WMM Playlist from December 24, 2025

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 24, 2025

WMM’s 120 Best Recordings of 2025
(Part 3 of 4)

We present part-three, of our four-week special: WMM’s 120 Best Recordings of 2025. In 2025 there were over 1675 MidCoastal (KC area) releases in Albums, EPs, & Singles…(that we know of). We’ve culled these releases for WMM’s mix of New & MidCoastal releases. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length albums and EPs of 2025.

In 2025 we’ve broadcast nearly 900 different tracks on WMM over our 100,000 watts of 90.1 FM Community Radio Airwaves. Over 500 of these tracks were from New & MidCoastal Releases. 70 of the representative tracks in our “Best of” list are from MidCoastal Releases. In 2025 we’ve conducted over 175 interviews with 159 special guests. Nearly 50 of the bands and artists in our “Best of” list have joined us as guests on WMM.

Tune into Wednesday MidDay Medley throughout December for our 4-week series: WMM’s 120 Best Recordings of 2025, on December 10th, 17th, 24th, and 31st. We realize these “Best of” lists can seem subjective, so we ask that you please accept our list as a celebration of the year in music, and more music discovery for your ears. Our “Best of Lists” can be found at: http://www.wednesdaymiddaymedley.org

This Wednesday, we’ll count down #60 through #31 with tracks from: Julia Haile, Kat King, Religion of Heartbreak, Redder Moon, David Luther, Saving Miles Lemon, Elexa Dawson, Howard Iceberg & The Titanics, Malek Azrael, Tech N9NE, The MGDs, Danielle Ate The Sandwich, 2W33DY, Brittany Davis, Liney Blu, Liam Kazar, The Mammals, The Moose, Big Fat Cow, Bobcat Attack, FKA Twigs, Jeff Tweedy, Cate Le Bon, Hayley Williams, Lyra Pramuk, Blood Orange, Valerie June, Makaya McCraven, Perfume Genius, Florence + The Machine.

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979 [WMM’s theme]
  1. (#60.) Blood Orange – “Scared of It (feat. Brendan Yates & Ben Watt)”
    from: Essex Honey / RCA – Domino / April 29, 2025
    [Andy Kellman writes: As Blood Orange, Devonté Hynes advances a progressive mixture of styles including soul, funk, post-punk, and chillwave, all while incorporating lyrical themes of identity, sexuality, belonging, and spirituality, among other issues that have shaped his existence and those of his peers. The British singer/songwriter, multi-instrumentalist, and producer established himself in the mid-2000s as a member of the dance-punk band Test Icicles. Two subsequent solo albums as Lightspeed Champion drew from a deeper pool of inspirations, from Baroque pop to folk. Blood Orange, Hynes’ longstanding primary alias, debuted with Coastal Grooves (2011) and has remained an outlet for continuous diversification and exploration. Concurrent with a period during which the Blood Orange albums Cupid Deluxe (2013), Freetown Sound (2016), and Negro Swan (2018) each registered on the album charts in the U.K. and U.S., Hynes was sought out by a varied multitude of contemporaries such as Sky Ferreira, Solange, Carly Rae Jepsen, and Philip Glass. Starting with Palo Alto, he also became noted for his soundtrack work, and he branched out further into classical composition with the Grammy-nominated Fields, performed by Third Coast Percussion. Essex Honey (2025), the first Blood Orange album in six years, dealt with loss and promoted self-acceptance with Zadie Smith, Lorde, and Daniel Caesar among Hynes’ supporting cast. // Originally from East London, David Joseph Michael Hynes got his start in the mid-2000s in Test Icicles. The combustible dance-punk band released a handful of singles and an album, 2005’s For Screening Purposes Only, issued on Domino, which would become Hynes’ long-term label. Hynes then relocated to New York, and in 2007 launched Lightspeed Champion and landed his first of many major collaboration credits, as co-writer of the Chemical Brothers’ “All Rights Reversed” (off the Grammy-winning We Are the Night). As Lightspeed Champion, Hynes made two comparatively conventional singer/songwriter-oriented LPs, Falling Off the Lavender Bridge (number 45, U.K. pop) and Life Is Sweet! Nice to Meet You (number 102), among a handful of EPs and numerous mixtapes, through 2010. Hynes shed the alias and adopted another one. Blood Orange debuted in early 2011 with “Dinner,” a single that showcased a softer singing style necessitated by an emergency throat procedure he underwent the previous year. The song became the prelude to Coastal Grooves, which arrived that August on Domino and entered the U.K. chart at number 180. Hynes handled most of the instrumentation and worked closely with producer Ariel Rechtshaid, a frequent collaborator in the ensuing years. // Having assisted the Chemical Brothers, as well as Diana Vickers, Florence + the Machine, and Theophilus London, Hynes’ extracurricular work became increasingly high profile through the completion of his second Blood Orange album. Beside Rechtshaid, he worked with Sky Ferreira on “Everything Is Embarrassing.” He also assisted Solange in the writing and production of the True EP, and he produced and co-wrote “Flatline” for Mutya Keisha Siobhan. Cupid Deluxe, the follow-up to Coastal Grooves, arrived shortly after the latter in November 2013. Featuring contributions from Skepta, Clams Casino, Kindness, and members of Chairlift, Friends, and Dirty Projectors, the willfully wayward set became Hynes’ first album to reach the R&B and independent Billboard charts (and entered the U.K. chart 178). During this flurry of activity, Hynes carved out time to compose and record the score for Gia Coppola’s Palo Alto. The drama premiered at the 2013 Telluride Film Festival and the following May received a limited release, after which the score, credited to Devonté Hynes rather than Blood Orange, was made available separately. // Kylie Minogue (“Crystallize”), FKA twigs, Jessie Ware, Kindness, and Carly Rae Jepsen (“All That”) account for just some of the artists who released Hynes-aided material from 2014 through 2016, during which Hynes continued to develop solo material. In June 2016, Hynes released Blood Orange album three, Freetown Sound. Named after the capital of Sierra Leone, the home country of Hynes’ father, it was inspired by Hynes’ West African roots, both genealogically and musically, with material that resonated deepest with marginalized Black and queer listeners. Kindness and Jepsen reciprocated with their presence at the sessions, while Hynes added Debbie Harry and Nelly Furtado to his extended musical family. The album debuted at number six on the Billboard R&B chart and in the U.K. reached number 154. // Hynes’ name popped up on releases from Blondie, HAIM, A$AP Rocky, and Mac Miller into the latter half of 2018. During this period, Hynes also performed with Philip Glass at the Kennedy Center in Washington, D.C., and with a little help from Diddy, Project Pat, Georgia Anne Muldrow, and A$AP Rocky, put together the alternately comforting and startling Negro Swan. Issued in August 2018, it became the third consecutive Blood Orange LP to chart on Billboard’s R&B and independent listings, peaking in the U.K. at number 64. // Hynes’ appearances on Empress Of’s Us and Mariah Carey’s Caution preceded a Blood Orange mixtape, Angel’s Pulse, issued in July 2019. Later in the year, Hynes contributed to Danny Brown’s uknowhatimsayin¿, provided music for the romantic crime drama Queen & Slim, and composed the material performed by Third Coast Percussion on Fields. The latter was nominated for a Grammy in the category of Best Chamber Music/Small Ensemble Performance. // In 2022, Hynes issued the Four Songs EP, which included the hit single “Jesus Freak Lighter.” That same year, he also supplied the soundtrack to director Paul Schrader’s film Master Gardener. The whirling single “The Field” arrived in June 2025 and found Hynes collaborating with Tariq Al-Sabir, Caroline Polachek, and Daniel Caesar. It also contained a sample from the Durutti Column’s song “Sing to Me.” “Somewhere in Between” and “Mind Loaded” (the latter featuring Polachek, Lorde, and Mustafa) followed as additional previews of Essex Honey, the fifth Blood Orange album, which saw release that August.]
  1. (#59.) Valerie June – “Inside Me”
    from: Owls, Omens, and Oracles / Concord Records / April 11, 2025
    [Rooted in the belief that what we focus on is what we manifest, June dreams a song path forward with Owls, Omens, and Oracles that leaves no one behind. Halfway through a decade of immense and rapid global change, June asserts a multidimensional Blackness steeped in laughter, truth, magic, delight, and interdependence. This album is a radical statement to break skepticism, surveillance, and doom scrolling – let yourself celebrate your aliveness. Connect, weep, change, open. Throughout the M. Ward-produced Owls, Omens, and Oracles, Juneʼs distinctive Tennessee twang grips the listener. Visceral twists and a fierceness of raw emotion thread textures and tones through the needle of a multi-genre American quilt, striking against notions that voices should always sound polished and pretty. Gracefulness and gentleness harmonize with dissonance, edginess, and precarity in the sharpest parts of her voice. // Juneʼs singular sound is a North Star as steady and undeniable as any true love story, telling us to “trust the path.” She is inviting us out of the small boxes that keep us apart from each other, her music creating a space where we are already together, already one. The horizon changes as we get closer to it, but our artist is sure-footed in the face of uncertainty and change. She wants everyone who listens to this music to want to be alive, to love, co-creating a future together. Last weekend, the inimitable Valerie June returned to CBS Saturday Morning where she performed several songs off Owls, Omens, and Oracles. Accompanied by her band, she played lead single “Joy, Joy!,” the unreleased “All I Really Wanna Do,” and debuted “Endless Tree,” a song that was released on Tuesday as a single with an accompanying video. Juneʼs spirited performance gives a taste of what to expect on the upcoming Owls, Omens, and Oracles Tour, which kicks off next week and runs through late June. // Valerie June Hockett was born January 10, 1982, known as Valerie June, is an American singer, songwriter, and multi-instrumentalist from Memphis, Tennessee, United States. Her sound encompasses a mixture of folk, blues, gospel, soul, country, Appalachian and bluegrass. She is signed to Concord Music Group worldwide. // Born in Jackson, Tennessee on January 10, 1982, June is the oldest of five children. As a child growing up in Humboldt, June was exposed to gospel music at her local church and R&B and soul music via her father, Emerson Hockett. As a teenager, her first job was with her father, owner of Hockett Construction in West Tennessee, and a part-time promoter for gospel singers and Prince, K-Ci & JoJo, and Bobby Womack. She helped by hanging posters in town. Her father died in late 2016. // June relocated to Memphis in 2000 and began recording and performing at the age of 19, initially with her then-husband Michael Joyner, in the duo Bella Sun. After her marriage ended, she began working as a solo artist, combining blues, gospel and Appalachian folk in a style that she describes as “organic moonshine roots music”, and learning guitar, banjo, and lap-steel guitar. She became associated with the Memphis-based Broken String Collective. // In 2009 she was a featured artist on MTV’s online series $5 Cover (following the lives of Memphis musicians attempting to make ends meet), and in 2010 she recorded the EP Valerie June and the Tennessee Express, a collaboration with Old Crow Medicine Show. // In 2011 she was honored by the Memphis and Shelby County Music Commission at the Emissaries of Memphis Music event. She raised funds to record an album with producer Craig Street via Kickstarter.com, raising $15,000 in 60 days. Later that year she relocated from Memphis to Williamsburg, Brooklyn. Shortly after, record producer Kevin Augunas introduced June to Dan Auerbach of The Black Keys, which led to the recording of June’s album Pushin’ Against a Stone in July 2011, which was co-written and produced by Dan Auerbach and Kevin Augunas. // In 2012, June performed with producer John Forté on a collaboration called Water Suites (on the hip-hop-blues song “Give Me Water”), and with Meshell Ndegeocello on the song “Be My Husband”. She contributed The Wandering’s 2012 album Go on Now, You Can’t Stay Here: Mississippi Folk Music Volume III. In 2012 she performed in the UK for the first time, playing at Bestival and appearing on Later… with Jools Holland. // She has received substantial radio play in Europe on BBC Radio 6, including a feature on Cerys on 6 with Cerys Matthews. Mary Anne Hobbs of XFM has said of June: “This woman has already touched my heart, she really, really has.” // In February 2013, June was invited to support Jake Bugg on the UK leg of his tour. In March 2013, June performed two nights at South By Southwest. The first performance was on March 14 as part of the Heartbreaker Banquet. On March 16, June performed again, this time as part of The Revival Tour. Rolling Stone June’s second album, The Order of Time one of the 50 Best Albums of 2017, citing “her handsomely idiosyncratic brand of Americana, steeped deep in electric blues and old-time folk, gilded in country twang and gospel yearning….a blend of spacey hippie soul, blues and folk with June’s pinched, modern-Appalachian voice at the center”. In a 2017 interview, Bob Dylan was asked what artists he listened to and respected; June was among the artists he mentioned in reply. More info at: http://www.valeriejune.com]
  1. (#58.) Bobcat Attack – “Found In The Grass”
    from: The Year of The Bobcat / Les Bon Bons Electriques – The Record Machine / Aug. 1, 2025
    [Bobcat Attack released the single “Bird of Prey” on January 10, 2025 Bobcat Attack is the alter ego of electronic musician Nathan Reusch. Reusch has a passion for blending dub, techno, and ambient electronica into his own improvised vision. His compositions, crafted with synthesizers, drum machines, and modular synths, create a pulsing soundscape that is both intimate and lush, setting him apart in the electronic music scene. // Reusch first started making electronic music influenced by emo/punk in the early 2000s, opening for acts like Taking Back Sunday, Mewihoutyou, Coheed and Cambria, to more fitting artists like Joy Electric, Atom & His Package, Casiotone for the Painfully Alone and Yacht. In 2003, he started his indie label, The Record Machine, and in 2011, he founded KC’s Middle of the Map Fest; his time and focus on making his music came to a halt. The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renewed his interest in making music. After a few months of waywardly trying to figure out patches and midi cables, he joined KC’s Synth Collective and found a group of similarly-minded electronic musicians. // After a year of playing and organizing shows with the KC Synth Collective, he is regaining his footing; Reusch is ready to release his first new material in nearly two decades. Bobcat Attack bridges the gap between ambient, dub-techno, and house music. The result is a rich textural environment of blooming melodies, entrancing techno beats, and ambient soundscapes that immerses the listener in a vibrant, flooding forest of electronica. His arrangements are patient and complete, and there’s always a discovery bubbling underneath the surface. // Bobcat Attack’s debut single release, “Pallas,” (Sept. 20, 2024) was the inaugural release on Les Bon Bons Electriques – The Record Machine imprint. This collaboration between fellow electronic musician and collaborator Mark Ronning (Mr. Golden Sun/Pool Culure) and Reusch’s label, The Record Machine. Bobcat Attack played a YEAR OF THE BOBCAT EP release show July 31 at miniBar, with FaceFace, Hautlle and Slow Poke.]
  1. (#57.) Makaya McCraven –”Boom Bapped (ft. Theon Cross & Ben LaMar Gay)”
    from: Techno Logic (feat. Ben LaMar Gay & Theon Cross) – EP / International Anthem Records / October 31, 2025
    [Makaya McCraven was born October 19, 1983. He is an American jazz drummer and bandleader. // McCraven was born in Paris, France, to jazz drummer Stephen McCraven [fr] and Hungarian singer Ágnes Zsigmondi (of the band Kolinda [fr]), and from the age of three was raised in and around Amherst and Northampton, Massachusetts. At the age of five he played in his father’s drum ensemble, the CMSS Bashers, along with some of his father’s students. In middle school, he and friends formed a band to accompany his mother’s folk singing. In high school, McCraven formed the jazz-hip hop Cold Duck Complex. He studied music at the University of Massachusetts Amherst, becoming part of the university’s jazz orchestra and receiving various DownBeat student awards, but did not graduate. // In 2007 McCraven moved to Chicago, where he performed in the bands of Bobby Broom, Corey Wilkes [de], Willie Pickens, and with the Occidental Brothers, Marquis Hill, and Jeff Parker. He also worked as a studio musician for Apollo Sunshine and Kris Delmhorst. In 2012 he released his debut album, Split Decision, through Chicago Sessions, leading a trio. In the following years he appeared weekly with other musicians, from which he developed concepts for his 2015 album, In the Moment. He also performed with Kamasi Washington. In 2016 he toured mostly in Europe. After several mix tapes, in 2018 he released the double album Universal Beings, on which he was joined by musicians from New York City, London, and Los Angeles; the album was nominated for the Jazz Journalists Association Awards in 2019. In DownBeat’s 2020 Critics Poll, he was the winner in the “Rising Star” categories of best producer and best drummer of the year. In September, 2022, McCraven released In These Times, a full-length album that had been in development since 2015, through International Anthem. // McCraven is married to Nitasha Tamar Sharma, a professor of African-American and Asian-American Studies at Northwestern University as of 2018.]
  1. (#56.) Perfume Genius – “It’s A Mirror”
    from: Glory / Matador / March 28, 2025
    [Glory was produced by Blake Mills and marks the 7th studio album in his immaculate body of work. It’s a Mirror,” is the first single and its companion music video is directed by Cody Critchloe. The two artists first collaborated on the music video for Perfume Genius’ groundbreaking “Queen,” and Critchloe has also directed videos for artists such as Robyn, Kyle Minoque, Yeah Yeah Yeah’s, Yves Tumor and more. // Perfume Genius, the stage name for Seattle-based solo artist Mike Hadreas who was born in Des Moines, Iowa, moving to the suburbs of Seattle, Washington at the age of 7.. Hadreas studied painting in school and took piano lessons as a child. His mother was a special education teacher, and is now an assistant principal at a middle school. His parents divorced when he was a teenager. Growing up, Hadreas was the only openly gay student at his school, and he received death threats which were not addressed by the administration. He dropped out of high school during his senior year. Two years after dropping out, he was attacked by several young men in his neighborhood. He moved to Williamsburg, Brooklyn and worked as a doorman for a club in the East Village. In 2005, Hadreas returned home to Seattle and began recording music. In 2008, Hadreas set up a MySpace page under the name Perfume Genius, and thus began his music career. Hadreas’s music explores topics including sexuality, his personal struggle with Crohn’s disease, domestic abuse, and the dangers faced by gay men in contemporary society. In an interview with Jia Tolentino, Mike Hadreas described the album as influenced by his work with choreographer Kate Wallich on a 2019 dance piece titled “The Sun Still Burns Here”. Hadreas composed numerous songs for the performance, with two singles, “Eye in the Wall” and “Pop Song” resulting, though neither was included on Set My Heart on Fire Immediately. Of the experience, Hadreas explained that the themes of embodiment in his prior music were complicated as dance felt “rebellious against [his] body.” He explained that dancing “blew up this separation between [his] work and the world,” resulting in changes to his songwriting, with songs now telling stories grounded in real-life settings and about real people. He cited Townes Van Zandt, Enya, and Cocteau Twins as influences on the new album]
  1. (#55.) Florence + The Machine – “Everybody Scream (Clean Edit)”
    from: Everybody Scream / Polydor Records / November 3, 2025
    [From Pitchfork: On her sixth album, Florence Welch sings anthems of resilience with her characteristic gusto, but it’s her words of uncertainty that stand out most. // She doesn’t always emerge unscathed, but at least she’s alive. Each new Florence and the Machine album opens on Florence Welch in the aftermath of a tsunami, attempting to make sense of her circumstances as she prepares to charge forth into the unknown. The London band’s sixth album, Everybody Scream, is again dedicated to finding strength in release from physical and psychological inhibitions. If you’re a fan of the band’s arena-pop baroque, you’ll get what you came for: horizon-spanning anthems of resilience furnished with cinematic strings, gargantuan drums, and, yes, the occasional scream. Nearly every song rests on this sturdy foundation, and Welch’s voice ignites each into a raging wildfire. // “There’s a feeling of dying a little bit, every time I make a record,” Welch told The Guardian earlier this year. “And, this time, I nearly died.” That’s not hyperbole: While touring Dance Fever in 2023, Welch underwent life-saving surgery, which she’s now revealed was due to massive internal bleeding caused by an ectopic pregnancy. The trauma of miscarriage is evident in the fury that fuels Everybody Scream: “Sometimes my body seems so alien to me,” Welch sings over the steady chug of “Kraken,” sounding despairingly numb before transforming into a creature of wrath. On “The Old Religion,” she dreams of immateriality, yearning to be free of her physical self so long as it means relief from pain. // Florence and the Machine (stylised as Florence + the Machine) are an English indie rock band formed in London in 2007 by lead vocalist Florence Welch, keyboardist Isabella Summers, guitarist Rob Ackroyd, drummer Christopher Lloyd Hayden and harpist Tom Monger. The band’s music features dramatic, eccentric production and Welch’s powerful vocals. Their sound has been described as a combination of various genres, including rock and soul. // The band’s debut studio album, Lungs, was released on 3 July 2009, and held the number-two position for its first five weeks on the UK Albums Chart. On 17 January 2010, the album reached the top position, after being on the chart for twenty-eight consecutive weeks. As of October 2010, the album had been in the top forty in the United Kingdom for sixty-five consecutive weeks, making it one of the best-selling albums of 2009 and 2010. The group’s second studio album, Ceremonials, released in October 2011, entered the charts at number one in the UK and number six in the US. The band’s third studio album, How Big, How Blue, How Beautiful, was released on 2 June 2015. It topped the UK charts, and debuted at number one on the US Billboard 200, their first to do so. The album reached number one in a total of eight countries and the top ten of twenty. Also in 2015, the band was the headlining act at Glastonbury Festival, making Welch the first British female headliner of the 21st century. // The BBC played a part in their rise to prominence by promoting Florence and the Machine as part of BBC Music Introducing. At the 2009 Brit Awards, they received the Critics’ Choice Awards.]
  1. (#54.) Saving Miles Lemon – “In The Night”
    from: You’re A Star – EP / Frequency / June 6, 2025
    [Performed by: Saving Miles Lemon. Written by: Miguel Silva-Leon. Produced by: Saving Miles Lemon. One of three new singles released in the last few months from Saving Miles Lemon. Saving Miles Lemon released “Hidden Inventory” on May 2, 2025. Saving Miles Lemon released “The Line” on March 28, 2025. // Saving Miles Lemon released “In The Night” on January 16. 2025// Saving Miles Lemom released the 13-track full-length album LOVELY/ on October 6, 2023. Saving Miles Lemon is the psychedelic-pop project of Miguel Silva-Leon. Formed in 2019 with the goal of releasing an album by the end of the year, the project has transformed into a full-blown musical odyssey for Miguel (who likes to go by Mig) to explore new sounds. It’s hard to define what genre Saving Miles Lemon fits into as they like to let the music go where it wants to go. From smooth dance pop, to blown-out stoner rock, Mig likes to keep things interesting and never stay with one sound for too long.​ // Having grown up learning to play the piano at the age of 7, Miguel found themselves picking up new instruments frequently from the clarinet, saxophone, and oboe to guitar/bass and drums. Just as with their instruments, Mig began practicing their production skills in high school with small bedroom projects and hardcore bands. In a way, nothing has changed, as all of Saving Miles Lemon’s music is recorded and produced entirely by Mig in their bedroom studio to this day. // Their live members include Jacob Frisbee (bass), James Wiltfang (keys), and Zeke Bockleman (drums). // As a live act, the band began performing in 2021 and quickly took over the DIY scene in Kansas City before moving on to the bar/venue scene with sold-out shows at The Rino (KCMO) and The Bottleneck (LFK). They’ve opened for national and international touring bands such as Cub Sport at The Encore at Uptown Theatre (KCMO). // Saving Miles Lemon has released two full-length LPs and a handful of singles.]
  1. (#53.) 2W33DY – “Why You So Mean”
    from: Why You So Mean / 2W33DY / February 7, 2025
    [Lead Guitar: Diyana; Drums and Pedal Steel: Bradford; Bass: Kennedy; Guitar and Vox: Kenia. // Recorded with Caufield Schnug. The band writes, “We recorded these tracks in Lawrence, KS with Caufield Shnug and his cozy studio. From there I took a lot of deliberating and experimenting with mixing and mastering. We ran each track through Brad’s tried and true marantz 8-Track and from there mixing and mastering was a team effort.” They go on to say, “We are excited to bring you more new music as we continue on our journey as the “most dangerous band in KC”.]

