Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, February 7, 2024

The Sound & Vision of Rod Parks

1. “Main Title Instrumental – It’s Showtime Folks”
   from: Original Motion Picture Soundtrack to All That Jazz / 1980
   [WMM’s theme song]

2. High Fade – “Sharpen Up! (Live)”
   from Live in London / RPN Records / October 6, 2023
   [High Fade is launching a U.S. Tour in March. They will be playing Portland, Oregon on March 30. Here is what Polaris Hall in Portland wrote about the band: “On a three-man crusade to set dance floors alight with their inimitable brand of razor-sharp funk and disco, Edinburgh’s High Fade captured the attention of a global audience with their music amassing over 30 million views and streams within six months of their first release and, in the process, gaining recognition from music heavyweights including Jack Black, Cypress Hill, Deep Purple’s Glenn Hughes, and Brad Wilk from Rage Against The MachineFor a band that only started mid-2018, to already have the support of artists including Emeli Sandé, David Paitch and even Peter Andre is a testament to not only their raw musical talent but also the relentless drive and ambition that has seen the band play over 1000 gigs in the last four years. With a forward-thinking approach to grassroots promotion, High Fade have been able to capture the magic of their live performances with a proactive presence on social media and create multiple viral moments for their tracks “Sharpen Up”, “Burnin”, and “Burnt Toast and Coffee”that feed the appetite of new fans across the world.With a more traditional offline approach towards learning their craft and perfecting the HighFade sound, Harry Valentino (guitar/vocals), Oliver Sentance (bass) and Calvin Davidson(drums/vocals) developed their infectious style whilst feeding off the unpredictable crowd inter-actions that come with street shows and busking. It’s this unmatched live energy that sets their performances apart and results in the impressive musical display that comes from just three musicians working together. Indeed, with other acts in the same genre often having upwards of six members, being a three-piece could be a limiting factor for many, but for HighFade it has become an integral part of the band’s DNA, allowing them to put on a show that supersedes anything their fans have experienced before.]

10:06 – Intro / Interview with Rod Parks

Thanks for tuning into WMM on 90.1 FM. I’m Mark Manning. Today, we present special edition of WMM as we bring you… “The Sound & Vision of Rod Parks.” (Part Duex)

Rod Parks is owner of Retro Inferno. He serves on the board of directors for Owen Cox Dance Group and he is a long-time supporter of area artists and musicians. Rod lives in the Bruce Goff “Nicol House” commissioned by Jim & Betty Nicol in 1964, where Rod hosts fundraisers and house concerts. Rod Parks grew up in Smithville, Missouri, and started playing drums when he was 11. Rod graduated from the University of Missouri in Columbia with a bachelor’s degree in marketing education and completed master’s degrees in education in 1993. Throughout these years Rod played drums in bands, worked in the grocery store business, and taught high school for ten years. Rod was accepted into the UMKC doctoral program in counseling psychology, and finished coursework for the PhD in 1996. Rod started buying mid-century modern furniture in the mid 1990s. In 1998, Rod opened his first store at 1712 Main, and in 2004, Retro Inferno moved to its current beautiful location at 1500 Grand Boulevard, just a few doors north of recordBar.

Rod Parks, Thanks for being with us on Wednesday MidDay Medley

We just heard High Fade, a band 3-piece powerhouse band from Edinburgh

We’ll also spin tracks from: (more) High Fade, John Zorn, Patricia Brennan, Tony Allen & Adrian Young, and Tony Allen & Hugh Masekela, Ceramic Dog & Marc Ribot & Mark Bibot & Tom Waits.

Rod Parks Grew up in Smithville. His dad had a grocery store there. Rod played sports and got into music at a young age.

Rod Parks graduated High School 1975. Went to MU in Columbia.

10:11

3. Hide Fade – ‘Burnt Toast and Coffee”
   from: ‘Burnt Toast and Coffee” (Single) / RPN Records / July 7, 2023

4. Hide Fade – “Burnin’ (Live)
   from: ‘Burnt Toast and Coffee” (Single) / RPN Records / July 7, 2023

10:19 – Underwriting

0:21 – Interview with Rod Parks

Today, we present special edition of Wednesday MidDay Medley as we bring you… “The Sound & Vision of Rod Parks.” Rod Parks is owner of Retro Inferno.

Rod Parks, Thanks for being with us on Wednesday MidDay Medley

Rod Parks bought his first drum set for $40 when he was 11 years old.

Rod got his first “good” drum kit at 15 and he still has it (and others). Rod played in bands in his teens and then not again until he was in his 30’s.

10:26

5. John Zorn – “Totem and Taboo”
   from: Incerto / Tzadik / September 16, 2022
   [Incerto is the birth of an exciting new modern jazz ensemble featuring the remarkable trio from Suite for Piano (Brian Marsella, Jorge Roeder, Ches Smith) joined by the brilliant guitarist Julian Lage. A quartet capable of anything, this is the perfect group to realize Zorn’s quirky compositional twists and turns. The music is wildly varied—maddeningly complex, powerfully driving, heartbreakingly beautiful—and embraces complex meter changes, atonal melodies, unusual harmonies, and bizarre structural complexity. Inspired by Freud, Sartre, and the Uncertainty Principle, the music explores possibilities, probabilities, inevitabilities, and impossibilities. // John Zorn (born September 2, 1953) is an American composer, conductor, saxophonist, arranger and producer who “deliberately resists category”. His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. In 2013, Down Beat described Zorn as “one of our most important composers” and in 2020 Rolling Stone noted that “[alt]hough Zorn has operated almost entirely outside the mainstream, he’s gradually asserted himself as one of the most influential musicians of our time”. // Zorn entered New York City’s downtown music scene in the mid-1970s, collaborating with improvising artists while developing new methods of composing experimental music. Over the next decade he performed throughout Europe and Japan and recorded on independent US and European labels. In 1986, he received acclaim with the release of his radical reworking of the film scores of Ennio Morricone, The Big Gundown, followed by Spillane, an album featuring his collage-like experimental compositions. Spy vs Spy (1989) and Naked City (1990) both demonstrated Zorn’s ability to merge and blend musical styles in new and challenging formats. // Zorn spent significant time in Japan in the late 1980s and early ’90s but returned to Lower East Side Manhattan to establish the Tzadik record label in 1995. Tzadik enabled Zorn to establish independence, maintain creative control, and ensure the availability of his growing catalog of recordings. He prolifically recorded and released new material for the label, issuing several new albums each year, along with recordings by many other artists. // Zorn performs on saxophone with Naked City, Painkiller, and Masada, conducts Moonchild, Simulacrum, and several Masada-related ensembles or encourages musicians toward their own interpretations of his work. He has composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Tours of Europe, Asia, and the Middle East have been extensive, usually at festivals with musicians and ensembles that perform his repertoire.]

6. John Zorn – “Splendid Soils”
   from: 444 / Tzadik / March 17, 2023
   [From Free Jazz Collective, by Gary Chapin (8/7/23): Brian Marsella (electric piano), John Medeski (organ), Matt Hollenberg (electric guitar), Kenny Grohowski (drums & percussion) form a group for the ages. The electric piano always sends me back to Bitches Brew, and you might consider that a limitation for me, but its ability to float between shimmering elegy and wild abandon is unmatched. You can do things on the electric piano you can’t do anywhere else (as Sun Ra taught us), and Marsella does so many of those things on 444. // I spotlight Marsella because his voice drew my attention first. The four musicians are the quartet Chaos Magic, which started as Marsella+Simulacrum (a “heavy metal organ trio”). They are bound by the expectations of heavy metal or organ trios. “In Sulphur and in Flame” is a thrashy speed fest with the guitar sounding like an ax counting time. “Astral Projection” sounds like it could live behind a montage of Audrey Hepburn and a bombed-out city in France, just as the plants are starting to grow back. Shifting time signatures and jump scares are par for the course, as are evocations of beauty. The electric piano arpeggios that open “Tayy al-Ard,” with the shimmering cymbals underneath, are poetically powerful, pensive & filled with curiosity. The guitar & organ come in to lay a field, but the tune relies on persistence & repetition to say what it needs to say.

7. John Zorn – “Ne’eman”
   from: New Masada Quartet Vol 2 / Tzadik / January 20, 2023
   [from http://www.tzadik.com: John Zorn’s newest and most exciting ensemble, New Masada Quartet, was one of Tzadik’s best selling and most popular recent releases. Here the quartet returns to perform seven more classic compositions from the Masada songbooks. One of the best ensembles Zorn has ever had, they are tighter than ever, and the performances are filled with burning solos, telepathic group interaction, heartfelt lyricism, and hypnotic grooves. Spontaneously structured by Zorn’s ever-surprising conducting techniques, a crackling live energy brings the Masada music to life like never before. Masada at its passionate best. Personnel: Kenny Wollesen on Drums, John Zorn on Alto Sax, Julian Lage on Guitar, and Jorge Roeder on Bass.]

10:46 – Interview with Rod Parks

Today, our special guest is Rod Parks is owner of Retro Inferno at 1500 Grand Boulevard.

Rod Parks, Thanks for being with us on Wednesday MidDay Medley

We just heard three different recordings from the mind of John Zorn

10:51

8. Patricia Brennan – “Unquiet Respect”
   from: More Touch / Pyroclastic Records / November 18, 2022
   [Vibraphonist, marimbist, improviser and composer Patricia Brennan “has been widely feted as one of the instrument’s newer leaders.” observed The New York City Jazz Record. She has performed in venues such as Newport Jazz Festival, SF JAZZ, and Carnegie Hall, as well as international venues such as Wiener Konzerthaus in Vienna, Austria, and Palacio de Bellas Artes in Mexico City. // Marcus Gilmore on drums, Mauricio Herrera on percussion. Kim Cass on bass, and Patricia Brennan on vibraphone with electronics, marimba. All compositions by Patricia Brennan (Maquishti Music, BMI) Patricia Brennan and Pyroclastic Records © ℗ 2022 Produced by David Breskin. Recorded by Ron Saint Germain & Ryan Streber
   on March 31 & April 1, 2022 at Oktaven Audio, Mt Vernon, NY. Mixed by Ron Saint Germain at Saint’s Place. Mastered by Scott Hull, Masterdisk, Peekskill, NY. Band photography by Frank Heath. Design & layout by Spotswood Erving and July Creek for Janky Defense. Carbon offsets to neutralize the carbon emissions associated with the production and distribution of this album have been purchased through carbonfund.org

9. Patricia Brennan – “Sizigia (Syzygy)”
   from: More Touch / Pyroclastic Records / November 18, 2022

11:02 – Station ID

11:02 – Interview with Rod Parks

Today, we present special edition of Wednesday MidDay Medley as we bring you… “The Sound & Vision of Rod Parks.” Rod Parks is owner of Retro Inferno.

Rod Parks, Thanks for being with us on Wednesday MidDay Medley

Rod Parks Graduated High School 1975. Went to MU in Columbia. Rod majored in Marketing Education. Coordinated a Marketing Education program in Versailles MO 1979-81. Was in the Grocery business 81-86 in Smithville. Taught school again from 1988-98. Moved to Brookside in ’93 when I got into the UMKC Doctoral program in Counseling Psychology (Rod completed Masters and Ed Specialist degrees from 90-93).

11:07

10. Tony Allen, Adrian Younge – “Ebun (feat. Tony Allen”
    from: Jazz is Dead 18 / Jazz Is Dead / July 7, 2023
    [With each subsequent release, Jazz Is Dead continues to exalt the legacies of iconic musicians who have shaped the fabric of Jazz across generations, genres, and continents. For their latest installment, the label connected with the late great Tony Allen, best known for his foundational work as the drummer for Fela Kuti’s Africa 70, and later Egypt 80. Over the course of Allen’s recording career, he defined the Afrobeat sound, meshing Funk & Jazz influences with Nigerian Highlife to create a cross-cultural dialogue that has gone global. It was no small honor to welcome Mr. Allen for a very special recording session at Linear Labs Studio, and we could not be more thrilled to share these crucial and downright funky cuts with you. // On album opener “Ebun”, guitars and horns build off of Allen’s instantly recognizable drum patterns, stretching and warping time signatures as they cross paths. It instantly recalls the seminal Africa 70 recordings which Allen was a driving force on. Psychedelic keyboards and percussion clash on “Steady Tremble”, a heavy stomper tailor-made for dancefloors in every corner of the world. Just as funky is the kinetic and expressive “Oladipo”. Built between a tense call and response between the horns, the track is filled with drama, and Allen steadily keeps each element in balance. As soon as the flute struts in alongside fiery horns and guitar on “Don’t Believe the Dancers”, the groove plunges further, propelled by an acerbic saxophone solo that animates Allen’s percussion. “Makoko” is a moody, mid-tempo jam that evokes classic Fela Kuti recordings such as “Open & Close” and “Gentleman”, slowly constructing an elaborate orchestra of polyrhythm, all keeping step with Allen’s rhythm. “Lagos” points towards the spiritual and literal home of Allen and Afrobeat, the capital of Nigeria, and homes in on a yearning keyboard. // Similar to on his excellent Art Blakey tribute record, Tony Allen is a revelatory jazz drummer, as heard on “No Beginning”, a mid-tempo tune that sits at the nexus of Spiritual Jazz and Afrobeat, which perfectly transitions into album closer, the aptly titled “No End”, a poignant number that combines all of the passion and precision of the previous tracks, and let’s Allen guide listeners yet again as only he so effortlessly could. // Despite the finite time that Allen had on this planet, as do all of us, his contributions to music are timeless and untouchable, and will continue to inform and inspire generations to come. Jazz Is Dead is honored to have played a part in the legacy of Tony Allen and invites you to discover the unparalleled genius that shifted the entire world’s conception of time, a magician who alchemized the past with the future and influenced countless listeners, currently and to come. – Tony Allen JID018 Liner Notes // All music composed by Tony Allen and Adrian Younge unless otherwise noted; produced and mixed by Adrian Younge at Linear Labs Studios, Los Angeles, CA. Mastered by Dave Cooley for Elysian Masters. Executive Produced by Andrew Lojero. Associate Produced by Adam Block. All songs published by Adrian Younge, Linear Labs Crew (GMR). Graphic Design by Julian Montague Photography by The Artform Studio. // For “Ebun” Musicians: Tony Allen on Drums; Adrian Younge on Electric bass guitar, Electric guitars, Acetone electric organ, Marimba, Percussion; Marcus Gray, Jazmin Hicks, Loren Oden on Additional percussion; Scott Mayo on Flute; Phillip Whack on Alto saxophone; Jaman Laws on Tenor saxophone; David Urquidi on Baritone saxophone; Jacob Scesney on Baritone saxophone; Emile Martinez: on Trumpet; Tatiana Tate on Trumpet; Lasim Richards on Trombone.]

11. Tony Allen, Adrian Younge – “Steady Tremble”
    from: Jazz is Dead 18 / Jazz Is Dead / July 7, 2023
    [ For “Steady Tremble” Musicians: Tony Allen on Drums; Adrian Younge on Electric bass guitar, Electric guitars, Acetone electric organ, Marimba, Percussion; Marcus Gray, Jazmin Hicks, Loren Oden on Additional percussion; Scott Mayo on Flute; Phillip Whack on Alto saxophone; Jaman Laws on Tenor saxophone; David Urquidi on Baritone saxophone; Jacob Scesney on Baritone saxophone; Emile Martinez: on Trumpet; Tatiana Tate on Trumpet; Lasim Richards on Trombone

11:16 – Underwriting

11:18 – Interview with Rod Parks

Today, we present special edition of Wednesday MidDay Medley as we bring you… “The Sound & Vision of Rod Parks.” Rod Parks is owner of Retro Inferno.

Rod Parks, Thanks for being with us on Wednesday MidDay Medley

Mid-Century Modern – Rod Parks happened upon an estate sale while furnishing the Brookside house and started buying 50’s-60’s stuff and people would come over, say it was cool, so I started trusting my eye and researching designers etc.

Rod started buying and selling: garage and basement full turned into storage lockers then warehouse floors. Finished the coursework for the PhD in ’96.

11:23

12. Tony Allen – “Secret Agent”
    from: Secret Agent / World Circuit Ltd. – BMG / Sept. 9, 2009 / remastered 2022
    [Tony Oladipo Allen (20 July 1940 – 30 April 2020) was a Nigerian and French drummer, composer, and songwriter who lived and worked in Paris, France. Allen was the drummer and musical director of Fela Kuti’s band Africa ’70 from 1968 to 1979, and was one of the founders of the Afrobeat genre. Fela once stated that “without Tony Allen, there would be no Afrobeat”. He was described by Brian Eno as “perhaps the greatest drummer who has ever lived”. // Later in life, Allen collaborated with Damon Albarn on several projects, including Gorillaz, the Good, the Bad & the Queen and Rocket Juice & the Moon.[5] Allen’s career and life were documented in his 2013 autobiography Tony Allen: Master Drummer of Afrobeat, co-written with Michael E. Veal, who previously wrote a comprehensive biography of Fela Kuti. // Tony Allen’s 2009 World Circuit debut, the raw and uncut Secret Agent, has all the ingredients that combine to make Afrobeat so special – fat, full-throated, hard-riffing horns; nagging tenor guitars; jazz- and funk-informed saxophone and trumpet workouts; effervescent chicken-shack keyboards; lyrics rich in folk metaphors and proverbs, some of which confront state corruption and oppression (Kuti’s most frequent targets); deep-soul call and response vocals; and, of course, energizing everything around it, Allen’s majestic drumming.]

13. Tony Allen & Hugh Masekela – Robbers, Thugs & Muggers
    from: Rejoice / World Circuit Ltd. – BMG / March 20, 2020
    [The original sessions were recorded in London in 2010 by World Circuit’s Nick Gold, who was eager to document the first recorded meeting of the two African music legends when their touring schedules coincided. After Masekela’s death in 2018, additional tracks were recorded, again in London’s Livingston Studios, in summer 2019. The album was released on 20 March 2020. In addition to serving as the final studio album for Masekela, it also became Tony Allen’s final studio album before his death on April 30, 2020. The album contains eight tracks written by Allen and Masekela. // The track “Never (Lagos Never Gonna Be the Same)” is a tribute to Fela Kuti, through whom Allen and Masekela first met in the 1970s. // Rejoice was met with widespread critical acclaim. At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 82, based on eight reviews, which indicates “universal acclaim”. Album of the Year assessed the critical consensus as 81 out of 100 based on four reviews. // In reviewing the album, Nigel Williamson for Uncut wrote: “Warm, uplifting and fizzing with both passion and virtuosity, Rejoice is not only a fitting last will and testament from Masekela, but a glorious affirmation of music at its most potent and universal.” Jazz Journal’s Bruce Lindsay commented: “Ten years in the making, Rejoice was worth the wait. It’s a celebratory, groove-laden, thoughtful, danceable, collection from two of the great figures in music.” Joel Campbell of The Voice wrote: “‘Rejoice’ can be seen as the long-overdue confluence of two mighty African musical rivers – a union of two free-flowing souls for whom borders, whether physical or stylistic, are things to pass through or ignore completely.” In his review for PopMatters, George De Stefano noted: “If you need something to get your socially isolated ass off the couch and up and shaking, Rejoice is the album. Even if you have to dance alone, some polyrhythmic pleasure during a pandemic is no little thing. With its deep grooves and virtuosic playing, the pairing of Allen and Masekela—overdue and sadly not to be repeated—Rejoice is a posthumous reminder of what Hugh Masekela at his best could deliver and of the now 80-year-old Allen’s amazing vitality.”]

14. Tony Allen & Hugh Masekela-“Never(Legos Never Gonna Be The Same)
    from: Rejoice / World Circuit Ltd. – BMG / March 20, 2020

11:37 – Interview with Rod Parks (Retro Inferno)

Today, we present special edition of Wednesday MidDay Medley as we bring you… “The Sound & Vision of Rod Parks.” Rod Parks is owner of Retro Inferno.

Rod Parks, Thanks for being with us on Wednesday MidDay Medley

Rod resigned from teaching in 1998 and opened Retro Inferno in June 1998 at 1712 Main from 1998-2004 (having accumulated a warehouse full of stuff).

In March 2004, Retro Inferno moved to its current location at 1500 Grand Boulevard.

15. Ceramic Dog & Marc Ribot – “Connection”
    from: Connection / Knockwurst Records / July 14, 2023
    [Ceramic Dog: Marc Ribot on guitars, tres, dobro, bass, vocals; Shahzad Ismaily on bass, electronics, vocals; Ches Smith on drums, percussion, electronics, vocals. // On their 5th studio album, Connection, Marc Ribot’s Ceramic Dog have pushed their long-brewing tension between traditional pop songcraft and avantgarde improvisational music to the breaking point, bridging their customary genre-agnostic approach with elements of glam boogie, minimalist disco, psychedelic boogaloo, garage-punk-against-the-machine agitprop, and so much more. Recorded at Figure 8 Recording in Brooklyn, NY and mixed by Ben Greenberg (Danny Elfman, Depeche Mode, Lamb of God) the album sees Ribot – whose prodigious, impossible-to-categorize body of work as bandleader and musician spans no wave and jazz, Brazilian and Cuban music, roots and avant-garde and protest songs (often at the same time) alongside legendary collaborations with Tom Waits, Elvis Costello, The Lounge Lizards, John Zorn, Robert Plant & Alison Krauss, Caetano Veloso, and Laurie Anderson (to name but a few) – continuing to utilize Ceramic Dog as the vessel for his distinctive stream-of-consciousness songwriting, penning three out of the album’s four vocal tracks including the groove-infected “Ecstasy” (showcasing Anthony Coleman’s slinky Farfisa and longtime friend and associate Syd Straw behind the mic). From the anthemic manifesto “Soldiers in the Army of Love” to the unhinged ranting of “Heart Attack” and indescribable “No Name,” Ceramic Dog unleash a fury of complex time signatures, blues abstraction, and free-blowing energy to create their most unapologetically audacious collection thus far, their one-of-a-kind daring evidenced by the unlikely cover of Arthur Schwartz and Howard Dietz’s “That’s Entertainment,” written especially for the 1953 Metro-Goldwyn-Mayer musical film The Band Wagon but here, in Ribot and Co’s hands, deconstructs Hollywood cliches while simultaneously winking at both the post-punk and post-Cultural Revolution iterations of the Gang of Four. Fueled by what Ribot calls “several bolts of creative lightning,” Connections stands as a vibrant, odd, and in many ways definitive milestone in what is truly a singular creative journey for Marc Ribot and Ceramic Dog, its zeitgeist-busting sound and vision not only affirming their place in the musical universe but raising the stakes for whatever comes next. // Lyrics by Marc Ribot (Knockwurst Music, ASCAP). Music by Ceramic Dog (Knockwurst Music (ASCAP, Preposterous Bee (ASCAP), Wazir & Malika Music (BMI). Recorded at Figure 8 Recording, Brooklyn, NY by Vishal Nayak, Engineer. Mixed by Ben Greenberg at Circular Ruin, Brooklyn, NY. Mastering by Scott Hull at Masterdisk]

16. Ceramic Dog & Marc Ribot – “Bertha the Cool”
    from: Hope / Northern Spy Records / June 25, 2021
    [Ceramic Dog: Marc Ribot on guitars, vocals; Shahzad Ismaily on bass, keyboards, backing vocals; Ches Smith on drums, percussion, electronics, vocals. / /When these recording sessions began in the last week of May 2020, I hadn’t left my house to go anywhere other than the grocery store in over two months. I hadn’t taken a cab or subway. I’d lost several friends to COVID-19, and was afraid I’d also lose more thanks to the non-response of our would-be dictator/“president”, whose deliberate embrace of untruth fed tens of thousands of lives to the pandemic, and also reduced what little hope was left for avoiding global warming catastrophe. // I hadn’t seen my partner since February (our plans to fly to each other’s countries shut down) and it would be July before we finally got together. Our difficulties were nothing compared with others. When me and fellow Ceramic Dogs Ches and Shahzad figured out a way to record, we entered the studio separately, sat in separate, isolated rooms from which we couldn’t see each other, communicating through mics and headphones. We were careful to wash our hands: one of us has respiratory issues, so fuck-ups could’ve been bad. We wound up with two record’s worth of material, some released on Bandcamp in October on the EP What I Did on My Long Vacation, and the majority of the music here on this full CD-length recording. // If/when people look back on these times, maybe they’ll seem unreal… foreign, alien: the way I, as a child in the 1960’s, looked at the faded footage of the 1930’s as impossibly ancient, even though the family members who had survived those newsreels sat next to me at breakfast. In fact, my 9 year old self was closer to the burning of the Reichstag than we are now to the release of Nevermind. // Anyway, when we went into the studio, I thought we’d come up with something that spoke to our times… a message in a bottle to our equally shipwrecked (imaginary) listeners. But once we started, it was so much fun to jam that we forgot the disasters outside. So instead, we “spoke” to each other. And to other times that we couldn’t yet see: like the day, 5 months later, when people all over Brooklyn would dance in the streets for joy. // t’s almost December now. Things are shutting down again, and I’m quarantined in Europe writing liner notes for a record that will be released in the new year–once more, speaking to another time… perhaps a future? // Mixed by Randall Dunn at Aleph Recording Company, Brooklyn, NY. Engineered by Shahzad Ismaily at Figure 8 Recordings, Brooklyn, NY. Mastering by Gregory Obis at Chicago Mastering Service. Creative Direction by Bryan Abdul Collins. Management: Mary Ho / Noise Inc.]

11:51 – Interview with Rod Parks

Today, we present special edition of Wednesday MidDay Medley as we bring you… “The Sound & Vision of Rod Parks.”

Rod Parks, Thanks for being with us on Wednesday MidDay Medley

Retro Inferno is at 1500 Grand Boulevard, a few doors north of recordBar. http://www.retroinferno.com

For WMM, I’m Mark Manning. Thanks for listening!

11:54

17. Marc Ribot & Tom Waits -“Bella Ciao”
    from: Songs of Resistance / Noise Inc. – Anti / September 14, 2018
    [Traditional/Italian Partisan; Arranged by Marc Ribot & Tom Waits; Translated by Marc Ribot
    Marc Ribot on Banjo, Harmonica, Guitars; Tom Waits on Acoustic guitar. With Songs of Resistance 1948 – 2018, Ribot—one of the world’s most accomplished and acclaimed guitar players—set out to assemble a set of songs that spoke to this political moment with appropriate ambition, passion, and fury. The eleven songs on the record are drawn from the World War II anti-Fascist Italian partisans, the U.S. civil rights movement, and Mexican protest ballads, as well as original compositions, and feature a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius. Ribot began working on the project at the end of 2016, responding not just to the American elections, but to the political trends he was seeing around the world. “I am alarmed by Trump and the movement he’s part of,” he says. “I’ve spent a good chunk of my life running around the world on tour—I’m kind of an accidental internationalist—and I see that he’s not an isolated phenomenon. And if we don’t deal with what is going on, it is going to deal with us.” Ribot was born in Newark,NJ in 1954. As a teen, he played guitar in garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. He moved to New York City in 1978. He was a member of the soul/punk Realtones, and John Lurie’s Lounge Lizards. Ribot also worked with Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas, Chuck Berry, and many others. Fay Victor was born July 26, 1965. She is an American musician, composer, lyricist and educator. Originally a singer in the traditional jazz field, she has been working in jazz, blues, opera, free improvising, avant-garde, modern classical music, and occasional acting since re-settling in New York in 2003. PROCEEDS TO BENEFIT: THE INDIVISIBLE PROJECT (501c4) http://www.indivisible.org ]

18. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, February 14 we welcome Janice Woolery, who shares details about Her Art – Their Art, Friday, Feb 16, 2024, 5:00pm to 8:00pm at InterUrban ArtHouse, 8001 Newton St , Overland Park, KS. This exhibition will showcase the work of nearly 60 artists.

We will also talk with musicians David Luther & Kelly Dougherty about The Love Hangover, Thurs, Feb. 15, 2024 at 7:00pm at recordBar 1520 Grand Boulevard, KCMO with True Lions, Mouthstuff, Dan Jones & Matt Ronan, Marty Bush & Natalie Prauser.

AND…we talk with LGBTQ artist & singer-songwriter Buck Moon about his debut single “Indigo Night” that was just recently released on Jan. 25, 2024.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers.

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1032

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, January 31, 2024

Spinning Records With Marion Merritt + Jennifer Roe of Folk Alliance International

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” Marion Merritt is our most frequent contributor to WMM. For nearly 20 years, Marion has been sharing her sonic discoveries and information from her musically encyclopedic brain, spinning music that is just not played on other radio stations. Marion grew up in Los Angeles & St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering. After nearly two decades of managing KC’s largest music department store, Marion left the corporate world and went Independent. Now nearly 10 years later, with her partner Ann Stewart, Marion is the proprietor of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

At 11:30 we will talk with Jennifer Roe, the Interim Executive Director of Folk Alliance International.

1. “Main Title Instrumental – It’s Showtime Folks”
   from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
   [WMM’s Adopted Theme Song]

2. Dimitri From Paris – “Prologue”
   from: Sacrebleu / Yellow Productions – Atlantic / June 11, 1996
   [Debut studio album. Dimitri from Paris was born Dimitrios Yerasimos, on Oct. 27, 1963. He is a French music producer and DJ of Greek descent. His musical influences are rooted in 1970s funk & disco sounds that spawned contemporary house music, as well as original soundtracks from 1950s & 1960s movies such as Breakfast at Tiffany’s, La Dolce Vita and The Party, which were sampled in his album Sacrebleu. Dimitri fused these sounds with electro and block party hip hop he discovered in the 1980s. // Contrary to his musical pseudonym, Dimitri was born not in Paris but born in Peckham, South London, to Rûm parents (Greeks of Turkey), Dimitri grew up in France where he discovered DJing at home, using whatever he could find to “cut and paste” samples from disco hits or in to montages heard on the radio, blending them together to make tapes. This early experimentation helped him launch his DJ career. // He started out by DJing at the French station Radio 7, before moving on to Skyrock and finally to Radio NRJ, Europe’s largest FM radio network, in 1986. There, he introduced the first ever house music show to be broadcast in France, while simultaneously producing under the direction of sound designer Michel Gaubert, runway soundtracks for fashion houses such as Chanel, Jean-Paul Gaultier, Hermès and Yves Saint-Laurent. He also released two solo EPs from 1993 to 1994 and contributed to the Yellow Productions compilation La Yellow 357. // In 1996, Dimitri gained worldwide recognition with the release of his first full album, Sacrebleu, released on Yellow Productions. A blend of diverse influences including jazz, original film soundtracks, samba, and organic house, Sacrebleu sold 300,000 copies worldwide and was named Album of the Year by UK’s Mixmag magazine. // In 2000, Dimitri followed Sacrebleu up with A Night at the Playboy Mansion (Virgin) and Disco Forever (BBE), followed by My Salsoul in 2001, After the Playboy Mansion in 2002. In 2003, Cruising Attitude was released, to be closely followed by his first outing on UK’s premier dance music label Defected: Dimitri from Paris In the House. // He has followed a somewhat glamorous musical path by recording soundtracks and advertising campaigns for fashion houses Chanel, Jean-Paul Gautier & Yves Saint Laurent and remixing hundreds of artists as diverse as Björk, The Cardigans, James Brown, Michael Jackson, New Order and Quincy Jones. He also did the music for the anime Tsukuyomi: Moon Phase and mixed the soundtrack for the French luxury dessin animé Jet Groove produced by Method Films. // 2005 saw Dimitri go back to his Funk & Disco roots, with Japanese hip hop producer & über collector DJ Muro for Super Disco Friends a double CD mixdown. In 2006 he offered his House of Love outing to Valentine’s Day’s lovers. Later on Dimitri produced Los Amigos Invisibles “Super Pop Venezuela” album which grabbed a nomination for a Grammy Award. // 2007 saw the release of the Cocktail Disco project w/ longtime partner BBE, a handful of disco classics remixes & other surprises down the line. // 2009 saw the release of the Night Dubbin’, a post-disco R&B comp. remix album.]

3. André 3000 – “Ants To You, Gods To Who?” (CD #3) (4:56)
   from: New Blue Sun / Epic Records / November 17, 2023 (3-LP Vinyl Release Mar. 22, 2024) 
   Debut solo album by American musician André 3000. It features instrumental contributions by an ensemble including Benjamin on various flutes, percussionist and producer Carlos Niño, keyboardist Surya Botofasina, guitarist Nate Mercereau, and keyboardist Diego Gaeta; as well as Leaving Records musicians V.C.R and Matthewdavid. The album represents an end to the musicians’s 17-year hiatus of new material. // In the years leading up to the release of New Blue Sun, Benjamin made media appearances playing flute in public settings; this was especially amplified online by his appearance as a flautist on the score for the Daniels’ 2022 film Everything Everywhere All at Once. He would later meet with jazz musician Carlos Niño in Los Angeles, where the two agreed to create a studio album. Ahead of its announcement, fellow rapper Killer Mike teased an impending release by André 3000. // As his first solo studio release, and the first studio material of his in a significant period of time, the 87-minute album largely consists of “experimental flute music” with both acoustic and electronic instrumentation, influenced by spiritual jazz musicians and minimalist composers. It features “a myriad” of different flutes performed by Benjamin in various styles across eight instrumental pieces. // When announcing the album on November 14, 2023, Benjamin emphasized that the project is not “a rap record”, with the packaging displaying a lighthearted disclaimer that it contains “no bars”;[6] he has additionally dismissed rumors that he was “sitting around on rap albums” that he has been characterized as refusing to release, saying instead that he felt more comfortable with the direction indicated by New Blue Sun. //The album was originally titled Everything Is Too Loud, but was renamed because André 3000 felt that it put out negative energy. // André Lauren Benjamin was born May 27, 1975, and better known as André 3000, is an American rapper, singer, musician, songwriter, record producer, and actor. Born and raised in Atlanta, Georgia, he is best known for being one-half of the Southern hip hop duo Outkast, alongside fellow Atlanta-based rapper Big Boi. Benjamin is widely regarded as one of the greatest rappers of all time. // As part of Outkast, the duo released six successful studio albums which contained hit singles including “Ms. Jackson”, “Roses”, “So Fresh, So Clean” and “Elevators (Me & You)”, among others. The duo’s fifth release, a double album titled Speakerboxxx/The Love Below (2003), contained a solo single performed by Benjamin: “Hey Ya!”, which peaked the Billboard Hot 100 and received a Grammy Award for Best Urban/Alternative Performance. After the duo split in 2007, Benjamin became less active as a solo act compared to Big Boi, although he had a number of highly-acclaimed guest appearances on songs and albums by numerous artists. Such activity earned him an additional Grammy Award among seven nominations as a solo artist. In 2023, Benjamin released his debut studio album New Blue Sun, an instrumental recording showcasing his performances on flute. // Outside of music, Benjamin has acted in films and television series such as Families, The Shield, Be Cool, Revolver, Semi-Pro, High Life, Four Brothers, and in the lead role of Jimi Hendrix in All Is by My Side. He further played Fredwynn on the AMC series Dispatches from Elsewhere, and was featured in the 2022 adaptation of the Don DeLillo novel of White Noise.]

[Mark note: I saw OutKast when they opened for Lauryn Hill on her Miseducation Tour at The Midland Theatre in Kansas City on February 26, 1999. 30 feet above the main floor seating area of The Midland was a giant cloud that remained thoughout OutKast’s set that featured new songs that would end up on Stankonia, OutKast’s 4th studio album, including the song “Ms. Jackson.” ]

4. Hermanos Gutiérrez – “El Bueno Y El Malo”
   from: El Bueno Y El Malo / Easy Eye Sound / October 28, 2022
   [Hermanos Gutiérrez (Spanish for “Gutiérrez Brothers”) is a Latin instrumental band formed in 2015 in Zürich by Ecuadorian-Swiss brothers Alejandro Gutiérrez (guitar and lap steel) and Estevan Gutiérrez (guitar and percussion). In 2022, the US label Easy Eye Sound released the band’s fifth album, El Bueno y el Malo. // Alejandro and Estevan Gutiérrez, two of four siblings, were raised by an Ecuadorian mother and a Swiss father in Switzerland, and often visited family in Playas, Ecuador. Around age nine, Estevan learned to play classical guitar in Latin styles such as milonga and salsa, and as a surfer was later inspired by surf rocker Jack Johnson. Alejandro, who is eight years younger, taught himself guitar by watching tutorial videos on YouTube. The Hermanos Gutiérrez band traces its origins to a jam session in Alejandro’s apartment in Zürich during a visit from Estevan in 2015. // The band’s first three albums (8 Años, El Camino de mi Alma, and Hoy Como Ayer) drew broadly from the world of Latin music. A visit to Mexico and the Southwest US in February 2020 inspired their fourth album, Hijos del Sol, which incorporated more Western sounds. An eight-minute music video for the title track came out in advance of the album’s release on 25 September 2020. // El Bueno y el Malo, the band’s first non-indie project, was recorded in Nashville in collaboration with Dan Auerbach of the Black Keys and released by his label Easy Eye Sound on October 28, 2022. The album (and its title) were inspired by Ennio Morricone’s The Good, the Bad and the Ugly soundtrack. The album was critically acclaimed and has been described as mentally transporting listeners to Spaghetti Western landscapes. Songs from El Bueno y el Malo comprised Hermanos Gutiérrez’s set list in an NPR Tiny Desk Concert in January 2023. That year, Auerbach was nominated for the Grammy Award for Non-Classical Producer of the Year in part for his work with Hermanos Gutiérrez.]
5. Hermanos Gutiérrez – “Tres Hermanos (feat. Dan Auerbach)”
   from: El Bueno Y El Malo / Easy Eye Sound / October 28, 2022

6. Danielle Nicole – “Make Love”
   from: The Love You Bleed / Forty Below Records / January 26, 2024  
   [Danielle Nicole is one of the finest singers and bassists in roots music today. Hailing from Kansas City, Missouri, she has spent her life making music and pleasing fans, both domestically and abroad. Her stunning new album, The Love You Bleed, includes twelve heartfelt tracks exploring themes of love, loss, and perseverance. It will be released this Friday, January 26 on Forty Below Records. // The Love You Bleed was co-produced by Tony Braunagel (Taj Mahal, Eric Burdon, Robert Cray) and Nicole, with John Porter (B.B. King, Buddy Guy, Bryan Ferry) mixing. The tight-knit group on the album features Danielle on bass guitar and vocals; Brandon Miller (electric, acoustic, pedal steel, mandolin, and 12-string guitar), Damon Parker (keyboards); Go-Go Ray (drums), and Stevie Blacke (violin and cello). // Nicole was inducted into the Kansas City Hall of Fame and has been the recipient of seven Blues Music Awards.  Her last release Cry No More was nominated for a Grammy in the Contemporary Blues category, debuted at number one on the Billboard Blues Charts and boasts over 10 million streams on Spotify. // Danielle Nicole’s last release, CRY NO MORE, released February 23, 2018, was nominated for a Grammy Award for Best Contemporary Blues Album.. Her self-titled solo debut EP was released March 10, 2015 on Concord Records. The self-titled EP features Grammy Award-winning producer-guitarist Anders Osborne, Galactic’s co-founding drummer Stanton Moore and keyboardist Mike Sedovic. On February 25, 2015, American Blues Scene premiered the track “Didn’t Do You No Good” off the new EP. Danielle Nicole was previously in the band Trampled Under Foot with her brothers Kris and Nick Schnebelen. At the 2014 Blues Music Awards, Trampled Under Foot’s album, Badlands, won the ‘Contemporary Blues Album of the Year’ category. At the same ceremony, Danielle Nicole, under the name of Danielle Schnebelen, triumphed in the ‘Best Instrumentalist – Bass’ category. The band was also nominated in the ‘Band of the Year’ category. In September 2015, her debut album, Wolf Den, was released on Concord Records. It reached number 2 in the Billboard Top Blues Albums chart in October that year. Danielle Nicole’s second solo album, Cry No More, peaked at # 1 in the Billboard Top Blues Albums chart. Bill Withers wrote one of the tracks on the new album.]

[Danielle Nicole plays Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri, on Saturday, March 2, 2024.]

7. Danielle Nicole – “How Did We Get To Goodbye”
   from: The Love You Bleed / Forty Below Records / January 26, 2024  

10:33 – Underwriting

8. Fantasy 15 – “Blast Off!!!”
   from: Zoltandia / Eraserhood Sound / September 22, 2023     
   [Eraserhood Sound’s mysterious, intergalactic house band Fantasy 15 are finally ready to unleash their debut LP, Zoltandia. After years of rising anticipation which saw the group release a handful of now-sold out, highly sought-after 45s, Fantasy 15 have delivered a modern synth-funk opus. The album, named after the group’s remote home planet, is a dazzling display, and features an audacious blend of soul, funk, disco, boogie, house, hip hop, New Wave, and much more. Zoltandia is a true sonic journey, a concept album that tells the fantastical tale of the beloved freedom fighters Fantasy 15. The group, whose true identity has always been a mystery, push the limits of their musical experimentation further than ever. // Leading single “Interplanetary Lover” features the show-stopping Kendra Morris on lead vocals, and serves as the group’s first proper love song. Elsewhere, the title track “Zoltandia” features chanting group vocals and a disco-boogie groove that nods to legends like William Onyeabor and Kiki Gyan. As always, the group’s material was recorded and produced at Eraserhood Sound’s in-house analog recording studio in Philadelphia. Words can only do so much, however, to fully describe the scale and beauty of Fantasy 15’s story. Pick up a copy of their debut LP today, and prepare to enjoy the journey of a lifetime. // Maxwell Perla – Drums, Synthesizer, Vocals, Percussion, Conga; Vincent John – Drums, Bass, Synthesizer, Pianos, Guitar, Vocals; Christopher Alrutz – Synthesizer, Piano; Kendra Morris – Lead Vocals, Interplanetary Lover; Turquoise Cobb – Vocals
   Widow Winslow – Vocals; Ky – Vocals; Shernorva – Spoken Word (A.I.); Mike Buckley – Flute
   Andrew Torre – Conga; All songs written by Fantasy 15. Recorded and Produced by Eraserhood Sound. Mixed by Andrew Torre. Mastered by Ryan Schwabe. Artwork Illustration by Anthony Carranza. Album Layout by SWIVS. Art Direction by Eraserhood Sound. An Eraserhood Sound Production.]
9. Fantasy 15 – “Journey Back to Earth”
   from: Zoltandia / Eraserhood Sound / September 22, 2023 

10. Roy Hargrove Presents The RH Factor
    from: Hard Groove / Verve Records / 2003
    [Hard Groove is an album by the American musician Roy Hargrove, released in 2003. It was credited to his group, the RH Factor. // The album peaked at No. 185 on the Billboard 200. “I’ll Stay” was nominated for a Grammy Award, in the “Best R&B Performance By a Duo or Group with Vocals” category. // Produced by Hargrove, the album was recorded at Electric Lady Studios. Hargrove used a 10-piece band on the album. He considered it to be a tribute to his childhood love of hip hop; he also wanted to impart a gospel or spiritual element to the music. Reggie Washington and Pino Palladino were among the musicians on the album. // D’Angelo appears on the cover of Funkadelic’s “I’ll Stay”. Renee Neufville sang on “Juicy”. Q-Tip rapped on “Poetry”; Meshell Ndegeocello and Erykah Badu also appeared on the track. Anthony Hamilton sang on “Kwah/Home”. // The album cover was designed by Rudy Gutierrez, who was inspired by the art for Abraxas. // Roy Anthony Hargrove (October 16, 1969 – November 2, 2018) was an American jazz musician and composer whose principal instruments were the trumpet and flugelhorn. He achieved worldwide acclaim after winning two Grammy Awards for differing styles of jazz in 1998 and 2002. Hargrove primarily played in the hard bop style for the majority of his albums, but also had a penchant for genre-crossing exploration and collaboration with a variety of hip hop, soul, R&B and alternative rock artists. As Hargrove told one reporter, “I’ve been around all kinds of musicians, and if a cat can play, a cat can play. If it’s gospel, funk, R&B, jazz or hip-hop, if it’s something that gets in your ear and it’s good, that’s what matters.” // Hargrove was born in Waco, Texas, to Roy Allan Hargrove and Jacklyn Hargrove. When he was 9, his family moved to Dallas, Texas. He took lessons at school initially on cornet before turning to trumpet. One of Hargrove’s most profound early influences was a visit to his junior high school by saxophonist David “Fathead” Newman, who performed as a sideman in Ray Charles’s Band. Hargrove’s junior high music teacher, Dean Hill, whom Hargrove called his “musical father,” taught him to improvise and solo. He was discovered by Wynton Marsalis when Marsalis visited the Booker T. Washington High School for the Performing and Visual Arts in Dallas. Hargrove credited trumpeter Freddie Hubbard as having the greatest influence on his sound. // Hargrove spent a year (1988–1989) studying at Boston’s Berklee College of Music but could more often be found playing in New York City jam sessions; he eventually transferred to the New School in New York. His first studio recording there was with saxophonist Bobby Watson for Watson’s album No Question About It. Shortly thereafter, Hargrove recorded with the band Superblue featuring Watson, Mulgrew Miller, Frank Lacy, Don Sickler and Kenny Washington. // In 1990, Hargrove released his debut solo album, Diamond in the Rough, on the Novus/RCA label. This album, and the three succeeding recordings Hargrove made for Novus with his quintet, were among the most commercially successful jazz recordings of the early 1990s and made him one of jazz’s in-demand players. // As a side project to his solo and quintet recordings, Hargrove also was the leader of The Jazz Networks, an ensemble of American and Japanese musicians which released 5 albums between 1992 and 1996 and featured other notable jazz artists, including Antonio Hart, Rodney Whitaker and Joshua Redman. (These albums were originally released only in Japan and Europe, but after Hargrove’s death, his estate arranged for release on streaming platforms in the U.S.) // Hargrove topped the category “Rising Star–Trumpet” in the DownBeat Critics Poll in 1991, 1992 and 1993. During this time in his early career, Hargrove was known as one of the “Young Lions,” a group of rising jazz musicians — including, among others, Marcus Roberts, Mark Whitfield and Christian McBride — who, embracing the foundations of jazz, played principally bebop, hard bop and the Great American Songbook standards. Hargrove, along with other of the “Young Lions,” formed an all-star band in 1991 called The Jazz Futures, which released one critically acclaimed album Live in Concert before going their separate ways. // In 1993, Jazz at Lincoln Center commissioned Hargrove to compose an original jazz suite, and he premiered The Love Suite: In Mahogany at Lincoln Center with his sextet that year. // In 1994, Hargrove signed with Verve and recorded With the Tenors of Our Time featuring Joe Henderson, Stanley Turrentine, Johnny Griffin, Joshua Redman, and Branford Marsalis. Also that year, Hargrove appeared on the eponymous debut album of Buckshot LeFonque, a jazz-funk band led by Branford Marsalis. // In 1995, Hargrove released his next album, Family, and experimented with a trio format that same year on Parker’s Mood, an album recorded with bassist Christian McBride and pianist Stephen Scott. The Penguin Jazz Guide identifies Parker’s Mood as one of the “1001 Best Albums” in the history of the genre. // Also in 1995, Hargrove formed the Roy Hargrove Big Band to perform at the Panasonic Jazz Festival in New York. The band would go on to perform worldwide and feature big band arrangements of Hargrove’s own compositions as well as his favorite songs by respected contemporaries. // In 1998, Hargrove won the Grammy Award for Best Latin Jazz Album for Habana with Roy Hargrove’s Crisol, an ensemble of Cuban and American musicians which included Chucho Valdés, Russell Malone, Frank Lacy and Miguel “Anga” Diaz, among others. He won his second Grammy for Best Jazz Instrumental Album in 2002 for Directions in Music: Live at Massey Hall with co-leaders Herbie Hancock and Michael Brecker. Hargrove was nominated for four other Grammy Awards during his career. // During the late 1990s and early 2000s, Hargrove was also a member of the Soulquarians, a collective of experimental jazz, hip hop and soul artists that included Questlove, D’Angelo, Common and others. // In 2000, Hargrove added jazz and funk-influenced horns in support of D’Angelo on his Grammy-winning album Voodoo. He also supported D’Angelo on tour that year as a member of the Soultronics, a backing “supergroup” featuring Questlove and Pino Palladino, among others. // Also in 2000, Hargrove performed the music of Louis Armstrong in Roz Nixon’s musical production “Dedicated To Louis Armstrong” as part of the Verizon Jazz Festival. // In 2002, Hargrove collaborated with D’Angelo, Macy Gray, the Soultronics, and Nile Rodgers, on two tracks for Red Hot & Riot, a compilation album in tribute to the music of afrobeat pioneer Fela Kuti. He also acted as sideman for jazz pianist Shirley Horn and spoken-word artist Common on the album Like Water for Chocolate and with singer Erykah Badu on Worldwide Underground. // From 2003 to 2006, he released three albums as the leader of Roy Hargrove’s The RH Factor, a group that blended jazz, soul, hip hop and funk idioms. The band’s debut album, Hard Groove, was hailed as “genre-busting” by critics and ushered in a new era of hip hop-accented jazz. The band’s second album, “Strength,” was nominated for a Grammy Award for “Best Contemporary Jazz Album.” // After signing with Universal/EmArcy in 2008, Hargrove released “Earfood,” a quintet recording “steeped in tradition and sophistication,” which Jazziz selected as one of the 5 “essential albums” of that year. He followed in 2009 with “Emergence,” an album recorded with the Roy Hargrove Big Band; he received a Grammy nomination for “Best Improvised Jazz Solo” for his performance on the track “Ms. Garvey, Ms. Garvey” on that record. In 2010, Hargrove released “Live at the New Morning,” a DVD of an intimate club performance with his quintet in Paris. Thereafter, until his death in 2018, Hargrove toured extensively and appeared as a sideman on recordings by Jimmy Cobb, Roy Haynes, Cyrille Aimée, The 1975, D’Angelo, Kandace Springs and others. // Hargrove topped the trumpet category in the 2019 DownBeat Readers’ Poll. // In addition to the accolades he garnered on trumpet, music critics also praised Hargrove’s tone on flugelhorn and gifted ways with a ballad. As the Chicago Tribune observed in 2010, “it’s Hargrove’s ballad playing that tends to win hearts, which is what happened every time he picked up his flugelhorn. We’ve been hearing Hargrove spin silk on this instrument for a couple of decades now, yet one still marvels at the poetry of his tone, the incredible slowness of his vibrato and the arching lyricism of his phrases.” // Over his 30-year career, Hargrove composed and recorded several original compositions, one of which, “Strasbourg-St. Denis”, has been characterized as reaching the status of a jazz standard. // In July 2021, Hargrove’s estate released posthumously via Resonance Records the double-album In Harmony, a live duet recording made in 2006 and 2007 with pianist Mulgrew Miller that returned Hargrove to the Top 5 of the Billboard jazz chart. Slate selected In Harmony as one of the best jazz albums of 2021. The Académie du Jazz awarded In Harmony its prize for “Best Reissue or Best Unpublished” album of 2021. // Hargrove was posthumously elected to the DownBeat Magazine “Jazz Hall of Fame” in November 2021. // In June 2022, the documentary Hargrove, filmed during the final year of his life, debuted at the Tribeca Festival. Hargrove’s estate issued a statement objecting to the film as not what he had envisioned when agreeing to participate. // Celebrating the 30th anniversary of its performance, in October 2023, Jazz at Lincoln Center released a live recording of Hargrove’s original composition “The Love Suite: In Mahogany,” a five-movement piece which he did not play again live after that debut performance. Jazziz Magazine called the album an “unearthed gem” that “showcases the much-missed trumpeter’s virtuosity and soulful songwriting ….” Jazz critic Nate Chinen of NPR applauded the album as “a flat-out marvel — maybe the most vivid example we have of Roy’s ability to marshal hard-bop fire in a new form, steeped in swinging tradition but sparking and crackling right now.” // A quiet and retiring person in life, Hargrove struggled with kidney failure. He died at the age of 49 of cardiac arrest brought on by kidney disease on November 2, 2018, while hospitalized in New Jersey. According to his long-time manager, Larry Clothier, Hargrove had been on dialysis for the last 14 years of his life. He is survived by his wife, Aida Brandes-Hargrove, and daughter, Kamala Hargrove, who in 2020 launched the company Roy Hargrove Legacy LLC to preserve and extend his legacy. In 2022, Roy Hargrove Legacy re-launched the Roy Hargrove Big Band, which gives live performances featuring original band members and other musicians who supported Hargrove in his various ensembles.]

11. Jalen Ngonda – “Come Around and Love Me”
    from: Come Around and Love Me / Daptone Records / September 8, 2023
    [Anyone who has had the pleasure of seeing Jalen perform live
    knows that he is one of the most captivating performers on today’s soul scene. His voice, equal parts raw feeling and elegance, exudes confidence and charm—disarming packed rooms of rowdy concert goers, leaving them silent as they hold fast to every syllable sung. Plans for the album were struck just months before the COVID 19 pandemic shut the world down. Notwithstanding, Jalen eventually made it to Hive Mind Studios in Brooklyn, NY where he began writing and recording with the help of producer/arrangers Mike Buckley and Vincent Chiarito (both members of Charles Bradley’s Extraordinaires) and a crack team of a-list musicians from the Daptone family. The team skillfully blends heavy arrangements and introspective lyrics with motown sophistication, leaving the listener in a blissful wash of wonderment.]

10:59 – Station ID

12. Mary Halvorson – “The Gate”
    from: Cloudward / Nonesuch Records / 2024
    Mary Halvorson (born October 16, 1980) is an American avant-garde jazz composer and guitarist from Brookline, Massachusetts. // Among her many collaborations, she has: led a trio with John Hébert [de] and Ches Smith, and a quintet with the addition of Jon Irabagon and Jonathan Finlayson; recorded duo albums with violist Jessica Pavone; and recorded several albums with bassist Michael Formanek and drummer Tomas Fujiwara [de] under the band name Thumbscrew. // In 2017, 2018, and 2019 Halvorson won Best Guitar in DownBeat’s International Critics Poll. In 2019, she was awarded a MacArthur “Genius” Grant for music. // Halvorson is on faculty at the School of Jazz (The New School). // Halvorson began her musical education on violin but was enthralled with the idea of playing guitar after discovering Jimi Hendrix. She first picked up electric guitar at the age of 11 in seventh grade. Her first guitar teacher was Issi Rozen. // She initially enrolled in Wesleyan University to study biology, but dropped her prospective major after sitting in on one of saxophonist Anthony Braxton’s music classes. She quickly connected with him and he heavily encouraged her to find her own expression on guitar. // Halvorson’s 2008 recording Dragon’s Head was as the leader of a trio containing bassist John Hébert and drummer Ches Smith Her later album, Saturn Sings, added saxophonist Jon Irabagon and trumpeter Jonathan Finlayson. In 2012, she played with trumpeter Peter Evans and drummer Weasel Walter on the trio album Mechanical Malfunction. // In 2013, the trio of Halvorson, bassist Michael Formanek, and drummer Tomas Fujiwara [de] recorded the first of several albums as the band Thumbscrew. NPR called Halvorson’s 2015 solo album Meltframe “category-exploding”, and its 2015 Jazz Critics Poll named the record 7th-best of the year. // Her album Away With You features pedal steel player Susan Alcorn (later described in Something Else! as “the Mary Halvorson of the pedal steel guitar”), cellist Tomeka Reid and saxophonist Ingrid Laubrock. The album Code Girl was Halvorson’s first attempt at writing lyrics for her original works, which are sung by Amirtha Kidambi and inspired by the songwriting of Robert Wyatt and Elliot Smith. The album also features drummer Tomas Fujiwara, bassist Michael Formanek and trumpeter Ambrose Akinmusire. The album received an 8.1 rating from a Pitchfork review, explaining, “The pleasure of this kind of text comes from the way it invites active listening as a means of interpretation.” Code Girl is named after an offhand remark by Braxton, who used the phrase in conversation while on a European tour with Halvorson. Later, she settled on the phrase as an album title, because “at that point I’d written a lot of the lyrics… and they seemed a little bit coded and strange.” Halvorson has also worked with John Dieterich of Deerhoof. Halvorson had previously performed some of her lyrics in collaboration with violinist Jessica Pavone, with whom she also recorded duo albums. As of 2018, Halvorson was an instructor at The New School’s College of Performing Arts. // Halvorson won Best Guitar in DownBeat’s International Critics Poll between 2017 and 2019. In 2019, she was awarded a MacArthur “Genius” Grant for music. // Although Halvorson is often categorized as a jazz guitarist, her music includes elements of many other genres, such as flamenco, rock, noise, and psychedelia. In speaking with PostGenre, Halvorson noted that she’s “never really felt like I had to stick with a particular style or idea… From [Anthony Braxton], I learned that it was normal to take such a broad approach. You would respect traditions but at the same time, you would push the boundaries of those traditions. You would break the traditions apart and do whatever you wanted. That approach has always come naturally to me…”. In a 2018 interview with Jazz Times, Halvorson described the guitar as a “neutral vessel”, saying “The cool thing about the guitar is it’s not associated as much with a particular genre… it could be classical, it could be rock and roll, it could be jazz, it could be folk.”. // In 2012, Troy Collins of All About Jazz called Halvorson “the most impressive guitarist of her generation”, and wrote, “The future of jazz guitar starts here.” Jon Garelick of The Phoenix identified Halvorson’s search for her own sound as a key component of her success as a musician and composer

13. The Comet is Coming – “Birth of Creation”
    from: Trust In The Lifeforce of the Deep Mystery / Impulse! Records / Afrodisia / Sept. 23, 2022
    [London-based band who incorporate elements of jazz, electronica, funk and psychedelic rock. // The band originally recorded for The Leaf Label, on which their debut EP Prophecy was released, on limited edition 12″ vinyl, on November 13, 2015, with the full-length album Channel the Spirits following on April 1, 2016. The album was nominated for the 2016 Mercury Prize, and in 2018 the band signed with Impulse!. // The members of the band use the pseudonyms “King Shabaka”, “Danalogue”, and “Betamax” to respectively refer to saxophonist Shabaka Hutchings, keyboardist Dan Leavers, and drummer Max Hallett. // In a 2013 interview, Hutchings explained the name of the band thus: “The name of the group comes from a BBC Radiophonic Workshop piece of the same name. Once we heard this piece, with its allusions to sci-fi, cosmic remembrances and general space, it instantly struck a chord. We’re exploring new sound worlds and aiming to destroy all musical ideals which are unfit for our purposes so the name stuck.” // In an interview with M magazine, Betamax spoke of the band’s genesis: Me and Danalogue the Conqueror play as a psychedelic electro synths and live drums duo called Soccer96. We began to notice a tall shadowy figure present at some of our gigs. At some point he appeared at the side of the stage with his sax in hand. When he got up on stage to play with us it created an explosive shockwave of energy that stunned us all. A couple of weeks later King Shabaka rang me up and said ‘hey let’s make a record’ so we booked three days in Total Refreshment Centre studios. It all came together at an incredible speed. We played and recorded to 1/4 tape with no pre-written material. By the end of three days we had recorded hours of music. // The imagery associated with the band is based around outer space, science fiction and B-movies, as can be seen in the music videos for their singles “Neon Baby” and “Do the Milky Way”, as well as in song titles and artwork. “Do the Milky Way” premiered on The Quietus. In a feature in The Guardian in April 2016, the group were described as the “true heirs” of cosmic jazz pioneer Sun Ra, and praised for their “fusion of jazz, Afrobeat and electronica in an improvisational, intergalactic mash-up”. The Quietus wrote that although the band is “intrinsically linked to funk…and spiritually linked to all manner of cosmic music via their imagery (and love of space-creating echo and reverb effects), The Comet Is Coming has the feel of an utterly fresh sort of project”. // King Shabaka elaborates on the cosmic side of the band and the connection to Sun Ra in the same article, when describing the crystal that dominates the cover of their Prophecy EP. He says, “The other thing about the crystal, metaphorically speaking, is the whole Sun Ra thing of creating your own myths. The thing I like that Sun Ra says a lot is the fact that societies that can create their own mythological structures are the ones that have their own agency. To the point at which you can dictate the terms of what’s real and what’s not real. The crystal in the hand forces you to create your own myth”. // In August 2016, the band was nominated for the Mercury Prize for their debut album, Channel the Spirits. // In January 2017 the band was one of the recipients of the Momentum Music Fund through PRS for Music and in April 2017 the band released the Death to the Planet EP through The Leaf Label as part of Record Store Day. // Their second full-length album, Trust in the Lifeforce of the Deep Mystery, was released in March 2019 and received critical acclaim, with The Quietus noting the importance of Sun Ra and Alice Coltrane on their sound while acknowledging that “rather than being weighed down by those legacies, The Comet Is Coming have turned them into fuel, accelerating their sound, and with it, the sound of jazz today.” Pitchfork gave the album a score of 7.8 out of 10 and wrote, “Mostly low- to mid-tempo, the band skillfully integrates bleak and radiant tones, leading to an impressive nine-track suite of ambient, spoken-word and grime-infused compositions.” The album currently holds a score of 83 on review aggregator Metacritic, indicating “Universal acclaim.” // They played the 22nd Coachella Valley Music & Arts Fest in April 2023.]

14. Irakere – “Chequere Son”
    from: Groupo Irakere / 1976 Areito Records / 1976 [Reissued on Mr Bongo / 2024]
    [Irakere (faux-Yoruba for ‘forest’) is a Cuban band founded by pianist Chucho Valdés (son of Bebo Valdés) in 1973. They won the Grammy Award for Best Latin Recording in 1980 with their album Irakere. Irakere was a seminal musical laboratory, where historic innovations in both Afro-Cuban jazz and Cuban popular dance music were created. The group used a wide array of percussion instruments like batá, abakuá and arará drums, chequerés, erikundis, maracas, claves, cencerros, bongó, tumbadoras (congas), and güiro. // “Jazz bands” began forming in Cuba as early as the 1920s. These bands often included both Cuban popular music and popular North American jazz, and show tunes in their repertoires. Despite this musical versatility, the movement of blending Afro-Cuban rhythms with jazz was not strong in Cuba itself for decades. As Leonardo Acosta observes: “Afro-Cuban jazz developed simultaneously in New York and Havana, with the difference that in Cuba it was a silent and almost natural process, practically imperceptible” (2003: 59). Cuba’s significant contribution to the genre came relatively late. However, when it did come, the Cubans exhibited a level of Cuban-jazz integration that went far beyond most of what had come before. The first Cuban band of this new wave was Irakere. // With Irakere, a new era in Cuban jazz begins in 1973, one that will extend all the way to the present. At the same time, this period represents the culmination of a series of individual and collective efforts from our so-called transition period, which will end with the Orquesta Cubana de Música Moderna. Irakere was in part a product of the Moderna, as its founding members completed their musical training in that orchestra and also played jazz in the different quartets and quintets that were created with the OCMM. Among the founders of Irakere were pianist Chucho Valdés, its director since the beginning; saxophonist Paquito D’Rivera, who acted as assistant director; trumpet player Jorge Varona; guitarist Carlos Emilio Morales; bassist Carlos del Puerto; drummer Bernardo García; and percussionist Oscar Valdés II, also a singer—Acosta (2003: 211). // That was a time where jazz music was a four-letter word in Cuba – literally! After many years of that thought, in 1967, they decided to create the Orquesta [Cubana de Música Moderna]. There were a lot of left wing people going to Cuba, attending congresses and visiting. So the government decided to create an image that jazz was not forbidden and that nothing was forbidden there. So they created the Orquesta to play American music – that is incredible. It was to create a different image than what they had created all those years. So they created the Orquesta. I directed the band for two years. . . . When I decided that I wanted to play only jazz in the Orquesta, then I got fired . . . . and after a while, the Orquesta ceased to achieve the function that it was created for and it disappeared—D’Rivera (2011: web). // Irakere, which was founded by members of the Orquesta Cubana de Música Moderna, has always been an eclectic band. From the beginning, the group showcased the scope of their uniquely Cuban music education: Afro-Cuban folkloric music, Cuban popular dance music, funk, jazz, and even classical music. The early years saw a lot of experimenting, with the mixing these different genres in original ways. From the vantage point of today, some of Irakere’s early experiments sound awkward and don’t mesh. On the other hand, some early experiments by the group were musical landmarks, that began entirely new traditions. // “Chékere-son” (1976) for example, introduced a style of “Cubanized” bebop-flavored lines, that departed from the more “angular” guajeo-based lines typical of Cuban popular music. // “Chékere-son” is an extremely interesting one. It’s based on a 1945 Charlie Parker bebop composition called “Billie’s Bounce.” Almost every phrase of the Parker song can be found in “Chékere-son” but it’s all jumbled together in a very clever and compelling way. David Peñalosa sees the track as a pivotal one – perhaps the first really satisfying fusion of clave and bebop horn lines—Moore (2011: web). // The horn line style introduced in “Chékere-son” is heard today in Afro-Cuban jazz, and the contemporary popular dance genre known as timba. // Another important Irakere contribution is their use of batá and other Afro-Cuban folkloric drums. “Bacalao con pan” is the first song recorded by Irakere to use batá. The tune combines the folkloric drums, jazzy dance music, and distorted electric guitar with wah-wah pedal. According to UC Irvine musicologist and Irakere expert Raúl A. Fernández, the Orquesta Cubana de Música Moderna members would not have been allowed by the orquesta to record the unconventional song. The musicians travelled to Santiago to record it. “somehow the tune made it from Santiago to radio stations in Havana where it became a hit; Irakere was formally organized a little bit later” (2011: web). // Ironically, several of the founding members did not always appreciate Irakere’s fusion of jazz and Afro-Cuban elements. They saw the Cuban folk elements as a type of nationalistic “fig leaf,” cover for their true love—jazz. They were obsessed with jazz. The fusing of Afro-Cuban elements with jazz in Irakere is a direct consequence of the poor relations between the Cuban and United States governments. Cuba’s Ministry of Culture is said to have viewed jazz as the music of “imperialist America.” Trumpeter Arturo Sandoval states: “We wanted to play bebop, but we were told that our drummer couldn’t even use cymbals, because they sounded ‘too jazzy.’ We eventually used congas and cowbells instead, and in the end, it helped us to come up with something new and creative” (2007: web). Pablo Menéndez, founder of Mezcla, recalls: “Irakere were jazz musicians who played stuff like ‘Bacalao con pan’ with a bit of a tongue in cheek attitude—’for the masses.’ I remember Paquito d’Rivera thought it was pretty funny stuff (as opposed to ‘serious’ stuff)” (2011: web). In spite of the ambivalence by some members towards Irakere’s Afro-Cuban folkloric/jazz fusion, their experiments forever changed Cuban popular music, Latin jazz, and salsa. As D’Rivera states: “We didn’t know that we were going to have such an impact in jazz & Latin music around the world. We were just working to do something good”

15. Ty Segall – “Void” 
    from: Three Bells / Drag City Records / January 26, 2024
    [A fifteen song cycle that takes a journey to the center of the self. Ty’s been on this kind of trip before, so he’s souped up a vehicle that’s all his own – a sophisticated machine – to take us there this time. The conception of Three Bells arcs, rainbow-like, into a land nearly beyond songs – but inside of them, Ty relentlessly pushes the walls further and further in his writing and playing to cast light into the most opaque depths.Produced by Ty Segall and Cooper Crain.]

