WMM Playlist from February 14, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 14, 2018

Music from Folk Alliance International Conference
+ Victor & Penny + Don Simon & Lost Cowgirl Records Showcase
+ Megan Slankard & Summer Osborne

We spinned songs from musical artists playing Official and Private Showcases at the 2018 Folk Alliance International Conference, February 14 thru 17 at the Westin Crown Center. More info at http://www.folk.org.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. AHI – “Alive Again”
from: We Made It Through the Wreckage / Ahkinoah H Izarh / January 20, 2017
[Debut album from Brampton, Ontario, Canada indie-soul/alt-folk songwriter AHI (pronounced “eye”). From humble beginnings in Brampton, Ontario, AHI independently toured over 100,000 miles, through the vast woodlands of Canada and the neon lights of Nashville, to the Guggenheim Museum in New York, and eventually beyond the Atlantic to the brick lanes of London. Along the way, he has recorded with leading acoustic sessions across the UK and Europe, but none has been more viewed than a simple home video of his stunning rendition of Bob Marley’s ‘No Woman No Cry’, filmed in a London alleyway and accompanied by the sweet harmonies of his three-year-old daughter. The video caught the attention of the Marley family who featured it on the official BobMarley.com website and sent AHI a personalized note from Mrs. Rita Marley herself – an unparalleled experience for an artist who cites Bob Marley as his greatest musical inspiration. Soon after, AHI returned to find his Indie Soul EP (2014) was chosen one of CBC Radio One’s top 10 records of the year, and he has since been recognized and awarded by Folk Alliance International, Nashville Songwriters Association International, the Songwriters Association of Canada, and the Canada Council for the Arts, among others. For his debut full-length We Made It Through The Wreckage (2017), AHI has collaborated with CMA winning producer Eric Masse (Miranda Lambert) to create what Masse has called an entirely “new genre”, blending folk, soul and rock, and topping it off with a vocal performance to be expected from a seasoned powerhouse rather than an indie debut..]

[AHI plays an Official Showcase at Folk Alliance International Conference, Friday, February 16, at 6:00 pm, in Shawnee Mission Room, at Weston Crown Center.]

3. Ruthie Foster – “What Are You Listening To?”
from: Joy Comes Back / Stone Truth Music – Blue Corn Music / March 24, 2017
[Ruthie Cecelia Foster (born February 10, 1964) is an American singer-songwriter of blues and folk music. She mixes a wide palette of American song forms, from gospel and blues to jazz, folk and soul. She has often been compared to Bonnie Raitt and Aretha Franklin. Foster is from Gause, Texas and comes from a family of gospel singers. At the age of fourteen, Ruthie was a soloist in her hometown choir, and was certain that her future would revolve around music. After high school, Ruthie moved to Waco, Texas to attend community college, where her studies concentrated in music and audio engineering. She began fronting a blues band, learning how to command a stage in the bars of Texas. Hoping to travel and gain a wider world perspective, Foster joined the Navy, and soon her musical talents soon had her singing in the naval band Pride, that played pop and funk hits at recruitment drives in the southeastern United States. Following her tour of duty, Ruthie headed to New York City where she became a regular performer at various local folk venues. Atlantic Records got wind of Foster’s talent and offered her a recording deal, with the intent of cultivating her as a budding pop star, but Foster wasn’t interested in a pop career, preferring instead to explore the various strains of American roots music that had informed her childhood. When her mother fell ill in 1993, Foster left New York and her recording deal and returned to Texas to be with her family. She began working as a camera operator and production assistant at a television station in College Station, Texas while she cared for her mother, who passed in 1996. A year later in 1997, Foster self-released the album Full Circle, the success of which paved the way to a long relationship with the record label Blue Corn Music. Blue Corn released the follow up album Crossover in 1999, Runaway Soul in 2002, and Stages (featuring a series of live tracks) in 2004. Stages marked a turning point in Foster’s career, as the experience of a Ruthie Foster live show was able to be experienced by a wide audience. Foster’s next release was Heal Yourself in 2006, followed by the studio album The Phenomenal Ruthie Foster in 2008 (produced by Papa Mali), and The Truth According to Ruthie Foster (produced by Grammy-winning producer Chris Goldsmith), recorded at Ardent Studios in Memphis, in 2009, all released by Blue Corn Music. The Truth According to Ruthie Foster earned Ruthie a Grammy Award Nomination for Best Contemporary Blues Album. A second album of Foster’s live performances, Live At Antone’s (CD and DVD), was released in 2011. In 2012, Ruthie and Blue Corn released the studio album Let It Burn, which featured special guests The Blind Boys of Alabama, William Bell and the rhythm section of The Funky Meters, and was produced by Grammy-award winner John Chelew. Let It Burn earned Foster a second Grammy Nomination, this time for Best Blues Album, and was the vehicle for numerous Blues Music Awards won by Foster. Her most recent album, Joy Comes Back, was released by Blue Corn Music in 2017.]

[Ruthie Foster hosts the International Folk Music Awards Show, Wednesday, February 14, at 7:00 PM, at The Folly Theatre with guest performances and presentations by John Oates, Guy Davis, Giri and Uma Peters, Anais Mitchell, and others.]

[Ruthie Foster plays an Official Showcase at Folk Alliance International Conference, Thurs, Feb 15, at 10:00 pm, in Pershing East/West.]

10:11 – Underwriting

4. Victor & Penny – “Wake Up Early” (Vinyl)
from: Wake Up Early – Single / EAT.HEAR.RECORDS / November 15, 2017
[Erin McGrane, Jeff Freling formed Victor & Penny in 2010. The vinyl-only label was started by Steve Tulipana and the team at recordBar. Written by Erin McGrane and Jeff Freling. Recorded mixed and mastered by Duane Trower at Weights & Measures Soundlab. Erin McGrane on ukulele & vocals, Jeff Freling guitar & vocals, featuring James Issac on clarinet & soprano sax, Kyle Dahlquist on trombone, glokenspiel & vocals, Jeff harshbarger on upright bass, and Brian Steever on drums. Sleve design by Marco Pascolini. EAT.HEAR.RECORDS. 1520 Grand Ave. KCMO 64108 http://www.therecordbar.com]

[Victor & Penny play an Official Showcase at Folk Alliance International Conference at Saturday, February 17, at 6:45 PM in The Garden Terrace at Weston Crown Center.]

Bill Sundahl, Erin McGrane & Jeff Freling on the February 14, 2018 edition of Wednesday MidDay Medley on KKFI.

10:16 – Interview with Erin McGrane and Jeff Freling

Formed in 2010, Jeff Freling and Erin McGrane are Victor & Penny. The duo were honored to represent Kansas City at a New York City press event as part the America’s Creative Crossroads campaign, “Paris of the Plains Goes to NY.” Victor & Penny have also performed at the Kauffman Center for the Performing Arts Inaugural New Year’s, the Missouri Governor’s 2016 EDC Awards Luncheon, KC Union Station’s Centennial Celebration, and KC Mayor, Sly James’ 2015 State of the City Address.V&P are a four-time Official Showcase Artists for Folk Alliance International Conference, and have made over 1,000 personal appearances and traveled more than 200,000 miles in the last five years. In 2016 V&P released their 4th album, ‘Electricity.’ After recently getting married, Victor & Penny recently released their first ever vinyl 7-inch vinyl single though EAT.HEAR.RECORDS. Last night Victor & Penny and the Loose Change Orchestra joined famed composer & musician David Amram for David Amram: A Musical Life, interviewed by Chuck Haddix, at The Olathe Public Library.

Victor & Penny play an Official Showcase at Folk Alliance International Conference at Saturday, February 17, at 6:45 PM in The Garden Terrace at Weston Crown Center

Jeff Freling and Erin McGrane thank you for being with us on WMM.

Victor & Penny are a four-time Official Showcase Artists for Folk Alliance International Conference.

Formally trained at Berklee School of Music (Boston) and the Conservatory of Music (Kansas City), Mr. Freling participated in the international program, The Acoustic Guitar Project in 2014 and is an accomplished composer, arranger, and outstanding instrumentalist.

Erin McGrane is an ArtsKC Fund Inspiration Grant recipient and a Mid-America Arts Alliance Professional Development Grant recipient as well as a fellow of the ArtistINC program for which she currently serves as a peer facilitator and a workshop presenter. The duo was married in May 2017 and recently returned from an extended overseas honeymoon in Spain and Portugal (Oct. 2017).

Celebrating the simultaneous launch of Victor & Penny were the first release on the new label, EAT. HEAR. RECORDS. The 7” 45rpm vinyl record by Victor & Penny offers a new sonic landscape from the band as they have expanded to include drums with local jazz drummer, Brian Steever. Mr. Steever will join the band for a portion of the special concert.