10:28 – Underwriting

  1. (#52.) Liam Kazar – “The Word The War”
    from: Pilot Light / Congrats Records / November 7, 2025
    [KC-based, Chicago-raised musician & acclaimed chef/founder of the Armenian pop-up restaurant Isfahan. // Liam Kazar on vocals, acoustic guitar, electric guitar; bass on “Didn’t I,” wurlitzer on “Listening”; Sam Evian on bass, vocals; saxophone and keys on “Didn’t I”; Sean Mullins on drums, percussion; Michael Prince Coleman on piano, wurlitzer, organ, synthesizer; Hannah Cohen on vocals; Sima Cunningham on vocals; Dorian Gehring on pedal steel, fiddle; James Elkington on percussion, guitar, arrangement, and production, on “Didn’t I”; Spencer Tweedy on drums on “Didn’t I”; Meg Lui on vocals on “Didn’t I”. All songs written by Liam Kazar. Produced, engineered, mixed by Sam Evian at Flying Cloud in the Catskills. Additional engineering by Dorian Gehring at Fox Hall Studio in Chicago, IL. Mastered by Josh Bonati // Liam Kazar’s August 6, 2021 album, DUE NORTH was in the Top 15 of WMM’s 120 Best Recordings of 2021. Liam described the making of Due North as a revelation, where the more he wrote, the more his songs showed what kind of artist he’s always wanted to be. A bandmate performing with artists like Jeff Tweedy, Steve Gunn, Daniel Johnston, and more, making his own songs presented a chance to find his own voice. But figuring out how to step out was a rewarding challenge. “This record kind of all stemmed from a conversation I had with Jeff,” says Kazar. “I showed him some of my earliest songs I was working on and he told me, ‘It sounds like you’re writing for the people in your bands, you’re not writing for yourself.’ He was completely right. I was not writing songs for myself.” With that needed insight, Kazar decided to start from scratch and write songs that felt like himself. // Jeff Tweedy said, “I love everything about Liam. His voice, his songs, the way he plays instruments, his smile, his cooking…. Everything,” says Tweedy. ”Whenever I hear one of his songs for the first time I almost immediately start thinking to myself, ‘oh yeah! This song! I love this song.’ It’s a magic trick few people can pull off: making something brand new sound like a cherished memory.” “There were 2 words I had in my head during the making of this record, which was joyful & vulnerable,” says Kazar, citing Al Green’s 1978 The Belle Album as an LP that encapsulates such a feeling. “I was trying to talk about things that I’m scared about but acknowledging that I’m not that powerful and you can still be joyful in the face of your own insecurities.” Take album highlight “Frank Bacon,” where Kazar sings, “When you’re running uphill and swimming upstream / Nothing’s ever gonna be the way it seems.” Despite any lyrical uncertainty the track is bursting with life, especially in the monster groove from drummer Spencer Tweedy & bassist Lane Beckstrom. Elsewhere on “Nothing To You,” Kazar finds the sweet spot between indie rock jangle and subtle country twang as he sings, “I hope you don’t resent / The love between your hands.” Along with Tweedy and Beckstrom, Kazar enlists keyboardist Dave Curtin (Woongi), co-producer James Elkington on pedal steel, as well as Ohmme and Andrew Sa on backing vocals. Opener “So Long Tomorrow” showcases the band’s chemistry, a winding jam full of playful & soulful instrumental flourishes. One of the last songs written for the album, it was recorded remotely in quarantine but despite the distance the band’s tight bond is obvious. “These songs totally blew me away the first time I heard them: they sound like David Bowie meets the Band,” says Mare Records co-founder Kevin Morby. Due North was mixed by Sam Evian at his Flying Cloud Recordings Studio in upstate New York. “Sam knew exactly what I’m trying to do with this record,” says Kazar. “He put the whole track listing together and really had a vision for the record that I needed at that time.” // Like most musicians, the pandemic threw Kazar for a loop, knocking out both his touring revenue and his part-time gigs as a bartender. With more than enough time in his KC home, he decided to pursue his longtime love of cooking by creating the restaurant, Isfahan. With recipes that honor his Armenian heritage & family’s journey to USA from Iran, Syria, & Lebanon, Kazar’s cooking has received press from Time Out Chicago & Eater. “In COVID, my mantra was to not have my heart broken about the future and be present,” says Kazar, explaining that ethos is one of the reasons why he named the LP Due North. Though Due North is full of songs that act as a mirror to Kazar’s many talents, few sum it up as concisely as “No Time For Eternity.” On the track, he and Chicago country crooner Andrew Sa sing over wailing pedal steel, taking stock of the most important things in life: “Making time to live my life / Making time for you and me.” “The reality of my life is that when I come home, and I’m talking with my partner, maybe we had a bad day, but we still are laughing & having a good time with each other at the same time,” says Kazar. “I had to make music that expressed that part of me that’s a person who genuinely enjoys themselves.”]
  1. (#51.) Jeff Tweedy – “Lou Reed Was My Babysitter”
    from: Twilight Override / dBpm Records / September 26, 2025
    [Twilight Override is the fifth solo studio album by Jeff Tweedy. It is a triple album featuring 30 songs. It follows Tweedy’s 2020 album, Love Is the King. It was recorded at his Chicago studio, the Loft. It features contributions from James Elkington, Finom’s Sima Cunningham and Macie Stewart, and Liam Kazar, along with Tweedy’s sons, Spencer and Sammy. Tweedy’s decision to record a triple album was first inspired after he listened to The Clash’s Sandinista! all the way through during a road trip with his two sons. // In the album’s press release, Tweedy expressed being overwhelmed by the “bottomless basket of rock bottom” of current social conditions, what he described as the “sense of decline” in the “twilight of an empire”. He, however, concluded that he was unsure what exactly was “squeezing this ennui into [his] day”, and described the album as his “effort to overwhelm it right back”. He further credited his recent prolific output to his belief that creativity aligns oneself against destruction, consuming the “darkness”. // Twilight Override was officially announced on July 15, 2025. Four singles were released the same day: “One Tiny Flower”, “Out in the Dark”, and “Stray Cats in Spain”, and “Enough”. The album is scheduled to be released on September 26, 2025, through dBpm Records. “Feel Free” was released on August 19, 2025, and “Lou Reed Was My Babysitter” was released on September 12, 2025. // Following the remaining dates on Wilco’s summer 2025 tour, Tweedy will support the album with “a full-band tour” of North America in October and November 2025, followed by a tour of Europe in February 2026. // Jeffrey Scot Tweedy (born August 25, 1967) is an American musician, singer songwriter, author, and record producer best known as the lead vocalist and guitarist of the band Wilco. Tweedy, originally from Belleville, Illinois, began his music career in high school with his band The Plebes along with Jay Farrar, also in the band. The Plebes later became the alternative country band Uncle Tupelo. // After Uncle Tupelo broke up Tweedy formed Wilco which found critical and commercial success, most notably with Yankee Hotel Foxtrot and A Ghost Is Born. The latter received a Grammy for Best Alternative Album in 2005. // During his career Tweedy has released 20 studio albums including four with Uncle Tupelo, twelve with Wilco, one with his son Spencer, a solo acoustic album, three solo studio albums, along with numerous collaborations with other musicians, most notably Mermaid Avenue with Billy Bragg. // Tweedy was born in Belleville on August 25, 1967, the fourth child of Bob and JoAnn Tweedy (née Werkmeister). Bob Tweedy (died August 4, 2017) worked for Alton & Southern Railroad in East St. Louis; JoAnn was a kitchen designer. Tweedy grew up with three siblings, older brother Greg Tweedy (he died in 2013), brother Steven Tweedy, and sister Debbie Voll. // Tweedy’s mother bought him his first guitar when he was six years old, although he did not begin to play it seriously until he was twelve. Apparently Tweedy told people that he knew how to play the guitar once he got his first guitar, even though he did not know how to play. // When he was twelve, Tweedy was injured in a bicycle accident and was laid up for the summer. He decided to learn how to play a few chords before somebody “called him out” on the lie. On an appearance of The Late Show with Stephen Colbert, he remembered attending an X concert as a youngster in St. Louis. The Replacements opened, and Paul Westerberg, their guitarist and vocalist, fell off the stage while performing. Tweedy recalls thinking “That looks like fun!” // In 1981, when Tweedy was fourteen years old, he befriended Jay Farrar during an English class at Belleville Township High School West.  All of the members of Farrar’s family enjoyed playing music; he already knew rock and roll music very well. By that time, Tweedy was a fan of The Ramones and country music while Farrar enjoyed The Sex Pistols. Tweedy attended Belleville Area College and Southern Illinois University Edwardsville.] [Jeff Tweedy played Liberty Hall in Lawrence, Kansas on November 8, 2025]
  1. (#50.) Cate Le Bon – “About Time”
    from: Michelangelo is Dying / Mexican Summer / September 26, 2025
    [Michelangelo Dying is the seventh studio album by Welsh singer and producer Cate Le Bon. The album was made between Hydra, Cardiff, London, and Los Angeles. The album was finished in the Joshua Tree desert. // Le Bon revealed the album was meant to come out a year earlier in 2024, but felt too sick and exhausted after a break-up. Le Bon described the album as: “realising you’ve completely abandoned yourself in the throes of this all-encompassing love. The breakup was always like an amputation that you don’t really want, but you know will save you” // Cate Le Bon was born Cate Timothy on March 4,1983. She is a Welsh musician, songwriter and record producer. She sings in both English and Welsh. She has released seven solo studio albums, and was one half of the experimental music duo Drinks (stylised in all caps) with her then-partner Tim Presley. Her stage name is a tribute to English musician Simon Le Bon. // As a record producer, Le Bon has worked with Deerhunter, John Grant, H. Hawkline, Kurt Vile, Josiah Steinbrick, Wilco, Devendra Banhart and Horsegirl. // Le Bon first gained public attention when she supported Gruff Rhys (of the Super Furry Animals) on his 2007 solo UK tour. She appeared as a guest vocalist on Neon Neon’s 2008 single “I Lust U” from their album Stainless Style. Under her original name she provided backing vocals on Richard James’s debut solo album The Seven Sleepers Den in 2006. She also appeared on his second solo album, We Went Riding, from 2010. // Her first official release was a Welsh language EP, Edrych yn Llygaid Ceffyl Benthyg (“Looking in the Eyes of a Borrowed Horse”, similar to the English expression “to look a gift horse in the mouth”), on Peski Records in 2008. She also self-released the double A-side debut single “No One Can Drag Me Down” / “Disappear” (described by Gruff Rhys as “Bobbie Gentry and Nico fight over a Casio keyboard; melody wins!”) on her website. Le Bon worked alongside Gorky’s Zygotic Mynci’s Megan Childs, who contributed violin, and Super Furry Animals and Thrills collaborator John Thomas, who added pedal steel. // Her debut album Me Oh My was released in 2009, followed by Cyrk and the Cyrk II EP in 2012. // In January 2013, Le Bon moved to Los Angeles to further her career in the US.[non-primary source needed] Her third album, Mug Museum, was released November 2013. It was produced by Noah Georgeson and Josiah Steinbrick in Los Angeles, and featured Stephen Black (bass) and Huw Evans (guitar). During that year, she provided guest vocals on two albums: the track “Slow Train” from Kevin Morby’s debut album Harlem River and “4 Lonely Roads” from Manic Street Preachers’s album Rewind the Film. // In 2015, Le Bon collaborated with Tim Presley as DRINKS and released the album Hermits on Holiday in August 2015. DRINKS released their second album Hippo Lite in April 2018. // Le Bon released her fourth studio album, Crab Day, on 15 April 2016 on Drag City to generally favourable reviews. The album was produced by Josiah Steinbrick and Noah Georgeson, and again featured Stephen Black (bass) and Huw Evans (guitar), with Stella Mozgawa (drums). She noted how the collaboration with Presley had made her realise “that I make music because I love to, not because I have to”. On tour she was supported by Black and Evans and on occasion by Steinbrick and Josh Klinghoffer, a five-piece that also performs instrumental improvisations under the name BANANA. // In January 2017, Le Bon released the four-track EP Rock Pool via Drag City. It includes her version of the track “I Just Want to Be Good” which she wrote for Sweet Baboo’s 2015 album The Boombox Ballads. In the same month Leaving Records released Live by BANANA, recorded live during the band’s 2016 tour and Le Bon remixed Eleanor Friedberger’s song “Are We Good?” from the album Rebound (2018). // In 2018, Le Bon signed with Brooklyn based record label Mexican Summer. That same year, she joined John Cale onstage at the Barbican Centre with the London Contemporary Orchestra. // Le Bon released her fifth studio album, Reward, via Mexican Summer on 24 May 2019. Reward was nominated for the Mercury Prize. It was followed by her sixth Le Bon began working on Pompeii during the first wave of the COVID-19. Her parents were council workers who met at the University of Newcastle, and soon moved into a farmhouse in Penboyr, where they eventually raised their three daughters.Le Bon had previously lived with her DRINKS collaborator and partner Tim Presley in Joshua Tree, California. She had also lived in Cardiff and Los Angeles.]
  1. (#49.) Hayley Williams – “Kill Me”
    from: Ego Death At A Bachelorette Party / Post Atlantic / November 7, 2025
    [Ego Death at a Bachelorette Party is the third studio album by the American singer-songwriter Hayley Williams. // Hayley Nichole Williams (born December 27, 1988) is an American singer and songwriter. She is the lead vocalist and a founding member of the rock band Paramore and has released several solo albums. // Williams was born and raised in Meridian, Mississippi. Her parents divorced when she was 13. She then moved with her mother to Franklin, Tennessee, where she later formed Paramore alongside Josh Farro, Zac Farro, and Jeremy Davis. Paramore has released six studio albums: All We Know Is Falling (2005), Riot! (2007), Brand New Eyes (2009), Paramore (2013), After Laughter (2017), and This Is Why (2023). It has featured a continuously changing line-up (currently consisting of Williams, Zac Farro, and Taylor York) with Williams being the only member to appear on all six albums. Along with York, Williams won the 2015 Grammy Award for Best Rock Song for the song “Ain’t It Fun”. // Williams’ non-Paramore musical work includes the song “Teenagers” for the soundtrack of the film Jennifer’s Body (2009) and collaborations with The Chariot, October Fall, New Found Glory, Set Your Goals, Zedd, Moses Sumney, and Turnstile. In 2010, she was featured on the single “Airplanes” by B.o.B, which peaked at No. 2 on the U.S. Billboard Hot 100. The sequel to the song, “Airplanes, Part II”, featured new verses from B.o.B. and a guest verse from Eminem with Williams’ vocals remaining. This gained a nomination for the Grammy Award for Best Pop Collaboration with Vocals. In 2023, she was featured on Taylor Swift’s re-recording of her 2010 album Speak Now on the track “Castles Crumbling”. She has also released the solo EPs Petals for Armor I (2020) and Petals for Armor II (2020), the subsequent full-length solo album Petals for Armor (2020), and her second solo album Flowers for Vases / Descansos (2021). In 2025, she released her third album Ego Death at a Bachelorette Party under her own independent label named Post Atlantic.// Hayley Nichole Williams was born in Meridian, Mississippi, on December 27, 1988, the daughter of Cristi and Joey Williams. She has two younger half-sisters. Her childhood neighbor was NBA player Rodney Hood. After her parents’ divorce in 2002, when she was 13, she moved with her mother to Franklin, Tennessee. At her new school, she met future Paramore bandmates Josh and Zac Farro. Shortly after settling in Franklin, she began taking lessons with vocal coach Brett Manning. While still at school, Williams tried out for a local funk cover band called The Factory, where she met future Paramore bandmate Jeremy Davis.]
  1. (#48.) Britanny Davis – “Girl (Don’t You Know)”
    from: Black Thunder / Loosegroove Records / June 13, 2025
    [“As a blind person, I’ve never had an actual visual experience,” says artist Brittany Davis. “Sound is the way I’ve always seen my world.” // Brittany brings that world to cinematic life with Images Issues, their full-length debut as a solo artist, released March 1, 2024 on Loosegroove Records. Arriving on the heels of 2022’s I Choose to Live — an introductory EP that was championed by outlets like NPR (who hosted Davis for a Tiny Desk Concert) and SPIN Magazine (who praised Davis’ “intuitive virtuosity across deeply-felt rock, funk, and R&B”) — it’s a wildly creative project that obliterates the traditional borders between genre and job. Brittany isn’t just the album’s vocalist; they’re also the songwriter, engineer, co-producer, and multi-instrumentalist responsible for nearly every sound on the album. Those sounds are just as diverse as the person who created them, with Image Issues making room for gospel piano, hip-hop grooves, house beats, jazz chords, self-made samples, and everything in between. It’s a wide mix — and it’s all Brit. // From Written by Jonathan Cohen’s April 13, 2023 article in DSPIN Magazine: Blind since birth, the talented musician leads their own quartet while also playing in Stone Gossard’s Painted Shield. // Davis, who uses they/them pronouns, has been dazzling people in this fashion more or less since the beginning, while overcoming enormous personal challenges along the way. They were born blind in 1994 in Kansas City, Mo., and were just three years old when their mother was sent to prison for a decade for murder, leaving them to be raised by their maternal grandmother. Davis has a form of synesthesia, where they can experience multiple senses at once. Although for some this might seem like a kind of blessing or superpower, for Davis, it only magnified the struggle to translate the sounds in their young head into something people could actually hear for themselves. // “When I was little, I heard music in everything,” Davis tells SPIN over Zoom after apologizing for the constant loud noises coming from their cell phone (“Forgive me – everything in my life talks,” they say with a huge smile, in a voice as naturally harmonious as their songs). “Music was like a language. There was no quintessential moment where I knew it was magic — it just was. It always was. It’s like breathing. But I didn’t really have anybody to share it with, or the means to share it with people the way that I wanted to. I definitely played in churches sometimes, or maybe if a friend came to the house, they’d be like, ‘OK Brittany, play us a song.’ I felt like a one-trick pony, and I didn’t know how to express my desire and pain through my music. It was almost like a second skin.” // An early breakthrough came through the assistance of a teacher at a Kansas City piano academy, where at the behest of their grandmother, Davis spent four years as a student between the ages of seven and 11. Even though they “can’t stand to practice,” Davis was encouraged to play loops or fragments of their fledgling ideas, which the instructor then helped turn into actual songs. “Bless his soul – he gave me my first recording experience,” Davis says of this material, which is now sadly lost to the ages. // Shortly thereafter, Davis’ life was plunged back into tragedy when, at age 12, their father was murdered. “My mother was still incarcerated at the time, so imagine the impact of what that meant for 12-year-old me,” they say. “My father was my lucky star. I believed he was really God’s conduit for my gift – I’m the vessel, but he was the conduit to show me what was possible.” // Davis’ mother was eventually released from prison, and in search of a fresh start, moved Davis and one of their three brothers from Kansas City to Seattle, where their late father’s sister resided. Although a leading light from the city’s celebrated music scene would eventually figure prominently in Davis’ life, initially, they didn’t even think about what their new hometown might have to offer from a cultural standpoint: “I was just on this adventure, like, ‘Seattle! Let’s go!’ It was as if I found a golden ticket but didn’t know about the contest.” // Davis continued working on music with the help of a basic synthesizer with a built-in sequencer, in spite of ongoing difficulties with their day-to-day well-being. “Definitely I experienced a lot of displacement,” they admit. “I say ‘homelessness’ very loosely, because we didn’t live on the street. But we lived in hotels sometimes. I’d take taxis to school because we didn’t have transportation. I had clothes and food, but just not a steady residence. I moved almost 60 times during the term of my high school career.” // Stability may have proven elusive for a while, but Davis was also beginning to make inroads in the Seattle music community. They played regular gigs at an African restaurant called Rumba Notes and made appearances at local festivals such as Sundiata, Juneteenth, and Folklife, but the big break came just before the pandemic in 2019. // That year, Pearl Jam’s Stone Gossard heard from longtime Seattle friend Om Johari that there was a young musician in town who he positively had to meet. Before long, Davis was at Gossard’s Studio Litho recording new ideas of their own and was quickly invited to Pearl Jam’s warehouse to contribute to material from Gossard’s nascent side project, Painted Shield. Gossard also signed Davis to his revived imprint Loosegroove, for which they’ve released the 2022 EP I Choose To Live and are working on a debut full-length that should be out before the end of the year. // “It has been such an amazing experience to be involved with Brittany,” Gossard tells SPIN. “Their capabilities as a musician, improviser, storyteller, producer, and straight-up keyboard hero are as profound as any that I’ve ever experienced. It is beyond an honor to be connected to their blossoming career.” // Davis now finds themself with the good fortune of being in two different bands at once, a situation made even more fruitful now that Painted Shield finally played live for the first time during three March shows at Seattle’s Clock-Out Lounge. Among Davis’ upcoming gigs are solo performances on April 30 and May 28 at Seattle’s Rabbit Box, an appearance to sing “The Star-Spangled Banner” at the Seattle Sounders soccer game on May 17, and two June shows with the Quartet (bassist Evan Flory-Barnes, drummer D’vonne Lewis, and guitarist Jason Cameron) as part of the city’s annual Pride celebration. // “When it comes to sitting in front of a keyboard, I will always come through expressively,” Davis says. “If I’m in a rock band, I’ll rock just as hard as any other rocker. If I’m rapping, I’ll rap just as well. I always acknowledge the language being spoken sonically, and that’s one of the gifts I have. To be honest, with Painted Shield, I don’t know how people see me in that band. They probably think, ‘Whoa! That’s a wild card (laughs)! Whoa, Stone! Who is that?’” // While it’s true that a non-binary, sightless, millennial African-American musician may seem like an odd match with four veteran rockers in their 40s and 50s, Gossard can’t say enough about what Davis has brought to songs such as “Til God Turns the Lights on” and “Fallin’ Out the Sky” for Painted Shield, which also features vocalist Mason Jennings, drummer Matt Chamberlain, and bassist Jeff Fielder. // “Britt’s work with Painted Shield is just scratching the surface of what they are capable of, but if I were to list the two biggest aspects of how they’ve impacted the band, it would be their incredible vocal harmonies and their wicked ear, which allows them to layer color and other musical ideas to existing tracks,” Gossard says. “It’s a high priority for me to have more songwriting from Britt on our next album, and to give them more freedom to create outside the lines. I can’t wait to hear it.” // And while Davis is confidently looking forward, enough time has now passed from their tumultuous early years to allow them to trace the evolution of music’s role in their life. They’re now even more committed to what they believe is their God-given purpose: to ignite the spirits, souls, and hearts of people through sonic translation. // “Music has definitely evolved, in the way that I express it and how it expresses me,” Davis says. “That language has broadened. It’s one thing to say, ‘I’m sad,’ but it’s another to say, ‘I’m grieved.’ It’s being able to digest the amalgamation of the emotion that can form through being in contact with music. I’m entrenched in Seattle music now, and I’m working with historical figures who have been a part of historical movements. All of that changes how you walk. It’s not the same as wishing and hoping. No, it’s happening, and the people I’m touching are real. The lives I’m impacting are real. The love being given is real. The journey is no longer in my head, and that’s humbling because you realize that even if it’s all gone tomorrow, the music will always be there.”]
  1. (#47) FKA Twigs – “Perfect Stranger”
    from: EUSEXUA / Young Recordings / January 24, 2025
    [EUSEXUA is the third studio album from FKA twigs and follow up to . CAPRISONGS which was part of WMM 120 Best Recordings of 2022. CAPRISONGS was the follow up to FKA Twigs November 8, 2019 album MAGDALENE, which was #29 on WMM’s 119 Best Recordings of 2019. // Tahliah Debrett Barnett was born on January 16, 1988. She is known professionally as FKA Twigs. She is a British singer and songwriter, raised in Tewkesbury, Gloucestershire. She became a backup dancer after moving to South London when she was 17 years old. She made her musical debut with the extended plays EP1 (2012) and EP2 (2013). Her debut studio album, LP1, was released in August 2014 to critical acclaim, peaking at number 16 on the UK Albums Chart and number 30 on the US Billboard 200. It was later nominated for the 2014 Mercury Prize. She released the M3LL155X EP in 2015 to further critical praise, as well as her second studio album Magdalene four years later. Her work has been described as “genre-bending”, drawing on various genres including electronic music, trip hop, R&B, and avant-garde. Her work has been compared to the work of Tricky as well as Kate Bush, Janet Jackson, The xx, and Massive Attack, while Slate described her work as distinctive in a way that rises above her influences. The Wall Street Journal described her as “an heir to futuristic R&B muses like Aaliyah, Missy Elliott and others under the progressive sway of producer Timbaland.” Describing her artistry, she said: “I am not restricted by any musical genre. I like to experiment with sounds, generating emotions while putting my voice on certain atmospheres […] I found my own way of playing punk. I like industrial sounds and incorporating everyday life’s sounds like a car alarm.” FKA Twigs has been associated with the alternative R&B tag, though she herself has rejected the R&B label as related to her race: “It’s just because I’m mixed race. When I first released music and no one knew what I looked like, I would read comments like: ‘I’ve never heard anything like this before, it’s not in a genre.’ And then my picture came out six months later, now she’s an R&B singer. I share certain sonic threads with classical music; my song ‘Preface’ is like a hymn. So let’s talk about that. If I was white and blonde and said I went to church all the time, you’d be talking about the ‘choral aspect’. But you’re not talking about that because I’m a mixed-race girl from south London.” The first singers who influenced FKA Twigs were Billie Holiday, Ella Fitzgerald, and Marvin Gaye. When she started composing songs, she wanted to reproduce music she liked: “every bit of music that I made sounded like a pastiche of Siouxsie and the Banshees or Adam Ant. But through that I discovered myself”. In an interview after being shortlisted for the 2014 Mercury Prize, Twigs cited GERMFREE ADOLESCENTS by X-Ray Spex as her favorite album of all time.]
  1. (#46.) The Moose – “Are You in Control”
    from: Frozen Heads / Desert Animal Records / April 4, 2025
    [The Moose released their 6-track EP Undying Nightmares of Incommprehensible Doom on October 13, 2023. The Moose released their 11-track album Renaissance on Desert Animal Records on September 22, 2022 part of WMM’s Best Recordings of 2022. On April 22, 2021 The Moose released SPATURE their 26-track double album. One of WMM’s 120 Best Recordings of 2021. The album contained music and lyrics all composed by The Moose. The album was engineered, mixed, and mastered by members Emma Klein and Jake Hilger. SPATURE is a sonic amalgamation of sunny peaks and dark chasms. Join The Moose as they experiment with the fantastical worlds of space and nature. From ‘Lava’ to ‘Mother Tree’, there is a song on this double LP for everyone.The Moose is a psychedelic rock/pop alternative band from Lee’s Summit / Kansas City, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on Dec. 21, 2018. The Moose joined us LIVE on WMM on July 10, 2019. The Moose also recently released SONGS OF SPATURE – LIVE FROM MYCO PLANET MUSHROOM FARM April 2022. The Moose played Outer Reaches Festival on Sat, October 15 at 7:00 PM at recordBar, 1520 Grand Blvd. KCMO, with Cheer-Accident, Season to Risk, Peculiar Pretzelman, The Black Mariah Theater, She Speaks in Tongues; Jacob E.chord and experimental dance project Composition of Dance. More info at: http://www.musicofthemoose.com]
  1. (#45.) Religion of Heartbreak – “Love Tourniquet (EP Mix)”
    from: LUNATE EP / Kosmic City Records / September 12, 2025
    [Religion of Heartbreak transform perpetual longing into dance floor salvation with their new single “100 Degrees,”another taste of their upcoming EP Lunate (September 12). Mikal Shapiro’s sensually detached vocals float over Dedric Moore’s pounding EBM foundation, where snakey synth leads coil around italo disco-ized bass lines in a haze of post-wave nostalgia. The track resuscitates lost loves through desperate dreamscapes that spark second chances, casting shadows from the past while the fog machine churns at maximum capacity. // “100 Degrees”captures that feeling when eyes meet across a crowded floor and resistance becomes impossible—a moment when dancing eyeliner moves and syncretic chemistry collide. This is electronic pop music for the romantically wounded, the perfect soundtrack for those who prefer their heartbreak served with a relentless beat. // Religion of Heartbreak Bio: Music for those broken moments and flashes of love. // Religion of Heartbreak formed out of a desire to make music with a darker dance floor focus. The combination of Mikal Shapiro’s vocals battling against Dedric’s icy synths, mechanized beats and dub-inflected electro-bass creates a juxtaposition that works in all the right ways. // Religion of Heartbreak delves into the sounds of Darkwave, EBM, and the darker side of Synth Pop. The grooves are there. The songs are clever, and always filled with a sense of lost love as we follow our dark hearts. // Religion of Heartbreak delves into the sounds of Darkwave, EBM, and the darker side of Synth Pop. The grooves are there. The songs are clever and always filled with a sense of lost love as we follow our dark hearts. // ROH is the band formerly known as Monta At Odds. It was recently announced that Krysztof Nemeth was stepping away for Religion of Heatbreak to focus on his band ReViser also with Dedric Moore and with Breaka Dawn. // On June 27, 2025 Religion of Heartbreak released the single “Love Tourniquet” through Kosmic City Records // On February 3, 2025 Religion of Heartbreak released the 5 song EP Dream Reflection with Dedric Moore on vocals, guitar, synths, programming; Mikal Shapiro on vocals, Krysztof Nemeth: baritone guitar, electronic percussion; Alexander Thomas on electronic percussion on MGGG, Dream Reflection, Skeptic; Regan Moore on electronic percussion on Dark Hour of Meditation // Dream Reflection EP carries forward the motorized heartbeat of classic darkwave while forging its own metallic path. Drawing from EBM and Synth Pop traditions, this five-track release sees the Monta At Odds offshoot strip away unnecessary embellishments, leaving only the essential elements and textural remnants that speak to our collective digital malaise. // The EP’s centerpiece and title track emerges like a ghost in the machine, with Mikal Shapiro’s coolly delivered vocals floating above Dedric Moore’s gritty synth programming and precision-guided guitar along with Krysztof Nemeth’s synth pad percussion. Each track builds upon this foundation, from the robot-dance urgency of “Forget About You” to the beautiful desolation of “Skeptic,” creating a cohesive statement about modern isolation and the personas we construct. The result feels familiar and alien—like catching your reflection in a black mirror and seeing someone else staring back.]

