Mark spins more New & MidCoastal Releases from: Redder Moon, Keelon Vann, Juliette Frost, Keo & Them, Nature Boys, Megan Luttrell, JW Frances, mehro, and Southwest Ramblers
At 10:30am we talk with Grace Broadhead and Jason Turk of The Southwest Ramblers. With roots in Ireland and the U.S., this high-energy band brings fresh life to Irish traditional music fusing tradition with a modern spark, making their performances both timeless and electrifying. Their critically acclaimed stateside tour brings them to Kansas City to play Hammers at 3901 Main Street, KCMO on Wednesday, April 23 at 7:00pm with Of Tree. More info at: https://www.eventbrite.com/e/1303151564409?aff=oddtdtcreator
At 11:00 Mark welcomes SYLKYSAN as Guest Producer for our second hour. SYLKYSAN has been training as a new KKFI Programmer with Wednesday MidDay Medley. SYLKYSAN is the name her Aunt gave her back in the 1980s, explaining that silk comes in a variety of textures. SYLKYSAN says that you will hear a smorgasbord of music from her that will move your mind, body and soul. Go ahead and snap your fingers, tap your feet, bob your head, because we are going to have a House Party! SYLKYSAN will spin tracks from: Luther Vandross, The Gap Band, Lakeside, Tina Marie, Midnight Star, The Emotions, Atlantic Starr, Average White Band, Earth Wind & Fire, and The Dramatics.
On your local radio dial 90.1 FM or STREAMING LIVE at: kkfi.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, April 16, 2025
WMM presents New & MidCoast Releases + Jaclyn Danger, Simon Huntley, & J. Ashley Miller of THE LOVE NOTE featuring Marmoppes at The Strand Theater
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
Deep Sea Diver – “Billboard Heart (Radio Edit)” from: Billboard Heart / Sub Pop Records / February 28, 2025 [Seattle’s Deep Sea Diver released Billboard Heart, their fourth album, and wide-screened Sub Pop debut. The new long-player includes the “Billboard Heart”, along with highlights “What Do I Know,” “Emergency,” “Let Me Go,” her collaboration with Grammy-winner Madison Cunningham, and the guttural single “Shovel.” // Billboard Heart immediately puts Deep Sea Diver in the company of St. Vincent, TV on the Radio, and Flock of Dimes, bands that have found newly ornate and magnetic ways to make indie rock by discarding notions of how it must sound or what it must say. Dobson punches through her past here. As she howls during Billboard Heart’s rapturous title track, she is “welcoming the future by letting go of it.” // It is a coup, a triumph over self-doubt in which what first felt like failure became an opportunity to find new freedom, belief, and strength. You can hear it in each of these eleven songs, the beating heart that makes everything here feel like a new anthem for finding your own way forward. // Billboard Heart was written and performed by primary songwriter and guitar player Jessica Dobson, and her partner, drummer and band co-writer Peter Mansen, and synth player Elliot Jackson. Additional contributions include former The Shins’ bandmate Yuuki Matthews, Caroline Rose, and Greg Leisz. Billboard Heart was produced by Jessica Dobson and Andy D. Park, with additional production from Adam Schatz, mixed by Park, and mastered by Greg Calbi and Steve Fallone. // You can watch the single-take official video for “Shovel,” directed by Tyler Kalberg and Deep Sea Diver. Dobson says of the track and visual, “‘Shovel’ is one of the most angular and dualistic songs I’ve written, and I wanted to do a one-shot video that captured the grit, rawness, and intensity of the song. Simply put, it is me digging and dancing with a shovel in the middle of the night, desperately looking for beauty in dark places. Influenced by Lynch, the Cohen brothers, Nick Cave, and the sweet dance moves of Kate Bush.” // “Frontwoman Jessica Dobson’s powerful voice and gnarled guitar solos grant the Seattle band’s propulsive, riff-laden indie rock a new level of yearning intensity.” – Pitchfork // “Billboard Heart could propel Deep Sea Diver to the greatest of heights: mild indie stardom. Or at least it should, because this record is very good. But even if they aren’t headlining Pearl Jam-sized arenas this time next year, the sounds of Billboard Heart could fill one.” – PASTE // “There is plenty to unpack with plenty of anthemic moments but also moments of calm that help the epic tracks to soar even more. Dobson’s vocals and guitar work are both captivating throughout in a record that rarely has a dull moment and is full of spirit and spark from start to finish.” – CLASH]
Stereolab – “Aerial Troubles” from: Instant Holograms On Metal Film, / Duophonic UHF / Warp. Records / May 23, 2025 [Stereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group’s sound features influences from krautrock and 1960s French pop music, often incorporating a repetitive motorik beat with the use of vintage electronic keyboards and female vocals sung in English and French. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist art movements. While performing, they play in a more feedback-driven and guitar-oriented style. Since the mid-1990s, the band have drawn from funk, jazz and Brazilian music. // Stereolab were formed by Gane (guitar and keyboards) and Sadier (vocals, keyboards and guitar) after the break-up of McCarthy. The two were romantically involved for fourteen years and are the group’s only consistent members. Other longtime members included 1992 addition Mary Hansen (backing vocals, keyboards and guitar), who died in 2002, and 1993 addition Andy Ramsay (drums). The High Llamas’ leader Sean O’Hagan (guitar and keyboards) was a member from 1993 to 1994 and continued appearing on later records for occasional guest appearances. // Throughout their career, Stereolab have achieved moderate commercial success. The band were released from their recording contract with Elektra Records, and their self-owned label Duophonic signed a distribution deal with Too Pure and later Warp Records. After a ten-year hiatus, the band reunited for live performances in 2019. // Stereolab announces their first new record in 15 years. It includes 13 new studio recordings as well as guest contributions from Cooper Crain, Rob Frye, Ben LaMar Gay, Ric Elsworth, Holger Zapf, Marie Merlet and Molly Read. Alongside the announcement, the group shares a first glimpse into their forthcoming project with first single “Aerial Troubles.” // Instant Holograms On Metal Film will be available on double vinyl LP in standard and colour variants, as well as compact disc and digital formats. The album will arrive two days ahead of the launch of their world tour in Brussels on May 25th. They will then take their discography across Europe with dates in Berlin, Amsterdam, and Paris, among others. They’ll be kicking off the North American leg of the tour this coming October with shows across the United States before heading back to perform a string of shows across the UK. ]
RxGhost – “Anytime But Now” from: “Anytime But Now” – “Undersaid”- Singles / Celery Wolf / March 14, 2025 [RxGhost is: Josh Thomas on vocals & guitar, Justin Brooks on drums, James Capps on guitar, Chris Smead on bass, and Jeremiah James Gonzales. Scaffolding was produced by RxGhost, recorded and mixed by Paul Malinowski at Massive Sound Studios and Recording engineer by Josh Thomas. Music by RxGhost and Lyrics by Josh Thomas. RxGhost released their album Scaffolding on April 11, 2024, part of WMM’s 120 Best Recordings of 2024. More info at: rxghost.bandcamp.com]
Gigi Perez – “Sailor Song” from: At the Beach, in Every Life / Outahere / April 25, 2025 [Gigi Perez has announced her debut full-length album. The record is called At the Beach, In Every Life and is due out April 25. It includes Perez’s breakout single, “Sailor Song.” // “This is the album I needed to listen to when I was twenty years old following the passing of my older sister, Celene,” Perez says. “It’s taken years to process, and seeing how it’s colored everything in my life, it feels like a flag down in the sand at a checkpoint rather than a destination. And there was water everywhere for miles, and a girl met me there every time. I have been loved through my grief.” // Perez will launch a U.S. headlining tour April 23 in New York City. Her 2025 schedule also includes dates opening for Hozier and Mumford & Sons.Gianna Brielle Perez was born February 4, 2000, known professionally as Gigi Perez or simply Gigi, is an American singer-songwriter. Born in New Jersey and raised in Florida, she went viral on TikTok for her songs “Celene” and “Sometimes (Backwood)” and spent a period signed to Interscope Records, on which she released the 2023 EP How to Catch a Falling Knife. After leaving the label, she released “Sailor Song”, which peaked at number 22 on the Billboard Hot 100. “Sailor Song” topped the charts in Ireland, Latvia, and the United Kingdom, and peaked within the top ten of the charts in various countries, including New Zealand and Norway. She has also supported Coldplay on their Music of the Spheres World Tour, Noah Cyrus on her The Hardest Part Tour, girl in red on her Doing It Again Tour and D4vd on his The Root of It All Tour. // Gianna Brielle Perez was born on February 4, 2000, in Hackensack, New Jersey, and raised in West Palm Beach, Florida.: 0:49 She spent a year at a comprehensive before moving to a Christian school.: 8:39 Perez is a lesbian and has credited “Girls Like Girls” by Hayley Kiyoko with helping her accept her sexuality. She began writing songs aged fifteen and began releasing music in 2018 while in high school as part of the band Wendy Lane. Perez attended Berklee College of Music but left due to the COVID-19 pandemic in the United States. She had an older sister, Celene, who died in July 2020, shortly after which Perez’s partner broke up with her.: 29:34 To cope with her grief, she began uploading videos to TikTok to kill time. She went viral in early 2021 after releasing “Celene” and then “Sometimes (Backwood)”, both of which went viral on TikTok, prompting Interscope Records to sign her. // Perez released a further single, “The Man”, in June 2022, a track about expectations faced by men She supported Coldplay on their Music of the Spheres World Tour later that month at their Florida stadium show. She has stated in interviews to have received the offer to do so on her 22nd birthday and in February 2022. She then released “When She Smiles”, a song about a toxic relationship inspired by Ariana Grande, Imogen Heap, and “When Jamie Smiles” from the Ryan Reynolds film Just Friends, and “Glue”, a track written in late 2020 about clinging to a relationship after bereavement. In October 2022, she supported Noah Cyrus on her The Hardest Part Tour and released “Figurines”. In February 2023, she supported D4vd on his The Root of It All Tour. In March, by which time she was based in Brooklyn, she released “Sally” and announced an EP, How to Catch a Falling Knife, which comprised eight songs composed three years earlier. The EP took its title from the stock market term “never try to catch a falling knife”, as she felt it represented what she had put into the project, and was released in April 2023 alongside a music video for focus track “Kill for You”. // In March 2024, after being released from Interscope Records, she released “Normalcy”, a queer love song she had first promoted in December 2022 on TikTok; she followed this a month later with “Please Be Rude”. // In July 2024, she released the single “Sailor Song”, an acoustic queer ballad about a woman who looked like Anne Hathaway. The track went viral on TikTok, and peaked at number 22 on the Billboard Hot 100. Some conservative Christian communities complained about the line “I don’t believe in God, but I believe that you’re my saviour”, prompting Perez to remind her followers that her songwriting was “not a democracy”. She signed to Island Records in September 2024.]
Danny Cox – “What a Time To Be Free” from: Feel So Good / Casablanca Records / 1974 [Recorded at Bell Sound Studios, New York, January-March, 1974. In 2021 Danny Cox digitally released YOUNG AND HOT (LIVE AT COWTOWN BALLROOM) EP on July 27, 2021. Danny Cox was born in 1942 in Cincinnati, Ohio. He is a folk singer and songwriter best known for his 1974 LP album Feel So Good. Danny Cox moved to Kansas City, Kansas in 1967. As a youth, he sang in a church choir together with Rudolph Iseley, and in the 1960s he started his professional career performing on a Hootennany Folk Tour. Cox has recorded albums for ABC Dunhill, Casablanca, MGM and others. He also partnered a company called Good Karma Productions, run by the KC based Vanguard Coffee House owner Stan Plesser, who managed the acts of Brewer & Shipley, and The Ozark Mountain Daredevils.]
Danny Cox Discography: Live at 7 Cities (1963) Sunny (1968) Birth Announcement (1969) Live at the Family Dog (1970) Danny Cox (ABC Dunhill Records) (1971) Feel So Good (Casablanca Records) (1974) Troost Avenue Blues (3-track EP) (2006) Bring Our Loved Ones Back (one track) (2007) Sack of Trout (Single) (2015) Vandalism in Eb Minor (Coin Heaven) (Single) (2015) Kansas City – Where I Belong (Recorded at Pilgrim Chapel) (2012) Time Is What I Need (Single) (2020) Young and Hot (Live at Cowtown Ballroom) (5-track EP) (July
Valerie June – ”Inside Me” from: Owls, Omens, and Oracles / Concord Records / April 11, 2025 [Rooted in the belief that what we focus on is what we manifest, June dreams a song path forward with Owls, Omens, and Oracles that leaves no one behind. Halfway through a decade of immense and rapid global change, June asserts a multidimensional Blackness steeped in laughter, truth, magic, delight, and interdependence. This album is a radical statement to break skepticism, surveillance, and doom scrolling – let yourself celebrate your aliveness. Connect, weep, change, open. Throughout the M. Ward-produced Owls, Omens, and Oracles, Juneʼs distinctive Tennessee twang grips the listener. Visceral twists and a fierceness of raw emotion thread textures and tones through the needle of a multi-genre American quilt, striking against notions that voices should always sound polished and pretty. Gracefulness and gentleness harmonize with dissonance, edginess, and precarity in the sharpest parts of her voice. // Juneʼs singular sound is a North Star as steady and undeniable as any true love story, telling us to “trust the path.” She is inviting us out of the small boxes that keep us apart from each other, her music creating a space where we are already together, already one. The horizon changes as we get closer to it, but our artist is sure-footed in the face of uncertainty and change. She wants everyone who listens to this music to want to be alive, to love, co-creating a future together. Recently Valerie June returned to CBS Saturday Morning where she performed several songs off Owls, Omens, and Oracles. Accompanied by her band, she played lead single “Joy, Joy!,” the unreleased “All I Really Wanna Do,” and debuted “Endless Tree,” a song that was released on Tuesday as a single with an accompanying video. Juneʼs spirited performance gives a taste of what to expect on the upcoming Owls, Omens, and Oracles Tour, which kicks off next week and runs through late June. // Valerie June Hockett was born January 10, 1982, known as Valerie June, is an American singer, songwriter, and multi-instrumentalist from Memphis, Tennessee, United States. Her sound encompasses a mixture of folk, blues, gospel, soul, country, Appalachian and bluegrass. She is signed to Concord Music Group worldwide. // Born in Jackson, Tennessee on January 10, 1982, June is the oldest of five children. As a child growing up in Humboldt, June was exposed to gospel music at her local church and R&B and soul music via her father, Emerson Hockett. As a teenager, her first job was with her father, owner of Hockett Construction in West Tennessee, and a part-time promoter for gospel singers and Prince, K-Ci & JoJo, and Bobby Womack. She helped by hanging posters in town. Her father died in late 2016. // June relocated to Memphis in 2000 and began recording and performing at the age of 19, initially with her then-husband Michael Joyner, in the duo Bella Sun. After her marriage ended, she began working as a solo artist, combining blues, gospel and Appalachian folk in a style that she describes as “organic moonshine roots music”, and learning guitar, banjo, and lap-steel guitar. She became associated with the Memphis-based Broken String Collective. // In 2009 she was a featured artist on MTV’s online series $5 Cover (following the lives of Memphis musicians attempting to make ends meet), and in 2010 she recorded the EP Valerie June and the Tennessee Express, a collaboration with Old Crow Medicine Show. // In 2011 she was honored by the Memphis and Shelby County Music Commission at the Emissaries of Memphis Music event. She raised funds to record an album with producer Craig Street via Kickstarter.com, raising $15,000 in 60 days. Later that year she relocated from Memphis to Williamsburg, Brooklyn. Shortly after, record producer Kevin Augunas introduced June to Dan Auerbach of The Black Keys, which led to the recording of June’s album Pushin’ Against a Stone in July 2011, which was co-written and produced by Dan Auerbach and Kevin Augunas. // In 2012, June performed with producer John Forté on a collaboration called Water Suites (on the hip-hop-blues song “Give Me Water”), and with Meshell Ndegeocello on the song “Be My Husband”. She contributed The Wandering’s 2012 album Go on Now, You Can’t Stay Here: Mississippi Folk Music Volume III. In 2012 she performed in the UK for the first time, playing at Bestival and appearing on Later… with Jools Holland. // She has received substantial radio play in Europe on BBC Radio 6, including a feature on Cerys on 6 with Cerys Matthews. Mary Anne Hobbs of XFM has said of June: “This woman has already touched my heart, she really, really has.” // In February 2013, June was invited to support Jake Bugg on the UK leg of his tour. In March 2013, June performed two nights at South By Southwest. The first performance was on March 14 as part of the Heartbreaker Banquet. On March 16, June performed again, this time as part of The Revival Tour. Rolling Stone June’s second album, The Order of Time one of the 50 Best Albums of 2017, citing “her handsomely idiosyncratic brand of Americana, steeped deep in electric blues and old-time folk, gilded in country twang and gospel yearning….a blend of spacey hippie soul, blues and folk with June’s pinched, modern-Appalachian voice at the center”. In a 2017 interview, Bob Dylan was asked what artists he listened to and respected; June was among the artists he mentioned in reply. More info at: http://www.valeriejune.com]
Aretha Franklin – “Something He Can Feel” from “Music from the Warner Bros. Picture Sparkle / Curtom – Atlantic Records / May 5, 1976 [“Something He Can Feel” was composed by Curtis Mayfield for the 1976 film Sparkle. The song, a love ballad in a Chicago-/Philly-soul style, became a #1 hit on the Billboard’s R&B singles chart in the U.S. twice with two separate recordings: a 1976 version by Aretha Franklin from the film’s soundtrack, and a 1992 cover by En Vogue . // In the original 1976 version of the film Sparkle, the song is performed by “Sister & the Sisters”, with Lonette McKee on lead vocal, and Irene Cara & Dwan Smith on backing vocals. The version of “Something He Can Feel” present on the film’s soundtrack album replaces the vocal tracks with those of Aretha Franklin and the Kitty Haywood Singers, with the instrumental tracks remaining the same. //Sparkle revolves around the lives of the members of Sister & the Sisters, a 1960s Motown-esque girl group, and “Something He Can Feel” is present in the film as part of their repertoire. Franklin’s recording of the song was issued as the first single from the album, and became a number-one hit on Billboard’s Hot Soul Singles chart, peaking at #28 on the Billboard Hot 100, becoming Franklin’s only pop Top 40 hit during the second half of the 1970s. // Sparkle would be remade in 2012, as would “Something He Can Feel”, this time performed by Carmen Ejogo on lead vocal with Jordin Sparks and Tika Sumpter on backing vocals. In an allusion to Aretha Franklin’s version of the song and soundtrack, Sister & Her Sisters perform “Something He Can Feel” as part of a live TV performance headlined by Franklin. // Franklin’s version of the song was featured in the second season of RuPaul’s Drag Race, being performed by contestants Jujubee and Tatianna in a “lipsync for your life”. // Aretha Louise Franklin was born March 25, 1942 and died August 16, 2018. She was a singer, songwriter and pianist. Honored as the “Queen of Soul”, she was twice named by Rolling Stone magazine as the greatest singer of all time. // As a child, Franklin was noticed for her gospel singing at New Bethel Baptist Church in Detroit, Michigan, where her father C. L. Franklin was a minister. At the age of 18, she was signed ato Columbia Records. While her career did not immediately flourish, Franklin found acclaim and commercial success once she signed with Atlantic Records in 1966. She recorded albums such as I Never Loved a Man the Way I Love You (1967), Lady Soul (1968), Spirit in the Dark (1970), Young, Gifted and Black (1972), Amazing Grace (1972), and Sparkle (1976), before experiencing problems with the record company. Franklin left Atlantic in 1979 and signed with Arista Records. Her success continued with the albums Jump to It (1982), Who’s Zoomin’ Who? (1985), Aretha (1986) and A Rose Is Still a Rose (1998). // Franklin is one of the best-selling music artists, with more than 75 million records sold worldwide. She charted 112 singles on the US Billboard charts, including 73 Hot 100 entries, 17 top-ten pop singles, 96 R&B entries and 20 number-one R&B singles. Her best-known hits include “I Never Loved a Man (The Way I Love You)” (1967), “Respect” (1967), “(You Make Me Feel Like) A Natural Woman” (1967), “Chain of Fools” (1967), “Ain’t No Way” (1968), “Think” (1968), “I Say a Little Prayer” (1968), “Call Me” (1970), “Don’t Play That Song (You Lied)” (1970), “Spanish Harlem” (1971), “Rock Steady” (1971), “Day Dreaming” (1972), “Until You Come Back to Me (That’s What I’m Gonna Do)” (1973), “Something He Can Feel” (1976), “Jump to It” (1982), “Freeway of Love” (1985), “Who’s Zoomin’ Who” (1985), “I Knew You Were Waiting (For Me)” (a duet with George Michael, 1987) and “A Rose Is Still a Rose” (1998). She also made a featured appearance in the 1980 musical-comedy film The Blues Brothers. // Franklin received numerous honors through her career. She won 18 Grammy Awards out of 44 nominations, including the first eight awards given for Best Female R&B Vocal Performance (1968–1975), as well as a Grammy Living Legend Award and Lifetime Achievement Award. She was also awarded the National Medal of Arts and the Presidential Medal of Freedom. In 1987, she became the first female artist to be inducted into the Rock & Roll Hall of Fame. Her other inductions include the UK Music Hall of Fame in 2005, the Gospel Music Hall of Fame in 2012, and posthumously the National Women’s Hall of Fame in 2020.In 2019, the Pulitzer Prize jury awarded her a posthumous special citation “for her indelible contribution to American music and culture for more than five decades.]
10:29 – Underwriting
Kirstie Lynn & Galen Clark – “Soft Landing” from: Kirstie Lynn & Galen Clark / Lost River Sound / August 9, 2024 [Kirstie Lynn & Galen Clark released Cindergarden (A Sides) on May 22, 2022. They released Cindergarden (B Sides) on June 21, 2023. Kirstie Lynn is a classically trained soprano with a passion for songwriting, always looking to marry poetry and melody. Though Kirstie’s voice has been compared to that of Joni Mitchell and Joan Baez, her sound is uniquely her own. Kirstie Lynn is a folk singer-songwriter originally from the fingerlakes region of upstate, NY. She began her professional music studies at the age of 15, and has since received both a Bachelor’s degree from Shenandoah University and a Master’s degree from Carnegie Mellon University in voice and opera performance. Her vocal training lends her the freedom to paint her nature inspired lyrics with a wide range and a beautiful and effortless sound. Kirstie Lynn is one half of the duo Kirstie Lynn and Galen Clark. // Galen Clark introduces an alternative perspective and approach to music that contains multitudes. Migratory melodies, multi-instrumental fluency, and mysterious texture all outline the stylings of the newly transplanted Cuyahoga Valley songwriter, producer, and musician. // Born into an Air Force family, Clark grew up in many places with family anchors in Vermont and Colorado. At the age of 9 following many failed piano lessons, Clark’s grandparents gifted him a Harmony parlor guitar from a Shelburne flea market, starting a journey that would span almost 2 decades of stylistic development, a plethora of ephemeral bands, a degree in music production and recording technology, and a refined take on songwriting. .. Sharing songs spanning the stoic mountains of Idaho’s lost river range to the ancient hum of the Shenandoah Valley, Galen draws upon energy strewn between varied time and place, a broader quest for belonging, and rejuvenation beyond the front door. Clark’s previous records, Providence (2018) and The Well (2020) offer a contemplative portrait of moods in natural ambiguity, collective consciousness, and introspection. His most recent collaboration with Kansas City – based artist, Kirstie Lynn is a reckoning that is to be heard live and will transport you elsewhere if not in mind than in spirit.][Kirstie Lynn & Galen Clark joined us live on WMM on June 21. // Kirstie Lynn played IN THE ROUND with Calvin Arsenia, Julia Othmer, and Christena Graves at The Bauer, 115 West 18th Street, in KCMO’s West Crossroads, Oct. 17.]
[Kristie Lynn with Hunger Peebles and Naytalir Prauser play Knuckleheads, 2715 Rochester Street KCMO, TONIGHT, Wednesday, April 16, at 7:00pm.]
Old Sound – “Relics of a Small Town” from: Liquid Folk Vol. 01 / Old Sound / April 25, 2025 [Liquid Folk Vol. 01 contains the first two singles to be released by the band, throughout the next few months leading up to their next full-length reklease.“Relics of a Small Town” & “Signs of Life” – Singles Greg Herrenbruck on bass & vocals; Grady Keller on mandolin, acoustic guitar & vocals; Chad Brothers on acoustic guitar & vocals. // On October 6, 2020 Old Sound released their album DELUGE. Recorded at Temple Sounds in Kansas City. The new album was produced by Old Sound, Brendan Moreland and Phil Wade. The album was engineered and mixed by Brendan Moreland and Mastered by Duane Trower at Weights & Measures Sound Lab. // “Deluge” dives deep into the band’s 20-year chemistry, showcasing the band’s acoustic soundscapes and strong three-part harmony. The wide range of songwriting contains lyrics concerning life, love, self-expression, capitalism, climate change, police brutality, the demise of our country, death, and much more. Grady Keller plays guitar and mandolin, Greg Herrenbruck plays bass and Chad Brothers plays lead guitar. All sing. The three members have been creating music together in some fashion for more than 20 years. Greg Herrenbruck & Chad Brothers grew up together as friends in Winfield, Kansas. Winfield is the home of the Walnut Valley Festival. As young college students at Kansas State University they met Grady Keller. The trio has shared many years of picking, camping and performing at the Walnut Valley Festival. Old Sound, is a synthesis of the ideas, techniques, songs and stories we’ve found in those campground. // In 2014 they released their debut recording RAIN FOLLOWS THE PLOW, Recorded and produced by Phil Wade at his studio, Alluvial Fan.More info at: http://www.oldsoundmusic.com]
Champ – “Do It Again Do It Again” from: Sampler EP / Champ / March 27, 2025 [Debut EP, Sampler, from Kansas City, Missouri power pop trio Champ. // Champ began as a recording project of prolific singer-songwriter and DIY punk rocker Bennett Weaver in 2019. That year, Weaver released a four-song demo via Bandcamp, singing and playing every instrument himself. // Now, roughly five years later, Weaver has recruited his longtime friends and collaborators Jack Marsh (bass/backing vocals) and Iggy Audley (drums) to make Champ a full-fledged band (Weaver maintains vocal and guitar duties). // Weaver and Marsh spent 2024 and the early months of 2025 crafting the three songs featured on Sampler. What they came up with were some of their most mature arrangements and some of their catchiest hooks yet, without sacrificing an ounce of the raw emotion that inspired them. // Album art by Lucy Isadora. // Recorded by Lance Rutledge. // Mastered by Justin Mantooth.]
[Champ plays Howdy, 6523 Stadium Dr., KCMO Sun, April 27 w/ Skinman, Refuse To Thrive, Failure Drill]
[Champ plays Howdy, 6523 Stadium Dr, KCMO on Fri, May 23 w/ Gripe, Total Sham, J*ckoffs]
[Champ plays Hitt Records, 10 Hitt St., Columbia, MO on Fri, June 6 w/ Highway Demon]
Wet Leg – “catch these fists (Radio Edi)” from: moisturizer / Domino Recording Co / July 17, 2025 [Wet Leg – the Isle of Wight five piece founded by Rhian Teasdale and Hester Chambers – have announced their eagerly anticipated second album moisturizer will be released on July 17.. Alongside the album announcement, the band also share the first taste of moisturizer with its frenetic, alluringly combative lead single “catch these fists.” Kicking things off with an untamable, electrified groove and from its opening seconds, “catch these fists” is dance-punk par excellence – bass notes ricocheting off a wall of howling synth, thunderous beat catching strays from Teasdale’s cruel deadpan. The video, directed by the band and shot on the island, nods to Ti West, Cameron Crowe and their own “Wet Dream” video and is a suitably off-kilter introduction to moisturizer valley. // Teasdale previously felt allergic to writing love songs, moisturizer is defined by its sheer exuberance and Teasdale ended up finding the process empowering. That new sense of ownership extends to moisturizers album art, an instant-classic freak-fest in which Chambers and Teasdale bare long, ghoulish claws; Teasdale, sporting long, kitschy socks and sans eyebrows, grins fiendishly into the camera. It reflects the album, moisturizer is the band turning the dial up and delivering a record that is unapologetically bolder, stronger and raunchier. // Wet Leg is a British indie rock band from the Isle of Wight, founded in 2019 by Rhian Teasdale and Hester Chambers. The band came to prominence in 2021 when their debut single, “Chaise Longue”, became a viral hit. Their self-titled debut album was released on April 8 2022. // Teasdale and Chambers first met at Isle of Wight College. After ten years of friendship, they became a musical duo in 2019 under the name Wet Leg, signed with Domino Recording Company. They chose the name by playing a game picking different emoji combinations and getting to Wet Leg, it stuck. Their debut single, “Chaise Longue”, was released on June 15, 2021, and gained media notice for earning millions of streams and video views. Their second single, “Wet Dream”, was released on 28 September 2021. Variety noted, “It’s rare that a new group releases two songs and they’re both great”. They appeared on Later… with Jools Holland on BBC2, on 30 October 2021. On 29 November 2021, they announced their debut self-titled album, released on 8 April 2022 via Domino. The same day, Wet Leg released the double-single “Too Late Now” / “Oh No”. // In an interview with Diffus, the band stated that their name came from a regional epithet from the Isle of Wight to describe non-islanders on the island. Those who had crossed the Solent to enter the isle were said to have a wet leg from getting off the boat. // Teasdale had performed for many years on the Isle of Wight as a local musician and pianist, and prior to forming Wet Leg, was known as RHAIN and was linked to the music scene in Bristol. In 2013 Teasdale performed as RHAIN her song “Humdrum Drivel”. In 2014 she was photographed Lucy Dacus’ new album, her fourth solo record, Forever Is A Feeling via Geffen Records. The album’s release comes replete with a special performance video for new single “Bullseye” – featuring acclaimed Irish singer-songwriter Hozier – and filmed for legendary Irish television show Other Voices at the National Gallery of Ireland, Dublin last week. Dacus first met Hozier, one of her favorite artists, when he joined boygenius onstage at their show in Boston in September 2023. She later invited him to duet with her on “Bullseye”, a song about a breakup in which she felt both partners’ respective voices should be portrayed. // Shortly after boygenius’ multiple GRAMMY wins in January 2024, Lucy recorded Forever Is A Feeling in Los Angeles with an array of collaborators that includes Phoebe Bridgers, Julien Baker, Blake Mills, Bartees Strange, Madison Cunningham, Collin Pastore, Jake Finch and Melina Duterte. // The album’s debut single, “Ankles”, was debuted with a performance on The Tonight Show Starring Jimmy Fallon in January and recently hit the top ten at AAA Radio in the U.S – marking Dacus’ first top ten radio hit as a solo artist. Dacus will embark on the Forever Is A Feeling Tour beginning in Philadelphia on April 16th. Support comes from special guest Katie Gavin (of MUNA) and jasmine.4.t. The tour, her largest to date, includes Radio City Music Hall in New York, two nights at The Greek Theater in Los Angeles and two nights at the Ryman Auditorium in Nashville, before heading to the UK and Europe in June. All dates below.
Lucy Dacus – “Ankles” from: Forever is a Feeling/ Dirty Hit Records / February 21, 2025 [Lucy Elizabeth Dacus was born May 2, 1995. She is an American singer-songwriter, guitarist, and record producer. Originally from Richmond, Virginia, Dacus first gained fame following the release of her debut album, No Burden (2016), which led to a deal with Matador Records. Historian, her second album, was released in 2018 to critical acclaim. Home Video, her third studio album, was released in 2021. Forever is a Feeling, her fourth album, was released in 2025. // In addition to her solo work, Dacus is also a member of the indie supergroup Boygenius, with Julien Baker and Phoebe Bridgers. The band has released one studio album and two EPs to critical acclaim and widespread touring. The band won 3 Grammy Awards in 2024, including Best Alternative Music Album. They also became the first all-female band to win Best Rock Song and Best Rock Performance. // In October 2023, Rolling Stone named Dacus the 213th-greatest guitarist of all time, noting: “[her] guitar is as essential an instrument as her voice”. // Lucy Elizabeth Dacus was adopted as an infant and grew up in Mechanicsville, Virginia, a suburb of Richmond. She is of Uzbek and Irish descent.[8] Her adoptive mother is a professional pianist and music teacher, and her adoptive father is a graphic designer. Dacus had an early interest in music, and bought her first guitar, an Ibanez, from Craigslist when she was in middle school. After graduating from Maggie L. Walker Governor’s School in 2013, she began studying film at Virginia Commonwealth University, but left to avoid student debt and the “feeling of being misunderstood” in her university program. Prior to becoming a full-time musician, she was employed by Richmond Camera as an editor for children’s school photos. During this time, she wrote approximately 30 songs, nine of which would make up the tracklist of No Burden.]
[Lucy Dacus brings her a Forever is a Feeling Tour to The Midland Theatre 1228 Main St. KCMO on Wednesday May 7.at 7:15pm with Katie Gavin & jasmine.4.t]
Jackie Myers – “What About The Butterfly” from: “What About The Butterfly” – Single / Jackie Myers / March 20, 2025 [Second single from upcoming album What About The Butterfly to be released May 18, 2025. // In his online sitte The Plastic Sax Bill Brownlee writes: “Witnessing the transformation of Jackie Myers from a peripheral figure on Kansas City’s jazz scene to one of the region’s most compelling artists has been extraordinarily gratifying. Quietly upping her game in incremental steps, Myers’ resolute work in recent years is reaping dividends. // On any given night, Myers applies her talents in a variety of contexts in Kansas City cafés, restaurants and barrooms. The variety of sounds- pop, rock, blues and, yes, jazz- coalesce on What About the Butterfly. The new album marks the culmination of a remarkable metamorphosis. // Not only is What About the Butterfly superior to Myers’ previous recordings, the album makes most jazz-rooted efforts seem unimaginative and simplistic. Her ambitions extend well beyond conventional Kansas City jazz. // Support from elite collaborators including Bobby Watson helps the album compare favorably to the arty pop of Laura Nyro, the contemporary soul of Cory Henry and the fastidiousness of Jacob Collier. Rarely has Kansas City been the setting for a more pleasing musical glow-up. ” – Read more at http://www.plasticsax.com // Jackie Myers is a jazz pianist, composer, and singer. She is a transplant from Austin Texas, where she performed in the indie touring circuit for almost a decade. She has been playing in Kansas City since December of 2017 with shows that feature a mix of jazz standards and original compositions. Since then she has held residencies at several notable jazz venues in Kansas City, including but not limited to, Corvino Supper Club, Chaz on the Plaza, and Green Lady Lounge. She also held the position of Music Director and piano player for the nationally syndicated radio show – 12th Street Jump – taped live in Kansas City until 2020, when the show ended. // During the pandemic, Jackie was able to continue performing through live streaming from her home and she produced a series of 9 concerts called “Kansas City Drive-ins” that featured artists including Bobby Watson, The Kansas City Jazz Orchestra, Eddie Moore, and Beau Bledsoe. The series was well attended and brought jazz back to its audience in a time when the venues could not host. Myers boasts a catalog of 7 albums and is currently working on her 8th. At her live shows, audiences are treated to Myers’ innovative and fluid keyboard work, punctuated by her bluesy vocals. At other times, Myers’ shows feature a purely instrumental dose. Performing as part of a duo, trio, quartet, or quintet, Myers is typically joined by some of the best musicians offered by a locale, typically combining a crisp rhythm section with top artists on horns or guitar. In 2018, Myers added Hammond organ to her repertoire, adding to the diversity of her performances. She currently plays the Hammond B3 for one of Kansas City’s most decorated Blues Artists – Nick Schnebelen. // As for Myers’ vocals, Louisiana musical writer Dominick Cross said about an earlier recording: “My initial reaction to the recording was that in some ways its Michelle Shocked meets Amy Winehouse. And several listens later, I’d say the same thing with more emphasis on Winehouse.” Bill Brownlee, jazz critic for The Plastic Sax and several other Kansas City publications said, “Her vocals on Ain’t No Sunshine and Stars Fall on Alabama demonstrated that Myers … brings a singular talent to the scene.” Myers debuted her first straight ahead jazz album in 2018 – The Instrumental One, which was recorded live at the prestigious Green Lady Lounge in Kansas City. Made up of eight tracks, including six original compositions, Jackie’s keyboard stylings groove what one critic called “jazz from a solid R&B point of view.” Critics compared The Instrumental One to works by Ahmad Jamal and Les McCann. Kansas City’s Roger Atkinson wrote: “I still like that soul-jazz genre . . . plus, Jackie Myers has a new fan: me.” Myers has also done some impressive work in musical production. In 2017, she produced the musical production Silent Films Out Loud: A Tribute to Buster Keaton. This event featured a nine-piece ensemble playing newly-written compositions to four Buster Keaton silent film classics, including a score by Myers to Buster Keaton’s 1922 Cops. This event, sponsored in part by the City of Austin Economic Development Department, filled Austin’s premier theater – The Stateside at the Paramount. Lastly, she has recently plied her craft with local production startup – FMK Music as a producer and composer for the group. Jackie holds a certificate in music from Berklee School of Music, a BA in music from Grinnell College, and a Master of Arts in Music with a jazz concentration from UMKC. ]
[Jackie Myers plays a What About The Butterfly Album Release show at The Blue Room, Friday, April 18, 2025 at 7:30pm]
11:00 – Station ID
Marmoppes – “Butterfly” from:“Butterfly” – single / Big Nip Records / March 17, 2024 [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]
Marmoppes discography: “Nos” – March 23, 2025 (Big Nip Records) “Gyatt Time” – Sept. 20, 2024 “Yr Chemical” – April 28, 2024 ‘Butterfly” – March 17, 2024 “Cerulean Blue Truffle Pig” – September 5, 2023
[Marmoppes play THE LOVE NOTE featuring Marmoppes, Friday, April 18, 2025 at 9:00pm at The Strand Theater, 3544 Troost Ave, KCMO.]
11:03 – Interview with Jaclyn Danger, Simon Huntley, & J. Ashley Miller
Lucid Illusions Kansas City’s innovative art collective is presenting THE LOVE NOTE featuring Marmoppes, this Friday, April 18, 2025 at 9:00pm at The Strand Theater, 3544 Troost Ave, KCMO.
The Strand Theatre is the oldest operating theater in Kansas City and is one of the last remaining XXX theaters in the Midwest. This one night only spectacular features a live on stage improvised musical score by Marmoppes, inspired by a custom-cut smut mixtape filled with the wildest, most hilarious clips from the pre-digital age when all adult movies were shot on film.
Jaclyn Danger joins us to share details about this special event. Jaclyn Danger studied at The Kansas City Art Institute and is a co-founder of Lucid Illusions an innovative art collective led by queer artists Allison Lloyd, Jaclyn Danger, and Kimmon Smutz. Specializing in immersive, site-specific experiences, the collective transforms unconventional venues into dynamic spaces for multimedia art. Their work blends music, performance art, drag, burlesque, and more, creating interactive events that defy traditional boundaries.
Also joining us in the conversation are one half of the band, Marmoppes: J. Ashley Miller and Simon Huntley. Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. And after the interview we’ll share their latest single, “Nos.’
Jaclyn Danger, Simon Huntley, & J. Ashley Miller thank you for being with us on Wednesday MidDay Medley.
THE LOVE NOTE featuring Marmoppes, is this Friday, April 18, 2025 at 9:00pm at The Strand Theater, 3544 Troost Ave, KCMO.
11:24
Marmoppes
Marmoppes – “Nos” from: “Nos” – single / Big Nip Records / March 23, 2025 [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]
Marmoppes discography: “Nos” – March 23, 2025 (Big Nip Records) “Gyatt Time” – Sept. 20, 2024 “Yr Chemical” – April 28, 2024 ‘Butterfly” – March 17, 2024 “Cerulean Blue Truffle Pig” – September 5, 2023
[Marmoppes play THE LOVE NOTE featuring Marmoppes, Friday, April 18, 2025 at 9:00pm at The Strand Theater, 3544 Troost Ave, KCMO.]
11:28 – Underwriting
Nan & The One Nite Stands – “Sick” from: “Sick” – Single / Nan Turner / March 7, 2025 [Nan + the One Nite Stands. Song by Nan Turner. Music backing track by Chase Horseman. Additional Vox by Tracy Flowers. Recorded + mixed + produced by Chase Horseman at Element Studios, Kansas City, KS. Mastered by Ian Dobyns. Additional studio support by Frida the Dog // On February 19, 2021 Nan Turner released High – Caliber with all songs by Nan Turner. Initial Engineering on 2 and 5 by Mark Ospovat @ Speakersonic Studios, Brooklyn and on 1,3,and 4 by Pat Tomek @ Largely Studios, KCMO. All songs co-engineered, mixed, and co-produced by Chase Horseman @Element Studios, Kansas City, MO. Mastered by Ian Dobyns. // “Yeah” is track 1, on this 5-song EP // The One Nite Stands who played on these songs! Lizz Weiler on bass on 1, 3, and 4; Pat Tomek on drums on 1, 3, and 4; Mark Ospovat on bass on 2 and 5; Don Dawn + Tracy Flowers on backing vocals on 2, 4, and 5; Chase Horseman on keyboards, guitar, and co-production on 1-5. // Thanks to Mark O, Pat, Chase, Ian, Lizz, Don Dawn, Tracy, Peter Gallagher, and Frida the Dog. Xtra BigThanks to: Chase Horseman for sonic textures + production magic. Kimya Dawson, Bertrand “BP” Perrot, MMM, and Sun Ra for Tour Dawg “Space is the Place” Inspiration. // Nan Turner released the single “Desert Nights” released May 22, 2020, written by Nan Turner, and recorded by Mark “Dragon” Ospovat @ SpeakerSonic Studios in Brooklyn, NY. Additional recording and mixing and production by Chase Horseman @ Winky World Studios in Kansas City, MO. Mastered by Ian Dobyns. // On July 12, 2019, Nan Turner released her solo EP, Champs and Losers, Version 2. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. // Nan Turner is also one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock. Her music has been described as “Tone Loc meets the Velvet Underground.” More Info at: http://www.nanturner.bandcamp.com Nan Turner was our guest on WMM on March 31, 2021.]
Tune-Yards – “Heartbreak” from: Better Dreamiing / 4AD Records / May 16, 2025 [Tune-Yards is the Oakland, California–based music project of Merrill Garbus and Nate Brenner. Garbus’s music draws from an eclectic variety of sources and uses elements such as loop pedals, ukulele, vocals, and lo-fi percussion. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice’s annual Pazz and Jop critics’ poll. // The album Nikki Nack was released in 2014, with its first single, “Water Fountain”, being picked up by Google Pixel in 2016 for an advertising campaign. The album I Can Feel You Creep into My Private Life was released in January 2018. At the same time, Tune-Yards provided an atmospheric score for the sci-fi film Sorry to Bother You. // Born in 1979, Garbus was raised in New York City and in New Canaan, Connecticut. She attended Smith College. She was a puppeteer for the Sandglass Theater in Vermont and lived in Montreal where she played ukulele in the band Sister Suvi with guitarist Patrick Gregoire and drummer Nico Dann. Merrill’s sister Ruth Garbus is also a musician who has played solo and in the band Happy Birthday. After releasing her first Tune-Yards album in 2008, she moved to Oakland, where her partner in Tune-Yards, Nate Brenner, also lives. // The first Tune-Yards album, Bird-Brains (stylized as BiRd-BrAiNs) was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August 17, 2009. A full worldwide release followed on November 16, 2009 (and November 17 in North America). The autumn 2009 pressing was remastered at Abbey Road Studios by Christian Wright, and includes two new bonus tracks: “Want Me To” and “Real Live Flesh.” // A second album, Whokill (stylized as w h o k i l l), was released on April 19, 2011. A single from it, “Bizness”, came out in February 2011. It was produced by Garbus and engineered by Eli Crews at New, Improved Studios in Oakland. Applying the live approach to Garbus’ studio work for the first time, Garbus works with bass player Nate Brenner, who co-wrote some of the album’s songs. Comparing the act to Sonic Youth, Frontier Psychiatrist said, “if Bird-Brains was Garbus’ Evol, a record bursting with musical ideas that attempted to subvert the notion of song, who kill is Garbus’ Sister, a record that embraces the traditional pop song as a vehicle to convey those ideas.” The album as well as singles “Bizness” and “Gangsta” received mention on many top 2011 album and song lists, including Time, Rolling Stone, Spin, and the New York Times. In early 2012, the Village Voice’s annual “Pazz and Jop” poll of critics named Whokill the No. 1 album of 2011. The song “Fiya” is featured on a 2010 commercial for the Blackberry Torch, while the song “Gangsta” has been used in the television shows Orange Is the New Black, Letterkenny, Weeds and The Good Wife and the song “Bizness” was used in Season 3 of Transparent. // Garbus started recording material for her third LP during the latter half of 2013, with a working title of Sink-o. A May 6, 2014 release date was later announced with the title Nikki Nack. The album spawned three singles, including “Water Fountain”, which was featured in the soundtrack for EA Sports video game FIFA 15 as well as in a 2016 commercial for the Google Pixel. // A fourth album was released on January 19, 2018, called I Can Feel You Creep into My Private Life. The album showed more of an electronic influence. The single “Look at Your Hands” was released earlier, in October 2017, followed by “Heart Attack” in January.// The Tune-Yards scored the satiric science fiction film Sorry to Bother You (2018). The film was shown at Sundance in January, then began a theatrical run in July. Its soundtrack songs are performed by the Coup, fronted by the film’s director, Boots Riley. Riley said he started working with Tune-Yards in “early 2015” to create the film’s score, with demo tracks already available before the script was complete, and before the start of principal photography. Riley said he was attracted to Garbus’s voice, and to the band’s “unorthodox use of percussion and vocal layering.” Garbus also composed the theme music for The New Yorker Radio Hour. // In 2021, Tune-Yards appeared as the opening performance for Google I/O with Artificial Intelligence powered vocal accompaniment.]
Daniel Gum – “Met You Too Soon” from:The Great Conjunction / Manor Records / February 7, 2025 [All songs written/performed by Daniel Gum (BMI), production/engineering: Mike Crawford & Daniel Gum, mixing: Daniel Gum, bass: Joel Stratton, drums/percussion: Micah Ritchie. With Joel Stratton (piano on 1, baritone guitar on 2), Wills Van Doorn (slide guitar on 3), Brandon Bray (lead guitar on 6), Cole Crawford (piano on 10), Devon Teran (pedal steel on 2), Evan Herd (writing for drums on 7), Rachel Cionitti (bgvs on 1-6, 8), mastering: Mike Nolte at Eureka Mastering, artwork/lettering: Daniel Gum] // Here’s what Daniel had to say about this track: “This song was written reflecting on a past relationship—thinking things probably could have worked out if we met 5 years later than we did. Or maybe they wouldn’t have.. but I’ll never know. This song is a part of a series of singles leading up to my second album. I hope you enjoy the chord progressions and slide guitar especially”. // Daniel Gum is a singer-songwriter based out of Kansas City, KS who has been active since 2017. Daniel Gum released the single “Julia” on December 9, 2022. Daniel Gum released the single “Wolverine (ft. Rachel Cion)” on September 19, 2921. Daniel Gu, released the electronic pop EP, I’M NOT DEAD in 2017 and an acoustic EP, MOON in 2018. In addition to working on his own solo project, Daniel has been working with other local groups—playing bass and engineering for his band Pillow (a post-punk/shoegaze group) and playing drums behind singer-songwriter Chloe Jacobson, also doing some recording for her. Channeling the likes of Elliott Smith & Andy Shauf, he co-produced his new record THIRTEEN with Mike Crawford, playing almost everything you hear on the album and mixing it himself. Signing to Manor Records in the spring of 2020, he officially released THIRTEEN on cassette & CD on October 30, 2020. All songs written, performed, and.mastered by Mike Nolte at Eureka Mastering. Daniel Gum is a 24 year old singer-songwriter . Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EPI’M NOT DEAD on October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming. The first single from Daniel Gum’s album, Thirteen “Ruin Your Life” was released on September 4, The second single, “In The Worst Ways” was released September 28, 2020. ] [On our July 22, 2020, WMM show we played Daniel Gum’s track, “Tired Saint” from French Exit Records – Black Lives Matter Compilation, released July 6, 2020. French Exit Records was launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. Daniel Gum joined us on WMM on November 11, 2020]
[Daniel Gum plays Farewell KCMO 6515 Stadium Drive, KCMO on Friday, April 19, ay 8:00pm with, Faith Maddox and Sloe Poke]
Faith Maddox – “Sunspot” from: Impressions EP / Faith Maddox / February 26, 2024 [// Faith Maddox released the songle “Frances” om March 11, 2023 through French Exit Records – Performed and mixed by Faith Maddox. Mastered by Deegan Poores. Faith Maddox released the single “Bloody Maple” on February 18, 2022 on French Exit Records. Faith Maddox released the 9-song album SUBTLE HAUNTINGS on February 25, 2022, Faith Maddox on vocals/guitar/bass and Jared Crowley on drums. The album was recorded by Faith Maddox, it was mixed & mastered by Joel Martin. Faith Maddox is a 21-year-old artist currently living in Lawrence, Kansas. A self-taught guitarist and writer, Maddox’s work explores themes of gender, mortality, and nature, often weaving literary references between fingerpicked melodies. Her music is not easily boxed in, taking influence from math rock, jazz, folk, and slowcore. She is an avid fan of Fleabag, Joan Didion, and anything green. Faith Maddox released the 9-song album SUBTLE HAUNTINGS on February 25, 2022, Faith Maddox on vocals/guitar/bass and Jared Crowley on drums. The album was recorded by Faith Maddox, it was mixed & mastered by Joel Martin. Info: http://www.faithmaddox.bandcamp.com]
[Faith Maddox plays Farewell KCMO 6515 Stadium Drive, KCMO on Friday, April 19, ay 8:00pm with Daniel Gum, and Sloe Poke]
TheBabeGabe X The Human – “FUTURISTIC LOVERS” from: HONEYPOP / Seven Rings Media / March 5, 2025 [Production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on September 20, 2024 through Dirty Hit Records and immediately followed with an 8-track seventh studio album HEAVEN ON URF, on October 25, 2024 on Dirty Hit Records. Our friend and music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On October 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. Kansas City is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.” Deiondre added, “The music scene here is getting cool now, there’s a lot of jazz musicians that go to school for music here too but you can find people from different scenes all over if around the city.” Ty wrote, “The KC scene is great, the community here is so supportive and genuine. This is a really prideful city here and I think they’re finally getting the musicians they deserve.”]
Saving Miles Lemon – “In The Night” – Single from: “In The Night” – Single / Saving Miles Lemon / January 16, 2025 [Performed by: Saving Miles Lemon. Written by: Miguel Silva-Leon. Produced by: Saving Miles Lemon. One of three new singles released in the last few months from Saving Miles Lemon. // Saving Miles Lemom released the 13-track full-length album LOVELY/ on October 6, 2023. Saving Miles Lemon is the psychedelic-pop project of Miguel Silva-Leon. Formed in 2019 with the goal of releasing an album by the end of the year, the project has transformed into a full-blown musical odyssey for Miguel (who likes to go by Mig) to explore new sounds. It’s hard to define what genre Saving Miles Lemon fits into as they like to let the music go where it wants to go. From smooth dance pop, to blown-out stoner rock, Mig likes to keep things interesting and never stay with one sound for too long. // Having grown up learning to play the piano at the age of 7, Miguel found themselves picking up new instruments frequently from the clarinet, saxophone, and oboe to guitar/bass and drums. Just as with their instruments, Mig began practicing their production skills in high school with small bedroom projects and hardcore bands. In a way, nothing has changed, as all of Saving Miles Lemon’s music is recorded and produced entirely by Mig in their bedroom studio to this day. // Their live members include Jacob Frisbee (bass), James Wiltfang (keys), and Zeke Bockleman (drums). // As a live act, the band began performing in 2021 and quickly took over the DIY scene in Kansas City before moving on to the bar/venue scene with sold-out shows at The Rino (KCMO) and The Bottleneck (LFK). They’ve opened for national and international touring bands such as Cub Sport at The Encore at Uptown Theatre (KCMO). // Saving Miles Lemon has released two full-length LPs and a handful of singles. A third album is set to release in 2023.] [Saving Miles Lemon played Outer Reaches Fest, Fri, Oct. 13 at recordBar, 1w/ Bombino, The Philistines, & Teri Quinn.]
Various Blonde – “RAW” – Single from: “RAW” – Single / Various Blonde / September 1, 2023 [One of three new singles released in the last few months from Various Bonde. “Couldn’t Love Me” was released March 7, 2025, and “Silent Partner” was released April 11, 2025// Various Blonde released the 10 track album Love Is How We Will Survive on September 1, 2023. That album contained 4 singles released over two years 20022 to 2023. Various Blonde is a Kansas City based experimental, rock, pop, and funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, and vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.” On September 24, 2022 Various Blonde released the single, “Love is How We Survive.” On August 19, 2022 Various Blonde released the single, “Obtuse”. On June 9, 2022 Various Blonde released the single, “Too Many Secrets.” On March 13, 2020 Various Blonde released a three song EP called 3s 2 through The Record Machine. On January 2020 Various Blonde released a three song EP called 3s 1 through The Record Machine. On September 16, 2016 Various Blonde released the 10-track album ALL BASES COVERED through The Record Machine. On January 13, 2015 Various Blonde release the 10-track album, SUMMER HIGH. “More info at: http://www.variousblonde.com]
The Freedom Affair – “Don’t You Wanna Love Me” from: The Freedom Affair / Sunflower Soul Records / May 9, 2025 [Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]
[The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
This Friday, April 18 at Noon, Mark will be hosting MidCoast LIVE with musician ALBER who will play a 60-minute concert LIVE in our 90.1 FM Studios.
NEXT WEEK, on April 23 – We’ll be playing more New & MidCoastal Releases! And we’ll interview the Southwest Ramblers who’ll be rambling into town to play Hammers at 3901 Main April 23. And in our 2nd hour we welcome Guest Producer Silky Sand Sensations!
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, April 16, 2025
WMM presents New & MidCoast Releases + Jaclyn Danger, Simon Huntley, & J. Ashley Miller of THE LOVE NOTE featuring Marmoppes at The Strand Theater
Mark spins more New & MidCoastal Releases from: Champ, RxGhost, Old Sound, Marmoppes, TheBabeGabe, Jackie Myers, Saving Miles Lemon, Nan Turner, The Freedom Affair, Various Blonde, Daniel Gum, Faith Maddox, Kirstie Lynn and Galen Clark, Danny Cox, Stereolab, Wet Leg, Valerie June, Lucy Dacus, Tune-Yards, Gigi Perez, Deep Sea Diver, and Aretha Franklin.
At 11:00am Jaclyn Danger shares details about THE LOVE NOTE featuring Marmoppes, Friday, April 18, 2025 at 9:00pm at The Strand Theater, 3544 Troost Ave, KCMO. The Strand Theater is the oldest operating theater in Kansas City and is one of the last remaining XXX theaters in the Midwest. This one night only spectacular features a live on stage improvised musical score by Marmoppes, inspired by a custom-cut smut mixtape filled with the wildest, most hilarious clips from the pre-digital age when all adult movies were shot on film. Don’t miss this chance to celebrate The Strand’s legacy before developers erase yet another piece of Kansas City’s weird and wonderful past.
Also joining us in the conversation are one half of the band, Marmoppes: J. Ashley Miller and Simon Huntley will share their latest single, “Nos.’ Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes
Jaclyn Danger studied at The Kansas City Art Institute and is a co-founder of Lucid Illusions an innovative art collective led by queer artists Allison Lloyd, Jaclyn Danger, and Kimmon Smutz. Specializing in immersive, site-specific experiences, the collective transforms unconventional venues into dynamic spaces for multimedia art. Their work blends music, performance art, drag, burlesque, and more, creating interactive events that defy traditional boundaries.
On your local radio dial 90.1 FM or STREAMING LIVE at: kkfi.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, April 9, 2025
WMM presents Til Willis, Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra, Kevin King & Zo E. Schmidt
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
REVISER – “CELESTINE” from: “CELESTINE” – Single / TEVISER / February 28, 2025 Calling to mind classic 80’s bands such as Sisters of Mercy, The Cure, and Killing Joke, REVISER sounds complimentary to such contemporaries as Actors, Soft Kill, and Drab Majesty. REVISER collects and redirects its familiar influences into something both familiar and foreign, a sound that is dark, deep, and danceable. Dedric Moore on keyboards and Krysztof Nemeth on vocals and baritone guitar, with newest member Breaka Dawn (of The Bad Ideas) singing with Krysztof. This is the 4th single form REVISER who released “DARKSIDERS” on October 18, 2024, and “ASSASINS” and “BURN IT OUT” on March 15, 2024. REVISOR is a continuation of the musical collaboration from Static Phantoms, Religion of Heartbreak (with Mikal Shapiro) and Monta At Odds.
Eddie Moore – “In The Kitchen” from: What Makes Us / Eddie Moore Music / March 25, 2024 [“In the Kitchen” features: Eddie Moore on piano, Bass, & Rhoades; Jaylen Ward on drums; Ben Tervort on bass, Isaiah Petrie on vibes. Written & Produced by Eddie Moore(Emoremyz BMI). Executive Producer – Eddie Moore, Co-Producer- Dan Israel. Mixed By- Eddie Moore. Mastered By Crayge Lindesay. Recorded at First Run Studios engineered by Dan Israel // When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Moore reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression. // On March 5, 2024 Eddie Moore released the EP Aperture (Live Piano Works) through Eddie Moore Music. // On April 20, 2023 Eddie Moore released the single “Tsunami” Recorded & produced at Moore’s Tribe Studios, the song features Jaylen Ward on drums. Mixed & mastered by veteran KC savant Crayge Lindesay. // Eddie Moore released his critically acclaimed album INTUITION on Oct. 28, 2022. Written & Produced by Eddie Moore. Recorded at Tribe Studios. Featuring Tim Ogutu on guitar. Mix & Mastered by Rick Carson at Make Believe Studios. Album Art by Brandon Wilson. // Eddie Moore released the single, “Love Song” (with Joel Castillo & Bree Cummings) on Oct. 22, 2021. // We The People released the single, “Single Double” on June 10, 2021. Written & Produced By Eddie Moore on keyboards, key bass, & programming; Zach Morrow on drums; and Jason Emmond on bass. // Eddie Moore’s band We The People released their album MISUNDERSTOOD on Sept. 25, 2020. // Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to KC to study under Bobby Watson at the University of Missouri-KC where he received a M.A in Jazz Studies. He was 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”. Moore has shared the stage and recordings with Bobby Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band. Eddie Moore joined WMM on Sept. 23, 2020 and Nov. 23, 2022. More info at http://www.eddiemooremusic.com]
[The Eddie Moore Trio plays The Majestic, 931 Broadway, KCMO, Thursday, April 10, at 6:00pm]
Ivory Blue – “Heartbeat” from: “Heartbeat” – Single / IVORY BLUE / March 28, 2025 [For “HEARTBEAT” IVORY writes, “is about letting things be when there seems to be no way to change the outcome of something that happened in our life. Sometimes, things happen without an apparent reason. Other times it’s a blessing in disguise and time will tell if it was worth the pain we felt going through it.” // IVORY BLUE released the single “Rhythm of the Radio” on January 31, 2025 // IVORY BLUE released the single “Exiled” on November 29, 2024. IVORY BLUE released the single “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and stations around the world. // On Oct. 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from Sept. 22, 2023, ”The Best of Life” from Aug. 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on Feb. 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to Earth, Boulevardia, Crossroads Music Festival, The Middle of the Map Fest, The Westport Roots Festival, the KCPT Screening of “Real Boy” at KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. More info at: http://www.ivorybluemusic.com]
[My Oh My play an Album Release Matinee Show on Friday, April 11, at 6:00pm at The Ship 1221 Union Ave. KCMO in the West Bottoms.]
Kansas City, MO USA – August 04, 2024: easterday at recordBar
the easterday band – “Smothered (Live)” from: live recordings of Scott Easterday: 35 Years / Recorded August 4, 2024 / Unreleased [Scott Easterday: 35 Years – celebrating Scott’s 35 years as a singer, songwriter and performer, from Sunday, August 4, at the recordBar, 1520 Grand, KCMO. This retrospective concert featured 11 other musicians who have performed with Scott over the years. There were 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featured in the show were Mark Accuff, Elaine McMilian, Jon Niccum of the original Easterday band with Richard Alwyn. Also in the show were Marco Pascolini, Richard Burgess, and Sam Platt of (the latter day) Expassionates. And also in the also were: Kyle Dahlquist, Bryan Hicks, Nate Hofer, and Matt Richey. // Originally released on the album: Easterday 1993-1995 from Scott Easterday in 2004. The easterday band featuring Scott Easterday on lead vocals and guitar, Elaine McMilian on vocals, Jon Niccum on bass and Mark Acuff on drums. The band was active from 1993-1995. The album was recorded at Red House Studios by Ed Rose and released in 2004. They have had a couple reunions since then and are taking advantage of this occasion to have another. Mark plays drums in Promise Breakers. Jon was the creator of The Worst Gig [worstgig.com] and Elaine just published her first book of poetry, Copper and Other Precious Metals. ]
[Easterday play The Black Box 1060 Union Ave. KCMO in West Bottoms on Fri, April 11, at 6:30pm]
Krystle Warren & The Faculty – “Empty Chairs” from: Extended Play / Parlour Door Music / November 1, 2024 [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations // // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs were recorded with everyone in the same room (Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up Extended Play are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play, they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]
10:29 – Underwriting
Til Willis & Erratic Cowboy – “Lost” from: “Lost” – Single / Til Willis / February 27, 2025 [3rd single from the upcoming album, Glass Cactus. Written by Til Willis Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. Steve Faceman on backup vocals. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]
[Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]
10:35 – Interview with Til Willis
Til Willis was born in the heat of 1980, has been making music for a long time. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. Til Willis joins us to share details about his band Til Willis & Erratic Cowboy and their new album Glass Cactus. Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.
Til Willis Thanks for being with us on Wednesday MidDay Medley
The last album from Til Willis & Erratic Cowboy was Grinding of The Stars, released Nov. 4, 2022 tand recorded in a 122 year old barn. With Til Willis on guitars & vocals; Eric Binkley on bass, and Austin Sinkler on drums/ Recorded/Mixed/Produced by Til Willis. Mastered by John Hruska.
Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas.
Til Willis & Erratic Cowboy is: Til Willis on vocals & guitar Bradley McKellip on guitar & backup vocals Eric Binkley on bass Austin Sinkler on drums.
With Steve Faceman on backup vocals for “Lost. With Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law With Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday
10:43
Til Willis & Erratic Cowboy – “Ten Miles of Days” from: Glass Cactus / Til Willis / March 27, 2025 [Til Willis on vocals, guitar, percussion, mixing, & production; Bradley McKellip om guitars & lap steel; Eric Binkley on bass, and Austin Sinkler on grums with Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday; Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law; and Steve Faceman on backup vocals on Lost. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy.]
[Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]
10:46 – More Interview with Til Willis
Til Willis began performing in 1992, at the remarkable age of just twelve. Since then, he’s produced an expansive catalog of music, including fifteen studio albums, two live albums, and five EPs. Til’s bandmates, known as Erratic Cowboy, both compliment and enhance Til’s well-seasoned songwriting, and have added their own dynamic energy to his albums and live shows since 2012.
Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.
Til Willis Thanks for being with us on Wednesday MidDay Medley
Til has headlined his own shows, and opened for such notable acts as Jesse Robinson, The Subdudes, Mel Melton and the Wicked Mojos, Fainting Goats, and Pete Seeger.
Glass Cactus was recorded in The Barn in Tecumseh, KS. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence. Cover art by David Huddleston
Til and the boys perform frequently at favorite venues: recordbar and The Brick in KC, and Replay Lounge, Kaw Valley Public House and The Bottleneck in Lawrence.
There are people who write songs, and then there are songwriters… people who write simply because they have no other choice, poets in denim who wonder if they’re poetic at all. It’s talk of fire, and the breath of storms passed that stirs the echoes of longing to express one’s self…Til Willis came along after the birth of rock and roll, but before the setting of the sun in the home state of Elvis. A state that as John Magnie says, “Eats the roots of American music.” And, out of this climate Til strode with the confident swagger of a man possessed with the desire to be a songwriter.
Growing up on rock & roll made during a time when “rock & roll” mattered, and it wasn’t about fashion & packaging, Til strives to deliver substance in his own orchard of sound.
A listen to any of his albums, The Thought I Had, Shadow of the Future, Lovesick, Crimson Wind, or Cindershine confirms this level of commitment. It’s not bubblegum pop, or mindless distortion. This is American Rock, and Til has brought it to life on stages from Mississippi to California, Colorado to Oklahoma.
He has composed scores for plays by playwright Steve Goode, and student films made at the University of Colorado. He has produced albums for artists like Drew Fowler, in addition to producing all of his own recordings.
In short Til Willis is an energetic young singer/songwriter with a voice that thunders, and a musical passion and vision that screams the haunted howl of hellhounds down a dusty road. Rock and Roll is freedom, and Til exercises his daily.
CEO at Til Willis & Erratic Cowboy Studied at Colorado State University Lives in Lawrence, Kansas // From Ouray, Colorado Married to Stephanie Willism, Daughter: Mahalia, Dog: Twyla
Til Willis Thanks for being with us on Wednesday MidDay Medley
Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.
10:45
Til Willis & Erratic Cowboy – “Horizon Before Us to Love” from: Glass Cactus / Til Willis / March 27, 2025 [Til Willis on vocals, guitar, percussion, mixing, & production; Bradley McKellip om guitars & lap steel; Eric Binkley on bass, and Austin Sinkler on grums with Nate Holt on keyboards for: Ten Miles of Days, Horizon, Smells Like Honey, Recovering Sunday; Chance Dibben on Sonic Manipulations on Homecoming, Recovering Sunday, Natural Law; and Steve Faceman on backup vocals on Lost. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. // Til Willis, born in the heat of 1980, has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger.]
[Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.]
11:00 – Station ID
11:00 – Interview with Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, and Chico Sierra
Heather Pontonio – Arts & Science Council (Rep= Ashley)
Heather Pontonio has a master’s degree in Public Administration from New York University and a bachelor’s degree in Arts Administration from the State University of New York at Fredonia. She serves on the board of VIA Collaborative Arts and Research Advisory Board for the Strategic National Arts Alumni Project (SNAAP).
Heather is the Senior Program Director at the Emily Hall Tremaine Foundation where she is responsible for national strategy and administration of the Art Program portfolio focused on professional practices for both artists and curators. In her 13 years at the Foundation, she has expanded the curatorial portfolio from a single program (the Emily Hall Tremaine Exhibition Award) to a suite of programs that support dozens of curators and been instrumental in the launch of Artists Thrive, a national tool to assess and improve conditions for artists across the country.
Heather joins us to share details about the ARTISTS THRIVE 2025 Summitin Kansas City, on May 6-8. The 2025 summit venue has been provided with generous support from the Ewing Marion Kauffman Foundation, with lead local partner Mid-America Arts Alliance and Charlotte Street Foundation. Artists, arts leaders, educators, and funders can expand their creative circle. This unique event offers a powerful networking hub, connecting art communities with passionate colleagues from across the country. For more information on the 2025 Artists Thrive Summit you can visit: http://www.artiststhrive.org
Heather Thanks for being with us on the radio.
Emily Hall Tremaine Foundation is based in New Haven, Connecticut, but you are calling us from Montana, through your work for the foundation you travel all over the country.
2025 Artists Thrive Summit May 6-8 Ewing Marion Kauffman Foundation
Mid-America Arts Alliance and Charlotte Street Foundation
Also Joining us in the conversation is José Faus – writer, performer, visual artist, and independent teacher/mentor with an interest in the role of artists as creative catalysts for community building. He is a co-founder of the Latino Writers Collective. His writings have appeared in many anthologies and journals. His chapbook, This Town Like That was released by Spartan Press. The Life and Times of Jose Calderon was published by West 39 Press. His children’s book, Possum Trot was published by La Resistencia Press. More info at: http://www.artistinc.art/facilitator/jose-faus/
José Faus Thanks for being with us on the radio.
Also joining us is Elizabeth Bettendorf Bowman (she/her) is a theatre artist dedicated to making the arts truly accessible. Since graduating from Northwest Missouri State University in 2012, she has made KC her home and has worked at several area not-for-profit companies. She received her Master of Arts in Theatre from the University of Missouri-KC and is a faculty member at Benedictine College where she teaches theatre courses. She has also taught for KCK Community College at the Fort Leavenworth correctional facilities. // As a director & administrator, Elizabeth has worked at such companies as the Kansas City Repertory Theatre, Coterie Theatre, Metropolitan Ensemble Theatre, and KC Fringe. Through her work in theatre education & outreach, Elizabeth was inspired to create a theatre which reaches all corners of the diverse KC community. By producing free professional theatre, Elizabeth hopes to foster the creativity of our citizens and explore the truly global nature of the KC region. http://www.kcpublictheatre.org
Elizabeth Bettendorf Bowman Thanks for being with us on the radio.
Also joining us is visual artist and muralist Chico Sierra, originally from El Paso Texax. Having relocated from his familial homeland, Chico attempts to connect the dots of his cultural history and create new stories based around humanism, class structures and social justice. Influenced by his interests in spiritual iconography he is attempting to create new narratives using symbolism that has been previously clouded by colonialism and more recently appropriated by euro-centric new age spiritualism. Chico’s work has been shown at the Nerman Museum of Contemporary Art, The Nelson Atkins Museum of Art, the Nelson Atkins Museum Day of the Dead exhibit, Mattie Rhodes, Union Station, and InterUrban ArtHouse. More info at: http://www.chicosierra.com
Chico Sierra, Thanks for being with us on the radio.
Chris Dahlquist, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra are part of a Plenary Session: Lay of the Land: An Overview of the Arts in KC – Tuesday, May 6, 5-6pm. This session is designed to ground all Summit attendees into the Kansas City art scene.
Chris Dahlquist will cover Historic KC: 18th and Vine // Hallmark // Walt Disney – Laugh-O-Gram // Union Station // Downtown Airport // Nelson-Atkins // Folly Theatre // Midland Theatre …and bring it into the Contemporary: Charlotte St Foundation // Belger Crane Yard // Zhou B Art Center // Crossroads // Kaufman Performing Arts Center
Elizabeth Bowman of KC Public Theatre will cover the: Spencer Theatre on UMKC’s Campus // Copaken Stage (Power & Light district) // Unicorn Theatre // Coterie Theatre // Musical Theatre Heritage in Crown Center // The Black Box // Just Off Broadway // The Arts Asylum // White Theatre // City Stage in Union Station // Warwick Theater // The Gem Theatre // Quality Hill Playhouse // Johnson County Arts and Heritage Center // Martin City Melodrama // The New Theatre // Stern Black Box Theatre at Charlotte Street Found
Artist-Thrive will include tours and interactive experiences include InterUrban ArtHouse in Overland Park, Englewood Arts Center in Independence, Charlotte Street in Kansas City, and the Nerman Museum of Contemporary Art at Johnson County Community College.
Learning Journeys: Airport InterUrban Arts Englewood Arts Nerman Museum at Johnson County Community College in Overland Park Charlotte Street (also dinner on Wed)
Other locations Main hotel: Kansas City Marriott Country Club Plaza Dinner Tuesday: Crossroads – Jack Stack and Lidia’s Dinner Thursday: Food truck event at Oppenstein Brothers Memorial Park, 1123 Walnut St, Kansas City, MO 64106
Partners Mid-America Arts Alliance Arts KC Kauffman Foundation Conference Center KCAI Belger Arts
Artists, arts leaders, educators, and funders from across the United States are invited to expand their creative circle at the annual 2025 Artists Thrive Summit in Kansas City, Missouri, May 6–8, 2025.
This event offers a powerful networking hub to help connect attendees with passionate colleagues from across the region and country. As part of the Summit, Artists Thrive has partnered with Kansas City organizations to craft regional experiences, including tours to cultural venues embedded in the community.
Attendees will spark collaborations, share best practices, and find inspiration alongside a diverse group of individuals who share a similar dedication to the arts. The Summit’s flexible format ensures everyone—introverts, extroverts, seasoned professionals, or those new to the field—can make lasting connections.
Artists Thrive aims to raise the value of artists in every community. Artists Thrive is a growing initiative offering activities, practices, language, visions and values of what it means to succeed and thrive as an artist – and what it means to have a thriving arts sector and, eventually, thriving communities. It is a set of interconnected and holistic resources that can guide us in improving our performance and, ultimately, the conditions in which artists can thrive. Artists Thrive is funded by the Emily Hall Tremaine Foundation.
Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra thanks or being on WMM
ARTISTS THRIVE 2025 Summit in Kansas City, on May 6-8. The 2025 summit venue has been provided with generous support from the Ewing Marion Kauffman Foundation, with lead local partner Mid-America Arts Alliance and Charlotte Street Foundation. Artists, arts leaders, educators, and funders can expand their creative circle. This unique event offers a powerful networking hub, connecting art communities with passionate colleagues from across the country. For more information on the 2025 Artists Thrive Summit you can visit: http://www.artiststhrive.org
11:25
Helen Gillet – Vautour” from: Helkiase / Helen Gillet / July 6, 2018 [Originally from Leuven, Belgium and now based in New Orleans, Louisiana. Globe Trotting, multi-faceted, jazz-based cellist, singer, composer and improviser Helen Gillet is a “mixed bag” of musical influence. Downbeat Magazine recently nominated her a Rising Star in the 61st Annual Critic’s Poll. She believes music to be an expression of the honest human condition; performing an eclectic mix of French pop, Avant Garde Jazz, North Indian, Folk and Classical styles. Helen Gillet’s 2018 solo album is Inspired by Helkiase, a cure-all medicine invented by the nuns of Notre Dame à la Rose hospital in Lessines, Belgium. (The hospital was one of Europe’s longest continually operating hospitals founded in XIII’s century). Gillet’s latest music deals with the more recent personal layers of complicated grief and finding new strength, sense of humor and inspiration. This recording captures the current spirit of Gillet’s live performance and features her newest original songs “Slow Drag Pavageau” written about legendary dancer and New Orleans bassist Alcide Pavageau, as well as “You Found Me,” “Skin,” and “Vautour,”song inspired by Israeili composer and artist Naama Tsabar. All songs are performed by Helen Gillet using a Boss RC50 Loop station and mainly cello and voice. Tracks 7 “Tonnerre” and 4 “Helkiase” use a Moog Sub Fatty synthesizer and vinyl scratching of a famous 1940 General de Gaulle speech. Live studio sessions and evening concerts recorded by Andrew “Goat” Gilchrist at the House of 1Hz on March 8th and 9th 2018 in New Orleans, LA. Mastered by Bruce Barielle.]
[Owen / Cox Dance Group presents SKIN with Helen Gillet on Saturday, April 12, at 8:00pm at The Folly Theater, 300 West 12th Street, KCMO. -Critically acclaimed collaboration with New Orleans-based cellist, vocalist, live looping artist and composer Helen Gillet. Skin features original music by Gillet and choreography by Jennifer Owen, performed live by Gillet, Brad Cox, and the captivating dancers of Owen/Cox Dance Group. Skin will be performed live for one night only]
[“Skin”originally made its World premiered April 1 and 2, April 3 at 2:00 PM, at City Stage Theatre, Union Station,KCMO choreography by Jennifer Owen and musician Brad Cox in collaboration with New Orleans-based cellist Helen Gillet. Owen/Cox Dance Group is a 501(c)3 not for profit corporation. More info at: http://www.owencoxdance.org]
Anaǐs Mitchell – “Flowers (Eurydice’s Song)” from: Hadestown / Righteous Babe Records / March 9, 2018 [Hadestown is the fourth studio album by American folk singer-songwriter Anaïs Mitchell, and was released by Righteous Babe Records on March 9, 2010. The concept album, which became the basis for the stage musical of the same name, follows a variation on the ancient Greek myth of Orpheus and Eurydice, where Orpheus must embark on a quest to rescue his wife Eurydice from the underworld. It has been advertised as a “folk opera”. Several of the songs feature singers other than Mitchell, including Justin Vernon, Ani DiFranco, Greg Brown, Ben Knox Miller, and The Haden Triplets (Tanya, Petra and Rachel Haden). The album was nominated for a Grammy Award for Best Recording Package in the 53rd Annual Grammy Awards. // Between 2006 and 2007, Mitchell staged performances of Hadestown, a musical based on the Greek myth of Orpheus and Eurydice. Unsure what lay ahead for the stage musical, she decided to turn it into a concept album. Raising a few thousand dollars by emailing her fan base and asking them to pitch in for shirts and other merchandise, Mitchell worked on the album for over a year. // The album features orchestral arrangements by Michael Chorney, who had worked with Mitchell’s recordings since her album Hymns for the Exiled in 2004. //Within the narrative of the album, the part of Orpheus is played by Vernon; Persephone by DiFranco; Hades by Greg Brown; The Fates by Tanya, Petra and Rachel Haden; Hermes by Ben Knox Miller; and Eurydice by Mitchell. While most of the recording was produced by Todd Sickafoose at Brooklyn Recording Studio in New York City, the lead vocals were often produced elsewhere in the United States. The album encompasses a variety of American roots music forms, including folk, indie folk, country, blues, ragtime, gospel, rock, swing, and avant-garde. // Anaïs Mitchell was born March 26, 1981. She is an American singer-songwriter, musician, and playwright. Mitchell has released eight studio albums, including Hadestown (2010), Young Man in America (2012), Child Ballads (2013), and Anaïs Mitchell (2022). // She developed her album Hadestown into a stage musical (together with director Rachel Chavkin), which received its US debut at New York Theatre Workshop in summer 2016, and its Canadian debut at the Citadel Theatre, Edmonton the following year. The show opened at London’s National Theatre in November 2018 and then on Broadway on April 17, 2019, at the Walter Kerr Theatre. The Broadway production of Hadestown won eight Tony Awards in 2019 including the Tony Award for Best Musical. Mitchell received the Tony Award for Best Original Score; she was also nominated for Best Book of a Musical. The Broadway cast album of the show took home the Grammy Award for Best Musical Theater Album in 2020. Mitchell’s first book, Working on a Song: The Lyrics of Hadestown, was published by Plume Books on October 6, 2020. Mitchell was included in Time’s 100 Most Influential People of 2020. // Mitchell is a member of the band Bonny Light Horseman, whose self-titled debut was released in 2020. The band’s second album, “Golden Rolling Holy”, was released in 2022, followed by “Keep Me on Your Mind/See You Free” in 2024. // Mitchell’s father, a novelist and college professor, named her after author Anaïs Nin. She grew up on Treleven farm in Addison County, Vermont and graduated from Mount Abraham Union High School. She was raised Quaker. Her mother was Deputy Secretary of Vermont’s Agency of Human Services. After traveling to the Middle East, Europe and Latin America as a child, she attended Middlebury College, where she majored in political science and graduated in 2004.]
[The Broadway National Tour of Hadestown plays The Lied Center, 1600 Stewart Drive, Lawrence Kansas, this Monday, April 14 at 7:30pm]
11:32 – Underwriting
11:33 – Interview with Kevin King & Zo E. Schmidt – Whim Productions
Kevin King is originally from Topeka, Kansas. He studied at The University of Kansas, In 2011 Kevin founded Whim Productions where he serves as Producing Artistic Director of Whim Productions. He is a queer playwright based in KCMO and is a playwright-in-residence at the Midwest Dramatists Center, former playwright-in-residence in the Charlotte Street FoundationStudio Residency program, and a member of the Dramatists Guild. His short play The Swallows was selected for the 2019 William Inge Theater Festival New Play Lab.
King’s work has also appeared in the Kansas City Fringe Festival, Alphabet Soup: Theater from Queer Voices (Whim Productions, 2015, 2016, 2018, 2019,2020), The Barn Players’ 6×10 Short Play festival (2018, 2019), Midwest Dramatists Conference (2018, 2019), One-Minute Play Festival (2016), Fishtank Theater’s 12 Plays of Christmas (2014), and other festivals. His work ranges from campy to slice-of-life realism, portrayed through a quirky, queer lens. Kevin also works as an intimacy coach.
Kevin King joins us to share details about Whim Production’s annual flagship event, Alphabet Soup: Theater from Queer Voices an evening of six short plays written by Kansas City-area LGBTQ writers. Running through April 13, 2025, at Whim Space, 415 Prospect Ave, KCMO, in historic Pendleton Heights. For info visit: http://www.whimproductions.org.
Kevin King and Zo E. Schmidt welcome to Wednesday MidDay Medley
Whim Productions’ Alphabet Soup: Theater from Queer Voices returns to Whim Space from April 4-13. Alphabet Soup, Whim’s annual flagship production, is an evening of six short plays written by Kansas City-area LGBTQ writers.
Alphabet Soup debuted in 2015 as part of the Kansas City Fringe Festival and now returns for its ninth iteration.
“We’re so excited to bring back Alphabet Soup for a 9th year!” said Kevin King, Whim’s producing artistic director. “The six plays we’re presenting are a great mix of over-the-top narratives and very grounded drama. We can’t wait to share these with audiences!”
The selected playwrights participate in private workshops facilitated by Kevin King, Whim’s Producing Artistic Director. This allows the plays to develop and builds a community among the writers. The workshops have given production opportunities to people who had never had a production before. In fact, some of the selected playwrights had never written a play prior to being involved in Soup.
This year’s short plays are:
The High Who Spied Me by John Adams (he/him): A top-secret agent is sent to America to retrieve a stolen nuclear missile — but finds something even more explosive.
Pride and Precipice by Camilo Fontecilla (he/him): A mountain hike tests all the limits of Willow and Bree’s relationship.
Futureproof by Courtney Honors (they/her): Only hours after meeting, two women — one a serial monogamist and the other a doomsday prepper — rush into a relationship and try to make it work despite the looming threat of an armageddon.
The Space Where We Met by Kevin King (he/him): On the eve of their 10-year high school reunion, Charlie and Melissa have surprising realizations about each other. Turns out, ten years can change everything, including what you think you know.
Oversteeped Tea by B. Michael McFarland (he/him): What are the consequences of our actions? An estranged brother and sister find out over afternoon tea.
All the Stars in Cygnus by Zo E. Schmidt (they/them): Love and mortality collide in this poignant farewell as Val grapples with Kitty’s refusal to embrace eternity.
All plays are presented at every performance.
Alphabet Soup isn’t just a presentation of plays. Built into it is a script development process that builds the skills of the participating playwrights and strengthens the selected plays. King said that the workshops have paid dividends, both for Whim and the playwrights. Several plays that were developed in Alphabet Soup have been presented across the country. This summer, Kevin King & John Adams will present plays developed by Alphabet Soup at the Valdez Theatre Conference. David Whitner’s play “Tickle Monster, ” from the 2024 festival, will be published by Smith & Kraus in an anthology.
Doors open 30 min. before show. There is no admission 10 minutes after show starts.
Whim Productions is dedicated to creating challenging and evocative queer theater. Our mission is to produce works written by LGBTQ+ writers with narratives that center queer characters. We are committed to sharing the diversity of queer lives with Kansas City audiences and providing a platform for LGBTQ+ theater artists to tell their own stories. Queer Theater. Whimsical Edge.
Producing Artistic Director 𝗞𝗲𝘃𝗶𝗻 𝗞𝗶𝗻𝗴 founded Whim Productions in 2011 and has directed, written, & choreographed intimacy in many of our productions. He’s currently tackling the sound design and intimacy choreography for the world premiere of Kissing in the Grocery Store! Kevin’s passion for creating safe, evocative, and inclusive theatre shines in this production.
Kevin King and Zo E. Schmidt thank you for being with us on Wednesday MidDay Medley
Whim Production’s annual flagship event, Alphabet Soup: Theater from Queer Voices an evening of six short plays written by Kansas City-area LGBTQ writers. Running through April 13, 2025, at Whim Space, 415 Prospect Ave, KCMO, in historic Pendleton Heights. For info visit: http://www.whimproductions.org.
For WMM, I’m Mark Manning. Thanks for listening!
11:53
Jamogi – “DO IT TO ME” from: “DO IT TO ME” – Single / Jam Tunes / March 28, 2025 [Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire.]
[Jamogi and The Jammers play The Ship 1221 Union Ave. KCMO in the West Bottoms on Friday, April 11, at 8:00pm for the Flew The Coop Sessions Fundraiser.]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
NEXT WEEK, on April 16 – Jaclyn Danger shares details about The Love Note April 18 at Strand Theatre on Troost. AND Zach Phillips returns w/ LIVE music from Lone Stranger.
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, April 9, 2025
WMM presents Til Willis, Heather Pontonio, José Faus, Elizabeth Bettendorf Bowman, Chico Sierra, and Kevin King
Mark spins more New & MidCoastal Releases from: REVISER, Eddie Moore, IVORY BLUE, Jamogi, My Oh My!, Krystle Warren and The Faculty, Helen Gillet, Easterday, Til Willis & Erratic Cowboy, and Anais Mitchell.
At 10:30 Til Willis shares details about his band Til Willis & Erratic Cowboy and their new album Glass Cactus. Til Willis & Erratic Cowboy is Til Willis on vocals & guitar; Bradley McKellip on guitar & backup vocals; Eric Binkley on bass; and Austin Sinkler on drums. With Steve Faceman on backup vocals for the record. Recorded in The Barn in Tecumseh, Kansas. Mixed in The Cabin in Ouray, Colorado, and at 1509 Recording Service in Lawrence, Kansas. Til Willis was born in the heat of 1980, has been making music for a long time. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger. Til Willis & Erratic Cowboy play an Album Release Show, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.
At 11:00 Mark talks with Heather Pontonio Senior Program Director at the Emily Hall Tremaine Foundation. Heather shares details about the ARTISTS THRIVE 2025 Summit in Kansas City, on May 6-8. The 2025 summit venue has been provided with generous support from the Ewing Marion Kauffman Foundation, with lead local partner Mid-America Arts Alliance. Artists, arts leaders, educators, and funders can expand their creative circle. This unique event offers a powerful networking hub, connecting art communities with passionate colleagues from across the country. For more information on the 2025 Artists Thrive Summit you can visit: http://www.artiststhrive.org
Joining us in the conversation is José Faus – writer, performer, visual artist, and independent teacher/mentor with an interest in the role of artists as creative catalysts for community building. He is a co-founder of the Latino Writers Collective. His writings have appeared in many anthologies and journals. His chapbook, This Town Like That was released by Spartan Press. The Life and Times of Jose Calderon was published by West 39 Press. His children’s book, Possum Trot was published by La Resistencia Press. More info at: ]www.artistinc.art/facilitator/jose-faus/
Also joining us is Elizabeth Bettendorf Bowman who teaches theatre management, introductory theatre, and public speaking at Benedictine College. Elizabeth is a KC based theatre artist focused on arts accessibility. She earned her BA in Theatre & Psychology from Northwest Missouri State University and her MA in Theatre with a focus in Directing & Theatre History at the University of Missouri-KC Conservatory. She is the Executive Artistic Director of Kansas City Public Theatre which was recently honored by the State of Missouri “Arts Organization of the Year.” Elizabeth’s work with KCPublic has received honors, including “Best of KC” in Pitch KC, Broadway World, and as the resident theatre for Charlotte Street Foundation. Elizabeth has worked on the artistic team for Kansas City Repertory Theatre, Metropolitan Ensemble Theatre, Coterie Theatre, and UMKC Conservatory. More info at http://www.kcpublictheatre.org
Also joining us is visual artist Chico Sierra, originally from El Paso Texax. Having relocated from his familial homeland, Chico attempts to connect the dots of his cultural history and create new stories based around humanism, class structures and social justice. Influenced by his interests in spiritual iconography he is attempting to create new narratives using symbolism that has been previously clouded by colonialism and more recently appropriated by euro-centric new age spiritualism. Chico’s work has been shown at the Nerman Museum of Contemporary Art, The Nelson Atkins Museum of Art, the Nelson Atkins Museum Day of the Dead exhibit, Mattie Rhodes, Union Station, and InterUrban ArtHouse. More info at: http://www.chicosierra.com
At 11:30 we will talk with Kevin King about Whim Production’s annual flagship event, Alphabet Soup: Theater from Queer Voices an evening of six short plays written by Kansas City-area LGBTQ writers. The selected playwrights participate in private workshops facilitated by Kevin King, Whim’s Producing Artistic Director. This allows the plays to develop and builds a community among the writers. The workshops have given production opportunities to people who had never had a production before. In fact, some of the selected playwrights had never written a play prior to being involved in Soup. Alphabet Soup: Theater from Queer Voices runs April 4-13, 2025, at Whim Space, 415 Prospect Ave, KCMO, in historic Pendleton Heights. For info visit: http://www.whimproductions.org.
On your local radio dial 90.1 FM or STREAMING LIVE at: kkfi.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, April 2, 2025
WMM welcomes Falestine (Fally) Afani as Guest Host & Producer
This is a special presentation for Arab American Heritage Month. Guest Host & Producer Fally Afani shines a light on Palestinian artists: Dam, Bashar Murad, Saint Levant, Elyanna, MC Abdul, Nemesis, Apo and The Apostles, Mohammad Assaf, zeyne, Rim Banna, Bruno Cruz, Ministry of Dub-Key, El-Funoun Palestine Popular Dance Troupe, 47SOUL, Lana Lubany, and Dana Salah.
Fally Afani is a Palestinian-American award-winning journalist with a career spanning nearly three decades in media. She has worked extensively in radio, television, newspapers, magazines, and more. Fally’s work has been featured in magazines, newspapers, and television stations across Kansas. She has received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. Fally is also a two-time recipient of the Rocket Grant Award, which helped develop live music and cultural events for her community, including a Community Dabke Dance Circle and Lawrence PRIDE. Currently, she resides in Lawrence, Kansas, where she focuses on music journalism, live events, and photography.
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
DAM – “Emta Njawzak Yamma” from: Ben Haana Wa Maana / DAM- Cooking Vinyl / June 7, 2019 [DAM’s third studio album. True to their name, which means “everlasting,” DAM has steadily grown and maintained a monumental status in the music world since the mid 90s. Made up of Tamer Nafar, Suhell Nafar, Mahmood Jrere, and Maysa Daw (who joined in 2015), the group drew their foundational inspiration from Tupac and the resemblance between Lydda—the neighborhood they grew up in—and the streets featured in his videos. // DAM is known for its unwavering political statements in its lyrics, which tackle everything from women’s rights to the pressure to marry, from western colonization and interference in the Middle East to the Israeli occupation. // Lead vocalist Daw reminds us, first in a resigned, exhausted tone, and then in a triumphant one, that, as a woman, moreover, as an Arab woman, “Even in the struggle I have double your responsibilities/ If you resist you hurt their Zionism/ If I resist I also hurt their masculinity.” Her lyrics highlight the intersectional oppression that Palestinian women are subjected to, and help to draw the attention of an international audience to two issues which often fall on deaf ears. // DAM is equally quick to point out, however, that misogyny is not simply a Middle Eastern issue, but a universal one, stating, in their song “Prozac” (بروزاك), “Hypocrisy, chauvinism is not a Middle Eastern but a male thing, everyone has a role/ I will deal with the honor killings and you deal with your porn industry.” // DAM fuse traditional Middle Eastern sounds, rhythm and intonation of Arabic-language rap and the unmistakably hip-hop attitude. Formed in 1999 DAM were one of the first acts to popularise rapping in Arabic (although they also rap in English and Hebrew) and have since become renowned for their unique fusion of East and West which combines Arabic percussion rhythms, Middle Eastern melodies and urban hip-hop. Their first single Min Irhabi (‘Who’s the terrorist?’) racked up over 1 million downloads and brought the group to the attention of young people across the Middle East for both their distinctive musical style and the political and humanitarian subtext.]
Bashar Murad – “Intifada On The Dance Floor” from: Mascara – EP / PopArabia / June 11, 2011 [Bashar Murad (Arabic: بشار مراد; was born February 7, 1993. Bashar is a Palestinian singer-songwriter and video artist based in East Jerusalem. His music addresses societal norms, the Israeli occupation, and gender equality in the Middle East. He is best known for his collaboration with Icelandic techno-punk band Hatari on the song “Klefi / Samed”, which was released shortly after Hatari raised banners featuring the Palestinian flag at the final of Eurovision Song Contest 2019 in Tel Aviv. Murad released his debut EP Maskhara in June 2021. // Murad was born in East Jerusalem in 1993, to parents Said Murad and Fadia Daibes. Murad’s father, Said, is the founder of the Palestinian musical group Sabreen, the first Palestinian group of its kind. Sabreen was founded in 1980, and Murad was born during the height of their career. Music helped Murad to overcome the pressure from growing up in an occupied territory. // Upon graduating from the Jerusalem American School, Murad pursued a bachelor’s degree at Bridgewater College, Virginia. In the United States, he realized that not a lot of his co-students knew much about Palestine, yet they wanted to know more about it. This made him realise that he did not want to escape politics and started covering these issues in his music. Since returning to East Jerusalem in 2014 and after publishing several singles in Arabic and English on his YouTube channel, Murad has built an online following. // Murad started his career by uploading cover versions of popular songs on his YouTube channel which he created in 2009. Later, he added a Middle Eastern touch to the songs by using traditional instruments in his covers before he started creating his own songs. He studied at Rimon School of Jazz and Contemporary Music in Israel for a year, and was the first Palestinian from the West Bank to study there. // The majority of his songs are produced by himself in the local record studios of Sabreen Association for Artistic Development. Occasionally, Murad gets grants or other support by organisations and programs, such as the Culture Resource Production Awards Program, that enabled him to produce the song “Shillet Hamal (Bunch of Bums)”. The song is about the feeling of being different and not fitting in. The music video features several people that chose alternative paths of life and can thus identify with this feeling. // For his single “Ana Zalameh (I’m a Man)”, Murad worked together with the United Nations. The UN Women’s “Men and Women for Gender Equality Regional Programme” produced the song which is about the developments of gender roles in Palestine and told from the perspective of a 10-year-old boy. // Murad’s collaboration with the Icelandic techno-punk band Hatari on the song “Klefi / Samed” helped him reach a wider audience. The song was released shortly after the Eurovision Song Contest 2019, which took place in Tel Aviv, and is about the wish for freedom and calls attention to the systematic oppression of Palestinians.[3] Hatari was the only entrant in that year’s contest who openly took a stance on the conflict. // During the Eurovision Song Contest 2019, Murad was part of the protesting artists that participated in the alternative event GlobalVision that was broadcast online during Eurovision week. // In May 2019, Murad participated in the Canadian Music Week in Toronto, Canada. // Murad released his debut EP Maskhara on 11 June 2021, which included four tracks: “Maskhara”, “Antenne” feat. Tamer Nafar, “Intifada on the Dance Floor”, and “Ana wnafsi”. Three years later, he released his second Arabic-language EP, Nafas. // In January 24, 2024, it was announced that he would be among the contestants of Söngvakeppnin 2024, the Icelandic national selection for the Eurovision Song Contest 2024. He competed with the song “Vestrið villt” / “Wild West”,[16] qualifying for the final and ultimately coming second. Amid the Gaza war and calls for Israel to be excluded from the contest, Murad’s participation was the subject of multiple controversies, both with accusations that Icelandic broadcaster RÚV was politicising the event as well as allegations that he was the victim of racism. // Murad resides in East Jerusalem with his younger brother and his father Said Murad, the founder of music group Sabreen. He is openly gay, and has characterized his artistic journey as a struggle against both homophobia in Palestinian society and the Israeli occupation.]
Saint Levant – “Nails” from: “Nails” – Single / MDLBEAST Records / May 25, 2023 [Marwan Abdelhamid (Arabic: مروان عبد الحميد) was born October 6, 2000). Marwan is known professionally as Saint Levant (French: [sɛ̃ ləvɑ̃]; Arabic: سانت ليفانت), is a Palestinian singer-songwriter and rapper. A multilingual artist, he is best known for his song “Very Few Friends”. // Abdelhamid was born in Jerusalem during the Second Intifada to a half-Algerian, half-French mother, Maria Mohammedi, and a half-Palestinian, half-Serbian father, Rashid Abdelhamid, who were both raised in Algeria. His father, the son of a Serbian medical doctor and a Palestinian from Safad who studied engineering in Yugoslavia following his expulsion as a child in 1948, has worked as an architect, hotel entrepreneur, DJ and film producer; his mother, the daughter of a French female pianist and former music teacher at the French lycée in Algiers, has worked for UNRWA. He has a younger brother, named Khaled. // Shortly after Abdelhamid’s birth, the family joined his paternal grandparents in the Gaza Strip, where his parents built a 22-room beachfront hotel in Rimal based on an architectural project by his father, named “Al Deira”. He spent his childhood primarily there, attending the American International School, until the 2007 Battle of Gaza, after which he and his family relocated to Amman, Jordan. He has described the time spent in Gaza as “the best years of [his] life”. // Abdelhamid took up the passion for music from his father and his maternal grandmother, studying piano and saxophone. Growing up, he communicated in French at home, English at school, and Arabic at the Palestinian refugee camp of Al-Wehdat, where he played football with the local team after school. // In 2018, aged 17, Abdelhamid moved to the United States to pursue a bachelor’s degree in International Relations at the University of California, Santa Barbara, from which he graduated in 2022. // Before taking on the name Saint Levant (a pun on “Yves Saint Laurent” and “Levant”), Abdelhamid wrote “Jerusalem Freestyle” and “Nirvana in Gaza”, both of which discussed political issues. Around the same time, Abdelhamid began posting videos on TikTok in which he discussed Palestinian history, as well as commentary on toxic masculinity in Arab culture. // In November 2022, Saint Levant released his trilingual rap track “Very Few Friends”, which was streamed approximately 2 million YouTube views in one month. The song soon became popular on TikTok and Instagram, as well as on Spotify, where it peaked at number 1 in nineteen countries and number 2 in the United States, and reached number 2 on the Global Viral 50 chart. In May 2023, Saint Levant was chosen as Dior’s first fragrance ambassador in the Middle East. The same year, he released the EP From Gaza, with Love. He was named among the 2023 “Men of the Year” by GQ Middle East. In 2024, he signed with Universal Arabic Music (UAM) and released, together with MC Abdul, “Deira”, a song in the chaabi musical style of Algiers dedicated to his father’s hotel in Gaza, which went destroyed in an Israeli bombing in January 2024 during Israel’s war on Gaza; the song featured as the title track on his debut album Deira, containing duets with other artists like Cheb Bilal and Kehlani. Saint Levant performed at Coachella 2024, using his performance to bring awareness to the ongoing war taking place in Gaza. The following 22 May, he was part of the lineup of a Palestine charity concert at Zénith Paris, whose revenue was destined to Medical Aid for Palestinians. // On February 14, 2025, on the occasion of Saint Valentine’s Day, Saint Levant released the EP Love Letters / رسائل حب, divided between a “side A” (Love Letters from Saint Levant) and a “side B” (رسائل حب من مروان, Rasāʾil ḥubb min Marwān), and featuring three unreleased tracks out of six. Three days later, he featured alongside Lourdes Leon in a promotional video for Yves Saint Laurent and Peter Park’s new omakase restaurant Sushi Park Paris. // Early in his career, Abdelhamid co-founded GrowHome, which connects Palestinian entrepreneurs with individuals who can help fund their projects. In early 2022, alongside Stephanie Moukhaiber, he started the 2048 Fellowship – a project providing financial support and mentorship for Palestinian creatives; its name, which was changed to “2048 Foundation” in 2024, references the 100th anniversary of the Nakba. Saint Levant is outspoken on the struggle in Palestine, telling Harper’s Bazaar: “Everything that I do is Israeli-focused and based on the Palestinian cause and struggle, doing a lot of contextualizing […] because I came to America, man, and I realized that a lot of people thought that […] it’s a conflict between these two equal[s who] just hate each other for some reason, [that] Palestinians just hate Israelis. And what people don’t understand is that it’s 80 years of occupation and oppression and displacement and ethnic cleansing so I think it’s very important to just push that forward always and I try to do it through the music; I try to do it through my actions, and everything that I do.” // Following the outbreak of the Israel–Hamas war, Saint Levant has stated that a sense of “survivor’s guilt” has contributed to shaping his artistic production. He identifies as a feminist. // In February 2025, pro-Israel groups and media criticized Yves Saint Laurent’s collaboration with Abdelhamid as a partnership with an “antisemite” (reportedly for “anti-Jewish statements” which included support for the attacks against Maccabi Tel Aviv fans in November 2024), and called for boycotting the brand. // Saint Levant claims inspiration from artists like Wyclef Jean, Cheb Khaled, Fairuz, Marwan Moussa, Lenny Kravitz, Michael Jackson, Stromae, Timbaland, Eminem and Mika. // Abdelhamid is a Muslim. He lives in Los Angeles, though he regularly returns to Amman. Since 2023, he has been in a relationship with French-Haitian singer Naïka.]
Elyanna – “Yabn El Eh (Single Version)” from: “Yabn El Eh (Single Version)” – Single / SALXCO UAM LLC / November 20, 2024 [Elian Amer Marjieh (sometimes credited as Margieh; Arabic: إليان عامر مرجية; born January 22, 2002), known professionally as Elyanna (إليانا), is a Palestinian and Chilean singer-songwriter, merging Arabic music with Latin rhythms to create an experimental Arab-pop sound that has captured a global audience. Born in Nazareth, her musical talents were nurtured by her family, with early influences including iconic figures like Julio Iglesias and Sabah Fakhri, Elyanna’s career took a significant turn when she was discovered at age 15 by Grammy-winner Nasri Atweh. She has released two EPs: Elyanna (2020) and Elyanna II (2022), and one studio album: Woledto (2024). She is currently signed to Universal Arabic Music. Her singles “Ana Lahale”, “Ghareeb Alay”, “Ala Bali”, and “Mama Eh” have all charted on The Official Lebanese Top 20. Elyanna is the first artist to sing in Arabic on The Late Show with Stephen Colbert. She recently sold out The Wiltern in Los Angeles and KOKO in London. // Elian Marjieh was born and raised in Nazareth and is of Palestinian descent. Her paternal grandmother is of Chilean descent. Her mother is a Palestinian poet, and her maternal grandfather is a Palestinian poet and singer who used to perform zajal at Palestinian weddings. Her paternal grandmother is a pianist from Chile, who she frequently visited as a child. // Elyanna began singing at age seven and started posting covers of songs on SoundCloud as a teenager while participating in singing and talent competitions at school. She gained popularity in her community alongside her brother, Feras, who was by her side as a pianist. Feras is now Elyanna’s pianist, producer, and creative director. Her sister, Tali, handles her styling. // In 2017, at the age of 15, she and her family moved to San Diego, California (eventually settling in Los Angeles) to further pursue her musical career after coming across Wassim “Sal” Slaiby on TV. After arriving in the United States, she began posting covers on her Instagram, where she garnered a following of around 300,000 users, and grabbing the attention of musician and producer Nasri Atweh. Nasri would later introduce Elyanna to Sal, and she would spend weekdays in San Diego while driving up to Los Angeles on weekends to work on music with Nasri and Massari.// Elyanna draws inspiration from jazz and blues alongside many household names for families in the Middle East: Dalida, Fairuz, Sabah Fakhri, Abd El Halim Hafez. In 2018, Elyanna contacted singer and producer, Nasri, who took an interest and connected her to his manager, Wassim Slaiby. She was signed to Slaiby’s management company, SALXCO, soon after the two met. She was then mentored by Nasri and fellow singer and producer, Massari. One of her first singles, “Ana Lahale,” featured guest vocals from Massari. That track was on her debut self-titled EP released in February 2020 via ElMar Music, an Empire Distribution imprint. In April 2021, Elyanna was announced as one of the first signees of the newly-formed imprint, Universal Arabic Music (UAM), which Slaiby founded in collaboration with Republic Records and the Universal Music Group. // In 2021, she performed alongside Alnajjar at his concert in Amman, Jordan the following month. In January 2022, she collaborated with Tunisian artist, Balti, on the track “Ghareeb Alay.” In March 2022, she released her second EP, Elyanna II, via UAM. The collection features the single “Al Kawn Janni Maak” (an Arabic version of “La Vie en rose”). Its music video was directed by Caroline “Chuck” Grant, the sister of Lana Del Rey, who ultimately got involved in the project by styling Elyanna. In 2023, the singer made history as the first artist to perform a set entirely in Arabic at the Coachella Valley Music and Arts Festival. // That the same year, her song “Ala Bali” was featured on Netflix comedy-drama series Mo. She also performed at the El Gouna Film Festival and paid tribute to her homeland of Palestine with her single “Olive Branch (غصن زيتون)”. In 2024, Elyanna sold out her debut North American tour and ended it with the announcement of her debut studio album, Woledto, released on April 12 alongside a music video for “Ganeni”. // Boutayna Chokrane praised the record on her review for Pitchfork, stating that it “plays with Arab pop, R&B, EDM, and jazz to express the nuances of love, loss, and longing”. She was positive of the “subtle yet poignant references to identity, displacement, and cultural resilience” as well, as those “underscore [Elyanna’s] sorrow and ferocity”. Moreover, the singer has been featured on the covers of numerous magazines worldwide, including Billboard Arabia, Vogue Arabia, Rolling Stone, Cosmopolitan ME and GQ. On 29 June 2024, she was invited by British rock band Coldplay to perform the songs “We Pray” and “Arabesque” at the 2024 Glastonbury Festival. On July 22, the singer officially announced the Woledto Tour, with concerts in North America and Europe between October and December 2024. Elyanna performed alongside Coldplay for Saturday Night Live on 5 October 2024.]
MC Abdul – “Shouting At The Wall” from: Shouting At The Wall / MC Abdul – Empire / June 30, 2021 [Abdel-Rahman Al-Shantti (Arabic: عبد الرحمن الشنطي; Abdel-Rahman Al-Shantti was born September 14, 2008. He is known professionally as MC Abdul or MCA Abdul is a Palestinian rapper from Gaza, Palestine. He gained popularity when he sang a rap about freedom in front of his school in Gaza which garnered hundreds of thousands of views on social media. As of December 2023, his videos for “Shouting At The Wall” and “Palestine” have received more than 2.1 million views and 1.5 million views, respectively, on YouTube. // Abdel-Rahman Al-Shantti was born in Gaza, Palestine. His mother had surgery to treat CNV bleeding in Egypt around 2007, but Al-Shantti said his mother was not able to maintain the surgery due to the blockade of Gaza by Israel. He started rapping and writing songs at age nine. He began recording cover versions of his favorite tracks and sharing them with friends and online. His family exposed him to artists such as Eminem and fellow Palestinian DJ Khaled, the former of which Abdul considers to be one of his four favourites; the others are NF, Tupac and Jay-Z. He said he would like to go on Arab Idol like fellow Palestinian Mohammed Assaf. // At the start of the 2023 Gaza war, Al-Shantti is living in Los Angeles, although his family, including his younger siblings, are still living in Gaza. // In 2020, Al-Shantti advocated on behalf of Palestinian families in Gaza who were bombed by releasing the song “Shouting at the Wall”. Following the release, he caught the attention of the record label Empire. MC Abdul spoke about the importance of rapping as a tool for coping with challenging times saying “The power that I have in my pen when I’m writing, I am unstoppable. The microphone is the only escape possible”. In 2022, he performs his first concert as part of the FIFA World Cup festivities in Qatar. // In 2024, MC Abdul featured on Saint Levant’s single “Deira” (about the destruction of Al Deira Hotel in an Israeli bombing), which has over 2.5 million streams on Spotify and over 2.9 million views on the music video on YouTube. The track is included in Saint Levant’s debut album Deira.]
Nemahsis – “colored concrete” from: Verbathim / Verbaithim / September 13, 2024 [Nemah Hasan, known professionally as Nemahsis, is a Canadian singer-songwriter from Toronto, Ontario. // Nemah Hasan was born in Ontario, Canada and raised on a farm in the town of Milton. She is the daughter of a Palestinian immigrant. // Hasan began her career on TikTok, posting beauty and fashion videos aimed at Muslim women alongside occasional videos of her singing Adele covers. After being exploited by a company that hired her for an advertising campaign and then failed to pay her, in June 2021 she released her first original single and video “What If I Took It Off for You?”, about social attitudes toward Muslim women who wear the hijab. She followed up with the singles “Paper Thin” in October 2021 and “Dollar Signs” in January 2022, before releasing the EP eleven achers in March 2022. // She followed up with the new non-EP singles “Criminal” in October 2022, and “I Wanna Be Your Right Hand” in February 2023. // In May 2024, She released her first single, “Stick of Gum”, for her upcoming album. The song’s music video was shot entirely in her family’s hometown of Jericho in the occupied West Bank. The single was selected by Spotify editors as one of the best songs of 2024. // On Sept. 13, Hasan independently released her debut album Verbathim. Hasan stated the title “Verbathim is just the word verbatim except someone is grabbing my tongue” to symbolize the censorship she has faced. // On Oct. 12, 2023, soon after the Hamas-led attack on Israel on October 7, the singer shared on social media that she had been dropped by her label, stating “My label just dropped me, a Palestinian artist, for being pro-Palestine”. Her subsequent posts include a rendition of “Team”, by New Zealand artist Lorde, with images from Gaza before and after the bombardments. // The Canadian music magazine Exclaim! named eleven achers one of the 15 best Canadian EPs of 2022. // Hasan & her songwriting colleagues Brendan Grieve and Stevie Solomon were nominated for the SOCAN Songwriting Prize in 2022 for “Paper Thin”. In 2023, the Prism Prize named Nemahsis the winner of the Hi-Fidelity Award for artists using music video in innovative ways. // Verbathim won the Juno Award for alternative album of the year.]
10:32 – Underwriting
Apo and the Apostles – “Ya Yuma Wen” from: “Ya Yuma Wen”- Single / Levantine Music – Apo & the Apostles / November 14, 2024 [Combining the diverse backgrounds of the members, the band has stemmed a new genre in alternative folk rock with a multilingual twist and an upbeat vibe. // Apo Sahagian is the lead singer of Apo and the Apostles. Apo hails from the Armenian Quarter of Jerusalem’s Old City. // These twenty-something guys tend to sing about “bygone beloveds,” said Sahagian, so it’s not the typical froth of pop songs. // When Apo and the Apostles gather in a Bethlehem garage to rehearse and write, they think about their crowd, whether their fans can belt out the lyrics to a particular song, and if it’s energetic enough to get the crowd going. // “We’re trying to come up with a genre we call party rock,” said Sahagian. “Maybe it’s not the right music for a Tuesday night, but if you want to go out and drink and have a good night, we’re gonna show you a fun time.” // most of its members live near the separation wall around Bethlehem and struggle daily with the realities of life in Palestinian cities. // Sahagian, who is Armenian, lives in Jerusalem and has an Israeli identification card, doesn’t have the same issues. But while he would love nothing more than to perform in Jerusalem’s Yellow Submarine, a snug music club in Talpiot, Jerusalem that is a short,15-minute drive from Bethlehem, he is aware of the political sensitivities of some Palestinians regarding the venue, which is Israeli. // “I wish that I could play one day without any of this political black cloud,” he said. // That’s the reality of being a Bethlehem-Jerusalem rock band. The musicians themselves — Sahagian (vocals, guitars, piano), trumpet player Firas Harb, drummer Pierre Taweel, bass guitarist Amir Handal, guitarist Karim Morcos & bass guitarist Joel Thorpe (who played with the band until 2015) — say they are absolutely apolitical, at least when it comes to making music. // “It’s easier to play Amman or Europe than in Israel,” joked Harb, 29, who works as an accountant and financial consultant when he isn’t blowing his horn. // It’s also easier to perform in the mostly Arab East Jerusalem or in Ramallah, the nearby Palestinian city where they have a solid fan base, often drawing several hundred to a show. – This bio contains several excerpts from the band’s facebook page and an article written by Jessica Steinberg from the Feb. 3, 2016, edition of The Times of Israel]
Mohammed Assaf – “Dammi Falastini” from: Muntasib Alqamah Amshi – EP / Mohammed Assaf / October 19, 2015 [ https://youtu.be/F9czNtvvgvA?si=LBxQWmwIPNGiBqDU Mohammad Jaber Abdul Rahman Assaf was born Sept. 1 1989, He is a Palestinian pop singer well known for being the winner of the 22nd season of Arab Idol, broadcast by the MBC network. His victory received worldwide coverage from the media and was welcomed with joy by Palestinians and the rest of the Arab world. In 2013, Assaf was named a goodwill ambassador for peace by The United Nations Relief and Works Agency for Palestine Refugees (UNRWA). He was also named ambassador of culture & arts by the Palestinian government and was offered a position with “diplomatic standing” by Palestinian President Mahmoud Abbas. Assaf’s story is the basis of the 2015 film The Idol, directed by Hany Abu-Assad. After Arab Idol, Assaf has gone on to enjoy huge popularity in the Arab World and the Arab diaspora and has released two albums and a great number of singles and collaborations. Most of his music is sung in the Iraqi and Gulf dialects. // He was born in Misrata, Libya to Palestinian parents. He lived there until he was 4 years old, when his parents moved back to Gaza, he grew up in Khan Younis refugee camp with a middle class couple where he attended UNRWA elementary school. His mother’s family hails from the village of Bayt Daras, which was captured and depopulated by the nascent IDF in 1948 and his father’s family is from Beersheba. Assaf’s parents moved to Khan Yunis Refugee Camp when he was 4 years old. He is one of six siblings, three of whom, including Assaf, have been involved in performing live music. Assaf’s mother Intisar, a mathematics teacher, has stated that Assaf began singing at the age of five and “had a voice of someone who was much, much older.” Before his role on the television show he was attending Gaza City’s Palestine University majoring in media and public relations. Assaf did not have professional training as a singer; he started his career singing at weddings and other private events. He entered the public view in 2000 during a popular local television program where he called in and sung a nationalist song to the host’s praise. Afterward, he was frequently offered contracts with local record companies. Sometime after his first performance, he sang in a local event in Gaza attended by late Palestinian president Yasser Arafat. // Mohammad Assaf travelled from Gaza Strip to Egypt to audition for Arab Idol. It took him two days to reach Egypt by car due to complications on the border. At the beginning, he had to convince the Egyptian security at the border crossing, where he was stuck for two days, to leave Gaza. Once he reached the hotel where the auditions were taking place, the doors were closed in which they did not accept anymore auditions so he jumped over the wall. After he jumped over the wall, he couldn’t get a number to audition; he sat hopelessly in the hall where other contestants were waiting for their turn. He started singing to the contestants, and a Palestinian contestant, Ramadan Abu Nahel, who was waiting to audition heard him and gave him his number saying, “I know I won’t reach the finals but you will.”// He was given the nickname Asaroukh (“The Rocket”) by Lebanese singer and Arab Idol judge Ragheb Alama. Assaf was acclaimed by the jury and the public. His voice and appearance have drawn comparisons to Egyptian singer Abdel Halim Hafez, which has garnered Assaf both fame and controversy. Fans merged part of Hafez’s name with Assaf’s, as in Assaf Hilm Falastine (“Assaf Palestine’s Dream”). Assaf’s final performance was his own song that was well known before his rise to fame “Ali al-kuffiyeh” (“Raise The Kuffiyeh”), a Palestinian song that called on Palestinians to raise their kuffiyehs (a traditional Arab headdress that has become a Palestinian nationalist symbol) and to unite, in light of the split between the two major Palestinian factions, Hamas and Fatah. Hundreds of thousands of Palestinians had tuned in to watch his performance. On June 22, Assaf was declared the winner of Arab Idol, winning the most votes and coming ahead of two other competitors, Ahmed Gamal and Farah Youssef, from Egypt and Syria, respectively. Massive celebrations by Palestinians ensued after the announcement of his victory, including festivities held on the streets of Gaza City, East Jerusalem, Nablus, Ramallah, Bethlehem, Khan Yunis, Nazareth, Lebanon and Jordan, And when his professional career as an artist began after the title of Arab Idol, he was accompanied by Awtar Band led by The Maestro Yacoub Al-Atrash in Arab and international festivals since then. // While Assaf has normally avoided politics on the show, he has stated “I can’t differentiate between my art and my patriotic attitude.” Assaf condemned the ongoing Israeli occupation of West Bank and the poor living conditions in the Gaza Strip. He also stated that Palestinian prisoner Samer Issawi’s long-term hunger strike protest had inspired him. He frequently performed donning the checkered keffiyeh popularly associated with Palestinian nationalism. // He is highly popular in the Palestinian territories, where the Washington Post notes that the “streets of Gaza empty out” when the show goes on air on Fridays and Saturdays. Throughout the West Bank and the Gaza Strip, large posters promoting Assaf have been hung on residences and shops. A source of pride, Assaf has been able to unite Palestinians’ sympathies in a way that Palestinian political factions have not been able. // Some Palestinian politicians have showed their support for the singer who has been creating a sense of unity among Palestinians, regardless of differing political beliefs. Salam Fayyad, former Prime Minister of the Palestinian National Authority, called on all Palestinians to support Assaf. Palestinian President Mahmoud Abbas had also called for Palestinians everywhere, including the diaspora, to vote for Assaf. Assaf also won support from the late Palestinian leader Yasser Arafat’s daughter, Zahwa, who encouraged viewers to vote for him. // Although prior to his participation in Arab Idol, Assaf stated he had been briefly detained by the security forces of the conservative Hamas party and paramilitary group—which maintains de facto control over Gaza—on over 20 different occasions in an effort to dissuade him from singing, the group has not suppressed Palestinian support for Assaf or viewership of the show. Signaling a shift in attitude, a Gaza-based Hamas MP, Yahya Mousa, lauded Assaf and referred to him the “ambassador for Palestinian art.”]
zeyne – “Asli Ana” from: “7arrir 3aqlak” / “Asli Ana” – Single / MDLBEAST – Scarab Records / Nov. 21, 2024 [From suzannezahr.com: The lyrics Zeyne’s of Asli Ana are a powerful exploration of decolonial themes. They challenge the Western concept of “civilization,” exposing how it has historically been weaponized to oppress, displace, and erase. Zeyne confronts the long-standing colonial narrative, highlighting how it justified the theft of our lands, the erasure of our culture, and the distortion of our history. // The song doesn’t stop at critique; it pushes us to question our internalized colonial norms, even in subtle aspects like dress and self-presentation. The line, “Record, I am an Arab, and I know my origin” moved me to tears. It is a poignant reminder of the resilience required to preserve our identity after decades of diaspora and displacement. // Through poetic verses, Zeyne masterfully encapsulates the struggle to maintain our heritage while navigating a world that constantly demands assimilation. // In 1977, the General Assembly called for the annual observance of November 29 as the International Day of Solidarity with the Palestinian People (resolution 32/40 B). On that day, in 1947, the Assembly adopted the resolution on the partition of Palestine (resolution 181 (II)) // In resolution 60/37 of 1 December 2005, the Assembly requested the Committee on the Exercise of the Inalienable Rights of the Palestinian People and the Division for Palestinian Rights, as part of the observance of the International Day of Solidarity with the Palestinian People on November 29, to continue to organize an annual exhibit on Palestinian rights or a cultural event in cooperation with the Permanent Observer Mission of Palestine to the UN. // The resolution on the observance of the International Day of Solidarity with the Palestinian People also encourages Member States to continue to give the widest support and publicity to the observance of the Day of Solidarity.]
Elyanna – “Callin’ U (Tamely Maak)” from: WOLEDTO / Universal Arabic Music / April 12, 2024 [From song tell.com: “Callin’ U (Tamally Maak)” is a captivating song by Palestinian-Chilean pop sensation Elyanna, featured on her album “WOLEDTO” released in 2023. This track is a unique mashup that combines the essence of Danish hip-hop band Outlandish’s “Callin’ U” with the classic Egyptian hit “Tamally Maak” by Amr Diab, showcasing Elyanna’s ability to bridge cultural divides through music. // The song explores themes of deep longing, emotional connection, and devotion to a loved one, emphasizing the singer’s vulnerability and the need for their presence despite physical distance. // The lyrics of “Callin’ U (Tamally Maak)” are rich with emotion and convey a powerful message of love and yearning. The song opens with a sense of urgency, as Elyanna expresses her need for the person she loves. Lines like “I’m Calling You / With all my goals / My very soul / I’m falling through / In need of you” encapsulate the depth of her feelings. Here, the act of calling is not just a physical action but a metaphor for reaching out emotionally, highlighting the singer’s vulnerability and the weight of her longing. // The repeated phrase “تملّي معاك” (Tamally Ma’ak), which translates to “always with you,” serves as a poignant reminder of the singer’s desire for a constant connection with her beloved. This phrase resonates throughout the song, reinforcing the idea that love transcends distance and time. It emphasizes the emotional reliance the singer has on her partner, suggesting that their presence is integral to her happiness and well-being. // As the song progresses, Elyanna’s dynamic vocals convey a mix of passion and melancholy. The lyrics reflect a struggle to articulate feelings, showcasing the complexities of love and the challenges of maintaining a relationship when physically apart. The emotional weight of the song is further enhanced by the blend of Arabic and English lyrics, which not only broadens its appeal but also deepens its cultural significance. // The fusion of the two songs—Outlandish’s contemporary sound and Amr Diab’s classic melody—creates a unique listening experience that resonates with a diverse audience. Elyanna’s ability to weave these elements together speaks to her innovative artistry and her commitment to celebrating her Arab heritage while appealing to global listeners. The heartfelt atmosphere of the song captures the essence of love’s struggles and triumphs, making it relatable to anyone who has experienced longing for a loved one.]
Saint Levant, MC Abdul – “Deira” from: DEIRA / SALXCO UAM LLC / February 23, 2024 [Deira (stylized in all caps; Arabic: ديرة) is the debut studio album by Palestinian rapper Saint Levant. The album features guest appearances from other Palestinian and international artists, namely MC Abdul, Kehlani, Cheb Bilal, TIF [fr] and Sol Band, with additional backing vocals by Zeyne and Naïka. // The album pays homage to Saint Levant’s diverse cultural background, blending contemporary music with traditional styles as well as mixing English-, French- and Arabic-language lyrics. Thematically, it revolves around the Palestinian right of return and the longing for the country’s liberation, having been described as a “tribute” or “ode to Palestine”. The title track and lead single, “Deira”, performed in the chaabi musical style of Algiers, is dedicated to Saint Levant’s family-owned hotel in Gaza, which went destroyed in an Israeli bombing in January 2024 during Israel’s war on Gaza. The opening track, “On This Land”, performed with the Gazan group Sol Band, incorporates parts of the Palestinian patriotic song and unofficial anthem “Mawtini”, and explores the theme of martyrdom; its title references a poem by Mahmoud Darwish. // The album’s release was preceded by three singles in February, April and May 2024, respectively, and was followed by a tour across Europe and North America between September 22 and December 15, 2024.]
Apo & The Apostles – “Ansaki” from: Rawquha / Chimichanga Records / September 4, 2020
11:00 – Station ID
Rim Banna, Bruno Cruz, Ministry of Dub-Key – “The Sun of Love – Remix” from: R.I.M.I.X. / Kirkelig Kulturverksted / March 24, 2019 [Rim Banna (Arabic: ريم بنا; 8 December 1966 – 24 March 2018) was a Palestinian singer and composer who was most known for her modern interpretations of traditional Palestinian songs and poetry. Banna was born in Nazareth, where she graduated from Nazareth Baptist School. She lived in Nazareth with her three children. She met her husband, Ukrainian guitarist Leonid Alexeyenko, while studying music together at the Higher Music Conservatory in Moscow and they married in 1991, and got divorced in 2010. // anna first achieved popularity in the early 1990s, after recording her own versions of traditional Palestinian children’s songs that were on the verge of being forgotten. Many such songs and rhymes sung by Palestinian families again today are said to be thanks to Banna’s work in preserving them via her recordings. // Banna composed her own songs and adds melody to Palestinian poetry. Her message was often focused on the suffering of Palestinians, particularly those of the West Bank. Her music is described as “haunting, emotional, at times bordering on kitsch.” She describes her music as a means of cultural self-assertion: A part of our work consists of collecting traditional Palestinian texts without melodies. So that the texts do not get lost, we try to compose melodies for them that are modern, yet inspired by traditional Palestinian music. // In this way, Banna did more than mimic the traditional techniques and representations of the pieces she interprets. She blends them with modern singing styles because, // Oriental singing techniques are mostly ornamental… But my voice is more two-dimensional, thicker. I try to write songs that fit my voice. I want to create something new in every respect. And that includes bringing people elsewhere closer to the music and soul of the Palestinians. She performed live in the West Bank and reached audiences in Gaza through live webcasts. She performed her first concert in Syria on 8 January 2009 and also performed in Tunisia on 25 July 2011. Her first concert in Beirut took place on 22 March 2012. // Lullabies from the Axis of Evil – Banna’s popularity in Europe began after Norwegian music producer Erik Hillestad invited her to participate on the CD Lullabies from the Axis of Evil (2003) and Norwegian singer Kari Bremnes, who also took part on this production in a duet with Rim Banna, invited her to Oslo. Banna accepted the invitation, and the two artists did a show together. // The album, dubbed “a musical antiwar message to U.S. President Bush from female singers in Palestine, Iraq, Iran, and Norway,” brings these women together with others from North Korea, Syria, Cuba, and Afghanistan, to sing traditional lullabies from their lands in duet form with English-language performers whose translation allows the songs to reach a Western audience. // Mirror of My Soul – The Mirrors of My Soul, which was dedicated to all the Palestinian and Arab political detainees in the Israeli prisons, is a stylistic departure from her previous body of work. Produced in cooperation with a Norwegian quintet, it features “Western pop styling” fused
MC Abdul – “Can I Live” from: “Can I Live” – Single / MC Abdul – EMPIRE / December 16, 2024 [The repeated refrain of “Can I live, can I live” expresses a sense of pleading and longing for the freedom to simply exist and pursue a fulfilling life. The singer, who identifies as a Gaza kid, is yearning for the opportunity to live on their own terms, free from the constraints and challenges that may come with their environment or circumstances. This desire for autonomy and independence is underscored by the repetition of the phrase, emphasizing the importance of being able to thrive and follow one’s dreams. // The lyrics further delve into the struggles and aspirations of the singer, who describes themselves as a young Gaza kid with a unique talent for rap. Despite facing judgment from others, particularly their friends who may view them as eccentric or unconventional, the singer remains dedicated to honing their craft and making a name for themselves in the music industry. The reference to being in a “4 door spinning like a yo-yo” suggests a whirlwind of activity and motion, perhaps symbolizing the fast-paced and unpredictable nature of their life. // As the song continues, MC Abdul paints a picture of resilience and determination in the face of adversity. The mention of having bright plans for the future, despite facing criticism and negativity from others, speaks to the artist’s unwavering optimism and belief in their own potential. The defiance in lines like “My music so loud the police showed up, then we turned it back up” conveys a rebellious spirit and a refusal to be silenced or held back by outside forces. // Ultimately, “Can I Live” serves as an anthem of empowerment and self-assertion, with MC Abdul asserting their right to pursue their ambitions and live life on their own terms. The song captures the universal desire for freedom, self-expression, and success, resonating with listeners who may also be striving to overcome obstacles and carve out their own path in the world. Through its energetic and defiant tone, the track encourages resilience, perseverance, and the belief that one can indeed live and thrive despite the challenges they may face.
MC Abdul – “Can I Live” Lyrics
Can I live, can I live Can I live, can I live yea Can I live, can I live I’m just a Gaza kid u Can I live, can I live Can we live, can we live uh Can I live, can I live I’m just tryna do it big yea
Young Gaza kid and I came with the cold flow Rap all day and my friends think I’m loco See my outside yea they wanna take my photo Yea I’m in 4 door spinning like a yo-yo Yea, I got plans to grow up My future so bright, they hating so what My music so loud the police showed up Then we turned it back up We just tryna have a good time A good life gotta get mine MC yea I kick rhymes Filastine yea I’m big time
Can I live, can I live Can I live, can I live yea Can I live, can I live I’m just a Gaza kid uhh Can I live, can I live Can we live, can we live uhh People were interested in these podcasts
Can I live, can I live I’m just tryna do it big yea
Saint Levant – “From Gaza, With Love” from: From Gaza, With Love / 2048 / March 6, 2023 [Dashing good looks and ample talent make a formidable combination! Saint Levant (Marwan Abdelhamid) has both. He is a musician on an upward trajectory. One of the things that makes Abdelhamid so special is his diverse background: Palestinian, French, Algerian, and Serbian. Woo! Furthermore, he raps in multiple languages: English, French, and Arabic. On his 18-minute, debut EP, From Gaza, With Love, Marwan showcases incredible potential over t“Very Few ds”. // “From Gaza, With Love” keeps things ultra-compelling. I love the middle eastern sound effects within the backdrop which are fitting given his heritage. There is a marvelous percussive component to the title track, which clocks in under two minutes. Even so, the aesthetic – the vibes – remain potent to the nth degree. Abdelhamid maintains his poise, never getting too high or too low. Once more, there are some memorable bars in the mix (“Somebody tell Bella Hadid / Let’s change that to Abdelhamid / And I don’t mean to come off too strong / Bs il asil fala7i”), and of course, Arabic and French too!]
Elyanna, Balti – “Ghareeb Aaly” from: Elyanna 2 / Universal Arabic Music / March 4, 2022 [From songtell.com: The song “Ghareeb Alay” by Elyanna & Balti tells the story of a relationship that started when they were young and innocent. The lyrics describe how their days were sweet and free from jealousy. However, as time goes on, the singer feels that the other person has lost their sense of satisfaction and is always in a state of confusion. They also mention that others have referred to the narrator as a “superstar.” // The chorus repeats the phrase “day by day, night by night” and emphasizes the singer’s longing for the other person who has become a stranger to them. The repetition of “Ghareeb Alay” further expresses the feeling of distance and unfamiliarity. // In the second verse, Balti expresses his deep connection to the other person, stating that their hearts are close, even if physically separated. He emphasizes that their love surpasses societal expectations and boundaries, mentioning his Tunisian background and the Arab heritage of his beloved. Moreover, he highlights his unwavering commitment to the Palestinian cause. // The chorus repeats again, emphasizing the yearning and confusion between the two individuals. The lyrics mention the challenges they face in life but reassure each other of their constant presence and loyalty to one another. // The bridge emphasizes the enduring love and companionship between the narrator and their beloved. It portrays their ability to navigate both joy and hardship together. The lyrics convey the idea that the world consists of both pleasant and difficult times, and that some people can be strange and unpredictable. The narrator expresses their willingness to face any obstacles and endure hardships alongside their beloved. // Overall, “Ghareeb Alay” reflects the complexities of love and relationships over time. It conveys a sense of longing, confusion, and deep connection between two individuals who find solace in their ability to navigate life together.]
El-Funoun Palestine Popular Dance Troupe – “Take me to Palestine” from: Zajel / El Funoun / August 24, 2014 [El Funoun Palestinian Popular Dance Troupe (فرقة الفنون الشعبية الفلسطينية) is a Palestinian dance troupe that was established in 1979. They are also called El Funoun Palestinian Popular Dance Troupe. They currently are based in Ramallah and have a direct mission to “resist the genocide of their people and culture.” As of 2021, the dance troupe has between 50 and 230 volunteer members of men women and children. Their members are also both Muslim and Christian. El Funoun translates to ‘The Art’. // Through the choreography of their dances, they aim to represent Arab-Palestinian traditions. While they perform Dabke, a traditional folkloric dance, they also choreograph different types of dance that also encompass their mission to share their vision of Palestinian dance. Their dances have roots in traditional dances that historically were performed at celebrations and weddings and adapts them for the current context. They aim to appeal to the younger audiences as well and in doing so bring Palestinian culture into the present and let it evolve. They aim to preserve and engage with Palestinian history and traditions through dance and choreography and through performance. Their work in preserving Palestinian culture and creating spaces for Palestinians to engage with their traditional culture and dance through performances, is in opposition to Israeli suppression of Palestinian expression since the Nakba in 1948. // El Funoun’s first performance was at the Dabke Festival in Birzeit University in 1979. Since 1979, El Funoun has performed over 1,000 times at various venues and festivals, as well as produced shows that bring traditional Palestinian folkloric dance with contemporary dance. Originally, El Funoun consisted solely of male dancers, but in 1981 the group opened itself up to female dancers, which attracted some criticism due to its breaking of cultural norms. The group originally focused solely on dabke, but have since expanded to include other dance styles, as well as performances that mix traditional and contemporary choreography. // In 1986 El Funoun established the “Palestinian Folklore Day”, which is an annual celebration that happens every year on October 7 and is celebrated all over Palestine. The dance troupe was also instrumental in establishing the Popular Arts Centre (PAC) in Al-Bireh in the West Bank in 1987, which aims to raise awareness about the arts and create opportunities for community members to participate in the arts. // In the mid-1990s, the group’s mission shifted from preservation of Palestinian cultural identity to development of a contemporary Palestinian identity. // From 1992 to 1999 El Funoun dance troupe performed at the Palestine International Festival. In 1997, the dance troupe received the Palestine Award for Popular Folklore. // In 1997, the group staged Zaghareed, which followed a modern Palestinian wedding. // In 2004, the group collaborated with the Belgian group les Ballets C de la B. // In 2011, the group collaborated with choreographer Yoshiko Chuma. A performance based on the collaboration was staged in New York City in 2012, with two members of the troupe participating. // El Funoun is popular in Palestine and in previous performances would have between 1,000 and 3,000 people at their performances. During COVID-19, they did virtual dance performances. // El Funoun has performed and hosted workshops abroad, in places like Ireland, Malta, and the United Kingdom. They have toured in the United States twice, in 2006 and in 2016.]
Saint Levant, 47SOUL, Shadi Qasem AlNajjar – “DALOONA” from: DALOONA / SALXCO UAM LLC / November 25, 2024 [From: http://www.cosmopolitanme.com by Farwah Bukhari (Nov 26, 2024) Mr Saint Levant has released a new track called Daloona, which features artists 47Soul, Shadi Borini, and more. We are also blessed with a music video directed by Gazan filmmakers Tarzan and Arab Nasser. // Daloona is an ode to his Palestinian roots and a celebration of the people’s resilience through difficult times. It’s an upbeat track that reflects the Palestinian identity through the joy experienced at a wedding. // Saint Levant said about the single: “Right now, we’re suffering immensely. And because of this, to the public and unknowing eyes, the world sees a dark, sad, and partial reality. Just like everybody else in the world, we have moments of joy. People are still getting married. People like SOL Band in GAZA are keeping this joy alive. I just want to show that we Palestinians can have joy, that this community exists, and that there is PRIDE in this identity”. // Saint-Levant, real name Marwan, has Palestinian-Algerian roots and is a multi-lingual rapper. // He was born in 2000 in Jerusalem during the second intifada and spent his childhood in the Gaza Strip until 2007 when his family relocated to Jordan. // He now lives in LA and performed at Coachella earlier this year. At Coachella, he turned his performance into a powerful tribute to Palestine.]
11:28 – Underwriting
47SOUL – “Don’t Care Where You From” from: Shamstep – EP / Cooking Vinyl / June 17, 2015 [47Soul is a Palestinian Jordanian electronic music group who are one of the main forces behind the Shamstep electronic dance music movement in the Middle East. The band’s first album, Shamstep, was released in 2015. // The group formed in Jordan in 2013. Their debut album Shamstep was released in 2015. In 2017, 47Soul released their second album Balfron Promise, which takes its name from the east London tower block Balfron Tower, where the record was created. It also refers to the Balfour Declaration of 1917 through which the British government committed itself to the creation of a Jewish homeland in Palestine. The group had been residents of Balfron Tower for two years while creating their album. The album received 4 out of 5 stars in a January 2018 review in The Guardian. // The band played at festivals in 2018 like Walthamstow Garden Party, Fusion festival and Festival Med. and NYU Abu Dhabi’s Barzakh festival. // On August 26, 2019, NPR released a YouTube video of 47Soul appearing on their “Tiny Desk Concerts” series. // IIn January 2020, electric guitar player and band member Hamza Arnaout announced his departure from 47Soul citing the need to focus on creating music without the pressure to constantly perform live. // Band members: Tareq Abu Kwaik on vocals, darbuka, electronics – known independently as El Far3i; Ramzy Suleiman on vocals, synthesiser, keyboard – known independently as Z the People; Walaa Sbait on vocals, bass drums. Past member(s): Hamza Arnaout on electric guitar – known independently as El Jehaz. // 47Soul’s style, Shamstep, is based on mijwiz (a levantine folk musical style) and electronic dance. “Shamstep” is a portmanteau: ‘Sham’ refers to the levant region, which is locally referred to as “Bilad al-Sham”, and ‘step’ refers to the musical style dubstep. The band’s music is also associated with the traditional dance called Dabke.]
DAM, Brother Ali – “Overdose” from: Overdose from the Netflix Series Mo / Cooking Vinyl / Aug, 10 2022 [Rapper and activist Brother Ali is known for his dramatic delivery and passion for social justice, with songs rooted in everyday experience, expressions of tolerance, acceptance, and spirituality, and in critiquing racism, the excesses of political power, and everyday economic struggles. His 2003 album, Shadows on the Sun, put him on the map. In 2007, his poignant and forceful The Undisputed Truth hit the Top 200. While 2012’s Mourning in America and Dreaming in Color, addressed white privilege and the country’s longstanding wars. In 2016, Ali endorsed and performed actively for Senator Bernie Sanders, and a year later, in the aftermath of Donald Trump’s election to the presidency, he released All the Beauty in This Whole Life, recordings that actively addressed family, his role as a father, and spiritual practice. Kicking off the 2020s, he issued Secrets & Escapes, moved to Istanbul, and recorded Love & Service. // Born Jason Douglas Newman in Madison, Wisconsin, Ali spent much of his life living in various cities in Wisconsin, Minnesota, and Michigan, where he was first introduced to breakdancing and graffiti and rapping. Eventually, his demo tape, Rites of Passage, made it into the hands of the young Rhymesayers crew, who signed the MC and brought him along with them to the 2000 Scribble Jam, where Ali was a finalist. In 2003 his debut, Shadows on the Sun, produced by Atmosphere’s Ant and including a song (“Forest Whitaker”) that spoke of his albinism and blindness, came out, followed by the Champion EP in 2004. The next few years were tough for Ali, a follower of Warith Deen Mohammed, and a devout Muslim since he was 15, as he was dealing with a divorce and struggling for custody of his son. However, all of this just provided fodder for his music, and in the spring of 2007, Brother Ali’s sophomore album, The Undisputed Truth, hit shelves and became his first Billboard 200 entry. His 2009 effort Us advocated a return to true hip-hop; it was followed in 2012 by the more political-minded Mourning in America and Dreaming in Color. In 2017, following a lengthy break between releases during which he performed at Rhymesayers’ 20th anniversary concert, Ali issued the Ant-produced All the Beauty in This Whole Life, one of his deepest and most uplifting works. // In January 2020, Brother Ali released Secrets & Escapes. The set was the result of three sessions in a Venice, California garage with Evidence. The DJ/producer chopped up records on old-school samplers and ran them through a two-track compressor so they couldn’t be rearranged or mixed. He freestyled rhymes without organizing them into songs. Any time the two assembled something that they’d done before, they threw it away and started anew. Talib Kweli, Pharoahe Monch, and C.S. Armstrong all had guest spots. The opening track, “Abu Enzo,” sampled a teaching by Sheikh Habib Umar ibn Hafidh in Arabic; Hafidh is an influential Yemeni Islamic scholar from Tarim. Known for his opposition to extremism, he promotes a traditional, tolerant, inclusive brand of Islam that resonates with Brother Ali’s spiritual world view. // In 2021, Ali parted ways with longtime label Rhymesayers, moved to Istanbul, and started his own label, Travelers Media. He issued a collection of one-minute songs dubbed Brother Minutester, Vol. 1 and recorded a full-length, Love & Service, which was accompanied by an animated film of the same name. ~ Marisa Brown]
Lana Lubany – “NAZARETH” from: NAZARETH – Single / AWAL Recordings / September 19, 2024 [Lana Lubany is a UK-based Palestinian-American artist who is currently on the rise after her track, ‘THE SNAKE’ which is the first track she ever sang in Arabic and English. She first got into the limelight after a TikTok video where she sang the song to her mom went viral. Her mom supportively commented after hearing the song, “Finally! You See? It’s on a whole other level”. Since her song THE SNAKE burst into the mainstream, she has been making incredible strides in writing and releasing music. In this article, we take a closer look into her life, career, and lifestyle. // Lana’s journey in the world of music began in the heart of Palestine, where her childhood home resonated with the sweet melodies of her upbringing. An early bloomer in the world of songwriting, Lana started crafting her musical tales at the tender age of 11. Her parents, bless them, recognized her talent, and provided unwavering support, nurturing her gift. Her path took an interesting twist when she became a member of a peace choir, granting her the opportunity to perform in front of esteemed figures, including the former US President, Barack Obama. It was a remarkable experience that fueled her passion. // In 2013, Lana took center stage for the first time as a solo performer during the Nazareth Christmas Market event. The following year, she graced the Bethlehem Christmas Market with her own full-hour performance, cementing her presence in the local music scene. ]
Lana Lubany – “THE SNAKE” from: THE SNAKE / Levantine Music / February 22, 2022 [After her high school graduation in 2015, Lana embarked on a digital journey, sharing her musical talents on YouTube through cover songs. Simultaneously, she delved into her original compositions, driven by her early love for mystery and horror books and films. Her debut single, “One Of A Kind,” released in January 2017, garnered praise and a growing fanbase. Teaming up with producer “Dushii,” Lana kicked off the creation of her debut EP in April 2017. Nearly a year later, her first EP track, “Still Love U Call Me,” saw the light of day. // In pursuit of her musical dreams, Lana relocated to the United Kingdom in 2017, finding a new home in the vibrant city of London. She perceived the city as a haven for emerging artists, firmly believing that her big break was waiting in the bustling capital. // It was the release of “THE SNAKE” that marked a turning point in Lana’s career. This track, she asserts, truly encapsulates her essence as an artist. Its success propelled her into stardom, establishing her as a unique talent who effortlessly weaves Arabic and English into her music. Lana draws inspiration from luminaries like Rosalia and Billie Eilish, infusing her songs with atmospheric and visionary qualities, while imbuing her lyrics with purpose and storytelling prowess. With a knack for crafting fresh and catchy melodies, Lana’s music paints a vivid sonic landscape that captivates her audience. Similar artists to Lana include Dizzy Fae, Bloody Civilian, and Aldrch. // Lubany is 26 years old. She was born on November 3, 1996, in Jaffa, Israel. Many consider her quite young for her achievements and have claimed that she is headed in the Billie Eilish direction of being an alt-pop sensation. // Lana stands at a height of 5 feet 6 inches. She has long, dark hair and a very cute face. A true fashionista, Lubany not only keeps up with the latest fashion trends but also makes impressive fashion statements with her dress, which is at all times elegant, stylish, trendy, and exquisite. She has a model-like physique characterized by long legs, a flat tummy, and beautiful curves, which make her a sight for sore eyes..]
Dana Salah – “Weino” from: Weino – Single / Dana Salah / August 12, 2021 [ana Salah (Arabic: دانا صلاح, Levantine Arabic pronunciation: [ˈdæːnæː ˈsˤlˤɑːħ]; born 1989) is a Jordanian singer, songwriter and producer of Palestinian descent. // Salah was born and raised in Amman, Jordan, where she started writing music at the age of 9. As a child, she was diagnosed with ADHD. Following her education at Duke University, North Carolina, she pursued her music career in New York City. // Under the stage name King Deco, Salah started her career as a DJ in Brooklyn and as a songwriter for other artists and TV advertising, with one her songs featuring in a Maybelline commercial. She also briefly worked as a model for Bobbi Brown Cosmetics. Her 2017 single “Move That Body” garnered over 11 million streams on Spotify, reached #6 on the US iTunes Dance charts, and peaked at #25 on the Billboard Dance charts. // In 2021, during the COVID-19 pandemic and following the success of her 2019 single “Castaway”, Salah returned to Jordan and released her first Arabic single, “Weino”, under her own name, incorporating sounds of the daf and other traditional Arab instruments. It generated over 1 million views in 3 months on YouTube and was added to more than 1000 personal playlists on Spotify. In 2022 Salah became a Spotify Equal ambassador, making her the first female Jordanian artist to be featured on a billboard in Times Square. // In October 2023, in response to the Gaza genocide amid the Israel–Hamas war, 25 Middle Eastern and North African artists, including Salah, collaborated on the single “Rajieen”. She also released her single “Ya Tal3een” based on the coded Palestinian folk song “Yā Ṭāliʻīn ʻalā l-Jabal” (يا طالعين على الجبل), traditionally sung by women to men jailed in Israeli prisons.]
Dana Salah – “Ya Tal3een” from: Ya Tal3een – Single / Dana Salah / December 27, 2023
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
Next week on April 9 – We welcome Til Willis who’s band Til Willis & Erratic Cowboy who play an Album Release Show for their new album, Glass Cactus, Saturday, April 12, at 7:00PM at Lucia, 1016 Massachusetts, Lawrence, KS with Sunflower Ordnance Works.
At 11:00 we’ll talk with Heather Pontonio of Artist Thrive! and Jose Faus, and Elizabeth Bowman, and Chico Sierra who will share details about the big Artist Thrive! Conference coming to Kansas City on May 6 through May 8.
AND at 11:30 we talk with Kevin King from WHIM Theatre about Whim Productions’ annual flagship production, Alphabet Soup: Theater from Queer Voices April 4-13. an evening of six short plays written by Kansas City-area LGBTQ writers.
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, April 2, 2025
WMM welcomes Falestine (Fally) Afani as Guest Host & Producer
This is a special presentation for Arab American Heritage Month. Guest Host & Producer Fally Afani shines a light on Palestinian artists: DAM, Bashar Murad, Saint Levant, Elyanna, MC Abdul, Nemesis, Apo and The Apostles, Mohammad Assaf, zeyne, Rim Banna, Bruno Cruz, Ministry of Dub-Key, El-Funoun Palestine Popular Dance Troupe, 47SOUL, Lana Lubany, and Dana Salah.
Fally Afani is a Palestinian-American award-winning journalist with a career spanning nearly three decades in media. She has worked extensively in radio, television, newspapers, magazines, and more. Fally’s work has been featured in magazines, newspapers, and television stations across Kansas. She has received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow Award for her online work in journalism. Fally is also a two-time recipient of the Rocket Grant Award, which helped develop live music and cultural events for her community, including a Community Dabke Dance Circle and Lawrence PRIDE. Currently, she resides in Lawrence, Kansas, where she focuses on music journalism, live events, and photography.
On your local radio dial 90.1 FM or STREAMING LIVE at: kkfi.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, March 26, 2025
WMM presents: Stephonne + Danielle Ate The Sandwich + The Fur and The Fang
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
Debbie Friday – “1/17” from: “1/17′ / Sub Pop Records / March 20, 2025 [Debby Friday is sharing “1/17”, an anthemic and salacious new dance pop single for 2025, available now worldwide from Sub Pop and in Canada from Royal Mountain Records. // Written and produced during a whirlwind European tour, “1/17” marks an exciting evolution for Debby Friday as she unveils a softer, more playful side of her artistry. Featuring hypnotic vocals and cheeky lyrics with nods to ancient Greece and nude selfies, the track exudes charm and lightness. With threads of experimental dance-pop woven seamlessly throughout, “1/17” is a refreshing addition to Debby Friday’s sonic world and a promising kickoff to her new era. // “1/17” was produced by Friday and Darcy Baylis, mixed by Alex Gamble, with assistance by Taylor Finnigan, and mastered by Levi Seitz. // Its soaring and singular shot official video is directed by Friday and frequent collaborator Kevan Funk (“WHAT A MAN,” “SO HARD TO TELL”), and filmed at Toronto’s historic Massey Hall. // Friday says of the visual, “It’s based on an amalgamation of two experiences that I had. The first was when I won the Polaris Prize at Massey Hall, which felt like a peak moment in my career. The second was when, nine months later, I played a festival show to absolutely no one in the audience. I’ve spent the past year detaching myself from the highs and lows of this business and trying to see everything as a sign. Of what? I don’t know. But I’m sure in the end, it’ll all mean something.”]
Billie Marten – “Feeling” from: Dog Eared / Fiction Records / July 18, 2025 [New Single from Billie Marten’s 5th LP DOG EARED. Dog Eared is a warm, rich and textured record that bristles with confidence and self-belief, with Billie already approaching the prolificacy of a “lifer” with so much life left to live. It’s a left turn from her previous recordings, albeit a subtle one, taken with a deftness of touch. A musician embracing change, while staying true to her core self. There’s a certain strength of conviction here that finds its voice more prominently in the extensive pool of her acclaimed American contemporaries, of which she now surely stands shoulder to shoulder with. With Dog Eared, Billie calmly posits herself at the top of the tree of not just British contemporary folk artists, but with British songwriters at large. // Of the record’s opening number, “Feeling”, Billie explains: “I’ve discovered that I have a really particular long-term memory: I have specific sensory recollections from when I was two onwards, that I can recall easily now. One of these is marking out roads in my grandmother’s patterned carpet, for my Dad’s old 1950/60s toy cars to drive on. I used to trace patterns in everything: fabric seats at the dentist, carpets, wallpaper and walls, raindrops on car windows. Everything had a pattern to be noticed.” // “Another strong memory is the feeling of big, warm hands when you’re a child and how comforting and safe that feels. The notion of age being so far away from you, but you know it’s a future inevitability, and that you’re on your way there. The inarticulateness of that ‘feeling’ you can’t describe yet, but you’re aware of a push in the world that you don’t yet understand.” ”Feeling” is really set alight by Núria Graham’s guitar part, the one you hear from the outset. It sparks the album info life and really sets a benchmark in terms of rhythm. This is an album of rhythmic focus.”]
Yukimi – “Peace Reign (Radio Edit)” from: For You / Ninja Tune / March 28, 2025 [Debut Solo Album from Yukimi, the celebrated vocalist and co-founder of Grammy-nominated band Little Dragon, shares her new single “Peace Reign.” A hopeful song about believing and striving for a peaceful world, the song starts with a sweet message from Yukimi’s son, “you have to believe it for it to come true, it’s right in front of you.” This is the latest offering from her debut album For You due March 28th via Ninja Tune. “Peace Reign is about not giving up on the dream that this world can be a peaceful place. Believing in hope and a brighter future for the generations to come,” says Yukimi. Her debut solo album sees her step away from a band formation to create some of her most beautiful and intimate work to date: both intensely personal and brilliantly relatable. On For You, Yukimi elegantly entwines musical styles from jazz, soul and electronic pop to hip hop, roots and psychedelia, but the themes of her solo songs dig deeper than ever, across love, loss, feminine energy and innate resilience. // For You will include previously released singles “Stream of Consciousness” featuring British singer-songwriter Lianne La Havas. The collaboration marks Yukimi’s first time writing and creating music with another woman, which allowed her to fully delve into her feminine energy; “Sad Makeup,” which was written “about those days when you try to push down and control a sad feeling” says Yukimi; “Winter Is Not Dead,” inspired by those long, dark winters in Scandinavia; and the self-empowering debut single “Break Me Down” which was also in collaboration with Lianne La Havas and Little Dragon bandmate and long-time friend Erik Bodin.//Reflecting on For You, Yukimi shares: “I want this music to really be a force to connect people to each other, and step away from the madness of everything on the planet right now. And I’m excited about embarking on that journey on my own – the expression really feels pure.” // To celebrate the album’s release, Yukimi will embark on a full North American tour beginning in April, making stops in major cities including New York, Toronto, Chicago, Portland, San Francisco, and Los Angeles. Full tour details and ticket information can be found at https://yukimi-music.com/. // Renowned for her distinct and graceful voice, Yukimi has captivated audiences since co-founding Little Dragon in 1996. With the band, she has performed on some of the world’s biggest stages, from Coachella and Glastonbury to NPR’s Tiny Desk—while collaborating with an impressive roster of artists, including Mac Miller, Kali Uchis, Gorillaz, JID, KAYTRANADA, Flume, and De La Soul. Her ability to transcend genres and craft deeply moving music has cemented her status as one of the most compelling voices in contemporary music.]
The Faint – “Desperate Guys” from: Wet from Birth / Saddle Creek / September 14, 2004. [Wet from Birth is the fourth studio album by The Faint, formed in Omaha, Nebraska, the band consists of Todd Fink, Graham Ulicny, Dapose and Clark Baechle. The Faint was originally known as Norman Bailer and included Conor Oberst (of Bright Eyes, with whom The Faint toured in 2005). He quit shortly after the band was formed, though the Faint continued to share a spot with Bright Eyes on Saddle Creek Records. // The band originally consisted of Clark Baechle, Todd Fink (formerly Todd Baechle), and Joel Petersen. Growing up, Fink, Petersen, and Baechle skateboarded in their free time, until Fink developed knee problems, which shifted their hobbies towards making music. They signed to Saddle Creek Records and released a few singles, but were unable to establish widespread sales. After adding Matt Bowen, the Faint released Media. At the end of 1998, Jacob Thiele joined the band, and shortly thereafter, Matt Bowen was replaced by Ethan Jones. They toured the U.S., playing what would become the songs that would comprise the next album, Blank-Wave Arcade, which had a more dance and techno-influenced sound and was an underground hit. Before recording the album, however, Jones left the band and was replaced on bass guitar by Joel Petersen, who played both bass and guitar on the album. Partway through the creation of Danse Macabre, the Faint added Dapose, a death metal guitarist formerly of LEAD. Their next album, recorded with Mike Mogis and released in 2004, was called Wet from Birth. Conor Oberst claimed in an August 2020 interview with Pitchfork Magazine that The Faint were offered a major label record deal, but turned it down out of loyalty and commitment to Saddle Creek, which at the time was still a collaborative project between members of The Faint, Cursive and Bright Eyes. // In May 2008, the Faint announced that they had split from Saddle Creek, and that their fifth studio album would be self-released under their own label, blank.wav. The album, entitled Fasciinatiion, was released on August 5, 2008, in the U.S. The first single from the album was “The Geeks Were Right”, which was released on Boys Noize Records. It was also announced that the band would tour North America with British electronic group Ladytron during the spring. // Since the release of Fasciinatiion, two of the band members, Clark Baechle and Todd Fink have been quietly, with little advertising, performing under the name Depressed Buttons, playing remixes of other artists, and DJing for various small clubs and venues. // The band performed an original song “Teach Me Teacher” on the children’s show Yo Gabba Gabba! in the third-season episode “School”, which originally aired September 19, 2010. // On October 30, 2012, Saddle Creek Records released a deluxe edition of Danse Macabre with the original album remastered, bonus and unreleased tracks, and a DVD of archival footage, live projections from that era’s tour dates, and live footage. The band announced that it would play Danse Macabre in its entirety along with fan favorites during a tour of 24 cities across North America. // In 2016, Graham Ulicny (of Reptar) replaced Jacob Thiele on keyboards. Thiele died on February 13, 2020.]
[The Faint play The Warehouse on Broadway, 3951 Broadway Boulevard, KCMO on Friday, March 28 at 8:00pm with special guests Plack Blague]
Honeybee – “i wish i knew you then” from: “i wish i knew you then” – Single / Honeybee / March 28, 2025 [New honeybee single from their upcoming EP “midtown girl”, to be released on June 6, 2025. // The track was written by the songwriter and lead singer, Makayla Scott, who wrote to us, “i wish i knew you then is inspired by all the stories Al (honeybee bass player and Mak’s partner) has told me about their life prior to us getting to know each other. Sometimes when we are reminiscing and giggling about the past, I get hit with a big wave of fomo – sad i’ve missed out on so much. but they always say that the timing of our relationship is perfect and that they’re glad we met when we did. Still, I would have LOVED to hang with kid AL and play horses or dogs or any of the 2000s era Madden games!” // Honeybee released their EP Saturn Return on March 29, 2024 part of WMM’s 120 Best recordings of 2024. // Honeybee started as the solo project of Singer/Songwriter Makayla Scott and now include 3 or 4 of her friends umping in… Honeybee released the songle “I Know What Love is” on January 27, 2023. Makayla Scott also played with the band Blue False Indigo Makayla Scott studied music at Drury University graduating in 2017. Honeybee played Manor Fest 6 at 6:30 PM at Arizona Trading CO. 1722 Oak Street KCMO with The Highwater, and Jass.]
David Luther – “Wrecking Bay” from: “Wrecking Bay”- Single / David Luther / March 28, 2025 [David Luther released the first single “Smile About Something” on January 21, 2025. David Luther released the 2d single, “If Love Just Ain’t Enough (feat. Garrison Starr) on February 28, 2025. all singles off of David’s upcoming album EWHO YOU ARE expected April 25, 2025. // David Luther Broxterman recorded his first self-titled EP in 2009 with Nashville producer Neilson Hubbard. The EP featured backing vocals from Americana artist Garrison Starr. This experience was the catalyst that would send him on his path to a music career, gigging part-time to begin with while working full-time as a social worker. // In 2020, during the heart of COVID-19, David knew it was time to embrace becoming a full-time musician.. Stepping away from social work and side jobs, especially as a single father of two boys, was a faith move then. During this time, David collaborated with David George and Pat Tomek on his EP Take Me Home, which was released in 2022. The EP included the anthem Home To Kansas City and World’s Gonna Change, a song co-written by David, Brandon Mashburn, and Academy Award and Golden Globe-winning songwriter Tom Whitlock. George and Tomek’s dedication and artistry to the project, along with the exceptional musicians and singers, inspired David. Shortly after, David worked with his sister Anna Taylor and producer Brandon Mashburn on the single I Will, released in 2023, a song to draw attention to things that unite rather than divide us. // In July 2024, David again joined Neilson Hubbard, studio musician Juan Solórzano, and engineer Dylan Alldridge in their East Nashville studio to record a new full-length Americana album. The album, Who You Are, features partner Kelly Dougherty on several songs and Garrison Starr on If Love Just Ain’t Enough. The songs on the LP are a journey of David’s songwriting, many coming from painful places in the past and leading up to the last song he finished the night before the last days of recording, the title track. // David is grateful for the people in his family and community who have come alongside him, often carrying him and sometimes dragging or chasing him down his path. He says he can’t imagine how he’d still be doing this without their ongoing help and encouragement, especially that of his partner and manager, Kelly Dougherty. “I had no idea what I was getting myself into, but there’s no going back.”]
Krystle Warren & The Faculty – “Truly Great Thing” from: Extended Play / Parlour Door Music / November 1, 2024 [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. Through isolation came unity. The Crew was made up of: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP were donated to the various causes and organizations // // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson, would later go on to replace Dave Moore on keys. // The Faculty has always been a tenuous project for everyone involved because of the distance and the schedules. While everyone remains close friends, the band members are spread across the globe. Krystle in France. Riddleberger in New York and Zach in Woodstock. Jonathan in Los Angeles. And then they are all working musicians, touring, recording, and collaborating with an impressive list of artists. Musicians like, in no particular order: D’Angelo, Hercules and Love Affair, Donald Fagen and the Nightfliers, Joan As Police Woman, Jonathan Wilson, Emily King, Janet Jackson, Ron Sexsmith, Amy Helm, Taylor Swift, Rufus Wainwright, Natalie Merchant, Graham Nash, The Knights, Bleachers, Emmylou Harris, Amos Lee, Mayra Andrade, Lana Del Rey, Broken Social Scene, Teddy Thompson, Lakecia Benjamin, and honestly that’s less than the half of it. // So they have been busy, and they have gained a lot of experience since the days of sneaking into ElectricLady late night or playing for meager pay and free wine at an East Village Italian resto. And while Diary, Circles, and Love Songs were recorded with everyone in the same room (Three the Hard Way, Krystle’s solo album, was pared down to her and Kane collectively), Extended Play was recorded disparately and assembled together by the steady hands and ears of Kane and Krystle. There is distance between the musicians in the recording process, but there is still a close emotional connection that can be heard in these songs. // The songs that make up Extended Play are songs of experience—the lyrics reflect on a crush from high school, a departed musical hero, and others who live in memory. There is nostalgia in Extended Play, and a forlornness. // Krystle describes “When I Look Back,” the last song of the album, as “an apology to my teenage self.” Twenty years ago she was writing songs about what happened day-of because being young is about immediacy and living in the present tense. Now the songs are about years past because life slows down, and we are allowed the time to “look back.”// But as Krystle sings in “Rising,” “Future lingers while past is present.” She’s writing about the past because we are all our collected histories—or as she puts it in “When I Look Back”: “there’s still something of her that stays.” The future, of course, still lingers, always there waiting for us, for the next move. The album ends with a recording of Audre Lorde’s gravelly voice. She says, // I’m going on to something else, the shape of which, I have no idea. ‘Only thing I know is, it’s going to be quite different. What I leave behind has a life of its own – I’ve said this about poetry … Well in a sense, I’m saying it about the very artifact of who I have been. // Krystle Warren & The Faculty still have more to come. They have built twenty years of memories, experiences, recordings, and shows, and with the release of Extended Play, they continue to show a commitment to growing as musicians together, even if apart. The Extended Play bio written by Phil Anderson]
10:29 – Underwriting
10:31 – Interview with Stephonne
Stephonne is in the house. Joining us today to debut his new single “It’s Gonna Be Alright.” Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. More info at: http://www.stephonne.com
Stephonne Thanks for being with us on Wednesday MidDay Medley
Welcome back to the show. We are nearly three months into the year and Stephonne has already produced another epic tribute show, this time to Mary J. Blige at the Fifth Floor in the historic West Bottoms. Stephonne was also one of the featured artists at the Rock is Black concert at the Zhou B Art Center in the heart of the 18th & Vine Arts & Cultural District.
Both of these events were very important to Stephonne as a performer, but also in the community building work that Stephonne does.
Stephonne is a multifaceted performer, actor, drag performer, singer-songwriter, model. Stephonne has been a big part of the Wednesday MidDay Medley, as one of our most frequent guests, and someone we call on when we’re celebrating anniversary shows. We have loved watching Stephonne’s journey as a musical performer. This has been a journey of discovery of self.
Part of Stephonne’s most recent work is being on the board of Kansas City Folk Festival.
KC Folk Fest Fundraisers: Pickball – Saturday, April 19, at 10:00am, in Gillham Park, sign up by April 11, 2025 FolkyOkie Karaoke, April 23 , at 7:00p at The Ship 1221 Union, KCMO West Bottoms Rural Grit Happy Hour, Monday, May 5, at 6:00pm at The Brick, 727 McGee, KCMO
Kansas City Folk Festival is Saturday May 17, 12:00pm to 8:00pm with Sunny War, Nokisee Fields, Jamogi and The Jammers, Stranded in The City, Rural Grit Happy Hour, Dalima Kapten, Gracie Caggiano, Wim Frederick, Pheenix Leeor, Mitxi Mckee, KC Queertet, No Divide KC Spotlight, KC Fringe Showcase, KC Young Audiences, Heartland Song Network, Poetry, Craft Market, Food Trucks, and more, More infoat: http://www.kcfolkfest.org
Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show
10:40
Stephonne – “1 Think It’s Gonna Be Alright” from: “1 Think It’s Gonna Be Alright” – Single / Stephonne / March 28, 2025 [Co written by Stephonne Singleton with Shawn M Stewart.]
10:43 – More Interview with Stephonne
Stephonne is in the house. Joining us today to debuts his brand new single “It’s Gonna Be Alright.”
Stephonne Thanks for being with us on Wednesday MidDay Medley
Along with your work with KC Folk Fest, you have also worked with Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show.
Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows.
Each Charlotte Street Generative Performing Artist Award receives an unrestricted cash grant of $10,000, recognition by Charlotte Street at the time of the award announcement and throughout 2023. The 2023 Charlotte Street Generative Performing Artist Awards recognize two exceptional artists in the fields of dance, theatre, music, opera, sound art, performance art, multimedia performance, spoken word, puppetry or hybrid performance-based forms. Along with Stephonne Singleton and Tiara Nicole was the other recipients of the 2023 Generative Performing Artist Awards. Since 1997, 29 performing artists and 106 visual artists in the Kansas City region have received this highly regarded award.
All of the 2023 Charlotte Street Award Fellows were selected through competitive processes beginning with open calls for applications from artists based in the five-county Kansas City Metro Area. Artist selections were made by a panel of jurors consisting of renowned and qualified arts professionals. Jurors participated in interviews, presentations, and studio visits, resulting in the selection of 10 finalists for the Generative Performing Artists Awards and 12 finalists for the Visual Artist Awards.
Stephonne’s Statement:
“As a generative performance artist and musician, my music is a result of radical and unconditional love that I have for my life and human connection. That love persists, despite living in a world that relishes my artistic contributions but not the color of my skin nor my queerness. It is within this relentless predicament that I find myself, my melodies, and my lyrics. I share my struggles, triumphs, and journey to self-love through performance. I create music and live experiences that break through the boxes of race, gender, social status and genre so that others may see their reflection in my art. All of my musical influences come together to create something inimitable but familiar. Music has always understood me and It is through music that I continue to define and understand myself. I want my audience to feel accepted and understood by my art, to feel seen – and then to better understand themselves and those around them.”
Stephonne Thanks for being with us on Wednesday MidDay Medley More info at: http://www.stephonne.com
10:53
Stephonne – “1” from: “1” – Single / Stephonne / August 21, 2024 [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Trombone – Trevor Turla. Recorded, mixed and mastered at Westend Recording Studios, Kansas City. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist – Stephonne Singleton keeps very busy, organizing Tribute Shows, working as a Resident Artist at Charlottee Street studios, playing Music Festivals, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, The Black Box, The Folly Theatre, collaborating with The Black Creatures, Calvin Arsenia, Miki P, Jass, Eboni Fondren, putting out EPs, and singles. Stephonne released his EP SIS: Side B on June 24, 2022 it was in the TOP TEN of WMM’s 120 Best Recordings of 2022. Stephonne was a featured performer at the 23rd Annual West 18th Street Fashion Show on Friday, June 2, 2023, and also in the 24th annual West 18th Street Fashion Show.]
Julien Baker & TORRES – “Sugar in the Tank” from: “Sugar in the Tank”- Single / Matador Records / December 13, 2024 [This was the first single from Julien Baker and TORRES upcoming 12-track album SEND A PRAYER MY WAY to be released April 18, 2025. // After playing “Sugar in the Tank” on The Tonight Show Starring Jimmy Fallon, Julien Baker & TORRES closed out 2024 with the release of their critically acclaimed debut single “Sugar in the Tank” via Matador Records. Since then, they have also shared the official video for the track which was shot in collaboration with the queer country dance party Stud Country. // Formed by their shared experiences of growing up queer in the south, “Sugar in the Tank,” which is now #3 greatest gainer, and #30* at AAA, not only reflects Julien Baker & TORRES’ love of country music, but joyfully reclaims the genre’s traditions and iconography which until only recently felt exclusionary. The single is a beautiful duet that is authentically country as it is a celebration of the songwriter’s roots. // “Sugar in the Tank,” is a stunning duet—a heartfelt celebration of identity and belonging, steeped in the timeless essence of country music. // “Straightforward country — guitar strumming, banjo picking, pedal steel guitar — perfectly suits the all-out declarations of love in “Sugar in the Tank.” -The New York Times // “the pair’s voices fit together like puzzle pieces, making ‘Sugar in the Tank’ a must-listen for any country music fan out there.” Billboard]
11:00 – Station ID
Danielle Ate the Sandwich – “Fumbling” from: Fumbling / Danielle Ate The Sandwich / March 21, 2025 [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
[Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini. Info at: http://www.greenwoodsocialhall.com]
11:04 – Interview with Danielle Anderson
Danielle Anderson performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle Anderson jois us to talk about her new album FUMBLING from Danielle Ate The Sandwich, released March 21, 2025. Danielle has released over 300 YouTube videos, conducts an annual community songwriting project called the 24 Hour Album, and has released 8 full length albums of original music. She has opened for Mumford and Sons, Jake Shimabukuro, and had the opportunity to write the soundtrack to the Emmy nominated HBO documentary, “Packed in a Trunk: The Lost Art of Edith Lake Wilkinson.” In 2023, Danielle was awarded a 2-year studio residency at the Charlotte Street Foundation, and was the recipient of an Inspiration Grant from ArtsKC in 2024. Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO. Info at: http://www.greenwoodsocialhall.com
Danielle Anderson, thank you for being with us on WMM.
We just heard the title track from Danielle’s 8th full length album Fumbling.
Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews.
Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell.
Danielle Ate The Sandwich’s 8th album received an Inspiration Grant from ArtsKC.
11:12
Danielle Ate the Sandwich – “It’s Not Jupiter” from: Fumbling / Danielle Ate The Sandwich / March 21, 2025 [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
[Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini.. Info at: http://www.greenwoodsocialhall.com]
11:16 – More Interview with Danielle Anderson
Danielle Anderson performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle Anderson jois us to talk about her new album FUMBLING from Danielle Ate The Sandwich, released March 21, 2025. Danielle has released over 300 YouTube videos, conducts an annual community songwriting project called the 24 Hour Album, and has released 8 full length albums of original music. She has opened for Mumford and Sons, Jake Shimabukuro, and had the opportunity to write the soundtrack to the Emmy nominated HBO documentary, “Packed in a Trunk: The Lost Art of Edith Lake Wilkinson.” In 2023, Danielle was awarded a 2-year studio residency at the Charlotte Street Foundation, and was the recipient of an Inspiration Grant from ArtsKC in 2024. Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO. Info at: http://www.greenwoodsocialhall.com
Danielle Anderson, thank you for being with us on WMM.
We just heard another track from Danielle’s 8th full length album Fumbling.
Danielle had the honor of working with IX Film Productions to create a new music video for the title track of the new album, Fumbling. The result is a beautiful one shot video that takes Danielle through the chaos of life, growing up, making choices, and fumbling through it all.
The video was filmed in Kansas City, MO, by Patrick Poe & Lolo Loren, with production design by Amber Joy. The video features lots of amazing local talent!
Starring: Ellie DeShon – Mom Thomas Smith – Dad Amber Joy – Sister Jerry Mañan – Friend/Groom Tiffany Michelle – Friend Stephanie Stevens – Friend Forest Kinsey – Priest/Partygoer Gideon Madison – Partygoer Ace Lovelace – Partygoer Lily Gojcevic – Partygoer Mykah Mleek – Partygoer Mason Vietti – Partygoer Liam Chewning – First AC Isabelle Torri – Hair & Makeup Bob Colladay – Car
Danielle on Fumbling Tour Dates around the US!
FUMBLING TOUR DATES March 29th | Kansas City, MO April 12th | Warrensburg, MO May 31st | Lawrence, KS May 10th | Denver, CO June 12th | Littleton, CO June 15th | Fort Collins, CO
WEST COAST FUMBLING TOUR September 11th | Reno, NV September 12th | Roseville, CA September 13th | North Bay, CA September 14th | Sunnyvale, CA September 20th | Los Angeles, CA September 22nd | Sun City, AZ September 23rd | Phoenix, CA
Last summer at the KC Fringe Festival, Danielle presented THE GREATEST GARAGE SALE EVER a one woman comedy cabaret featuring original characters and songs by Danielle Anderson with five performances July 20 thru Sat., July 27 The Bird Comedy Theater, 103 West 19th, KCMO.
On February 23, 2024, Danielle Ate The Sandwich released the single, “Turtle by Jer” – Written by Jerry “Jer” Slougherman and Danielle Anderson. Performed by Jer. Mixed by David Bashford
On January 14, 2024 Danielle Ate The Sandwich released the 6-track release, “2024 (The 24 Hour Album)”.
On February 20, 2022 Danielle Ate The Sandwich released the 7-track release, “Continued Curfew (24 Hour Album 2022)”.
Danielle Ate The Sandwich released the 7-song album, 24 HOUR ALBUM (2021), on April 25, 2021. The 7 songs on this album were written and recorded in 24 hours on April 24th-25th, 2021, during Danielle Ate the Sandwich’s 6th annual 24 Hour Album.
On May 28, 2021 Danielle Ate the Sandwich released, It’s Not a Burden (Original Songs from the Documentary Film) on Youngest Daughter Records. It’s Not A Burden is a powerful and brilliant film about the joys and pain of raising elderly parents. The songs are produced by Joanna Katcher.
Danielle Ate The Sandwich released the single, “A Weight, A Wall” on June 1, 2021. Danielle Ate The Sandwich released the single, “Goodbye to You” on August 22, 2021. Danielle Anderson, thank you for being with us on WMM.
11:25
Danielle Ate the Sandwich – “Not Easy To Do” from: Fumbling / Danielle Ate The Sandwich / March 21, 2025 [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
[Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO Featuring Fritz Hutchison, Alison Hawkins, Michelle Bacon, and Marco Pascolini.. Info at: http://www.greenwoodsocialhall.com]
11:28 – Underwriting
The Fur and the Fang – “Mr Lorry” from: EP 4 /The Fur and the Fang / December 17, 2024 [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]
[The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]
11:33 – Interview with Zach Hodson, Valerie Schurman and Joe Frogge
Joining us in our 90.1 FM Studios is KC music veteran Zach Hodson, formally of the critically acclaimed Dolls On Fire. Zach’s new band is The Fur and The Fang where Zach on sings, plays guitars, keys & percussion; also joining us in the conversation is: Valerie Schurman who sings, plays kazoo & percussion; and Joe Frogge who sings and plays ukulele. Seann McAnally on vocals & bass is also in the band. The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.” The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. More info at: http://www.thefurandthefang.bandcamp.com
The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com
Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM
The Fur and The Fang is: Zach Hodson on sings, plays guitars, keys & percussion; Valerie Schurman who sings, plays kazoo & percussion; Joe Frogge who sings and plays ukulele. Seann McAnally on vocals & bass is also in the band.
The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.”
The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson.
11:41
The Fur and the Fang – “Bad Gospel” from: EP 4 /The Fur and the Fang / December 17, 2024 [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]
[The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]
11:44 – More Interview with Zach Hodson, Valerie Schurman and Joe Frogge
Joining us in our 90.1 FM Studios is KC music veteran Zach Hodson, formally of the critically acclaimed Dolls On Fire. Zach’s new band is The Fur and The Fang where Zach on sings, plays guitars, keys & percussion; also joining us in the conversation is: Valerie Schurman who sings, plays kazoo & percussion; and Joe Frogge who sings and plays ukulele. Seann McAnally on vocals & bass is also in the band. The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.” The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson.
The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com
Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM
The Fur and the Fang Discography The Fur and the Fang released the 4-track EP, EP3 on December 17, 2024 The Fur and the Fang released the 5-track EP, EP3 on July 23, 2024 The Fur and the Fang released the 4-track EP, EP2 on August 25, 2023 The Fur and the Fang released the 4-track EP, EP1 on February 28, 2023 The Fur and the Fang released the 6-track EP, A Furry Fangy Holiday 2023 Dec 20, 2023
The Fur and the Fang released the single, “The Horrors We Don’t Know” on Oct 31, 2023.
Zach Hodson, Valerie Schurman and Joe Frogge thanks for being with us on WMM
The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com
11:54
The Fur and the Fang – “I Could Never Tell A Lie” from: EP 4 /The Fur and the Fang / December 17, 2024 [Zachary Hodson (formerly of Dolls On Fire) on vocals, guitars, keys, percussion; Valerie Schurman on vocals, kazoo, percussion; Seann McAnally on vocals, bass; Joe Frogge on vocals, ukulele. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. Performed by the Fur and the Fang except Bad Gospel music and lyrics written by Seann McAnally performed by the Fur and the Fang. Album art generated by DJ Flickster. The Fur and the Fang are Campfire acoustic singalong meets sweaty barnstomping hootenanny. More info at: http://www.thefurandthefang.bandcamp.com]
[The Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
NEXT WEEK, on April 2 – Fallestine “Fally” Afani of I Heart Local Music and the Lawrence Music Alliance joins us as Guest Producer for SPOTLIGHT ON PALESTINIAN ARTISTS a special presentation for Arab American Heritage Month featuring music from Saint Levant, Elyanna, DAM, and More!
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org
WMM presents: Stephonne + Danielle Ate The Sandwich + Zach Hodson
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, March 26, 2025
WMM presents: Stephonne + Danielle Ate The Sandwich + Zach Hodson
Mark spins more New & MidCoastal Releases from: honeybee, Krystle Warren and The Faculty, Stephonne, Danielle Ate The Sandwich, David Luther, The Fur and The Fang, Julien Baker & TORRES, The Faint, Yukimi, Billie Marten, and Debby Friday.
At 10:30 Stephonne debuts his brand new single “It’s Gonna Be Alright.” Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. More info at: http://www.stephonne.com
At 11:00 Danielle Anderson talks about her new album FUMBLING from Danielle Ate The Sandwich, released March 21, 2025. Danielle has released over 300 YouTube videos, conducts an annual community songwriting project called the 24 Hour Album, and has released 8 full length albums of original music. She has opened for Mumford and Sons, Jake Shimabukuro, and had the opportunity to write the soundtrack to the Emmy nominated HBO documentary, “Packed in a Trunk: The Lost Art of Edith Lake Wilkinson.” In 2023, Danielle was awarded a 2-year studio residency at the Charlotte Street Foundation, and was the recipient of an Inspiration Grant from ArtsKC in 2024. Danielle Ate The Sandwich plays a FUMBLING album release show Saturday, March 29 at 7:00pm, at Greenwood Social Hall, 1750 Belleview Ave, KCMO. Info at: http://www.greenwoodsocialhall.com
At 11:30 Mark talks with KC music veteran Zach Hodson, formally of the critically acclaimed Dolls On Fire. Zach’s new band The Fur and The Fang features Zach on vocals, guitars, keys & percussion; Valerie Schurman on vocals, kazoo & percussion; Seann McAnally on vocals & bass; Joe Frogge on vocals & ukulele. The Fur and The Fang describe their sound as: “A campfire acoustic singalong meets sweaty barn-stomping hootenanny.” The band released, EP 4 on December 17, 2024. Recorded, mixed and mastered at Drei Katzen Studios. All music and lyrics by Zachary Hodson. More info at: http://www.thefurandthefang.bandcamp.comThe Fur and The Fang play The RINO, 314 Armour Rd, North KC, on Friday, March 28, at 7:00pm with The Village Prairie and Cee Dee Vee. http://www.therinokc.com
On your local radio dial 90.1 FM or STREAMING LIVE at: kkfi.org
Wednesday MidDay Medley TEN to NOON Wednesdays – Streaming at KKFI.org 90.1 FM KKFI – Kansas City Community Radio Produced and Hosted by Mark Manning
Wednesday, March 19, 2025
WMM presents: Black Light Animals + Big Fat Cow
“Main Title Instrumental – It’s Showtime Folks” from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979 [WMM’s Adopted Theme Song]
Flutienastiness – “Tulum in November” from: Tulum in November / Flutienastiness Entertainment / November 28, 2024 [Amber Underwood’s first new music in four years. Nick Spacek of The Pitch writes, “Seeing the flute player rock a melody which wouldn’t be out of place on a ’70s compilation LP you pulled out of the bargain bin while digging for cool, weird vinyl before a Daft Punk meets Italo disco bass line turns it into the late night track you didn’t know you needed and gets you shaking your ass so hard you scare your pets.” // Jazz flutist, educator, band director, and band leader, Amber Underwood is a native of Kansas City and has been entertaining and performing music since the tender age of 8. Beginning her musical journey on the piano and soon after began playing classical flute. / While in college, Amber discovered Jazz and became intrigued with the art form inspired by musical influences of Bobbi Humphrey, Hubert Laws, Frank Wess, Herbie Mann, and Nestor Torres and found a love for the art form. At age 20, Amber graduated from Wichita State University with a Bachelor of Music in Flute Performance and by 23 she completed a Masters of Arts in Arts Administration and Music Business from the University of Missouri Kansas City Conservatory and continued her education with a second Master’s degree in Education and Teaching Music from Pittsburgh State University. / In the beginning of 2014, the Amber Underwood Project and later transformed into Flutienastiness and the SoulPatrol with the mission to showcase an instrument that is normally used as an auxiliary instrument in jazz but now as a solo instrument. Flutienastiness and the SoulPatrol is a modern and fresh take on smooth jazz and R&B sounds with a touch of Latin, Funk and Gospel. Flutienastiness and the SoulPatrol uses the rich tones and colors of the flute to interpret the various styles and genres of jazz. // Amber has been a presence in the Kansas City jazz scene making a place and a voice for her instrument. Amber has opened for Kirk Whalum and has performed alongside a host of other artist. / Amber is our modern-day soul and contemporary jazz flautist and a force to be reckoned with. Her debut album, ‘This Is Me’ has gained International recognition and was name one of the Top 25 Jazz Albums of Kansas City in 2020. Amber has also appeared on jazz playlists and featured on various recordings from all genres. Amber ‘Flutienastiness’ Underwood is the future of contemporary soul jazz flute! // On October 28, 2020 Flutienastiness released the album THIS IS ME (part of WMM 120 Best recordngs of 2020). The album was produced, mixed, & mastered by Desmond “D. Professor” Mason for Out D. Park Productions. All flutes by Amber Underwood. All tracks were composed collaboratively between Amber & Desmond. Amber writes: “This is album is a touch of all my feelings, life journeys and an inside look into Amber ‘Flutienastiness’ Underwood as a person beyond the stage. More info at:www.flutienastiness.com.]
GHOSTY – “Back To School” from: Duane Duane – EP / More Famouser Records / February 27, 2024 [Lawrence / Kansas City band founded by Andrew Connor. Music by Ghosty. Lyrics by Andrew Connor and Eugene Booth. Recorded by Ross Brown in Kansas City, KS November 2024. Mixed by Ross Brown. Mastered by Mike Nolte at Eureka Mastering. Bill Belzer on drums, percussion; Ross Brown on slide guitar on Duane Duane, backing vocals; Andrew Connor on vocals, guitar; Mike Nolte on bass; David Wetzel on piano, synth, backing vocals; Konnor Ervin om backing vocals; Collin Rausch on backing vocals; and Kyle Rausch on backing vocals. Art by Paul Browning. Consulting by Kyoko Connor // Andrew Connor released the album IN COLORADO on April 21, 2021. // Ghosty released the EP PRODIGAL SON on February 28, 2020. With this EP GHOSTY was able to finally get back to finishing 3 tracks that were started in 2014. Andrew Connor on guitar & keyboards, & vocals, Bill Belzer on drums & percussion, Ross Brown on guitar & keyboards, and Mike Nolte on bass. Basic tracks were recorded in July 2014 at Westend, Kansas City, KS. Engineered by Mike Nolte. The songs were written by Andrew Connor. Mixed by Ross Brown and mastered by Mike Nolte at Eureka Mastering. This EP followed the band’s critically acclaimed 2013 album GHOSTY on High Dive Records. More info at: http://www.ghostysounds.com ]
Ghosty Discography
Ghosty released the 3-song EP, PRODIGAL SUN on February 28, 2020 with Bill Belzer on drums, percussion / Ross Brown on guitar, keys / Andrew Connor on guitar, keyboards, vocals / Mike Nolte on bass
Ghosty released the self titled album GHOSTY on April 17, 2014. It was there 3rd full length release with Andrew Connor, Mike Nolte and Bill Belzer who recorded their new album themselves over the last couple of years with help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, and Dan Talmadge. The new release was pressed on vinyl and available on LP and digital download.]
Ghosty released the single “Love U 2” on July 15, 2013, recorded June 2013 at Westend, Kansas City, KS. Documentary about the recording of this song by surrounding media vimeo.com/70317712 // with: Mike Nolte on bass, engineering, mastering // Andrew Connor on guitar, keys, vocals / Bill Belzer – drums, & percussion
Ghosty released the 5-track EP, TEAM UP AGAIN on April 13, 2010 with Andrew Connor, Mike Nolte, David Wetzel, Josh Adams, Jake Blanton, Suzannah Johannes, Konnor Ervin, Ryan Johnson // Team Up Again,” “Ocean of Heat (Setting FIres),” and “Quell The Hunger” by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2010. “Virginia Song” by Rev. Howard Finster, arranged by Ghosty. “On A Saturday” by Jake Blanton, arranged by Ghosty. // “Team Up Again,” “Setting Fires,” “Virginia Song,” and “On A Saturday” recorded and mixed at Run Riot / More Famouser Studios, Shawnee, KS, September 2009 through March 2010. Engineered and mixed by Mike Nolte and Ghosty. // “Quell The Hunger” recorded at Mixtape Soundlab, Lawrence, KS, January 2009 additional tracking and mixing and Run Riot / More Famouser studios, Shawnee, KS, and February 2010. Engineered and mixed by Mike Nolte and Ghosty.
Ghosty released the 3-track EP, FOOLISH PRIDE on November 17, 2009 with All songs by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2009 // “Foolish Pride” and “Rose-Colored Glasses” basic tracks recorded at Jack’s House, Merriam, Kansas, Fall 2007. Engineered by Mike Nolte and Ghosty. Additional tracking and mixing at More Famouser Studios, Kansas City, MO, and Run Riot Studios, Shawnee, KS, Fall 2009. // “Hey Bill” basic tracks recorded at Mixtape Soundlab, Lawrence, KS, January 2009. Engineered by Mike Nolte and David Wetzel. Additional tracking and mixing at More Famouser Studios, Kansas City, MO by Mike Nolte and Ghosty, Spring 2009.
Ghosty released the 3-track EP, A MYSTIC’S ROBE on September 15, 2009 with Andrew Connor, David Wetzel, Mike Nolte, Jake Blanton, Josh Adams, Carmen Winters // All Songs by Andrew Connor, arranged by Ghosty, Pretend Outlaw Music, ASCAP, 2009 // “My Girl Is Strong” and “Sunday Morning” basic tracks recorded at Mixtape Soundlab, Lawrence, KS, January 2009. Engineered by Mike Nolte and David Wetzel. Additional tracking & mixing at More Famouser Studios, KCMO by Mike Nolte & Ghosty Spring 2009. // “Secret Language” basic tracks recorded at Jack’s House, Merriam, KS, Fall 2007 Engineered by Mike Nolte & Ghosty. Additional tracking & mixing at More Famouser Studios, by Mike Nolte & Ghosty Spring 2009.
Ghosty released the 11-song album ANSWERS on January 15, 2008 with tracks recorded by Paul Malinowski at Westend and Run Riot Studios, Kansas City, KS, 2006-07. racks 4, 6, 7, and 9 were recorded and mixed by Trent Bell at Bell Labs, Norman, OK, 2006. // Track 8 was recorded by Tim Brandsted at UMKC and Paul Malinowski at Westend. Mixed by Paul Malinowski at Westend, 2007. // Tracks 2 and 10 were recorded by Chris Behmer at the Ferrell home, Overland Park, KS, 2005, and with Trent Bell at Bell Labs. Mixed by Trent Bell at Bell Labs, 2006. // Mastered by Roger Seibel at SAE Masterin // All songs by Andrew Connor, arranged by Ghosty // Pretend Outlaw Music, ASCAP. // Released on Oxblood Records.
Ghosty released the 5-track EP, ME, ME, ME on January 15, 2006 w/ Andrew Connor on guitar & vocals / Jeff Ferrell on guitar & vocals // David Wetzel on keyboards &* vocals // Mike Nolte – bass & vocals // Josh Adams on drums & vocals // Recorded & mixed Fall 2005 by Jeff Ferrell and Ghosty at New York St. house, Lawrence, KS. Artwork by Paul Browning. Songs by Andrew Connor, Pretend Outlaw Music
Ghosty released the 19-track album GROW UP OR SLEEP IN (Deluxe Edition) on August 30, 2005 with Josh Adams, Andrew Connor, Jeff Ferrell, Mike Nolte, David Wetzel// and Alums: Jacob Baum, Richard Gintowt, Mark Hurst, Andrew Sallee, James Duft // Big Surrender, Henry Greene, and Hey! Somebody were recorded by Mike Mogis at Presto! in Lincoln, NE in the summer of 2002 // Jacqueline, Rooms in the Dark, (In a Big World)Little Dreams Count, High on Life, Clouds Solve It, Go to Add/Drop City, and World Travelers were recorded by Trent Bell and Andy Nunez at Bell Labs in Norman, OK in the fall 2003 // Mastered by Doug Van Sloun at Studio B // Design by Patrick Giroux at Blue Collar Press // All songs by Andrew Connor, Copyright 2005 // Pretend Outlaw Music(ASCAP) // Wayne Coyne appears courtesy of Warner Brothers Records // BONUS TRACKS: Primadonna, John Hunter, and Sad Sack recorded Summer 2006? at the Ferrell Home in Overland Park, KS by Chris Behmer and Ghosty // Dust Box Nites and Rok Town Air recorded and mixed with Tom Wagner at Underground Sound in Lawrence Kansas, Winter 2005? James Duft plays bass // Going Home Recorded in the Spring of 2002 at 1225 and 1137 Tennessee in Lawrence, KS by Ghosty, Mixed with Jeff Ferrell.
Ghosty released the 6-track EP THE FIVE SHORT MINUTES on February 2, 2002 with Andrew Connor: Guitar, Vocals, Keyboards / Jacob Baum: Bass, Organ, Percussion, Guitar / Richard Gintowt: Drums, Percussion / Jeff Jackson: Pedal Steel Guitar on Track 5 // Recorded Fall 2001 at the haunted house by Jacob Baum / Produced by Ghosty / Mastered by Boyd Bristow
Birdie – “Sleepsinger” from: Make Me / Birdie / February 1, 2025 [Birdie’s new 8-track album. Birdie Is: Betsy Schwartze on vocals, ukulele, keyboard;Andy Oxman on guitar; Barb Wilmoth on drums & bass; Dan Carey on bass. // Birdie released the 8-track album 8 TRACK on July 25, 2024. // Birdie released the 9-track album GRAVITY on October 12, 2022. GRAVITY was made with Birdie in lead vocals & ukelele, Andy Oxman on guitar, Barb Wilmoth on drums, Dan Carey on bass, with Pat Tomek on drums, Gary Paredes on guitar and Marc Bollinger on bass. // Birdie released two full-length albums in 2022. // On May 27, 2022 Birdie’s released the 8-song album WHY DO YOU HAVE TO BE SO COOL? Power pop, punk, and echoes of the girl groups of our time intersect in Kansas City-based band Birdie. This energetic collaboration of local talent brings a fresh take on classic sounds. // Birdie released the single “You Can’t Stop Her” on June 13, 2021. // Birdie released the 7-track EP, CELLOPHANE HEART on June 4, 2021. Birdie is the musical project of Betsy Schwartze who lives in Stilwell KS. Info at: http://www.birdiesound.com]
LYXE – “Sad Surfer” from: “Sad Surfer” – Single / LYXE / March 11, 2025 [Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass,. This indie/alternative rock band LYXE, is from Lawrence, Kansas. // This is LYXE’s second single of 2025 following “All Alone” that was released on February 21, 2025 // “Sad Surfer” – A Melodic Reflection on the Struggle to Find Home. The track blends surf-inspired guitar melodies with introspective lyrics about the search for belonging. The song’s lush, reverb-laden guitars evoke a sense of nostalgia for surf rock from both past and present, while offering a modern twist that perfectly complements the band’s unique sound. With this new release, LYXE continues to push the boundaries of their genre, delivering a hauntingly beautiful reflection on personal longing and identity. / “Sad Surfer” captures the universal struggle of trying to find a place that feels like home. The almost pessimistic lyrics delve into themes of displacement and the desire for stability, resonating with anyone who has ever felt out of sync with their surroundings. With its atmospheric guitar work and emotive vocals, the song creates a sonic landscape that mirrors the inner conflict of seeking a place to call your own. The track’s introspective mood is balanced by its ethereal soundscape, making it a standout piece in the band’s growing catalog. / The release of “Sad Surfer” marks another exciting chapter for LYXE, as they continue to gain momentum in the indie rock scene. Known for their emotionally charged music and genre-blending style, LYXE’s new single is sure to captivate both new listeners and long-time fans alike. //LYXE, a three piece pop-rock outfit formed out of the love of getting fans to sing and dance along to hip shaking rhythms reminiscent of classic 80’s and 90’s sounds. They quickly became a favorite of crowds and musicians alike with the lead of Ryan Wise’s crooning vocals and vintage guitar sounds. The trio has an undeniable chemistry that caught the local scene like wildfire. Bassist AJ Knudson brings a loveable charisma to their live presence, while drummer Jimmy Girod’s subtle, elegant delivery gives this act a sophisticated backbone. // LYXE released their debut EP, EVERYTHING YOU COULD EVER WANT on September 15, 2022. Pulling inspiration from a wide range of genres, this six-song EP has a pop-rock, new wave nostalgia that sinks its teeth into you. Luring in listeners with dramatics and lush hooks on “Wave,” yet unafraid to tap into their feral side on “I Got Everything.” The record closes with “Fit,” which makes you feel like you’re in an argument with your prom date in 1989. Recorded, at Element Recording Studios in Kansas City. The new EP gave listeners a different side of Ryan Wise’s songwriting with crooning vocals and vintage guitar sounds. // On June 23, 2023 LYXE released a remastered version of their song “Wave (Remastered 2023)” produced by Joel Nanos. Remaster by Jake Vertigo, with: Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass, and Chase Horseman on synthesizer. This was originally the debut single “Wave.” // LYXE release their singe ”Ice Cream” on June 23, 2023 // LYXE released their single “P{rom Song” on November 10, 2024. // LYXE released their single “Hard To Talk” on October 4, 2024. // For additional information or inquiries please contact: wearelyxe@gmail.com ]
[LYXE plays Auntie Mae’s Parlor 616 N. 12th St. Manhattan, KS on Friday, March 21 at 8:00pm gthe first of their 12-city tour through Kansas, Minnesota, Missouri, Oklahoma, Colorado, Illinois and Iowa.]
Nightosphere – “Poverty Policy” from: “Poverty Policy” – Single / Nightosphere / February 21, 2025 [Brittany Sawtelle on guitar; Claire Hannah on bass & vocals, Dekota Trogdon on drums. Recorded at BRC Audio Productions by Zack Hames. Mixed + mastered by Mario Quintero. Nick Spacek in The Pitch writes, “their new single sees the band leaning into pure Goth territory, courtesy of a bassline that feels like the most ominous thing ever, plodding along in the best possible way before the song explodes in its final minute as though they can’t possibly hold it in any longer, and then returning to the slow march of what was a eulogy, now becoming the funeral.”// Nightosphere released their own 6-minute version of Echo and the Bunnymen’s “The Killing Moon” on Jan. 31, 2025 // After a couple of early single releases and an excellent 3-way split with Abandoncy and Flooding, Nightosphere developed their heavy slowcore sound into a fully realized, extremely imposing full length. On April 14, 2023 Nightosphere released their 7-track album Katabasis. Katabasis was recorded and mixed by Morgan Reed Greenwood & mastered by Greg Obis at Chicago Mastering Service. The album’s artwork is by Kasper Durkin, and the layout & design by Alexis Politz.]
Lee Walter Redding – “It Should Be Ours” from: “It Should Be Ours” – Single / Lee Walter Redding / February 24, 2025 [On July 15, 2022 Lee Walter Redding released the EP live From The Argyle Wallpaper. Lee Walter Redding on vocals, guitar; Justin Rogers on bass; Andy Kirk on guitar/synth and Justin Skinner on drums. // Lee Walter Redding released “Elephant Man (feat. Stephonne)” on April 9, 2021. Lee told us that he learned about Stephonne Singleton from listening to Wednesday MidDay Medley and hearing Stephonne for the first time. WMM bringing musical collaborations together since 2004. // Kansas City based Lee Walter Redding was raised on 60s rock, steeped in 90s Britpop ennui, and guided by contemporary neo-soul, Lee Walter Redding weaves dry humor into vibrant sonic textures that sway from wistful to chaotic. Think 2010s Nick Lowe fronting The Velvet Underground. On warped vinyl. More info at: http://www.leewalterredding.bandcamp.com] [Lee Walter Redding was our guest on WMM on July 13, 2022]
10:30 – Underwriting
KiNG MALA – “FUN! (Radio Edit)” from “FUN!” – Single / Handwritten Records / February 21, 2025 [KiNG MALA is an alternative pop artist based in Los Angeles. AKA Areli Castro, the El Paso born musician is not afraid to spill her guts. Setting out with the hopes to spark confidence in both herself and her listeners, she creates music that will make you walk taller and speak louder. Both her music and visuals experiment with masculine tropes, sharing “There’s something about taking something traditionally masculine and wearing it as a woman that makes me feel really powerful.” These masculine threads weave throughout everything she does, hence King rather than Queen and “MALA” which roughly translates to “bad bitch” in Spanish. Sharing her feelings from the bottom of her heart KiNG MALA encourages you to dig deep and connect with your inner-self. Life is messy and we shouldn’t feel ashamed to show our emotions and speak our mind. // Dark, provocative and perhaps a little twisted, the new single “cult leader” has an empowering and confident disposition. Manifested with a ‘fake it till you make it’ mindset, the track was actually written when her confidence had taken a hit, though the song writer decided that instead of leaning into the sadness, she would be overly confident and a bit narcissistic to try and boost her self-esteem. Reverberating with a distorted driving beat and haunting vocals, the track oozes with a bold and daring energy.]
Youth Lagoon – “Speed Freak” from Rarely Do I Dream / Fat Possum Records / February 21, 2025 [Trevor Powers was born March 18, 1989. He is better known by his stage name Youth Lagoon, is an American musician from Boise, Idaho. Youth Lagoon’s music has been described as neo-psychedelia, and includes elements of pop, Americana, electronic and experimental music. // Powers was initially active as Youth Lagoon between 2010 to 2016, releasing three studio albums – The Year of Hibernation (2011), Wondrous Bughouse (2013) and Savage Hills Ballroom (2015) – before announcing his retirement from the project. He returned to music in 2018, releasing two studio albums under his own name, before announcing the return of his Youth Lagoon moniker in 2022. // Working closely with producer Rodaidh McDonald, Powers released his fourth Youth Lagoon album, Heaven Is a Junkyard, in 2023 to widespread critical acclaim. The album was followed by Rarely Do I Dream in 2025, to further acclaim, with its lyrical content rooted in boyhood memoir and old-world folklore and incorporates samples from home movies. // “This song came from a thought I had of giving the angel of death a hug. We spend our whole lives running from this thing we can’t outrun. This body is temporary, but there is no death. Only transformation. A door opens when you learn to let go of the identity you’ve been building your whole life. Someone told me a couple years ago, ‘I have good news for you and I have bad news. The bad news is Trevor is doomed. There’s no hope for Trevor. The good news is — you’re not Trevor. When I heard that, it clicked.” – Trevor Powers // “Through a dozen years of shifting sounds and trends, Powers has remained faithful to the fundamentals of chamber pop: tunes that stick in your head and arrangements grand enough to get lost in.” – Pitchfork // 5th album, Rarely Do I Dream, Youth Lagoon’s most comprehensive and audacious album to date. It’s a treasure trove of home movies, twangy fuzz guitars, sun-bleached synths, classical pianos, blown-out drums, and Powers’ spellbinding melodies, all which feel like an old photograph that’s been reanimated in a strange and distant future. // Rooted in love and childhood memoir, Rarely Do I Dream is a triumph of American gothic imagination — where storybook innocence dissolves into a radioactive billow of teenage drifters, drug-addled hustlers, and old-world folklore. Drifting between propulsive electronica and hallucinatory rock songs, Powers’ singular voice always glows front and center as the neon road sign pointing home. // Lead single “Speed Freak,” is a dark joyride that showcases Youth Lagoon’s glaring metamorphosis, unleashes a grungy beat while synth bass struts and splinters into a technicolor post-punk spectacle.]
Tunde Adebimpe – “God Knows” from: Thee Black Boltz / Sub Pop Records / April 18, 2025 [Acclaimed TV On The Radio frontman and multi-hyphenate talent Tunde Adebimpe has released a new song “God Knows,” from his highly anticipated debut solo album, Thee Black Boltz. // “God Knows” delves into the complexities of a bittersweet breakup, showcasing Adebimpe’s distinctive vocals and introspective lyrics. The song captures the raw vulnerability of heartbreak as Adebimpe sings, “You’re the worst thing I ever loved, And you’re bad news but I still want to give you my love.” // Of the latest single, the TV on the Radio frontman says “Breaking up is hard to down dooby doo down do”. // Thee Black Boltz is produced by Tunde Adebimpe & Wilder Zoby, and executive produced by Zoby, with additional production and contributions from Jaleel Bunton & Jahphet Landis (of TV on the Radio), and more. Showcasing visionary soundscapes, the album is a nod to Adebimpe’s propensity to write and sing about the human condition – in all its forms, under all its stressors, both big and small. // “Adebimpe is strutting back into the spotlight with style.” – Consequence // “Adebimpe is plagued with the state of the world, as he muses on the human race, love, tenderness and how to fly above it all. He whistles, claps and yelps—in all the ways that made TV On The Radio songs so com-pelling and mesmeric—but with a progressive voice that sounds fresh and thrilling in 2024.” – Paste // “‘’Magnetic’… It’s an apt name for the track, which opens with a reflective, melancholic lyric (‘I was thinking about my time in space’) before the propulsive instrumentals drop in and never let up.” – AV Club // “Tunde Adebimpe had quite the 2024, stealing scenes in Twisters and reuniting with TV on the Radio to celebrate the 20th anniversary of their debut, Desperate Youth, Blood Thirsty Babes. The front man will get a little more “me” time this year with his first solo album via Sub Pop.” – Vulture’s “Albums We Can’t Wait to Hear in 2025”
Fantastic Negrito – “I Hope Somebody’s Loving You” from: Son of a Broken Man / Storefront Records / October 18, 2024 [Born Xavier Amin Dphrepaulezz, Fantastic Negrito’s story is a testament to resilience and the transformative power of music. By now much has been made of Negrito’s unique story – growing up in an orthodox Muslim household, a doomed major label deal, the near-fatal car crash that permanently damaged his guitar playing hand—as well as the remarkable redemption arc that began in 2015, when he won the first-ever NPR Tiny Desk Contest. He has since earned three GRAMMY® Awards for “Best Contemporary Blues Album,” and shared stages with everyone from Sturgill Simpson to Chris Cornell to Bruce Springsteen. He’s collaborated in the studio with the likes of Sting, E-40, and Tank and The Bangas, performed on countless headline world tours and at festivals such as Lollapalooza, Glastonbury, Newport Folk, and WOMAD. Negrito also founded Revolution Plantation, an urban farm in Oakland, CA aimed at youth education and empowerment. // 2025 is the ten year anniversary of Fantastic Negrito winning the inaugural NPR Tiny Desk Contest. Winning the Tiny Desk Contest took Negrito from a street musician to a genre bending, Grammy winning, internationally acclaimed artist. // His latest release, Son Of A Broken Man sees Fantastic Negrito encapsulating his inimitable style, from hard-hitting guitar riffs to expressive ballads, with the unexpected twists that have become his trademark. It stands as one of his most personal works to date, exploring family, deception, and the human desire to hide the true self as he dives deep into the struggle between father and son. // I Hope Somebody’s Loving You, the second single from “Son Of A Broken Man” is a rare ballad from Fantastic Negrito with a touch of Otis Redding mixed with some Prince. The music video has amassed over 180,000 organic views on YouTube and nearly 1 million organic views on TikTok. The track stems from Negrito observing people on the street while on tour. The message is simple. “I hope somebody, somewhere, somehow, is loving every single person in this world”.]
Tune-Yards – “Limelight (Radio Edit)” from: Better Dreamiing / 4AD Records / May 16, 2025 [Tune-Yards is the Oakland, California–based music project of Merrill Garbus and Nate Brenner. Garbus’s music draws from an eclectic variety of sources and uses elements such as loop pedals, ukulele, vocals, and lo-fi percussion. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice’s annual Pazz and Jop critics’ poll. // The album Nikki Nack was released in 2014, with its first single, “Water Fountain”, being picked up by Google Pixel in 2016 for an advertising campaign. The album I Can Feel You Creep into My Private Life was released in January 2018. At the same time, Tune-Yards provided an atmospheric score for the sci-fi film Sorry to Bother You. // Born in 1979, Garbus was raised in New York City and in New Canaan, Connecticut. She attended Smith College. She was a puppeteer for the Sandglass Theater in Vermont and lived in Montreal where she played ukulele in the band Sister Suvi with guitarist Patrick Gregoire and drummer Nico Dann. Merrill’s sister Ruth Garbus is also a musician who has played solo and in the band Happy Birthday. After releasing her first Tune-Yards album in 2008, she moved to Oakland, where her partner in Tune-Yards, Nate Brenner, also lives. // The first Tune-Yards album, Bird-Brains (stylized as BiRd-BrAiNs) was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August 17, 2009. A full worldwide release followed on November 16, 2009 (and November 17 in North America). The autumn 2009 pressing was remastered at Abbey Road Studios by Christian Wright, and includes two new bonus tracks: “Want Me To” and “Real Live Flesh.” // A second album, Whokill (stylized as w h o k i l l), was released on April 19, 2011. A single from it, “Bizness”, came out in February 2011. It was produced by Garbus and engineered by Eli Crews at New, Improved Studios in Oakland. Applying the live approach to Garbus’ studio work for the first time, Garbus works with bass player Nate Brenner, who co-wrote some of the album’s songs. Comparing the act to Sonic Youth, Frontier Psychiatrist said, “if Bird-Brains was Garbus’ Evol, a record bursting with musical ideas that attempted to subvert the notion of song, who kill is Garbus’ Sister, a record that embraces the traditional pop song as a vehicle to convey those ideas.” The album as well as singles “Bizness” and “Gangsta” received mention on many top 2011 album and song lists, including Time, Rolling Stone, Spin, and the New York Times. In early 2012, the Village Voice’s annual “Pazz and Jop” poll of critics named Whokill the No. 1 album of 2011. The song “Fiya” is featured on a 2010 commercial for the Blackberry Torch, while the song “Gangsta” has been used in the television shows Orange Is the New Black, Letterkenny, Weeds and The Good Wife and the song “Bizness” was used in Season 3 of Transparent. // Garbus started recording material for her third LP during the latter half of 2013, with a working title of Sink-o. A May 6, 2014 release date was later announced with the title Nikki Nack. The album spawned three singles, including “Water Fountain”, which was featured in the soundtrack for EA Sports video game FIFA 15 as well as in a 2016 commercial for the Google Pixel. // A fourth album was released on January 19, 2018, called I Can Feel You Creep into My Private Life. The album showed more of an electronic influence. The single “Look at Your Hands” was released earlier, in October 2017, followed by “Heart Attack” in January.// The Tune-Yards scored the satiric science fiction film Sorry to Bother You (2018). The film was shown at Sundance in January, then began a theatrical run in July. Its soundtrack songs are performed by the Coup, fronted by the film’s director, Boots Riley. Riley said he started working with Tune-Yards in “early 2015” to create the film’s score, with demo tracks already available before the script was complete, and before the start of principal photography. Riley said he was attracted to Garbus’s voice, and to the band’s “unorthodox use of percussion and vocal layering.” Garbus also composed the theme music for The New Yorker Radio Hour. // In 2021, Tune-Yards appeared as the opening performance for Google I/O with Artificial Intelligence powered vocal accompaniment.]
Saya Gray – “Shell (of a Man)” from: SAYA / Dirty Hit Records / February 21, 2025 [Saya Gray (born 1995) is a Canadian musician. She has four albums or EPs, starting with her debut in 2022. // Gray was born in 1995 and raised in Toronto, Ontario, Canada, growing up in the Beaches neighbourhood of Toronto. Her mother is the founder of the Discovery Through the Arts music school in Toronto. Her mother’s family moved from Shizuoka Prefecture in Japan to Canada when her mother was ten years old. Her father is a Scottish-Canadian jazz trumpet player who studied at the Berklee College of Music. She is of Japanese-Canadian descent.Her brother, Lucian Gray, who plays the guitar, appears on her album 19 Masters. She began playing the piano at a young age, eventually deciding around the age of ten to play bass. // Gray began playing music in a house band for a Jamaican Pentecostal church. At the age of eighteen, Gray was a music teacher and a member of the Quincy Bullen Band. After dropping out of high school in order to take night classes instead, she moved to London in the United Kingdom at the age of nineteen. She worked as a touring bassist for over ten years prior to releasing music. She previously played as a bassist in Canadian singer and songwriter Daniel Caesar’s touring band She has also been a musical director for American singer Willow Smith and a bassist for English singer and songwriter Liam Payne. // In 2019, Gray began releasing original music. Her debut album, 19 Masters, was released on June 2, 2022. In 2023 and 2024, she released the dual extended plays QWERTY and QWERTY II. Her second album, Saya, was released on 21 February 2025. // Gray has lived in Toronto and the countries of Japan and the United Kingdom. She was living in Tokyo as of March 2024.]
Gigi Perez – “Chemistry (Radio Edit)” from: “Chemistry (Radio Edit)” – Single / Outahere Records / February 28, 2025 [Gianna Brielle Perez was born February 4, 2000, known professionally as Gigi Perez or simply Gigi, is an American singer-songwriter. Born in New Jersey and raised in Florida, she went viral on TikTok for her songs “Celene” and “Sometimes (Backwood)” and spent a period signed to Interscope Records, on which she released the 2023 EP How to Catch a Falling Knife. After leaving the label, she released “Sailor Song”, which peaked at number 22 on the Billboard Hot 100. “Sailor Song” topped the charts in Ireland, Latvia, and the United Kingdom, and peaked within the top ten of the charts in various countries, including New Zealand and Norway. She has also supported Coldplay on their Music of the Spheres World Tour, Noah Cyrus on her The Hardest Part Tour, girl in red on her Doing It Again Tour and D4vd on his The Root of It All Tour. // Gianna Brielle Perez was born on February 4, 2000, in Hackensack, New Jersey, and raised in West Palm Beach, Florida.: 0:49 She spent a year at a comprehensive before moving to a Christian school.: 8:39 Perez is a lesbian and has credited “Girls Like Girls” by Hayley Kiyoko with helping her accept her sexuality. She began writing songs aged fifteen and began releasing music in 2018 while in high school as part of the band Wendy Lane. Perez attended Berklee College of Music but left due to the COVID-19 pandemic in the United States. She had an older sister, Celene, who died in July 2020, shortly after which Perez’s partner broke up with her.: 29:34 To cope with her grief, she began uploading videos to TikTok to kill time. She went viral in early 2021 after releasing “Celene” and then “Sometimes (Backwood)”, both of which went viral on TikTok, prompting Interscope Records to sign her. // Perez released a further single, “The Man”, in June 2022, a track about expectations faced by men She supported Coldplay on their Music of the Spheres World Tour later that month at their Florida stadium show. She has stated in interviews to have received the offer to do so on her 22nd birthday and in February 2022. She then released “When She Smiles”, a song about a toxic relationship inspired by Ariana Grande, Imogen Heap, and “When Jamie Smiles” from the Ryan Reynolds film Just Friends, and “Glue”, a track written in late 2020 about clinging to a relationship after bereavement. In October 2022, she supported Noah Cyrus on her The Hardest Part Tour and released “Figurines”. In February 2023, she supported D4vd on his The Root of It All Tour. In March, by which time she was based in Brooklyn, she released “Sally” and announced an EP, How to Catch a Falling Knife, which comprised eight songs composed three years earlier. The EP took its title from the stock market term “never try to catch a falling knife”, as she felt it represented what she had put into the project, and was released in April 2023 alongside a music video for focus track “Kill for You”. // In March 2024, after being released from Interscope Records, she released “Normalcy”, a queer love song she had first promoted in December 2022 on TikTok; she followed this a month later with “Please Be Rude”. // In July 2024, she released the single “Sailor Song”, an acoustic queer ballad about a woman who looked like Anne Hathaway. The track went viral on TikTok, and peaked at number 22 on the Billboard Hot 100. Some conservative Christian communities complained about the line “I don’t believe in God, but I believe that you’re my saviour”, prompting Perez to remind her followers that her songwriting was “not a democracy”. She signed to Island Records in September 2024.]
11:00 – Station ID
Black Light Animals – “somebody 2 love me” from: “somebody 2 love me” – Single / The Record Machine / February 7, 2025 [One of the singles from LAST CALL FOR LOVE SONGS to be released Friday, March 28, 2025. For this recording: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone. Recorded at Groove King Studios in KCMO. // Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. More info at: http://www.blacklightanimalsband.bandcamp.com]
[Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!]
11:03 – Interview with Cole Bales & Cody Calhoun
Joining us are Cole Bales & Cody Calhoun of Black Light Animals – sharing details about their new album, LAST CALL FOR LOVE SONGS to be released Fri, March 28, 2025.
Black Light Animals play an Album Release Show on Sat, March 29, 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO w/ Jass, SEYKO, FlarethaRebel, and more!
Cole Bales & Cody Calhoun Thanks for being with us on WMM
We just heard “somebody 2 love me” – single / Groove King Records / December 21, 2024
For the recording: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion.
Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone.
Black Light Animals are a KC based band playing lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Recorded at Groove King Studios in KCMO. Cole & Branden Moser also play with The Freedom Affair.
Last week’s WMM our guest was Seyko who plays with Cole & Branden in The Freedom Affair. Seyko released two singles as a solo artist that were both produced by Cole Bales
Discography of other musical projects that involve members of Black Light Animals:
SEYKO – “Anybody High” – Single / Groove King Records – Fat Beats, Dec. 1, 2023 was Produced by Cole Bales of the band Black Light Animals and also a bandmate of SEYKO’s in The Freedom Affair.
SEYKO – “What I Want” – Single / Groove King Records – Fat Beats / June 23, 2023 Produced by Cole Bales of Black Light Animals, bandmate – SEYKO The Freedom Affair.
Jass & The Boys – “Day Dream Girl” – Single / Groove King Records / August 25, 2023
Jass & The Boys – “Gvn2u(feat. Jass & Black Light Animals)” – Single / Groove King Records / July 14, 2023
Jass & The Boys “Love U Like I Love U (feat. Jass & Black Light Animals) “ / Groove King Records / December 2, 2022
“The Boys” are the members of Black Light Animals: Colby Bales, Branden Moser, & Cody Calhoun plus Clarence Copridge. Colby & Branden are also in The Freedom Affair. Jass is Jasmine “Jass” Couch
The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.
The Freedom Affair have a new 10-track album produced and recorded with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at the legendary Royal Studios in Memphis. The new album will be released on May 9, 2025.
Shon Ruffin – Vocals Paula Saunders – Vocals Seyko Groves – Vocals Cole Bales – Guitar Branden Moser – Bass, Acoustic Guitar (Track 4) Chris Hazelton – Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals Dave Brick – Drums Pete Carroll – Trumpet and Flugelhorn Brett Jackson – Tenor Sax, Baritone Sax, Tambourine
Recorded at Royal Studios in Memphis, TN Recording Engineer: Boo Mitchell Tape Operator: Wesley Graham Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair Mixed by: Vince Chiarito Mastered by: JJ Golden at Golden Mastering Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales Design and Layout: Tracy Lenihan
The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness.
A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio.
The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse.
Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.
The Freedom Affair released the single “Get My Share” from: The Freedom Affair / Sunflower Soul Records / May 9, 2025 with Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar=, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful Feb. 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to KC with new musical conviction. By November, the band returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio.
The Freedom Affair play The Madrid, 3810 Main Street, KCMO Friday, May 2, 2025.
11:12
Black Light Animals – “Pink Lemonade” from: “Pink Lemonade” – Single / The Record Machine / September 15, 2023 [The latest release from the Kansas City based psychedelic soul group, Black Light Animals: Alex Hartmann on drums & percussion, Branden Moser on bass & background vocal, Cody Calhoun on lead electric guitar & background vocals, Colby Bales on lead & background vocals, & acoustic guitar.. This single follows “Persephone” that was released on September 23, 2022. Black Light Animals released their full length debut album, Playboys of The Western World on Groove King Records on July 3, 2020. More info at: http://www.blacklightanimalsband.bandcamp.com]
[Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!]
11:16 – More Interview with Cole Bales & Cody Calhoun
Joining us live in our 90.1 FM Studios are Cole Bales & Cody Calhoun of Black Light Animals. Cole & Cody join us to share details about their new album, LAST CALL FOR LOVE SONGS to be released Friday, March 28, 2025. Black Light Animals are a KC based band playing lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Recorded at Groove King Studios in KCMO. Cole & Branden Moser also play with The Freedom Affair.
Black Light Animals play an Album Release Show Sat, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO w/ Jass, SEYKO, FlarethaRebel, and more!
Cole Bales & Cody Calhoun Thanks for being with us on WMM
We just heard the “somebody 2 love me” – single / Groove King Records / Dec. 21, 2024
Black Light Animals are: Cole Bales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Liam Sumnight on drums & percussion.
Cole and Cody joined us on August 18, 2021
Cole and Cody joined us on July 1, 2020 to talk about the new record.
They also joined us on June 12, 2019 edition of Wednesday MidDay Medley to share a new recording they’ve just completed, “Tell Me That You Love Me” was just finished up and mastered by Zach Harris And to talk about heir previous band, Instant Karma playing their last live show on Saturday, June 22, at recordBar, for SoundMachineKC with Pink Royal, and The Maytags. Instant Karma! was a 4-piece rock band from KC blending elements of psych, soul, funk. and hip hop. Instant Karma bass player Branden Moser has called the band, “a drug trip through the soul section of your local record store.”
Cole Bales & Cody Calhoun, thanks for being with us on WMM
Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!
11:25
Black Light Animals – “nobody left to blame” from: “nobody left to blame” – single / The Record Machine / December 21, 2025 [One of the singles from LAST CALL FOR LOVE SONGS to be released Friday, March 28, 2025. Black Light Animals are: Cole B[ales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone. Recorded at Groove King Studios in KCMO. // More info at: http://www.blacklightanimalsband.bandcamp.com]
[Black Light Animals play an Album Release Show on Saturday, March 29, at 9:00pm at The Ship, 1221 Union Ave, WEST BOTTOMS, KCMO with Jass, SEYKO, FlarethaRebel, and more!]
11:29 – Underwriting
Big Fat Cow – “Patty” from: Behold The Soil! / Big Fat Cow / August 1, 2024 [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com]
[Big Fat Cow play miniBar, 3810 Broadway, KCMO on Sat., March 22, with The Clarence Tilton Band, and Gullywasher.]
[Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah].
10:35 – Interview with Noah Cassity, Alex May, and Cole Waters of Big Fat Cow
Joining us from the band Big Fat Cow are Noah Cassity, Alex May, and Cole Waters. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; & Matt Chipman on drums.
Big Fat Cow play miniBar, 3810 Broadway, KCMO on Sat., March 22, with The Clarence Tilton Band, and Gullywasher.
Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah. Info at http://www.bigfatcowband.com
Noah Cassity, Alex May, and Cole Water thanks for being with us on WMM
Big Fat Cow is a post-country band delivering cowpoke fuzz since 2022.
Big Fat Cow’s first endeavor was a folk album (Glutton for Punishment) written and recorded by Noah Cassity and mastered and digitized by Kole Waters. Wanting to perform the songs live, Noah recruited the help of Kole on lead guitar alongside childhood friend Alex May to play the bass. Kole was able to bring in Matt Chipman to play drums and finish out the band.
Noah Cassity – lead vocals & guitar Kole Waters – guitar & vocals Alex May – bass guitar & vocals Matt Chipman – drums
Meeting for the first time in KA studios, the newly formed quartet ripped into Noah’s folk songs, turning them into the rock, indie, americana and country inspired pieces that you know today. Each member of the band took and ran with the folk songs that Noah recorded and made it their own, pulling in inspirations from each of their unique musical backgrounds.
Big Fat Cow has made themselves a household name in the Kansas City music scene, leaving an impression on everyone who comes out to see them play. With songs you can dance to and songs that will make you cry in the basement of a DIY show, Big Fat Cow is sure to leave their mark.
“A band this good shouldn’t get saddled with a name this bad … you’re just going to have to tell your friends that you’re going to see Big Fat Cow, and wince while you do it.” – Too Much Rock
The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums.
The cattle’s broadly appealing, yet super unique brand of post-country, a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling.
The herd’s captured a bit of what some suit from a less evolved time would’ve called “It.”
Kole Waters is also in the band Dreamist who released the album Shouldn’t Be from midnomidcollective on September 13, 2024
Their 7-track debut album LP. “Made for everyone who cannot live within the margins of the culture imposed upon them.” // Written by Dreamist and Former Members Robert Graves and Travis Barker. Recorded, Mixed, and Mastered by Kole Waters at KA Productions. Released by Midnomid Collective. Album Art by Jaelin Kingsley. Album Packaging Formatted by Jacob Kingsley.
Dreamist is a Post-Emo four-piece based in Kansas City, MO. // Dreamist is the result of the love of art that can simultaneously convey the visceral and esoteric. Holding post-hardcore aggression in one hand and the understated finesse of ambient and art rock in the other; Kole, Eli, Mitri, and Jacob embrace a full spectrum of genre to convey the many highs and lows of the human experience. Whether it is with voice, guitar, drum, synthesizer, or sample, Dreamist creates a space of vulnerability and catharsis in every performance and recording. // Too Much Rock writes: “The band’s songs are long, drifting from twinkling emo into post-rock climaxes. From sung to screamed. From beautiful to brutal. And all of them back again. While Waters’ is generally the pretty guitar, both he and Elisha Ruhman can make their guitars howl. That’s when the crashing drums of Mitri McCawley come into play. Whether on bass or keyboards, Jacob Kingsley filled in the gaps, giving body and weight to the compositions that otherwise might float away on a bed of lighter than air guitar effects.” // More info at: http://www.dreamistkc.com]
Noah Cassity, Alex May and Kole Waters thanks for being with us on WMM
11:54
Big Fat Cow – “Cat Call” from: Behold The Soil! / Big Fat Cow / August 1, 2024 [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com]
[Big Fat Cow play miniBar, 3810 Broadway, KCMO on Sat., March 22, with The Clarence Tilton Band, and Gullywasher. ]
[Big Fat Cow play Farewell, 6515 Stadium Drive, KCMO on Friday, April 4, with Allergen (from Minneapolis), Lake Love, and Kariah.]
Noel Coward – “The Party’s Over Now” from: Noel Coward in New York / drg / 2003 [orig. 1957]
NEXT WEEK, on March 26 – Stephonne joins us to premiere the brand new single “It’s Gonna Be Alright.” Also, Danielle Anderson joins us to talk about her new full length album FUMBLING from Danielle Ate The Sandwich releasing on Friday, March 21, 2025, AND Zach Hodson of the band The Fur and The Fang, joins us to talk about the band’s new music and their show Friday, March 28, at 7:00pm at The RINO with The Village Prairie and Cee Dee Vee
Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!
THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper
This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.
Our Script/Playlist is a “cut and paste” of information. Sources for notes: artist’s websites, bios, wikipedia.org