Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org
Wednesday, September 24, 2025
Play Loud! 20 Years of recordBar + Nan Turner + Amy Steinberg + Til Willis
- “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]
Play Loud Fest will be a four-day celebration of 20 years of recordBar, with 45 musical acts, at recordBar 1520 Grand Boulevard, KCMO, September 25-28, 2025, and around recordBar including: Kobi Q, The Belfry, and Lemonade Park. recordBar opened its doors in August 2005 in a humble Kansas City strip mall, with a simple goal: to create a space where music felt close and community came first. Founded by Steve Tulipana and Shawn Sherriil, two music lovers who believed in good sound, even better drinks, and treating artists right, the original recordBar quickly became a hub for local bands, national tours, and just about any event that needed a stage—from birthday parties to fundraisers to experimental art nights. In 2015, recordBar moved to the Crossroads District, becoming part of a new chapter in Kansas City’s music scene. The new space kept the same spirit—intimate, accessible, and artist-forward—while expanding its reach and upgrading the experience for both performers and fans. Its downtown location allowed for larger shows while staying true to its roots as an independent, music-first venue. More at: http://www.therecordbar.com
- Roman Numerals – “My Life After Death Pt. II”
from: Roman Numerals / Anodyne Records / 2006
[#1 on our list of The 60 Best Recordings of 2006. William Smith on vocals, guitar, stylophone; Steven Tulipana on vocals, bass, guitars, synth; Shawn Sherrill on synth, bass; Pete LaPorte on drums, electronics.] [Bill Brownlee wrote about about Roman Numerals on October 18, 2017 for KCUR Radio. // One of the region’s most notable indie-rock bands a decade ago, Roman Numerals were Ryan Shank on drums, Shawn Sherrill on keyboards and bass, Billy Smith on guitars and vocals, and Steve Tulipana on bass, guitars and vocals. // Tulipana and Sherrill went on to open the highly successful RecordBar in Westport. Their band’s last recent performance was the penultimate show at the venue’s original site on January 1, 2016. RecordBar has since re-opened at 1520 Grand Boulevard, which is where Roman Numerals reunite on Saturday. // Roman Numerals peaked at a time when like-minded bands including Interpol were also mining the new wave and post-punk sounds of the 1980s. The revivalist aesthetic was an appealing exercise in wistfulness when its self-titled album was released in 2006, a conceit that makes Saturday’s reunion a double-dip of nostalgia. // The band describes its approach as a “high-powered hybrid” that “forms a sturdy bridge between indie-rock’s angular approach and the underground club scene’s throbbing tempos.” A good example is “Rule of Five,” a gloom-laden blend of synth-pop and post-punk from that 2006 record: // “‘Rule of Five’ was recorded in Chicago the week we signed our lease on the original RecordBar via fax-machine,” Tulipana says. “We somehow managed to get the club open and do several U.S. tours that same year of 2005. We like to get together every year or so these days to revisit these old songs to help inspire us on the other newer projects we stay involved with.” // Roman Numerals, played the grand opening at RecordBar, 1520 Grand Boulevard, Kansas City on Saturday, October 21, 2017 with Olympic Size, opening. // Bill Brownlee blogs about Kansas City’s jazz scene at Plastic Sax.]
[Roman Numerals play the Play Loud Fest celebrating 20 years of recordBar, on Saturday, September 27 at 11:00pm on the recordBar Main Stageat 1520 Grand Boulevard, KCMO.]
- Roman Numerals – “My Life After Death Pt. II”
from: Roman Numerals / Anodyne Records / 2006
[#1 on our list of The 60 Best Recordings of 2006. William Smith on vocals, guitar, stylophone; Steven Tulipana on vocals, bass, guitars, synth; Shawn Sherrill on synth, bass; Pete LaPorte on drums, electronics.] [Bill Brownlee wrote about about Roman Numerals on October 18, 2017 for KCUR Radio. // One of the region’s most notable indie-rock bands a decade ago, Roman Numerals were Ryan Shank on drums, Shawn Sherrill on keyboards and bass, Billy Smith on guitars and vocals, and Steve Tulipana on bass, guitars and vocals. // Tulipana and Sherrill went on to open the highly successful RecordBar in Westport. Their band’s last recent performance was the penultimate show at the venue’s original site on January 1, 2016. RecordBar has since re-opened at 1520 Grand Boulevard, which is where Roman Numerals reunite on Saturday. // Roman Numerals peaked at a time when like-minded bands including Interpol were also mining the new wave and post-punk sounds of the 1980s. The revivalist aesthetic was an appealing exercise in wistfulness when its self-titled album was released in 2006, a conceit that makes Saturday’s reunion a double-dip of nostalgia. // The band describes its approach as a “high-powered hybrid” that “forms a sturdy bridge between indie-rock’s angular approach and the underground club scene’s throbbing tempos.” A good example is “Rule of Five,” a gloom-laden blend of synth-pop and post-punk from that 2006 record: // “‘Rule of Five’ was recorded in Chicago the week we signed our lease on the original RecordBar via fax-machine,” Tulipana says. “We somehow managed to get the club open and do several U.S. tours that same year of 2005. We like to get together every year or so these days to revisit these old songs to help inspire us on the other newer projects we stay involved with.” // Roman Numerals, played the grand opening at RecordBar, 1520 Grand Boulevard, Kansas City on Saturday, October 21, 2017 with Olympic Size, opening. // Bill Brownlee blogs about Kansas City’s jazz scene at Plastic Sax.]
[Roman Numerals play the Play Loud Fest celebrating 20 years of recordBar, on Saturday, September 27 at 11:00pm on the recordBar Main Stageat 1520 Grand Boulevard, KCMO.]
- Making Movies – “Pendulum Swing”
from: A La Deriva / Independent / October 7, 2014
[Enrique Chi (guitar/lead vox), Brendan Culp (drums), Diego Chi (bass), Juan-Carlos Chaurand (percussion /keyboard). Their new full length was produced with Steve Berlin of Los Lobos. Imn 2012 the band also released the EP “Aguardiente.” The Record Machine pressed a limited number of the 7 inch vinyl, 4 song EP. // Enrique Chi, is lead singer of Making Movies joined us on the February 2, 2014 edition of Wednesday MidDay Medley to talk about the band’s recent tour in Central America, and the band’s Five Year Anniversary Show at the RecordBar, Fri, Feb. 14, with The Conquerors. / The band’s critically acclaimed release “A La Deriva,” was recorded with Steve Berlin of Los Lobos. Making Movies had the national release of “A La Deriva.” The band played Puerto Rico in March, and you recently played Panama, where your family is from and where they had the opportunity to meet the President of Panama. // Making Movies is a KC based 4-piece band acurrently recording with: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Duncan Burnett on drums. The band draws their influences from the origins of their families: Santiago, Panama, and KC Missouri, and Guadalajara, Mexico. // Making Movies released. Captured during their 2024 magnetic set at the Rocky Mountain Folks Festival in Lyons, Colorado, the EP offers a raw and electrifying glimpse into the band’s dynamic live energy and genre-blending spirit. / The 5-track collection includes a standout performance of “Nadie Sabe (rock’n’roll),” a powerful anthem that nods to the band’s rock roots while giving fans an early taste of their highly anticipated full-length album due out later this year. / Marking Making Movies’ first major U.S. festival appearance, the performance at Rocky Mountain Folks Festival was a milestone moment in the band’s journey—and one they’ll never forget. / “I love that we have a record of that wild and special day,” says Enrique Chi of Making Movies. “The mid-set downpour turned into a blessing—though we had to pause the show, when we returned, dancing in the rain was a pure expression of joy. We are grateful that those folks opened up their space and hearts to us, giving us the opportunity to road test some new songs and prepare for the next chapter for Making Movies.” / The Baúl de las Movies series is a nod to the band’s ongoing effort to open up their archives and share treasured recordings from the road. This latest installment captures the spontaneity and soul of a band known for merging Latin rhythms with psychedelic rock, folk storytelling, and political urgency. / Making Movies continues to carve a unique space in the music landscape, building bridges across cultures and generations. With this release, they invite listeners into the vibrant world they’ve created—live, unfiltered, and alive with possibility. // Last year Making Movies released Baúl De Las Movies (En Vivo En Folly Theater 2023) /=through 3/2 Recordings on September. 27, 2024, Produced by Ben Yonas, McKenzi Webster, Executive Producer Javier E. Carrizo, Production Assistant Nora Gibbons, Recording & Mixing Engineer Ben Yonas, Recording Engineer Paul Malinowski, Mastering Engineer, Dave Greenberg/Sonopod, Assistant Sound Engineers Josh Gomez, Ricky Menendez. Asdru Sierra on trumpet; Ryan Heinlein, Trevor Turla on trombone. // “Baúl De Las Movies: Folly Theater 2023” was also filmed. Directed by William J. Stribling. // Directors of Photography Adam Baron-Bloch, Alex Gallitano. // Camera Operators Cole Blaise, Nora Gibbons, Esai Saenz. // Production Designer Aisa Palomares. // Edited by Raymond Fraser. // Colorist Tam Le // DI Coordinator John Daniels-Riveros. // DI Services Provided by Sodalite Color // Stream “Baúl De Las Movies: Folly Theater 2023” – https://ffm.to/follyliveep.OYD. // Latin Grammy nominated band Making Movies released their special EP EN LA SALA containing 8 of the songs recorded LIVE, on January 12, 2024. // Before that they released their single “Medicina”. // Making Movies released XOPA through Cosmica Artists on June 17, 2022. XOPA and was recorded in Memphis, produced by Ben Yonas. More info at: http://www.makingmovies.world. Making Movies released the 5-song EP, EN VIVO (SIN APLAUSO) on February 4, 2022. Making Movies released the 6-track EP BORING BITS, on May 7, 2021. On February 5, the band released the 7-song, La Cuarentena EP which included a brand new version of the first Making Movies song, “La Marcha” and the lullaby “Could You?” (both mixed by Jim Eno of Spoon and tracked at Memphis Magnetic studio), and the love ballad “Una Vida.” The EP also includes covers of Talking Heads and Tears for Fears, plus bonus live acoustic tracks. The EP was available on BandCamp for only three days Feb. 5 through Feb. 7, 2021. // Making Movies released their single “Could You” on January 12, 2021. About “Could You” lead singer Enrique Javier Chi wrote, “I was thinking about what to share for “Could You?” and I just go back to the fact that Memphis is a profound place… it is a place where you can feel what America truly is and where it comes from. I think you see and feel the reality that so much of this nation was built from exploiting people. You can see that our pop culture is driven by the Black community and yet that community is still the most oppressed in the nation. Things are still so messed up. // Memphis is the place where Elvis started singing black music with a country twang and where Martin Luther King Jr. was shot. It’s a beautiful place, it’s a charming place, it feels at times downtrodden and it’s a place that reminds me of home (both KC and Panamá) in different ways. Our experiences going to Memphis gave us the context to create “Could You?” It was filmed originally for AMERI’KANA TV.” Making Movies released their critically acclaimed album ameri’kana through 3/2 Recordings on May 24, 2019. This was #1 on WMM’s 119 Best Recordings of 2019. Produced by Steve Berlin and Ben Yonas. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits of the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” Making Movies released their album I Am Another You, May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff. Info at: https://makingmovies.world
[Making Movies play the Play Loud Fest celebrating 20 years of recordBar, on Friday September 26 at 11:15pm on the recordBar Main Stage at 1520 Grand Boulevard, KCMO.] [Making Movies also play The Wolf’s Den at The Belfry for the 6:00pm – Happy Hour VIP experience.]
- Deerhoof – “Sparrow Sparrow”
from: Noble and God Like in Ruin / Joyful Noise Recordings / April 25, 2025
[For a band that seems to thrive on collapse, it’s simply amazing that this US/Japanese quartet is now celebrating their 31st year. Though Deerhoof long ago established itself as one of the greatest rock groups ever to stride the earth—and if you think that’s hyperbole, you haven’t spent enough time listening to Deerhoof —the furiously inventive quartet releases new albums on the schedule of a young band still hungry for its first break. As Noble and Godlike in Ruin reaffirms, each one discovers some previously unknown combination of candy-coated hard-rock riffs and free-jazz percussive freakouts, sideways J-pop hooks and fearsome dissonance, trenchant social commentary and surrealist humor. This music is joyful and foreboding, cybernetic and deeply human, carrying an implicit note of defiant optimism in their refusal to bow to convention or received wisdom. Fronting it all is Satomi Matsuzaki’s inimitable alto, whose plainspoken calm can seem strangely outside of the band’s maelstrom. Deerhoof is defined by such paradoxes. // Written, played, recorded and mixed by: Satomi Matsuzaki, Ed Rodriguez, John Dieterich, and Greg Saunier, Except “Under Rats” by:Deerhoof and Saul Williams. Band and face photos by: Satoru Eguchi. Face collage by: Satomi. // Deerhoof are an American independent music group formed in San Francisco in 1994. They currently consist of founding drummer Greg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Beginning as an improvised noise punk band, Deerhoof became widely renowned and influential in the 2000s through self-produced albums that combine “noise, sugary melodies, and an experimental spirit into utterly distinctive music” (AllMusic). // They have released eighteen studio albums since 1997. Their most recent album, Actually, You Can, was released on October 22, 2021. // Deerhoof were formed in San Francisco in 1994 as Rob Fisk’s improvisational bass/harmonica solo project. Greg Saunier joined on drums a week later. They were quickly signed to record a single for Kill Rock Stars after owner Slim Moon witnessed their performance at the 1994 Yoyo A Go Go festival. Satomi Matsuzaki joined Deerhoof within a week of moving to the United States from Japan in May 1995, with no prior experience playing in a band, and went on tour as Deerhoof’s singer only a week later, opening for Caroliner. Their 1997 debut album The Man, the King, the Girl was recorded on 4-track tape. // Deerhoof’s style has been described as indie rock, noise pop, punk rock, and “experimental pop mired in a pure punk sense of adventure”. AllMusic characterizes them as “highly revered indie rockers … who play fractured, whimsical noise pop with an avant-garde edge”, while MaineToday describes them as “the beloved punk band whose erratic style veers between pop, noise, and classic rock and roll”. // According to Noisey, Deerhoof formed as a “minimal noise improv” act before shifting to “pop-infused noise-punk”. According to AllMusic, their early releases “had a more traditionally harsh, no wave-inspired sound, though they also included the quirky tendencies that dominated their later efforts … [which] mix noise, sugary melodies, and an experimental spirit into utterly distinctive music that made them one of the most acclaimed acts of the 2000s and 2010s.” Impose writes that since “their beginnings as a noise punk band … [Deerhoof have] taken leaps and bounds artistically and stylistically, experimenting with pop and punk in ways we could’ve never imagined … [and] ultimately [proving] that punk can fit into an artistic world.” According to the Los Angeles Philharmonic, they made “some of the most difficult and unclassifiable noise of the mid-’90s [before] unexpectedly [rising] to international prominence as one of indie rock’s most renowned and influential groups … too ‘pop’ for ‘noise,’ and too ‘noise’ for ‘pop.'” For The Guardian, their breakthrough after many albums of “elliptical art-pop” came with Friend Opportunity, which showcased “a band playing a constantly shifting mixture of psychedelia, post-punk, jazz and pop, which should have been difficult and forbidding, but was given an accessible focus by the sweet vocals and expressionist lyrics of bassist/chanteuse Satomi Matsuzaki. … [The followup] Offend Maggie is head-spinning bliss from beginning to end, and proves that the quartet are the best prog-rock post-punk Afro-Oriental art-pop folk-jazz band in the world. Deerhoof also experiment with contemporary classical music. // The band has been appreciated by and/or influential to other artists, notably David Bowie, Radiohead, Questlove, St. Vincent, Foo Fighters, Dirty Projectors, Tune-Yards, Stereolab, Henry Rollins, Sleigh Bells, and of Montreal. Deerhoof’s songs are covered often by other artists (notably Phil Lesh, Los Campesinos!, Marco Benevento, David Bazan, and classical composer Marcos Balter).]
[Deerhoof play the Play Loud Fest celebrating 20 years of recordBar, on Saturday, September 27 at 9:00pm on the Lemonade Park Stage, 1628 Wyoming Street, West Bottoms, KCMO with Frogpond, and Paris Williams.]
- Approach – “Stones (feat. Joe Good & SKU)”
from: Merely, Minutes In A Day {Section 2: Antique Mall} / Datura Records / Dec. 4, 2020
[Produced, Sequenced, Recorded, Photography, Mixed & Mastered By: Aikido Bray. Approach writes: “Antique Mall” is fitting title for a album that has sat in the vault over 5 years. When the recording of this album was finished, I realized it didn’t compliment the sonics of the season. I felt like waiting until the sonic coloring matched the vibration of the times would be the best move. 5 years later a time capsule of love is ready to be revealed. Please enjoy your tour around of my “Antique Mall.” More info at: http://www.daturarecords.bandcamp.com/album/merely-minutes-in-a-day-section-2-antique-mall // Joe Good is Jamal Gamby one half of the the critically acclaimed hip hop band Sounds Good with producer musician beat maker Miles Bonny. Both gentlemen retired their Sounds Good project after two albums and several singles, to start families and become fathers. // This new Approach release is a Follow up to Merely Minutes, In A Day from Datura Records released February 4, 2019. Produced, Sequenced, Recorded, Photography, Mixed & Mastered By: Aikido Bray. Artwork & Design By: The Art My Life Imitates. Legendary Kansas based emcee/producer Approach is Sean Hunt who’s been in the game for almost 20 years. He’s released almost a dozen records and traveled the world over the span of his career. He’s also the cofounder of Datura Records, a hip hop label started in 2000. Approach helps curate the roster.]
[Approach and SKU play the Play Loud Fest celebrating 20 years of recordBar, on Saturday, September 27 at 8:00pm on the recordBar Main Stage at 1520 Grand Boulevard, KCMO.]
- The Royal Chief – “Repeat (Radio Edit)”
from: Fire – EP / Sovereign Sound / July 10, 2025
[New 5-track EP from The Royal Chief / Born in Kansas City, Missouri as Jamel Thompson to a single mother, The Chief is the youngest of six – two brother’s on his mother’s side and another brother and twin sisters from his father. Growing up, his mother fostered his mind; she encouraged The Royal Chief to read relentlessly and to experiment with his talents. This promoted a period where The Royal Chief began expressing himself by writing stories. Chief spent most of his early life in the urban areas of Kansas City. He and his mother moved to Dallas, Texas briefly before returning to Kansas City – to the suburbs – which provided an interesting contrast to his life before. // At the age of 13, after attending a concert in which Kanye West performed, Chief knew his path was in music and began rapping. Courtesy of his mother, he drew inspiration from R&B and Soul while getting his introduction to Hip Hop from his father and brothers. Hip Hop became a love and an outlet for him – a way to vent and document how he perceived the world. It was also an instrument for The Royal Chief to cope with the pain of losing his older brother and godmother who had a hand in raising him. // The Royal Chief moved to Atlanta, Georgia in 2012. He spent his first year there living out of his Honda Civic and obtained membership to a local gym to have access in order to take showers. He established a relationship with the manager at Tree Sound Studios through a mutual friend and was soon allowed to live in the studio’s building. He made the most of this opportunity by observing and learning many of the aspects of the music industry, audio/video recording, marketing, and most importantly building relationships and networking. Soon, he began to nurture a relationship with “Cyhi The Prynce” who took him under his wing allowing Chief to create and write for other G.O.O.D. Music artist. During this time, Chief was able to go on tour and learn just to write raps and incorporate rhythm and flow into his pieces to make them sound appealing. // In 2015, under his original moniker “J-Dub,” The Royal Chief began to meticulously focus on his own projects and released his first mixtape entitled Trial and Error. Later that same year, after a trip back to his hometown of KC, he made a conscious decision to change his stage name to something that reflected his passion for his two favorite home-town sports teams and one that represented his city. And in combining the names of those teams, he thus became “The Royal Chief”. Feeling the need to release some music to commemorate the name change, in September of 2016 he released his second project, an EP entitled Dawn – representing the beginning or “dawn of” something new. // In 2017, after seeing a Kareem “Biggs” Burke’s interview in which he said “if you don’t have your city you don’t have anybody,” Chief decided it was time for him to return home and build his name and his following up in his own city. That same year, after a house fire in which he lost everything but his life, he released his third project – an EP titled Homecoming. While building traction in the city, Chief worked diligently to network and perform live all around the Kansas City Metroplex and surrounding areas. In 2018, he released a three-track EP titled 3 Pack. Chief spent the next year working towards expanding existing relationships and building new ones. Chief’s objective was to spend time building a backing band for his live performances as well as collaborate with local artists and producers. And with this feat accomplished, in 2020, Chief released his fourth project titled Groundwork. Groundwork represents “laying the foundation” – it’s the cumulative efforts of networking, touring, and building a following. More info at: http://www.theroyalchief.com]
[The Royal Chief will play the Play Loud Fest celebrating 20 years of recordBar, on Saturday, September 27 at 5:00pm on the recordBar Main Stage at 1520 Grand Boulevard, KCMO.]
- Dan Jones and The Squids – “The Rhythm and The Rhyme”
from: SERVE WITHOUT DELAY / Dan Jones / February 5, 2021.
[Dan Jones and The Squids are: Dan Jones on vocals & guitar; Matt Ronan on drums & vocals, and Steve Tulipana on bass. On the record Rich Wheeler joined them on tenor saxophone for the songs, “Rock & Roll Daydreams” and “Rhythm and The Rhyme.” Their album was engineered by Brendan “JB” Moreland at Temple Sounds in KCMO and mixed by Brendan at Massive Sound Studios in Shawnee, KS. // Dan Jones and The Squids released It was recorded Friday, February 13, 2020 at recordBar, with Paul Malinowski: live sound & recording engineer. Mixed and edited by Paul Malinowski at Massive Sound, Shawnee Kansas. Mastered by Tom Nunes at Atomic Disc. Dan Jones on guitar & vocals, Matt Ronan on drums & vocals; Steve Tulipana on bass & vocals. All songs by Daniel Sherman Jones (BMI), except “I Wanna Be You” by Ed Cole. In 2020 the band didn’t get to play out much, so they hunkered down and worked up a double album’s worth of new tunes. It was a weekly woodshed-workshop that culminated with a live-streamed live-album show on November 13, 2020 at recordBar. Paul Malinowski engineered and mixed. // Dan Jones and The Squids released ROCK AND ROLL DAYDREAMS on vinyl on September 1, 2023. // Dan Jones and The Squids released WE LIVE IN A WORLD THAT IS OUT OF THIS WORLD on December 6, 2019. It was Recorded at Temple Sounds in KCMO, 2018-2019. Engineered. by JB Moreland. Produced by Dan Jones and The Squids and JB Moreland. Mastered by Tom Nunes at Atomic Disc. With Dan Jones on acoustic & electric guitars, keyboard, lead vocals + drums/bass on “Love/Life”; Matt Ronan on drums, percussion, vocals; Alex Alexander on electric guitar, vocals; Steve Tulipana on bass, vocals; Joey Slab on poem and spiel on “Beach, Please”; Scot Sperry on electric slide guitar on “Love/Life”; Donna Jones on lyrics to “The Violet Man.” / Dan Jones is among the hardworking lifers with taste and talent, keeping the dream alive that music matters. This is the Kansas City singer/songwriter’s seventh LP over two decades, starting in Eugene, OR before returning to his native, non-coastal home. His bio speaks of support gigs with Mike Watt (who plays these Squids on his radio show), Dinosaur Jr., Steve Wynn, John Doe, Tav Falco, Pedaljets, Peter Case, and Minus 5, all hinted at in his fine music. But what he/they most remind of is Watt’s influence The Urinals/100 Flowers, in the way he breaks out homey tunes in the rush of spikier energy—like “My Favorite Lounge,” which spits guitar glory with gusto following tight circular riffs, while hailing soulful, sweaty dives with honest bands. It’s where you’d want to catch Jones and his cephalopods, happily blasting away. // More info at: More info at: http://www.danjonesmusic.com][Dan Jones and The Squids played a Record Release Show at Woodyard BBQ, 3001 Merriam, in KCK, on Saturday, September 9, at 7:00 PM. with Tick Check. Dan Jones & Steve Tulipana joined us on WMM on Sept. 6, 2023.]
[Dan Jones & The Squids play the Play Loud Fest celebrating 20 years of recordBar, on Friday September 26 at 5:45pm on the recordBar Front Stage at 1520 Grand Boulevard, KCMO.]
- Madisen Ward and the Mama Bear – “Whole Lotta Problems”
from: The Skeleton Crew / Glassnote Records / May 9, 2015
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. Their follow up EP Radio Winners was released July 27, 2018 and recieved critical acclaim. // Madisen Ward and The Mama Bear released the album TARTED WITH A FAMILY on September 6, 2019. Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. ] [Wednesday MidDay Medley was the very forst radio show to ever paly Madisen Ward and The Mama Bear ]
[Madisen Ward plays the Play Loud Fest celebrating 20 years of recordBar, on Friday September 26 at 9:00pm on the recordBar Main Stage at 1520 Grand Boulevard, KCMO.]
Play Loud Fest will be a four-day celebration of 20 years of recordBar, 1520 Grand Boulevard, KCMO – September 25 – 28, 2025
Thursday, September 25 – Play Loud Pre-Party @ recordBar
Post Sex Nachos
They’re Theirs
Malek Azrael & The Vibes
Friday September 26
recordBar Main Stage
5:00pm – Rex Hobart & The Misery Boys
6:15pm – The Delazers
7:30pm – Info Gates Tribute
7:45pm – UBI of Ces Cru
9:00pm – Madison Ward
10:15pm – Doubledrag
11:15pm – Making Movies
recordBar Front Stage
5:45pm – Dan Jones & The Squids
7:00pm – The Bad Ideas
9:45pm – LYXE
1045pm – Red Kate
Kobi-Q Stage
8:00pm – MitchMakesBeat
8:45pm – Iocene
9:30pm – Bobcat Attack
10:15pm – Buki-San
11:00pm – Pleasure.exe
The Wolf’s Den at The Belfry
6:00pm – Happy Hour with Making Movies
7:00pm – Jamie Rhen
8:00pm – Boss Holligan Soundsystem
Saturday, September 26
Lemonade Park
6:45pm – Paris Williams
7:45pm – Frogpond
9:00pm – Deerhoof
recordBar Main Stage
2:30pm – People’s Liberation Big Band
3:45pm – The Doo-Dads
5:00pm – The Royal Chief
6:00pm – Lorna Kay
7:00pm – Dom Chronicles
8:00pm – Approach/SKU
9:30pm – Emmaline Twist
11:00pm – Roman Numerals
recordBar front Stage
3:15pm – Lone Stranger w/DJ Jamel Rockwell
4:30pm – Saint George and The Dragons
5:30pm – The Epitome
6:30pm – Steddy P
7:30pm – Cat Fight
9:00pm – Macemouth
Kobi-Q Stage
7:00pm – WRKER
7:45 – Juliette Frost
8:30pm – Faceface
9:15pm – The Delazers
10:00pm – KB Mixes
The Wolf’s Den at The Belfry
6:00pm – Happy Hour with Radkey
7:00pm – Freight Train Rabbit Killed
Sunday, September 28 – Post Party @ recordBar
Play Loud Fest will be a four-day celebration of 20 years of recordBar. The event will take place on several stages:
recordBar Main Stage
recordBar Front Stage
Kobi Q,
The Wolf Den at The Belfry
Lemonade Park
recordBar opened its doors in August 2005 in a humble Kansas City strip mall, with a simple goal: to create a space where music felt close and community came first. Founded by Steve Tulipana and Shawn Sherrill, two music lovers who believed in good sound, even better drinks, and treating artists right, the original recordBar quickly became a hub for local bands, national tours, and just about any event that needed a stage—from birthday parties to fundraisers to experimental art nights.
In 2015, recordBar moved to the Crossroads District, becoming part of a new chapter in Kansas City’s music scene. The new space kept the same spirit—intimate, accessible, and artist-forward—while expanding its reach and upgrading the experience for both performers and fans. Its downtown location allowed for larger shows while staying true to its roots as an independent, music-first venue.
All VIP perks: Fast-pass entry into venues // Limited-edition festival T-shirt // Commemorative festival poster
Add-ons Available: Entry to an intimate private Happy Hour on Friday featuring an acoustic performance with Making Movies at The Wolf Den, featuring cocktails with Chef Celina Tio and her Annx Spirits line.(Available As GA Add-On)
Entry to an intimate private Happy Hour on Saturday featuring an acoustic performance with Radkey at The Wolf Den, featuring cocktails with Chef Celina Tio and her Annx Spirits line. (Available As GA Add-On)
10:28 – Underwriting
- Nan & The One Nite Stands – “Primetime”
rom: “Primetime” – Single / Nan Turner / September 5, 2025
[Written by Nan Turner. Additional Vox by Tracy Flowers. Recorded + mixed + produced by Chase Horseman at Element Studios, Kansas City, KS. Mastered by Ian Dobyns. Picture of Nan by Laci Kay. Additional studio support by Frida the Dog and Georgia. More Info at: http://www.nanturner.bandcamp.com Nan Turner was our guest on WMM on March 31, 2021.]
[Nan Turner & The One Nite Stands play Gigantic Records, Fri, Oct. 3, at 7:00 at 1614 Westport Rd, KCMO.]
10:33 – Interview with Nan Turner
Nan Turner joins us to share details about her new single “Primetime,” AND her show at Gigantic Records, and the progress on her Tonya Harding musical. The singer-songwriter-drummer-actress-dancer’s music has been described as “Tone Loc meets the Velvet Underground.” As Nan + The One Nite Stands, Nan released the single”Primetime” on September 5, 2025. Nan released the single “Sick” on March 7, 2025. Nan released the 4 song EP HAWKIN’ IT on May 14, 2024. Nan released HIGH-CALIBER on February 19, 2021. Nan Turner released the single, “Desert Nites”, on May 22, 2020. Nan released her EP, CHAMPS AND LOSERS, VERSION 2, on July 12, 2019. Nan Turner was one half of the critically acclaimed band Schwervon! with Matt Roth (Major Matt Mason USA) on electric guitar and Nan on drums. The band started in the Lower East Side of New York City in 1999 and toured internationally for over a decade, Schwervon! released 7 full length albums, 2 EPs, and 5 singles. Nan has been called the “Lucy Ricardo of Indie Rock.” Nan went to college with Soon-Yi Previn
Nan Turner & The One Nite Stands play Gigantic Records, Friday, October 3, at 7:00 at 1614 Westport Rd, KCMO. More at: http://www.nanturner.bandcamp.com
Nan Turner, Thanks for being with us on Wednesday MidDay Medley
“Primetime” – Lyrics
Breezy attitude
white light
bartender
stage fright
Ladies of
certain age
hair down
on parade
Nothing prepares you
for saying goodbye
expectation
never got me high
drip of the faucet
Brando in his prime
lives on an island
and he’s fine
Snow angel
where’s your Dad?
Best time (best time)
ever had
Cold nose
lost and found
disco ball
spinning round
Nothing prepares you
being what you’re not
It’s a risky business
sliding around in your socks
Don’t know how to say
you’re asleep on a dream
so you go home
and blame your bad genes
Don’t wanna live
one foot out the door
missing all I had
just the year before
I press on you
faded bruise
left behind left behind left behind
Nothing prepares you
for the illusion of age
filter on a sunset
suppress body rage
Drugs that you pilfer
Joan Crawford with more charm
raise the stakes
set the alarm
Cha cha cha cha cha cha
Nan Turner & The One Nite Stands play Gigantic Records, Friday, October 3, at 7:00 at 1614 Westport Rd, KCMO. More at: http://www.nanturner.bandcamp.com
Nan Turner has been working on a figure skating musical about Tonya Harding and that particular era of skating with Nancy Kerrigan and Oksana Baiul and even Verne Lundquist.
Tonya Harding was born November 12, 1970 in Portland, Oregon.
American figure skater, Tonya Harding, was the 1991 and 1994 US champion but her 1994 title was taken away after a controversy erupted regarding her ex-husband. He was charged with planning an attack on a rival American skater, Nancy Kerrigan. Tonya Harding was banned for life by the US Figure Skating Association after she pleaded guilty to conspiracy to obstruct justice.
Nancy Kerrigan was born October 13, 1969 in Stoneham, Massachusetts, United States
Figure skater Nancy Kerrigan is best known for her 1993 U.S. Figure Skating Championship win. She has also won medals at the 1991 and 1992 World Championships and the 1992 and 1994 Winter Olympics. She was attacked and injured by a man hired by her rival Tonya Harding’s former husband.
Oksana Baiul-Farina was born November 16, 1977, in Dnipro, Ukrainian SSR, Soviet Union, an industrial city famous for manufacturing Soviet missiles. Her parents divorced when she was two years old, and her father, Sergey Baiul, who died in 2006/7 disappeared shortly after. No one is certain whether he deserted his family or was pressured to leave town when he and his wife divorced. She was raised by her mother, Marina, a French teacher, and her maternal grandparents. In addition to having Ukraine ancestry, she is of Russian descent through her maternal grandfather. // She is the 1993 world champion and the 1994 Olympic champion in ladies’ singles. Baiul is the first and only skater representing Ukraine to win gold at the Winter Olympics. She is also the first Olympic champion of independent Ukraine in any sport. After winning the gold medal in 1994, Baiul decided to turn professional in order to tour in the United States and have a career based on her skating. She followed one of her coaches to Connecticut. Later, she also became involved in a variety of TV appearances, and benefit skates. She has lived in the United States since 1994. In 1997 she published 2 books, a memoir about her life and one on skating.
Merton Laverne Lundquist Jr. was born in Duluth, Minnesota on July 17, 1940. He graduated from Austin High School in Austin, Texas, before attending Texas Lutheran University (formerly Texas Lutheran College), where he was one of the founders of the Omega Tau Fraternity in 1958 before graduating in 1962. He is now a member of the Board of Regents for his alma mater. Lundquist attended Augustana Seminary in Rock Island, Illinois in 1962. His father was a Lutheran pastor & President of the Nebraska Synod of the Augustana Lutheran Church. Lundquist played basketball & baseball and was a disc jockey at WOC, Davenport, Iowa. His ‘Golden Voice’ was the highlight of the seminary class on preaching. He began his broadcasting career as sports anchor for WFAA in Dallas and in Austin for KTBC, as well as being the radio voice of the Dallas Cowboys. Lundquist joined the Cowboys Radio Network in 1967 and remained with the team until the 1984 season. He was paired with future play-by-play man Brad Sham starting with the 1977 season, the year the Cowboys went 12–2 and captured their second NFL title in Super Bowl XII. He was sportscaster at WFAA during their 6pm news. Before becoming a nationwide sports commentator, from 1970 to 1974, Lundquist was commentator for the sports show, Bowling for Dollars, in Dallas, Texas. It aired weekday evenings on the ABC station, WFAA-TV, from 6:30 to 7:00, in north central Texas. During these four seasons, Lundquist started interviewing Cowboys players and their first head coach, Tom Landry, at their sidelines, during halftimes, practices, pre-season and pre-game warm-ups, in Dallas. More info at: http://www.nanturner.bandcamp.com
Nan Turner also contributed a track to the compilation called, Ain’t I Folk? (Indie, Acoustic, Pop, Rock, Weird, And Bedroom Lo-Fi Covers of New York Antifolk Classics) released February 17, 2021 on Weemayk Music. Nan recorded a cover of “I don’t get love” written by her friend Angela Carlucci who goes by the name “Little Cobweb”. More info at http://www.littlecobweb.bandcamp.com/track/i-dont-get-love
Angela Carlucci is also one of Nan’s dancers (and singers) for The One Nite Stands in NYC…and they’ve been dancing and doing shows together for many years. She is also in a great two-piece band called, True Dreams. More info at: truedreams.bandcamp.com
Anti-folk (or unfolk) is a music genre that arose in the 1980s in reaction to the remnants of the 1960s folk music scene, to mock the perceived seriousness of the time’s mainstream music scene, with the intention to shock and protest. Artists of the anti-folk genre observe the “rules” of music, but then deliberately break them. // Anti-folk was introduced by artists who were unable to obtain gigs at established folk venues in Greenwich Village such as Folk City and The Speakeasy. In the mid-1980s, singer-songwriter Lach started The Fort, an after-hours club on NYC’s Rivington Street in the Lower East Side. The Fort’s opening coincided with the New York Folk Festival. Because of this, Lach dubbed his event the New York Antifolk Festival. Other early proponents of the movement included The Washington Squares, Cindy Lee Berryhill, Brenda Kahn, Paleface, Beck, Hamell on Trial, Michelle Shocked, Zane Campbell, and John S. Hall. Roger Manning, Kirk Kelly, and Block. // The original Fort was shut down in 1985 by the police, and because of this the club moved locations several times, including East Village bars Sophie’s and Chameleon, before settling in the back room of the SideWalk Cafe starting in 1993. The New York Antifolk Festival continues to be held annually at the SideWalk Cafe (long outlasting the original Folk Festival). Events have also taken place in the band shells in Tompkins Square Park and Central Park. While living in San Francisco in the early 1990s, Lach helped establish a West Coast anti-folk movement at the Sacred Grounds Coffee House.
Schwervon! is a two-piece American indie rock band. The band members are Matt Roth (Major Matt Mason USA) on electric guitar and Nan Turner on drums; the pair share singing duties. They started the band in 1999 on the Lower East Side of New York City, shortly after they began their ongoing romantic relationship. They have released five albums through Major Matt’s Olive Juice Music independent record label. Their first two albums have also been distributed by Shoeshine Records in Europe, where they have toured with Jeffrey Lewis and Kimya Dawson. In 2011, they did European tours, opening for the recently reunited UK alternative band The Vaselines, as well as Belle and Sebastian.
In 2012 Schwervon! relocated to Shawnee, Kansas.Their album, Broken Teeth, was released in 2014 on local Kansas City label Haymaker Records.
Schwervon! Discography
Quick Frozen Small Yellow Cracker (2000)
Poseur (2004)
I Dream of Teeth (2006)
Elephant in the Room (2007; German compilation of previously released material)
Low Blow (2009)
Courage (2012)
Broken Teeth (2014)
EPs and singles
Gas Money Tour EP (2005; with Jeffrey Lewis)
Elephant (2006; 7-inch single)
Cotton Mouth (2006; 7-inch single)
Fall Tour ’06 EP (2006; with Toby Goodshank)
“Paradise by the Dashboard Light” (2011; 4-way split 7-inch single/Meat Loaf cover with Elastic No-No Band, Huggabroomstik, and The Leader)
Landlocked/Off Duty Trip (The Raincoats) (2013; 7-inch single)
Blood Eagle/Wrath Of Angels (2017; 7-inch single)
Nan Turner Discography
Nan Turner – For Champs and Losers, Version 1 – February 28, 2007
[All songs and instruments by Nan Turner. Dibson Hoffwiler played drums on tracks 1 and 3, and guitar freakout on 3. Lisa Li-Lund sang vocals on track 5. Tracks 1-4 recorded by Dashan Coram at Luv-a-Lot Studios in Brooklyn. Track 5 recorded by Lisa Li-Lund in Brooklyn. All tracks mastered by Major Matt at OJ Studios, NYC.]
Nan Turner – Construction of a Champ – May 12, 2010
[Songs written by NAN TURNER. (except track 9 by Nick Cave) Tracks 3, 5, 7, 8 Recorded by Dashan Coram @ Luv-a-Lot Studios, Brooklyn/NYC. Tracks 1, 2, 4, 6, 9 Recorded & Co-Produced by Mark Ospovat @ Emandee Studios, Brooklyn, NY. All songs mastered by Matt Roth @ Olive Juice Music Studios, NYC. ONE NITE STANDS: Simon Beins: Guitar on 5, Bass on 7, 9. Trumpet on 8, 9; Daoud Tyler-Ameen: Drums on 2, 3, 5, 7, 9; Dan Gower: Piano on 9; Dave End: Vox on 7; Dan Fishback: Vox on 8; Christian De Roeck: “Dragon” Vox on 4; Adey Lobb: Melodica on 6; Mark “Slave to Production” Ospovat: Bass & many other newfangled synthy guitarey noise things: 1, 2, 4, 6.]
Nan + the One Nite Stands – EP HAWKIN’ IT – May 14, 2014
All songs written by Nan Turner. Recorded & Mixed & Co-Produced @ Emandee in Brooklyn by Mark Ospovat. Mastered by Casey Holford. Photo by Erica Peterson. Thanks so much to my One Nite Stands in NYC and London who contributed to this collection of songs! Simon Nelson: Guitar, drums on Rambo; Adrian Lobb: Keys on Rambo; Butch Merigoni: Drums on Beijing; Simon Beins: trumpet on Hawkin It; Julie Delano – vox on Hawkin It; Susan Hwang – vox on Hawkin It; Mark “slave to production” Ospovat – so many instruments, especially bass/ guitar/ textural things. Also vox on tracks 2,3,4.
Nan Turner – For Champs and Losers, Version 2 – July 12, 2019
[All songs by Nan Turner. Recorded + Mixed + Co-Produced @ Winky World by Chase Horseman Kansas City, MO. Mastered by Alan Douches @ West West Side Music, New Windsor, NY. Ian Dobyns – drums on 1, 2, + 4; Chase Horseman – bass on 1, 2, + 4.
Huge thanks to Chase for your ears + producer magic. Also thanks to Ian, Alan, all my friends in KC and NYC, and to Frida the dog.]
Nan & The One Nite Stands – Desert Nites (Single) – May 22, 2020
[Written by Nan Turner. Recorded by Mark “Dragon” Ospovat @ SpeakerSonic Studios in Brooklyn, NY. Additional recording and mixing and production by Chase Horseman @ Winky World Studios in Kansas City, MO. Mastered by Ian Dobyns. Nan Turner on vocal & beats, Mark Ospovat on guitar & percussion, Chase Horseman on wurlitzer & bass & synthesizers, Dawn Yoder & Tracy Flowers on backing vocals. // Thanks to Mark O.,Chase, Ian, Tracy, Dawn, NY one nite stands Leslie, Angela, and Susan. My Dad. And last but not least, Frida the Dog. // Nan writes: I learned about existentialism at a young age. My Dad was a Philosophy Professor. Waiting for Godot and Archibald MacLeish’s J.B. were in my Ballet Bag for years. My mother + stepfather are libertarian folk that went to church, shot guns, and sold Amway. // I’m not saying this song is about any of that. But it’s also NOT NOT about that. // I started recording this song in 2017 with my good friend and collaborator Mark Ospovat in Brooklyn, NY. We laid down the foundation tracks of beat, guitar and vocals. Then I let the song lie…..because I didn’t know how to finish it or where it fit in my oeuvre. I almost wrote ovaries. That too. (You do know that songs are like babies, right?) // Cut to March 2020, Kansas City. Chase Horseman and I unearthed the tracks right before the quarantine. He sat down at the Wurlitzer and played some notes and suddenly the song made sense to me. Of course it needed Wurlitzer! Through Chase’s arrangements of keys and other instrumentation, and Dawn and Tracy’s backup vocals (shoutout to KC one nite stand dancers extraordinaire)…I knew the song was finally there and it was time to release it into the world.Thanks so much to both Mark Ospovat & Chase Horseman for helping me realize the song’s potential and also for adding your own inventive arrangements. A One Nite Stands Magical Collaboration from NYC to KC.]
Nan + the One Nite Stands – High-Caliber – February 19, 2021
All songs by Nan Turner. Initial Engineering on 2 and 5 by Mark Ospovat @ Speakersonic Studios, Brooklyn and on 1,3,and 4 by Pat Tomek @ Largely Studios, KCMO. All songs co-engineered, mixed, and co-produced by Chase Horseman @Element Studios, Kansas City, MO. Mastered by Ian Dobyns. The One Nite Stands who played on these songs! Lizz Weiler-bass on 1, 3, and 4 // Pat Tomek -drums on 1, 3, and 4 // Mark Ospovat – bass on 2 and 5 // Don Dawn + Tracy Flowers – vox on 2, 4, and 5 // Chase Horseman- keys, guitar, co-production on 1-5. // Thanks to Mark O, Pat, Chase, Ian, Lizz, Don Dawn, Tracy, Peter Gallagher, and Frida the Dog. // Xtra BigThanks to: Chase Horseman for sonic textures + production magic. // Kimya Dawson, Bertrand “BP” Perrot, MMM, and Sun Ra for Tour Dawg “Space is the Place” Inspiration.
Nan Turner, Thanks for being with us on Wednesday MidDay Medley.
Nan Turner & The One Nite Stands play Gigantic Records, Friday, October 3, at 7:00 at 1614 Westport Rd, KCMO. More at: http://www.nanturner.bandcamp.com.
10:53
- Nan & The One Nite Stands – “Sick”
from: “Sick” – Single / Nan Turner / March 7, 2025
[Nan + the One Nite Stands. Song by Nan Turner. Music backing track by Chase Horseman. Additional Vox by Tracy Flowers. Recorded + mixed + produced by Chase Horseman at Element Studios, Kansas City, KS. Mastered by Ian Dobyns. Additional studio support by Frida the Dog // On February 19, 2021 Nan Turner released High – Caliber with all songs by Nan Turner. Initial Engineering on 2 and 5 by Mark Ospovat @ Speakersonic Studios, Brooklyn and on 1,3,and 4 by Pat Tomek @ Largely Studios, KCMO. All songs co-engineered, mixed, and co-produced by Chase Horseman @Element Studios, Kansas City, MO. Mastered by Ian Dobyns. // “Yeah” is track 1, on this 5-song EP // The One Nite Stands who played on these songs! Lizz Weiler on bass on 1, 3, and 4; Pat Tomek on drums on 1, 3, and 4; Mark Ospovat on bass on 2 and 5; Don Dawn + Tracy Flowers on backing vocals on 2, 4, and 5; Chase Horseman on keyboards, guitar, and co-production on 1-5. // Thanks to Mark O, Pat, Chase, Ian, Lizz, Don Dawn, Tracy, Peter Gallagher, and Frida the Dog. Xtra BigThanks to: Chase Horseman for sonic textures + production magic. Kimya Dawson, Bertrand “BP” Perrot, MMM, and Sun Ra for Tour Dawg “Space is the Place” Inspiration. // Nan Turner released the single “Desert Nights” released May 22, 2020, written by Nan Turner, and recorded by Mark “Dragon” Ospovat @ SpeakerSonic Studios in Brooklyn, NY. Additional recording and mixing and production by Chase Horseman @ Winky World Studios in Kansas City, MO. Mastered by Ian Dobyns. // On July 12, 2019, Nan Turner released her solo EP, Champs and Losers, Version 2. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. // Nan Turner is also one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock. Her music has been described as “Tone Loc meets the Velvet Underground.” More Info at: http://www.nanturner.bandcamp.com Nan Turner was our guest on WMM on March 31, 2021.]
[Nan Turner & The One Nite Stands play Gigantic Records, Friday, October 3, at 7:00 at 1614 Westport Rd, KCMO.]