16. The Smile – “Wall of Eyes”
    from: Wall of Eyes / XL Recordings / September 1, 2023
    [The Smile are an English rock band comprising the Radiohead members Thom Yorke (vocals, guitar, bass, keys) and Jonny Greenwood (guitar, bass, keys) with Tom Skinner (drums). They incorporate elements of post-punk, progressive rock, Afrobeat and electronic music. // The Smile worked during the COVID-19 lockdowns and made their surprise debut in a performance streamed by Glastonbury Festival in May 2021. In early 2022, they released six singles and performed to an audience for the first time at three shows in London, which were livestreamed. In May, the Smile released their debut album, A Light for Attracting Attention, to acclaim. It was produced by Nigel Godrich, Radiohead’s longtime producer. / /The Smile toured Europe and North America in 2022 and 2023. They have released two live EPs: The Smile (Live at Montreux Jazz Festival, July 2022) and Europe: Live Recordings 2022. Their second album, Wall of Eyes, was released in January 2024. // The Smile are composed of the Radiohead members Jonny Greenwood and Thom Yorke with the drummer Tom Skinner. Skinner, who had played with acts including the jazz band Sons of Kemet, first worked with Greenwood when he played on his soundtrack to the 2012 film The Master. The Smile members agreed not to give interviews about the project. They take their name from the title of a poem by Ted Hughes. Yorke said it was “not the smile as in ‘ahh’, more the smile as in the guy who lies to you every day”. // The Smile’s first record was produced by Nigel Godrich, Radiohead’s longtime producer. Godrich said the project emerged from Greenwood “writing all these riffs, waiting for something to happen” during the COVID-19 lockdown. He cited the pandemic and the unavailability of the Radiohead guitarist Ed O’Brien, who was busy with his debut solo album, Earth (2020), as motivating factors. Greenwood said: “We didn’t have much time, but we just wanted to finish some songs together. It’s been very stop-start, but it’s felt a happy way to make music.” Radiohead’s drummer, Philip Selway, said it was healthy for the members to explore different projects and “see what these other musical voices can do with your ideas”]

Marion Merritt is founder of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd., in KCMO. More info at: http://www.recordswithmerritt.com

Marion Merritt thank you for being out Guest Producer on WMM

11:30 – Underwriting

17. Lilli Lewis – “If You Really Mattered”
    from: All Is Forgiven / Lilli Lewis / December 1, 2023
    [As the story goes, Lilli Lewis should never have been. Before she was born, Lewis’ mother was told her baby probably wouldn’t survive due to lung trouble, so the fact that Lewis now makes a living singing with those same lungs is a gift she never takes for granted. Lewis uses her voice to bring what she calls sacred songs into profane spaces, and though she’s abandoned trying to define her sound, she hopes her audiences leave shows knowing two things: that they are brilliant as they are, and that they have the ability to use that brilliance to make a better world. // Trained as an opera singer and classical pianist, Georgia native Lewis has been a composer, producer and performer for over two decades. After carving out space as an African American queer woman of size, Lewis’ career has culminated in her album Americana being a top pick everywhere from NPR’s All Songs Considered to Rolling Stone. // The FolkRockDiva is a musical polyglot who glides easily between folk, roots, country soul, gospel, and jazz, and has integrated New Orleans traditions by singing lead for Dirty Dozen Brass Band founding member Kirk Joseph’s Backyard Groove. Lewis’ Louisiana Red Hot Records releases include The Henderson Sessions, We Belong, and Americana. // For her 2022 tour, Lilli Lewis iplayed the New Orleans Jazz & Heritage Festival, Folk Alliance International Conference, and The Kennedy Center which has called her: “A powerhouse performer adding her unique voice and talent to the national discussion of the state of social justice in America.”.]

[Lilli Lewis is the creator of The Black American Music Summit – Grounded and Growing: Deepening Roots and Reaching Higher. The Black American Music Summit (BAMS) is the second annual gathering of Black artists in the music industry, especially in folk, Americana, blues, bluegrass, roots, and rap/hip-hop (though all genres are welcome)! The summit takes place February 21 – 24 at the 2024 Folk Alliance International Conference in Kansas City, Missouri, USA. // This year’s theme, Grounded and Growing: Deepening Roots and Reaching Higher, will guide conversations around challenging narratives, emphasizing inclusion, breaking out of narrow definitions, and sharing best practices for growth and success. Each day will focus on a different topic, starting with an expert-led panel, followed by a community discussion. // Conceived by Lilli Lewis, a dedicated folk artist, BAMS emerged from a passion for inclusivity, empowerment, and transformative dialogue. With a mission to amplify Black voices, challenge industry norms, and prioritize the well-being of Black artists, it stands as a testament to the resilience, creativity, uniqueness, and cultural richness of Black artists in the global music landscape. // To attend the Black American Music Summit, please fill out the interest form below. This event, similar to Folk Alliance International Affinity Groups, is a gathering exclusively for those who identify as Black, African American, a part of the African Diaspora, or of African ancestry. More information at: https://folk.org/programs/conference/blackamericanmusicsummit/%5D

11:35 – Interview with Jennifer Roe

Jennifer Roe is the Interim Executive Director of Folk Alliance International (FAI), a nonprofit organization established in 1989 to connect leaders in folk music and sustain the community and genre.

Jennifer joined the FAI team in 2013 igniting a passion for folk music. With over a decade of private sector experience, she assumed a pivotal role in leading FAI’s staff and contractors and overseeing the day-to-day operations. She plays a key role in orchestrating the international conference, a hallmark event attracting over 2,000 attendees annually.

Jennifer’s journey began in Washington, DC, where she worked on Capitol Hill for the Majority Leader of the Senate before transitioning to serve on a Presidential campaign. Jennifer channels her political background to advocate for arts and culture at both federal and state levels through her position at FAI.

Folk Alliance International, the foremost global nonprofit for folk music, will present its 36th Annual Conference Feb. 21-25, 2024 at The Westin Kansas City Hotel at Crown Center 1 East Pershing Road, Kansas City, MO. http://www.folk.org

Jennifer Roe Thank you for being with us on Wednesday MidDay Medley

Nine Stages of Music Every Night at FAI 2024! – Folk Alliance International is proud to partner with Mammoth Promotions to provide special access to the Official Showcases featuring 163 acts from across the globe on nine stages. Come listen to the finest talents in the folk genre and more! // This ticket gives entry to the Official Showcases between 6 pm – 10:45 pm in the ballrooms of the Westin Kansas City Crown Center Hotel but does not give access to keynotes, panels, or private showcases.

Folk Alliance International’s 2024 Conference theme is Alchemy: A Transformative Force explores how changes in culture alter the ways we make and share music, which, in turn, transforms lives and changes the world. The power of alchemy can manifest, for example, when an artist processes their individual pain into words and vibrations that connect and comfort listeners. The alchemy theme invites us to lean into processes of discovery and experimentation and to think about how we nurture the sparks of creativity that light fires of change. The conference will explore the idea of alchemy and transformation as it relates to:

• the power and transformative force of the creative process, and its cultural influence, to alter the world and effectuate meaningful change
• new frontiers in technology to provide a path to transformation
• resilience and innovation in business
• the important chemistry between artist and audience

FAI has confirmed keynote presenters at its 2024 annual conference: Five-time GRAMMY Award-winner Noel Paul Stookey of Peter, Paul and Mary; Two-time GRAMMY Award-winner and Latin Grammy nominee, Lucy Kalantari; and President and CEO of the National Music Publishers Association (NMPA), David Israelite.

FAI will present three full days of thought leadership, interactive discussion, and best practices related to the alchemic power and transformative force of music to create meaningful change in the world, connecting artists with worldwide listenership. Among Folk Alliance International Conference firsts this year are a Wellness Summit, and a Legal Summit. The Black American Music Summit (BAMS) and a summit with partner International Indigenous Music Summit is also set.

Other confirmed speakers include:

Grammy Lifetime Achievement Award recipient, Tom Paxton

Two-time Grammy Award nominee, Country Music Association Award winner, and Nashville Songwriters Hall of Famer, Beth Nielsen Chapman

Anna Canoni, granddaughter of Woody Guthrie and Vice President, Woody Guthrie Publications, Inc.

Multi-Juno Award nominee, Shakura S’Adia

Tony Award Winner John Gallagher, Jr.

Richard James Burgess, President & CEO, American Association of Independent Music (A2IM)

Stephen Parker, Executive Director, National Independent Venue Association (NIVA) and named to Billboard Magazine 40 Under 40 in 2023

Brandi Waller Pace, Founder/Executive Director, Decolonizing the Music Room

Entertainment attorney powerhouses Peter Strand, Matthew Wilson, Brian Rosenblatt, and Janine Small

Clinical Associate Professor at New York University Judy Tint

Ashley Shabankareh, Director of Operations and Programs, Trombone Shorty Foundation

Elizabeth Stookey Sunde, Founder and Executive Director, Music to Life

Marah Czap, of Yep Roc Records

The Tennessean’s Marcus K. Dowling

Michelle Solomon of Pandora

Songwriter Livingston Taylor

Professor of Environmental Justice at the Yale School of the Environment, Gerald Torres

For complete conference programming, click here: https://folk.org/programs/conference/2024-schedule/

Jennifer Roe Thank you for being with us on Wednesday MidDay Medley

Folk Alliance International, the foremost global nonprofit for folk music, will present its 36th Annual Conference Feb. 21-25, 2024 at The Westin Kansas City Hotel at Crown Center 1 East Pershing Road, Kansas City, MO. http://www.folk.org

11:54

18. Rainbow Girls – “City Slickers”
    from: Welcome To Whatever / Rainbow Girls / December 4, 2023
    [6th album from the Rainbow Girls a three-piece singing group made up of Erin Chapin, Caitlin Gowdey, and Vanessa Wilbourn from the North Bay area of California. // Rainbow Girls formed in the fall of 2010, when a group of friends began performing together at an underground open mic in UC Santa Barbara’s neighboring college town, Isla Vista. Though other musicians would frequently perform alongside them, the original core members of Rainbow Girls consisted of Erin Chapin, Caitlin Gowdey, Vanessa Wilbourn, and Cheyenne Methmann. // The Rainbow Girls spent the following summer (2011) busking and couch-surfing around Europe, while also putting out self-recorded demos. When they returned to California in the fall, they began playing with drummer Savannah Hughes. The band busked at Farmers Markets in the Santa Barbara area, playing venues like SoHo and Cold Spring Tavern and performing at local festivals like Earth Day and Summer Solstice. // In April 2013, the band left Santa Barbara and moved to the countryside north of San Francisco’s Bay Area. That same year, Rainbow Girls released their crowdfunded debut album, The Sound of Light. Rainbow Girls continued to tour the West Coast incessantly during the year, as well as Europe and the UK every summer. // At the end of 2014, Cheyenne Methmann parted ways with the band. The remaining four members – Chapin, Gowdey, Wilbourn, and Hughes – recorded their sophomore album, Perceptronium, that winter and released it the following summer (June 2015). // In the spring of 2016, Hughes announced she could no longer tour with the band full-time, so the remaining three members of the band – Chapin, Gowdey, and Wilbourn – began performing as a trio. They then landed on opening spots for artists like John Craigie and The Brothers Comatose. // On November 8, 2017, Rainbow Girls released their third album, American Dream, with their more acoustic sound. // In the fall of 2018, one of their Facebook cover videos meant to promote a local show garnered nearly 7 million views. They immediately went into the studio to record a cover album, Give the People What They Want, which was released on February 22, 2019. Their viral video for the song “Down Home Girl” (originally performed by Alvin Robinson; other notable versions by The Rolling Stones, The Coasters, and Old Crow Medicine Show) also led them to be discovered by Madison House booking agency, as well as by manager Hannah Spero.]

[Rainbow Girls play an Official Showcase the 2024 Folk Alliance International Conference on Friday, February 23, at 7:15pm in Century C BallRoom at The Westin Kansas City Hotel at Crown Center 1 East Pershing Road, Kansas City, MO. http://www.folk.org]

19. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, Next week on February 7, Rod Parks of Retro Inferno returns to Wednesday MidDay Medley to be our Guest Producer.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers.

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1031

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, January 31, 2024

Spinning Records With Marion Merritt + Jennifer Roe of Folk Alliance International

Marion Merritt will spin tracks from: André 3000, Hermanos Gutiérrez, Danielle Nicole, Fantasy 15, Roy Hargrove Rh Factor, Jalen Ngonda, Mary Halvorson, The Comet Is Coming, Irakere, Ty Segall, The Smile, and Dimitri from Paris. We’ll also play Lilli Lewis and The Rainbow Girls.

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion Merritt is our most frequent contributor to WMM. For nearly 20 years, Marion has been sharing her sonic discoveries and information from her musically encyclopedic brain, spinning music that is just not played on other radio stations. Marion grew up in Los Angeles & St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering. After nearly two decades of managing KC’s largest music department store, Marion left the corporate world and went Independent. Now nearly 10 years later, with her partner Ann Stewart, Marion is the proprietor of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri. More info at: http://www.recordswithmerritt.com.

At 11:30, Mark will talk with Jennifer Roe, the Interim Executive Director of Folk Alliance International (FAI), a nonprofit organization established in 1989 to connect leaders in folk music and sustain the community and genre. Jennifer joined the FAI team in 2013 igniting a passion for folk music. With over a decade of private sector experience, she assumed a pivotal role in leading FAI’s staff and contractors and overseeing the day-to-day operations. She plays a key role in orchestrating the international conference, a hallmark event attracting over 2,000 attendees annually. Jennifer’s journey began in Washington, DC, where she worked on Capitol Hill for the Majority Leader of the Senate before transitioning to serve on a Presidential campaign. Jennifer channels her political background to advocate for arts and culture at both federal and state levels through her position at FAI. Folk Alliance International, the foremost global nonprofit for folk music, will present its 36th Annual Conference Feb. 21-25, 2024 at The Westin Kansas City Hotel at Crown Center 1 East Pershing Road, Kansas City, MO. http://www.folk.org

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1031

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 24, 2024

Katie Gilchrist + Erin Keller + Mitzi McKee

1. “Main Title Instrumental – It’s Showtime Folks”
   from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
   [WMM’s Adopted Theme Song]

2. Flamy Grant – “Fortune Teller”
   from: “Fortune Teller” – Single / Glam & Glory Records / October 24, 2023
   [Produced by Ben Grace. Sound engineer and electric guitars by Daniel Shearin. // Flamy Grant is winner of 2023 Kerrville New Folk Competition; and the 2023 San Diego Music Award nominee for Best Pop Album for BIBLE BELT BABY, the world’s first contemporary Christian music record by a drag performer. With influences from gospel and blues to folk and rock, this Americana showcase shines a spotlight on queerness, faith, and overcoming the spiritual trauma so often endured by LGBTQ+ people and others who grow up in conservative religious spaces. // Flamy’s iconic roots-rock sound is influenced by singer/songwriters like Natalie Merchant, Tracy Chapman, Over the Rhine, and — of course — Amy Grant. Her art shines a spotlight on the queer spiritual journey, telling stories of resilience and recovery from religious trauma. With a bold lip, a big lash, and a blistering voice, Flamy is here to rewrite the rules when it comes to faith-based entertainment, demanding a reckoning for an industry that for too long has silenced and shut out its LGBTQ+ artists and fans. // Flamy Grant’s single “Good Day” was released September 6, 2023 and is the first song by a drag performer to reach #1 on the iTunes Christian charts. It also debuted at #20 on Billboard’s Christian digital sales chart. About “Fortune Teller” Flamy Grant writes: “There are some things queer people will always know more about — things you can only learn by navigating the often unwelcoming world as a queer person. If you let us, we can be a trustworthy guide: a fortune teller, a scientist, a time traveler, a prophet.” More information at: http://www.flamyfrant.com]

Fortune Teller (Lyrics)

I’m a medium, I’m a fortune teller
I know every word you’re gonna say
I’m a headstrong, lifelong city dweller
I can take you where you’re going by the fastest way
It’s gonna be okay

I traveled time, I’m here from the future
I can show you how this all turns out
I can save you with the data in my computer
We can flourish in the flood and avoid the drought
Yeah, we’re gonna make it out

You feel it in your bones 
But your head is moving slow

I’m a scientist, I got a method and a measure
For observable, reliable, repeatable fact
I’m a decorated educator in the field of pleasure
I’ve learned a lot of lessons I can reenact
Yeah, I been keeping track

You sense that I am true
But your heart is split in two

I’m a prophetess, singing my story
A dressed-up, effervescent, ethical fraud
But this world ain’t ready for an allegory, no
We’re still waiting on a literal god
I just smile and nod

You have intuition
And it’s telling you the story isn’t done

[Flamy Grant plays the Songwriter Round on Monday, February 19 at 7:00pm, in Lawrence, KS, with Siena Christie, and Jack Summers]

[Flamy Grant plays an Official Showcase the 2024 Folk Alliance International Conference on Thursday, February 22, at 7:30pm in Brookside Room at The Westin Kansas City Hotel at Crown Center 1 East Pershing Road, Kansas City, MO. http://www.folk.org]

3. Abraham Alexander – “Tears Run Dry”
   from: SEA/SONS / Dualtone Music Group / April 14, 2023
   [Abraham Alexander’s debut album SEA/SONS. Born in Greece to parents of Nigerian descent, Alexander moved to Texas with his family at age 11 to escape the racial tensions they faced in his birthplace. Shortly after moving to the states, his birth mother was killed in a car accident with a drunk driver, leading Alexander to be adopted later in his teens. He found solace in sports as a soccer prodigy and later, following a torn ACL that ended his playing career, in music once a friend handed Alexander a guitar and he unexpectedly found songs pouring out of him. // The 11 tracks on SEA/SONS touch on themes of loss, redemption, longing, anguish and joy. And while his lyrics speak to pain, trauma and life-changing loss, he instills his music with a joyful passion and irrepressible spirit, ultimately giving way to songs that radiate undeniable hope.][Abraham Alexander played The Madrid Theater, 3810 Main Street, KCMO on Monday, May 1, at 7:30 PM opening for Wilder Woods / The Fever / Sky Tour. More info at http://www.abrahamalexander.bandcamp.com]

[Folk Alliance International, the foremost global nonprofit for folk music, will present its 36th Annual Conference Feb. 21-25, 2024 in KCMO. The International Folk Music Awards (part of the conference) have announced the finalists for the 2023 Song of the Year and we’re thrilled that 4 of these songs have been in constant rotation on our playlists this year. The finalists are: “Changes” written by Joy Oladokun & Dan Wilson, performed by Joy Oladokun // “Keep It On A Burner” written & performed by Margo Cilker // “The Returner” written by Allison Russell, Drew Lindsay, & JT Nero, performed by Allison Russell // “Workin’ On A World” written & performed by Iris Dement // and “Tears Run Dry” written by Abraham Alexander, Ian Barter, Leo Stannard, performed by Abraham Alexander.]

4. Tracy Chapman – “Why?”
   from: Tracy Chapman / Elektra / April 5, 1988
   [Debut album by Tracy Chapman was recorded at the Powertrax studio in Hollywood, California. In 1987, Chapman was discovered by fellow Tufts University student Brian Koppelman. He offered to show her work to his father, who owned a successful publishing company; however, she did not consider the offer to be serious. After multiple performances, however, Koppelman found a demo tape of her singing her single “Talkin’ ’bout a Revolution”, which he promoted to radio stations, and she was eventually signed to Elektra Records. // In early attempts to produce the first album, many producers turned down Chapman as they did not favor her musical direction. David Kershenbaum, however, decided to produce it as he wanted to record an acoustic music album. It was recorded in Hollywood, California, in eight weeks. Most of the writing is based on political and social causes. // Tracy Chapman gained critical acclaim from a wide majority of music critics, praising the simplicity, Chapman’s vocal ability and her political and social lyrical content. The album received commercial success in most of the countries it was released, making it to the top of the charts in many countries, including Austria, Canada, New Zealand, Switzerland, Denmark, and the United Kingdom. It peaked at No. 1 on the US Billboard 200 and was certified six-times platinum by the Recording Industry Association of America (RIAA), with sales exceeding over six million copies in the United States alone. // Three singles were released from the album, with the most commercially successful single being “Fast Car”. The song was performed at the Nelson Mandela 70th Birthday Tribute. It rose to the top ten on the US Billboard Hot 100 and also did well in Australia, New Zealand, Ireland, the United Kingdom, and other European countries. Tracy Chapman is one of the best-selling albums of all time with sales of over 20 million copies worldwide. // Chapman started writing songs when she was immediately signed to Elektra Records. Koppelman started finding producers for the album with the demo tape of her single “Talkin’ ’bout a Revolution”. However, she was turned down due to the popularity of dance-pop and synthpop at the time. They then found David Kershenbaum, who recalled later: “I’d been looking for something acoustic to do for some time . . . There was a sense in the industry of a slight boredom with everything out there and that people might be willing to listen again to lyrics and to someone who made statements.” // Chapman’s greatest concern during her meetings with Kershenbaum was that the integrity of her songs remain intact, because she wanted to record “real simple”. Kershenbaum said, “I wanted to make sure that she was in front, vocally and thematically, and that everything was built around her.” Every song that was featured on the result of the studio album was featured on her demo tape, except for “Fast Car”, which resulted as one of the last songs recorded on the album. Kershenbaum recalled that the first time she sang and performed it for him, he “loved it the minute I [he] heard it.” // The album was, in total, recorded in eight weeks at Powertrax, Kershenbaum’s Hollywood studio. Interviewed in 2002 by The Guardian, Kershenbaum stated that a lot of the public wanted “what she had” and said, “And they weren’t getting it. She got there at the right moment with stuff that was good.” Chapman was also interviewed and talked about the background of the album. She said, “The first record [Tracy Chapman] is seen as being more social commentary . . . more political. But I think that’s just all about perspective.” // In an interview with The Guardian in 2008, Chapman said: “My first record was almost not my first record.” The proposed producer for the studio album was killed in a car accident and the record company called in someone far less experienced to take over. // “Fast Car” was later recorded by country music singer Luke Combs for his 2023 album Gettin’ Old, from which it was released as the second single. Combs’ rendition of the song reached number one on the Billboard Country Airplay chart, making Chapman the first black woman to solely write a country number one. Additionally, it reached number two on the Billboard Hot 100, higher than Chapman’s original version.]

[Folk Alliance International will present its 36th Annual Conference February 21-25, 2024 in Kansas City, MO. FAI has confirmed the International Folk Music Awards will present a Lifetime Achievement Award to four-time GRAMMY Award-winner, thirteen-time GRAMMY nominee, Tracy Chapman!]

5. Joni Mitchell – “A Bird That Whistles”
   from: Chalk Mark in a Rain Storm / Geffen / March 23, 1988
   [13th studio album by oni Mitchell. Her third release on Geffen. The album features duets with artists such as Peter Gabriel on “My Secret Place,” Willie Nelson on “Cool Water,” Don Henley on “Snakes and Ladders,” and Billy Idol and Tom Petty on the track “Dancin’ Clown.” Henley also performs backing vocals on “Lakota,” and Wendy and Lisa perform backing vocals on “The Tea Leaf Prophecy (Lay Down Your Arms).” // In early 1986, Mitchell and Larry Klein visited Peter Gabriel’s Ashcombe House recording studio near Bath, England. Since Gabriel had mostly finished his album So by that time, he offered Mitchell and Klein the use of his studio if they wanted to record. They did, and the result was the track “My Secret Place” which was a duet between Mitchell and Gabriel. Mitchell told Musician magazine about this song: “It’s a love beginning song. The song’s about the threshold of intimacy. It’s a shared thing so I wanted it to be like the Song of Solomon, where you can’t tell what gender it is. It’s the uniting spirit of two people at the beginning of a relationship”. // In February 1987, Mitchell saw Billy Idol performing his hit version of the William Bell R&B ballad, “To Be a Lover” on the Grammy Awards show. She felt he captured the original spirit of rock’n’roll along with a new spark of energy, and would be perfect for a cameo on her song “Dancin’ Clown”. Idol came over to Mitchell’s studio one evening a few days after the Grammys and recorded his part, complete with yelps and howls. Mitchell told Macleans magazine about this pairing up: “It was for the contrast he provided. It’s a great little cameo for him, and he brings real life to the part.” Later, Tom Petty recorded his cameo on the same song. // While reminiscing about her friendship with saxophonist Wayne Shorter, Mitchell recalled their unusual style of collaboration, explaining that since both she and he were painters, they possessed a “visual” understanding of music, where she could abstractly describe an emotion or a scene for him that he would translate in to his playing, an attribute she claimed was unique to him as a saxophone player. Before recording “A Bird That Whistles (Corrina, Corrina)”, Mitchell gave Shorter the simple direction that he was “the bird on [the song],” and from there, “the first lick he made was so bird-like, it was perfect.” He immediately requested the opportunity to record a second take after finishing his first, but Joni refused, being happy with what she just heard him play. She later said that in that moment Shorter had “slept through his own magic.” // About Chalk Mark, Mitchell told interviewer Kristine McKenna: “I’ve discovered that with your focus no longer on finding a mate, you get a heightened sense of community, and I’ve become a bit more political – not too political though”. The song “Snakes and Ladders” (featuring Don Henley) was issued as a pre-release single to radio stations in January 1988.]

[Joni Mitchell (at the age of 80) was nominated for a Grammy Award for Best Folk Album for AT NEWPORT released on Rhino on July 28, 2023.]

6. Buck Moon – “Indigo Night”
   from: Indigo Night / Buck Moon / January 25, 2024 (Full Moon)
   [Produced by Ivory Blue. Buck Wimberly performs as “Buck Moon” an LGBTQ artist and singer-songwriter who started his life in rural Texas growing up Southern Baptist. Being raised in smaller communities brought challenges for a young, creative, closeted gay kid, pushing Buck to hide parts of himself to minimize bullying, be accepted by his church community, and feel loved by family and friends. // Buck eventually came out at 33 after overcoming depression and has since been on a journey of self-discovery. Now in his forties, having raised two boys, and happily living with his life partner, he has been working on healing past traumas through shamanic experiences, expanded consciousness, and discovering the power of the medicine found within. // Believing that healing the world begins by healing oneself, Buck’s music aims to challenge the listener to learn self-love, connect with the Earth and the world around them, and discover the medicine within themselves. Buck weaves together genres of folk, roots, Americana, country, indie, and electronic to share personal stories and empathy-driven messages that are mindful, conscious, motivational, and self-empowering. // In Buck’s coming music, you’ll find the universally human themes of self-discovery, personal identity, love, struggle, mental health, growth, questioning one’s purpose, redemption, and self-actualization. Buck’s first single “Indigo Night” is a sonic painting of his transformative and spiritual rites of passage experience in the mountains of North Carolina. // More information at: http://www.buckmoonmusic.com]

[Buck Moon will be our guest on WMM on Valentine’s Day February 14]

[Buck and his partner Joey Mendez are the owners of ULAH Men’s Apparel & Lifestyle Store at Woodside Village, as well as LUNA by ULAH, and ULAH Home furnishings + Design. Every Month they host ULAH Live Sessions with You Found Music in an intimate performance with limited seating for 30 people. On Wednesday, February 14, at 8:00om, ULAH Live Sessions presents Nathan Corsi and My Atominc Daydream, at ULAH, 4707 Rainbow Blvd., Westwood, KS. More info at: http://www.ulahkc.com]

7. The Shangri-Las – “Radio Spot: Good Taste Tip – Gift Receiving”
   from: Remember (Hits and Rarities from the Bad Girls of 60S Pop) / Charly / 2011(UK Release)
8. The Shangri-Las – “Give Him A Great Big Kiss”
   from: 20th Century Masters – The Millennium Collection: The Best of The Shangri-Las / Def Jam / 2002
   [Written anfd produced by Shadow Morton. It debuted at number 83 on the Billboard Hot 100 in late December 1964, and peaked at #18 for two weeks in late January/early February 1965. It was featured on their 1965 album Leader of the Pack. The New York Dolls guitarist Johnny Thunders does a solo version of the song on his 1978 album So Alone. A version by the New York Dolls also appears on their 1985 compilation album Night of the Living Dolls. Also, on the band’s 1973 self-titled album, lead singer David Johansen quotes the “Give Him a Great Big Kiss” line, “you’d best believe I’m in love L-U-V”, in the opening of “Looking for a Kiss”. “Looking for a Kiss” tells the story of adolescent romantic desire hampered by peers who use drugs. // The Shangri-Las were an American girl group of the 1960s, consisting of Mary Weiss, Elizabeth “Betty” Weiss, Marguerite “Marge” Ganser, and Mary Ann Ganser. Between 1964 and 1966 several hit pop songs of theirs documented teen tragedies and melodramas. They continue to be known for their hits “Remember (Walking in the Sand)”, “Give Him a Great Big Kiss”, and in particular, “Leader of the Pack” which went to #1 in the US in late 1964. // The group was formed at Andrew Jackson High School in Cambria Heights, a neighborhood in Queens, New York City, in 1963. The group was two pairs of sisters: Mary Weiss (lead singer) and Elizabeth “Betty” Weiss, and identical twins Marguerite “Marge”/”Margie” Ganser & Mary Ann Ganser. // They began playing school shows, talent shows, and teen hops; Artie Ripp heard about them and arranged the group’s first record deal with Kama Sutra. Their first recording in December 1963 was “Simon Says”, later issued on the Smash label, on which Betty Weiss sang lead. They also recorded “Wishing Well” / “Hate to Say I Told You So”, which became their first release in early 1964 when leased to the small Spokane, Washington label. // They called themselves the Shangri-Las, after a restaurant in Queens. // Mary Weiss was the main lead singer; Betty, however, took lead on “Maybe” (the LP version), “Shout”, “Twist and Shout”, “Wishing Well”, and a number of B-sides and album tracks. Mary Ann Ganser took lead on most of “I’m Blue”, which is a cover of the Ikettes’ biggest hit at the time, and was included on their 1965 album Shangri-Las 65!. // The group appeared on several TV shows and continued to tour the US, but in 1966, two of three releases on Red Bird failed to crack the U.S. top 50, though the group remained popular in England & Japan. Mary Ann Ganser left, but returned early in 1967 when Marge – the most outspoken member, sometimes considered the leader – left. Red Bird Records had folded. The group recorded more tracks with Shadow Morton producing (some of which remain unreleased) and signed with Mercury Records. However, Morton had begun working with Janis Ian and Vanilla Fudge, and Mercury had little enthusiasm for the group. During their Mercury stint, the Shangri-Las had no further hits; in 1968, they disbanded, amid litigation. // All the Shangri-Las withdrew from the spotlight. Morton said, “The Shangri-Las vacated, they vanished”. Reportedly they were angry that they had received few royalties despite the millions of records they had sold. // Mary Weiss moved to NYCs Greenwich Village and then San Francisco. Returning to Manhattan a few years later and prevented from recording because of lawsuits, she worked as a secretary while taking college classes. She then went into the architectural industry, working in the accounting department of a New York architectural firm. Weiss moved up to be the chief purchasing agent and later ran a commercial furniture dealership. In the late 1980s she managed a furniture store and was an interior designer. By 2001, she was a furniture consultant to New York businesses. She married in 1974, but the marriage ended in 1988; she married again several years later, and her second husband managed her music career. // Following the successful re-issue of “Leader of the Pack” in the UK in 1976, which renewed interest in the group, Mary and Betty Weiss and Marge Ganser reunited. Contacting Seymour Stein of Sire Records, they spent summer 1977 in NYC with producer Andy Paley. Paley said the sessions went well, but they weren’t satisfied with all the material, and declined to release the record. The tapes are now owned by the Warner Music Group. They did, however, give a live performance at CBGB; Paley put together a band, including Lenny Kaye, and after two hours of rehearsal, the Shangri-Las returned to the stage for the first time in a decade. Although the Sire sessions came to naught, the group toyed with signing to another label; however, they were put off by the insistence of record executives that they be a disco vocal group, the musical trend of the day. Mary said she envisioned the Shangri-Las like punk singer Patti Smith. Eventually, the Shangri-Las split up again. // In March 2007, Norton Records released a solo album by Mary Weiss (backed by garage rockers The Reigning Sound) titled Dangerous Game. She performed in the United States, Spain, and France. // Mary Weiss died on January 19, 2024, at age 75. Betty Weiss is the last living member of the group. // She influenced The New York Dolls, Ramones, Amy Winehouse, Blondie, Sonic Youth, Black Lips, Superchunk, Le Tigre.]

9. Sleater-Kinney – “Say it Like You Mean It”
   from: Little Rope / Loma Vista – Concord / January 19, 2024
   [Little Rope is the eleventh studio album from Sleater-Kinney produced by John Congleton, the album was preceded by the singles: “Hell”, “Say It Like You Mean It”, and “Untidy Creature”. // Released to critical acclaim, Little Rope was completed in the aftermath of a deadly car accident involving Brownstein’s mother and stepfather in late 2022. Dealing with this event, the duo had to face up to questions surrounding “how we navigate grief, who we navigate it with, and the ways it transforms us” during the recording process. // The duo were joined in the studio by touring member Angie Boylan, who recorded the album’s drum parts, Death Cab for Cutie’s Dave Depper and Outer Orbit’s Galen Clark. // The idea of another Sleater-Kinney album was initially “up in the air”, as an introduction video of their previous album Path of Wellness (2021) resulted in a vague answer as to whether the duo would ever record another album. However, after the release of their tenth studio album they turned to John Congleton to produce their next record. They had planned to work with Congleton “for a long time” but had to wait for “the stars” to align. Recording took place at Flora Recording & Playback in Portland, Oregon. // Half of the record had been written prior to Brownstein’s mother’s death, with the remaining tracks “approached with grief hanging heavy”. As a result, Little Rope deals with topics including “global crisis and personal tragedy”. Described as “one of the finest, most delicately layered” within their discography, the record is enriched through “complex, ambitious instrumentation”. // r Sleater-Kinney were formed in early 1994 in Olympia, Washington, by Corin Tucker and Carrie Brownstein. The group’s name is derived from Sleater Kinney Road, Interstate 5 exit number 108 in Lacey, Washington, the location of one of their early practice spaces. Tucker was formerly in the influential riot grrrl band Heavens to Betsy, while Brownstein was formerly in the queercore band Excuse 17. They often played at gigs together and formed Sleater-Kinney as a side-project from their respective bands. When Heavens to Betsy and Excuse 17 disbanded, Sleater-Kinney became their primary focus. Janet Weiss of Quasi is the band’s longest lasting and final drummer, though Sleater-Kinney has had other drummers, including Lora Macfarlane, Misty Farrell, and Toni Gogin. Upon Tucker’s graduation from The Evergreen State College (where Brownstein remained a student for three more years), she and then-girlfriend Brownstein took a trip to Australia in early 1994. Their last day there, they stayed up all night recording what would become their self-titled debut album. It was released the following spring. They followed this with Call the Doctor (1996) and Dig Me Out (1997), and became critical darlings. The lineup features: Corin Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and Janet Weiss (drums). We saw Sleater-Kinney when they played The Uptown on April 26, 2015]

[Sleater-Kinney play The Truman, 601 East Truman Road, KCMO, on Monday, March 25, 2024, at 8:00pm with Palehound.]

10:35 – Underwriting

10. Veruca Salt – “Seether”
    from: American Thighs / Minty Fresh – DCG Records / September 37, 1994
    [Seether” is a 1994 single by American alternative rock band Veruca Salt. // The song was written by Veruca Salt singer-guitarist Nina Gordon. “Seether” was more pop-sounding compared to the rest of the band’s material. In a 1994 interview with MuchMusic, an interviewer suggested that “Seether” could either be about female “animalistic instincts” or bouts of rage. Gordon agreed that her songs’ meanings often changed during and after the writing process. “You write a song, think it’s about one thing for five minutes….and discover that it’s about many different things and working on many different levels.” In Veruca Salt’s 1997 hit single “Volcano Girls,” the seether was identified as “Louise,” which presumably refers to Veruca Salt singer-guitarist Louise Post. // Veruca Salt recorded the song in early 1994, with production by Brad Wood. They then released “Seether”/”All Hail Me” as their debut single on the independent label Minty Fresh. “Seether” quickly became popular on college and alternative radio stations. Its success led the band to record and release their debut album American Thighs, which included “Seether”, later that year. Shortly thereafter, the band signed with the major label Geffen Records, which re-released the album. “Seether” peaked at number 8 on the Billboard Modern Rock Tracks chart, became a hit on MTV, and launched the band into fame. // In 1994, the song was number 3 in British Radio One DJ John Peel’s Festive Fifty. In a 2014 retrospective, music magazine Paste listed “Seether” at number 10 on their list of the 50 greatest grunge songs of all time. //Pitchfork called it, “bubblegrunge at its finest, all guitar fuzz and pop stickiness and crackling angst animating a personification of anger that just can’t be leashed. ‘I try to cram her back in my mouth,’ co-frontwoman Nina Gordon sings in the verse, but she didn’t really try that hard. // Veruca Salt is an American alternative rock band founded in Chicago in 1992 by vocalist-guitarists Nina Gordon and Louise Post, drummer Jim Shapiro, and bassist Steve Lack. They are best known for their first single, “Seether”, which was released on the 1994 album American Thighs. That success was followed up with 1997’s Eight Arms to Hold You. By 1998, Post was the only original member still in the band and continued on with other musicians. Veruca Salt released the album Resolver in 2000 and the album IV in 2006. After a hiatus in 2012, the band reformed with its original lineup. Their fifth studio album, Ghost Notes, was released in 2015.]

10:40 – Interview with Katie Gilchrist

Katie Gilchrist is a graduate of UMKC MFA Acting/Directing program and has worked as an Actor and Director professionally for over 20 years. Voted by Broadway World as Best Director of a play for last year’s “Steel Magnolias” she has directed at The Unicorn, UMKC, The Living Room, The Fishtank, and will direct “Dial M for Murder” for KC Actors Theatre this summer. Katie has appeared on almost every stage in KC. She is a member of the UMKC Conservatory Alumni Board, the AIDS Service Foundation Steering Committee, Artistic Director of KC Strips, and sings with Lost Wax.

Katie Gilchrist joins us to share details about The 1994 Project, a year-long 30th Anniversary tribute to the films & music of 1994, of which she is the creator/curator. The Black Box & The 1994 Project present “THE AUDIENCE MIXTAPE”, a tribute series featuring iconic albums or singles from 1994 on January 27, 2024, at 7:30pm at The Black Box, 1060 Union Ave, WEST BOTTOMS, KCMO. More info at: http://www.theblackboxkc.com

Katie Gilchrist, Thank you for being with us on WMM.

The 1994 Project, a year-long 30th Anniversary tribute to the films & music of 1994, of which she is the creator/curator.

Katie Gilchrist, Thank you for being with us on WMM.

The Black Box & The 1994 Project present “THE AUDIENCE MIXTAPE”, a tribute series featuring iconic albums or singles from 1994 on January 27, at 7:30pm at The Black Box, 1060 Union Ave, WEST BOTTOMS, KCMO. More info at: http://www.theblackboxkc.com

10:55

11. Jeff Buckley – “Last Goodbye”
    from: Grace (Legacy Edition) / Columbia – Sony / August 23, 1994
    [Grace is the only studio album by American singer-songwriter Jeff Buckley, released on August 23, 1994, by Columbia Records. The album had poor sales and received mixed reviews at the time of its release. However, in recent years it has dramatically risen in critical reputation. An extended version of the album (subtitled “Legacy Edition”), celebrating its tenth anniversary, was released on August 23, 2004. Grace is currently certified 8× platinum in Australia. The album has been cited by critics and listeners as one of the greatest albums of all time. // Buckley’s version of “Corpus Christi Carol” was based on a version by Janet Baker. A childhood friend introduced him to the song, and Buckley sang a version on the album as a way of thanking him. // Grace won appreciation from a host of revered musicians and artists, including members of Buckley’s biggest influence, Led Zeppelin. Jimmy Page considered Grace close to being his “favorite album of the decade”. Robert Plant was also complimentary, as was Brad Pitt, saying of Buckley’s work, “There’s an undercurrent to his music, there’s something you can’t pinpoint. Like the best of films, or the best of art, there’s something going on underneath, and there’s a truth there. And I find his stuff absolutely haunting. It just… it’s under my skin.” Others who had influenced Buckley’s music lauded him: Bob Dylan named Buckley “one of the great songwriters of this decade”, and David Bowie considered Grace to be the best album ever made, and had said it would be one of his ten “Desert Island Records.” // In 2006, British Hit Singles & Albums and NME organized a poll of which, 40,000 people worldwide voted for the 100 best albums ever and Grace was placed at No. 23 on the list. // On April 2, 2014 it was announced that Buckley’s version of “Hallelujah” would be inducted into the Library of Congress’ National Recording Registry (the entire album hasn’t yet been inducted). // Jeffrey Scott Buckley (November 17, 1966 – May 29, 1997), raised as Scott Moorhead, was an American musician. // Born in Anaheim, California,[1] Buckley was the only son of Mary (née Guibert) and Tim Buckley. His mother was a Zonian of mixed Greek, French, and Panamanian descent, while his father was the son of an Irish American father and an Italian American mother. Buckley was raised by his mother and stepfather, Ron Moorhead, in Southern California, and had a half-brother, Corey Moorhead. Buckley moved many times in and around Orange County while growing up, an upbringing Buckley called “rootless trailer trash”. As a child, Buckley was known as Scott “Scottie” Moorhead, based on his middle name and his stepfather’s surname. // His biological father, Tim Buckley, was a singer-songwriter who released a series of folk and jazz albums in the late 1960s and early 1970s, and who he said he only met once, at the age of eight. After his biological father died of a drug overdose in 1975, he chose to go by Buckley and his real first name, which he found on his birth certificate. To members of his family he remained “Scottie”. // Buckley was brought up around music; his mother was a classically trained pianist and cellist, and his stepfather introduced him to Led Zeppelin, Queen, Jimi Hendrix, the Who, and Pink Floyd at an early age. Led Zeppelin’s Physical Graffiti was the first album he owned, and he has noted hard rock band Kiss as an early favorite. He grew up singing around the house and in harmony with his mother, and later noted that all his family sang. He began playing guitar at the age of five after discovering an acoustic guitar in his grandmother’s closet. At age 12, he decided to become a musician[19] and received his first electric guitar, a black Les Paul, at age 13. He attended Loara High School and played in the school jazz band; during this time, he developed an affinity for progressive rock bands Rush, Genesis, and Yes, as well as jazz fusion guitarist Al Di Meola. // After graduating from high school, he moved to Hollywood to attend the Musicians Institute, completing a one-year course at age 19. Buckley later told Rolling Stone the school was “the biggest waste of time”, but noted in an interview with DoubleTake Magazine that he appreciated studying music theory there, saying, “I was attracted to really interesting harmonies, stuff that I would hear in Ravel, Ellington, Bartók.”// After a decade as a session guitarist in Los Angeles, Buckley amassed a following in the early 1990s by performing cover songs at venues in East Village, Manhattan, such as Sin-é, while gradually focusing more on his own material. After rebuffing interest from record labels and Herb Cohen—the manager of his father, singer Tim Buckley—he signed with Columbia, recruited a band, and recorded what would be his only studio album, Grace, in 1994. // Over the following three years, the band toured extensively to promote Grace, including concerts in the U.S., Europe, Japan, and Australia. In 1996, they stopped touring and made sporadic attempts to record Buckley’s second album in New York City with Tom Verlaine as the producer. // On the evening of May 29, 1997, Buckley’s band flew to Memphis to join him in his studio to work on his new material. The same evening, Buckley went swimming fully dressed in Wolf River Harbor, a slack water channel of the Mississippi River, singing the chorus of Led Zeppelin’s “Whole Lotta Love” while swimming under the Memphis Suspension Railway. Keith Foti, a roadie in Buckley’s band, remained on shore. After moving a radio and guitar out of reach from the wake from a passing tugboat, Foti looked up to see Buckley had vanished; the wake of the tugboat had swept him away from shore and under water. A rescue effort that night and the next morning by scuba teams and police failed to discover Buckley’s body. On June 4, passengers on the American Queen riverboat spotted his body in the Wolf River, caught in some branches. // Buckley’s autopsy showed no signs of drugs or alcohol in his system, and the death was ruled an accidental drowning. The official Jeff Buckley website published a statement saying his death was neither mysterious nor a suicide.]

11:00 – Station ID

11:00 – Interview with Mitzi McKee

Mitzi McKee grew up in Phoenix, Arizona in a musical theatre household, and performed in nearly 40 stage productions in Phoenix and played in punk & hardcore bands for over 10 years. Mitzi has lived in KC since 2011 where she began singing in the jazz fusion band Valency. Mitzi has also played drums, keyboards, and sang backup in the KC proto-punk Iggy & The Stooges cover band, No Fun, and the New York Dolls cover band, Trashed with Britt Adair. Mitzi played her first solo show in 2022 at the Pairing, where she also works the front-of-house. Mitzi holds a standing residency on first Saturdays, at Chartreuse Saloon in the Crossroads. Mitzi’s band, Mitzi McKee & The Precious Cargo, call them-selves a “spacey KC rock & roll trio” w/ Mitzi on guitar, piano, & vocals; Brendan Bennett on bass, and Caleb Robertson on drums. Mitzi McKee plays LIVE in our 90.1 FM Studios.

Mitzi McKee plays LIVE at Chartreuse Saloon, 1625 Oak Street, KCMO on Saturday, February 3, at 10:00pm. More info at: http://www.chartreusesaloon.com

Mitzi McKee, Thanks for being with us on Wednesday MidDay Medley

11:08

12. Mitzi McKee – “Your Scream & Your Shout” (LIVE)
    original song from Mitzi McKee

11:10 – More Interview with Mitzi McKee

Mitzi’s band, Mitzi McKee & The Precious Cargo, call them-selves a “spacey KC rock & roll trio” w/ Mitzi on guitar, piano, & vocals; Brendan Bennett on bass, and Caleb Robertson on drums. Mitzi McKee plays LIVE in our 90.1 FM Studios.

Mitzi McKee plays LIVE at Chartreuse Saloon, 1625 Oak Street, KCMO on Saturday, February 3, at 10:00pm. More info at: http://www.chartreusesaloon.com

11:16

13. Mitzi McKee – “Sugarspoon” (LIVE)
    original song from Mitzi McKee

11:18 – More Interview with Mitzi McKee

Mitzi has lived in KC since 2011 where she began singing in the jazz fusion band Valency. Mitzi has also played drums, keyboards, and sang backup in the KC proto-punk Iggy & The Stooges cover band, No Fun, and the New York Dolls cover band, Trashed with Britt Adair.

Mitzi played her first solo show in 2022 at The Pairing, where she also works the front-of-house. Mitzi holds a standing residency on first Saturdays, at Chartreuse Saloon in the Crossroads.

11:24

14. Mitzi McKee – “Inverted Shadows” (LIVE)
    original song from Mitzi McKee

Mitzi McKee, Thanks for being with us on Wednesday MidDay Medley

Mitzi McKee plays LIVE at Chartreuse Saloon, 1625 Oak Street, KCMO on Saturday, February 3, at 10:00pm. More info at: http://www.chartreusesaloon.com

11:30 – Underwriting

15. Erin Keller & The James Ward Band – “You Can Feel It In The Air” (CD #13) (6:29)
    from: Songs For Times Like These / Erin Keller / January 26, 2024
    [Erin Keller on vocals, James Ward on electric bass, Jaylen Ward on drums & cymbals, Angela Ward on keyboard, Chad Meise on electric guitar. Recorded & mixed by Chad Meise. Mastered by Collin Jordan. Artwork by David Ford. Photos & Graphic design by Kayla Haskins. // On May 9, 2016 Erin Keller released her debut solo album, DISTRACTED. // Erin Keller is originally from Waukee, Iowa. She was born in 1980. Erin has been singing on a professional level for 30 years. Erin sang with the internationally competitive Des Moines Children’s Choir for 5 years, and 3 years in All-State choir in high school, which helped her earn a voice performance degree from the Conservatory of Music at the University of Missouri in Kansas City, in 2002. Erin peforms with the Grammy-Award winning Kansas City Chorale. Erin has also worked as a featured soloist with Owen Cox Dance Ensemble, New Ear, KC jazz musicians, the big band at University of Colorado, a West African Highlife Ensemble, the Balkan brass band Gora Gora Orkestar. Erin also has experience writing her own music, singing in rock, folk, and free improv settings and she more recently earned a Master’s in Music Education from the University of Colorado at Boulder. In Colorado she worked for two years in public schools teaching music and moved back to KC to continue her career as musician and educator.]

[Erin Keller & the James Ward Band play an Album Release Dinner Matinee Show, Friday, January 26, 2024, at 6:00pm, at The Ship, 1221 Union Avenue, KCMO. More info at: http://www.theshipkc.com]

10:38 – Interview with Erin Keller

Erin Keller has performed in the Grammy Award–winning KC Chorale for 16 years, KC Civic Opera, New Ear, OwenCox Dance Group, the band Blackout Gorgeous, the folk/free improvisational ensemble, Prometheus Io, a West African High Life Ensemble, and the Balkan brass band, Gora Gora Orkestar, all the while doing solo & collaborative projects performing jazz standards & improvisation works with top musicians in KC & Denver. Erin’s voice is born out of an uncommon musical perspective, with a huge range of not only pitch, but also in execution of style and expression. Six and a half years ago, Erin was diagnosed with Stage 4 colon cancer. She has been on chemo since her diagnosis, constantly fighting all the symptoms that come with being on chemo. During the Covid pandemic, Erin worked to create safe outdoor concerts for local performers & audiences. Since then, she has worked on multiple music projects including the upcoming release of her new recording, SONGS FOR TIMES LIKE THESE, with the James Ward Band doing original songs written & produced by Erin Keller and recorded by Chad Meise. Erin Keller & the James Ward Band play an Album Release Dinner Matinee Show, Friday, January 26, 2024, at 6:00pm, at The Ship, 1221 Union Avenue, KCMO. More info at: http://www.theshipkc.com

Erin Keller thanks for being with us on Wednesday MidDay Medley

Songs For Times Like These features Erin Keller on vocals, with the James Ward Band

James Ward on electric bass,
Jaylen Ward on drums & cymbals,
Angela Ward on keyboard,

Along with Chad Meise on electric guitar.
Recorded & mixed by Chad Meise. Mastered by Collin Jordan.
Artwork by David Ford. Photos & Graphics by Kayla Haskins.

Erin Keller & the James Ward Band play an Album Release Dinner Matinee, Fri, Jan. 26, at 6:00pm, at The Ship, 1221 Union Avenue, KCMO. More info at: http://www.theshipkc.com

At The Ship on January 26, Erin Keller and The JWB will be performing Erin’s latest album “Songs for Times Like These” along with earlier original material, standards, and improvisations. Her latest release is political, funny, groovy, and thought-provoking. If you feel like the world is making you crazy, you might feel very seen and heard at this show! The songs are about humanity coming together in unity and love to make the world a better place. The JWB featuring James, Angela, and Jaylen Ward always lay down a funky groove you can dance and/or relax to. It will be a very special night!

Six and a half years ago, Erin was diagnosed with Stage 4 colon cancer. She has been on chemo since her diagnosis, constantly fighting all the symptoms that come with being on chemo.

During the Covid pandemic, Erin worked to create safe outdoor concerts for local performers & audiences. Erin organizing shows for Raj Ma Hall and World Culture KC, a COVID SAFE outdoor series featuring world class musicians from right here in Kansas City. Raj Ma Hall and Kansas City Institution for the Arts located at the homeport/studio of artist Roger “Capt. RamJet” MacBride-Guibor. Learn more at http://www.rajmahall.org

Erin Keller is originally from Waukee, Iowa. She was born in 1980. Erin has been singing on a professional level for 30+ years. Erin sang with the internationally competitive Des Moines Children’s Choir for 5 years, and 3 years in All-State choir in high school, which helped her earn a voice performance degree from the Conservatory of Music at the University of Missouri in Kansas City, in 2002.

UMKC Conservatory of Music brought Erin to Kansas City, where she made friends and built collaborations with KC Civic Opera, KC Choral, Own Cox Dance Ensemble…

…but then Erin decided to get her Masters Degree and she left KC for Boulder, Colorado The University of Colorado and then later Denver where she worked for two years in public schools teaching music and moved back to KC to continue her career as musician and educator. After Colorado, Erin returned to KC.

In April 2016 Erin released her solo album, “Distracted,” and has been playing live shows while also being upfront and honest about her cancer diagnosis where she has received multiple rounds of chemo treatments. Distracted was also recorded with Chad Meise.

Erin Keller thanks for being with us on Wednesday MidDay Medley

16. Erin Keller & James Ward Band – “Gotta Get The White Stuff Out”
    from: Songs For Times Like These / Erin Keller / January 26, 2024
    [Erin Keller on vocals, James Ward on electric bass, Jaylen Ward on drums & cymbals, Angela Ward on keyboard, Chad Meise on electric guitar. Recorded & mixed by Chad Meise. Mastered by Collin Jordan. Artwork by David Ford. Photos & Graphic design by Kayla Haskins. // On May 9, 2016 Erin Keller released her debut solo album, DISTRACTED. // Erin Keller is originally from Waukee, Iowa. She was born in 1980. Erin has been singing on a professional level for 30 years. Erin sang with the internationally competitive Des Moines Children’s Choir for 5 years, and 3 years in All-State choir in high school, which helped her earn a voice performance degree from the Conservatory of Music at the University of Missouri in Kansas City, in 2002. Erin peforms with the Grammy-Award winning Kansas City Chorale. Erin has also worked as a featured soloist with Owen Cox Dance Ensemble, New Ear, KC jazz musicians, the big band at University of Colorado, a West African Highlife Ensemble, the Balkan brass band Gora Gora Orkestar. Erin also has experience writing her own music, singing in rock, folk, and free improv settings and she more recently earned a Master’s in Music Education from the University of Colorado at Boulder. In Colorado she worked for two years in public schools teaching music and moved back to KC to continue her career as musician and educator.]

[Erin Keller & the James Ward Band play an Album Release Dinner Matinee Show, Friday, January 26, 2024, at 6:00pm, at The Ship, 1221 Union Avenue, KCMO. More info at: http://www.theshipkc.com]

17. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, January 31 we welcome back our WMM Co-Producer Marion Merritt of Records With Merritt who will share her latest sonic discoveries and information from her musically encyclopedic brain.

We will also talk with Jennifer Roe, Interim Executive Director of Folk Aliance International, based here in Kansas City, who are gearing up for the 36th Annual Conference Feb. 21-25, 2024 at The Westin Kansas City Hotel at Crown Center 1 East Pershing Road, Kansas City, MO. http://www.folk.org.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers.

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1030

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 24, 2024

Katie Gilchrist + Erin Keller + Mitzi McKee

Mark spins New & MidCoastal Releases from: Erin Keller & the James Ward Band, Buck Moon, Flamy Grant, Abraham Alexander, Sleater-Kinney, and also: Tracy Chapman, Joni Mitchell, The Shangri-Las, Veruca Salt, and Jeff Buckley.

At 10:30 Katie Gilchrist shares details about The 1994 Project, a year-long 30th Anniversary tribute to the films & music of 1994, of which she is the creator/curator. Katie Gilchrist is a graduate of UMKC MFA Acting/Directing program and has worked professionally for over 20 years. Voted by Broadway World as Best Director of a play for last year’s “Steel Magnolias” she has directed at The Unicorn, UMKC, The Living Room, The Fishtank, and will direct “Dial M for Murder” for KC Actors Theatre this summer. Katie has appeared on almost every stage in KC. She is a member of the UMKC Conservatory Alumni Board, the AIDS Service Foundation Steering Committee, Artistic Director of KC Strips, and sings with Lost Wax. The Black Box & The 1994 Project present “THE AUDIENCE MIXTAPE”, a tribute series featuring iconic albums or singles from 1994 on January 27, 2024, at 7:30pm at The Black Box, 1060 Union Ave, WEST BOTTOMS, KCMO. More info at: http://www.theblackboxkc.com

At 11:00 Mitzi McKee plays LIVE in our 90.1 FM Studios. Mitzi McKee grew up in Phoenix, Arizona in a musical theatre household, and performed in nearly 40 stage productions in Phoenix and played in punk & hardcore bands for over 10 years. Mitzi has lived in KC since 2011 where she began singing in the jazz fusion band Valency. Mitzi has also played drums, keyboards, and sang backup in the KC proto-punk Iggy & The Stooges cover band, No Fun, and the New York Dolls cover band, Trashed with Britt Adair. Mitzi played her first solo show in 2022 at The Pairing, where she also works the front-of-house. Mitzi holds a standing residency on first Saturdays, at Chartreuse Saloon in the Crossroads. Mitzi’s band, Mitzi McKee & The Precious Cargo, call themselves a “spacey KC rock & roll trio” with Mitzi on guitar, piano, & vocals; Brendan Bennett on bass, and Caleb Robertson on drums. Mitzi McKee plays LIVE at Chartreuse Saloon, 1625 Oak Street, KCMO on Saturday, February 3, at 10:00pm. More info at: http://www.chartreusesaloon.com

At 11:30 we talk with Erin Keller who has performed in the Grammy Award–winning KC Chorale for 16 years, KC Civic Opera, New Ear, OwenCox Dance Group, the band Blackout Gorgeous, the folk/free improvisational ensemble, Prometheus Io, a West African High Life Ensemble, and the Balkan brass band, Gora Gora Orkestar, all the while doing solo & collaborative projects performing jazz standards & improvisation works with top musicians in KC & Denver. Erin’s voice is born out of an uncommon musical perspective, with a huge range of not only pitch, but also in execution of style and expression. Six and a half years ago, Erin was diagnosed with Stage 4 colon cancer. She has been on chemo since her diagnosis, constantly fighting all the symptoms that come with being on chemo. During the Covid pandemic, Erin worked to create safe outdoor concerts for local performers & audiences. Since then, she has worked on multiple music projects including the upcoming release of her new recording, SONGS FOR TIMES LIKE THESE, with the James Ward Band doing original songs written & produced by Erin Keller and recorded by Chad Meise. Erin Keller & the James Ward Band play an Album Release Dinner Matinee Show, Friday, January 26, 2024, at 6:00pm, at The Ship, 1221 Union Avenue, KCMO. More info at: http://www.theshipkc.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1030

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 17, 2024

Michelle Bacon + Adee Dancy + Lonnie Fisher

1. “Main Title Instrumental – It’s Showtime Folks”
   from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
   [WMM’s Adopted Theme Song]

2. Katy Guillen & The Drive – “Discoloration”
   from: ANOTHER ONE GAINED / Katy Guillen / August 19, 2022
   [Produced by Kevin Ratterman (My Morning Jacket, Heartless Bastards, Ray LaMontagne) at Invisible Creature Studio in Los Angeles. This is brimming with vibrant textures, fuzzy electric guitars, and warm vocals. “Set In Stone” marked the beginning of a major life transition for Katy Guillen (pronounced Ghee-En). Written shortly after her longtime band announced their final show, she was struggling to find the next step in her career and personal life, while longing for a past sense of stability. “The song’s vigorous structure and deliberate rhythms convey that feeling of defeat and darkness, but with a sense of resolution and surrender through the guitar solo – a favorite moment on the record for me,” explains Katy. “While it started on shaky ground, coming out on the other side meant starting over and building something new.” ANOTHER ONE GAINED is a memoir of growth and reawakening by way of heart-wrenching transition and change – loss of her long-time band, end of a romantic relationship and finding herself amidst it all. “Set In Stone” premiered earlier on Guitar Girl Magazine. Katy Guillen & The Drive – Katy Gillen (drums) and Stephanie William (drums) – dropped their first EP, Dream Girl, right before the 2020 lockdown, leaving them without opportunities to perform live. In their basement rehearsal space, they spent the year learning home recording and pre-production techniques, gradually crafting a collection of songs from the ground up. The following April, they took the demos to producer/engineer Kevin Ratterman (My Morning Jacket, Heartless Bastards, Ray LaMontagne) at Invisible Creature Studio in Los Angeles. From their work with Ratterman emerged a batch of 15 songs. At the end of 2021, the band released the four-track Battles EP, offering listeners a darker, more simmering edge to their impelling indie-rock sound. Ten more would comprise Another One Gained, the full-length debut due August 19, 2022. Previously Katy Guillen & The Drive released BATTLES EP on December 17, 2021, Recorded at Invisible Creature Studio in Los Angeles, CA. Engineered and mixed by Kevin Ratterman. Produced by Kevin Ratterman, Katy Guillen, and Stephanie Williams. Mastered by Shelley Anderson at Black Lab Mastering in Louisville, KY. All songs written by Katy Guillen and Stephanie Williams. Katy Guillen on vocals, guitar, bass, & keyboarda. Stephanie Williams on drums & percussion. Additional keys and programming by Kevin Ratterman. Album design and photography by Morgan Jones. This is a follow up to Katy Guillen & The Drive’s 7-song EP, DREAM GIRL, released March 20, 2020. Katy Guillen & The Drive, is a project dedicated to Guillen’s songwriting that is founded on the creative spark and chemistry between Katy Guillen & Stephanie Williams. With Guillen on guitar & vocals and Williams on drums, the two sculpt a sound that recalls bands like Led Zeppelin, The Bangles, and Band of Skulls. In 2012, Guillen & Williams formed Katy Guillen and The Girls, and began to build a foundation of touring and recording that carried them through six years and produced three full-length albums: Katy Guillen & the Girls, Heavy Days, and Remember What You Knew Before. Between 2012 and 2018, they traveled the United States extensively, performed at the International Montreal Jazz Festival, toured Sweden, and supported major acts like The Doobie Brothers, Robin Trower, and Heartless Bastards. In these 6 years playing together, Guillen & Williams created a dynamic, sound informed by Guillen’s mesmerizing, emotive guitar style and poignant arrangements, and an equally captivating live show that showcased Williams’ technical, melodic style, resulting in a powerful on-stage chemistry. In addition to the compelling synergy formed by years of playing together, the two developed a method of working together on Guillen’s songs that only deepened their artistic connection, propelling them to forge a path to a new plateau in their music. KG & The Drive push ahead with a melodic, heavy, and soulful sound while maintaining the edge of the artist’s rock ‘n’ roll and blues roots. Katy Guillen joined us on WMM on March 18, 2020. Katy Guillen & The Drive opened for FANNY for their one-night-only reunion concert from Fanny+ (June Millington, Brie Howard-Darling, Patti Quatro, and Mia Huggins) at recordBar, 1520 Grand Ave, KCMO, on October 5, 2022. http://www.katyguillenmusic.com]

[Katy Guillen and Stephanie Williams perform as Womanish Girl, their Blues music project play Nighthawk, below Hotel Kansas City at 1228 Baltimore avenue, KCMO on Friday, January 19, 2024.]

3. Kali Uchis – “Perdiste”
   from: ORQUIDEAS / Geffen Records / January 12, 2024
   [The fourth studio album and second Spanish-language album by American singer-songwriter Kali Uchis, who was born Karly-Marina Loaiza on July 17, 1994. Kali Uchis is an American singer and songwriter. After releasing her debut mixtape Drunken Babble (2012), she released her debut EP Por Vida (2015). She released her debut studio album Isolation (2018) to widespread acclaim. Her second studio album and first Spanish-language project Sin Miedo (del Amor y Otros Demonios) (2021) spawned the single “Telepatía”, which became her first solo charting hit on the U.S. Billboard Hot 100. Her third studio album Red Moon in Venus (2023) became her first to debut within the top 5 on the Billboard 200. // Uchis was featured on Kaytranada’s 2019 single “10%”, which won the Grammy Award for Best Dance Recording. Her other accolades include an American Music Award, two Billboard Music Awards, and a nomination for a Latin Grammy Award. // Uchis was born Karly-Marina Loaiza in Alexandria, Virginia, on July 17, 1994, the daughter of a Colombian family. Her parents met during the late 1980s, and her father moved back to Colombia when Uchis was in high school. She subsequently spent summers in Colombia with her father, uncles, and aunts. During the school year, she lived with her mother and older siblings. In high school, she learned to play the piano and saxophone. She participated in a jazz band, and graduated from Alexandria City High School (then called T. C. Williams High School). She often skipped class to spend time at the photo lab, making experimental short films. Her interest in photography led to her creating mixtape cover art. Skipping class and breaking the curfew set by her parents led to her being kicked out of her home. During this time, she lived in her car and wrote songs on her keyboard which would later appear on her debut mixtape Drunken Babble (2012). She also wrote poetry and did not initially intend to sing, being more interested in directing films than being in the spotlight. She was given the nickname “Kali Uchis” by her father and adopted it as her stage name.]

4. Quiet Takes – “Meri Said”
   from: Regrets Only / Sarah Magill / February 15, 2024
   [Songwriter Sarah Magill makes music for feelers as Quiet Takes. A writer and wanderer, Magill is currently establishing a nomadic creative practice and will be releasing her first full-length solo album (recorded in Eau Claire, Wisconsin) in early 2024. Written by Sarah Michelle Magill. Produced, engineered & mixed by Zach Hanson. Mastered by Huntley Miller. Recorded at The Hive in Eau Claire, WI. Environmental sound recorded by Sarah Michelle Magill in various locations, except 2, recorded by Redditor @roffels. // On November 5, 2021 Quiet Takes released the EP, Weekly, Weakly with music written by Sarah Magill, produced by David Bennett, with vocals & keyboards by Sarah Magill. Guitars, bass and percussion by David Bennett. Drums by Jared Bond. Engineered and mixed by David Bennett at Aorist Studios in Kansas City, MO. Mastered by Zach. Weekly, Weakly the third collaboration between Magill and producer/multi-instrumentalist David Bennett. “Ghosty…” was inspired by pandemic-era panic attacks and social unease. This song was one way I tried to process the new, very anxious voice inhabiting my brain, which I nicknamed Ghosty. Sarah writes, “I made the WEEKLY, WEAKLY EP exactly as titled: During weekly Friday sessions at Aorist Studios with my producer, David Bennett, while feeling extremely weak. I was living alone during the pandemic and (like many of us) coping with isolation, depression and anxiety. Making this EP was my lifeboat. Both the process of making music — refining lyrics, experimenting with new textures, collaborating on harmonies — and the commitment to the weekly process kept me relatively grounded and connected. This project tethered me to human-ness when I was afraid I was going to float off into some kind of feral, disconnected netherworld of pandemic loneliness. I’ll forever be grateful to David and his wife, Kayla, for creating a safe space to continue working at Aorist during such a dangerous time.” WEEKLY, WEAKLY followed the release of Sarah Magill’s EP, SAN FIDEL under her moniker, Quiet Takes. Released March 5, 2021. Written by Sarah Magill. Produced by David Bennett and Sarah Magill. Vocals and keys by Sarah Magill on vocals & keyboards, David Bennett on guitars and bass, Ian Thompson on additional keyboards & synthesizers, Kyle Rausch on drums, and Bryan Koehler on percussion. Engineered and mixed by David Bennett at Aorist Studios in Kansas City, MO. Mastered by Zach Hanson. Cover image by Shawn Brackbill. Sarah Magill released her single “Wanted (The Dirty Windshield Version)” on May 1, 2020. . Sarah Magill released AHEM, a 4-song EP, on December 11, 2020. The songs were originally released under her old project name MYRY, in November 2018. Quiet Takes (formerly MYRY) is an on-going collaborative music project by Sarah Magill a writer & musician based in KC. She performs with a rotating cast of friends—although these stay-at-home days, she is playing solo. In KC, she is known for hosting house shows and co-founding Rubix, a performance art collective. MYRY’s first EP, AHEM, was released in 2018. Sarah released four of MYRY’s songs from that 2018 EP release as Quiet Takes singles in 2020. Sarah Magill was a guest on WMM on May 13, 2020. We interviewed Sarah Magill on WMM on March 10, 2021 and Nov. 2, 2021. Info at: https://quiettakes.com%5D

[Quiet Takes plays Knuckleheads Gospel Lounge, Saturday, February 24, with 8:30pm doors 9:00pm show. Quiet Takes is opening for Sara Swenson. The 6:30pm show is Sold Out.]

5. Kadesh Flow – “Overcome (Nanami)”
   from: “Overcome (Nanami)” – Single / Ryan Jamaal Davis / January 1, 2024
   [Instrumental/Verses/Hook/Trombone/Mixed/Mastered by Kadesh Flow≥ On Friday, January 19, 2024 Kadesh Flow releases another new single “Stand on Business”. On November 17, 2023 Kadesh Flow released “Stakes” produced by Dominique Sanders (who received a Grammy nomination for Album of the Year for his work on Janelle Monae’s “AGE OF PLEASURE album.) // On January 6, 2023 Kadesh Flow released “Switch Up” with Instrumental Production by Dominique Sanders, Written & Performed by: Kadesh Flow, Mixed by: Kadesh Flow, Mastered by: Kadesh Flow. // In 2022 Kadesh Flow released 6 singles starting with “Move Different (feat. Gr3s0n)” on January 21, 2022, with lyrics by Kadesh Flow & Gr3ys0n. Music by Kadesh Flow. Mixing: Kadesh Flow. Mastering: Kadesh Flow and was released on January 21, 2022. :Move Different” was part of WMM’s 50 Favorite Singles of 2022. On October 21, 2022 Kadesh Flow released the single ”Chill (feat. Mir Blackwell).” On October 10, 2022 Kadesh Flow released “Dream For Me.” On September 30, 2022 Marcus Lewis Big Band released the single, “You’re Very Special (feat. Kemet Coleman, Kadesh Flow & Kevin Church Johnson).” On July 1, 2022 Kadesh Flow released the single “Away From You.”About that single Kadesh told us “I’ve been a little quiet from a release standpoint because I’ve been scoring a feature length film.” “This song is… inspired by Eren Yeager and his tragic, brutal journey in Attack on Titan but is also deeply personal to me. There’s a lot of current world problem glazing that I’m doing on it as well.” “Also, June 30, 2022, marks five years since I left my financial tech career to pursue my performing and recording artist career full time. I’m releasing this on July 1, partially in celebration of that milestone.” This was one of over nearly 30 new singles Kadesh Flow released in 24 months: In 2021 Kadesh Flow & The Enclave released, “Soft Side,” on Jan. 21, 2021, written, produced, performed, mixed & mastered by Kadesh Flow. Kadesh Flow released, “Assumptions feat. Shubzilla,” on Jan. 29, 2021. Kadesh Flow released, “Frosty,” on February 12, 2021, written, produced, performed, mixed & mastered by Kadesh Flow. Kadesh Flow & The Enclave released, “Cry For Me 2,” February 12, 2021. Kadesh Flow released, “Not on My Watch,” on February 19, 2021, Inspired by Lord Beerus (Dragonball Super). Kadesh Flow released, “Held Me Longer,” on Marc written, produced, performed, mixed & mastered by Kadesh Flow. Kadesh Flow released, “Your Dream Isn’t Always Yours,” on March 12, 2021, written, produced, performed, mixed & mastered by Kadesh Flow. Kadesh Flow & The Enclave released, “Forgot About Me,” on March 14, 2021. Kadesh Flow released, “Take Backs (feat. Ryan Heinlein),” on March 26, 2021, written, produced, performed, mixed & mastered by Kadesh Flow. Kadesh Flow & The Enclave released, “But Hope” on March 26, 2021, written, produced, performed, mixed & mastered by Kadesh Flow. Kadesh Flow released the single, “I Don’t Care” on April 9, 2021, written, performed, mixed and mastered by Kadesh Flow. Produced by D. Professor. Kadesh Flow released the single, “That Way” on April 16, 2021, written, performed, mixed & mastered by Kadesh Flow, and produced by Dominique “Bassman” Saunders. Kadesh Flow released the new single, “So Far” on April 23, 2021, written, performed, mixed & mastered by Kadesh Flow and produced by Dominique “Bassman” Sanders. Kadesh Flow released the single, “On Target” on April 30, 2021, written, produced, performed, mixed and mastered by Kadesh Flow. Kadesh Flow released the single ”Lighten Up”on May 7, 2021, written, produced, performed, mixed & mastered by Kadesh Flow. Kadesh Flow released the single “Elegant” on May 21, 2021. Written, Produced, Performed, Mixed & Mastered by Kadesh Flow. Kadesh Flow released the 13-track album ROOM SERVICE 2, on July 19, 2021. Kadesh Flow released the single “Coming For Your Neck” on August 20, 2021. Written, Produced, Performed, Mixed & Mastered by Kadesh Flow. Kadesh Flow released the single “Easy” on August 27, 2021. Written, Produced, Performed, Mixed & Mastered by Kadesh Flow. This is his 18th single the year. Kadesh Flow released the single “Fiend” on Sept. 4, 2021. Written, Performed, Mixed & Mastered by Kadesh Flow. Produced by Dominique Sanders. This is his 19th single the year. le, “Gardens Out The Gutter” on Dec. 3, 2021. Written, Performed, Mixed & Mastered: Kadesh Flow. Instrumental: Dominique Sanders. Kadesh Flow released the single, “CHOICE (The Cost)” on December 17, 2021. Written, Performed, Mixed & Mastered: Kadesh Flow. Instrumental: Dominique Sanders. Kadesh Flow is Ryan Davis is a rapper with an MBA. He is an emcee, producer, & trombonist. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Kadesh performs as a solo hip hop artist. He also plays with The Phantastics, Marcus Lewis Big Band, and Deshica Rage (with Jessica Paige). More info at: http://www.kadeshflow.com]

6. Waxahatchee – “Right Back To It”
   from: Tiger’s Blood / Merge Records / March 22, 2024
   [Kansas City based Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. // Tiger’s Blood was produced by Brad Cook. Engineered & mixed by Gerardo “Jerry” Ordonez. Assistant engineering by Natalia Chernitsky. Mastered by Emily Lazar. Recorded and Mixed at Sonic Ranch Recording Studios. // On March 27, 2020 Waxahatchee released SAINT CLOUD which was in the TOP 20 of WMM’s 120 Best recordings of 2020. On Saint Cloud all songs were written by Katie Crutchfield. Recorded & mixed at Sonic Ranch in Tornillo, TX & Long Pond in Stuyvesant, NY. Produced by Brad Cook. Engineered by Jerry Ordonez. Additional engineering by Jon Low. Mixed by Jon Low. Mastered by Brent Lambert at The Kitchen. KATIE CRUTCHFIELD on vocals, acoustic guitar, piano, keys; BRAD COOK on bass, acoustic guitar, piano, keys, synth; BOBBY COLOMBO on electric guitar, acoustic guitar, keys; BILL LENNOX on electric guitar, acoustic guitar, keys, percussion; NICK KINSEY on drums, percussion; JOSH KAUFMAN on electric guitars, piano, organ, percussion. More info at: http://www.waxahatchee.com.]

[Waxahatchee plays the Uptown Theatre on April 18, 2024]

7. Beth Watts Nelson – “Too Far Gone”
   from: “Too Far Gone” – Single / Beth Watts Nelson / January 3, 2024
   [Beth Watts Nelson is an award-winning Kansas City based singer/songwriter, multi-instrumentalist and lifelong student of music. Solo performer and member of Konza Swamp Band, CATGUT, and Little Miss Dynamite. Founder and director of Notorious Chorus. // Music and lyrics by Beth Watts Nelson. Beth Watts Nelson on guitar, vocals; Caleb Garder on guitar, vocals; Jason Beers on keyboard; and Brandon Day on bass. Recorded and mixed by Scott Hrabko. More info at: http://www.bethwatsonnelson.com]

[Beth Watts Nelson and Brandon Day play The Whiskey Snug, at 404 Main Street, Weston, MO. On Friday, January 19, 2024. ]

10:29 – Underwriting

8. Lonnie Fisher – “Mojo Misfit”
   from: Seeds EP / Lonnie Fisher / July 27, 2023
   [Indie Roots and Gothic Rock – Deep from the grave. For most of hei recent recordings Lonnie Fisher works with musicians: Chris Nunez, Tim Jenkins, Brodie Rush, Julia Reynolds, and Autumn Hayes, and recording engineers: Ed Rose. And Duane Trower. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower with contributions from: Chris Nunez. Tim Jenkins, Tim Manning, and Julia Reynolds. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED with Lonnie Fisher on lead vocals, 5 String Guitar & Keyboards; Tim Jenkins on guitars; Chris Nunez on drums, Tim Manning on bass, & Julia Reynolds on vocals & keyboards.More information at: http://www.lonniefisher.bandcamp.com.]

10:35 – Interview with Lonnie Fisher

10:35 – Interview with Lonnie Fisher

Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher and The Funeral released the album, HAUNTED on Oct. 22, 2021; his solo album FAMOUS GIRL on Jan. 19, 2022; his solo album, BEAUTIFUL STAR on February 9, 2023; and his EP, SEEDS on July 28, 2023. Lonnie is working on a new record, FLOATING PALACE, with Duane Trower at Weights & Measures Soundlab. Info at: http://www.lonniefisher.bandcamp.com.

Lonnie Fisher Thank you for being with us on WMM.

Lonnie Fisher studied music at Kansas State University, graduating in 1992.

By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef.

Lonnie: Going on tour with my group Sturgeon Mill from Lawrence, Kansas, in 1999 was one of the greatest times of my life, and we were supporting an international hit song called Kill Yourself or I Will.

Then the band broke up, and I started my solo career working with famous engineer Ed Rose and produced the Famous Girl album, which is a fan favorite and continuously in my live sets. During this time, I also was developing my culinary skills, which would lead to being able to make enough money to support my music.

Tough times hit in 2005 when I lost my girlfriend to brain cancer, and I started to struggle with alcoholism.

I continued till 2008 and then suffered a major stroke followed by another one two years later. Both of my careers stopped while I tried to rehabilitate and relearn everything.

It looked like my life was destroyed, but I worked very hard and, against all odds, returned to the studio and stage in 2018. I couldn’t return to the kitchen due to cognitive decline and inability to move fast enough, but I have been able to start my own business as a chef.

Now 6 years sober from alcohol, Lonnie Fisher had his best year in 2023, receiving numerous airplay in KC on 90.9 The Bridge and KKFI 90.1, playing multiple tracks from my albums Beautiful Star and Seeds. Lonnie Fisher played almost 50 shows in 2023 in KC, Lawrence, and several other Midwest towns.

Lonnie: “I’m so grateful to be back, and I have so many people to thank for their kindness and support. Most importantly, my wife Tara, who was with me through all the dark moments, deserves real credit for my being alive.” Sheri at The Brick in KCMO, Steve Tulipana at Record Bar KCMO, Duane Trower Weights and Measures Soundlab KCMO, Lawrence venues The Replay Lounge, Bottleneck, Gaslight Gardens, Northside Social, all of these people and places gave me a second chance to resurrect my career. I love them very much.

2024 looks to be my biggest year yet, and I have Julia Reynolds helping me in the studio and live performances on keys and vocals and Autumn Hayes on bass and vocals after looking back at it all. Life is truly a gift. Work hard. Play harder. Take care of your body and mental health. When everything is working together in harmony, there’s nothing you can’t do.

10:43

9. Lonnie Fisher – “Shiver Hotel” (LIVE)                         this song can also be found on: BEAUTIFUL STAR / Lonnie Fisher / February 9, 2022
   [Beautiful Star was part of WMM’s 120 Best Recordings of 2023. / On July 27, 2023 Lonnie Fisher released the EP SEEDS. / On January 19, 2022, Lonnie Fisher released the 8-song, solo album FAMOUS GIRL which was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower with contributions from: Chris Nunez. Tim Jenkins, Tim Manning, and Julia Reynolds. On October 22, 2021 with his band, Lonnie Fisher And The Funeral released, HAUNTED with Lonnie Fisher on lead vocals, 5 String Guitar & Keyboards; Tim Jenkins on guitars; Chris Nunez on drums, Tim Manning on bass, & Julia Reynolds on vocals & keyboards. Lonnie Fischer played a solo album release show for his new album BEAUTIFUL STAR at The Brick, 1727 McGeee Street, KCMO, on Friday, December 23, at 8:00 PM with The Criterz and Killer City. More information at: http://www.lonniefisher.bandcamp.com.]

10:48 – Interview with Lonnie Fisher

After college at Kansas State University as a music major, Lonnie Fisher started as a singer in a rock band and worked restaurant jobs. Little did he know at the time that one day I would become a professional recording artist, singer/songwriter, and a personal chef. It’s been a journey of many extreme highs and lows.

Lonnie Fisher is currently working on a new recording “Floating Palace”
with Duane Trower at Weights and Measures.

Lonnie Fisher former band The Funeral included:
Lonnie Fisher on lead vocals, 5 String Guitar & Keyboards
Tim Jenkins on guitars
Chris Nunez on drums
Tim Manning on bass
Julia Reynolds on vocals & keyboards.

Lonnie Fisher works as a Personal Chef creates weekly meals for busy professionals and seniors who need help. I record artists and write songs about life’s struggles and our world.

Lonnie Fisher talked about how music has helped keep him alive, along with his wife Tara and his two stepchildren have made the difference in his life.

Website: https://lonniefisher.bandcamp.com/album/seeds
Instagram: Lonnie Fisher official
Facebook: Lonnie Fisher singer/songwriter
Youtube: Lonnie Fisher

Lonnie Fisher Thank you for being with us on WMM.

10:56

10. Lonnie Fisher – “If I Could Live Forever”
    from: BEAUTIFUL STAR / Lonnie Fisher / February 9, 2022
    [Beautiful Star was part of WMM’s 120 Best Recordings of 2023. / On July 27, 2023 Lonnie Fisher released the EP SEEDS. / On January 19, 2022, Lonnie Fisher released the 8-song, solo album FAMOUS GIRL which was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower with contributions from: Chris Nunez. Tim Jenkins, Tim Manning, and Julia Reynolds. On October 22, 2021 with his band, Lonnie Fisher And The Funeral released, HAUNTED with Lonnie Fisher on lead vocals, 5 String Guitar & Keyboards; Tim Jenkins on guitars; Chris Nunez on drums, Tim Manning on bass, & Julia Reynolds on vocals & keyboards.Lonnie Fischer played a solo album release show for his new album BEAUTIFUL STAR at The Brick, 1727 McGeee Street, KCMO, on Friday, December 23, at 8:00 PM with The Criterz and Killer City. More information at: http://www.lonniefisher.bandcamp.com.]

11:00 – Station ID

11. David Bowie – “Oh You Pretty Things”
    from: Hunky Dory / RCA – (Rykodisk – Virgin – Sony – EMI – Columbia ISO) / Dec. 17, 1971
    [“Oh! You Pretty Things” is a song by the English singer-songwriter David Bowie from his 1971 album Hunky Dory. It was the first song he wrote for the album. Bowie recorded the song as a demo before giving it to singer Peter Noone, lead singer of Herman’s Hermits, who decided to release it as his debut solo single. Featuring Bowie on piano, Noone’s recording was produced by Mickie Most and featured structural and lyrical differences from Bowie’s later version. Released by RAK Records in April 1971 under the title “Oh! You Pretty Thing”, the single peaked at number 12 in the UK, becoming Bowie’s biggest success as a songwriter since his own single “Space Oddity” two years earlier. // Bowie recorded his own version at Trident Studios in London during the sessions for Hunky Dory between June and July 1971. Co-produced by Bowie and Ken Scott, it featured the musicians who would later become known as the Spiders from Mars: guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey. Bowie played piano, although Rick Wakeman, who played piano on the rest of the album, contended in 2017 that he contributed. Similar to other tracks on the album, the themes of “Oh! You Pretty Things” are dark, reflecting ideals of the occultist Aleister Crowley and philosopher Friedrich Nietzsche, while making literary references to Arthur C. Clarke’s 1953 novel Childhood’s End and Edward Bulwer-Lytton’s 1871 novel The Coming Race. // “Oh! You Pretty Things” is considered by music critics as one of the best songs on Hunky Dory and by some publications as one of Bowie’s best songs. Bowie performed the track multiple times for BBC radio programmes between 1971 and 1972 and once on the Ziggy Stardust Tour in 1973. Bowie’s version has appeared on numerous compilation albums, while Noone’s was included on a 2006 compilation named after the track. Other covers have been recorded by Seu Jorge and Au Revoir Simone. // Upon completing a promotional tour of America in early 1971, David Bowie returned to his home at Haddon Hall in Beckenham, London. After Tony Visconti moved out of Haddon, Bowie acquired a piano for the building, which he used to write songs. It was a first for Bowie, who previously composed songs primarily on acoustic guitar. In total, he composed over three-dozen songs at Haddon, many of which would appear on his next album Hunky Dory and its follow-up The Rise and Fall of Ziggy Stardust and the Spiders from Mars. // The first song Bowie wrote for Hunky Dory was “Oh! You Pretty Things”. The song came to him in the early hours of a morning in January 1971. He recalled: “I couldn’t sleep … this song was going ’round in my head. I had to get out of bed and just play it … so that I could get back to sleep again.”[b] He requested studio time from his music publisher Chrysalis, whose partner Bob Grace booked time at London’s Radio Luxembourg Studios to record a demo. Bowie recorded the demo sometime between February and March 1971. Paul Trynka states that it featured him on solo piano, his only accompaniment being “the jangling of the bracelets he was wearing”. According to biographer Marc Spitz, Bowie’s demos of “Oh! You Pretty Things” and other Hunky Dory tracks “Life on Mars?” and “Andy Warhol” inspired Bowie’s new manager, Tony Defries, to look into securing a new record contract for Bowie, eventually signing him with RCA Records. // After recording its demo, Bowie gave the tape to Grace, who showed it to producer Mickie Most, the most well-known independent producer in the UK at the time. He chose Most due to his popularity, having produced numerous hits for bands such as the Animals and Herman’s Hermits, telling Record Collector magazine years later: “The most sure-fire way of getting a hit in those days was if you got Mickie Most to produce your song.” Most liked the song and contacted Herman’s Hermits’ singer Peter Noone, who believed the song would be Noone’s first solo hit. Noone recalled, “[Most] only played the intro and I said, ‘That’s it, it’s perfect!'”]

11:03 – Interview with Michelle Bacon

Multi-talented musician and writer, Michelle Bacon, is Content Manager at 90.9 The Bridge, where she helps to shine a light on area musicians, causes, and events. Michelle has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle plays drums in the band Frogpond who released their critically acclaimed album, TIME THIEF on Black-Site Records on November 19, 2021. Michelle has also played bass with Other Americans who released the album LAST DANCE on October 10 2022. Over the last decade Michelle Bacon has played drums or bass with, and Deco Auto, Heidi Lynne Gluck, Erica Joy, Chris Meck and the Guilty Birds, The Blackbird Revue, John L. Johnson, the Nathan Corsi Band, The Philistines, Freight Train Rabbit Killer, Katy Guillen & The Drive and several others. And for the past 8 years Michelle has served as the founder and producer as well as bass player for The Band That Fell To Earth: A Tribute to David Bowie. This year The Band That Fell To Earth will perform David Bowie‘s album, Hunky Dory, as a Special VIP Benefit, on Thursday, January 25 at 8:00 at at recordBar. The Band That Fell To Earth will continue with Bowie Tribute shows on Friday & Saturday, Jan. 26 & 27, at 8:00 PM at recordBar, 1520 Grand Blvd. KCMO. Tickets available at: https://linktr.ee/bowiekcmo.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

Michelle Bacon is the producer of The Band That Fell To Earth: A Tribute to David Bowie,

The Band That Fell To Earth KC’s 8th annual tribute to David Bowie with three nights of music at recordBar – Thurs, January 25, and Friday, Jan. 26 and Saturday, Jan. 27, 2024.

ALL tix available at http://linktr.ee/bowiekcmo

From wikipedia: After Bowie’s third studio album, The Man Who Sold the World was released in the United States through Mercury Records in November 1970. The album sold poorly but fared better both critically and commercially in the US than in the UK. It was played on American radio stations frequently and its “heavy rock content” increased interest in Bowie. The critical success of the album prompted Mercury to send Bowie on a promotional radio tour of the US in February 1971. The trip inspired him to write tribute songs for three American icons: artist Andy Warhol, singer-songwriter Bob Dylan and the rock band the Velvet Underground, more specifically their singer Lou Reed. After the tour, Bowie returned to his apartment in Haddon Hall, Beckenham, where he recorded many of his early 1970s demos, and began writing. According to his then-wife Angela, Bowie had spent time composing songs on piano rather than acoustic guitar, which would “infuse the flavour of the new album”. In total, he composed over three-dozen songs there, many of which would appear on Hunky Dory and its follow-up album The Rise and Fall of Ziggy Stardust and the Spiders from Mars.

Hunky Dory is the fourth studio album by the English musician David Bowie, released in the United Kingdom on 17 December 1971 through RCA Records. Following the release of his 1970 album, The Man Who Sold the World, Bowie took time off from recording and touring. He settled down to write new songs, composing on piano rather than guitar as on earlier tracks. Following a tour of the United States, Bowie assembled a new backing band consisting of guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey, and began to record a new album in mid-1971 at Trident Studios in London. Future Yes member Rick Wakeman contributed on piano. Bowie co-produced the album with Ken Scott, who had engineered Bowie’s previous two records.

Compared to the guitar-driven hard rock sound of The Man Who Sold the World, Bowie opted for a warmer, more melodic piano-based pop rock and art pop style on Hunky Dory. His lyrical concerns on the record range from the compulsive nature of artistic reinvention on “Changes”, to occultism and Nietzschean philosophy on “Oh! You Pretty Things” and “Quicksand”; several songs make cultural and literary references. He was also inspired by his stateside tour to write songs dedicated to three American icons: Andy Warhol, Bob Dylan and Lou Reed. The song “Kooks” was dedicated to Bowie’s newborn son Duncan. The album’s cover artwork, photographed in monochrome and subsequently recoloured, features Bowie in a pose inspired by actresses of the Hollywood Golden Age.

Upon release, Hunky Dory and its lead single “Changes” received little promotion from RCA who were wary that Bowie would transform his image shortly. Thus, despite very positive reviews from the British and American music press, the album initially sold poorly and failed to chart. It was only after the commercial breakthrough of Bowie’s 1972 follow-up album Ziggy Stardust that Hunky Dory itself became a commercial success, peaking at number three on the UK Albums Chart. Retrospectively, Hunky Dory has been critically acclaimed as one of Bowie’s best works, and features on several lists of the greatest albums of all time. Within the context of his career, it is considered to be the album where “Bowie starts to become Bowie”, definitively discovering his voice and style.

This is the 8th year The Band That Fell To Earth is celebrating the music of Bowie with a “Super Group” of KC’s finest musicians organized and led by Michelle Bacon.

Each night will contain a different set list, and special guests.

Special guests:
Thursday January 25: Julia Othmer, Kris Bruders & Haviland Bruders
Friday, January 26: Seyko, Cole Bales
Saturday, January 27: Lava Dreams, Rachel Christia

This year, The Band That Fell To Earth is raising money for the Midwest Innocence Project, a nonprofit dedicated to the investigation, litigation, exoneration, and re-entry support for wrongfully convicted people in the five-state region of Arkansas, Iowa, Kansas, Missouri, and Nebraska.

Tickets information available at: https://linktr.ee/bowiekcmo.

7:00pm VIP doors
7:30pm GA doors
8:00pm show starts

18+ / minors allowed with guardian

11:12

12. David Bowie – “Kooks”
    from: Hunky Dory / RCA – (Rykodisk – Virgin – Sony – EMI – Columbia ISO) / Dec. 17, 1971
    [Written by David Bowie, for his newborn son Duncan Jones. The song was a pastiche of early 1970s Neil Young because Bowie was listening to a Neil Young record at home on May 30, 1971 when he got the news of the arrival of his son. Before the studio recording of the song was made, it was recorded for the BBC In Concert radio show with John Peel, on June 3, 1971 (broadcast on June 20, 1971). In 2000 this recording was released on the Bowie at the Beeb album. The song was recorded again for the BBC “Sounds of the 70s” radio show with Bob Harris on September 21, 1971 (broadcast on October 4, 1971). // David Bowie: lead and backing vocals, acoustic guitar, alto sax; Mick Ronson: string arrangement, Trevor Bolder: bass, trumpet; Mick Woodmansey: drums; Rick Wakeman: piano. // The first three lines of the song (“Will you stay in our lovers’ story / If you stay, you won’t be sorry / ‘Cause we believe in you”) are used as a repeated motif in Miranda July’s 2015 novel The First Bad Man. The British indie band The Kooks named themselves after the song. The song appears in the Futurama episode “Children of a Lesser Bog”.]

11:15 – More Interview with Michelle Bacon

Michelle Bacon joins us today to share details about The Band That Fell To Earth who’ll perform David Bowie‘s album, Hunky Dory, as a Special VIP Benefit, on Thursday, January 25 at 8:00 at at recordBar. The Band That Fell To Earth will continue with Bowie Tribute shows on Friday & Saturday, Jan. 26 & 27, at 8:00 PM at recordBar, 1520 Grand Blvd. KCMO.

This is the 8th year The Band That Fell To Earth is celebrating the music of Bowie with a “Super Group” of KC’s finest musicians organized and led by Michelle Bacon. This year, The Band That Fell To Earth is raising money for the Midwest Innocence Project, a nonprofit dedicated to the investigation, litigation, exoneration, and re-entry support for wrongfully convicted people in the five-state region of Arkansas, Iowa, Kansas, Missouri, and Nebraska. Tickets available at: https://linktr.ee/bowiekcmo.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum.

Michelle Bacon – bass
Alex Alexander – guitar
Nathan Corsi – vocals/guitar
Kyle Dahlquist – keys
Katy Guillen – guitar
Steve Tulipana – vocals
Stephanie Williams – drums
Havilah Bruders – backing vocals
Julia Haile – backing vocals
Christine Broxterman – cello
Laurel Morgan-Parks – violin
Rich Wheeler – saxophone
Matt Ronan – percussion

A portion of ticket sales to benefit the Midwest Innocence Project, a nonprofit dedicated to the investigation, litigation, exoneration, and re-entry support for wrongfully convicted people in the five-state region of Arkansas, Iowa, Kansas, Missouri, and Nebraska.

http://linktr.ee/bowiekcmo

Michelle Bacon thanks for being with us on WMM.

The Band That Fell To Earth who’ll perform David Bowie’s album, Hunky Dory, as a Special VIP Benefit, on Thursday, January 25 at 8:00 at at recordBar. The Band That Fell To Earth will continue with Bowie Tribute shows on Friday & Saturday, Jan. 26 & 27, at 8:00 PM at recordBar, 1520 Grand Blvd. KCMO. Tickets at http://linktr.ee/bowiekcmo

11:24

13. David Bowie – “Andy Warhol”
    from: Hunky Dory / RCA – (Rykodisk – Virgin – Sony – EMI – Columbia ISO) / Dec. 17, 1971
    [Written by David Bowie. It is an acoustic song about one of Bowie’s early artist inspirations, the American pop artist Andy Warhol. The album track opens with a series of strange electronic tones which fades into studio chatter in which producer Ken Scott mispronounces Warhol’s name and Bowie repeatedly corrects him. Scott then solemnly reintroduces the take with the correct pronunciation, and Bowie asks if the tape is rolling. Upon realising he is indeed being recorded, Bowie bursts into laughter and the song proper begins. The song is memorable for a distinctive repeated riff played by Mick Ronson on acoustic guitar. Originally the song was written for Dana Gillespie, who recorded it in 1971, but her version of the song was not released until 1973 on her album Weren’t Born a Man. Bowie produced Gillespie’s version and Ronson also plays guitar. Gillespie performed the song in 1974 on the Dutch television programme TopPop. // Bowie, an admirer of Warhol, sent him a copy of Hunky Dory and performed “Andy Warhol” for him in person at Warhol’s studio the Factory in New York in September 1971, before the album was released. But due to Warhol’s typically minimal reaction, Bowie was never sure if he liked it. Tony Zanetta, who had brought Bowie to the Factory and later portrayed Warhol in Warhol’s first play, Pork (1971), maintained that Warhol “didn’t say anything but absolutely hated it”. // The song was released as the B-side of the single “Changes” in January 1972. It also appeared on the Japanese compilation The Best of David Bowie from 1974. An edited version, with the dialogue in the introduction cut, as it was on the US single version, is included on Re:Call 1, part of the 2015 boxed set Five Years (1969–1973). // A performance sung by Dana Gillespie was recorded for BBC Radio’s In Concert strand on 3 June 1971, presented by John Peel and first broadcast on June 20 that year. Bowie played this song at BBC’s Sounds of the 70s with Bob Harris on May 23, 1972. This was broadcast on June 19, 1972, and in 2000 was released on the Bowie at the Beeb album. A performance recorded at Santa Monica Civic Auditorium on October 20, 1972 has been released on Santa Monica ’72 and Live Santa Monica ’72. The song was a 1972 regular performance, but it was not played again until the 1995 Outside Tour with Nine Inch Nails. // One live performance from 1995 was released in 2020 on the live album Ouvre le Chien (Live Dallas 95). A November 1996 tour rehearsal recording of the song, which originally aired on a BBC radio broadcast in 1997, was released in 2020 on the album ChangesNowBowie. //
    David Bowie on lead and backing vocals, acoustic guitar; Mick Ronson on acoustic guitar, percussion; Ken Scott on ARP synthesiser. // A riff from “Andy Warhol” (at 0:48) is quoted in Metallica’s song Master of Puppets (at 6:19). It is an homage made by Cliff Burton and Kirk Hammett to whom Bowie was a huge influence. Stone Temple Pilots covered the song in their MTV Unplugged performance in 1993.]

11:27 – Underwriting

14. Sisterbot – “You Won’t Play Me”
    from: “You Won’t Play Me” – Single/ Aletheia Maison Records / January 16, 2023
    [Written and Composed by Sisterbot. Engineered and Produced by Brandon Yangmi. Lead vocals: Sisterbot. Drums: Bailey Keling. Electric Guitar: Benjamin Hart. Violin: Laurel Morgan Parks, Kaydee Gabel. Viola: Victor Diaz. Cello: Sascha Groschang, Sisterbot. Cello Solo: Sisterbot. Bass Guitar: Madison Monroe. Background Vocals: Hadiza. and Logan Smalley. // Adee Rocket Dancy writes, “Three years ago, I wrote a song called “You Won’t Play Me.” I had been cleaning my apartment when I found an old pile of letters that brought back difficult memories… they were from someone who had spun many webs of lies and manipulations to gain my attention and affection. I hadn’t realized the extent of this mind-molding until my mid-20’s, after nearly a decade of experiences with this person. Holding the letters in my hand, I felt anger, embarrassment, protective of my younger self, but also, freedom. The knowledge that this person had no hold over me today, or ever again, gave me a sense of triumph. In a rush of catharsis, I ripped up all of the letters, tossing them into the air with relief. Immediately, this song came to me. I sat down at the keyboard, and out it poured. // Though it came nearly completely formed as a song, there were pieces missing that took me three years to finish. The composition, the arrangement for the band, and the recording process came slowly. During that time, I also collaborated with the amazing Marísa Adame Grady to write and film a music video for the song. The story portrays the long-term manipulation I faced, particularly on the internet, with dramatized scenes of common control and grooming tactics that I and many others have experienced. We hoped that this song and this music video would bring light to an all-too-common pattern in the dawn of the internet, empowering those who listen or watch to end patterns of manipulation in their own lives. I hope you enjoy this song and music video, “You Won’t Play Me” available now on all platforms!” More info at: sisterbotmusic.com // Sisterbot.bandcamp.com]

[Sisterbot (full band) plays The Rino, 314 Armour Road, North Kansas City, Friday, February 9, 2024 with Amy Elizabeth Queen, and Foxlin.]

11:33 – Interview with Adee Dancy

Adee Dancy (Sisterbot), a performing artist born and raised in the KC area. Adee is a student of many teachers and disciplines, attempting to amalgamate all they have learned and loved into their artistic life. Adorning many different hats, Adee has stepped into a multitude of roles in their career such as professional cellist, music director, vocalist, composer, actor, and more. With dynamic string writing and theatrical rock at the helm of their work, Adee captains a project and alter-ego called Sisterbot, that fuses their multiple disciplines. Adee feels extremely lucky to have music, art, and theater as means of expression and livelihood! Adee has collaborated with many groups including Owen Cox Dance Group, No Divide KC, and also is part of the trio, The Swallowtails. Sisterbot (full band) plays The Rino, 314 Armour Road, North Kansas City, Friday, February 9, 2024 with Amy Elizabeth Queen, and Foxlin. More information at http://sisterbotmusic.com

Adee Dancy (Sisterbot), thanks for being with us on WMM.

Adee Dancy identifies with the pronouns: They/Them

“You Won’t Play Me” was written and Composed by Sisterbot. Engineered and Produced by Brandon Yangmi. Lead vocals: Sisterbot. Drums: Bailey Keling. Electric Guitar: Benjamin Hart. Violin: Laurel Morgan Parks, Kaydee Gabel. Viola: Victor Diaz. Cello: Sascha Groschang, Sisterbot. Cello Solo: Sisterbot. Bass Guitar: Madison Monroe
Background Vocals: Hadiza. and Logan Smalley.

Adee Rocket Dancy writes, “Three years ago, I wrote a song called “You Won’t Play Me.” I had been cleaning my apartment when I found an old pile of letters that brought back difficult memories… they were from someone who had spun many webs of lies and manipulations to gain my attention and affection. I hadn’t realized the extent of this mind-molding until my mid-20’s, after nearly a decade of experiences with this person. Holding the letters in my hand, I felt anger, embarrassment, protective of my younger self, but also, freedom. The knowledge that this person had no hold over me today, or ever again, gave me a sense of triumph. In a rush of catharsis, I ripped up all of the letters, tossing them into the air with relief. Immediately, this song came to me. I sat down at the keyboard, and out it poured.

Though it came nearly completely formed as a song, there were pieces missing that took me three years to finish. The composition, the arrangement for the band, and the recording process came slowly. During that time, I also collaborated with the amazing Marísa Adame Grady to write and film a music video for the song. The story portrays the long-term manipulation I faced, particularly on the internet, with dramatized scenes of common control and grooming tactics that I and many others have experienced. We hoped that this song and this music video would bring light to an all-too-common pattern in the dawn of the internet, empowering those who listen or watch to end patterns of manipulation in their own lives. I hope you enjoy this song and music video, “You Won’t Play Me” available now on all platforms!” More info at: sisterbotmusic.com // Sisterbot.bandcamp.com

Sisterbot is a performing artist and composer dedicated to breaking genre and disciplinary boundaries in order to create musical and theatrical experiences. Each piece is episodic, cathartic, and gives an internal look into the beauty and the bizarre of the human experience through epic theatrical and musical storytelling. The 7-to-14-piece Sisterbot Ensemble is described as a “punk pop chamber orchestra,” with a full rock rhythm section and the addition of strings and background vocals. Sisterbot connects and communicates about love, community, gratitude, queerness, the preciousness of life, the preservation of our planet, and our place in this vast universe.

Adee Dancy / Sisterbot told Voyage magazine: As a kid, I was mesmerized by outer space. I was sure that I was going to be an astronaut, so much so that I begged my mom to let me go to Space Camp 6 times (the one from all the commercials in Huntsville, Alabama). At the same time that my space obsession began, I also started playing the cello, which I frequently refer to as my first love (besides my amazing parents and sisters!). My love for music was very deeply rooted, with a very musical mom who always played piano, and guitar, and sang harmonies with me, a dad with an ear for hit melodies and great albums, and a stepdad with mega rock guitar skills. And of course, I had some of the greatest and most supportive music educators I could ask for.

Fast-forward to high school- I was still on the path of becoming something within the field of astronomy, engineering, robotics, or science in general. But then, my world turned upside down when I got the chance to see the world-renowned cellist, Yo-Yo Ma, in concert with the Kansas City Symphony at the brand new, state-of-the-art Kauffman Center for the Performing Arts. It was an experience that I truly will never forget. I remember being so completely engaged and involved in the performance, watching Yo-Yo Ma play the Dvorâk Cello Concerto. I had a truly out-of-body experience for the first and only time in my life, and I awakened in the middle of the piece with tears streaming down my face and the resounding, undeniable calling in my mind and heart: I have to pursue music!

From that moment forward, I changed my entire career path, switched all of my engineering classes to music classes, and went on to pursue music in college. I have a background in both classical cello and classical voice, with a degree in cello and an enthusiasm/private study of the other. I realized towards the end of my Bachelor’s degree that classical music was a love of mine, but not an avenue I wanted to truly pursue. My first few years of college were extremely difficult, with an unforgiving private teacher, being in the closet, experiencing the death of a person I loved, and a general feeling of inadequacy as a classical cellist. I realized through music directing my first musical that I had a passion for theater and popular music, and it brought me to write my own music!\

I officially began the venture of my own musical project, which was originally called “Adee Rocket Dancy.” I picked this name as a tribute to my childhood dreams- astronomy and rocket science have always been fascinating and mesmerizing to me, and I knew that I wanted to incorporate those themes into my musical journey. I released 3 singles under that name until I realized at a coffee shop with my bandmates that “Sisterbot” had a great ring to it. It was originally a joke that we laughed really hard about, but then it stuck! Two weeks before my first album, “Truth House” came out into the world, my mom, stepdad, and I were all sitting together finalizing album artwork, and we decided at that moment to make the change.

10:40

15. Sisterbot – “Time Lapse”
    from: Truth House / Sisterbot / July 10, 2021
    [Sisterbot is a performing artist dedicated to breaking genre boundaries, creating cosmic musical and theatrical experiences. The 9-piece Sisterbot Band is a “punk pop chamber orchestra” complete with electric guitar, drums, piano, strings and horn. “Truth House (2021) is a concept album written over the span of three years, encapsulating a chapter of my life that I spent in a house alone, dealing with the aftermath of trauma and rebirth.”- Sisterbot (Adee Dancy). Written by Sisterbot. Produced by Jametatone and Sisterbot. Engineered, Mixed, Mastered by Jametatone, except “Approval” which was Produced, Engineered, & Mixed by Andrew Bonci Jr. at Magnolia Tree Studios, with AJ Bonci on guitar, Just Angel and Sisterbot on vocals. Cover Art by Mazzy Mann. Adee Rocket Dancy released the single “Hello Moon (feat. The Swallowtails)” on April 26, 2021. (This song is also on the Sisterbot album.) Produced by Jametatone & Adee Rocket Dancy. Adee Rocket Dancy on piano & vocals & cello; Rachel Lovelace on bassoon; Mikala Petillo on guitar & background vocals, Mixing and Mastering by Jametatone, (J. Asley Miller). Adee Rocket Dancy writes, “This is a song about my life-long love for the moon, featuring The Swallowtails (Rachel Lovelace and Miki P). Adee chose the date April 26, 2021, as their release date, to honor the full moon called “The Pink Moon.” More info at: Sisterbot.bandcamp.com]

[Sisterbot (full band) plays The Rino, 314 Armour Road, North Kansas City, Friday, February 9, 2024 with Amy Elizabeth Queen, and Foxlin.]

10:45 – More Interview with Adee Dancy (Sisterbot)

Adee Dancy thanks for being with us on Wednesday MidDay Medley

Adee Dancy / Sisterbot told Voyage magazine: Sisterbot, is a really big project. At any given time, we’ve had 7-14 members on stage. Many times, I’ve called it a “pop punk chamber orchestra,” complete with a full rhythm section (drums, bass, electric guitar, keyboard), background vocalists, and a string section (violin, viola, cello). It’s still a rock band- but with elements of all genres and disciplines. It is such an exciting ensemble to work with and write for because there are endless possibilities. I find my mind writing orchestrations all the time for this group. We make a blend of theatrical, orchestral, singer-songwriter, story-telling pop rock. I am so proud of what it’s become and how it continues to grow. With the music that I write, I try to be as truthful and honest as possible, with a central theme of authenticity, self-love, and awareness. I have very few true love songs, but I write of my deep feelings and thoughts. I want to encourage audiences to love themselves fully, wherever they’re at.
I’ve experienced a lot of trauma that I try to process through music, with empowering messages that I say for myself but also that I hope people can find within themselves. I hope to inspire and meet people where they’re at when they hear my music- I hope that people of all age ranges and backgrounds can relate to my words.

Adee Dancy, thanks for being with on WMM.

Sisterbot (full band) plays The Rino, 314 Armour Road, North Kansas City, Friday, February 9, 2024 with Amy Elizabeth Queen, and Foxlin. More info at: http://www.sisterbotmusic.com and Sisterbot.bandcamp.com

11:53

16. Sisterbot – “Lost To The Cosmos”
    from: Truth House / Sisterbot / July 10, 2021
    [Sisterbot is a performing artist dedicated to breaking genre boundaries, creating cosmic musical and theatrical experiences. The 9-piece Sisterbot Band is a “punk pop chamber orchestra” complete with electric guitar, drums, piano, strings and horn. “Truth House (2021) is a concept album written over the span of three years, encapsulating a chapter of my life that I spent in a house alone, dealing with the aftermath of trauma and rebirth.”- Sisterbot (Adee Dancy). Written by Sisterbot. Produced by Jametatone and Sisterbot. Engineered, Mixed, Mastered by Jametatone, except “Approval” which was Produced, Engineered, & Mixed by Andrew Bonci Jr. at Magnolia Tree Studios, with AJ Bonci on guitar, Just Angel and Sisterbot on vocals. Cover Art by Mazzy Mann. Adee Rocket Dancy released the single “Hello Moon (feat. The Swallowtails)” on April 26, 2021. (This song is alon on the Sisterbot album.) Produced by Jametatone & Adee Rocket Dancy. Adee Rocket Dancy on piano & vocals & cello; Rachel Lovelace on bassoon; Mikala Petillo on guitar & background vocals, Mixing and Mastering by Jametatone, (J. Asley Miller). Adee Rocket Dancy writes, “This is a song about my life-long love for the moon, featuring The Swallowtails (Rachel Lovelace and Miki P). Adee chose the date April 26, 2021, as their release date, to honor the full moon called “The Pink Moon.” More info at: Sisterbot.bandcamp.com]

[Sisterbot (full band) plays The Rino, 314 Armour Road, North Kansas City, Friday, February 9, 2024 with Amy Elizabeth Queen, and Foxlin.]

17. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on January 24, 2024 we welcome special guests: Katie Gilchrist, Mitzi McKee, and Erin Keller.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers.

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Adee Dancy (Sisterbot) Photo by Willym Brown (@strawberry_hive on socials)

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1029

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 17, 2024

Michelle Bacon + Adee Dancy + Lonnie Fisher

Mark spins New & MidCoastal Releases from: Quiet Takes, Kadesh Flow, Waxahatchee, Beth Watts Nelson, Sisterbot, Lonnie Fisher, Katy Guillen & The Drive, Kali Uchis, and David Bowie.

At 10:30 Lonnie Fisher plays live in our 90.1 FM Studios. Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher and The Funeral released the album, HAUNTED on Oct. 22, 2021; his solo album FAMOUS GIRL on Jan. 19, 2022; his solo album, BEAUTIFUL STAR on February 9, 2023; and his EP, SEEDS on July 28, 2023. Lonnie is working on a new record, FLOATING PALACE, with Duane Trower at Weights & Measures Soundlab. Info at: http://www.lonniefisher.bandcamp.com.

At 11:00, Michelle Bacon joins us to share details about The Band That Fell To Earth who’ll perform David Bowie‘s album, Hunky Dory, as a Special VIP Benefit, on Thursday, January 25 at 8:00 at at recordBar. The Band That Fell To Earth will continue with Bowie Tribute shows on Friday & Saturday, Jan. 26 & 27, at 8:00 PM at recordBar, 1520 Grand Blvd. KCMO. This is the 8th year The Band That Fell To Earth is celebrating the music of Bowie with a “Super Group” of KC’s finest musicians organized and led by Michelle Bacon. This year, The Band That Fell To Earth is raising money for the Midwest Innocence Project, a nonprofit dedicated to the investigation, litigation, exoneration, and re-entry support for wrongfully convicted people in the five-state region of Arkansas, Iowa, Kansas, Missouri, and Nebraska. Tickets available at: https://linktr.ee/bowiekcmo.

At 11:30 Mark talks with Adee Dancy (Sisterbot), a performing artist born and raised in the KC area. Adee is a student of many teachers and disciplines, attempting to amalgamate all they have learned and loved into their artistic life. Adorning many different hats, Adee has stepped into a multitude of roles in their career such as professional cellist, music director, vocalist, composer, actor, and more. With dynamic string writing and theatrical rock at the helm of their work, Adee captains a project and alter-ego called Sisterbot, that fuses their multiple disciplines. Adee feels extremely lucky to have music, art, and theater as means of expression and livelihood! Adee has collaborated with many groups including Owen Cox Dance Group, No Divide KC, and also is part of the trio, The Swallowtails. Sisterbot (full band) plays The Rino, 314 Armour Road, North Kansas City, Friday, February 9, 2024 with Amy Elizabeth Queen, and Foxlin. More information at http://sisterbotmusic.com

Adee Dancy (Sisterbot) Photo by Willym Brown (@strawberry_hive on socials)

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1029

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 10, 2024

WMM is “Remembering MLK”

Wednesday MidDay Medley celebrates the life of human rights icon, Dr. Martin Luther King, Jr., born Jan. 15, 1929.

MLK led the 1955 Montgomery Bus Boycott, was a cofounder of the Southern Christian Leadership Conference in 1957, and served as it’s first president. His efforts led to the 1963 March on Washington, where Dr. King delivered his, “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination thru civil disobedience and non-violent means.

By the time of his death in 1968, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War. King was assassinated, April 4, 1968, in Memphis, Tennessee.
Dr. Martin Luther King, Jr. was posthumously awarded the Presidential Medal of Freedom in 1977, and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I. Dr. Martin Luther King’s Birthday is Friday, January 15, 2021 The Dr. Martin Luther King Day – National Holiday is Monday January 15, 2024.

As Pete Seeger wrote: “Songs gave them the courage to believe they would not fail.”

1. “Main Title Instrumental – It’s Showtime Folks”
   from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
   [WMM’s theme]

2. Soweto Gospel Choir – “Pride (In The Name of Love)”
   from: In the Name of Love – Africa Celebrates U2 / Shout! Factory Records / 2008
   [Formed in Soweto, South Africa, by David Mulovhedzi & Beverly Bryer, two choir directors. The 30-member ensemble blends African gospel, Negro spirituals, reggae and American popular music. The group performed at the first of the 46664 concerts for Nelson Mandela and has toured internationally. Their albums Blessed and African Spirit won Grammy Awards for Best Traditional World Music Album in 2007 and 2008.]

3. International Noise Conspiracy / MLK Jr. – “The First Conspiracy / Let Freedom Ring”
   from: Adbusters – Live Without Dead Time / Adbusters / 2003
   [The (International) Noise Conspiracy (abbreviated T(I)NC) were a Swedish rock band formed in Sweden in the late months of 1998. The line-up consists of Dennis Lyxzén (vocals), Inge Johansson (bass), Lars Strömberg (guitar), and Ludwig Dahlberg (drums). The band is known for its punk and garage rock musical influences, and its impassioned left-wing political stance. Influenced by a quote from 1960’s folk singer Phil Ochs, according to lead singer Lyxzén, the band wanted to achieve an ideal blend of music and politics that was, “a cross between Elvis Presley and Che Guevara.”]

4. Labelle – “Something in The Air / The Revolution Will Not Be Televised”
   from: Something Silver / Warner Archives / 1997
   

[orig. Pressure Cookin’ / 1973, 3rd album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash who each shared a rap on “The Revolution Will Not Be Televised” a poem and song by Gil Scott-Heron. It was the B-side to Scott-Heron’s first single, “Home Is Where the Hatred Is”, from his album Pieces of a Man (1971). “Something in the Air” is a song orig. recorded by Thunderclap Newman, a band created by Pete Townshend for The Who’s former roadie John ‘Speedy’ Keen who wrote and sang the song. It was a UK #1 single for three weeks in July 1969.]

10:14 – Soul Brother…

MLK said, “The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy.”

MLK said, “We must learn to live together as brothers or perish together as fools.”

5. Curtis Mayfield – “Beautiful Brother of Mine”
   from: Roots / Curtom-Buddah / October, 1971
   [2nd solo release from Curtis Mayfield, born in Chicago, June 3, 1942. One of the most influential musicians behind soul & politically conscious African-American music. Mayfield started his musical career in a gospel choir. Moving to the North Side of Chicago he met Jerry Butler in 1956 at the age of 14, and joined vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for The Impressions, which displayed his more politically charged songwriting. After leaving The Impressions in 1970, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album, New World Order, in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a 2-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes, Dec 26, 1999, at 57.]

6. Maceo & The Macks – “Soul Power ’74”
   from: James Brown’s Funky People, Pt. 2 / People Records / 1988
   [This record is sampled more than crackers and cheese at Costco, it contains samples itself in the form of tape overlays of civil rights rallies, a Dr. King speech, and an announcement of King’s assassination. Maceo Parker played saxophone with James Brown, Parliament, Funkadelic, Bootsy Collins, Bernie Worrell and Prince.]

7. Sweet Honey in The Rock, Aaron Neville, Lamar Campbell & Spirit of Praise -“Ella’s Song”
   from: Soundtrack to Boycott / HBO / 2001
   [Critically acclaimed 2001 film staring Jeffrey Wright as Dr. Martin Luther King, Jr., Terrence Howard as Ralph Abernathy, and CCH Pounder as Jo Ann Robinson.]

10:26 – Underwriting

10:30 – King’s Life, Death, and Spirit…

MLK said, “He who passively accepts evil is as much involved in it as he who helps to perpetrate it. He who accepts evil without protesting against it is really cooperating with it.”

8. Mahalia Jackson – “How I Got Over”
   from: The Original Apollo Sessions / Couch & Madison Partners / May 25, 2013
   [Gospel hymn composed & published in 1951 by Clara Ward (1924-1973). It was performed by Mahalia Jackson at the historic March on Washington for Jobs and Freedom in 1963 before 250,000 people. Mahalia Jackson (Oct. 26, 1911 – Jan. 27, 1972) was referred to as “The Queen of Gospel”. She became one of the most influential gospel singers in the world, heralded internationally as a singer and civil rights activist. She was described by entertainer Harry Belafonte as “the single most powerful black woman in the United States”. She recorded about 30 albums (mostly for Columbia Records) during her career, and her 45 rpm records included a dozen “golds”—million-sellers. “I sing God’s music because it makes me feel free,” Jackson once said about her choice of gospel, adding, “It gives me hope. With the blues, when you finish, you still have the blues.”]

9. Martin Luther King Jr. – “MLK – I Have A Dream 1963 (excerpt)”
   from: Inspirational Speeches, Vo. 3 / Orange Leisure / May 16, 2011
   [American civil rights leader/activist and Baptist minister, born Jan. 15, 1929 in Atlanta, Georgia. King’s speeches have been issued on numerous releases – his most well-known and influential address being “I Have a Dream”, which was held during “The March on Washington” in 1963. King was assassinated on April 4, 1968 in Memphis, Tennessee.]

10. Marian Anderson – “He’s Got the Whole World in His Hands”
    from: He’s Got the Whole World in His Hands / BMG / Orig. 1961 [Reissued 1991]
    [Marian Anderson (Feb 27, 1897 – Apr. 8, 1993) was one of the most celebrated singers of the 20th century. In 1939, the (DAR) refused to let Anderson sing in Constitution Hall. With the aid of First Lady Eleanor Roosevelt and Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the Lincoln Memorial in Washington, D.C. before a crowd of more than 75,000 people and a radio audience in the millions. Anderson became the first black person, to perform at the Metropolitan Opera in NYC on Jan. 7, 1955. Anderson worked as a delegate to the UN Human Rights Committee and “goodwill ambassadress” for the U.S. Dept. of State, giving concerts all over the world. She participated in the civil rights movement in the 1960s, singing at the March on Washington for Jobs and Freedom in 1963. Anderson was awarded the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.]

11. Tramaine Hawkins, Ella Mitchell, Billy Porter & Chorus -“Rocka My Soul”
    from: Alvin Ailey American Dance Theatre “Revelations” / V2 / 1998
    [Revelations is the signature choreographic work of Alvin Ailey American Dance Theater. It was first produced by Alvin Ailey Dance Theater in New York City, New York on January 31, 1960. Revelations tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music. It’s been performed in over 70 countries in the half century since then and has been described as “the most widely seen modern dance work in the world.” The finale song of the three part “Revelations” is “Rocka My Soul In The Bosom Of Abraham” and it has been described by writer Juliana Lewis-Ferguson as a, “spiritually powerful conclusion to the suite and a purely physical release of emotion.”]

12. The Swan Silvertones – “Oh Mary, Don’t You Weep”
    from: Platinum Gospel: The Swan Silvertones / Sonorous Entertainment / 2012 (1959)
    [“Mary Don’t You Weep” (alternately titled “O Mary Don’t You Weep”, “Oh Mary, Don’t You Weep, Don’t You Mourn”, or variations thereof) is a Negro spiritual that originates from before the American Civil War – thus it is what scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh’s army got drown-ded!, and to God’s rainbow covenant to Noah after the Great Flood. With liberation thus one of its themes, the song again become popular during the Civil Rights Movement. Additionally, a song that explicitly chronicles the victories of the Civil Rights Movement, “If You Miss Me from the Back of the Bus”, written by Charles Neblett of The Freedom Singers, was sung to this tune and became one of the most well-known songs of that movement. In 2015 it was announced that The Swan Silvertones’s version of the song will be inducted into the Library of Congress’s National Recording Registry for the song’s “cultural, artistic and/or historical significance to American society and the nation’s audio legacy”. The first recording of the song was by the Fisk Jubilee Singers in 1915. The best known recordings were made by the vocal gospel group The Caravans in 1958, with Inez Andrews as the lead singer, and The Swan Silvertones in 1959. “Mary Don’t You Weep” became The Swan Silvertones’ greatest hit, and lead singer Claude Jeter’s interpolation “I’ll be a bridge over deep water if you trust in my name” served as Paul Simon’s inspiration to write his 1970 song “Bridge over Troubled Water”.The spiritual’s lyric God gave Noah the rainbow sign, no more water the fire next time inspired the title for The Fire Next Time, James Baldwin’s 1963 account of race relations in America.]

13. Krystle Warren – “Red Clay”
    from: Three The Hard Way / Parlour Door Music / August 18, 2017
    [Inspired by the domestic terrorism and racist massacre and destruction of the Greenwood neighborhood in Tulsa, Oklahoma, on May 31, 1921, that was one of the worst acts of domestic terrorism in the history of the United States, in which more than 35 square blocks were destroyed by a wave of racial terrorism, fire bombs dropped for airplane, and sniper fire from shot guns of those trying to escape that left hundreds of Black residents dead, and more than 1,000 houses burned and destroyed. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

10:47 – Freedom…

MLK said, “Human progress is neither automatic nor inevitable… Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals.”

14. Nina Simone -“I Wish I Knew How It Would Feel To Be Free”
    from: Silk and Soul / RCA / 1967
    [Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums. “I Wish I Knew How It Would Feel to Be Free” is a gospel/jazz song written by Billy Taylor & “Dick Dallas.”]

15. Solomon Burke – “None Of Us Are Free”
    from: Don’t Give Up On Me / Fat Possum / 2002
    [Back up singers: The Blind Boys of Alabama. Born James Solomon McDonald, March 21, 1940, Solomon Burke died October 10, 2010. He was an American preacher & singer, who shaped the sound of rhythm & blues as one of the founding fathers of soul music in the 1960s and a “key transitional figure in the development of soul music from rhythm & blues. During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock & Roll Hall of Fame as a performer. His album Don’t Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums.]

16. Nina Simone – “I Shall Be Released”
    from: To Love Somebody / RCA / 1967
    [1 of 3 Bob Dylan songs Nina Simone performed for this album. Written by Dylan in 1967. The Band recorded the first officially-released version of the song for their 1968 debut album, Music from Big Pink, with Richard Manuel singing lead vocals, and Rick Danko & Levon Helm harmonizing in the chorus. The song was also performed near the end of the Band’s 1976 farewell concert, The Last Waltz, in which all the night’s performers (except of Muddy Waters) plus Ringo Starr and Ronnie Wood appeared on the same stage.]

11:00 – Station I.D.

11:00 – The Staple Singers & Bobby Watson and “Unpaid Bills”

MLK said, “In our glorious fight for civil rights, we must guard against being fooled by false slogans, as ‘right-to-work.’ It provides no ‘rights’ and no ‘works.’ Its purpose is to destroy labor unions and the freedom of collective bargaining… We demand this fraud be stopped.”

17. Pops Staples – “You Gotta Serve Somebody”
    from: e-town live volume 3 / e-town / December 18, 2002
    [Recorded Sept. 16, 1994, Live in Boulder]
    [Originally written by Bob Dylan. Roebuck “Pops” Staples was born on a cotton plantation near Winona, Mississippi, on Dec. 28, 1914, the youngest of 14 children. When growing up he heard, and began to play with, local blues guitarists such as Charlie Patton, who lived on the nearby Dockery Plantation, Robert Johnson, and Son House. He dropped out of school after the eighth grade, and sang with a gospel group before marrying and moving to Chicago in 1935. A “pivotal figure in gospel in the 1960s and 70s,” and an accomplished songwriter, guitarist and singer. Patriarch of The Staple Singers, which included his son Pervis and daughters Mavis, Yvonne, and Cleotha.]

18. Mavis Staples – “Down in Mississippi”
    from: Live – Hope At The Hideout / Anti / 2008 [Rock & Roll Hall of Fame inductee Mavis Staples, of The Staple Singers, is a celebrated equal rights activist. She’s performed at inaugural parties for Presidents Kennedy, Carter and Clinton, Recorded in June, 2008, in the run up to the Presidential election of Barrack Obama. Recorded live in the intimate bar The Hideout, in her hometown of Chicago. Mavis Staples, marched, sang & protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960s.]

19. The Staple Singers – “When Will We Be Paid”
    from: Single / Stax (Fantasy / Ace) / 1967
    [The Staple Singers were an American gospel, soul, and R&B singing group from Chicago who signed their first professional contract in 1952. Roebuck “Pops” Staples (1914–2000), the patriarch of the family, formed the group with his children Cleotha (1934–2013), Pervis (b. 1935), Yvonne (1936-2018), and Mavis (b. 1939). They are best-remembered for their 1970s hits “Respect Yourself”, “I’ll Take You There”, “If You’re Ready (Come Go with Me)”, and “Let’s Do It Again”. In 1999 the group was inducted into the Rock and Roll Hall of Fame. In 2005 the group was awarded the Grammy Lifetime Achievement Award. The family began appearing in Chicago-area churches in 1948, and signed their first professional contract in 1952. They signed with United Records, then Vee-Jay, Riverside, Epic and, eventually, the black-owned indie Stax Records label where they hit their most fertile commercial peak. In 1967, on Columbia subsidiary Epic, the Staple Singers first began moving into mainstream pop markets with “Why (Am I Treated So Bad)” and “For What It’s Worth” (written by Stephen Stills). In 1968, the Staple Singers signed to Stax and released two albums recorded with Steve Cropper of Booker T & the MG’s fame – Soul Folk in Action and We’ll Get Over. By 1970, Al Bell had become producer, and the family began recording at the famed Muscle Shoals studio, moving in a more funk and soul direction. The first Stax hit was “Heavy Makes You Happy (Sha-Na-Boom Boom)”. In 1972, the group had a No. 1 hit in the United States with “I’ll Take You There.” Their 1972 recording on Stax of “Respect Yourself,” written by Luther Ingram and Mack Rice, was number 2 on the R&B charts and a Top 40 pop hit as well. The song’s theme of self-empowerment had universal appeal, released in the period immediately following the intense American civil rights movement of the 1960s. During this Stax period they appeared at a 1972 summer concert at the LA Memorial Coliseum attended by 100,000 people and documented in the 1973 film and soundtrack album Wattstax. The Staple Singers then signed to Curtom, Curtis Mayfield’s imprint, and released the soundtrack to a comedy film co-starring Bill Cosby called “Let’s Do It Again”. The soundtrack was produced by Mayfield; and the title song was a huge hit in 1975. After this, however, they were not able to regain their commercial momentum, releasing occasional minor hits, and moving from label to label including Warner Brothers and 20th Century before returning to Epic in the mid 80s. Lead singer Mavis Staples began a fruitful solo career in earnest that continues to this day and involves live performing with her sister Yvonne Staples. The other daughters in the group who did not pursue solo careers were Pervis Staples, and Cleotha Staples. In 1994, the family made this final recording of a duet with Mary Stuart (reprising their Last Watz style backing on a cover of “The Weight” by The Band), somewhat re-establishing an audience. Pops Staples died in December 2000. Cleotha Staples died in Chicago on February 21, 2013. Yvonne Staples died in April 2018.]

20. Bobby Watson & The I Have a Dream Project–”Check Cashing Day” [feat. Glenn North]
    from: Check Cashing Day / Lafiya Music / Digital – Aug. 28, 2013 / Physical – Nov. 12, 2013
    [From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas.]

21. Janelle Monáe – “Turntables”
    from: Turntables (from the Amazon Original Movie “All In: The Fight for Democracy”) – Single / Badboy Records / September 4, 2020
    [All In: The Fight for Democracy is a 2020 American documentary film directed and produced by Liz Garbus and Lisa Cortés. The film revolves around voter suppression. Stacey Abrams worked with Garbus and Cortés on the film. It was released in a limited theatrical release on September 9, 2020, followed by digital streaming on Prime Video on September 18, 2020, by Amazon Studios. Originally, Abrams, a Georgia state representative, did not intend to be part of the film; eventually she agreed to include her gubernatorial race as part of the story. // Janelle Monáe Robinson was born on December 1, 1985 in Kansas City, Kansas and was raised in a working-class community of Kansas City, Quindaro. Her mother, Janet, worked as a janitor and a hotel maid. Her father, Michael Robinson Summers, was a truck driver. Monáe’s parents separated when Monáe was a toddler and her mother later married a postal worker. Monáe has a younger sister, Kimmy, from their mother’s remarriage. // Monáe was raised Baptist and learned to sing at a local church. Her family members were musicians and performers at the local AME church, the Baptist church, and the Church of God in Christ. Monáe dreamed of being a singer and a performer from a very young age, and has cited the fictional character of Dorothy Gale from The Wizard of Oz as a musical influence. The Miseducation of Lauryn Hill, which Monáe bought two copies of with her first check, was another source of inspiration. She performed songs from the album on Juneteenth talent shows, winning three years in a row. // As a teenager, Monáe was enrolled in the Coterie Theater’s Young Playwrights’ Round Table, which began writing musicals. One musical, completed when she was around the age of 12, was inspired by the 1979 Stevie Wonder album Journey Through “The Secret Life of Plants”. // Monáe attended F. L. Schlagle High School, and after high school, moved to New York City to study musical theater at the American Musical and Dramatic Academy, where she was the only black woman in her class. Monáe enjoyed the experience, but feared that she might lose her edge and “sound, or look or feel like anybody else”. In a 2010 interview Monáe explained, “I felt like that was a home but I wanted to write my own musicals. I didn’t want to have to live vicariously through a character that had been played thousands of times – in a line with everybody wanting to play the same person.” // After a year and a half, Monáe dropped out of the academy and relocated to Atlanta, enrolling in Perimeter College at Georgia State University. She began writing her own music and performing around the campus. In 2003, Monáe self-released a demo album titled The Audition, which she sold out of the trunk of a Mitsubishi Galant. During this period, Monáe became acquainted with songwriters and producers Chuck Lightning and Nate Wonder. The three would eventually form the Wondaland Arts Collective. She worked at an Office Depot but was fired for answering a fan’s e-mail using a company computer, an incident that inspired the song “Lettin’ Go”, which in turn attracted the attention of Big Boi. // Janelle Monáe Robinson (/moʊˈneɪ/; born December 1, 1985) is an American singer, songwriter, rapper, actress, and record producer. Monáe is signed to Atlantic Records, as well as to her own imprint, the Wondaland Arts Society. Monáe has received eight Grammy Award nominations. Monáe won an MTV Video Music Award and the ASCAP Vanguard Award in 2010. Monáe was also honored with the Billboard Women in Music Rising Star Award in 2015 and the Trailblazer of the Year Award in 2018. In 2012, Monáe became a CoverGirl spokesperson. Boston City Council named October 16, 2013 “Janelle Monáe Day” in the city of Boston, Massachusetts, in recognition of her artistry and social leadership. // Monáe’s musical career began in 2003 upon releasing a demo album titled The Audition. In 2007, Monáe publicly debuted with a conceptual EP titled Metropolis: Suite I (The Chase). It peaked at number two on the US Top Heatseekers chart, and in 2010, through Bad Boy Records, Monáe released a first full-length studio album, The ArchAndroid, a concept album and sequel to her first EP. In 2011, Monáe was featured as a guest vocalist on fun.’s single “We Are Young”, which achieved major commercial success, topping the charts of more than ten countries and garnering Monáe a wider audience. Her second studio album, The Electric Lady, was released in 2013 and debuted at number five on the Billboard 200, serving as the fourth and fifth installments of the seven-part Metropolis concept series. // In 2016, Monáe made her theatrical film debut in two high-profile productions; Monáe starred in Hidden Figures as NASA mathematician and aerospace engineer Mary Jackson, and also starred in Moonlight. Hidden Figures was a box office success, while Moonlight won the Academy Award for Best Picture at the 89th annual ceremony. Monáe’s third studio album, Dirty Computer, also described as a concept album, was released in 2018 to widespread critical acclaim; it was chosen as the best album of the year by several publications and earned Monáe two nominations at the 61st Annual Grammy Awards, including Album of the Year. The album debuted at number six on the Billboard 200 and was further promoted by Monáe’s Dirty Computer Tour, which lasted from June to August 2018.]