EAT. HEAR. RECORDS was founded by recordBar and Steve Tulipana.

10:23

6. Victor & Penny – “She Says She Knows”
from: She Says She Knows – Single / EAT.HEAR.RECORDS / November 15, 2017
[Erin McGrane, Jeff Freling formed Victor & Penny in 2010. The vinyl-only label was started by Steve Tulipana and the team at recordBar. Recorded by Duane Trower at Weights & Measures Soundlab.]

[Victor & Penny play an Official Showcase at Folk Alliance International Conference at Saturday, February 17, at 6:45 PM in The Garden Terrace at Weston Crown Center.]

10:27 – Interview with Erin McGrane and Jeff Freling

Formed in 2010, Jeff Freling and Erin McGrane are Victor & Penny, a Swing-infused folk-jazz rooted in the riff-driven Kansas City style, delivered with class, joy, and soaring musical improvisation.. The duo have released four full length albums and most recently a 7″ vinyl single. Kansas City is their home.

Victor & Penny are members of Folk Alliance International Member, and Midwest Music Foundation

Victor & Penny were named “Best Folk Ensemble 2015” by the PITCH; “Standout Concert of the Year” by the Joplin Globe; and are two-time Folk Alliance International official showcase artists. V&P and the LCO feature tight vocal harmonies, dazzling guitar work, red-hot horns and a fiery ukulele. This corset-tight quintet brings a modern Kansas City voice to their original tunes and prohibition era jazz with sterling musicianship. V&P and the LCO impress and delight with charm and hot licks and they are an “absolute rollicking blast.”

The group released a new full-length CD, “Electricity” (March 2016) which debuted on the Folk Radio DJ charts at #12 with the #3 song. “Electricity” crackles and sparks with joy and regret; truths and dares; love and love gone wrong all set to a score of vibrant, rhythmic swing and virtuosic musicianship. Electricity is the culmination of 160,000 miles, 5 years and nearly 1,000 performances and is a testament to the incomparable vivacity of Victor & Penny’s live show, with newly added sophistication and rich instrumentation.

Jeff Freling played for many years in the band for Blue Man Group, in Chicago. Erin McGrane starred on screen with George Clooney in the film “Up in the Air.” She was also in the cabaret troupe Alacartoona. Ms. McGrane is an ArtsKC Fund Inspiration Grant recipient and a Mid-America Arts Alliance Professional Development Grant recipient as well as a fellow of the ArtistINC program for which she currently serves as a peer facilitator and a workshop presenter.

The Loose Change Orchestra:

Classically trained reeds virtuoso James Isaac fronts his own highly respected jazz quartet, The James Isaac Group and is a member of the People’s Liberation Big Band.

Bassist Rick Willoughby attended the UMKC Conservatory of Music and is a member of Quixotic, The Snow Globes and the Barclay Martin Ensemble.

Multi-instrumentalists Kyle Dahlquist (The Naughty Pines, Hardship Letters) rounds out the lineup with trombone, accordion and vocals.

For more information, please visit: http://www.victorandpenny.com

Awards: New folk-jazz album “Electricity” debuts on Folk Radio DJ chart as #12 album with #3 song (March 2016)
3-time Folk Alliance International Official Showcase Artists (2014, 2015, 2017)
SERFA Official Showcase (2016)
NERFA Official Quad Showcase Artist (2014)
“Best Folk Ensemble 2015” – PITCH (KC)
“Standout Concert of the Year 2014” – Joplin Globe

2014 Mid-America Arts Alliance Professional Development Grant Recipient (KCMO)
2013 Escape To Create Artist-in-Residence (Seaside, FL)
2009 ArtsKC Inspiration Grant Recipient (Kansas City, MO)
ArtistINC Fellow, Peer Facilitator and Workshop Presenter

Victor & Penny play Visit KC Annual Meeting at Kauffman Center for the Performing Arts, Tues, Feb 27, at 4:30pm

10:34

6. Victor & Penny – “You’re A Revelation”
from: Electricity / Victor & Penny / April 19, 2016
[Jeff Freling on guitar & vocals and Erin McGrane on ukulele & vocals. Produced by Grammy Award winning Producer/Engineer Mitch Dane, at Sputnik Sound in Nashville, TN, featuring Victor & Penny’s fine band, The Loose Change Orchestra with James Isaac on clarinet, soprano saxophone and melodica; Rick Willoughby on upright bass; and trombonist Kyle Dahlquist.]

[Victor & Penny play an Official Showcase at Folk Alliance International Conference at Saturday, February 17, at 6:45 PM in The Garden Terrace at Weston Crown Center.]

7. The Accidentals – “Odyssey”
from: Odyssey / Sony Music Group / August 18, 2017
[The Accidentals are an American musical band, formed in Traverse City, Michigan, in 2012, by Savannah Buist and Katie Larson, joined by percussionist Michael Dause in 2014. The group features an eclectic blend of indie folk, pop, jazz, bluegrass, rock, classical, and other genres, utilizing a wide variety of instruments that reflect the group’s orchestral roots and electronic influences. As of 2017 they had released three full length albums and one EP. In March 2015, they performed at the South by Southwest music festival in Austin, Texas, which featured some 2,200 acts, and were named as one of the top breakout groups by Billboard staff. In 2015, the group contracted with Marshall Crenshaw and Stewart Lerman to produce four new albums, but upon the contract becoming renegotiable the following year, the band opted to continue releasing music independently. On January 9, 2017, the band announced that they were signed to Sony Masterworks via a feature in Local Spins, the album will feature multiple guest performers, including Jack White bassist Dominic John Davis, Jenny Conlee of The Decemberists, Keller Williams, Kaki King, Lily & Madeleine, and Carbon Leaf. Buist described Masterworks as “a family that gets us and our music, and wants to support that authentically”, while Larson added, “We feel like we can be truly who we are and they appreciate the honesty.” Masterworks is primarily a classical and jazz label, having previously signed such names as Yo-Yo Ma, Sonny Rollins, and Yanni, though it has recently expanded its reach with its signing of indie folk duo Tall Heights and acknowledgement of bluegrass on The Goat Rodeo Sessions. On August 18, 2017, the Accidentals embarked on tour throughout the United States and Canada to promote the album. The album received positive reviews from critics, including PopMatters, AllMusic, and Local Spins.]

[The Accidentals play an Official Showcase at Folk Alliance International Conference, Sat, Feb 17, at 7:30 pm, in Shawnee Mission Room.]

[The Accidentals play a Private Showcase at Folk Alliance International Conference, in The Lost Cowgirl Records Room 713, at The Weston Kansas City at Crown Center, Friday, February 16.]

10:42 – Interview with Don Simon

With over 40 live musical acts being presented during four nights, February 14 – 17, in Room 713 at The Weston Kansas City at Crown Center, in the Lost Cowgirl Records Private Showcase at Folk Alliance International Conference our next guest will be keeping some late hours starting tonight. Lost Cowgirl Records is based in Kansas City, Missouri and was formed on March 12, 2017 by musician and songwriter Jenna McCarty and Don Simon. Don Simon is an attorney, business advisor, father, educator, musician, and arts advocate. He serves on the Board of Directors at Folk Alliance Region Midwest (FARM), KC Volunteer Lawyers and Accountants for the Arts and, Midwest Music Foundation. He works as an Adjunct Instructor at UMKC, Northwest Missouri State University – Kansas City, and Avila University.

Don Simon Thanks for being with us on Wednesday MidDay Medley

Lost Cowgirl Records is based in Kansas City, Missouri and was formed on March 12, 2017 by musician and songwriter Jenna McCarty and Don Simon.

The Lost Cowgirl Records Room – Feb 14 at 10:30 PM to Feb 18 at 3 AM
Westin Crown Center, 1 E. Pershing, Kansas City, Missouri 64108

Room #713 – Schedule: Wednesday 2/14:

Shawna Caspi (Ontario, Canada)
Beth Marlin (San Francisco, CA)
Julia Othmer (Los Angeles, CA)
Eddie Crane (KC)
Hope Dunbar (Utica, NE)
Bob and Una Walkenhorst (KC)
Erin O’Dowd (Tulsa, OK)
Bill Scorzari (Huntington, NY)
The Summer Storms (KC)
MisterScotty – Music from Scott Stuewe (KC)
Luther Vincent (KC)

10:49

8. Hope Dunbar – “She Keeps Going”
from: Three Black Crows / Hope Dunbar / October 6, 2017
[Hope Dunbar’s music is rooted where and with whom she lives: in small town Utica, NE (population 800) with her husband and three kids. Between basketball games and PTA meetings, she finds time to write about women like her: complicated. Sometimes stretched thin and wanting more; sometimes singing liberation anthems and cracking jokes; always believing love is never too far out of reach. Hope’s debut EP “A Woman like Me” showcases her powerhouse vocals and her ukulele and guitar prowess with songs and style influenced by traditional country and folk.]

[Hope Dunbar plays a Private Showcase at Folk Alliance International Conference, in The Lost Cowgirl Records Room 713, at The Weston Kansas City at Crown Center, Tonight, Wednesday, Feb 14. ]

Don Simon Introduces Hope Dunbar, Wednesday, February 14, 2018 at Folk Alliance International.

10:53 – Inteview with Don Simon

We are talking with Don Simon the Lost Cowgirl Records Private Showcase at Folk Alliance International Conference presenting over 40 live musical acts during four nights, February 14 – 17, in Room 713 at The Weston Kansas City at Crown Center.

40 musical acts will be presented during four nights, February 14 – 17, in Room 713 at The Weston Kansas City at Crown Center.

Room #713 – Schedule:

2/15:
Jeff Brown (Chicago, IL)
The Nite Owls: Wyatt Brewer & Sarah Lynn (KC)
Jason Lee McKinney (Memphis, TN)
Run With It (KC)
Caroline Cotter (Portland, ME)
summerland (Stillwater, OK)
Jenna & Martin (KC)
Betsey Mae (Springfield, MO)
The Matchsellers (KC)
Rabble in Arms (KC)
Jacob Stanton (KC)

2/16:
Julie Bennett Hume (Lee’s Summit, MO)
Danielle Ate the Sandwich (Ft. Collins, CO)
The Accidentals (Traverse City, MI)
The Roseline (Lawrence, KS)
Danny Burns (Nashville, TN)
The Hardship Letters (KC)
Jessica Paige (KC)
Heather Styka (Chicago, IL)
Freight Train Rabbit Killer (KC)
Joy Zimmerman (KC)
Teri Quinn (KC)

2/17:
Chris Stephens – World Musician (Columbia, MO)
Alex Winters (Austin, TX)
The Vogts Sisters (Erie, KS)
Kelly Hunt (KC)
Under The Big Oak Tree (St. Joseph, MO)
Of Tree (KC)
Jenna Rae (KC)
Kyshona Music (Nashville, TN)
Mary Bragg (Nashville, TN)
Ladies’ Jam

More information at: http://www.lostcowgirlrecords.com

Lost Cowgirl Records Private Showcase at Folk Alliance International Conference presenting over 40 live musical acts during four nights, February 14 – 17, in Room 713 at The Weston Kansas City at Crown Center. More information at: http://www.lostcowgirlrecords.com

11:00 – Station ID

9. Yirrmal – “Blackfella Whitefella”
from: Deadly Hearts / Austrailian Broadcasting Corporation / June 30, 2017
[New gen Indigenous Australian artist Yirrmal Marika, from North-East Arnhem Land, has made a refreshing entrance into the music scene. Inspired by his Grandfather, Dr Yunupingu, former lead singer of Yothu Yindi, he fuses tradition and contemporary with class and passion. Yirrmal is an inspiring songwriter and guitarist with a beautiful voice, singing songs about his homeland and culture with feeling and depth beyond his years. Yirrmal is related to Dr G Yunupingu on his mother’s side, and his father, Witiyana Marika, was a singer and dancer in Yothu Yindi. He has extensive knowledge of traditional Yolngu “Manikay” songs, and he is also an excellent dancer and didgeridoo “yidaki” player. He is connecting a newfound sound and engaging the hearts of all who are lucky enough to hear him. Yirrmal has lived in Geelong for the past six years where he has been continuing his education and participating in the Marrma’ Rom Two Worlds Leadership Program. He aims to set an example for Indigenous youth and to be a strong, positive role-model for the next generation. Over the past 3 years Yirrmal has worked with song-writing mentors Neil Murray, Shane Howard and released his debut EP ‘Youngblood’ in November 2016. The release was followed by a short regional Victorian and interstate tour. Yirrmal is looking forward to working with more mentors in 2017 to write material for his first full-length album recording in 2018. Career highlights include performing at the Northern Territory NAIDOC Week concert and NAIDOC Ball, the National Indigenous Music Awards, Garma Festivals, New Zealand Music Festival and Singapore and Taipei Music Festivals with the Black Arm Band, Nannup Music Festival, BluesFest Touring Shows and Bluesfest Music Festival, Woodford Festival, the Port Fairy Folk Festival and he was the recipient of the 2017 Maton Class Act for Emerging Talent award. Yirrmal also received great reviews for his performance in the concert ‘1967: Songs in the Key of Yes’ marking the 50th anniversary of the Referendum. More information at: http://www.yirrmal.com]

[Yirrmal plays an Official Showcase at Folk Alliance International Conference at Friday, February 16, at 7:30 PM in Pershing North at Weston Crown Center.]

Yirrmal in a Private Showcase at Folk Alliance International, February 14, 2018

10. John Oates – “Arkansas”
from: Arkansas / PS Records / February 2, 2018
[John Oates is one half of the best-selling duo of all time, Hall & Oates, a member of the Rock and Roll Hall of Fame, and Songwriters Hall of Fame. His new album “Arkansas” which blends delta blues, ragtime and roots influences. John Oates was born in New York City, his family moved to a small town outside of Philadelphia, PA in the early 1950s – a move that would change the course of his life. John Oates met Daryl Hall while attending Temple University in Philadelphia, PA. The two began collaborating and playing music together, marking the beginning of their historic partnership. Since their formation in the early 70s, Daryl Hall & John Oates have gone on to record 21 albums, which have sold over 80 million units, making them the most successful duo in rock history. They have scored 10 #1 records, over 20 Top-40 hits, and have toured the world for decades. Their involvement in the original Live Aid concert and the groundbreaking We Are The World charity recording have further established them as legendary artists, who have personally and through their music, stood the test of time. in 2005 they were inducted into the American Songwriters Hall of Fame. In May of 2008, they were also presented the prestigious BMI Icon Award for their outstanding career achievement in songwriting. In April 2014, Hall & Oates was inducted into the Rock and Roll Hall of Fame. Since embarking on a long awaited solo career in 1999, John has recorded five solo albums: Phunk Shui, 100 Miles of Life, Mississippi Mile, a live album called The Bluesville Sessions, and Good Road To Follow, (which featured collaborations with Ryan Tedder of OneRepublic, Vince Gill, Nathan Chapman, Jim Lauderdale, and Jerry Douglas). Arkansas was originally inspired by the music and legacy of the legendary Mississippi John Hurt, the project grew to encompass other artists and styles that represent the dawn of American popular music. Stylistically diverse and eclectic, the collection features a full band that was put together specially to bring the full range and flavors of classic American musical styles to life. Oates crafted a number of original songs for the Arkansas album; selections actually inspired by the process of digging deep into the sonic soil of authentic roots music. “I really believe this is the most vital and satisfying solo project I’ve ever embarked upon,” Oates says of Arkansas. “Of all the music I have ever made with anyone, for me this album sits right up there.” John resides in Nashville, Tennessee with his wife Aimee.]

[John Oates plays an Official Showcase at Folk Alliance International Conference at Thursday, February 15, at 9:15 PM in Pershing East/West at Weston Crown Center.]

11. Black Umfolosi – “Umhlaba”
from: Umhlaba / 10th District Music / July 18, 2015
[From Bulawayo, Zimbabwe, this ensemble has been performing and recording music form 30 Years. Known as Zimbabwe’s greatest ambassadors, performing music inspired by the traditional song and dance of their native southern Africa. Black Umfolosi were formed in 1982 by school friends in Bulawayo, Zimbabwe, who named themselves after the Umfolozi Omnyama River in South Africa to where their ancestors can be traced. In 2011 The Black Umfolosi 5 continue to present their spectacular songs and dances thrilling audiences worldwide. Their performances are energy driven and completely engaging, mixing a great gentleness of spirit and song with an exuberance in dance. Their trademark harmonies mixed with intricate rhythms, clicking and clapping are highlighted during their brilliantly choreographed shows with a full range of movements from subtle to vibrant stomping and leaping! Their famous Gumboot Dances showcase the traditional styles and rituals of the South African mining regions and are a particular crowd pleaser.]

[Black Umfolosi play an Official Showcase at Folk Alliance International Conference at Thursday, February 15, at 8:30 PM, in Century C, at Weston Kansas City Crown Center.]

12. The Mammals – “My Baby Drinks Water”
from: My Baby Drinks Water – Single / The Mammals / May 1, 2017
[Indie-roots trailblazers, The Mammals, bring politically-infused string-band fervor to their re-emergent new album and US tour in 2018. In an era of disconnect, The Mammals enjoy re-connecting generations thru their truth-telling lyrics, off-the-cuff storytelling and euphoric instrumentals, and by organizing a hometown community folk festival (The Hoot) near Woodstock, NY. Founded in 2001 by Seeger’s grandson, Tao, second generation fiddler/singer, Ruth Ungar, and multi-instrumental wordsmith, Mike Merenda, the original trio enjoyed a remarkable 7 year run that brought them to the largest folk festivals across North America, Australia and Denmark, Nashville’s Ryman Auditorium New York’s Carnegie Hall as the special guest of folk legend Arlo Guthrie, and to the pages of numerous publications lauding their unique “traditional-music-in-combat-boots-sound” including a feature in The New York Times handpicking them as a leader in a pack of new-wave stringbands “updating that old-time sound.” After a considerable break from the project during which time Merenda and Ungar married and started a family, a bi-annual folk festival, and a musical duo aptly called, Mike + Ruthy, and Seeger pursuing a solo career before retiring from music all together to start a family of his own, The Mammals returned fronted by Merenda and Ungar in 2017 “stronger than ever” (Folk Alley) with a pair of politically charged singles, “Culture War” and “My Baby Drinks Water,” and the announcement of a new album in 2018. The 2017 lineup includes some former Mammal members including Jacob Silver and Ken Maiuri when they are not touring with Lee Fields and the B-52’s respectively. “It’s a blessing to have a connection to the past and such great new players too,” says Mike. “The alchemy of fiddle, banjo, guitar, bass and drums is magic… and when keys, pedal steel, and horns are in the mix we leap to the next level.”]

[The Mammals play an Official Showcase at Folk Alliance International Conference at Saturday, February 17, at 9:45 PM, in Shawnee Mission Room at Weston Kansas City Crown Center.]

13. Radio Free Honduras – “Morena (feat. Steve Eisen)”
from: Radio Free Honduras / Radio Free Honduras / September 6, 2014
[Charlie Baran has lived a life of music. Before moving the the United States he was a founding member of the legendary Honduran musical group Banda Blanca, who’s song “Sopa de Caracol” became the #1 Billboard Top Latin Songs hit in 1992. Now a maintenance man at a Catholic grade school by day, Charlie has kept his musical flame glowing largely through acoustic solo performances around Chicago for the past ten years. Charlie Baran is a true virtuoso. No one sees him perform without recognizing the presence of a true master – an heir to a rich tradition of Honduran music, as well as a guitar slinging showman and a gifted songwriter whose skill transcends all genres. But throughout most of his career he has existed in the shadows – until the formation of Radio Free Honduras. Radio Free Honduras is a diverse collective of Chicago musicians, all united under one goal – supporting the artistry of Charlie Baran and bringing this tremendous talent into the spotlight where it belongs. Founded by Dan Abu-Absi, longtime guitarist for JT and the Clouds and Birds of Chicago, Radio Free Honduras plays mostly Baran originals, but their live shows often feature a wide variety of reimagined cover songs. This band provides Charlie with the wide musical pallet his talent (and songs) deserve. Abu-Absi has gathered a large, revolving collective of some of Chicago’s most talented musicians; lively percussion, eclectic instrumentation, and rich harmonies all provide the backdrop, allowing Charlie to do what he does best – stunning guitar work, tapping into what seems a limitless supply of energy and enthusiasm for music. Charlie Baran has lived a long and storied musical life – but very few are familiar with his side of the story. Radio Free Honduras has made it their mission to change that.]

[Radio Free Honduras play an Official Showcase at Folk Alliance International Conference at Friday, February 16, at 7:00 PM, in Liberty Room at Weston Kansas City Crown Center.]

14. Rosie & The Riveters – “Let ‘Em Talk”
from: Ms. Behave / Rosie & the Riveters / April 6, 2018
[Saskatoon, Saskatchewan trio formed by Alexis Normand, Farideh Olsen, and Allyson Reigh. Rosie & the Riveters never planned to get political. But opening a newspaper or watching the news these days made it impossible to see the status of women around the world and stay silent. The result is Ms. Behave – a collection of gritty, sultry, vintage-inspired folk anthems that paint a portrait of a woman’s voice in a man’s world. The band wrote most of the album in a cabin nestled in the woods in the dead of the Canadian winter. A quick read through song titles like “Gotta Get Paid”, “Let’em Talk” and “I Wanna Be King” gives an idea of what they have to say. While their single, “Ms. Behave” lays down a Bill-Withers-inspired groove and rejects the policing of women’s behavior, “I Believe You” sprung from the outrage and sorrow they felt after hearing the recent avalanche of stories of sexual assault. Produced by Joshua Van Tassel (Rose Cousins, Great Lake Swimmers), their sophomore album echoes Aretha Franklin’s demand for R-E-S-P-E-C-T. Rosie & the Riveters believe women are the world’s greatest untapped resource which is why they invest 20% of merchandise profits in microfinance initiatives through KIVA.org. They helped women like Alice in Kenya expand her horticulture farm and Maria in Ecuador purchase a sewing machine for her tailoring business. To date, they have contributed more than $8800 to over 175 projects around the world. More info at http://www.rosieandtheriveters.com.]

[Rosie & The Riveters play an Official Showcase at Folk Alliance International Conference at Thursday, February 15, at 6:00 PM, in Benton’s 20th Floor, at Weston Kansas City Crown Center.]

11:26 – Underwriting

11:27 – Interview with Megan Slankard

San Francisco indie-alt-rocker Megan Slankard, is in Kansas City to play 10 different Private showcases during the 30th Annual Folk Alliance International Conference. Megan Slankard will also play a public concert, Sunday, February 18, at 6:00 PM, at InterUrban ArtHouse, 8001 Newton Street, Overland Park, Kansas with Summer Osborne. After Folk Alliance, Megan gets back on the road with 16 more shows taking her to Wichita, Madison, and Chicago.

Megan Slankard, thanks for joining us again on Wednesday MidDay Medley.

KC Turner Presents at Folk Alliance International – Private Showcase Room # 714
Powered by Bose

~ Wednesday, Feb. 14 ~
10:30-11:10pm: Steve Poltz

Steve Poltz at Folk Alliance International, February 14, 2018


11:25-12:05am: The Mastersons / Matt The Electrician / Megan Slankard
12:20-1:05am: Honeysuckle / Grant Peeples
1:20-2:05am: Korby Lenker / Heather Styka / Tim Easton

~ Thursday, Feb. 15 ~
10:30-11:10pm: Evie Ladin & Keith Terry / Meshach Jackson / Mary Bragg
11:25-12:05am: Nels Andrews / Matt The Electrician / Peter Mulvey
12:20-1:05am: Megan Slankard / The Accidentals / Carrie Elkin
1:20-2:05am: Steve Poltz
2:20-3:05am: Ali Holder / Little Brave / Beth Marlin

~Friday, Feb. 16 ~
10:30-11:10pm – Bob Hillman / Caitlin Jemma / Beth Marlin
11:25-12:05am: Natalia Zukerman / Amber Rubarth / Rebecca Loebe
12:20-1:05am: Stephen Kellogg
1:20-2:05am: – Tim Easton / Ayleen O’Hanlon / Megan Slankard
2:20-3:05am: The Sea The Sea / Ismay / The Mastersons

~ Saturday, Feb. 17 ~
10:30-11:10pm: Jimbo Scott / Peter Mulvey / Danielle Ate The Sandwich
11:25-12:05am: Son of Town Hall / Megan Slankard / Robby Hecht
12:20-1:05am: Joe Purdy
1:20-2:05am: Anna Vogelzang / Julian Muller / Melissa Greener
2:20-3:05am: Anthony da Costa / John Blek / Jaimee Harris

11:37

15. Megan Slankard – “You Got This” (Live)
(a new song)

11:41 – Interview with Megan Slankard

San Francisco indie-alt-rocker Megan Slankard, is in Kansas City to play 10 different showcases during the 2018 Folk Alliance International Conference. Megan Slankard will also play a public concert, Sunday, February 18, at 6:00 PM, at InterUrban ArtHouse, 8001 Newton Street, Overland Park, Kansas with Summer Osborne.

Megan Slankard, welcome back to Kansas City

Megan Slankard is also playing Folk Alliance International Private Showcases in:
Wisconsin Room #543
M Press Records Room #641
Combo Plate booking #652
Momentary Love MGMT #601

Megan Slankard is playing Bose demonstration shows:

Fri 2/16 – 1pm at Guitar Center 3911 Bolger Rd, Independence, Missouri
Fri 2/16 – 4pm at Guitar Center 6700 W 119th St, Overland Park, Kansas

Megan Slankard will also play a public concert, Sunday, February 18, at 6:00 PM, at InterUrban ArtHouse, 8001 Newton Street, Overland Park, KS with Summer Osborne.

After Folk Alliance, Megan gets back on the road with 16 more shows taking her to Wichita, Madison, and Chicago.

Megan Slankard is playing Steve Poltz 9th Annual 50th B-Day Bash ft. The Rugburns, Saturday, February 24 at 9 PM at Belly Up, 143 S Cedros Ave Ste T, Solana Beach, California

Megan Slankard is in Kansas City to play 10 different showcases during the 2018 Folk Alliance International Conference. Megan Slankard will also play a public concert, Sunday, February 18, at 6:00 PM, at InterUrban ArtHouse, 8001 Newton Street, Overland Park, Kansas with Summer Osborne. More info at: http://www.meganslankard.com

11:50

16. CS Luxem – “Symptoms”
from: Symptoms / Whatever Forever / February 17, 2018
[First full length from ACS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. More information at http://www.csluxem.bandcamp.com]

[CS Luxem plays an Album Release Show with Kawehi and Hush Machine at The Bottleneck! 737 New Hampshire St, Lawrence, Kansas on Saturday, February 17, at 8:00 PM]

17. Anais Mitchell – “Flowers” (Eurydice’s Song)
from: Hadestown / Righteous Babe Records / 2010
[born in 1981 Anais Mitchell grew up on a farm in Addison County, Vermont. She began writing songs at 17 and performing them during her school days, where she studied political science and languages. Her 2nd recording, “Hymns for the Exiled,” eventually reached the ears of Ani DiFranco, who signed Mitchell to her label, Righteous Babe Records. Anaïs Mitchell’s latest release comes in the form of a folk opera. Hadestown is the modern day interpretation of the ancient Greek myth of the poet Opheus and his doomed quest to rescue his wife Eurydice from the underworld. Hadestown began its existence in 2006 as a live “acoustic rock opera” that the Vermont-based singer/songwriter created in collaboration with director Ben t. Matchstick (Bread & Puppet Theater) and arranger / orchestrator Michael Chorney. After loading the sets and the 22-member cast of Vermont performers into a former circus bus and touring New England during “full-on winter,” it was time to rework a few songs. Next, Mitchell called upon a few fellow musicians to lend their voices to a recorded version—not a cast album, but a stand-alone, selcontained song cycle. The result is a veritable Who’s Who of modern indie folk/rock: Justin Vernon of Bon Iver plays Orpheus; Greg Brown is Hades; and Ani DiFranco plays Persephone. Also on hand in smaller roles are the Haden Triplets (Petra, Rachel, and Tanya) as the Fates and Ben Knox Miller of The Low Anthem as the Hermes, Mitchell herself sings the part of Eurydice.] [Hadestown became a 2016 stage musical adaptation of a 2010 folk opera concept album by the same name, written by Anaïs Mitchell. It premiered off-Broadway at New York Theatre Workshop on May 6, 2016 and ran through July 31. The show was developed for the stage and directed by Rachel Chavkin. Like the original concept album, Hadestown tells a version of the ancient Greek myth of Orpheus and Eurydice, where Orpheus journeys to the underworld to rescue his wife Eurydice. Music by Anaïs Mitchell, Michael Chorney, Todd Sickafoose, Lyrics by Anaïs Mitchell, Book by Anaïs Mitchell.]

[Anais Mitchell play an Official Showcase at Folk Alliance International Conference at Thursday, February 15, at 9:00 PM, in Washington Park Place, at Weston Kansas City Crown Center.]

Anais Mitchell at Folk Alliance International, February 15, 2018

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on February 21 Marion Merritt of Records With Merritt returns as our special Guest Producer. Also Next week members of the band Red Kate and Sid Sowder join us to share the new Too Much Rock Single release.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #721

WMM Playlist from February 7, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 7, 2018

Music from the Folk Alliance International Conference
+ Instant Karma + Julia Othmer + Hedwig And The Angry Inch

10:00 – Artists playing Official Showcases at 2018 Folk Alliance International Conference, February 14, 15, 16, and 17 at the Westin Crown Center. More info at http://www.folk.org.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Steve Poltz – “Hey God I’ll Trade You Donald Trump for Leonard Cohen”
from: Hey God I’ll Trade You Donald Trump for Leonard Cohen – Single / 98 Pounder / Feb 7, 2017
[Steve Poltz (born February 19, 1960) is a Canadian singer-songwriter and guitarist. He is a founding member of the indie-rock band The Rugburns and is best known for his collaborations with singer Jewel, especially the 1996 single, “You Were Meant for Me” which reached number 2 in the US. Poltz was born in Halifax, Nova Scotia, Canada and later immigrated with his family to Pasadena, California, then to Palm Springs, California. He attended the University of San Diego, where he received a degree in political science, he met guitarist Robert Driscoll and The Rugburns were formed. Poltz and his bandmates developed a local and national cult following by playing coffeehouses and bars. While performing dates at the Innerchange Coffeehouse in San Diego, he formed a relationship with Jewel, frequently opening for her on tours, co-writing songs, and appearing in her music video for “You Were Meant For Me.”In 1998, Poltz released his first solo album, One Left Shoe, for Mercury Records. A disagreement in the artistic direction of his material led to him leaving the label and forming his own company, 98 Pounder Records. Five years later, he recorded Chinese Vacation, an album heavily influenced by the events of September 11 and the murder of one of his closest friends. During a radio interview and performance on the Dave, Shelly, and Chainsaw radio program, he performed a “male” version of “You Were Meant For Me”. During the bridge, he went on a 5-minute rant on David Cassidy and assorted stories in Las Vegas, including one that led to the album name “One Left Shoe”. Poltz also performed the song on the Bob and Tom Show and included the Cassidy story during the bridge.]

[Steve Poltz plays an Official Showcase at Folk Alliance International Conference, Thurs, Feb 15, at 9:00 pm, on Benton’s 20th Floor.]

3. Crys Matthews – “Battle Hymn for an Army of Lovers”
from: Battle Hymn for an Army of Lovers EP / Crys Matthews / August 4, 2017
[Crys Matthews is from Herndon, Virgina. In August, 2017 she simultaneously released both a new full-length album, The Imagineers and an EP, Battle Hymn For An Army Of Lovers. These collections showcase two sides of Matthews’ dynamic songwriting; The Imagineers is a selection of thoughtful songs about love and life while Battle Hymn For An Army Of Lovers tackles social justice themes. Songs from both projects have already garnered accolades such as being selected as a finalist for the NewSong Music Competition, and winning the People’s Music Network’s Social Justice Songs contest at the Northeast Regional Folk Alliance. Matthews sings about hope, love, perseverance and justice with an ease and candor that one might expect from a southeastern North Carolina native whose mother happens to be a preacher. Equally at home in an acoustic listening room as she is on stage at large music festivals, Matthews has quickly gathered a loyal following playing such prestigious venues and festivals as The Birchmere, The Hamilton, BMI’s Island Hopper Songwriter Festival, the 40th Michigan Womyn’s Music Festival, Folk Alliance International, 30A Songwriters Festival, Northeast Regional Folk Alliance and many more.]

[Crys Matthews plays an Official Showcase at Folk Alliance International Conference, Thurs, Feb 15, at 7:45 pm, in Brookside Room.]

4. Madisen Ward & the Mama Bear – “Whole Lotta Problems”
from: Skeleton Crew / Glassnote Entertainment Group / May 19, 2015
[Debut full length from Madisen Ward and Ruth Ward, who both play guitar, and sing harmonizing as son and mom. They have skyrocketed out of Kansas City, garnering international acclaim, and new fans from all over the world. We first played their music on this radio show in early May of 2013 after our mutual friend Joel Nanos of Element Recording sent us a copy of their independent EP, “We Burned The Cane Field.” Madisen Ward and The Mama Bear opened for BB King at The Midland, on October 2014. 96.5’s The Buzz’s Lazlo Gieger saw them and was blown away. He contacted his friend, Daniel Glass, founder of Glassnote Records who traveled to Kansas City to meet with Madisen and Ruth. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing shows together, playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was our most played record of 2015 and was #1 on our 115 Best Recordings of 2015. Madisen Ward and the Mama Bear are currently working on their 2nd album.]

[Madisen Ward and The Mama Bear plays an Official Showcase at Folk Alliance International Conference, Friday, Feb 16, at 8:15 pm, in Shawnee Mission Room.]

5. The War and Treaty – “Down The River”
from: Down The River / Strong World Entertainment / July 21, 2017
[Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass,folk, gospel and soul. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, bass lines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ]

[The War and Treaty plays an Official Showcase at Folk Alliance International Conference, Friday, Feb 16, at 9:00 pm, in Washington Park Plaza.]

6. Mary Gauthier – “The War After the War”
from: Rifles and Rosary Beads / In The Black / January 26, 2018
[Brand new collection of songs by Mary Gauthier, co-written with U.S. veterans and their families, through Songwriting With Soldiers, a non-profit organization that pairs US veterans with professional songwriters. These songs are a glimpse inside the hearts and souls of both male and female soldiers, and their spouses. From Pop Matters: “SongwritingWith:Soldiers is an organization founded by songwriter Darden Smith that holds retreats pairing wounded veterans with established songwriters to help them to find a voice to express their experiences and through their sharing work towards emotional and spiritual healing. Songwriters who have participated in the program include Beth Nielsen Chapman, Marshall Crenshaw, Radney Foster, and Amy Speace, and some of the songs produced have been recorded by major country artists including Willie Nelson, Trisha Yearwood, Luke Bryan, and Garth Brooks. Mary Gauthier is a natural to serve as a contributor to this cause, her powerful autobiographical songwriting on past records addressing such topics as addiction, abandonment, and the search for meaning amidst pain. Turning her empathetic ear to the plights of others, she guides a group of veterans and their families through the composition of 11 highly effective and affecting songs. Of the experience, Gauthier writes “None of the veterans are artists. They don’t write songs; they don’t know that songs can be used to move trauma. Their understanding of song doesn’t include that. For me, it’s been the whole damn deal. Songwriting saved me. It’s what I think the best songs do, help articulate the ineffable, make the invisible visible, creating resonance, so that people (including the songwriter) don’t feel alone.” Gauthier was born in New Orleans, Louisiana. Born to a mother she never knew and left in St Vincent’s Women and Infants Asylum, Gauthier was adopted when she was a year old by an Italian Catholic couple from Thibodaux, Louisiana. At age 15, she ran away from home, and spent the next several years in drug rehabilitation, halfway houses, and living with friends; she spent her 18th birthday in a jail cell. Struggling to deal with being adopted, she used drugs and alcohol. These experiences provided fodder for her songwriting later on. Spurred on by friends, she enrolled at Louisiana State University as a philosophy major, dropping out during her senior year. After attending the Cambridge School of Culinary Arts, she opened a Cajun restaurant in Boston’s Back Bay neighborhood, Dixie Kitchen (also the title of her first album). Mary ran, and cooked at, the restaurant for eleven years. She was arrested for drunk driving opening night, July 12, 1990, and has been sober ever since. After achieving sobriety, she was driven to dedicate herself full-time to songwriting, and embarked upon a career in music. She wrote her first song at age 35. She sold her share in the restaurant to finance her second album, Drag Queens in Limousines, in 1998. The summer of the release of this album, she was invited to play 11 major folk festivals, including the Newport Folk Festival. Drag Queens in Limousines won in The 1st Annual Independent Music Awards for Folk/Singer-Songwriter Song, and she was nominated for Best New Artist of the year by the Boston Music Awards. She was nominated for three Gay and Lesbian American Music Awards (GLAMA) and won best country artist of the year. In 2002 her third album, Filth and Fire, was named “Best Indy CD of the year” by Jon Pareles of The New York Times. She moved to Nashville, Tennessee in 2001 and secured a publishing deal with Harlan Howard Songs, then secured a record deal with Lost Highway, a division of Universal Music, in 2003. Her first major label release, in 2005, Mercy Now was on the top 10 list for the year in dozens of publications, including The New York Times, the Los Angeles Times, the Daily News, and Billboard Magazine.]

[Mary Gauthier plays a Rebels and Renagades Showcase at Knuckleheads, 2715 Rochester, KCMO, Thursday, Feb 15, at 4:00 PM to 11:00 PM, dedicated to the memory of Louis Jay Meyers]

[Mary Gauthier plays an Official Showcase at Folk Alliance International Conference, Thursday, Feb 15, at 9:45 pm, in Shawnee Mission Room.]

7. Darling West – “After My Time”
from: While I Was Asleep / Jansen Records / February 16, 2018
[Three piece Americana/Country/Folk band from Oslo, Norway. Since the release of their second album, “Vinyl and a Heartache”, they have played concerts all over the world, been listed on the biggest radio channels in Norway and appeared on the Top 100 Country charts in the US, streamed more than three million times on Spotify, booked to the biggest festivals in Norway and Americanafest in Nashville and won a Norwegian Grammy. The band has unveiled two singles from the album they plan to release in early 2018.]

[Darling West plays an Official Showcase at Folk Alliance International Conference, Sat, Feb 17, at 9:15 pm, in Liberty Room.]

10:30 – Underwriting

10:32 – Instant Karma

8. Instant Karma – “Make Me A Man”
from: Trying To Find My Mind / Independent / July 22, 2017
[Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. All songs written by Instant Karma. Mixed by Zach Harris. Mastered at Eureka Mastering.]

[Instant Karma plays The Brick, at 1727 McGee, on Friday, Feb 9, at 9 PM, w/ Wild Eye, and Akkilles.]

[Instant Karma plays The Rino 314 Armour Rd. North Kansas City, Thursday, February 15, at 7:00 PM, with The Velveteers, and Grey Eyes.]

10:35 – Interview with Colby Bales & Branden Moser

Julia Othmer, Branden Moser, and Colby Bales on the February 7, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Colby Bales & Branden Moser are members of the Kansas City 4-piece band, Instant Karma. Instant Karma plays The Brick, at 1727 McGee, KCMO, on Friday, February 9, at 9 PM, with Wild Eye, and Akkilles. Instant Karma plays The Rino 314 Armour Rd. North Kansas City, Thursday, February 15, at 7:00 PM, with The Velveteers, and Grey Eyes. More info at: http://www.instantkarmakc.com

Colby Bales & Branden Moser, thanks for being with us on Wednesday MidDay Medley

Instant Karma with Colby Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass and keyboards, & Zach Harris on drums. Now with back up singers

Colby Bales and Cody Calhoun met in High School. They have been playing music together for 5 years. They became friends after forming the band,

Instant Karma bass player Branden Moser has called the band, “a drug trip through the soul section of your local record store.”

Instant Karma is recording new music that will be released as a 7 inch 45 rpm Single to be released through Sunflower Soul Records in collaboration with Chris Hazelton. The band shared one the sides from the new single live in our 90.1 FM Studios.

10:43

9. Instant Karma – “Shine On” (LIVE)
from: New song to be released as a 7” Single through Sunflower Soul Records
[Colby Bales on vocals & guitar, Branden Moser on harmony vocals.]

Instant Karma! is a 4 piece psych/soul rock band from Kansas City, MO. Their influences range from The Black Keys to Syl Johnson to the Wu Tang Clan.

Steven Ervay wrote for PlayistPlay: “This dynamic group mixes everything you love about soul, funk, and rock to create their unique peppy sound. The songs carry a palpable groove to them, accentuated by frontman Colby Bales’ smooth voice and the charming call and responses of the female backup singers.”

Instant Karma! has recently collaborated with other Kansas City musical artists: Erica Joy, Duncan Burnett on “Wiseman,” and Andrew Foshee.

Colby Bales & Branden Moser are also the co-founders of Groove King Records.

Instant Karma! will be playing The MidCoast Takeover, and will open for Durand Jones & The Indications, at recordBar, 1520 Grand, Sunday, April 8, at 7:00 PM.

10:54

10. Instant Karma – “Trying to Find My Mind”
from: Trying To Find My Mind / Independent / July 22, 2017
[Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. All songs written by Instant Karma. Mixed by Zach Harris. Mastered at Eureka Mastering.]

[Instant Karma plays The Brick, at 1727 McGee, KCMO, on Friday, February 9, at 9 PM, with Wild Eye, and Akkilles.]

[Instant Karma plays The Rino 314 Armour Rd. North Kansas City, Thursday, February 15, at 7:00 PM, with The Velveteers, and Grey Eyes.]

11:00 – Station ID

11. Julia Othmer – “Hungry Days (Make Me Feel)”
from: Hungry Days (Make Me Feel) – Single / Julia Othmer & James Lundie / 6/30/17
[One several new singles released from Julia Othmer, as part of “Sound,” her second full-length album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.” Julia has just returned from an East Coast Tour.]

[Julia Othmer plays Knuckleheads, at 2715 Rochester St, Fri, Feb 9, at 7:30 pm.]

[Julia Othmer will also be playing several Private Showcases at the Folk Alliance International Conference, February 14-17, at The Weston Crown Center.]

11:04 – Interview with Julia Othmer

Julia Othmer

Julia Othmer is getting ready to release “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record. Julia Othmer, is a graduate of Park Hill High School and moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.” Julia Othmer plays Knuckleheads, at 2715 Rochester Street, Friday, February 9, at 7:30 pm. Julia Othmer will also be playing several Private Showcases at the Folk Alliance International Conference, February 14-17, at The Weston Crown Center.

Julia Othmer, thanks for being with us on WMM

Julia Othmer was born in Kansas City, Missouri. She went to Park Hill High and studied at Columbia University in New York City.

Julia has lived in New York, Boston, Philadelphia, and Colorado

Julia moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”

Out of Print Magazine says: “This Thursday evening in the quaint little village of NYC, Julia Othmer, the mesmerizingly sultry singer/songwriter will be riding into town tucked under the wings of a Southwest jet. She will be performing at Rockwood Music Hall (196 Allen St. New York, NY) at 7PM sharp. If you haven’t heard of her, it may be because she has been diligently working on her new album for the last few years on the sunny and less immediate coast. Formerly a Kansas City native, Julia has put her pillow in New York, Boston, Philadelphia, some gondola in Colorado and finally Los Angeles, the city of lights and traffic, where she currently lives with her little white piano, her rock star and her cat Cosmo. Julia’s musical musings are so diverse that they become quite elusive to the simple description. Perhaps the best way to explain it would be if Nora Jones, Tom Waits, Billy Holiday and Lyle Lovett had a musical orgy and let you watch behind a curtain of burning lace and a whiskey waterfall. I’ll bring the unfiltered cigarettes, you bring your soul.”

11:25

12. Julia Othmer – “Purple and Gray”
from: Purple and Gray – Single / Julia Othmer & James Lundie / Sept. 29, 2017
[One several new singles released from Julia Othmer, as part of “Sound,” her second full-length album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.” Julia has just returned from an East Coast Tour.]

[Julia Othmer plays Knuckleheads, at 2715 Rochester St, Fri, Feb 9, at 7:30 pm.]

[Julia Othmer will also be playing several Private Showcases at the Folk Alliance International Conference, February 14-17, at The Weston Crown Center.]

11:29 – Underwriting

11:31 – Hedwig & The Angry Inch

Justin Carter-Van Pelt and Katie Gilchrist of Hedwig and the Angry Inch, running thru Feb. 17 at the Arts Asylum, 1000 E 9th, KCMO.

13. Hedwig & The Angry Inch – “Tear Me Down”
from: Original Motion Picture Soundtrack to Hedwig & The Angry Inch / Hybrid / 2001
[Hedwig and the Angry Inch is a 2001 American musical comedy-drama film written, adapted, and directed by John Cameron Mitchell, who also portrayed the title role, reprising his performance from the original production. Based on Mitchell’s and Stephen Trask’s stage musical of the same name, the film follows a fictional rock band fronted by an East German transgender singer who survives a botched sex change operation. Hedwig subsequently develops a relationship with a younger man, Tommy, becoming his mentor and musical collaborator, only to have Tommy steal her music and move on without her. The film follows Hedwig and her backing band, the Angry Inch, as they shadow Tommy’s tour, while exploring Hedwig’s past and complex gender identity. The musical has developed a devoted cult following. Despite largely positive reviews from critics and audiences, the film was a box office bomb, grossing only $3.6 million from an estimated $6 million budget. In 2001, the film won the Best Director and Audience Awards at the Sundance Film Festival as well as Best Directorial Debut from the National Board of Review, the Gotham Awards, and the Los Angeles Film Critics Association. Mitchell received a Golden Globe nomination for Best Actor and the Premiere magazine Performance of the Year Award. Hedwig and the Angry Inch is a rock musical about a fictional rock and roll band fronted by a genderqueer East German singer, Hedwig Robinson. The story draws on Mitchell’s life as the son of a U.S. Army Major General who once commanded the U.S. sector of occupied West Berlin. The character of Hedwig was inspired by a German divorced U.S. Army wife who was a Mitchell family babysitter and moonlighted as a prostitute at her Junction City, Kansas, trailer park home. The music is steeped in the androgynous 1970s glam rock style of David Bowie (who co-produced the Los Angeles production of the show), as well as the work of John Lennon and early punk performers Lou Reed and Iggy Pop. The musical opened Off-Broadway in 1998, and won the Obie Award and Outer Critics Circle Award for Best Off-Broadway Musical. The production ran for two years, and was remounted with various casts by the original creative team in other US cities. In 2000, the musical had a London West End production, and it has been produced throughout the world in hundreds of stage productions. In 2014, the show saw its first Broadway incarnation, opening that April at the Belasco Theatre and winning the year’s Tony Award for Best Revival of a Musical. The production closed on September 13, 2015. A national tour of the show began at San Francisco’s Golden Gate Theatre in October 2016 before closing at the Kennedy Center in July 2017. The character of Hedwig was originally a supporting character in the piece. She was loosely inspired by a German female babysitter/prostitute who worked for Mitchell’s family when he was a teenager in Junction City, Kansas. The character of Tommy, originally conceived as the main character, was based on Mitchell himself: both were gay, the sons of an army general, deeply Roman Catholic, and fascinated with mythology. Hedwig became the story’s protagonist when Trask encouraged Mitchell to showcase their earliest material in 1994 at NYC’s drag-punk club Squeezebox, where Trask headed the house band and Mitchell’s boyfriend, Jack Steeb, played bass. They agreed the piece should be developed through band gigs in clubs rather than in a theater setting in order to preserve a rock energy. Mitchell was deeply influenced by Squeezebox’s roster of drag performers who performed rock covers. The setlists of Hedwig’s first gigs included many covers with lyrics rewritten by Mitchell to tell Hedwig’s story: Fleetwood Mac’s “Oh Well”; Television’s “See No Evil”; Wreckless Eric’s “Whole Wide World”; Yoko Ono’s “Death of Samantha”; Pere Ubu’s “Non-Alignment Pact”; Cher’s “Half Breed”; David Bowie’s “Boys Keep Swinging”; Mott the Hoople’s “All the Young Dudes”; and the Velvet Underground’s “Femme Fatale.” A German glam rendition of Debby Boone’s “You Light Up My Life” once served as the musical’s finale. Mitchell’s second gig was as fill-in host at Squeezebox on a bill featuring singer Deborah Harry of Blondie. It was for this occasion that Mike Potter first designed Hedwig’s trademark wig, which was initially constructed from toilet paper rolls wrapped with synthetic blond hair. Mitchell, Trask, and the band Cheater (Jack Steeb, Chris Wielding, Dave McKinley, and Scott Bilbrey) continued to workshop material at venues such as Fez Nightclub and Westbeth Theater Center for four years before premiering the completed musical Off-Broadway in 1998. Mitchell has explained that Hedwig is not a trans woman, but a genderqueer character. “She’s more than a woman or a man,” he has said. “She’s a gender of one and that is accidentally so beautiful.”]

11:35 – Interview with Justin Carter-Van Pelt and Katie Gilchrist

Katie Gilchrist, Justin Carter-Van Pelt, and Julia Othmer on the February 7, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Hedwig and the Angry Inch, is currently running through February 17 at the Arts Asylum, 1000 E 9th, KCMO. Justin Carter-Van Pelt has returned to Kansas City to reprise his award-winning turn as Hedwig a role he debuted with Eubank Productions in 2002 to sold-out crowds. Katie Gilchrist as Yitzhak brings her rock star vocals to this production, written by John Cameron Mitchell and Stephen Trask and the winner of four Tony Awards, including Best Musical Revival. This KC production is presented by the Egads! Theatre in association with Arts Asylum and was directed by Vanessa Severo.

Justin Carter-Van Pelt and Katie Gilchrist Thanks for being with us on WMM

Justin Carter-Van Pelt has returned to Kansas City to reprise his award-winning turn as Hedwig a role he debuted with Eubank Productions in 2002 to sold-out crowds.

Justin Carter-Van Pelt grew up in Lee’s Summitt, Missouri. He received his BFA in Musical Theatre at Southwest Missouri State University Lives in New York, New York Married Alex Carter-Van Pelsince October 12, 2017

Justin has done many shows in Kansas City including The Unicorn Theatre, Late Night Theatre, Eubank Productions, and bar Natasha you were one of the the founders of

Katie Gilchrist went to Archbishop O’hara High School, she studied English/Theatre/Music at Saint Mary College, and studied at UMKC. She lives and works non-stop as a professional actress in Kansas City, and her resume is incredible: KC Rep, Unicorn Theatre The Living Room Theatre, Amy Farrand & The Like. She is Artistic Director at Kansas City Irish Theatre, Artist, Manager and Co-Owner at Bohemian Cult Revival, part of the Girls Troupe at Late Night Theatre, Manager and performer at The Pearl KC, Performer at KC Strips

The music of “Hedwig” is “steeped in the androgynous 1970s glam rock style of David Bowie (who co-produced the Los Angeles production of the show), as well as the work of John Lennon and early punk performers Lou Reed and Iggy Pop.”

Songs from the show:

“Tear Me Down” – Hedwig with Yitzhak
“The Origin of Love” – Hedwig
“Sugar Daddy” – Hedwig with Yitzhak
“Angry Inch” – Hedwig
“Wig in a Box” – Hedwig
“Wicked Little Town” – Hedwig
“The Long Grift” – Yitzhak/Skszp
“Hedwig’s Lament” – Hedwig
“Exquisite Corpse” – Hedwig with Yitzhak
“Wicked Little Town (Reprise)” – Hedwig as Tommy
“Midnight Radio” – Hedwig

1998 Off Broadway Debut
2001 Independent Film
2014 Broadway Revival

The universality of Hedwig And The Angry Inch is demonstrated in the fact that there have been professional productions of “Hedwig” all over the world: Austria, Brazil, Canada, Czech Republic, Berlin, Milan, Thailand, Turkey, The Netherlands, Mexico, Puerto Rico, Frankfurt, Edinburgh,

EGADS! THEATRE COMPANY with THE ARTS ASYLUM PRESENT
HEDWIG AND THE ANGRY INCH // January 31 – February 17, 2018

Text by John Cameron Mitchell // Music & Lyrics by Stephen Trask

Starring Justin Carter-Van Pelt and Katie Gilchrist.

Director Vanessa Severo, known best to Kansas City audiences as an actress, is no stranger to the piece having played the role of Yitzhak. This time she takes the reins; “Hedwig and the Angry Inch is a fully immersive production which brings the elements of rock ‘n’ roll, philosophy, and face melting harmonies together.”

The Angry Inch band: Richie St. John, Sean Hogge, Mark Johnson and Felix Dukes.

“The concept of the stage production is that the audience is watching genderqueer rock singer Hedwig Robinson’s musical act as she follows rockstar Tommy Gnosis’s (much more successful) tour around the country. Occasionally Hedwig opens a door onstage to listen to Gnosis’s concert, which is playing in an adjoining venue. Gnosis is recovering from an incident that nearly ruined his career, having crashed his car into a school bus while high and receiving oral sex from none other than Hedwig herself. Capitalizing on her notoriety from the incident, Hedwig determines to tell the audience her story (“Tear Me Down”).”

“She is aided and hindered by her assistant, back-up singer and husband, Yitzhak. A Jewish drag queen from Zagreb, Yitzhak has an unhealthy, codependent relationship with Hedwig. She verbally abuses him throughout the evening, and it becomes clear that she is threatened by his natural talent, which eclipses her own. She describes how she agreed to marry him only after extracting a promise from him to never perform as a woman again, and he bitterly resents her treatment of him. (To further the musical’s theme of blurred gender lines, Yitzhak is played by a female actress.)”

Winner of four Tony Awards, including Best Musical Revival, Hedwig and the Angry Inch is thrillingly progressive and thoroughly entertaining.

Egads! Theatre Company (the evolution of Eubank Productions) fosters emerging theatre professionals, produces theatre entertainment that is relevant and/or outlandish, and provides Kansas City audiences with quality productions as a stimulating outlet.

Hedwig and the Angry Inch, is currently running through February 17 at the Arts Asylum, 1000 E 9th, KCMO, presented by the Egads! Theatre in association with Arts Asylum

More info at: http://www.egadstheatre.com or hedwigkc.com

11:56

14. Hedwig and the Angry Inch – Original Brdwy Cast – “Exquisite Corpse”
from: Hedwig and the Angry Inch (Orig. Brdwy Cast Rec) / Hedwig Brdwy Co. / June 11, 2014
[Neil Patrick Harris starred in the first Broadway production at the Belasco Theatre, which began previews on March 29, 2014, and officially opened on April 22, 2014. Harris stayed in the production through August 17, 2014. The director was Michael Mayer with musical staging by Spencer Liff. Lena Hall played Yitzhak, Hedwig’s husband, until April 2015. This production won several Tony awards, including Best Revival of a Musical, Best Lead Actor in a Musical (Harris) and Best Featured Actress in a musical (Hall). It was also nominated for Best Costume Design for a Musical (Arianne Phillips), who also did the costumes for the original 2001 film. After Harris departed the production, Andrew Rannells took over the role of Hedwig on August 20, 2014, followed by Michael C. Hall, who played Hedwig from October 16, 2014, through January 18, 2015. The production then featured co-creator John Cameron Mitchell, who returned to the role from January 21 to April 26, 2015. Darren Criss took over the role of Hedwig on April 29 and played until July 19, 2015. Taye Diggs assumed the role on July 22, 2015, and performed through the production’s end on September 13, 2015. After Lena Hall left the production on April 4, 2015, Rebecca Naomi Jones took over as Yitzhak on April 14, 2015, following a week-long stint with Shannon Conley in the role.The Broadway production closed on September 13, 2015, after 22 previews and 507 regular performances. This version of the musical updates the story to modern day and has Hedwig performing on the abandoned set of Hurt Locker: The Musical, which closed the prior evening midway through its first performance. Hedwig explains that because it closed so quickly, she was able to convince one of the producers to allow her to use what would have been an otherwise empty and unused stage. Faux Playbills for the musical are littered throughout the theater and discuss various elements of the musical, which Hedwig occasionally mentions offhand throughout the musical. Director Michael Mayer stated that they came up with the idea for Hurt Locker: The Musical as a way to explain Hedwig’s presence in a Broadway theater. It was also used as a way to update the script to modern day as well as explain how Hedwig would be able to use such stage settings. Various newspapers have commented favorably on the faux Playbills, both an element of the musical and as a piece separate from the musical itself.]

15. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on February 14 we spin more music from artists playing Folk Alliance International Conference. Plus Victor & Penny join us LIVE in the 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #720

Wednesday MidDay Medley features Music from Folk Alliance International + Instant Karma + Julia Othmer + Hedwig And The Angry Inch

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 7, 2018

Music from the Folk Alliance International Conference
+ Instant Karma + Julia Othmer + Hedwig And The Angry Inc
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Mark plays songs from musical artists playing Official Showcases at the upcoming 2018 Folk Alliance International Conference, February 14, 15, 16, and 17 at the Westin Crown Center. We’ll hear tracks from: Crys Matthews, Madisen Ward and the Mama Bear, The War and Treaty, Mary Gauthier, Steve Poltz, and Darling West. More info at http://www.folk.org

Instant Karma

At 10:30 members of the band Instant Karma join us to share new music. Instant Karma features Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. Instant Karma bass player Branden Moser has called the band, “a drug trip through the soul section of your local record store.” Instant Karma plays The Brick, at 1727 McGee, KCMO, on Friday, February 9, at 9 PM, with Wild Eye, and Akkilles. Instant Karma plays The Rino 314 Armour Rd. North Kansas City, Thursday, February 15, at 7:00 PM, with The Velveteers, and Grey Eyes. More info at: http://www.instantkarmakc.com

Julia Othmer

At 11:00 Mark talks with Julia Othmer who is getting ready to release “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record. Julia Othmer, is a graduate of Park Hill High School and moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.” Julia Othmer plays Knuckleheads, at 2715 Rochester Street, Friday, February 9, at 7:30 pm. Julia Othmer will also be playing several Private Showcases at the Folk Alliance International Conference, February 14-17, at The Weston Crown Center. More info at http://www.juliaothmer.com.

Justin Carter-Van Pelt and Katie Gilchrist of Hedwig and the Angry Inch, running thru Feb. 17 at the Arts Asylum, 1000 E 9th, KCMO.

At 11:30 Justin Carter-Van Pelt and Katie Gilchrist share details of Hedwig and the Angry Inch, running through February 17 at the Arts Asylum, 1000 E 9th, KCMO. Justin Carter-Van Pelt has returned to Kansas City to reprise his award-winning turn as Hedwig a role he debuted with Eubank Productions in 2002 to sold-out crowds. Katie Gilchrist as Yitzhak brings her rock star vocals to this production, written by John Cameron Mitchell and Stephen Trask and the winner of four Tony Awards, including Best Musical Revival. This KC production is presented by the Egads! Theatre in association with Arts Asylum and was directed by Vanessa Severo. More info at: http://www.egadstheatre.com or hedwigkc.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #720