WMM Playlist from September 25, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 25, 2024

WMM is Spinning Records With Marion Merritt + Jessica Dressler & Jen Frank Klenke of “Rennie”

We welcome back to the show, Marion Merritt as our special “Guest Producer!” Marion will share her sonic discoveries and information from her musically-encyclopedic-brain. Marion Merritt is an empath and has a special ability to know what music you’re seeking. She’s our most frequent contributor to WMM. Marion grew up in Los Angeles and St. Louis and went to college in Columbia, MO. She studied art & musical engineering, and is an avid lover of classic films. She saw Talking Heads on their 1st tour at One Block West in 1978. For 20 years she’s been sharing music form her musical journeys. Marion also writes about new releases as a contributor The Pitch. With partner Ann Stewart, Marion is the proprietor of Records With Merritt, a minority owned business at 1614 Westport Rd. in KC. More info at: http://www.recordswithmerritt.com.

Marion Merritt welcome back to Wednesday MidDay Medley

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Dimitri From Paris – “Prologue”
    from: Sacrebleu / Yellow Productions – Atlantic / June 11, 1996
    [Debut studio albumm from Dimitri from Paris was born Dimitrios Yerasimos, on October 27, 1963. He is a French music producer and DJ of Greek descent. His musical influences are rooted in 1970s funk and disco sounds that spawned contemporary house music, as well as original soundtracks from 1950s and 1960s movies such as Breakfast at Tiffany’s, La Dolce Vita and The Party, which were sampled in his album Sacrebleu. Dimitri fused these sounds with electro and block party hip hop he discovered in the 1980s. // Contrary to his musical pseudonym, Dimitri was born not in Paris but born in Peckham, South London, to Rûm parents (Greeks of Turkey), Dimitri grew up in France where he discovered DJing at home, using whatever he could find to “cut and paste” samples from disco hits or in to montages heard on the radio, blending them together to make tapes. This early experimentation helped him launch his DJ career. // He started out by DJing at the French station Radio 7, before moving on to Skyrock and finally to Radio NRJ, Europe’s largest FM radio network, in 1986. There, he introduced the first ever house music show to be broadcast in France, while simultaneously producing under the direction of sound designer Michel Gaubert, runway soundtracks for fashion houses such as Chanel, Jean-Paul Gaultier, Hermès and Yves Saint-Laurent. He also released two solo EPs from 1993 to 1994 and contributed to the Yellow Productions compilation La Yellow 357. // In 1996, Dimitri gained worldwide recognition with the release of his first full album, Sacrebleu, released on Yellow Productions. A blend of diverse influences including jazz, original film soundtracks, samba, and organic house, Sacrebleu sold 300,000 copies worldwide and was named Album of the Year by UK’s Mixmag magazine. // In 2000, Dimitri followed Sacrebleu up with A Night at the Playboy Mansion (Virgin) and Disco Forever (BBE), followed by My Salsoul in 2001, After the Playboy Mansion in 2002. In 2003, Cruising Attitude was released, to be closely followed by his first outing on UK’s premier dance music label Defected: Dimitri from Paris In the House. // He has followed a somewhat glamorous musical path by recording soundtracks and advertising campaigns for fashion houses Chanel, Jean-Paul Gautier and Yves Saint Laurent and remixing hundreds of artists as diverse as Björk, The Cardigans, James Brown, Michael Jackson, New Order and Quincy Jones. He also did the music for the anime Tsukuyomi: Moon Phase and mixed the soundtrack for the French luxury dessin animé Jet Groove produced by Method Films. // 2005 saw Dimitri go back to his Funk and Disco roots, with Japanese hip hop producer and über collector DJ Muro for Super Disco Friends a double CD mixdown. In 2006 he offered his House of Love outing to Valentine’s Day’s lovers. Later on Dimitri produced Los Amigos Invisibles “Super Pop Venezuela” album which grabbed a nomination for a Grammy Award. // 2007 saw the release of the Cocktail Disco project with longtime partner BBE, a handful of disco classics remixes and other surprises down the line. // 2009 saw the release of the Night Dubbin’, a post-disco R&B compilation remix album.]
  1. King Fela – “Yehla Moya (feat. Omagugu) [Da Capo & Nduduzo Makhathini Remix]”
    from: Da Capo – Genesys / Genesys / May 29, 2020
    [Nicodimas Sekheta Mogashoa (born June 9, 1992), professionally known as Da Capo, is a South African DJ and record producer. Born and raised in Seshego, Da Capo rose to prominence after remixing the single “Pretty Disaster” by Moneoa. He then signed a recording deal with Soulstic Music and his studio debut album Indigo Child (2017), which was certified double platinum by the Recording Industry of South Africa (RiSA). // Nicodimas Sekheta Mogashoa was born on August 14, 1992, Seshego township Zone 3, Polokwane, South Africa. After completed his matric, he studied for media and communication at University of Limpopo but dropped out. His musical career began as a rapper and later developed interest on house music. // After he signed a record deal with Soulstic Music, Indigo Child was released on December 8, 2017, in South Africa. It features GoodLuck, Berita, Wanda Baloyi, Jackie Queens, Renee Thompson, Soulsta, Miss Dippy, Tshepo King, and Darian Crouse. The album was certified double platinum[7] and garnered over 36.5 million streams on digitally streaming platforms. // He established independent record label Genesys Entity and released his EP Genesys in May 2020. “Moyo Wanagu” featuring BATUND was released as EP’s lead single. // “Light House” was released on September 3, 2021, by TRESOR featuring Da Capo and Sun-El Musician. // In the fourth quarter of 2021, he collaborated with Gallo to remix “Imbizo”, which appeared on compilation album Music is Forever, released on December 17, 2021. // “Molili” featuring Batundi, Nana Atta and Lokua Kanza released on June 23, 2023, as lead single of his Bakone EP released on July 14. “Molili” reached No 29 at Phalaphala FM Top 30 Chart. // Bakone was released on July 14, 2023. The EP is an afro-house record fused with afro-tech and deep house elements. Capo calloborated with Batundi, Nana Atta and Lokua Kanza, Da Africa Deep. Same day, Capo was announced as Sghubhu cover star by Apple Music. // In February 2024, Capo announced two upcoming albums Indigo Child II, and Aquatone Cotton Fabric. // In an interview with The Playground, Da Capo said: his musical career was inspired by Jimpster, Nick Holder, Quinton Harris. // Nduduzo Makhathini is a pianist, composer, teacher and music philosopher. He started singing gospel music in the Zion Evangelical Ministries of Africa in his teenage years in Umgungundlovu, Kwazulu Natal, South Africa. // After matriculating from high school, Nduduzo studied Jazz Piano at the University of Kwazulu Natal where he attained a Diploma in 2005. // Nduduzo continued his journey in music education working as a lecturer in Wits University, University Of Kwazulu Natal and as a Head of music department at University of Fort Hare. // He came from a musical family with his father being a guitarist and his mother a keyboardist and singer who also was his first piano teacher. // Nduduzo has claimed John Coltrane’s A Love Supreme as an album that made him first fall in love with jazz. He first encountered the album at the University of Kwazulu Natal music library as a student. Although Nduduzo’s sound and musical effect is unique, he is influenced by Jazz greats like McCoy Tyner, John Coltrane, Bheki Mseleku etc. // Nduduzo himself explained Bheki Mseleku’s influence on his music during the recording of his third studio album, Listening To The Ground: …if people believe I have a voice; I think they are just hearing the echoes of bab’ Mseleku. // He was awarded the Standard Bank Young Artist award for Jazz in 2015. Makhathini is the first South African artist to release music under the legendary Blue Note Records.]
  1. SUUNS – “Road Signs and Meanings”
    from: The Breaks / Joyful Noise / September 6, 2024
    [Produced by Liam O’Neill and SUUNS. Engineered by Adrian Popovich at Mountain City and Breakglass-Montreal 2022-2023. Mixed by Adrian Popovich. Mastered by Heba Kadry, NYC. Jacket photographs by Joseph Yarmush. Insert by Alexander Ortiz. Layout by Ryan Hover and Joseph Yarmush. All Songs by SUUNS Ben Shemie, Liam O’Neill, Joseph Yarmush. // Suuns (/suːns/) is a Canadian rock band from Montreal. It was formed in mid-2007 when vocalist and guitarist Ben Shemie and guitarist and bassist Joe Yarmush got together to make some beats which quickly evolved into a few songs. The duo was soon joined by drummer Liam O’Neill and bassist and keyboardist Max Henry to complete the original line-up. The band signed to Secretly Canadian in 2010. Since 2018, Suuns saw the departure of Henry as an official member[2] (he continues to record in the studio) to pursue a scholastic path, and in 2020 they officially signed with Joyful Noise Recordings with their 2020 output of Fiction, followed by their 2021 LP The Witness.]
  1. Alan Sparhawk – “Can U Hear” 
    from: White Roses, My God / Sub Pop Records / September 27, 2024
    [White Roses, My God is the upcoming second solo album by former Low guitarist/vocalist Alan Sparhawk, set for release on September 27, 2024, by Sub Pop. It is Sparhawk’s first album since the death of his wife and bandmate, Mimi Parker, and the subsequent end of their band. Sparhawk began recording for the album in late 2023. // White Roses, My God is Sparhawk’s first album since his wife and Low bandmate Mimi Parker died of ovarian cancer in 2022, and the subsequent retirement of the band. Encouraged by his friend, Lambchop’s Kurt Wagner, Sparhawk returned to live performances. He played shows with his and Parker’s daughter Hollis, opened for Lambchop and Godspeed You! Black Emperor, and played a solo set at Utrecht music festival Le Guess Who? 2023. Low had cancelled their headling set at the 2022 edition of Le Guess Who? due to Parker’s health, and she died a week before the festival. // Sparhawk also started recording around the same time, and started two new groups: punk funk band Derecho Rhythm Section, and funky electronic duo Damien with his and Parker’s son Cyrus. A second solo album, a collaborative project with Duluth, Minnesota, folk band Trampled by Turtles, began during that time. // Sparhawk first mentioned White Roses, My God in an interview with The New Yorker’s Justin Taylor, published April 11, 2024. At the time, he said the album would be released in late 2024. Sparhawk later shared on Low’s Twitter account that the album would be released by Sub Pop in “late September”, and that its first song would be released in July. // The album was officially announced on July 16, with a release date set for September 27 by Sub Pop. The lead single, “Can U Hear”, was released the same day, accompanied by a music video directed by Rick Alverson. The song is electronic and “near-industrial”. // The second single, “Get Still”, was released on August 20, accompanied by a music video directed by Ingrid Weise. Like “Can U Hear”, “Get Still” consists of electronic instrumentation, with Sparhawk’s “voice so heavily Auto-Tuned that it no longer sounds recognizably human.” // When asked on Twitter about the album name’s significance, Sparhawk said “Mim loved roses, and sometimes I think she is God.” // The album was recorded at 20 Below Studios in Duluth, Minnesota. Sparhawk produced and recorded along with Nat Harvie, who also mixed the album, and Heba Kadry mastered it. On these recordings, Sparhawk said he “was messing with this rigid stuff. There were moments where it would quickly become very visceral, very spontaneous. You’ve created the structure for it to happen and come through you, but you’re trusting the universe about what is going to come in.” Those recordings included him experimenting with improvising guitar and pitch-shifted vocals over a preset synthesizer clocked to a drum machine. // Stylistically, White Roses, My God follows Low’s last two albums, 2018’s Double Negative and 2021’s Hey What, in applying layers of distortion over otherwise-straightforward songwriting. Going further down that route, Sparhawk included synthesizers, drum machines, dance beats, and pitch-shifted vocals. All of the album’s vocals were recorded with a vocoder. Influences included Prince’s alter ego Camille and Neil Young’s album Trans. // All tracks are written by Alan Sparhawk.]

10:24 – Underwriting

PJ Morton
  1. PJ Morton – “All The Dreamers (feat. Aṣa & Ndabo Zulu)”
    from: Cape Town to Cairo / Morton Records / June 14, 2024
    [P.J. Morton (born Paul Sylvester Morton Jr.; March 29, 1981) is an American musician, singer, songwriter and record producer. Since 2012, he has been the keyboardist for the pop band Maroon 5. Morton originally joined the band as a touring member in 2010 and became an official member in 2012 after Jesse Carmichael went on a short hiatus (he returned to the lineup playing guitar in 2014). // Morton released his debut solo EP, Following My First Mind, in March 2012, through the record label Young Money. Adam Levine and James Valentine were featured on the lead single, “Heavy”. In May 2013, Morton released his first major-label debut album, New Orleans. In 2016, he released his mixtape Bounce & Soul Vol. 1 in March and the Sticking to My Guns EP in July. On April 14, 2017, Morton released his first self-released studio album Gumbo, earning Morton two Grammy Award nominations for Best R&B Album and Best R&B Song at the 60th Annual Grammy Awards. // In April 2019, Morton said he would begin a project to restore the New Orleans home of jazz pioneer Buddy Bolden and create a museum and community space at the site. Bolden’s former home has been owned by Morton’s father’s church for more than a decade, and had been cited for demolition by neglect. // Morton was born in New Orleans, Louisiana. His father is Canadian-born American gospel singer and Founder of the Full Gospel Baptist Church Fellowship, Bishop Paul S. Morton. His mother is Dr. Debra Brown Morton, pastor of Greater St. Stephen Full Gospel Baptist Church. // Morton graduated St. Augustine High School and majored in marketing at Morehouse College, graduating in 2003. // In 2010, Morton’s friend and Maroon 5’s musical director Adam Blackstone asked him to audition for a position in the band as a touring keyboardist and backing vocalist. Morton was the first to audition and left an indelible mark on the group.[6] Since then, he has played with Maroon 5 in concerts and other live performances. From 2012 to 2014 Morton filled-in for the band’s keyboardist, Jesse Carmichael, who was on an indefinite hiatus from performing with the group, as stated on their official website in March 2012. In 2012, he joined the band as a full-time member, contributing his vocal and keyboard parts on Maroon 5’s fourth studio album, Overexposed, and continuing to do so during the processes of recording the band’s albums, V (2014), Red Pill Blues (2017), and Jordi (2021). // Morton’s solo work won the attention of Mack Maine, who signed him to his production company, Soothe Your Soul, and Young Money Entertainment in 2011. The Following My First Mind (EP) was released on March 27, 2012. // On May 14, 2013, Morton released his major-label debut studio album with Young Money Records, titled New Orleans. The album’s lead single, “Only One”, which features Stevie Wonder, was nominated for the Best R&B Song at the 56th Annual Grammy Awards in 2014. // In 2016, Morton moved to New Orleans and opened a record label called Morton Records which he envisioned as “the New Orleans Motown”. Same year, Morton started working on Gumbo. About the album’s title he said “I named it Gumbo because the actual dish is a bunch of things mixed in together to make [something] beautiful. I wanted to grow as a songwriter and talk about more things … about where we are in the world today, the tension, how divided we are as a country. It kind of felt like I was dumping a bunch of subject matter together and I made it in New Orleans so that sounded like gumbo to me.” As a first step, on March 25, 2016, Morton released Bounce & Soul Vol. 1, a mixtape which includes re-imagined versions of his best songs in New Orleans’ bounce style.On July 1, 2016, Morton released the Sticking to My Guns EP, featuring the single of the same name. The EP, besides including alternative versions of “First Began” and “Sticking to My Guns”, also contains “Say So”, a song that was later cut from the final tracklist of the album. On November 15, 2016, Morton released “You Should Be Ashamed”, a Stevie Wonder-esque socially conscious song that was later replaced by “Religion”. On March 13, 2017, Morton announced on his Instagram page April 14, 2017 as the release date of Gumbo. // Gumbo did not manage to enter on the US Billboard 200 chart but received positive reviews from most music critics, who complimented Morton’s style and praised him for his singing and songwriting. The album earned Morton two Grammy nominations for Best R&B Album and Best R&B Song at the 60th Annual Grammy Awards. On February 14, 2019, Morton collaborated with singer JoJo on the song “Say So”, which served as the lead single for his sixth album Paul. // In 2020, Morton recorded his live album, The Piano Album. It features songs from Gumbo and Paul. On August 28, 2020, Morton released his long awaited gospel album Gospel According To PJ: From The Songbook of PJ Morton. The album features The Clark Sisters, Comissioned, Zacardi Cortez, Darrel Walls, and others. It also features remade versions of So In Love by Amber Bullock, Over and Over by Trinitee 5:7, and Let Go by Dwayne Woods. A documentary was released talking about how he was pressured to make Gospel music, the process of each song, and his father. Don’t Let Go from his previous album Paul was included featuring Kim Burrell. Do You Believe feat. Yolanda Adams was included from “Christmas With PJ Morton.” // Watch the Sun was released in mid 2022. The album blends elements of R&B, soul, and gospel, featuring collaborations with artists such as Stevie Wonder, Nas, JoJo , and Alex Isley. Known for its themes of hope and personal resilience, the album was praised for its emotional depth and musicality. // In 2023, Morton released Watch the Sun Live: The Mansion Sessions, a live album featuring stripped-down, intimate performances of songs from the original album, showcasing Morton’s vocal and instrumental prowess in a more acoustic setting. // Cape Town to Cairo is the seventh studio album by American musician PJ Morton, released in 2024 via Morton Records and EMPIRE. The album was conceived and recorded during a 30-day journey across Africa, with stops in cities such as Cape Town, Lagos, Accra, Cairo, and Johannesburg. Morton undertook the project without any pre-written material, seeking to capture the essence of his experiences in real-time. The album draws on various genres, including R&B, soul, gospel, jazz, and pop, all influenced by African musical traditions and rhythms, which Morton encountered throughout his travels. // The album features collaborations with several notable African artists, including Fireboy DML, Made Kuti, Aṣa, Ndabo Zulu, and the Soweto Spiritual Singers. Songs like “Simunye (We Are One)” emphasize African unity, while tracks like “Count On Me,” featuring Fireboy DML, explore themes of friendship and global togetherness. The project has been compared to Paul Simon’s Graceland (album) in its ambition and scope, but Morton’s direct immersion in African culture during the album’s creation sets it apart. // Morton has described Cape Town to Cairo as an exploration of the African diaspora through music, combining influences from the continent with his roots in New Orleans soul and gospel. The album was recorded with local musicians and producers such as P.Priime and The Cavemen (band), and its themes range from personal lineage and gratitude to broader messages of unity and identity. // After winning Grammy Awards for his songwriting and production on India.Arie’s Interested, Morton won Dove and Stellar Awards in 2008. // Morton was also noticed by AR Rahman, composer for Slumdog Millionaire, who asked Morton to contribute “Sajna” to the soundtrack and movie for the Vince Vaughn comedy Couples Retreat. Morton has also produced and written for musicians such as Jermaine Dupri, LL Cool J, Jagged Edge, Monica, India.Arie, gospel musicians Fred Hammond, Men of Standard, Brian Courtney Wilson, and Heather Headley. In 2009, he published a book entitled ‘ Why Can’t I Sing About Love? // Morton who wrote a song called “Battle Field” by Chinese singer Jane Zhang from the 2016 film The Great Wall. // in October 2023, Morton was featured in Portuguese singer Barbara Bandeira’s debut studio album Finda on the track Ego. // Morton wrote the song “Special Spice” for the theme park attraction Tiana’s Bayou Adventure, which is inspired by Disney’s 2009 film The Princess and the Frog. // He married his wife Kortni Morton on December 25, 2008. They grew up attending the same church and began dating as adults. They have three children;Jakai (aged 19), Paul III “P3” (aged 13) and Peyton (aged 11).]
  1. Yannis & The Yaw – “Rain Can’t Reach Us (feat. Tony Allen)”
    from: Lagos Paris London (feat. Tony Allen) – EP / Transgressive Records / August 30, 2024
    [In 2016, Foals frontman Yannis Philippakis was offered the opportunity of alifetime: a two-day session working with the great drummer Tony Allen, who he admired intensely for his influential, multi-genre work with the likes of Fela Kuti, Sébastien Tellier and Jeff Mills. The result is the five-track EP, ‘Lagos Paris London’, out 30th August 2024 via Transgressive. More information at: http://www.yannisandtheyaw.com.] 
  1. Lettuce – “4 on 6 (Live)”
    from: Live in Tokyo / Lettuce Records / January 4, 2004/2005 / Reissued 2024
    [Lettuce is a funk band originating from Boston, Massachusetts in 1992. Its members include guitarist Adam “Shmeeans” Smirnoff, Nigel Hall (keyboards, Hammond B-3 organ, piano, vocals), Adam Deitch (drums/percussion), Erick “Jesus” Coomes (bass), Ryan Zoidis (saxophone) and Eric “Benny” Bloom (trumpet). // Lettuce began in the summer of 1992, when all of its members attended a music program at Berklee College of Music in Boston, Massachusetts as teenagers. Brought together by the influence of various funk bands including Herbie Hancock, Earth, Wind and Fire, and Tower of Power, the band jammed throughout that summer before going their separate ways. // In the fall of 1994, the band reconvened as undergrads at Berklee and attempted to play at various Boston jazz clubs, walking in and asking the club owners and other musicians if they would “let us play”, giving birth to the name Lettuce. Michael Butler played keyboards with the band early on and then Jeff Bhasker took on the role. When he left, Neal Evans joined. // Mainly from word of mouth, Lettuce developed strong followings in New York City, San Francisco, Chicago, and Tokyo. They released their first CD, Outta Here, in 2002, followed by their Live in Tokyo album recorded at the Blue Note in 2003. // In 2008, Lettuce released their second album, entitled Rage!. Drawing heavily from many of the leaders of the 1970s funk movement, Rage! features covers of Curtis Mayfield’s “Move on Up” and Charles Wright & the Watts 103rd Street Rhythm Band’s “Express Yourself”. // In 2011, Lettuce played on the Royal Family Ball tour with their brother band, Soulive, and was accompanied at select shows by Rashawn Ross of the Dave Matthews Band. During this tour, they began playing new songs that would be featured on the band’s next album, Fly!, in 2012. // Many of Lettuce’s members have had success in other areas of the music industry. Krasno and Evans are members of the jazz/organ trio Soulive. Zoidis is a former and founding member of the Rustic Overtones. Coomes is a session bass player and has toured with Britney Spears and The Game. Deitch is a producer who also plays with Break Science, and he has worked with John Scofield and Wyclef Jean. Smirnoff has toured with Lady Gaga and Robert Randolph & the Family Band. In addition to playing with Lettuce, Ross has been a full-time member of the Dave Matthews Band since 2010. // Lettuce played with the Soul Rebels Brass Band on Jam Cruise 2013. The band’s album Crush was released in November 2015 and reached number one on the U.S. Jazz Albums chart. // In 2020, Lettuce’s album Elevate was nominated for a Grammy for Instrumental Album of the Year.]
  1. Floating Points – “Del Oro”
    from: Cascade / Ninja Tunes / September 13, 2024
    [Samuel Shepherd, known professionally as Floating Points, is a British electronic music producer, DJ, and musician. He is the founder of Pluto Records, co-founder of Eglo Records and leader of a 16-piece group called Floating Points Ensemble. He took over the 6 Music Artist in Residence radio slot on July 15, 2024. // Raised in Manchester, England, Shepherd studied piano at Chetham’s School of Music before receiving a PhD in neuroscience and epigenetics at University College London. He also worked as a DJ at Plastic People, a London club, in the late 2000s. // In late 2008, Shepherd and Alexander Nut launched the Eglo record label. Eglo Records had released music by Floating Points, Fatima, Funkineven, Steve Spacek, Dego & Kaidi, Shafiq Husayn, K15, Mizz Beats, Natalie Slade, Destiny71z, Shy One, Henry Wu, Chunky and others. // In 2010, Shepherd performed with a 16-piece live incarnation of Floating Points, entitled the Floating Points Ensemble. The group won an award for “Best BBC Radio 1 Maida Vale Session”. // In 2015, Shepherd founded Pluto records. He released projects such as Eleania, Kuiper, Crush, and Reflections: Mojave Desert from the label. // Shepherd’s musical influences include Claude Debussy, Olivier Messiaen, and Bill Evans. He began releasing work under the Floating Points moniker in 2008, and in 2017 toured with The xx. // He has also remixed musicians such as Thundercat, Caribou, Basement Jaxx, Skepta & Headie One. // Shepherd’s first release was the Vacuum EP in 2008 on Eglo Records. Over the next few years, he would continuously release EPs and singles on Eglo, but also other labels such as Planet Mu. Notable releases included 2011’s Shadows EP and 2014’s “King Bromeliad” / “Montparnasse”. // On November 6, 2015, Shepherd released the first Floating Points album – Elaenia. Around its release, Shepherd launched an 11-piece live show and immediately sold-out a string of global live dates including headline shows at Islington Assembly Hall and two dates at Electric Brixton in London. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, Elaenia received an average score of 85, based on 20 reviews, indicating “universal acclaim”. Hamill Industries and Floating Points created the exhibition ‘Future Shocks’ at 180, The Strand in London in collaboration with FACT. The exhibition featured an installation by Hamill called “Vortex”. // In 2017, Shepherd released Reflections: Mojave Desert. The album recording was accompanied by a short film produced by long-time collaborator Anna Diaz Ortuño of Hamill Industries. The album was recorded in August 2016 in the Mojave Desert when Shepherd and his band were rehearsing for their upcoming US tour. Floating Points explained: “Whilst we were out playing and exploring the area around us—the sound reflecting from the rocks, the sound of the wind between them, complete stillness at night and packs of roaming coyotes in the distance—it became apparent that we could use this as its own unique recording environment.” // On 29 March 2019, Shepherd contributed a DJ mix to the Late Night Tales series. // On October 18, 2019, Shepherd released the album Crush. It received positive reception upon release. At Metacritic, which assigns a normalized rating out of 100 to reviews from music publications, the album received an average score of 81 based on 16 reviews, indicating “universal acclaim”. Shepherd embarked on a tour following the album’s release, selling out shows at Printworks, Elysee Montmartre, and Funkhaus. // During lockdown, Shepherd collaborated with KDV Dance Ensemble and Boiler Room to host an interactive live stream on Zoom. He was Interviewed by New York Times. // On March 26, 2021, Shepherd released a collaborative album with Pharoah Sanders and the London Symphony Orchestra, entitled Promises. It was nominated for the Mercury Prize 2021 and reached #6 in the Official UK Albums Chart and #1 in the Official UK Vinyl Albums Chart. The album was released on New York label Luaka Bop. Sanders was impressed by Elaenia and befriended Shepherd, who was 40 years younger than him. Sanders proposed that they produce a collaborative album. Shepherd composed the music and played both electronic and non-electronic instruments. // After Sanders’ death in 2022, Shepherd put together a one-time live performance of the album at the Hollywood Bowl, conducted by Miguel Atwood-Ferguson with an ensemble cast including Sam Shepherd, Kieran Hebden, Dan Snaith, Shabaka Hutchings, Kara Lis Coverdale, Hinako Omori. The Independent reviewed the performance, calling it “A near perfect body of music paired with a beautiful tribute” and gave it 4/5 stars. // In 2022, Shepherd released the singles Vocoder, Grammar, Promises, Birth4000, and Someone Close. In 2023, Shepherd released Birth4000. // He collaborated as a producer for Japanese American singer-songwriter Hikaru Utada album Bad Mode, working on the songs Bad Mode, Kibunja Naino (Not In The Mood) and Somewhere Near Marseilles. // Shepherd composed an original score for Mere Mortals for the San Francisco Ballet which premiered on January 26, 2024. The ballet, featuring choreography from Aszure Barton, contextualised the ancient parable of Pandora’s Box in AI. Shepherd worked with long-time creative collaborators Hamill Industries. The initial run of shows sold out. A second run is planned for April 2024.]

Floating Points Discography:
Elaenia (2015)
Reflections – Mojave Desert (2017)
Crush (2019)
Promises (with Pharoah Sanders & the London Symphony Orchestra) (2021)
Cascade (2024)

  1. Molchat Doma – “Сон / Son”
    from: Belaya Polosa / Sacred Bones / September 6, 2024
    [Molchat Doma (Russian: Молчат Дома, lit. ’Houses Are Silent’, pronounced [mɐlˈt͡ɕat dɐˈma]) is a Belarusian post-punk band from Minsk, formed in 2017. Their current lineup consists of Egor Shkutko (vocals), Roman Komogortsev (guitar, synthesizer, drum machine), and Pavel Kozlov (bass guitar, synthesizer). Their style has been described as post-punk, new wave, synth-pop, and cold wave. // They self-released their first album, S krysh nashikh domov (С крыш наших домов, ‘From The Roofs of Our Houses’) in 2017 and later released their second album, Etazhi (Этажи, ‘Floors’) in 2018, through German independent label Detriti Records. After gaining popularity worldwide, they signed to American independent label Sacred Bones Records in 2020, who reissued their albums, marking their first releases in North America. Their third studio album, Monument (Монумент), was released on November 13, 2020 and their fourth studio album, Belaya Polosa (белая полоса) was released on September 6, 2024. // Molchat Doma formed in Minsk, Belarus, and began releasing music in 2017. They self-released their debut studio album, S krysh nashikh domov (Russian: С крыш наших домов, ‘From The Roofs of Our Houses’), on April 24, 2017. In July 2017, they released the song Kommersanty (Коммерсанты, ‘Businessmen’) as a single. Later that year, S krysh nashikh domov received a re-release through German independent label Detriti Records. The following year, the band released their second album, Etazhi (Этажи, ‘Floors’), which included Kommersanty, on 7 September 2018, also through Detriti. The label released the album both digitally and on vinyl. // Over time, the band’s first two albums gained popularity through YouTube and Bandcamp. Their music was uploaded to YouTube unofficially by a user named “Harakiri Diat”, who also uploaded music by other bands with similar sounds. By the end of 2019, Etazhi had gained roughly two million listeners through their upload of the album.[8] The band were not initially as popular in their home country of Belarus as they were in the rest of Europe; they had played sold-out shows across the continent but never in Belarus. They have stated, however, that they have no interest in performing a sold-out show at Minsk-Arena. Later that year in September, the band released two singles. The first was called Zvezdy (Звезды, ‘Stars’) and the second was a collaboration with Russian post-punk band Ploho, called Po krayu ostrova (По краю острова, ‘Along the Edge of the Island’). // In January 2020, Molchat Doma signed with American independent label Sacred Bones Records, who later reissued their first two albums on vinyl in North America. During the first half of 2020, the band gained popularity through the online video platform TikTok, specifically their song Sudno (Boris Ryzhy) (Russian: Судно (Борис Рыжий), ‘Bedpan (Boris Ryzhy)’), from Etazhi; the song had been used as the soundtrack to numerous videos created on the platform. Some notable videos that used the song include one made by a user based in San Francisco, California, who compiled several clips of his native country of Russia, adding that he misses being there, as well as a “challenge” that involves a fast photo compilation of the video creator trying on as many clothes in their wardrobe as possible within a time limit. The song’s popularity during this time resulted in it reaching No. 2 on the Spotify worldwide Viral 50 chart. // Molchat Doma had planned to tour in North America for the first time, alongside American singer-songwriter Chrysta Bell, but the original tour dates were canceled once the COVID-19 pandemic had impacted the continent. The band contributed to a Black Sabbath tribute album, along with other signees of Sacred Bones, titled What Is This That Stands Before Me?. They covered their song “Heaven and Hell” (Russian: Небеса и ад), with a dark wave sound and Russian lyrics, for the album. The album was released in May 2020, and their “Heaven and Hell” cover was released as a standalone single on digital platforms later that month. // On September 15, 2020, Molchat Doma announced their first album through Sacred Bones, titled Monument, and its release date of 13 November. Alongside the announcement was the release of the album’s lead single, “Ne smeshno” (Не смешно, ‘Not Funny’). // The first Russian-speaking artist at the Coachella festival in Indio, California in April 16 and 23, 2022. // In May 20, 2023, the band performed at the Cruel World Festival in Pasadena, California. // In November 18, 2023, the band performed at the Darker Waves Festival in Huntington Beach, California with Tears for Fears, New Order, The Human League, Echo & the Bunnymen and others. // In June 11, 2024, the band announced their second album through Sacred Bones, titled Belaya Polosa (White Stripe) they also premiered the first single, Son (Dream), with an accompanying music video directed by Bryan M. Ferguson. On 16th July, 2024, the second single from the album was released – Ty Zhe Ne Znaesh Kto Ya (You Don’t Know Who I Am), followed by the third single Belaya Polosa on 7th August. // Members: Egor Shkutko (Belarusian: Yahor Shkutko) – vocals; Roman Komogortsev (Raman Kamahortsau) – guitar, synthesizer, drum machine; Pavel Kozlov (Pavel Kazlou) – bass guitar, synthesizer.]

11:00 – Station ID

  1. Hermanos Gutiérrez – “Low Sun”
    from: Sonido Cósmico / Easy Eye Sound / June 16, 2024
    [6th album from Latin instrumental band formed in 2015 in Zürich by Ecuadorian-Swiss brothers Alejandro Gutiérrez (guitar and lap steel) and Estevan Gutiérrez (guitar and percussion). In 2022, the US label Easy Eye Sound released the band’s fifth album, El Bueno y el Malo. // Alejandro& Estevan Gutiérrez, two of four siblings, were raised by an Ecuadorian mother and a Swiss father in Switzerland, and often visited family in Playas, Ecuador. Around age nine, Estevan learned to play classical guitar in Latin styles such as milonga and salsa, and as a surfer was later inspired by surf rocker Jack Johnson. Alejandro, who is eight years younger, taught himself guitar by watching tutorial videos on YouTube. The Hermanos Gutiérrez band traces its origins to a jam session in Alejandro’s apartment in Zürich during a visit from Estevan in 2015. // The band’s first three albums (8 Años, El Camino de mi Alma, and Hoy Como Ayer) drew broadly from the world of Latin music. A visit to Mexico and the Southwest US in February 2020 inspired their fourth album, Hijos del Sol, which incorporated more Western sounds. An eight-minute music video for the title track came out in advance of the album’s release on September 25, 2020. // El Bueno y el Malo, the band’s first non-indie project, was recorded in Nashville in collaboration with Dan Auerbach of the Black Keys and released by his label Easy Eye Sound on October 28, 2022. The album (and its title) were inspired by Ennio Morricone’s The Good, the Bad & the Ugly soundtrack. The album was critically acclaimed and has been described as mentally transporting listeners to Spaghetti Western landscapes. Songs from El Bueno y el Malo comprised Hermanos Gutiérrez’s set list in an NPR Tiny Desk Concert in January 2023. That year, Auerbach was nominated for the Grammy Award for Non-Classical Producer of the Year in part for his work with Hermanos Gutiérrez.]
  1. Hermanos Gutiérrez – “Sonido Cósmico”
    from: Sonido Cósmico / Easy Eye Sound / June 16, 2024
    [Hermanos Gutiérrez is a two-piece band formed of the brothers Alejandro and Estevan Gutiérrez. // More info at: http://www.hermanosgutierrez.ch.] 
  1. Etran de L’AÏr – “Imouha”
    from: 100% Sahara Guitar / Sahel Sounds / September 13, 2024
    [Etran de L’Aïr is a Nigerien rock band from Agadez, Niger. The band is currently signed to Sahel Sounds. The group has released two albums, No. ] in 2018 and Agadez in 2022. The groups’ first album, No. 1, was named the number one album of the year by Amanda Petrusich of The New Yorker. Both albums by the band have received positive reviews. Discography: No. 1 (2018, Sahel Sounds) // Agadez (2022, Sahel Sounds) ]
  1. The Lijadu Sisters – “Come On Home” 
    from: Horizon Unlimited – EP / Afrodisia / 1979 [Reissued on Numero 2023]   
    [Kehinde Lijadu (22 October 1948 – 9 November 2019) and Taiwo Lijadu (born 22 October 1948) were identical twin sisters from Nigeria who performed as the Lijadu Sisters from the mid-1960s to the 1980s. They achieved success in Nigeria, and also had a more modest success in the United States and Europe. Described as an influential dynamic who mixed Afrobeat sounds with jazz and disco, the sisters retired from the music scene in the late 1980s, reforming and performing sporadically during the 2010s up until Kehinde’s death in 2019. They were the cousins of the popular Nigerian musician Fela Kuti. B// The twins grew up in the Nigerian city of Ibadan, and were inspired musically by various artists including Aretha Franklin, Victor Olaiya and Miriam Makeba. They had guidance from music producer Lemmy Jackson who is credited with helping them with their early successes. Their music was a mix of Jazz, Afrobeat, Reggae and Waka. Sometimes they sang in English and other times in African languages[which?]. One of their first songs was arranged with assistance from jazz saxophone player Orlando Julius. They released their first album Iya Mi Jowo in 1969 after winning a record contract with Decca Records. They worked with the late Biddy Wright on their third album Danger (1976). American rapper Nas sampled “Life’s Gone Down Low”, a track in the Danger album, as “Life’s Gone Low” on his 2006 Mixtape without crediting the duo. The Lijadu Sisters recorded Sunshine in 1978 and Horizon Unlimited in 1979. // The sisters were top stars in Nigeria during the 1970s and 1980s. During these years, they branched out to America and Europe and found modest success. They performed with drummer Ginger Baker’s band Salt at the 1972 Munich Olympic Games in Munich at the World Music Festival. The New York Times reported that the sisters were “smiling free spirits” who mixed “sisterly banter and flirtatiousness” in their performances which featured positive messages such as the benefit of returning home. Their reggae number Reincarnation insisted that if reincarnation was a reality, then they would like to be reincarnated again into the home where they grew up. Some of their song lyrics were politically themed. Their harmonies were described as “ethereal”. // In 1984 Shanachie Records released Double Trouble in the US which was a compilation of their previously recorded material from their albums Horizon Unlimited and Danger. Their song “Orere Elejigbo” was included on a double CD entitled Nigeria 70, Africa 100, and was added to the Roots & Wings playlist in 1997. // During the 1980s, the sisters moved to Brooklyn, New York. They performed in various venues including the lower Manhattan club Wetlands and in Harlem with King Sunny Adé’s African Beats as their backing band. They performed with the Philadelphia-based band Philly Gumbo. They were featured in the music documentary Konkombé by English director Jeremy Marre, and their music was featured in the Nigerian installment of the 14-episode world music series entitled Beats of the Heart which aired on PBS during the late 1980s. // On 1 April 2014, they appeared live at an all-star tribute, the Atomic! Bomb Band, for reclusive Nigerian musician William Onyeabor at the Barbican Centre in London. They sang some of their own tracks including “Danger”, as well as providing backing and lead vocals on William Onyeabor material.They also performed with the Atomic! Bomb Band on The Tonight Show Starring Jimmy Fallon and on tour dates in New York, San Francisco and Los Angeles in May 2014. //
    On 9 November 2019, Kehinde suffered a stroke and died on the same day, at the age of 71.]
  1. Joan As Police Woman – “Lemons, Limes and Orchids”
    from: Lemons, Limes and Orchids / Play It Again Sam / September 20, 2024
    [Lemons, Limes and Orchids is the 12th studio album by an unorthodox but consistently rewarding singer-songwriter. Its songs have a supple groove and probing feel as though circling an idea or scenario. Joan Wasser, aka Joan as Police Woman, sings with nuanced changes in emphasis, one moment pressing, the next softly languorous. The combination of rhythmic depth and vocal sophistication recalls the vaunted spirit of one of her musical inspirations, Joni Mitchell. Wasser has been operating as Joan as Police Woman since 2004. Her curious stage name derives from one of the first television cop shows with a female lead. Police Woman was a 1970s procedural drama with Angie Dickinson as an officer who goes undercover to solve crimes, posing as a nurse, airline stewardess and so on. Wasser became Joan as Police Woman after a friend compared her look to Dickinson’s character. But there is a further affinity. Like the undercover TV crimebuster, she has appeared in many different guises during her career. Raised in Connecticut, she trained as a classical violinist but wanted to perform new music rather than repertoire. She played in punk and alt-rock bands, trying to make her violin as loud as possible, before joining Antony and the Johnsons in 1999. She has done session work for Elton John and the Scissor Sisters among others, toured in Lou Reed’s backing band and played keyboards for Iggy Pop. Her last album, 2021’s The Solution Is Restless, was a collaboration involving Afrobeat pioneer Tony Allen (who died the year before its release). “I was ready to make an album that truly featured my voice,” she says of her new songs. Her vocals start up almost immediately in most of the 12 tracks. “Back Again” is a plea to an absent lover to return, done with subtly soulful intensity. “With Hope in My Breath” finds her switching to a breathier type of singing for an entrancing ode about infatuation.  The basslines that give the music its swing are played by fellow singer-songwriter Meshell Ndegeocello. Drums, piano, synths and guitars are the other main instruments. Love and pain are the lyrical poles. The songwriting quality is high throughout, but the title track stands out. It is an achingly drawn-out number with cryptic lyrics about trying to make one’s way in a dangerous world. Precise meaning is elusive, but the song’s power is unmistakable.]
  1. Julia Holter – “Something in the Room She Moves”
    from: Something in the Room She Moves / Domino Records / March 22, 2024
    [Julia Shammas Holter (born December 18, 1984) is an American singer-songwriter, record producer, composer, artist, and academic, based in Los Angeles. Her work has received critical acclaim and incorporates elements of Art pop, Chamber pop, baroque pop and Ambient music. Following three independent album productions, Holter released Tragedy as her first official studio album in 2011. Ekstasis followed in 2012. After signing with Domino Records in 2013, she released the albums Loud City Song (2013), Have You in My Wilderness (2015), the live-in-the-studio album In the Same Room (2017) and the double album Aviary (2018). // Holter composed the score for the 2020 film Never Rarely Sometimes Always and released Behind the Wallpaper (2023) in collaboration with Spektral Quartet and Alex Temple. Her most recent studio album is Something in the Room She Moves, released in 2024. // Holter has also collaborated with other musicians, including Nite Jewel, Laurel Halo, Ariel Pink, Ducktails, Linda Perhacs, Michael Pisaro, and Jean-Michel Jarre. // Holter was born in Milwaukee, Wisconsin. At age six her family moved to Los Angeles, where she later attended the Alexander Hamilton High School. She studied music at University of Michigan for four years, graduating with a degree in composition. After seeing Michael Pisaro perform an avant-garde composition in Michigan, she was inspired to study with him at CalArts, where she graduated from another composition program.Holter contributed songs to multiple compilation albums in 2008. In 2010, she began playing with Linda Perhacs’ band and released a CD-R titled Celebration and a collection of live recordings. // Following three independently produced albums – Phaedra Runs to Russia (2007), Cookbook (2008), and Celebration (2010), Holter’s official debut album, Tragedy, was released in August 2011 on Leaving Records. Inspired by Euripides’ Greek play Hippolytus, the album received generally favorable reviews and was named one of NPR’s “Best Outer Sound Albums of 2011”. // Holter released her second album, Ekstasis, in March 2012 on the RVNG Intl. label. The album drew comparisons to works by such artists as Laurie Anderson, Julianna Barwick, Kate Bush, Joanna Newsom, Grouper, and Stereolab, and received many positive reviews. Holter spent three years making the album, whose title comes from the Greek word meaning “outside of oneself.” The music video for album track “Moni Mon Amie”, directed by Yelena Zhelezov, was also released in March. // In addition to collaborating with other California-based musicians like Nite Jewel (Ramona Gonzalez), Holter released her third album, Loud City Song, in August 2013 on Domino Records. It was universally acclaimed by critics and Unlike her preceding albums, which were recorded mostly alone in her bedroom, Holter recorded Loud City Song with an ensemble of musicians. // In 2015, Holter released the album Have You in My Wilderness, which was acclaimed by critics and became her most successful charting release to date. She also contributed to Ducktails’ fifth studio album, St. Catherine, with her bandmates Chris Votek and Andrew Tholl. // Holter collaborated with Jean-Michel Jarre on a song for the second part of the Electronica double album, released on July 18, 2016. // In November 2016, she curated her own program during the tenth-anniversary edition of Le Guess Who? Festival in Utrecht. This program included performances by Laurel Halo, Josephine Foster, Maya Dunietz, Jessica Moss and other artists. // In September 2017, she performed a world premier of her scoring of the 1928 silent French film The Passion of Joan of Arc on September 29 at the FIGat7th in downtown Los Angeles. // In September 2018, Holter announced her fifth commercially released album, Aviary, and released the lead single “I Shall Love 2”. She followed it with another single, “Words I Heard”, before the album’s release on October 26. The record was praised for its scope and ambition and appeared on multiple year end lists for the best albums of 2018. // In 2021, Holter was appointed the Johnston-Fix Professor of the Practice in Songwriting; Visiting Assistant Professor at Occidental College in Los Angeles. // On January 9, 2024, Holter announced her sixth studio album, Something in the Room She Moves, which was released to critical acclaim on March 22 by Domino.In June 2024, Holter appeared throughout her partner and longtime bandmate Tashi Wada’s studio album, What Is Not Strange?. // The Guardian wrote that “Holter’s vocal register […] faintly recalls Siouxsie Sioux or Nico”.[19] Under the Radar similarly compared her to other female artists saying; “Holter is Siouxsie Sioux meets Kate Bush, with a matchstick intensity, relighting her own wick by the conversation in her voice, her diaphragm shifting between instruments”. // Holter was previously in a relationship with former Real Estate guitarist and Ducktails frontman Matt Mondanile. In 2015, she contributed to his Ducktails album, St. Catherine. In the wake of sexual misconduct allegations against Mondanile, Holter divulged that Mondanile was “emotionally abusive to the point where I had to have a lawyer intervene and was afraid for my life.” // Holter is married to musician Tashi Wada, son of the sound artist Yoshi Wada. They have been in a relationship since 2015, and they have a daughter together who was born during the COVID-19 pandemic Holter and Wada first met in 2007 when they both played in a harmonium ensemble organized by their friend James. Holter collaborated with Wada on his 2024 studio album, What Is Not Strange?.]

Marion Merritt thank you for being out Guest Producer on WMM

With partner Ann Stewart, Marion is the proprietor of Records With Merritt, a minority owned business at 1614 Westport Rd. in KC. More info at: http://www.recordswithmerritt.com.

11:34 – Underwriting

10:36 – Interview with Jessica Dressler & Jen Frank Klenke of “Rennie”

Jessica Dressler is a Kansas City native who has performed in countless theatrical productions over the last 25 years, and is best known for her groundbreaking work with Late Night Theatre, which she co-produces with Ron Megee. Most notably, she is known for her character, Dirty Dorothy, the drag show hostess extraordinaire. The concept Dressler portrays is that of Dorothy coming back to Oz with a new, redefined perspective, one that’s perhaps not so “small and meek.” Dressler’s fascination with Judy Garland has led her to create multiple shows and performances giving audiences her uncanny, and memorable vocal and acting interpretations of Judy. Jessica has also been involved in decades of charitable work and has been working in real estate.

Jen Frank Klenke is a wife, a mother of two, a published behavior analyst and comedy writer, and she has dabbled in the Kansas City theater and national stand-up comedy scenes. In 2021, she turned her attention to a writing partnership with Jessica Dressler. Together, they created Rennie and a number of other scripts and treatments. They are the co-writers, co-producers, and co-directors of this magnificent film, in which Jen earned a part on screen as The Nursemaid.

Jessica Dressler & Jen Frank Klenke join us live in our 90.1 FM Studios to share details about their new film “Rennie” making its world premiere at The Folly Theater, October 11 and 12th. This voyeuristic look into a small town’s Renaissance Festival delves into the lives of a motley crew of characters and what brings them back to their comfortless corsets, ballsack hugging codpiece tights, and sweltering animal pelts year after year. Through the twists and turns of personal exploration, our heroes and heroines use this time together to fulfill the most basic desire in life: to love, be loved, and belong as one’s true self. Our beloved Rennies reveal that in a place centered around pretending to be something that you are not, everyone discovers who they are. “Rennie” will have its World Premiere at The Folly Theater on Friday, October 11, and Saturday, October 12, 2024 at The Folly Theater 300 W 12th St. Kansas City, MO. More info at http://www.follytheater.org

Jessica Dressler & Jen Frank Klenke thanks for being with us on WMM

“Rennie”–Feature Film Premiere, Kansas City
October 11th and 12th, 2024 at The Folly Theatre 300 West 12th Street, KCMO
http://www.follytheater.org

Kansas City: it’s time for a Red Carpet Full Feature Film Premiere! This incredibly heartfelt comedy was filmed locally in 2023 by an all local film crew with all local talent–it is 100% homegrown KC proud!

A powerhouse of female creatives:
Written/Produced/Directed by Jessica Dressler and Jen Frank Klenke,
Supervising Producer Marie Gough,
Director of Photography Johanna Brooks,
and a nearly all female executive producers group.

The producers were so extremely happy to utilize the incredible talent within not only the acting community of Kansas City–MY GOD WE HAVE TALENT HERE–but also the tremendous talent KC has within the local Film Community–Kansas City is the next big film market about to break!

The event:

7:00pm red carpet arrivals begin.

7:15-7:45 The Jolly Rogers, local and widespread Renaissance Festival famed pirate band, will be gracing the stage and also be piped throughout the building. Photo ops set up throughout the lobby to immortalize the
evening.

8:00 pm KC Premiere screening of “Rennie”!

Dress Code: Black Tie, Renaissance Fest Costume, or fuse them in RenFest Couture!

“Rennie” is a feature film by Jessica Dressler and Jen Frank Klenke: This voyeuristic look into a small town’s Renaissance Festival delves into the lives of a motley crew of characters and what brings them back to their comfortless corsets, ballsack hugging codpiece tights, and sweltering animal pelts year after year. Through the twists and turns of personal exploration, our heroes and heroines use this time together to fulfill the most basic
desire in life: to love, be loved, and belong as one?s true self. Our beloved Rennies reveal that in a place centered around pretending to be something that you are not, everyone discovers who they are.

Quotes:
“We’re so appreciative of the choice to film Rennie in Kansas City. Independent films are the heartbeat of a dynamic film industry, and seeing “Rennie” come to fruition here in KC is a real testament to the talent and creativity that drives our growing film community. We can’t wait to see the product of all the hard work put forth by our impressive local talent, both in front of and behind the camera.”

  • Rachel Kephart, KC Film Office Director, Office of Mayor Quinton Lucas

“Rennie” is a Kansas City film through and through (script, crew, cast) with themes that will engage audiences across the nation. Filmmakers Jen Frank Klenke and Jessica Dressler galvanized resources in Kansas City to put together a film that I believe can become an indie darling. They met with me when I was the Kansas City Film Commissioner and allowed me to bring Kansas City’s Mayor Pro Team Ryna Parks Shaw to set during production. We were impressed by the diverse crew, a female DP (Johanna Brooks) and the hilarious cast. I can’t wait to see it in full at the upcoming premiere.”

  • Stephanie Shannon, Kansas City Film Commissioner 2014-2024:

Directed by Jessica Dressler and Jen Frank Klenke

Written by Jessica Dressler and Jen Frank Klenke

Cast

Brett Alexander … Guard I / Fred
Adalmer Omar Gonzalez Anavisca … Goth Dancer
Chioma Anyanwu … Katy Cathie
Alex Arthur … Knighting Child
Wesley Arthur … Knighting Child
Imran Bangash … Matthew Montegue
Nadine Beech … Zipline Rider
Damian Blake … Sir Froderick Foulfeather
Andrea Boswell Burns … Saffy
Lizzie Boyce … Parade Queen II
Elijah Brattin … Romeo
Emily Brattin … Aramis
Johanna Brooks … Camera Operator
Alec Calonge … Goth Dancer
Alex Chang … Piercer
Luis Omar Chavez … Goth Dancer
Annie Cherry … Sapphire
Marusa Clark … Preschool Child
John Cleary … Sir Lancelot
Arthur Phog Clifford … Pete / Suitor
Robert Coppage … Little Jon
Jeff Cox … Festival Dad
Rick Daniels … Jack
Vanessa A. Davis … Murderous Mary O’Malley
Rory Decker … Milkmaid Extra
Amber Dickinson … Missy Montegue
Jack Dolan … Mark Montague
Michael Donaldson … City Councilman
Ed Doris II … Mayor Dan Doris
Francis Doris … Knighting Child
Carryl Dressler … Leather Shop Patron
Jessica Dressler … Bonnie Rome
Greg Edson … Leatherworker
Zoe English … Goth Dancer
Mitch Etter … Potter
Sean Foree … Jolly Roger
Katie Gilchrist … Boom Mic Operator
Jake Gillespie … Robin Hood
Brianna Gray … Mistress Fonn
Wolfe Grossheim … Porthos
Russell Lee Gummelt … Jousting Team
Shelly Gunerson … Barbarian Mom with Camera
Luke Gygax … Luke Gygax
Kurt Hanover … Jolly Roger
McCandlys Harrison … Luke Montague
Dylan Hart … Kyle / Shakespeare
Dalton Homolka … Caliban
George Hunt … Jolly Roger
Maggie Hutchison … Juliet
Casey Jane … Carla Beech
Jack Kapple … Food Vendor Tom
Christina Keller … Jousting Team
Dean Kinsey … Clothing Shop Worker
James Klenke … ‘Sir’ James
Jen Frank Klenke … Nursemaid
Susan Klenke … Face Paint Mom
Tierney Klenke … Girl with Face Paint
Cliff Lawson … Jolly Roger
Josephine Lenati … Goth Dancer
Benjamin Leroy … Child with Mermaid
Olivia Lero … Child with Mermaid
Lana Luxx … Influencer
Valerie Mackey … Francesca the Milkmaid
Nellie Maple … Slurrmaid Cipriana
Medlock … Kid Wanting Treasure
Ron Megee … Martin Rome
Dean Mehling … Athos
Mary Jean Miller … Mistress Foxglove
Josh Moncure … Guard II
Midwest Mythicals … Maypole Faeries
Jacie Nagel … Knighting Child
Hunter Nelson … Food Vendor Jon
Equus Nobilis … Jousting Company
Mandy Ortiz … Maid Marian
Tristan Pomerance … Turkey Leg Gawker
Christopher Preyer … Jouster for the Danes
Victoria Renard … Mistress Vanadis
Anastasia Rendina … Faery
Raquel Rowenhorst … Mistress Vulpine
Cassandra Schimpf … Parade Queen I
Felix Shewmaker … Smiling child
Amberle Smith … Leather Shop Clerk
Sebastian Roldan Smith … Anus Girl Superfan
Mark Stahl … Jolly Roger
Anna Stephens … Jousting Team
Alyssa Stoeckel … Preschool Child
Riley Stoeckel … Preschool Child
Victoria Strafuss … Lisa / Madame Ambrosia
Lauren Taylor … Iris
Brittany Tilander … Slurrmaid Odeta
T’ger Togg … Shop owner
Karen Troeh … Harpist / Mary Queen of Scots
Jessi Troester … Jousting Team
Justin Volker … Bar Patron
Camryn Warner … Genevieve Minola / Queen Elizabeth I
Vivienne Watson … Preschool Child
Wynne Watson … Knighting Child
Christopher Wise … Milkmaid Extra
Cathy Yoakum Wise … Milkmaid Extra

Produced by
Suzanne Frye Doris … associate producer
Jessica Dressler … producer
Marie Gough … supervising producer
Eric Keith … executive producer
Jen Frank Klenke … producer
Jor-El Washington … line producer

Music by Jolly Rogers

Cinematography by Johanna Brooks

Editing by Isabella Vizetta

Costume Design by
Jon Fulton Adams
Chadwick Brooks
Robin Murphy
Angel Skorupan

Production Management by Sebastian Roldan Smith … unit production manager

Art Department Carryl Dressler … craft services supervisor

Sound Department
Isaiah Amos … sound
Zachary Terrell … sound
Jessie Evan Sakkie Van Der Vyver … sound
Larissa Van Der Vyver … sound
Jor-El Washington … sound

Camera and Electrical Department
Blake Betts … second assistant camera
Johanna Brooks … camera operator
DeVonte Brown … first assistant camera
Benjamin Burton … camera operator
Jeff Cox … DIT
Everett Farrow … grip
Wyatt Farrow … gaffer
Estelle Hansen … grip
Kaci Kimie … still photographer
Bryce Kuegler … second assistant camera
Collin Martin … camera operator
Joey Moreno … first assistant camera
Max Moynihan … camera operator
Craig Richard … second assistant camera
Eric J. Warren … second assistant camera
Molly Whiting … still photographer
Carter Wilch … second assistant camera

Casting Department by Johanna Brooks … casting

Costume and Wardrobe Department
Bridgette Cook … costume supplier
Jay Coombes … costume supplier
Shawnasea Holst … costume supplier
David Levin … costume supplier
Jamie Levin … costume supplier
Kyr Levin … costume supplier
Robin Murphy … costume supplier
Courtney Cave Perry … costume supplier
Mark Swezey … costume supplier
T’ger Togg … costume supplier

Location Management Cammy Whalen … location manager

Script and Continuity Department
Jean-Jacques Corbier … script supervisor
Suzanne Frye Doris … script supervisor
Christy Ray Henry … script supervisor

Additional Crew
Nadine Beech … production assistant
Joel Brown … production assistant
John Cleary … Stunts and Fight Coordinator
Ryland Cummings … production assistant
Cris Grigs … production assistant
Susan Klenke … production assistant
Robin Murphy … Props
Betty Welch … production assistant

“Rennie” Thanks to: Anne Alexiou, Matt Alexiou, Misti Bernard, Shelley Binkley, Leann Brock, George Brunson, Peggy Darrow, Greg Edson, Diane Klenke, Kathleen Kunkler, Brenda Lowe, Tim Lowe, Teri Miller, Kelly Nagel, Holly Post, Bill Reisler, Vicki Reisler, Jack Rinkes , Jennifer Smith, E.K. Unruh, Hailee Bland Walsh, Lee Warren, Lori Warren

Jessica Dressler & Jen Frank Klenke thanks for being with us on WMM

“Rennie” will have its World Premiere at The Folly Theater on Friday, October 11, and Saturday, October 12, 2024 at The Folly Theater 300 W 12th St. Kansas City, MO. More info at http://www.follytheater.org

For Marion Merritt, Jessica Dressler & Jen Frank Klenke, WMM, I’m Mark Manning. Thanks for listening!

11:53

  1. The Freedom Affair – “Ain’t Gonna Cry No More”
    from: “Ain’t Gonna Cry No More” – Single / Sunflower Soul Records / September 18, 2024
    [The follow up single to “Love is Love” released June 26, 2024. Before that they released, “If You Don’t Want Me” on May 15, 2024. The Freedom Affair is a 9 piece soul juggernaut from Kansas City, MO. The band formed in 2017 with a vision to write original soul music inspired by the traditions of the genre’s past with a universal message looking toward the future. Their new single “Iain’t Gonna Cry No More” features: Shon Ruffin on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, Brett Jackson on tenor Sax. Recorded by Chris Hazelton. Mixed by Cole Bales. Mastered by JJ Golden // With their debut album FREEDOM IS LOVE, The Freedom Affair has received critical acclaim and have established themselves as a force in the soul music scene across the states and abroad. Keep your eyes and ears open for their songs and album art featured in the series Bel-Air, an Apple commercial, a Netflix series, etc… This band is just getting started. // The Freedom Affair’s live shows have proven to be soul-stirring, transformative events moving audiences both physically and emotionally to joy. // The Freedom Affair released their debut album Freedom Is Love on September 25, 2020. from The album explores themes of love, heartache, empower-ment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording techno-logies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. For the debut record The Freedom Affair was: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on October 2, we talk with special guest Adria Patterson who is a swimmer, a life guard, and a certified instructor teaching adults how to swim, helping people overcome their fear of water and end generational cycles of aquaphobia. (fear of water). More information at PCSwimming.com. // At 11:00am we’ll talk with Alex Kimball Williams a Lawrence, Kansas based musician, scientist, researcher, speaker, activist, teacher. Alex Kimball Williams identifies and celebrates her Native Alaskan / Black / Portuguese origins, with the motto: “Music is Medicine,” and released her album Red & Black on June 19, 2023. It was #5 on WMM’s 120 Best Recordings of 2023. // AND at 11:30 we welcome back to the show, our friend IVORY BLUE.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1062

WMM is Spinning Records With Marion Merritt + Jessica Dressler & Jen Frank Klenke of “Rennie”

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 25, 2024

WMM is Spinning Records With Marion Merritt + Jessica Dressler & Jen Frank Klenke of “Rennie”

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion Merritt has an empathic ability to know what music you’re seeking. For 20 years Marion has been serving as co-producer of our show. She’s our most frequent contributor to WMM. Marion grew up in Los Angeles and St. Louis and went to college in Columbia, MO. She studied art & musical engineering, and is a avid lover of classic films. She saw Talking Heads on their first tour at One Block West in 1978. Marion also writes about new releases as a contributor to The Pitch. With partner Ann Stewart, Marion is the proprietor of Records With Merritt, a minority owned business at 1614 Westport Rd. in Kansas City, Missouri. More info at: http://www.recordswithmerritt.com.

Marion will spin tracks from: Da Capo & King Fela, PJ Morton, SUUNS, Hermanos Gutierrez, Molchat Doma, Floating Points, Etran De L’Air, Yannis & The Yaw, Joan As Police Woman, Lijado Sisters, Milton Nascimento & Esperanza Spalding, Alan Sparhawk, Julia Holter, and Lettuce.

At 11:30 Mark talks with Jessica Dressler & Jen Frank Klenke about their new film “Rennie” making its world premiere at The Folly Theater, October 11 and 12th. This voyeuristic look into a small town’s Renaissance Festival delves into the lives of a motley crew of characters and what brings them back to their comfortless corsets, ballsack hugging codpiece tights, and sweltering animal pelts year after year. Through the twists and turns of personal exploration, our heroes and heroines use this time together to fulfill the most basic desire in life: to love, be loved, and belong as one’s true self. Our beloved Rennies reveal that in a place centered around pretending to be something that you are not, everyone discovers who they are. “Rennie” will have its World Premiere at The Folly Theater on Friday, October 11, and Saturday, October 12, 2024 at The Folly Theater 300 W 12th St. Kansas City, MO. More info at http://www.follytheater.org

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1062

WMM Playlist from September 18, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 18, 2024

Lori Raye Erickson + Brenton Cook, Mark Ronning, & Nathan Reusch of Outer Reaches Fest

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Jamie xx – “Dafodil (ft. Kelsey Lu, John Glacier, Panda Bear)”
    from: In Waves / Young / September 20, 2024
    [5th single, released August 29, 2024 from In Waves is the upcoming second studio album by English producer Jamie xx. It was preceded by the singles “Baddy on the Floor” featuring Honey Dijon and “Treat Each Other Right”, and will be his first album in nine years, following In Colour (2015). The album will also include collaborations with Jamie xx’s xx bandmates Romy and Oliver Sim, Kelsey Lu, John Glacier, Panda Bear, Robyn, the Avalanches, and Oona Doherty. An additional collaboration with Erykah Badu will feature on the deluxe vinyl. // The album was recorded over a period of four years. In a statement, Jamie xx likened his experiences since releasing his previous album to “waves that we have all experienced together and alone”, and said that he wanted to “make something fun, joyful and introspective all at once” as “the best moments on a dance floor are usually that” for him. From 2022 to early 2024, Jamie xx released the standalone singles “Let’s Do It Again”, “Kill Dem”, and “It’s So Good”, which are included on the deluxe vinyl edition of the album. // James Thomas Smith (born 28 October 1988), known professionally as Jamie xx, is an English musician, DJ, record producer, and remixer. He is known for both his solo work and as a member of the indie pop band the xx. // He has been described as a “driving force” behind the xx,[2] contributing to the group’s significant commercial and critical success. As a solo artist, he has been recognised with a 2015 Mercury Prize nomination, and a 2016 Grammy Award for Best Dance/Electronic Album nomination for In Colour. // Smith was born in London on 28 October 1988. His musical career began in 2006 when he joined the xx accompanying old schoolmates Romy Madley Croft, Oliver Sim, and Baria Qureshi of the Elliott School in London, notable for alumni including Hot Chip, Burial, and Four Tet. He first used the stage name Jamie xx in July 2009 in a promotional mix for the band’s debut album xx released on the FACT magazine mix series. The mixtape was compiled by Jamie Smith and featured, amongst others, four tracks credited to Jamie xx – one self-production and three remixes. The xx album went on to become platinum in the UK. Afterward, Jamie Smith went on to do more remix work for artists like Florence + The Machine, Adele, Jack Peñate and Glasser. // In late 2010, a Jamie xx remix of the song “NY Is Killing Me” from Gil Scott-Heron’s last album I’m New Here aired on radio stations across the UK and Europe. The remix of “I’ll Take Care of U” followed in January 2011. Both singles drew the attention of the general public and the critics. They set the way for a 13-track remix album entitled We’re New Here, produced entirely by Jamie xx and credited to “Gil Scott-Heron and Jamie xx”. The album was released on February 21, 2011 on the XL Recordings label, but a full-album preview could be streamed on the website of The Guardian as early as 14 February. We’re New Here received critical acclaim and was named “a cohesive, considered masterpiece in its own right” by BBC’s Ele Beattie. // On June 6, 2011, the two-track self-produced single “Far Nearer / Beat For” was released. The song “Far Nearer” was selected Best New Track by Pitchfork, and the double A-side single charted at number 128 on the UK Singles Chart. Later the same year, Smith produced the title track off Drake’s second album, Take Care, which features Rihanna. In addition, Smith helped create several reworks for Radiohead’s song “Bloom” which were released on a remix album entitled TKOL RMX 1234567. He also co-produced the song “When It’s All Over” with Alicia Keys on her Girl on Fire album. In 2014, he announced an upcoming collaboration with John Talabot on Tim Sweeney’s Beats in Space online radio show. In 2014, he released the singles “Girl/Sleep Sound” and “All Under One Roof Raving”. // On 27 March 2015, he released two singles: “Loud Places”, featuring the xx’s Romy Madley Croft, and “Gosh”. On the same day he also announced that his debut album, In Colour, would be out on 1 June 2015. Ahead of its release, In Colour was streamed on iTunes as a preview with album-spanning visuals that ‘reacted’ to each sound.[14] It was ultimately released on 29 May 2015 to widespread critical acclaim, debuting at number three on the UK Albums Chart and receiving nominations for the 2015 Mercury Prize and for Best Dance/Electronic Album at the 58th Grammy Awards. // Jamie xx composed the score for a ballet, Tree of Codes, commissioned by Manchester International Festival for its 2015 edition. Based on a novel of the same name by Jonathan Safran Foer, the ballet was choreographed by Wayne McGregor and had a set created by Olafur Eliasson. // In 2020, he released his first single in five years, “Idontknow”, which received positive to lukewarm reception from critics. He was credited on Tyler, the Creator’s 2021 album Call Me If You Get Lost as a co-producer on the track “RISE!”. // Jamie xx has worked on each of his The xx bandmates’ respective solo albums: he produced Oliver Sim’s Hideous Bastard (2022), and co-produced Romy’s Mid Air (2023).]
  1. Stephonne – “1”
    from: “1” – Single / Stephonne / August 21, 2024
    [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Trombone – Trevor Turla. Recorded, mixed and mastered at Westend Recording Studios, Kansas City. // Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist – Stephonne Singleton keeps very busy, organizing Tribute Shows, working as a Resident Artist at Charlottee Street studios, playing Music Festivals, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, The Black Box, The Folly Theatre, collaborating with The Black Creatures, Calvin Arsenia, Miki P, Jass, Eboni Fondren, putting out EPs, and singles. Stephonne released his EP SIS: Side B on June 24, 2022 it was in the TOP TEN of WMM’s 120 Best Recordings of 2022. Stephonne was a featured performer at the 23rd Annual West 18th Street Fashion Show on Friday, June 2, 2023, and also in the 24th annual West 18th Street Fashion Show.]
  1. Run With It – “Ghost Like You”
    from: “Ghost Like You” – Single / Run With It / September 30, 2024
    [Run With it were last on WMM seven years ago on March 22, 2017 when the band was aa three piece with Miguel Caraballo on lead vocals & guitar, Ben Byard on bass & vocals, and Daniel Cole on Drums. They joined us to promote ther nre EP How To Start A Fire release March 24,2017. // The power trio were known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. The band was always touring. How To Start A Fire, was recorded with producer Josh Gleave. The band put together 60 songs before going into the studio last year. We sifted through them with producer Josh Gleave and found the 6 best songs that you ended up recording. // Run With It are influenced by The Black Keys, Maroon 5, Bill Withers, and more. With backgrounds in gritty rock, groovy soul, stylish R&B. // Miguel Carabello was born June 11, 1980 originally from Junction City, Kansas, Married. Ben Byard grew up in El Dorado Kansas, plays in David George and A Crooked Mile. Daniel Cole was born April 8, 1991 and graduated from Lee’s Summit West HS in 2009. // More information at: http://www.runwithitband.com]

[Run With It play Blue Springs Fall Fun Festival , Friday, September 20, at 9:00pm.]
[Run With It play Plaza Art Fair, Saturday, Sept 21, at 5:15 on the Local Music Stage]
[Run With It play Camp Leavenworth, Saturday, September 21]

  1. Samara Joy – “You Stepped Out Of A Dream”
    from: Portrait / Verve / October 11, 2024
    [First songle form Samara’s new album.Samara Joy’s Grammy Winning Linger Awhile was released September 16, 2022 and was part of WMM’s 120 Best Recordings of 2022. // Samara Joy McLendon, is known professionally as Samara Joy. She is an American jazz singer. She won the Sarah Vaughan International Jazz Vocal Competition in 2019 and was named Best New Artist by Jazz Times for 2021. // A native of the Castle Hill section of the Bronx, Joy was born in 1999 into a musical family. Her paternal grandparents, Elder Goldwire and Ruth McLendon, were founders of Philadelphia gospel group The Savettes. Her father, a bass player who has toured with gospel singer/songwriter/producer Andraé Crouch, introduced her to gospel greats like The Clark Sisters, and soul and Motown were also a big presence in her home. // At Fordham High School for the Arts she performed with the jazz band, and won Best Vocalist at Fordham University’s “Essentially Ellington” competition at Lincoln Center. But she first encountered jazz in a meaningful way when she enrolled in the jazz program at SUNY’s Purchase College as a voice major, and was named an Ella Fitzgerald Scholar. Friends there introduced her to the great jazz vocalists like Sarah Vaughan and Fitzgerald and instrumentalists like Kenny Washington, Jon Faddis (with whom she studied)[16] and Ingrid Jensen. While she was still in college, before the release of her first album, film director Regina King called her “a young woman who seems like Sarah Vaughan and Ella Fitzgerald are both living in her body.” // In 2019, as Samara McLendon, she won the Sarah Vaughan International Jazz Vocal Competition. // Working with producer and eventual manager Matt Pierson, she recorded her self-titled debut album while still in college, graduating magna cum laude in 2021. Samara Joy was released on July 9, 2021 with Whirlwind Records. // On February 15, 2022 she performed on Today with guitarist Pasquale Grasso and performed again on Today in September 2022.// She released a number of viral video performances, including one that had been viewed over 1.5 million times as of October 2020. These videos had as of November 2022 gaineduding a series of sold-out conc and other festivals, as well as in Europe. // In February 2021 she was featured in Women of Color on Broadway, Inc.’s music video of “Summertime” from Porgy and Bess and on jazz pianist Julius Rodriguez’s album Let Sound Tell All. // Jazz Times named her Best New Artist for 2021. // On June 15, 2022 she was featured at Carnegie Hall’s 16th Annual Notable Occasion. and appeared at the Newport Jazz Festival. On September 16, 2022 she released her second album, Linger Awhile, on Verve Records. The album features drummer Kenny Washington, guitarist Pasquale Grasso, pianist Ben Paterson, and bassist David Wong. // She earned two Grammy Award nominations in 2022, for Best New Artist and Best Jazz Vocal Album for Linger Awhile. Her bookings for winter 2022 include singing with the Jazz at Lincoln Center Orchestra on its winter 2022 Big Band Holidays tour.]
  1. Joy Oladokun – “I’d Miss The Birds”
    from: Observations From A Crowded Room / Amigo Records – Verve Forecast / Oct. 18, 2023
    [Last year, Joy Iladokun released Proof of Life her the fourth studio album and second major label album on April 28, 2024by American singer-songwriter Joy Oladokun. The album has been supported by five singles released throughout 2022 and 2023. The album features guest appearances from Mt. Joy, Manchester Orchestra, Chris Stapleton, Maxo Kream, and Noah Kahan. In a press release about the album, Oladokun said that she intended for the songs on Proof of Life to be “helpful anthems” and to resonate with “anybody who feels normal and needs a little musical boost to get through the day”. The album has been supported by five singles, two of which were released before the album was announced. The first single, “Keeping the Light On”, was released on January 21, 2022. The second single, “Sweet Symphony” (featuring Chris Stapleton), was released on September 23, 2022. Of the song, Oladokun said that the song was about “the vulnerability, the fear, and the ups and downs that come from loving someone.” The third single, “Changes”, was released on February 17, 2023, simultaneously with the album announcement. The fourth single, “We’re All Gonna Die” (with Noah Kahan), was released on March 17, 2023. The fifth and final single, “Taking Things for Granted”, was released on April 21, 2023. // Joy Oladokun was born April 6, 1992, she is an American singer-songwriter. Oladokun’s music spans the genres of folk, R&B, rock, and pop and is influenced by her identity as a queer woman of color. Oladokun grew up in Casa Grande, Arizona, listening to country and folk music, as well as Bob Marley and Lauryn Hill. Both of her parents are Nigerian immigrants to the United States. Her family regularly attended a Christian church, where Oladokun was chosen to lead worship. Later, Oladokun left the church because it limited her creativity. // When Oladokun was 10, a video of Tracy Chapman inspired her to learn guitar.// After college, at a friend’s suggestion, Oladokun moved to Los Angeles to pursue her music career. She later moved to East Nashville, where she signed with Prescription Songs. She has released three studio albums. In 2015, Joy Oladokun self-released her debut EP Cathedrals. Her debut studio album, Carry Me was funded by Kickstarter and released on April 29, 2016 through Well Records. // Oladokun released the single “Sunday” in 2019, saying “‘Sunday’ is the song that 12-year-old Joy, seated in the back of church youth group, needed to hear. She needed to hear that you can be queer and happy. Queer and healthy. Queer and holy. She needed to see married women kissing and playing with their kids.” The music video highlights people in LGBTQ relation-ships and has a predominantly queer cast. // Oladokun’s song “Mercy” follows in the same theme, describing her experience as a Black person in the United States, while the single “I See America” criticizes systemic racism. NPR listed “I See America” on its 100 Best Songs of 2020. // On July 17, 2020, Oladokun released her second studio album, In Defense of My Own Happiness (Vol. 1) hite Boy Records. Billboard described the album as a “stunningly emotional collection.” Mitch Mosk, editor-in-chief of Atwood Mag., called it a “a sweeping, soaring, and stunning sophomore record oozing heart and soul.” // In 2021, Oladokun received a grant from YouTube’s “#YouTubeBlack Voices Fund”. The same year she signed with Amigo Records, Verve Forecast Records, & Republics. Info: http://www.joyoladokun.com] [Oladokun played The Truman on Sept. 12, 2024]
  1. Lucy Gray Hamilton – “Sixteen and Happy”
    from: “Sixteen and Happy” – Single / Lucy Gray / May 24, 2024
    [Music & Lyrics by Lucy Gray Hamilton. Guitar, Vocals, Violin by Lucy Gray Hamilton. Percussion & Upright Bass by Gregory Gagnon. Produced by Gregory Gagnon- ShapeNote Studios & Robert Rebeck- Westend Recording Studios (Kansas City, MO). Original photo by Tara Duckworth Photography. This recording was made possible by the Heartland Song Network and Gregory Gagnon of ShapeNote Studios. // ‘sixteen & happy” for me is a lot of things. It’s being sad on your birthday. It’s how crushing it can be when someone you were once so close with isn’t around anymore. It reveals how hard it is to acknowledge true feelings and how it can take time to express them. My deepest gratitude to Heartland Song Network and Greg Gagnon at ShapeNote Studios for making this recording possible!” – Lucy Gray // SONGWRITER, COMPOSER, MULTI-INSTRUMENTALIST – Lucy Gray grew up performing on festival stages from the young age of 7 while studying classical & fiddle style violin. By the age of 9 she was performing her own original songs leading her to 4 awards for songwriting & composition, invitations to speak at events, repeated radio spins, tv appearances & most recently a grant to record her latest single! ]

10:29 – Underwriting

11:00 – Interview with Lori Raye Erickson

Lori Raye Erickson was born and raised in Des Moines, Iowa. She is a multidisciplinary artist. She spent her formative years studying at the Des Moines Art Center and then earned her BFA from the Kansas City Art Institute in 1989. After earning her BFA Lori Raye stayed in Kansas City and worked at Hallmark Cards for six years, before becoming a self-employed artist. She has also worked in property management while continuing to create works of art shown throughout the US. Since the 1992 Lori Raye Erickson has produced art in over 70 exhibitions and shows. Erickson’s work can be found in various collections around the world.

Lisa Raye Erickson has been the recipient of numerous awards including the 2002 Charlotte Street Visual Artist Award. In 2009 Kansas City Avenue of the Arts Award. In 2019 she received the Residency Award from Studios Inc. Lori Raye also won the Liquitex Award of Excellence, among many others.

Erickson addresses the political, cultural and economic landscapes through humor. Mediums such as painting, drawing, installation, and sculpture are a part of her repertoire and she allows her message to manifest freely within the artwork. Erickson states that “to be a part of something so lasting and encouraging of mid-career artists in Kansas City is just incredible. I look forward to being productive in the space, producing larger works as well as multiple pieces simultaneously. I intend to utilize this opportunity to tighten my career focus and build a portfolio that creates new opportunities previously unavailable to me.”

Lori Raye Erickson’s new show is called, “Just close your eyes and hold your breath and everything will turn real pretty” running through October 25, 2024 at Leedy-Voulkos Art Center, 2012 Baltimore, KCMO. Lori Raye Erickson will give an Artist Talk, Saturday, October 5 at 1:00pm at Leedy-Voulkos Art Center followed by spoken word performances by cwoods and Jose Faus. Lori Raye Erickson’s work is currently exhibiting in the front gallery space. More info at: http://www.leedy-voulkos.com or https://www.lorirayeerickson.com

Lori Raye Erickson, Thanks for being with us today on WMM

Lori Raye writes: “Just close your eyes and hold your breath and everything will turn real pretty” is a quote from Close Encounters. I feel it reflects the bizarre world we’re living in currently. Sometimes we need to alter our state of mind to face the reality of the world. I tend to accomplish that through art. This work is a reflection of the lightness & darkness that surrounds us. The effects of religious wars, political violence and social media has taken a toll on the fundamental goodness intended for our species. Although optimism tends to hold strong, I can’t help but wonder what we’re heading into while the darkness continues to fight for control.

Artist Statement

My artwork tends to reflect our current state in the world. Religion, social issues, politics as well as humor play an enormous role in my approach. No expectations. Look, close your eyes, feel or don’t.

“Just close your eyes and hold your breath and everything will turn real pretty” running through October 25, 2024 at Leedy-Voulkos Art Center, 2012 Baltimore, KCMO.

Lori Raye Erickson will give an Artist Talk, Saturday, October 5 at 1:00pm at Leedy-Voulkos Art Center followed by spoken word performances by cwoods and Jose Faus.

Lori Raye Erickson’s work is currently exhibiting in the front gallery space.

Lori Raye Erickson’s work plays with v]culture and politics. She is influenced by her Art heroes and influences: Kieth Haring and Any Warhol and others. Lori Raye Erickson has watched the Kansas City Art Community Grow at Kansas City Art Institute. She watch The Crossroads grow and change. She has produce art for Wonderwall, Blue Gallery, Avenue of the Arts, Leedy-Voulkous, Byron Cohen Gallery, The Late Show. Charlotte Street, and so many others.

Lori Raye Erickson wanted to share with our listeners an event sponsored by her church, Guns to Gardens Safe Surrender, Saturday, October 12, 2024, 10:00am to 2:00pm at Central Presbyterian Church, 3501 Campbell St, Kansas City, MO. // Central Presbyterian Church, is hosting a volunteer safe surrender and dismantling event on Saturday, October 12 where folks can get rid of unwanted firearms without putting them back onto the street. This is not a buy back. Anyone can anonymously surrender their unwanted guns, which will be dismantled on-site, melted down, and fashioned into garden tools (or jewelry, artwork, etc.). A gift card for a grocery store will be offered as a token of appreciation for each surrendered firearm.

Lori Raye Erickson, Thanks for being with us today on WMM

Lori Raye Erickson’s new show is called, “Just close your eyes and hold your breath and everything will turn real pretty” running through October 25, 2024 at Leedy-Voulkos Art Center, 2012 Baltimore, KCMO. Lori Raye Erickson will give an Artist Talk, Saturday, October 5 at 1:00pm at Leedy-Voulkos Art Center followed by spoken word performances by cwoods and Jose Faus. Lori Raye Erickson’s work is currently exhibiting in the front gallery space. More info at: http://www.leedy-voulkos.com or https://www.lorirayeerickson.com

10:50

Outer Reaches Fest 2024. Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, in the the downstairs showcase with electronic artists:, Hautlle, Bobcat Attack, Whelmed, and John Wyss, presented by KC Synthesizer Collective.

  1. John Wyss – “tick”
    from: “tick” – Single / John Wyss / September 18, 2024
    [John Wyss is an electronic experimental musician from Kansas City. He released the 6 track EP Dissonant Discover*ies on August 8, 2022. The Ep contains tracks recorded from 08/21 – 08/22. Recorded, Mixed, and Mastered by John Wyss.John wrote: “recorded improvisations that grew into… something more: mostly organically, some required a little extra cultivation.” M ore info at: http://www.johnwyss.bandcamp.com]

[John Wyss plays Outer Reaches Fest 2024. Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, in the the downstairs showcase with electronic artists: Hautlle, Bobcat Attack, and Whelmed, presented by KC Synthesizer Collective.]

  1. Hautlle – “Haze”
    from: “Haze” – Single / Hautlle / May 24, 2024
    [Hautlle released Homemade Recordings of Handmade Dreams through Virtual Urban Records on Oct. 20, 2019. // Hautlle lands a glimmering solo ep for VUR with this personal offering of organic recordings. HROHD contains an aleatoric ep crystalized from expertly sequenced homebrew hardware. Twisted up, broken-locked into moments of agony then released upwards into ominous joy. Pixellate with us as we rotate the handle on this 4 dimensional decomposition of reality. // Bastl Kastle Sonic Potions LXR drum synth, 2x Mutable Instrument Shruthi: 1 w/ a ladder filter + 1 w/ the SMR4 mkII filter, and a growing collection of DIY eurorack modules that was <6Ux104hp at the time and mostly open source Mutable Instruments. // Music and Artwork by Justin Corban.]

[Hautlle plays Outer Reaches Fest 2024. Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, in the the downstairs showcase with electronic artists:, Bobcat Attack, Whelmed, and John Wyss, presented by KC Synthesizer Collective.]

11:00 – Station ID

11:00 – Interview with Brenton Cook, Nathan Reusch, Mark Ronning

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, At his college radio station io Rolla KMNR, Brenton served as a disc jockey, business manager, and assistant music director, where he forged his love for independent music. After four years of volunteering for Midwest Music Foundation and coordinating three volumes of music compilations of regional artists, Brenton learned the hands-on know-how to produce, release, and promote independent music. He formed the Kansas City independent music label, Haymaker Records in January 2014. Haymaker Records chose to focus on boundary-pushing artists and provide promotion and a home for music that might be overlooked by traditional radio. Jorge Arana Trio became the first band signed in July 2014. Since that first release, the label has released a total of 24 recordings from 10 different artists including Be/Non, Freight Train Rabbit Killer, Schwervon!, Monta At Odds, HMPH!, and Sie Lieben Maschinen. 14 releases have made their way onto vinyl, including two compilations of artists from KC, as well as acts from Arkansas to Norway. Several year ago, Brenton joined forces with Dedric Moore to help produce the Outer Reaches Fest. More information at: http://www.haymakerrecords.net

Brenton Cook, Thanks for being with us today on WMM

Nathan Reusch is co-founder of The Record Machine an area music label that is celebrating 21 years! Nathan Reusch grew up in KC hanging out at Recycled Sounds with Anne Winter & Billy Smith. Reusch first started making electronic music under the name Bobcat Attack influenced by emo/punk in the early 2000s, opening for acts like Taking Back Sunday, Mewihoutyou, Coheed and Cambria, to more fitting artists like Joy Electric, Atom & His Package, Casiotone for the Painfully Alone and Yacht. In 2003, he started his indie label, The Record Machine, and in 2011, he founded KC’s Middle of the Map Fest; his time and focus on making his music came to a halt. Under Nathan’s leadership The Record Machine has been the label for Static Phantoms, Monta, Various Blonde, Cowboy Indian Bear, LaGuerre, The Philistines, and Black Light Animals and many more. Nathan is also a DJ The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renewed his interest in making music. After a few months of waywardly trying to figure out patches and midi cables, he joined KC’s Synth Collective and found a group of similarly-minded electronic musicians. The debut track, Pallas, will be the inaugural release on Les Bon Bons Electriques imprint. This collaboration between fellow electronic musician and collaborator Mark Ronning (Mr. Golden Sun/Pool Culure) and Reusch’s label, The Record Machine,

Nathan Reusch thanks for being with us on WMM.

Mark Ronning is a musician who specializes in the synthesizer, playing Rhodes and synth in the electrofolk band Mr. Golden Sun and synth in the electronic dreampop four-piece Pool Culture. Mr. Golden Sun is wrapping up their first full length record, and Pool Culture is going into the studio this October and November to work on their first full band releases. Additionally, Mark plays the modular synthesizer and participates in KC Synth Collective, coordinates electronic performance events for his pop-up show Les Bonbons Electriques, and helps out with Outer Reaches. In collaboration with Nathan Reusch, Mark is also starting a record label called Les Bonbons Electriques, which is an imprint of The Record Machine, which will focus on artistry, experimentation, and electronic music.

Mark Ronning, Thanks for being with us today on WMM

Brenton, Mark, Nathan, are here to share details about the 3 nights of Outer Reaches Fest

Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, presents two floors: Upstairs features psychedelic rock groups The Moose, Captain Howdy & The Sunset Serenaders, Pool Culture and Saving Miles Lemon; the downstairs showcase will feature electronic artists: Hautlle, Bobcat Attack, Whelmed, and John Wyss presented by KC Synthesizer Collective.

Night 2, Saturday, September 21 at recordBar, 1520 Grand Blvd, presents experimental music ensemble Negativland with live cinema artist SUE-C handling the visuals, AND Athens, Georgia’s Pylon Reenactment Society.

Night 3, Sunday, September 22 at Charlotte Street, 3333 Wyoming St. in KCMO is a viewing of the film Stand By for Failure: A Documentary About Negativland, directed by Ryan Worsley. The event is presented by the KC Underground Film Festival. More info at: http://www.outerreachesfest.com

Outer Reaches is a music festival based in Kansas City that showcases ‘out there’, left-of-center artists pushing boundaries in their respective genre. Regional acts as well as national and international touring acts are a part of the festival’s spirit, celebrating the variety of freethinking music around the globe.

Originally called KC Psych Fest, Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands: ReVisEr, Religion of Heartbreak, Monta At Odds, Mysterious Clouds, and Gemini Revolution.

The Record Machine is the collective sum of individuals, life experiences, knowledge, self-expression, and talent; our artists represent a significant part of not only our culture but our company’s reputation and achievements. We embrace and encourage our artist’s differences in race, ethnicity, gender identity or expression, religion, sexual orientation, and other characteristics that make our community unique.

Les Bons Bons Electriques is a series of immersive musical and visual electronic synthesis, Les Bons Bons Electriques was created to celebrate KC’s electronic artists. This is a hat-tip to mashing, breaking, bending, oscillating, and filtering sound and video. More info at: https://www.instagram.com/bonsbonselectriques/

11:07

  1. Bobcat Attack – “Pallas”
    from: “Pallas” – Single / The Record Machine – Les Bon Bons Electriques / September 18, 2024
    [Bobcat Attack is the alter ego of electronic musician Nathan Reusch. Reusch has a passion for blending dub, techno, and ambient electronica into his own improvised vision. His compositions, crafted with synthesizers, drum machines, and modular synths, create a pulsing soundscape that is both intimate and lush, setting him apart in the electronic music scene. // Reusch first started making electronic music influenced by emo/punk in the early 2000s, opening for acts like Taking Back Sunday, Mewihoutyou, Coheed and Cambria, to more fitting artists like Joy Electric, Atom & His Package, Casiotone for the Painfully Alone and Yacht. In 2003, he started his indie label, The Record Machine, and in 2011, he founded KC’s Middle of the Map Fest; his time and focus on making his music came to a halt. The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renewed his interest in making music. After a few months of waywardly trying to figure out patches and midi cables, he joined KC’s Synth Collective and found a group of similarly-minded electronic musicians. // After a year of playing and organizing shows with the KC Synth Collective, he is regaining his footing; Reusch is ready to release his first new material in nearly two decades. Bobcat Attack bridges the gap between ambient, dub-techno, and house music. The result is a rich textural environment of blooming melodies, entrancing techno beats, and ambient soundscapes that immerses the listener in a vibrant, flooding forest of electronica. His arrangements are patient and complete, and there’s always a discovery bubbling underneath the surface. // The debut track, Pallas, will be the inaugural release on Les Bon Bons Electriques imprint. This collaboration between fellow electronic musician and collaborator Mark Ronning (Mr. Golden Sun/Pool Culure) and Reusch’s label, The Record Machine,]

[Bobcat Attack plays Outer Reaches Fest, on Friday, September 20 at miniBar, 3810 Broadway Blvd, downstairs with electronic artists: Hautlle, Whelmed, and John Wyss presented by KC Synthesizer Collective. More info at: http://www.outerreachesfest.com]

  1. Pool Culture – “brighter lighter”
    from: “brighter light” – Single / Pool Culture / April 20, 2018
    [music and lyrics and production by mark ronning. all instruments and vocals by mark ronning. mixed by reid kruger at waterbury recording. // Mark Ronning is a musician who specializes in the synthesizer, playing Rhodes and synth in the electrofolk band Mr. Golden Sun and synth in the electronic dreampop four-piece Pool Culture. Mr. Golden Sun is wrapping up their first full length record, and Pool Culture is going into the studio this October and November to work on their first full band releases. Additionally, Mark plays the modular synthesizer and participates in KC Synth Collective, coordinates electronic performance events for his pop-up show Les Bonbons Electriques, and helps out with Outer Reaches. In collaboration with Nathan Reusch, Mark is also starting a record label called Les Bonbons Electriques, which is an imprint of The Record Machine, which will focus on artistry, experimentation, and electronic music. ]

[Pool Culture plays Outer Reaches Fest, on Friday, September 20 at miniBar, 3810 Broadway Blvd, Upstairs features psychedelic rock groups The Moose, Captain Howdy & The Sunset Serenaders, and Saving Miles Lemon.]

11:17 – Underwriting

11:19 – More Interview with Brenton Cook, Mark Ronning, & Nathan Reusch

We are talking with Brenton Cook, Mark Ronning, & Nathan Reusch about Outer Reaches Fest.

Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, presents two floors: Upstairs features psychedelic rock groups The Moose, Captain Howdy & The Sunset Serenaders, Pool Culture and Saving Miles Lemon; the downstairs showcase will feature electronic artists: Hautlle, Bobcat Attack, Whelmed, and John Wyss presented by KC Synthesizer Collective.

Night 2, Saturday, September 21 at recordBar, 1520 Grand Blvd, presents experimental music ensemble Negativland with live cinema artist SUE-C handling the visuals, AND Athens, Georgia’s Pylon Reenactment Society.

Night 3, Sunday, September 22 at Charlotte Street, 3333 Wyoming St. in KCMO is a viewing of the film Stand By for Failure: A Documentary About Negativland, directed by Ryan Worsley. The event is presented by the KC Underground Film Festival. More info at: http://www.outerreachesfest.com

Brenton Cook, Mark Ronning, & Nathan Reusch Thank you for being with us on WMM.

The organizers of Outer Reaches, an annual live music festival operating since 2012, have announced the official date for the 2024 events. Friday September 20 at miniBar (3810 Broadway Blvd), Saturday September 21 at recordBar (1520 Grand Blvd), and Sunday September 22 at Charlotte Street (3333 Wyoming St.) in KCMO will mark the date and location for the festivities of Outer Reaches 2024.

Outer Reaches is a music festival based in Kansas City that showcases ‘out there’, left-of-center artists pushing boundaries in their respective genre. Regional acts as well as national and international touring acts are a part of the festival’s spirit, celebrating the variety of freethinking music around the globe. The marquee Saturday September 21 show at recordBar features performances by two legendary groups with their origins in the late 1970s. Experimental music ensemble Negativland headline the night, joined by live cinema artist SUE-C handling the visuals. Negativland’s self-titled sound collage debut was released out of California’s Bay Area in 1980 and over the next four decades the group have been steadily releasing uncommon concept albums combining original music with things taken from corporately owned mass culture, along the way challenging convention (and American copyright laws). Athens, Georgia’s Pylon Reenactment Society feature members of legendary 1980s post-punk jangle pop group Pylon and pop rock group Casper & The Cookies. The group tours in support of their critically acclaimed new album Magnet Factory, while also performing classic Pylon tracks.

The Friday September 20 show at miniBar presents two floors of experimental, synthesized, and psychedelic music, lights, and art. Upstairs features psychedelic rock groups The Moose and Captain Howdy & The Sunset Serenaders, electronic shoegaze four-piece Pool Culture and psychedelic pop group Saving Miles Lemon. Kansas City Synthesizer Collective presents the downstairs showcase with featured electronic artists Hautlle, Bobcat Attack, Whelmed, and John Wyss.

The Sunday September 21 show at Charlotte Street is a free viewing of the music film Stand By for Failure: A Documentary About Negativland, directed by Ryan Worsley. The event is presented by the KC Underground Film Festival and is a companion to the Saturday night Negativland show at recordBar.

Outer Reaches 2024 is a partnership between the festival and Midwest Music Foundation. Midwest Music Foundation (MMF), a nonprofit organization founded in 2008, provides health care assistance, education, and resources to the Kansas City music community. Sponsors for this year’s fest include BesaMe Wellness, Charlotte Street, Kansas City Synthesizer Collective, Records with Merritt, It’s a Beautiful Day, recordBar / miniBar, Kosmic City, Haymaker Records, The Record Machine, and Print Time.

For more info visit http://www.outerreachesfest.com. Full three-day ticket is available Single day ticket for the Saturday recordBar show is available here. The wait list for the free Sunday film viewing is available here. The Facebook event is available here. Follow the Outer Reaches website or Facebook page for updates on Outer Reaches 2024.

11:26

  1. The Moose – “Ultraviolet”
    from: Spature / Desert Animal Records / April 22, 2021
    [The Moose followed the release of 26-track double album Spature with the 11-track album Renaissance released September 22, 2022 from The Moose. On August 21, 2022 The Moose released the single “Macrowave”. SPATURE was one of WMM’s 120 Best Recordings of 2021. The album contained music and lyrics all composed by The Moose. The album was engineered, mixed, and mastered by members Emma Klein and Jake Hilger. SPATURE is a sonic amalgamation of sunny peaks and dark chasms. Join The Moose as they experiment with the fantastical worlds of space and nature. From ‘Lava’ to ‘Mother Tree’, there is a song on this double LP for everyone.The Moose is a psychedelic rock/pop alternative band from Lee’s Summit / Kansas City, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on Dec. 21, 2018. The Moose joined us LIVE on WMM on July 10, 2019. The Moose also recently released SONGS OF SPATURE – LIVE FROM MYCO PLANET MUSHROOM FARM April 2022. The Moose played Outer Reaches Festival on Sat, October 15 at 7:00 PM at recordBar, 1520 Grand Blvd. KCMO, with Cheer-Accident, Season to Risk, Peculiar Pretzelman, The Black Mariah Theater, She Speaks in Tongues; Jacob E.chord and experimental dance project Composition of Dance. More info at: http://www.musicofthemoose.com ]

[The Moose plays Outer Reaches Fest, on Friday, September 20 at miniBar, 3810 Broadway Blvd, Upstairs features psychedelic rock groups, Captain Howdy & The Sunset Serenaders, Pool Culture and Saving Miles Lemon.]

  1. Saving Miles Lemon – “Lovely”
    from: Lovely / Saving Miles Lemon / October 6, 2023
    [13-track full-length album from Saving Miles Lemon is the psychedelic-pop project of Miguel Silva-Leon. Formed in 2019 with the goal of releasing an album by the end of the year, the project has transformed into a full-blown musical odyssey for Miguel (who likes to go by Mig) to explore new sounds. It’s hard to define what genre Saving Miles Lemon fits into as they like to let the music go where it wants to go. From smooth dance pop, to blown-out stoner rock, Mig likes to keep things interesting and never stay with one sound for too long.​ // Having grown up learning to play the piano at the age of 7, Miguel found themselves picking up new instruments frequently from the clarinet, saxophone, and oboe to guitar/bass and drums. Just as with their instruments, Mig began practicing their production skills in high school with small bedroom projects and hardcore bands. In a way, nothing has changed, as all of Saving Miles Lemon’s music is recorded and produced entirely by Mig in their bedroom studio to this day. // Their live members include Jacob Frisbee (bass), James Wiltfang (keys), and Zeke Bockleman (drums). // As a live act, the band began performing in 2021 and quickly took over the DIY scene in Kansas City before moving on to the bar/venue scene with sold-out shows at The Rino (KCMO) and The Bottleneck (LFK). They’ve opened for national and international touring bands such as Cub Sport at The Encore at Uptown Theatre (KCMO). // Saving Miles Lemon has released two full-length LPs and a handful of singles. A third album is set to release in 2023.]

[Saving Miles Lemon plays Outer Reaches Fest, on Friday, September 20 at miniBar, 3810 Broadway Blvd, Upstairs features psychedelic rock groups, Captain Howdy & The Sunset Serenaders, Pool Culture and The Moose.]

  1. Captain Howdy & The Sunset Serenaders – “Take it Back”
    from: Howdy Reigns / Captain Howdy & The Sunset Serenaders / August 2, 2024
    [Psychedelia from Lawrence, Kansas with James Barnett, Jon Chappell, and Keller Welton]i

[Captain Howdy & The Sunset Serenaders plays Outer Reaches Fest, on Friday, September 20 at miniBar, 3810 Broadway Blvd, Upstairs features psychedelic rock groups, Saving Miles Lemon, Pool Culture and The Moose.]

11:36 – More Interview with Brenton Cook, Mark Ronning, & Nathan Reusch

We are talking with Brenton Cook, Mark Ronning, & Nathan Reusch about Outer Reaches Fest.

Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, presents two floors: Upstairs features psychedelic rock groups The Moose, Captain Howdy & The Sunset Serenaders, Pool Culture and Saving Miles Lemon; the downstairs showcase will feature electronic artists: Hautlle, Bobcat Attack, Whelmed, and John Wyss presented by KC Synthesizer Collective.

Night 2, Saturday, September 21 at recordBar, 1520 Grand Blvd, presents experimental music ensemble Negativland with live cinema artist SUE-C handling the visuals, AND Athens, Georgia’s Pylon Reenactment Society.

Night 3, Sunday, September 22 at Charlotte Street, 3333 Wyoming St. in KCMO is a viewing of the film Stand By for Failure: A Documentary About Negativland, directed by Ryan Worsley. The event is presented by the KC Underground Film Festival. More info at: http://www.outerreachesfest.com

Brenton Cook, Mark Ronning, & Nathan Reusch Thank you for being with us on WMM.

Outer Reaches is a music festival based in Kansas City that showcases ‘out there’, left-of-center artists pushing boundaries in their respective genre. Regional acts as well as national and international touring acts are a part of the festival’s spirit, celebrating the variety of freethinking music around the globe.

Originally called KC Psych Fest Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012.

Brenton, Mark, Nathan, are here to share details about the 3 nights of Outer Reaches Fest

The Record Machine started as a homegrown, pioneering independent record label and expanded to events in Kansas City, MO. We initially established the label to promote and release music from our hometown, but as time went on, we began releasing records from all across the country. We aim to work with a diverse group of hardworking, dedicated, and stand out on their own accord. Our catalog is an eclectic mix; we are proud that we don’t fit into any single genre and a unifying, uplifting quality to our releases. We hope to nurture musicians and connect them with a broader audience. Tim Finn of The Kansas City Star remarked about The Record Machine’s output “[They] have assembled a stable of diverse artists who are making music that deserves national attention.”

11:42

  1. Negativland – “Content”
    from: The World Will Decide / Seeland / November 13, 2020
    [The World Will Decide is the 14th studio album by Negativland.// The release is part of a pair with 2019’s True False and was promoted by the band with a Chrome browser extension. A deluxe limited edition of the album includes a screen print, bumper sticker, and digital download of No Brain, a live album recorded on the band’s 2019 tour. // Negativland: Ian Allen – composition, performance, production, recording, mixing, editing / Peter Conheim – composition, performance, production, recording, mixing, editing / Mark Hosler – composition, performance, production, recording, mixing, editing / Don Joyce – composition, performance, production, recording, mixing, editing / Jon Leidecker – composition, performance, production, recording, mixing, and editing / Richard Lyons – composition, performance, production, recording, mixing, editing – David Wills – composition, vocals, performance, production, recording, mixing, editing // Negativland is an American experimental music band that originated in the San Francisco Bay Area in the late 1970s. The core of the band consists of Mark Hosler, David Wills (aka “The Weatherman”), Peter Conheim and Jon Leidecker (aka “Wobbly”). Negativland has released a number of albums ranging from pure sound collage to more musical expositions. These have mostly been released on their own label, Seeland Records. In the late 1980s and early 1990s, they produced several recordings for SST Records, most notably Escape from Noise, Helter Stupid and U2. Negativland were sued by the band U2’s record label, Island Records, and by SST Records, which brought them widespread publicity and notoriety. The band is also part of the Church of the SubGenius parody religion. Negativland coined the term culture jamming in 1984. Don Joyce added it to the album JamCon ’84 in the form of “culture jammer”. The band took their name from a Neu! Track, with their record label Seeland Records also being named after another Neu! Track. // Negativland started in Concord, California, in 1979 around the core founding members of Hosler and Richard Lyons (who were in high school at the time). The band released its eponymous debut in 1980. A number of releases followed in the early 1980s, but it wasn’t until after the release of their breakthrough sample and cut-up sonic barrage Escape from Noise in 1987 that Negativland gained wider attention. Vinyl copies of the album came with “CAR BOMB” bumper stickers, in reference to the album’s song “Car Bomb”. // Following the somewhat unexpected success of the album, Negativland faced the prospect of being prompted to tour, which they had an inept budget for; to prevent this, they made the decision to craft a hoax press release that claimed that Negativland were prevented from touring by law enforcement, citing “Federal Authority Dick Jordan”, because the song “Christianity Is Stupid” from Escape from Noise had supposedly inspired the then widely covered case of 16-year-old mass murderer David Brom killing his family. To deliberately cause tension with the media, the press release went on to vigorously deny the purported connection between Negativland and the murders. The claim that Brom’s crimes were inspired by Negativland was disseminated and discussed, generally skeptically, in local media as well as the Village Voice, with at least one Bay Area television station apparently believing the claims of the press release to be factual. The incident became the conceptual foundation for Negativland’s next release, Helter Stupid, which featured a cover photo of TV news anchorman Dave McElhatton delivering the Brom murder story, with the album prominently sampling news coverage of the hoax. // Negativland’s next project was the U2 EP, with samples from American Top 40 host Casey Kasem. In 1991, Negativland released a single with the title “U2” displayed in very large type on the front of the packaging and “Negativland” in a smaller typeface. An image of the Lockheed U-2 spy plane was also on the single cover. // The songs within were parodies of the group U2’s well-known 1987 song “I Still Haven’t Found What I’m Looking For”, including kazoos and extensive sampling of the original song. The song “The Letter U And The Numeral 2” features a musical backing to an extended profane rant from well-known disc jockey Casey Kasem, lapsing out of his more polished and professional tone during a frustrating rehearsal that had gone out to many stations as raw feed and was taped by several engineers, who had been passing it around for a number of years. One of Kasem’s milder comments was “These guys are from England and who gives a shit?” (U2 was actually formed in Ireland. Moments earlier he had read from his script, “the Irish band from Dublin”.) // U2’s label Island Records quickly sued Negativland, stating that placing the word “U2” on the cover violated trademark law, as did the song itself. Island Records also contended that the single was an attempt to deliberately confuse U2 fans, awaiting the impending release of Achtung Baby, into purchasing what they believed was a new U2 album called Negativland. // In June 1992, R. U. Sirius, publisher of the magazine Mondo 2000, came up with an idea. Publicists from U2 had contacted him regarding the possibility of interviewing Dave “The Edge” Evans, hoping to promote U2’s impending multimillion-dollar Zoo TV Tour, which featured found sounds and live sampling from mass media outlets (things for which Negativland had been known for some time). Sirius, unbeknownst to Edge, decided to have his friends Joyce and Hosler of Negativland conduct the interview. Joyce and Hosler, fresh from Island’s lawsuit, peppered the Edge with questions regarding his ideas about the use of sampling in their new tour, and the legality of using copyrighted material without permission. Midway through the interview, Joyce and Hosler revealed their identities as members of Negativland. An embarrassed Edge reported that U2 were bothered by the sledgehammer legal approach Island Records took in their lawsuit, and furthermore that much of the legal wrangling took place without U2’s knowledge: “by the time we [U2] realized what was going on it was kinda too late, and we actually did approach the record company on your [Negativland’s] behalf and said, ‘Look, c’mon, this is just, this is very heavy…'” Island Records reported to Negativland that U2 never authorized samples of their material; Evans’ response was, “that’s complete bollocks, there’s like, there’s at least six records out there that are direct samples from our stuff.” // In August 2007, Joyce provided an audio cassette copy of the Mondo 2000 interview with Evans to the U2 fan website U2Interview.com. // The “U2” single (along with other related material) was re-released in 2001 on a “bootleg” album entitled These Guys Are from England and Who Gives a Shit, released on “Seelard Records” (a parody of Negativland’s record label Seeland Records). Negativland may have themselves been responsible for the re-release; although the Negativland website refers to this release as a bootleg, it is available from major retailers like Best Buy, Amazon, and Tower Records, as well as Negativland’s own mail-order business. // Negativland are interested in intellectual property rights and argue that their use of U2’s and others’ material falls under the fair use clause. In 1995, they released a book, with accompanying CD, called Fair Use: The Story of the Letter U and the Numeral 2, about the whole U2 incident (from Island Records first suing Negativland for the release to Negativland gaining back control of their work four years later). The book ends with a large appendix of essays about fair use and copyright by Negativland and others, telling the story with newspaper clippings, court papers, faxes, press releases and other documents arranged in chronological order. // The Negativland-Island lawsuit was followed by another one brought on between Negativland and SST, which served to sever all remaining ties the two had. To get back at Negativland (while wryly circumventing their name), SST founder Greg Ginn later released the Negativ(e)land: Live on Tour album on SST. // Negativland were the main subjects of Craig Baldwin’s documentary Sonic Outlaws, detailing the use of culture jamming to subvert the messages of more traditional media outlets. They also made an appearance in Brett Gaylor’s 2009 copyright issue documentary, RiP!: A Remix Manifesto. // In 1999 Negativland collaborated with UK anarchist band Chumbawamba to produce the EP The ABCs of Anarchism, which is largely based around the writings of Alexander Berkman and cut-up versions of Chumbawamba’s hit song “Tubthumping”, the theme tune to the children’s program Teletubbies and the Sex Pistols’ “Anarchy in the UK”. // In 2003, members of Negativland contributed their efforts to Creative Commons, a non-profit organization devoted to expanding the range of creative works available for others to legally build upon and share by providing alternative copyright licenses. In September 2002, Negativland spoofed Clear Channel radio stations in an audio track broadcast by pirate radio broadcasters jamming a Seattle Clear Channel station while the National Association of Broadcasters met in the city. // Former member Don Joyce long hosted a weekly radio show called Over the Edge most Thursdays at midnight on KPFA. Recordings of some noteworthy episodes of the show have been released by Seeland in its Over the Edge series. // In September 2005, to celebrate the 25th anniversary of the band, Negativland curated an art exhibit in Manhattan’s Gigantic Artspace gallery, formerly located at 59 Franklin Street. The exhibit, Negativlandland, included a number of pieces of artwork from and inspired by Negativland recordings, video projection of music videos created by the band and others, and some artwork created specifically for the show, such as an animatronic Abraham Lincoln figure (inspired by the band’s Lincoln cut-up piece God Bull) and a hands-on exhibit featuring the Booper, the audio-processing unit that band member David Wills (a.k.a. The Weatherman) assembled out of old radio parts. The show appeared in Minneapolis on May 12, 2006, at Creative Electric Studios. // Former band member Ian Allen died on January 17, 2015, due to complications from heart valve surgery. He was 56 years old. On July 22, 2015, Don Joyce, group member and host of Over The Edge, died of heart failure at the age of 71. On April 19, 2016, Richard Lyons died from complications of nodular melanoma following his 57th birthday party in a nursing facility. // The band’s album, Over the Edge Vol. 9: The Chopping Channel, was released on October 21, 2016. Select copies of the album include a bag containing two grams of Don Joyce’s cremated remains. In 2019, True False was released. // The album The World Will Decide was released on November 13, 2020, and features contributions from Allen, Joyce, and Lyons. // Rivers Cuomo of Weezer wrote a song titled “Negativland” about the band in 1993. The song was eventually released in 2011 on Cuomo’s solo album Alone III: The Pinkerton Years. // Artists such as Girl Talk have cited Negativland as an influence. Fatboy Slim sampled a Negativland song that, according to Hosler, itself sampled a Christian children’s album from the 1960s in an unauthorized fashion. Vice writer Peter Holslin wrote in 2014, “These days, what Negativland does is pretty much di rigueur in Internet meme culture—collage, mashups, reappropriation, recontextualization. But these guys were doing this stuff long before the age of YouTube and Tumblr, decades before it was cool.”

Negativland Discography

Negativland (1980)
Points (1981)
A Big 10-8 Place (1983)
Escape from Noise (1987)
Helter Stupid (1989)
Free (1993)
Fair Use: The Story of the Letter U and the Numeral 2 (1995)
Dispepsi (1997)
Deathsentences of the Polished and Structurally Weak (2002)
No Business (2005)
Thigmotactic (2008)
It’s All in Your Head (2014)
True False (2019)
The World Will Decide (2020)

[Negativland play Outer Reaches Fest Day 2 – Saturday, September 21 at recordBar, 1520 Grand Blvd, with live cinema artist SUE-C handling the visuals, AND Athens, Georgia’s Pylon Reenactment Society.]

  1. Pylon Reenactment Society – “Flowers Everywhere”
    from: Magnet Factory / Strolling Bones Records / February 9, 2024
    [They say people change their cell structure every seven years, so I’ve totally regenerated several times since we started Pylon forty years ago,” says Vanessa Briscoe Hay, frontwoman for that iconic Athens band and now frontwoman for Pylon Reenactment Society. “Over the course of your life, you’re going to learn new things. Your mind is going to change and expand. I’m a lot older now, and I can’t be something I’m not anymore. Pylon is our guiding star, but we’re not Pylon. We’re Pylon Reenactment Society.” // It’s easier to explain what Pylon Reenactment Society isn’t than what it actually is. It’s not a continuation or a reunion, because Vanessa is the only member in both groups. It’s neither a tribute act nor a cover band, although they do perform Pylon songs. Instead, this new band draws inspiration from that old band, taps into its motivating principles. // Pylon Reenactment Society’s Magnet Factory organically grew out of jams and writing sessions over several years. As the album took shape, the lyrics peeled away at the layers of time and shared spaces that make up a life. A pair of unrecorded songs by Pylon were brought in to round out this collective unspoken theme. All the music was recorded by the current four members of the band (Vanessa Briscoe Hay, Jason NeSmith, Kay Stanton, Gregory Sanders) with a stellar vocal duet with the incomparable Kate Pierson of The B-52’s. // Vanessa Briscoe Hay – Vocals; Jason Nesmith – Guitar; Kay Stanton – Bass; Gregory Sanders – Drums // All Songs Published by Angel From Nowhere Music (BMI) Administered by Strolling Bones Publishing (BMI) © ℗ 2024 except “3 X 3” and “Heaven (In Your Eyes)” © ℗ by Pylon Two Music (BMI) C/O BMG Bumblebee (BMI) Administered by BMG Rights Management (US) LLC 2024 // Written and Performed by Pylon Reenactment Society (Vanessa Briscoe Hay / Matthew Jason Nesmith / Gregory Rush Sanders / Kay Suzanne Stanton) // Additional Writers On “Educate Me” / “Flowers Everywhere” / “Messenger” / “No Worries” / “Compression,” “I’ll Let You Know” (Damon Cordele Denton / Joseph Aloysius Rowe III) // “ Additional Writer On “Fix It” / “Boom Boom” (Joseph Aloysius Rowe III) // “3 X 3” / “Heaven (In Your Eyes)” Written by Pylon (Randall Eugene Bewley / Curtis Hudgins Crowe / Vanessa Briscoe Hay / Michael Scott Lachowski) // Produced by Jason Nesmith and Vanessa Briscoe Hay / Recorded and engineered by David Barbe at Chase Park Transduction Studios, Athens, GA / Recorded and Engineered by Tom Ashton at Subvon Studio, Winterville, GA. Mixed by David Barbe, except “I’ll Let You Know” by Andy Lemaster at Chase Park Transduction Studios. Additional Recording: Jason Nesmith at Bel*Air Studio, Athens, GA; John Valesio at Orange Door Studio, Woodstock, NY; Andy Lemaster at Chase Park Transduction Studios. Mastered by Jason Nesmith at Chase Park Transduction Studios. Acetate cut by Bob Weston at Chicago Mastering Service // Executive produced by George Fontaine, Sr. for Strolling Bones Records / Project Supervision / Label Management by Leigh Rixey. Legal for Pylon Reenactment Society by The Seay Firm, LLC. Layout by Michael Lachowski. Graphics by Michael Lachowski. Photography by Christy Bush. Promotion by Brady Brock. Booking by Inland Empire Touring

[Pylon Reenactment Society play Outer Reaches Fest Day 2 – Saturday, September 21 at recordBar, 1520 Grand Blvd, with Negativland and live cinema artist SUE-C handling the visuals.]

11:49 – More Interview with Brenton Cook, Mark Ronning, & Nathan Reusch

We are talking with Brenton Cook, Mark Ronning, & Nathan Reusch about Outer Reaches Fest.

Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, presents two floors: Upstairs features psychedelic rock groups The Moose, Captain Howdy & The Sunset Serenaders, Pool Culture and Saving Miles Lemon; the downstairs showcase will feature electronic artists: Hautlle, Bobcat Attack, Whelmed, and John Wyss presented by KC Synthesizer Collective.

Night 2, Saturday, September 21 at recordBar, 1520 Grand Blvd, presents experimental music ensemble Negativland with live cinema artist SUE-C handling the visuals, AND Athens, Georgia’s Pylon Reenactment Society.

Night 3, Sunday, September 22 at Charlotte Street, 3333 Wyoming St. in KCMO is a viewing of the film Stand By for Failure: A Documentary About Negativland, directed by Ryan Worsley. The event is presented by the KC Underground Film Festival. More info at: http://www.outerreachesfest.com

Brenton Cook, Mark Ronning, & Nathan Reusch Thank you for being with us on WMM.

Outer Reaches is a music festival based in Kansas City that showcases ‘out there’, left-of-center artists pushing boundaries in their respective genre. Regional acts as well as national and international touring acts are a part of the festival’s spirit, celebrating the variety of freethinking music around the globe.

More info at: http://www.outerreachesfest.com.

Thank you all for listening

11:54

  1. Negativland – “I Love Bees”
    from: Speech Free: Recorded Music for / Seeland / December 23, 2022
    [Long known for creating records, CDs, video, fine art, books, radio and live performance using appropriated sounds, images, objects, and text, what does a Negativland album sound like when it’s missing all of those voice samples? It sounds like: Speech Free. // An entertaining yet archival release of Library Music for your use and reuse, this new album by Negativland has had every last trace of semantic meaning carefully removed from the mix. But what does the word ‘semantic’ really mean? It means that Speech Free is a complete reimagining of the 28 tracks of music that were hiding in plain sight directly beneath all of that hopelessly outdated Cultural Jamming on our last two or three releases (which only exist for those who were looking for them — and looking fairly often). // Entirely composed and performed by the group with an all star cast of guest musicians, these productions explode out of even the tiniest of speakers as some of Negativland’s most listenable barrages of pure ear candy yet — all we had to do was remove all of that annoying language that makes Negativland records so distractingly difficult to leave on while doomscrolling. // s our marketing research suggests, these catchy tunes can work well for you as both new jingles and musical beds, perfectly suited for voiceovers discussing anything from commercial products to political campaigns. Most target audiences regularly indicate a preference for moderately subversive content and confusion, and you’ll find that this release provides that target with precisely the right amount of each. No one will know what the original critical texts on these tracks once were — though those messages remain, and might even be amplified, once replaced with new sales pitches of your own design. Because every second of Usable Music™ on this record has been precisely designed and personally guaranteed, by everyone still here in Negativland, to be: Speech Free. // Download comes with 22 page PDF containing album packaging and complete list of all verbal samples which were removed and are no longer present in the audible music. // Physical editions available here:  negativland.com/negativland-studio-releases. // Composed, played, recorded, mixed, edited and remixed by Negativland. // Prairie Prince: drums on Is It Or Isn’t It, Live At Sea, More Than One Answer, No Excuse, No Wonder / Nava Dunkleman: percussion on Live At Sea, Believe What You Can, A Portal Of Sorts / Ava Mendoza: guitar on Building and Raising, No Excuse / M.C. Schmidt: prepared piano on Nothing Is Destroyed, They’re The One, plastic oil barrel on No Excuse, baking tin on Every Song Ever Create // Thomas Dimuzio: electronics on Participate, electromagnetic cell phone recording on No Wonder / Steev Hise: guitar noise on More Than One Answer / Drew Daniel: sequencing on A Big Mistake, They’re The One // Star St. Germain, Jackie Gratz, Kris Force: strings on A Big Mistake / Jem Doulton: percussion on Every Song Ever Created / Erich Hubner: bass on No Wonder / Stella, Beatrice, Méabh de Siún, Vivian, Aasha, Neela, Ruby, Dee Dee, Savanna: the Don’t Trust Your Memory Animal Chorus. // Cover design: Shawn Wolfe and Negativland. Pug finders: Matthew Hansen-Weller and Dan Lynch/ Mastering: Thomas Dimzuio. To license entire tracks as is for film, radio, internet or television, please contact: info@negativland.com // For fragmentary and transformative reuse of this music, as always, feel free / N© and N℗ 2022 by Negativland and Seeland MediaMedia’]

[Negativland play Outer Reaches Fest Day 2 – Saturday, September 21 at recordBar, 1520 Grand Blvd, with live cinema artist SUE-C handling the visuals, AND Athens, Georgia’s Pylon Reenactment Society.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, September 25 – we will be joined by our Special Guest Producer Marion Merritt who will be playing tracks from PJ Morton, SUUNS, Osses, Hermanos Gutierrez, Molchat Doma, Floating Points, Etran De L’Air, Joan As Policewoman, Lijado Sisters, Thee Marlos, Alan Sparhawk, My Brightest Diamond, Washed Out, Moby, Chico Freeman, Lettuce and more.

Also next week we will talk with Jessica Dressler aka Dirty Dorothy about her new film “Rennie” making its world premiere at The Folly Theater, October 11th and 12th. More info at http://www.follytheater.org

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1061

WMM presents Lori Raye Erickson + Brenton Cook, Mark Ronning, & Nathan Reusch of Outer Reaches Fest

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 18, 2024

Lori Raye Erickson + Brenton Cook, Mark Ronning, & Nathan Reusch of Outer Reaches Fest

Mark spins New & MidCoastal Releases from: Stephonne, Run With It, Lucy Gray Hamilton, Jamie xx, Samara Joy, and Joy Oladokun. Mark also plays artists from Outer Reaches Fest including: Negativland, PYLON REENACTMENT SOCIETY, Captain Howdy & The Sunset Serenaders, Saving Miles Lemon, The Moose, Pool Culture, John Wyss, Hautlle, and Bobcat Attack

At 10:30 Mark talks with Lori Raye Erickson about her show, “Just close your eyes and hold your breath and everything will turn real pretty” running through October 25, 2024 at Leedy-Voulkos Art Center, 2012 Baltimore, KCMO. Lori Raye Erickson is a multidisciplinary artist working in Kansas City, Missouri. She received her BFA from The Kansas City Art Institute and continued working at Hallmark cards for several years after graduating. Taking a break from the corporate world she has worked in property management while continuing to create works of art shown throughout the US. Lori Raye Erickson will give an Artist Talk, Saturday, October 5 at 1:00pm at Leedy-Voulkos Art Center followed by spoken word performances by cwoods and Jose Faus. Lori Raye Erickson’s work is currently exhibiting in the front gallery space. More info at: http://www.leedy-voulkos.com or https://www.lorirayeerickson.com

At 11:00, Brenton Cook, Mark Ronning, & Nathan Reusch share details about the 3 nights of Outer Reaches Fest 2024. Night 1, Friday, September 20 at miniBar, 3810 Broadway Blvd, presents two floors: Upstairs features psychedelic rock groups The Moose, Captain Howdy & The Sunset Serenaders, Pool Culture and Saving Miles Lemon; the downstairs showcase will feature electronic artists: Hautlle, Bobcat Attack, Whelmed, and John Wyss presented by KC Synthesizer Collective. Night 2, Saturday, September 21 at recordBar, 1520 Grand Blvd, presents experimental music ensemble Negativland with live cinema artist SUE-C handling the visuals, AND Athens, Georgia’s Pylon Reenactment Society. Night 3, Sunday, September 22 at Charlotte Street, 3333 Wyoming St. in KCMO is a viewing of the film Stand By for Failure: A Documentary About Negativland, directed by Ryan Worsley. The event is presented by the KC Underground Film Festival. More info at: http://www.outerreachesfest.com.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1061

WMM Playlist from September 11, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 11, 2024

David George of St. George & The Dragons + Guest DJ Tucker Slough

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. BLACKSTARKIDS – “SOULMATEZ!”
    from: Saturn Dayz / Dirty Hit Records / September 30, 2022
    [Gen-Z upstarts BLACKSTARKIDS have released their new single and video “SOULMATEZ!” on August 30, 2024, alongside the announcement of their upcoming sixth studio album Saturn Dayz, touching down to earth on September 20 via Dirty Hit. The lead single “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of Kansas City in 2020 became the soundtrack for the summer. Blackstarkids are a pop/R&B/hip-hop trio based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On October 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. Kansas City is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.” Deiondre added, “The music scene here is getting cool now, there’s a lot of jazz musicians that go to school for music here too but you can find people from different scenes all over if around the city.” Ty wrote, “The Kansas City scene is great, the community here is so supportive and genuine. This is a really prideful city here and I think they’re finally getting the musicians they deserve.”]
  1. The Get Up Kids – “Ten Minutes”
    from: Something to Write Home About / Polyvinyl Records / September 28, 1999
    [Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. On June 8, 2018 The Get Up Kids released their KICKER EP on Polyvinyl Records. Polyvinyl announced on their Instagram account that they had signed the band and that new music will be coming soon. The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records. While the imprint was started to release albums by The Get Up Kids, it served as a launching pad for several side-projects such as The New Amsterdams and Reggie and the Full Effect. The Get Up Kids were viewed throughout their existence as a prototypical emo band, having been major players in the Midwest emo movement of the mid-1990s. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. However, like many early emo bands, The Get Up Kids sought to dissociate themselves with the term, as it was considered dismissive to be seen as an “emo band.” The band departed heavily from their established style with the release of their 2002 album On a Wire, which saw the band take on a much more layered, alternative rock sound. Years later, guitarist Jim Suptic even apologized for having the influence they did on many of the modern third-wave emo bands, commenting that “[t]he punk scene we came out of and the punk scene now are completely different. It’s like glam rock now … If this is the world we helped create, then I apologize.” Due to internal conflicts, the band broke up in 2005. Three years later, the band reunited to support the tenth anniversary re-release of Something to Write Home About, and soon afterward entered the studio to write new material. In early 2010, the band released Simple Science, their first release in six years, followed in 2011 by the full-length There Are Rules. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams.]

[The Get Up Kids play a special set of shows in celebration of the 25th Anniversary of Something To Write Home About Friday, September 13 ar recordBar, 1520 Grand Blvd, KCMO. Saturday, September 14 and Sunday September 15 at The Bottleneck 737 New Hampshire St., Lawrence, KS Check listings – several shows are sold out.]

  1. Duncan Burnett – “Goodbye”
    from: “Goodbye” – Single / R.I.O.T LLC / August 16, 2024
    [Olathe, KS based hip hop artist, singer, songwriter, producer, musician, drummer. // Duncan Burnett s the drummer and member of Making Movies. He also has produced music for Lava Dreams. // From Tim Finn’s Back To Rockville (KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. Burnett has been performing live since he was 7. Live music, he said, is in his blood. Duncan released the EP One of These Days on Apppril 10, 2020, it was a follow up to his 2018 EP, The Almighty.]
Screenshot
  1. Folk Bitch Trio – “God’s A Different Sword”
    from: “God’s A different Sword” – Single / Folk Bitch Trio / August 14, 2024
    [“Boygenius if it was from the 40’s or something” – Phoebe Bridgers // “Design a new folk-pop sensation? Oh wait, it already exists” – Sydney Morning Herald // “There’s just something so delightfully unexpected about a group whose music is resplendent in such gorgeous harmonies and confessional songwriting having such a prickly name. Folk Bitch Trio wish to upend expectations.” – Rolling Stone // Melbourne, Australia based Folk Bitch Trio continue expanding their musical odyssey, announcing an expansive world tour this September to November, with new single and video “God’s A Different Sword.” // The partnership of Gracie Sinclair (she/her), Jeanie Pilkington (she/her), and Heide Peverelle (they/them) boast inventive vocal arrangements and warm instrumentation at the striking intersection of the grounded, beyond-their-years conversationalism of Laura Marling and the lightly wrought swirl of Grizzly Bear or The Japanese House. Continuing their ascent today with “God’s A Different Sword,” Folk Bitch Trio showcase their resplendent three-part harmony — signature to their longstanding creative collaboration. // As the trio explain: “‘God’s A Different Sword’ speaks to relinquishing a pattern but indulging in the habit ‘just one more time.’ The song was produced by us and Tom Healy during a fleeting stop in Auckland, Aotearoa this winter, while we were in town supporting Ben Howard. The lyrics are exasperated and questioning, so we wanted them to be held by instrumentation that is optimistic and open. The video, made by our dear friend Bridgette Winten, shows us gallivanting around our stomping grounds in Naarm, where this song was written and born.” // Folk Bitch Trio manifest a unique kinesiology of relaxed indie-folk with a quietly confident, assured underbelly. Born out of what they describe as a “mutual love for songwriting and truth-telling,” most significant to their rise and consistently captivating to their craft is the joy they take in making music together — it surges with the power of friends and collaborators executing a unified vision. // What began as an unserious collaboration at some local shows, has quickly led Folk Bitch Trio to share stages with acts like Alex G, King Gizzard and the Lizard Wizard, Julia Jacklin and Courtney Barnett. In 2023, they released the singles “Analogue” and “I Heard” (which Rolling Stone described as “resplendent in gorgeous harmonies and confessional songwriting), and their 2020 debut “Edie” received a praiseful shout-out from Phoebe Bridgers on triple j. From packed out BIGSOUND showcases, the group performed a triumphant run of shows at SXSW Austin earlier this year. // Folk Bitch Trio’s world tour is a massive undertaking that includes, in order: a series of shows in the UK and Europe including dates with The Teskey Brothers and Cat Clyde as well as a headlining London performance; a support run alongside M. Ward across the U.S.; and a lengthy headlining tour of Australia. / Currently on tour supporting M. Ward.]
  1. Gillian Welch – “Elvis Presley Blues”
    from: Revelator / Acony Records / July 31, 2001
    [3rd full length album by Gillian Welch. All songs were written by Welch together with David Rawlings and were recorded in Nashville, Tennessee. // Gillian Howard Welch (/ˈɡɪliən ˈwɛltʃ/; born October 2, 1967) is an American singer-songwriter. She performs with her musical partner, guitarist David Rawlings. Their sparse and dark musical style, which combines elements of Appalachian music, bluegrass, country and Americana, is described by The New Yorker as “at once innovative and obliquely reminiscent of past rural forms.” // Welch and Rawlings have collaborated on nine critically acclaimed albums, five released under her name, three released under Rawlings’ name, and two under both of their names. Her 1996 debut, Revival, and the 2001 release Time (The Revelator), received nominations for the Grammy Award for Best Contemporary Folk Album. Her 2003 album, Soul Journey, introduced electric guitar, drums, and a more upbeat sound to their body of work. After a gap of eight years, she released a fifth studio album, The Harrow & the Harvest, in 2011, which was also nominated for a Grammy for Best Contemporary Folk Album. In 2020, Welch and Rawlings released All the Good Times (Are Past & Gone), which won the 2021 Grammy Award for Best Folk Album. // Welch was an associate producer and performed on two songs of the soundtrack of the Coen brothers 2000 film O Brother, Where Art Thou?, a platinum album that won the Grammy Award for Album of the Year in 2002. She also appeared in the film attempting to buy a Soggy Bottom Boys record. Welch, while not one of the principal actors, did sing and provide additional lyrics to the Sirens song “Didn’t Leave Nobody but the Baby.” In 2018 she and Rawlings wrote the song “When a Cowboy Trades His Spurs for Wings” for the Coens’ The Ballad of Buster Scruggs, for which they received a nomination for the Academy Award for Best Original Song.]

[Gillian Welch and David Rawlings plays The Folly Theater, 300 West 12th Street, KCMO, on Sunday, Sept. 15, at 7:30pm.]

  1. Comet Tide – “1984EVER”
    from: “1984EVER” – Single / Wonderfuzz / September 13, 2024
    [New KC musical entity made up of members of Wonderfuzz.]

[Comet Tide. Play the St. George & The Dragons play a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO.]

10:30 – Underwriting

Screenshot
  1. St. George & The Dragons – “Leave It All Up To You”
    from: King of Kansas City / Grand Central Bell Records / August 30, 2024
    [Released as a single on June 21, 2024. // A band’s lifespan is on the average two years. But after two years, St. George & The Dragons is just getting started. After four years of writing, rehearsing, and recording, St. George & The Dragons are releasing their debut album – King Of Kansas City, a ten-song album of pure rock and roll influenced by late 70s rock like the Stones and Tom Petty. // The album’s theme comes from a time when Rock ‘n’ Roll ruled the airwaves. It’s about letting go and raising your hand high into the air with your middle finger out to the world as you move on to the next big thing in your life. // Their first single “Leave It All Up To You” will be available on all streaming services June 21! The full-length album will be out August 30 with the vinyl release in September on Grand Central Bell Records. // Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. They found it easy to work together and had similar tastes which led them to produced and engineer an album for Kansas City artist David Luther. In the studio with Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys. // George, Tomek, and Kesler hit it off and started working on material of their own, eventually bringing in guitarist Mike Greene (The Front/Bakers Pink) and vocalist/guitarist Skeet Hanks (Beatin’ Path) to round out the sound. Greene was the lead guitarist in the Front, a band known for their searing guitar and power rock sound. Hanks, from New Orleans fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies. // Influenced by the works of The Stones, Tom Petty & The Heartbreakers, The Beatles, and many other classic rock bands from the 70s and the 80s, St. George & The Dragons came together during the Global Pandemic, giving them time to develop their sound. George, Greene, Hanks, Kesler, and Tomek have all had their share of greatness, from the collective albums they’ve released on major and indie labels to sharing the stage with legends like Paul McCartney, The Replacements, Soul Asylum, Doobie Brothers, The Black Crowes, Derek Trucks Band, Lumineers, Aerosmith, Smithereens, Mother Love Bone, and a list that could fill up a book! // St. George & The Dragons will be following up their release with shows around the Kansas City area later this summer and fall. More information at: http://www.stgeorgeandthedragonsband.com]

[St. George & The Dragons a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO, with Comet Tide opening]

10:35 – Interview with David George

Singer, songwriter, producer, rock and roller, musical theatre creator, David George has toured with the legendary John Fogerty, performing sold out arenas and the “late night” circuit (David Letterman, Jay Leno). David George also released — three EP’s over a twelve month period: Here I Go Again, Won’t Let Go, and Lesson Of Love, with each album adding to the previous (acoustic, band, horns). George gained national attention when the Kansas City Chiefs chose his song “Hey, Kansas City!” to be their touchdown anthem in 2015-16 season. David George has written a Christmas Musical about a Drag Queen, and has performed at The Kansas City Rep Theatre.

David George joins us to shares tracks from his latest recording KING OF KANSAS CITY, the debut album of St. George & The Dragons. Lead singer David George pof the bands: Moaning Lisa, Volker Brothers, and The John Fogerty band, has been working with drummer, producer and engineer Pat Tomek of The Rainmakers, Howard Iceberg, and Deco Auto since 2018 when they recorded three solo EPs for George. While working together producing an album for David Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys. They hit it off! Eventually the trio brought in Mike Greene, lead guitarist of The Front, a band known for their searing guitar and power rock sound, and vocalist/guitarist Skeet Hanks from New Orleans, who fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies. The new 5-piece now has a 10-track debut album on Grand Central Bell Records! St. George & The Dragons play a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO with Comet Tide.

David George thanks for being with us again on WMM.

(Last time David was on the show was on WMM June 26, 2019 to share music from the Volker Brothers new EP Wrecking Ball. Volker Brothers played an EP Release Show Thursday, June 27, at 7:30 in The Gospel Lounge at Kunckleheads.)

Voeks and George first started playing together when one would fill in with the other’s band. Whether it was Erik playing bass and singing backup in David George & A Crooked Mile or David playing guitar and singing backup in Erik Voeks & The Vague Lakes, the two realized they had a musicality in common. Stripping the band back to just the two of them on acoustic guitars enabled them to do a weeks worth of shows in Seattle. They began performing intimate shows around Kansas City, including house concerts and private events, and spreading the word on their melody driven, harmony enriched, acoustic based music. It’s not pop and it’s not folk, but a blend of the two.

St. George & The Dragons – King of Kansas City is 10 powerful rock and roll tunes influenced by Tom Petty & The Heartbreakers, The Stones, Eagles, REO, and many guitar-driven classic bands of the 70s. Eeleased August 30, 2024

David George (vocals/guitar)
Mike Greene (guitar)
Skeet Hanks (vocals/guitar)
Matt Kesler (vocals/bass)
Pat Tomek (drums)

Guest Players:
Lin Buck (piano/organ)
Ken Lovern (Organ)

Produced by David George
Recorded and Engineered by Pat Tomek at Largely Studios – KCMO
Mastered by Duane Trower at Weights & Measures Soundlabs – KCMO
Artwork by Jud Kite – Killer Kite Productions

Thanks to Whitney for all the noise we made while she tried to go about her day. And big thanks to all our wives and better halves!

St. George & The Dragons have been doing this rock ‘n’ roll thing for some time. Five legends in the Kansas City music scene got together to make the biggest sounding, rockingest record they could make. And they did it with their debut album KING OF KANSAS CITY!

A ten-song album of pure rock and roll influenced by late 70s rock like the Stones and Tom Petty as well as a few modern era artists like Chris Stapleton — ones that never seemed to follow trends or expectations.

The theme of KING OF KANSAS CITY comes from a time when Rock ‘n’ Roll ruled the airwaves. It’s about letting go and raising your hand high into the air with your middle finger out to the world as you move on to the next big thing in your life.

Their long-awaited debut album is out NOW on Grand Central Bell Records!

Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. They found it easy to work together and had similar tastes which led them to produced and engineer an album for Kansas City artist David Luther. In the studio with Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys.

George, Tomek, and Kesler hit it off and started working on material of their own, eventually bringing in guitarist Mike Greene (The Front/Bakers Pink) and vocalist/guitarist Skeet Hanks (Beatin’ Path) to round out the sound. Greene was the lead guitarist in the Front, a band known for their searing guitar and power rock sound. Hanks, from New Orleans, fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies.

Influenced by the works of The Stones, Tom Petty & The Heartbreakers, The Beatles, and many other classic rock bands from the 70s and the 80s, St. George & The Dragons came together during the Global Pandemic, giving them time to develop their sound. George, Greene, Hanks, Kesler, and Tomek have all had their share of greatness, from the collective albums they’ve released on major and indie labels to sharing the stage with legends like Paul McCartney, The Replacements, Soul Asylum, Doobie Brothers, The Black Crowes, Derek Trucks Band, Lumineers, Aerosmith, Smithereens, Mother Love Bone, and a list that could fill up a book!

10:44

  1. St. George & The Dragons – “King of Kansas City”
    from: King of Kansas City / Grand Central Bell Records / August 30, 2024
    [David George on vocals/guitar, Mike Greene on guitar, Skeet Hanks on vocals & guitar, Matt Kesler on vocals & bass, and Pat Tomek on drums. With Guest Players: Lin Buck on piano & organ, and Ken Lovern on organ. // Produced by David George. Recorded and Engineered by Pat Tomek at Largely Studios – KCMO. Mastered by Duane Trower at Weights & Measures Soundlabs – KCMO. Artwork by Jud Kite – Killer Kite Productions // A band’s lifespan is on the average two years. But after two years, St. George & The Dragons is just getting started. After four years of writing, rehearsing, and recording, St. George & The Dragons are releasing their debut album – King Of Kansas City, a ten-song album of pure rock and roll influenced by late 70s rock like the Stones and Tom Petty. // The album’s theme comes from a time when Rock ‘n’ Roll ruled the airwaves. It’s about letting go and raising your hand high into the air with your middle finger out to the world as you move on to the next big thing in your life. // Their first single “Leave It All Up To You” will be available on all streaming services June 21! The full-length album will be out August 30 with the vinyl release in September on Grand Central Bell Records. // Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. They found it easy to work together and had similar tastes which led them to produced and engineer an album for Kansas City artist David Luther. In the studio with Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys. // George, Tomek, and Kesler hit it off and started working on material of their own, eventually bringing in guitarist Mike Greene (The Front/Bakers Pink) and vocalist/guitarist Skeet Hanks (Beatin’ Path) to round out the sound. Greene was the lead guitarist in the Front, a band known for their searing guitar and power rock sound. Hanks, from New Orleans fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies. // Influenced by the works of The Stones, Tom Petty & The Heartbreakers, The Beatles, and many other classic rock bands from the 70s and the 80s, St. George & The Dragons came together during the Global Pandemic, giving them time to develop their sound. George, Greene, Hanks, Kesler, and Tomek have all had their share of greatness, from the collective albums they’ve released on major and indie labels to sharing the stage with legends like Paul McCartney, The Replacements, Soul Asylum, Doobie Brothers, The Black Crowes, Derek Trucks Band, Lumineers, Aerosmith, Smithereens, Mother Love Bone, and a list that could fill up a book! // St. George & The Dragons will be following up their release with shows around the Kansas City area later this summer and fall. More information at: http://www.stgeorgeandthedragonsband.com]

[St. George & The Dragons Play a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO, with Comet Tide opening]

10:47 – More Interview with David George

Singer, songwriter, producer, rock and roller, musical theatre creator, David George has toured all over the place with the bands: Moaning Lisa, Volker Brothers, and The John Fogerty band, where he, played on national television, had his music played when the Chiefs scored a touch down, has written a Christmas Musical about a Drag Queen, and has performed at The Kansas City Rep Theatre.

David George joins us to shares tracks from his latest recording KING OF KANSAS CITY, the debut album of St. George & The Dragons. St. George & The Dragons play a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO with Comet Tide.

David George thanks for being with us again on WMM.

David George on vocals/guitar,
Mike Greene on guitar,
Skeet Hanks on vocals & guitar,
Matt Kesler on vocals & bass, and
Pat Tomek on drums.

With Guest Players: Lin Buck on piano & organ, and Ken Lovern on organ. //

Produced by David George. Recorded and Engineered by Pat Tomek at Largely Studios – KCMO. Mastered by Duane Trower at Weights & Measures Soundlabs – KCMO. Artwork by Jud Kite – Killer Kite Productions

A band’s lifespan is on the average two years. But after two years, St. George & The Dragons is just getting started. After four years of writing, rehearsing, and recording, St. George & The Dragons are releasing their debut album – King Of Kansas City, a ten-song album of pure rock and roll influenced by late 70s rock like the Stones and Tom Petty.

The album’s theme comes from a time when Rock ‘n’ Roll ruled the airwaves. It’s about letting go and raising your hand high into the air with your middle finger out to the world as you move on to the next big thing in your life.

Their first single “Leave It All Up To You” will be available on all streaming services June 21! The full-length album will be out August 30 with the vinyl release in September on Grand Central Bell Records.

Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. They found it easy to work together and had similar tastes which led them to produced and engineer an album for Kansas City artist David Luther. In the studio with Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys.

George, Tomek, and Kesler hit it off and started working on material of their own, eventually bringing in guitarist Mike Greene (The Front/Bakers Pink) and vocalist/guitarist Skeet Hanks (Beatin’ Path) to round out the sound. Greene was the lead guitarist in the Front, a band known for their searing guitar and power rock sound. Hanks, from New Orleans fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies.

Influenced by the works of The Stones, Tom Petty & The Heartbreakers, The Beatles, and many other classic rock bands from the 70s and the 80s, St. George & The Dragons came together during the Global Pandemic, giving them time to develop their sound. George, Greene, Hanks, Kesler, and Tomek have all had their share of greatness, from the collective albums they’ve released on major and indie labels to sharing the stage with legends like Paul McCartney, The Replacements, Soul Asylum, Doobie Brothers, The Black Crowes, Derek Trucks Band, Lumineers, Aerosmith, Smithereens, Mother Love Bone, and a list that could fill up a book!

St. George & The Dragons will be following up their release with shows around the Kansas City area later this summer and fall.

St. George & The Dragons played the Nelson Atkins Museum of Art “Lawn Party” Kansas City, MO Sunday, July 21.

David George thanks for being with us again on WMM.

St. George & The Dragons Play a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO, with Comet Tide opening.

10:56

Screenshot
  1. St. George & The Dragons – “Put a Little Lovin’ In”
    from: King of Kansas City / Grand Central Bell Records / August 30, 2024
    [David George on vocals/guitar, Mike Greene on guitar, Skeet Hanks on vocals & guitar, Matt Kesler on vocals & bass, and Pat Tomek on drums. With Guest Players: Lin Buck on piano & organ, and Ken Lovern on organ. // Produced by David George. Recorded and Engineered by Pat Tomek at Largely Studios – KCMO. Mastered by Duane Trower at Weights & Measures Soundlabs – KCMO. Artwork by Jud Kite – Killer Kite Productions // A band’s lifespan is on the average two years. But after two years, St. George & The Dragons is just getting started. After four years of writing, rehearsing, and recording, St. George & The Dragons are releasing their debut album – King Of Kansas City, a ten-song album of pure rock and roll influenced by late 70s rock like the Stones and Tom Petty. // The album’s theme comes from a time when Rock ‘n’ Roll ruled the airwaves. It’s about letting go and raising your hand high into the air with your middle finger out to the world as you move on to the next big thing in your life. // Their first single “Leave It All Up To You” will be available on all streaming services June 21! The full-length album will be out August 30 with the vinyl release in September on Grand Central Bell Records. // Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. They found it easy to work together and had similar tastes which led them to produced and engineer an album for Kansas City artist David Luther. In the studio with Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys. // George, Tomek, and Kesler hit it off and started working on material of their own, eventually bringing in guitarist Mike Greene (The Front/Bakers Pink) and vocalist/guitarist Skeet Hanks (Beatin’ Path) to round out the sound. Greene was the lead guitarist in the Front, a band known for their searing guitar and power rock sound. Hanks, from New Orleans fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies. // Influenced by the works of The Stones, Tom Petty & The Heartbreakers, The Beatles, and many other classic rock bands from the 70s and the 80s, St. George & The Dragons came together during the Global Pandemic, giving them time to develop their sound. George, Greene, Hanks, Kesler, and Tomek have all had their share of greatness, from the collective albums they’ve released on major and indie labels to sharing the stage with legends like Paul McCartney, The Replacements, Soul Asylum, Doobie Brothers, The Black Crowes, Derek Trucks Band, Lumineers, Aerosmith, Smithereens, Mother Love Bone, and a list that could fill up a book! // St. George & The Dragons will be following up their release with shows around the Kansas City area later this summer and fall. More information at: http://www.stgeorgeandthedragonsband.com]

[St. George & The Dragons a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO, with Comet Tide opening]

11:00 – Station ID

  1. The Nation of Ulysses – “the sound of Jazz to come”
    from: Plays Pretty for Baby / Dischord / October 6, 1992
    [The Nation of Ulysses was an American punk rock band from Washington, D.C., formed in spring 1988 with four members. Originally known as simply Ulysses, the first mark of the group consisted of Ian Svenonius on vocals and trumpet, Steve Kroner on guitar, Steve Gamboa on bass guitar, and James Canty on drums. Tim Green joined the band late in 1989 as a guitarist and the band became “Nation of Ulysses.” Nation of Ulysses disbanded in the autumn of 1992, having failed to complete their third album. After the breakup, Svenonius, Canty, and Gamboa went on to form the short-lived Cupid Car Club and The Make-Up. Tim Green went on to help create The Fucking Champs, a mostly-instrumental trio out of San Francisco, and later Concentrick, a solo project with a focus on ambient music. // Nation of Ulysses was known for their far-left politics, their extremely physical live performances, and their unique take on punk culture and fashion. In total, Nation of Ulysses released three full-length albums, and two vinyl EPs released on Dischord Records, and were featured on a number of compilation albums on a variety of record labels. // The band formed in spring 1988, initially composed of four members – Ian Svenonius on vocals and trumpet, Steve Kroner on guitar, Steve Gamboa on bass guitar, and James Canty on drums – and known simply as “Ulysses.” In late 1989, Tim Green joined the band as a second guitarist and the band was renamed to “Nation of Ulysses.” // In 1990, before the band released any official albums, Ian Svenonius was featured as teen-oriented Sassy Magazine’s first “Sassiest Boy in America.” He was interviewed at length in the magazine’s October issue, going into some depth about the band’s sound and political motivations. // In 1991 they released their first full-length album, 13-Point Program to Destroy America on Dischord Records. This was followed a year later by Plays Pretty for Baby, also on Dischord. During the recording of the band’s follow-up to Plays Pretty for Baby, Steve Kroner left the band. The remaining quartet continued to record, but eventually dissolved in 1992. In a later interview, Svenonius explained the reason for the split: “Nation of Ulysses broke up because the epoch changed with the advent of digital music and the Nirvana explosion. We were faced with what’s now known as indie rock, a sort of vacuous form. We had to determine our next move and this [the forming of the Make-Up] is it.” // After the band’s dissolution, Svenonius went on to form the short-lived Cupid Car Club with James Canty and Steve Gamboa, the Make-Up (again with Canty and Gamboa), and Weird War. Green went on to become an engineer and record producer and joined the prog-heavy metal band The Fucking Champs. // Though relatively short-lived, Nation of Ulysses’ influence has been substantial: they have been cited as influences for bands such as Glassjaw, The (International) Noise Conspiracy, The Hives, Thursday, Refused, Boysetsfire, Bikini Kill, Rocket From The Crypt, Antioch Arrow, The Locust, Death From Above 1979, At The Drive-in, LCD Soundsystem, Bis and Huggy Bear, among many others. // During Nation of Ulysses’ four years of activity, they released only two full-length albums: 13-Point Program to Destroy America in 1991 and Plays Pretty for Baby in 1992, both released on Dischord Records. After releasing Plays Pretty for Baby, the band began recording a third full-length album, but Steve Kroner separated from the band before recording was completed. The remaining quartet continued to record, but the group eventually dissolved before the record’s completion. In 2000, six songs from those sessions, in addition to four new tracks recorded live, were compiled and released posthumously as The Embassy Tapes. // In addition to their three full-length albums, Nation of Ulysses released two vinyl EPs. The first, a self-titled EP, was the band’s first official release, but went out of print when the three tracks from it were included in 13-Point Program to Destroy America. The second EP, released in 1992 under the title The Birth of the Ulysses Aesthetic (the synthesis of speed and transformation), also went out of print when its tracks were later released on Plays Pretty for Baby.[10] The band were also featured in a number of compilation albums on a variety of record labels. // In 1992, NOU was on tour with Bikini Kill, and when they arrived in Memphis, the found that the promoter for the show hadn’t actually promoted the show. So, while out on the town flyering the streets and ducking into record stores, NOU ran into Primal Scream, a band which had been in town recording their own album. Primal Scream then decided to attend NOU’s show at the Antenna Club, and then proceeded to invite NOU to record with them in the studio the next day. Nation of Ulysses then recorded five songs with Primal Scream in nine hours, though of course only after a quick errand for some tin foil for the members of Primal Scream to smoke a bit of crack, according to Tim Green. These recordings are known as Memphis Demos, and include the demos of N-Sub Ulysses, 50,000 Watts, Mockingbird, Yeah, and Shakedown.]

11:05 – Guest DJ – Tucker Slough

We welcomes Tucker Slough as a special Guest DJ. Tucker Slough is a veteran of the Kansas City Music Community. His father is Fred Slough a well know Kansas City Attorney. Fred was part of the progressive law firm Slough Conneally Irwin and Madden who had offices above The Corner Restaurant in Westport, back when Westport was progressive and cool. // The late Kathleen Conneally was an Attorney for KKFI in our early years. Kay Madden was a regular contributor to KKFI’s The Tenth Voice for over a decade. // Tucker Slough is a KC based MC, drummer, and actor.

Tucker released his 8-track album, all of us ends up as all of us, on September 30, 2023. Tucker released his 13-track album, Municipal Bonds on December 26, 2022 in collaboration with Sloan Myers who provided Beats and cuts. He released his 5-track EP, Lx Obvix, on January 15, 2022. Tucker released his 16-track album, DraculaVision, on June 16, 2021. A veteran of the Kansas City music community, Tucker has previously released the 23-track album, Sloughterhouse V, in 2007, the 15-track album, The Sloughvinci Code, from 2007-2008, and the 28-track album Neonderthal in 2014. Tucker Slough has also released two vinyl albums: EPs 1 & 2, and EPs 3 & 4, with Shante’ Clair for their experimental Chicago/Kansas City band, ShinyJets. Info at: http://www.tuckerslough.bandcamp.com

Tucker Slough Thanks for being with us on Wednesday MidDay Medley

We just heard The Nation of Ulysses

Coming up Tucker will spin tracks from: Nation of Ulysses, Big Black, Bellini, Jesus Lizard, Joanna Newsom, US Maple, Luge, Ava Luna, and Lx Obvix.

Tucker’s music is incredibly original, theatrical, hilarious, political, making social commentary with song, and the poetry of hip

Tucker is an Actor. Tucker is a drummer. Tucker Slough is a husband and father

Tucker was part of the band ShinyJets an experimental rock band formed in Chicago in 2004 when drummer Tucker Slough encountered Singer/Guitarist Shanté Clair performing at a party thrown by a mutual friend in the Rogers Park area. The two struck up a friendship and began trying to incorporate Tucker’s drumming into Shanté’s existing solo project, The Maybe. Soon they began writing new songs and pushing their musical ideas further, incorporating looping pedals and other electronics until they had compiled a number of songs. Some time afterwards, Tucker moved back to his hometown of Kansas City and Shanté left Chicago to live in New York for a number of years. Around 2014, the two began working on new songs together, with Shanté writing songs that Tucker would then add drums parts to and send back via Dropbox. Within a short time the material they were creating began to take shape and discussions began about re-establishing the band. In March of 2015 Shanté packed up and moved to Kansas City to begin work on the project that would assume the moniker Shiny Jets. Incorporating songs written back in Chicago and those songs written long distance between New York and Kansas City, the two began adding layers of sampling and further experimentation with even more complex looping and arrangements. Currently Shiny Jets are no longer a band.

Tucker Slough Discography

all of us ends up as all of us, released September 30, 2023
8-track album,

Municipal Bonds, released December 26, 2022
13-track album made in collaboration with Sloan Myers who provided Beats and cuts.

Lx Obvix, released January 15, 2022
5-track EP,

DraculaVision, released June 16, 2021
16-track album

Sloughterhouse V, released in 2007
23-track album, Produced by Tucker Slough in Chicago and Kansas City. Featuring the cartoon bear. http://www.neonderthalkcmo.bandcamp.com

Tucker Slough: The Sloughvinci Code, released 2007-2008
15-track album, recorded in KCMO 2007, 2008 in a house near Topp Boom’s crib. All production by Tucker Slough. Rhymes by Tucker Slough.

Sloughchwitz, released in 2009-ish
Sloughschwitz is a concept album recorded in and around Kansas City in 2009-ish, at a time when Tucker Slough was obsessively studying the bizarre and fascinating, crypto-right wing extremist Lyndon Larouche cult, and observing in horror the growth of the right-wing extremism in the United States and around the world. All music and rhymes by Tucker Slough except Negro Sco verse on his cameo song. This album has a conspicuous absence of the cartoon bear.

Neonderthal, released in 2014
28-track album, Produced by Luke Rocha and Tucker Slough, compact disc and digital download available at- http://www.neonderthalkcmo.bandcamp.com. Recorded in KC, 2014. Symbol Heavy Recordings

Tucker Slough has also released two vinyl albums:
EPs 1 & 2, and EPs 3 & 4, with Shante’ Clair for their band, ShinyJets.

Tucker Slough Thanks for being with us on Wednesday MidDay Medley

Info at: http://www.tuckerslough.bandcamp.com

11:09

  1. Big Black – “Kerosene”
    from: Automizer (Remastered) / Touch and Go Records / June 1, 1985
    [Atomizer is the debut full-length album by American punk rock group Big Black released in 1986. Steve Albini on vocals, guitar, drum machine programming (1981–1987; died 2024); bass guitar (1981–82); Jeff Pezzati on bass guitar, backing vocals (1983–84)
    Santiago Durango on guitar, backing vocals (1983–1987) Dave Riley on bass guitar, backing vocals (1985–1987; died 2019). // The band’s drum machine is credited as “Roland” on their releases. // Big Black was an American punk rock band from Evanston, Illinois, active from 1981 to 1987. Founded first as a solo project by singer and guitarist Steve Albini, the band became a trio with an initial lineup that included guitarist Santiago Durango and bassist Jeff Pezzati, both of Naked Raygun. In 1985, Pezzati was replaced by Dave Riley, who played on Big Black’s two full-length studio albums, Atomizer (1986) and Songs About Fucking (1987). // Big Black’s aggressive and abrasive music was characterized by distinctively clanky guitars and the use of a drum machine rather than a drum kit, elements that foreshadowed industrial rock. The band’s lyrics flouted commonly held taboos and dealt frankly—and often explicitly—with politically and culturally loaded topics including murder, rape, child sexual abuse, arson, racism, and misogyny. Though the band’s lyrics contained controversial material, the lyrics were meant to serve as a commentary or a display of distaste for the subject matter. They were staunchly critical of the commercial nature of rock, shunning the mainstream music industry and insisting on complete control over all aspects of their career. At the height of their success, they booked their own tours, paid for their own recordings, refused to sign contracts, and eschewed many of the traditional corporate trappings of rock bands. In doing so, they had a significant impact on the aesthetic and political development of independent and underground rock music. // In addition to two studio albums, Big Black released two live albums, two compilation albums, four EPs, and five singles, all through independent record labels. Most of the band’s catalog was kept in print through Touch and Go Records for years following their breakup.// Big Black was founded by Steve Albini in 1981 during his second year of college at Northwestern University. Albini had become a fan of punk rock during his high school years in Missoula, Montana, and taught himself to play bass guitar in the fall of 1979, his senior year, while recuperating from a badly broken leg resulting from being struck by a car while riding his motorcycle. Moving to Evanston, Illinois the following year to pursue a journalism degree and fine art minor at Northwestern, Albini immersed himself in the fledgling Chicago punk scene and became a devoted fan of the band Naked Raygun. He also DJ’d for the campus radio station, from which he was repeatedly fired for playing loud and abrasive music during the morning time slot as well as not completing the required logs. He also wrote a controversial column titled “Tired of Ugly Fat?” for the Chicago zine Matter, publishing confrontational rants about the local music scene which polarized readers into either respecting or hating him. // A Roland TR-606 drum machine, the model Albini used to create Big Black’s drum sound // Albini began playing in college bands, including a short-lived “arty new wave” act called Stations that featured a drum machine. Seeing the advantage in a machine that could play incredibly fast without tiring, always kept a steady beat, and would follow commands exactly, he purchased a Roland TR-606 drum machine and began writing what would become the first Big Black songs. However, he was unable to find other musicians who could play the songs to his satisfaction, later stating in Forced Exposure that “I couldn’t find anybody who didn’t blow out of a pig’s asshole.” Instead, in the spring of 1981, he bought a guitar, borrowed a four-track multitrack recorder from a friend in exchange for a case of beer, and spent his spring break week recording the Lungs EP in his living room, handling the guitar, bass, and vocals by himself and programming the Roland TR-606 to provide the drum sound. Influenced by bands like Cabaret Voltaire, Killing Joke, and the Cure, the EP is described by Our Band Could Be Your Life author Michael Azerrad as “cold, dark, and resolutely unlistenable”, with the lyrics describing child abusers and other controversial topics, and Albini later regarded the effort as one of his few artistic regrets. // Albini named his new musical project Big Black, calling the moniker “just sort of a reduction of the concept of a large, scary, ominous figure. All the historical images of fear and all the things that kids are afraid of are all big and black, basically.” He used the Lungs tape to try to enlist other musicians to the project, briefly recruiting Minor Threat guitarist Lyle Preslar who was attending Northwestern, but the two proved incompatible as musicians. Albini passed Lungs on to John Babbin of the small local label Ruthless Records, who released 1,500 copies of the EP in December 1982 with random objects such as dollar bills, used condoms, photographs of Bruce Lee, and bloody pieces of paper thrown into the inserts.]
  1. Bellini – “Rut Row”
    from: Snowing Sun / Monitor Records / September 10, 2002
    [Bellini is an international indie rock/math rock band, composed of members from Girls Against Boys, Soulside and Uzeda. This band was named after the Italian composer Vincenzo Bellini. // The band was formed after Damon Che’s previous band Don Caballero went on hiatus. To start a new outfit he called upon the Italian guitarist Agostino Tilotta. They were joined by Tilotta’s wife Giovanna Cacciola (vocals) while Che brought in Matthew Taylor on bass. The four-piece got together with Steve Albini who produced their debut album Snowing Sun, released in 2002. During the subsequent North American tour drummer Che left and was replaced by Alexis Fleisig. In 2005 the band released the album Small Stones, followed by The Precious Prize of Gravity in 2009. Both recorded with the assistance of Steve Albini. A new record was planned for sometime in 2015. // Members: Giovanna Cacciola on vocals, Alexis Fleisig on drums, Matthew Taylor on bass, Agostino Tilotta on guitar, Damon Che on drums (2001—2002). // Official releases: Snowing Sun, (Monitor Records, Palace Records, 2002), Small Stones, (Temporary Residence Limited, 2005), The Buffalo Song/Never Again 7″ single (Radio is Down, 2004), The Precious Prize of Gravity, (Temporary Residence Limited, 2009), and Before The Day Has Gone, (Temporary Residence Limited, 2018).]

11:17 – Guest DJ – Tucker Slough

We welcome Tucker Slough as a special Guest DJ. Tucker Slough is a veteran of the KC Music Community. His father is Fred Slough a well know Kansas City Attorney. Fred was part of the progressive law firm Slough Conneally Irwin and Madden who had offices above The Corner Restaurant in Westport, back when Westport was progressive and cool. // The late Kathleen Conneally was an Attorney for KKFI in our early years. Kay Madden was a regular contributor to KKFI’s The Tenth Voice for a decade. //

Tucker’s music is incredibly original, theatrical, hilarious, political, making social commentary with song, and the poetry of hip.

Tucker is an Actor. Tucker is a drummer. Tucker Slough is a husband and father

Tucker Slough Thanks for being with us on Wednesday MidDay Medley

11:20

  1. The Jesus Lizard – “Then Comes Dudley”
    from: GOAT / Touch and Go Records / March 15, 1991
    [Austin, Texas based band with David Yow, David Wm. Sims, Duane Denison, Mac McNeilly, and past members: Jim Kimball, and Brendan Murphy. // The Jesus Lizard is an American rock band formed in 1987 in Austin, Texas by vocalist David Yow, guitarist Duane Denison and bassist David Wm. Sims. They relocated to Chicago, Illinois, in 1989, where they found kindred spirits in recording engineer Steve Albini and Touch and Go Records. With the addition of drummer Mac McNeilly, they began performing live, eventually attracting an international audience with their powerful live show. // The Jesus Lizard were “a leading noise rock band in the American independent underground…[who] turned out a series of independent records filled with scathing, disembowelling, guitar-driven pseudo-industrial noise.” The albums Goat (1991) and Liar (1992) have since been recognized as two of the most significant noise rock albums of their decade. // Drummer Jim Kimball replaced McNeilly late in 1996, and was himself replaced by Brendan Murphy two years later, with McNeilly returning to drums for their reunion shows years later. Despite releasing a split single with leading alt-rockers Nirvana and signing to Capitol Records, the band failed to find commercial success amid the alternative rock explosion of the 1990s and disbanded in 1999. Their reunion tour ten years later garnered positive responses from audiences and critics. The band performed another reunion tour in 2017 and 2019. // The band began in Austin, Texas, when guitarist Duane Denison asked David Yow, formerly of Scratch Acid, to play bass on some songs he wanted to record. Yow suggested that he sing and have former Scratch Acid bassist David Wm. Sims play bass instead. The resultant group took its name from a common nickname for the basilisk, a type of lizard that can run on water. The trio rehearsed several times in Austin with a drum machine. Yow and Sims moved to Chicago in 1988, and Denison followed the next year. // Their first EP, Pure, was recorded by Albini and released by Touch & Go in 1989. It is the only record by the band that uses a drum machine. Drummer Mac McNeilly, formerly of Phantom 309, was recruited and the band played its first live show on July 1, 1989. Albini recorded the band’s next four albums – Head (1990), Goat (1991), Liar (1992), and Down (1994). During this era the group also released a live record, Show, and a split single with Nirvana, Puss/Oh, the Guilt. // The band signed to Capitol Records in 1995, recording the song “Panic in Cicero” for the Clerks soundtrack and making appearances at Lollapalooza shortly thereafter. Impressed by his work on The Melvins’ Stoner Witch album, the band hired producer Garth Richardson to record their next record, Shot, the following year. While rumors that Albini refused to work with the band due to their involvement with a major label persisted, both Albini and the group have stated this to be false. // McNeilly left the band in late 1996, citing exhaustion from touring and the desire to spend more time with his family.[He was replaced by Jim Kimball, of Mule and Denison’s side project, The Denison/Kimball Trio. // After more heavy touring the following year, this lineup recorded 1998’s self-titled EP, their only record whose title is not a four-letter word, on Jetset Records. The EP featured production and engineering by Andy Gill of Gang of Four, John Cale, and Jim O’Rourke. Later that year, the band released the album Blue, also recorded by Gill. A departure, the record explored their experimental instincts previously hinted at on earlier songs like “Happy Bunny Goes Fluff-Fluff Along” and “White Hole”. // In August 1998 Kimball left the group and was replaced by Chicago-based drummer Brendan Murphy, formerly of the Wesley Willis Fiasco. They embarked on several more months of heavy touring, playing the final gig of their initial career at the Umeå Open festival in Umeå, Sweden, on March 27, 1999. After being dropped from Capitol Records mid-contract, the band announced its split the following June.]
  1. Joanna Newsom – “Bridges and Balloons”
    from: The Milk-Eyed Mender / Drag City / March 23, 2004
    [Debut album from Joanna Newsom (born January 18, 1982) is an American singer-songwriter and actress. Born and raised in Northern California, Newsom was classically trained on the harp in her youth and began her career as a keyboardist in the San Francisco-based indie band the Pleased. // After recording and self-releasing two EPs in 2002, Newsom signed to the independent label Drag City. Her debut album, The Milk-Eyed Mender, was released in 2004 to acclaim and garnered Newsom an underground following. She received wider exposure with Ys (2006), which reached number 134 on the Billboard 200 and was nominated for a 2007 Shortlist Music Prize. She continued releasing albums with Have One on Me in 2010 and Divers in 2015. // Newsom has been noted by critics for her unique musical style, sometimes characterized as progressive folk, and for her harp instrumentation. She has also appeared as an actress with roles in the television series Portlandia and in the 2014 film Inherent Vice. // Newsom was born in Grass Valley, California. Her parents, both doctors, were “progressive-minded professionals” who previously lived in the San Francisco Bay Area. Newsom was raised in Nevada City along with her older brother, Peter, and younger sister, Emily. She is the second cousin, twice removed, of Gavin Newsom, Governor of California. // As a child, Newsom was not allowed to watch television or listen to the radio. She describes her parents as “kind of idealists when it came to hoping they could protect us from bad influences, like violent movies, or stupid stuff.” She listened to music from a young age. Her father played the guitar, and her mother was a classically trained pianist who played the hammered dulcimer, the autoharp and conga drums. Newsom attended a Waldorf school where she studied theater and learned to memorize and recite long poems. // At five, Newsom asked her parents if she could learn to play the harp. Her parents eventually agreed to sign her up for harp lessons, but the local harp instructor did not want to take on such a young student and suggested she learn to play the piano first. She did, and later moved on to the harp which she “loved from the first lesson onward.” She first played on smaller Celtic harps until her parents bought her a full-size pedal harp in the seventh grade. // After high school, she studied composition and creative writing at Mills College, where she played keyboards in The Pleased. She dropped out, however, to focus on her music and returned to live with family in Nevada City. // n 2002–03, after appearing as a guest musician on Nervous Cop’s self-titled collaboration album, Newsom recorded two EPs, Walnut Whales and Yarn and Glue. These homemade recordings were intended to serve as a document of her early work and were not intended for public distribution. At the suggestion of Noah Georgeson, her then-boyfriend and recording engineer of the EP, she burned several copies to sell at her early shows. Newsom’s friend and bandmate in Golden Shoulders, Adam Kline, gave one of her CDs to Will Oldham at a show in Nevada City. Oldham was impressed with Newsom’s music and asked her to tour with him. He also gave a copy of the CD to the owner of Drag City, his record label. Drag City signed Newsom and released her debut album The Milk-Eyed Mender in 2004. // Shortly thereafter, Newsom toured with Devendra Banhart and Vetiver to promote the album and made an early UK appearance at the Green Man Festival in Wales.[19] The tour was the subject of the 2011 documentary, The Family Jams. In December 2004, she performed with Smog and Weird War at Drag City’s “It’s a Wonderful Next Life” Christmas party. She also appeared as a guest musician on Vetiver’s 2004 self-titled album, and the following year, on Vashti Bunyan’s Lookaftering (2005). The track “Sprout and the Bean” was featured in the 2008 horror film The Strangers. // The Milk-Eyed Mender had sold 200,000 copies as of 2010 and helped her garner an underground following. The album was remarked as a “neo-folk benchmark” by music historian John Morrish in 2007 and was named the 12th best folk album of all time by NME. // Her second album, Ys (/iːs/), was released in November 2006, also by Drag City. The album features orchestrations and arrangements by Van Dyke Parks, engineering from Steve Albini and mixing by Drag City label-mate Jim O’Rourke. On a road trip, Bill Callahan recommended she listen to the album Song Cycle by Parks, which led to him being chosen to arrange her work on Ys. To support Ys, Newsom performed the album live in 2008 with the Brooklyn Philharmonic in New York City and with the Sydney Symphony Orchestra in Sydney, Australia. Ys garnered Newsom wider exposure, charting at number 134 on the Billboard 200. The album was also nominated for a 2007 Shortlist Music Prize. As of 2010, Ys had sold 250,000 copies. // In 2009, she appeared in the music video for the song “Kids” by the group MGMT. Also in 2009, Newsom appeared as a guest harpist on the Moore Brothers’ album Aptos and played piano on Golden Shoulders’ Get Reasonable. Newsom provided additional vocals for The Lonely Island’s song “Ras Trent” during this period as well. On March 28, 2009, she performed over two hours of new material at an unannounced concert in Big Sur, California with fellow Nevada City singer-lyricist Mariee Sioux under the pseudonym the Beatles’s. Those in attendance reported that about one-third of her new material was played primarily on piano, with a backing arrangement of banjo, violin, guitar and drums. On February 11, 2010, Pitchfork Media reported that Newsom would be the subject of a tribute book titled Visions of Joanna Newsom which was published by Roan Press and features a contribution from author and publisher Dave Eggers. Newsom’s third studio album, Have One on Me, was released on February 23, 2010, in North America.[39] A triple album recorded in Tokyo in 2009, it consists of over two hours of songs. Writing for the Los Angeles Times, Ann Powers praised the album’s variety, adding: “Newsom uses the songwriter’s default mode to explore how traditional love, for women, can be both the beginning and the end of possibility: a way to escape home and be exiled from it; to welcome children or be burdened by fertility; to be entrusted with secrets, or betrayed.” Throughout 2010, she toured Europe and North America to promote the record, supported by a five-piece band, and also appeared as a guest composer on the album How I Got Over by the Roots, released in June of that year. She was also selected by Matt Groening to perform at the edition of the All Tomorrow’s Parties festival he curated in May 2010 in Minehead, England. In December 2010, a tribute album of Newsom covers was released as a digital download. Artists involved include M. Ward, Billy Bragg, Francesco Santocono, Guy Buttery and Owen Pallett, with all proceeds going to Oxfam America’s Pakistan Flood Relief Efforts. On July 19, 2011, Newsom’s second single, “What We Have Known,” was released on 12″ vinyl. The single was originally the b-side to her first single, “Sprout and the Bean”.[43] In June 2011, she filmed her second music video (for the song “Good Intentions Paving Company”) with directors Karni & Saul.[44] Newsom was selected by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow’s Parties festival that he curated in March 2012 in Minehead, England. In late 2011, Newsom contributed vocals to “The Muppet Show Theme” for The Muppetsand appeared on the cover of the 10th anniversary issue of Under the Radar with Robin Pecknold. // Newsom began 2012 with television appearances on Austin City Limits (on January 21) and Portlandia (on February 7). // On June 25, 2012, she performed at the Warfield Theatre in San Francisco with Philip Glass and Tim Fain as part of a benefit for the Henry Miller Memorial Library. She performed a new song at the concert tentatively titled The Diver’s Wife, a love story concerning pearl hunting, which would eventually become the title track from her next album, Divers. On October 14, she performed another new song tentatively called “Look and Despair” at the Treasure Island Festival, which was renamed “Sapokanikan” and released as the lead single from Divers. //Newsom appeared on a track titled “Kindness be Conceived” on Thao and the Get Down Stay Down’s album We the Common, released in February 2013.[52] In March 2013, Newsom contributed to the song “The Man Who Ran the Town” from the album Why Do Birds Suddenly Appear by British skinhead band Hard Skin. // She appeared in and narrated the 2014 film Inherent Vice, directed by Paul Thomas Anderson. Peter Travers of Rolling Stone called Newsom’s narration in the film “gorgeously rendered.” Newsom’s fourth record, Divers, was released on October 23, 2015. The album peaked at number one on the Billboard Alternative Albums chart and topped her previous best sales week (Ys’s debut). // On December 8, 2015, she performed “Leaving the City” from the album on The Late Show with Stephen Colbert On March 22, 2023, she performed a surprise set as Fleet Foxes’ opener during their Spring Recital show in Los Angeles, performing five new songs tentatively titled “Bombs Are Whistling”, “Marie at the Mill”, “Little Hand”, “The Air Again”, and “No Wonder”. On May 18, 2024, during concert performances of mainly children’s song covers, Newsom debuted two original songs: “Home Economics” and “Rovenshere”.]

11:28 – Underwriting

11:30 – Guest DJ – Tucker Slough

We welcome Tucker Slough as a special Guest DJ. Tucker Slough is a veteran of the KC Music Community. His father is Fred Slough a well know Kansas City Attorney. Fred was part of the progressive law firm Slough Conneally Irwin and Madden who had offices above The Corner Restaurant in Westport, back when Westport was progressive and cool. // The late Kathleen Conneally was an Attorney for KKFI in our early years. Kay Madden was a regular contributor to KKFI’s The Tenth Voice for a decade. //

Tucker Slough Thanks for being with us on Wednesday MidDay Medley

11:33

  1. US Maple – “Sweet and Center”
    from: Purple On Time / Drag City Records / November 4, 2003
    [Chicago, based band active from 1995–2007 with Al Johnson, Mark Shippy, Todd Rittman, Adam Vida, and past member Pat Samson. // According to singer Al Johnson, the album’s title is meant to elicit connotations of emotion, as, to him, purple is an emotional color. The “on time” aspect of the title is meant to evoke sexual associations related to climax. Al Johnson describes the records as a “love record,” and contends that the band intended to make an album of love songs, but their intention went unnoticed. // U.S. Maple was an American noise rock band. The group formed in Chicago in 1995. The band consists of Al Johnson (lead singer), Mark Shippy (guitarist), Pat Samson (drummer), and Todd Rittmann (guitarist). // U.S. Maple was formed in 1995 at DeKalb’s Northern Illinois University by former members of Shorty and the Mercury Players. Two members from each band met at the corner of Grand and Western Avenues, and as the band would reveal later on their website, began discussing how the group could erase rock and roll from their collective minds. The assembled group set out to devise a working method for reorganizing Rock and Roll, keeping only what they felt were its most important core elements. Recognizing they were kindred spirits, the group decided then and there to unite in an attempt to realize some of their musical ambitions. // U.S. Maple inherited vocalist Al Johnson and guitarist Mark Shippy from Shorty, while drummer Pat Samson and second guitarist Todd Rittman were transplants from the Mercury Players. The band’s first recording came in the form of a two-song 7″ single produced by Doug Easley and recorded in September 1995 at Easley Studios in Memphis, Tennessee (during these sessions a cover version of AC/DC’s “Sin City” was also recorded, and eventually released on Skin Graft’s “Sides 1-4″ 7” compilation). U.S. Maple’s first single featured the songs “Stuck” and “When a Man says Ow!” The independent label Skin Graft Records took an interest in the band and signed them to the label, releasing the “Stuck” single in the fall of 1995. // The band recorded their first album, Long Hair in Three Stages, late in 1995 at Illinois’ Solid Sound Studios located in Hoffman Estates. The album was produced by indie music producer and future Sonic Youth guitarist Jim O’Rourke, and was fueled with jarring guitar noodling, vocal wheezes and howls, and spastic drumming — all staples of the band’s elastic song structures. Skin Graft released the album in October 1995 in both vinyl and CD formats; the vinyl pressings included a bonus track and hand-made sheet metal jackets manufactured by the bandmembers themselves. The band then embarked on a six-week, twelve country, European tour in support of their first album. While in England, the band recorded a Peel session for John Peel’s BBC Radio 1 show. // When the band returned home from their European tour they recorded a second single featuring a cover of the 1961 Dion and the Belmonts hit “The Wanderer”, as well as an original composition, “Whoa Complains.” In 1997, the band returned to Solid Sound Studios to record their second album, again with producer Jim O’Rourke. This session produced the album Sang Phat Editor, which was released by Skin Graft Records in June 1997. // In the fall of 1998 U.S. Maple left Skin Graft, signing to Drag City the following year, due in part to the influence of Drag City labelmate Jim O’Rourke, but also due to an agreement by the label to support the band during their busy tour schedule. 1999 saw the band returning to the studio to record the followup to their Skin Graft work. Their third album, Talker, a darker, sparser record than their previous albums, was recorded at B.C. Studio in Brooklyn, New York. The album was recorded by Michael Gira, lead singer of post-industrial rock band Swans, with Martin Bisi engineering. // In 2001 the band released their fourth album, Acre Thrills. The album was recorded in Cannon Falls, Minnesota, at Pachyderm Studio, and mixed a week later in Richmond, Virginia, at Sound of Music. In the summer of 2001, after the recording of Acre Thrills, drummer Pat Samson left the band, and was replaced by Adam Vida. With Vida, the band released their fifth studio album, 2003’s Purple On Time, which saw a departure from the confrontational, fervent, and violent aspects of previous releases. Purple on Time contained more conventional song structures, instrumentation and singing. // Al Johnson and Mark Shippy were both previously in Shorty (1991–1994). Shippy, along with former U.S. Maple drummer Pat Samson are now in Miracle Condition. Shippy also plays in two-piece band Invisible Things with Jim Sykes. // Todd Rittmann now leads Chicago-based Dead Rider, in addition to being a member of Drag City band, Singer. He was formerly a guitarist in The Mercury Players and Cheer-Accident. // Johnson made appearances both live and on record with no-wave band Lake of Dracula,(1995–1997) where he was billed simply as “The Manhattanite”, alongside members of The Scissor Girls, The Flying Luttenbachers, and Couch.]
  1. Luge – “Triangle Lifestyle”
    from: Luge / Luge / April 24, 2020
    [Toronto, Ontario based band with Cam Fraser on bass, Kaiva Gotham on vocals & synth, Tobias Hart on guitar, Stu Mein on drums & percussion. Mixed and mastered by Jackson Willows. Album art by Isaac Roberts (and Kaiva Gotham)]

11:42 – Guest DJ – Tucker Slough

We welcome Tucker Slough as a special Guest DJ. Tucker Slough is a veteran of the KC Music Community. His father is Fred Slough a well know Kansas City Attorney. Fred was part of the progressive law firm Slough Conneally Irwin and Madden who had offices above The Corner Restaurant in Westport, back when Westport was progressive and cool. // The late Kathleen Conneally was an Attorney for KKFI in our early years. Kay Madden was a regular contributor to KKFI’s The Tenth Voice for a decade.

Tucker Slough Thanks for being with us on Wednesday MidDay Medley

11:45

  1. Ava Luna – “Sears Roebuck M&Ms”
    from: Electric Balloon / Western Vinyl / March 4, 2014
    [Ava Luna is an American indie rock band from Brooklyn, New York, United States. // Their labvel debut, Ice Level was reviewed in Pitchfork by Paul Thompson who says “The genre-bending New York synth-funk septet create a glorious mess on their full-length debut.”. The songs from Electric Balloon “stick in your head in a way their earlier material didn’t” according to Lindsay Zoladz from Pitchfork. Tess Duncan of Pitchfork said of Infinite House that “The album has a loose, playful energy, and always seems to be ready to pounce on you.” // Current members: Carlos Hernandez on vocals, guitar (2005–present), Julian Fader – drums (2005–2007, 2010–present), Felicia Douglass – keyboard, vocals (2008–present), Ethan Bassford – bass (2010–present). Former members: Judnick Mayard on vocals (2008–2009), Alex Smith – drums (2007–2010), Siheun Song – vocals (2007–2010), Nathan Tompkins – keyboard (2005–2013), Becca Kauffman – keyboard, vocals, guitar (2009–2019). // DiscographyAlbums: Lemming (2007, self-released), Ice Level (2012, Infinite Best), Electric Balloon (2014, Western Vinyl). Infinite House (2015, Western Vinyl), Histoire de Melody Nelson (2018, Turntable Kitchen), Moon 2 (2018, Western Vinyl), Live at Market Hotel (2020, Western Vinyl). Compilations: Takamatsu Station (2015, self-released). EPs: 3rd Avenue Island (2009, Cooling Pie Records), Services EP (2010, Cooling Pie Records/Environmental Aesthetics), Pigments EP (2019, Western Vinyl). Singles: Wrenning Day (2012, Inflated Records), Water Duct (2012, Weathervane Music), Rain Flexi (2015, Father/Daughter Records), Israelites Flexi (2015, Joyful Noise Recordings).}

11:48 – Guest DJ – Tucker Slough / Goodbyes

We welcome Tucker Slough as a special Guest DJ. Tucker Slough is a veteran of the KC Music Community. His father is Fred Slough a well know Kansas City Attorney. Fred was part of the progressive law firm Slough Conneally Irwin and Madden who had offices above The Corner Restaurant in Westport, back when Westport was progressive and cool. // The late Kathleen Conneally was an Attorney for KKFI in our early years. Kay Madden was a regular contributor to KKFI’s The Tenth Voice for a decade. //

Tucker’s music is incredibly original, theatrical, hilarious, political, making social commentary with song, and the poetry of hip.

Tucker is an Actor. Tucker is a drummer. Tucker Slough is a husband and father

Tucker released his 8-track album, all of us ends up as all of us, on September 30, 2023. Tucker released his 13-track album, Municipal Bonds on December 26, 2022 in collaboration with Sloan Myers who provided Beats and cuts. He released his 5-track EP, Lx Obvix, on January 15, 2022. Tucker released his 16-track album, DraculaVision, on June 16, 2021. A veteran of the Kansas City music community, Tucker has previously released the 23-track album, Sloughterhouse V, in 2007, the 15-track album, The Sloughvinci Code, from 2007-2008, and the 28-track album Neonderthal in 2014. Tucker Slough has also released two vinyl albums: EPs 1 & 2, and EPs 3 & 4, with Shante’ Clair for their experimental Chicago/Kansas City band, ShinyJets.

Tucker Slough Thank you for being with us on Wednesday MidDay Medley.

Thank you all for listening

11:52

  1. Lx Obvix – “As Death Approaches”
    from: all of us ends up as all of us / Tucker Slough / September 20, 2023
    [Tucker Slough is an MC/drummer/actor/ who makes stuff that you may enjoy…. DraculaVision was performed entirely by Tucker Slough with guest appearances by Shante’ Clair of ShinyJets and a cartoon bear. More info at: http://www.tuckerslough.bandcamp.com]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, September 18 – we’ll talk with artist Lori Raye Erickson, and for our second hour we will focus on The Outer Reaches Festival September 20, 21, and 22 with special guest Steve Tulipana, Brenton Cook, Nathan Reusch, and Mark Ronning.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler.

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1060

WMM presents: St. George & The Dragons + Tucker Slough

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 11, 2024

David George of St. George & The Dragons + Guest DJ Tucker Slough

Mark spins New & MidCoastal Releases from: Blackstarkids, The Get Up Kids, Duncan Burnett, Comet Tide, St. George & The Dragons, Folk Bitch Trio, and Gillian Welch

Screenshot

At 10:30 David George shares tracks from KING OF KANSAS CITY, the debut album of St. George & The Dragons. Lead singer David George (Moaning Lisa, John Fogerty band) has been working with drummer/engineer Pat Tomek (The Rainmakers) since 2018 when they recorded three solo EPs for George. While orking together producing an album for David Luther, they enlisted the help of Matt Kesler (The Pedaljets, She Said, The Doo Dads) on bass with Tomek on drums and George on guitars and keys. They hit it off! Eventually the trio brought in Mike Greene, lead guitarist of The Front, a band known for their searing guitar and power rock sound, and vocalist/guitarist Skeet Hanks from New Orleans, who fronted the band Beatin’ Path, tearing up the Bayou country with their progressive rock sound and soaring melodies. The new 5-piece now has a 10-track debut album on Grand Central Bell Records! St. George & The Dragons play a Vinyl Release Party, Thursday, September 19, 2024 at 8:00pm at Knuckleheads, 2715 Rochester St, KCMO with Comet Tide.

At 11:00 Mark welcomes Tucker Slough as a special Guest DJ. Tucker will spin tracks from: Nation of Ulysses, Big Black, Bellini, Jesus Lizard, Joanna Newsom, US Maple, Luge, Ava Luna, and Lx Obvix. Tucker Slough is a KC based MC, drummer, and actor. Tucker released his 8-track album, all of us ends up as all of us, on September 30, 2023. Tucker released his 13-track album, Municipal Bonds on December 26, 2022 in collaboration with Sloan Myers who provided Beats and cuts. He released his 5-track EP, Lx Obvix, on January 15, 2022. Tucker released his 16-track album, DraculaVision, on June 16, 2021. A veteran of the Kansas City music community, Tucker has previously released the 23-track album, Sloughterhouse V, in 2007, the 15-track album, The Sloughvinci Code, from 2007-2008, and the 28-track album Neonderthal in 2014. Tucker Slough has also released two vinyl albums: EPs 1 & 2, and EPs 3 & 4, with Shante’ Clair for their experimental Chicago/Kansas City band, ShinyJets. Info at: http://www.tuckerslough.bandcamp.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1060

WMM presents: Scott Easterday: 35 Years + Big Fat Cow + Just Angel + Owen/Cox Dance Group’s Creative Intersection

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 24, 2024

Scott Easterday: 35 Years + Big Fat Cow + Just Angel + Owen/Cox Dance Group’s Creative Intersection

Mark spins tracks from Kat King, The Sluts, Leah Sproul, Big Fat Cow, Expassionates, the easterday band, Just Angel and Sisterbot

At 10:10 Mark talks with Cameron Thomas director of Owen/Cox Dance Group’s 5th Annual Creative Intersections, August 9 & 10, 2024, at 7:00pm, at the Hyde Park Butterfly Garden and Labyrinth, 3700 Gillham Rd. KCMO. This free annual outdoor performance is directed by Cameron Thomas, and features new works by Julia Gundzik, Elaine Kimble, Kristopher Estes-Brown, Olivia Emert, Christopher Ruud, and Jennifer Owen. Dancers include Isaac Allen, Allison Barreto, Alexis Borth, Amelia Meisner, Naomi Tanioka, Georgia Fuller, Sarah McGuyer, Elliott Rogers, Cameron Thomas, Max Nelson and Gillian Yoder. More information at: http://www.owencoxdance.org

At 10:30 members of the band Big Fat Cow join us to share music from their debut EP, BEHOLD THE SOIL! to be released August 1, 2024. Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassidy on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow are heading out across the stomping grounds in support of Behold the Soil! with 13 shows in 14 days (8/22-9/4) in Missouri, Tennessee, Mississippi, Arkansas, Texas, Oklahoma, and Kansas. More information at http://www.bigfatcowband.com

At 11:00 Mark talks with Scott Easterday, Elaine McMilian, and Kyle Dahlquist who join us to share details about, Scott Easterday: 35 Years, celebrating Scott’s 35 years as a singer, songwriter and performer, Sunday, August 4, at the recordBar, 1520 Grand, KCMO, at 7:00pm, tickets are $15. This retrospective concert will feature 11 other musicians that have performed with Scott over the years. There will be 3 main acts for the evening that will include songs from Expassionates, the easterday band, and more. Featuring Mark Accuff, Richard Alwyn, Richard Burgess, Kyle Dahlquist, Bryan Hicks, Nate Hofer, Elaine McMilian, Jon Niccum, Marco Pascolini, Sam Platt and Matt Richey. More information at: http://www.therecordbar.com

At 11:30 Just Angel will perform LIVE in our 90.1 FM Studios with T.A. Rell on keyboards. Just Angel is a musician, songwriter, dancer, and creative artist. Her powerful voice has been called, “Passionate … Soulful… and Inspiring.” Just Angel has performed with My Brothers & Sisters. Just Angel released her debut EP, JUST ANGEL, PART 1 on December 24, 2020, and her EP, JUST ANGEL, PART 2 on December 25, 2021. She also contributed vocals to the recent Sisterbot record. Just Angel and The Wades play Greenwood Social Hall, 1750 Belleview Ave., KCMO, on Friday, August 9 at 7:00pm. More information at: http://www.greenwoodsocialhall.com

The Sluts photo by Photo by John Clayton

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1056

WMM presents: Favorite Releases of 2024 + SOUND MANDALA + Epitome + Marion Merritt + Betse Ellis

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 17, 2024

Favorite Releases of 2024 + SOUND MANDALA + Epitome + Marion Merritt & Betse Ellis

Mark plays WMM’s Favorite Releases of 2024…So Far (Part 1 of 3) from The Freedom Affair, ALBER, Little Miss Dynamite, Zee Underscore, Monta At Odds, Daniel Gum, RxGhost, The Creepy Jingles, St. George & The Dragons, The Forcefields, Eddie Moore, Miss Boating, Epitome, musicbyskippy, and Leyla McCalla and Valerie June.

At 11:00 we’ll talk with Tom Mardikes, Professor of Sound Design at UMKC’s Conservatory. Tom has worked on over 250 professional productions as Sound Designer for KC Repertory Theatre, the Repertory Theatre of St. Louis, Heart of America Shakespeare Festival, and many others nationally. Mardikes has been head of graduate sound design training since 1986 and chair of UMKC Theatre since 2001. He co-founded Kansas City Actors Theatre in 2004, an artist-led, artist-driven professional theatre company performing in Kansas City’s Union Station. Tom shares details about SOUND MANDALA an immersive audio system that distributes sound to dozens of independent loudspeakers and moves sounds through space in ways never heard before. Sound Mandala premieres at The 20 annual KC Fringe Festival, in the Olsen Performing Arts Center at UMKC, 4949 Cherry St, KCMO., with 36 continual performances Friday, July 19 at 6:00pm, through Saturday, July 21 at 10:30pm. More info at http://www.soundmandala.org or http://www.kcfringe.org

At 11:30 Mark welcomes Kansas City based rapper Glenn Robinson who is known as Epitome. Epitome released his newest 10 track album, BOUJIE TYPE BEAT on February 19, 2024. Since then has released the new single, “Way Up (feat. Ayron Alexander)” on July 12, 2024. A protest of sorts, “WAY UP” is also a celebration of life and all its struggles. The raucous anthem delves into E’s mantra of “once you reach the bottom, the only way is UP!” Featuring the silky, smooth sounds of Ayron Alexander, the layered vocals transform this gritty griot into an alternative pop confection. Since 2016, Epitome has released 3 albums, 4 EPs. and nearly 20 singles, collaborating with artists including: The Royal Chief, Domineko, Regina Del Carmen, Amira Wang, VCMN, Scotty Wu, Lex Lingo and others. More info at: soundcloud.com/theepitomekc

AND, Marion Merritt of Records With Merritt, a minority owned business in KCMO, and Betse Ellis, critically acclaimed fiddler, singer, songwriter, of Betse & Clarke, Starhaven Rounders, and Little Miss Dynamite join us as special Guest Co-Hosts to encourage listeners to call 888-931-0901, or visit http://www.kkfi.org to support 90.1 FM KKFI – Kansas City Community Radio during our Summer Fund Drive Show.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1055

WMM Playlist from July 10, 2024

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 10, 2024

The Baseball Project + Danielle Ate the Sandwich + MusicbySkippy + Lone Stranger

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]

We start by reporting the sad news that Genetter Bradley, a Kansas City gospel icon and friend to so many, has passed. She was one of the finest gospel singers in the nation, a lead singer for the Kansas City Melody-Aires at The Apollo and on their classic 1967 album, Softly The Night Is Falling. She founded the Kansas City Gospel Music Seminar in 1982, and formed her own group, The Genetter Bradley Singers, which recorded the hit single “Right Direction,” for Spire Records. She was a gospel ambassador for Kansas City and featured in the critically acclaimed film documentary, “I’m So Glad: Kansas City And The Roots of Black Gospel Music — The Untold Story,” narrated by Isaac S. Cates.

We’ve feature this documentary on two of our WMM shows this year and there will be a special showing of the documentary “I’m So Glad,” at the Dunbar Theater, 1007 N Cleveland Ave, Wichita, Kansas, on Saturday, July 27, at 7:30 PM.

  1. Genetter Bradley and the Melody-Aires – “I’m So Glad”
    from: Softly The Night is Falling / 1967
    [Sister Genetter Bradley’s life activities include but are not limited to: She toured with such groups as the Staple Singers, The Caravans and many more. Sang and helped “The Kansas City Melody-Aires land their first recording contract with Simco Records and then Peacock Records. She performed at the Famed Apollo Theatre in New Your City in 1966. In 1974 she was introduced to Recom Records by Shirley Caesar and recorded her first Album titled “Moving in the Right Direction” with her own group “Genetter Bradley and the Bradley Singers”. Lead singer with the “Wings of Grace” in 1982.]

[For more than 10 years, Electric Prairie Productions, with Paul Wenske as writer and director, his wife Nancy Meis as producer, and their son Chris Wenske as videographer and lead editor, have gone to historically Black churches to film amazing gospel music for their new documentary film, “I’m So Glad.” The film that explores the untold story of Black Gospel Music in Kansas City and the roots of Black Gospel Music narrated by internationally recognized gospel music conductor Isaac S. Cates.]

  1. Danielle Ate the Sandwich – “The Terrible Dinner Guest”
    from: The Terrible Dinner Guest / Danielle Ate The Sandwich / September 9, 2016
    [Danielle Anderson on vocals, ukulele, guitar, keyboards, & Rhodes; Skye Zentz on vocals, glockenspiel, & keyboards; Ian Randall Thornton on upright bass & vocals; Jacki Paolella on electric bass; John DiGiorgio on drums; Zach Jones on electric guitar; Mothy on trumpet. Fawn Street Tabernacle Choir featured in Bad Habit: Chris Nickel, Kai B. White, Joseph Brockman, Jeff Flora, Ian Randall Thornton, Charles “Chuck” Abadam // The Terrible Dinner Guest is Danielle Ate the Sandwich’s 6th full length album, recorded in Norfolk, VA at TAPTAP Recordings and Clay Garden Studios. All Songs Written by: Danielle Anderson, Danielle Ate the Sandwich/BMI. Produced by: Skye Zentz, Jacki Paolella, Danielle Anderson. Arranged by: Danielle Anderson, Skye Zentz, Jacki Paolella. Engineered by: Jacki Paolella. Mixed by: Jacki Paolella. Mastered by: Adam Boose of Cauliflower Audio. Music. Contractor: Skye Zentz. Recorded in Norfolk, VA at TAPTAP Recordings and Clay Garden Studios. Art Direction: Ryan Anthony Martin. Photography by: Cooper James.]

[Danielle Anderson’s one woman comedy cabaret, ‘The Greatest Garage Sale Ever,’ will premiere at the KC Fringe Festival, with five performances Saturday, July 20 through Saturday, July 27 at The Bird Comedy Theater, 103 West 19th, KCMO. More info at: http://www.kcfringe.org and http://www.danielleatethesandwich.com]

10:10 – Interview with Danielle Anderson

Danielle Anderson performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle grew a fanbase with her DIY videos on Youtube and by touring the US extensively from 2009-2018. Danielle has released 7 albums of original music, over 200 YouTube videos, and conducts an annual 24 Hour Album project, writing and producing new songs with the help of her patrons in only 24 hours. She is recording her 8th album in Kansas City, KS, with Fritz Hutchison and Al Hawkins of True Lions. The album received an Inspiration Grant from ArtsKC. Her most recent project, ‘The Greatest Garage Sale Ever,’ is a one woman comedy cabaret, using humor, music, and songs to challenge the labels we give each other, and our ability to change. The show will premiere at the KC Fringe Festival, with five performances taking place Saturday, July 20 through Saturday, July 27 The Bird Comedy Theater, 103 West 19th, KCMO. More info at: http://www.kcfringe.org and http://www.danielleatethesandwich.com

Danielle Anderson, thank you for being with us on WMM.

We just heard the song “The Terrible Dinner Guest” from your beautiful 2016 album of the same name. You recorded the album on Norfolk Virginia, you are originally from Colorado? And from 2009 through 2018 you were on the road, touring and performing all over the country.

I remember I first met you through Erin McGrane and Jeff Freling aka Victor & Penny who met you out there on the road.

Since then Danielle ended up making her base Kansas City and quickly became involved in Folk Alliance, The Heartland Song Network, Arts and Support organizations, and improv.

She is recording her 8th album in Kansas City, KS, with Fritz Hutchison and Al Hawkins of True Lions. The album received an Inspiration Grant from ArtsKC. Her most recent project, THE GREATEST GARAGE SALE EVER is a one woman comedy cabaret featuring original characters and songs by Danielle Anderson of the folk music sensation Danielle Ate the Sandwich. This KC Fringe debut features bizarre yet endearing characters celebrating the power of nostalgia to remind us who we are, what we love, and what we’ve lost. Audience members are invited to examine the not-so-pleasant parts of being human through silliness and song, as we challenge our ability to change.

The show will premiere at the KC Fringe Festival, with five performances taking place Saturday, July 20 thru Sat., July 27 The Bird Comedy Theater, 103 West 19th, KCMO.

Saturday, July 20th at 9:00pm (1 of 5)
Sunday, July 21st at 7:30pm (2 of 5)
Tuesday, July 23rd at 9:00pm (3 of 5)
Thursday, July 25th at 6:00pm (4 of 5)
Saturday, July 27th at 1:30pm (5 of 5)

More info at: http://www.kcfringe.org and http://www.danielleatethesandwich.com
http://www.greatestgaragesaleever.com

On February 23, 2024, Danielle Ate The Sandwich released the single, “Turtle by Jer” – Written by Jerry “Jer” Slougherman and Danielle Anderson. Performed by Jer. Mixed by David Bashford

On January 14, 2024 Danielle Ate The Sandwich released the 6-track release, “2024 (The 24 Hour Album)”.

We most recently, on the radio show, featured your recording “Over Again (24 Hour Album)” released February 26, 2023. The 6 songs on this album were written and recorded in 24 hours on February 25th-26th, 2023, during Danielle Ate the Sandwich’s 8th annual 24 Hour Album. This project challenges the artist to write, record, produce, and release a new album in just twenty four hours, live streaming the process to her fans. Patrons of Danielle Ate the Sandwich tuned in from all across the world to suggest ideas and offer support with Danielle during live streams held throughout the 24 hours. Life is short! Stay up all night and make stuff!

On February 20, 2022 Danielle Ate The Sandwich released the 7-track release, “Continued Curfew (24 Hour Album 2022)”.

Danielle Ate The Sandwich released the 7-song album, 24 HOUR ALBUM (2021), on April 25, 2021. The 7 songs on this album were written and recorded in 24 hours on April 24th-25th, 2021, during Danielle Ate the Sandwich’s 6th annual 24 Hour Album.

On May 28, 2021 Danielle Ate the Sandwich released, It’s Not a Burden (Original Songs from the Documentary Film) on Youngest Daughter Records. It’s Not A Burden is a powerful and brilliant film about the joys and pain of raising elderly parents. The songs are produced by Joanna Katcher.

Danielle Ate The Sandwich released the single, “A Weight, A Wall” on June 1, 2021.

Danielle Ate The Sandwich released the single, “Goodbye to You” on August 22, 2021. More info at: http://www.danielleatethesandwich.com.]

Danielle Anderson, thank you for being with us on WMM.

Danielle Anderson’s one woman comedy cabaret, ‘The Greatest Garage Sale Ever,’ will premiere at the KC Fringe Festival, with five performances Saturday, July 20 through Saturday, July 27 at The Bird Comedy Theater, 103 West 19th, KCMO. More info at: http://www.kcfringe.org and http://www.danielleatethesandwich.com

10:29

  1. Danielle Ate the Sandwich – “Long Haul (True Love)”
    from: The Terrible Dinner Guest / Danielle Ate The Sandwich / September 9, 2016
    [Danielle Anderson on vocals, ukulele, guitar, keyboards, & Rhodes; Skye Zentz on vocals, glockenspiel, & keyboards; Ian Randall Thornton on upright bass & vocals; Jacki Paolella on electric bass; John DiGiorgio on drums; Zach Jones on electric guitar; Mothy on trumpet. Fawn Street Tabernacle Choir featured in Bad Habit: Chris Nickel, Kai B. White, Joseph Brockman, Jeff Flora, Ian Randall Thornton, Charles “Chuck” Abadam // The Terrible Dinner Guest is Danielle Ate the Sandwich’s 6th full length album, recorded in Norfolk, VA at TAPTAP Recordings and Clay Garden Studios. All Songs Written by: Danielle Anderson, Danielle Ate the Sandwich/BMI. Produced by: Skye Zentz, Jacki Paolella, Danielle Anderson. Arranged by: Danielle Anderson, Skye Zentz, Jacki Paolella. Engineered by: Jacki Paolella. Mixed by: Jacki Paolella. Mastered by: Adam Boose of Cauliflower Audio. Music. Contractor: Skye Zentz. Recorded in Norfolk, VA at TAPTAP Recordings and Clay Garden Studios. Art Direction: Ryan Anthony Martin. Photography by: Cooper James.]

[Danielle Anderson’s one woman comedy cabaret, ‘The Greatest Garage Sale Ever,’ will premiere at the KC Fringe Festival, with five performances Saturday, July 20 through Saturday, July 27 at The Bird Comedy Theater, 103 West 19th, KCMO. More info at: http://www.kcfringe.org and http://www.danielleatethesandwich.com]

10:33 – Underwriting

10:35 – Interview with Luke Harbur

Luke “Skippy” Harbur, a Kansas City based performer, producer, and beatboxing specialist. Luke “Skippy” Harbur is a vivacious artist known for his cross-pollinated brand of alternative music mixing hip hop, Broadway, EDM, and singer-songwriter influences. His project musicbyskippy connects multigenerational audiences through different show experiences, living among music, theater, and poetry to combat isolation and celebrate identity. Attend live comedy or musicals, and you get the idea. Since 2022 he’s released over 50 songs and sold almost 1,000 tickets to 8 original shows. He also hosts lectures about his arts business failures and successes, sharing artist income strategies to fight gatekeeping culture and foster community building.

musicbyskippy presents a WE PRESS PLAY RELEASE 2, Album Release & Dance Party, Friday, July 12, 8:00pm at Westport Bowery, 817 Westport Rd., KCMO. More info at: http://www.musicbyskippy.com

Luke “Skippy” Harbur will co-host with Audrey Crabtree the KC Fringe Festival Flash Preview, Thursday, July 18, at 7:30pm at The Arts Asylum, at 824 East Meyer Blvd, KCMO – Kick off the live Festival as Fringe artists from 53 shows tease you with one minute scenes from their productions.

Luke M. Harbur Thanks for being with us on Wednesday MidDay Medley.

“We Press Play Release 2” is the third album from musicbyskippy, Luke “Skippy” Harbur’s music project. Returning to electronic dance music roots featured in “we press play” (2022), this music focuses on dance beats, encouraging movement to run wild in listeners and audiences alike.

Live show experiences are immersive, with musicbyskippy wearing a custom-made helmet, performing artists popping up in the crowd, and some unreleased songs that can only be heard in-person. Album and show influences include KAYTRANADA, Stromae, & Glass Animals.

Album: We Press Play Release 2 / Released May 11, 2024
Musicians: musicbyskippy / Composer: Luke “Skippy” Harbur
Arranger: Luke “Skippy” Harbur
Genre: Dance/Electronic
Studio: Get Wild Studios / Production Dates: January 2021 to May 2022
Producer: Luke “Skippy” Harbur / Mixing Engineer: Luke “Skippy” Harbur
Mastering Engineer: Luke “Skippy” Harbur
Label/Publisher: Almost Peanut Butter / Publisher/Label: LSH Productions, LLC

10:44 – musicbyskippy LIVE

  1. musicbyskippy – “Gotta Catch My Breath Take 81” (LIVE) 
 Originally released as a single / Almost Peanut Butter / July 15, 2023
    [Musicians: musicbyskippy. Composer: Luke “Skippy” Harbur. Arranger: Luke “Skippy” Harbur. Studio: Get Wild Studios. Production Dates: May 2023 to June 2023. Producer: Luke “Skippy” Harbur. Mixing Engineer: Luke “Skippy” Harbur. Mastering Engineer: Luke “Skippy” // Publisher/Label: LSH Productions, LLC. More info at http://www.musicbyskippy.com]

10:46 – More interview with Luke Skippy Harbur

Luke “Skippy” Harbur, a Kansas City based performer, producer, and beatboxing specialist. Luke “Skippy” Harbur is a vivacious artist known for his cross-pollinated brand of alternative music mixing hip hop, Broadway, EDM, and singer-songwriter influences. His project musicbyskippy connects multigenerational audiences through different show experiences, living among music, theater, and poetry to combat isolation and celebrate identity. Attend live comedy or musicals, and you get the idea. Since 2022 he’s released over 50 songs and sold almost 1,000 tickets to 8 original shows. He also hosts lectures about his arts business failures and successes, sharing artist income strategies to fight gatekeeping culture and foster community building.

musicbyskippy presents a WE PRESS PLAY RELEASE 2, Album Release & Dance Party, Friday, July 12, 8:00pm at Westport Bowery, 817 Westport Rd., KCMO. More info at: http://www.musicbyskippy.com

Luke “Skippy” Harbur will co-host with Audrey Crabtree the KC Fringe Festival Flash Preview, Thursday, July 18, at 7:30pm at The Arts Asylum, at 824 East Meyer Blvd, KCVMO – Kick off the live Festival as Fringe artists from 53 shows tease you with one minute scenes from their productions.

Luke M. Harbur Thanks for being with us on Wednesday MidDay Medley.

“We Press Play Release 2” is the third album from musicbyskippy, Luke “Skippy” Harbur’s music project. Returning to electronic dance music roots featured in “we press play” (2022), this music focuses on dance beats, encouraging movement to run wild in listeners and audiences alike.

Live show experiences are immersive, with musicbyskippy wearing a custom-made helmet, performing artists popping up in the crowd, and some unreleased songs that can only be heard in-person. Album and show influences include KAYTRANADA, Stromae, & Glass Animals. Released May 11, 2024

musicbyskippy is the solo musical project by Luke Harbur. Known for being a vocal per-cussionist, his discography spans multiple genres of pop, hip hop, EDM, and singer / song-writer. Harbur’s passion for musicbyskippy originates with his receiving a life-saving liver transplant at the age of 11 months, giving him a second chance to live life to the fullest. Through his experimental, authentic approach, he hopes his audiences will gravitate to music and a live experience that they will love. More info at: http://www.musicbyskippy.com

In 2023 musicbyskippy released THESE SONGS ARE EMOTION. In 2022 musicbyskippy released the 12-track debut album, MY DYING WISH on Feb. 18, the single “Get Wild” on June 3, the 12-track instrumental/electronic album WE PRESS PLAY, on June 17, and the 5-track EP, YOU CAN SING on Nov. 20, plus an original play and multiple projects and performances.

musicby-skippy is Luke Harbur’s entertainment project.

The Overland Park, Kansas native mixes beatboxing, singing, beat production, rapping, & keyboard playing to entertain all-age audiences.

After graduating from Ithaca College in 2018, he moved near home to Kansas City, Missouri, becoming a featured performer for musicians, festivals, corporate & non-profit events, and performance groups.

His music passion roots in receiving a life-saving liver transplant at the age of 11 months old. His debut album, my dying wish, was released on all music streaming and purchasing platforms. More info at http://www.musicbyskippy.com

Musicbyskippy – Discography

musicbyskippy – These Songs Are Emotions / LSH Productions / April 22, 2023
musicbyskippy – MY DYING WISH / 12-track debut Album / Feb. 18, 2022
musicbyskippy – “Get Wild” / Single / June 3, 2022
musicbyskippy – WE PRESS PLAY / 12-track instrumental album / June 17, 2022
musicbyskippy – YOU CAN SING / 5-track EP / Nov. 20, 2022
musicbyskippy – THESE SONGS ARE EMOTIONS / 5-track EP / April 22, 2023

Luke was born and raised in Overland Park Kansas and went to Olathe East High School but let Olathe East to go to school in Winston Salem, North Carolina, at a Performing Arts School where you studied Acting and Theatre.

Luke then went to Ithica College to study Journalism and eventually got a job as a Production Assistant at the Kansas City Star,

Luke performs regularly with Quixotic and also is a frequent performer at Missy B’s

Luke M. Harbur mixes beatboxing, singing, beat production, rapping, and keyboard playing to entertain all-age audiences in clubs, theaters, festivals.

Luke M. Harbur works in Music Videography, Social Media Management, and graphic Design.

musicbyskippy is Luke “Skippy” Harbur’s entertainment project. The Overland Park, Kansas native mixes beatboxing, singing, beat production, rapping, & keyboard playing to entertain all-age audiences. After graduating from Ithaca College in 2018, he moved near home to Kansas City, Missouri, becoming a featured performer for musicians, festivals, corporate & non-profit events, and performance groups.

His music passion roots in receiving a life-saving liver transplant at the age of 11 months old. His debut album, my dying wish, is now on all music streaming and purchasing platforms. He hopes you learn something new and experience songs you love.

Luke “Skippy” Harbur’s CV/Resume

Organizations & artists featuring musicbyskippy

Boulevardia (2022) | Kansas City, Missouri
Missie B’s (2021 & 2022) | Kansas City, Missouri
Cafe Cà Phê (2021) | Kansas City, Missouri & North Kansas City, Missouri
No Divide KC (2021) | Kansas City, Missouri
Jukeboxx Media, gig for T-Mobile (2021) | Kansas City, Missouri
Paradise Garden Club (2021) | Kansas City, Missouri
Fishtank Theatre (2021) | Kansas City, Missouri
Jesse Powers (2021) | Kansas City, Missouri
Calvin Arsenia (2019, 2020, & 2021) | Kansas City, Missouri
Quixotic (2019, 2020, & 2021, 2022) | Kansas City, Missouri
Ithaca College Choral Program (2018) | Ithaca, New York
University of North Carolina School of the Arts (2018) | Winston-Salem, North Carolina
NATS Mid-Atlantic Region (2018) | Lynchburg, Virginia
The Heartland Men’s Chorus (2017) | Kansas City, Missouri
Ithacappella (2015, 2016, 2017, & 2018) | Ithaca, New York

musicbyskippy is the entertainment project of Overland Park, Kansas native Luke “Skippy” Harbur. He’s developed skills in beatboxing, singing, beat production, rapping, & keyboard playing in hopes to express his core vision: everyone has an inner artist and should be able to express their full, authentic self.

His parent’s and grandparent’s own journeys in music fostered his artistic upbringing. His involvement in music programs since age 5 eventually lead him to move to Winston-Salem, North Carolina and finish high school at the University of North Carolina School of the Arts’ High School Drama Program. Although he was offered Acting scholarships to SUNY Purchase and Webster University, he attended Ithaca College in Ithaca, New York on academic scholarship and graduated in 2018 with a Bachelor of Arts in Journalism. Outside collegiate academics he served as a vocal percussionist, ensemble member, and soloist for Ithacappella, Ithaca College’s all-male a cappella group. Once a year the group traveled across America’s northeastern coast for a winter singing tour, creating collabor-ations with the PS 22 Chorus in Staten Island, New York and singing the national anthem for NHL’s New York Rangers and NBA’s New York Knicks at Madison Square Garden.

Since moving to Kansas City, Missouri in 2019, he’s started finding his audience: Quixotic, Missie B’s, and Cafe Cà Phê have become some of his core, consistent collaborators, and in 2021 he started releasing his first batch of public music projects. His first was SKIPPY Sessions Volume 1, a collection of 8 short music compositions combining his beatboxing skills with other artistic disciplines practiced by other Kansas City-based artists. The second music project was “Rant,” his debut single from his debut album, my dying wish, which released on all music streaming and purchasing platforms on February 18th, 2022.

Each opportunity to perform and collaborate with others is rooted in a deeper story. In 1996, at 5 months old, he was diagnosed with biliary atresia, a rare liver disease. 6 months later he received a life-saving liver transplant from an 8-year-old boy named Aaron Drake, who passed away while on a camping trip at The Lake of the Ozarks, Missouri. But through this tragedy came hope, giving Luke “Skippy” Harbur a second chance to inspire others. From his music, he hopes you learn something new and experience songs you love.

10:56

Luke M. Harbur Thanks for being with us on Wednesday MidDay Medley.

musicbyskippy presents a WE PRESS PLAY RELEASE 2, Album Release & Dance Party, Friday, July 12, 8:00pm at Westport Bowery, 817 Westport Rd., KCMO. More info at: http://www.musicbyskippy.com

Luke “Skippy” Harbur will co-host with Audrey Crabtree the KC Fringe Festival Flash Preview, Thursday, July 18, at 7:30pm at The Arts Asylum, at 824 East Meyer Blvd, KCMO – Kick off the live Festival as Fringe artists from 53 shows tease you with one minute scenes from their productions.

10:57

  1. musicbyskippy – “Looking Back”
    from: We Press Play Release 2 / LSH Productions / May 11, 2024
    [“We Press Play Release 2” is the third album from musicbyskippy, Luke “Skippy” Harbur’s music project. Returning to electronic dance music roots featured in “we press play” (2022), this music focuses on dance beats, encouraging movement to run wild in listeners and audiences alike. Live show experiences are immersive, with musicbyskippy wearing a custom-made helmet, performing artists popping up in the crowd, and some unreleased songs that can only be heard in-person. Album and show influences include KAYTRANADA, Stromae, & Glass Animals. // Musicians: musicbyskippy. Composer: Luke “Skippy” Harbur. Arranger: Luke “Skippy” Harbur. Genre: Dance/Electronic. Studio: Get Wild Studios. Production Dates: January 2021 to May 2022. Producer: Luke “Skippy” Harbur. Mixing Engineer: Luke “Skippy” Harbur. Mastering Engineer: Luke “Skippy” Harbur. Label/Publisher: Almost Peanut Butter. Publisher/Label: LSH Productions, LLC. More info at http://www.musicbyskippy.com]

11:00 – Station ID

11:00 – Interview with Lone Stranger (Zachary S. Phillips)

Lone Stranger is the musical project of Zachary S. Phillips known for his longtime work in the bands, Gadjits and Architects where he played bass guitar and toured all over the country with his brothers Brandon, and Adam. For the Lone Stranger Zach works on mixing, mastering, and manufacturing his own solo music, playing almost all of the instruments himself, mixing genres of Ska, Reggae and hip hop.

Zachary Phillips thanks for being with us on WMM.

Lone Stranger has been writing many new songs.

11:05 – Lone Stranger LIVE

  1. Lone Stranger – “DR V. W. Bikales ” (LIVE)
    Lone Stranger (Zachary Phillips) on Vocals and Adam Phillips on percussion

11:09 – More Interview with Lone Stranger

The Lone Stranger is the new musical project of Zachary S. Phillips.

With Lone Stranger Zach plays almost all the music, and wrote, arranged, engineered, produced and performed every note. The music contains Ska, Reggae and a bit of Hip Hop.

In 2022 Zachary played live on WMM on October 26, 2022.

Zachary Phillips thanks for being with us on WMM.

11:13 – Lone Stranger LIVE

  1. The Lone Stranger – “9 Years Ahead of my Time” (LIVE)
    Lone Stranger (Zachary Phillips) on Vocals and Adam Phillips on percussion

11:18 – More Interview with Lone Stranger

Lone Stranger is the new musical project of Zachary S. Phillips. Zach played 99% of all the music, and wrote, arranged, engineered, produced and performed every note. The music contains Ska, Reggae and a bit of Hip Hop.

Zachary Phillips thanks for being with us on WMM.

11:22 – Lone Stranger LIVE

  1. Lone Stranger – “Its Nice to Meet ya” (LIVE)
    Lone Stranger (Zachary Phillips) on Vocals and Adam Phillips on percussion

11:25 – More Interview with Lone Stranger

History: The Gadjits were a ska and rock and roll band from Kansas City, Missouri. Their sound was influenced by The Clash, The Who, AC/DC, Elvis Costello, The Stooges, and The Rolling Stones.

Brandon, Zach, and Adam Phillips come from an artistic family, their father was a jazz musician and their mother an art teacher. The brothers started by playing AC/DC covers, but moved on to original songs and a broader range of influences. The group was formed in 1991 when 14-year-old Brandon led his younger brothers Zach and Adam into a seedy bar in Kansas City to play their first gig to the small crowd of locals.

The band released the debut album, Da Gravy on Yo’ Grits, on their own JoCo Ska label. They went on to perform support slots for the Skatalites, Rancid (band) and Let’s Go Bowling. Heidi Blobaum joined on keyboards, replaced a year later by Hillary Allen.

At Ease was released in 1998 on Epitaph Records attracting attention from Tim Armstrong of Rancid (band). The Gadjits appeared on the Vans Warped Tour later that summer.

Wish We Never Met was released in 1999 on Hellcat Records.

Today Is My Day was released in 2002 on Thick Records. Featuring Brandon Phillips (vocals, guitar); Zach Phillips (vocals, bass); Mike Alexander (guitar); Hilary Allen (Fender Rhodes piano, Hammond B-3 organ); Adam Phillips (drums).

In June 2004 The Gadjits ceased to exist and a new band, The Architects, was formed.
Gadjits Discography

Full-length albums

  • Da Gravy On Yo Grits (JoCo Ska, 1997)
  • At Ease (Hellcat Records, 1999)
  • Wish We Never Met (Hellcat Records, 2001)
  • Today Is My Day (Thick Records, 2002)
  • Our Time To…” (RCA Records, 2003) (left unreleased after RCA dropped the band)

Singles, EPs and split releases
Yes I Are (VMS Records, 2001)
Someday Driver (Thick Records, 2001)

Compilation appearances
‘Gangster Girl’ & ‘Sassy’ on ‘Skank For Brains – Saturday Matinee’ comp (Beach Records)
‘Beautiful Girl’ on the ‘Give ‘Em The Boot’ compilation (Hellcat Records, 1997)
‘Bad Gadjit’ on the ‘Give ‘Em The Boot Vol. II’ compilation (Hellcat Records, 1999)
‘One Stones Throw (From A Riot)’ on ‘Give ‘Em The Boot Vol. III’ (Hellcat Records, 2002)


The Architects are an American rock band from Kansas City, Missouri. The band was formed by previous members of the punk and ska band The Gadjits, brothers Brandon, Adam, and Zach Phillips, and Mike Alexander.

In June 2004 the Gadjits ceased to exist as a band and a new band, Architects, was formed. The brothers added Gadjits guitarist Mike Alexander, and this lineup recorded the band’s debut album, Keys to the Building, released on the Anodyne label in 2004. Revenge followed in 2006, described by Allmusic as ” a solid rock offering with enough soul and punk urgency to keep things interesting from start to finish”, and Vice in 2008. Keenan Nichols had replaced Alexander in Oct. 2007. They signed to Frank Iero’s Skeleton Crew.

In 2013 they started releasing the Border Wars graphic novel/EP series, on which they worked with illustrator Mallory Dorn.

Musical style and influences: The Tucson Weekly described the band’s music as “a dynamic, explosive combination of traditional punk, maximum R&B, Midwestern alternative rock, blues-based metal and pop melodies”. They were described as “dirty rock & roll tinged with Southern heart and gritty, passionate attitude” by Allmusic. Their influences include AC/DC, Bruce Springsteen, and Meat Loaf.

Band Members
Brandon Phillips – lead vocals/rhythm guitar (2004–present)
Adam Phillips – drums (2004–present)
Zach Phillips – bass guitar/backing vocals (2004–present)
Mike Alexander – guitar (2004–2007)
Keenan Nichols – lead guitar/backing vocals (2007-2014)[11]
Adrianne Verhoven – keyboards (2004,2009-2010)

The Architects Discography

Albums
Keys to the Building (October 2004), Anodyne
Revenge (March 2006), Anodyne
Vice (May 2008), Anodyne
The Hard Way (June 2009), Skeleton Crew
Live in Los Angeles (October 2012), Skeleton Crew
Border Wars Episodes I & II (2017), Gran Cala Vera/Wolffang Funk

EPs
Border Wars Ep 1 (April 25, 2014)
Border Wars Ep 2 (September 9, 2013

Compilation appearances
“Promises” included on First Blood (2007), OxBlood

“There was a certain style of songwriting and performance that I had always wanted to do but had never taken the plunge.” Says Brandon Phillips, central figure in Kansas City, Missouri’s brand new pop-soul group, Brandon Phillips and The Condition. In response to that unscratched artistic itch, Phillips began writing and recording in 2015 with the help of his brothers Zach Phillips (The Architects, The Gadjits) and Adam Phillips (The Gadjits, The Architects, Radar State) and enlisting the help of various KC area musicians to flesh out a sound that was equal parts Get Happy-era Elvis Costello and early Motown.

In 2016, the first, official lineup of BP+C came together and started rehearsing for their first batch of shows. The pedigree of the lineup then, now and always – including members of bands like The Architects, Rachel Mallin and The Wild Type, The Roseline, The Gadjits, Hi Lux and Madisen Ward and the Mama Bear.

Brandon Phillips also created electronic project Memsa Deathsquad and Other Americans

Lone Stranger is the new musical project of Zachary S. Phillips known for his longtime work in the bands, Gadjits and Architects

Zachary Phillips thanks for being with us on WMM.

11:28 – Underwriting

  1. The Baseball Project – “Erasable Man”
    from: Grand Salami Time / Omnivore / June 30, 2023
    [Grand Salami Time! is the fourth full-length studio album by American rock supergroup the Baseball Project, released by Omnivore Recordings on June 30, 2023. The album was produced by Mitch Easter, who began working with R.E.M. at the beginning of their careers; the Baseball Project features two of their former members. It also marks their first album under Omnivore, as they had previously been signed to Yep Roc. // At the urging of drummer Linda Pitmon, the band recorded this album with Mitch Easter, who had previously produced R.E.M.’s first single and co-produced that band’s debut EP, debut full-length, and sophomore full-length. The sessions lasted 10 days and the songs were recorded live-to-tape in Easter’s studio The album was preceded by singles “The Voice of Baseball” and “Journeyman”. The band also announced a brief tour of the United States supporting Jason Isbell & The 400 Unit. The album is titled after a line that Seattle Mariners announcer Dave Niehaus would say when a grand slam was hit. // In American Songwriter, Lee Zimmerman rated this album 4 out of 5 stars, calling it “a joyful and jubilant example of the late ‘70s and early ‘80s power pop”.Steven Wine of the Associated Press praised the clever lyrics and writes that “topics are paired with garage rock that gives [guitarist Peter] Buck a chance to serve up some delightful guitar squall”. BrooklynVegan’s Bill Pearis recommends the album to baseball fans and non-fans alike, noting that the former will get more enjoyment out of the music. Writing it for Glide Magazine, Jim Hynes calls this album “so much fun” and tells listeners that it’s “pure joy putting the album on and following the lyrics in the jacket”. In The Mercury News, Jim Harrington the band has “passion [that] leads to an abundance of ideas for song topics” and after multiple albums, they are “still going strong, finding plenty of musical inspiration in a seemingly endless supply of decades-old stories and modern-day tales about the game”. Mario Naves of The New York Sun favorably compares this to the band’s last album, 3rd and calls it “unstoppable”. Frank Valish of Under the Radar rated this work a 7 out of 10, writing that the live in-studio recording method “lends a certain energy to the proceedings” and characterizes the album as “a bunch of musical heroes having fun together and celebrating music, each other, and America’s favorite pastime to boot”. // Additional personnel: Steve Berlin on baritone saxophone on “Erasable Man” // Mitch Easter – guitar on “Journeyman”, recording, mixing, production // and Stephen McCarthy – lap steel guitar.]

[The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, TONIGHT, July 10, 8:00pm. More info at: http://www.therecordbar.com]

11:34 – Interview with Scott McCaughey of The Baseball Project

Nine years after their last album, the supergroup The Baseball Project released their 4th album GRAND SALAMI TIME on June 30, 2023, on their new label Omnivore Records. Joining us in our 90.1 FM Studios is veteran Rock God – Scott McCaughey who is also the leader of the Seattle and Portland-based bands The Young Fresh Fellows and The Minus 5. He was also an auxiliary member of the American rock band R.E.M. from 1994 until the band’s break-up in 2011, contributing to the studio albums New Adventures in Hi-Fi, Up, Reveal, Around the Sun, Accelerate and Collapse into Now.

The Baseball Project was formed in 2007, the performers came together from discussions between McCaughey and Steve Wynn at R.E.M.’s March 21, 2007 induction into the Rock and Roll Hall of Fame. They invited Peter Buck to play bass guitar and Linda Pitmon (of filthy Friends) on drums and recorded their first album later that year.

To add to the story, between The Baseball Projects 3rd album and there latest release, Grand Salami Time, McCaughey suffered a stroke on November 16, 2017, that nearly killed him and wiped his musical catalog from his memory — decades of albums and songs written and recorded with the Minus 5, Young Fresh Fellows, R.E.M., Baseball Project, and many more, all disappeared. But instead of wallowing in misery, McCaughey channeled his omni-positive spirit and began to write down whatever incoherent thoughts crossed his mind. He turned those stream-of-consciousness notebook pages into his 13th full-length Minus 5 release, Stroke Manor. McCaughey recovered substantially from his stroke in 2018, and began playing a series of well received shows at venues in Portland. And Since then has release several records, and as you just heard on the song we just played: “Eraseable Man” he sounds as great s ever.

The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com

Scott McCaughey thanks for being with us on WMM on 90.1 FM – KKFI Kansas City Community Radio

The Baseball Project is: Peter Buck, Mike Mills, Scott McCaughey, Steve Wynn. Linda Pitmon.

Buck and McCaughey have previously played together in Robyn Hitchcock and The Venus 3, The Minus 5, R.E.M., and Tuatara.

Wynn is the former leader of The Dream Syndicate.

Pitmon also plays with Buck and McCaughey in Filthy Friends (with Kurt Bloch and Corin Tucker) and their project with Luke Haines (of the Auteurs).

On June 30, 2023 the band released their fourth album, Grand Salami Time, recorded with early R.E.M. collaborator Mitch Easter at his Fidelitorium Recordings studio in Kernersville, N.C., and released on Omnivore Recordings.

The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com

The Baseball Project – Website: http://www.baseballproject.net

Peter Buck – guitar, production
Scott McCaughey – guitar, keyboards, lead vocals, backing vocals, production
Mike Mills – bass guitar, backing vocals, lead vocals on “Stuff”, production
Linda Pitmon – drums, percussion, backing vocals, production
Steve Wynn – guitar, lead vocals, backing vocals, production

At the urging of drummer Linda Pitmon, the band recorded this album with Mitch Easter, who had previously produced R.E.M.’s first single and co-produced that band’s debut EP, debut full-length, and sophomore full-length. The sessions lasted 10 days and the songs were recorded live-to-tape in Easter’s studio The album was preceded by singles “The Voice of Baseball” and “Journeyman”.

Their first album under Omnivore, as they had previously been signed to Yep Roc.

Additional personnel: Steve Berlin on baritone saxophone on “Erasable Man” // Mitch Easter – guitar on “Journeyman”, recording, mixing, production // and Stephen McCarthy – lap steel guitar.]

Grand Salami Time! is the fourth full-length studio album – Track listing

“Grand Salami Time” (Peter Buck and Scott McCaughey) – 3:22
“The Yips” (Steve Wynn)[16] – 3:31
“Screwball” (McCaughey) – 3:44
“Uncle Charlie” (Buck and Wynn)[16] – 3:26
“Journeyman” (Buck and Wynn) – 4:07
“Erasable Man” (McCaughey) – 4:06
“New Oh in Town” (McCaughey) – 2:55
“Disco Demolition” (Wynn) – 3:28
“Stuff” (Mike Mills) – 5:21
“The All or Nothings” (Buck and McCaughey) – 2:57
“That’s Living” (Wynn) – 3:28
“64 and 64” (McCaughey) – 4:39
“Having Fun” (Wynn) – 3:30
“Fantasy Baseball Widow” (Wynn) – 2:20
“The Voice of Baseball” (Buck and McCaughey) – 3:02

From: http://www./omnivorerecordings.com

4th release featuring Scott McCaughey (The Minus 5/Young Fresh Fellows), Steve Wynn (The Dream Syndicate), Peter Buck & Mike Mills (R.E.M.) Linda Pitmon (Filthy Friends).

In 2008 they busted out of the box and easily reached first with their Frozen Ropes And Dying Quails. The Baseball Project was on base and immediately posed a threat to go further.

In 2011, they moved on to second with some wildness aptly called High And Inside. They were halfway home.

Three years later in 2014, the quintet of Big Stars moved on down the line to the aptly titled 3rd, an epic double dip delight of craftsmanship and savvy.

And there they stayed. For 9 long year but The Baseball Project finally came home, scoring big and touching ’em all with their fourth album Grand Salami Time. The scoreboard is lighting up and the fireworks are illuminating the sky.

Speaking of reaching home, this album is a homecoming of sorts, as the band recorded and produced the album with none other than the legendary Mitch Easter. BBP members Peter Buck and Mike Mills’ made their first albums with Mitch back in the early ’80s with a swingin’ little combo called R.E.M.

Scott McCaughey and Steve Wynn kept busy themselves, busting out new tunes with the Minus 5/Young Fresh Fellows (Scott) and The Dream Syndicate (Steve), while stockpiling a passel of penned poetics about the national pastime, many co-written with Peter. Mike adds a new classic of his own about doctored baseballs called “Stuff.”

Linda Pitmon, who along with Peter and Scott has been part of a steady rhythmic nucleus, bashing out epic rock platters with Filthy Friends, (Alejandro Escovedo, Luke Haines & Peter Buck), is back driving the ship from behind her mighty drum machine.

Wynn points out, “this is our only band that plays stadiums”—true story as The Baseball Project has performed full sets along with the National Anthem and “Take Me Out To The Ball Game” at major league parks in Boston, Chicago, Milwaukee, Denver, Minneapolis, Philadelphia and more minor league and spring training fields, as well as having thrown out some exceptional first pitches (nothing but strikes!) as well.

It’s all part of an unusual arc and fun story of a band whose first gig was an appearance on Late Night With David Letterman followed by a festival in a medieval Spanish city. For a quintet that has seemingly done everything over the years with their other bands, The Baseball Project always offers new and uncharted experiences.

The album was recorded at Mitch Easter’s fabled Fidelitorium Studios in Kernersville, North Carolina, with the entire band performing live together in the same room, a joyous experience that seemed impossible to imagine only one year before. Mitch adds guitar on a few tracks and the record also features appearances by Stephen McCarthy (The Long Ryders) and Steve Berlin (Los Lobos).

In the meantime, the band will be out on the road throughout—when else?—the upcoming baseball season. And we all know they’ll find their way home. Get out the rye bread and mustard, Grandma, it’s Grand Salami Time!

Grand Salami Time is the home run music fans have been waiting for. Packaging features stories behind the songs from band members, and makes Grand Salami Time more than a game—it makes your season!

11:42

  1. The Baseball Project – “Journeyman”
    from: Grand Salami Time / Omnivore / June 30, 2023
    [Grand Salami Time! is the fourth full-length studio album by American rock supergroup the Baseball Project, released by Omnivore Recordings on June 30, 2023. The album was produced by Mitch Easter, who began working with R.E.M. at the beginning of their careers; the Baseball Project features two of their former members. It also marks their first album under Omnivore, as they had previously been signed to Yep Roc. // At the urging of drummer Linda Pitmon, the band recorded this album with Mitch Easter, who had previously produced R.E.M.’s first single and co-produced that band’s debut EP, debut full-length, and sophomore full-length. The sessions lasted 10 days and the songs were recorded live-to-tape in Easter’s studio The album was preceded by singles “The Voice of Baseball” and “Journeyman”. The band also announced a brief tour of the United States supporting Jason Isbell & The 400 Unit. The album is titled after a line that Seattle Mariners announcer Dave Niehaus would say when a grand slam was hit. // In American Songwriter, Lee Zimmerman rated this album 4 out of 5 stars, calling it “a joyful and jubilant example of the late ‘70s and early ‘80s power pop”.Steven Wine of the Associated Press praised the clever lyrics and writes that “topics are paired with garage rock that gives [guitarist Peter] Buck a chance to serve up some delightful guitar squall”. BrooklynVegan’s Bill Pearis recommends the album to baseball fans and non-fans alike, noting that the former will get more enjoyment out of the music. Writing it for Glide Magazine, Jim Hynes calls this album “so much fun” and tells listeners that it’s “pure joy putting the album on and following the lyrics in the jacket”. In The Mercury News, Jim Harrington the band has “passion [that] leads to an abundance of ideas for song topics” and after multiple albums, they are “still going strong, finding plenty of musical inspiration in a seemingly endless supply of decades-old stories and modern-day tales about the game”. Mario Naves of The New York Sun favorably compares this to the band’s last album, 3rd and calls it “unstoppable”. Frank Valish of Under the Radar rated this work a 7 out of 10, writing that the live in-studio recording method “lends a certain energy to the proceedings” and characterizes the album as “a bunch of musical heroes having fun together and celebrating music, each other, and America’s favorite pastime to boot”. // Additional personnel: Steve Berlin on baritone saxophone on “Erasable Man” // Mitch Easter – guitar on “Journeyman”, recording, mixing, production // and Stephen McCarthy – lap steel guitar.]

[The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com]

11:46 – More Interview with Scott McCaughey of The Baseball Project

Scott McCaughey plays with the supergroup, The Baseball Project. Scott McCaughey is also the leader of the Seattle and Portland-based bands The Young Fresh Fellows and The Minus 5. He was also an auxiliary member of the American rock band R.E.M. from 1994 until the band’s break-up in 2011, contributing to the studio albums New Adventures in Hi-Fi, Up, Reveal, Around the Sun, Accelerate and Collapse into Now.

The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com

Scott McCaughey thanks for being with us on WMM on 90.1 FM – KKFI Kansas City Community Radio

The Baseball Project is: Peter Buck, Mike Mills, Scott McCaughey, Steve Wynn and Linda Pitmon. Formed in 2007, the performers came together from discussions between McCaughey and Wynn at R.E.M.’s March 21, 2007 induction into the Rock and Roll Hall of Fame.

They invited Buck to play bass guitar and Pitmon on drums and recorded their first album later that year. Buck and McCaughey have previously played together in Robyn Hitchcock and The Venus 3, The Minus 5, R.E.M., and Tuatara. Wynn is the former leader of The Dream Syndicate. Pitmon also plays with Buck and McCaughey in Filthy Friends (with Kurt Bloch and Corin Tucker) and their project with Luke Haines (of the Auteurs). On June 30, 2023 the band released their fourth album, Grand Salami Time, recorded with early R.E.M. collaborator Mitch Easter at his Fidelitorium Recordings studio in Kernersville, N.C., and released on Omnivore Recordings. The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com

Scott Lewis McCaughey is an American singer, guitarist and songwriter and the leader of the Seattle and Portland-based bands The Young Fresh Fellows and The Minus 5. He was also an auxiliary member of the American rock band R.E.M. from 1994 until the band’s break-up in 2011, contributing to the studio albums New Adventures in Hi-Fi, Up, Reveal, Around the Sun, Accelerate and Collapse into Now.

McCaughey started his career with the indie rock band Young Fresh Fellows. Beginning in January 1980, he was also a writer for the Seattle music magazine The Rocket.

From 1994 until 2011, McCaughey worked with R.E.M. both on stage and in the studio. “When R.E.M. came to Seattle to work on Automatic for the People, Peter [Buck] called me up. He probably didn’t know anybody else in town. We’d go out to eat or have drinks pretty regularly while he was here. And then he ended up moving out here. Once he was here, we started playing together a lot, doing all The Minus 5 stuff.” It was McCaughey who introduced Buck to his future wife, Stephanie. Buck invited McCaughey to join R.E.M. on their 1995 Monster tour, initially as a second guitarist. “[Peter] said, ‘I wouldn’t ask you if the Fellows were playing a lot.’ But the Fellows were not really doing anything; we’d kind of brought it down to a crawl. I told him, ‘Sure, I’d like to try.’ I had to audition because I didn’t know the rest of the guys as well as Peter.”

McCaughey remained with R.E.M. in various capacities until the band’s dissolution. He contributed to the studio albums New Adventures in Hi-Fi, Up, Reveal, Around the Sun, Accelerate and Collapse into Now. Additionally, he has received credits for his work on the live albums R.E.M. Live and Live at The Olympia album as well as their 2003 greatest hits collection, In Time. When working with R.E.M., McCaughey played guitar, bass guitar, keyboards, and sang backing vocals.

The Minus 5 and Tuatara
R.E.M. members and side musicians formed The Minus 5 and Tuatara in the mid-1990s.

Moween
In June 2003, McCaughey recorded a song with Moween (Peter Schoemaker/Bram van den Berg) at the IDQ studio in Utrecht, titled “Move On.”

The Baseball Project
In 2008, McCaughey formed the side band The Baseball Project with Buck, Steve Wynn and Linda Pitmon. Their first album, Volume 1: Frozen Ropes and Dying Quails was released later that year and their first ever public appearance was on the Late Night With David Letterman show. Since then, Mike Mills has joined the team and they’ve recorded Volume 2: High and Inside, Volume 3: 3rd, and Volume 4: Grand Salami Time (release date June 30, 2023 on Omnivore Records).

The Venus Three
He is also bassist for Robyn Hitchcock’s touring band The Venus 3, which has included Bill Rieflin (drums) and Peter Buck (guitar).

Tuatara
McCaughey also plays in Tuatara, an instrumental group which features Peter Buck.

The No Ones
McCaughey is a member of The No Ones, a jangle pop supergroup. Other members include Peter Buck, Frode Strømstad, and Arne Kjelsrud Mathisen (from I Was A King). Their debut EP The Sun Station (Coastal Town Recordings) also features guest appearances by Steve Wynn and Patterson Hood.

McCaughey suffered a stroke on November 16, 2017. Two benefit concerts were held in January 2018, to raise money for his medical bills. Artists included Peter Buck, Mike Mills, Bill Berry, Alejandro Escovedo, M Ward, James Mercer, Corin Tucker, the Dharma Bums, the Decemberists, and Patterson Hood. McCaughey recovered substantially from his stroke in 2018, and began playing a series of well received shows at venues in Portland, Oregon, where he lives.

Solo releases
1989: My Chartreuse Opinion (PopLlama)
2015: Spain Capers (Rock & Roll Inc. / Book) as Scott the Hoople
2020: Sad Box and Other Hits as Scott the Hoople

From: YepRoc.com

Less than three days after a doctor predicted he would never play music again, Scott McCaughey began writing his next album — while still in the ICU, unable to speak coherently, his right side just waking from paralyzation.

In November 2017, the Northwest underground stalwart suffered a stroke that nearly killed him and wiped his musical catalog from his memory — decades of albums and songs written and recorded with the Minus 5, Young Fresh Fellows, R.E.M., Baseball Project, and many more, all disappeared. But instead of wallowing in misery, McCaughey channeled his omni-positive spirit and began to write down whatever incoherent thoughts crossed his mind. He turned those stream-of-consciousness notebook pages into his 13th full-length Minus 5 release, Stroke Manor.

“The lyrics are the reason for the album,” McCaughey said. “They’re frustrating and frustrated — they’re me trying to communicate something, to find out if I could communicate, if I could still even hold a pen and get it to physically move. The words are crucial to it though they’re not going to speak to everyone. But I had to try.”
Stroke Manor is a capsule of weeks in a hospital bed and the time-release recovery that creeps through in several songs. The influence is found in everything from misheard sentences and made-up words (“Pink Bag For Rip Torn” and “Plascent Folk,” respectively), to Turner Classic Movies (“Beacon From RKO,” “Scar Crow,” Goodbye Braverman”), hospital pain index cards (“Top Venom”), and the Beatles playlist Peter Buck made to help spark McCaughey’s musical memory (“Beatles Forever”). The results are often head-scratching, tongue-tying spats of confusion, but when the decision was eventually made to put them to music, McCaughey changed only the occasional word for flow, singing the words directly from his hospital notebook.

“The lyrics tapped into a different place for the music to come from,” he said. “I suppose I used the same old chords but everything sounded new and mysterious to me.” He used new voices, the dreaded autotune, and other voice-altering effects because he felt like he was singing as new characters. But the feelings were all his somehow. “I felt like I was a weird other person when I wrote those words, so it felt really right to me to let it be this guy who was coming from outer space.”

McCaughey recorded the album in his oft-frigid Portland basement, i.e. the “Dungeon.” Joe Adragna sent in rapid-turn-around drums (and often more) from his home studio outside New Orleans. Peter Buck was there to conjure up guitar lines, like a 1968 George Harrison. Jeff Tweedy, Corin Tucker, Jenny Conlee, John Moen, Steve Wynn, Linda Pitmon, Dave Depper & Alia Farah all dropped by to contribute, like good friends will do.

“I think this record captures the feeling, the moment, somehow,” McCaughey said. “I took something that I didn’t really know I was doing at the time and took it the full distance, not knowing whether it would work or not — but I feel like it really did work. I’m not saying I wish it hadn’t happened,” he said while laughing, “but at least I got something out of it. It’s a weird thing. But it’s my experience.”

Peter Buck, Mike Mills, Scott McCaughey, Steve Wynn and Linda Pitmon thanks for being with us on WMM on 90.1 FM – KKFI Kansas City Community Radio

The Baseball Project is a supergroup composed of Peter Buck, Mike Mills, Scott McCaughey, Steve Wynn and Linda Pitmon formed in 2007. The performers came together from discussions between McCaughey and Wynn at R.E.M.’s March 21, 2007 induction into the Rock and Roll Hall of Fame at the Waldorf-Astoria Hotel in New York City. They invited Buck to play bass guitar and Pitmon on drums and recorded their first album, Volume 1: Frozen Ropes and Dying Quails later that year. Their first public appearance was on The Late Show with David Letterman in June of 2008, preceding the release of any recorded material.

Buck and McCaughey have previously played together in Robyn Hitchcock and The Venus 3, The Minus 5, R.E.M., and Tuatara. Wynn is the former leader of The Dream Syndicate as well as Gutterball and has played with Pitmon in Steve Wynn & the Miracle 3. Pitmon also plays with Buck and McCaughey in Filthy Friends (with Kurt Bloch and Corin Tucker) and their project with Luke Haines (of the Auteurs).

The band also recorded a ‘real time’ commentary on the 2010 baseball season for ESPN.com: one song every month made available as a free download. The collection was released in 2011 as The Broadside Ballads and also includes a few unreleased extra tracks from Volume 1: Frozen Ropes and Dying Quails and Volume 2: High and Inside.

The second album from The Baseball Project, Volume 2: High and Inside, was released on March 1, 2011, on Yep Roc Records. The band followed the record’s release with a tour covering the U.S. and appearances at spring training games in Arizona’s Cactus League. Mike Mills begins touring regularly with the band in 2012, taking over bass duties from Peter Buck. Buck moves over to his signature 12-string guitar role around this time.

Their third album, 3rd, includes Mike Mills playing bass on all tracks for the first time on a Baseball Project recording, and was released in 2014. Not long after that the band played a special show in Cooperstown, New York, at the Baseball Hall of Fame. In 2019 they played a 3-day residency at the Rock and Roll Hall of Fame in Cleveland as a part of the All-Star Game festivities in the city.

Their fourth album, Grand Salami Time, was recorded with early R.E.M. collaborator Mitch Easter at his Fidelitorium Recordings studio in Kernersville, N.C., and was released on June 30, 2023, on Omnivore Recordings. Special guests on release include Stephen McCarthy of the Long Ryders and the Jayhawks and Steve Berlin of Los Lobos.

Discography
Volume 1: Frozen Ropes and Dying Quails (Yep Roc, 2008)
Volume 2: High and Inside (Yep Roc, 2011)
3rd (Yep Roc, 2014)
Grand Salami Time (June 30, 2023 – Omnivore Recordings)

EPs and singles
The Homerun EP (Yep Roc, 2009, collaboration with Reckless Kelly, Todd Snider, and The Young Fresh Fellows)
“El Hombre” (Euclid Records single, 2012)

The Baseball Project

Peter Buck – guitar, production
Scott McCaughey – guitar, keyboards, lead vocals, backing vocals, production
Mike Mills – bass guitar, backing vocals, lead vocals on “Stuff”, production
Linda Pitmon – drums, percussion, backing vocals, production
Steve Wynn – guitar, lead vocals, backing vocals, production

Scott McCaughey thanks for being with us on WMM on 90.1 FM – KKFI Kansas City Community Radio

The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More

11:54

  1. The Baseball Project – “Grand Salami Time”
    from: Grand Salami Time / Omnivore / June 30, 2023
    [Grand Salami Time! is the fourth full-length studio album by American rock supergroup the Baseball Project, released by Omnivore Recordings on June 30, 2023. The album was produced by Mitch Easter, who began working with R.E.M. at the beginning of their careers; the Baseball Project features two of their former members. It also marks their first album under Omnivore, as they had previously been signed to Yep Roc. // At the urging of drummer Linda Pitmon, the band recorded this album with Mitch Easter, who had previously produced R.E.M.’s first single and co-produced that band’s debut EP, debut full-length, and sophomore full-length. The sessions lasted 10 days and the songs were recorded live-to-tape in Easter’s studio The album was preceded by singles “The Voice of Baseball” and “Journeyman”. The band also announced a brief tour of the United States supporting Jason Isbell & The 400 Unit. The album is titled after a line that Seattle Mariners announcer Dave Niehaus would say when a grand slam was hit. // In American Songwriter, Lee Zimmerman rated this album 4 out of 5 stars, calling it “a joyful and jubilant example of the late ‘70s and early ‘80s power pop”.Steven Wine of the Associated Press praised the clever lyrics and writes that “topics are paired with garage rock that gives [guitarist Peter] Buck a chance to serve up some delightful guitar squall”. BrooklynVegan’s Bill Pearis recommends the album to baseball fans and non-fans alike, noting that the former will get more enjoyment out of the music. Writing it for Glide Magazine, Jim Hynes calls this album “so much fun” and tells listeners that it’s “pure joy putting the album on and following the lyrics in the jacket”. In The Mercury News, Jim Harrington the band has “passion [that] leads to an abundance of ideas for song topics” and after multiple albums, they are “still going strong, finding plenty of musical inspiration in a seemingly endless supply of decades-old stories and modern-day tales about the game”. Mario Naves of The New York Sun favorably compares this to the band’s last album, 3rd and calls it “unstoppable”. Frank Valish of Under the Radar rated this work a 7 out of 10, writing that the live in-studio recording method “lends a certain energy to the proceedings” and characterizes the album as “a bunch of musical heroes having fun together and celebrating music, each other, and America’s favorite pastime to boot”. // Additional personnel: Steve Berlin on baritone saxophone on “Erasable Man” // Mitch Easter – guitar on “Journeyman”, recording, mixing, production // and Stephen McCarthy – lap steel guitar.]

[The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on July 17 we welcome Hip Hop artists The Epitome (Glenn Robinson) and Betse Ellis and Marion Merritt return to co-host WMM for our Summer Fund Drive Show.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers, KKFI Accounting & Administration – Shaina Littler

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley
http://www.instagram.markthomasmanning

Show #1054

WMM presents: The Baseball Project + Danielle Ate the Sandwich + MusicbySkippy + Lone Stranger

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 10, 2024

WMM presents: The Baseball Project + Danielle Ate the Sandwich + MusicbySkippy + Lone Stranger

At 10:10, Mark welcomes Danielle Anderson who performs as Danielle Ate the Sandwich. Danielle is a singer/songwriter, recording artist, and comedic performer based in KCMO. Danielle grew a fanbase with her DIY videos on Youtube and by touring the US extensively from 2009-2018. Danielle has released 7 albums of original music, over 200 YouTube videos, and conducts an annual 24 Hour Album project, writing and producing new songs with the help of her patrons in only 24 hours. She is recording her 8th album in Kansas City, KS, with Fritz Hutchison and Al Hawkins of True Lions. The album received an Inspiration Grant from ArtsKC. Her most recent project, ‘The Greatest Garage Sale Ever,’ is a one woman comedy cabaret, using humor, music, and songs to challenge the labels we give each other, and our ability to change. The show will premiere at the KC Fringe Festival, with five performances taking place Saturday, July 20 through Saturday, July 27 The Bird Comedy Theater, 103 West 19th, KCMO. More info at: http://www.kcfringe.org and http://www.danielleatethesandwich.com

At 10:35 Mark talks with Luke “Skippy” Harbur, a Kansas City based performer, producer, and beatboxing specialist. Luke “Skippy” Harbur is a vivacious artist known for his cross-pollinated brand of alternative music mixing hip hop, Broadway, EDM, and singer-songwriter influences. His project musicbyskippy connects multigenerational audiences through different show experiences, living among music, theater, and poetry to combat isolation and celebrate identity. Attend live comedy or musicals, and you get the idea. Since 2022 he’s released over 50 songs and sold almost 1,000 tickets to 8 original shows. He also hosts lectures about his arts business failures and successes, sharing artist income strategies to fight gatekeeping culture and foster community building. musicbyskippy presents a WE PRESS PLAY RELEASE 2, Album Release & Dance Party, Friday, July 12, 8:00pm at Westport Bowery, 817 Westport Rd., KCMO. More info at: http://www.musicbyskippy.com

At 11:00 we welcome Zachary Phillips who performs as Lone Stranger. Zach joins us to play LIVE in our 90.1 FM Studios. Zachary Phillips is a veteran of the Kansas City music community where he has been bass player and an influential part of the bands: The Gadjits and Architects with his brothers Brandon Phillips and Adam Phillips. As Lone Stranger, Zach has been working on mixing, mastering, and manufacturing his own solo music, playing almost all of the instruments himself, mixing genres of Ska, Reggae and hip hop. Zach is owner and CEO of Golden Triangle Productions. More information at: youtube.com/@zacharyphillips5224

At 11:30 Mark welcomes members of the supergroup, The Baseball Project composed of: Peter Buck, Mike Mills, Scott McCaughey, Steve Wynn and Linda Pitmon. Formed in 2007, the performers came together from discussions between McCaughey and Wynn at R.E.M.’s March 21, 2007 induction into the Rock and Roll Hall of Fame. They invited Buck to play bass guitar and Pitmon on drums and recorded their first album later that year. Buck and McCaughey have previously played together in Robyn Hitchcock and The Venus 3, The Minus 5, R.E.M., and Tuatara. Wynn is the former leader of The Dream Syndicate. Pitmon also plays with Buck and McCaughey in Filthy Friends (with Kurt Bloch and Corin Tucker) and their project with Luke Haines (of the Auteurs). On June 30, 2023 the band released their fourth album, Grand Salami Time, recorded with early R.E.M. collaborator Mitch Easter at his Fidelitorium Recordings studio in Kernersville, N.C., and released on Omnivore Recordings. The Baseball Project play recordBar, 1520 Grand Blvd, KCMO, Wednesday, July 10, at 8:00pm. More info at: http://www.therecordbar.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1054