WMM Playlist from September 25, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 25, 2024

WMM is Spinning Records With Marion Merritt + Jessica Dressler & Jen Frank Klenke of “Rennie”

We welcome back to the show, Marion Merritt as our special “Guest Producer!” Marion will share her sonic discoveries and information from her musically-encyclopedic-brain. Marion Merritt is an empath and has a special ability to know what music you’re seeking. She’s our most frequent contributor to WMM. Marion grew up in Los Angeles and St. Louis and went to college in Columbia, MO. She studied art & musical engineering, and is an avid lover of classic films. She saw Talking Heads on their 1st tour at One Block West in 1978. For 20 years she’s been sharing music form her musical journeys. Marion also writes about new releases as a contributor The Pitch. With partner Ann Stewart, Marion is the proprietor of Records With Merritt, a minority owned business at 1614 Westport Rd. in KC. More info at: http://www.recordswithmerritt.com.

Marion Merritt welcome back to Wednesday MidDay Medley

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Dimitri From Paris – “Prologue”
    from: Sacrebleu / Yellow Productions – Atlantic / June 11, 1996
    [Debut studio albumm from Dimitri from Paris was born Dimitrios Yerasimos, on October 27, 1963. He is a French music producer and DJ of Greek descent. His musical influences are rooted in 1970s funk and disco sounds that spawned contemporary house music, as well as original soundtracks from 1950s and 1960s movies such as Breakfast at Tiffany’s, La Dolce Vita and The Party, which were sampled in his album Sacrebleu. Dimitri fused these sounds with electro and block party hip hop he discovered in the 1980s. // Contrary to his musical pseudonym, Dimitri was born not in Paris but born in Peckham, South London, to Rûm parents (Greeks of Turkey), Dimitri grew up in France where he discovered DJing at home, using whatever he could find to “cut and paste” samples from disco hits or in to montages heard on the radio, blending them together to make tapes. This early experimentation helped him launch his DJ career. // He started out by DJing at the French station Radio 7, before moving on to Skyrock and finally to Radio NRJ, Europe’s largest FM radio network, in 1986. There, he introduced the first ever house music show to be broadcast in France, while simultaneously producing under the direction of sound designer Michel Gaubert, runway soundtracks for fashion houses such as Chanel, Jean-Paul Gaultier, Hermès and Yves Saint-Laurent. He also released two solo EPs from 1993 to 1994 and contributed to the Yellow Productions compilation La Yellow 357. // In 1996, Dimitri gained worldwide recognition with the release of his first full album, Sacrebleu, released on Yellow Productions. A blend of diverse influences including jazz, original film soundtracks, samba, and organic house, Sacrebleu sold 300,000 copies worldwide and was named Album of the Year by UK’s Mixmag magazine. // In 2000, Dimitri followed Sacrebleu up with A Night at the Playboy Mansion (Virgin) and Disco Forever (BBE), followed by My Salsoul in 2001, After the Playboy Mansion in 2002. In 2003, Cruising Attitude was released, to be closely followed by his first outing on UK’s premier dance music label Defected: Dimitri from Paris In the House. // He has followed a somewhat glamorous musical path by recording soundtracks and advertising campaigns for fashion houses Chanel, Jean-Paul Gautier and Yves Saint Laurent and remixing hundreds of artists as diverse as Björk, The Cardigans, James Brown, Michael Jackson, New Order and Quincy Jones. He also did the music for the anime Tsukuyomi: Moon Phase and mixed the soundtrack for the French luxury dessin animé Jet Groove produced by Method Films. // 2005 saw Dimitri go back to his Funk and Disco roots, with Japanese hip hop producer and über collector DJ Muro for Super Disco Friends a double CD mixdown. In 2006 he offered his House of Love outing to Valentine’s Day’s lovers. Later on Dimitri produced Los Amigos Invisibles “Super Pop Venezuela” album which grabbed a nomination for a Grammy Award. // 2007 saw the release of the Cocktail Disco project with longtime partner BBE, a handful of disco classics remixes and other surprises down the line. // 2009 saw the release of the Night Dubbin’, a post-disco R&B compilation remix album.]
  1. King Fela – “Yehla Moya (feat. Omagugu) [Da Capo & Nduduzo Makhathini Remix]”
    from: Da Capo – Genesys / Genesys / May 29, 2020
    [Nicodimas Sekheta Mogashoa (born June 9, 1992), professionally known as Da Capo, is a South African DJ and record producer. Born and raised in Seshego, Da Capo rose to prominence after remixing the single “Pretty Disaster” by Moneoa. He then signed a recording deal with Soulstic Music and his studio debut album Indigo Child (2017), which was certified double platinum by the Recording Industry of South Africa (RiSA). // Nicodimas Sekheta Mogashoa was born on August 14, 1992, Seshego township Zone 3, Polokwane, South Africa. After completed his matric, he studied for media and communication at University of Limpopo but dropped out. His musical career began as a rapper and later developed interest on house music. // After he signed a record deal with Soulstic Music, Indigo Child was released on December 8, 2017, in South Africa. It features GoodLuck, Berita, Wanda Baloyi, Jackie Queens, Renee Thompson, Soulsta, Miss Dippy, Tshepo King, and Darian Crouse. The album was certified double platinum[7] and garnered over 36.5 million streams on digitally streaming platforms. // He established independent record label Genesys Entity and released his EP Genesys in May 2020. “Moyo Wanagu” featuring BATUND was released as EP’s lead single. // “Light House” was released on September 3, 2021, by TRESOR featuring Da Capo and Sun-El Musician. // In the fourth quarter of 2021, he collaborated with Gallo to remix “Imbizo”, which appeared on compilation album Music is Forever, released on December 17, 2021. // “Molili” featuring Batundi, Nana Atta and Lokua Kanza released on June 23, 2023, as lead single of his Bakone EP released on July 14. “Molili” reached No 29 at Phalaphala FM Top 30 Chart. // Bakone was released on July 14, 2023. The EP is an afro-house record fused with afro-tech and deep house elements. Capo calloborated with Batundi, Nana Atta and Lokua Kanza, Da Africa Deep. Same day, Capo was announced as Sghubhu cover star by Apple Music. // In February 2024, Capo announced two upcoming albums Indigo Child II, and Aquatone Cotton Fabric. // In an interview with The Playground, Da Capo said: his musical career was inspired by Jimpster, Nick Holder, Quinton Harris. // Nduduzo Makhathini is a pianist, composer, teacher and music philosopher. He started singing gospel music in the Zion Evangelical Ministries of Africa in his teenage years in Umgungundlovu, Kwazulu Natal, South Africa. // After matriculating from high school, Nduduzo studied Jazz Piano at the University of Kwazulu Natal where he attained a Diploma in 2005. // Nduduzo continued his journey in music education working as a lecturer in Wits University, University Of Kwazulu Natal and as a Head of music department at University of Fort Hare. // He came from a musical family with his father being a guitarist and his mother a keyboardist and singer who also was his first piano teacher. // Nduduzo has claimed John Coltrane’s A Love Supreme as an album that made him first fall in love with jazz. He first encountered the album at the University of Kwazulu Natal music library as a student. Although Nduduzo’s sound and musical effect is unique, he is influenced by Jazz greats like McCoy Tyner, John Coltrane, Bheki Mseleku etc. // Nduduzo himself explained Bheki Mseleku’s influence on his music during the recording of his third studio album, Listening To The Ground: …if people believe I have a voice; I think they are just hearing the echoes of bab’ Mseleku. // He was awarded the Standard Bank Young Artist award for Jazz in 2015. Makhathini is the first South African artist to release music under the legendary Blue Note Records.]
  1. SUUNS – “Road Signs and Meanings”
    from: The Breaks / Joyful Noise / September 6, 2024
    [Produced by Liam O’Neill and SUUNS. Engineered by Adrian Popovich at Mountain City and Breakglass-Montreal 2022-2023. Mixed by Adrian Popovich. Mastered by Heba Kadry, NYC. Jacket photographs by Joseph Yarmush. Insert by Alexander Ortiz. Layout by Ryan Hover and Joseph Yarmush. All Songs by SUUNS Ben Shemie, Liam O’Neill, Joseph Yarmush. // Suuns (/suːns/) is a Canadian rock band from Montreal. It was formed in mid-2007 when vocalist and guitarist Ben Shemie and guitarist and bassist Joe Yarmush got together to make some beats which quickly evolved into a few songs. The duo was soon joined by drummer Liam O’Neill and bassist and keyboardist Max Henry to complete the original line-up. The band signed to Secretly Canadian in 2010. Since 2018, Suuns saw the departure of Henry as an official member[2] (he continues to record in the studio) to pursue a scholastic path, and in 2020 they officially signed with Joyful Noise Recordings with their 2020 output of Fiction, followed by their 2021 LP The Witness.]
  1. Alan Sparhawk – “Can U Hear” 
    from: White Roses, My God / Sub Pop Records / September 27, 2024
    [White Roses, My God is the upcoming second solo album by former Low guitarist/vocalist Alan Sparhawk, set for release on September 27, 2024, by Sub Pop. It is Sparhawk’s first album since the death of his wife and bandmate, Mimi Parker, and the subsequent end of their band. Sparhawk began recording for the album in late 2023. // White Roses, My God is Sparhawk’s first album since his wife and Low bandmate Mimi Parker died of ovarian cancer in 2022, and the subsequent retirement of the band. Encouraged by his friend, Lambchop’s Kurt Wagner, Sparhawk returned to live performances. He played shows with his and Parker’s daughter Hollis, opened for Lambchop and Godspeed You! Black Emperor, and played a solo set at Utrecht music festival Le Guess Who? 2023. Low had cancelled their headling set at the 2022 edition of Le Guess Who? due to Parker’s health, and she died a week before the festival. // Sparhawk also started recording around the same time, and started two new groups: punk funk band Derecho Rhythm Section, and funky electronic duo Damien with his and Parker’s son Cyrus. A second solo album, a collaborative project with Duluth, Minnesota, folk band Trampled by Turtles, began during that time. // Sparhawk first mentioned White Roses, My God in an interview with The New Yorker’s Justin Taylor, published April 11, 2024. At the time, he said the album would be released in late 2024. Sparhawk later shared on Low’s Twitter account that the album would be released by Sub Pop in “late September”, and that its first song would be released in July. // The album was officially announced on July 16, with a release date set for September 27 by Sub Pop. The lead single, “Can U Hear”, was released the same day, accompanied by a music video directed by Rick Alverson. The song is electronic and “near-industrial”. // The second single, “Get Still”, was released on August 20, accompanied by a music video directed by Ingrid Weise. Like “Can U Hear”, “Get Still” consists of electronic instrumentation, with Sparhawk’s “voice so heavily Auto-Tuned that it no longer sounds recognizably human.” // When asked on Twitter about the album name’s significance, Sparhawk said “Mim loved roses, and sometimes I think she is God.” // The album was recorded at 20 Below Studios in Duluth, Minnesota. Sparhawk produced and recorded along with Nat Harvie, who also mixed the album, and Heba Kadry mastered it. On these recordings, Sparhawk said he “was messing with this rigid stuff. There were moments where it would quickly become very visceral, very spontaneous. You’ve created the structure for it to happen and come through you, but you’re trusting the universe about what is going to come in.” Those recordings included him experimenting with improvising guitar and pitch-shifted vocals over a preset synthesizer clocked to a drum machine. // Stylistically, White Roses, My God follows Low’s last two albums, 2018’s Double Negative and 2021’s Hey What, in applying layers of distortion over otherwise-straightforward songwriting. Going further down that route, Sparhawk included synthesizers, drum machines, dance beats, and pitch-shifted vocals. All of the album’s vocals were recorded with a vocoder. Influences included Prince’s alter ego Camille and Neil Young’s album Trans. // All tracks are written by Alan Sparhawk.]

10:24 – Underwriting

PJ Morton
  1. PJ Morton – “All The Dreamers (feat. Aṣa & Ndabo Zulu)”
    from: Cape Town to Cairo / Morton Records / June 14, 2024
    [P.J. Morton (born Paul Sylvester Morton Jr.; March 29, 1981) is an American musician, singer, songwriter and record producer. Since 2012, he has been the keyboardist for the pop band Maroon 5. Morton originally joined the band as a touring member in 2010 and became an official member in 2012 after Jesse Carmichael went on a short hiatus (he returned to the lineup playing guitar in 2014). // Morton released his debut solo EP, Following My First Mind, in March 2012, through the record label Young Money. Adam Levine and James Valentine were featured on the lead single, “Heavy”. In May 2013, Morton released his first major-label debut album, New Orleans. In 2016, he released his mixtape Bounce & Soul Vol. 1 in March and the Sticking to My Guns EP in July. On April 14, 2017, Morton released his first self-released studio album Gumbo, earning Morton two Grammy Award nominations for Best R&B Album and Best R&B Song at the 60th Annual Grammy Awards. // In April 2019, Morton said he would begin a project to restore the New Orleans home of jazz pioneer Buddy Bolden and create a museum and community space at the site. Bolden’s former home has been owned by Morton’s father’s church for more than a decade, and had been cited for demolition by neglect. // Morton was born in New Orleans, Louisiana. His father is Canadian-born American gospel singer and Founder of the Full Gospel Baptist Church Fellowship, Bishop Paul S. Morton. His mother is Dr. Debra Brown Morton, pastor of Greater St. Stephen Full Gospel Baptist Church. // Morton graduated St. Augustine High School and majored in marketing at Morehouse College, graduating in 2003. // In 2010, Morton’s friend and Maroon 5’s musical director Adam Blackstone asked him to audition for a position in the band as a touring keyboardist and backing vocalist. Morton was the first to audition and left an indelible mark on the group.[6] Since then, he has played with Maroon 5 in concerts and other live performances. From 2012 to 2014 Morton filled-in for the band’s keyboardist, Jesse Carmichael, who was on an indefinite hiatus from performing with the group, as stated on their official website in March 2012. In 2012, he joined the band as a full-time member, contributing his vocal and keyboard parts on Maroon 5’s fourth studio album, Overexposed, and continuing to do so during the processes of recording the band’s albums, V (2014), Red Pill Blues (2017), and Jordi (2021). // Morton’s solo work won the attention of Mack Maine, who signed him to his production company, Soothe Your Soul, and Young Money Entertainment in 2011. The Following My First Mind (EP) was released on March 27, 2012. // On May 14, 2013, Morton released his major-label debut studio album with Young Money Records, titled New Orleans. The album’s lead single, “Only One”, which features Stevie Wonder, was nominated for the Best R&B Song at the 56th Annual Grammy Awards in 2014. // In 2016, Morton moved to New Orleans and opened a record label called Morton Records which he envisioned as “the New Orleans Motown”. Same year, Morton started working on Gumbo. About the album’s title he said “I named it Gumbo because the actual dish is a bunch of things mixed in together to make [something] beautiful. I wanted to grow as a songwriter and talk about more things … about where we are in the world today, the tension, how divided we are as a country. It kind of felt like I was dumping a bunch of subject matter together and I made it in New Orleans so that sounded like gumbo to me.” As a first step, on March 25, 2016, Morton released Bounce & Soul Vol. 1, a mixtape which includes re-imagined versions of his best songs in New Orleans’ bounce style.On July 1, 2016, Morton released the Sticking to My Guns EP, featuring the single of the same name. The EP, besides including alternative versions of “First Began” and “Sticking to My Guns”, also contains “Say So”, a song that was later cut from the final tracklist of the album. On November 15, 2016, Morton released “You Should Be Ashamed”, a Stevie Wonder-esque socially conscious song that was later replaced by “Religion”. On March 13, 2017, Morton announced on his Instagram page April 14, 2017 as the release date of Gumbo. // Gumbo did not manage to enter on the US Billboard 200 chart but received positive reviews from most music critics, who complimented Morton’s style and praised him for his singing and songwriting. The album earned Morton two Grammy nominations for Best R&B Album and Best R&B Song at the 60th Annual Grammy Awards. On February 14, 2019, Morton collaborated with singer JoJo on the song “Say So”, which served as the lead single for his sixth album Paul. // In 2020, Morton recorded his live album, The Piano Album. It features songs from Gumbo and Paul. On August 28, 2020, Morton released his long awaited gospel album Gospel According To PJ: From The Songbook of PJ Morton. The album features The Clark Sisters, Comissioned, Zacardi Cortez, Darrel Walls, and others. It also features remade versions of So In Love by Amber Bullock, Over and Over by Trinitee 5:7, and Let Go by Dwayne Woods. A documentary was released talking about how he was pressured to make Gospel music, the process of each song, and his father. Don’t Let Go from his previous album Paul was included featuring Kim Burrell. Do You Believe feat. Yolanda Adams was included from “Christmas With PJ Morton.” // Watch the Sun was released in mid 2022. The album blends elements of R&B, soul, and gospel, featuring collaborations with artists such as Stevie Wonder, Nas, JoJo , and Alex Isley. Known for its themes of hope and personal resilience, the album was praised for its emotional depth and musicality. // In 2023, Morton released Watch the Sun Live: The Mansion Sessions, a live album featuring stripped-down, intimate performances of songs from the original album, showcasing Morton’s vocal and instrumental prowess in a more acoustic setting. // Cape Town to Cairo is the seventh studio album by American musician PJ Morton, released in 2024 via Morton Records and EMPIRE. The album was conceived and recorded during a 30-day journey across Africa, with stops in cities such as Cape Town, Lagos, Accra, Cairo, and Johannesburg. Morton undertook the project without any pre-written material, seeking to capture the essence of his experiences in real-time. The album draws on various genres, including R&B, soul, gospel, jazz, and pop, all influenced by African musical traditions and rhythms, which Morton encountered throughout his travels. // The album features collaborations with several notable African artists, including Fireboy DML, Made Kuti, Aṣa, Ndabo Zulu, and the Soweto Spiritual Singers. Songs like “Simunye (We Are One)” emphasize African unity, while tracks like “Count On Me,” featuring Fireboy DML, explore themes of friendship and global togetherness. The project has been compared to Paul Simon’s Graceland (album) in its ambition and scope, but Morton’s direct immersion in African culture during the album’s creation sets it apart. // Morton has described Cape Town to Cairo as an exploration of the African diaspora through music, combining influences from the continent with his roots in New Orleans soul and gospel. The album was recorded with local musicians and producers such as P.Priime and The Cavemen (band), and its themes range from personal lineage and gratitude to broader messages of unity and identity. // After winning Grammy Awards for his songwriting and production on India.Arie’s Interested, Morton won Dove and Stellar Awards in 2008. // Morton was also noticed by AR Rahman, composer for Slumdog Millionaire, who asked Morton to contribute “Sajna” to the soundtrack and movie for the Vince Vaughn comedy Couples Retreat. Morton has also produced and written for musicians such as Jermaine Dupri, LL Cool J, Jagged Edge, Monica, India.Arie, gospel musicians Fred Hammond, Men of Standard, Brian Courtney Wilson, and Heather Headley. In 2009, he published a book entitled ‘ Why Can’t I Sing About Love? // Morton who wrote a song called “Battle Field” by Chinese singer Jane Zhang from the 2016 film The Great Wall. // in October 2023, Morton was featured in Portuguese singer Barbara Bandeira’s debut studio album Finda on the track Ego. // Morton wrote the song “Special Spice” for the theme park attraction Tiana’s Bayou Adventure, which is inspired by Disney’s 2009 film The Princess and the Frog. // He married his wife Kortni Morton on December 25, 2008. They grew up attending the same church and began dating as adults. They have three children;Jakai (aged 19), Paul III “P3” (aged 13) and Peyton (aged 11).]
  1. Yannis & The Yaw – “Rain Can’t Reach Us (feat. Tony Allen)”
    from: Lagos Paris London (feat. Tony Allen) – EP / Transgressive Records / August 30, 2024
    [In 2016, Foals frontman Yannis Philippakis was offered the opportunity of alifetime: a two-day session working with the great drummer Tony Allen, who he admired intensely for his influential, multi-genre work with the likes of Fela Kuti, Sébastien Tellier and Jeff Mills. The result is the five-track EP, ‘Lagos Paris London’, out 30th August 2024 via Transgressive. More information at: http://www.yannisandtheyaw.com.] 
  1. Lettuce – “4 on 6 (Live)”
    from: Live in Tokyo / Lettuce Records / January 4, 2004/2005 / Reissued 2024
    [Lettuce is a funk band originating from Boston, Massachusetts in 1992. Its members include guitarist Adam “Shmeeans” Smirnoff, Nigel Hall (keyboards, Hammond B-3 organ, piano, vocals), Adam Deitch (drums/percussion), Erick “Jesus” Coomes (bass), Ryan Zoidis (saxophone) and Eric “Benny” Bloom (trumpet). // Lettuce began in the summer of 1992, when all of its members attended a music program at Berklee College of Music in Boston, Massachusetts as teenagers. Brought together by the influence of various funk bands including Herbie Hancock, Earth, Wind and Fire, and Tower of Power, the band jammed throughout that summer before going their separate ways. // In the fall of 1994, the band reconvened as undergrads at Berklee and attempted to play at various Boston jazz clubs, walking in and asking the club owners and other musicians if they would “let us play”, giving birth to the name Lettuce. Michael Butler played keyboards with the band early on and then Jeff Bhasker took on the role. When he left, Neal Evans joined. // Mainly from word of mouth, Lettuce developed strong followings in New York City, San Francisco, Chicago, and Tokyo. They released their first CD, Outta Here, in 2002, followed by their Live in Tokyo album recorded at the Blue Note in 2003. // In 2008, Lettuce released their second album, entitled Rage!. Drawing heavily from many of the leaders of the 1970s funk movement, Rage! features covers of Curtis Mayfield’s “Move on Up” and Charles Wright & the Watts 103rd Street Rhythm Band’s “Express Yourself”. // In 2011, Lettuce played on the Royal Family Ball tour with their brother band, Soulive, and was accompanied at select shows by Rashawn Ross of the Dave Matthews Band. During this tour, they began playing new songs that would be featured on the band’s next album, Fly!, in 2012. // Many of Lettuce’s members have had success in other areas of the music industry. Krasno and Evans are members of the jazz/organ trio Soulive. Zoidis is a former and founding member of the Rustic Overtones. Coomes is a session bass player and has toured with Britney Spears and The Game. Deitch is a producer who also plays with Break Science, and he has worked with John Scofield and Wyclef Jean. Smirnoff has toured with Lady Gaga and Robert Randolph & the Family Band. In addition to playing with Lettuce, Ross has been a full-time member of the Dave Matthews Band since 2010. // Lettuce played with the Soul Rebels Brass Band on Jam Cruise 2013. The band’s album Crush was released in November 2015 and reached number one on the U.S. Jazz Albums chart. // In 2020, Lettuce’s album Elevate was nominated for a Grammy for Instrumental Album of the Year.]
  1. Floating Points – “Del Oro”
    from: Cascade / Ninja Tunes / September 13, 2024
    [Samuel Shepherd, known professionally as Floating Points, is a British electronic music producer, DJ, and musician. He is the founder of Pluto Records, co-founder of Eglo Records and leader of a 16-piece group called Floating Points Ensemble. He took over the 6 Music Artist in Residence radio slot on July 15, 2024. // Raised in Manchester, England, Shepherd studied piano at Chetham’s School of Music before receiving a PhD in neuroscience and epigenetics at University College London. He also worked as a DJ at Plastic People, a London club, in the late 2000s. // In late 2008, Shepherd and Alexander Nut launched the Eglo record label. Eglo Records had released music by Floating Points, Fatima, Funkineven, Steve Spacek, Dego & Kaidi, Shafiq Husayn, K15, Mizz Beats, Natalie Slade, Destiny71z, Shy One, Henry Wu, Chunky and others. // In 2010, Shepherd performed with a 16-piece live incarnation of Floating Points, entitled the Floating Points Ensemble. The group won an award for “Best BBC Radio 1 Maida Vale Session”. // In 2015, Shepherd founded Pluto records. He released projects such as Eleania, Kuiper, Crush, and Reflections: Mojave Desert from the label. // Shepherd’s musical influences include Claude Debussy, Olivier Messiaen, and Bill Evans. He began releasing work under the Floating Points moniker in 2008, and in 2017 toured with The xx. // He has also remixed musicians such as Thundercat, Caribou, Basement Jaxx, Skepta & Headie One. // Shepherd’s first release was the Vacuum EP in 2008 on Eglo Records. Over the next few years, he would continuously release EPs and singles on Eglo, but also other labels such as Planet Mu. Notable releases included 2011’s Shadows EP and 2014’s “King Bromeliad” / “Montparnasse”. // On November 6, 2015, Shepherd released the first Floating Points album – Elaenia. Around its release, Shepherd launched an 11-piece live show and immediately sold-out a string of global live dates including headline shows at Islington Assembly Hall and two dates at Electric Brixton in London. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, Elaenia received an average score of 85, based on 20 reviews, indicating “universal acclaim”. Hamill Industries and Floating Points created the exhibition ‘Future Shocks’ at 180, The Strand in London in collaboration with FACT. The exhibition featured an installation by Hamill called “Vortex”. // In 2017, Shepherd released Reflections: Mojave Desert. The album recording was accompanied by a short film produced by long-time collaborator Anna Diaz Ortuño of Hamill Industries. The album was recorded in August 2016 in the Mojave Desert when Shepherd and his band were rehearsing for their upcoming US tour. Floating Points explained: “Whilst we were out playing and exploring the area around us—the sound reflecting from the rocks, the sound of the wind between them, complete stillness at night and packs of roaming coyotes in the distance—it became apparent that we could use this as its own unique recording environment.” // On 29 March 2019, Shepherd contributed a DJ mix to the Late Night Tales series. // On October 18, 2019, Shepherd released the album Crush. It received positive reception upon release. At Metacritic, which assigns a normalized rating out of 100 to reviews from music publications, the album received an average score of 81 based on 16 reviews, indicating “universal acclaim”. Shepherd embarked on a tour following the album’s release, selling out shows at Printworks, Elysee Montmartre, and Funkhaus. // During lockdown, Shepherd collaborated with KDV Dance Ensemble and Boiler Room to host an interactive live stream on Zoom. He was Interviewed by New York Times. // On March 26, 2021, Shepherd released a collaborative album with Pharoah Sanders and the London Symphony Orchestra, entitled Promises. It was nominated for the Mercury Prize 2021 and reached #6 in the Official UK Albums Chart and #1 in the Official UK Vinyl Albums Chart. The album was released on New York label Luaka Bop. Sanders was impressed by Elaenia and befriended Shepherd, who was 40 years younger than him. Sanders proposed that they produce a collaborative album. Shepherd composed the music and played both electronic and non-electronic instruments. // After Sanders’ death in 2022, Shepherd put together a one-time live performance of the album at the Hollywood Bowl, conducted by Miguel Atwood-Ferguson with an ensemble cast including Sam Shepherd, Kieran Hebden, Dan Snaith, Shabaka Hutchings, Kara Lis Coverdale, Hinako Omori. The Independent reviewed the performance, calling it “A near perfect body of music paired with a beautiful tribute” and gave it 4/5 stars. // In 2022, Shepherd released the singles Vocoder, Grammar, Promises, Birth4000, and Someone Close. In 2023, Shepherd released Birth4000. // He collaborated as a producer for Japanese American singer-songwriter Hikaru Utada album Bad Mode, working on the songs Bad Mode, Kibunja Naino (Not In The Mood) and Somewhere Near Marseilles. // Shepherd composed an original score for Mere Mortals for the San Francisco Ballet which premiered on January 26, 2024. The ballet, featuring choreography from Aszure Barton, contextualised the ancient parable of Pandora’s Box in AI. Shepherd worked with long-time creative collaborators Hamill Industries. The initial run of shows sold out. A second run is planned for April 2024.]

Floating Points Discography:
Elaenia (2015)
Reflections – Mojave Desert (2017)
Crush (2019)
Promises (with Pharoah Sanders & the London Symphony Orchestra) (2021)
Cascade (2024)

  1. Molchat Doma – “Сон / Son”
    from: Belaya Polosa / Sacred Bones / September 6, 2024
    [Molchat Doma (Russian: Молчат Дома, lit. ’Houses Are Silent’, pronounced [mɐlˈt͡ɕat dɐˈma]) is a Belarusian post-punk band from Minsk, formed in 2017. Their current lineup consists of Egor Shkutko (vocals), Roman Komogortsev (guitar, synthesizer, drum machine), and Pavel Kozlov (bass guitar, synthesizer). Their style has been described as post-punk, new wave, synth-pop, and cold wave. // They self-released their first album, S krysh nashikh domov (С крыш наших домов, ‘From The Roofs of Our Houses’) in 2017 and later released their second album, Etazhi (Этажи, ‘Floors’) in 2018, through German independent label Detriti Records. After gaining popularity worldwide, they signed to American independent label Sacred Bones Records in 2020, who reissued their albums, marking their first releases in North America. Their third studio album, Monument (Монумент), was released on November 13, 2020 and their fourth studio album, Belaya Polosa (белая полоса) was released on September 6, 2024. // Molchat Doma formed in Minsk, Belarus, and began releasing music in 2017. They self-released their debut studio album, S krysh nashikh domov (Russian: С крыш наших домов, ‘From The Roofs of Our Houses’), on April 24, 2017. In July 2017, they released the song Kommersanty (Коммерсанты, ‘Businessmen’) as a single. Later that year, S krysh nashikh domov received a re-release through German independent label Detriti Records. The following year, the band released their second album, Etazhi (Этажи, ‘Floors’), which included Kommersanty, on 7 September 2018, also through Detriti. The label released the album both digitally and on vinyl. // Over time, the band’s first two albums gained popularity through YouTube and Bandcamp. Their music was uploaded to YouTube unofficially by a user named “Harakiri Diat”, who also uploaded music by other bands with similar sounds. By the end of 2019, Etazhi had gained roughly two million listeners through their upload of the album.[8] The band were not initially as popular in their home country of Belarus as they were in the rest of Europe; they had played sold-out shows across the continent but never in Belarus. They have stated, however, that they have no interest in performing a sold-out show at Minsk-Arena. Later that year in September, the band released two singles. The first was called Zvezdy (Звезды, ‘Stars’) and the second was a collaboration with Russian post-punk band Ploho, called Po krayu ostrova (По краю острова, ‘Along the Edge of the Island’). // In January 2020, Molchat Doma signed with American independent label Sacred Bones Records, who later reissued their first two albums on vinyl in North America. During the first half of 2020, the band gained popularity through the online video platform TikTok, specifically their song Sudno (Boris Ryzhy) (Russian: Судно (Борис Рыжий), ‘Bedpan (Boris Ryzhy)’), from Etazhi; the song had been used as the soundtrack to numerous videos created on the platform. Some notable videos that used the song include one made by a user based in San Francisco, California, who compiled several clips of his native country of Russia, adding that he misses being there, as well as a “challenge” that involves a fast photo compilation of the video creator trying on as many clothes in their wardrobe as possible within a time limit. The song’s popularity during this time resulted in it reaching No. 2 on the Spotify worldwide Viral 50 chart. // Molchat Doma had planned to tour in North America for the first time, alongside American singer-songwriter Chrysta Bell, but the original tour dates were canceled once the COVID-19 pandemic had impacted the continent. The band contributed to a Black Sabbath tribute album, along with other signees of Sacred Bones, titled What Is This That Stands Before Me?. They covered their song “Heaven and Hell” (Russian: Небеса и ад), with a dark wave sound and Russian lyrics, for the album. The album was released in May 2020, and their “Heaven and Hell” cover was released as a standalone single on digital platforms later that month. // On September 15, 2020, Molchat Doma announced their first album through Sacred Bones, titled Monument, and its release date of 13 November. Alongside the announcement was the release of the album’s lead single, “Ne smeshno” (Не смешно, ‘Not Funny’). // The first Russian-speaking artist at the Coachella festival in Indio, California in April 16 and 23, 2022. // In May 20, 2023, the band performed at the Cruel World Festival in Pasadena, California. // In November 18, 2023, the band performed at the Darker Waves Festival in Huntington Beach, California with Tears for Fears, New Order, The Human League, Echo & the Bunnymen and others. // In June 11, 2024, the band announced their second album through Sacred Bones, titled Belaya Polosa (White Stripe) they also premiered the first single, Son (Dream), with an accompanying music video directed by Bryan M. Ferguson. On 16th July, 2024, the second single from the album was released – Ty Zhe Ne Znaesh Kto Ya (You Don’t Know Who I Am), followed by the third single Belaya Polosa on 7th August. // Members: Egor Shkutko (Belarusian: Yahor Shkutko) – vocals; Roman Komogortsev (Raman Kamahortsau) – guitar, synthesizer, drum machine; Pavel Kozlov (Pavel Kazlou) – bass guitar, synthesizer.]

11:00 – Station ID

  1. Hermanos Gutiérrez – “Low Sun”
    from: Sonido Cósmico / Easy Eye Sound / June 16, 2024
    [6th album from Latin instrumental band formed in 2015 in Zürich by Ecuadorian-Swiss brothers Alejandro Gutiérrez (guitar and lap steel) and Estevan Gutiérrez (guitar and percussion). In 2022, the US label Easy Eye Sound released the band’s fifth album, El Bueno y el Malo. // Alejandro& Estevan Gutiérrez, two of four siblings, were raised by an Ecuadorian mother and a Swiss father in Switzerland, and often visited family in Playas, Ecuador. Around age nine, Estevan learned to play classical guitar in Latin styles such as milonga and salsa, and as a surfer was later inspired by surf rocker Jack Johnson. Alejandro, who is eight years younger, taught himself guitar by watching tutorial videos on YouTube. The Hermanos Gutiérrez band traces its origins to a jam session in Alejandro’s apartment in Zürich during a visit from Estevan in 2015. // The band’s first three albums (8 Años, El Camino de mi Alma, and Hoy Como Ayer) drew broadly from the world of Latin music. A visit to Mexico and the Southwest US in February 2020 inspired their fourth album, Hijos del Sol, which incorporated more Western sounds. An eight-minute music video for the title track came out in advance of the album’s release on September 25, 2020. // El Bueno y el Malo, the band’s first non-indie project, was recorded in Nashville in collaboration with Dan Auerbach of the Black Keys and released by his label Easy Eye Sound on October 28, 2022. The album (and its title) were inspired by Ennio Morricone’s The Good, the Bad & the Ugly soundtrack. The album was critically acclaimed and has been described as mentally transporting listeners to Spaghetti Western landscapes. Songs from El Bueno y el Malo comprised Hermanos Gutiérrez’s set list in an NPR Tiny Desk Concert in January 2023. That year, Auerbach was nominated for the Grammy Award for Non-Classical Producer of the Year in part for his work with Hermanos Gutiérrez.]
  1. Hermanos Gutiérrez – “Sonido Cósmico”
    from: Sonido Cósmico / Easy Eye Sound / June 16, 2024
    [Hermanos Gutiérrez is a two-piece band formed of the brothers Alejandro and Estevan Gutiérrez. // More info at: http://www.hermanosgutierrez.ch.] 
  1. Etran de L’AÏr – “Imouha”
    from: 100% Sahara Guitar / Sahel Sounds / September 13, 2024
    [Etran de L’Aïr is a Nigerien rock band from Agadez, Niger. The band is currently signed to Sahel Sounds. The group has released two albums, No. ] in 2018 and Agadez in 2022. The groups’ first album, No. 1, was named the number one album of the year by Amanda Petrusich of The New Yorker. Both albums by the band have received positive reviews. Discography: No. 1 (2018, Sahel Sounds) // Agadez (2022, Sahel Sounds) ]
  1. The Lijadu Sisters – “Come On Home” 
    from: Horizon Unlimited – EP / Afrodisia / 1979 [Reissued on Numero 2023]   
    [Kehinde Lijadu (22 October 1948 – 9 November 2019) and Taiwo Lijadu (born 22 October 1948) were identical twin sisters from Nigeria who performed as the Lijadu Sisters from the mid-1960s to the 1980s. They achieved success in Nigeria, and also had a more modest success in the United States and Europe. Described as an influential dynamic who mixed Afrobeat sounds with jazz and disco, the sisters retired from the music scene in the late 1980s, reforming and performing sporadically during the 2010s up until Kehinde’s death in 2019. They were the cousins of the popular Nigerian musician Fela Kuti. B// The twins grew up in the Nigerian city of Ibadan, and were inspired musically by various artists including Aretha Franklin, Victor Olaiya and Miriam Makeba. They had guidance from music producer Lemmy Jackson who is credited with helping them with their early successes. Their music was a mix of Jazz, Afrobeat, Reggae and Waka. Sometimes they sang in English and other times in African languages[which?]. One of their first songs was arranged with assistance from jazz saxophone player Orlando Julius. They released their first album Iya Mi Jowo in 1969 after winning a record contract with Decca Records. They worked with the late Biddy Wright on their third album Danger (1976). American rapper Nas sampled “Life’s Gone Down Low”, a track in the Danger album, as “Life’s Gone Low” on his 2006 Mixtape without crediting the duo. The Lijadu Sisters recorded Sunshine in 1978 and Horizon Unlimited in 1979. // The sisters were top stars in Nigeria during the 1970s and 1980s. During these years, they branched out to America and Europe and found modest success. They performed with drummer Ginger Baker’s band Salt at the 1972 Munich Olympic Games in Munich at the World Music Festival. The New York Times reported that the sisters were “smiling free spirits” who mixed “sisterly banter and flirtatiousness” in their performances which featured positive messages such as the benefit of returning home. Their reggae number Reincarnation insisted that if reincarnation was a reality, then they would like to be reincarnated again into the home where they grew up. Some of their song lyrics were politically themed. Their harmonies were described as “ethereal”. // In 1984 Shanachie Records released Double Trouble in the US which was a compilation of their previously recorded material from their albums Horizon Unlimited and Danger. Their song “Orere Elejigbo” was included on a double CD entitled Nigeria 70, Africa 100, and was added to the Roots & Wings playlist in 1997. // During the 1980s, the sisters moved to Brooklyn, New York. They performed in various venues including the lower Manhattan club Wetlands and in Harlem with King Sunny Adé’s African Beats as their backing band. They performed with the Philadelphia-based band Philly Gumbo. They were featured in the music documentary Konkombé by English director Jeremy Marre, and their music was featured in the Nigerian installment of the 14-episode world music series entitled Beats of the Heart which aired on PBS during the late 1980s. // On 1 April 2014, they appeared live at an all-star tribute, the Atomic! Bomb Band, for reclusive Nigerian musician William Onyeabor at the Barbican Centre in London. They sang some of their own tracks including “Danger”, as well as providing backing and lead vocals on William Onyeabor material.They also performed with the Atomic! Bomb Band on The Tonight Show Starring Jimmy Fallon and on tour dates in New York, San Francisco and Los Angeles in May 2014. //
    On 9 November 2019, Kehinde suffered a stroke and died on the same day, at the age of 71.]
  1. Joan As Police Woman – “Lemons, Limes and Orchids”
    from: Lemons, Limes and Orchids / Play It Again Sam / September 20, 2024
    [Lemons, Limes and Orchids is the 12th studio album by an unorthodox but consistently rewarding singer-songwriter. Its songs have a supple groove and probing feel as though circling an idea or scenario. Joan Wasser, aka Joan as Police Woman, sings with nuanced changes in emphasis, one moment pressing, the next softly languorous. The combination of rhythmic depth and vocal sophistication recalls the vaunted spirit of one of her musical inspirations, Joni Mitchell. Wasser has been operating as Joan as Police Woman since 2004. Her curious stage name derives from one of the first television cop shows with a female lead. Police Woman was a 1970s procedural drama with Angie Dickinson as an officer who goes undercover to solve crimes, posing as a nurse, airline stewardess and so on. Wasser became Joan as Police Woman after a friend compared her look to Dickinson’s character. But there is a further affinity. Like the undercover TV crimebuster, she has appeared in many different guises during her career. Raised in Connecticut, she trained as a classical violinist but wanted to perform new music rather than repertoire. She played in punk and alt-rock bands, trying to make her violin as loud as possible, before joining Antony and the Johnsons in 1999. She has done session work for Elton John and the Scissor Sisters among others, toured in Lou Reed’s backing band and played keyboards for Iggy Pop. Her last album, 2021’s The Solution Is Restless, was a collaboration involving Afrobeat pioneer Tony Allen (who died the year before its release). “I was ready to make an album that truly featured my voice,” she says of her new songs. Her vocals start up almost immediately in most of the 12 tracks. “Back Again” is a plea to an absent lover to return, done with subtly soulful intensity. “With Hope in My Breath” finds her switching to a breathier type of singing for an entrancing ode about infatuation.  The basslines that give the music its swing are played by fellow singer-songwriter Meshell Ndegeocello. Drums, piano, synths and guitars are the other main instruments. Love and pain are the lyrical poles. The songwriting quality is high throughout, but the title track stands out. It is an achingly drawn-out number with cryptic lyrics about trying to make one’s way in a dangerous world. Precise meaning is elusive, but the song’s power is unmistakable.]
  1. Julia Holter – “Something in the Room She Moves”
    from: Something in the Room She Moves / Domino Records / March 22, 2024
    [Julia Shammas Holter (born December 18, 1984) is an American singer-songwriter, record producer, composer, artist, and academic, based in Los Angeles. Her work has received critical acclaim and incorporates elements of Art pop, Chamber pop, baroque pop and Ambient music. Following three independent album productions, Holter released Tragedy as her first official studio album in 2011. Ekstasis followed in 2012. After signing with Domino Records in 2013, she released the albums Loud City Song (2013), Have You in My Wilderness (2015), the live-in-the-studio album In the Same Room (2017) and the double album Aviary (2018). // Holter composed the score for the 2020 film Never Rarely Sometimes Always and released Behind the Wallpaper (2023) in collaboration with Spektral Quartet and Alex Temple. Her most recent studio album is Something in the Room She Moves, released in 2024. // Holter has also collaborated with other musicians, including Nite Jewel, Laurel Halo, Ariel Pink, Ducktails, Linda Perhacs, Michael Pisaro, and Jean-Michel Jarre. // Holter was born in Milwaukee, Wisconsin. At age six her family moved to Los Angeles, where she later attended the Alexander Hamilton High School. She studied music at University of Michigan for four years, graduating with a degree in composition. After seeing Michael Pisaro perform an avant-garde composition in Michigan, she was inspired to study with him at CalArts, where she graduated from another composition program.Holter contributed songs to multiple compilation albums in 2008. In 2010, she began playing with Linda Perhacs’ band and released a CD-R titled Celebration and a collection of live recordings. // Following three independently produced albums – Phaedra Runs to Russia (2007), Cookbook (2008), and Celebration (2010), Holter’s official debut album, Tragedy, was released in August 2011 on Leaving Records. Inspired by Euripides’ Greek play Hippolytus, the album received generally favorable reviews and was named one of NPR’s “Best Outer Sound Albums of 2011”. // Holter released her second album, Ekstasis, in March 2012 on the RVNG Intl. label. The album drew comparisons to works by such artists as Laurie Anderson, Julianna Barwick, Kate Bush, Joanna Newsom, Grouper, and Stereolab, and received many positive reviews. Holter spent three years making the album, whose title comes from the Greek word meaning “outside of oneself.” The music video for album track “Moni Mon Amie”, directed by Yelena Zhelezov, was also released in March. // In addition to collaborating with other California-based musicians like Nite Jewel (Ramona Gonzalez), Holter released her third album, Loud City Song, in August 2013 on Domino Records. It was universally acclaimed by critics and Unlike her preceding albums, which were recorded mostly alone in her bedroom, Holter recorded Loud City Song with an ensemble of musicians. // In 2015, Holter released the album Have You in My Wilderness, which was acclaimed by critics and became her most successful charting release to date. She also contributed to Ducktails’ fifth studio album, St. Catherine, with her bandmates Chris Votek and Andrew Tholl. // Holter collaborated with Jean-Michel Jarre on a song for the second part of the Electronica double album, released on July 18, 2016. // In November 2016, she curated her own program during the tenth-anniversary edition of Le Guess Who? Festival in Utrecht. This program included performances by Laurel Halo, Josephine Foster, Maya Dunietz, Jessica Moss and other artists. // In September 2017, she performed a world premier of her scoring of the 1928 silent French film The Passion of Joan of Arc on September 29 at the FIGat7th in downtown Los Angeles. // In September 2018, Holter announced her fifth commercially released album, Aviary, and released the lead single “I Shall Love 2”. She followed it with another single, “Words I Heard”, before the album’s release on October 26. The record was praised for its scope and ambition and appeared on multiple year end lists for the best albums of 2018. // In 2021, Holter was appointed the Johnston-Fix Professor of the Practice in Songwriting; Visiting Assistant Professor at Occidental College in Los Angeles. // On January 9, 2024, Holter announced her sixth studio album, Something in the Room She Moves, which was released to critical acclaim on March 22 by Domino.In June 2024, Holter appeared throughout her partner and longtime bandmate Tashi Wada’s studio album, What Is Not Strange?. // The Guardian wrote that “Holter’s vocal register […] faintly recalls Siouxsie Sioux or Nico”.[19] Under the Radar similarly compared her to other female artists saying; “Holter is Siouxsie Sioux meets Kate Bush, with a matchstick intensity, relighting her own wick by the conversation in her voice, her diaphragm shifting between instruments”. // Holter was previously in a relationship with former Real Estate guitarist and Ducktails frontman Matt Mondanile. In 2015, she contributed to his Ducktails album, St. Catherine. In the wake of sexual misconduct allegations against Mondanile, Holter divulged that Mondanile was “emotionally abusive to the point where I had to have a lawyer intervene and was afraid for my life.” // Holter is married to musician Tashi Wada, son of the sound artist Yoshi Wada. They have been in a relationship since 2015, and they have a daughter together who was born during the COVID-19 pandemic Holter and Wada first met in 2007 when they both played in a harmonium ensemble organized by their friend James. Holter collaborated with Wada on his 2024 studio album, What Is Not Strange?.]

Marion Merritt thank you for being out Guest Producer on WMM

With partner Ann Stewart, Marion is the proprietor of Records With Merritt, a minority owned business at 1614 Westport Rd. in KC. More info at: http://www.recordswithmerritt.com.

11:34 – Underwriting

10:36 – Interview with Jessica Dressler & Jen Frank Klenke of “Rennie”

Jessica Dressler is a Kansas City native who has performed in countless theatrical productions over the last 25 years, and is best known for her groundbreaking work with Late Night Theatre, which she co-produces with Ron Megee. Most notably, she is known for her character, Dirty Dorothy, the drag show hostess extraordinaire. The concept Dressler portrays is that of Dorothy coming back to Oz with a new, redefined perspective, one that’s perhaps not so “small and meek.” Dressler’s fascination with Judy Garland has led her to create multiple shows and performances giving audiences her uncanny, and memorable vocal and acting interpretations of Judy. Jessica has also been involved in decades of charitable work and has been working in real estate.

Jen Frank Klenke is a wife, a mother of two, a published behavior analyst and comedy writer, and she has dabbled in the Kansas City theater and national stand-up comedy scenes. In 2021, she turned her attention to a writing partnership with Jessica Dressler. Together, they created Rennie and a number of other scripts and treatments. They are the co-writers, co-producers, and co-directors of this magnificent film, in which Jen earned a part on screen as The Nursemaid.

Jessica Dressler & Jen Frank Klenke join us live in our 90.1 FM Studios to share details about their new film “Rennie” making its world premiere at The Folly Theater, October 11 and 12th. This voyeuristic look into a small town’s Renaissance Festival delves into the lives of a motley crew of characters and what brings them back to their comfortless corsets, ballsack hugging codpiece tights, and sweltering animal pelts year after year. Through the twists and turns of personal exploration, our heroes and heroines use this time together to fulfill the most basic desire in life: to love, be loved, and belong as one’s true self. Our beloved Rennies reveal that in a place centered around pretending to be something that you are not, everyone discovers who they are. “Rennie” will have its World Premiere at The Folly Theater on Friday, October 11, and Saturday, October 12, 2024 at The Folly Theater 300 W 12th St. Kansas City, MO. More info at http://www.follytheater.org

Jessica Dressler & Jen Frank Klenke thanks for being with us on WMM

“Rennie”–Feature Film Premiere, Kansas City
October 11th and 12th, 2024 at The Folly Theatre 300 West 12th Street, KCMO
http://www.follytheater.org

Kansas City: it’s time for a Red Carpet Full Feature Film Premiere! This incredibly heartfelt comedy was filmed locally in 2023 by an all local film crew with all local talent–it is 100% homegrown KC proud!

A powerhouse of female creatives:
Written/Produced/Directed by Jessica Dressler and Jen Frank Klenke,
Supervising Producer Marie Gough,
Director of Photography Johanna Brooks,
and a nearly all female executive producers group.

The producers were so extremely happy to utilize the incredible talent within not only the acting community of Kansas City–MY GOD WE HAVE TALENT HERE–but also the tremendous talent KC has within the local Film Community–Kansas City is the next big film market about to break!

The event:

7:00pm red carpet arrivals begin.

7:15-7:45 The Jolly Rogers, local and widespread Renaissance Festival famed pirate band, will be gracing the stage and also be piped throughout the building. Photo ops set up throughout the lobby to immortalize the
evening.

8:00 pm KC Premiere screening of “Rennie”!

Dress Code: Black Tie, Renaissance Fest Costume, or fuse them in RenFest Couture!

“Rennie” is a feature film by Jessica Dressler and Jen Frank Klenke: This voyeuristic look into a small town’s Renaissance Festival delves into the lives of a motley crew of characters and what brings them back to their comfortless corsets, ballsack hugging codpiece tights, and sweltering animal pelts year after year. Through the twists and turns of personal exploration, our heroes and heroines use this time together to fulfill the most basic
desire in life: to love, be loved, and belong as one?s true self. Our beloved Rennies reveal that in a place centered around pretending to be something that you are not, everyone discovers who they are.

Quotes:
“We’re so appreciative of the choice to film Rennie in Kansas City. Independent films are the heartbeat of a dynamic film industry, and seeing “Rennie” come to fruition here in KC is a real testament to the talent and creativity that drives our growing film community. We can’t wait to see the product of all the hard work put forth by our impressive local talent, both in front of and behind the camera.”

  • Rachel Kephart, KC Film Office Director, Office of Mayor Quinton Lucas

“Rennie” is a Kansas City film through and through (script, crew, cast) with themes that will engage audiences across the nation. Filmmakers Jen Frank Klenke and Jessica Dressler galvanized resources in Kansas City to put together a film that I believe can become an indie darling. They met with me when I was the Kansas City Film Commissioner and allowed me to bring Kansas City’s Mayor Pro Team Ryna Parks Shaw to set during production. We were impressed by the diverse crew, a female DP (Johanna Brooks) and the hilarious cast. I can’t wait to see it in full at the upcoming premiere.”

  • Stephanie Shannon, Kansas City Film Commissioner 2014-2024:

Directed by Jessica Dressler and Jen Frank Klenke

Written by Jessica Dressler and Jen Frank Klenke

Cast

Brett Alexander … Guard I / Fred
Adalmer Omar Gonzalez Anavisca … Goth Dancer
Chioma Anyanwu … Katy Cathie
Alex Arthur … Knighting Child
Wesley Arthur … Knighting Child
Imran Bangash … Matthew Montegue
Nadine Beech … Zipline Rider
Damian Blake … Sir Froderick Foulfeather
Andrea Boswell Burns … Saffy
Lizzie Boyce … Parade Queen II
Elijah Brattin … Romeo
Emily Brattin … Aramis
Johanna Brooks … Camera Operator
Alec Calonge … Goth Dancer
Alex Chang … Piercer
Luis Omar Chavez … Goth Dancer
Annie Cherry … Sapphire
Marusa Clark … Preschool Child
John Cleary … Sir Lancelot
Arthur Phog Clifford … Pete / Suitor
Robert Coppage … Little Jon
Jeff Cox … Festival Dad
Rick Daniels … Jack
Vanessa A. Davis … Murderous Mary O’Malley
Rory Decker … Milkmaid Extra
Amber Dickinson … Missy Montegue
Jack Dolan … Mark Montague
Michael Donaldson … City Councilman
Ed Doris II … Mayor Dan Doris
Francis Doris … Knighting Child
Carryl Dressler … Leather Shop Patron
Jessica Dressler … Bonnie Rome
Greg Edson … Leatherworker
Zoe English … Goth Dancer
Mitch Etter … Potter
Sean Foree … Jolly Roger
Katie Gilchrist … Boom Mic Operator
Jake Gillespie … Robin Hood
Brianna Gray … Mistress Fonn
Wolfe Grossheim … Porthos
Russell Lee Gummelt … Jousting Team
Shelly Gunerson … Barbarian Mom with Camera
Luke Gygax … Luke Gygax
Kurt Hanover … Jolly Roger
McCandlys Harrison … Luke Montague
Dylan Hart … Kyle / Shakespeare
Dalton Homolka … Caliban
George Hunt … Jolly Roger
Maggie Hutchison … Juliet
Casey Jane … Carla Beech
Jack Kapple … Food Vendor Tom
Christina Keller … Jousting Team
Dean Kinsey … Clothing Shop Worker
James Klenke … ‘Sir’ James
Jen Frank Klenke … Nursemaid
Susan Klenke … Face Paint Mom
Tierney Klenke … Girl with Face Paint
Cliff Lawson … Jolly Roger
Josephine Lenati … Goth Dancer
Benjamin Leroy … Child with Mermaid
Olivia Lero … Child with Mermaid
Lana Luxx … Influencer
Valerie Mackey … Francesca the Milkmaid
Nellie Maple … Slurrmaid Cipriana
Medlock … Kid Wanting Treasure
Ron Megee … Martin Rome
Dean Mehling … Athos
Mary Jean Miller … Mistress Foxglove
Josh Moncure … Guard II
Midwest Mythicals … Maypole Faeries
Jacie Nagel … Knighting Child
Hunter Nelson … Food Vendor Jon
Equus Nobilis … Jousting Company
Mandy Ortiz … Maid Marian
Tristan Pomerance … Turkey Leg Gawker
Christopher Preyer … Jouster for the Danes
Victoria Renard … Mistress Vanadis
Anastasia Rendina … Faery
Raquel Rowenhorst … Mistress Vulpine
Cassandra Schimpf … Parade Queen I
Felix Shewmaker … Smiling child
Amberle Smith … Leather Shop Clerk
Sebastian Roldan Smith … Anus Girl Superfan
Mark Stahl … Jolly Roger
Anna Stephens … Jousting Team
Alyssa Stoeckel … Preschool Child
Riley Stoeckel … Preschool Child
Victoria Strafuss … Lisa / Madame Ambrosia
Lauren Taylor … Iris
Brittany Tilander … Slurrmaid Odeta
T’ger Togg … Shop owner
Karen Troeh … Harpist / Mary Queen of Scots
Jessi Troester … Jousting Team
Justin Volker … Bar Patron
Camryn Warner … Genevieve Minola / Queen Elizabeth I
Vivienne Watson … Preschool Child
Wynne Watson … Knighting Child
Christopher Wise … Milkmaid Extra
Cathy Yoakum Wise … Milkmaid Extra

Produced by
Suzanne Frye Doris … associate producer
Jessica Dressler … producer
Marie Gough … supervising producer
Eric Keith … executive producer
Jen Frank Klenke … producer
Jor-El Washington … line producer

Music by Jolly Rogers

Cinematography by Johanna Brooks

Editing by Isabella Vizetta

Costume Design by
Jon Fulton Adams
Chadwick Brooks
Robin Murphy
Angel Skorupan

Production Management by Sebastian Roldan Smith … unit production manager

Art Department Carryl Dressler … craft services supervisor

Sound Department
Isaiah Amos … sound
Zachary Terrell … sound
Jessie Evan Sakkie Van Der Vyver … sound
Larissa Van Der Vyver … sound
Jor-El Washington … sound

Camera and Electrical Department
Blake Betts … second assistant camera
Johanna Brooks … camera operator
DeVonte Brown … first assistant camera
Benjamin Burton … camera operator
Jeff Cox … DIT
Everett Farrow … grip
Wyatt Farrow … gaffer
Estelle Hansen … grip
Kaci Kimie … still photographer
Bryce Kuegler … second assistant camera
Collin Martin … camera operator
Joey Moreno … first assistant camera
Max Moynihan … camera operator
Craig Richard … second assistant camera
Eric J. Warren … second assistant camera
Molly Whiting … still photographer
Carter Wilch … second assistant camera

Casting Department by Johanna Brooks … casting

Costume and Wardrobe Department
Bridgette Cook … costume supplier
Jay Coombes … costume supplier
Shawnasea Holst … costume supplier
David Levin … costume supplier
Jamie Levin … costume supplier
Kyr Levin … costume supplier
Robin Murphy … costume supplier
Courtney Cave Perry … costume supplier
Mark Swezey … costume supplier
T’ger Togg … costume supplier

Location Management Cammy Whalen … location manager

Script and Continuity Department
Jean-Jacques Corbier … script supervisor
Suzanne Frye Doris … script supervisor
Christy Ray Henry … script supervisor

Additional Crew
Nadine Beech … production assistant
Joel Brown … production assistant
John Cleary … Stunts and Fight Coordinator
Ryland Cummings … production assistant
Cris Grigs … production assistant
Susan Klenke … production assistant
Robin Murphy … Props
Betty Welch … production assistant

“Rennie” Thanks to: Anne Alexiou, Matt Alexiou, Misti Bernard, Shelley Binkley, Leann Brock, George Brunson, Peggy Darrow, Greg Edson, Diane Klenke, Kathleen Kunkler, Brenda Lowe, Tim Lowe, Teri Miller, Kelly Nagel, Holly Post, Bill Reisler, Vicki Reisler, Jack Rinkes , Jennifer Smith, E.K. Unruh, Hailee Bland Walsh, Lee Warren, Lori Warren

Jessica Dressler & Jen Frank Klenke thanks for being with us on WMM

“Rennie” will have its World Premiere at The Folly Theater on Friday, October 11, and Saturday, October 12, 2024 at The Folly Theater 300 W 12th St. Kansas City, MO. More info at http://www.follytheater.org

For Marion Merritt, Jessica Dressler & Jen Frank Klenke, WMM, I’m Mark Manning. Thanks for listening!

11:53

  1. The Freedom Affair – “Ain’t Gonna Cry No More”
    from: “Ain’t Gonna Cry No More” – Single / Sunflower Soul Records / September 18, 2024
    [The follow up single to “Love is Love” released June 26, 2024. Before that they released, “If You Don’t Want Me” on May 15, 2024. The Freedom Affair is a 9 piece soul juggernaut from Kansas City, MO. The band formed in 2017 with a vision to write original soul music inspired by the traditions of the genre’s past with a universal message looking toward the future. Their new single “Iain’t Gonna Cry No More” features: Shon Ruffin on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, Brett Jackson on tenor Sax. Recorded by Chris Hazelton. Mixed by Cole Bales. Mastered by JJ Golden // With their debut album FREEDOM IS LOVE, The Freedom Affair has received critical acclaim and have established themselves as a force in the soul music scene across the states and abroad. Keep your eyes and ears open for their songs and album art featured in the series Bel-Air, an Apple commercial, a Netflix series, etc… This band is just getting started. // The Freedom Affair’s live shows have proven to be soul-stirring, transformative events moving audiences both physically and emotionally to joy. // The Freedom Affair released their debut album Freedom Is Love on September 25, 2020. from The album explores themes of love, heartache, empower-ment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording techno-logies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. For the debut record The Freedom Affair was: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on October 2, we talk with special guest Adria Patterson who is a swimmer, a life guard, and a certified instructor teaching adults how to swim, helping people overcome their fear of water and end generational cycles of aquaphobia. (fear of water). More information at PCSwimming.com. // At 11:00am we’ll talk with Alex Kimball Williams a Lawrence, Kansas based musician, scientist, researcher, speaker, activist, teacher. Alex Kimball Williams identifies and celebrates her Native Alaskan / Black / Portuguese origins, with the motto: “Music is Medicine,” and released her album Red & Black on June 19, 2023. It was #5 on WMM’s 120 Best Recordings of 2023. // AND at 11:30 we welcome back to the show, our friend IVORY BLUE.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1062

WMM Playlist from May 29, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 29, 2024

WMM is Spinning Records With Marion Merritt

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion Merritt has an empathic ability to know what music you’re seeking. She’s our most frequent contributor to WMM She grew up in Los Angeles and St. Louis and went to college in Columbia, MO. She studied art & musical engineering, and is a avid lover of classic films. She saw Talking Heads on their 1st tour at One Block West in 1978. For 20 years she’s been sharing her sonic discoveries and information from her musically-encyclopedic brain. Marion also writes about new releases as a contributor The Pitch. With partner Ann Stewart, Marion is the proprietor of Records With Merritt, a minority owned business at 1614 Westport Rd. in KC. More info at: http://www.recordswithmerritt.com.

Marion will spin tracks from: Ana Frango Elétrico, Shabaka with Moses Sumney, Shabaka with Floating Points & Laraaji, Phosphorescent, DIIV, Isobel Campbell, Beth Gibbons, Kamasi Washington, Fay Victor & Herbie Nichols, Gloria Coleman Quartet with Pola Roberts, Leyla McCalla, Valerie June, Swamp Dogg, Kleenex, Lucy Rose, Ghost Funk Orchestra, Mdou Moctar, and The Lostines. 

Marion Merritt welcome back to Wednesday MidDay Medley

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Dimitri From Paris – “Prologue”
    from: Sacrebleu / Yellow Productions – Atlantic / June 11, 1996
    [Debut studio albumm from Dimitri from Paris was born Dimitrios Yerasimos, on October 27, 1963. He is a French music producer and DJ of Greek descent. His musical influences are rooted in 1970s funk and disco sounds that spawned contemporary house music, as well as original soundtracks from 1950s and 1960s movies such as Breakfast at Tiffany’s, La Dolce Vita and The Party, which were sampled in his album Sacrebleu. Dimitri fused these sounds with electro and block party hip hop he discovered in the 1980s. // Contrary to his musical pseudonym, Dimitri was born not in Paris but born in Peckham, South London, to Rûm parents (Greeks of Turkey), Dimitri grew up in France where he discovered DJing at home, using whatever he could find to “cut and paste” samples from disco hits or in to montages heard on the radio, blending them together to make tapes. This early experimentation helped him launch his DJ career. // He started out by DJing at the French station Radio 7, before moving on to Skyrock and finally to Radio NRJ, Europe’s largest FM radio network, in 1986. There, he introduced the first ever house music show to be broadcast in France, while simultaneously producing under the direction of sound designer Michel Gaubert, runway soundtracks for fashion houses such as Chanel, Jean-Paul Gaultier, Hermès and Yves Saint-Laurent. He also released two solo EPs from 1993 to 1994 and contributed to the Yellow Productions compilation La Yellow 357. // In 1996, Dimitri gained worldwide recognition with the release of his first full album, Sacrebleu, released on Yellow Productions. A blend of diverse influences including jazz, original film soundtracks, samba, and organic house, Sacrebleu sold 300,000 copies worldwide and was named Album of the Year by UK’s Mixmag magazine. // In 2000, Dimitri followed Sacrebleu up with A Night at the Playboy Mansion (Virgin) and Disco Forever (BBE), followed by My Salsoul in 2001, After the Playboy Mansion in 2002. In 2003, Cruising Attitude was released, to be closely followed by his first outing on UK’s premier dance music label Defected: Dimitri from Paris In the House. // He has followed a somewhat glamorous musical path by recording soundtracks and advertising campaigns for fashion houses Chanel, Jean-Paul Gautier and Yves Saint Laurent and remixing hundreds of artists as diverse as Björk, The Cardigans, James Brown, Michael Jackson, New Order and Quincy Jones. He also did the music for the anime Tsukuyomi: Moon Phase and mixed the soundtrack for the French luxury dessin animé Jet Groove produced by Method Films. // 2005 saw Dimitri go back to his Funk and Disco roots, with Japanese hip hop producer and über collector DJ Muro for Super Disco Friends a double CD mixdown. In 2006 he offered his House of Love outing to Valentine’s Day’s lovers. Later on Dimitri produced Los Amigos Invisibles “Super Pop Venezuela” album which grabbed a nomination for a Grammy Award. // 2007 saw the release of the Cocktail Disco project with longtime partner BBE, a handful of disco classics remixes and other surprises down the line. // 2009 saw the release of the Night Dubbin’, a post-disco R&B compilation remix album.]
  1. Ana Frango Elétrico – “Electric Fish”  
    from: Me Chama De Gato Que Eu Sou Sua / RISCO – Mr Bongo / Oct. 20, 2023 [2024 on vinyl]
    [Ana Frango Elétrico is the most effervescent and innovative voice to surge up from Brazil’s new wave. Already with two critically acclaimed albums and a swathe of award-winning production turns under their belt, Ana will present their most confident and accomplished work to date on October 20th: Me Chama De Gato Que Eu Sou Sua / Call Me They That I’m Yours. Gesturing to a tradition of Brazilian boogie music, but bouncing with modern pop ebullience, the album sees the Rio artist evolve from a captivating upstart into a surefooted scene leader in full stride. // At just 25, the prolific artist and producer has already garnered worldwide admirers. Ana’s sophomore Little Electric Chicken Heart was nominated at the 2020 Latin Grammys, and found support in the shape of Gilles Peterson and The Needle Drop – as well as from major global media. Since then, standalone singles “Mama Planta Baby” and “Mulher Homem Bicho” have received the WME ‘Best Music Producer’ Award, recognising Ana’s deep passion for music production – a passion which has led to collaborations with nascent Brazilian stars Dora Morelenbaum, Illy and Sophia Chablau. Most recently, Ana was hailed for their co-production of Bala Desejo’s 2022 Latin Grammy-winning album Sim Sim Sim. // With a string of celebrated collaborations and productions added to their CV since Little Electric Chicken Heart, it is unsurprising that Me Chama De Gato Que Eu Sou Sua finds Ana at their most assured and full-voiced. A fresh swagger – first teased on 2020’s disco stomper “Mulher Homem Bicho” – is immediately present. Album opener “Electric Fish”, with Nile Rodgers bass and shimmering backing vocals, sets a buoyant tone. “Boy of Stranger Things” is its bombastic counterpart. It’s the grooviest Ana has ever sounded. And the most brazen. Lyrically, where Ana was once oblique on personal matters, they are now forthright – lucidly exploring their gender identity, citing accessible cultural reference points (from Stranger Things to Camel Blue cigarettes), and often singing in English. “I’m the boy of the Stranger Things/ I’m not the girl that you think”, they proclaim over funk organ and syncopated percussion. Both sonics and sentiment are rooted in disco – certainly the expansive arrangements and unabashed grooviness; but also Ana taps into disco’s history as music of queer expression. // “I started this album in 2021 with the intention of showing, in means of sound, understandings and feelings about queer love, subjectively exposing myself,” the non-binary artist states – before qualifying that though “feeling was its driving force, the album is really about musical production.” // It is this counterpoint – between “exposing” oneself, and honing a distinctive “production” value – that makes for their most clear and cohesive album to date. Like many of the greats, Ana has that ineffable gift of sounding like themselves regardless of the genre they are exploring. Their distinctive conversational voice is more present in the mix than before – and thematic throughlines of identity, sex and relationships invites you to listen closely – becoming their confidante as they lead you restlessly from genre to genre. // “There’s so many references to different decades,” Ana explains. “Seventies drums with eighties processing … Going back, getting beyond … Testing the limits of organic sounds”. Characteristically playful, on Me Chama, Ana takes vivid and rewarding detours through funk-inflected R&B (“Dela”) and art pop (“Dr. Sabe Tudo”). “Nuvem Vermelha” is a cinematic chanson with lush strings that recalls Arthur Verocai. Then, “Coisa Maluca” loafs with the indie insouciance of Canadian slacker Mac Demarco. Later, “Let’s Go Before Again”, is a full-on drum machine workout evocative of Stereolab. “Even if people don’t find my own references here, they’ll find theirs,” observes Ana. “Maybe that’s this record’s biggest goal.”]
  1. Shabaka – “I’ll Do Whatever You Want [feat. Floating Points & Laraaji]”
    from: Perceive Its Beauty, Acknowledge Its Grace / Impulse Records / April 12, 2024
    [Perceive Its Beauty, Acknowledge Its Grace is the solo debut studio album of London jazz musician Shabaka Hutchings, working under the name Shabaka. The album was preceded by two singles, “End of Innocence” and “I’ll Do Whatever You Want”. // The album follows Hutchings’s hiatus from the saxophone and the end of his bands Sons of Kemet and the Comet Is Coming, and sees him focusing on different types of flutes, including the shakuhachi and the svirel, as well as the clarinet. // The album was recorded in Van Gelder Studio in 2022. Hutchings shared producing duties with Dilip Harris, and brought in a long list of collaborators including his own father Anum Iyapo, André 3000, Laraaji, and Floating Points. Musically, it focuses on jazz and new age music. Critical reception for the album was positive, highlighting the boldness of Hutchings’s shift in style. // On January 1, 2023, Hutchings announced his intention to take an indefinite hiatus from playing the saxophone, explaining later in the year that his enthusiasm for the instrument had waned after years of intense touring. This also coincided with the end of his two bands, Sons of Kemet and the Comet Is Coming. Hutchings’s last live saxophone performance was on 7 December 2023, where he played John Coltrane’s A Love Supreme at the Institute of Contemporary Arts in London. // Hutchings’s new musical interests lied primarily with the flute and similar instruments, having started with them in 2019 after acquiring his first shakuhachi. Subsequent instruments Hutchings picked up include Mayan Teotihuacan drone flutes, Brazilian pifanos, Native American flutes, Slavic svirels, and South American quenas. The move coincided with an increase in attention on jazz flute following the release of André 3000’s 2023 album New Blue Sun, on which Hutchings contributed shakuhachi to one track. // Hutchings announced the album on 28 February 2024, set for a release on April 12, by Impulse! Records. On the same day, he released its lead single, “End of Innocence”, along with a music video directed by Phoebe Boswell. “End of Innocence” sees Hutchings playing the clarinet, with a band consisting of pianist Jason Moran, drummer Nasheet Waits, and percussionist Carlos Niño. // The second single, “I’ll Do Whatever You Want”, was released on March 21. Hutchings cowrote the song with Laraaji and Floating Points. It features Hutchings on shakuhachi, André 3000 on drone flute, Laraaji’s wordless vocals, Floating Points on Rhodes Chroma synthesizer and vibraphone, Esperanza Spalding and Tom Herbert on bass, Dave Okumu on guitar, Marcus Gilmore on drums, and Niño on percussion. Hutchings said the song is “about surrender and the intimate space we go to within the grasp of possession.” Other musicians on the record include Moses Sumney, Brandee Younger, Miguel Atwood-Ferguson, Saul Williams, Lianne La Havas, and Elucid. // Perceive Its Beauty, Acknowledge Its Grace is Hutchings’s solo debut studio album, following his 2022 solo EP Afrikan Culture, which also centered Hutchings’s woodwind play. The titles of both releases are connected; in Hutchings’s words, they’re mean to be read as “Afrikan Culture, comma, Perceive Its Beauty, Acknowledge Its Grace”, with his next album being “the next sentence in a long form poem that encapsulates, hopefully, all the solo records of my career.” The song names on the album were extracted from a poem written for the album.]
  1. Shabaka – “Insecurities (feat. Moses Sumney)” 
    from: Perceive Its Beauty, Acknowledge Its Grace / Impulse Records / April 12, 2024
    [Perceive Its Beauty, Acknowledge Its Grace is the solo debut studio album of London jazz musician Shabaka Hutchings, working under the name Shabaka. The album was preceded by two singles, “End of Innocence” and “I’ll Do Whatever You Want”. // The album follows Hutchings’s hiatus from the saxophone and the end of his bands Sons of Kemet and the Comet Is Coming, and sees him focusing on different types of flutes, including the shakuhachi and the svirel, as well as the clarinet. // The album was recorded in Van Gelder Studio in 2022. Hutchings shared producing duties with Dilip Harris, and brought in a long list of collaborators including his own father Anum Iyapo, André 3000, Laraaji, and Floating Points. Musically, it focuses on jazz and new age music. Critical reception for the album was positive, highlighting the boldness of Hutchings’s shift in style.]
  1. Phosphorescent – “Revelator”
    from: Revelator / Verve Records / January 24, 2024
    [Matthew Houck, f is Phosphorescent. The Alabama native, now resides in Brooklyn has delivered 5 albums as Phosphorescent since his 2003 debut. Houck has a highly distinctive artistic voice, but also a refreshing, rolled-sleeves approach to his expression, and if he had his way, he’d have twice as many albums under his belt by now. // Matthew Houck on Voices, Guitars, Percussion; Jo Schornikow on Synths; Scott Stapleton on Synth, Piano; Jack Lawrence: Bass, Synthbass, Theravox; Noah Denney on Percussion; Ethan Ballinger on Guitar; Jim White on Drum Kit; Bobby Hawk on Strings, and Ricky Ray Jackson on Guitar, Pedal Steel]
  1. DIIV – “Brown Paper Bag”
    from: Frog in Boiling Water/ Fantasy Records / May 24, 2024 
    [Frog In Boiling Water, produced by Chris Coady, was a four-year process that nearly broke the band before the album was completed. With an aim to push their sound, make a record that challenged them, and treat the band as a democracy for the first time, DIIV began an ambitious journey, both individually and collectively. This journey left their relationships with one another fraying, with the many complex dynamics of family, friendship and finances entangled, coupled with suspicions, resentments, bruised egos and anxious questions. They ultimately found their way through, and the result is 10 songs that mine a new lyrical and musical depth, those two halves mirroring one another inside a reflective and immersive whole. It is a mesmeric testament to enduring, to envisioning anything else on the other side while you remain here, in the slowly heating water of right now. // Frog in Boiling Water, both the title and the themes of the record, reference “The Boiling Frog” in Daniel Quinn’s The Story of B. The band explains, “If you drop a frog in a pot of boiling water, it will of course frantically try to clamber out. But if you place it gently in a pot of tepid water and turn the heat on low, the frog will sink into a tranquil stupor, exactly like one of us in a hot bath, and before long, with a smile on its face, it will unresistingly allow itself to be boiled to death.” // “We understand the metaphor to be one about a slow, sick, and overwhelmingly banal collapse of society under end-stage capitalism, the brutal realities we’ve maybe come to accept as normal. That’s the boiling water and we are the frogs. The album is more or less a collection of snapshots from various angles of our modern condition which we think highlights what this collapse looks like and, more particularly, what it feels like.” ]

10:31 – Underwriting

8. Isobel Campbell – “Dopamine”
from: Bow to Love / Cooking Vinyl / June 14, 2024
[Isobel Campbell was born April 27, 1976. She is a Scottish singer, songwriter and cellist. She rose to prominence at age nineteen as a member of the indie pop band Belle & Sebastian, but left the group to pursue a solo career, first as The Gentle Waves, and later under her own name. She later collaborated with singer Mark Lanegan on three albums. Her latest studio album, There Is No Other, was released in 2020. // Campbell’s music has been described as either indie pop, chamber pop or singer-songwriter. Regardless of genre, Campbell makes gentle and sombre music, often using classical instruments. // From 1996–2002 Isobel Campbell oplayed with Belle & Sebastian. // Belle & Sebastian was formed in 1996 by Stuart Murdoch and Stuart David; Campbell had met Murdoch at a New Year’s Eve party at age nineteen, and then participated in a recording session with Murdoch and David sponsored by Stow College’s Music Business Administration curriculum. They named themselves Belle & Sebastian after a children’s book of the same name.[1] Murdoch was the lead singer on the first two albums, with Campbell playing cello, percussion and singing backing vocals. A classically trained cellist, Campbell also played keyboards. She also took lead vocals on a few songs from the band, and co-wrote their top-20 UK single “Legal Man”. // Their follow-up was The Boy with the Arab Strap which contained the track “Is It Wicked Not to Care?” where for the first time Campbell sang lead vocals. The band’s next album was Fold Your Hands Child, You Walk Like a Peasant. The album introduced many stylistic changes, such as a larger string section and more of the members singing lead vocals; Campbell sings on “Family Tree”, and performs a duet with Stevie Jackson on “Beyond the Sunrise”. // Most of 2002 was spent on touring and recording a soundtrack album, Storytelling (for Storytelling by Todd Solondz). Campbell left the band in spring of 2002, in the middle of their North American tour.]

  1. Beth Gibbons – “Floating On A Moment”
    from: Lives Outgrown / Domino / April 14, 2024
    [Lives Outgrown is the debut solo studio album by English musician Beth Gibbons, released on 17 May 2024 through Domino Recording Company. The album was produced by Gibbons, James Ford and Lee Harris. It was preceded by the singles “Floating on a Moment”, “Reaching Out” and “Lost Changes”. // Gibbons wrote the album over a decade, with topics including “motherhood, anxiety, menopause, and mortality”. Gibbons said that the album was directly influenced by the deaths of family and friends over the preceding several years and she “realised what life was like with no hope” // eth Gibbons (born 4 January 1965) is an English singer-songwriter, best known as the lead singer and lyricist for the band Portishead, who have released three albums. She released an album with Rustin Man, Out of Season, in 2002, and a recording of Górecki’s Symphony No. 3 with the Polish National Radio Symphony Orchestra in 2019. She released a solo album in 2024 titled Lives Outgrown. // Gibbons was born in Exeter, Devon, England and raised on a farm with three sisters. Her parents divorced when she was young. She attended St Katherine’s School in Pill, Somerset, in North Somerset. // At 22, she moved to Bath, then Bristol to pursue her singing career, where she met Geoff Barrow, her future collaborator in Portishead, on an Enterprise Allowance course in 1991. // With Adrian Utley, Gibbons and Barrow released the first Portishead album Dummy in 1994 and have produced two other studio albums, a live album, and various singles in the years since. // She has also collaborated on a separate project with former Talk Talk bassist Paul Webb (Rustin Man). Before she joined Geoff Barrow in Portishead, she had auditioned for the singer’s slot in .O.rang, the group formed by Webb after Talk Talk’s late-Eighties departure from EMI, but Portishead’s sudden success pre-empted matters. In October 2002, they released the album Out of Season in the United Kingdom under the name Beth Gibbons and Rustin Man. The album peaked at number 28 in the UK Albums Chart. It was released in the United States a year later: while touring in North America, Variety favourably described her performance with Rustin as “Billie Holiday fronting Siouxsie and the Banshees”. // In June 2013, Gibbons announced plans for a new solo album with Domino Records. She contributed vocals to a cover of the song “Black Sabbath” with the British metal band Gonga, released on April 24, 2014. // In 2018, Gibbons contributed vocal performances, along with Elizabeth Fraser of the Cocteau Twins, to the Spill Festival held in Ipswich in an audio installation entitled ‘Clarion Calls’, which uses the voices of 100 women to commemorate the 100th anniversary of the end of World War I. // In 2014, Gibbons performed Symphony No. 3 by Henryk Górecki with the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki. Gibbons sang in Polish. The performance was released in 2019; reviewing the album for Pitchfork, Jayson Greene wrote: “Part of the tension comes from hearing her untrained voice scale these rocky heights. Her vibrato, tight and trilling and barely controlled, sounds an awful lot like someone fighting off a panic attack. This would get her dismissed from a traditional opera audition, probably, but it is magnificently effective at sending raw shudders through what can be a pretty well-worn work.” In 2022, Gibbons featured on the track “Mother I Sober” from Kendrick Lamar’s album Mr. Morale & the Big Steppers. For her collaboration in the album she received a nomination for Album of the Year at the 65th Annual Grammy Awards as a featured artist and songwriter. On February 7, 2024, Gibbons announced the release of her first solo studio album in over 20 years. The album, titled Lives Outgrown, was released May 17, 2024. It was announced alongside a single titled “Floating on a Moment”, with its second single “Reaching Out” being released later that year on 10 April. // She has cited Nina Simone, Bono of U2 for his performance on The Joshua Tree, Otis Redding and Jimmy Cliff as musical inspirations. She has covered Janis Joplin songs and enjoys the music of Janis Ian.]
  1. Kamasi Washington – “Interstellar Peace (The Last Stance)”
    from: Fearless Movement / Young Records / May 3, 2024
    [Kamasi was born in LA California, on February 2, 1981 to musical parents and educators, and was raised in Inglewood, California. He is an American jazz saxophonist, composer, producer, and bandleader. Washington is known mainly for playing tenor saxophone. He is a graduate of the Academy of Music of Alexander Hamilton High School in Beverlywood, Los Angeles. Washington next enrolled in UCLA’s Department of Ethnomusicology, where he began playing with faculty members such as Kenny Burrell, Billy Higgins and band leader/trumpeter Gerald Wilson. Washington features in the album Young Jazz Giants in 2004. He has played along with a diverse group of musicians including Wayne Shorter, Herbie Hancock, Horace Tapscott, Gerald Wilson, Lauryn Hill, Nas, Snoop Dogg, George Duke, Chaka Khan, Flying Lotus, Thundercat, Mike Muir, Francisco Aguabella, the Pan Afrikaan People’s Orchestra and Raphael Saadiq. Washington ventured into big band music when he joined the Gerald Wilson Orchestra for their 2006 album In My Time. Washington played saxophone on Kendrick Lamar’s To Pimp a Butterfly. His debut solo recording, The Epic, was released in May 2015 to critical acclaim. His second studio album, Heaven and Earth, was released in June 2018, with a companion EP titled The Choice released a week later. // Turning his attention to dance for his latest album, Fearless Movement out this May on Young, Kamasi Washington resumes his ongoing study of music as a means of connection. His 2015 album The Epic, as well as 2018’s Heaven and Earth were received by critics and audiences as a reimagination of modern jazz showcasing Washington’s larger-than-lift compositions full of celestial grandeur and his distinct blend of jazz, Latin, funk, classical, hip-hop and soul. Fearless Movement, however, offers something different: terrestrial rhythms and collaborations from rappers, musical icons and even Washington’s own daughter. Features include: Thundercat, Taj Austin, Ras Austin, Patrice Quinn, DJ Battlecat, Brandon Coleman, D-Smoke, George Clinton, Bj the Chicago Kid, Andre 300]
  1. Kamasi Washington – “The Visionary (feat. Terrace Martin)”
    from: Fearless Movement / Young Records / May 3, 2024
    [Kamasi Washington was born in LA, California, on February 2, 1981 to musical parents and educators, and was raised in Inglewood, California. He is a jazz saxophonist, composer, producer, and bandleader. Washington is known mainly for playing tenor saxophone. He is a graduate of the Academy of Music of Alexander Hamilton High School in Beverlywood, LA. Washington next enrolled in UCLA’s Department of Ethnomusicology, where he began playing with faculty members such as Kenny Burrell, Billy Higgins and band leader/trumpeter Gerald Wilson. Washington features in the album Young Jazz Giants in 2004. He has played along with a diverse group of musicians including Wayne Shorter, Herbie Hancock, Horace Tapscott, Gerald Wilson, Lauryn Hill, Nas, Snoop Dogg, George Duke, Chaka Khan, Flying Lotus, Thundercat, Mike Muir, Francisco Aguabella, the Pan Afrikaan People’s Orchestra and Raphael Saadiq. Washington ventured into big band music when he joined the Gerald Wilson Orchestra for their 2006 album In My Time. companion EP titled The Choice released a week later.]

10:57 – Station ID

  1. Fay Victor & Herbie Nichols SUNG – “Life Is Funny That Way”
    from: Life Is Funny That Way / Tao Forms / April 5, 2024
    [= Herbie Nichols SUNG = Fay Victor on voice, lyrics, arrangements, bandleader; Michaël Attias on alto & baritone saxophones; Anthony Coleman on piano; Ratzo Harris on bass; and Tom Rainey on drums. // Life Is Funny That Way is the major new work from acclaimed and singular singer-soundartist-lyricist-bandleader Fay Victor. It is both a loving celebration and thorough reconsideration of jazz composer Herbie Nichols’ rich legacy & a powerful work of art from a formidably talented and forthright black woman. This landmark work is also the first time that a full program of lyrics have been written & recorded for Nichols’ compositions. Victor’s innovative arrangements are brought to vibrant life by Herbie Nichols SUNG, a dedicated and profoundly gifted quintet of veteran jazz performers. // Nearly 30 years ago while living in the Netherlands, Victor discovered and was captivated by Nichols’ music in the collection of her future husband. She first began to explore the concept of singing this tremendous work with Dutch pianist Misha Mengelberg and then together with trombonist and one-time Nichols collaborator Roswell Rudd. // It was in 2013 that Fay Victor formed the Herbie Nichols SUNG project with American players and began to present it regularly in NYC, adding to a European trio version that had already toured the continent. This deep and extensive artistic journey which Victor embarked on, alongside leading other acclaimed bands and recording projects of all- original material, led to the involvement of the TAO Forms label. Its creative director drummer Whit Dickey not only shared a great appreciation of Nichols’ singular work as a composer, but was also a long-time fan of the exceptionally gifted Victor. // Recalling her first experience of hearing Nichols’ music, Victor says, “I put the record on and it sounded very strange to me. But then I heard “House Party Starting”. That was the one, that just sent something through my soul. I was blown away by that composition, and decided then and there that I want to learn this, I want to be able to sing this. And at that moment, I couldn’t. There was definitely some technical work I needed to do. It was great to have that challenge, and I was determined.” [ “Tonight” is Victor’s ultimate realization. } // A decade later and clearly ready, Life Is Funny That Way was recorded with the long-devoted veterans of Herbie Nichols SUNG: Michaël Attias (alto & baritone saxophones), Anthony Coleman (piano), Ratzo Harris (bass), and relatively new addition Tom Rainey (drums). A tremendous group to be sure; united by their mutual love of both Nichols’ writing and Victor’s estimable artistry. // She and her band’s work was exquisitely captured & mixed by engineer Andy Taub at his Brooklyn Recording studio. // The source material comes from Nichols’ Blue Note sessions of 1955-56, plus three compositions not recorded in his lifetime. // The album’s material is wide-ranging in mood, from the puckish opening title track and abstracted “The Culprit Is You” (both with the full band) to the dark voice-alto-bass explorations of “Bright Butterfly” and a ghostly voice-alto-piano reworking of “The Spinning Song”, aptly titled “Descent Into Madness”. // “Shuffle Montgomery” has Victor scatting ebulliently over the full band with Attias on baritone, while “Twelve Bars”, another tune unrecorded by Nichols, is a feature for the piano trio. // In addition to fêting Nichols, Victor takes the opportunity to celebrate the person who gave him his greatest exposure. Billie Holiday was the first to write lyrics for one of his tunes, “Serenade”, making it one of her signature works: “Lady Sings The Blues”. As Victor explains, “I chose to include this song because I think about the audience a lot. If anybody knows Nichols at all, they know this song. But the other thing is that when Billie sang his song, she didn’t sing his bridge. So I wanted to sing the lyrics with his bridge. That was important to me. I wanted people to know what the complete composition sounded like. Those are great lyrics Billie Holiday wrote and it’s also an homage to her because sometimes I feel that she doesn’t get her full due in terms of how incredible a musician she was, how visionary she was.” // All compositions by Herbie Nichols. // All lyrics & arrangements by Fay Victor. // Recorded & Mixed by Andy Taub at Brooklyn Recording. // Mastered by Paul Wickliffe at Skyline Underground. // Produced by Fay Victor.]
  1. Gloria Coleman Quartet – “Que Baby (feat. Pola Roberts)” 
    from: Soul Sisters / Impulse / May 21, 1963 [Reissued on 2024 Verve]    
    [Soul Sisters is an album by American jazz organist Gloria Coleman featuring Pola Roberts recorded in 1963 for the Impulse! label. The Allmusic review by Brandon Burke awarded the album 3 stars, stating “One probably doesn’t hear the name Gloria Coleman thrown around quite as often as other organists of the day. Similarly, the Impulse! label wasn’t particularly known as a home for organ combos, but perhaps that’s what makes this title the underappreciated gem that it is”. Recorded at Rudy Van Gelder Studio in Englewood Cliffs, New Jersey on May 21, 1963, with Gloria Coleman on organ, Leo Wright on alto saxophone, Grant Green on guitar, and Pola Roberts on drums. // Gloria Coleman was an American musician. Coleman played bass, piano then organ. As a jazz organist she released two albums. The first, Soul Sisters by the Gloria Coleman Quartet, was for the Impulse! Records label. It featured drummer Pola Roberts, Leo Wright and Grant Green. It was produced by Bob Thiele. The second album featured Ray Copeland, Dick Griffith, James Anderson, Earl Dunbar and Charlie Davis. Coleman wrote many songs for Bobbi Humphrey and Ernestine Anderson, among others. Coleman married saxophonist George Coleman. The couple had two children and divorced. She died on February 18, 2010.]
  1. Leyla McCalla – “Scaled To Survive”
    from: Sun Without The Heat / Anti – Records / April 12, 2024
    [Leyla McCalla on vocals, cello, banjo, guitars; Shawn Myers on percussion, drums; Nahum Zdybel on guitars; Pete Olynciw on electric bass, piano; Maryam Qudus on synthesizers, organs, backing vocals; Louis Michot on fiddle on “Tower”. Recorded and Produced by Maryam Qudus at Dockside Studios, June 20-29, 2023. Assisted by Justin Tocket. Mixed by Maryam Qudus at Best House. Mastered by Heba Kadry, NYC. All songs written by Leyla McCalla (Makala Music (BMI)) except “Love We Had” music by Ali Mohammed Birra, arrangement and lyrics by Leyla McCalla (Makala Music (BMI)) // On May 6, 2022 Leyla McCalla released Breaking the Thermometer on Anti- Records. // Leyla Sarah McCalla was born October 3, 1985. She is a classical and folk musician. She has been a cellist with the Grammy-winning string band Carolina Chocolate Drops but left that group to focus on her solo career. Both of McCalla’s parents were born in Haiti. Her father Jocelyn McCalla was the Executive Director of the New York-based National Coalition for Haitian Rights from 1988 to 2006 and is credited as translator on Vari-Colored Songs. Her mother Régine Dupuy arrived in the United States at age 5, is the daughter of Ben Dupuy who ran Haiti Progrès, a New York based Haitian socialist newspaper. McCalla’s mother went on to found Dwa Fanm, an anti-domestic violence human rights organization. McCalla was born in New York City and raised in New Jersey. She lived in Accra, Ghana for two years as a teen. After a year at Smith College, she transferred to New York University to study cello performance and chamber music. She then moved to New Orleans where she played music on the streets. We first played Leyla McCalla in 2016 the same year we saw her live at Folk Alliance International and the same year she released her critically acclaimed album Vari-Colored Songs on Music Maker Recordings on February 4, 2014. The album is a tribute to Langston Hughes which includes adaptations of his poems, Haitian folk songs sung in Haitian Creole and original compositions. McCalla says the first song she wrote for the album was Heart of Gold because it provided “a window into Hughes’ thinking”.McCalla chose to dedicate this work to Hughes because she says “reading his work made me want to be an artist.” McCalla started working on the album 5 years prior to its release. Commentators have noted the influence of Louisiana musical traditions such as old Cajun fiddle melodies and trad-jazz banjo on the album. Members of the Carolina Chocolate Drops appear on the album. Along with her solo work Leyla McCalla was part of Songs of Our Native Daughters is the debut Americana/folk album by four North American singer-songwriters collaborating as Our Native Daughters. The group includes Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, and Allison Russell. The album was released on the Smithsonian Folkways label in early 2019. Songs of Our Native Daughters addresses American historical issues that have influenced the identity of black women, including slavery, racism, and sexism. The album features 13 songs, 11 of them written by the group’s members. It also includes a cover of a 1970s Bob Marley classic and a song that draws its lyrics from two poems.]
  1. Leyla McCalla – “Small Towns (Are Smaller for Girls)”
    from: My Black Country: The Songs of Alice Randall / Oh Boy Records / April 12, 2024
    [Collaborative album celebrates the Black female experience in Country & Folk music with additional contributions from Adia Victoria, Rhiannon Giddens, Saaneah Jamison, Miko Marks, Leyla McCalla, Rissi Palmer, Allison Russell, SistaStrings, Sunny War & Alice’s daughter Caroline Randall Williams, Re-recording the greatest songs from New York Times bestselling novelist, award-winning songwriter & educator Alice Randall’s catalog. Produced by Ebonie Smith (Hamilton, Cardi B’s Invasion of Privacy, Janelle Monae’s Dirty Computer, Sturgill Simpson’s A Sailor’s Guide to Earth, founder & president of Gender Amplified) // Companion album to Alice Randall’s new book: My Black Country: A Journey through Country Music’s Black Past, Present and Future.]
  1. Valerie June —“Big Dream”
    from: My Black Country: The Songs of Alice Randall / Oh Boy Records / April 12, 2024
    [“Growing up, we all have dreams and wishes. Alice Randall’s lyrics capture the magic of our personal dreams. In the simplest way, she invites listeners to remember the power of collective dreaming. If God can be a woman in a patriarchal society, then there are no limits to what can be achieved. Balance is restored through the sacred art of dreaming, and each dream big or small helps to shape our world. I am a dreamer. Everyone on this record is a dreamer. Together we are breaking boundaries just as so many who’ve come before have done for us.” – Valerie June // On March 12, 2021 Valerie June released her 5th full length album The Moon And Stars on June Tunes – Concord records, co-produced by Jack Splash and Valerie June. // Valerie June Hockett was born January 10, 1982), known as Valerie June, is an American singer, songwriter, and multi-instrumentalist from Memphis, Tennessee, United States. Her sound encompasses a mixture of folk, blues, gospel, soul, country, Appalachian and bluegrass. She is signed to Concord Music Group worldwide. // Born in Jackson, Tennessee on January 10, 1982, June is the oldest of five children. As a child growing up in Humboldt, June was exposed to gospel music at her local church and R&B and soul music via her father, Emerson Hockett. As a teenager, her first job was with her father, owner of Hockett Construction in West Tennessee, and a part-time promoter for gospel singers and Prince, K-Ci & JoJo, and Bobby Womack. She helped by hanging posters in town. Her father died in late 2016. // June relocated to Memphis in 2000 and began recording and performing at the age of 19, initially with her then-husband Michael Joyner, in the duo Bella Sun. After her marriage ended, she began working as a solo artist, combining blues, gospel and Appalachian folk in a style that she describes as “organic moonshine roots music”, and learning guitar, banjo, and lap-steel guitar. She became associated with the Memphis-based Broken String Collective. // In 2009 she was a featured artist on MTV’s online series $5 Cover (following the lives of Memphis musicians attempting to make ends meet), and in 2010 she recorded the EP Valerie June and the Tennessee Express, a collaboration with Old Crow Medicine Show. // In 2011 she was honored by the Memphis and Shelby County Music Commission at the Emissaries of Memphis Music event. She raised funds to record an album with producer Craig Street via Kickstarter.com, raising $15,000 in 60 days. Later that year she relocated from Memphis to Williamsburg, Brooklyn. Shortly after, record producer Kevin Augunas introduced June to Dan Auerbach of The Black Keys, which led to the recording of June’s album Pushin’ Against a Stone in July 2011, which was co-written and produced by Dan Auerbach and Kevin Augunas. // In 2012, June performed with producer John Forté on a collaboration called Water Suites (on the hip-hop-blues song “Give Me Water”), and with Meshell Ndegeocello on the song “Be My Husband”. She contributed The Wandering’s 2012 album Go on Now, You Can’t Stay Here: Mississippi Folk Music Volume III. In 2012 she performed in the UK for the first time, playing at Bestival and appearing on Later… with Jools Holland. // She has received substantial radio play in Europe on BBC Radio 6, including a feature on Cerys on 6 with Cerys Matthews. Mary Anne Hobbs of XFM has said of June: “This woman has already touched my heart, she really, really has.” // In February 2013, June was invited to support Jake Bugg on the UK leg of his tour. In March 2013, June performed two nights at South By Southwest. The first performance was on March 14 as part of the Heartbreaker Banquet. On March 16, June performed again, this time as part of The Revival Tour. Rolling Stone June’s second album, The Order of Time one of the 50 Best Albums of 2017, citing “her handsomely idiosyncratic brand of Americana, steeped deep in electric blues and old-time folk, gilded in country twang and gospel yearning….a blend of spacey hippie soul, blues and folk with June’s pinched, modern-Appalachian voice at the center”. In a 2017 interview, Bob Dylan was asked what artists he listened to and respected; June was among the artists he mentioned in reply.More info at: http://www.valeriejune.com]
  1. Swamp Dogg – “Mess Under That Dress”
    from: Blackgrass: From West Virginia to 125th St. / Oh Boy Records / May 31, 2024
    [Blackgrass: From West Virginia to 125th St, his first record with Oh Boy Records that will be released on May 31. The effervescent new single which was first released in 1967 by Inez and Charlie Foxx and re-envisioned here, arrives with an official music video featuring Swamp and Lewis recording the track at Nashville’s Sound Emporium. // Last month, the feature-length documentary Swamp Dogg Gets His Pool Painted premiered at SXSW and received raves from The Austin Chronicle and The Hollywood Reporter who called it, “a documentary that draws its voice and aesthetic from the spirit of its subject, resulting in a tight 97 minutes that feel organic and satisfying and, as befits that subject, appealingly odd.” Rolling Stone also included Swamp Dogg’s official showcase in their Best of SXSW roundup proclaiming, “Swamp Dogg sounded bold and robust, his vigor encouraging his band to ratchet up the energy… every musician on stage was locked into an undeniable groove.” // Produced by Ryan Olson (Poliça, Gayngs) and recorded with an all-star band including Noam Pikelny, Sierra Hull, Jerry Douglas, Chris Scruggs, Billy Contreras, and Kenny Vaughan, the 12-song collection is a riotous blend of past and present, mixing the sacred and the profane in typical Swamp Dogg fashion as it blurs the lines between folk, roots, country, blues, and soul. Special guests like Margo Price, Vernon Reid, Jenny Lewis, Justin Vernon, and The Cactus Blossoms all add to the excitement, but it’s ultimately the 81-year-old Swamp Dogg’s delivery—sly and playful and full of genuine joy and ache—that steals the show. // “Believe it or not, I didn’t do anything but sing these songs the way I would have sung them if it was an R&B album. That’s just the way the music comes out of me, and it would have been unholy for me to try and imitate anybody else,” explains Swamp Dogg about the making of the album. “Black music has had so many different labels put on it over the years that sometimes I’m onstage and I don’t know what the hell it is that I’m singing,” Swamp Dogg says with a laugh. “The only thing I know how to do is be myself.” // “Swamp Dogg is one of my favorite humans on the planet… How to classify him I just don’t know. He’s a soul artist, a psychedelic artist, a protest singer, he’s a man for all seasons.” – Ann Powers // Jerry Williams Jr. was born July 12, 1942. He is generally credited under the pseudonym Swamp Dogg after 1970, is an American soul and R&B singer, musician, songwriter and record producer. Williams has been described as “one of the great cult figures of 20th century American music.” // After recording as Little Jerry and Little Jerry Williams in the 1950s and 1960s, he reinvented himself as Swamp Dogg, releasing a series of satirical, offbeat, and eccentric recordings, as well as continuing to write and produce for other musicians. He debuted his new sound on the Total Destruction To Your Mind album in 1970. In the 1980s, he helped to develop Alonzo Williams’ World Class Wreckin’ CRU, which produced Dr. Dre among others. He continues to make music, releasing Love, Loss & Autotune on Joyful Noise Recordings in 2018,[3][4] and Sorry You Couldn’t Make It in 202. // Williams was born in Portsmouth, Virginia. He made his first recording, “HTD Blues (Hardsick Troublesome Downout Blues)”, for the Mechanic record label in 1954, when he was aged 12, with his parents and uncle and backing musicians, and was regularly hired to play private parties. From 1960, he released occasional singles for a variety of labels, including the self-written “I’m The Lover Man” in 1964, which was first issued on the Southern Sound label and was then picked up by the larger Loma label, almost breaking into the national Billboard Hot 100. He also wrote successfully for other musicians, including “Big Party” for Barbara and the Browns. // As Little Jerry Williams, he had his first national chart success in 1966, when “Baby You’re My Everything”, which he co-wrote and produced, was released on the Calla label and rose to #32 on the R&B chart, again just missing the Hot 100. He released several more singles on Calla through to 1967, by now credited simply as Jerry Williams, but with little commercial success, although some of his records such as “If You Ask Me (Because I Love You)” later became staples of the Northern Soul movement in the UK. // By late 1967 he started working in A&R and other duties for the Musicor label in New York. In 1968 he co-wrote, with Charlie Foxx, Gene Pitney’s up-tempo hit, “She’s a Heartbreaker”, which Williams also claimed to have produced, saying: “I produced the motherfuck out of it… [and] Charlie Foxx put me down on the label as “vocal arranger.” What the fuck is that? When they took out full-page ads in Billboard and Cashbox, there was a picture of Charlie on one side and a picture of Gene Pitney on the other and no mention of me.” // Later in 1968 Williams began working as a producer at Atlantic Records with Jerry Wexler and Phil Walden, on artists including Patti LaBelle & the Blue Belles, though he found the administration frustrating.[5] He established a songwriting partnership with Gary Anderson, who performed as Gary U.S. Bonds, and the pair wrote the R&B chart hits “To the Other Woman (I’m the Other Woman)” by Doris Duke, and “She Didn’t Know (She Kept on Talking)” by Dee Dee Warwick. He also recorded a single, “I Got What It Takes”, in a duo with Brooks O’Dell, and released two singles under his own name on the Cotillion label, a subsidiary of Atlantic. // Swamp Dogg Williams later wrote:I became Swamp Dogg in 1970 in order to have an alter-ego and someone to occupy the body while the search party was out looking for Jerry Williams, who was mentally missing in action due to certain pressures, mal-treatments and failure to get paid royalties on over fifty single records…. Most all of the tracks included were recorded in Muscle Shoals, Alabama, and Macon, Georgia, which brings me to how the name Swamp Dogg came about. Jerry Wexler, Atlantic Records v.p. and producer/innovator second to none, was recording in the newly discovered mecca of funk Muscle Shoals, Alabama. He coined the term “Swamp Music” for this awesome funk predominately played by all white musicians accompanying the R’n’B institutions e.g., Wilson Pickett, Aretha Franklin, King Curtis… I was also using the same “swamp” players. I was tired of being a jukebox, singing all of the hits by Chuck Jackson, Ben E. King, etc., and being an R’n’B second banana. I couldn’t dance as good as Joe Tex, wasn’t pretty like Tommy Hunt, couldn’t compare vocally to Jackie Wilson and I didn’t have the sex appeal of Daffy Duck. I wanted to sing about everything and anything and not be pigeonholed by the industry. So I came up with the name Dogg because a dog can do anything, and anything a dog does never comes as a real surprise; if he sleeps on the sofa, shits on the rug, pisses on the drapes, chews up your slippers, humps your mother-in-law’s leg, jumps on your new clothes and licks your face, he’s never gotten out of character. You understand what he did, you curse while making allowances for him but your love for him never diminishes. Commencing in 1970, I sung about sex, niggers, love, rednecks, war, peace, dead flies, home wreckers, Sly Stone, my daughters, politics, revolution and blood transfusions (just to name a few), and never got out of character. Recording in Alabama and sincerely singing/writing about items that interested me, gave birth to the name Swamp Dogg. // Having adopted his moniker before Snoop Dogg was born he has claimed to be “the original D-O double G.” // In 1970 he emerged in his new Swamp Dogg persona, with two singles on Wally Roker’s Canyon label, “Mama’s Baby, Daddy’s Maybe”, again co-written with Bonds, and “Synthetic World”. He also produced the first Swamp Dogg album, Total Destruction to Your Mind. The album sleeve showed Williams sitting in his underwear on a pile of garbage. Williams’ new direction apparently followed an LSD trip, and was inspired by the radical politics of the time and by Frank Zappa’s use of satire, while showing his own expertise in, and commitment to, deep soul and R&B music. According to Allmusic: “In sheer musical terms, Swamp Dogg is pure Southern soul, anchored on tight grooves and accentuated by horns, but the Dogg is as much about message as music…” Although not a commercial success at the time, Swamp Dogg started to develop a cult following and eventually the album sold enough to achieve gold record status. Record critic Robert Christgau wrote that “Soul-seekers like myself are moderately mad for the obscure” album and has called it “legendary”. It was reissued in 2013 by Alive Naturalsound Records. // Around the same time, one of the songs Williams had co-written with Gary Bonds, “She’s All I Got”, became a top-ten R&B hit for Freddie North, and was recorded with even greater success by country star Johnny Paycheck, whose version reached #2 on the country music chart in late 1971.[7] In a later interview on NPR’s Studio 360, Williams stated he was raised on country music: “Black music didn’t start ’til 10 at night until 4 in the morning and I was in bed by then… If you strip my tracks, take away all the horns and guitar licks, what you have is a country song.” However, he also continued to write and produce deep soul songs for other musicians, including Z. Z. Hill and Irma Thomas. In 1971 in collaboration with co-producer and writer the legendary George Semper he released “Monster Walk Pt. 1 and 2” by the Rhythm ‘N’ Blues Classical Funk Band on Mankind Records label. Produced for Jerry Williams Productions, Inc.and in spite of modest sales the record once again demonstrated his entrepreneurial skill as an artist. // As Swamp Dogg, he was signed by Elektra Records for his second album, Rat On! in 1971. The sleeve showed him on the back of a giant white rat, and has frequently been ranked as one of the worst album covers of all time. Sales were relatively poor, and he joined Jane Fonda’s anti-Vietnam War Free the Army tour. His next albums Cuffed, Collared and Tagged (1972) and Gag a Maggott (recorded at the TK Studio in 1973) were released on smaller labels, though his 1974 album, Have You Heard This Story??, was issued by Island Records. In 1977 he had another minor R&B hit with “My Heart Just Can’t Stop Dancing”, credited to Swamp Dogg & the Riders of the New Funk. He continued to release albums through the 1970s and into the mid-1980s as Swamp Dogg, on various small independent labels and in a variety of styles including disco and country and maintained a healthy cult following. He also set up his own publishing and recording company, Swamp Dogg Entertainment Group (SDEG). // In 1999, “Slow Slow Disco” was sampled by Kid Rock on the track “I Got One for Ya”, sparking a revival of interest in Swamp Dogg, who began performing live gigs for the first time. Several other of his recordings were sampled, and in 2009 he released two new albums, Give Em as Little as You Can…As Often as You Have To…Or…A Tribute to Rock N Roll, and An Awful Christmas and a Lousy New Year. He also released some further singles, and a compilation album of the best of his work as both Little Jerry Williams and Swamp Dogg, It’s All Good, was released in 2009. Most of his early Swamp Dogg albums have also been reissued on CD. // Swamp Dogg released a full-length album of new songs in 2014, The White Man Made Me Do It, which Williams described as being a sort of sequel to Total Destruction To Your Mind. Shortly thereafter, Swamp Dogg teamed up with Ryan Olson from Poliça to produce the tracks for his 2018 album Love, Loss & Autotune, Justin Vernon (aka Bon Iver) fine-tuning the vocal tracks. The song also features instrumentation by Guitar Shorty. The music video for “I’ll Pretend” premiered at NPR and was later featured at Rolling Stone, Pitchfork, Spin and elsewhere. Swamp Dogg described the song as a character study about “a guy sitting in a restaurant by himself losing his fucking mind because he’s hoping his woman is gonna walk by, but she’s at a Ramada Inn somewhere fucking somebody else to death.” // In 2020, he released the album Sorry You Couldn’t Make It, a country-styled record recorded in Nashville with producer Ryan Olson and musicians including Justin Vernon, John Prine, and Jenny Lewis. More info at: http://www.theswampdogg.com]

18. Kleenex / LiLiPut – “Ain’t you”
from: First Songs / 2024 Kill Rock Stars 
[Kleenex/LiLiPUT (also referred to as LiLiPUT and First Songs) is a compilation album by Swiss punk rock band LiLiPUT. Released by Off Course Records in 1993, the album compiles the band’s entire recorded output, from their first recordings under the name Kleenex to their later material after changing their name to LiLiPUT. // also referred to as First Songs”, a 2LP set of 24 recordings. “First Songs” combines all the pre-1982 material, all 3 Kleenex singles, the first 2 LiLiPUT 7″’s and all the originally unreleased material prior to LiLiPUT’s debut LP. All 46 songs from the “LiLiPUT” release. // “You can’t dispute LiLiPUT’s status as pioneers of feminist art-punk. Along with fellow travelers like the Slits and the Raincoats, this (mostly) female Swiss group took advantage of punk’s anything-goes attitude and created jittery, spirited pop that was both in step with the times and completely singular. The early material is a riot of exuberant energy, taking stylistic cues from peers like Gang of Four and Wire– propulsive bass, skittering pop rhythms, slashing guitars– and adding distinctive overlapping vocal patterns, which are sung, shrieked, and hiccuped in three languages and made- up dadaistic slang. More than 20 years on, it still sounds fresh.” – Lisa Gidley.]

  1. Kleenex / LiLiPut – “Nice”
    from: First Songs / 2024 Kill Rock Stars 
    [Kleenex/LiLiPUT (also referred to as LiLiPUT and First Songs) is a compilation album by Swiss punk rock band LiLiPUT. Released by Off Course Records in 1993, the album compiles the band’s entire recorded output, from their first recordings under the name Kleenex to their later material after changing their name to LiLiPUT. // also referred to as First Songs”, a 2LP set of 24 recordings. “First Songs” combines all the pre-1982 material, all 3 Kleenex singles, the first 2 LiLiPUT 7″’s and all the originally unreleased material prior to LiLiPUT’s debut LP. All 46 songs from the “LiLiPUT” release. // “You can’t dispute LiLiPUT’s status as pioneers of feminist art-punk. Along with fellow travelers like the Slits and the Raincoats, this (mostly) female Swiss group took advantage of punk’s anything-goes attitude and created jittery, spirited pop that was both in step with the times and completely singular. The early material is a riot of exuberant energy, taking stylistic cues from peers like Gang of Four and Wire– propulsive bass, skittering pop rhythms, slashing guitars– and adding distinctive overlapping vocal patterns, which are sung, shrieked, and hiccuped in three languages and made- up dadaistic slang. More than 20 years on, it still sounds fresh.” – Lisa Gidley.]

11:30:30 – Underwriting

  1. Lucy Rose – “Light As Grass”
    from: This Ain’t The Way You Go Out / Communion / April 19, 2024
    [This Ain’t the Way You Go Out is the fifth studio album by English singer-songwriter Lucy Rose, released through Communion Records on 19 April 2024. // The album was written following Rose’s first pregnancy, after which she developed pregnancy-associated osteoporosis and broke eight vertebrae in her back. It was recorded over two days with Rose’s backing band and the producer Kwes. In comparison to Rose’s previous music, This Ain’t the Way You Go Out has been noted as more “energetic and joyful”. // Lucy Rose Parton[1] (born 20 June 1989) is an English singer-songwriter. Her career as a musician began in 2012 with her first studio album Like I Used To and she has released five more since, the latest of which, This Ain’t The Way You Go Out, was released in April 2024. She founded her own record label, Real Kind Records, in January 2020; the record label is a partnership with the UK record label, Communion. // Born in Camberley, Surrey, England, Rose’s musical origins began with her playing drums in her school orchestra; her songwriting started with her writing tunes on her family home’s piano. She is the youngest of three sisters. She later bought a guitar from a shop she passed on the way to school, taught herself and began writing material at around the age of sixteen.[citation needed] Rose never played her material for anyone until she left home after completing her A-levels. // At eighteen, she moved to London; instead of taking her place at University College London to study geography, she began experimenting and performing with other musicians. It was at this time when she met Jack Steadman, the frontman of Bombay Bicycle Club. After becoming friends, Steadman asked if she would like to perform vocals on a song he had written and was recording. The acoustic album Flaws came out with Steadman on lead vocals, and Rose performing backing vocals, most notably on the title track “Flaws”, as well as others on the album. She went on to perform some backing vocal duties on Bombay Bicycle Club’s third album, A Different Kind of Fix, and features in their fourth, So Long, See You Tomorrow. Rose also performs some backing vocal duties on the track This Sullen Welsh Heart by the Manic Street Preachers on their album Rewind the Film. In 2018 she provided backing vocals for Paul Weller’s fourteenth studio album True Meanings, and appeared on stage with him in 2019 for his Royal Festival Hall concert, Other Aspects. // A fan of tea, Rose began selling her own blend named “Builder Grey” (two part English Breakfast and one part Earl Grey) at her shows as a substitute for merchandise or CDs.]
  1. Lucy Rose – “This Ain’t The Way You Go Out”
    from: This Ain’t The Way You Go Out / Communion / April 19, 2024
  1. Ghost Funk Orchestra – “To The Moon!”
    from: A Trip To The Moon / Colemine Records / February 23, 2024
    [Coming off the heels of 2022’s A New Kind of Love, A Trip To The Moon sees GFO diving even deeper in the worlds of film music, exotica, and psychedelic surf rock. The aim is to create a layered and collaged listening experience with more elements than you could possibly pick out in a single listen. The guitars are fuzzy and flooded with spring reverb, and the horns are arranged in a studio big band fashion. It’s full of big compositions with garage rock attitude. Influences range everywhere from Eddie Palmieri and Esquivel to The Lively Ones, Dusty Springfield, and War. The tracks are tied together by real recorded transmissions from the Apollo moon missions. The concept for the album is a story about a woman stranded on earth by her cosmonaut partner, left to ponder his whereabouts and whether or not he’ll make it back from the cosmos alive. // Ghost Funk Orchestra is the brainchild of composer/multi-instrumentalist Seth Applebaum. What started as a one-man recording project has now evolved into a powerhouse live band. It’s a sonic kaleidoscope that defies genre specification, but draws heavy influence from the worlds of soul, psych rock, salsa, and beyond. Their unique blend of genres has attracted praise from the likes of NPR, Bandcamp, KUTX, Brooklyn Vegan, Earmilk, and more. Over the years they’ve had the honor of sharing the stage with the likes of Os Mutantes, Grace Potter, Marco Benevento, La Luz, Monophonics, The Nude Party, and The Jack Moves, as well as playing such legendary festivals as Montreal Jazz, Treefort, Telluride Jazz, Otis Mountain Get Down, and BRIC’s NYC Winter Jazz. Local NY blog Post-Trash described their sound as a ‘psych odyssey of traditional sounds delivered in a non-traditional fashion.’ Bandcamp’s Editorial Director J. Edward Keyes praised the band’s ability to ‘leave no funk-adjacent genre unexplored.’ Experimentation is the key, and unpredictability is what has been attracting folks from all corners of the globe to see what GFO pulls off next…]
  1. Mdou Moctar – “Imouhar ”
    from: Funeral for Justice / Matador / May 3, 2024
    [‘Funeral For Justice’ is the new album by Mdou Moctar. Recorded at the close of two years spent touring the globe following the release of 2021 breakout ‘Afrique Victime,’ it captures the Nigerien quartet in ferocious form. The music is louder, faster, and more wild. The guitar solos are feedback-scorched and the lyrics are passionately political. Nothing is held back or toned down. // Mdou Moctar immediately stands out as one of the most innovative artists in contemporary Saharan music. His unconventional interpretations of Tuareg guitar and have pushed him to the forefront of a crowded scene. Mdou shreds with a relentless and frenetic energy that puts his contemporaries to shame. More info at: http://www.mdoumoctar.com]
  1. The Lostines – “A Tear”
    from: Meet the Lostines/ 2024 Gar Hole Records / April 26, 2024
    [Camille Wind Weatherford on vocals, guitar; Casey Jane Reece-Kaigler on vocals, guitar, percussion; Ross Farbe on acoustic guitar, electric guitar, 12 string acoustic guitar, bass, drums, percussion; Sam Doores om drums, percussion, organ, rhodes, baritone guitar, electric guitar, acoustic guitar, piano, harmonies; Howe Pearson on bass, drums, guitar, tubular bells, harmonies; Gina Leslie on bass, harmonies; James Wallace – rhodes, piano, organ, guitar, synth, omnichord. // All songs written by The Lostines. // Co-produced by Ross Farbe, Sam Doores, and The Lostines. Recorded and mixed by Ross Farbe. Mastered by Timothy Stollenwerk at Stereophonic Mastering. Recorded in New Orleans, Louisiana at The Tigermen Den and Deslonde Studios. Fiddles recorded at Valcour Records in Eunice, Louisiana. Photography by Horatio Baltz. Album art by Adam Zeek. Special thanks to Baby Stingray & Ernest. // Guest musicians and friends in order of appearance: Kelli Jones on fiddle on After Party, Southwest Texas; Joel Savoy on fiddle on After Party, Southwest Texas; John James on lap steel on After Party; Jordan Odom on guitar on Come Back To My Arms; Casey McAllister on keys on Southwest Texas; Peter J. Bowling on viola on Frankie & Eva, Last Night; Thomas Bowling on violin on Frankie & Eva, Last Night; Sam Hollier on cello on Frankie & Eva, Last Night; Sam Gelband on vocals on Last Night. // Although recorded in the band’s hometown of New Orleans, Meet The Lostines — the full-length debut from songwriters Casey Jane Reece-Kaigler and Camille Wind Weatherford — is an album that charts its own geography. This is where the swampland meets the sock hop. Where golden-age rock & roll crosses paths with old-school country. Where timeless American roots music drops its anchor and climbs skyward, finding some balance between the earthy and the otherworldly. // At the center of that sound are the entwined voices of Casey Jane and Camille, two longtime friends whose songs explore the uncharted territory between genres. There’s rarely a melody on Meet The Lostines that the two don’t sing together, stacking their voices into lush harmonies that recall the girl groups of the 1960s. Don’t mistake Meet The Lostines for a retro project, though. It’s a modern album that exists out of time, filled with songs about heartbreak, old relationships, new beginnings, and vulnerability. // “Our songwriting process is like a therapy session,” says Camille. “We’ll show our ideas to each other, work out our harmonies, and then bring the song to our band so they can add their influences, too. When it comes to creating the full sound of the Lostines, the band — and New Orleans as a whole — has a huge influence on that.” // Before relocating to New Orleans as young adults, Camille and Casey Jane were both raised by musical families in the Pacific Northwest. “My parents taught me to play guitar, and I grew up going to fiddle camps, too,” says Casey Jane, an Oregon native whose vocal harmonies can be heard on albums across the New Orleans americana-verse. Meanwhile, Camille grew up in Portland, where her mother regularly attended a weekly jam session with several family friends. Camille began playing guitar as a teenager and eventually headed to New Orleans, meeting up with artists like Sam Doores, Riley Downing, and Pat Reedy along the way. // “New Orleans was a magnet for both of us,” says Casey Jane. As new residents of the city, the two musicians crossed paths at a campfire hosted by a mutual friend. A spark was lit as soon as they sang together, with their voices meshing together seamlessly. Inspired, they formed their own band — one that would salute their adopted hometown of New Orleans, but also reach far beyond the city’s borders for inspiration — and got to work, unveiling their sound with EPs like The Lostines and Heart of Night before turning a new page with Meet the Lostines. // Meet the Lostines is more than a full-length introduction. It’s an invitation to enter the Lostines’ world: a place where baritone guitars are coated in spring reverb, where orchestral strings swoon and sway, where Cajun fiddle solos share the spotlight with Theremin and upright piano. Many of these songs take place at night, and Meet the Lostines unfolds like a soundtrack to the wee small hours. “After the Party” takes the listener for a midnight walk along the levy overlooking the Mississippi River and the Industrial Canal, with fiddle and pedal steel guitar providing the soundtrack. “Neon Lights” looks back at an overnight drive from Los Angeles to Denver, with a bouncing chorus that’s every bit as luminous as the title suggests. “Full Moon Night” twinkles like a sky full of stars, rooted in a storyline about desire, longing, and the lure of a past relationship. // With contributions from some of New Orleans’ brightest lights, including Sam Doores (The Deslondes), Ross Farbe (Videoage), Howe Pearson and Gina Leslie (too many to count), Meet the Lostines is also the work of a community. Skyway Man camped out at the recording studio for a week, playing multiple instruments on multiple songs. K.C. Jones and Joel Savoy contributed dueling Cajun fiddles to “Southwest Texas” and “After the Party.” Jordan Odom played electric guitar on “Come Back To My Arms,” Casey McAllister played keys on “Southwest Texas,” and Ross pulled double-duty as the album’s lead guitarist and engineer in addition to mixing and co-producing the record with Sam and The Lostines. Casey Jane and Camille may have been the captains, but this was a team effort. // “We are fortunate to be surrounded by friends who are incredible musicians and songwriters, and we all influence one another,” says Casey Jane. “A lot of our bandmates are in our friends’ bands, as well, and there’s something that feels very cohesive about that, because there’s so much collaboration.” Collaboration. That’s the glue that holds Meet The Lostines together. It’s an album that bridges the gaps between genres, created by two songwriters who’re happy to build their own world. ]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Marion Merritt thank you for being out Guest Producer on WMM

Marion Merritt is founder of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd., in KCMO. More info at: http://www.recordswithmerritt.com

Next week on Wednesday, June 5, is my birthday! For this special Wednesday MidDay Medley live radio broadcast, I will share tracks from some of my favorite recordings representing different seasons of my life. I will spin influential recordings from: The Beatles, The Carpenters, Al Green, Curtis Mayfield, The B-52’s, Prince, The Ramones, David Bowie, The Velvet Underground, Talking Heads, The Smiths, The Clash, Patti Smith, LaBelle, Joni Mitchell, Iris DeMent, Mavis Staples, The Magnetic Fields, and Krystle Warren. // At 11:00, Peregrine Honig and Izzy Vivas will share details about The West 18th Street Fashion Show happening Saturday, June 8, at 7:30pm at 116 W 18th Street, KCMO. This year’s theme is Summer in Slumberland. More Information at: west18thstreetfashionshow.com

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1048