- They’re Theirs – “Midland Empire”
from: “Midland Empire” – Single / Chase The Horseman / February 18, 2025
[As a live band They’re Theirs consists of Chase Horseman on vocals and guitars, Sky Cowdry on bass and Ian Dobyns on drums. // “Midland Empire” was produced by They’re Theirs, engineered by Ian Dobyns, mixed by Ian Dobyns Chase Horseman and Sky Cowdry. Mastered by Justin Perkins/Mystery Room Mastering. Recorded at Element Recording. // Chase The Horseman released the single “Silver Liner” on October 25, 2024. Drums and additional engineering by Ian Dobyns, Additional vocals by Heidi Gluck. Mastered by Anthony Puglisi. Written, produced, performed and mixed by Chase Horseman at Element Recording. // Chase Horseman has composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, The Roseline, Nan Turner and more. Chase The Horseman film composer, band leader, multi-instrumentalist, audio engineer, & producer. // On April 2, 2024 Chase released the 22 track Original Sound Track for Headcount, a feature film from the Burghart Brothers, produced by Continuance Pictures, Method Media, and Shout Factory. Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” // In February 2020 Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. Chase played Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals all performed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos. // On May 1, 2020. // Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowley on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of the Chase Horseman single were be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. // Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018. // More info at: http://www.chasethehorseman.bandcamp.com.]
[They’re Theirs play the Play Loud Fest Thurs, Sept. 25 for the Pre-Party on the recordBar Main Stage with Post Sex Nachos, and Malek Azrael & The Vibes at 1520 Grand Boulevard, KCMO.]
11:00 – Station ID
- Amy Steinberg– “Ready To Let Go”
rom: Big Bang Breaks / Amy Steinberg / March 11, 2023
[Amy Steinberg was classically trained on the piano from age 4, she studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College. Amy Steinberg is best known for her live performances, she blends together a mixture of music, comedy, and poetry. Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released over nine albums independently, and written and performed multiple one-woman shows. She is a licensed Religious Science minister. She lives with her partner in Asheville, North Carolina. More info at http://www.amysteinberg.net]
[Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, Sept 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr.]
11:04 – Interview with Amy Steinberg
Amy Steinberg was classically trained on the piano starting at age 4. She studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College. Amy Steinberg is best known for her live performances, she blends together a mixture of music, comedy, and poetry. Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released over nine albums independently, and written and performed multiple one-woman shows. She is a licensed Religious Science minister. She lives with her partner in Asheville, North Carolina. More info at http://www.amysteinberg.net]
Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, September 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr., Lenexa, KS.
Amy Steinberg Thanks for being with us on Wednesday MidDay Medley on 90.1 FM.
Amy Steinberg was Borm July 17, 1973 (age 52) in Massachusetts, United States
She is a Singer-songwriter who plays Piano, guitar, vocals,. She had been performing since 1998. Hsr website is: http://www.amysteinberg.net
Amy Steinberg is an American minister, singer, songwriter, musician, playwright and actress. She is an independent artist. Best known for her live performances, she blends together a mixture of music, comedy, and poetry. A student of the Science of Mind movement, her work has included musically directing at spiritual centers, writing songs for the Inspire Choir in Boca Raton, Florida and the One Love Choir in Charlotte, North Carolina which has brought marked spirituality into her work. She has performed at Agape International in Los Angeles, Center for Spiritual Living in Seattle, The Revelation Conference, the Michigan Womyn’s Festival, and opening for artists including Alix Olson and Melissa Ferrick.
Early life – Amy was born in Boston, Massachusetts. At age 8, her family moved to Sarasota, Florida, where she attended Booker High School for the Performing Arts. Classically trained on the piano from age 4, she studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College.
11:11
- Amy Steinberg – “Big Bang Breaks”
from: Big Bang Breaks / Amy Steinberg / March 11, 2023
[Amy Steinberg who is classically trained on the piano from age 4, she studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College. Amy Steinberg is best known for her live performances, she blends together a mixture of music, comedy, and poetry. Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released over nine albums independently, and written and performed multiple one-woman shows. She is a licensed Religious Science minister. She lives with her partner in Asheville, North Carolina. More info at http://www.amysteinberg.net]
[Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, Sept 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr.]
11:14 – More Interview with Amy Steinberg
Amy Steinberg was classically trained on the piano starting at age 4. She studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College. Amy Steinberg is best known for her live performances, she blends together a mixture of music, comedy, and poetry. Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released over nine albums independently, and written and performed multiple one-woman shows. She is a licensed Religious Science minister. She lives with her partner in Asheville, North Carolina. More info at http://www.amysteinberg.net]
Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, September 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr., Lenexa, KS.
Amy Steinberg, Thanks for being with us on tWednesday MidDay Medley on 90.1 FM.
Music and Theater – Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released nine albums independently, and written and performed four one-woman shows: Me, Me, Me, Me; Oh My God Don’t Stop; Ever Expanding; and The Divine Miss Aim. After selling out and winning Patron’s Pick at the 2005 Orlando International Fringe Theater Festival, Oh My God Don’t Stop went on for successful runs in Tampa and West Palm Beach, Florida. It ran for three months at the Cuillo Centre for the Arts in 2008 to rave reviews. She won the Touring Act of the Year award from Songwriter Showcases of America in 2006, and Best Solo Performer from the Orlando Music Awards in 2000. She regularly tours the United States, performing in music festivals, Spiritual Centers, coffeehouses, and unschooling conferences. She currently tours in support of her newest record, Broken Open produced by Justin Beckler.
Her influences and inspirations are Bette Midler, Ani Difranco, Christy Snow, and George Carlin. Her shows are a mix of comedy, music, theater, and spirituality.
Breaking the Moon – Steinberg wrote and produced a long one act, Breaking the Moon, about 7 teenagers in treatment for suicide and suicidal behaviors. It received praise from the press and is moving forward to productions in Asheville, North Carolina, Johnson City, Tennessee and New York, NY. Currently, the original cast album is being recorded at Sound Temple Studios.[2][3]
Art and Other Expressions – In 2001 Steinberg began turning her ‘doodles’ into multi-media pieces of fine art. Her work is mostly bright acrylic pieces with words inside the images (pictures below).
Amy Steinberg is a licensed Religious Science minister. She lives with her partner in Asheville, North Carolina
Discography
Big Bang Breaks
Shine, Be Glorious
Broken Open
Fall Down to Fly
Must Be the Moon
Raw Material from the Ethereal
Emphatic at the Attic: LIVE!
Clown Princess
Sex with Amy
360 Hibiscus
Sky High
Amy Steinberg Thanks for being with us on Wednesday MidDay Medley on 90.1 FM.
Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, September 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr., Lenexa, KS. More info at http://www.amysteinberg.net]
11:24
- Amy Steinberg – “Trouble”
from: “Trouble” – Single / Amy Steinberg / February 24, 2023
[Amy Steinberg who is classically trained on the piano from age 4, she studied at Boston Conservatory and American Musical and Dramatic Academy in New York City and has a degree in theater from Marymount Manhattan College. Amy Steinberg is best known for her live performances, she blends together a mixture of music, comedy, and poetry. Steinberg began singing original music in college and released her first record with the Amy Steinberg Band in 1999. She has since released over nine albums independently, and written and performed multiple one-woman shows. She is a licensed Religious Science minister. She has two chihuahuas, Ru and Tiki and three cats: Poppy, Baby cat and Sebastian. She lives with her partner in Asheville, North Carolina. More info at http://www.amysteinberg.net]
[Amy Steinberg performs her one-woman show MINISTAR, A Cosmic Soul Revival, Friday, Sept 26, at 7:00pm, at The Fillmore KC Event Space, Unity Church of Overland Park, 10000 Marshall Dr.]
11:27 – Underwriting
- Til Willis & Erratic Cowboy – “Lost”
from: “Lost” – Single / Til Willis / February 27, 2025
[3rd single from the upcoming album, Glass Cactus. Written by Til Willis Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. Steve Faceman on backup vocals. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]
[Til Willis plays Greenwood Social Hall, 1750 Belleview Ave. KCMO Sat., Oct. 4, 7:00pm.]
Til Willis plays Northside Local, 444 Locust Ave., Lawrence, KS. on Fri., Oct. 17 8:00pm.]
11:34 – Interview with Til Willis
Til Willis was born in the heat of 1980, has been making music for a long time. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger. Til Willis joins us to share details about his band Til Willis & Erratic Cowboy and their latest album Glass Cactus recorded in The Barn in Tecumseh, Kansas, mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas.
Til Willis plays Greenwood Social Hall, 1750 Belleview Ave. KCMO Sat, Oct 4, at 7:00pm.
Til Willis plays Northside Local, 444 Locust Ave., Lawrence. on Fri. Oct. 17 at 8:00pm
Til Willis Thanks for being with us on Wednesday MidDay Medley
The last album from Til Willis & Erratic Cowboy was Grinding of The Stars, released Nov. 4, 2022 and recorded in a 122 year old barn. With Til Willis on guitars & vocals; Eric Binkley on bass, and Austin Sinkler on drums/ Recorded/Mixed/Produced by Til Willis. Mastered by John Hruska.
Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas.
Til Willis & Erratic Cowboy is:
Til Willis on vocals & guitar
Bradley McKellip on guitar & backup vocals
Eric Binkley on bass
Austin Sinkler on drums.
With Steve Faceman on backup vocals for “Lost,” Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law With Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday
Til Willis began performing in 1992, at the remarkable age of just twelve. Since then, he’s produced an expansive catalog of music, including fifteen studio albums, two live albums, and five EPs. Til’s bandmates, known as Erratic Cowboy, both compliment and enhance Til’s well-seasoned songwriting, and have added their own dynamic energy to his albums and live shows since 2012. With November’s release, Grinding of the Stars, Til Willis & Erratic Cowboy show no signs of slowing down.
Til has headlined his own shows, and opened for such notable acts as Jesse Robinson, The Subdudes, Mel Melton and the Wicked Mojos, Fainting Goats, and Pete Seeger.
Glass Cactus was Recorded in The Barn in Tecumseh, KS. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence. Cover art by David Huddleston
Til and the boys perform frequently at favorite venues:The Record Bar and The Brick in KC, and The Replay Lounge, Kaw Valley Public House and The Bottleneck in Lawrence.
There are people who write songs, and then there are songwriters… people who write simply because they have no other choice, poets in denim who wonder if they’re poetic at all. It’s talk of fire, and the breath of storms passed that stirs the echoes of longing to express one’s self…Til Willis came along after the birth of rock and roll, but before the setting of the sun in the home state of Elvis. A state that as John Magnie says, “Eats the roots of American music.” And, out of this climate Til strode with the confident swagger of a man possessed with the desire to be a songwriter.
Growing up on rock & roll made during a time when “rock & roll” mattered, and it wasn’t about fashion & packaging, Til strives to deliver substance in his own orchard of sound.
A listen to any of his albums, The Thought I Had, Shadow of the Future, Lovesick, Crimson Wind, or Cindershine confirms this level of commitment. It’s not bubblegum pop, or mindless distortion. This is American Rock, and Til has brought it to life on stages from Mississippi to California, Colorado to Oklahoma.
He has composed scores for plays by playwright Steve Goode, and student films made at the University of Colorado. He has produced albums for artists like Drew Fowler, in addition to producing all of his own recordings.
In short Til Willis is an energetic young singer/songwriter with a voice that thunders, and a musical passion and vision that screams the haunted howl of hellhounds down a dusty road. Rock and Roll is freedom, and Til exercises his daily.
CEO at Til Willis & Erratic Cowboy
In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.
Studied at Colorado State University
Lives in Lawrence, Kansas // From Ouray, Colorado
Married to Stephanie Willis – (Aug. 18, 2012)
Daughter: Mahalia
Dog: Twyla
Til Willis Thanks for being with us on Wednesday MidDay Medley
Til Willis plays Greenwood Social Hall, 1750 Belleview Ave. KCMO Sat., Oct. 4, at 7:00pm.
Til Willis plays Northside Local, 444 Locust Ave., Lawrence, KS. on Fri., Oct. 17 at 8:00pm
11:49
- Til Willis & Erratic Cowboy – “Homecoming”
from: Glass Cactus / Til Willis / March 27, 2025
[Til Willis on vocals, guitar, percussion, mixing, & production; Bradley McKellip om guitars & lap steel; Eric Binkley on bass, and Austin Sinkler on grums with Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday; Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law; and Steve Faceman on backup vocals on Lost. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]
[Til Willis plays Greenwood Social Hall, 1750 Belleview Ave. KCMO Saturday, October 4, at 7:00pm.]
[Til Willis plays Northside Local, 444 Locust Ave., Lawrence, KS. on Friday, October 17 at 8:00pm.]
11:55
- Juliette Frost – “Drowning in a Glass of Water “
from: Drowning in a Glass of Water – Single / Juliette Frost / September 5, 2025
[Juliette Frost released the EP personal logs on March 3, 2024. It was part of WMM’s 120 Best Recordings of 2024. personal logs was a small collection of personal notes and feelings collaged into 3 tracks which have been sliced and diced like curry ingredients. // Juliette Frost released the single “Carbon Copy (radio edit). On March 22, 2024. // Juliette Frost released the single “Wizard Trance” with Not Nymph Yet, on December 20, 2023, // Juliette Frost released the single “UeyuAau,” on December 13, 2023. // Juliette Frost released the single “Night Owl,” on April 13, 2023. // Juliette Frost released the single “Fruits of Our Tree,” on December 11, 2022. // Juliette Frost also released the single “Sylvrface,” on February 8, 2021. // Juliette Frost also released the single “Parallel,” on February 8, 2021. // Juliette Frost also released the17 track album, “Lepidoptera” on February 8, 2021. // Juliette Frost also released the single “Streetwalker,” on February 8, 2021. // Juliette Frost recorded a 6-song EP HUSH on May 5, 2021, that was created in a 5-day recording session, in December 2020 in Los Angeles, with musician, bassist, & producer Dominique Sanders. The songs, written by Juliette, feature her vocals layered in harmonies, beats and soundscapes. // Juliette Frost also released the single “burd,” on February 8, 2021. // On April 18, 2020 Juliette released Subterranean.Egyptian.Sea.Monkeys, her 19-track, debut, recorded in her bedroom, when she was 16, sampling sounds from her own cats meowing and purring, among others. When Juliette was making the music for, Subterranean.Egyptian.Sea.Monkeys, she really wasn’t thinking of putting out an album. She was just creating music, and before she knew it she had all of these songs. // Juliette has had the opportunity to see the recording process from two very different perspectives: in a recording studio in LA, and in her own private bedroom, working by herself. Juliette says that she prefers the alone time, in her bedroom process, because she can translate her ideas into reality, much faster. Juliette says she realized her musical passion, and that she had the abilities to create music and songs when she was in middle school. // Juliette Frost went to Shawnee Mission North High School. Juliette is not only a songwriter and producer of music but she is also a visual artist who created amazing collage art, and is also a painter and fine artist. // Juliette grew up surrounded by music in her home, Juliette is the daughter of opera and jazz vocalist Emily Frost and nationally known Hip Hop Beatboxer Adrian “A-Train” Frost] [Juliette Frost played minibar, on October 23, 2024, with Belgium-based Ultra Sunn and Religion of Heartbreak.]
[Juliette Frost plays play the Play Loud Fest celebrating 20 years of recordBar, at 1520 Grand Boulevard, KCMO on Saturday, September 27 at 7:45pm on the Kobi-Q Stage.]
- Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
Next week, on Wednesday, October 1 we talk with members of Whim Theatre’s Production of Boys In The Band, AND Beth Watts Nelson and Brandon Day share new music.
Stay tuned at 12:00 Noon for “Learning to Wiggle” with Steve Stemmerman at 2:00pm it’s Jazz Afternoon with Jeff Harshbarger. At 4:00pm we bring you, Dub’s Groove with Warren, at 6:00pm it’s: ON AIR with Nikki Brooks. At 7:00pm it’s VOICES OF KANSAS CITY brought to you by The Kansas City Star and 90.1 FM KKFI.]
You can find our playlists at: http://www.wednesdaymiddaymedley.org & http://www.kkfi.org
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A really big THANK YOU to every one of you who donated during Wednesday MidDay Medley and our Summer Fund Drive for KKFI 90.1 FM. We had 47 individuals donate a total of $3529.00 in support of Community Radio. Special thanks go to my co-hosts and guests: Betse Ellis, Mikal Shapiro, Sandra Draper, Steve Tulipana and Lincoln Dreher!!!
Thanks to KKFI Staff: Executive Director – Bess Wallerstein-Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver. And Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.
For WMM, I’m Mark Manning. Thanks for listening!
Show #1114
Wednesday MidDay Medley 