gillian Welch – “Elvis Presley Blues”
    from: Revelator / Acony Records / July 31, 2001
    [3rd full length album by Gillian Welch. All songs were written by Welch together with David Rawlings and were recorded in Nashville, Tennessee. // Gillian Howard Welch (/ˈɡɪliən ˈwɛltʃ/; born October 2, 1967) is an American singer-songwriter. She performs with her musical partner, guitarist David Rawlings. Their sparse and dark musical style, which combines elements of Appalachian music, bluegrass, country and Americana, is described by The New Yorker as “at once innovative and obliquely reminiscent of past rural forms.” // Welch and Rawlings have collaborated on nine critically acclaimed albums, five released under her name, three released under Rawlings’ name, and two under both of their names. Her 1996 debut, Revival, and the 2001 release Time (The Revelator), received nominations for the Grammy Award for Best Contemporary Folk Album. Her 2003 album, Soul Journey, introduced electric guitar, drums, and a more upbeat sound to their body of work. After a gap of eight years, she released a fifth studio album, The Harrow & the Harvest, in 2011, which was also nominated for a Grammy for Best Contemporary Folk Album. In 2020, Welch and Rawlings released All the Good Times (Are Past & Gone), which won the 2021 Grammy Award for Best Folk Album. // Welch was an associate producer and performed on two songs of the soundtrack of the Coen brothers 2000 film O Brother, Where Art Thou?, a platinum album that won the Grammy Award for Album of the Year in 2002. She also appeared in the film attempting to buy a Soggy Bottom Boys record. Welch, while not one of the principal actors, did sing and provide additional lyrics to the Sirens song “Didn’t Leave Nobody but the Baby.” In 2018 she and Rawlings wrote the song “When a Cowboy Trades His Spurs for Wings” for the Coens’ The Ballad of Buster Scruggs, for which they received a nomination for the Academy Award for Best Original Song.]

[Gillian Welch and David Rawlings plays The Folly Theater, 300 West 12th Street, KCMO, on Sunday, Sept. 15, at 7:30pm.]

  1. Comet Tide – “1984EVER”
    from: “1984EVER” – Single / Wonderfuzz / September 13, 2024
    [New KC musical entity made up of members of Wonderfuzz.]

[Comet Tide. Play the St. George & The Dragons play a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO.]

10:30 – Underwriting

Screenshot
  1. St. George & The Dragons – “Leave It All Up To You”
    from: King of Kansas City / Grand Central Bell Records / August 30, 2024
    [Released as a single on June 21, 2024. // A band’s lifespan is on the average two years. But after two years, St. George & The Dragons is just getting started. After four years of writing, rehearsing, and recording, St. George & The Dragons are releasing their debut album – King Of Kansas City, a ten-song album of pure rock and roll influenced by late 70s rock like the Stones and Tom Petty. // The album’s theme comes from a time when Rock ‘n’ Roll ruled the airwaves. It’s about letting go and raising your hand high into the air with your middle finger out to the world as you move on to the next big thing in your life. // Their first single “Leave It All Up To You” will be available on all streaming services June 21! The full-length album will be out August 30 with the vinyl release in September on Grand Central Bell Records. // Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. They found it easy to work together and had similar tastes which led them to produced and engineer an album for Kansas City artist David Luther. In the studio with Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys. // George, Tomek, and Kesler hit it off and started working on material of their own, eventually bringing in guitarist Mike Greene (The Front/Bakers Pink) and vocalist/guitarist Skeet Hanks (Beatin’ Path) to round out the sound. Greene was the lead guitarist in the Front, a band known for their searing guitar and power rock sound. Hanks, from New Orleans fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies. // Influenced by the works of The Stones, Tom Petty & The Heartbreakers, The Beatles, and many other classic rock bands from the 70s and the 80s, St. George & The Dragons came together during the Global Pandemic, giving them time to develop their sound. George, Greene, Hanks, Kesler, and Tomek have all had their share of greatness, from the collective albums they’ve released on major and indie labels to sharing the stage with legends like Paul McCartney, The Replacements, Soul Asylum, Doobie Brothers, The Black Crowes, Derek Trucks Band, Lumineers, Aerosmith, Smithereens, Mother Love Bone, and a list that could fill up a book! // St. George & The Dragons will be following up their release with shows around the Kansas City area later this summer and fall. More information at: http://www.stgeorgeandthedragonsband.com]

[St. George & The Dragons a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO, with Comet Tide opening]

10:35 – Interview with David George

Singer, songwriter, producer, rock and roller, musical theatre creator, David George has toured with the legendary John Fogerty, performing sold out arenas and the “late night” circuit (David Letterman, Jay Leno). David George also released — three EP’s over a twelve month period: Here I Go Again, Won’t Let Go, and Lesson Of Love, with each album adding to the previous (acoustic, band, horns). George gained national attention when the Kansas City Chiefs chose his song “Hey, Kansas City!” to be their touchdown anthem in 2015-16 season. David George has written a Christmas Musical about a Drag Queen, and has performed at The Kansas City Rep Theatre.

David George joins us to shares tracks from his latest recording KING OF KANSAS CITY, the debut album of St. George & The Dragons. Lead singer David George pof the bands: Moaning Lisa, Volker Brothers, and The John Fogerty band, has been working with drummer, producer and engineer Pat Tomek of The Rainmakers, Howard Iceberg, and Deco Auto since 2018 when they recorded three solo EPs for George. While working together producing an album for David Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys. They hit it off! Eventually the trio brought in Mike Greene, lead guitarist of The Front, a band known for their searing guitar and power rock sound, and vocalist/guitarist Skeet Hanks from New Orleans, who fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies. The new 5-piece now has a 10-track debut album on Grand Central Bell Records! St. George & The Dragons play a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO with Comet Tide.

David George thanks for being with us again on WMM.

(Last time David was on the show was on WMM June 26, 2019 to share music from the Volker Brothers new EP Wrecking Ball. Volker Brothers played an EP Release Show Thursday, June 27, at 7:30 in The Gospel Lounge at Kunckleheads.)

Voeks and George first started playing together when one would fill in with the other’s band. Whether it was Erik playing bass and singing backup in David George & A Crooked Mile or David playing guitar and singing backup in Erik Voeks & The Vague Lakes, the two realized they had a musicality in common. Stripping the band back to just the two of them on acoustic guitars enabled them to do a weeks worth of shows in Seattle. They began performing intimate shows around Kansas City, including house concerts and private events, and spreading the word on their melody driven, harmony enriched, acoustic based music. It’s not pop and it’s not folk, but a blend of the two.

St. George & The Dragons – King of Kansas City is 10 powerful rock and roll tunes influenced by Tom Petty & The Heartbreakers, The Stones, Eagles, REO, and many guitar-driven classic bands of the 70s. Eeleased August 30, 2024

David George (vocals/guitar)
Mike Greene (guitar)
Skeet Hanks (vocals/guitar)
Matt Kesler (vocals/bass)
Pat Tomek (drums)

Guest Players:
Lin Buck (piano/organ)
Ken Lovern (Organ)

Produced by David George
Recorded and Engineered by Pat Tomek at Largely Studios – KCMO
Mastered by Duane Trower at Weights & Measures Soundlabs – KCMO
Artwork by Jud Kite – Killer Kite Productions

Thanks to Whitney for all the noise we made while she tried to go about her day. And big thanks to all our wives and better halves!

St. George & The Dragons have been doing this rock ‘n’ roll thing for some time. Five legends in the Kansas City music scene got together to make the biggest sounding, rockingest record they could make. And they did it with their debut album KING OF KANSAS CITY!

A ten-song album of pure rock and roll influenced by late 70s rock like the Stones and Tom Petty as well as a few modern era artists like Chris Stapleton — ones that never seemed to follow trends or expectations.

The theme of KING OF KANSAS CITY comes from a time when Rock ‘n’ Roll ruled the airwaves. It’s about letting go and raising your hand high into the air with your middle finger out to the world as you move on to the next big thing in your life.

Their long-awaited debut album is out NOW on Grand Central Bell Records!

Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. They found it easy to work together and had similar tastes which led them to produced and engineer an album for Kansas City artist David Luther. In the studio with Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys.

George, Tomek, and Kesler hit it off and started working on material of their own, eventually bringing in guitarist Mike Greene (The Front/Bakers Pink) and vocalist/guitarist Skeet Hanks (Beatin’ Path) to round out the sound. Greene was the lead guitarist in the Front, a band known for their searing guitar and power rock sound. Hanks, from New Orleans, fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies.

Influenced by the works of The Stones, Tom Petty & The Heartbreakers, The Beatles, and many other classic rock bands from the 70s and the 80s, St. George & The Dragons came together during the Global Pandemic, giving them time to develop their sound. George, Greene, Hanks, Kesler, and Tomek have all had their share of greatness, from the collective albums they’ve released on major and indie labels to sharing the stage with legends like Paul McCartney, The Replacements, Soul Asylum, Doobie Brothers, The Black Crowes, Derek Trucks Band, Lumineers, Aerosmith, Smithereens, Mother Love Bone, and a list that could fill up a book!

10:44

  1. St. George & The Dragons – “King of Kansas City”
    from: King of Kansas City / Grand Central Bell Records / August 30, 2024
    [David George on vocals/guitar, Mike Greene on guitar, Skeet Hanks on vocals & guitar, Matt Kesler on vocals & bass, and Pat Tomek on drums. With Guest Players: Lin Buck on piano & organ, and Ken Lovern on organ. // Produced by David George. Recorded and Engineered by Pat Tomek at Largely Studios – KCMO. Mastered by Duane Trower at Weights & Measures Soundlabs – KCMO. Artwork by Jud Kite – Killer Kite Productions // A band’s lifespan is on the average two years. But after two years, St. George & The Dragons is just getting started. After four years of writing, rehearsing, and recording, St. George & The Dragons are releasing their debut album – King Of Kansas City, a ten-song album of pure rock and roll influenced by late 70s rock like the Stones and Tom Petty. // The album’s theme comes from a time when Rock ‘n’ Roll ruled the airwaves. It’s about letting go and raising your hand high into the air with your middle finger out to the world as you move on to the next big thing in your life. // Their first single “Leave It All Up To You” will be available on all streaming services June 21! The full-length album will be out August 30 with the vinyl release in September on Grand Central Bell Records. // Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. They found it easy to work together and had similar tastes which led them to produced and engineer an album for Kansas City artist David Luther. In the studio with Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys. // George, Tomek, and Kesler hit it off and started working on material of their own, eventually bringing in guitarist Mike Greene (The Front/Bakers Pink) and vocalist/guitarist Skeet Hanks (Beatin’ Path) to round out the sound. Greene was the lead guitarist in the Front, a band known for their searing guitar and power rock sound. Hanks, from New Orleans fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies. // Influenced by the works of The Stones, Tom Petty & The Heartbreakers, The Beatles, and many other classic rock bands from the 70s and the 80s, St. George & The Dragons came together during the Global Pandemic, giving them time to develop their sound. George, Greene, Hanks, Kesler, and Tomek have all had their share of greatness, from the collective albums they’ve released on major and indie labels to sharing the stage with legends like Paul McCartney, The Replacements, Soul Asylum, Doobie Brothers, The Black Crowes, Derek Trucks Band, Lumineers, Aerosmith, Smithereens, Mother Love Bone, and a list that could fill up a book! // St. George & The Dragons will be following up their release with shows around the Kansas City area later this summer and fall. More information at: http://www.stgeorgeandthedragonsband.com]

[St. George & The Dragons Play a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO, with Comet Tide opening]

10:47 – More Interview with David George

Singer, songwriter, producer, rock and roller, musical theatre creator, David George has toured all over the place with the bands: Moaning Lisa, Volker Brothers, and The John Fogerty band, where he, played on national television, had his music played when the Chiefs scored a touch down, has written a Christmas Musical about a Drag Queen, and has performed at The Kansas City Rep Theatre.

David George joins us to shares tracks from his latest recording KING OF KANSAS CITY, the debut album of St. George & The Dragons. St. George & The Dragons play a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO with Comet Tide.

David George thanks for being with us again on WMM.

David George on vocals/guitar,
Mike Greene on guitar,
Skeet Hanks on vocals & guitar,
Matt Kesler on vocals & bass, and
Pat Tomek on drums.

With Guest Players: Lin Buck on piano & organ, and Ken Lovern on organ. //

Produced by David George. Recorded and Engineered by Pat Tomek at Largely Studios – KCMO. Mastered by Duane Trower at Weights & Measures Soundlabs – KCMO. Artwork by Jud Kite – Killer Kite Productions

A band’s lifespan is on the average two years. But after two years, St. George & The Dragons is just getting started. After four years of writing, rehearsing, and recording, St. George & The Dragons are releasing their debut album – King Of Kansas City, a ten-song album of pure rock and roll influenced by late 70s rock like the Stones and Tom Petty.

The album’s theme comes from a time when Rock ‘n’ Roll ruled the airwaves. It’s about letting go and raising your hand high into the air with your middle finger out to the world as you move on to the next big thing in your life.

Their first single “Leave It All Up To You” will be available on all streaming services June 21! The full-length album will be out August 30 with the vinyl release in September on Grand Central Bell Records.

Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. They found it easy to work together and had similar tastes which led them to produced and engineer an album for Kansas City artist David Luther. In the studio with Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys.

George, Tomek, and Kesler hit it off and started working on material of their own, eventually bringing in guitarist Mike Greene (The Front/Bakers Pink) and vocalist/guitarist Skeet Hanks (Beatin’ Path) to round out the sound. Greene was the lead guitarist in the Front, a band known for their searing guitar and power rock sound. Hanks, from New Orleans fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies.

Influenced by the works of The Stones, Tom Petty & The Heartbreakers, The Beatles, and many other classic rock bands from the 70s and the 80s, St. George & The Dragons came together during the Global Pandemic, giving them time to develop their sound. George, Greene, Hanks, Kesler, and Tomek have all had their share of greatness, from the collective albums they’ve released on major and indie labels to sharing the stage with legends like Paul McCartney, The Replacements, Soul Asylum, Doobie Brothers, The Black Crowes, Derek Trucks Band, Lumineers, Aerosmith, Smithereens, Mother Love Bone, and a list that could fill up a book!

St. George & The Dragons will be following up their release with shows around the Kansas City area later this summer and fall.

St. George & The Dragons played the Nelson Atkins Museum of Art “Lawn Party” Kansas City, MO Sunday, July 21.

David George thanks for being with us again on WMM.

St. George & The Dragons Play a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO, with Comet Tide opening.

10:56

Screenshot
  1. St. George & The Dragons – “Put a Little Lovin’ In”
    from: King of Kansas City / Grand Central Bell Records / August 30, 2024
    [David George on vocals/guitar, Mike Greene on guitar, Skeet Hanks on vocals & guitar, Matt Kesler on vocals & bass, and Pat Tomek on drums. With Guest Players: Lin Buck on piano & organ, and Ken Lovern on organ. // Produced by David George. Recorded and Engineered by Pat Tomek at Largely Studios – KCMO. Mastered by Duane Trower at Weights & Measures Soundlabs – KCMO. Artwork by Jud Kite – Killer Kite Productions // A band’s lifespan is on the average two years. But after two years, St. George & The Dragons is just getting started. After four years of writing, rehearsing, and recording, St. George & The Dragons are releasing their debut album – King Of Kansas City, a ten-song album of pure rock and roll influenced by late 70s rock like the Stones and Tom Petty. // The album’s theme comes from a time when Rock ‘n’ Roll ruled the airwaves. It’s about letting go and raising your hand high into the air with your middle finger out to the world as you move on to the next big thing in your life. // Their first single “Leave It All Up To You” will be available on all streaming services June 21! The full-length album will be out August 30 with the vinyl release in September on Grand Central Bell Records. // Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. They found it easy to work together and had similar tastes which led them to produced and engineer an album for Kansas City artist David Luther. In the studio with Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys. // George, Tomek, and Kesler hit it off and started working on material of their own, eventually bringing in guitarist Mike Greene (The Front/Bakers Pink) and vocalist/guitarist Skeet Hanks (Beatin’ Path) to round out the sound. Greene was the lead guitarist in the Front, a band known for their searing guitar and power rock sound. Hanks, from New Orleans fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies. // Influenced by the works of The Stones, Tom Petty & The Heartbreakers, The Beatles, and many other classic rock bands from the 70s and the 80s, St. George & The Dragons came together during the Global Pandemic, giving them time to develop their sound. George, Greene, Hanks, Kesler, and Tomek have all had their share of greatness, from the collective albums they’ve released on major and indie labels to sharing the stage with legends like Paul McCartney, The Replacements, Soul Asylum, Doobie Brothers, The Black Crowes, Derek Trucks Band, Lumineers, Aerosmith, Smithereens, Mother Love Bone, and a list that could fill up a book! // St. George & The Dragons will be following up their release with shows around the Kansas City area later this summer and fall. More information at: http://www.stgeorgeandthedragonsband.com]

[St. George & The Dragons a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO, with Comet Tide opening]

11:00 – Station ID

  1. The Nation of Ulysses – “the sound of Jazz to come”
    from: Plays Pretty for Baby / Dischord / October 6, 1992
    [The Nation of Ulysses was an American punk rock band from Washington, D.C., formed in spring 1988 with four members. Originally known as simply Ulysses, the first mark of the group consisted of Ian Svenonius on vocals and trumpet, Steve Kroner on guitar, Steve Gamboa on bass guitar, and James Canty on drums. Tim Green joined the band late in 1989 as a guitarist and the band became “Nation of Ulysses.” Nation of Ulysses disbanded in the autumn of 1992, having failed to complete their third album. After the breakup, Svenonius, Canty, and Gamboa went on to form the short-lived Cupid Car Club and The Make-Up. Tim Green went on to help create The Fucking Champs, a mostly-instrumental trio out of San Francisco, and later Concentrick, a solo project with a focus on ambient music. // Nation of Ulysses was known for their far-left politics, their extremely physical live performances, and their unique take on punk culture and fashion. In total, Nation of Ulysses released three full-length albums, and two vinyl EPs released on Dischord Records, and were featured on a number of compilation albums on a variety of record labels. // The band formed in spring 1988, initially composed of four members – Ian Svenonius on vocals and trumpet, Steve Kroner on guitar, Steve Gamboa on bass guitar, and James Canty on drums – and known simply as “Ulysses.” In late 1989, Tim Green joined the band as a second guitarist and the band was renamed to “Nation of Ulysses.” // In 1990, before the band released any official albums, Ian Svenonius was featured as teen-oriented Sassy Magazine’s first “Sassiest Boy in America.” He was interviewed at length in the magazine’s October issue, going into some depth about the band’s sound and political motivations. // In 1991 they released their first full-length album, 13-Point Program to Destroy America on Dischord Records. This was followed a year later by Plays Pretty for Baby, also on Dischord. During the recording of the band’s follow-up to Plays Pretty for Baby, Steve Kroner left the band. The remaining quartet continued to record, but eventually dissolved in 1992. In a later interview, Svenonius explained the reason for the split: “Nation of Ulysses broke up because the epoch changed with the advent of digital music and the Nirvana explosion. We were faced with what’s now known as indie rock, a sort of vacuous form. We had to determine our next move and this [the forming of the Make-Up] is it.” // After the band’s dissolution, Svenonius went on to form the short-lived Cupid Car Club with James Canty and Steve Gamboa, the Make-Up (again with Canty and Gamboa), and Weird War. Green went on to become an engineer and record producer and joined the prog-heavy metal band The Fucking Champs. // Though relatively short-lived, Nation of Ulysses’ influence has been substantial: they have been cited as influences for bands such as Glassjaw, The (International) Noise Conspiracy, The Hives, Thursday, Refused, Boysetsfire, Bikini Kill, Rocket From The Crypt, Antioch Arrow, The Locust, Death From Above 1979, At The Drive-in, LCD Soundsystem, Bis and Huggy Bear, among many others. // During Nation of Ulysses’ four years of activity, they released only two full-length albums: 13-Point Program to Destroy America in 1991 and Plays Pretty for Baby in 1992, both released on Dischord Records. After releasing Plays Pretty for Baby, the band began recording a third full-length album, but Steve Kroner separated from the band before recording was completed. The remaining quartet continued to record, but the group eventually dissolved before the record’s completion. In 2000, six songs from those sessions, in addition to four new tracks recorded live, were compiled and released posthumously as The Embassy Tapes. // In addition to their three full-length albums, Nation of Ulysses released two vinyl EPs. The first, a self-titled EP, was the band’s first official release, but went out of print when the three tracks from it were included in 13-Point Program to Destroy America. The second EP, released in 1992 under the title The Birth of the Ulysses Aesthetic (the synthesis of speed and transformation), also went out of print when its tracks were later released on Plays Pretty for Baby.[10] The band were also featured in a number of compilation albums on a variety of record labels. // In 1992, NOU was on tour with Bikini Kill, and when they arrived in Memphis, the found that the promoter for the show hadn’t actually promoted the show. So, while out on the town flyering the streets and ducking into record stores, NOU ran into Primal Scream, a band which had been in town recording their own album. Primal Scream then decided to attend NOU’s show at the Antenna Club, and then proceeded to invite NOU to record with them in the studio the next day. Nation of Ulysses then recorded five songs with Primal Scream in nine hours, though of course only after a quick errand for some tin foil for the members of Primal Scream to smoke a bit of crack, according to Tim Green. These recordings are known as Memphis Demos, and include the demos of N-Sub Ulysses, 50,000 Watts, Mockingbird, Yeah, and Shakedown.]

11:05 – Guest DJ – Tucker Slough

We welcomes Tucker Slough as a special Guest DJ. Tucker Slough is a veteran of the Kansas City Music Community. His father is Fred Slough a well know Kansas City Attorney. Fred was part of the progressive law firm Slough Conneally Irwin and Madden who had offices above The Corner Restaurant in Westport, back when Westport was progressive and cool. // The late Kathleen Conneally was an Attorney for KKFI in our early years. Kay Madden was a regular contributor to KKFI’s The Tenth Voice for over a decade. // Tucker Slough is a KC based MC, drummer, and actor.

Tucker released his 8-track album, all of us ends up as all of us, on September 30, 2023. Tucker released his 13-track album, Municipal Bonds on December 26, 2022 in collaboration with Sloan Myers who provided Beats and cuts. He released his 5-track EP, Lx Obvix, on January 15, 2022. Tucker released his 16-track album, DraculaVision, on June 16, 2021. A veteran of the Kansas City music community, Tucker has previously released the 23-track album, Sloughterhouse V, in 2007, the 15-track album, The Sloughvinci Code, from 2007-2008, and the 28-track album Neonderthal in 2014. Tucker Slough has also released two vinyl albums: EPs 1 & 2, and EPs 3 & 4, with Shante’ Clair for their experimental Chicago/Kansas City band, ShinyJets. Info at: http://www.tuckerslough.bandcamp.com

Tucker Slough Thanks for being with us on Wednesday MidDay Medley

We just heard The Nation of Ulysses

Coming up Tucker will spin tracks from: Nation of Ulysses, Big Black, Bellini, Jesus Lizard, Joanna Newsom, US Maple, Luge, Ava Luna, and Lx Obvix.

Tucker’s music is incredibly original, theatrical, hilarious, political, making social commentary with song, and the poetry of hip

Tucker is an Actor. Tucker is a drummer. Tucker Slough is a husband and father

Tucker was part of the band ShinyJets an experimental rock band formed in Chicago in 2004 when drummer Tucker Slough encountered Singer/Guitarist Shanté Clair performing at a party thrown by a mutual friend in the Rogers Park area. The two struck up a friendship and began trying to incorporate Tucker’s drumming into Shanté’s existing solo project, The Maybe. Soon they began writing new songs and pushing their musical ideas further, incorporating looping pedals and other electronics until they had compiled a number of songs. Some time afterwards, Tucker moved back to his hometown of Kansas City and Shanté left Chicago to live in New York for a number of years. Around 2014, the two began working on new songs together, with Shanté writing songs that Tucker would then add drums parts to and send back via Dropbox. Within a short time the material they were creating began to take shape and discussions began about re-establishing the band. In March of 2015 Shanté packed up and moved to Kansas City to begin work on the project that would assume the moniker Shiny Jets. Incorporating songs written back in Chicago and those songs written long distance between New York and Kansas City, the two began adding layers of sampling and further experimentation with even more complex looping and arrangements. Currently Shiny Jets are no longer a band.

Tucker Slough Discography

all of us ends up as all of us, released September 30, 2023
8-track album,

Municipal Bonds, released December 26, 2022
13-track album made in collaboration with Sloan Myers who provided Beats and cuts.

Lx Obvix, released January 15, 2022
5-track EP,

DraculaVision, released June 16, 2021
16-track album

Sloughterhouse V, released in 2007
23-track album, Produced by Tucker Slough in Chicago and Kansas City. Featuring the cartoon bear. http://www.neonderthalkcmo.bandcamp.com

Tucker Slough: The Sloughvinci Code, released 2007-2008
15-track album, recorded in KCMO 2007, 2008 in a house near Topp Boom’s crib. All production by Tucker Slough. Rhymes by Tucker Slough.

Sloughchwitz, released in 2009-ish
Sloughschwitz is a concept album recorded in and around Kansas City in 2009-ish, at a time when Tucker Slough was obsessively studying the bizarre and fascinating, crypto-right wing extremist Lyndon Larouche cult, and observing in horror the growth of the right-wing extremism in the United States and around the world. All music and rhymes by Tucker Slough except Negro Sco verse on his cameo song. This album has a conspicuous absence of the cartoon bear.

Neonderthal, released in 2014
28-track album, Produced by Luke Rocha and Tucker Slough, compact disc and digital download available at- http://www.neonderthalkcmo.bandcamp.com. Recorded in KC, 2014. Symbol Heavy Recordings

Tucker Slough has also released two vinyl albums:
EPs 1 & 2, and EPs 3 & 4, with Shante’ Clair for their band, ShinyJets.

Tucker Slough Thanks for being with us on Wednesday MidDay Medley

Info at: http://www.tuckerslough.bandcamp.com

11:09

  1. Big Black – “Kerosene”
    from: Automizer (Remastered) / Touch and Go Records / June 1, 1985
    [Atomizer is the debut full-length album by American punk rock group Big Black released in 1986. Steve Albini on vocals, guitar, drum machine programming (1981–1987; died 2024); bass guitar (1981–82); Jeff Pezzati on bass guitar, backing vocals (1983–84)
    Santiago Durango on guitar, backing vocals (1983–1987) Dave Riley on bass guitar, backing vocals (1985–1987; died 2019). // The band’s drum machine is credited as “Roland” on their releases. // Big Black was an American punk rock band from Evanston, Illinois, active from 1981 to 1987. Founded first as a solo project by singer and guitarist Steve Albini, the band became a trio with an initial lineup that included guitarist Santiago Durango and bassist Jeff Pezzati, both of Naked Raygun. In 1985, Pezzati was replaced by Dave Riley, who played on Big Black’s two full-length studio albums, Atomizer (1986) and Songs About Fucking (1987). // Big Black’s aggressive and abrasive music was characterized by distinctively clanky guitars and the use of a drum machine rather than a drum kit, elements that foreshadowed industrial rock. The band’s lyrics flouted commonly held taboos and dealt frankly—and often explicitly—with politically and culturally loaded topics including murder, rape, child sexual abuse, arson, racism, and misogyny. Though the band’s lyrics contained controversial material, the lyrics were meant to serve as a commentary or a display of distaste for the subject matter. They were staunchly critical of the commercial nature of rock, shunning the mainstream music industry and insisting on complete control over all aspects of their career. At the height of their success, they booked their own tours, paid for their own recordings, refused to sign contracts, and eschewed many of the traditional corporate trappings of rock bands. In doing so, they had a significant impact on the aesthetic and political development of independent and underground rock music. // In addition to two studio albums, Big Black released two live albums, two compilation albums, four EPs, and five singles, all through independent record labels. Most of the band’s catalog was kept in print through Touch and Go Records for years following their breakup.// Big Black was founded by Steve Albini in 1981 during his second year of college at Northwestern University. Albini had become a fan of punk rock during his high school years in Missoula, Montana, and taught himself to play bass guitar in the fall of 1979, his senior year, while recuperating from a badly broken leg resulting from being struck by a car while riding his motorcycle. Moving to Evanston, Illinois the following year to pursue a journalism degree and fine art minor at Northwestern, Albini immersed himself in the fledgling Chicago punk scene and became a devoted fan of the band Naked Raygun. He also DJ’d for the campus radio station, from which he was repeatedly fired for playing loud and abrasive music during the morning time slot as well as not completing the required logs. He also wrote a controversial column titled “Tired of Ugly Fat?” for the Chicago zine Matter, publishing confrontational rants about the local music scene which polarized readers into either respecting or hating him. // A Roland TR-606 drum machine, the model Albini used to create Big Black’s drum sound // Albini began playing in college bands, including a short-lived “arty new wave” act called Stations that featured a drum machine. Seeing the advantage in a machine that could play incredibly fast without tiring, always kept a steady beat, and would follow commands exactly, he purchased a Roland TR-606 drum machine and began writing what would become the first Big Black songs. However, he was unable to find other musicians who could play the songs to his satisfaction, later stating in Forced Exposure that “I couldn’t find anybody who didn’t blow out of a pig’s asshole.” Instead, in the spring of 1981, he bought a guitar, borrowed a four-track multitrack recorder from a friend in exchange for a case of beer, and spent his spring break week recording the Lungs EP in his living room, handling the guitar, bass, and vocals by himself and programming the Roland TR-606 to provide the drum sound. Influenced by bands like Cabaret Voltaire, Killing Joke, and the Cure, the EP is described by Our Band Could Be Your Life author Michael Azerrad as “cold, dark, and resolutely unlistenable”, with the lyrics describing child abusers and other controversial topics, and Albini later regarded the effort as one of his few artistic regrets. // Albini named his new musical project Big Black, calling the moniker “just sort of a reduction of the concept of a large, scary, ominous figure. All the historical images of fear and all the things that kids are afraid of are all big and black, basically.” He used the Lungs tape to try to enlist other musicians to the project, briefly recruiting Minor Threat guitarist Lyle Preslar who was attending Northwestern, but the two proved incompatible as musicians. Albini passed Lungs on to John Babbin of the small local label Ruthless Records, who released 1,500 copies of the EP in December 1982 with random objects such as dollar bills, used condoms, photographs of Bruce Lee, and bloody pieces of paper thrown into the inserts.]
  1. Bellini – “Rut Row”
    from: Snowing Sun / Monitor Records / September 10, 2002
    [Bellini is an international indie rock/math rock band, composed of members from Girls Against Boys, Soulside and Uzeda. This band was named after the Italian composer Vincenzo Bellini. // The band was formed after Damon Che’s previous band Don Caballero went on hiatus. To start a new outfit he called upon the Italian guitarist Agostino Tilotta. They were joined by Tilotta’s wife Giovanna Cacciola (vocals) while Che brought in Matthew Taylor on bass. The four-piece got together with Steve Albini who produced their debut album Snowing Sun, released in 2002. During the subsequent North American tour drummer Che left and was replaced by Alexis Fleisig. In 2005 the band released the album Small Stones, followed by The Precious Prize of Gravity in 2009. Both recorded with the assistance of Steve Albini. A new record was planned for sometime in 2015. // Members: Giovanna Cacciola on vocals, Alexis Fleisig on drums, Matthew Taylor on bass, Agostino Tilotta on guitar, Damon Che on drums (2001—2002). // Official releases: Snowing Sun, (Monitor Records, Palace Records, 2002), Small Stones, (Temporary Residence Limited, 2005), The Buffalo Song/Never Again 7″ single (Radio is Down, 2004), The Precious Prize of Gravity, (Temporary Residence Limited, 2009), and Before The Day Has Gone, (Temporary Residence Limited, 2018).]

11:17 – Guest DJ – Tucker Slough

We welcome Tucker Slough as a special Guest DJ. Tucker Slough is a veteran of the KC Music Community. His father is Fred Slough a well know Kansas City Attorney. Fred was part of the progressive law firm Slough Conneally Irwin and Madden who had offices above The Corner Restaurant in Westport, back when Westport was progressive and cool. // The late Kathleen Conneally was an Attorney for KKFI in our early years. Kay Madden was a regular contributor to KKFI’s The Tenth Voice for a decade. //

Tucker’s music is incredibly original, theatrical, hilarious, political, making social commentary with song, and the poetry of hip.

Tucker is an Actor. Tucker is a drummer. Tucker Slough is a husband and father

Tucker Slough Thanks for being with us on Wednesday MidDay Medley

11:20

  1. The Jesus Lizard – “Then Comes Dudley”
    from: GOAT / Touch and Go Records / March 15, 1991
    [Austin, Texas based band with David Yow, David Wm. Sims, Duane Denison, Mac McNeilly, and past members: Jim Kimball, and Brendan Murphy. // The Jesus Lizard is an American rock band formed in 1987 in Austin, Texas by vocalist David Yow, guitarist Duane Denison and bassist David Wm. Sims. They relocated to Chicago, Illinois, in 1989, where they found kindred spirits in recording engineer Steve Albini and Touch and Go Records. With the addition of drummer Mac McNeilly, they began performing live, eventually attracting an international audience with their powerful live show. // The Jesus Lizard were “a leading noise rock band in the American independent underground…[who] turned out a series of independent records filled with scathing, disembowelling, guitar-driven pseudo-industrial noise.” The albums Goat (1991) and Liar (1992) have since been recognized as two of the most significant noise rock albums of their decade. // Drummer Jim Kimball replaced McNeilly late in 1996, and was himself replaced by Brendan Murphy two years later, with McNeilly returning to drums for their reunion shows years later. Despite releasing a split single with leading alt-rockers Nirvana and signing to Capitol Records, the band failed to find commercial success amid the alternative rock explosion of the 1990s and disbanded in 1999. Their reunion tour ten years later garnered positive responses from audiences and critics. The band performed another reunion tour in 2017 and 2019. // The band began in Austin, Texas, when guitarist Duane Denison asked David Yow, formerly of Scratch Acid, to play bass on some songs he wanted to record. Yow suggested that he sing and have former Scratch Acid bassist David Wm. Sims play bass instead. The resultant group took its name from a common nickname for the basilisk, a type of lizard that can run on water. The trio rehearsed several times in Austin with a drum machine. Yow and Sims moved to Chicago in 1988, and Denison followed the next year. // Their first EP, Pure, was recorded by Albini and released by Touch & Go in 1989. It is the only record by the band that uses a drum machine. Drummer Mac McNeilly, formerly of Phantom 309, was recruited and the band played its first live show on July 1, 1989. Albini recorded the band’s next four albums – Head (1990), Goat (1991), Liar (1992), and Down (1994). During this era the group also released a live record, Show, and a split single with Nirvana, Puss/Oh, the Guilt. // The band signed to Capitol Records in 1995, recording the song “Panic in Cicero” for the Clerks soundtrack and making appearances at Lollapalooza shortly thereafter. Impressed by his work on The Melvins’ Stoner Witch album, the band hired producer Garth Richardson to record their next record, Shot, the following year. While rumors that Albini refused to work with the band due to their involvement with a major label persisted, both Albini and the group have stated this to be false. // McNeilly left the band in late 1996, citing exhaustion from touring and the desire to spend more time with his family.[He was replaced by Jim Kimball, of Mule and Denison’s side project, The Denison/Kimball Trio. // After more heavy touring the following year, this lineup recorded 1998’s self-titled EP, their only record whose title is not a four-letter word, on Jetset Records. The EP featured production and engineering by Andy Gill of Gang of Four, John Cale, and Jim O’Rourke. Later that year, the band released the album Blue, also recorded by Gill. A departure, the record explored their experimental instincts previously hinted at on earlier songs like “Happy Bunny Goes Fluff-Fluff Along” and “White Hole”. // In August 1998 Kimball left the group and was replaced by Chicago-based drummer Brendan Murphy, formerly of the Wesley Willis Fiasco. They embarked on several more months of heavy touring, playing the final gig of their initial career at the Umeå Open festival in Umeå, Sweden, on March 27, 1999. After being dropped from Capitol Records mid-contract, the band announced its split the following June.]
  1. Joanna Newsom – “Bridges and Balloons”
    from: The Milk-Eyed Mender / Drag City / March 23, 2004
    [Debut album from Joanna Newsom (born January 18, 1982) is an American singer-songwriter and actress. Born and raised in Northern California, Newsom was classically trained on the harp in her youth and began her career as a keyboardist in the San Francisco-based indie band the Pleased. // After recording and self-releasing two EPs in 2002, Newsom signed to the independent label Drag City. Her debut album, The Milk-Eyed Mender, was released in 2004 to acclaim and garnered Newsom an underground following. She received wider exposure with Ys (2006), which reached number 134 on the Billboard 200 and was nominated for a 2007 Shortlist Music Prize. She continued releasing albums with Have One on Me in 2010 and Divers in 2015. // Newsom has been noted by critics for her unique musical style, sometimes characterized as progressive folk, and for her harp instrumentation. She has also appeared as an actress with roles in the television series Portlandia and in the 2014 film Inherent Vice. // Newsom was born in Grass Valley, California. Her parents, both doctors, were “progressive-minded professionals” who previously lived in the San Francisco Bay Area. Newsom was raised in Nevada City along with her older brother, Peter, and younger sister, Emily. She is the second cousin, twice removed, of Gavin Newsom, Governor of California. // As a child, Newsom was not allowed to watch television or listen to the radio. She describes her parents as “kind of idealists when it came to hoping they could protect us from bad influences, like violent movies, or stupid stuff.” She listened to music from a young age. Her father played the guitar, and her mother was a classically trained pianist who played the hammered dulcimer, the autoharp and conga drums. Newsom attended a Waldorf school where she studied theater and learned to memorize and recite long poems. // At five, Newsom asked her parents if she could learn to play the harp. Her parents eventually agreed to sign her up for harp lessons, but the local harp instructor did not want to take on such a young student and suggested she learn to play the piano first. She did, and later moved on to the harp which she “loved from the first lesson onward.” She first played on smaller Celtic harps until her parents bought her a full-size pedal harp in the seventh grade. // After high school, she studied composition and creative writing at Mills College, where she played keyboards in The Pleased. She dropped out, however, to focus on her music and returned to live with family in Nevada City. // n 2002–03, after appearing as a guest musician on Nervous Cop’s self-titled collaboration album, Newsom recorded two EPs, Walnut Whales and Yarn and Glue. These homemade recordings were intended to serve as a document of her early work and were not intended for public distribution. At the suggestion of Noah Georgeson, her then-boyfriend and recording engineer of the EP, she burned several copies to sell at her early shows. Newsom’s friend and bandmate in Golden Shoulders, Adam Kline, gave one of her CDs to Will Oldham at a show in Nevada City. Oldham was impressed with Newsom’s music and asked her to tour with him. He also gave a copy of the CD to the owner of Drag City, his record label. Drag City signed Newsom and released her debut album The Milk-Eyed Mender in 2004. // Shortly thereafter, Newsom toured with Devendra Banhart and Vetiver to promote the album and made an early UK appearance at the Green Man Festival in Wales.[19] The tour was the subject of the 2011 documentary, The Family Jams. In December 2004, she performed with Smog and Weird War at Drag City’s “It’s a Wonderful Next Life” Christmas party. She also appeared as a guest musician on Vetiver’s 2004 self-titled album, and the following year, on Vashti Bunyan’s Lookaftering (2005). The track “Sprout and the Bean” was featured in the 2008 horror film The Strangers. // The Milk-Eyed Mender had sold 200,000 copies as of 2010 and helped her garner an underground following. The album was remarked as a “neo-folk benchmark” by music historian John Morrish in 2007 and was named the 12th best folk album of all time by NME. // Her second album, Ys (/iːs/), was released in November 2006, also by Drag City. The album features orchestrations and arrangements by Van Dyke Parks, engineering from Steve Albini and mixing by Drag City label-mate Jim O’Rourke. On a road trip, Bill Callahan recommended she listen to the album Song Cycle by Parks, which led to him being chosen to arrange her work on Ys. To support Ys, Newsom performed the album live in 2008 with the Brooklyn Philharmonic in New York City and with the Sydney Symphony Orchestra in Sydney, Australia. Ys garnered Newsom wider exposure, charting at number 134 on the Billboard 200. The album was also nominated for a 2007 Shortlist Music Prize. As of 2010, Ys had sold 250,000 copies. // In 2009, she appeared in the music video for the song “Kids” by the group MGMT. Also in 2009, Newsom appeared as a guest harpist on the Moore Brothers’ album Aptos and played piano on Golden Shoulders’ Get Reasonable. Newsom provided additional vocals for The Lonely Island’s song “Ras Trent” during this period as well. On March 28, 2009, she performed over two hours of new material at an unannounced concert in Big Sur, California with fellow Nevada City singer-lyricist Mariee Sioux under the pseudonym the Beatles’s. Those in attendance reported that about one-third of her new material was played primarily on piano, with a backing arrangement of banjo, violin, guitar and drums. On February 11, 2010, Pitchfork Media reported that Newsom would be the subject of a tribute book titled Visions of Joanna Newsom which was published by Roan Press and features a contribution from author and publisher Dave Eggers. Newsom’s third studio album, Have One on Me, was released on February 23, 2010, in North America.[39] A triple album recorded in Tokyo in 2009, it consists of over two hours of songs. Writing for the Los Angeles Times, Ann Powers praised the album’s variety, adding: “Newsom uses the songwriter’s default mode to explore how traditional love, for women, can be both the beginning and the end of possibility: a way to escape home and be exiled from it; to welcome children or be burdened by fertility; to be entrusted with secrets, or betrayed.” Throughout 2010, she toured Europe and North America to promote the record, supported by a five-piece band, and also appeared as a guest composer on the album How I Got Over by the Roots, released in June of that year. She was also selected by Matt Groening to perform at the edition of the All Tomorrow’s Parties festival he curated in May 2010 in Minehead, England. In December 2010, a tribute album of Newsom covers was released as a digital download. Artists involved include M. Ward, Billy Bragg, Francesco Santocono, Guy Buttery and Owen Pallett, with all proceeds going to Oxfam America’s Pakistan Flood Relief Efforts. On July 19, 2011, Newsom’s second single, “What We Have Known,” was released on 12″ vinyl. The single was originally the b-side to her first single, “Sprout and the Bean”.[43] In June 2011, she filmed her second music video (for the song “Good Intentions Paving Company”) with directors Karni & Saul.[44] Newsom was selected by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow’s Parties festival that he curated in March 2012 in Minehead, England. In late 2011, Newsom contributed vocals to “The Muppet Show Theme” for The Muppetsand appeared on the cover of the 10th anniversary issue of Under the Radar with Robin Pecknold. // Newsom began 2012 with television appearances on Austin City Limits (on January 21) and Portlandia (on February 7). // On June 25, 2012, she performed at the Warfield Theatre in San Francisco with Philip Glass and Tim Fain as part of a benefit for the Henry Miller Memorial Library. She performed a new song at the concert tentatively titled The Diver’s Wife, a love story concerning pearl hunting, which would eventually become the title track from her next album, Divers. On October 14, she performed another new song tentatively called “Look and Despair” at the Treasure Island Festival, which was renamed “Sapokanikan” and released as the lead single from Divers. //Newsom appeared on a track titled “Kindness be Conceived” on Thao and the Get Down Stay Down’s album We the Common, released in February 2013.[52] In March 2013, Newsom contributed to the song “The Man Who Ran the Town” from the album Why Do Birds Suddenly Appear by British skinhead band Hard Skin. // She appeared in and narrated the 2014 film Inherent Vice, directed by Paul Thomas Anderson. Peter Travers of Rolling Stone called Newsom’s narration in the film “gorgeously rendered.” Newsom’s fourth record, Divers, was released on October 23, 2015. The album peaked at number one on the Billboard Alternative Albums chart and topped her previous best sales week (Ys’s debut). // On December 8, 2015, she performed “Leaving the City” from the album on The Late Show with Stephen Colbert On March 22, 2023, she performed a surprise set as Fleet Foxes’ opener during their Spring Recital show in Los Angeles, performing five new songs tentatively titled “Bombs Are Whistling”, “Marie at the Mill”, “Little Hand”, “The Air Again”, and “No Wonder”. On May 18, 2024, during concert performances of mainly children’s song covers, Newsom debuted two original songs: “Home Economics” and “Rovenshere”.]

11:28 – Underwriting

11:30 – Guest DJ – Tucker Slough

We welcome Tucker Slough as a special Guest DJ. Tucker Slough is a veteran of the KC Music Community. His father is Fred Slough a well know Kansas City Attorney. Fred was part of the progressive law firm Slough Conneally Irwin and Madden who had offices above The Corner Restaurant in Westport, back when Westport was progressive and cool. // The late Kathleen Conneally was an Attorney for KKFI in our early years. Kay Madden was a regular contributor to KKFI’s The Tenth Voice for a decade. //

Tucker Slough Thanks for being with us on Wednesday MidDay Medley

11:33

  1. US Maple – “Sweet and Center”
    from: Purple On Time / Drag City Records / November 4, 2003
    [Chicago, based band active from 1995–2007 with Al Johnson, Mark Shippy, Todd Rittman, Adam Vida, and past member Pat Samson. // According to singer Al Johnson, the album’s title is meant to elicit connotations of emotion, as, to him, purple is an emotional color. The “on time” aspect of the title is meant to evoke sexual associations related to climax. Al Johnson describes the records as a “love record,” and contends that the band intended to make an album of love songs, but their intention went unnoticed. // U.S. Maple was an American noise rock band. The group formed in Chicago in 1995. The band consists of Al Johnson (lead singer), Mark Shippy (guitarist), Pat Samson (drummer), and Todd Rittmann (guitarist). // U.S. Maple was formed in 1995 at DeKalb’s Northern Illinois University by former members of Shorty and the Mercury Players. Two members from each band met at the corner of Grand and Western Avenues, and as the band would reveal later on their website, began discussing how the group could erase rock and roll from their collective minds. The assembled group set out to devise a working method for reorganizing Rock and Roll, keeping only what they felt were its most important core elements. Recognizing they were kindred spirits, the group decided then and there to unite in an attempt to realize some of their musical ambitions. // U.S. Maple inherited vocalist Al Johnson and guitarist Mark Shippy from Shorty, while drummer Pat Samson and second guitarist Todd Rittman were transplants from the Mercury Players. The band’s first recording came in the form of a two-song 7″ single produced by Doug Easley and recorded in September 1995 at Easley Studios in Memphis, Tennessee (during these sessions a cover version of AC/DC’s “Sin City” was also recorded, and eventually released on Skin Graft’s “Sides 1-4″ 7” compilation). U.S. Maple’s first single featured the songs “Stuck” and “When a Man says Ow!” The independent label Skin Graft Records took an interest in the band and signed them to the label, releasing the “Stuck” single in the fall of 1995. // The band recorded their first album, Long Hair in Three Stages, late in 1995 at Illinois’ Solid Sound Studios located in Hoffman Estates. The album was produced by indie music producer and future Sonic Youth guitarist Jim O’Rourke, and was fueled with jarring guitar noodling, vocal wheezes and howls, and spastic drumming — all staples of the band’s elastic song structures. Skin Graft released the album in October 1995 in both vinyl and CD formats; the vinyl pressings included a bonus track and hand-made sheet metal jackets manufactured by the bandmembers themselves. The band then embarked on a six-week, twelve country, European tour in support of their first album. While in England, the band recorded a Peel session for John Peel’s BBC Radio 1 show. // When the band returned home from their European tour they recorded a second single featuring a cover of the 1961 Dion and the Belmonts hit “The Wanderer”, as well as an original composition, “Whoa Complains.” In 1997, the band returned to Solid Sound Studios to record their second album, again with producer Jim O’Rourke. This session produced the album Sang Phat Editor, which was released by Skin Graft Records in June 1997. // In the fall of 1998 U.S. Maple left Skin Graft, signing to Drag City the following year, due in part to the influence of Drag City labelmate Jim O’Rourke, but also due to an agreement by the label to support the band during their busy tour schedule. 1999 saw the band returning to the studio to record the followup to their Skin Graft work. Their third album, Talker, a darker, sparser record than their previous albums, was recorded at B.C. Studio in Brooklyn, New York. The album was recorded by Michael Gira, lead singer of post-industrial rock band Swans, with Martin Bisi engineering. // In 2001 the band released their fourth album, Acre Thrills. The album was recorded in Cannon Falls, Minnesota, at Pachyderm Studio, and mixed a week later in Richmond, Virginia, at Sound of Music. In the summer of 2001, after the recording of Acre Thrills, drummer Pat Samson left the band, and was replaced by Adam Vida. With Vida, the band released their fifth studio album, 2003’s Purple On Time, which saw a departure from the confrontational, fervent, and violent aspects of previous releases. Purple on Time contained more conventional song structures, instrumentation and singing. // Al Johnson and Mark Shippy were both previously in Shorty (1991–1994). Shippy, along with former U.S. Maple drummer Pat Samson are now in Miracle Condition. Shippy also plays in two-piece band Invisible Things with Jim Sykes. // Todd Rittmann now leads Chicago-based Dead Rider, in addition to being a member of Drag City band, Singer. He was formerly a guitarist in The Mercury Players and Cheer-Accident. // Johnson made appearances both live and on record with no-wave band Lake of Dracula,(1995–1997) where he was billed simply as “The Manhattanite”, alongside members of The Scissor Girls, The Flying Luttenbachers, and Couch.]
  1. Luge – “Triangle Lifestyle”
    from: Luge / Luge / April 24, 2020
    [Toronto, Ontario based band with Cam Fraser on bass, Kaiva Gotham on vocals & synth, Tobias Hart on guitar, Stu Mein on drums & percussion. Mixed and mastered by Jackson Willows. Album art by Isaac Roberts (and Kaiva Gotham)]

11:42 – Guest DJ – Tucker Slough

We welcome Tucker Slough as a special Guest DJ. Tucker Slough is a veteran of the KC Music Community. His father is Fred Slough a well know Kansas City Attorney. Fred was part of the progressive law firm Slough Conneally Irwin and Madden who had offices above The Corner Restaurant in Westport, back when Westport was progressive and cool. // The late Kathleen Conneally was an Attorney for KKFI in our early years. Kay Madden was a regular contributor to KKFI’s The Tenth Voice for a decade.

Tucker Slough Thanks for being with us on Wednesday MidDay Medley

11:45

  1. Ava Luna – “Sears Roebuck M&Ms”
    from: Electric Balloon / Western Vinyl / March 4, 2014
    [Ava Luna is an American indie rock band from Brooklyn, New York, United States. // Their labvel debut, Ice Level was reviewed in Pitchfork by Paul Thompson who says “The genre-bending New York synth-funk septet create a glorious mess on their full-length debut.”. The songs from Electric Balloon “stick in your head in a way their earlier material didn’t” according to Lindsay Zoladz from Pitchfork. Tess Duncan of Pitchfork said of Infinite House that “The album has a loose, playful energy, and always seems to be ready to pounce on you.” // Current members: Carlos Hernandez on vocals, guitar (2005–present), Julian Fader – drums (2005–2007, 2010–present), Felicia Douglass – keyboard, vocals (2008–present), Ethan Bassford – bass (2010–present). Former members: Judnick Mayard on vocals (2008–2009), Alex Smith – drums (2007–2010), Siheun Song – vocals (2007–2010), Nathan Tompkins – keyboard (2005–2013), Becca Kauffman – keyboard, vocals, guitar (2009–2019). // DiscographyAlbums: Lemming (2007, self-released), Ice Level (2012, Infinite Best), Electric Balloon (2014, Western Vinyl). Infinite House (2015, Western Vinyl), Histoire de Melody Nelson (2018, Turntable Kitchen), Moon 2 (2018, Western Vinyl), Live at Market Hotel (2020, Western Vinyl). Compilations: Takamatsu Station (2015, self-released). EPs: 3rd Avenue Island (2009, Cooling Pie Records), Services EP (2010, Cooling Pie Records/Environmental Aesthetics), Pigments EP (2019, Western Vinyl). Singles: Wrenning Day (2012, Inflated Records), Water Duct (2012, Weathervane Music), Rain Flexi (2015, Father/Daughter Records), Israelites Flexi (2015, Joyful Noise Recordings).}

11:48 – Guest DJ – Tucker Slough / Goodbyes

We welcome Tucker Slough as a special Guest DJ. Tucker Slough is a veteran of the KC Music Community. His father is Fred Slough a well know Kansas City Attorney. Fred was part of the progressive law firm Slough Conneally Irwin and Madden who had offices above The Corner Restaurant in Westport, back when Westport was progressive and cool. // The late Kathleen Conneally was an Attorney for KKFI in our early years. Kay Madden was a regular contributor to KKFI’s The Tenth Voice for a decade. //

Tucker’s music is incredibly original, theatrical, hilarious, political, making social commentary with song, and the poetry of hip.

Tucker is an Actor. Tucker is a drummer. Tucker Slough is a husband and father

Tucker released his 8-track album, all of us ends up as all of us, on September 30, 2023. Tucker released his 13-track album, Municipal Bonds on December 26, 2022 in collaboration with Sloan Myers who provided Beats and cuts. He released his 5-track EP, Lx Obvix, on January 15, 2022. Tucker released his 16-track album, DraculaVision, on June 16, 2021. A veteran of the Kansas City music community, Tucker has previously released the 23-track album, Sloughterhouse V, in 2007, the 15-track album, The Sloughvinci Code, from 2007-2008, and the 28-track album Neonderthal in 2014. Tucker Slough has also released two vinyl albums: EPs 1 & 2, and EPs 3 & 4, with Shante’ Clair for their experimental Chicago/Kansas City band, ShinyJets.

Tucker Slough Thank you for being with us on Wednesday MidDay Medley.

Thank you all for listening

11:52

  1. Lx Obvix – “As Death Approaches”
    from: all of us ends up as all of us / Tucker Slough / September 20, 2023
    [Tucker Slough is an MC/drummer/actor/ who makes stuff that you may enjoy…. DraculaVision was performed entirely by Tucker Slough with guest appearances by Shante’ Clair of ShinyJets and a cartoon bear. More info at: http://www.tuckerslough.bandcamp.com]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, September 18 – we’ll talk with artist Lori Raye Erickson, and for our second hour we will focus on The Outer Reaches Festival September 20, 21, and 22 with special guest Steve Tulipana, Brenton Cook, Nathan Reusch, and Mark Ronning.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler.

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1060

WMM presents: St. George & The Dragons + Tucker Slough

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 11, 2024

David George of St. George & The Dragons + Guest DJ Tucker Slough

Mark spins New & MidCoastal Releases from: Blackstarkids, The Get Up Kids, Duncan Burnett, Comet Tide, St. George & The Dragons, Folk Bitch Trio, and Gillian Welch

Screenshot

At 10:30 David George shares tracks from KING OF KANSAS CITY, the debut album of St. George & The Dragons. Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. While orking together producing an album for David Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys. They hit it off! Eventually the trio brought in Mike Greene, lead guitarist of The Front, a band known for their searing guitar and power rock sound, and vocalist/guitarist Skeet Hanks from New Orleans, who fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies. The new 5-piece now has a 10-track debut album on Grand Central Bell Records! St. George & The Dragons play a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO with Comet Tide.

At 11:00 Mark welcomes Tucker Slough as a special Guest DJ. Tucker will spin tracks from: Nation of Ulysses, Big Black, Bellini, Jesus Lizard, Joanna Newsom, US Maple, Luge, Ava Luna, and Lx Obvix. Tucker Slough is a KC based MC, drummer, and actor. Tucker released his 8-track album, all of us ends up as all of us, on September 30, 2023. Tucker released his 13-track album, Municipal Bonds on December 26, 2022 in collaboration with Sloan Myers who provided Beats and cuts. He released his 5-track EP, Lx Obvix, on January 15, 2022. Tucker released his 16-track album, DraculaVision, on June 16, 2021. A veteran of the Kansas City music community, Tucker has previously released the 23-track album, Sloughterhouse V, in 2007, the 15-track album, The Sloughvinci Code, from 2007-2008, and the 28-track album Neonderthal in 2014. Tucker Slough has also released two vinyl albums: EPs 1 & 2, and EPs 3 & 4, with Shante’ Clair for their experimental Chicago/Kansas City band, ShinyJets. Info at: http://www.tuckerslough.bandcamp.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1060

WMM Playlist from July 24, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 24, 2024

Scott Easterday: 35 Years + Big Fat Cow + Just Angel + Owen/Cox Dance Group’s Creative Intersection

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Kat King – “Living Room”
    from: Domestic Bliss / Manor Records / April 5, 2024
    [Kat writes: “Living Room formed out of a guitar melody that Derek sent me in a voice recording. It was in the early stages of living with a partner for the first time where you have to figure out how to navigate your independence while cohabitating because you realize the joy in having someone to leave early with or to just stay home with. There was an evening when she was out of town and I was sitting in our living room having a crisis because I was feeling the heaviness of the injustices in the world and I didn’t want to leave the house but I also didn’t want to be home alone. These were feelings I’d navigated before as a single person but it was hitting in such a different way. As someone who had always operated from a state of FOMO, it felt so out of character to choose staying home instead of going to find something to do. It’s silly but in that moment it felt like I wasn’t the same person that I was before living together, so naturally I grabbed my guitar to try and work through that feeling. I knew I wanted to revisit that guitar recording Derek sent me because of its nostalgic sound and I ended up writing the entire song that evening. When I showed the band we restructured the song, jumping right into the chorus instead of the classic verse/chorus/verse/chorus structure it was initially. John also wrote this beautiful melodic bass line that acts as a counter melody throughout which I think gives it such an interesting instrumental story arc. Living Room is the acceptance of enjoying simple home pleasures while recognizing home as a sanctuary from the outside world.” // Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. Kat King has been creating music since the 2nd grade. She’s produced a 13-song album and 3 EP’s, the 1st one released at 14.] [Kat King joined us NEXT on WMM on March 13.]

[Kat King plays The Brick, 1727 Ncgee St. KCMO on Saturday, July 27 at 7:00pm with ThiMastr, and Teri Quinn & The Coyotes]

  1. Leah Sproul – “Devil Woman”
    from: “Devil Woman” – Single / Leah Sproul / June 28, 2024
    [This is first single off Leah Sproul’s upcoming solo album, WILD HEART QUEEN. // Coming from a family of European opera stars, suburban church organists, flower child Reggae guitarists, and breezy Western campfire pickers, Leah was bound to have an eclectic sound and set of influences. She has a voracious interest in music of all genres, having earned a doctorate in music composition from UMKC conservatory. But her mother tongue, the voice where she’s at her most vulnerable and honest, is that of the achy-breaky, belting balladeer. It’s found in country, folk, and those genres that give equal weight to words and music. It’s in the storytelling where some of the deepest human connections are forged. // Leah Sproul is also part of the KC 4-piece band Cowtown Country Club. More info at: http://www.leahsproul.com]

[Leah Sproul plays an album release party at The Ship, 1228 Union ave, KCMO, WEST BOTTOMS on Tuesday, July 30, at 7:00pm, with Cowtown Country Club – POSTPONED]

10:11 – Interview with Cameron Thomas

Cameron Thomas began his dance training in his hometown of Rochester, NY. In 2013, he began performing regularly with the Rochester City Ballet. In 2015, Cameron received a full scholarship to attend the Jacqueline Kennedy Onassis School at American Ballet Theatre. He then joined Kansas City Ballet II for the 2016-2017 season and was promoted to the company the following season. Now in his eighth season with Kansas City Ballet, Cameron has performed soloist and principal roles in Jiri Kylian’s Petit Mort, Alexander Ekman’s Cacti, Mark Morris’ Sandpaper Ballet, William Forsythe’s In the Middle, Somewhat Elevated, Septime Webre’s The Wizard of Oz, Michael Pink’s Dracula, Lila York’s Celts, Val Caniparoli’s Lady of the Camellias, and Devon Carney’s Cinderella, Giselle, Swan Lake and The Nutcracker. In October of 2023, Cameron performed in the North American premiere of Val Caniparoli’s Jekyll and Hyde as Mr. Hyde. As a choreographer, Cameron has created work for Kansas City Ballet, Kansas City Ballet II, Youth American Grand Prix, and Creative Intersections.

In addition to being a dancer, Cameron is a ballet pianist and has accompanied for the Kansas City Ballet School, Oklahoma City Ballet School, Williams Henry Contemporary Dance, and the Worldwide Ballet Zoom classes.

Cameron joins us to share details about Owen/Cox Dance Group’s 5th Annual Creative Intersections, August 9 & 10, 2024, at 7:00pm, at the Hyde Park Butterfly Garden and Labyrinth, 3700 Gillham Rd. KCMO.

Cameron Thomas, thank you for being with us on WMM.

During the COVID-19 pandemic, Cameron co-founded Creative Intersections, an outdoor performance project, with James Kirby Rogers to bring live dance back in a time when theaters were shut down. Creative Intersections partnered with Owen Cox Dance Group to present outdoor programs directed by Cameron every summer, 2020-2024.

This annual outdoor performance is directed by Cameron Thomas, and features new works by Julia Gundzik, Elaine Kimble, Kristopher Estes-Brown, Olivia Emert, Christopher Ruud, and Jennifer Owen.

Dancers include Isaac Allen, Allison Barreto, Alexis Borth, Amelia Meisner, Naomi Tanioka, Georgia Fuller, Sarah McGuyer, Elliott Rogers, Cameron Thomas, Max Nelson and Gillian Yoder.

More information at: http://www.owencoxdance.org

About the Owen/Cox Dance Group – Owen/Cox Dance Group’s mission is to create new music and dance collaborations, to present high-quality con-temporary dance performances with live music, and to engage as wide an audience as possible through afforda-ble live performance, education and outreach programs. owencoxdance.org

Cameron Thomas, thank you for being with us on WMM.

Cameron joins us to share details about Owen/Cox Dance Group’s 5th Annual Creative Intersections, August 9 & 10, 2024, at 7:00pm, at the Hyde Park Butterfly Garden and Labyrinth, 3700 Gillham Rd. KCMO. More information at: http://www.owencoxdance.org

10:25

The Sluts photo by Photo by John Clayton
  1. The Sluts – “Starting Again”
    from: “Starting Again” – Single / Ther Sluts / Julu 19, 2024
    [Lawrence, KS garage rockers, The Sluts, have just released their new single, “Starting Again” .“Starting Again” is a dark, personal exploration into physical addiction. It dives into the realization that your biggest weakness is showing itself again but you kind of like it. This ominous track turns a corner for The Sluts sonically as it is the first song to feature bass guitar as well as other complex production elements. This long awaited release is the first offering from The Sluts since 2020’s Enjoy The Show. // Produced by Joel Nanos at Element Recording and Mastering Studios in Kansas City, KS, “Starting Again” will be ready for radio and available on all streaming platforms July 20, 2024. // The Sluts are a two-pieice garage rock band based out of Lawrence, KS. Formed in 2011, the duo have been raising eyebrows with their cheeky name and driving crowds wild for over a decade. Their hard hitting, high energy live shows made them a staple of the rock scene in the Kansas City area. The band has opened for acts such as The Offspring, Broncho, Fidlar, Bass Drum of Death, Radkey, The Toadies, and Local H.]

10:28 – Underwriting

  1. Big Fat Cow – “Patty”
    from: Behold The Soil! / Big Fat Cow / August 1, 2024
    [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas. More information at http://www.bigfatcowband.com]

10:34 – Interview with Noah Cassity & Kole Waters of Big Fat Cow

The KC based band, Big Fat Cow is set to release their debut EP, BEHOLD THE SOIL! on August 1, 2024. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas. More information at http://www.bigfatcowband.com

Joining us live on the show is Noah Cassity who is the lead vocalist & plays guitar, and Kole Waters who plays guitar & provides vocals and recording and mastering.

Noah Cassity and Kole Waters thanks for being with us on Wednesday MidDay Medley

Big Fat Cow is a post-country band delivering cowpoke fuzz since 2022.

Big Fat Cow’s first endeavor was a folk album (Glutton for Punishment) written and recorded by Noah Cassity and mastered and digitized by Kole Waters. Wanting to perform the songs live, Noah recruited the help of Kole on lead guitar alongside childhood friend Alex May to play the bass. Kole was able to bring in Matt Chipman to play drums and finish out the band.

Noah Cassity – lead vocals & guitar
Kole Waters – guitar & vocals
Alex May – bass guitar & vocals
Matt Chipman – drums

Meeting for the first time in KA studios, the newly formed quartet ripped into Noah’s folk songs, turning them into the rock, indie, americana and country inspired pieces that you know today. Each member of the band took and ran with the folk songs that Noah recorded and made it their own, pulling in inspirations from each of their unique musical backgrounds.

Big Fat Cow has made themselves a household name in the Kansas City music scene, leaving an impression on everyone who comes out to see them play. With songs you can dance to and songs that will make you cry in the basement of a DIY show, Big Fat Cow is sure to leave their mark.

“A band this good shouldn’t get saddled with a name this bad … you’re just going to have to tell your friends that you’re going to see Big Fat Cow, and wince while you do it. – Too Much Rock

10:42

  1. Big Fat Cow – “Arbor Day”
    from: Behold The Soil! / Big Fat Cow / August 1, 2024
    [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas. More information at http://www.bigfatcowband.com]

10:49 – More Interview with Noah Cassity & Kole Waters of Big Fat Cow

The KC based band, Big Fat Cow is set to release their debut EP, BEHOLD THE SOIL! on August 1, 2024. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas. More information at http://www.bigfatcowband.com

Joining us live on the show is Noah Cassity who is the lead vocalist & plays guitar, and Kole Waters who plays guitar & provides vocals and recording and mastering.

Noah Cassity and Kole Waters thanks for being with us on Wednesday MidDay Medley

Big Fat Cow is a post-country band delivering cowpoke fuzz since 2022.

Noah Cassity – lead vocals & guitar
Kole Waters – guitar & vocals
Alex May – bass guitar & vocals
Matt Chipman – drums

Recent Shows:
April 19 – Replay Lounge in Lawrence Kansas
May 4 – KC Bier Co
June 1 – Location TBA
June 9 – Turnsol Books and Coffee KC
August 3 – BLVD Tavern KC

http://www.bigfatcowband.com

Big Fat Cow’s (KCMO) debut EP Behold the Soil! is releasing on August 1, 2024

Big Fat Cow believes you’ll enjoy the cattle’s broadly appealing, yet super unique brand of post-country, a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling.

The band’s story is a good one even if it’s still early days. Their sound resonates! They’re skyrocketing up the mindshare of Kansas City’s scene and are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas.

Noah Cassity and Kole Waters thanks for being with us on Wednesday MidDay Medley

For more on Big Fat Cow, please visit https://bigfatcowband.com and/or follow https://www.instagram.com/bigfatcowband/.

10:56

  1. Big Fat Cow – “Cat Call”
    from: Behold The Soil! / Big Fat Cow / August 1, 2024
    [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas. More information at http://www.bigfatcowband.com]

11:00 – Station ID

  1. Expassionates – “Among Friends”
    from: Verse, Chorus, Bridge / Scott Easterday / 1998
    [Scott Easterday on vocals, guitar, keyboard; Bryan R. Hicks on acoustic bass; Ryan Bennett on drums, Marco Pascolini on Electric 7 acoustic guitar; Nate Hofer on pedal steel guitar; Richard Alwyn on harmonica; Mark Southerland on tenor saxophone; Jazzbo (Bill Hargrave) on trumpet. Produced by Scott Easterday. Engineered by Chad Meise. Recorded at El Torreon, aka The Cowtown Mallroon, 31st and Gillam, KCMO, July 1998, 102 degrees. Mixed at Nove Coast. Mastered by Lynn Allred at barry Music (KCMO) on Halloween Day.]

[Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com]

11:03 – Interview with Scott Easterday, Elaine McMilian, and Kyle Dahlquist

Scott Easterday is a musician, singer, and composer. He has been playing for 35 as a musician in the Kansas City scene, playing bass in the Mongol Beach Party, playing guitar singing and songwriting for his mid 1990s band Easterday, performing for several years as a member of Howard Iceberg and The Titanics, and as the founder and lead singer for the Expassionates. Scott has written reviews and interviews about local performing artists for KC Metropolis, and has volunteered and served as a Board Member and treasurer of Midwest Music Foundation. Worked as a Cataloging Assistant specializing in Western Languages at the Nelson-Atkins Museum of Art–Spencer Art Reference Library.

Writer and musician Elaine McMilian graduating from the University of Missouri-Kansas City in 1991 with a Creative Writing degree. Elaine McMilian has performed in and around KC for over 30 years as a solo artist and in the bands: Swingin’ 6, Easterday, Bonnys’ McGill, Toy Box, Sugar Plums, and The Brannock Device, singing American ballads, folk, alternative, rock and punk. She has collaborated and recorded with many of Kansas City’s very best song writers and musicians including: Erin McGrane, Jason Beers, Marco Pascolini, Scott Easterday, Christian Hankel and Howard Iceberg. This year Elaine released her first book of poetry, Copper and Other Precious Metals. Read more of Elaine’s writing at elainemcmilian.substack.com.

Kyle Dahlquist is a keyboardist, guitarist, he also plays accordion, and trombone and sings. He was a member of Mongol Beach Party bandmate with Scott. He learned to play accordian when he joined Alacartoona. He plays with The Band That Fell to Earth KC – the David Bowie Tribute band, and Men of Men a super group that thrills audiences with every concert they play, Kyle has also played with Amy Farrand and The Like, and many other bands.

Scott, Elaine and Kyle are here to share details about Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years.

Scott Easterday, Elaine McMilian and Kyle dahlquist Thanks for being with us on Wednesday MidDay Medley

Scott Easterday: 35 Years. August 4, recordBar
Scott Easterday is celebrating 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar at 7 PM

There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com

This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 acts for the evening that will include songs from the bands Expassionates, the easterday band, The Roosevelts and one from Mongol Beach Party.

The first band will perform some songs from Scott’s first CD album from 1998, Expassionates:Verse, Chorus, Bridge.

The band has Matt Richey on drums who recently performed at the Grizly Hand Farewell Jubilee and also drums for Mikal Shapiro’s The Musical.

Bryan Hicks on bass who can be seen at The Quality Hill Playhouse and in jazz clubs all over town.

Nate Hofer on pedal steel, also an award winning photographer, will start the show with experimental-ambient music like that on his 2024 EP, Decommissioned.

Kayle Dahlquist on keyboard, guitar, accordion, trombone and vocals, is one man from Men of Men and was a Mongol Beach Party bandmate with Scott.

Richard Alwyn is on harmonica, guitar and vocals and will also be featured later in the next act.

The original recording of Verse, Chorus, Bridge was done at the El Torreon Ballroom (also known as the Cowtown Ballroom) and at the studio of recording engineer Chad Miese in 1998.

Scott began his professional music career playing bass with The Mongol Beach Party in 1989 and this group will resurrect one of Scott’s songs from that period.

II
The second act of the evening is the easterday band featuring Elaine McMilian on vocals, Jon Niccum on bass and Mark Acuff on drums.

They will perform songs from their CD easterday: 1993-1995, indicating the years they were active, recorded at Red House Studios by Ed Rose and released in 2004. They have had a couple reunions since then and are taking advantage of this occasion to have another.

Mark plays drums in Promise Breakers. Jon was the creator of The Worst Gig [worstgig.com] and Elaine just published her first book of poetry, Copper and Other Precious Metals.

This group will also be joined by Richard Alwyn for a couple songs from the time predating the easterday band when he and Scott had a band together called The Roosevelts. One of those songs, Cyclone, was on Scott’s first ever demo cassette from 1992 recorded at Westend Recording Studios by Bart Biechele. Cyclone was on the easterday band’s debut cassette Sucker from 1991 and enjoyed some local chart time on Lawerence’s The Lazer, 105.9 FM.

Richard Alwyn’s band in the 90s was Big Red Fish. Scott joined the band and they later reformed The Roosevelts together. Richard moved to Raleigh, NC where he founded The Love Hangover, an annual music showcase of love songs held on the day after Valentine’s Day in 5 cities. Scott was the Kansas City Chapter host of The Love Hangover from 1989 until 2022 when he handed it over to Steve Tulipana at the recordBar. Richard eventually moved to Brooklyn, NY, set up The Love Hangover there, and has been there for 20 years. During that time he has written and performed with the bands King Canutes, The Winter Drinks and Gramercy Arms.

11:13

  1. the easterday band – “Smothered”
    from: Easterday 1993-1995 / Scott Easterday / 2004
    [the easterday band featuring Scott Easterday on lead vocals and guitar, Elaine McMilian on vocals, Jon Niccum on bass and Mark Acuff on drums. The band was active from 1993-1995. The album was recorded at Red House Studios by Ed Rose and released in 2004. They have had a couple reunions since then and are taking advantage of this occasion to have another. Mark plays drums in Promise Breakers. Jon was the creator of The Worst Gig [worstgig.com] and Elaine just published her first book of poetry, Copper and Other Precious Metals. ] [Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com]

11:16 – More Interview with Scott Easterday, Elaine McMilian, and Kyle Dahlquist

Scott, Elaine and Kyle are here to share details about Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years.

Scott Easterday, Elaine McMilian and Kyle dahlquist Thanks for being with us on Wednesday MidDay Medley

Scott Easterday: 35 Years. August 4, recordBar
Scott Easterday is celebrating 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar at 7 PM

There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com

III
THe final act of the night are Exapassionates. Scott and guitarist Marco Pascolini played duo shows after the recording Verse, Chorus, Bridge until they added the happy bass player Richard Burgess and drummer Sam Platt in 2006. The Happy Bass Player is a book of lessons on happiness written by Richard. Sam holds court on weekends in various ensembles at the Green Lady Lounge, the Orion Room and Black Dolphin.

They will be performing songs from the second Expassionates CD album Landscapes, released in 2008, recorded by Sam Platt and Chad Miese. They will also throw in a new song.

The performance will begin at 7 PM (doors at 6) and is $15, Sunday, August 4 at the recordBar, 1520 Grand, advance tickets available at therecordbar.com.

Wesite: https://scotteasterday.com/
Expassionates: (please scroll down to “History” for a history of the Expassionates)
https://scotteasterday.com/expassionates/

Expassionates facebook https://m.facebook.com/p/Expassionates-100063840528130/
easterday band facebook https://www.facebook.com/people/Easterday/100060582655334/

Scott’s chronological band timeline:

1989-1990 Mongol Beach Party
1990-1991 The Roosevelts
!991-1993 easterday CD easterday 1991-1993
1998 Expassionates recording project CD Verse, Chorus Bridge
2006-present Expassionates CD Landscapes

Scott Easterday: 35 Years on Sunday, August 4, at 7:00pm at recordBar, 1520 Grand Boulevard, KCMO

Scott Easterday is celebrating 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar at 7 PM, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. Doors at 6, Music at 7

Scott Easterday, Elaine McMilian and Kyle dahlquist Thanks for being with us on Wednesday MidDay Medley

Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com

11:25

  1. Expassionates – “Movin’ On”
    from: Landscapes / Scott Easterday / September 9, 2008
    [Scott Easterday vocal and guitar, Marco Pascolini guitar, Richard Burgess bass, Sam Platt drums. // Recorded at Oddio Hut, Kansas City, MO. // Audio Sam Platt, Chad Meise, Jason Hall, Matt Hartnett. // Mixed at Theta Rhythm, Mastered by Matt Hartnett // All songs words and music by Scott Easterday, Gone to Kansas is based on a song by Thomas P Westendorf (1881).]

[Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com]

11:28 – Underwriting

  1. Just Angel – “Intent”
    from: Just Angel: Pt. 2 {EP] / Just Angel / December
    [Just Angel is a Kansas City based, singer, musician, songwriter, dancer. and creative artist. She recently contributed vocals to the recent Sisterbot record. More info at: /distrokid.com/hyperfollow/justangel/just-angel–pt-1: Just Angel: Pt. 2 is a followup to Just Angle Pt.1 – EP released on December 24, 2020 More info at: https://linktr.ee/JustAngel_TigerLilyStar%5D

[Just Angel and The Wades play Greenwood Social Hall, 1750 Belleview Ave., KCMO, on Friday, August 9 at 7:00pm. More information at: http://www.greenwoodsocialhall.com]

11:34 – Interview with Just Angel

You just heard the voice of Singer, musician, songwriter, dancer, and creative artist, Just Angel. Her powerful voice has been called, “Passionate … Soulful… and Inspiring.” Her music finds its home in Rock, Jazz, and Alternative, and she has found a way to incorporate those genres within her love with Soul and R&B. Just Angel has performed with My Brothers & Sisters. Just Angel and her band, The Wades can be found rocking stages with her original songs from her recordings and eclectic takes on popular music. She released her debut EP, JUST ANGEL, PART 1 on December 24, 2020. She released her follow up EP, JUST ANGEL, PART 2 on December 25, 2021. She also contributed vocals to the amazing Sisterbot record.

Just Angel and The Wades play Greenwood Social Hall, 1750 Belleview Ave., KCMO, on Friday, August 9 at 7:00pm. More information at: http://www.greenwoodsocialhall.com

Just Angel, Thank you for being with us on Wednesday MidDay Medley

Also with us is Arick “T.A. RELL” Ridgell who is a songwriter/producer/artist based out of Kansas City, MO. The 33 year old musician has been writing and producing music since the age of 18. While he picked up the itch to make music later than most, his heavy arsenal of musical influences are what have elevated his quality of work. T.A.’s influences range from the late great Ray Charles, gospel Icon John P. Kee, Brandy, to the current groundbreakers like PJ Morton and Jon Bellion. T.A. tries not to trap himself in the box on genres but tries to use his love for all music to unlock the hearts and souls of listeners around the world. Join him on the journey of putting real music and lyrics in the atmosphere..

Just Angel produced the 4 song EP, JUST ANGEL PT.1 in 3 days in 2020,

She then produced a second 4-song EP, JUST ANGEL PT. 2 in 24 hours in 2021.

Just Angel has a birthday on December 24

Producer & Musician T.A. Rell helped birth into fruition the Just Angel EP releases with the 5 month hiatus between recordings

Just Angel was a member of the band: My Brothers & Sisters with Jamie Searle

More info at: https://linktr.ee/JustAngel_TigerLilyStar

Just Angel collaborated with Sisterbot aka Adee Dancey on the track “Approval.”

With Adee Dancy Just Angel has a band called Neo Emo Soul.

11:47

  1. Just Angel – “I.B.H.D.” (LIVE)
Originally from: Just Angel: Pt. 1 {EP] / T.A.P. OUT Music / December 24, 2020
    [Just Angel is a Kansas City based, singer, musician, songwriter, dancer. and creative artist. She recently contributed vocals to the recent Sisterbot record. More info at: /distrokid.com/hyperfollow/justangel/just-angel–pt-1: Just Angel: Pt. 2 is a followup to Just Angle Pt.1 – EP released on December 24, 2020 More info at: https://linktr.ee/JustAngel_TigerLilyStar%5D

[Just Angel and The Wades play Greenwood Social Hall, 1750 Belleview Ave., KCMO, on Friday, August 9 at 7:00pm. More information at: http://www.greenwoodsocialhall.com]

11:52 – More Interview with Just Angel and T.A. Rell

We are talking with Just Angel who with her band, The Wades can be found rocking stages with her original songs from her recordings and eclectic takes on popular music. She released her debut EP, JUST ANGEL, PART 1 on December 24, 2020. She released her follow up EP, JUST ANGEL, PART 2 on December 25, 2021.

Joining us is Just Angel’s collaborator and friend T.A. Rell.

Just Angel and The Wades play Greenwood Social Hall, 1750 Belleview Ave., KCMO, on Friday, August 9 at 7:00pm. More information at: http://www.greenwoodsocialhall.com

Just Angel and T.A. Rell Thank you for being with us on Wednesday MidDay Medley

11:53

  1. Sisterbot – “Approval (feat. Just Angel)”
    from: Truth House / Sisterbot / July 10, 2021
    [Sisterbot is a performing artist dedicated to breaking genre boundaries, creating cosmic musical and theatrical experiences. The 9-piece Sisterbot Band is a “punk pop chamber orchestra” complete with electric guitar, drums, piano, strings and horn. “Truth House (2021) is a concept album written over the span of three years, encapsulating a chapter of my life that I spent in a house alone, dealing with the aftermath of trauma and rebirth.”- Sisterbot (Adee Dancy). Written by Sisterbot. Produced by Jametatone and Sisterbot. Engineered, Mixed, Mastered by Jametatone, except “Approval” which was Produced, Engineered, & Mixed by Andrew Bonci Jr. at Magnolia Tree Studios, with AJ Bonci on guitar, Just Angel and Sisterbot on vocals. Cover Art by Mazzy Mann. Adee Rocket Dancy released the single “Hello Moon (feat. The Swallowtails)” on April 26, 2021. (This song is alon on the Sisterbot album.) Produced by Jametatone & Adee Rocket Dancy. Adee Rocket Dancy on piano & vocals & cello; Rachel Lovelace on bassoon; Mikala Petillo on guitar & background vocals, Mixing and Mastering by Jametatone, (J. Asley Miller). Adee Rocket Dancy writes, “This is a song about my life-long love for the moon, featuring The Swallowtails (Rachel Lovelace and Miki P). Adee chose the date April 26, 2021, as their release date, to honor the full moon called “The Pink Moon.” More info at: Sisterbot.bandcamp.com]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

The Sluts photo by Photo by John Clayton

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1056

WMM presents: Scott Easterday: 35 Years + Big Fat Cow + Just Angel + Owen/Cox Dance Group’s Creative Intersection

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 24, 2024

Scott Easterday: 35 Years + Big Fat Cow + Just Angel + Owen/Cox Dance Group’s Creative Intersection

Mark spins tracks from Kat King, The Sluts, Leah Sproul, Big Fat Cow, Expassionates, the easterday band, Just Angel and Sisterbot

At 10:10 Mark talks with Cameron Thomas director of Owen/Cox Dance Group’s 5th Annual Creative Intersections, August 9 & 10, 2024, at 7:00pm, at the Hyde Park Butterfly Garden and Labyrinth, 3700 Gillham Rd. KCMO. This free annual outdoor performance is directed by Cameron Thomas, and features new works by Julia Gundzik, Elaine Kimble, Kristopher Estes-Brown, Olivia Emert, Christopher Ruud, and Jennifer Owen. Dancers include Isaac Allen, Allison Barreto, Alexis Borth, Amelia Meisner, Naomi Tanioka, Georgia Fuller, Sarah McGuyer, Elliott Rogers, Cameron Thomas, Max Nelson and Gillian Yoder. More information at: http://www.owencoxdance.org

At 10:30 members of the band Big Fat Cow join us to share music from their debut EP, BEHOLD THE SOIL! to be released August 1, 2024. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassidy on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas. More information at http://www.bigfatcowband.com

At 11:00 Mark talks with Scott Easterday, Elaine McMilian, and Kyle Dahlquist who join us to share details about, Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com

At 11:30 Just Angel will perform LIVE in our 90.1 FM Studios with T.A. Rell on keyboards. Just Angel is a musician, songwriter, dancer, and creative artist. Her powerful voice has been called, “Passionate … Soulful… and Inspiring.” Just Angel has performed with My Brothers & Sisters. Just Angel released her debut EP, JUST ANGEL, PART 1 on December 24, 2020, and her EP, JUST ANGEL, PART 2 on December 25, 2021. She also contributed vocals to the recent Sisterbot record. Just Angel and The Wades play Greenwood Social Hall, 1750 Belleview Ave., KCMO, on Friday, August 9 at 7:00pm. More information at: http://www.greenwoodsocialhall.com

The Sluts photo by Photo by John Clayton

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1056

WMM Playlist from July 17, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 17, 2024

Favorite Releases of 2024…so far (Part 1 of 3) + SOUND MANDALA + Epitome + Marion Merritt & Betse Ellis

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Leyla McCalla – “Scaled To Survive”
    from: Sun Without The Heat / Anti – Records / April 12, 2024
    [Leyla McCalla on vocals, cello, banjo, guitars; Shawn Myers on percussion, drums; Nahum Zdybel on guitars; Pete Olynciw on electric bass, piano; Maryam Qudus on synthesizers, organs, backing vocals; Louis Michot on fiddle on “Tower”. Recorded and Produced by Maryam Qudus at Dockside Studios, June 20-29, 2023. Assisted by Justin Tocket. Mixed by Maryam Qudus at Best House. Mastered by Heba Kadry, NYC. All songs written by Leyla McCalla (Makala Music (BMI)) except “Love We Had” music by Ali Mohammed Birra, arrangement and lyrics by Leyla McCalla (Makala Music (BMI)) // On May 6, 2022 Leyla McCalla released Breaking the Thermometer on Anti- Records. // Leyla Sarah McCalla was born October 3, 1985. She is a classical and folk musician. She has been a cellist with the Grammy-winning string band Carolina Chocolate Drops but left that group to focus on her solo career. Both of McCalla’s parents were born in Haiti. Her father Jocelyn McCalla was the Executive Director of the New York-based National Coalition for Haitian Rights from 1988 to 2006 and is credited as translator on Vari-Colored Songs. Her mother Régine Dupuy arrived in the United States at age 5, is the daughter of Ben Dupuy who ran Haiti Progrès, a New York based Haitian socialist newspaper. McCalla’s mother went on to found Dwa Fanm, an anti-domestic violence human rights organization. McCalla was born in New York City and raised in New Jersey. She lived in Accra, Ghana for two years as a teen. After a year at Smith College, she transferred to New York University to study cello performance and chamber music. She then moved to New Orleans where she played music on the streets. We first played Leyla McCalla in 2016 the same year we saw her live at Folk Alliance International and the same year she released her critically acclaimed album Vari-Colored Songs on Music Maker Recordings on February 4, 2014. The album is a tribute to Langston Hughes which includes adaptations of his poems, Haitian folk songs sung in Haitian Creole and original compositions. McCalla says the first song she wrote for the album was Heart of Gold because it provided “a window into Hughes’ thinking”.McCalla chose to dedicate this work to Hughes because she says “reading his work made me want to be an artist.” McCalla started working on the album 5 years prior to its release. Commentators have noted the influence of Louisiana musical traditions such as old Cajun fiddle melodies and trad-jazz banjo on the album. Members of the Carolina Chocolate Drops appear on the album. Along with her solo work Leyla McCalla was part of Songs of Our Native Daughters is the debut Americana/folk album by four North American singer-songwriters collaborating as Our Native Daughters. The group includes Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, and Allison Russell. The album was released on the Smithsonian Folkways label in early 2019. Songs of Our Native Daughters addresses American historical issues that have influenced the identity of black women, including slavery, racism, and sexism. The album features 13 songs, 11 of them written by the group’s members. It also includes a cover of a 1970s Bob Marley classic and a song that draws its lyrics from two poems.]
  1. Valerie June —“Big Dream”
    from: My Black Country: The Songs of Alice Randall / Oh Boy Records / April 12, 2024
    [“Growing up, we all have dreams and wishes. Alice Randall’s lyrics capture the magic of our personal dreams. In the simplest way, she invites listeners to remember the power of collective dreaming. If God can be a woman in a patriarchal society, then there are no limits to what can be achieved. Balance is restored through the sacred art of dreaming, and each dream big or small helps to shape our world. I am a dreamer. Everyone on this record is a dreamer. Together we are breaking boundaries just as so many who’ve come before have done for us.” – Valerie June // On March 12, 2021 Valerie June released her 5th full length album The Moon And Stars on June Tunes – Concord records, co-produced by Jack Splash and Valerie June. // Valerie June Hockett was born January 10, 1982), known as Valerie June, is an American singer, songwriter, and multi-instrumentalist from Memphis, Tennessee, United States. Her sound encompasses a mixture of folk, blues, gospel, soul, country, Appalachian and bluegrass. She is signed to Concord Music Group worldwide. // Born in Jackson, Tennessee on January 10, 1982, June is the oldest of five children. As a child growing up in Humboldt, June was exposed to gospel music at her local church and R&B and soul music via her father, Emerson Hockett. As a teenager, her first job was with her father, owner of Hockett Construction in West Tennessee, and a part-time promoter for gospel singers and Prince, K-Ci & JoJo, and Bobby Womack. She helped by hanging posters in town. Her father died in late 2016. // June relocated to Memphis in 2000 and began recording and performing at the age of 19, initially with her then-husband Michael Joyner, in the duo Bella Sun. After her marriage ended, she began working as a solo artist, combining blues, gospel and Appalachian folk in a style that she describes as “organic moonshine roots music”, and learning guitar, banjo, and lap-steel guitar. She became associated with the Memphis-based Broken String Collective. // In 2009 she was a featured artist on MTV’s online series $5 Cover (following the lives of Memphis musicians attempting to make ends meet), and in 2010 she recorded the EP Valerie June and the Tennessee Express, a collaboration with Old Crow Medicine Show. // In 2011 she was honored by the Memphis and Shelby County Music Commission at the Emissaries of Memphis Music event. She raised funds to record an album with producer Craig Street via Kickstarter.com, raising $15,000 in 60 days. Later that year she relocated from Memphis to Williamsburg, Brooklyn. Shortly after, record producer Kevin Augunas introduced June to Dan Auerbach of The Black Keys, which led to the recording of June’s album Pushin’ Against a Stone in July 2011, which was co-written and produced by Dan Auerbach and Kevin Augunas. // In 2012, June performed with producer John Forté on a collaboration called Water Suites (on the hip-hop-blues song “Give Me Water”), and with Meshell Ndegeocello on the song “Be My Husband”. She contributed The Wandering’s 2012 album Go on Now, You Can’t Stay Here: Mississippi Folk Music Volume III. In 2012 she performed in the UK for the first time, playing at Bestival and appearing on Later… with Jools Holland. // She has received substantial radio play in Europe on BBC Radio 6, including a feature on Cerys on 6 with Cerys Matthews. Mary Anne Hobbs of XFM has said of June: “This woman has already touched my heart, she really, really has.” // In February 2013, June was invited to support Jake Bugg on the UK leg of his tour. In March 2013, June performed two nights at South By Southwest. The first performance was on March 14 as part of the Heartbreaker Banquet. On March 16, June performed again, this time as part of The Revival Tour. Rolling Stone June’s second album, The Order of Time one of the 50 Best Albums of 2017, citing “her handsomely idiosyncratic brand of Americana, steeped deep in electric blues and old-time folk, gilded in country twang and gospel yearning….a blend of spacey hippie soul, blues and folk with June’s pinched, modern-Appalachian voice at the center”. More info at: http://www.valeriejune.com]

10:06 – Intro / Pledge Break #1 – [8 minutes]

Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Today we feature WMM’s Favorite Releases of 2024…So Far (Part 1 of 3) from The Freedom Affair, ALBER, Little Miss Dynamite, Zee Underscore, Monta At Odds, Daniel Gum, RxGhost, The Creepy Jingles, St. George & The Dragons, Eddie Moore, Miss Boating, Epitome, and musicbyskippy. We started the show with Leyla McCalla and Valerie June.

We take break to encourage YOU to support 90.1 FM KKFI. To help me, is my friend…

Betse Ellis. Originally from Fayetteville, Arkansas, Betse received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was a founding member of the acclaimed internationally known band, The Wilders. Betse has released two solo records, and records and performs with the band Little Miss Dynamite, and The Starhaven Rounders and with her husband, multi-instrumentalist Clarke Wyatt, as Betse & Clarke.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt is our most frequent contributor to WMM, sharing sonic discoveries and information from her musically-encyclopedic-brain. Marion Merritt has an empathic ability to know what music you’re seeking. She grew up in Los Angeles and St. Louis and went to college in Columbia, MO. She studied art & musical engineering, and is a avid lover of classic films. She saw Talking Heads on their 1st tour at One Block West in 1978. Marion also writes about new releases as a contributor The Pitch. With partner Ann Stewart, Marion is the proprietor of Records With Merritt, a minority owned business at 1614 Westport Rd. in KC. More info at: http://www.recordswithmerritt.com.

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

10:14

  1. Monta – “Forget About You”
    from: “Forget About You” – Single / The Record Machine / April 12, 2024
    [From their bandcamp page: “Nouveau post-punk troubadours Monta at Odds have minimized to a tight, feisty trio for their latest single, “Forget About You.” With Mikal on vocals, Krysztof wielding the baritone guitar, and founding member Dedric polymathing on all other sonics, Monta unleash a determined and danceable mixture of eras past and present to match this raw but crisp sound. “Forget About You” is a dark-natured opus about resisting attraction, especially when the bound proves hazardous. Mikal pleads in desperation against the “bite” while a relentless, driving rhythm and entwined guitar and bass riffs explore the inevitable consequences. The tune answers its own call as it produces a mesmeric swirl one gets lost in — forgetting life’s dangers, even if just for the song’s moment, is entirely possible.” // Monta released their EP Crystal Momentum on March 24, 2023. The band released the single “Looking Back” on February 27, 2023, and “Everybody’s Baby” on January 27, 2023. Monta’s latest, the Crystal Momentum EP, hones the Kansas City band’s mastery of electrified dreamworld post-punk, presenting four spacious songs to accompany out-of-body explorations. Monta’s core players — Mikal Shapiro on vocals, Krysztof Nemeth and Lucas Behrens on guitars, Dedric Moore on electronics, Matthew Heinrich on drums, and Teri Quinn with additional vocals — accompany their visions with a groovy flow that rings with subtle tensions, introspective instrumentation, and chorus-fed uplifts. // Found within are “Everybody’s Baby,” an otherworldly adoration of unnamed strangers set to transfixing melodies and a snake-like groove; the buoyant “Looking Back,” which shines a danceable, sonic brightness through a haze of ecstatic reminiscence; the inspired “Perimeter Dancer,” an ode to those who fight for the cause, accompanied by a punky disco beat and a chorus that launches the song upward to a mirror-ball-lit sky. And then there’s “Luna Lost In Your Gaze,” a righteous desert sleepwalk of a tune that recalls the spaghetti western tones of Monta’s past while remaining on the current trajectory. // With the Crystal Momentum EP, Monta grabs the moment, further defining the distinctive mix of synth-pop and dark psychedelia that’s become the band’s trademark. Take a leap and fall into their world. // Monta means “to climb higher.” Through lineup changes and scenes ebbing and flowing, this band continues that climb. Founded by brothers Dedric and Delaney Moore, Monta (originally Monta At Odds) has grown into its own community with a rotating cast of musicians and characters. More Information at: kosmiccity.com / therecordmachine.co] [Monta played 20 Years of The Record Machine featuring The Noice FM, Black Light Animals Soultru and Pala Zolo, on Saturday, November 11, 2023, at 6:00 PM to 1:00 AM at recordBar, 1520 Grand Blvd] [Dedric Moore joined us on WMM on October 4, 2023]
  1. ALBER – “Caldo”
    from: Lento / Locale Records / April 12, 2024
    [Alberto Racanati is a genre-bending musician originally from Bari, Italy, now established in Kansas City. His musical journey started at age 11 when he learned to play his first notes on the trumpet. At age 14 Alberto enrolled in the Bari Conservatory to pursue his performance degree in the academy, while living a parallel musical existence in the rich musical underground in Southern Italy, playing drums and trumpet in a plethora of bands across all genres. His musical studies then took him to the National Music Academy in Gdansk, Poland, where he lived from 2011 to 2014, discovering the multicultural nature of the arts. In 2014 Alberto moved to the United States to work as a Graduate Assistant at Western Illinois University in Macomb, Illinois. In 2016 Alberto continued on to Kansas City to pursue a Doctoral Degree at the University of Missouri-Kansas City, where he became enamored with the local music scene. 2018 saw the start of Alberto’s journey with electronic music, writing material for trumpet and electronics. This is where the project Alber starts, especially using social media as an interactive, open sketchbook for his sonic excursions. Alberto’s first self-titled album was released in 2020, followed by significant live performing presence in 2021 in Kansas and Missouri. His second album Journey, was then released in 2021. At the same time, Alberto ramped up his touring of the Midwest region and collaboration with a variety of other artists. Most recently in 2023 Alberto was awarded the ArtsKC Inspiration Grant for his multimedia installation “Born at Sea”, a project centered on the idyllic sea scenery of his hometown, debuting in 2024. Additionally he became one of the Charlotte Street Foundation Studio Residents, a program that features some of the most brilliant up and coming artists in the Kansas City region. Still in 2023, Alberto toured the East Coast of the US and his native Italy, in a much welcome reconnection with his musical roots. Currently, Alberto is about to release his third full length album Lento and finalizing his upcoming 2024 tours to the East Coast and Southern Italy.]

[Alber & Isaiah Petrie play The Ship, 1217 Union Ave, KCMO West Bottoms. Thurs, July 18, 8:00pm.]

  1. RxGhost – “Over and Over The Same Things”
    from: Scaffolding / Celery Wolf / April 11, 2024
    [RxGhost is: Josh Thomas on vocals & guitar, Justin Brooks on drums, James Capps on guitar, Chris Smead on bass, and Jeremiah James Gonzales. Scaffolding was produced by RxGhost, recorded and mixed by Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering. Music by RxGhost and Lyrics by Josh Thomas. More info at: rxghost.bandcamp.com]

[RxGhost play miniBar, 3810 Broadway, KCMO Saturday, July 20 ay 8:00pm w/ The Sluts, and LYXE.]

10:26 – Pledge Break #2

Our WMM Summer Fund Drive Team: Marion Merritt and Betse Ellis

Today on WMM we are celebrating our Favorite New & MidCoastal musical releases with two incredible Guest Hosts who help keep Community Radio alive and on the air. 90.1 FM KKFI’s non-profit organization and governing body is the MidCoast Radio Project. MidCoastal is where we are, on the coasts of the Missouri and Kansas Rivers with a music community that spans the Kansas City Metro region and west to Lawrence and Topeka and south to Olathe and east to Columbia and North to St Joseph. Not necessarily the reach of our 100,000 watt signal but definitely the reach of our community.

WMM and KKFI are committed to featuring artists under-represented in other media, and that includes the music community that lives within Kansas City and Lawrence and the area radiance of our 100 watt signal. The story of Kansas City’s Arts and Music Community is our primary objective on WMM, where for almost 20 years we have shined a light on this music and the artists who create it, and that story also include the music labels who help get this music out into the community and beyond Kansas City. That story also includes the recording studios where this music is engineered and mastered.

Wednesday MidDay Medley 90.1 FM was the first radio show and first radio station to ever play many if these amazing musical artists. WMM was the first to play the recordings of: Calvin Arsenia, and Madisen Ward and the Mama Bear, and Krystle Warren, and The Black Creatures and KD Kuro, The Shy Boys, Zava, The Salvation Choir. We were the first to interview these artists live on the radio and bring their music to a wider audience.

10:34 – Underwriting

  1. Little Miss Dynamite– “Ordinary Blue”
    from: Grow Up / Rural Grit Records / May 3, 2024
    [Little Miss Dynamite is a four piece string band with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. Engineered and Mixed by Clarke Wyatt, Gnomes and Goats Studio.More info at: http://www.bethwattsnelson.com]
  1. The Freedom Affair – “If You Don’t Want Me”
    from: “If You Don’t Want Me” – Single / Sunflower Soul Records / May 15, 2024
    [The Freedom Affair is a 9 piece soul juggernaut from Kansas City, MO. The band formed in 2017 with a vision to write original soul music inspired by the traditions of the genre’s past with a universal message looking toward the future. Their new single “If You Don’t Want Me” features: Shon Ruffin on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, Brett Jackson on tenor Sax, Pat Conway on congas, and Nick Howell on tambourine. Written, Recorded & Mixed by Chris Hazelton. Mastered by JJ Golden // With their debut album FREEDOM IS LOVE, The Freedom Affair has received critical acclaim and have established themselves as a force in the soul music scene across the states and abroad. Keep your eyes and ears open for their songs and album art featured in the series Bel-Air, an Apple commercial, a Netflix series, etc… This band is just getting started. // The Freedom Affair’s live shows have proven to be soul-stirring, transformative events moving audiences both physically and emotionally to joy. // The Freedom Affair released their debut album Freedom Is Love on September 25, 2020. from The album explores themes of love, heartache, empower-ment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording techno-logies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. For the debut record The Freedom Affair was: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

[The Freedom Affair play The 20th Annual Crossroads Music Fest Saturday, August 24 in the Hitoric West Bottoms with Shy Boys, Back Alley Brass Band, The Salvation Choir, Flare Tha Rebel, Danny McGaw, KC marching falcons, AND Sunday, August 25 at The Folly Theatre with The Grand Marquis, Slim Hansen & The Poor Choices, Victor & Penny, Trevor Turla, Sammy Nicolier, Damien Gunn Band]

  1. Zee Underscore – “What More Do You Want”
    from: The Zee Underscore Experience – EP / Underscore Form / June 15, 2024
    [Zee Underscore studied at The School for Creative and Performing Arts (SCPA) in Cincinnati, Ohio, where her confidence and talent flourished, sparking a deep passion for music creation and supporting artists of diverse backgrounds. Zee completed a five-year electrical engineering program at The University of Cincinnati, and her work in electrical engineering led her to Kansas City. Zee is co-founder of ZNTL Enterprises. Zee embodies the spirit of dreaming without limits, juggling roles as a singer, songwriter, recording artist, emcee, event coordinator, entrepreneur, and mentor while also working full time as an electrical engineer. Last year Zee Underscore released one of our favorite singles, “In The Way (feat. Amadi Luv)”. More info at: http://www.linktr.ee/Zeebee.notes%5D
  1. Daniel Gum – “Don’t I Know”
    from: Sophia – Don’t I Know – Single / Manor Records / January 24, 2024
    [Daniel Gum is a singer-songwriter based out of Kansas City, KS who has been active since 2017. Daniel Gum released the single “Julia” on December 9, 2022. Daniel Gum released the single “Wolverine (ft. Rachel Cion)” on September 19, 2921. Daniel Gu, released the electronic pop EP, I’M NOT DEAD in 2017 and an acoustic EP, MOON in 2018. In addition to working on his own solo project, Daniel has been working with other local groups—playing bass and engineering for his band Pillow (a post-punk/shoegaze group) and playing drums behind singer-songwriter Chloe Jacobson, also doing some recording for her. Channeling the likes of Elliott Smith & Andy Shauf, he co-produced his new record THIRTEEN with Mike Crawford, playing almost everything you hear on the album and mixing it himself. Signing to Manor Records in the spring of 2020, he officially released THIRTEEN on cassette & CD on October 30, 2020. All songs written, performed, and.mastered by Mike Nolte at Eureka Mastering. Daniel Gum is a 24 year old singer-songwriter . Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EPI’M NOT DEAD on October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming. The first single from Daniel Gum’s album, Thirteen “Ruin Your Life” was released on September 4, The second single, “In The Worst Ways” was released September 28, 2020. ] [On our July 22, 2020, WMM show we played Daniel Gum’s track, “Tired Saint” from French Exit Records – Black Lives Matter Compilation, released July 6, 2020. French Exit Records was launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. Daniel Gum joined us on WMM on November 11, 2020.]

10:46 – Pledge Break #3

Our WMM Summer Fund Drive Team: Marion Merritt & Betse Ellis

On May 15, 2024 – Wednesday MidDay Medley celebrated 20 Years on the radio! , with LIVE performances in our 90.1 FM Studios from: Calvin Arsenia, IVORY BLUE, Stephonne, Julia Othmer, Kasey Rausch and guests Marion Merritt, Maria Vasques Boyd, Nico Gray, and Necia Gamby..

As of this week we have done 1055 weeks equaled 2210 hours of radio, 16,000 hours of preparation, over 3000 Interviews, 2500 guests, and over 20,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music scene, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.

WMM has presented new formats in radio, with our “A Story In A Song” series, and our special shows featuring: Apocalypse Meow, Crossroads Music Fest, Folk Alliance, Manor Fest, International, The Outer Reaches Festival, Boulevardia. KC Fringe Festival, Owen Cox Dance Group, Bach Aria Soloists, KC Pride, and our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, LGBTQIA Themes, Black Lives Matter and inteviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin. Plus, our annual 4-week special: WMM’s 120 Best Recordings of the Year.

To say this radio show has been inspired by the KC music community, is an understatement. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists we’ve met while doing this show. We are inspired by the Fearless Women who created radio on 90.1 FM long before us: our friend April Fletcher who plays bass professionally in Los Angeles, and hosted Mix Well Before Serving on 90.1 in 1988 on KKFI’s first year of broadcast, and last year returned after 35 years to host and produce WMM. And our friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. At Anne’s funeral we realized that we are connected to hundreds of other people who Anne had touched with her gentle, wise, guidance and had nudged into taking a job, going out on a stage, organizing an event, doing a radio show. We were all connected, she had loved us all and supported us, and some of us made a pact to do just a little bit of what Anne did, if we all did a little we could continue her work to help build our community, that is how we keep Anne alive in our heart. And through collaboration, and shining a light, like Abigail Hope Henderson, who we lost in 2013, but not before she ignited a movement to create the Midwest Music Foundation supporting heath care needs and mental health care for the music community. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the stories & music & voice of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers. We celebrate 1035 weeks of WMM, the show that has brought us together, at this time, on this frequency, in these community airwaves. Thanks for listening.

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

10:55

  1. The Creepy Jingles – “Repeat After Me”
    from: “Repeat After Me” – Single / High Dive Records / April 19, 2024
    [This is the second of several new singles being released by The Creepy Jingles this year. The band released “When Things Go Wrong” on February 23, 2024. The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. // Song (lyrics/melody/chords) written by Jocelyn Olivia Nixon. Guitar solo by Wills van Doorn. Recorded and Mixed by Paul Malinowski. Mastered by Zack Hames. Vocals & Piano: Jocelyn Olivia Nixon, Guitars: Wills Van Doorn, Bass: Andrew Woody, and Drums: Nick Robertson. // The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019. ] The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019.]
  1. St. George & The Dragons – “Leave It All Up To You”
    from: “Leave It All Up To You” – Single / St. George & The Dragons / June 21, 2024
    [A band’s lifespan is on the average two years. But after two years, St. George & The Dragons is just getting started. After four years of writing, rehearsing, and recording, St. George & The Dragons are releasing their debut album – King Of Kansas City, a ten-song album of pure rock and roll influenced by late 70s rock like the Stones and Tom Petty. // The album’s theme comes from a time when Rock ‘n’ Roll ruled the airwaves. It’s about letting go and raising your hand high into the air with your middle finger out to the world as you move on to the next big thing in your life. // Their first single “Leave It All Up To You” will be available on all streaming services June 21! The full-length album will be out August 30 with the vinyl release in September on Grand Central Bell Records. // Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. They found it easy to work together and had similar tastes which led them to produced and engineer an album for Kansas City artist David Luther. In the studio with Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys. // George, Tomek, and Kesler hit it off and started working on material of their own, eventually bringing in guitarist Mike Greene (The Front/Bakers Pink) and vocalist/guitarist Skeet Hanks (Beatin’ Path) to round out the sound. Greene was the lead guitarist in the Front, a band known for their searing guitar and power rock sound. Hanks, from New Orleans fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies. // Influenced by the works of The Stones, Tom Petty & The Heartbreakers, The Beatles, and many other classic rock bands from the 70s and the 80s, St. George & The Dragons came together during the Global Pandemic, giving them time to develop their sound. George, Greene, Hanks, Kesler, and Tomek have all had their share of greatness, from the collective albums they’ve released on major and indie labels to sharing the stage with legends like Paul McCartney, The Replacements, Soul Asylum, Doobie Brothers, The Black Crowes, Derek Trucks Band, Lumineers, Aerosmith, Smithereens, Mother Love Bone, and a list that could fill up a book! // St. George & The Dragons will be following up their release with shows around the Kansas City area later this summer and fall. More information at: http://www.stgeorgeandthedragonsband.com]

[St. George & The Dragons play the Nelson Atkins Museum of Art “Lawn Party” Kansas City, MO Sunday, July 21.]

11:00 – Station ID

11:00 – Interview with Tom Mardikes

Tom Mardikes, Professor of Sound Design at UMKC’s Conservatory. Tom has worked on over 250 professional productions as Sound Designer for KC Repertory Theatre, the Repertory Theatre of St. Louis, Heart of America Shakespeare Festival, and many others nationally. Mardikes has been head of graduate sound design training since 1986 and chair of UMKC Theatre since 2001. He co-founded Kansas City Actors Theatre in 2004, an artist-led, artist-driven professional theatre company performing in Kansas City’s Union Station. Tom shares details about SOUND MANDALA an immersive audio system that distributes sound to dozens of independent loudspeakers and moves sounds through space in ways never heard before. Sound Mandala premieres at The 20 annual KC Fringe Festival, in the Olsen Performing Arts Center at UMKC, 4949 Cherry St, KCMO., with 36 continual performances Friday, July 19 at 6:00pm, through Saturday, July 29 at 10:30pm. More info at http://www.soundmandala.org or http://www.kcfringe.org

Tom Mardikes, Thank you for being with us on Wednesday MidDay Medley

Mr. Tom Mardikes is a Professor of Sound Design at UMKC’s Conservatory. He has worked on over 250 professional productions nationwide as Sound Designer for Kansas City Repertory Theatre (formerly Missouri Rep), the Repertory Theatre of St. Louis, the Dallas Theatre Center, Syracuse Stage, Coconut Grove, the Roundabout, Buffalo Studio Arena, the Alley Theatre, Great Lakes Theatre Festival, Heart of America Shakespeare Festival, Idaho Shakespeare Festival, and Shakespeare Santa Cruz.

He has directed several stage productions including Taking Sides (2008) for Kansas City Actors Theatre, Nadya (2008), Burnt by the Sun (2013) and Playboy of the Western World (2014) for UMKC Theatre.

Mardikes has been head of graduate sound design training since 1986 and chair of UMKC Theatre since 2001. He has long been active in the United States Institute for Theater Technology, first as a Sound Vice Commissioner for Education and then as Sound Commissioner from 1998-2000.

He was one of five professional sound designers who helped facilitate the organization of sound designers into the United Scenic Artists Local 829 that has led to the official recognition of sound design by LORT and professional theatres nationwide. He was one of two featured sound designers in the USA Exhibit for the 2003 Prague Quadrennial and served as co-Curator of Sound for the American Exhibit for PQ2007.

He co-founded Kansas City Actors Theatre in 2004, an artist-led, artist-driven professional theatre company performing in Kansas City’s Union Station. In 2011, he led a group of eight member schools to create the National Design Portfolio Review where graduating M.F.A. designers are introduced to the New York theatre profession.

The Sound Mandala is an immersive audio system that distributes sound to dozens of independent loudspeakers and moves sounds through space in ways never heard before. The show will consist of music mixed from the original multi-track sound recordings that are mixed across the many loudspeakers and featuring sounds programmed to move about the space.

Program content will feature pop, rock, jazz and Celtic tracks, and featuring several short scenes with voiced actors and sound effect collages.

The Sound Mandala is a new way of listening to recorded sounds, in a room full of loudspeakers arranged in a matrix allowing for a wide variety of sound distribution and motion. In the auditory domain, the Sound Mandala imitates the visual trick of film motion by placing dozens of loudspeakers into a space organized into a matrix of lines and rows, then dividing, or spreading a sound along these lines and rows to create a sinuous ‘motion’ of sound. This summer the Sound Mandala will present a show on the KC Fringe Festival featuring an 80-loudspeaker channel system in a black box theatre seating 40 people. We refer to the Sound Mandala as a ‘Mecca-concept’—-you must go there to have the experience. As this invention becomes commercialized and we experiment with visual images, this Mecca-concept will be a decided advantage to a film presenter—an advantage movie theatres do not enjoy today. The Sound Mandala experience cannot be duplicated in the home or in a car.

Cast/Crew:
Tom Mardikes
Jon Robertson
Thomas Newby
Gianna Agostino
Daisy Melton
Paul Vedros
Sam Toskin

11:10

  1. musicbyskippy – “Gotta Catch My Breath Take 81”
    Originally released as a single / Almost Peanut Butter / July 15, 2023
    [Musicians: musicbyskippy. Composer: Luke “Skippy” Harbur. Arranger: Luke “Skippy” Harbur. Studio: Get Wild Studios. Production Dates: May 2023 to June 2023. Producer: Luke “Skippy” Harbur. Mixing Engineer: Luke “Skippy” Harbur. Mastering Engineer: Luke “Skippy” // Publisher/Label: LSH Productions, LLC.]

Part of: Sound Mandala / UMKC Sound Design Department
[The Sound Mandala is an immersive audio system that distributes sound to dozens of independent loudspeakers and moves sounds through space in ways never heard before. The show will consist of music mixed from the original multi-track sound recordings that are mixed across the many loudspeakers and featuring sounds programmed to move about the space. // Program content will feature pop, rock, jazz and Celtic tracks, and featuring several short scenes with voiced actors and sound effect collages. // The Sound Mandala is a new way of listening to recorded sounds, in a room full of loudspeakers arranged in a matrix allowing for a wide variety of sound distribution and motion. In the auditory domain, the Sound Mandala imitates the visual trick of film motion by placing dozens of loudspeakers into a space organized into a matrix of lines and rows, then dividing, or spreading a sound along these lines and rows to create a sinuous ‘motion’ of sound. This summer the Sound Mandala will present a show on the KC Fringe Festival featuring an 80-loudspeaker channel system in a black box theatre seating 40 people. We refer to the Sound Mandala as a ‘Mecca-concept’—-you must go there to have the experience. As this invention becomes commercialized and we experiment with visual images, this Mecca-concept will be a decided advantage to a film presenter—an advantage movie theatres do not enjoy today. The Sound Mandala experience cannot be duplicated in the home or in a car. // Cast/Crew: Tom Mardikes. Jon Robertson, Thomas Newby, Gianna Agostino, Daisy Melton, Paul Vedros, and Sam Toskin.]

Tom Mardikes, Thank you for being with us on Wednesday MidDay Medley

Sound Mandala premieres at The 20 annual KC Fringe Festival, in the Olsen Performing Arts Center at UMKC, 4949 Cherry St, KCMO., with 36 continual performances Friday, July 19 at 6:00pm, through Saturday, July 29 at 10:30pm. More info at http://www.soundmandala.org or http://www.kcfringe.org

11:13 – Pledge Break #4

This is WMM’s Summer Fund Drive Show with Marion Merritt & Betse Ellis.

90.1 offers 100 different radio programs. 85 of these programs are locally, produced, hosted, engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 64 local music shows and 21 locally produced News, Public Affairs, Arts & Talk shows.

There are 140 hours each week of locally produced handcrafted programs.

You will not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting.

Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental.

With all of this, you hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, broadcast live from our non-commercial, midtown studios, at 39th & Main, in the center of our metro, across two states, a collective of communities, and thousands of listeners. What is this worth to you?

11:20 – Underwriting

  1. Epitome – “Way Up (Radio Edit) feat. Ayron Alexander)”
    from: “Way Up” – Single / Syke Brand Music / July 12, 2024
    [Kansas City based rapper Glenn Robinson who is known as Epitome. Epitome released his newest 10 track album, BOUJIE TYPE BEAT on February 19, 2024. Since then has released the new single, “Way Up (feat. Ayron Alexander)” on July 12, 2024. A protest of sorts, “WAY UP” is also a celebration of life and all its struggles. The raucous anthem delves into E’s mantra of “once you reach the bottom, the only way is UP!” Featuring the silky, smooth sounds of Ayron Alexander, the layered vocals transform this gritty griot into an alternative pop confection. Since 2016, Epitome has released 3 albums, 4 EPs. and nearly 20 singles, collaborating with artists including: The Royal Chief, Domineko, Regina Del Carmen, Amira Wang, VCMN, Scotty Wu, Lex Lingo and others.]

11:24 – Interview with Glenn Robinson aka Epitome and Ayron Alexander

Kansas City based rapper Glenn Robinson who is known as Epitome. Epitome released his newest 10 track album, BOUJIE TYPE BEAT on February 19, 2024. Since then has released the new single, “Way Up (feat. Ayron Alexander)” on July 12, 2024. A protest of sorts, “WAY UP” is also a celebration of life and all its struggles. The raucous anthem delves into E’s mantra of “once you reach the bottom, the only way is UP!” Featuring the silky, smooth sounds of Ayron Alexander, the layered vocals transform this gritty griot into an alternative pop confection. Since 2016, Epitome has released 3 albums, 4 EPs. and nearly 20 singles, collaborating with artists including: The Royal Chief, Domineko, Regina Del Carmen, Amira Wang, VCMN, Scotty Wu, Lex Lingo and others. More info at: soundcloud.com/theepitomekc thanks for being with us on WMM.

Glenn Robinson who is known as Epitome thanks for being with us on WMM.

Glenn Robinson writes: Kansas City was never the easiest place to be different.we get in the habits of doing what it takes to survive regardless of the consequences. Raised in parade park we weren’t in the best area and still grew to become some who can inspire others thru creative means.

Boujie Type Beat was the discovery of a new sound that helped propel Epitome to be comfy with himself and make his truest sound. From the trap with love was stylistically the most diverse album just because of the production style pushed him to a new threshold.

For Epitome his album, NNTT was when he felt like he discovered what he sounds like. His biggest record “big bawdy” is on there.

Epitome has been played on Hot 103 jamz

Epitome has had over 10,000 streams and for his album NNTT on Spotify it’s over 10,000 as well.

As for the inspiration for “Way Up” – “Way up” was inspired by a phrase you can’t get any lower than this, only way is up. Then parade park that he has been living on his whole life. They are currently being displaced from their units and the balloons represent them rising to the top.

As for the inspiration for his latest album? Glenn wanted to show a more personal side of his music. Wanted people to appreciate the women in his life as well. They are the reason he can push through, so this project is dedicated to them. They helped him reach expose a side of himself that has never been seen in his music.

Album release 9/6/2024

Glenn Robinson who is known as Epitome thanks for being with us on WMM.

Epitome plays Nimble Cafe, The Mecca, on July 25\, and Titties & Tequila ay Lemonade Park on August 31.

Epitomes new album will be released on September 6, 2024.

11:38

  1. Epitome – “What We Are (Radio Edit)”
    from: “What We Are” – Single / Syke Brand Music / July, 2024
    [Kansas City based rapper Glenn Robinson who is known as Epitome. Epitome released his newest 10 track album, BOUJIE TYPE BEAT on February 19, 2024. Since then has released the new single, “Way Up (feat. Ayron Alexander)” on July 12, 2024. A protest of sorts, “WAY UP” is also a celebration of life and all its struggles. The raucous anthem delves into E’s mantra of “once you reach the bottom, the only way is UP!” Featuring the silky, smooth sounds of Ayron Alexander, the layered vocals transform this gritty griot into an alternative pop confection. Since 2016, Epitome has released 3 albums, 4 EPs. and nearly 20 singles, collaborating with artists including: The Royal Chief, Domineko, Regina Del Carmen, Amira Wang, VCMN, Scotty Wu, Lex Lingo and others.]

11:40 – Pledge Break #5

This is WMM’s Summer Fund Drive Show with Marion Merritt, & Betse Ellis.

Wednesday MidDay Medley offers loads and loads of information about what is going on in the community. Not only does this show interview 150 guest each year, not only do we play nearly 900 different songs with more than half of those being locally produced, but we also shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

KC Repertory Theatre, Outer Reaches Fest, Owen/Cox Dance Group, No Divide KC, The Folly Theatre, The Kinsey Sicks, recordBar, Lawrence Arts Center, Manor Records, The Rino, KC Blues Society, Records With Merritt, Kansas City Star, Lawrence Music Alliance, MixMaster Music Conference, Midwest Music Foundation, KC Gift, Briarfest, Warwick Theatre, The Record Machine, Synergy Systems, Lemonade Park, Crossroads Music Festival, The Ship, The Black Box Theatre, Amplify Lawrence, Quindaro Ruins, Music Writing of Dave Marsh, Innovation Festival, Queer Narratives Fest, Art in the Loop, The documentary film: NO PLACE LIKE HOME: THE STRUGGLE AGAINST HATE IN KANSAS, KC Fringe Festival, Make Music Day, Boulevardia, Arts in The Park, UMKC Conservatory of Music, The Emerald, The Crossroads Hotel, High Dive Records, Greenwood Social Hall, KC Folk Fest, Manor Fest, One Voice Radio, KC Farm School at Gibbs Road, Center Cut Records, KKFI Band Auction, Charlotte Street Foundation, Women’s History Month!, KC Punk Shindig!, Sweet Honey in The Rock, University of Missouri at Columbia, Lawrence Public Library, I Heart Local Music, Black History Month, Mr. Furious Records, Bach Aria Soloists, Folk Alliance International, Martin Luther King Jr., Tribute to David Bowie, Tribute to Iris DeMent

11:47

  1. Miss Boating – “Crew Cut Baby”
    from: Jewel In The Trash / High Dive Records / June 29, 2024
    [Miss Boating who’ve recently signed with High Dive Records to release their debut album, JEWEL IN THE TRASH. Miss Boating is a KC based, five-piece with multi-instrumentalist & lead singer Charlie Coleborne, drummer Bill Belzer, Aaron Jones on trombone, Tom Gillespie on Saxophone, and Bryan McGuire on bass. (Phil Dickey played bass on the album.) Charlie and Bill met in the late 1980s. In the beginning they were called The Sympathetic Fringe, and then The Sleazebeats. In recent years Charlie & Bill added Aaron, Tim and Bryan. Described by one local radio host as “the perfect house band for a John Waters After Party.” One of their songs is about a friend’s mom’s dynamic relationship with prescription medication. Another is a tribute to the late Evan Jolly, their former bassist. All of the songs are written by Charlie Colborne through his blue/gay eyes. These songs have a fine patina of ditch weed, filthy humor, cigarette smoke, gay drama, Bee Gee’s inflected new wave, queer music hall schmaltz, odd stiff naive sambas, and box wine. More info at: http://www.highdivekc.com // From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. // On January 1, 2020 Miss Boating released The Vhargon Sidestep with: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

11:49 – Pledge Break #6

This is WMM’s Summer Fund Drive Show with Marion Merritt, & Betse Ellis.

KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100,000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my interesting friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Please help keep this part of our public airwaves alive for our community to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio,” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

For WMM, Tom Mardikes, Epitome, Marion Merritt, and Betse Ellis, and to everyone who donated… I’m Mark Manning. Thanks for listening!

11:56

  1. Eddie Moore – “Freewheel”
    from: Aperture (Live Piano Works) / Eddie Moore Music / March 5, 2024
    [All songs written by Eddie Moore. Recorded by Eddie Moore and Jaylen Ward. Mixed by Eddie Moore. Mastered by Crayge Lindesay. Album art by Jeremy Ian Thomas. This project presents snapshots into the life of Eddie Moore. The fun times riding bikes, getting lost in the woods, and spending time with loved ones. As a special solo sharing, it only felt right to capture the velvet soothing energy live on stage at Corvino’s, where experimentation and vulnerability are encouraged. // Special thanks to the Corvinos and the staff for letting me sneak in during the “off hours” and post up for a few hours in a blizzard. // When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Moore reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression. // On April 20, 2023 Eddie Moore released the single “Tuunami” Recorded & produced at Moore’s Tribe Studios, this song features Jaylen Ward on drums. Mixed & mastered by veteran KC savant Crayge Lindesay. // Eddie Moore released his critically acclaimed album INTUITION on October 28, 2022. Written & Produced by Eddie Moore. Recorded at Tribe Studios. Featuring Tim Ogutu on guitar. Mix & Mastered by Rick Carson at Make Believe Studios. Album Art by Brandon Wilson. // Eddie Moore released the single, “Love Song” (with Joel Castillo and Bree Cummings) on October 22, 2021. // Eddie Moore released “We Chillin’” on April 9, 2021. // Eddie Moore’s band We The People released their album MISUNDERSTOOD on September 25, 2020. // Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to Kansas City to study under Bobby Watson at the University of Missouri-Kansas City where he received a M.A in Jazz Studies. 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”. Moore’ has shared the stage and recordings with Bobby Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band. We The People released the single, “Single Double” on June 10, 2021. Written & Produced By Eddie Moore with Moore on keyboards, key bass, & programming; Zach Morrow on drums; and Jason Emmond on bass. Recorded at Tribe Studios. Mixed by Rick Carson at Make Believe Studios. Eddie Moore joined WMM on Sept. 23, 2020 and Nov. 23, 2022. More info at http://www.eddiemooremusic.com]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on July 24 we continue with part 2 of WMM’s Favorite Releases of 2024…So Far. Plus Scott Easterday joins us to share details about: Scott Easterday: 35 Years – celebrating 35 years as a singer, songwriter and performer, Sunday, August 4, at 7:00pm, at recordBar, 1520 Grand Boulevard, KCMO with Ezpassioantes and The Easterday Band.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1055