22. Calvin Arsenia – “Scars & Stripes”
    from: Summer in Hindsight / Calvin Arsenia & Mike Dillon / October 16, 2020
    [Soundtrack by Calvin Arsenia and Mike Dillon for The West 18th Street Fashion Show’s 20th year as a feature-length film. COVID-19 changed everything in 2020. “We are moving it from the street to the screen,” Peregrine Honig told inkansascitymagazine. “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The film premiered October 16, 2020 at The Boulevard Drive-In. Honig wrote,. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.” Calvin Arsenia had recently been emotionally and greatly moved by the area and national Black Lives Matter Movement. His own research into his own family revealed that Calvin’s great, great, great grandmother Alice Gilliam Scott, was a former slave who lived to observe her 100th birthday as noted by a regional newspaper Calvin had written. In the summer of 2020 Calvin wrote “Revelation” an unreleased track inspired by Black Lives Matter. Calvin premiered the song on WMM on August 12, 2020. He later shared his other new songs, “Scars and Stripes” and “The Flying Monkees are Coming!” on our October 14, 2020 edition of WMM. Both of those songs ended up on Summer in Hindsight. Calvin Arsenia was our guest on WMM on August 12 and October 14, 2020. Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On Dec. 13, 2019 Calvin released his full length Christmas album “all is calm.” Congratulations to Calvin & his fantastic team of co-conspirators & creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, & crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song & Best Male Vocalist. More info at: http://www.calvinarsenia.com]

11:25 – Underwriting

23. The Black Creatures – “wretched (it goes)”
    from: “wretched (it goes)” – Single / Center Cut Records / July 17, 2020 [remastered]
    [“wretched (it goes)” was originally released on The Black Creatures 2019 album Wild Echoes. Recently released as a single in collaboration with Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality was improved. Center Cut Records released the full remastered album on August 28, 2020. The Black Creatures are Jade Green & Xavier Martin. The band joined us on the radio on the August 26 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their bandcamp page. The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. They released the album, See No Evil, December 6, 2017. The duo released the singles, “Elements” February 14, 2018; “Silver Tears” June 19. 2018; “Dare” a Gorillaz cover August 8, 2019. They released the album “Wild Echoes” September 30, 2019. The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” Feb. 19, 2020. The Black Creatures – released their single, “Negative Zero” on April 2, 2021. All proceeds from this track go to the Tamir Rice Foundation. Info at: http://www.tamirericefoundation.org. The Black Creatures are Jade Green & Xavier Martin. This song was originally on the December 6, 2017 release, SEE NO EVIL The song was recently re-recorded. Band member Xavier Martin told us that, “Everything was done from the ground up. Remixing, rerecording, mastering, etc.” The Black Creatures wanted to released this as a single and video as a “part-two” to their earlier single and video release for “wretched (it goes)”, which was originally released on The Black Creatures 2019 album Wild Echoes. The video for “Negative Zero” picks up where the video for “Wretched (It Goes)” left off, “so there is a conceptual thread between the two,” says Patrick Sprehe of Center Cut Records. All music produced, arranged, recorded, and performed by The Black Creatures. Engineering and Mastering by J. Ashley Miller aka Jametatone. The Black Creatures released their latest single “True Friends” on September 17, 2021. The Black Creatures were last on WMM on May 26, 2021 and September 15, 2021.]

24. H.E.R. – “I Can’t Breathe”
    from: “I Can’t Breathe” – Single / RCA-Sony Records / June 19, 2020
    [Winner of the 2021 Grammy Award for Song of the Year. Gabriella Wilson was born June 27, 1997. She is known professionally as H.E.R. (pronounced “her”, a backronym for Having Everything Revealed). She is an American singer and songwriter. Before gaining notability as H.E.R., Wilson rose to fame by participating in Radio Disney’s Next Big Thing in 2009. She later signed to RCA Records at the age of 14 and released the single “Something to Prove” under her real name in 2014. Wilson re-emerged in 2016 with the H.E.R. persona, releasing her debut EP H.E.R. Volume 1. She then released subsequent EPs H.E.R. Volume 2 (2017), The B Sides (2017), I Used to Know Her: The Prelude (2018) and I Used to Know Her: Part 2 (2018). Her first compilation album H.E.R. was released in October 2017, consisting of tracks from the singer’s first two EPs plus six additional songs. H.E.R. was nominated for five Grammy Awards at the 61st Annual Grammy Awards in 2019, winning Best R&B Performance and Best R&B Album. // In 2020, she was nominated for five awards at the 62nd Annual Grammy Awards, including Album of the Year for I Used to Know Her and Song of the Year for “Hard Place”. On September 20, 2020, she sang Sinéad O’Connor’s version of Prince’s song “Nothing Compares 2 U”, for the In Memoriam segment of the 72nd Primetime Emmy Awards. // Wilson was born in Vallejo, California to a Filipina mother and an African-American father. Raised in California’s San Francisco Bay Area, she was introduced to the public as an artist as a young child, covering Alicia Keys on piano on the Today Show, before competing on Radio Disney’s The Next BIG Thing when she was 12 years old. // Addressing the secrecy over her identity, she has said: “The mystery is a metaphor for who I am, or who I was at the time of creating the project… I feel like oftentimes we don’t like to be open as people about our emotions or things that we are going through. At the time [of recording], I was very closed off except for when I was writing or when I was in the studio.” // She explained further: “I am a voice for women who feel like they’re alone in these situations. This project came from emotion, and that’s what I want it to be about – not what I look like or who I’m with, but the raw emotion and support for women.” To NPR she said, “I feel like this is the era of the anti-star. I really just wanted it to be about the music, and get away from, ‘Who is she with?’ and ‘What is she wearing?'” // After being signed to RCA under Sony at the age of 14, Wilson released a single in 2014 titled “Something to Prove” under her real name. // Re-emerging in late 2016 with a new persona, Wilson released her debut EP, H.E.R. Vol. 1 on September 9, 2016, produced by songwriter David “Swagg R’Celious” Harris. She received support from Usher, Tyrese, Pusha T, and Wyclef Jean; labelmates Alicia Keys and Bryson Tiller helped get the word out through Twitter co-signs, shoutouts, and re-posts. In April 2017, Rihanna posted an Instagram clip with H.E.R.’s track “Focus” playing in the background. The clip has been viewed over 5 million times. Additional public support came from Issa Rae of HBO’s Insecure, Taraji P. Henson of Empire, Kylie Jenner, and Kendall Jenner. // NPR listed H.E.R. Vol. 1 as the first selection in its “5 Essential R&B Albums You Slept On”. Calling the music “Slow-burning R&B that zooms in on emotional highs and lows,” Rolling Stone included H.E.R. in its March 2017 “10 Artists You Need To Know” roundup. Forbes named her one of “5 Alternative R&B Artists to Look Out for in 2017”, reporting: “In the same vein as The Weeknd’s enigmatic introduction to the world, H.E.R.’s image remains a mystery. The irony, though, is that her moniker is an acronym for Having Everything Revealed.” // Wilson’s follow-up EP, H.E.R. Vol. 2 (2017) also produced by Harris, was released on June 16, 2017 and includes the single “Say It Again”. Also in 2017, she was on tour with Bryson Tiller for the Set It Off tour, and concluded her first headlining tour, the Lights On Tour, in support of her most recent effort H.E.R. Vol. 2. She released H.E.R. Vol. 2, The B Sides (2017), also produced by Swagg R’Celious on October 20, 2017 along with the single titled 2, released on October 13, 2017. The compilation album H.E.R. was released on October 20, 2017, comprising the songs from each of the three EP’s in this series. The album won Best R&B Album and received four other nominations at the 61st Grammy Awards, including Album of the Year and Best New Artist for H.E.R. // Wilson announced on September 12, 2018, she will be embarking on the “I Used to Know H.E.R. Tour” in support of her EP series I Used to Know Her: The Prelude and I Used to Know Her: Part 2. Her second compilation album I Used to Know Her was released on August 30, 2019. ]

25. The Freedom Affair – “Rise Up”
    from: Freedom is Love / Sunflower Soul Records / September 25, 2020
    [Debut album from KC’s newest soul juggernaut. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. The Freedom Affair is: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

11:43:43 – Gospel & Folk Music Carried the Message…

26. Pete Seeger – “We Shall Overcome”
    from: The Essential Pete Seeger / Columbia – Legacy / 2004
    [Derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

27. Sarah Lee Guthrie & Johnny Irion – “Dr. King”
    from: exploration / New West / March 8, 2005
    [written by Pete Seeger][Sarah Lee Guthrie was born February 17, 1979 and Johnny Irion was born February 3, 1969. They are a musical duo. Guthrie and Irion were married on October 16, 1999 and began performing together as an acoustic duo in the fall of 2000. Their music combined Irion’s love of rock and blues with Guthrie’s roots of folk and country. Guthrie is the youngest daughter of folksinger Arlo Guthrie and the granddaughter of Woody Guthrie. As a third generation singer/songwriter Guthrie released her first self-titled album on the family owned and operated Rising Son Records in 2002. As a child she was involved in theater and dance. Her interest in music was sparked when she worked as her father’s road manager on the 1997 Further Festival tour and saw other members of the tour group having fun at late-night hootenannies. She picked up an acoustic guitar and started playing as a way to join in on the fun. “I always wrote poems, so it wasn’t that far off for me to turn that into songs.” “My dad was absolutely thrilled, of course, and would teach me stuff every day when we were on the road together. That was a really cool way to get to know my dad, because I’d never known him that way. And that’s another thing that made it easy: my dad was so supportive.” Sarah Lee Guthrie & Johnny Irion performing live for Valentine’s Day 2008 at Tales From The Tavern at The Maverick Saloon in Santa Ynez, CA. Irion originates from a family of artists. His uncle is author Thomas Steinbeck, his great uncle is author John Steinbeck, and his grandmother, Rubilee Knight, is a classical violinist. His late grandfather, Fred Knight, sang tenor in numerous venues. Irion and Guthrie met through a mutual friend (Chris Robinson of the Black Crowes) while the two were working together in Los Angeles. In 1999 Guthrie and Irion joined guitarist Tao Rodríguez-Seeger, grandson of Pete Seeger, and performed as a trio under the name RIG.]

28. Sharon Jones & The Dap-Kings – “This Land is Your Land”
    from: Naturally / Daptone / January 25, 2005
    [written by Woody Guthrie, Sarah Lee’s Grandfather.]
    [In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

29. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on January 17, we will spin more Bowie with Michelle Bacon from The Band That Fell To Earth and Calvin Arsenia who will perform Bowie’s album, Hunky Dory, in it’s entirety, as a special VIP Benefit, on Thursday, Jan 25, 2024 at recordBar. The Bowie Tribute continues with The Band That Fell To Earth performing from all of Bowie’s albums in special shows on Fri & Sat night, Jan. 26 and 2, at 8:00 PM at recordBar.

We also welcome Adee Dancy and Lonnie Fisher

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1028

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 10, 2024

“Remembering MLK”

WMM celebrates Dr. Martin Luther King, Jr., born January 15, 1929. Dr. King led the 1955 Montgomery Bus Boycott and helped found the Southern Christian Leadership Conference in 1957, serving as its first president. King’s efforts led to the 1963 March on Washington, where King delivered his “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination through civil disobedience and other non-violent means. By the time of his death, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War, both from a religious perspective. Dr. King was assassinated on April 4, 1968, in Memphis, Tennessee. He was posthumously awarded the Presidential Medal of Freedom in 1977 and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 1981.

Mark plays music of the movement from: Bobby Watson & The I Have A Dream Project (featuring Glenn North), Krystle Warren, The Freedom Affair, Calvin Arsenia, The Black Creatures, H.E.R., Sharon Jones & The Dap-Kings, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, The Staple Singers, Pops Staples, Mavis Staples, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, Sarah Lee Guthrie & Johnny Irion, Soweto Gospel Choir, The Intl. Noise Conspiracy, and Labelle.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1028

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 3, 2024

WMM Celebrates Iris DeMent and David Bowie

1. “Main Title Instrumental – It’s Showtime Folks”rom: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Greg Brown – “Let The Mystery Be”
   from: Freak Flag / Yep Roc / May 10, 2011
   [Iris DeMent’s song “Let The Mystery Be” from her debut album, Infamous Angel, from 1992. This song was covered by David Bryne, 10,000 Maniacs, Bun E. Carlos, and many others, it also became the theme song for the 2nd season of The Leftovers.While Greg Brown was recording this album, lighting hit the studio where he was recording songs for his 24th album: Freak Flag, the title track was all that remained of the lost original album. Greg wrote ten new songs, recording them at Memphis, Tennessee’s legendary Ardent Studios. Produced by Bo Ramsey, the album also includes a cover of Pieta Brown’s song, ”Remember the Sun.”]

Thanks for tuning into WMM, here on 90.1 FM KKFI – Kansas City Community Radio, 
I’m Mark Manning. Today on WMM we give you a double header. In our 2nd hour, just 5 days before what would have been his 77h birthday on January 8, we celebrate David Bowie, with a more electronic tribute to a musical chameleon who was such an important influence on so many of us queer kids, trapped in small towns.

But first…In our 1st hour, we celebrate the birthday of Iris DeMent, born on, January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. At the age of 3, her devoutly religious family moved to California, where she grew up singing gospel music. Within her own family there were many incredible vocalists, including her mother During her teenage years, Iris was exposed to country, folk, & R&B.

In the mid 1980s Iris moved to the Midwest, and after a series of jobs as a waitress and typist, she wrote her first song at the age of 25. She moved to Kansas City and played Harling’s Upstairs and open-mic nights along side Scott Hrabko and Howard Iceberg. Iris met producer Jim Rooney from Nashville, in 1988, who helped her land a record contract. Iris Dement made her national recording debut in 1992, with her independently produced album, “Infamous Angel.” The record won critical acclaim and John Prine mentioned Iris in his list of favorite recordings of the year, published in Rolling Stone. Despite a complete lack of support from country radio, the word of mouth praise for Iris DeMent’s INFAMOUS ANGEL earned her a deal with Warner Bros Records, which reissued INFAMOUS ANGEL in 1993. The album also included the song, “Let The Mystery Be” a composition also covered by David Bryne, 10,000 Maniacs, Bun E. Carlos of Cheap Trick, Greg Brown, and it was the theme song for the second season of HBO’s The Leftovers.

Today we feature music from some of Iris DeMent’s 7 full length albums, her collaborative work with Greg Brown, John Prine, and classic songs from her inspirations: Loretta Lynn, Johnny Cash, Joni Mitchell, Bob Dylan, and Merle Haggard. Please stay with us.

10:08 – The Influences of Iris DeMent

Iris DeMent represents that place in the road, where Country and Folk music merge, with honest stories of working class people, not afraid to tell the truth about the times they are living through. Iris DeMent grew up singing gospel music, but in her teenage years, she discovered other music through the radio: country, folk, and R&B, and the music of Loretta Lynn, Merle Haggard, Johnny Cash, Bob Dylan, and Joni Mitchell.

3. Loretta Lynn – “You Ain’t Woman Enough To Take My Man”
   rom: Legends of Country Music / Columbia – Legacy / 1997
   [Live performance for Austin City Limits taped in 1983. Loretta Webb was the second of 8 children; grew up in Butcher Holler, a section of Van Lear, a mining community in Kentucky. Growing up with such humble roots had a huge effect on Lynn’s life and heavily influenced her music as an adult. Her autobiography describes how, during her childhood, the community had no motor vehicles, paved roads, or flush toilets. She married Oliver Vanetta Lynn, known as “Doo,” on Jan. 10, 1948, at age 13. In an effort to break free of the coal mining industry, at 14, Lynn moved to the logging community Custer, Washington, with her husband. The Lynns had 4 children – Betty Sue, Jack Benny, Cissy and Ernest Ray – by the time Loretta was 18, and in her early 20s she then had twin girls, Peggy & Patsy. Loretta Lynn possibly had more banned songs than any other country music artist, prior to The Dixie Chicks, including “Rated X,” about the double standards divorced women face, “Wings Upon Your Horns,” about the loss of teenage virginity, and “The Pill,” lyrics by T. D. Bayless, about a wife and mother becoming liberated via the birth control pill. Her song “Dear Uncle Sam,” released in 1966 during the Vietnam War, describes a wife’s anguish at the loss of a husband to war.]

4. Merle Haggard – “Workin’ Man Blues”
   from: Oh Boy Classic Presents Merle Haggard / Oh Boy Records / 2000
   [Originally released in 1969, a tribute to a core group of his fans: The American blue-collared working man. Backed by an electric guitar that typified Haggard’s signature Bakersfield Sound, he fills the role of one of those workers expressing pride in values of hard work & sacrifice, despite the resulting fatigue & the stress of raising a large family. On Haggard’s 1969 “A Portrait of Merle Haggard,” and John Prine’s Oh Boy Records.]

5. Johnny Cash – “Ring of Fire”
   from: 16 Biggest Hits / Columbia Legacy / 2007
   [Co-written by June Carter (wife of Johnny Cash) and Merle Kilgore. The song was recorded on March 25, 1963 and became the biggest hit of his career, staying at #1 on the charts for 7 weeks. “Ring of Fire” refers to falling in love – which is what June Carter was experiencing with Johnny Cash at the time. Some sources claim that June had seen the phrase, “Love is like a burning ring of fire,” underlined in one of her uncle A. P. Carter’s Elizabethan books of poetry. She worked with Kilgore on writing a song inspired by this phrase as she had seen her uncle do in the past. In the 2005 film, Walk the Line June is depicted as writing the song while agonizing over her feelings for Cash despite his drug addiction and alcoholism as she was driving home one evening. She had written: “There is no way to be in that kind of hell, no way to extinguish a flame that burns, burns, burns”. Cash claims he had a dream where he heard the song accompanied by “Mexican horns”. Four years after the song was released, Carter and Cash were married which Cash states helped to stop his alcohol and drug addictions. Cash’s daughter, Rosanne has stated, “The song is about the transformative power of love and that’s what it has always meant to me and that’s what it will always mean to the Cash children.]

6. Bob Dylan – “I Shall Be Released”
   rom: The Essential Bob Dylan / Columbia – Sony / 2000
   [Originally recorded October, 1971 for Greatest Hits Vol. 2. Originally written for The Basement Tapes. Originally recorded by The Band. Later recorded by Nina Simone in 1973.]

7. Joni Mitchell – “For The Roses”
   from: For The Roses / Asylum / 1972
   [Released between her 2 biggest commercial and critical successes, “Blue” and “Court & Spark.” In 2007 it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. “For the Roses” was Mitchell’s farewell to the business; she took an extended break for a year after. The album was critically acclaimed with The New York Times saying, “Each of Mitchell’s songs on For the Roses is a gem glistening with her elegant way with language, her pointed splashes of irony & her perfect shaping of images. Never does Mitchell voice a thought or feeling commonly. She’s a songwriter and singer of genius who can’t help but make us feel we are not alone.” A nude photograph of Joni Mitchell was included on the inside cover of the original LP and is included in the CD booklet. The photograph shows the singer from the rear & was taken from a considerable distance; she is shown standing on a rock and staring out at the ocean. This created some controversy at the time.]

10:22

Iris DeMent’s first three releases, all on Warner Brothers records, were critically acclaimed. She received two Grammy nominations during this time, in the “Folk Music” category. Meanwhile country radio completely overlooked her original songs, and her amazing voice, that has been compared to Loretta Lynn and Tammy Wynette. For Iris’ 1992 debut album, Infamous Angel, John Prine wrote the liner notes:

“One night after receiving a copy of “Let the Mystery Be,” I was listening to the tape while frying a dozen or so pork chops in a skillet. Well Iris DeMent starts singing about “Mama’s Opry,” and being the sentimental fellow I am, I got a lump in my throat and a tear fell from my eyes into the hot oil. Well the oil popped out and burnt my arm as if the pork chops were trying to say, “Shut up, or I’ll really give you something to cry about.” Of course, pork chops can’t talk. But Iris DeMent’s songs can. They talk about isolated memories of life, love and living. And Iris has a voice I like a whole lot, like one you’ve heard before— but not really. So listen to this music, this Iris DeMent. It’s good for you. And if pork chops could talk, they’d probably learn how to sing one of her songs. Then we’d all have something to cry about.”

• John Prine, Songwriter, musician & president Oh Boy! Records

11:24

8. Iris DeMent – “Infamous Angel”
   from: Infamous Angel / Warner Brothers / 1992 / 1993
   [Debut studio album of singer-songwriter Iris DeMent. It was released by Warner Bros. Records in 1992. In 1995, her song “Our Town” was played in the closing moments of the last episode for the CBS TV series Northern Exposure.. “Let the Mystery Be” became the theme song for the 2nd season of The Leftovers.]

9. John Prine w/ Iris Dement – “We’re Not The Jet Set”
   from: In Spite Of Ourselves / Oh Boy / 1999
   [In 1968 country superstar George Jones witnessed a fight between Tammy Wynette and her husband Don Chapel. At Jones’s urging, Wynette and her daughters drove away with him. Wynette and Jones married Feb. 16, 1969, and Wynette’s 4th daughter, Georgette, was born in 1970. Jones and Wynette, were nicknamed the “President and First Lady” of country music, and they recorded a string of hit duets that seemed drawn directly from their volatile relationship, which resulted in their divorcing in 1975. Their classic recordings included “Two Story House,” “Golden Ring,” and the humorous “(We’re Not) The Jet Set.” ]

10:30 – Underwriting

10:32 – Greg Brown

Welcome back to WMM, and our Annual Birthday Celebration of Iris DeMent. Iris followed up her debut album INFAMOUS ANGEL with the autobiographical, MY LIFE, released in 1994. Iris followed with her third Warner Brother’s release, THE WAY I SHOULD, released in 1996, which contains some of Iris DeMent’s most political songs.

In the 2002 Iris DeMent did a benefit concert for The Friends of Community Radio at Unity Temple on The Plaza. I remember when Iris asked us if it was okay that she have a musician friend open the concert for her, we agreed because Iris was donating her talent to the cause of community radio. And then she told us that this musician friend was Greg Brown, who is known all over the country, but had never before played KC.

Later that year, on November 21, 2002 Greg married Iris DeMent in a private ceremony in the office of Rev. Sam Mann of St. Mark Church in East KC. Iris had originally learned about Rev. Sam Mann from listening to his radio show “East of Troost” on 90.1 FM KKFI. Iris started attending his church, and eventually Rev. Mann realized he had a Grammy nominated musical artist in his parish.

Grammy Nominated Greg Brown is one of the most respected singer songwriters working in music. He started singing professionally at the age of 18 organizing early folk concerts in New York City, Portland, Los Angeles and Las Vegas. In the 1980s, he worked and toured extensively as musical director for Garrison Keillor’s A Prairie Home Companion radio program. He also founded his own record label, named Red House Records after a home in which he lived in Iowa.

Greg Brown has released over 30 recordings and has allowed much of his music to be used to raise funds and awareness for environmental and social causes. His songs have been performed by Willie Nelson, Jack Johnson, Carlos Santana, Michael Johnson, Ani DiFranco, Shawn Colvin, Mary Chapin Carpenter, Iris DeMent and Joan Baez.

10:35

10. Greg Brown – “Bucket”
    from: Evening Call / Red House / 2006
    [The Washington Post writes, “The singer-songwriter from Iowa has a baritone as rough and chunky as Thanksgiving gravy with the turkey bits still in, and that’s just how his words drip out on his album, “The Evening Call.” on “Whippoorwill” he sing as sweetly as his lover down in KC. That’s his wife, Iris DeMent, and on “Joy Tears,” he tells her, “When you start your singing, honey, the heavens open up with grace.”]

Iris released her 5th album, SING THE DELTA in 2012, to glowing reviews from, The New Yorker, The Boston Globe, The Chicago Tribune, and was #1 on WMM’s 112 Best Recordings of 2012. Iris DeMent released her 6th album, THE TRACKLESS WOODS in 2015 with even more national acclaim, and a #5 spot on WMM’s 115 Best Recordings of 2015. THE TRACKLESS WOODS sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems. Iris recorded the album with co-producer Richard Bennett in her living room over a five-day period. The project also fulfilled a long yearned for desire to connect with her adopted daughter’s culture and history. Iris and her husband Greg Brown has adopted their daughter from Siberia in 2005, when she was 6, and Iris says ”I’d never have made this record were it not for her.”

10:41

1. Iris DeMent – “Listening to Singing”
   from: The Trackless Woods / FlariElla / August 7, 2015 [6th album from Grammy nominated Iris DeMent who NPR said was ”one of the great voices in contemporary popular music.” The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. She lost family, friends & fellow writers to political killings and labor in the gulags. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems, juxtaposed with Akhmatova’s lightness and transcendence in the face of inhumanity. ”Anna’s gift of song is so strong, about alI I had to do was get really quiet and listen,” says Iris. After reading that first poem the melodies began pouring out of her, and before she even fully understood what was driving her, Iris was gathering musicians & friends, including co-producer Richard Bennett (Emmylou Harris, Neil Diamond, Steve Earle), to record ‘The Trackless Woods’ in her living room over a 5-days. The result is a pairing of piano and voice in Iris’ style with timeless melodies that are rooted in the American South.]

On September 3, 2020, Grammy nominated singer songwriter Iris DeMent released the single “How Long.” Then, in October of 2020 Iris DeMent sent me a new song she had just written and created a lyric video. I immediately wrote back to Iris and said, “This song is so beautiful and so needed right now. I cried several times listening to it.” She wrote back, “It’s a cry and dance at the same time song. Can’t say I’ve written one of those before. She ended her message with a smily face and the words, “Much love!”

Just as 90.1 FM KKFI was the first radio station to play Iris Dement’s music, we were also the first radio station to play her song, “Going Down To Texas.”

10:45

12. Iris DeMent – “Going Down To Sing In Texas”
    from: Workin’ On A World / FlariElla / February 24, 2023
    [Stereogum on October 13, 2020 wrote: Other than a handful of guest appearances, Americana legend Iris DeMent hasn’t released new music since her 2015 album The Trackless Woods, a collection of Anna Akhmatova poems set to original music. But DeMent is back today in a big way with “Going Down To Sing In Texas,” a lengthy rambler that’s a lot more serious than its casual, jazzy piano groove lets on. Over the course of nine minutes, DeMent addresses police brutality, George W. Bush (“What’s the deal with all these war criminals who get to walk around free?”), Islamophobia, progressive protesters (“I’m so proud of all of these young people for taking it to the streets”), gun control, Jeff Bezos (“Ain’t we all just a little bit tired of greedy people getting a free pass?”), the Chicks, the Squad, and Jesus Christ (“He spoke truth to power, he stood up for the poor/ The church today wouldn’t even let him through the door”) among other things.It’s a hell of a song, clear and direct yet artful in its conversational ease. Never forget that DeMent can go toe to toe with songwriting legends like her old duet partner John Prine.]

Iris DeMent’s 7th full length album, WORKING ON A WORLD was stalled partway through by the pandemic, the record took six years to make with the help of three friends and co-producers: Richard Bennett, Pieta Brown, and Jim Rooney. It was Pieta Brown, (Greg Brown’s daughter,) who gave the record its final push. Iris write, “Pieta asked me what had come of the recordings I’d done with Jim and Richard in 2019 and 2020. I told her I’d pretty much given up on trying to make a record. She asked would I mind if she had a listen. So, I had everything we’d done sent over to her, and not long after that I got a text, bouncing with exclamation marks: ‘You have a record and it’s called Workin’ On A World!’” With Bennett back in the studio with them, Brown and DeMent recorded several more songs and put the final touches on the record in Nashville in April of 2022. // DeMent sets the stage for the album with the title track in which she moves from a sense of despair towards a place of promise. “Now I’m workin’ on a world I may never see ‘ Joinin’ forces with the warriors of love / Who came before and will follow you and me.”

In his review for WHYY’s Fresh Air, Entertainment Weekly Music Editor – Ken Tucker wrote: “Iris DeMent possesses one of the great voices in contemporary popular music: powerfully, ringingly clear, capable of both heartbreaking fragility and blow-your-ears-back power. Had she been making country albums in the ’70s and ’80s and had more commercial ambition, she’d probably now be considered right up there with Loretta Lynn and Tammy Wynette. Instead, she’s lived a contemporary life, a somewhat private life. As she recently told an interviewer, “There’s a lot that goes into life besides songwriting.” And she’s taken her time in composing songs that fit into no genre easily.”

I communicate with Iris every year, checking in with her, giving her news from Kansas City a place where she loved living, where she found herself as a singer-songwriter, and where she doesn’t mind if we say it’s her “chosen” hometown. Iris joined us live on the show on March 22, 2023 just before her SOLD OUT show at Knuckleheads on Thursday, March 23, 2023 with guest Ana Egge ” Happy Birthday Iris DeMent. We love you!

13. Iris DeMent – “Say A Good Word”
    from: Workin’ On A World / FlariElla / February 24, 2023
    [Iris DeMent’s 7th full length album, WORKING ON A WORLD was stalled partway through by the pandemic, the record took six years to make with the help of three friends and co-producers: Richard Bennett, Pieta Brown, and Jim Rooney. It was Pieta Brown who gave the record its final push. “Pieta asked me what had come of the recordings I’d done with Jim and Richard in 2019 and 2020. I told her I’d pretty much given up on trying to make a record. She asked would I mind if she had a listen. So, I had everything we’d done sent over to her, and not long after that I got a text, bouncing with exclamation marks: ‘You have a record and it’s called Workin’ On A World!’” With Bennett back in the studio with them, Brown and DeMent recorded several more songs and put the final touches on the record in Nashville in April of 2022. // DeMent sets the stage for the album with the title track in which she moves from a sense of despair towards a place of promise. “Now I’m workin’ on a world I may never see ‘ Joinin’ forces with the warriors of love / Who came before and will follow you and me.” “Goin’ Down To Sing in Texas” is an ode not only to gun control, but also to the brave folks who speak out against tyranny and endure the consequences in an unjust world. // On October 6, 2020 iris DeMent released her single “Going Down To Sing In Texas.” Stereogum on October 13, 2020 wrote: Other than a handful of guest appearances, Americana legend Iris DeMent hasn’t released new music since her 2015 album The Trackless Woods, a collection of Anna Akhmatova poems set to original music. But DeMent is back today in a big way with “Going Down To Sing In Texas,” a lengthy rambler that’s a lot more serious than its casual, jazzy piano groove lets on. Over the course of nine minutes, DeMent addresses police brutality, George W. Bush (“What’s the deal with all these war criminals who get to walk around free?”), Islamophobia, progressive protesters (“I’m so proud of all of these young people for taking it to the streets”), gun control, Jeff Bezos (“Ain’t we all just a little bit tired of greedy people getting a free pass?”), the Chicks, the Squad, and Jesus Christ (“He spoke truth to power, he stood up for the poor/ The church today wouldn’t even let him through the door”) among other things.It’s a hell of a song, clear and direct yet artful in its conversational ease. Never forget that DeMent can go toe to toe with songwriting legends like her old duet partner John Prine. In his review for WHYY’s Fresh Air, Entertainment Weekly Music Editor – Ken Tucker wrote: “Iris DeMent possesses one of the great voices in contemporary popular music: powerfully, ringingly clear, capable of both heartbreaking fragility and blow-your-ears-back power. Had she been making country albums in the ’70s and ’80s and had more commercial ambition, she’d probably now be considered right up there with Loretta Lynn and Tammy Wynette. Instead, she’s lived a contemporary life, a somewhat private life. As she recently told an interviewer, “There’s a lot that goes into life besides songwriting.” And she’s taken her time in composing songs that fit into no genre easily.”] [Iris DeMent played Knuckleheads 2715 Rochester Street, KCMO on Thursday, March 23, 2023 in a SOLD OUT SHOW with guest Ana Egge opening the show.] [Iris Dement was our guest LIVE on WMM on March 22, 2023]

11:00 – Station ID – Celebrating David Bowie

You are listening to 90.1 FM KKFI Kansas City Community Radio. Please stayed tuned to the 2nd hour of WMM as we celebrate David Bowie born January 8, 1947.

In school he studied art, music, and design before embarking on a music career in 1963. Over a span of 5 decades, he sold over 140 million records and released 27 studio albums, if you count Tin Machine, which you should. His career is notable for his reinvention, his pushing of the boundaries of gender, art and music. He was the first to create a concert tour that was a big as a broadway touring show. He help invent Glam Rock, New Wave, and electronica. He created stage personas to carry thematic concepts with costumes and lights and the very best guitarists and musicians of his time. David Bowie was an actor on stage and in many great independent films including: The Man Who Fell to Earth, The Hunger, Merry Christmas Mr. Lawrence, Basquiat, The Last Temptation of Christ, The Labyrinth, and 15 others. He played John Merrick in The Elephant Man on Broadway. He influenced multiple generations with his music, recordings, live concerts, films, music videos, and his ever changing, image.

Bowie was a gateway to other discoveries: The Velvet Underground, Lou Reed, T-Rex, Iggy Pop, Andy Warhol, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Kraftwerk, Mick Ronson, Tony Visconti, Klaus Nomi, Bauhaus, Gender Expression, and much more.

Eight years ago on January 10, 2016, and two days after he released his 25th solo album, Blackstar, on his 69th birthday, David Robert Jones passed away at home surrounded by his wife Iman, son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman. David Bowie’s death sent shock waves of grief across the world, touching every one of us, that he made feel, less alone. He was a light, a shining star, that guided so many of us through the darkness.

We celebrate David Bowie with musical tracks from deeper inside Bowie’s studio albums, “Blackstar” performed by Chase Horseman, Calvin Arsenia with an original unreleased track called “Ashes”, the Steve Reich remix of “Love is Lost” from THE NEXT DAY (Extra), The Sea and Cake with “Sound and Vision” from LOW, electronic music pioneers Kraftwerk who name check Bowie and Iggy Pop in lyrics to their “Trans-Europe Express” from 1977; Bowie responding with “V-2 Schneider” from HEROES of the same year; Julia Othmer’s beautiful cover of “Heroes” followed by Ondara, with “I’m Afraid of Americans” from Bowie’s EARTHLING from 1997; “Under Pressure” from from Bowie’s Reality Tour Live with bandmate Gail Ann Dorsey, and ending with Oscar winning film composer Ryuichi Sakamoto who in his very first film acting role and first job as a composer of a film’s soundtrack, played opposite of David Bowie in the film “Merry Christmas Mr. Lawrence” from 1983. WMM celebrates the life of David Bowie in music.

14. David Bowie – “Ian Fish U.K. Heir (Moonage Daydream Mix 1)”
    from: Moonage Daydream – A Brett Morgen Film / Parlophone / September 16, 2022
    [Moonage Daydream – A Brett Morgen Film is the soundtrack to the 2022 documentary film Moonage Daydream based on the life of English singer-songwriter David Bowie. It was released digitally on September 16, 2022 by Rhino Entertainment and Parlophone Records, preceded by a two-disc CD release on November 18, 2022 and a three-disc vinyl edition, set for later release in 2023. // The album was announced on August 25 2022, to accompany the film, that contained previously unreleased live singles, tracks cut from the album, film-specific remixes of Bowie’s tracks, orchestral performances and interview excerpts and monologues from Bowie himself. A single from the album – the remixed version of the song “Modern Love” – released on the same date. Bowie’s official website, stated it as “This version is a unique mix starting with the isolated piano motif from the track, building up into the chorus before ending on the a cappella backing vocals offering an insight into the individual elements that create the classic we all know and love”. The film-specific remix of the song “D.J.” was released as the second single on September 9, 2022 // Brett Morgan worked for nearly 18 months to design the accompanying soundtrack, with the sound design team — re-recording mixers Paul Massey and David Giammarco, sound and music editor John Warhurst, supervising sound editor Nina Hartstone — working with him. On designing the film’s music, Massey mashed up “a lot of music that wasn’t designed to go together into some amazing pieces of work. And the sound design is fully integrated into that. The soundtrack is like a huge dissolve, from the very beginning of the film until the end.” // At the Cannes Film Festival premiere on May 2022, Carey Matthew of Deadline Hollywood called it as “thundering soundtrack that literally shakes the seats”. Kenji Fujishima of Slant Magazine wrote “Though Bowie’s music dominates the soundtrack (with his songs remixed for maximum heart-thumping arena-rock impact), the documentary also includes music inspired by the man’s art, including snippets from the Philip Glass symphonies based on Bowie’s Low and Heroes albums.” Max Bell of Classic Rock wrote “If it’s axiomatic that great artistic careers build to a form of crescendo then this double CD, the official soundtrack to Brett Morgen’s anticipated documentary on the musical odyssey of David Bowie, meets that criterion. Morgen’s work on Crossfire Hurricane, for the Rolling Stones, and Kurt Cobain: Montage Of Heck, persuaded Bowie’s estate to give him carte blanche on over fifty years of material, utilising sonic enhancement, mixes that veer from the sublime to the ridiculously sublime, and a spoken word narrative of sorts that threads the meaning of time, death and faith.”]

15. David Bowie – ““You’re aware of a deeper existence…”
    from: Moonage Daydream – A Brett Morgen Film / Parlophone / September 16, 2022
    [Moonage Daydream – A Brett Morgen Film is the soundtrack to the 2022 documentary film Moonage Daydream based on the life of English singer-songwriter David Bowie. It was released digitally on September 16, 2022 by Rhino Entertainment and Parlophone Records, preceded by a two-disc CD release on November 18, 2022 and a three-disc vinyl edition, set for later release in 2023.]

16. Chase Horseman – “Blackstar”
    from: “Blackstar” – Single / Chase Horseman / To be released January 31, 2024
    [Produced, engineered, & mixed by Chase Horseman who also played everything, except for Ian Dobyns who played drums, and also mastered the track. // David Bowie’s 25th solo studio album BLACKSTAR was released eight years ago on his 69th birthday on January 8, 2016. Two days later David Robert Jones passed away at home surrounded by his wife Iman, son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman. BLACKSTAR has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S.]

17. David Bowie – “Let me tell you one thing…” (CD #17) ( :18)
    from: Moonage Daydream – A Brett Morgen Film / Parlophone / September 16, 2022
    [Moonage Daydream – A Brett Morgen Film is the soundtrack to the 2022 documentary film Moonage Daydream based on the life of English singer-songwriter David Bowie. It was released digitally on September 16, 2022 by Rhino Entertainment and Parlophone Records, preceded by a two-disc CD release on November 18, 2022 and a three-disc vinyl edition, set for later release in 2023.

18. Calvin Arsenia – “Ashes” (CD #18) (1:59)
    from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
    [from Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’]

19. David Bowie–”Love Is Lost (Hello Steve Reich Mix by James Murphy for the DFA)”
    rom: The Next Day Extra EP / ISO Columbia / November 4, 2013
    [The Next Day Extra was released Nov. 4, 2013. This 3-disc collector’s edition includes two CDs and a DVD. The first CD is the original 14-track album. The second is a 10-track CD comprising the deluxe edition bonus tracks “Plan”, “I’ll Take You There”, and “So She”, the Japanese exclusive track “God Bless the Girl”, two remixes, and four new songs (“Atomica”, “The Informer”, “Like a Rocket Man”, and “Born in a UFO”). The DVD includes the four promotional music videos (“Where Are We Now?”, “The Stars (Are Out Tonight)”, “The Next Day”, and “Valentine’s Day”). // The Next Day is the 24th studio album by English musician David Bowie, released on March 8, 2013 on his ISO Records label, under exclusive licence to Columbia Records. Co-produced by Bowie and longtime collaborator Tony Visconti, the album was recorded in secret at The Magic Shop and Human Worldwide Studios in New York City between 2011 and 2013. It is primarily a rock album, featuring elements of art rock. The cover art is an adapted version of his 1977 album “Heroes”, featuring a white square with the album’s title obscuring his face. It was announced on Bowie’s 66th birthday, 8 January 2013. Bowie’s website was updated with the video for the lead single, “Where Are We Now?”, and the single was immediately made available for purchase on the iTunes Store. // It was Bowie’s first album of new material in ten years, since 2003’s Reality, and surprised fans and media who had presumed that he had retired from the music business. The album was streamed in its entirety on iTunes days before its official release. The Next Day Extra, an additional disc featuring four more tracks, and remixes of songs from the original album, was released in November. The Next Day was met with critical acclaim, and earned Bowie his first number-one album in the United Kingdom since 1993’s Black Tie White Noise. It was ranked as the second best album of 2013 (in a tie with Blue October’s Sway) by German music magazine Kulturnews and was also nominated for the 2013 Mercury Prize. The album was nominated for Best Rock Album at the 2014 Grammy Awards and for MasterCard British Album of the Year at the 2014 Brit Awards. // Recording of the album took place at The Magic Shop and Human Worldwide Studios in New York City. Bowie and producer Tony Visconti worked in secret alongside long-term engineer Mario J. McNulty, recording the album over a two-year period. The recording sessions were sporadic, and Visconti estimated that only three full months were spent demoing and recording material. Visconti recalled that the album began with a one-week recording session: Sterling Campbell was on drums, I was on bass, David was on keyboards, Gerry Leonard was on guitar. By the end of five days we had demoed up a dozen songs. Just structures. No lyrics, no melodies and all working titles. This is how everything begins with him. Then he took them home and we didn’t hear another thing from him for four months. // Bowie would disappear with the music “to make sure he was on the right track”, then bring the band back together to take the next step in recording when he was ready. Visconti described the recording sessions as “intense”, but they stuck to regular hours. “The last time we did all-nighters was Young Americans”. // During breaks from the studio, Visconti would walk the streets of New York listening to music from The Next Day on his earphones: “I was walking around New York with my headphones on, looking at all the people with Bowie T-shirts on—they are ubiquitous here—thinking, ‘Boy, if you only knew what I’m listening to at the moment.'”// Despite the statement that no guest artists were used to record the album, Bowie did use some of the musicians he’s worked with in the past, including Earl Slick, who recorded his parts for the album in July 2012. Gail Ann Dorsey (bass guitar) and Sterling Campbell (drums), who had both worked with Bowie since the 1990s, also contributed to the album. Dorsey also recorded vocals for the song “If You Can See Me”. Drummer Zachary Alford and guitarists Gerry Leonard and David Torn were hired for the sessions and Slick revealed that Visconti also contributed bass. Saxophonist Steve Elson, who had worked with Bowie since the 1980s, also plays on the album. A story that Robert Fripp, who previously has worked with Bowie in the studio, was invited to play on the album but could not due to other commitments was denied by Fripp, who said, “I haven’t spoken to David for a while and I wasn’t approached [to take part in the album]”, adding “I’m not angry at all. No one is hurt, I’m not upset, just keen for clarity.” // Bowie took great pains to keep the recording of the album secret, requiring people involved in the recording to sign NDAs. Bowie had to change recording studios after one day when someone at the studio disclosed that Bowie was recording there. He moved to the studio The Magic Shop, which ran the studio with a skeleton crew of only one or two employees on days when Bowie was there. Columbia Records’s UK PR firm learned of the project only a few days before the album was released. // Canadian band Metric almost uncovered the secret recording sessions when they arrived at Magic Shop recording studios unannounced in 2011, and Bowie saxophonist Steve Elson said he was tempted to reveal all. // The Next Day is a rock album, mainly featuring art rock. Tony Visconti told the NME that The Next Day “is quite a rock album” and Alexis Petridis of The Guardian considered the record “a straightforward rock album.” // The first single was the ballad “Where Are We Now?”, a track which Visconti described as “the only track on the album that goes this much inward for him”. Visconti suggested that Bowie chose “Where Are We Now?” as the opening single because “people had to deal with the shock that he was back [after a 10-year absence]” and that the introspective nature of the song made it an appropriate choice. The song reached No.6 in the UK charts. Opening lyrics for “Where Are We Now” reflectively recall the name of a train station (plaza) and a street in west Berlin, where Bowie once lived. A video accompanying the single includes props such as a dismantled photo frame lying discarded on the floor in the opening shot, a large ear in the background, and a two-headed soft doll with the torn faces of Bowie and a voiceless counterpart “pasted” onto it in. Lyrics also include the phrase “the moment you know you know, you know”. // “The Stars (Are Out Tonight)” was released as the second single from the album on 26 February 2013. A music video in the form of a short film was premiered the previous day. The song received moderate airplay on BBC Radio 2 and 106.9FM WHCR, peaking at number 102 on the UK Singles Chart. // Visconti, who accepted an interviewer’s suggestion that he was Bowie’s “voice on earth”, commented on the album to the international press and provided insights into the individual tracks. The songs cover a wide spread of subjects and are largely observational: most probe the mind-sets of different individuals. “Valentine’s Day” is about a high school shooter. “I’d Rather Be High” related the story of a Second World War soldier. Visconti described the material as “extremely strong and beautiful”. He added “if people are looking for classic Bowie they’ll find it on this album, if they’re looking for innovative Bowie, new directions, they’re going to find that on this album too.” Visconti commented that 29 tracks were recorded for the album and suggested that some of the material left out of The Next Day could appear on a subsequent record. Visconti speculated that Bowie could return to the studio to produce a new album later in 2013, but this did not happen. // The cover art for the album is an adapted version of Bowie’s 1977 album, “Heroes”, with a white square with the album’s title obscuring Bowie’s face. Designed by Jonathan Barnbrook, who also designed packaging for Heathen and Reality and follow-up Blackstar, the obscuring of the photograph connotes “forgetting or obliterating the past”. The original cover image was shot by Masayoshi Sukita. Barnbrook explained the cover, saying: “If you are going to subvert an album by David Bowie there are many to choose from but this is one of his most revered, it had to be an image that would really jar if it were subverted in some way and we thought “Heroes” worked best on all counts.” A viral marketing campaign was launched to promote the album on 15 February 2013. The campaign grew out of the concept behind the album cover, taking seemingly ordinary images and subverting them through the addition of a white square. // The Next Day debuted at number one on the UK Albums Chart, selling 94,048 copies in its first week. It was Bowie’s ninth number-one album in the United Kingdom, and his first in twenty years since Black Tie White Noise (1993). The album fell to number two the following week, selling 35,671 copies. In its third week, it slipped to number three on sales of 23,157 units. // In the United States, the album entered the Billboard 200 at number two with first-week sales of 85,000 copies, earning Bowie his largest sales week for an album in the Nielsen SoundScan era, and also his highest charting album on the Billboard 200. The album has sold 208,000 copies in the US as of December 2015. Elsewhere, The Next Day topped the charts in several countries, including Belgium, Croatia, Czech Republic, Denmark, Finland, Germany, Ireland, New Zealand, Norway, Poland, Portugal, Sweden and Switzerland, while reaching number two in Australia, Austria, Canada, France, Italy, and Spain.] [Born February 4, 1970. James Murphy is a musician, producer, DJ, and co-founder of record label DFA Records. His most well-known musical project is LCD Soundsystem. James Murphy was influenced by Bowie and remixed songs for Bowie’s The Next Day Extras, and is credited as a percussionist on Bowie’s Backstar.]

20. The Sea and Cake – “Sound & Vision”
    from: One Bedroom / Thrill Jockey Records / January 21, 2003
    [6th album from American indie rock band with a jazz influence, based in Chicago, Illinois, United States. The group has released 11 albums. The group formed in the mid-1990s from members of The Coctails (Archer Prewitt), Shrimp Boat (Sam Prekop and Eric Claridge), and Tortoise (John McEntire). The group’s name came from a willful reinterpretation (as the result of an accidental miscomprehension) of “The C in Cake”, a song by Gastr del Sol. Starting with 1997’s The Fawn, the group has relied on electronic sound sources, such as drum machines and synthesizers, to color its music, but has retained its distinctive post-jazz combo style. The band has shied away from releasing singles, preferring the album format. Contrary to his multi-instrumentalist role in Tortoise, John McEntire almost exclusively plays drums in The Sea and Cake. Members Sam Prekop, Archer Prewitt, and John McEntire each have released solo albums. The cover art of The Sea And Cake’s releases are largely paintings by member Eric Claridge and photographs by Prekop. Prewitt has been involved in publishing his own comic books and doing graphic design. In 1995, the band contributed the song “The Fontana” to the AIDS benefit album Red Hot + Bothered produced by the Red Hot Organization. The band was on hiatus from 2004 to 2007. Their most recent album Any Day was released in May 2018.] [“Sound and Vision” is a song by English singer-songwriter David Bowie which appeared on his 1977 album Low. The song is notable for juxtaposing an uplifting guitar and synthesizer-led instrumental track with Bowie’s withdrawn lyrics. In keeping with the minimalist approach of Low, Bowie and co-producer Tony Visconti originally recorded the track as an instrumental, bar the backing vocal (performed by Visconti’s wife, Mary Hopkin). Bowie then recorded his vocal after the rest of the band had left the studio, before trimming verses off the lyrics and leaving a relatively lengthy instrumental intro on the finished song. Selected as the first single from the album, “Sound and Vision” was used by the BBC on trailers at the time. This provided considerable exposure, much needed as Bowie opted to do nothing to promote the single himself, and helped the song to No. 3. The song was also a top ten hit in Germany, Austria and the Netherlands. However, it stalled at No. 87 in Canada and only managed No. 69 in the United States, where it signaled the end of Bowie’s short commercial honeymoon until “Let’s Dance” in 1983. The first live performance of the song was at Earl’s Court during the Isolar II Tour on 1 July 1978. In 1990, it was a regular number for Bowie’s greatest hits Sound+Vision Tour. The name was also used for a Rykodisc boxed set anthology in 1989.]

11:31 – Underwriting

21. Kraftwerk – “Trans-Europe Express (Remastered)”
    from: Trans Europe Express (Remastered) / Parlophone – Warner Music / March 1, 1977 – 2009
    [Kraftwerk translates to: “power station”. They are a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered as innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre. The group began as part of West Germany’s experimental Krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Trans-Europe Express is the sixth studio album by German electronic music band Kraftwerk. The song’s lyrics reference the album Station to Station and meeting with musicians Iggy Pop and David Bowie. Hütter and Schneider had previously met up with Bowie in Germany and were flattered with the attention they received from him. Ralf Hütter was interested in Bowie’s work as he had been working with Iggy Pop, who was the former lead singer of the Stooges; one of Hütter’s favorite groups. Recorded in mid-1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. It saw the group refine their melodic electronic style, with a focus on sequenced rhythms, minimalism, and occasionally manipulated vocals. The themes include celebrations of the titular European railway service and Europe as a whole, and meditations on the disparities between reality and appearance. // Trans-Europe Express charted at 119 on the American charts and was ranked number 30 in The Village Voice’s 1977 Pazz & Jop critics’ poll. Two singles were released: “Trans-Europe Express” and “Showroom Dummies”. The album has been re-released in several formats and continues to receive acclaim. In 2014, the Los Angeles Times called it “the most important pop album of the last 40 years.” // After the release and tour for the album Radio-Activity, Kraftwerk continued to move further away from their earlier krautrock style of improvised instrumental music, refining their work more into the format of melodic electronic songs. During the tour for Radio-Activity, the band began to make performance rules such as not to be drunk on stage or at parties. Karl Bartos wrote about these rules, stating that “it’s not easy to turn knobs on a synthesizer if you are drunk or full of drugs… We always tried to keep very aware of what we were doing while acting in public.” During this tour, early melodies that would later evolve into the song “Showroom Dummies” were being performed. // In mid-1976, Kraftwerk began to work on the album which was then called Europe Endless. Paul Alessandrini suggested that Kraftwerk write a song about the Trans Europ Express to reflect their electronic music style. Hütter and Schneider met with musicians David Bowie and Iggy Pop prior to the recording, which influenced song lyrics. Maxime Schmitt encouraged the group to record a French language version of the song “Showroom Dummies”, which led the group to later record several songs in French. The album was recorded at Kling Klang Studio in Düsseldorf. Artistic control over the songs was strictly in the hands of members Ralf Hütter and Florian Schneider, with Bartos and Wolfgang Flür contributing sequenced electronic percussion. Kraftwerk went to railway bridges to listen to the sounds the train would actually produce. The group found the sound the train made was not danceable and changed it slightly. // An important piece of new equipment used on the album was the Synthanorma Sequenzer, a customized 32-step 16-channel analog sequencer made for the band by Matten & Wiechers. This allowed the construction of more elaborate sequenced synthesizer lines, which are featured prominently in the tracks “Franz Schubert” and “Endless Endless”, and liberated the player from the chore of playing repetitive keyboard patterns. // Whereas Radio-Activity had featured a mixture of German and English lyrics throughout the album, Trans-Europe Express went further and was mixed as two entirely separate versions, one sung in English, the other in German. At the recommendation of Maxime Schmitt, a French version of the song “Showroom Dummies”, titled “Les Mannequins”, was also recorded. “Les Mannequins” was the group’s first song in French and would influence decisions to record songs in French on later albums. After recording the album in Düsseldorf, Hütter and Schneider visited Los Angeles to mix the tracks at the Record Plant Studio. Elements of the mixing sessions that were done in Los Angeles were dropped from the album, including the use of more upfront vocals in order to do more mixing in Düsseldorf and Hamburg later.// The artwork for the album cover of Trans-Europe Express was originally going to be a monochrome picture of the group reflected in a series of mirrors. This idea was dropped for a photo by New York-based celebrity photographer Maurice Seymour, with the group dressed in suits to resemble mannequins. J. Stara’s image of the group was taken in Paris and is a highly retouched photo-montage of Kraftwerk from their shoulders up again posed as mannequins which are shown on the cover of the English version of the album. On the inside sleeve, a color collage of the group sitting at a small cafe table designed by Emil Schult was used. The photo for this scene was from the session by Maurice Seymour, taken on the group’s American tour. Other photos were taken by Schult that show the group laughing and smiling. These were not used for the album’s release. // Sal Cinquemani of Slant Magazine described the album’s influence as “unprecedented, reaching as wide as rock (Radiohead’s Kid A), hip-hop (Afrika Bambaataa’s classic ‘Planet Rock’, Jay Dee’s recent ‘Big Booty Express’) and pop (Madonna’s Drowned World Tour, which incorporated samples of ‘Metal on Metal’)”. // In the late 1970s, the album influenced post-punk band Joy Division; bassist Peter Hook related: “We were introduced to Kraftwerk by [singer] Ian Curtis, who insisted we play T.E.E. before we went on stage every time. The tape was played at the venue over the PA system, to be heard by everyone. The first time was Pips [a Manchester club well known for its ‘Bowie Room’]. Ian got thrown out for kicking glass around the dance floor in time to the track. It took us ages of pleading to get him back in.” Drummer Stephen Morris also confirmed that Joy Division “used to play Trans-Europe Express before we went on stage, to get us into the zone. It worked because it gets up a lot of momentum. Trans-Europe Express just seemed to express an optimism – even if people see it as machine music”. Morris also said: “It reminds me of Cabaret, the film, with all of the 1920s singing. … When you get that marriage between humans and machines, and you get it right, it’s fantastic. I have to say it’s my favourite Kraftwerk album.” In the mid-1980s, Siouxsie and the Banshees’ rendition of “The Hall of Mirrors”, on their album Through the Looking Glass, was one of the few cover versions that Ralf Hütter hailed in glowing terms as “extraordinary”

22. David Bowie – “V-2 Schneider”
    from: “Heroes” / Parlophone – Warner Music / October 14, 1977 (RCA)
    [“V-2 Schneider” is a largely instrumental song written by David Bowie in 1977 for the album “Heroes”. It was a tribute to Florian Schneider, co-founder of the band Kraftwerk, whom Bowie acknowledged as a significant influence at the time. The title also referenced the V-2 rocket, the first ballistic missile, which had been developed for the German Army during World War II, and whose design (and engineers) played a key role in the American space program. The only words sung are those in the title, initially distorted by phasing. Musically, the track is unusual for the off-beat saxophone work by Bowie, who kicked off his part on the wrong note, but continued regardless. “V-2 Schneider” achieved considerable circulation as the B-side of “‘Heroes'”, released prior to the album, but was not played on the subsequent 1978 concert tour, its first live rendition occurring 20 years after it was recorded (see Live versions). A live version recorded at Paradiso, Amsterdam in June 1997, was released as the B-side of the single “Pallas Athena” in August 1997, under the name Tao Jones Index. This version also appeared on the bonus disc for the Digibook Expanded Edition of Earthling. // “Heroes” is the 12th studio album by English musician David Bowie, released on October 14, 1977 by RCA Records. After releasing Low earlier that year, Bowie toured as the keyboardist of his friend and singer Iggy Pop. At the conclusion of the tour, they recorded Pop’s second solo album Lust for Life at Hansa Tonstudio in West Berlin before Bowie regrouped there with collaborator Brian Eno and producer Tony Visconti to record “Heroes”. It was the second installment of his “Berlin Trilogy,” following Low and preceding Lodger (1979). Of the three albums, it was the only one wholly recorded in Berlin. Much of the same personnel from Low returned for the sessions, augmented by King Crimson guitarist Robert Fripp. // The album was recorded sporadically from July to August 1977. The majority of the tracks were composed on the spot in the studio, the lyrics not being written until Bowie stood in front of the microphone. The music itself is based in art rock and experimental rock, and builds upon its predecessor’s electronic and ambient approaches, albeit with more positive tones, atmospheres and passionate performances. The album also follows the same structure as its predecessor, side one featuring more conventional tracks and side two featuring mostly instrumental tracks. // The cover photo, like Iggy Pop’s The Idiot, is a nod to the painting Roquairol by German artist Erich Heckel. Upon release, “Heroes” was a commercial success, peaking at No. 3 on the UK Albums Chart and No. 35 on the US Billboard 200. It was the best-received work of the “Berlin Trilogy” on release, NME and Melody Maker naming it Album of the Year. Bowie promoted the album extensively, appearing on several television programmes and interviews. He supported Low and “Heroes” on the Isolar II world tour throughout 1978, performances of which have appeared on the live albums Stage (1978) and Welcome to the Blackout (2018). // Retrospectively, “Heroes” has continued to receive positive reviews, many reviewers praising Bowie’s growth as an artist and Fripp’s contributions. Although opinion has tended to view Low as the more groundbreaking record, “Heroes” is regarded as one of Bowie’s best and most influential works. The title track, initially unsuccessful as a single, remains one of Bowie’s best-known and acclaimed songs. An altered and obscured version of the cover artwork later appeared as the artwork for Bowie’s 2013 album The Next Day. The album has been reissued several times and was remastered in 2017 as part of the A New Career in a New Town (1977–1982) box set.]

23. Julia Othmer – “Heroes”
    from: Seeds (Volume 1) / Julia Othmer & James Lundie / November 13, 2020
    [“Seeds” is Julia Othmer’s 3rd full length album and contains 10 live songs selected from her 30-day Songs of September Project, where Julia performed a different live cover of her favorite songs and broadcast the performance throughout the streaming social media platforms to inspire people to register and vote on November 3. From those songs Julia’s fans democratically selected their favorite tracks to be released together on “Seeds.” Julia Othmer released “Sound,” on April 12, 2019, her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.” In 2018 to 2019 Julia Othmer toured with and opened for The Alarm in US show and shows in the United Kingdom. When Julia Othmer is in Kansas City she plays with Johnny Hamil on bass, Chris Tady on guitar, John Floyd Whitaker on drums. Info: http://www.juliaothmer.com. Julia Othmer joined us onWMM on Nov. 11, 2020.] [“‘Heroes'” is a song by English singer-songwriter David Bowie. It was co-written by Bowie and Brian Eno, produced by Bowie and Tony Visconti, and recorded in July and August 1977 at Hansa Studio by the Wall. It was released on 23 September 1977 as the lead single from his 12th studio album of the same name, backed with the song “V-2 Schneider”. A product of Bowie’s “Berlin” period, the track was not a huge hit in the United Kingdom or the United States after its release, but it has since become one of his signature songs. In January 2016, following Bowie’s death, the song reached a new peak of number 12 in the UK Singles Chart. “‘Heroes'” has been cited as Bowie’s second-most covered song after “Rebel Rebel”. Inspired by the sight of Bowie’s producer-engineer Tony Visconti embracing his lover by the Berlin Wall, the song tells the story of two lovers, one from East and one from West Berlin. Bowie’s performance of “‘Heroes'” on 6 June 1987, at the German Reichstag in West Berlin has been considered a catalyst to the later fall of the Berlin Wall. Following his death in January 2016, the German government thanked Bowie for “helping to bring down the Wall”, adding “you are now among Heroes”. “‘Heroes'” has received numerous accolades since its release, as seen with its inclusion on lists ranking the “greatest songs” compiled by various music publications; Rolling Stone named the song the 46th greatest ever, NME named it the 15th greatest. Bowie scholar David Buckley has written that “‘Heroes'” “is perhaps pop’s definitive statement of the potential triumph of the human spirit over adversity”.]

24. Ondara —“I’m Afraid of Americans”
    from: Tales of America (The Second Coming) / Verve Forecast – UMG Recordings / Sept. 20, 2019
    [28 year old J.S. Ondara is a Kenyan singer-songwriter whose debut album, Tales of America, was released on February 15, 2019 via Verve Label Group. J.S. Ondara was born in August 1992 in Nairobi, Kenya. As a child, he wrote poems and stories as well as songs despite not having an instrument to play them on because his family couldn’t afford one. He was inspired by Radiohead, Nirvana, Death Cab For Cutie, Jeff Buckley, Pearl Jam, Guns N’ Roses, and Bob Dylan. He grew up listening to rock songs on his older sisters’ battery-powered radio. Having discovered The Freewheelin’ Bob Dylan following a dispute with a friend over whether Knockin’ on Heaven’s Door was a Guns N’ Roses song, Ondara resolved to travel to the United States to pursue a career in music. In February 2013, after winning in the green card lottery, he moved to Minneapolis, Minnesota at the age of 20. He taught himself to play guitar and perform during open mic nights. Eventually, he decided to study music therapy in college, but dropped out of school to return to playing small shows at coffee houses after attending a concert. After moving to Minnesota, Ondara tried his hand at making music and performing in small venues. His big break came when Minneapolis radio station KCMP 89.3 The Current played one of his songs on air by pulling audio from his YouTube channel, where he had been uploading covers of his favorite songs. At the time, he was going by the name Jay Smart. Ondara’s debut album, Tales of America, was released in February 2019 by Verve Label Group. Despite only 11 tracks making the final tracklist, Ondara wrote more than 100 songs for the album, all based on an immigrant’s life in America. The album was produced by Mike Viola of the Candy Butchers. In support of the album, Ondara embarked on his first headlining tour in March 2019. After the release of the album, Ondara debuted on Billboard’s Emerging Artist chart at No. 37 in March 2019. The album also landed on the Billboard Heatseekers Album, Americana/Folk Album Sales, and Rock Album Sales charts. He was nominated for Best Emerging Act at the 2019 Americana Music Honors & Awards. Ondara cites Bob Dylan as his musical hero, which is why he chose to live in Minnesota and why he wears his signature fedora. He has toured with the Milk Carton Kids, Lindsey Buckingham and in 2019, he opened for select dates on tour with Neil Young.]

25. David Bowie – “Under Presssure” w/ Gail Ann Dorsey
    from: A Reality Tour (Bonus Track Version) [Live] / Sony Music Entertaiment / Jan. 22, 2010
    [“Under Pressure” is a song by the British rock band Queen and singer David Bowie. Originally released as a single in October 1981, it was later included on Queen’s 1982 album Hot Space. The song reached number one on the UK Singles Chart, becoming Queen’s second number-one hit in their home country (after 1975’s “Bohemian Rhapsody”, which topped the chart for nine weeks) and Bowie’s third (after the 1975 reissue of “Space Oddity” and “Ashes to Ashes” in 1980). The song charted in the top 10 in more than ten countries around the world, and peaked at No. 29 on the US Billboard Hot 100 in January 1982. // A Reality Tour is a live album by David Bowie that was released on January 25, 2010. The album features November 22, and 23, 2003 performances in Dublin during his concert tour A Reality Tour. The 2004, live version features David Bowie – vocals, guitars, stylophone, harmonica; Earl Slick – guitar; Gerry Leonard – guitar; Gail Ann Dorsey – bass guitar, backing vocals, lead vocals on “Under Pressure”; Sterling Campbell – drums; Mike Garson – keyboards, piano; Catherine Russell – keyboards, percussion, acoustic guitar, backing vocals. A Reality Tour was a worldwide concert tour by David Bowie in support of the Reality album. The tour commenced on 7 October 7, 2003 at the Forum, Copenhagen, Denmark continuing through Europe, North America, Asia, including a return to New Zealand and Australia for the first time since the 1987 Glass Spider Tour. The tour grossed $46,000,000, making it the ninth-highest grossing tour of 2004. At over 110 shows, the tour was the longest tour of Bowie’s career. Bowie played Kansas City, May 10, 2004, at Starlight Theatre. I was there, seven rows from the stage.]

26. Ryuichi Sakamoto – “Merry Christmas Mr. Lawrence”
    from: Merry Christmas, Mr. Lawrence / Milan Entertainment / 2015
    [Ryuichi Sakamoto was born Jan. 17, 1952. He is a Japanese composer, singer, songwriter, record producer, activist, & actor who has pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With bandmates Haruomi Hosono & Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres. Sakamoto began his career while at university in the 1970s as a session musician, producer, & arranger. His first major success came in 1978 as co-founder of YMO. He concurrently pursued a solo career, releasing the experimental electronic fusion album Thousand Knives in 1978. Two years later, he released the album B-2 Unit. It included the track “Riot in Lagos”, which was significant in the development of electro and hip hop music. He produced more solo records, and collaborate with many international artists, David Sylvian, Carsten Nicolai, Youssou N’Dour, Fennesz among them. Sakamoto composed music for the opening ceremony of the 1992 Barcelona Olympics, and his composition “Energy Flow” (1999) was the first instrumental #1 single in Japan’s Oricon charts history. As a film-score composer, Sakamoto has won an Oscar, a BAFTA, a Grammy, 2 Golden Globe Awards. Merry Christmas, Mr. Lawrence (1983) marked his debut as both an actor (playing Captain Yonoi the commander of a POW camp in Japanese-occupied Java and also serving as the conposer of the film’s score. Its main theme was adapted into the single “Forbidden Colours” which became an international hit. His most successful work as a film composer was The Last Emperor (1987), after which he continued earning accolades composing for films: The Sheltering Sky (1990), Little Buddha (1993), The Revenant (2015). Sakamoto has also worked as a composer & a scenario writer on anime & video games. In 2009, he was awarded the Ordre des Arts et des Lettres from the Ministry of Culture of France for his contributions to music.]

27. David Bowie –“Well you know what, this has been an incredible pleasure”
    from: Moonage Daydream – A Brett Morgen Film / Parlophone / September 16, 2022
    [Moonage Daydream – A Brett Morgen Film is the soundtrack to the 2022 documentary film Moonage Daydream based on the life of English singer-songwriter David Bowie. It was released digitally on September 16, 2022 by Rhino Entertainment and Parlophone Records, preceded by a two-disc CD release on November 18, 2022 and a three-disc vinyl edition, set for later release in 2023.

You’ve been listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

We just heard and new recording of “Blackstar” performed by Chase Horseman, followed by Calvin Arsenia with an original unreleased track called “Ashes”, then the Steve Reich remix of “Love is Lost” from THE NEXT DAY (Extra), followed by The Sea and Cake with their version of “Sound and Vision” from Bowie’s LOW, and then electronic music pioneers Kraftwerk who name check Bowie and Iggy Pop in lyrics to their “Trans-Europe Express” from 1977; and Bowie responding with “V-2 Schneider” from HEROES of the same year; Julia Othmer‘s beautiful cover of “Heroes,” followed by Ondara, with his version of “I’m Afraid of Americans” from Bowie’s EARTHLING from 1997; follwed by “Under Pressure” from Bowie’s Reality Tour Live with bandmate and bassist Gail Ann Dorsey singing the Freddy Mercury part. Bowie’s Reality Tour played Kansas City, the week I startd doing WMM, May 10, 2004, at Starlight Theatre. We ended with Oscar winning film composer Ryuichi Sakamoto who in his very first film acting role and first job as a composer of a film’s soundtrack, played opposite of David Bowie in the film “Merry Christmas Mr. Lawrence” from 1983.

32. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

On Friday January 5, at 12:00 NOON Calvin Arsenia plays live on MidCoast LIVE!

Next week on January 10, 2024, we present “Remembering MLK,” our annual tribute to Dr. Martin Luther King, Jr., born Jan. 15, 1929. We’ll play: Bobby Watson & The I Have A Dream Project (featuring Glenn North), Krystle Warren, The Freedom Afair, Calvin Arsenia, The Black Creatures, H.E.R., Sharon Jones & The Dap-Kings, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, The Staple Singers, Pops Staples, Mavis Staples, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, Sarah Lee Guthrie & Johnny Irion, Soweto Gospel Choir, The Intl. Noise Conspiracy, and Labelle.

In 2 weeks on January 17 we’ll spin even more Bowie with Michelle Bacon from The Band That Fell To Earth who will be presenting their annual Tribute to Bowie with a VIP show Thursday, January 25, and regular shows Friday and Saturday, January 26th and 27th at recordBar. We also welcome Lonnie Fisher, and Adee Dancy

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers.

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1027