11:00 – Station ID

  1. (#44.) Redder Moon – “Drown The Fire”
    from: If You’re Falling, Dive / Redder Moon / April 25, 2025
    [Produced by: Jeremiah James Gonzales. Engineered and Mixed by: Jeremiah James Gonzales, Brody Lowe, Ross Brown. All instruments and Songwriting: Jeremiah James Gonzales with content contributions by: Jason Scott, Brody Lowe, Eric B Lopez, Lauren Chavez. // Redder Moon is a Kansas City based band led by Jeremiah James Gonzales and Brodie Lowe using analog synths, dark dance beats, dreamy guitars, we create Mono No Aware music.. The band began as one of Gonzales’ many music projects, although more electronic than his other work with Knife Crime, Be/Non, Rhunes, Elevator Division, Umberto. Brody Lowe moved to KC from Portland, and met Jeremiah in 2019. The band released their EP, LAND OF THE BLIND on June 13, followed by an album, HELL IS OTHER PEOPLE, on November 5, 2021.]
  1. (#43.) Lyra Pramuk – “Incense”
    from: Hymnal / 7K / June 13, 2025
    [Lyra Pramuk was born September 20, 1990. She is an American singer, songwriter and performance artist. Pramuk grew up in Hollidaysburg, Pennsylvania. As a young adult, she performed on stage in church choirs, orchestras, and with musical theater groups. Pramuk, who grew up as a boy, said she didn’t feel the need to “come out as a gay man” because “it was dangerous to be different.” Pramuk moved to New York City, where she attended the Eastman School of Music and participated in a program that required her to complete daily vocal exercises in six different languages. During her studies, she spent several periods abroad in Berlin, where she made contacts with various musicians and artists and became acquainted with the city’s techno scene. // On March 20, 2020 Lyra Pramuk released her debut album FOUNTAIN which explores a post-human, non-binary understanding of life. Lyra fuses classical training, pop sensibilities, performance practices and contemporary club culture in what may best be described as futurist folk music. The American opera-trained vocalist and electronic musician releases her album via Iceland’s Bedroom Community label. Created entirely from her own voice, although often shaped and structured by electronics, Fountain is an emotional, sensual, and devotional journey. The title is derived from her family name, Pramuk, which translates from Czech as ‘well spring’ or ‘fountain.’ Often wordless, these songs evoke a new wholeness sustained by the ritual force of drowning, immersion, cleansing, and bathing – also referred to in the album artwork by acclaimed visual artist Donna Huanca. Fountain plays with the perception of music, rhythms, speech, body, and the relation between technology and humanity, exploring a post-human, non-binary understanding of life and the fragile ecosystems it depends on. The work documents a healing that is still in process, and a full circle-moment that reunited Lyra with her sound engineer twin brother, Ben, for the final mix, which they completed in tandem. As a vocal activist and member of the queer community, Lyra moved to Berlin in 2013, following her degree at the Eastman School of Music in New York. Since then, she has also been awarded residencies at Elektronmusikstudion EMS Stockholm, Open Port Club Residency in Tokyo and Sapporo, and Future Music Lab of the Atlantic Music Festival in Maine. Her interests also encompass writing, poetry, and fashion, where she is sometimes called upon as a model. As a performance artist, she has collaborated extensively with Donna Huanca and at events such as Glasgow International and the Rochester Fringe Festival. Music composed and produced by Lyra Pramuk. Vocals recorded by Lyra Pramuk and Ben Pramuk in Berlin and at EMS Elektronmusikstudion in Stockholm. Mixed by Ben Pramuk in Berlin. Mastered by Valgeir Sigurðsson and Francesco Fabris at Greenhouse Studios.]
  1. (#42) Big Fat Cow – “Yellow Belly Boy”
    from: “Garbage In, Garbage Out / Big Fat Cow / September 26, 2025
    [Big Fat Cow is a post-country band delivering cowpoke fuzz with a mix of rock, indie, and americana bold enough to get you moving and heavy enough to have you feeling. The band was formed in 2022 and includes: Noah Cassity on lead vocals & guitar, Kole Waters on guitar & vocals, Alex May on bass guitar & vocals; and Matt Chipman on drums. Big Fat Cow released their debut EP, BEHOLD THE SOIL! on August 1, 2024 and supported the release with a 13-city tour across the midwest. More information at http://www.bigfatcowband.com]
    [BIG FAT COW played a “GARBAGE IN, GARBAGE OUT” RELEASE PARTY, on Saturday, September 27. 2025 at The RINO 314 Armour Rd., North Kansas City, MO – Doors at 7:00pm, Show at 7:30 with special guests: Timbers, Michael B. Tipton & The Scoundrels, and Flash Floods. Presented by Swade! Were on WMM on Sept. 10, 2025] [Big Fat Cow play Warehouse on Broadway, December 5, 2025 with Madisen Ward and Me Like Bees.]
  1. (#41.) Liney Blu – “If I Were a Cowboy”
    from: Scout / Liney Blu / October 24, 2025
    [Kansas City singer songwriter Liney Blu writes from a unique place of personal experience and identity. They vividly show us how vulnerability is strength and require us to see love, frustration, disappointment and humor through lenses we may not have considered. Every song finds Liney passionately and sometimes bravely exploring a broader, more inclusive understanding of the human experience while letting us into some sacred personal spaces to do so. And while many listeners are just finding Liney Blu, she set out on her path as a songwriter and artist as a teenager. // At age 17 as Caroline Blubaugh she released a first EP titled “Green” which featured the single “San Francisco” that quickly saw 185K Spotify streams. In 2023 as Liney Blu, came a 2nd EP, “Pennsylvania St.” with bandmates bassist Renee Huey and drummer Jones Goldman. “Pennsylvania St.” is an introspective, sometimes raw, indie pop rock/folk synthesis built on innovative arrangements relentlessly pushed along by Liney’s deep, resonant vocal, subtly insistent delivery and very personal passion. // New music building on the release of “Pennsylvania St.” is in the works. Liney Blu can be heard in venues around the Kansas City/Lawrence area with an expanded show schedule planned for 2024. More infoo at: http://www.lineyblu.com] [Liney Blu played an Album Release Show on November 21, 2025 at at The Ship with Jolson & The Fear of Snakes, and Alex May & Friends.]
  1. (#40.) The Mammals – “Luna Light”
    from: Touch Grass Vol. 2 / Humble Abode Music / November 1, 2025
    [RUTH UNGAR on VOCALS, GUITAR, BANJO, UKULELE; MIKE MERENDA VOCALS, GUITARS, BANJO, CASIO SK-5, PERCUSSION; BRANDON MORRISON on BASS, VOCALS; TIM MORRISON DRUMS, PERCUSSION, VOCALS; WILL BRYANT on VOCALS, PIANO, SYNTHESIZERS, ORGAN, SCOTT MILICI on ORGAN. Produced by The Mammals. Mastered by Greg Calbi, Sterling Sound (except “Unpopular Ideas” mastered by Alex Saltz)Indie-roots trailblazers, The Mammals, bring politically-infused string-band fervor to their re-emergent new album and US tour in 2018. In an era of disconnect, The Mammals enjoy re-connecting generations thru their truth-telling lyrics, off-the-cuff storytelling and euphoric instrumentals, and by organizing a hometown community folk festival (The Hoot) near Woodstock, NY. Founded in 2001 by Seeger’s grandson, Tao, second generation fiddler/singer, Ruth Ungar, and multi-instrumental wordsmith, Mike Merenda, the original trio enjoyed a remarkable 7 year run that brought them to the largest folk festivals across North America, Australia and Denmark, Nashville’s Ryman Auditorium New York’s Carnegie Hall as the special guest of folk legend Arlo Guthrie, and to the pages of numerous publications lauding their unique “traditional-music-in-combat-boots-sound” including a feature in The New York Times handpicking them as a leader in a pack of new-wave stringbands “updating that old-time sound.” After a considerable break from the project during which time Merenda and Ungar married and started a family, a bi-annual folk festival, and a musical duo aptly called, Mike + Ruthy, and Seeger pursuing a solo career before retiring from music all together to start a family of his own, The Mammals returned fronted by Merenda and Ungar in 2017 “stronger than ever” (Folk Alley) with a pair of politically charged singles, “Culture War” and “My Baby Drinks Water,” and the announcement of a new album in 2018. The 2017 lineup includes some former Mammal members including Jacob Silver and Ken Maiuri when they are not touring with Lee Fields and the B-52’s respectively. “It’s a blessing to have a connection to the past and such great new players too,” says Mike. “The alchemy of fiddle, banjo, guitar, bass and drums is magic… and when keys, pedal steel, and horns are in the mix we leap to the next level.” // The Mammals played an Official Showcase at Folk Alliance International Conference at Saturday, February 17, 2018 in Shawnee Mission Room at Weston Kansas City Crown Center.]
  1. (#39.) David Luther – “Wrecking Bay (feat. Kelly Dougherty)”
    from: Who You Are / David Luther / April 25, 2025
    [David Luther released the first single “Smile About Something” on January 21, 2025. David Luther released the 2d single, “If Love Just Ain’t Enough (feat. Garrison Starr) on February 28, 2025. all singles off of David’s upcoming album EWHO YOU ARE expected April 25, 2025. // David Luther Broxterman recorded his first self-titled EP in 2009 with Nashville producer Neilson Hubbard. The EP featured backing vocals from Americana artist Garrison Starr. This experience was the catalyst that would send him on his path to a music career, gigging part-time to begin with while working full-time as a social worker. // In 2020, during the heart of COVID-19, David knew it was time to embrace becoming a full-time musician.. Stepping away from social work and side jobs, especially as a single father of two boys, was a faith move then. During this time, David collaborated with David George and Pat Tomek on his EP Take Me Home, which was released in 2022. The EP included the anthem Home To Kansas City and World’s Gonna Change, a song co-written by David, Brandon Mashburn, and Academy Award and Golden Globe-winning songwriter Tom Whitlock. George and Tomek’s dedication and artistry to the project, along with the exceptional musicians and singers, inspired David. Shortly after, David worked with his sister Anna Taylor and producer Brandon Mashburn on the single I Will, released in 2023, a song to draw attention to things that unite rather than divide us. // In July 2024, David again joined Neilson Hubbard, studio musician Juan Solórzano, and engineer Dylan Alldridge in their East Nashville studio to record a new full-length Americana album. The album, Who You Are, features partner Kelly Dougherty on several songs and Garrison Starr on If Love Just Ain’t Enough. The songs on the LP are a journey of David’s songwriting, many coming from painful places in the past and leading up to the last song he finished the night before the last days of recording, the title track. // David is grateful for the people in his family and community who have come alongside him, often carrying him and sometimes dragging or chasing him down his path. He says he can’t imagine how he’d still be doing this without their ongoing help and encouragement, especially that of his partner and manager, Kelly Dougherty. “I had no idea what I was getting myself into, but there’s no going back.”]
  1. (#38.) Elexa Dawson – “Roots Grow”
    from: Stay Put / Turns Out Records / September 15, 2025
    [Elexa Dawson on vocals, acoustic guitar, mandolin (Man Mountain); Kelby Kimberlin on upright bass, acoustic electric bass; Melissa Tastove on harmony vocals, percussion; Peter Oviatt on banjo, mandolin, electric guitar, acoustic guitar solos, Juno 6 Polyphonic synth, Rhodes organ, tamborine; John Depew on mandolin (Roots Grow). Production by Peter Oviatt and Elexa Dawson. Mastering by Brody Wellman // Stay Put is Elexa Dawson’s third studio album, a deeply rooted and timely work sprouted from the grounding element of earth. With this viscerally personal release, Dawson anchors her message in the soil of memory, tradition, and identity. Building on her two preceding albums, Music is Medicine and Wanderlust, Elexa continues to amplify the ancestors, infusing her voice with the grit of Oklahoma red dirt and wind-washed Kansas prairie. // From the opening reimagining of “Where Have All The Flowers Gone” as an Indigenous chant, Elexa stimulates the memory of civil rights issues of the ‘60s and reflects their relevance to present-day conflict. The title track, “Stay Put” is a songwriter’s song, a confession of a restless poet who leaves the comfort of indulgent love to chase inspiration. “Man Mountain” and “Cove” were written about and by, respectively, a mentor and a man who knows the value of a place that holds you close. In “Roots Grow”, a backbeat of biomimicry edifies the listener with an assurance of resilience in the face of adversity. “Baling Hay” is a tribute to Elexa’s Grandpa, a humble, hardworking soul whose tractor-greasy grace lives on in memory and song. Finally, “The Riddle Song” documents Elexa’s inherited rendition of a traditional Appalachian tune sung to her from the morning she was born by her Nana, who dubbed her an alto that day, and continues to support her from the other side of the soil. // These are homesick songs, not just in the geographic sense, but in the spiritual and emotional sense of belonging in a world where we’re more detached from our nourishing roots every day. Stay Put is a call to remember and celebrate those roots. Elexa pays tribute to the places that raised her, the familial ties that shaped her story, and the Indigenous traditions that inform her sense of purpose and place in the world. // In Stay Put, Dawson reminisces and reimagines. It’s an album that will make itself comfortable in the heart of anyone who has ever felt the gravity of home, the ache for grounding, and the power of not forgetting where you come from. // On February 2, 2024 Elexa Dawson & Stanley Hotel released WANDERLUST through Turns Out Records. Wanderlust was part of WMM’s 120 Best Recordings of 2024. Wanderlust was recorded at: Remote Studios. Engineered and Mixed: Isaac Nelson, Adam Stanley. Mastered by: Brody Wellman. Produced by: Elexa Dawson, Isaac Nelson, Adam Stanley, Doug Swindell. Published By: Turns Out Records. Dawson Elexa creates community-focused Americana music with soulful vocals and connection to land. Oklahoma Native, Elexa now calls Kansas her home. Wanderlust is Elexa’s sophomore release (Feb 2024) collaboration with Stanley Hotel. // Elexa Dawson also fronts the bands: Heyleon and Weda Skirts. Alexa is a Potawatomi activist and educator. Elexa facilitates songwriting workshops, talking circles, and relational plant education. // Mikal Shapiro, of Siren Song, on 90.1 FM KKFI writes, “Dear Music Lovers, do yourself a favor and put this honey in your ears. Elexa Dawson delivers yet another stunning collection of heartfelt songs in her sophomore release. // A collaboration with indie folk rockers Stanley Hotel, the chemistry is palpable and the production sparkles with Dawson’s clear and powerful voice sitting comfortably in the full-spectrum arrangements. // A soul-stirring journey through earth and sky, “Wanderlust” provides the perfect soundtrack to that road-trip you’ve been dreaming about… and you don’t have to burn any gas to get there.” // More on WANDERLUST: Nestled within the red dirt country hills of Oklahoma, Elexa Dawson and the acclaimed Stanley Hotel embarked on a visionary collaboration, crafting what can only be described as a sonic spaceship named “Wanderlust.” Reviewed as “a soul-stirring journey through earth and sky,” the album invites listeners to explore uncharted realms through its captivating songs. // From the inaugural track’s exploration of the outer limits of human experience to the final guided meditation conveying a message from the ancestors, “Wanderlust” stands as an epic odyssey worthy of the finest traveling shoes. Each song serves as a unique stop on this musical tour, gathering sentiments of loneliness, love, connection, and completion. Whether dancing with the transient and the lovers in “Rainbows,” getting “High on the Street,” or contemplating life under the southwestern sky with the poignant “Lonely Coyote,” every moment resonates with the depth of the human experience. // Elexa Dawson’s return to her Oklahoma roots for recording at Remote Records, the experimental laboratory of Stanley Hotel members Adam Stanley, Isaac Nelson, and Doug Swindell, underscores the organic collaboration between the artists. With mutual admiration at the core of their sonic choices, Stanley Hotel’s earthy soundscape perfectly supports Elexa’s vocal prowess. As both parties contribute astute compositions, the album maintains its cohesion by invoking nature’s spirits while playfully exploring the ether and always grounding itself back in the dirt. // “Wanderlust” marks Elexa’s sophomore release following her debut album, “Music is Medicine,” in 2019. The collaboration with Stanley Hotel showcases their multi-genre style and eclectic musicality, evident in releases such as “Samson Mammoth” and “The Wolf Told Me.” Elexa’s vocal quality, described by Raye Zaragoza as cutting right to the soul, blends seamlessly with Stanley Hotel’s unique style, creating a magical and expansive listening experience. http://www.elexadawson.com]
  1. (#37.) Howard Iceberg & The Titanics – “Death In Venice”
    from: Recorded Time (2018-2025) / Howard Iceberg & The Titanics / October 17, 2025
    [Howard Iceberg on lead vocals with Chad Brothers and Julie Bates and Andrew Morris of The Matchsellers. These musician met every three months for 3-hour sessions, over a period of seven years, in the basement of Chad Brothers’ house where he has a recording studio. Howard worked exclusively with Chad, Julie and Andrew with the exception of one recording session where Julie was sick and Beth Watts Nelson played in her place. And Brett Hodges plays dobro on a few tracks. Howard would run through the song once and then they would hit “record” and capture each song in one or two takes. No over dubs, no rehearsal. Howard called it “Back Porch Music.” All together 100 songs were engineered and recorded by Chad Brothers. Howard has actually written many more songs but these are the ones that made the cut to be recorded. Howard continue to collaborate with Pat Tomek, producer, engineer, former drummer of The Rainmakers who keeps all of Howards songs in his computer in his studio. When Howard first writes a song he captures the raw track in a demo recording with Pat. Howard has been working with Pat Tomek since the late 1970s. // Legendary Singer Songwriter Howard Iceberg is one of the most prolific and poetic songwriters in Kansas City. He has written thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney (Howard Eisberg), and has donated much of his time and music to projects that serve our community. Howard Iceberg began performing in the late 1970s, and playing with songwriters Scott Hrabko and Iris DeMent in the 1980s. Over the past five and a half decades he has released countless albums, and collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.” On December 20, 2017 Howard Iceberg & The Titanics – released the album Netherlands with Rich Hill on organ, Bryan Hicks on electric bass, Doug Auwarter on drums, Dan Bliss on guitar. // Howard Iceberg & The Titanics played Grand Avenue Temple, 205 East 9th Street & 903 Grand Avenue, KCMO, October 17, 2025]

11:29 – Underwriting

  1. (#36.) Malek Azrael – “SELF!SH (feat. SISTERBOT)”
    from: Feels Like EP / Malek Azrael / March 1, 2025
    [On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]
  1. (#35.) Tech N9ne – “This I Know (ft. Kevin Church Johnson)(radio edit)”
    from:5816 Forest / Strange Music / June 27, 2025
    [27th studio album. Aaron Dontez Yates was born November 8, 1971. He is better known by his stage name Tech N9ne (pronounced “tech nine”), is an American rapper and singer. In 1999, he and business partner Travis O’Guin founded the record label Strange Music. He has sold over two million albums and his music has been featured in film, television, and interactive media. In 2009, he won the Left Field Woodie award at the mtvU Woodie Awards. // His stage name originated from the TEC-9 semi-automatic handgun, a name given to him by rapper Black Walt due to his fast-rhyming chopper style. Yates later applied a deeper meaning to the name, stating that it stands for the complete technique of rhyme, with “tech” meaning technique and “nine” representing the number of completion. // Yates was born and raised in Kansas City, Missouri. He began rapping at a very early age, and would rap the letters of his name in order to remember how to spell it. His father Carlton Cook was estranged from the family and his mother suffered from epilepsy and lupus when he was a child, which emotionally affected him and inspired him to “search for God”. He would explore abandoned buildings with his best friend, hoping to catch a ghost on film. He attended Southwest High School in Kansas City. // Early in his career, Yates was a member of a group formed in 1991 called Black Mafia. He saw glimpses of success in the group 57th Street Rogue Dog Villians with their single “Let’s Get Fucked Up”. As a member of the group Nnutthowze, Aaron Yates signed with Perspective Records in 1993. However, the group disbanded soon after being released from the label. Yates signed with Qwest Records briefly before moving to JCOR Records. // In 1997, Yates joined the group the Regime, which was formed by rapper Yukmouth. The following year, he was featured on the soundtrack for the film Gang Related. Yates appeared on the song “The Anthem” by Sway & King Tech in 1999, which also featured artists RZA, Eminem, Xzibit, Pharoahe Monch, Jayo Felony, Chino XL, KRS-One, and Kool G. Rap. Later that year, he and business partner Travis O’Guin founded the record label Strange Music. // In 2001, Yates released the studio album Anghellic on JCOR Records.[9] After disputes arose about the promotion of the album, Yates and his label severed ties with the JCOR with a deal that allowed them to retain the rights to the album. The next year, he released Absolute Power, under a 50–50 joint venture between Strange Music and M.S.C. Music & Entertainment (which was founded by former Priority Records head Mark Cerami). The album debuted number 79 on the Billboard 200. The album’s sales are said to have tripled following a campaign, going by the name of “F.T.I.” was started by the rapper and his label. The campaign, which asked music listeners to legally download the album free through the artist’s own website was in response to the anti-downloading campaign by the RIAA. // In 2006, Yates released the album Everready (The Religion). The following year, he released Misery Loves Kompany. Yates announced that the album was the first in a series of “Tech N9ne Collabos” albums that feature a wide range of guest appearances. // The following year, Yates released the album Killer. That September, he exceeded one million album sales over his entire catalog. Yates remarked of the accomplishment that, “It just reminded me of all the work we’d done in the past, up until now […] I don’t think it’s sunken in yet. I’ve been celebrating for the last two days because that’s a hell of an accomplishment. I’ve been planning success all my life. I’m not even a bit surprised, I’m happy about it. That just means I was right.” Yates released his second Collabos album, Sickology 101, in April 2009. // Yates later performed at the Rock The Bells 2009 Festival and the tenth annual Gathering of the Juggalos. That October, he released K.O.D., an acronym for King of Darkness. The album featured a dark overtone, as Yates was dealing with the illness of his mother. An EP of new songs over unused beats from the K.O.D. album was released in 2010 as The Lost Scripts of K.O.D.. Later that year, Yates released his third Collabos album, The Gates Mixed Plate. In October, he released his second EP Seepage. On December 23, he released his first mixtape Bad Season.which was later released in retail CD form with a modified track list and without DJ Scream. On June 7, 2011, Yates released All 6’s and 7’s. The album features several hip-hop artists as well as rock artists including B.o.B, E-40, Snoop Dogg, Hopsin, T-Pain, Jay Rock, Mint Condition, Busta Rhymes, Twista, Lil Wayne, Yelawolf and Deftones and many others. // In 2011, Yates told 411mania.com that after All 6’s And 7’s he planned on releasing his fourth album in the Collabos series titled Welcome to Strangeland, featuring guest appearances from everyone on Strange Music, followed by the long-awaited K.A.B.O.S.H. and 816 Boyz albums. Then, in July 2011, Yates said in a blog post that Rick Ross has agreed to do a song with him for the K.A.B.O.S.H. album and that he is also hoping to have a collaboration with Jay-Z on that album. In the same blog post, he said that the K.A.B.O.S.H. album will be a rock album. In another blog post several weeks later, he confirmed that he will begin work on the album after completing Welcome to Strangeland. Following his tour, he announced that he was about to begin work on Welcome to Strangeland and Klusterfuk, confirming producers for both projects. ¡Mayday! is to entirely produce Klusterfuk. He said he will then begin work on the K.A.B.O.S.H. album. // Tech N9ne is featured on Lil Wayne’s ninth studio album Tha Carter IV on the song “Interlude”. The track features a verse from Tech and Andre 3000. During a radio interview with Funkmaster Flex in August 2010, Wayne stated that he and Tech N9ne formed a “brotherhood” when Yates visited him in jail. In a later interview, Tech N9ne claimed that he thinks the song will “awaken a lot of other people that wouldn’t usually look [his] way” and “teach all the new fans how to become technicians”. // In an interview with “Underground TV” posted on Tech N9ne’s blog, Tech N9ne spoke about his 2012 plans, confirming the release of Klusterfuk, the K.A.B.O.S.H. album, and an untitled solo album to be released in 2012. He was featured on the song “Edge of Destruction” (which also features Twista) that appears on Machine Gun Kelly’s first studio album “Lace Up”. // On September 18, Tech N9ne released an EP titled “E.B.A.H.” (Evil Brain Angel Heart). On October 30, Tech N9ne released an EP titled Boiling Point. He announced his thirteenth studio album would be titled Something Else and would be released on June 25, 2013. The first song released from the album would be “B.I.T.C.H.”, an acronym for Breaking In To Colored Houses, which features rapper/singer T-Pain. The album would end up being released on July 30, 2013, to universal critical acclaim. The album, which is broken up into three portions — Earth, Water & Fire, features guest appearances from B.o.B, Big K.R.I.T., Cee Lo Green, the Doors, Game, Kendrick Lamar, Serj Tankian, T-Pain, Trae tha Truth, Snow Tha Product, and Wiz Khalifa, among others including several artists from Tech N9ne’s Strange Music imprint. The album was supported by two singles, “So Dope (They Wanna)” and “Fragile”. // Tech N9ne announced a new “Independent Grind” tour in January 2014, which included Freddie Gibbs, Krizz Kaliko, and Jarren Benton. The tour dates were announced on January 30, 2014, and the tour ran from April 9 until June 28, wrapping up in Kansas City. Also in 2014, Yates released Strangeulation, the fifth album in his Collabos series and fourteenth album overall. // In April 2015, Yates confirmed that Eminem will be featured on a song titled “Speedom (Worldwide Choppers 2)”. The song was released on April 20, 2015, as a single supporting his then-upcoming album, Special Effects, which was released on May 4 of the same year. The rapper says Eminem collaborated on the track, free of charge, in exchange for Yates to guest on a track of his for an unknown project. Yates says he was “flabbergasted” that Eminem respected his music so much. // On May 4, 2015, Tech N9ne released Special Effects to critical and commercial acclaim. The album features guest appearances from Corey Taylor, B.o.B, Lil Wayne, 2 Chainz, T.I., Kottonmouth Kings, Hopsin, Captain Chronic, E-40, Yo Gotti, Audio Push and Eminem along with fellow Strange Music artists Krizz Kaliko, Big Scoob and Ces Cru. // In addition, a Special Effects tour began in early April 2015. Tech is joined on tour by Murs, Chris Webby, Krizz Kaliko, Zuse, and King 810. // On November 20, 2015, Tech N9ne released Strangeulation Vol. II, the sixth album in his Collabos series and 16th album overall. The album features the entire roster of Strange Music at the time along with JL, Ryan Bradley, and Tyler Lyon. In spring 2016, Tech N9ne went on tour with fellow Strange members for another Independent Powerhouse Tour. // In December 2016, Tech N9ne released his 17th album, The Storm, the followup to his 1999 debut album The Calm Before The Storm. // In January 2017, Tech N9ne announced his seventh Collabos album titled Dominion, released April 7, and stated plans to release a second album in his Collabos series the same year. In March, Tech began the Strictly Strange ’17 tour with fellow Strange Music artists. The same month, Tech announced on radio station GoMN plans to release his next solo album, Planet, in 2018. On June 20, 2017, Tech earned his first platinum record in 18 years for “Caribou Lou”. Tech N9ne released the eighth Collabos album, Strange Reign, on October 13, 2017, marking it the second album release that year. // On March 2, 2018, Tech N9ne released Planet, making this his 20th studio album. On April 19, 2019, Tech N9ne released N9na, making this his 21st studio album. Nearly a year later, on April 10, 2020, his 22nd album, Enterfear was released. On July 29, 2020, he was featured on “CMFT Must Be Stopped”, a single by Slipknot vocalist Corey Taylor. On October 23, 2020, Tech N9ne released a new project titled Fear Exodus. // On October 8, 2021, Tech N9ne released an album titled “Asin9ne”. The album features guest appearances from Lil Wayne, Mumu Fresh, Snow Tha Product, Russ, E-40, X-Raided, as well as wrestler turned actor Dwayne Johnson. // Tech N9ne features on fellow Kansas City area musician Samantha Fish’s 2021 album Faster, rapping on the song “Loud”. // On May 3, 2022, at Red Rocks Amphitheatre, Tech N9ne announced his then-upcoming album Bliss, performing a song off the album titled “They Know Meh” featuring fellow Kansas City-based rapper, The Popper. // Bliss was released on July 28, 2023, after being delayed from a July 14 release. The album contains guest appearances from Conway the Machine, Joyner Lucas, X-Raided, Kim Dracula, RMR, Qveen Herby and Durand Bernarr. // On May 7, 2024, Yates was unveiled as featured artist on the Falling in Reverse track “Ronald” from their 2024 album Popular Monster. He stars in the official music video portraying a God like entity, who contrasts against the demonic final boss portrayed by Alex Terrible lead singer of the Russian heavy metal group Slaughter to Prevail. Yates will also be supporting the group on their Popular MonsTOUR II: World Domination tour, in Europe and North America. // Yates is known for his dynamic rhyme schemes[citation needed] and speed rap abilities known as the Chopper style. Soren Baker of VH1 states that Yates’ techniques “showcase his wide-ranging, mind-blowing flows”. Baker characterizes Yates’ earlier work as “apocalyptic music, which discussed abortion and infidelity as much as his rapping prowess”. Allmusic reviewer Jason Birchmeier calls his style “bizarre hardcore rap”. Yates stated that he purposely creates flow patterns in order to sound like a percussion while he raps. After hearing an instrumental he would come up with different kinds of patterns and then “fill in” the actual lyrics. // Yates says that he is influenced by old school hip hop, and specifically cites N.W.A, Public Enemy, Boogie Down Productions, Eric B. & Rakim, Schoolly D, and Just-Ice. He is also interested in other genres of music, and lists The Doors, Jim Morrison, Led Zeppelin, Elton John, AC/DC, Metallica, Floetry, Outkast, CeeLo Green, and Gnarls Barkley as influences. He has remarked generally that “I love beautiful music, beautiful music no matter what type”. // Although Tech N9ne mostly collaborates with rappers from his record label Strange Music such as Krizz Kaliko, Kutt Calhoun, Big Scoob, Brotha Lynch Hung, and Stevie Stone as well as underground rappers from his hometown Kansas City, he has also worked with known rappers such as E-40, Ice Cube, Three 6 Mafia, Lil Wayne, Twista, Eminem, Busta Rhymes, Snoop Dogg, Kendrick Lamar, Machine Gun Kelly, Yelawolf, Scarface, Yo Gotti, T-Pain, Wiz Khalifa, Paul Wall, B.o.B, André 3000, T.I., and 2 Chainz. // Tech N9ne has also worked with rock and metal musicians such as Serj Tankian of System of a Down, Corey Taylor of Slipknot, Chino Moreno and Stephen Carpenter of Deftones, Jonathan Davis of Korn, Five Finger Death Punch, and Falling in Reverse. //Yates’ songs have appeared in the films Born 2 Race, Gang Related, Alpha Dog, Our Heroes: The 25 Best Black Sports Movies (Ever), and The Life of Lucky Cucumber. Yates was originally set to score the entire film Alpha Dog, but the studio decided to replace some of his music with more commercially known songs. In 2009, his song “Let’s Go” was used in an online promotional short film for AXE body spray. Yates also appears as an actor in the films Vengeance and Night of the Living Dead: Origins 3D. Yates starred in the musical Alleluia: The Devil’s Carnival, which had a limited theater release July 2015. On November 25, 2015, Tech released “Shine”, a song for the Jaco Pastorius documentary, Jaco. //Several of Yates’ songs are featured in the video games Madden NFL 2006, The Crew, EA Sports MMA, 25 To Life, WWE 2K18, EA Sports UFC 3, and Midnight Club: Los Angeles, in the latter of which Yates is an unlockable character. In 2009, Yates and label mate Krizz Kaliko appeared in a promotional video for the Fight Night Round 4 video game. // Yates’ music has appeared on the television shows Dark Angel, I’m From Rolling Stone, My Super Sweet 16, The Hills, Spike Guys’ Choice Awards, and Warren The Ape. In 2008, his song “Earthquake” was featured on an episode of MTV’s America’s Best Dance Crew in which the crew had to visually convey the title of the song in their performance. On the Aug. 15, 2009 Strikeforce event, Strikeforce: Carano vs. Cyborg, MMA fighter Gilbert Melendez entered the arena to Tech N9ne’s 2006 song “The Beast” for his bout with Mitsuhiro Ishida. His song “Riot Maker” was used as the official theme song for Total Nonstop Action Wrestling’s 2010 Hardcore Justice pay-per-view. Yates also appeared on the 2011 BET Hip Hop Awards in the BET Cypher with B.o.B, Machine Gun Kelly, Kendrick Lamar, and Big K.R.I.T. In 2012, Tech N9ne appeared on the MTV game show Hip Hop Squares for three episodes. In 2013, Tech N9ne’s song “Demons” appeared in the pilot episode of Ironside. On June 24, 2014, Tech N9ne appeared on Jimmy Kimmel Live! to perform “Fragile”, “He’s A Mental Giant”, and “Stamina”. In late 2014, Yates appeared on Wild n Out as captain of the Black Team. // In May 2015, “Give It All” from the album Special Effects was used during Inside the NBA’s “Tip-Off” for Game 4 of the Eastern Conference Finals. // In May 2018, it was announced that Yates had teamed with Boulevard Brewing Company, a brewery based in his hometown of Kansas City, to create a new beer. The beer was released on June 18 in the Kansas City, Wichita, Denver, and Oklahoma City markets. The beer is named Bou Lou as reference to his song “Caribou Lou”, which is also a cocktail with overproof rum (The song specifically mentions Bacardi 151, which has been discontinued), Malibu, and pineapple juice . The beer is a wheat beer with pineapple and coconut flavors. On July 9, Bou Lou went on sale in the St. Louis market. // Yates was married in 1995, but separated in 2005. Yates filed for a divorce in 2015 and it was finalized in November 2017, 12 years after they were initially separated. On October 23, 2024, he married his longtime girlfriend Kristen, with whom he has two daughters, as seen from their social media accounts. Yates is an avid supporter of Kansas City culture and the metro area’s pro sports teams, including the KC Chiefs, KC Royals, and Sporting Kansas City. Before the Chiefs played in the 2019 AFC Championship game, he released a song titled “Red Kingdom”. In 2025, Yates was announced as one of the remixers for the 2026 FIFA World Cup theme, representing Kansas City.]
  1. (#34.) MGDs – “Hold On”
    from: Hold On / MGDs / January 11, 2025
    [1st single from the band’s 5th album. The band is: Matt Davis on drums, percussion & vocals; Greg Bush on bass; Damon Parker on keyboards & vocals; Scott “Snoof” Middleton on guitar; Cole Gurley on saxophones; Teddy Krulege on trumpet Emmitt Starkey on trombone. This KC based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic KC music culture, blending of funk & blues with soulful stylings. In what started as a 3-piece between longtime friends Matt, Greg & Damon in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and athe Sunset Music Fest, the City Market Crawfish Fest, the Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two KC Royals games. The MGDs released their 4th album, Midtown on Nov. 22, 2020. This followed, Somos Como Somos, from Nov. 4, 2017.] [MGDs played 21st Crossroads Music Fest, Sept. 6, Lemonade Park w/ Krystle Warren, Laura Noble, Grupo Folklorico, Alma Tapatia, Rebel Song Academy]
  1. (#33.) Danielle Ate the Sandwich – “Fumbling”
    from: Fumbling / Danielle Ate The Sandwich / March 21, 2025
    [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]
  1. (#32.) Julia Haile – “Keep It Comin’ [feat. Les Izmore]”
    from: EP/ Julia Haile / October 31, 2025
    [New 7-track recording collection of Julia’s most recent songs. “Keep It Comin’” offers a mini reunion with Julia’s former band mate Les Izmore from the KC super-group The Buhs. Julia Haile on vocals; Tim Braun on guitar & bass; Fritz Hutchison on drums; Chase Horseman on keyboards, & synthesizers. // Julia Haile is an Indie Soul singer-songwriter with a voice that balances power and elegance. Her music pairs sweet and stirring vocals with driving guitar and funky beats, taking the listener on a genre-mixing journey of conscious baring offerings. Julia has carved out a unique sound that blends elements of Jazz, R&B, Pop and Rock. Along with musical partner Tim Braun, the pair have crafted songs with rich melodies and authentic storytelling, reflecting themes of love, self-discovery, and resilience. // Drawing inspiration from classic greats like Ella Fitzgerald all the way to the modern sounds of Erykah Badu and H.E.R, Julia continues to create music that marries instinct and raw ability. Her single Up Late is a Disco and Soul soaked party with heavy, dance inspiring guitar. Set Out begs you to leave behind what you know and venture into new depths. Each a view into the singer’s perspective on living life in this evolving day and age. // Haile studied Vocal Performance at the University of Missouri-Kansas City. // She has been a featured artist in bands such The Buhs and Hi-Lux. She has collaborated with musicians around the country and world. // Julia’s work with Hi-Lux included Tim Braun on guitar, Nick Howell on keys, Dan Loftus on bass, (and prior to that Pete Leibert on bass) and Kian Bryne on drums. Hi-Lux was a Modern-Soul band that blends and bends the boundaries between soul, rock n roll, reggae, and funk. This group aims to create music that pays tribute to their myriad of influences (Amy Winehouse, The Meters, Sharon Jones and the Dap Kings). but also claims a spotlight of its own in the musical world. Hi-Lux released the singles, “Revolution” and “Get What You Give” on February 28, 2020, through The Record Machine. Hi-Lux released the single. “Don’t Blame Lee” (featuring Lee Scratch Perry) on April 20, 2018. Hi-Lux released the 7” vinyl single, “”Dance With My Baby” b​/​w “Don’t Blame Me” on January 5, 2018 through Sunflower Soul Records. Hi-Lux released their 6-track, self-titled EP, Hi-Lux on January 2, 2018. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.juliaHaile.com]
  1. (#31.) Kat King – “Somersaults”
    from: Merry Go Rounds – EP / Kat King / September 12, 2025
    [Kat King released the single “It’s In a Dream” on July 11, 2025. // Kat King released the single “Somersaults”on May 2, 2025. // Kat King released the single “I Might Like It” through Manor Records on February 28, 2025 / / Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. Produced by Isaac Flynn of Hembree. // Kat King released the EP Domestic Bliss on April 5, 2024. Domestic Bliss was in the Top 25 of WMM’s 129 Best Recordings of 2024. // On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. // Kat King’s career started as far back as 2nd grade in small town Kansas. As a solo singer-songwriter act, she produced one 13-song album and three EP’s. Now based in Kansas City, Kat King graduated into a 5-piece indie-pop rock group who are gearing up for the release of their second EP together. Their infectious energy has landed them on some of KC’s biggest stages.]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, On December 31, we will bring you the finale, part 4 of our 4-week special: WMM’s 120 Best Recordings of 2025. We’ll count down #30 through #1 with tracks from: The Freedom Affair, Black Light Animals, Katy Guillen & The Drive, Fullbloods, Pool Culture, Eddie Moore, Joel Vs Joel, Daniel Gum, She Said, Dragon Inn 3, Hembree, Ty Faison, TheBabeGabe, Willi Carlisle, Suzannah Johannes, Samantha Fish, Hermon Mehari & Tony Tixier, Lnrd Dstroy X Chromadadata, Stereolab, Bon Iver, Geese, Ken Pomeroy, Mavis Staples, Sudan Archives, Music from TRANSA, Wednesday, Tunde Adebimpe. Tune-Yards, Big Thief, and Snocaps,

The text in this playlist is a collage and “cut & paste” of information from artist’s websites, press releases, event info, wikipedia, social media pages, BandCamp, liner notes, and where noted.

You can find our playlists at:
http://www.wednesdaymiddaymedley.org
http://www.kkfi.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.instagram.wednesday_midday_medley
http://www.bandcamp.com/wednesdaymiddaymedley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator –Darryl Oliver, and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Thanks for listening

Show #1127

WMM Playlist from Sept. 23, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 23, 2020

Krystle Warren and The Crew
+ Eddie Moore and We The People

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM theme]

2. Grand Marquis – “I Can’t Put You Down” [Vinyl]
from: “I Can’t Put You Down” – Single (Side A) / Teenage Heart Records / 2019
[Producer: Johnny Starke. From Teenage Heart Records: The story of Antwaine Ashcraft, better known as the singer Tony Ashley, is one full of heartbreak and sadness. A Kansas City musician who was on the verge of real success and then shot dead in his prime. Tony’s legacy has been kept alive through the very few records he released in his lifetime, one of them being the highly sought after deep soul heavy “I’ll Go Crazy” Decca # 732520, and another which was comped by Chicago’s Numero Group on their Forte Records retrospective. His talent is undeniable and his songs are unforgettable, how much music would he have brought into this world had he lived… we can only imagine. // The Grand Marquis have been a band for more than twenty years, which at this point makes them a Kansas City institution. With a history of creating some of the regions best Jazz, Blues, and Roots music… it only makes sense that they dip their musical toe into the deep waters of Soul music. Once discovering Tony Ashley and his story, they jumped at the chance to honor his memory by recording a few of his songs and breathing new life into a forgotten time in Kansas City’s rich history. // This release pays tribute to the sweet Soul ballad “I Can’t Put You Down” on the A side, and the Funk banger “I’ll Never Be Satisfied” on the B side. Both songs are beautiful and do Mr. Ashley justice while keeping that Grand Marquis Kansas City Roots vibe in full swing! // To kick this whole project off Teenage Heart Records reached out to Tony Ashley’s family and asked if we could raise money to continue his legacy. When the family thought about how they would like to honor Tony they asked if we could raise funds and awareness for the school that Tony and his brother Bernard went to as youths, we were honored to be able to help. // Lincoln Public School was founded in 1871 and had 130 black students in attendance at the time. Over the years it grew to be one of the largest all black schools in the region operating during segregation. The school itself was integrated in 1955 and then slowly fell into disrepair and eventually closed in 1966… the building was unfortunately torn down shortly after. Lincoln Public School Committee is attempting to raise funds so they may build a memorial to the school, the incredible faculty, and all of the students who attended. // All profits from this release will go to the Lincoln Public School Committee.]

[Grand Marquis play live on Saturday, Sept. 26, 2020, 7:00 PM with Victor & Penny and Their Loose Change Orchestra at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. ]

3. Anjimile – “In Your Eyes”
from: Giver Taker / Father/Daughter Records / September 18, 2020
[Queer & trans songmaker / boy king // On Giver Taker, the gorgeous debut album by Anjimile, death and life are always entwined, wrapping around each other in a dance of reverence, reciprocity, and, ultimately, rebirth. // Giver Taker is confident, intentional and introspective. Anjimile Chithambo (they/them, he/him) wrote much of the album while in treatment for drug and alcohol abuse, as well as while in the process of living more fully as a nonbinary trans person. Loss hovers over the album, whose songs grieve for lost friends (“Giver Taker”) and family members (“1978”) along with lost selves (“Maker,” “Baby No More,” “In Your Eyes.”) But here, grief yields an opening: a chance for new growth. “A lot of the album was written when I was literally in the process of improving my mental health, so there’s a lot of hopefulness and wonder at the fact that I was able to survive,” says Chithambo. “Not only survive but restart my life and work towards becoming the person I was meant to be.” // Each song on the album is its own micro-journey, adding up to a transformative epic cycle created in collaboration with bandmate Justine Bowe of Photocomfort and New-York based artist/producer Gabe Goodman. “1978” and “Maker” both begin as Sufjan Stevens-esque pastoral ballads with Chithambo’s mesmerizing voice. foregrounded against minimal instrumentation and swell into the realm of the majestic through the addition of warm, steady instrumentation (informed by the mix of 80’s pop and African music Chithambo’s Malawi-born parents played around the house) and harmonies by Bowe. “In Your Eyes” starts out hushed and builds to a crescendo via a mighty chorus inspired by none other than The Lion King. The allusion is fitting: each song encapsulates a heroic voyage, walked alone until accompanied by kindred souls. The choirs present throughout are equally deliberate. Chithambo grew up as a choir boy himself, and several songs (notably “Maker”) grasp not only towards reconciliation between his trans identity and his parents’ strong religious beliefs, but towards reclaiming his trans identity as an essential part of his own spirituality. (“[Less] Judeo-Christian, more ‘Colors of the Wind.’”) There is a boldness to this borrowing and shaping, a resoluteness that results from passing through hardship and emerging brighter, steadier. As a closing refrain on “To Meet You There” might sum it up: “Catalyst light of mine / now is your time.” // Giver Taker was recorded in Brooklyn, Boston, and New Hampshire by Goodman, thanks in part to the Live Arts Boston Grant by the Boston Foundation. All songs written by Anjimile Chithambo. Produced by Gabe Goodman & Justine BoweEngineered by Gabe Goodman. Additional engineering by Will G. Radin . Mixed by Will G. Radin
Mastered by Joe Lambert]

4. New Order – “Be A Rebel”
from: Be A Rebel – Single / Mute / September 8, 2020
[First new music in 5 years. New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook, and drummer Stephen Morris. The band formed after the demise of Joy Division, following the suicide of lead singer Ian Curtis; they were joined by Gillian Gilbert on keyboards later that year. New Order’s integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s. They were the flagship band for Manchester-based independent record label Factory Records and its nightclub The Haçienda, and worked in long-term collaboration with graphic designer Peter Saville. While the band’s early years were overshadowed by the legacy of Joy Division, their experience of the early 1980s New York club scene saw them increasingly incorporate dance rhythms and electronic instrumentation into their work. Their 1983 hit “Blue Monday” became the best-selling 12-inch single of all time and a popular club track. In the 1980s, they released successful albums such as Power, Corruption & Lies (1983), Technique (1989), and the singles compilation Substance (1987). They disbanded in 1993 to work on individual projects before reuniting in 1998. In the years since, New Order has gone through various hiatuses and personnel changes, most prominently the departure of Hook in 2007. They released their tenth studio album, Music Complete, in 2015.]

5. Cut Copy – “Like Breaking Glass”
from: Freeze, Melt / Cutter Records / August 21, 2020
[Sixth full-length album from Cut Copy an Australian synth-pop band formed in 2001 by Dan Whitford on vocals, keyboards and guitar. Originally a home-recording project, the band now includes Tim Hoey on guitars, Ben Browning on bass guitar, and Mitchell Scott on drums. The band achieved breakthrough success in 2008 with their second album, In Ghost Colours, which included well-known singles “Lights & Music” and “Hearts on Fire”. Cut Copy was established in 2001 in Melbourne, Australia as the solo project of Dan Whitford, a DJ and graphic designer. Whitford was educated at Scotch College and studied graphic design at Monash University. During his studies he became interested in dance music and began DJing while hosting a radio show. Around this time he bought a sampler and keyboards to experiment with. Musically he was “inspired by indie low-fi stuff as much as dance”. Upon graduating Whitford co-founded the design agency Alter, who continue to produce all of the graphical material for the band.]

6. Shy Boys – “Talk Loud”
from: Talk Loud / Polyvinyl Record Co. / September 25, 2020
[From the upcoming third album from Kansas City’s Shy Boys. The follow up to single, “Trash” released August 3, 2020, and after Dim The Light / Brick By Brick, released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” (originally released by The I’ms) was featured on Spin.com. In June 2014, the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Company.]

7. Bob Dylan – “I Contain Multitudes”
from: Rough and Rowdy Ways / Columbia / June 19. 2020
[Rough and Rowdy Ways is the 39th studio album by American singer-songwriter Bob Dylan (born Robert Allen Zimmerman; May 24, 1941) is an American singer-songwriter, author, and visual artist. Widely regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture for more than 50 years. Much of his most celebrated work dates from the 1960s, when songs such as “Blowin’ in the Wind” (1963) and “The Times They Are a-Changin'” (1964) became anthems for the civil rights and anti-war movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defied pop music conventions and appealed to the burgeoning counterculture. Following his self-titled debut album in 1962, which mainly comprised traditional folk songs, Dylan made his breakthrough as a songwriter with the release of The Freewheelin’ Bob Dylan the following year. The album features “Blowin’ in the Wind” and the thematically complex “A Hard Rain’s a-Gonna Fall”. For many of these songs, he adapted the tunes and phraseology of older folk songs. He went on to release the politically charged The Times They Are a-Changin’ and the more lyrically abstract and introspective Another Side of Bob Dylan in 1964. In 1965 and 1966, Dylan drew controversy when he adopted electrically amplified rock instrumentation, and in the space of 15 months recorded three of the most important and influential rock albums of the 1960s: Bringing It All Back Home (1965), Highway 61 Revisited (1965) and Blonde on Blonde (1966). Commenting on the six-minute single “Like a Rolling Stone” (1965), Rolling Stone wrote: “No other pop song has so thoroughly challenged and transformed the commercial laws and artistic conventions of its time, for all time.” In July 1966, Dylan withdrew from touring after a motorcycle accident. During this period, he recorded a large body of songs with members of the Band, who had previously backed him on tour. These recordings were released as the collaborative album The Basement Tapes in 1975. In the late 1960s and early 1970s, Dylan explored country music and rural themes in John Wesley Harding (1967), Nashville Skyline (1969), and New Morning (1970). In 1975, he released Blood on the Tracks, which many saw as a return to form. In the late 1970s, he became a born-again Christian and released a series of albums of contemporary gospel music before returning to his more familiar rock-based idiom in the early 1980s. Dylan’s 1997 album Time Out of Mind marked the beginning of a renaissance for his career. He has released five critically acclaimed albums of original material since then, the most recent being Rough and Rowdy Ways (2020). He also recorded a series of three albums in the 2010s comprising versions of traditional American standards, especially songs recorded by Frank Sinatra. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. Since 1994, Dylan has published eight books of drawings and paintings, and his work has been exhibited in major art galleries. He has sold more than 100 million records, making him one of the best-selling music artists of all time. He has received numerous awards, including the Presidential Medal of Freedom, ten Grammy Awards, a Golden Globe Award and an Academy Award. Dylan has been inducted into the Rock and Roll Hall of Fame, Nashville Songwriters Hall of Fame and the Songwriters Hall of Fame. The Pulitzer Prize Board in 2008 awarded him a special citation for “his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power”. In 2016, Dylan was awarded the Nobel Prize in Literature “for having created new poetic expressions within the great American song tradition”]

8. John Prine – “Summer’s End”
from: The Tree of Forgiveness / Oh Boy Records / April 13, 2018
[The Tree of Forgiveness is the eighteenth and final studio album by American country folk singer John Prine born October 10, 1946. John Prine died April 7, 2020 due to COVID-19. He was an American country folk singer-songwriter. He was active as a composer, recording artist, and live performer from the early 1970s until his death, and was known for an often humorous style of original music that has elements of protest and social commentary. Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. He attended classes at Chicago’s Old Town School of Folk Music. After serving in West Germany with the U.S. Army, he returned to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs first as a hobby, and then becoming a club performer. A member of Chicago’s folk revival, Prine credited film critic Roger Ebert and singer-songwriter Kris Kristofferson with discovering him, resulting in the production of Prine’s eponymous debut album with Atlantic Records in 1971. The acclaim earned by this LP led Prine to focus on his musical career, and he recorded three more albums for Atlantic. He then signed with Asylum Records, where he recorded an additional three albums. In 1981, he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums. Widely cited as one of the most influential songwriters of his generation, Prine was known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary and songs that recollect melancholy tales from his life. In 2020, he received the Grammy Lifetime Achievement Award..]

10:33 – Underwriting

9. BLACKSTARKIDS – “Whatever!”
from: Surf Basement Demos / Dirty Hit Records / March 5, 2020
[Blackstarkids released their second album SURF through their own label Bedroon Records on Februart 28, 2020. BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019. Blackstarkids,recently caught the attention of The 1975’s frontman Matty Healy and now they’re signed to The 1975’s management company, Dirty Hit Records,]

10. Sharon Jones & The Dap-Kings – “Signed, Sealed, Delivered I’m Yours”
from: Just Dropped In To See What Condition My Rendition Was In / Daptone / Oct. 23, 2020
[Often, in an effort to save the expense of licensing an original master from a major label, a music supervisor may request a song be re-created as closely as possible. Such was the case when a well-known bank asked the band to cut Stevie Wonder’s classic, “Signed, Sealed, Delivered I’m Yours” for a TV commercial, or when Hank Shockley asked for a perfect replay of Bad Medicine’s funky instrumental, “Trespasser” for the American Gangster soundtrack. // Both “Rescue Me” and “In the Bush” were among the outtakes on the cutting room floor of The Wolf of Wall Street motion picture soundtrack, for which the band recorded several unused sides. “Just Dropped In (To See What Condition My Condition Was In)” was not just a remake of the Kenny Rogers’ First Edition hit, but more specifically a near re-play of Bettye Lavette’s 1968 version, and was notably the very first recording done at the Daptone House of Soul studio in 2002. Likewise, the band’s replay of Gladys Knight’s “Giving Up” was specifically requested but unused by a producer who was confident he needed it to sample for a beat on a Dr. Dre album. // “Little by Little,” “Inspiration Information,” “Here I Am Baby,” and “Take Me with U” were cut for tribute projects to Dusty Springfield, Shuggie Otis, The Marvelettes, and Prince, respectively. The latter of which is a perfect example of the way the band was able to take a familiar tune and completely flip it on it’s head. // Of course, there were also many non-contracted covers over the years that the band cut of their own volition, starting with the complete re-invention of Janet Jackson’s “What Have You Done for Me Lately” on the their 2001 debut LP, Dap-Dippin’ with…, which convinced more than a few fans that Sharon’s version was in fact the original after a counterfeit news article surfaced claiming that Jones was suing Jackson for copyright infringement. Sharon’s heart-wrenching take on Bob Marley’s early Wailers ballad “It Hurts to be Alone” is a tender nod to the soul that Jamaica borrowed from the States in the early sixties. // Though the band has mostly built their career on a prolific catalog of originals, these forays into other artists’ compositions lay bare their gift for arrangement and the unmatched studio prowess that earned them their reputation as The Baddest Band in the Land. // In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

11. The Black Creatures – “The Fall and Winter(radio edit)”
from: Wild Echoes / Center Cut Records / August 28, 2020 [remastered]
[Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28 2020. The Black Creatures are Jade Green & Xavier Martin. The band joined us on the radio on the August 26 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their bandcamp page. The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. They released the album, See No Evil, December 6, 2017. The duo released the singles, “Elements” February 14, 2018; “Silver Tears” June 19. 2018; “Dare” a Gorillaz cover August 8, 2019. They released the album “Wild Echoes” September 30, 2019. The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” February 19, 2020.]

12. Tracy Chapman – “Subcity”
from: Crossroads / Elektra / October 3, 1989
[Crossroads is the second album by singer-songwriter Tracy Chapman. Chapman was also a producer on this album, the first time she had taken on such a role. The song “Freedom Now” is dedicated to Nelson Mandela. racy Chapman (born March 30, 1964) is an American singer-songwriter, known for her hits “Fast Car” and “Give Me One Reason”, along with other singles “Talkin’ ’bout a Revolution”, “Baby Can I Hold You”, “Crossroads”, “New Beginning”, and “Telling Stories”. She is a multi-platinum and four-time Grammy Award–winning artist. // Chapman was signed to Elektra Records by Bob Krasnow in 1987. The following year she released her critically acclaimed debut album Tracy Chapman, which became a multi-platinum worldwide hit. The album earned Chapman six Grammy Award nominations, including Album of the Year, three of which she won, including Best Female Pop Vocal Performance for her single “Fast Car”, and Best New Artist. Chapman released her second album Crossroads the following year, which garnered her an additional Grammy nomination. Since then, Chapman has experienced further success with six more studio albums, which include her multi-platinum fourth album New Beginning, for which she won a fourth Grammy Award, for Best Rock Song, for its lead single “Give Me One Reason”. Chapman’s most recent album is Our Bright Future, released in 2008. // Chapman was born in Cleveland, Ohio. Her parents divorced when she was four years of age. She was raised by her mother, who bought her music-loving three-year-old daughter a ukulele despite having little money. Chapman began playing the guitar and writing songs at age eight. She says that she may have been first inspired to play the guitar by the television show Hee Haw.[4] Chapman’s family received welfare. In her native Cleveland, school desegregation efforts led to racial unrest and riots; Chapman experienced frequent bullying and racially motivated assaults as a child. // Raised as a Baptist, Chapman attended an Episcopal high school and was accepted into the program A Better Chance, which sponsors students at college preparatory high schools away from their home community. She graduated from Wooster School in Connecticut, then attended Tufts University, graduating with a B.A. degree in Anthropology and African studies.]

13. Talking Heads – “Who Is It?”
from: The Name of This Band is Talking Heads / Sire / March 24, 1982
[he Name of This Band Is Talking Heads is a double live album by American new wave band Talking Heads, originally released in 1982. The first LP featured the original quartet in recordings from 1977 and 1979, and the second LP featured the expanded ten-piece lineup that toured in 1980 and 1981. The album contains live versions of songs that appear on their first four studio albums: Talking Heads: 77, More Songs About Buildings and Food, Fear of Music, and Remain in Light. The cassette edition of the album included “Cities”, a bonus track not included on the vinyl edition, which also appeared on the subsequent CD release. // The title of the album is a reference both to the group’s preference for having no expressed definite article within the band name (as opposed to “The Talking Heads”) and to David Byrne’s minimalist introductions to songs. The album opens with one such introduction: “The name of this song is ‘New Feeling’. That’s what it’s about.” // Talking Heads were an American rock band formed in 1975 in New York City and active until 1991. The band was composed of David Byrne (lead vocals, guitar), Chris Frantz (drums), Tina Weymouth (bass), and Jerry Harrison (keyboards, guitar). Described by the critic Stephen Thomas Erlewine as “one of the most critically acclaimed bands of the ’80s,” the group helped to pioneer new wave music by integrating elements of punk, art rock, funk, and world music with avant-garde sensibilities and an anxious, clean-cut image. Former art school students who became involved in the 1970s New York punk scene, Talking Heads released their 1977 debut album, Talking Heads: 77, to positive reviews. They collaborated with producer Brian Eno on a trio of experimental and critically acclaimed releases: More Songs About Buildings and Food (1978), Fear of Music (1979), and Remain in Light (1980). After a hiatus, Talking Heads hit their commercial peak in 1983 with the U.S. Top 10 hit “Burning Down the House” from the album Speaking in Tongues and released the concert film Stop Making Sense, directed by Jonathan Demme. They released several more albums, including their best-selling LP Little Creatures (1985), before disbanding in 1991. Without Byrne, the other band members performed under the name Shrunken Heads, and released an album, No Talking, Just Head, as the Heads in 1996. // In 2002, Talking Heads were inducted into the Rock and Roll Hall of Fame. Four of their albums appear in Rolling Stone’s list of the 500 Greatest Albums of All Time, and three of their songs (“Psycho Killer”, “Life During Wartime”, and “Once in a Lifetime”) were included among the Rock and Roll Hall of Fame’s 500 Songs That Shaped Rock and Roll. Talking Heads were also number 64 on VH1’s list of the “100 Greatest Artists of All Time”. In the 2011 update of Rolling Stone’s “100 Greatest Artists of All Time”, they were ranked number 100.]

14. Bulgarian Television & Radio Folklore Ensemble & Krassimir Kyurkchiiski– “Kalimankou Denkou”
from: Krassimir Kyurkchiiski: Bulgarian Folklore Masterpieces / Balkanton / January 18, 2012

11:00 – Station ID

15. Krystle Warren & The Crew – “Bein’ Green”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP will be donated to the various causes and organizations. From Billboard.com: Singer-songwriter Krystle Warren has made a powerful statement about the struggle for Black equality with the help of Kermit the Frog’s iconic song “Bein’ Green” (written by Joe Raposo). // The moving five-minute clip, over which Warren sings her rendition of the 1970 song — since recorded by Ray Charles, Frank Sinatra and others — sprang from a covers EP she recorded during the pandemic with a group of musicians known as The Crew. Warren embarked on the project after her forthcoming album with her regular group, The Faculty, was put on hold due to COVID-19. The EP, which tackles themes of racial injustice in the wake of nationwide Black Lives Matter protests this summer, also includes a cover of John Lennon’s “Gimme Some Truth.” // The “Bein’ Green” video weaves in footage of this year’s Black Lives Matter protests, and also includes a heartbreaking montage of young Black children choosing white dolls over dark-skinned ones. It additionally features archival footage of such transformative Black figures as James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson and Al Sharpton, as well as victims of police brutality including Sandra Bland, George Floyd and Eric Garner. It ends with a clip from a speech by civil rights activist Ella Baker. // “‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.” // Warren, who now resides in Paris, began performing in her native Kansas City at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her next album is slated for release this winter. // A large percentage of proceeds from sales of the EP — which is available for digital downloads via Warren’s website now and released on all streaming platforms next Friday — will be donated to the ACLU.]

11:04 – Underwriting

16. Krystle Warren & The Crew – “Rhythm Of Life”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Originally on Oleta Adams 3rd album “Circle of One.” Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams).]

17. Krystle Warren & The Crew – “Dear Landlord”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Written by Bob Dylan. Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP will be donated to the various causes and organizations.]

Krystle Warren photo by Matthew Placek

11:15 – Interview with Krystle Warren

KC born and internationally known singer songwriter Krystle Warren joins us from France to share details about an incredible new EP released last week from the collective call themselves The Crew. They have recorded unique versions of four classic songs with the hope of encouraging the rallying cries of the moment: the movement of the people. Warren embarked on the project after her newest album, with her band The Faculty, was stalled due to COVID-19. With the EP The Crew released a video of their interpretation of “Bein’ Green” an emotionally stirring five minute montage of footage of Black Lives Matter protests, young Black children choosing white dolls over dark-skinned ones, archival footage of James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson Al Sharpton, Ella Baker, as well as Sandra Bland, George Floyd and Eric Garner. Proceeds from the EP will be donated to the ACLU. More info at: http://www.krysltewarren.com

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

Bein’ Green – Kermit the Frog’s iconic song “Bein’ Green” (written by Joe Raposo). // The moving five-minute clip, over which Warren sings her rendition of the 1970 song — since recorded by Ray Charles, Frank Sinatra and others — sprang from a covers EP she recorded during the pandemic with a group of musicians known as The Crew.

‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.”

Warren embarked on the project after her forthcoming album with her regular group, The Faculty, was put on hold due to COVID-19. The EP, which tackles themes of racial injustice in the wake of nationwide Black Lives Matter protests this summer, also includes a cover of John Lennon’s “Gimme Some Truth.”

The Crew: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane.

This Year Krystle virtually performed in the KC Bands Together and Greenline Grows KC

Last time you were on the show was a year ago on October 16 with Brad Coc when you ere here in KC to present LoveSongs with Owen/Cox Dance Group at October 19 and 20, 2019 at Polsky Theatre at JCCC.

Warren, who now resides in Paris, began performing in her native Kansas City at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her next album is slated for release this winter. // A large percentage of proceeds from sales of the EP — which is available for digital downloads via Warren’s website now and released on all streaming platforms next Friday — will be donated to the ACLU

Originally from KC, Krystle Warren learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, who gave her a one way ticket to France. Krystle moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world on tours with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle left Because Music and created her own recording label, Parlour Door Music, to release “Love Songs: A Time You May Embrace / A Time to Refrain from Embracing” a double album recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. In 2019 The Kansas City based Owen/Cox Dance Group premiered a new dance piece titled “Love Songs” with choreography by Jennifer Owen, set to all 24 songs, in the order they appear in the recording,. Krystle Warren has collaborated with Erykah Badu, Keziah Jones, Zap Mama, Rufus Wainwright and Martha Wainwright, Brad Cox Amadou & Mariam, Lakecia Benjamin, Guarco, Teddy Thompson, Gwyneth Herbert, Hercules & Love Affair, and Joon Moon. Along with being included in the compilation “NYC Subway – Songs from the Underground,” and tribute recordings for Kate McGarrigle, and Nick Drake, Warren has released the EP “Diary” on May 1, 2007; “The Up Series – EP” on November 10, 2008; “Circles” her 13-song full length on March 13, 2009; “A Time To Keep – Love Songs EP”, on August 12, 2011, The double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 and as separate digital and CD albums in the U.S. as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015; Krystle released “Three the Hard Way” on August 18, 2017.

Rhythm of Life”, (a timeless statement originally performed by Oleta Adams from her 3rd album, Circle of One from 1990. After a successful collaboration with Tears for Fears on their 1989 album The Seeds of Love, Adams was offered a record deal of her own with Tears for Fears then-label Fontana Records. Produced by Tears for Fears’ Roland Orzabal with Dave Bascombe, the album was initially unsuccessful as were the first two singles “Rhythm of Life” and “Circle of One”. However, Adams had a hit in early 1991 with the third single from the album, her cover of Brenda Russell’s “Get Here,” which peaked at #4 in the UK Singles Chart and #5 on the US Billboard Hot 100. The album, which had received considerable critical acclaim, was re-released with two additional tracks and peaked at #1 in the UK Albums Chart and made the Top 20 of the US Billboard 200. It was certified Gold in both the UK and the US[3] and received two Grammy nominations.

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

Krystle Warren & The Faculty are working on a new album, the first single “Rising” was included in the official soundtrack to the Ana DuVernay television series soundtrack for “When They See Us.” The single was released May 31, 2019. More info at http://www.krystlewarren.com

11:31

18. We The People – “Misunderstood”
from: Misunderstood – Single / Eddie Moore Music / June 26, 2020
[First single from the up-coming debut record of Eddie Moore’s group We The People. We The People is a power trio and sometimes 4-piece stemming from the roots of Black American Music, Hip-hip, Psych-Rock, and Classical. Crafted with raw passion, and unflinching groove this “Urban Gumbo” shares the pain, joy, fear, and dreams that inspire, and celebrate our unity. Eddie Moore on Rhodes & synthesizers, Jason Emmond on bass, Zach Morrow on drums & samples, and Jamie Anderson on guitar & vocoder.]

[We The People play an Album Release Show, Friday, September 25, at 7:00 PM at Plexpod, 300 East 39th Street, KCMO. (formerly Westport Junior High School.) The venue will maintain safe social distancing guidelines. General admission tickets are $25 or $30 with a We The People debut album download. For tickets visit: http://www.kcdriveinconcerts.com]

11:34 – Interview with Eddie Moore

Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to Kansas City to study under Bobby Watson at the University of Missouri-Kansas City where he received a M.A in Jazz Studies. Eddie Moore joins us to talks with us about “Misunderstood,” the debut album from his band, We The People, to be released September 25. We the People is a genre-defying quartet comprised of keyboardist Eddie Moore, bassist/producer Jason Emmond, drummer Zach Morrow, and turntablist/producer Kethro.

We The People play an Album Release Show, Friday, September 25, at 7:00 PM at Plexpod, 300 East 39th Street, KCMO. (formerly Westport Junior High School.) The venue will maintain safe social distancing guidelines. General admission tickets are $25 or $30 with a We The People debut album download. For tickets visit: http://www.kcdriveinconcerts.com

Eddie Moore Thank you for being with us on Wednesday Midday Medley

It was great to hear and see We The People play for the virtual Crossroads Music Festival, You performed live from Tribe Studio.

When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Eddie reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression.

Jazz runs deep in pianist and bandleader Eddie Moore’s veins. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. As a lifelong musician traversing a number of bands and styles he relocated to Kansas City to study under Bobby Watson at the University of Missouri-Kansas City where he received a M.A in Jazz Studies.

After forming Jazz/Fusion group Eddie Moore & The Outer Circle in 2012, diversity and inclusiveness have become to define Moore as an artist. His debut album,”The Freedom of Expression”, was given 3.5 stars from Downbeat jazz magazine who has stated “Moore’s compositions exude a sophisticated soulful elegance that create a tastefully fulfilling venture into a range of dynamic pieces, with the musicianship to match.”

Moore’s third album as a leader “Kings & Queens” incorporates elements of soul, r&b, rock and hip-hop into his take on contemporary jazz. Released with Ropeadope Records, Moore’s forward-thinking sounds are part of the rich continuum of African-American music that continues to be imbued with indigenous African elements. The Outer Circle’s remarkable sensitivity and cohesive interplay reflect an unflinching groove. Featured in Jazziz Magazine, The Jazz Ambassadors Magazine, Nextbop, and The Pitch KC which describe the album as “Pulling the Kansas City Jazz scene into the 21st century” – Bill Brownlee

Moore is also recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has also been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”

Moore’s expansive sensibilities have allowed him to share the stage and record with distinctive artist such as Bobby Watson, Pam, Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band.

While maintaining a busy tour schedule Moore resides in Kansas City where he is an integral part of the music community creating opportunities for up and coming jazz artist through his incubator Tribe Studios. As a Charlotte Street Fellow and member of the African America Arts Collective; He stays busy teaching several aspects of music through University of Kansas, Metropolitan Community College, Future Jazz, Midwest Jazz Camp, and privately at The Culture House.

We the People is a genre-defying quartet comprised of keyboardist Eddie Moore, bassist/producer Jason Emmond, drummer Zach Morrow, and turntablist/producer Kethro. Together, they sift through American music of the last 20th century and gather all of their influences into incredible masterpieces.

Eddie Moore Thank you for being with us on Wednesday Midday Medley

11:49

19. We The People – “Enough”
from: Misunderstood / Eddie Moore Music / September 25, 2020
[Eddie Moore on piano, Rhodes, synth, keyboards, & bass; Jason Emmond – on bass; Zach Morrow on drums; Andrew Baile on guitar; Keith Rodgers; Angle Gibson on vocals “Enough”; Rane Raps- “The Truth”; Lucero on vocals “The Truth”; Andrew McGhie on tenor sax “Round Up”. “Worst Nights” Produced by Jason Emmond/ Eddie Moore. Recorded at Make Believe Studios by Keith Rodgers. Mix & Mastered by Rick Carson. Executive Producers: Eddie Moore and Amilcar “PRO” Welton. Album Art by Adrian Truth. This is for all the times we are misunderstood and mean the best for people. This is for times pain and fear were swallowed and a unique beauty emerged. The times that struggle became a culture, a new identity for the land of the free. The idea of Freedom and the celebration of individuality. ]

[We The People play an Album Release Show, Friday, September 25, at 7:00 PM at Plexpod, 300 East 39th Street, KCMO. (formerly Westport Junior High School.) The venue will maintain safe social distancing guidelines. General admission tickets are $25 or $30 with a We The People debut album download. For tickets visit: http://www.kcdriveinconcerts.com]

20. We The People – “Moon”
from: Misunderstood / Eddie Moore Music / September 25, 2020
[Eddie Moore on piano, Rhodes, synth, keyboards, & bass; Jason Emmond – on bass; Zach Morrow on drums; Andrew Baile on guitar; Keith Rodgers; Angle Gibson on vocals “Enough”; Rane Raps- “The Truth”; Lucero on vocals “The Truth”; Andrew McGhie on tenor sax “Round Up”. “Worst Nights” Produced by Jason Emmond/ Eddie Moore. Recorded at Make Believe Studios by Keith Rodgers. Mix & Mastered by Rick Carson. Executive Producers: Eddie Moore and Amilcar “PRO” Welton. Album Art by Adrian Truth. This is for all the times we are misunderstood and mean the best for people. This is for times pain and fear were swallowed and a unique beauty emerged. The times that struggle became a culture, a new identity for the land of the free. The idea of Freedom and the celebration of individuality.]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, Sept. 30, we play more New & MidCoastal Releases. Plus we talk with Jocelyn Olivia Nixin of The Creepy Jingles and Kianna White and Jared White of Yes You Are who are playing a live at Lemonade Park, February, October 2, with the Nathan Corsi band & DJ Stevie Cruz. Also next week Jenna Rae returns to share new music from Unfit Wives.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #856

WMM presents Krystle Warren + Eddie Moore

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 23, 2020

Krystle Warren and The Crew
+ Eddie Moore and We The People

Mark plays New & MidCoastal Releases from: We The People, Krystle Warren & The Crew, Blackstarkids, Shy Boys, The Black Creatures, Grand Marquis, Anjimile, Sharon Jones & The Dap Kings, Bulgarian Television and Radio Folklore Ensemble, Bob Dylan, New Order, Cut Copy, John Prine, Tracy Chapman, and Talking Heads.

Krystle Warren photo by Matthew Placek

At 11:00 KC born and internationally known singer songwriter Krystle Warren joins us from France to share details about an incredible new EP released last week from: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. The collective call themselves The Crew and have recorded unique versions of four classic songs with the hope of encouraging the rallying cries of the moment: the movement of the people. Warren embarked on the project after her newest album, with her band The Faculty, was stalled due to COVID-19. With the EP The Crew released a video of their interpretation of “Bein’ Green” an emotionally stirring five minute montage of footage of Black Lives Matter protests, young Black children choosing white dolls over dark-skinned ones, archival footage of James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson Al Sharpton, Ella Baker, as well as Sandra Bland, George Floyd and Eric Garner. Proceeds from the EP will be donated to the ACLU. More info at: http://www.krysltewarren.com

At 11:30 KC musician Eddie Moore shares music and information about “Misunderstood,” the debut album from his band, We The People, to be released September 25. We the People is a genre-defying quartet comprised of keyboardist Eddie Moore, bassist/producer Jason Emmond, drummer Zach Morrow, and turntablist/producer Kethro. Together, they sift through American music of the last 20th century and gather all of their influences into incredible masterpieces. We The People play an Album Release Show, Friday, September 25, at 7:00 PM at Plexpod, 300 East 39th Street, KCMO. (formerly Westport Junior High School.) The venue will maintain safe social distancing guidelines. General admission tickets are $25 or $30 with a We The People debut album download. For tickets visit: http://www.kcdriveinconcerts.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #856

WMM Playlist from Jan. 15, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 15, 2020

WMM Celebrates MLK

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Soweto Gospel Choir – “Pride (In The Name of Love)”
from: In the Name of Love – Africa Celebrates U2 / Shout! Factory Records / 2008
[Formed in Soweto, South Africa, by David Mulovhedzi & Beverly Bryer, two choir directors. The 30-member ensemble blends African gospel, Negro spirituals, reggae and American popular music. The group performed at the first of the 46664 concerts for Nelson Mandela and has toured internationally. Their albums Blessed and African Spirit won Grammy Awards for Best Traditional World Music Album in 2007 and 2008.]

3. International Noise Conspiracy / MLK Jr. – “The First Conspiracy / Let Freedom Ring”
from: Adbusters – Live Without Dead Time / Adbusters / 2003
[The (International) Noise Conspiracy (abbreviated T(I)NC) were a Swedish rock band formed in Sweden in the late months of 1998. The line-up consists of Dennis Lyxzén (vocals), Inge Johansson (bass), Lars Strömberg (guitar), and Ludwig Dahlberg (drums). The band is known for its punk and garage rock musical influences, and its impassioned left-wing political stance. Influenced by a quote from 1960’s folk singer Phil Ochs, according to lead singer Lyxzén, the band wanted to achieve an ideal blend of music and politics that was, “a cross between Elvis Presley and Che Guevara.”]

4. Labelle – “Something in The Air / The Revolution Will Not Be Televised” (CD #4) (5:55)
from: Something Silver / Warner Archives / 1997 [orig. Pressure Cookin’ / 1973, 3rd album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash who each shared a rap on “The Revolution Will Not Be Televised” a poem and song by Gil Scott-Heron. It was the B-side to Scott-Heron’s first single, “Home Is Where the Hatred Is”, from his album Pieces of a Man (1971). “Something in the Air” is a song orig. recorded by Thunderclap Newman, a band created by Pete Townshend for The Who’s former roadie John ‘Speedy’ Keen who wrote and sang the song. It was a UK #1 single for three weeks in July 1969.]

10:10

Wednesday MidDay Medley celebrates the life of human rights icon, Dr. Martin Luther King, Jr., born Jan. 15, 1929.

MLK led the 1955 Montgomery Bus Boycott, was a cofounder of the Southern Christian Leadership Conference in 1957, and served as it’s first president. His efforts led to the 1963 March on Washington, where Dr. King delivered his, “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination thru civil disobedience and non-violent means.

By the time of his death in 1968, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War. King was assassinated, April 4, 1968, in Memphis, Tennessee.
Dr. Martin Luther King, Jr. was posthumously awarded the Presidential Medal of Freedom in 1977, and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I.

As Pete Seeger wrote: “Songs gave them the courage to believe they would not fail.” Today we feature music of and inspired by the civil rights movement from: Bobby Watson & The I Have A Dream Project (featuring Glenn North), Kelly Hunt, Krystle Warren, Laura Love, Sharon Jones & The Dap-Kings, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, Pops Staples, Mavis Staples, The Staple Singers, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, The Holmes Brothers, The Chambers Brothers, The Isley Brothers, Pete Seeger, Sarah Lee Guthrie & Johnny Irion. We started w/: Soweto Gospel Choir, The Intl. Noise Conspiracy, and Labelle.

10:14 – Soul Brother…

MLK said, “The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy.”

MLK said, “We must learn to live together as brothers or perish together as fools.”

5. Curtis Mayfield – “Beautiful Brother of Mine”
from: Roots / Curtom-Buddah / October, 1971 [2nd solo release from Curtis Mayfield, born in Chicago, June 3, 1942. One of the most influential musicians behind soul & politically conscious African-American music. Mayfield started his musical career in a gospel choir. Moving to the North Side of Chicago he met Jerry Butler in 1956 at the age of 14, and joined vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for The Impressions, which displayed his more politically charged songwriting. After leaving The Impressions in 1970, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album, New World Order, in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a 2-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes, Dec 26, 1999, at 57.]

6. Maceo & The Macks – “Soul Power ’74”
from: James Brown’s Funky People, Pt. 2 / People Records / 1988
[This record is sampled more than crackers and cheese at Costco, it contains samples itself in the form of tape overlays of civil rights rallies, a Dr. King speech, and an announcement of King’s assassination. Maceo Parker played saxophone with James Brown, Parliment, Funkadelic, Bootsy Collins, Bernie Worrell and Prince.]

7. Sweet Honey in The Rock, Aaron Neville, Lamar Campbell & Spirit of Praise – “Ella’s Song”
from: Soundtrack to Boycott / HBO / 2001
[Critically acclaimed 2001 film staring Jeffrey Wright as Dr. Martin Luther King, Jr., Terrence Howard as Ralph Abernathy, and CCH Pounder as Jo Ann Robinson.]

10:28 – Underwriting

10:30 – King’s Life, Death, and Spirit.

MLK said, “He who passively accepts evil is as much involved in it as he who helps to perpetrate it. He who accepts evil without protesting against it is really cooperating with it.”

8. Mahalia Jackson – “How I Got Over”
from: The Original Apollo Sessions / Couch & Madison Partners / May 25, 2013
[Gospel hymn composed & published in 1951 by Clara Ward (1924-1973). It was performed by Mahalia Jackson at the historic March on Washington for Jobs and Freedom in 1963 before 250,000 people. Mahalia Jackson (Oct. 26, 1911 – Jan. 27, 1972) was referred to as “The Queen of Gospel”. She became one of the most influential gospel singers in the world, heralded internationally as a singer and civil rights activist. She was described by entertainer Harry Belafonte as “the single most powerful black woman in the United States”. She recorded about 30 albums (mostly for Columbia Records) during her career, and her 45 rpm records included a dozen “golds”—million-sellers. “I sing God’s music because it makes me feel free,” Jackson once said about her choice of gospel, adding, “It gives me hope. With the blues, when you finish, you still have the blues.”]

9. Martin Luther King Jr. – “MLK – I Have A Dream 1963 (excerpt)”
from: Inspirational Speeches, Vo. 3 / Orange Leisure / May 16, 2011
[American civil rights leader/activist and Baptist minister, born Jan. 15, 1929 in Atlanta, Georgia. King’s speeches have been issued on numerous releases – his most well-known and influential address being “I Have a Dream”, which was held during “The March on Washington” in 1963. King was assassinated on April 4, 1968 in Memphis, Tennessee.]

10. Marian Anderson – “He’s Got the Whole World in His Hands”
from: He’s Got the Whole World in His Hands / BMG / Orig. 1961 [Reissued 1991]
[Marian Anderson (Feb 27, 1897 – Apr. 8, 1993) was one of the most celebrated singers of the 20th century. In 1939, the (DAR) refused to let Anderson sing in Constitution Hall. With the aid of First Lady Eleanor Roosevelt and Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the Lincoln Memorial in Washington, D.C. before a crowd of more than 75,000 people and a radio audience in the millions. Anderson became the first black person, to perform at the Metropolitan Opera in NYC on Jan. 7, 1955. Anderson worked as a delegate to the UN Human Rights Committee and “goodwill ambassadress” for the U.S. Dept. of State, giving concerts all over the world. She participated in the civil rights movement in the 1960s, singing at the March on Washington for Jobs and Freedom in 1963. Anderson was awarded the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.]

11.Tramaine Hawkins, Ella Mitchell, Billy Porter & Chorus – “Rocka My Soul”
from: Alvin Ailey American Dance Theatre “Revelations” / V2 / 1998
[Revelations is the signature choreographic work of Alvin Ailey American Dance Theater. It was first produced by Alvin Ailey Dance Theater in New York City, New York on January 31, 1960. Revelations tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music. It’s been performed in over 70 countries in the half century since then and has been described as “the most widely seen modern dance work in the world.” The finale song of the three part “Revelations” is “Rocka My Soul In The Bosom Of Abraham” and it has been described by writer Juliana Lewis-Ferguson as a, “spiritually powerful conclusion to the suite and a purely physical release of emotion.”]

11:42 – Negro Spirituals and Red Clay of Greenwood

12. The Swan Silvertones – “Oh Mary, Don’t You Weep”
from: Platinum Gospel: The Swan Silvertones / Sonorous Entertainment / 2012 (1959)
[“Mary Don’t You Weep” (alternately titled “O Mary Don’t You Weep”, “Oh Mary, Don’t You Weep, Don’t You Mourn”, or variations thereof) is a Negro spiritual that originates from before the American Civil War – thus it is what scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh’s army got drown-ded!, and to God’s rainbow covenant to Noah after the Great Flood. With liberation thus one of its themes, the song again become popular during the Civil Rights Movement. Additionally, a song that explicitly chronicles the victories of the Civil Rights Movement, “If You Miss Me from the Back of the Bus”, written by Charles Neblett of The Freedom Singers, was sung to this tune and became one of the most well-known songs of that movement. In 2015 it was announced that The Swan Silvertones’s version of the song will be inducted into the Library of Congress’s National Recording Registry for the song’s “cultural, artistic and/or historical significance to American society and the nation’s audio legacy”. The first recording of the song was by the Fisk Jubilee Singers in 1915. The best known recordings were made by the vocal gospel group The Caravans in 1958, with Inez Andrews as the lead singer, and The Swan Silvertones in 1959. “Mary Don’t You Weep” became The Swan Silvertones’ greatest hit, and lead singer Claude Jeter’s interpolation “I’ll be a bridge over deep water if you trust in my name” served as Paul Simon’s inspiration to write his 1970 song “Bridge over Troubled Water”.The spiritual’s lyric God gave Noah the rainbow sign, no more water the fire next time inspired the title for The Fire Next Time, James Baldwin’s 1963 account of race relations in America.]

13. Krystle Warren – “Red Clay”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren & The Faculty play The Hotel Cafe, 1623 N Cahuenga Blvd, Los Angeles, California on Friday, January 17, 2020 at 10:30 PM featuring Krystle Warren, Solomon Dorsey, Cassorla, Jonathan Anderson, and Mike Riddleberger.]

[Krystle Warren & The Faculty play at Rough Trade NYC 64 N 9th St, New York, New York, Friday, January 10, 2020 at 8 PM with Krystle Warren, Solomon Dorsey, Mike Riddleberger, Zach Djanikian, and Jacob Snider will play Faculty melodies new and old. With special guest, Calvin Arsenia.]

10:48 – Freedom.

MLK said, “Human progress is neither automatic nor inevitable… Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals.”

14. Nina Simone -“I Wish I Knew How It Would Feel To Be Free”
from: Silk and Soul / RCA / 1967
[Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums. “I Wish I Knew How It Would Feel to Be Free” is a gospel/jazz song written by Billy Taylor & “Dick Dallas.”]

15. Solomon Burke – “None Of Us Are Free”
from: Don’t Give Up On Me / Fat Possum / 2002
[Back up singers: The Blind Boys of Alabama. Born James Solomon McDonald, March 21, 1940, Solomon Burke died October 10, 2010. He was an American preacher & singer, who shaped the sound of rhythm & blues as one of the founding fathers of soul music in the 1960s and a “key transitional figure in the development of soul music from rhythm & blues. During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock & Roll Hall of Fame as a performer. His album Don’t Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums.]

16. Nina Simone – “I Shall Be Released”
from: To Love Somebody / RCA / 1967
[1 of 3 Bob Dylan songs Nina Simone performed for this album. Written by Dylan in 1967. The Band recorded the first officially-released version of the song for their 1968 debut album, Music from Big Pink, with Richard Manuel singing lead vocals, and Rick Danko & Levon Helm harmonizing in the chorus. The song was also performed near the end of the Band’s 1976 farewell concert, The Last Waltz, in which all the night’s performers (except of Muddy Waters) plus Ringo Starr and Ronnie Wood appeared on the same stage.]

11:02 – Station I.D.

11:02 – The Staple Singers & Bobby Watson and “Unpaid Bills”

MLK said, “In our glorious fight for civil rights, we must guard against being fooled by false slogans, as ‘right-to-work.’ It provides no ‘rights’ and no ‘works.’ Its purpose is to destroy labor unions and the freedom of collective bargaining… We demand this fraud be stopped.”

17. Pops Staples – “You Gotta Serve Somebody”
from: e-town live volume 3 / e-town / December 18, 2002
[Recorded Sept. 16, 1994, Live in Boulder]
[Originally written by Bob Dylan. Roebuck “Pops” Staples was born on a cotton plantation near Winona, Mississippi, on Dec. 28, 1914, the youngest of 14 children. When growing up he heard, and began to play with, local blues guitarists such as Charlie Patton, who lived on the nearby Dockery Plantation, Robert Johnson, and Son House. He dropped out of school after the eighth grade, and sang with a gospel group before marrying and moving to Chicago in 1935. A “pivotal figure in gospel in the 1960s and 70s,” and an accomplished songwriter, guitarist and singer. Patriarch of The Staple Singers, which included his son Pervis and daughters Mavis, Yvonne, and Cleotha.]

18. Mavis Staples – “Down in Mississippi”
from: Live – Hope At The Hideout / Anti / 2008
[Rock & Roll Hall of Fame inductee Mavis Staples, of The Staple Singers, is a celebrated equal rights activist. She’s performed at inaugural parties for Presidents Kennedy, Carter and Clinton, Recorded in June, 2008, in the run up to the Presidential election of Barrack Obama. Recorded live in the intimate bar The Hideout, in her hometown of Chicago. Mavis Staples, marched, sang & protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960s.]

19. The Staple Singers – “When Will We Be Paid”
from: Single / Stax (Fantasy / Ace) / 1967

20. Bobby Watson & The I Have a Dream Project–”Check Cashing Day” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / Aug. 28, 2013
[From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas.]

[Bobby Watson plays The Lied Center in Lawrence, KS, on Friday, March 6, at 7:30 PM.]

[Congratulations to Glenn North for being the newly appointed Executive Director of Bruce R. Watkins Cultural Heritage Center.]

11:20 – Hard Times

21. Kelly Hunt – “Sunshine Long Overdue”
from: Even The Sparrow / Kelly Hunt / 2019
[The daughter of an opera singer and a saxophonist, Kelly Hunt was raised in Memphis, TN, and grew up performing other people’s works through piano lessons, singing in choirs, and performing theater. “It was a very creative, artistic household,” says Hunt. During her teenage years, influenced by musical inspirations as diverse as Norah Jones, Rachmaninov, and John Denver, she began writing her own songs on the piano as a creative outlet. After being introduced to the banjo in college while studying French and visual arts, Hunt began to develop her own improvised style of playing, combining old-time picking styles with the percussive origins of the instrument. “I’m self-taught, I just started letting the songs dictate what needed to be there,” she says. “I heard a rhythm in a song that I wanted to execute, so I figured out how to do it on the drum head while still being able to articulate certain notes in one motion.” After college, Hunt followed a rambling path that took her through careers in acting, graphic design, traditional French bread making, and medicine, all the while making music as a private endeavor. “I wanted to get serious about a responsible career choice, but music kept bubbling up. I was writing a lot and playing a lot and started to not be satisfied just playing to my walls of my room.” After moving to Kansas City and discovering her mysterious Depression-era tenor banjo, Hunt began recording Even The Sparrow in Kansas City alongside collaborator Stas’ Heaney and engineer Kelly Werts. “It took almost two years to record,” she says, “learning how to let the songs dictate the production.” Having finally come to light, the album displays Hunt’s penchant for masterful storytelling and intriguing arrangement, as researched and complex as they are memorable, punctuated by her articulate melodies and a well-enunciated and creative command of lyrical delivery infused with deft emotional communication. While reminiscent of modern traditionalists such as Gillian Welch–a number of her songs even borrow titles and phrasing from traditional American music (“Back to Dixie,” “Gloryland”)–Even The Sparrow reveals an ineffable quality that hovers beyond the constraints of genre, à la Anais Mitchell and Patty Griffin. In “The Men of Blue & Grey,” what begins as a Reconstruction-era ballad about the repurposing of Civil War glass plate negatives in a greenhouse roof soon becomes a meditation on the hope that growth and life may one day be able to emerge from the ruins of suffering and haunting of violence. “Across The Great Divide” turns an otherwise traditional accounting of spurned love into a philosophical epic of the ethics of forgiveness and freedom, evoking the ideas of Søren Kierkegaard and Walt Whitman.]

[Kelly Hunt plays Jayhawk Theatre, 720 SW Jackson St, Topeka, KS, Saturday, January 18 at 7:OO PM.]

[Kelly Hunt has been nominated for 2019 Album of the Year by Folk Alliance International International Folk Music Awards. Even The Sparrow was in the Top Ten of WMM’s 119 Best Recordings of 2019.]

22. Laura Love – “Hard Times”
from: You Ain’t Got No Easter Clothes / Koch / 2004
[Laura Love is an American singer-songwriter and bass guitar player. Her style has been described as “Afro-Celtic” and has also been influenced by bluegrass. Love was born Laura Jones in Lincoln, Nebraska, in 1960. She is African American, Native American, and Caucasian. Love had a difficult childhood, raised by a mother with schizophrenia and in foster homes. Her father, who had little involvement in her life, was the jazz musician Preston Love who played the saxophone with Count Basie, Lucky Millinder and Johnny Otis and formed his own band in the 1950s. Love’s mother, Wini, had been a singer in Preston’s jazz band. Love began her performing career at age 16, singing for the prisoners at the Nebraska State Penitentiary. Love relocated to Seattle, Washington, where she was a member of the 1980s rock group Boom Boom G.I. She was also a member of an all-female band, Venus Envy. After Love released three albums on her own label, Octoroon Biography, Putumayo released a collection of her songs in 1995. Her 2003 album Welcome to Pagan Place included the controversial song “I Want You Gone”, about George W. Bush. In 2004 she published an autobiography, You Ain’t Got No Easter Clothes, with an accompanying album of the same name.][“Hard Times Come Again No More” (sometimes, “Hard Times”) is an American parlor song written by Stephen Foster. It was published in New York by Firth, Pond & Co. in 1854 as Foster’s Melodies No. 28. Well-known and popular in its day, both in America and Europe, the song asks the fortunate to consider the plight of the less fortunate and ends with one of Foster’s favorite images: “a pale drooping maiden”. The first audio recording was a wax cylinder by the Edison Manufacturing Company (Edison Gold Moulded 9120) in 1905. It has been recorded and performed numerous times since. The song is Roud Folk Song Index #2659.]

11:28 – Underwriting

11:30 – Brothers

23. Isley Brothers – “Brother, Brother, Brother”
from: Brotherhood / Hear Music / 2006
[The Isley Brothers are an American musical group originally from Cincinnati, Ohio, that started as a vocal trio consisting of brothers O’Kelly Isley Jr., Rudolph Isley and Ronald Isley. The group has been cited as having enjoyed one of the “longest, most influential, and most diverse careers in the pantheon of popular music”. Together with a fourth brother, Vernon, the group performed gospel music until Vernon’s death a few years after its formation. After moving to the New York City area in the late 1950s, the group had modest chart successes during their early years, first coming to prominence in 1959 with their fourth single, “Shout”, written by the three brothers. Initially a modest charted single, the song eventually sold over a million copies. Afterwards the group recorded for a variety of labels, including the top 20 single, “Twist and Shout” and the Motown single “This Old Heart of Mine (Is Weak for You)”, before recording and issuing the Grammy Award-winning hit “It’s Your Thing” on their own label, T-Neck Records. Influenced by gospel and doo-wop music, the group began experimenting with different musical styles incorporating elements of rock and funk as well as pop balladry. The inclusion of younger brothers Ernie Isley (lead guitar, drums) and Marvin Isley (bass guitar), and Rudolph’s brother-in-law Chris Jasper (keyboards, synthesizers), in 1973 turned the original vocal trio into a complete band. For the next full decade, they recorded top-selling albums including The Heat Is On and Between the Sheets. The six-member band splintered in 1983, with Ernie, Marvin, and Chris Jasper forming the short-lived spinoff group Isley-Jasper-Isley. The oldest member, O’Kelly, died in 1986 and Rudolph and Ronald released a pair of albums as a duo before Rudolph retired to a life in the Christian ministry in 1989. Ronald reconvened the group two years later in 1991 with Ernie and Marvin; five years later, in 1996, Marvin Isley left the group due to complications of diabetes. The remaining duo of Ronald and Ernie achieved mainstream success with the albums Mission to Please (1996), Eternal (2001) and Body Kiss (2003). Eternal spawned the top twenty hit “Contagious”. As of 2019, the Isley Brothers continue to perform under the lineup of Ronald & Ernie. The Isley Brothers have had four Top 10 singles on the U.S. Billboard chart. Sixteen of their albums charted in the Top 40. 13 of those albums have been certified gold, platinum or multi-platinum by the RIAA. The brothers have been honored by the Rock and Roll Hall of Fame, which inducted them in 1992. 5 years later, they were added to Hollywood’s Rockwalk, and in 2003 they were inducted to the Vocal Group Hall of Fame. They received the Grammy Lifetime Achievement Award in 2014.]

24. The Holmes Brothers – “Promised Land”
from: Promised Land / Rounder / 1997
[The Holmes Brothers were an American musical trio originally from Christchurch, Virginia. Mixing sounds from blues, soul, gospel, country, and rhythm & blues, they have released twelve studio albums, with three reaching the top 5 on the Billboard Blues Albums Chart. They have gained a following by playing regularly at summer folk, blues, gospel, and jazz festivals. They have recorded with Van Morrison, Peter Gabriel, Odetta, Phoebe Snow, Willie Nelson, Freddie Roulette, Rosanne Cash, Levon Helm and Joan Osborne, and have gigged all over the world—including performing for President Bill Clinton. They won the Blues Music Award from the Memphis-based Blues Foundation for Band of the Year in 2005 and for the Soul Blues Album of the Year in 2008. USA Today calls The Holmes Brothers’ music “Rootsy R&B, gospel and country. They are glorious, full of soul and surprises.” The New Yorker says, “The Holmes Brothers are capable of awesome achievements.”NPR adds, “Their voices are rough enough for a juke joint and smooth enough for church.]

25. The Chambers Brothers – “People Get Ready”
from: The Time Has Come / Columbia / 1967 [written by Curtis Mayfield]
[American psychedelic soul band, known for their 11-minute 1968 hit “Time Has Come Today”. The group was part of the wave of new music that integrated American blues and gospel traditions with modern psychedelic and rock elements. Their music has been kept alive through heavy use in film soundtracks. Originally from Carthage, Mississippi, the Chambers Brothers first honed their skills as members of the choir in their Baptist church. This set up ended in 1952 when the eldest brother George was drafted into the Army. George relocated to Los Angeles after his discharge, and his brothers soon settled there as well. As a foursome, they began performing gospel and folk throughout the Southern California region in 1954, but they more or less remained unknown until appearing in NYC in 1965. Consisting of George (September 26, 1931 – October 12, 2019) on washtub bass (later on Danelectro bass guitar), Lester (b. April 13, 1940) on harmonica, and Willie (b. March 3, 1938) and Joe (b. August 22, 1942) on guitar, the group started to venture outside the gospel circuit, playing at coffeehouses that booked folk acts. They played at places like The Ash Grove, a very popular Los Angeles folk club. It became one of their favorite haunts and brought them into contact with Hoyt Axton, Ramblin’ Jack Elliott, Reverend Gary Davis, and Barbara Dane. Dane became a great supporter, performing and recording with the brothers. With the addition of Brian Keenan (January 28, 1943 – October 5, 1985) on drums, Dane took them on tour with her and introduced them to Pete Seeger, who helped put the Chambers Brothers on the bill of the 1965 Newport Folk Festival. One of the songs they performed, “I Got It”, appeared on the Newport Folk Festival 1965 compilation LP, which was issued on the Vanguard label. They were becoming more accepted in the folk community, but, like many on the folk circuit, were looking to electrify their music and develop a more rock & roll sound. Joe Chambers recalled in a May 1994 Goldmine article that people at the Newport Folk Festival were breaking down fences and rushing to the stage. “Newport had never seen or heard anything like that.” After the group finished and the crowd finally settled down, the MC came up and said “Whether you know it or not, that was rock ‘n’ roll.” That night they played at a post-concert party for festival performers and went to a recording session of the newly electrified Bob Dylan. Shortly after appearing at Newport, the group released its debut album, People Get Ready.]

11:45:43 – Gospel & Folk Music Carried the Message.

The closing set starts with the late Pete Seeger singing a gospel song by Reverend Charles Tindley he adapted and made famous, followed by Sarah Lee Guthrie, the granddaughter of Woody Guthrie, with Johnny Irion, singing a song called “Dr. King” written by Pete Seeger. We end with a song written by Woody Guthrie performed by the great Sharon Jones and The Dap Kings. Call it from Folk to Funky.

Keep The Dream Alive! We Shall Overcome!

26. Pete Seeger – “We Shall Overcome”
from: The Essential Pete Seeger / Columbia – Legacy / 2004
[Derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

27. Sarah Lee Guthrie & Johnny Irion – “Dr. King”
from: exploration / New West / 2005 [written by Pete Seeger]
[Sarah Lee Guthrie was born February 17, 1979 and Johnny Irion was born February 3, 1969. They are a musical duo. Guthrie and Irion were married on October 16, 1999 and began performing together as an acoustic duo in the fall of 2000. Their music combined Irion’s love of rock and blues with Guthrie’s roots of folk and country. Guthrie is the youngest daughter of folksinger Arlo Guthrie and the granddaughter of Woody Guthrie. As a third generation singer/songwriter Guthrie released her first self-titled album on the family owned and operated Rising Son Records in 2002. As a child she was involved in theater and dance. Her interest in music was sparked when she worked as her father’s road manager on the 1997 Further Festival tour and saw other members of the tour group having fun at late-night hootenannies. She picked up an acoustic guitar and started playing as a way to join in on the fun. “I always wrote poems, so it wasn’t that far off for me to turn that into songs.” “My dad was absolutely thrilled, of course, and would teach me stuff every day when we were on the road together. That was a really cool way to get to know my dad, because I’d never known him that way. And that’s another thing that made it easy: my dad was so supportive.” Sarah Lee Guthrie & Johnny Irion performing live for Valentine’s Day 2008 at Tales From The Tavern at The Maverick Saloon in Santa Ynez, CA. Irion originates from a family of artists. His uncle is author Thomas Steinbeck, his great uncle is author John Steinbeck, and his grandmother, Rubilee Knight, is a classical violinist. His late grandfather, Fred Knight, sang tenor in numerous venues. Irion and Guthrie met through a mutual friend (Chris Robinson of the Black Crowes) while the two were working together in Los Angeles. In 1999 Guthrie and Irion joined guitarist Tao Rodríguez-Seeger, grandson of Pete Seeger, and performed as a trio under the name RIG.]

28. Sharon Jones & The Dap-Kings – “This Land is Your Land”
from: Naturally / Daptone / 2005
[written by Woody Guthrie, Sarah Lee’s Grandfather.]
[In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

29. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on January 22 we talk with Hadiza., Les Ismore, and Scott Hobart, plus we have a whole lot of NeW & MidCoastal Releases from Pedaljets, Una Walkenhorst, and more!

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #820

WMM Playlist from March 13, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 13, 2019

WMM’s 777th Show!
New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Emily King – “Remind Me”
from: Scenery / ATO Records / February 1, 2019
[We fIrst played Emily King on June 29, 2016 when our friend Krystle Warren was Guest Producer and played the song “Georgia” from King’s 2011 EP Seven. She is an American singer and songwriter. She started her career in 2004 and her debut album East Side Story was released three years later in August 2007. In December 2007, King was listed as a Grammy nominee for Best Contemporary R&B Album. Born July 10, 1985, in NYC in 1985, King grew up in a small apartment on the Lower East Side. Her parents, Marion Cowings and Kim Kalesti, were a singing duo who performed and traveled regularly bringing her and her older brother along with them. At age 16, King left high school after earning her GED to pursue her music career. She began playing shows in restaurants and venues around New York City including CBGB and The Bitter End. King signed her first record deal with J Records in 2004 and was featured on Nas’ 2004 album Street’s Disciple credited as simply “Emily”. Her debut album East Side Story was released 3 years later in August 2007. It went on to earn a Grammy nomination for “Best Contemporary R&B Album of the Year.” During that time King toured with John Legend & Floetry. She opened for various artists such as Nas, Alicia Keys, Chaka Khan & Erykah Badu. After parting ways with her label in 2008, King continued independently. She self-recorded her follow-up EP Seven in her home, released July 2011. In October 2011, she accepted an invite from Maroon 5 to open on their European/Scandinavian tour. In 2012, King was awarded the Holly Prize (a tribute to the legacy of Buddy Holly) from The Songwriters Hall of Fame for recognition of the “all-in songwriter” whose work exhibits the qualities of Holly’s music: true, great and original. King was invited by Emeli Sande to open for her UK tour playing sold out shows in 5 cities including The Royal Albert Hall in London. King collaborated with José James on his album No Beginning No End in 2013 and can be heard on tracks Heaven on the Ground and the acoustic version of Come to My Door. In 2014, King was performing as an opening act for Sara Bareilles’ Little Black Dress tour. The year 2015 marked the release of King’s 2nd studio album, The Switch, Emily self-released on her label Making Music Records on June 26. The Wall Street Journal remarked that the album is “a tasteful collection of 11 songs that showcase King’s distinctive voice.” After signing with the ATO Records in 2017, King became label mates with Brittany Howard, Benjamin Booker & Brandi Carlile. More info at: http://www.emilykingmusic.com]

3. Kevin Morby – “No Halo”
from: Oh My God / Dead Oceans / April 29, 2019
[5th release from Kevin Robert Morby born April 2, 1988. follow up to his 2017 release City Music. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River. His 2nd album Still Life was released in 2014. His album Singing Saw was in WMM’s The 116 Best Recordings of 2016. His album City Music was in WMM’s The 118 Best Recordings of 2018]

4. Ebony Tusks – “Everybody Run feat. Jamaal Rashad, Morri$)”
from: Midas – EP / Team Bear Club / June 2011
[Debut 3-track EP released by the band. Ebony Tusks is a hip hop project from Lawrence KS, formed in 2010 by Nathan Giesecke, Martinez Hillard (of Cowboy Indian Bear), and Daniel B. Smith. Inspired by series of nightmares after a string of real-life armed robberies in which he was the victim, Martinez Hillard (EBONY TUSKS) began writing and composing material alongside MORRI$ & TOM RICHMAN, both members of BEAR CLUB’s rapidly ascending group of producers, to create what would become the music for MIDAS. Narrative-driven, rhythmically diverse and over all too soon.]

[Ebony Tusks play The Bottleneck, 737 New Hampshire St, Lawrence, KS Saturday March 16, at 7:00 PM with special guests: V.I.S.I.T.O.R., Flock of Pigs, and Drifter.]

5. Helado Negro – “Running”
from: This Is How You Smile / RVNG Intl./ March 8, 2019
[6th album from Roberto Carlos Lange, better known by his stage name Helado Negro, is an American musician. He was formerly signed to Asthmatic Kitty Records from 2009 to 2016. Helado is now currently signed to and released his latest album through RVNG Intl., a Brooklyn-based music institution. Helado grew up in Miami, Florida where he spent his teenage years searching for his identity in the cultural melting pot of south Florida. He immersed himself in the hip-hop and electronic music scenes, where he learned to be an artist by playing out shows to small audiences. Helado released his first full-length album in 2009 titled Awe Owe. In 2010, Helado released an EP titled Pasajero. Helado released his second full-length album in 2011 titled Canta Lechuza. In 2012, Helado released the first of a three part EP, titled Island Universe Story – One. Helado released his third full-length album in 2013 titled Invisible Life. Helado released the second Island Universe Story EP in 2013. In 2014, Helado released his fourth full-length album titled Double Youth. The third EP in Helado’s three-part Island Universe Story series was released in 2014. In 2015, Helado released the single “Young, Latin and Proud” along with an animated-visual and lyric video. Lange describes the song as “It was as if I was singing my 6-year-old self a lullaby… It’s about feeling a sense of pride and self-confidence, understanding that you’re born into something and it’s alright to feel good about it. Stereotypes and contradictions are built into identity and I think those are a strong current in both Latino and black identity in the U.S. today.” In 2016, Helado released his fifth full-length album titled Private Energy.]

6. Our Native Daughters – “Black Myself”
from: Songs of Our Native Daughters / Smithsonian Folkways Recordings / February 22, 2019
[Our native Daughters is: Rhiannon Giddens, Leyla McCalla, Amythyst Kiah & Allison Russell (of Birds of Chicago). This song features all of their voices. Songs of Our Native Daughters’ gathers together kindred musicians in song and sisterhood to communicate with their forebears. Drawing on and reclaiming early minstrelsy and banjo music, these musicians reclaim, recast, and spotlight the often unheard and untold history of their ancestors, whose stories remain vital and alive today. The material on ‘Songs of Our Native Daughters’ — written and sung in various combinations — is inspired by New World slave narratives, discrimination and how it has shaped our American experience, as well as musicians such as Haitian troubadour Althiery Dorval and Mississippi Hill Country string player Sid Hemphill, and more. Rhiannon Giddens is the co-founder of the Grammy Award-winning string band Carolina Chocolate Drops, was awarded a 2017 MacArthur “Genius” Fellowship and won the 2016 Steve Martin Prize for Excellence in Bluegrass and Banjo. She has performed for President Barack Obama, appeared on The Late Show, Austin City Limits, CBS Sunday Morning, and has played a recurring role on the television drama Nashville in the role of Hallie Jordan, a young social worker with “the voice of an angel.” For her project with Our Native Daughters, Giddens brought together three other black female roots artists. “Gathering a group of fellow black female artists who had and have a lot to say, made it both highly collaborative and deeply personal to me,” she explains. “It felt like there were things we had been waiting to say our whole lives in our art; and to be able to say them in the presence of our sisters-in-song was sweet, indeed.” Their debut recording, Songs of Our Native Daughters, is a stunning thirteen-track album. Produced by Rhiannon Giddens and Dirk Powell. Engineered and mixed by Dirk Powell. Recorded at Cypress House Studio, Breaux Bridge, LA. Mastered by Emily Lazar at The Lodge NY. Assisted by Chris Allgood. Annotated by Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, Allison Russell, and Dirk Powell.]

7. Deerhunter – “Death in Midsummer”
from: Why Hasn’t Everything Already Disappeared? / 4AD / January 18, 2019
[8th studio album by the American indie rock band Deerhunter. The album was co-produced by singer-songwriter Cate Le Bon, Ben H. Allen (who had previously worked with the band on Halcyon Digest and Fading Frontier), Ben Etter (who worked as a studio assistant on Fading Frontier) and the band itself. The first single, “Death in Midsummer”, was released on October 30, 2018. The same day, a world tour in support of the album was announced, starting in November 4, 2018. The second single from the album, “Element”, was released on December 6, 2018. The album leaked on December 12, 2018. Deerhunter is an American rock band from Atlanta, Georgia, formed in 2001. The band consists of Bradford Cox (vocals, guitar, keyboards), Moses Archuleta (drums, electronics, sound treatments), Lockett Pundt (guitar, vocals, keyboards), Josh McKay (bass) and Javier Morales (keyboards, synthesizers, alto saxophone). Founded by Cox and Archuleta, Deerhunter’s first stable line-up included guitarist Colin Mee and bass guitarist Justin Bosworth. After recording a split EP with Alphabets, Bosworth died of head injuries, suffered during a skateboarding accident. The band recorded their first studio album, Turn It Up Faggot (2005), with Josh Fauver occupying the vacant role of bass guitarist. Following the album’s release, Cox asked childhood friend, Lockett Pundt, to join.

10:29 – Underwriting

8. FEELS – “Awful Need”
from Post Earth / Wichita Recordings / February 22, 2019
[East Los Angeles and made up of: Laena Geronimo on vocals & guitar, Shannon Lay on vocals & guitar, Amy Allen on vocals & bass, and Michael Perry Rudes on drums. Recorded and Mixed by Tim Green at Louder Studios in Grass Valley, CA except for; lead vocals on “Find A Way” and “Last Chance” recorded by Dante White Aliano at The Cone, “Sour” lead vocals and crowd noise recorded, effected and arranged by Laena Geronimo with additional vocal effects by Dante White-Aliano. Mastered by Howie Weinberg.]

9. Citizen Cope – “Justice”
from Heroin and Helicopters / RainWater Recordings / March 1, 2019
[7th album from Clarence Greenwood (born May 20, 1968), also known by his stage name, Citizen Cope. He, is an American songwriter, producer and performer. His music is commonly described as a mix of blues, soul, folk, and rock. Citizen Cope’s compositions have been recorded by artists as varied as Carlos Santana, Dido, Pharoahe Monch and Richie Havens. He currently records and produces for his own record label, Rainwater Recordings, which he founded in 2010 after deciding not to work with major labels any longer. He had previously been signed to Capitol, Arista, DreamWorks and RCA. On March 1, 2019, he released his first album in six years, Heroin and Helicopters, on his own label, RainWater Recordings. Billboard magazine called Heroin and Helicopters “Personal and poignant.”]

[Citizen Cope plays The Truman, 601 East Truman Road, KCMO, Tonight, March 13, at 8:00 PM.]

10. The Dear Misses – “Kansas City”
from: Kansas City – Single / The Dear Misses / February 25, 2019
[Kansas City based 4-piece band made up of: Todd Anderson on lead vocals & rhythm guitar, Cody Stapleton on lead guitar & backing vocals, Bret Collins on drums, and Shane Berggren on bass. The band is currently in the studio recording songs for their upcoming release. More information at: http://www.reverbnation.com/thedearmisses%5D%5B

11. Kris Kristofferson & Brandi Carlile – “A Case of You (Live)”
from: Joni 75: A Joni Mitchell Birthday Celebration (Live) / Decca / March 8, 2019
[A Joni Mitchell tribute album, celebrating her 75th birthday, features live renditions of the singer’s songs by Brandi Carlile, Norah Jones, Chaka Khan, James Taylor and many others. The record contains a recording of a tribute concert that was held in her honor in Los Angeles last November. The concert was additionally broadcast in movie theaters on February 7th. Percussionist Brian Blade, who made three studio albums and toured with Mitchell, served as the evening’s co-musical director alongside producer and arranger Jon Cowherd. The evening was presented by the Music Center, a non-profit organization that tries to bring artists and communities together with an eye toward enriching the lives of people living in Los Angeles County. “By honoring Joni Mitchell, an amazing iconic artist, the Music Center had an incredible opportunity to bring her music to Los Angeles audiences,” the organization’s president and CEO, Rachel Moore, said in a statement. “Now that experience can be enjoyed by many more Joni Mitchell fans with an album that allows other music legends to shine a light on her artistry.” Rolling Stone reviewed the concert and called it a “moving tribute show.” “The unifying effect of Mitchell’s music rang out with a closing group singalong to ‘Big Yellow Taxi,’ one of the more ebullient standouts from her oeuvre,” the review reads. “The billed artists stood side by side … and belted the number, a bright rumination on the harrowing effects that man has on society. They each delivered solos, then bowed in unison, as a portrait of Mitchell loomed in the background, a fitting homage to an icon whose presence is still felt, even in her absence.”Mitchell herself, who has been battling health issues, did not take the stage at the event. Joni 75: A Birthday Celebration track list: 1. “Dreamland” – Los Lobos with La Marisoul, Xochi Flores and Cesar Castro / 2. “Help Me” – Chaka Khan / 3. “Amelia” – Diana Krall / 4. “All I Want” – Rufus Wainwright / 5. “Coyote” – Glen Hansard / 6. “River” – James Taylor / 7. “Both Sides Now” – Seal / 8. “Our House” – Graham Nash / 9. “A Case of You” – Kris Kristofferson and Brandi Carlile / 10. “Down to You” – Brandi Carlile / 11. “Blue” – Rufus Wainwright / 12. “Court And Spark” – Norah Jones / 13. “Nothing Can Be Done” – Los Lobos with La Marisoul, Xochi Flores and Cesar Castro / 14. “The Magdalene Laundries” – Emmylou Harris / 15. “Woodstock” – James Taylor / 16. “Big Yellow Taxi” – La Marisoul, James Taylor, Chaka Khan and Brandi Carlile.]

12. Violet and The Undercurrents – “Inconvenient Friend”
from: The Captain / Violet Vonder Haar Music / March 1, 2019
[The band’s new 10-song album called The Captain, was inspired by lead singer and songwriter Violet Vonder Haar’s father, a riverboat captain who introduced her to the music of folk legends and encouraged her journey as an artist. This Columbia, Missouri based 4-piece band is made up of Violet Vonder Haar on lead vocals & guitar; Linda Bott on bass guitar; Phylshawn Johnson on drums, and Lizzy Weiland on lead guitar. The quartet is anchored by the intrepid songwriting of Violet Vonder Haar and enriched by the creative energy of her musical counterparts. Raised in a small town at the edge of the Missouri River and nurtured by a thriving folk music-centered community, Vonder Haar started honing her craft as a songwriter, performer and vocalist at an early age. She More information at: http://www.violetandtheundercurrents.com]

[Violet and the Undercurrents are playing an album release at Midcoast Takeover Thursday, March 14 at 4:30 PM at the Shangri La, 016 E 6th St, Austin, Texas.]

13. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

[Carswell & Hope play Replay Lounge, 946 Massachusetts Street, Lawrence, KS, Sunday, March 17, St. Patrick’s Day, 3:40 PM in a day long line up that include Nicolas St. James, The Brody Buster Band, Whiskey For The Lady, Signal Ridge, Midnight Kick, Rolling Foliage and Tyler Gregory.]

[Carswell & Hope play Frank’s North Star Tavern, 508 Locust St, Lawrence, KS, Sunday, March 17, St. Patrick’s Day, 7:00 to 10:00 PM]

11:00 – Station ID

14. Radkey – “P.A.W.”
from: No Strange Cats…P.A.W. / The Century Family / February 22, 2019
[This new 7 song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018 to talk about their performance at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band went back on the road playing shows with The Damned throughout the United States. In December they went back into the studio to record songs for this release with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. Last year the band released “Basement” , “St. Elwood” “Rock & Roll Homeschool” as well as several other singles.]

15. The Sluts – “It’s Ok to Fake It”
from: Break Their Heart / The Sluts / February 12, 2019
[New 6 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO]

[The Sluts play recordBar, 1520 Grand Boulevard, KCMO, on Friday, April 5, 2019 at 9:30 PM with Brandon Phillips and The Condition and Dead Voices.]

16. Deco Auto – “Goals”
from: Goals – Single / Deco Auto / February 21, 2017
[Most recent new music from Kansas City based alternative pop-punk / power-pop trio. Guitar/vocals: Steven Garcia on guitar and lead vocals, Tracy Flowers on bass & vocals, and Pat Tomek on drums . Written by Steven Garcia, $tudent Loans For Life Music (ASCAP). Recorded, mixed and mastered by Pat Tomek at Largely Studios, Kansas City, MO. The band is currently working on a new album to be released this year.]

[Deco Auto plays St. Patrick’s Eve, Saturday, March 16, at 10:00 PM at The Brick, 1727 McGee St, KCMO with Scruffy and the Janitors.]

17. Y La Bamba – “Mujeres (Album Version)”
from: Mujeres / Tender Loving Empire / February 8, 2019
[Mujeres is “Woman Island” in the Gulf of Mexico. Y La Bamba has been many things, but at the heart of it is singer-songwriter Luz Elena Mendoza’s inquisitive sense of self. Their fifth record, Mujeres, carries on the Portland-based band’s affinity for spiritual contemplation, but goes a step further in telling a story with a full emotional spectrum. Coming off Ojos Del Sol, one of NPR’s Top 50 Albums of 2016, Mujeres exhibits the scope of Mendoza’s artistic voice like never before. “Soy como soy,” Mendoza says, and that declaration is the bold— even political— statement that positions Mujeres to be Y La Bamba’s most unbridled offering yet.]

18. Pedro The Lion – “Circle K”
from: Phoenix / Polyvinyl Recording Company / January 18, 2019
[Pedro the Lion is an indie rock band from Seattle, Washington. David Bazan formed the band in 1995 and represented its main creative force, backed by a varying rotation of collaborating musicians. In 2006 Pedro the Lion was dissolved as Bazan went solo; Bazan reformed the band and resumed performing under the Pedro the Lion moniker in late 2017. Releasing five full-length albums and five EPs over 11 years, the band is known for its first person narrative lyrics with political and religious themes. Pedro the Lion was formed by David Bazan in 1995. In 1997 they released their debut EP Whole with Bazan playing nearly every instrument, a format he continued on the band’s first two full-length albums, It’s Hard to Find a Friend (1998), and Winners Never Quit (2000).]

[Pedro The Lion plays recordBar, 1520 Grand, KCMO, on Wednesday, May 1, at 9:00 PM with John Vanderslice.]

19. Sugo Day – “Charm (radio edit)”
from: Charm – Single / Sugo Day / February 14, 2019
[Sugo Day is the solo side project of Nicholas Turner who we first met when he played in the Kansas City band Riala. Nicholas moved away from his hometown and is now based in Minneapolis and has released several singles. On March 6, 2018 Sugo released a 7-song EP called “Lush.” Nicholas told us that “Charm” is “a celebration of self in a sense—I find there is a lot of self defeating music that is really popular right now so i wanted to captured me playing shows on the west coast as a solo artist which is what the chorus is about a motivational tune with a subversive sense of vulnerability in the middle verse.”]

20. Lomelda – “M for Mush”
from: M for Empathy / Double Double Whammy / March 1, 2019
[Lomelda is the stage name of musician Hannah Read. According to Read, Lomelda is a made up word that means “echo of the stars”. Hannah Read was raised in Silsbee, Texas. She began her music career playing in bands with her brother as well as her high school friends. Read’s first full-length album, Forever, was released in 2015. In 2017, Read released her second full-length album, Thx, with the independent record label Double Double Whammy. The album was co-produced with the assistance of Read’s brother, Tommy. It was primarily written over a few months while Read was sleeping in her car.]

21. Solange – “Dreams”
from: When I Get Home / Columbia Records / March 1, 2019
[4th studio album from singer and songwriter Solange, and follow up to her breakthrough record, A Seat at the Table released on September 30, 2016,. Following the release of her second studio album Sol-Angel and the Hadley St. Dreams (2008), Knowles began work on her third studio album, during which she suffered a “breakdown” due to the amount of time and emotion she was putting into the recording process. While recording the album Knowles released an EP entitled True (2012) and launched her own record label named Saint Records. A Seat at the Table became Solange’s first number-one album on the Billboard 200 in the United States.]

11:31 – Underwriting

13. Shay Estes & Trio All – “Little Drop Of Poison”
from: Despite Your Destination / Independent / December 3, 2009
[Shay Estes with Trio All an acronym for: Zack Albetta on drums, Mark Lowrey on piano, and Ben Leifer on Bass. The debut album–a collection of songs drawn from a wide range of eras and composers, all given fresh, unique arrangements. Before turning to jazz, vocalist Shay Estes performed with a rock band, a Western-surf band, and a burlesque troupe. In recent years, Estes has collaborated with Brad Cox’s People’s Liberation Big Band and Mark Southerland’s “Urban Noise Camp.” “Despite Your Destination” includes standards by Irving Berlin, and George and Ira Gershwin, as well as reworked versions of contemporary songs, like Tom Waits’ “Little Drop of Poison.”]

14. Hot Club of Cowtown – “This Wheel’s on Fire”
from: Crossing the Great Divide / Hot Club Productions / January 11, 2019
[16th release from The Hot Club of Cowtown, an American hot jazz and Western swing trio that formed in 1997. The band’s name comes from two sources: “Hot Club” from the hot jazz guitarist Django Reinhardt and violinist Stephane Grappelli’s Quintette du Hot Club de France, and “Cowtown” from the western influence of Bob Wills and His Texas Playboys and the band’s love of fiddle tunes, hoedowns, and songs of the American west. The band was formed Whit Smith from Cape Cod, Massachusetts and Elana James from Prairie Village, Kansas. The two met through an ad in the classified music section of The Village Voice in 1994. They played together in New York City before moving to San Diego in 1997, where they spent a year playing for tips and building up their repertoire. In 1998 they moved to Austin, Texas and two years later added Jake Erwin from Tulsa, Oklahoma on bass. The band split briefly in 2005, though they reunited for occasional shows in 2005–07, including the Fuji Rock Festival and a tour of Australia as Elana James & The Hot Club of Cowtown, in 2007. Whit Smith performed as Whit Smith’s Hot Jazz Caravan, based in Austin, Texas. Elana toured with Bob Dylan in 2005. Changing her last name to James, Elana began performing with her own trio in late 2005. Smith and James resumed playing together full-time in 2006. By early 2008 the Hot Club of Cowtown had officially re-formed. “Crossing The Great Divide” is a tribute to The Band. “This Wheel’s on Fire” is a song written by Bob Dylan and Rick Danko. It was originally recorded by Dylan and the Band during their 1967 sessions, portions of which (including this song) comprised the 1975 album, The Basement Tapes. The Band’s own version appeared on their 1968 album, Music from Big Pink. Live versions by the Band appear on their 1972 live double album Rock of Ages, as well as the more complete four-CD-DVD version of that concert, Live at the Academy of Music 1971, and the 2002 Box Set of The Last Waltz (the song did not make it into the movie or the original soundtrack album). In 1968, a version by Julie Driscoll with Brian Auger and the Trinity became a hit in the United Kingdom, peaking at number 5 on the UK Singles Chart (see 1968 in music) and also reaching number 106 on the U.S. Bubbling Under Hot 100 Singles chart. With its use of distortion, phasing, the evocative imagery of the song’s title and the group’s flamboyant dress, this version is closely associated with the psychedelic era in British music. The arrangement featured prominent use of both Hammond organ and mellotron. Driscoll recorded the song again in the early 1990s with Adrian Edmondson as the theme to the BBC comedy series Absolutely Fabulous, whose main characters are throwbacks to that era. Australian singer Kylie Minogue released a cover of the track as the official theme song for 2016’s Absolutely Fabulous: The Movie. The Byrds released a recording of “This Wheel’s on Fire” on their 1969 album, Dr. Byrds & Mr. Hyde, and live versions of the song are also included on the Byrds’ Live at the Fillmore – February 1969 album and the expanded CD reissue of their (Untitled) album. In 1987, the song was covered by the British rock band Siouxsie and the Banshees for their all-covers album, Through the Looking Glass. Released as the first single from that album, Siouxsie and the Banshees’ version climbed to number 14 on the UK singles chart. The band did not know the song had been composed by Dylan before recording it: they covered it because they liked Driscoll’s version. Australian pop, rock group, Flake, had a top 20 hit on the Go-Set National Top 60 with their rendition in July 1970, which remained in the charts for 22 weeks. Other artists who have released their own versions of the song include: Hamilton Camp, Phil Lesh, Golden Earring, Elvis Costello, the Hollies, Ian and Sylvia, Les Fradkin, Leslie West, Serena Ryder, Charlie Winston, June Tabor, Guster and Rat Scabies.]

Black Stacey

24. Black Stacey – “Lose The Peace”
from: Lose The Peace – Single (unmastered) / Sharaden Staten / To Be Released This Spring
[Black Stacey is Sharaden Staten, a Missouri native, who release his album “Electric Church” in 2017. Part of WMM’s The 117 Best Recordings of 2017. Sharaden, a 27-year-old, having grown up in the back woods of central Missouri, and couch surfed his way into the KC metro, pairs subtle notes of R&B, funk, soul, and rock; dramatically blending it into a raw eclectic mix. In 2015 Sharaden began writing, recording and producing Black Stacey’s debut, “Electric Chariot”. A project that has given him a solid foundation in the KC music scene, gaining him spots on local radio and the opportunity to work with producer Joel Nanos (Madisen Ward and The Mama Bear, Radkey, Sly/Robbie & the Taxi Gang). More info at http://www.blackstacey.com.]

[Black Stacey plays SoundMachine KC, on Tuesday, March 19, at 9:00 PM at miniBar, 810 Broadway Rd, KCMO, with Stuyedeyed, and Stone Grower.]

25. Rachel Mallin – “Noise of The Night”
from: The Persistence of Vision EP / Independence / September 12, 2014
[Rachel Mallin is from Kansas City, MO. At the age of 19 she released her self produced 4-song, EP The Persistence of Vision. The songs were written and created by Rachel in her mother’s basement during the summer of 2014, and recorded, mixed, and produced by Rachel Mallin in September. “Listener’s are immersed into Rachel’s writing and production as each song musically transcends the discord of human emotion into a harmonious wave of expression.” Co-mixed by Michael Kessler. Mastered by William Reeves at Centro Cellar Studio. In less than a year following her four-track EP’s release, her songs “Razorback” and “Noise of the Night” were broadcast on radio stations in Kansas City and nationally. In 2015 Rachel formed a band called The Wild Type. Rachel Mallin & The Wild Type also revealed a new song: “Something Wicked” on the on the new compilation series How To Keep Dreaming from The Record Machine released September 10, 2015. http://www.HowToKeepDreaming.com. On July 30, 2016 Rachel Mallin & The Wild Type – released their debut EP as a band, Degenerate Matters with: Rachel Mallin on lead vocals & guitar, Justin Walker on bass, Austin Edmisten on drums & back-up vocals, Jesse Bartmess on synthesizers & keyboards, Matt Kosinski on lead guitar. Degenerate Matters was recorded, produced, and mastered by Joel Nanos at Element Recording Studios. Musical Arrangements written and performed by Rachel Mallin, Justin Walker, Austin Edmisten, Jesse Bartmess, & Matt Kosinski. Lyrics by Rachel Mallin.]

[Rachel Mallin and the Wild Type play 100 Days A Tribute to the life of Mills Record Company and Judy Mills beloved shop dog Loretta Lynn, on the 100th day after her passing, Tonight, Wednesday, March 13 at 6:00 PM at Mills Record Company, 4045 Broadway Blvd KCMO with Dylan Pyles, and Westside Royal. This will also be a fundraiser for the shelter where Loretta was rescued (SEK Humane Society). More info at http://www.millsrecordcompany.com ]

26. Varma Cross – “Stairjumper”
from: Varma Cross / Varma Cross / February 18, 2019
[Debut album from Varma Cross with: Sam Boatright, Bryce Boley, Bradley McKellip , and Kelsey Richardson. Recorded and mixed by Duane Trower at Weights and Measures. Mastered by Carl Saff.]

[Varma Cross play Replay Lounge 946 Massachusetts St, Lawrence, KS, Saturday, March 16, i a Matinee from 6:00 to 9:00 PM with F I N K E L [LA], and Wonderfuzz.]

27. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on March 20 Patrick Alonzo Conway joins us to share details about the upcoming Kansas City Gamelan Genta Gasturi concert. Plus, musician Mike Alexander joins us to share new music from Hip Shot Killer.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #777

Wednesday MidDay Medley plays New & MidCoastal Releases

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 13, 2019

WMM’s 777th Show!
New & MidCoastal Releases

Wednesday MidDay Medley celebrates our 777th show with two hours of New & MidCoastal Releases from: Kevin Morby, The Dear Misses, Violet and the Undercurrents, Radkey, The Sluts, Black Stacey, Varma Cross, Sugo Day, Hot Club of Cowtown, Shay Estes, Carswell & Hope, Ebony Tusks, Deco Auto, Rachel Mallin, Emily King, Helado Negro, Y La Bamba, Pedro the Lion, Lomelda, Solange, Deerhunter, FEELS, Citizen Cope, Adia Victoria, Our Native Daughters: (Rhiannon Giddens, Leyla McCalla, Amythyst Kiah & Allison Russell), and Kris Kristofferson & Brandi Carlile.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #777

WMM Playlist from Jan. 2, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 2, 2019

Wednesday MidDay Medley Celebrates Iris DeMent

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Greg Brown – “Let The Mystery Be”
from: Freak Flag / Yep Roc / May 10, 2011
[Iris Dement’s song “Let The Mystery Be” from her debut Infamous Angel, from 1992. This song was covered by David Bryne, 10,000 Maniacs, Bun E. Carlos, and many others, it also became the theme song for the 2nd season of The Leftovers.While Greg Brown was recording this album, lighting hit the studio where Greg Brown he was recording songs for his 24th album: Freak Flag, the title track was all that remained of the lost original album. Greg wrote ten new songs, recording them at Memphis, Tennessee’s legendary Ardent Studios. Produced by Bo Ramsey, the album also includes a cover of Pieta Brown’s song ”Remember the Sun.”]

Thanks for tuning into WMM, here on 90.1 FM KKFI – Kansas City Community Radio, 
I’m Mark Manning. Today we celebrate the birthday of Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. At the age of 3, her devoutly religious family moved to California, where she grew up singing gospel music. During her teenage years, Iris was exposed to country, folk, & R&B, drawing influence from Loretta Lynn, Johnny Cash, Bob Dylan, & Joni Mitchell.

Iris moved to the midwest, and after a series of jobs as a waitress and typist she wrote her first song at the age of 25. She moved to Kansas City and played Harling’s Upstairs and open-mic nights alongside Scott Hrabko and Howard Iceberg. Iris met producer Jim Rooney in Nashville, in 1988, who helped her land a record contract.

Iris Dement made her recording debut in 1992, with her independently produced album, “Infamous Angel.” The record won critical acclaim and John Prine mentioned Iris in his list of favorite recordings of the year published in Rolling Stone. Despite a complete lack of support from country radio, the word of mouth praise for Iris DeMent’s “Infamous Angel” earned her a deal with Warner Bros Records, which reissued “Infamous Angel” in 1993. The album also included the song, “Let The Mystery Be” a composition that has also been covered by David Bryne, 10,000 Maniacs, Bun E. Carlos of Cheap Trick, Greg Brown, and it was the theme song for the second season of HBO’s The Leftovers.

Today we feature music from Iris DeMent’s six full length albums, her vast collaborative studio work with artists such as: Greg Brown, John Prine, Nancy Griffith, Emmylou Harris, Tom Russell, Steve Earle, and Kansas City’s own, Gary Kirkland.

And we’ll also feature music from Iris DeMent’s inspirations: Loretta Lynn, Johnny Cash, Joni Mitchell, Merle Haggard and Bob Dylan.

Please stay with us.

Full disclosure, I love Iris DeMent. I’ve seen her live in concert over 8 times. I met Iris DeMent when I was working at Kinkos at 39th & Rainbow in 1992. Iris came in to copy press clippings, she was in the process of releasing her debut album. I wasn’t familiar with her music until I saw her on Late Night with Conan O’Brien in 1995, where she performed her song, “My Life.” I was blown away. I had video-taped the show, and I would replay that song for everyone that came to visit. I wanted everyone to know about Iris DeMent.

I ran into Iris at Classic Cup in Westport. By this point I had become a big fan of her music and I was sort of star stuck, but she approached me and asked, “How do I know you?” Our friendship was able to continue because we shared a mutual friend named Anne Winter, who invited me to a holiday party in Iris Dement’s River Market condo where we sang old fashioned hymns, with members of The Wilders. Anne Winter had become a close friend of Iris and even went out “on the road” with her at one point. Because of Anne, I stage managed a show at the Uptown Theatre with Michael Moore, Iris deMent and the Wilders all performing. Anne Winter also helped arranged for Iris to play one of our Big Bang Buffet shows in 1999 at The Hobbs Building. In 2002 Iris agreed to do a benefit show for Friends of Community Radio. At this point she was living in Coleman Heights in Kansas City and invited Linda Wilson and I to a home cooked meal at her house, to talk aver the details of the show. In 2004 Iris and Greg Brown performed together in a show with Amy Goodman of “Democracy Now!” to raise over $10,000.00 for KKFI. Iris never took a penny from any of these shows, and has always been such a generous supporter of 90.1 FM. She recognized as a singer songwriter how important community radio is for independent artists like herself, and she has always given back, to help keep this radio station alive. Because of Iris DeMent’s generosity, and in honor of our dear friend Anne Winter, who we lost in 2009, I vowed to pay tribute to Iris on her birthday, each year, with this radio show.

Influences of Iris DeMent

3. Loretta Lynn & Jack White – “Portland Oregon”
from: Van Lear Rose / Interscope / 2004 [produced by Jack White of The White Stripes and Racontuers. It was initially intended as a musical experiment, blending the styles of country singer-songwriter Lynn and producer White, who performs on the whole album as a musician. At the time, Lynn was 69 and White was 28. The title refers to Lynn’s origins as the daughter of a miner working the Van Lear coal mines. The album was the most successful crossover music album of Lynn’s 45-year career. At the 2005 Grammy Awards, Lynn won: Best Country Album and Best Country Collaboration with Vocals for her duet with White.]

4. Johnny Cash & Joni Mitchell – “Girl From North Country”
from: The Best of The Johnny Cash TV Show / Columbia Legacy / 2007
[a TV music variety show that ran for 58-episodes from June 7, 1969 to March 31, 1971 on ABC. It featured many folk/country musicians of the time: Joni Mitchell, Bob Dylan, Linda Ronstadt, Kris Kristofferson, Neil Young, Gordon Lightfoot, Merle Haggard, James Taylor and Tammy Wynette. It also featured other musicians such as jazz great, Louis Armstrong, who died 8 months after recording the show. Recorded at Nashville’s Ryman Auditorium, then home of the Grand Ole Opry. The first show featured Joni Mitchell, Cajun fiddler Doug Kershaw, Fannie Flagg and Bob Dylan. The show included a “Country Gold” segment that featured legends never seen on network TV such as Bill Monroe & his Blue Grass Boys. Cash refused to cut the word “stoned” from Kris Kristofferson’s “Sunday Morning Coming Down”, he stood by his Christian faith “despite network anxieties”, and persisted in bringing on Pete Seeger whose anti-Vietnam song on another network had “caused a firestorm.” He premiered his Man in Black song on an episode filmed at Nashville’s Vanderbilt University’s campus. The show was dumped in 1971 as part of ABC’s so-called “rural purge,” which also claimed that network’s The Lawrence Welk Show.]

5. John Prine w/ Iris Dement – “We’re Not The Jet Set”
from: In Spite Of Ourselves / Oh Boy / 1999
[In 1968 country superstar George Jones witnessed a fight between Tammy Wynette and her husband Don Chapel. At Jones’s urging, Wynette and her daughters drove away with him. Wynette and Jones married Feb. 16, 1969, and Wynette’s 4th daughter, Georgette, was born in 1970. Jones and Wynette, were nicknamed the “President and First Lady” of country music, and they recorded a string of hit duets that seemed drawn directly from their volatile relationship, which resulted in their divorcing in 1975. Their classic recordings included “Two Story House,” “Golden Ring,” and the humorous “(We’re Not) The Jet Set.” ]

6. Loretta Lynn – “You Ain’t Woman Enough To Take My Man”
from: Legends of Country Music / Columbis Legacy / 1997
[Live performance for Austin City Limits taped in 1983. Loretta Webb was the second of 8 children; grew up in Butcher Holler, a section of Van Lear, a mining community in Kentucky. Growing up with such humble roots had a huge effect on Lynn’s life and heavily influenced her music as an adult. Her autobiography describes how, during her childhood, the community had no motor vehicles, paved roads, or flush toilets. She married Oliver Vanetta Lynn, known as “Doo,” on Jan. 10, 1948, at age 13. In an effort to break free of the coal mining industry, at 14, Lynn moved to the logging community Custer, Washington, with her husband. The Lynns had 4 children – Betty Sue, Jack Benny, Cissy and Ernest Ray – by the time Loretta was 18, and in her early 20s she then had twin girls, Peggy & Patsy. No stranger to controversy, Loretta Lynn possibly had more banned songs than any other country music artist, prior to The Dixie Chicks, including “Rated X,” about the double standards divorced women face, “Wings Upon Your Horns,” about the loss of teenage virginity, and “The Pill,” lyrics by T. D. Bayless, about a wife and mother becoming liberated via the birth control pill. Her song “Dear Uncle Sam,” released in 1966 during the Vietnam War, describes a wife’s anguish at the loss of a husband to war. It has been included in live performances during the US – Iraq War.]

7. Merle Haggard – “Workin’ Man Blues”
from: Oh Boy Classic Presents Merle Haggard / Oh Boy Records / 2000 [Originally released in 1969, a tribute to a core group of his fans: The American blue-collared working man. Backed by an electric guitar that typified Haggard’s signature Bakersfield Sound, he fills the role of one of those workers expressing pride in values of hard work and sacrifice, despite the resulting fatigue and the stress of raising a large family. Included on Haggard’s 1969 album “A Portrait of Merle Haggard.” Included in this collection on John Prine’s Oh Boy Records.]

10:25 – Underwriting

Influences of Iris DeMent

Iris DeMent represents that place in the road, where Country and Folk music merged with honest stories, of working class people, not afraid to tell the truth about the times they are living through. Iris DeMent grew up singing gospel music. During her teenage years she was first exposed to country, folk, and R&B, drawing influence from Loretta Lynn, Johnny Cash, Bob Dylan, and Joni Mitchell.

8. Johnny Cash – “Ring of Fire”
from: 16 Biggest Hits / Columbia Legacy / 2007
[co-written by June Carter (wife of Johnny Cash) and Merle Kilgore. The song was recorded on March 25, 1963 and became the biggest hit of his career, staying at #1 on the charts for 7 weeks. “Ring of Fire” refers to falling in love – which is what June Carter was experiencing with Johnny Cash at the time. Some sources claim that June had seen the phrase, “Love is like a burning ring of fire,” underlined in one of her uncle A. P. Carter’s Elizabethan books of poetry. She worked with Kilgore on writing a song inspired by this phrase as she had seen her uncle do in the past. In the 2005 film, Walk the Line June is depicted as writing the song while agonizing over her feelings for Cash despite his drug addiction and alcoholism as she was driving home one evening. She had written: “There is no way to be in that kind of hell, no way to extinguish a flame that burns, burns, burns”. Cash claims he had a dream where he heard the song accompanied by “Mexican horns”. Four years after the song was released, Carter and Cash were married which Cash states helped to stop his alcohol and drug addictions. Cash’s daughter, Rosanne has stated, “The song is about the transformative power of love and that’s what it has always meant to me and that’s what it will always mean to the Cash children.]

9. Bob Dylan – “I Shall Be Released”
from: The Essential Bob Dylan / Columbia – Sony / 2000
[Originally recorded October, 1971. ]

10. Joni Mitchell – “For The Roses”
from: For The Roses / Asylumn / 1972
[Released between her 2 biggest commercial and critical successes – “Blue” and “Court & Spark”. In 2007 it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. The title song “For the Roses” was Mitchell’s farewell to the business; she took an extended break for a year after. The album was critically acclaimed with The New York Times saying “Each of Mitchell’s songs on For the Roses is a gem glistening with her elegant way with language, her pointed splashes of irony and her perfect shaping of images. Never does Mitchell voice a thought or feeling commonly. She’s a songwriter and singer of genius who can’t help but make us feel we are not alone.” A nude photograph of Joni Mitchell was included on the inside cover of the original LP and is included in the CD booklet. The photograph shows the singer from the rear and was taken from a considerable distance; she is shown standing on a rock and staring out at the ocean. This created some controversy at the time.]

Iris DeMent’s first three releases, all on Warner Brothers records, were critically acclaimed, and she received two Grammy nominations during this time, in the “Folk Music” category. Meanwhile country radio completely overlooked her original songs, and amazing voice that has been compared to Loretta Lynn and Tammy Wynette. For her 1992 debut record, John Prine wrote the liner notes.

[Read the liner notes from John Prine]

“One night after receiving a copy of “Let the Mystery Be,” I was listening to the tape while frying a dozen or so pork chops in a skillet. Well Iris DeMent starts singing about “Mama’s Opry,” and being the sentimental fellow I am, I got a lump in my throat and a tear fell from my eyes into the hot oil. Well the oil popped out and burnt my arm as if the pork chops were trying to say, “Shut up, or I’ll really give you something to cry about.” Of course, pork chops can’t talk. But Iris DeMent’s songs can. They talk about isolated memories of life, love and living. And Iris has a voice I like a whole lot, like one you’ve heard before— but not really. So listen to this music, this Iris DeMent. It’s good for you. And if pork chops could talk, they’d probably learn how to sing one of her songs. Then we’d all have something to cry about.”

– John Prine, Songwriter, musician & president Oh Boy! Records

11. Iris DeMent – “Infamous Angel”
from: Infamous Angel / Warner Brothers / 1992 / 1993

Iris followed up her debut record with the autobiographical, “My Life,” released in 1994 and quickly followed with her third Warner Brother’s release, “The Way I Should,” released in 1996, which contains some of Iris DeMent’s most political songs.

12. Iris DeMent – “My Life”
from: My Life / Warner Brothers / 1994

13. Iris DeMent – “The Way I Should”
from: The Way I Should / Warner Brothers / 1996
[Produced by Randy Scruggs]

Collaborations

14. Nanci Griffith w/Iris & Emmylou – “Are You Tired of Me Darling”
from: Other Voices Other Rooms / Elektra / 1993
[High Harmony – Iris / Low Harmony – Emmylou Harris]
[Nanci Griffith’s 10th album. Here she pays homage to other songwriters who have influenced her own career.]

15. Gary Kirkland w/Iris – “Just For Me”
from: Shootin’ The Works on Love / Dark Horse / 2003

11:00 – Station I.D.

16. John Prine w/ Iris – “In Spite of Ourselves”
from: In Spite of Ourselves/ Oh Boy / 1999
[written by John Prine]

17. Steve Earle & The Del McCoury Band w/Iris – “I’m Still In Love With You”
from: The Mountain / E – Squared / 1999
[Released February 23, 1999. Songs were written by Earle as a tribute to the founder of bluegrass music, Bill Monroe, who had died in 1996.]

18. Tom Russell w/Iris – “Love Abides”
from: The Man From God Knows Where / Hightone / 1999

11:13 – Underwriting

Greg Brown

In the 2002 Iris DeMent did a benefit concert for The Friends of Community Radio at Unity Temple on The Plaza. I remember when Iris asked us if it was okay that she have a musician friend open the concert for her, we agreed because Iris was donating her talent to the cause of community radio. And then she told us that this musician friend was Greg Brown, who at this point was known all over the country, but had never before played KC.

Later that year, on November 21, 2002 Greg married Iris DeMent in a private ceremony in the office of Rev. Sam Mann of St. Mark Church in East KC.

Grammy Nominated Greg Brown is one of the most repected singer songwriters working in music today. He started singing professionally at the age of 18 organizing early folk concerts in New York City, Portland, Los Angeles and Las Vegas. In the 1980s, he worked and toured extensively as musical director for Garrison Keillor’s A Prairie Home Companion radio program. He also founded his own record label, named Red House Records after a home in which he lived in Iowa.

Greg Brown has released over 30 recordings and has allowed much of his music to be used to raise funds and awareness for environmental and social causes. His songs have been performed by Willie Nelson, Jack Johnson, Carlos Santana, Michael Johnson, Ani DiFranco, Shawn Colvin, Mary Chapin Carpenter, Iris DeMent and Joan Baez.

19. Greg Brown w/Iris -“Jacob’s Ladder”
from: Honey in The Lion’s Head / Trailer / 2003

20. Greg Brown – “Wippoorwill”
from: Evening Call / Red House / 2006
[The Washington Post writes, “The singer-songwriter from Iowa has a baritone as rough and chunky as Thanksgiving gravy with the turkey bits still in, and that’s just how his words drip out on his album, “The Evening Call.” on “Whippoorwill” he sing as sweetly as his lover down in Kansas City. That’s his wife, Iris DeMent, and on “Joy Tears,” he tells her, “When you start your singing, honey, the heavens open up with grace.”]

21. Greg Brown – “Bucket”
from: Evening Call / Red House / 2006

In 2004 Iris DeMent independently released her 4th album, and her first in 8 years. It was a collection of protestant gospel hymns that she grew up hearing her mother sing. The album is called “Lifeline” and includes one original song called, “He Reached Down,” a song inspired by a sermon delivered by Rev. Sam Mann at St Mark Church in Kansas City.]

22. Iris DeMent – “He Reached Down”
from: Lifeline / Flariella / November 2, 2004
[Lifeline is the fourth album released by singer-songwriter Iris DeMent, released in 2004, eight years since her previous recording The Way I Should. Lifeline contains many traditional Protestant gospel songs DeMent describes as finding comfort in playing and singing. In her liner notes, DeMent recounts how her mother sang these songs in times of stress looking straight at the sky, “as if she were talking to someone.” DeMent’s rendition of “Leaning on the Everlasting Arms” accompanies the closing credits of the Coen brothers’ True Grit (2010). Thom Jurek of Allmusic writes: “… [DeMent] claims that for her, too, the music contained here became her lifeline through a season of hardship… While this is far from a full return to form for Dement, it is truly good to have her back.” Music critic Robert Christgau wrote “Her heart cherishes Jesus’ memory, but her mind, voice, and soul remain her own.”]

After Lifeline it would be 8 more years before Iris DeMent would release another album.

Iris gave audiences a taste of her new music during a sold out benefit concert at The Folly Theatre with Greg Brown on November 11, 2011. The benefit was organised by friend Rev. Sam Mann for the St. Mark Child and Family and Development Center. Iris and Greg helped Rev Mann raise over $50,000.00 for the center that serves children and families on the east side in Kansas City.

Iris DeMent’s 2012 album “Sing The Delta” received glowing reviews from the UK publication UNcut, The New Yorker, The Boston Globe, The Chicago Tribune, and was in many Top Ten Lists of KC music affictionados, including being #1 on our list of WMM’s The 112 Best Recordings of 2012.

23. Iris DeMent – “Livin’ On The Inside”
from: Sing The Delta / Flariella / October 2, 2012
[Her first full-length release of original songs since 1996. Iris was our special guest on our Oct 10, WMM.]

In 2015 Iris DeMent released her 6th album, with national acclaim, and a #5 spot on WMM’s 115 Best Recordings of 2015. The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems. Iris recorded the album with co-producer Richard Bennett in her living room over a five-day period. The project also fulfilled a long yearned-for desire to connect with her adopted daughter’s culture and history. Iris and her husband Greg Brown adopted their daughter from Siberia in 2005, when she was 6, and Iris says ”I’d never have made this record were it not for her.”

24. Iris DeMent – “Listening to Singing”
from: The Trackless Woods / FlariElla / August 7, 2015
[6th album from Grammy nominated Iris DeMent who NPR said was ”one of the great voices in contemporary popular music.” The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. She lost family, friends & fellow writers to political killings and labor in the gulags. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems, juxtaposed with Akhmatova’s lightness and transcendence in the face of inhumanity. ”Anna’s gift of song is so strong, about alI I had to do was get really quiet and listen,” says Iris. After reading that first poem the melodies began pouring out of her, and before she even fully understood what was driving her, Iris was gathering musicians & friends, including co-producer Richard Bennett (Emmylou Harris, Neil Diamond, Steve Earle), to record ‘The Trackless Woods’ in her living room over a 5-days. The result is a pairing of piano and voice in Iris’ style with timeless melodies that are rooted in the American South.]

Like Russian poet Anna Akhmatova, Iris DeMent has never shied away from lending her voice to justice and social causes. On March 2, 2017 in response to the election and policies of current President Donald Trump, Iris released her latest song “We Won’t Keep Quiet” on You Tube. Written and performed by Iris DeMent with members of the Iowa City community who sang with her, and participated in the Lift the Ban Rally in Iowa City, the Women’s March in Des Moines, and the Women’s March in Washington, D.C. The song has not been released anywhere other than You Tube.

25. Iris DeMent – “We Wont Be Quiet”
from: We Wont Be Quiet – Single / Unreleased / March 2, 2017
[Recorded and mixed by Deb Talan and Steve Tannen. The video was made by Mei-Ling Shaw with DC footage by Jordan Sellergren. RESIST!]

In his review for WHYY’s Fresh Air, Entertainment Weekly Music Editor – Ken Tucker wrote: “Iris DeMent possesses one of the great voices in contemporary popular music: powerfully, ringingly clear, capable of both heartbreaking fragility and blow-your-ears-back power. Had she been making country albums in the ’70s and ’80s and had more commercial ambition, she’d probably now be considered right up there with Loretta Lynn and Tammy Wynette. Instead, she’s lived a contemporary life, a somewhat private life. As she recently told an interviewer, “There’s a lot that goes into life besides songwriting.” And she’s taken her time in composing songs that fit into no genre easily.”

Happy Birthday Iris DeMent! Thank you for all of the great music and thank you for donating your talents to raise thousands of dollars for non-for-profit charities in Kansas City including 90.1 FM – KKFI. We love you Iris DeMent!

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

26. Iris DeMent – “That’s The Way Love Goes”
from: NPR Studio Cuts / NPR / 2000
[Written by Lefty Frizzell, recorded in NPR Studios Dec. 16, 1997. Iris DeMent learned to sing and play this song from a Merle Haggard record.]

27. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on January 9, Wednesday MidDay Medley Celebrates David Bowie featuring short stories about David Bowie from nine of his biggest fans: Michelle Bacon, Barry Lee, Ben Grimes, Cody Wyoming, Krystle Warren, Jesse Bartmess, Marion Merritt, Ian Michael Flanagan Johnson, and Nico Gray. We’ll feature representative tracks from some of the 27 studio albums of Bowie’s career, including songs he wrote or produced for: Lou Reed, and Mott the Hoople, and Bowie songs performed by: Joan As Police Woman, Col. Chris Hadfield, Nile Rodgers and James Murphy and the KC bands: Soft Reeds, and The Band That Fell To Earth. ALSO, Michelle Bacon joins us to share details about The Band That Fell To Earth and the 4th annual tribute to David Bowie with TWO nights of music: Friday, January 18 and Saturday, January 19, at recordBar, 1520 Grand.

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
and http://www.kkfi.org

Show #767

Wednesday MidDay Medley Celebrates Iris DeMent

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 2, 2019

Wednesday MidDay Medley Celebrates Iris DeMent

WMM presents our annual celebration of Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. At the age of 3, her devoutly religious family moved to California, where she grew up singing gospel music. During her teenage years, Iris was exposed to country, folk, & R&B, drawing influence from Loretta Lynn, Johnny Cash, Bob Dylan, & Joni Mitchell.

Iris moved to the midwest and after a series of jobs as a waitress and typist, she wrote her first song at the age of 25. She moved to Kansas City and played Harling’s Upstairs and open-mic nights alongside Scott Hrabko and Howard Iceberg. Iris met producer Jim Rooney in Nashville, in 1988, who helped her land a record contract.

Iris Dement made her recording debut in 1992, with her independently produced album, “Infamous Angel.” The record won critical acclaim and John Prine mentioned Iris in his list of favorite recordings of the year published in Rolling Stone. Despite a complete lack of support from country radio, the word of mouth praise for Iris DeMent’s “Infamous Angel” earned her a deal with Warner Bros Records, which reissued “Infamous Angel” in 1993. The album also included the song, “Let The Mystery Be” a composition that has also been covered by David Bryne, 10,000 Maniacs, Bun E. Carlos of Cheap Trick, Greg Brown, and it was the theme song for the second season of HBO’s The Leftovers.

We’ll feature music from Iris DeMent’s six full length albums, her contributions to film, her vast collaborative studio work with artists such as: Greg Brown, John Prine, Nanci Griffith, Emmylou Harris, Tom Russell, Steve Earle, and Kansas City’s own, Gary Kirkland.

We’ll also feature music from Iris DeMent’s inspirations: Loretta Lynn, Johnny Cash, Joni Mitchell, Merle Haggard and Bob Dylan.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #767

WMM Playlist from January 3, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 3, 2018

Tributes to Iris DeMent & David Bowie
+ Michelle Bacon & Katy Guillen of The Band That Fell To Earth

In our 1st hour, we celebrated the birthday of Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. At the age of 3, her devoutly religious family moved to California, where she grew up singing gospel music. During her teenage years, Iris was exposed to country, folk, & R&B, drawing influence from Loretta Lynn, Johnny Cash, Bob Dylan, & Joni Mitchell.

Iris moved to the midwest and after a series of jobs as a waitress and typist, she wrote her first song at the age of 25. She moved to Kansas City and played Harling’s Upstairs and open-mic nights alongside Scott Hrabko and Howard Iceberg. Iris met producer Jim Rooney in Nashville, in 1988, who helped her land a record contract.

Iris Dement made her recording debut in 1992, with her independently produced album, “Infamous Angel.” The record won critical acclaim and John Prine mentioned Iris in his list of favorite recordings of the year published in Rolling Stone. Despite a complete lack of support from country radio, the word of mouth praise for Iris DeMent’s “Infamous Angel” earned her a deal with Warner Bros Records, which reissued “Infamous Angel” in 1993. We started the show with a song originally from that album called, “Let The Mystery Be” that was lovingly covered by her husband, the great folk singer songwriter – Greg Brown. “Let The Mystery Be” has also been covered by David Bryne, 10,000 Maniacs, Bun E. Carlos of Cheap Trick, and it was the theme song for the second season of The Leftovers.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Greg Brown – “Let The Mystery Be”
from: Freak Flag / Yep Roc / May 10, 2011
[Iris Dement’s song “Let The Mystery Be” from her debut Infamous Angel, from 1992. This song was covered by David Bryne, 10,000 Maniacs, Bun E. Carlos, and many others, it also became the theme song for the 2nd season of The Leftovers.While Greg Brown was recording this album, lighting hit the studio where Greg Brown he was recording songs for his 24th album: Freak Flag, the title track was all that remained of the lost original album. Greg wrote ten new songs, recording them at Memphis, Tennessee’s legendary Ardent Studios. Produced by Bo Ramsey, the album also includes a cover of Pieta Brown’s song ”Remember the Sun.”]

Full disclosure, I love Iris DeMent. I’ve seen her live, in-concert, over 8 times. I met Iris DeMent when I was working at Kinkos at 39th & Rainbow in 1992. Iris came in to copy press clippings, she was in the process of releasing her debut album. I wasn’t familiar with her music until I saw her on Late Night with Conan O’Brien in 1995, where she performed her song, “My Life.” I was blown away. I had video-taped the show, and I would replay that song for everyone that came to visit. I wanted everyone to know about Iris DeMent.

I ran into Iris at Classic Cup in Westport. By this point I had become a big fan of her music and I was sort of star stuck, but she approached me and asked, “How do I know you?” Our friendship was able to continue because we shared a mutual friend named Anne Winter, who invited me to a holiday party in Iris Dement’s River Market condo where we sang old fashioned hymns, with members of The Wilders. Anne Winter had become a close friend of Iris and even went out “on the road” with her at one point. Because of Anne, I stage managed a show at the Uptown Theatre with Michael Moore, Iris deMent and the Wilders all performing. Anne Winter also helped arranged for Iris to play one of our Big Bang Buffet shows in 1999 at The Hobbs Building. In 2002 Iris agreed to do a benefit show for Friends of Community Radio. At this point she was living in Coleman Heights in Kansas City and invited Linda Wilson and I to a home-cooked meal at her house, to talk aver the details of the show. In 2004 Iris and Greg Brown performed together in a show with Amy Goodman of “Democracy Now!” to raise over $10,000.00 for KKFI. Iris never took a penny from any of these shows, and has always been such a generous supporter of 90.1 FM. She recognized as a singer songwriter how important community radio is for independent artists like herself, and she has always given back, to help keep this radio station alive. Because of Iris DeMent’s generosity, and in honor of our dear friend Anne Winter, who we lost in 2009, I vowed to pay tribute to iris on her birthday, each year, with this radio show.

3. Iris DeMent – “My Life”
from: My Life / Warner Brothers / 1994

10:12 – Influences of Iris DeMent

Iris DeMent represents that place in the road, where Country and Folk music merged with honest stories, of working class people, not afraid to tell the truth about the times they are living through. Iris DeMent grew up singing gospel music, but in her teenage years, she discovered other music through the radio: country, folk, and R&B, and the music of Loretta Lynn, Merle Haggard, Johnny Cash, Bob Dylan, and Joni Mitchell.

4. Loretta Lynn – “You Ain’t Woman Enough To Take My Man”
from: Legends of Country Music / Columbis Legacy / 1997
[Live performance for Austin City Limits taped in 1983. Loretta Webb was the second of 8 children; grew up in Butcher Holler, a section of Van Lear, a mining community in Kentucky. Growing up with such humble roots had a huge effect on Lynn’s life and heavily influenced her music as an adult. Her autobiography describes how, during her childhood, the community had no motor vehicles, paved roads, or flush toilets. She married Oliver Vanetta Lynn, known as “Doo,” on Jan. 10, 1948, at age 13. In an effort to break free of the coal mining industry, at 14, Lynn moved to the logging community Custer, Washington, with her husband. The Lynns had 4 children – Betty Sue, Jack Benny, Cissy and Ernest Ray – by the time Loretta was 18, and in her early 20s she then had twin girls, Peggy & Patsy. No stranger to controversy, Loretta Lynn possibly had more banned songs than any other country music artist, prior to The Dixie Chicks, including “Rated X,” about the double standards divorced women face, “Wings Upon Your Horns,” about the loss of teenage virginity, and “The Pill,” lyrics by T. D. Bayless, about a wife and mother becoming liberated via the birth control pill. Her song “Dear Uncle Sam,” released in 1966 during the Vietnam War, describes a wife’s anguish at the loss of a husband to war. It has been included in live performances during the US – Iraq War.]

5. Merle Haggard – “Workin’ Man Blues”
from: Oh Boy Classic Presents Merle Haggard / Oh Boy Records / 2000
[Originally released in 1969, a tribute to a core group of his fans: The American blue-collared working man. Backed by an electric guitar that typified Haggard’s signature Bakersfield Sound, he fills the role of one of those workers expressing pride in values of hard work and sacrifice, despite the resulting fatigue and the stress of raising a large family. Included on Haggard’s 1969 album “A Portrait of Merle Haggard.” Included in this collection on John Prine’s Oh Boy Records.]

6. Johnny Cash – “Ring of Fire”
from: 16 Biggets Hits / Columbia Legacy / 2007
[co-written by June Carter (wife of Johnny Cash) and Merle Kilgore. The song was recorded on March 25, 1963 and became the biggest hit of his career, staying at #1 on the charts for 7 weeks. “Ring of Fire” refers to falling in love – which is what June Carter was experiencing with Johnny Cash at the time. Some sources claim that June had seen the phrase, “Love is like a burning ring of fire,” underlined in one of her uncle A. P. Carter’s Elizabethan books of poetry. She worked with Kilgore on writing a song inspired by this phrase as she had seen her uncle do in the past. In the 2005 film, Walk the Line June is depicted as writing the song while agonizing over her feelings for Cash despite his drug addiction and alcoholism as she was driving home one evening. She had written: “There is no way to be in that kind of hell, no way to extinguish a flame that burns, burns, burns”. Cash claims he had a dream where he heard the song accompanied by “Mexican horns”. Four years after the song was released, Carter and Cash were married which Cash states helped to stop his alcohol and drug addictions. Cash’s daughter, Rosanne has stated, “The song is about the transformative power of love and that’s what it has always meant to me and that’s what it will always mean to the Cash children.]

7. Bob Dylan – “I Shall Be Released”
from: The Essential Bob Dylan / Columbia – Sony / 2000 [Originally recorded October, 1971. ]

8. Joni Mitchell – “For The Roses”
from: For The Roses / Asylumn / 1972
[Released between her 2 biggest commercial and critical successes – “Blue” and “Court & Spark”. In 2007 it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. “For the Roses” was Mitchell’s farewell to the business; she took an extended break for a year after. The album was critically acclaimed with The New York Times saying “Each of Mitchell’s songs on For the Roses is a gem glistening with her elegant way with language, her pointed splashes of irony & her perfect shaping of images. Never does Mitchell voice a thought or feeling commonly. She’s a songwriter and singer of genius who can’t help but make us feel we are not alone.” A nude photograph of Joni Mitchell was included on the inside cover of the original LP and is included in the CD booklet. The photograph shows the singer from the rear & was taken from a considerable distance; she is shown standing on a rock and staring out at the ocean. This created some controversy at the time.]

10:26 – Underwriting

10:28 – Collaborations with Iris Dement

9. Nanci Griffith w/Iris & Emmylou – “Are You Tired of Me Darling”
from: Other Voices Other Rooms / Elektra / 1993
[High Harmony – Iris / Low Harmony – Emmylou Harris] [Nanci Griffith’s 10th album. Here she pays homage to other songwriters who have influenced her own career.]

10. John Prine w/ Iris Dement – “We’re Not The Jet Set”
from: In Spite Of Ourselves / Oh Boy / 1999
[In 1968 country superstar George Jones witnessed a fight between Tammy Wynette and her husband Don Chapel. At Jones’s urging, Wynette and her daughters drove away with him. Wynette and Jones married Feb. 16, 1969, and Wynette’s 4th daughter, Georgette, was born in 1970. Jones and Wynette, were nicknamed the “President and First Lady” of country music, and they recorded a string of hit duets that seemed drawn directly from their volatile relationship, which resulted in their divorcing in 1975. Their classic recordings included “Two Story House,” “Golden Ring,” and the humorous “(We’re Not) The Jet Set.” ]

10:34

Iris DeMent’s first three releases, all on Warner Brothers records, were critically acclaimed, and she received two Grammy nominations during this time, in the “Folk Music” category. Meanwhile country radio completely overlooked her original songs, and amazing voice, that has been compared to Loretta Lynn and Tammy Wynette. For her 1992 debut record John Prine wrote the liner notes. [Read the liner notes from John Prine]

“One night after receiving a copy of “Let the Mystery Be,” I was listening to the tape while frying a dozen or so pork chops in a skillet. Well Iris DeMent starts singing about “Mama’s Opry,” and being the sentimental fellow I am, I got a lump in my throat and a tear fell from my eyes into the hot oil. Well the oil popped out and burnt my arm as if the pork chops were trying to say, “Shut up, or I’ll really give you something to cry about.” Of course, pork chops can’t talk. But Iris DeMent’s songs can. They talk about isolated memories of life, love and living. And Iris has a voice I like a whole lot, like one you’ve heard before— but not really. So listen to this music, this Iris DeMent. It’s good for you. And if pork chops could talk, they’d probably learn how to sing one of her songs. Then we’d all have something to cry about.” – John Prine, Songwriter, musician & president Oh Boy! Records”

11. Iris DeMent – “Infamous Angel”
from: Infamous Angel / Warner Brothers / 1992 / 1993
[Debut studio album. In 1995, her song “Our Town” was played in the closing moments of the last episode of CBS TV series Northern Exposure. “Let the Mystery Be” became theme for the 2nd season of The Leftovers.]

10:40 – Greg Brown

Iris followed up her debut record with the autobiographical, “My Life,” released in 1994 and quickly followed with her third Warner Brother’s release, “The Way I Should,” released in 1996, which contains some of Iris DeMent’s most political songs.

In the 2002 Iris DeMent did a benefit concert for The Friends of Community Radio at Unity Temple on The Plaza. I remember when Iris asked us if it was okay that she have a musician friend open the concert for her, we agreed because Iris was donated her talent to the cause of community radio. And then she told us that this musician friend was Greg Brown, who at this point was know all over the country, but had never before played KC.

Later that year, on November 21, 2002 Greg married Iris DeMent in a private ceremony in the office of Rev. Sam Mann of St. Mark Church in East KC.

Grammy Nominated Greg Brown is one of the most respected singer songwriters working in music today. He started singing professionally at the age of 18 organizing early folk concerts in New York City, Portland, Los Angeles and Las Vegas. In the 1980s, he worked and toured extensively as musical director for Garrison Keillor’s A Prairie Home Companion radio program. He also founded his own record label, named Red House Records after a home in which he lived in Iowa. Greg Brown has released over 30 recordings and has allowed much of his music to be used to raise funds and awareness for environmental and social causes. His songs have been performed by Willie Nelson, Jack Johnson, Carlos Santana, Michael Johnson, Ani DiFranco, Shawn Colvin, Mary Chapin Carpenter, Iris DeMent and Joan Baez.

12. Greg Brown w/Iris -“Jacob’s Ladder”
from: Honey in The Lion’s Head / Trailer / 2003

13. Greg Brown – “Bucket”
from: Evening Call / Red House / 2006
[The Washington Post writes, “The singer-songwriter from Iowa has a baritone as rough and chunky as Thanksgiving gravy with the turkey bits still in, and that’s just how his words drip out on his album, “The Evening Call.” on “Whippoorwill” he sing as sweetly as his lover down in KC. That’s his wife, Iris DeMent, and on “Joy Tears,” he tells her, “When you start your singing, honey, the heavens open up with grace.”]

10:51

In 2015 Iris DeMent released her 6th album, with national acclaim, and a #5 spot on WMM’s 115 Best Recordings of 2015. The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems. Iris recorded the album with co-producer Richard Bennett in her living room over a five-day period. The project also fulfilled a long yearned-for desire to connect with her adopted daughter’s culture and history. Iris and her husband Greg Brown adopted their daughter from Siberia in 2005, when she was 6, and Iris says ”I’d never have made this record were it not for her.”

14. Iris DeMent – “Listening to Singing”
from: The Trackless Woods / FlariElla / August 7, 2015 [6th album from Grammy nominated Iris DeMent who NPR said was ”one of the great voices in contemporary popular music.” The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. She lost family, friends & fellow writers to political killings and labor in the gulags. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems, juxtaposed with Akhmatova’s lightness and transcendence in the face of inhumanity. ”Anna’s gift of song is so strong, about alI I had to do was get really quiet and listen,” says Iris. After reading that first poem the melodies began pouring out of her, and before she even fully understood what was driving her, Iris was gathering musicians & friends, including co-producer Richard Bennett (Emmylou Harris, Neil Diamond, Steve Earle), to record ‘The Trackless Woods’ in her living room over a 5-days. The result is a pairing of piano and voice in Iris’ style with timeless melodies that are rooted in the American South.]

In his review for WHYY’s Fresh Air, Entertainment Weekly Music Editor – Ken Tucker wrote: “Iris DeMent possesses one of the great voices in contemporary popular music: powerfully, ringingly clear, capable of both heartbreaking fragility and blow-your-ears-back power. Had she been making country albums in the ’70s and ’80s and had more commercial ambition, she’d probably now be considered right up there with Loretta Lynn and Tammy Wynette. Instead, she’s lived a contemporary life, a somewhat private life. As she recently told an interviewer, “There’s a lot that goes into life besides songwriting.” And she’s taken her time in composing songs that fit into no genre easily.”

Iris released her 5th album, “Sing The Delta” in 2012, to glowing reviews from the UK publication UNcut, The New Yorker, The Boston Globe, The Chicago Tribune, and was #1 on WMM’s 112 Best Recordings of 2012. And Because we have lost so many great folks in 2016, I find it fitting to end this hour long tribute with “Go On Ahead and Go Home” from Iris DeMent’s album, Sing the Delta. Happy Birthday Iris DeMent. We love you!

15. Iris DeMent – “Go on Ahead and Go Home”
from: Sing The Delta / Flariella / Oct. 2, 2012
[Her first full-length release of original songs since 1996. Iris was our special guest on our Oct 10, WMM.]

11:00 – Station ID

Wednesday MidDay Medley Celebrates Bowie

16. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

17. James Murphy – “Golden Years”
rom: While We’re Young (Original Soundtrack) / Power Elite / March 23, 2015
[Born February 4, 1970. James Murphy is a musician, producer, DJ, and co-founder of record label DFA Records. His most well-known musical project is LCD Soundsystem. James Murphy was influenced by Bowie and remixed songs for Bowie’s The Next Day Extras, and is credited as a percussionist on Bowie’s Backstar.] [“Golden Years” was written and recorded by David Bowie in 1975, and originally released in a shortened form as a single in November 1975, and in its full-length version in January the following year on, Station to Station. It was the first track completed during the Station to Station sessions, a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to the Young Americans funk/soul material from earlier in 1975 than the rest of Station to Station, that foreshadowed the Kraftwerk-influenced Euro-centric and electronic music that Bowie would move into with his ‘Berlin Trilogy’.]

David Bowie seemed to be from another world. I thought he was immortal. His art kept coming. His influence so vast. He was a guide. So much of my journey, as a queer kid finding my way in the world, was influenced by Bowie.

David Bowie was born January 8, 1947. In school he studied art, music, and design before embarking on a music career in 1963. Over a span of 5 decades, he sold over 140 million records and released 27 studio albums, if count Tin Machine, which you should. His career is notable for his reinvention, his pushing of the boundaries of gender, art and music. He was the first to create a concert tour that was a big as a broadway touring show. He was also an actor in many influencial films including: The Man Who Fell to Earth, The Hunger, Merry Christmas Mr. Lawrence, Basquiat, and 20 other films. He also played John Merrick in The Elephant Man on Broadway. He influenced multiple generations with his music, films, music videos, and concert tours.

Bowie was a gateway to other discoveries: The Velvet Underground, Lou Reed, T-Rex, Iggy Pop, Andy Warhol, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Kraftwerk, Mick Ronson, Tony Visconti, Klaus Nomi, Bauhaus, Gender Expression, and much more.

A year ago on January 10, 2016, two days after he released his 25th solo album, Blackstar, on his 69th birthday, David Robert Jones passed away at home surrounded by his wife Iman, son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman. David Bowie’s death sent shock waves of grief across the world.

For his song, “Sweet Thing,” Bowie first used the William S. Burroughs’ “cut-up style” of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th album, released May 24, 1974.

11:07

18. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. Kansas City artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours. Bowie produced the show with a giant set, like a big Broadway production.]

11:10

David Bowie’s song ”Lazarus” was released on December 17, 2015, making it the second single from his twenty-fifth studio album “Blackstar”, as well as his last single released before his death on January 10, 2016. The track is used in Bowie’s off-Broadway musical of the same name. “Lazarus” was Bowie’s first top 40 hit single on the Billboard Hot 100 in more than 28 years. According to Bowie’s producer Tony Visconti, the lyrics and video of “Lazarus” were intended to be a self-epitaph, a commentary on Bowie’s own impending death. In November 2015 during the week of shooting for the Lazarus video, doctors reportedly informed Bowie the cancer was terminal and that they were ending treatment. The video features Bowie, appearing with a bandage and buttons sewn over his eyes, lying on a deathbed and finishes with Bowie retreating into a dark wardrobe. In the scenes featuring the wardrobe, Bowie is wearing a diagonally striped suit referencing the back cover of the 1991 CD reissue of the Station to Station album, where he is pictured sitting on the floor drawing the kabbalistic Tree of Life.

11:11

19. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

[The Band Who Fell To Earth – A Tribute to David Bowie, is Saturday, January 6, at 8:00 PM, at recordBar, 1520 Main St.]

Katy Guillen & Michelle Bacon of The Band that Fell To Earth, on the January 3, 2018 edition o f Wednesday MidDay Medley on KKFI 90.1 FM.

10:18 – Interview with Michelle Bacon & Katy Guillen

Multi talented, musician and writer, Michelle Bacon, is Content Writer at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle Bacon works as a freelance writer and has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle Bacon plays drums and sings harmony vocals with Chris Meck and the Guilty Birds. She also plays with Heidi Lynne Gluck. Last year she also performed and recorded music with, Erica Joy, The Blackbird Revue, John L. Johnson, and Nathan Corsi.

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, 2018 at 8:00 PM, at recordBar, 1520 Grand Blvd, KCMO. A portion of ticket sales will benefit Harmony Project KC, a music education and mentorship program for children in underserved communities in KCMO

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

Katy Guillen is known as one of Kansas City premiere musicians and the lead singer and guitarist for the critically acclaimed blues influenced roots rock trio, Katy Guilen and the Girls, formed in September of 2012. On November 11 Katy Guillen and The Girls released their newest full length release, “Remember What You Knew Before.” a collection of reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls debut album, and from theoir 2016 “Heavy Days” with one new song.

Katy Guillen, thank you for being with us on Wednesday MidDay Medley.

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum.
The thir annual With Bowie’s untimely passing only three weeks before the inaugural concert, the event garnered an attendance of more than 800 at the Uptown Theater, and generated press from KCPT, The Kansas City Star and various radio stations, along with high demand for an annual show.

Core members:

Alex Alexander – guitar
Michelle Bacon – bass
Nathan Corsi – vocals/guitar
Kyle Dahlquist – keys
Katy Guillen – guitar
Steve Tulipana – vocals
Stephanie Williams – drums

2017-18 auxiliary members:

Christine Broxterman – cello
Havilah Bruders – backing vocals
Betse Ellis – violin (2016-18)
Camry Ivory – backing vocals
Matt Ronan – percussion
Rich Wheeler – saxophone (2016-18)

10:26

20. David Bowie – “Boys Keep Swinging”
from: Lodger / RCA / May 18, 1979
[Written by David Bowie. It was released as a single from the album Lodger on April 27, 1979. During the Lodger recording sessions, Bowie had wanted to capture a garage band style for the track, and agreed with Brian Eno that the best way to achieve this sound was to get the band to swap instruments after this was ‘suggested’ by Eno’s deck of ‘Oblique Strategies’ cards which supplied the suggestion “Reverse Roles”. Guitarist Carlos Alomar played drums and drummer Dennis Davis played bass. RCA decided against releasing the single in the US, choosing “Look Back in Anger” instead. Bowie performed the track with a puppet body special effect on Saturday Night Live on December 15, 1979, joined by Klaus Nomi and Joey Arias as backing singers. During the broadcast NBC censors muted the lines “life’s a pop o’the cherry” and “other boys check you out”, but failed to notice the puppet’s bouncing phallus at the close of the song. It was performed only during one tour, the 1995 Outside Tour. Interviewed in 2000, Bowie said the following about the song: “I do not feel that there is anything remotely glorious about being either male or female. I was merely playing on the idea of the colonization of gender.”]

10:29

We are talking with Michelle Bacon & Katy Guillen about The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, 2018 at 8:00 PM, at recordBar, 1520 Grand Blvd, KCMO. A portion of ticket sales will benefit Harmony Project KC, a music education and mentorship program for children in underserved communities in KCMO

Michelle Bacon & Katy Guillen, thanks for being with us on Wednesday MidDay Medley

“Bowie is a reminder that art and music and life are about adaptation, change and exploration,” said Steve Tulipana, one of the group’s lead vocalists.

Production crew:
American Sign Language interpretation: E. Peige Turner
Video projections: Steve Gardels (XO Blackwater)
Sound engineer: Mark “Buzz” Collins
Lighting: Canyon McClung

Last year, on the second annual show on January 7, 2017, at recordBar, the sold-out raised nearly $1000 that was donated to the AIDS Service Foundation of Greater Kansas City.

10:35

Michelle Bacon & Katy Guillen thanks for being with us on Wednesay MidDay Medley

The Band That Fell To Earth: A Tribute to David Bowie 2017, Saturday, January 6, at doors open at 8:00, at recordBar, 1520 Grand Blvd, KCMO.

10:37

21. David Bowie – “John, I’m Only Dancing”
from: John. I’m Only Dancing – Single / RCA / April , 1973 (sax version)
[“John, I’m Only Dancing” is a single by David Bowie, released in two versions — entirely different recordings, but carrying the same catalogue number — in September 1972 and April 1973. Bowie later re-worked the song into the disco-influenced “John, I’m Only Dancing (Again),” recorded in 1974, but unreleased until 1979. The song is widely believed to be concerned with a gay relationship, the narrator informing his boyfriend not to worry about the girl he’s with because he’s “only dancing” with her. Bowie had been ‘out’ as bisexual since an interview with Melody Maker in January 1972, and the subject matter did not affect the single’s radio airplay in the UK, where it and the earlier “Starman” became his first back-to-back hits. However, the original video directed by Mick Rock, featuring androgynous dancers from Lindsay Kemp’s mime troupe, was banned by Top of the Pops. The single was not released in America, being judged too risqué by RCA and did not officially appear stateside until it was finally issued on the compilation Changesonebowie in 1976. While the hook (“John, I’m only dancing / She turns me on / But I’m only dancing”) has long been considered a gay tease, author Nicholas Pegg asserts that the song’s narrator “could just as easily be a straight man reassuring the girl’s lover”. Alternatively, it has been suggested that Bowie wrote the song in response to a derogatory comment made by John Lennon about Bowie’s cross-dressing. Musically in a light R&B style, the track was recorded on June 26, 1972, released as a single, and then re-recorded on January 20, 1973 during the Aladdin Sane sessions, in a slightly different arrangement featuring Ken Fordham on saxophone. Often called the “sax version”, the second recording was issued as a single in April 1973 with exactly the same catalogue number as the first release, causing difficulties for collectors. Generally held to be superior to the original cut, the sax reworking also appeared on early pressings of Changesonebowie before it was replaced with the original single version. In 1974, a completely reworked funk-influenced version was recorded as “John, I’m Only Dancing (Again)”, made during the sessions for the album Young Americans. Released in December 1979, the re-recording featured a much more funk-influenced take on the track, and has some similarities with the song “Stay” recorded for the Station to Station album in 1976. Originally running at 6:57, the track was cut for a 7″ single release, but the full version was issued on 12″ vinyl – the first Bowie single to have a regular 12″ release in the UK. For the B-side, the original version of “John, I’m Only Dancing” was remixed. After the relative disappointment of the singles from Lodger on the charts, the single gave Bowie some greater degree of mainstream exposure during a period when his work was increasingly being perceived as esoteric and experimental. The long 12″ version was included as a bonus track on the 1991 Rykodisk/EMI remaster CD of Young Americans, on the 2007 collectors edition of the album, and on The Best of David Bowie 1974/1979. The 7″ single version was not released on CD until 2016’s Who Can I Be Now? (1974-1976).]

10:40

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM. Our next story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’ve played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

22. Krystle Warren’s Bowie Story – “Always be genuine in your expression”
recorded by Krystle Warren in Paris, February 2016

10:42

Our next story, about Bowie, comes from one of his biggest fans, Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben Grimes now lives with his family in Los Angeles, where he recorded this story for us, along with sharing a special track, written by Bowie, from the 1977 album Low, of the Berlin Trilogy, and recorded by Ben’s band Soft Reeds.

23. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

10:47

24. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

10:52 – Underwriting

We end the show with one of my favorite Bowie songs, from one of my favorite Bowie albums, from 1971’s, Hunky Dory, here’s “Kooks.”

The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, at 8:00, at recordBar, 1520 Grand Blvd, KCMO.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

25. David Bowie – “Kooks”
from: Hunky Dory / RCA / June 11, 2002
[“Kooks” is a song written by David Bowie, which appears on his 1971 album Hunky Dory. Bowie wrote this song to his newborn son Duncan Jones. The song was a pastiche of early 1970s Neil Young because Bowie was listening to a Neil Young record at home on 30 May 1971 when he got the news of the arrival of his son. British indie band The Kooks named themselves after the song. Hunky Dory is the fourth studio album by the English musician David Bowie, released on 17 December 1971 by RCA Records. It was his first release through RCA, which would be his label for the next decade. Hunky Dory has been described by AllMusic’s Stephen Thomas Erlewine as having “a kaleidoscopic array of pop styles, tied together only by Bowie’s sense of vision: a sweeping, cinematic mélange of high and low art, ambiguous sexuality, kitsch, and class”. The album has received critical acclaim since its release, and is regarded as one of Bowie’s best works. Time chose it as part of their “100 best albums of all time” list in January 2010, with journalist Josh Tyrangiel praising Bowie’s “earthbound ambition to be a boho poet with prodigal style”. The style of the album cover, designed by George Underwood, was influenced by a Marlene Dietrich photo book that Bowie took with him to the photo shoot. With new bass player Trevor Bolder replacing Tony Visconti, Hunky Dory was the first production featuring all the members of the band that would become known the following year as Ziggy Stardust’s Spiders From Mars. Also debuting with Bowie, in Visconti’s place as producer, was another key contributor to the Ziggy phase, Ken Scott. The album’s sleeve would bear the credit “Produced by Ken Scott (assisted by the actor)”. The “actor” was Bowie himself, whose “pet conceit”, in the words of NME critics Roy Carr and Charles Shaar Murray, was “to think of himself as an actor”.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next Week on Wednesday, Jan 10, we present: “Remembering MLK” to celebrate Dr. Martin Luther King, Jr., born January 15, 1929. We’ll play music from: The Isley Brothers, Curtis Mayfield, Mahalia Jackson, Sweet Honey in The Rock, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pops Staples, Mavis Staples, The Staple Singers, Thelonius Monk Septet, Pete Seeger, Sarah Lee Guthrie & Johnny Irion, Sharon Jones & The Dap-Kings, Labelle, Darwin Hobbs & Karen Clark-Sheard, Bobby Watson & The I Have a Dream Project.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #715

WMM Playlist from: August 28, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 28, 2013

The March on Washington for Jobs & Freedom
Abigail Henderson, + Main Street Day + Ernest James Zydeco +
Guest Producer – Simone Briand

The Kansas City Music Community is heavy hearted. On Tuesday, August 27, our friend Abigail Henderson, died, peacefully at her home, surrounded by her family & friends. Abigail was a frequent guest on this radio show and performed in “A Story In A Song” our benefit last summer at the recordBar. We’ve featured Abigail’s songs from her bands: The Gaslights, Atlantic Fadeout and Tiny Horse. After her diagnosis in 2008, Apocalypse Meow, was created as a benefit for Abby. The event became an annual fundraiser to benefit the Musicians Emergency Health Care Fund. With her husband, Christopher Meck, Abby co-founded the Midwest Music Foundation which gave birth to: The Midcoast Takeover, The Deli KC, The Midwestern Audio compilation, and more. To learn about MMF you can visit: MidwestMusicFound.org. Donations benefit the Musicians Emergency Health Care Fund.

1. Tiny Horse – “Ride”
from: Darkly Sparkly [EP] / Independent / Mar. 4, 2013
[Outside of the band, we were the first to hear the very new, debut EP release from Abigail Henderson and Christopher Lynn Meck. In our opinion, Abigail Henderson’s voice remains one of the most honest and moving voices in KC music scene, Christopher Meck’s guitar sings too. Matt Richey plays drums and Cody Wyoming on keyboards.]

50 years ago today, on Wed, Aug 28, 1963. The March on Washington for Jobs & Freedom became one of the largest political rallies for human rights in U.S. history and called for civil & economic rights for African Americans. Martin Luther King, Jr., standing in front of the Lincoln Memorial, delivered his historic “I Have a Dream” speech.

In celebration of this historic event that changed the world, we will feature musical artists that performed on that day, and we’ll feature the songs they performed. We’ll hear from Marian Anderson, Mahalia Jackson, Joan Baez and Bob Dylan. We will also include music inspired by the Labor and Civil Rights Movement from: The Staple Singers, Pete Seeger, Sweet Honey in The Rock, and International Noise Conspiracy.
10:07

2. Martin Luther King Jr. – “MLK – I Have A Dream 1963 (50 second excerpt)”
from: Inspirational Speeches, Vo. 3 / Orange Leisure / May 16, 2011
[American civil rights leader/activist and Baptist minister, born Jan. 15, 1929 in Atlanta, Georgia. King’s speeches have been issued on numerous releases – his most well-known and influential address being “I Have a Dream”, which was held during “The March on Washington” in 1963. King was assassinated on April 4, 1968 in Memphis, Tennessee.]

3. Mahalia Jackson – “How I Got Over”
from: The Original Apollo Sessions / Couch & Madison Partners / May 25, 2013
[a Gospel hymn composed and published in 1951 by Clara Ward (1924-1973). It was performed by Mahalia Jackson at the historic March on Washington for Jobs and Freedom in 1963 before 250,000 people. Mahalia Jackson (Oct. 26, 1911 – Jan. 27, 1972) was an American gospel singer referred to as “The Queen of Gospel”. Jackson became one of the most influential gospel singers in the world and was heralded internationally as a singer and civil rights activist. She was described by entertainer Harry Belafonte as “the single most powerful black woman in the United States”. She recorded about 30 albums (mostly for Columbia Records) during her career, and her 45 rpm records included a dozen “golds”—million-sellers. “I sing God’s music because it makes me feel free,” Jackson once said about her choice of gospel, adding, “It gives me hope. With the blues, when you finish, you still have the blues.”]

4. Bob Dylan – “When The Ship Comes In”
from: The Times They Are-A-Changing / Columbia Records / January 13, 1964
[Released on his 3rd album, Joan Baez states in the documentary film “No Direction Home” that the song was, inspired by a hotel clerk who refused to allow Dylan a room due to his “unwashed” appearance. His companion, Joan Baez, had to vouch for his good character.” Shortly after Dylan completed the song in 1963, he and Baez performed it together at the March on Washington on August 28, 1963.]

5. Joan Baez – “Oh Freedom”
from: How Sweet The Sound / Razor & Tie / October 13, 2009
[A post Civil War African American freedom song, notably associated with Odetta, who recorded it as part of the Spiritual Trilogy, on her “Odetta Sings Ballads and Blues”, and Joan Baez, who performed the song at the 1963 March on Washington, and has since performed the song live numerous times throughout the years, both during her concerts and at other events. The song predates these events by at least 3 decades for it was recorded in 1931 by the E. R. Nance Family with Clarence Dooley as “Sweet Freedom.” ]

6. Marian Anderson – “He’s Got the Whole World in His Hands”
from: He’s Got the Whole World in His Hands / BMG / Orig. 1961
[Reissued 1991] [Marian Anderson (Feb 27, 1897 – Apr. 8, 1993) was one of the most celebrated singers of the 20th century. In 1939, the (DAR) refused to let Anderson sing in Constitution Hall. With the aid of First Lady Eleanor Roosevelt and Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the Lincoln Memorial in Washington, D.C. before a crowd of more than 75,000 people and a radio audience in the millions. Anderson became the first black person, to perform at the Metropolitan Opera in NYC on Jan. 7, 1955. Anderson worked as a delegate to the UN Human Rights Committee and “goodwill ambassadress” for the U.S. Dept. of State, giving concerts all over the world. She participated in the civil rights movement in the 1960s, singing at the March on Washington for Jobs and Freedom in 1963. Anderson was awarded the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.]

In honor of the National March on Washington, President Barack Obama will speak to the nation, in front of the Lincoln Memorial, from the very spot Dr. Martin Luther King, Jr. delivered his “I Have A Dream” speech, fifty years ago today.

The Music gave them the strength to believe they could not fail…

7. Pete Seeger – “We Shall Overcome”
from: The Essential Pete Seeger / Columbia – Legacy / 2004
[Derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

8. The Staple Singers – “When Will We Be Paid”
from: We’ll Get Over / Stax / 1970 [Released as a single in 1967]
[Their 2nd album on Stax. The song itself was inspired by a passage in Dr. Martin Luther King Jr’s I Have a Dream Speech, given at the 1963 March on Washington for Jobs and Freedom which took place 50 years ago. MLK – “When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence they were signing a promissory note … a promise that all men, yes black men as well as white men, would be guaranteed the unalienable rights of life, liberty and the pursuit of happiness. It is obvious today that America has defaulted on this promissory note insofar as her citizens of color are concerned. Instead of honoring this sacred obligation, America has given the negro people a bad check, a check which has come back marked insufficient funds.”]

9. Sweet Honey in The Rock – “I’m Gon’ Stand”
from: Little Leaves / Flying Fish / Jan. 1, 1988
[Founded in Washington in 1973 by Dr. Bernice Johnson Reagon, who wrote this song. She was a Baptist minister’s daughter who had been on the front lines of the civil rights movement. In the 1960s, Reagon performed at schools, prisons and political rallies with the Freedom Singers in support of the Student Nonviolent Coordinating Committee. Their biggest gig? Performing “We Shall Not Be Moved” at the 1963 March on Washington. Reagon retired from the group in 2004 and was replaced by two singers in a lineup that is forever changing. (There have been more than 30 singers working in Sweet Honey over the years.) ]

10. The International Noise Conspiracy / Martin Luther King Jr. – “The First Conspiracy (Drum Solo) / Let Freedom Ring”
from: Adbusters – Live Without Dead Time / Adbusters / 2003

Transition Music…

10B. Queen – “Bicycle Race”
from: Jazz / Hollywood Records / 1978

10:30– Interview with Leandra Burnett & Idris Raoufi for Main Street Day

Capitol Federal’s Main Street Day, is Sat, Sept. 7, 11:00am to 4:00pm, with the 6th annual Main Street Mile, a run from Linwood Blvd. to St. Paul’s Episcopal Day School., and then the Cyclovia Festival begins at 12:00 Noon with a car-free, care-free environment for walkers, skaters, cyclists, that will feature live music, local food vendors, and yoga lessons. More info at http://www.mainstreetday.com

Joining us to discuss Main Street Day…

Leandra Burnett is Program Manager at MainCor the champion and leading community partner of Kansas City’s Main Street Corridor. Leandra is also a co-founder and co-director of Front/Space, at 217 W. 18th in KCMO.

Idris Raoufi is a co-founding member of the 816 Bicycle Collective a volunteer run organization working to rescue, repair and redistribute bicycles.The collective wants to increase the bike community to promote alternative transportation that is healthy, inexpensive, and with zero emissions.

Main Street will be closed off from 34th to 40th Streets, with through-traffic stops at Armour Blvd. and 39th Street.

The day starts with the 6th annual Main Street Mile, a run from Linwood Blvd. to St. Paul’s Episcopal Day School. People register for the run at http://www.mainstreetday.com

After the race, the Cyclovia Festival begins at 12:00pm with a car-free and care-free environment for walkers, skaters, cyclists, Cyclovia first started in Bogata, Columbia.

To be a volunteer contact: http://www.mainstreetday.com/

10:43 – Underwriting

10:44

11. Ernest James Zydeco – “Pearlie Pearl”
from: 3 Steps From La La / Jam Rat Records / Fall 2012
[Hailing from KC Missouri, the band lineup has been constant since 2008: Ernest James on accordion and vocals, Barry Barnes on washboard, Jaisson Taylor on drums, Mike Stover on bass guitar, and Tony LaCroix on guitar. This album also includes 4 songs featuring KC’s own Betse Ellis (of The Wilders). Recorded and mixed in KC at Markosa Studios, with Mark Thies. The album was mastered by Collin Jordan at The Boiler Room in Chicago. Ernest James and Jaisson Taylor co-wrote and co-produced the songs.]

11:48 – Interview with Ernest James Zydeco & Will Leathem

Ernest James Zydeco joined us last November to tak about their release “3 Steps From La La.” Ernest James Zydeco will be in concert, Friday, August 30, at 7:00pm, at Prospero’s Uptown Books, 3600 Broadway, KCMO for a KC Bayou End-O-Summer Fais do do!

Betse Ellis joined the band for 4 songs on the new CD.

The Band:
Ernest James on Accordion, Guitar and Vocals;
Jaisson Taylor on Drums and Vocals;
Barry Barnes on Washboard and Percussion;
Mike Stover on Bass; and
Tony LaCroix on Guitar and Vocals.

Ernest James and Jaisson Taylor co-wrote 10 of the 11 songs on the new CD

Ernest James Zydeco will be in concert, Friday, August 30, at 7:00pm, at Prospero’s Uptown Books, 3600 Broadway, KCMO for a KC Bayou End-O-Summer Fais do do!

“3 Steps From La La” was recorded at Markosa Studios in KC with Mark Thies.
The band laid down the basic tracks by playing LIVE in the studio.
Mastered by Collin Jordan at The Boiler Roon in Chicago.

Ernest James Zydeco will be in concert, Friday, August 30, at 7:00pm, at Prospero’s Uptown Books, 3600 Broadway, KCMO for a KC Bayou End-O-Summer Fais do do! More info at: ejzydeco.com

11:57

12. Ernest James Zydeco – “Snap Peas” Live Performance

11:00 – Guest DJ Simone Briand

Simone Briand has lived in New York and Miami, but grew up on the high plains of western Kansas, where she learned to love the sky, sonic booms, and Engelbert Humperdink. Her older siblings’ hippie albums set her on the path to loving music of all types. A self-described zenhobo, she currently resides in OPKS and works as a librarian.

13. Sly and the Family Stone – “Stand” [single version in Mono]
from Stand / Epic Records / May 3, 1969
[4th studio album written and produced by lead singer and multi-instrumentalist Sly Stone, Stand! was the band’s breakout album. It went on to sell over three million copies and become one of the most successful albums of the 1960s.]

14. Sly and the Family Stone – “Remember Who You Are”
from Back on The Right Track / Warner Bros Records / Nov 3, 1979
[9th album, an overt comeback attempt for Sly Stone. However, the album and its singles, “Remember Who You Are” and “The Same Thing (Makes You Laugh, Makes You Cry)”, failed to live up to expectations. Some of the original Family Stone members, including Cynthia Robinson, Pat Rizzo, Freddie Stone, and Rose Stone, make contributions to this album. Back on the Right Track is the first Sly Stone album not to be produced by the artist; Mark Davis was in charge of the project.]

15. Morrissey – “I’m Okay by Myself”
from: Years of Refusal / Lost Highway / Feb 17, 2009

11:15

16. The Walkmen – “Blizzard of “96”
from: Everyone Who Pretended to Like Me is Gone / Vagrant Startime / March 26, 2002

17. Thee Oh Sees -“Humans be Swayed”
from: Moonsick EP / Castle Face / June 11, 2013

18. Regina Spektor – “Ode to Divorce”
from: Soviet Kitsch / Sire / Sept, 21, 2004

11:29 – Underwriting

Soft Reeds vinyl release listening party for “Blank City” at Mills Record Company. Thursday at 6:30pm at Mills Record Company in Kansas City, Missouri.

11:30 – Ticket give away!!!

The bands: Akkilles, Roo & The Howl, and La Guerre will be in concert at the recordBar, 1020 Westport Road, tomorrow, Thursday, AUGUST 29, 10:00 PM – 1:00 AM, Doors open at 9:00pm. We gave away two pairs of tickets to the first and second caller, at 816-931-5534.

19. Animal Collective – “The Purple Bottle”
from: Feels / FatCat Records / August 31, 2004

20. Thee Oh Sees – “I Won’t Hurt You”
from: Castlemania / In the Red Records / May 10, 2011

21. Panda Bear – “Ponytail”
from: Person Pitch / Paw Tracks / June 19, 2007

11:45

22. Thee Oh Sees – “Lupine Dominus”
from: Putrifiers II / In the Red Records / September 18, 2012

23. Orchestral Maneuvers in the Dark – “Dazzleships (Parts ll, lll & Vll) from: Dazzleships / Telegraph (Virgin) / March 4, 1983 [Remastered 2008]

24. Orchestral Maneuvers in the Dark – “Romance of the Telescope”
from: Dazzleships / Telegraph (Virgin) / March 4, 1983 [Remastered 2008]

11:59:30

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for notes on tracks: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #488